Young Designers of Australia 03 VOLUME 03 AUGUST 2021
DIGITAL ART WEB DESIGN 3D RENDERING MOTION DESIGN LOGO DESIGN TYPOGRAPHY BRAND & IDENTITY PUBLICATION DESIGN PHOTOGRAPHY ART
COVER ILLUSTRATION BY BRIDGET HAYHOE
CREATED IN MELBOURNE
Young Designers of Australia Magazine Free August 2021 Volume 03 Typeset in Moret, Futura PT, Acumin Pro. Created and Designed by Katerina Hionis designbykh.com Editing and Proofreading by Daniela Abriola Cover Illustration by Bridget Hayhoe All contributing artists are credited from pages 239–243. Young Designers of Australia is published on issuu.com and is free for online reading.
1
Introduction When submissions opened for Volume 03, we received an overwhelmingly positive response from students all around Australia who had not heard of Young Designers of Australia before. While the magazine was initially known by mainly Swinburne and RMIT students, it is incredible to witness its growth across a variety of Colleges and Universities around the country. Who would have guessed that a lockdown passion project could expand to what it has become? It sure has surprised me, in the best way possible. I am grateful for everyone that believed in the project from the beginning, with special mentions to Charlotte—who messaged everyone creative she knew to help increase submissions for Volume 01. As well as Daniela, who is an incredible editor and is full of great promotion ideas. I hope you all can enjoy Volume 03 as much as I do— there is an endless amount of amazing, high quality projects for you to see.
Katerina Hionis Creator and Designer
2
Contents Bridget Hayhoe 5 Digital Art 9 Web Design 31 3D Rendering 45 Motion Design 59 Logo Design 63 3
Typography 69 Brand & Identity 77 Publication Design 167 Photography 213 Art 233 Contributors 239 4
Meet our front cover illustrator: Bridget Hayhoe
Bridget Hayhoe is a freelance graphic designer, entering her final semester of a Bachelor of Design at RMIT. She has notably worked with RMIT Gallery, NGV and Young Artists of Australia. Currently, she owns and operates a small business, @studio.brh on Instagram.
Her favourite areas of art and design Although she is studying design, art has always been a great passion. At every possible opportunity, she likes to take time away from the screen to work tangibly. She is enthusiastic about everything, ranging from pottery to photography. She is always willing to explore new mediums. Her favourite project Recently, her favourite project to work on has been a Support Artist role on the Arts West Recovery project under Find Bridget on Instagram at @studio.brh
5
Moonee Valley City Council. The project is a paste–up collage mural composed of images of local people in the area. It can be found on the side of the Craftercise building in Airport West. Advice for aspiring creatives Bridget’s advice to aspiring creatives would be to give everything a go, regardless if it may not seem like your area of expertise; it’s always great to learn and network with new people and improve or develop a new skill!
Creative fre allows peop challenge th boundaries of design. 7
eedom ple to he s
Digita
Alex Duong Emily Chim Iris Ku James Hollingsworth Mun Yap
al Art
uang Jade Liou Sam Wright Howie
Alex Duong
ARTWORKS FOR 0084 PODCAST
2020– | SWINBURNE UNIVERSITY OF TECHNOLOGY
These illustrations are made to feature the 0084 Podcast which I participated in with my friends. It is a Vietnamese podcast telling stories about life in Vietnam through the typical sounds we hear every
day. The concept is to take something small—like a sound—and then magnify it to take listeners on a journey.
DIGITAL ART
ARTWORKS FOR 0084 PODCAST
CONTACT anomalyalex_ Alex Duong
anomalyalex.com
12
Emily Chim MY ALTER EGO
2021 | RMIT UNIVERSITY
As my time at university is coming to an end, I have been reminiscing on old projects I have created in the past and challenging myself to recreate these assignments using what I have learnt. My Alter Ego was an illustration assignment given to us in the first year that challenged us to draw ourselves in an alternate universe. When creating the new version,
I tried to keep the drawing as close to the original as possible, with only some small changes. These include snake tattoos, rather than a snake pattern on the skin. Within three years my style and quality of drawing have immensely changed and I am very proud of the progress I have made so far.
DIGITAL ART
MY ALTER EGO
CONTACT @designby.emilychim
14
Iris Kuang FRAGMENTED IDENTITY
2021 | RMIT UNIVERSITY
In this university project, we needed to design and produce a creative, direct mailer series to promote a new paper range that is laser–friendly and specialty stocks to designers and printers for Spicers Paper. As human beings, we come to understand ourselves best through our interactions with other people. Everyone you meet is your mirror.
Nowadays, we see ourselves differently, through the way we present ourselves on social media. We care so much about numbers—the numbers of followers we have, the number of likes we get. This design explores the topic of social media and our identities based on a visual theme inspired by the movement of surrealism.
DIGITAL ART
FRAGMENTED IDENTITY
16
DIGITAL ART
FRAGMENTED IDENTITY
CONTACT @irisdesign_studio
iriskuang.myportfolio.com
Yingtong Kuang
yingtongkuang@gmail.com
18
Jade Liou THE COCOON
2020 | RMIT UNIVERSITY
THE COCOON is a graphic novel about a moth larva trying to escape from a crazy scientist in a fictional world. The story is a metaphor for the courage to counter mainstream social value, rigid systems and stereotypes. To reflect the sci–fi atmosphere
of the background, I decided to create the art style of retro–futurism by using geometrical shapes, pixel fonts and textures filled with noises. Apart from the graphic novel, I also made a series of posters as promotional items.
DIGITAL ART
THE COCOON
20
DIGITAL ART
23
THE COCOON
DIGITAL ART
THE COCOON
CONTACT @jadeliou Jade Liou
jl.jadeliou@gmail.com
24
James Hollingsworth SYMBIODINIUM
2021 | RMIT UNIVERSITY
As with most of my work, this piece was a response to research into natural processes. In this particular case, I was investigating coral formation through symbiosis. I wanted to explore the complex patterns of interconnectivity through complimentary 2D
and 3D forms. All coral sections are produced by applying procedural materials to hand-drawn sketches. I arranged these digital coral elements into a composition to emphasise the beauty and complexity found in natural systems.
DIGITAL ART
SYMBIODINIUM
CONTACT @mild_ritual
26
Mun Yap WHAT A WASTE
2021 | RMIT UNIVERSITY
This series of illustrations shows concern over the packaging waste from online shopping, especially during the COVID-19 pandemic. It discusses the excessive amount of packaging used as items
are generally wrapped in layers of plastic and not recycled after. It aims to encourage a change in consumer habits.
DIGITAL ART
WHAT A WASTE
28
DIGITAL ART
WHAT A WASTE
CONTACT CONTACT @_bymooney
29
munyap.myportfolio.com
by.mooneyap@gmail.com
Sam Wright Howie ALWAYS CHASING NEVER SATISFIED
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Recently I have been connecting with the unique and relaxed style of surfing designs. As someone who enjoys going surfing, I was trying to express the never–ending feeling of desire for the next
wave in this illustration, while bringing forth my own style and perspective. It is a design like this, that often inspires me to create and I hope it has the same effect on someone else.
CONTACT @swh.designs samwhdesigns@gmail.com
30
Web D Eleanor Donley Eloyse McCall Minh Ton–Nu Wing Pang
Design Katie Zhou
Eleanor Donley ANATOMIA
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
ANATOMIA was created as a concept spa website for a Web Design unit at Swinburne University of Technology. The design has a minimal layout using negative space and an earthy colour palette
to appeal to its audience. Similar to other spa websites, it has a clean and professional aesthetic. The website was created with a responsive design for mobile and computer displays.
WEB DESIGN
ANATOMIA
CONTACT @eleanordonleydesign
34
Eloyse McCall CRISP
2020 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN
Crisp is an identity for an online streaming platform that launches carefully curated, original content. The brand’s offering is ‘the content you’ve been trying to find’—it is for the person who wants a curated selection of independent TV and film, and is frustrated when they can’t always find it. The brand aims to be the friend with the ‘hard to
find recommendations’, and the critical source you can trust. The design direction is driven by the brand’s personality and offering–sharp, poised and organised. The logotype is a bespoke typeface designed for the brand, with each letterform a balancing act of circle and line.
WEB DESIGN
CRISP
CONTACT @eloysemccall.work eloysemccall.work
36
Katie Zhou HERE
2021 | RMIT UNIVERSITY
Website visualisation design for Here, a project occurring around the city of Melbourne, which aims to acknowledge the birthplace of ideas across many creative fields including literature, art and performance. It seeks to ensure that the provenance or history of these creative contributions will not be lost. Here seeks to
provide the passer–by with a sense of where ideas have been cultivated, including areas like houses, cafés and galleries. These ideas include where authors have penned their books, theatre playwrights have observed characters, painters have captured scenes and so on.
WEB DESIGN
HERE
38
WEB DESIGN
CONTACT CONTACT @katiezhoudesign
39
HERE
Minh Ton–Nu SKEWUP
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Skewup – Retirees’ Community is a social media/ digital platform for retirees to get creative, make friends, and find things to do in their free time. The platform helps recent retirees adjust to new
lifestyles by suggesting new hobbies and skills they can take, connecting like–minded people, and prompting nearby events, volunteer works, and casual jobs.
WEB DESIGN
SKEWUP
CONTACT @heiimminh
minhtonnu.myportfolio.com
Minh Ton–Nu
minh.tonnu@outlook.com
42
Wing Pang
WING PANG’S PERSONAL WEBSITE!
2020 | UNIVERSITY OF TECHNOLOGY SYDNEY
A responsive portfolio website demonstrating my design and illustration skills. I wanted my website to be unique, colourful, cheerful and reflective of
my own personality. This website was designed and illustrated by myself with love and created through Webflow.
WEB DESIGN
WING PANG’S PERSONAL WEBSITE!
CONTACT @wing.png wingpang.com
hello@wingpang.com
44
3D Ren Joel Humphries Jono Lucas Madison Guidone Matt Allan
ndering
Joel Humphries FOMS WORLD
2021 | RMIT UNIVERSITY
I made a 3D alien world for a floristry business called FoMS. I used Cinema 4D to create and render the world. While using Adobe After Effects and Illustrator to create the animated butterflies
and pterodactyls, and colour grade. I made the sound through a combination of live sound recordings and synthesisers.
3D RENDERING
FOMS WORLD
CONTACT @joelhumphries @foms.world
48
Jono Lucas ASSORTED 3D WORKS
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Assorted 3D Works is a collection of explorative digital art pieces & motion graphics that aim to intrigue and fascinate its audience. The approach
to this project was purely to create digital artworks to develop my skills within the software that was outside of my comfort zone at the time.
3D RENDERING
ASSORTED 3D WORKS
50
3D RENDERING
53
ASSORTED 3D WORKS
3D RENDERING
ASSORTED 3D WORKS
CONTACT @jonolucas.3d
jonolucas.com
Jonathan Lucas
jonolucasart@gmail.com
54
Madison Guidone DWELL (SERIES)
2020 | CURTIN UNIVERSITY
While staying inside for most of the past year, I took time as a creative to reflect on what makes a room a personal space for most people. The possessions encapsulated within can really make a room more than a liminal space, creating a haven of self– expression. Colours, sentimental items and ideals
of comfort cement a space of value within our lives, with 2020 highlighting that more than ever. Using rendered textures such as gelatine, metals and plastics, this series abridges a ‘dollhouse’ type feel in visuals, but a homely comfort throughout subtext.
3D RENDERING
DWELL (SERIES)
CONTACT @vitaminmdesign vitaminmdesign@gmail.com
56
Matt Allan LIMIDEAD PACKAGING
2020 | BILLY BLUE COLLEGE OF DESIGN
This was an assignment where we had to create packaging for an item of our choosing. I went for the ‘easy’ option and selected baseball caps as my subject. We had to develop everything from the branding, concepts, die cut and mock–ups to support our rationale over a 12–week period. This was quite an intensive amount of work for this
short time frame. As the packaging I had designed didn’t have a ready–made mock–up that I could find online, I decided to jump onto Adobe Dimension for the first time and have a try at creating some renderings from scratch. In the end, I think the end results turned out pretty well.
3D RENDERING
LIMIDEAD PACKAGING
CONTACT mattallan.net mattallandesign@gmail.com
58
Motion Jasmin Hinss
Design
Jasmin Hinss SCOREBOARD ANIMATIONS
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
These short animations were created for the GV Bush Bash T20 League, Round 2 at Cobram Cricket Club. Type–heavy and bold, these animations created a fun atmosphere for a family day out in regional Victoria. Repetition of words was used
to help with legibility from across the field, and to create a sense of building excitement in the crowd for the next player. The colours used follow the Cobram Cricket Club’s team colours, which created reusability for future games.
MOTION DESIGN
SCOREBOARD ANIMATIONS
CONTACT @jastild jasminhinss.com
jmhinss@gmail.com
62
Logo D Hamish Mcrae
Mun Yap
Design
Hamish Mcrae TUA CASA
2021 | BILLY BLUE COLLEGE OF DESIGN
Unique typography and illustration for Tua Casa’s logo, a new homewares brand launching this year.
CONTACT CONTACT @hamish_mcrae
65
Hamish Mcrae
mcraehj@gmail.com
Mun Yap JO’S BAKERY
2020 | RMIT UNIVERSITY
Small business graphic for Jo’s Bakery. Jo is an aunt of mine who bakes well and dreams of opening a bakery. Jo’s Bakery is the friendly neighbourhood bakery of any suburb. The logo is brightly coloured, minimalistic, and cute. It features a decorative playful bespoke type. It also features a mascot,
an illustration of Aunt Jo, as she is the face of the brand and bakery. The pattern of Jo’s Bakery is a mix of minimalistic illustrations: Aunt Jo, buns and wheat. Both graphics were digitally created with Adobe Illustrator.
LOGO DESIGN
JO’S BAKERY
CONTACT @_bymooney munyap.myportfolio.com
by.mooneyap@gmail.com
68
Typog Dan Go Susanna Thibbles Zoe Baumgartner
graphy
Dan Go ARCA
2021 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN
A redesign of Arca’s 2017 self–titled album. Letterforms were hand made from copper wire, photographed and then manipulated in photoshop to create something that looks organic, textural
and alien. This was to reflect Arca’s eclectic music style. The back–cover design was intentionally left minimal to keep the focus on the front cover.
TYPOGRAPHY
ARCA
CONTACT @dan.go.designs
dangodoesadesign.com
Dan Go
dangodoesadesign@gmail.com
72
Susanna Thibbles POWER OF LOVE
2020 | DEAKIN UNIVERSITY
This typography design was inspired by the Black Lives Matter movement, in order to showcase support towards bringing justice and change. We can’t change the past but we can definitely rewrite
the future! Until black lives matter, no lives matter. ‘When the power of love, overcomes the love of power the world will know peace.’
TYPOGRAPHY
POWER OF LOVE
CONTACT @visionaryatelier
susannathibbles.myportfolio.com
Susanna Thibbles
susannathibbles@gmail.com
74
Zoe Baumgartner PANTOMIME
2020 | RMIT UNIVERSITY
PANTOMIME is a custom typeface created for the title sequences of Trudi Treble and Bonita Carzino’s film PANTOMIME. The playful sans serif is inspired by Jean Luc Godard’s hand–cut title sequences, created naively and bashfully— all whilst considering what New Wave typography
really is. PANTOMIME was made on the lands of the Kulin and Eora nations, in the suburbs of Melbourne, on a 12–hour train journey, on a Darlinghurst terrace, and in an old pub at the end of a valley.
TYPOGRAPHY
PANTOMIME
CONTACT @zoemaiaa zoebaumgartner.com
76
Brand a Identity
Alex Duong Andrea Garcia Arie Ayelen Gallardo Caroline Marta Edie Romalis Eloyse McCall Ha Iris Kuang Juno Wan Katie Zho Linda Liu Mun Yap Nick McLea
and y
ella Weinmann Dan Go amish Mcrae ou Laura King an Tyler Hall
Alex Duong
VIRA CITY—MARS RESETTLEMENT
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
A designed brand and identity of an imaginary city on Mars when Earth needs a break from humankind to heal herself and regenerate. Vira City introduces ‘the first Martians’ with the idea of community, innovation and sustainability. As well as increasing the awareness of the present
environmental problem on Earth. The identity inspired by the image of a rising star—connecting Mars and Earth—indicates a new start after the resettlement and mark human’s first step to a multi–planetary future.
BRAND AND IDENTITY
VIRA CITY—MARS RESETTLEMENT
80
BRAND AND IDENTITY
VIRA CITY—MARS RESETTLEMENT
CONTACT anomalyalex_ Alex Duong
anomalyalex.com
82
Andrea Garcia VIDA
2021 | RMIT UNIVERSITY
A personal branding project I did during my internship with a sustainable B2B food production company. They needed to make a B2C brand for their product; targeted towards Gen Z audiences. As a result, I made an imaginary brand called Vida, meaning ‘life’. I wanted to invite a fresh, colourful
approach to promote the benefits of eating healthy ingredients whilst still integrating the company’s mission: to feed billions and promote healthier ecosystems. The Pereskia leaf is a highly nutritious ingredient that originates in Brazil, so I made sure to include the country’s vibrant colours and patterns.
BRAND AND IDENTITY
VIDA
CONTACT @andrea.dsgns
s3848780.myportfolio.com
Andrea Garcia
garcia.a2302@gmail.com
84
Ariella Weinmann G&
2021 | RMIT UNIVERSITY
G& takes a contemporary twist on your favourite classic, Gin & Tonic. Featuring a range of fruity flavours, G& is distilled to the utmost quality using Australian ingredients, bursting with flavour, creativity and spirit. Distilled in the heart of Healesville, in Victoria’s Yarra Valley, G& draws on the lush surroundings to bring that fresh and
vibrant flavour to your palette. With flavours ranging from Elderflower, Italian Blood Orange, Pink Raspberry, and Lime & Yuzu, you are sure to be refreshed from the first sip. And our drinks are just the starting point. Let your mind and creativity flow with the endless possibilities of mixed concoctions, using G& as your starting point.
BRAND AND IDENTITY
G&
CONTACT @ariellawdesigns ariellaweinmann.com
ariella.weinmann@gmail.com
86
Ayelen Gallardo LISTEN
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
LISTEN is a non–profit organisation that promotes the visibility and experiences of excluded and underrepresented people across the music industry. Due to COVID–19, LISTEN had to cancel all of its events in 2020. To reintroduce them to the music scene, I created a re–branding and advertising campaign. For LISTEN to have a strong presence and return to the music industry, I created an advertising campaign. This was to let the audience
know that LISTEN is back and ready to raise awareness about the lack of diversity in the music industry and support artists that are part of the minority. For the re–branding, the goal was to design a brand identity that stays consistent while properly representing the organisation, its values, mission and vision. Note: photography used is property of LISTEN.
BRAND AND IDENTITY
LISTEN
88
BRAND AND IDENTITY
89
LISTEN
BRAND AND IDENTITY
LISTEN
CONTACT @ayelen.design ayelen.myportfolio.com
ayelenarantxa@hotmail.com
90
Caroline Marta DI MEJA MAKAN
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Di Meja Makan is an online homemade F&B business that I developed during the pandemic for my client. When the pandemic hit us in Indonesia, tons of ‘creativepreneur’ were so enthusiastic to build their business. It gave us designers, a big chance to help and support the local entrepreneurs in many ways. I was glad to work with the owners of Di Meja Makan since they appreciated the
outcomes. This brand identity colour palette is inspired by the Bauhaus design movement that uses all the bold vibrant primary colours. If you noticed, the logogram also can be read as the whole sentence for the main logotype. The logogram conveys the meaning itself, ‘Di Meja Makan’, which means ‘From the Dining Table.’
BRAND AND IDENTITY
DI MEJA MAKAN
92
BRAND AND IDENTITY
DI MEJA MAKAN
CONTACT @crolinemrta Caroline Marta
crolinemrta@gmail.com
94
Caroline Marta VISION FORGED
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Vision Forged is a Bespoke Forged Wheel company based in Los Angeles, CA, United States. They specialise in unique customisations from specs, designs, colours, finishes, millings (engravings) and cap designs. Forged wheels deliver performance and luxury at the same time. In this stage, I stepped out of my comfort zone to design a brand identity that needed to be masculine and fresh at the same
time. My client wanted to incorporate the ‘L.A.’ vibes into its visual aesthetic since their business started in Los Angeles. I was challenged to create a series of cap product designs, and the overall project turned out to be visually satisfying. This work is one of my most challenging projects and I’m happy that my design can be impactful globally.
BRAND AND IDENTITY
VISION FORGED
96
BRAND AND IDENTITY
VISION FORGED
CONTACT @crolinemrta Caroline Marta
crolinemrta@gmail.com
98
Caroline Marta
VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Vitra is not only just a brand but rather a staple of design. This piece is a final project that I did for my online course ‘Wayfinding & Signage Design’ at the University of the Arts London (UAL). The brief was to ‘create a series of visual communication and environmental graphic design application for your chosen museum theme’. Here, I have Vitra Museum to be explored further based on their existing brand identity. I am satisfied with my creativity in regard to producing a series of picogram designs for
Vitra. Learning how to create a circulation diagram for visitors, deeper knowledge about the space you use, design a balance, harmony and efficient wayfinding & signage strategy was the main goal here. The class with UAL really opened my eyes to a new and fresh perspective on how to achieve a successful environmental design strategy to solve visitor’s problems in the space and solve the spatial problem itself.
BRAND AND IDENTITY
VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’
100
BRAND AND IDENTITY
101
VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’
BRAND AND IDENTITY
VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’
CONTACT @crolinemrta Caroline Marta
crolinemrta@gmail.com
102
Dan Go ORAETTA GIN
2021 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN
This was a student brief, it was to ‘design a brand identity for a Tasmanian small–batch distillery’. The clients were two young artists who had previously worked as an illustrator and a writer.
The end result is a cheeky and youthful brand identity that draws inspiration from the clients’ respective backgrounds. This was done by mixing hand–drawn elements with typed components.
BRAND AND IDENTITY
ORAETTA GIN
104
BRAND AND IDENTITY
ORAETTA GIN
CONTACT @dan.go.designs
dangodoesadesign.com
Dan Go
dangodoesadesign@gmail.com
106
Edie Romalis LES DAMES BLANCHEST
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Les Dames Blanches is a contemporary conceptualisation of the ancient French myth. Les Dames Blanches, meaning ‘The White Ladies’ is about the curious women dressed in white, who await young men in the darkest depths of the forest. Through digital image–making processes and
experimental photography, the story is brought to a contemporary audience as an Australian Ballet performance, with a range of digital and printed design outcomes to immerse the audience into the story—slowly discovering what these curious young women were up to.
BRAND AND IDENTITY
LES DAMES BLANCHES
108
BRAND AND IDENTITY
LES DAMES BLANCHES
112
BRAND AND IDENTITY
LES DAMES BLANCHES
CONTACT @edie.comm ediesimone.com
edieromalis@gmail.com
114
Edie Romalis THE OPEN DIARY PROJECT
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
The Open Diary Project is a campaign strategy developed in response to a university brief. The campaign aims to empower menstruating youth aged between ten and 21 years, regardless of gender identity, race or social status. The campaign wants to eliminate the silence and stigma around menstruation. Teenagers confide in their diaries with absolute vulnerability and transparency.
By creating posters, a website and social media platforms, teens are invited to interact (write, draw, type) and share their experiences around menstruation. The Open Diary Project demonstrates authenticity and vulnerability to empower youth to speak about their experiences and make noise for menstruation.
BRAND AND IDENTITY
THE OPEN DIARY PROJECT
116
BRAND AND IDENTITY
THE OPEN DIARY PROJECT
118
BRAND AND IDENTITY
THE OPEN DIARY PROJECT
CONTACT @edie.comm ediesimone.com
edieromalis@gmail.com
120
Eloyse McCall PLEASURE
2020 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN
Pleasure is a brand identity for a gender–neutral make–up subscription service. The brand concept plays on the idea of personal identity as a form of perception—something that is fluid and can transform at will. Positioning make–up as a tool to present, play with, and feel confident in your own identity. The logotype is designed with boldness,
inclusivity and playfulness in mind. The ‘ur’ in ‘pleasure’ is highlighted to play on the brand name as ‘ur pleasure’, as well as being able to stand alone as a separate monogram. Displacement maps have been applied to portrait photography to achieve a sense of illusion and distortion, as a reference to the notion of perception.
BRAND AND IDENTITY
PLEASURE
CONTACT @eloysemccall.work eloysemccall.work
122
Hamish Mcrae MRC BRANDING
2021 | BILLY BLUE COLLEGE OF DESIGN
MRC is a branding concept for a contemporary construction and renovations company. The brand includes a custom typeface that revolves around the theme of ‘structure’ and ‘progress’. By using soft colours, they diminish the harsh stereotypes
of the construction labour industry and offers a welcoming, friendly feel to the business. The logo and typeface can be manipulated to provide a stimulating and fun brand identity that offers a range of uses.
BRAND AND IDENTITY
MRC BRANDING
CONTACT @hamish_mcrae mcraehj@gmail.com
Hamish Mcrae
124
Hamish Mcrae VOLI
2021 | BILLY BLUE COLLEGE OF DESIGN
The rate of Australian’s contributing to volunteering organisations has declined by 20% since 2014. People aged 30 and under are the least likely to participate in volunteering activities. Where those that want to, often struggle to find the right opportunity or organisation for them. Voli is a non– profit initiative concept that aims to encourage younger generations to seek, participate in and share volunteering opportunities in their local city. Working with organisations in need of extra hands,
Voli offers a platform to list volunteering jobs on a dedicated app and website so that younger Australians may have greater access to support their community in a meaningful way. When designing the brand, the vision of the organisation was to foster a greater sense of the community and spread positivity. I wanted the branding to be eye– catching, relevant and exciting. Integrating a hand into the logo demonstrates several meanings and communicates the brand purpose.
BRAND AND IDENTITY
VOLI
CONTACT @hamish_mcrae Hamish Mcrae
mcraehj@gmail.com
126
Hamish Mcrae, Isabel Ugonotti, Phoebe Perkins, Ruby Lewis WASTE WEEK
2021 | BILLY BLUE COLLEGE OF DESIGN
Waste Week is an initiative concept created by Isabel Ugonotti, Hamish Mcrae, Ruby Lewis and Phoebe Perkins. The aim is to encourage Gen Z to reduce their food wastage and eliminate further contribution to climate change. As a plug into the
Woolworths Rewards app, users can track their progress and earn points for pledging to participate in ‘Waste Week’. The branding uses fun and colourful tones to communicate with viewers and shift perceptions of left–over or aged produce.
BRAND AND IDENTITY
WASTE WEEK
128
BRAND AND IDENTITY
129
WASTE WEEK
BRAND AND IDENTITY
WASTE WEEK
CONTACT @hamish_mcrae @byisabelugonotti
@phoebeperkins_
130
Iris Kuang GALA
2021 | RMIT UNIVERSITY
Gala is a conceptual ethical indie beauty brand based in Melbourne. It is positioned in the mid to premium range market. They make plant–based, cruelty–free, vegan beauty and haircare. This brand name was inspired by DalÃ’s muse and wife Gala DalÃ. I produced a set of three adhesive labels
for their hair oil products (rose, lavender, sweet almond). To create a unique and natural feel of the design, I generated those graphics by brushing watercolour on objects and stamping them on paper, and then further manipulated in Photoshop.
BRAND AND IDENTITY
GALA
CONTACT @irisdesign_studio
iriskuang.myportfolio.com
Yingtong Kuang
yingtongkuang@gmail.com
132
Iris Kuang RETRIBE
2021 | RMIT UNIVERSITY
Retribe is a non–profit campaign and online platform, that introduces eco-conscious young generations to zero waste living. Inspiring them to reduce plastic consumption and waste through everyday choices and actions. This campaign aims to introduce and make zero waste lifestyle more accessible and help the eco–conscious young ones to kickstart their journey. With a 21–day
mini challenge, they are able to form habits and an online community platform to record and share their stories, get inspiration and courage from each other. It’s also a place for them to be empowered with information to reduce their waste and live in alignment with their environmental values.
BRAND AND IDENTITY
RETRIBE
134
BRAND AND IDENTITY
137
RETRIBE
BRAND AND IDENTITY
RETRIBE
CONTACT @irisdesign_studio
iriskuang.myportfolio.com
Yingtong Kuang
yingtongkuang@gmail.com
138
Juno Wan MORNING KICK
2021 | RMIT UNIVERSITY
Daniel James moved from Sydney to Melbourne two years ago, because of his love of coffee. His dream was to have a small coffee shop in Melbourne’s
CBD, near popular office spaces. The café is named Morning Kick and he needed a complete visual identity for his new venture.
BRAND AND IDENTITY
MORNING KICK
CONTACT @juno_wan junowan.com
hello@junowan.com
140
Katie Zhou MAKEUP WITH AL
2021 | RMIT UNIVERSITY
A collection of playful branding material created for Makeup With Al. Al’s bold and striking make–up looks acted as the catalyst for the development of this brand identity. I have chosen a limited vibrant blue and pink colour palette throughout, with an emphasis on shape and form as a way
for customers to understand what type of service they will receive. The main overarching design that brings everything together is the logo, which is made up of personalised serifs, as well as the incorporation of makeup brushes into the letters.
BRAND AND IDENTITY
MAKEUP WITH AL
CONTACT @katiezhoudesign
142
Katie Zhou IN THE LOOP
2021 | RMIT UNIVERSITY
Promotional material for In The Loop, an exhibition at ACCA, dissecting toxic productivity and hustle culture which has become so prevalent today. This looks at how our internalised capitalism has fuelled a desire to be constantly productive, where workaholism has been romanticised with sayings like ‘the grind never stops’. Why is it that
we feel lazy if we are not doing anything ‘important’? This work–obsessed world has reached an unhealthy stage where this hustle culture can lead to toxic productivity. Which ultimately results in a prioritisation of work over mental health and relationships.
BRAND AND IDENTITY
IN THE LOOP
144
BRAND AND IDENTITY
IN THE LOOP
CONTACT @katiezhoudesign
146
Laura King EASY PEASY
2019 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Easy Peasy is a fictitious food box delivery service. It prides itself on being environmentally conscious and providing high quality, healthy meals that are easy to prepare. This product is specially targeted towards those who feel uninspired in the kitchen, those that feel like they should cut down on takeaway and or those who just don’t have time
to go to the supermarket! The smiley face brandmark reflects the brand’s values of simplicity and positivity, as well as reflecting the fun and stress–free experience of buying and cooking meals. The hand-drawn look of the imagery is continued into the typeface choice, to convey a fun, easygoing and personal appearance.
BRAND AND IDENTITY
EASY PEASY
CONTACT @lauraking.design to.lauraking@gmail.com
148
Linda Liu 1MM NAILS
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Miree Han is a Korean nail artist who recently started her brand 1mm Nails. The brand focuses on individuality, creativity and being unique. She wants to break the mould from what is already there. She needed a brand identity that emulates her values in a contemporary direction that will establish her in the Melbourne community. Strong, punchy and wavy type creates dynamic and clear
communication with a playful tone of voice. Bold and warm imagery replicates the uniqueness, individuality and experimentalism that she brings to her designs. The colour palette, although soft and delicate is striking against the bold type and imagery. This evokes a sense of vibrancy that best represents the energy that she brings.
BRAND AND IDENTITY
1MM NAILS
150
BRAND AND IDENTITY
151
1MM NAILS
BRAND AND IDENTITY
1MM NAILS
CONTACT @l__nda.l linda.liuu8@gmail.com
152
Linda Liu JANUS
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Janus is known to be the first Roman deity, often referred to as the ‘god of gods’ in the beginning, and end of time and duality. An advertisement poster and mini publication were created for the fictitious play ‘Janus’ hosted by Opera Australia. For the poster, a refined and contemporary approach was taken where the contrasting
juxtaposition of both the distorted figure and the black and white imagery casts a striking softness, emulating an otherworldliness. This theme was continued throughout the publication. It also takes on a post–modernist approach to its structural layout which exemplifies the power Janus held.
BRAND AND IDENTITY
JANUS
154
BRAND AND IDENTITY
155
JANUS
BRAND AND IDENTITY
JANUS
CONTACT @l__nda.l linda.liuu8@gmail.com
156
Mun Yap EPOCH PUBLISHING
2021 | RMIT UNIVERSITY
The brief was to design a logo and identity/ collaterals for Epoch Publishing, a contemporary publishing company that works with various artists and writers, from Australia and abroad. Epoch Publishing publishes art books, limited edition print books, art prints. It also offers these in digital form such as eBooks. The final logo is contemporary, features an icon that can be used individually
without the wordmark. The logo icon was inspired by the image of an open book (top view), and the visualisation of the ‘structural’ and ‘inclusiveness’ of the brand essence. The strokes are slightly rounded, reflecting print, stamps, a sense of craft. The chosen spot colour is green, representing the eco–friendliness and sustainable aspect of the company.
BRAND AND IDENTITY
EPOCH PUBLISHING
CONTACT @_bymooney munyap.myportfolio.com
by.mooneyap@gmail.com
158
Nick McLean SHINE
2020 | RMIT UNIVERSITY
SHINE is a non–profit employment agency that connects disadvantaged university students in Melbourne to local and ethical employers to cultivate a healthy work–life–study balance. SHINE operates around five core values: sustainability, hope, inspiration, networking and education. They integrate all of these values to assist disadvantaged students to find employment that empowers them to succeed in their degrees. To help find employment, SHINE hosts workshops
and finds students jobs with ethical and local employers as well as employment that is relevant to their studies. SHINE offers mentorship and provides students with essential resources such as 12–month prepaid MYKI passes, clothes that will stand out at interviews and jobseeker seminars. Nick designed the brand identity which included a logo and brand toolkit, posters, website, social media content and welcome packs.
BRAND AND IDENTITY
SHINE
160
BRAND AND IDENTITY
161
SHINE
BRAND AND IDENTITY
SHINE
CONTACT @nickmclean.design nickmclean.design
162
Tyler Hall ARTEM WINES
2018 | TASTAFE
Packaging and branding for Artem Wines which is a vineyard based in the Derwent Valley in Southern Tasmania. The small historic town of Bushy Park provides the perfect cool climate for wine grape growing. The truly unique cellar door is situated within the distinguished octagonal
kiln—a traditional hop drying kiln built in the late 1800s—making for a special experience. The branding reflects the weird and the wonderful of Tasmania, with quirky labelling showcasing wonderful creatures and the history of the town.
BRAND AND IDENTITY
ARTEM WINES
CONTACT @typedesigns_ typedesigns.com.au
tyler@typedesigns.com.au
164
Tyler Hall BANK OF TASWEGIA
2018 | TASTAFE
Branding, advertising and copywriting material for Bank of Taswegia, which is a Tasmanian owned and operated bank. This campaign is targeted at young Tasmanians (or Taswegians if you will) who are your typical University students and casual workers. Just young people living their best life. The slogan
‘We get it’ is used to build an understanding feeling with the given audience to show that in a busy world, they are understood. This language is used strongly throughout the copywriting which also has a Tassie touch to it.
BRAND AND IDENTITY
BANK OF TASWEGIA
CONTACT @typedesigns_ typedesigns.com.au
tyler@typedesigns.com.au
166
Publica Design
Alice Yu Edie Romalis Eleanor Emilija Prodic Iris Kuang Jenna Lachlan Banham Laura King Li Sam Brown Theresa Lee
ation n
Donley a Cahill inda Liu
Alice Yu
ALL ABOUT YUUUUUU
2020 | RMIT UNIVERSITY
Having spent the majority of my time at home, with no more visits to café’s or restaurants, I was forced to turn my kitchen into a mini café. This gave me the idea to create a mini–cookbook/zine inspired by my kitchen and develop a suitable brand language. The mini cookbook explores the different types of
snacks that I would consume depending on my moods throughout the semester. I decided to focus on snacks since this was more common now than ever, as spending more time at home allowed the freedom for me to eat whenever I wanted.
PUBLICATION DESIGN
ALL ABOUT YUUUUUU
CONTACT @aliceyu_designs aliceyu.myportfolio.com
170
Edie Romalis BLOOM
2019 | SWINBURNE UNIVERSITY OF TECHNOLOGY
The city is captivating, it is full of endless opportunities and activities, but as the days begin to repeat themselves, there’s nothing more exciting than the opportunity to take a well– deserved break from the bustling city. Bloom is a printed and online guide to help you escape and rejuvenate by guiding you through some of the best inner city nature escapes, following the
Yarra River. The floral elements used in this publication were sourced from each location, pressed and scanned digitally. However, one thing that was not done at the time, but I would like to do now, is to acknowledge the traditional owners of the land in which this guide takes place. Recognising and paying respects to the Boon Wurrung and Wurundjeri people of this beautiful, stolen land.
PUBLICATION DESIGN
BLOOM
172
PUBLICATION DESIGN
173
BLOOM
PUBLICATION DESIGN
BLOOM
CONTACT @edie.comm ediesimone.com
edieromalis@gmail.com
174
Edie Romalis
SYNAESTHESIA: LIFE IN TECHNICOLOUR
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Inspired by Melbourne Museum’s ‘The Mind: Enter the Labyrinth’ exhibition, Synaesthesia: Life in Technicolour is an information pack on the topic of grapheme–colour synaesthesia. Through the usage of bold and bright multi colouring, contrasted with harsh blacks, the info pack visually explores the effects of grapheme–colour synaesthesia to immerse the audience into the neurological
condition and enhance their informative journey. Interactivity with the pack is incorporated through the use of ‘hidden’ textual content, that can be viewed through the red, transparent viewfinder, and other printing techniques such as the transparent film, juxtapose the two perceptions of a synaesthete’s and non–synaesthete’s world.
PUBLICATION DESIGN
SYNAESTHESIA: LIFE IN TECHNICOLOUR
176
PUBLICATION DESIGN
SYNAESTHESIA: LIFE IN TECHNICOLOUR
CONTACT @edie.comm ediesimone.com
edieromalis@gmail.com
178
Eleanor Donley AHOY
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
There are endless publications out there that explore tourism by car, tram, train or foot but not many by water. Ahoy was created as a guide to Melbourne’s waterways showcasing the different experiences available to people via water.
It provides individuals with a unique perspective of the city and allows them to view it through a different lens. The design of the composition has combined typography and illustration to embody the movement of water throughout the publication.
PUBLICATION DESIGN
AHOY
CONTACT @eleanordonleydesign
180
Emilija Prodic A ZINE ABOUT SEGOE UI FONT
2021 | RMIT UNIVERSITY
This experimental zine explores the font used by Microsoft, which is Segoe UI. Throughout the zine, see–through pages with printed stickers on them are visible. The zine itself is inside of a file folder
to match Windows and Microsoft aesthetics. One of the spreads, a photograph of the creator of the Segoe UI font, is created by only using letters and punctuation marks.
PUBLICATION DESIGN
A ZINE ABOUT SEGOE UI FONT
CONTACT @bobawillbeback Emilija Prodic
emaprodic@gmail.com
182
Emilija Prodic THIS IS FOR A UNI UNASSIGNMENT
2021 | RMIT UNIVERSITY
The project, this is for a uni UNassignment, is a zine compiling my impressions and reflection on the communication design course at RMIT University. It is an experimental zine, where each page was cut in a way that forms an unusual and innovative format of publication. Since I had the freedom to
choose the medium that I would work in, I chose publication as it offered me a broad platform to experiment. Playing with the shape of the pages and fitting all desired content into unusually cut pages was challenging, but the outcome was something innovative with a unique flow.
PUBLICATION DESIGN
THIS IS FOR A UNI UNASSIGNMENT
CONTACT @bobawillbeback Emilija Prodic
emaprodic@gmail.com
184
Iris Kuang
VERDECKT ANNUAL REPORT 2020
2021 | RMIT UNIVERSITY
Verkeckt is a conceptual avant–garde fashion label that dares to go against the conventional norm and embraces the up-cycling ethos, aiming for a more sustainable fashion. Verkeckt is a German word that means ‘concealed and undercover’. The annual report is so much more than legal compliance to
communicate the authentic company culture and market the brand awareness, I used treatment of photographs, wayfinding looking graphics and elements of the logo to build up the underground hype of the brand.
PUBLICATION DESIGN
VERDECKT ANNUAL REPORT 2020
186
PUBLICATION DESIGN
187
VERDECKT ANNUAL REPORT 2020
PUBLICATION DESIGN
VERDECKT ANNUAL REPORT 2020
CONTACT @irisdesign_studio
iriskuang.myportfolio.com
Yingtong Kuang
yingtongkuang@gmail.com
188
Jenna Cahill ZERO
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Zero is a sustainable publication with the aim to spark thoughts and conversations on ways to live more sustainably. For me, it was a highly creative project but also allowed me to investigate one of my biggest interests outside of the design world —the environment! In a busy world, there is not always time to put hours into researching ways
to live more sustainably, Zero hopes to be an accessible way for people to find new ideas from Australia and around the globe, to inspire them to continue to make small changes to their lifestyle. Creating Zero allowed me to reflect on what I can personally contribute to fighting climate change.
PUBLICATION DESIGN
ZERO
CONTACT @jennacahillart Jenna Cahill
jennamcahill@gmail.com
190
Lachlan Banham
THE CULTURAL POLITICS OF GENDER PERFORMANCE
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
The Cultural Politics of Gender Performance by Benzi Zhang is an essay that analyses the suppression, mistreatment and lack of representation of the homosexuality community in Chinese society, through cultural values of masculinity through art, theatre and film. This publication creatively expresses these issues
through the use of black and white imagery and bold typography. It is juxtaposed with feminine colours and decorative elements inspired by traditional brush strokes and gender symbols. The publication was created using Adobe InDesign, Photoshop, Illustrator and the application Procreate.
PUBLICATION DESIGN
THE CULTURAL POLITICS OF GENDER PERFORMANCE
CONTACT @lachi.e lachlanbanham.xyz
dribbble.com/lachlanbanham
192
Laura King
EXPERIMENTAL TYPOGRAPHY PUBLICATION
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
The purpose of this publication was to design a dynamic and creatively expressive, monothematic publication that explores experimental typography and type as an art form. Expressive typography— manipulated in different ways—is the focal point
throughout the publication, as it works together and in contrast with the body text. To create a modern, forward–thinking and cohesive design, the overall layout is also experimental and strategic in placement.
PUBLICATION DESIGN
EXPERIMENTAL TYPOGRAPHY PUBLICATION
CONTACT @lauraking.design to.lauraking@gmail.com
194
Laura King
ROYAL BOTANIC GARDENS ANNUAL REPORT
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
The publication aimed to create a functional, engaging and memorable annual report for The Royal Botanic Gardens Victoria. It encompassed the vision, values and purpose of the organisation.
The creative direction was to capture the relaxing and organic environment through photography and a natural colour palette. It’s drawn from the photographs of the rich and diverse flora.
PUBLICATION DESIGN
ROYAL BOTANIC GARDENS ANNUAL REPORT
CONTACT @lauraking.design to.lauraking@gmail.com
196
Linda Liu
PLACE AND PLACELESSNESS
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
Place and Placelessness ‘Key Texts in Human Geography’ by Phil Hubbard (2008) explores the nuances of the human relationship being displaced, or rather, the idea of the relationship between how humans interact with a place. Exploring the desire to understand relationships between how humans interact with their surroundings, the publication
aimed to see how text and imagery can instil confusion and uneasiness towards the reader. The process was about evoking emotions that best emulate familiarity and unfamiliarity through distorted and staggered illustration and typography, but still within a strict and rigid system.
PUBLICATION DESIGN
PLACE AND PLACELESSNESS
198
PUBLICATION DESIGN
199
PLACE AND PLACELESSNESS
PUBLICATION DESIGN
PLACE AND PLACELESSNESS
200
PUBLICATION DESIGN
PLACE AND PLACELESSNESS
CONTACT CONTACT @l__nda.l linda.liuu8@gmail.com
202
Sam Brown CLUB SAMMICH
2021 | UNIVERSITY OF SOUTH AUSTRALIA
Club Sammich is a magazine formed as part of a digital publication class. It showcases Adelaide’s cult sandwich uprising and features five of the city’s best sammiches. The design was heavily inspired
by traditional signwriting and kitsch aesthetics and its joyful presence create a bold impact in the designer’s portfolio.
PUBLICATION DESIGN
CLUB SAMMICH
204
PUBLICATION DESIGN
CLUB SAMMICH
CONTACT @sam.brown.design sam-brown-design.myportfolio.com
208
Theresa Lee
RYUICHI SAKAMOTO VINYL ALBUM SERIES
2020 | THE UNIVERSITY OF MELBOURNE
incomplete.—a series of 11 tracks composed by Ryuichi Sakamoto in collaboration with various artists. This project builds a vinyl box–set around the 11 tracks, with one track on each vinyl and is accompanied by 11 posters. The colour progression between the sleeves displays a gradient display, illustrating the colour transition of the sky during twilight. Encapsulating the eerie and atmospheric
sound, the sleeve construction animates when pulling out the vinyl, and breathes life into the shadows that move in the mist. The hole punched in the back of the outer sleeves and dots on the label reflect the sequence and mimic stars, while selected images on the sleeve illustrate the feeling of the track and are further applied to the posters.
PUBLICATION DESIGN
RYUICHI SAKAMOTO VINYL ALBUM SERIES
210
PUBLICATION DESIGN
RYUICHI SAKAMOTO VINYL ALBUM SERIES
CONTACT @ti_el.pdf ti-el.com
theresalee0311@gmail.com
212
Photog Caroline Marta Linda Liu Sam Wright Howie
graphy
Caroline Marta
ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM
2019 | SWINBURNE UNIVERSITY OF TECHNOLOGY
It’s obvious to everyone who meets me that I love to travel. The idea of travelling—packing my bags, and disappearing to someplace new—lives inside the brain all the time. I’m an observant traveller who always brings a camera with me, digital or analogue. The photos I capture through my analogue camera are full of surprises, which is one of the most exciting parts of travelling. Back in 2019, right before the pandemic, I had the greatest blessing to travel around the West Coast for three weeks. This is a series of few shots that I took from
my perspective with my pocket analogue camera. I tend to make the bold statement that ‘film is on its way back into our modern lives’ for one reason. Slow, intentional, mindful practices are becoming more and more adopted into our daily lives. Analogue helps me live slow. It gives me the extra minute in the hustle and bustle of adventure to breathe, acknowledge the beauty, and relish in the intentional steps of documentation. It’s a beautiful thing.
PHOTOGRAPHY
ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM
216
PHOTOGRAPHY
219
ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM
PHOTOGRAPHY
ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM
CONTACT @crolinemrta Caroline Marta
crolinemrta@gmail.com
222
Linda Liu PHOTOGRAPHY
2018–21 | SWINBURNE UNIVERSITY OF TECHNOLOGY
A few selected works with a focus on portraiture using natural lighting. The majority of the images are focused on fashion from a variety of different briefs. However, all focus is on bringing allure to
the audience. I wanted the models to convey a story that draws the audience in with their eyes, telling a story of their own.
PHOTOGRAPHY
PHOTOGRAPHY
224
PHOTOGRAPHY
227
PHOTOGRAPHY
PHOTOGRAPHY
PHOTOGRAPHY
CONTACT @l__nda.l linda.liuu8@gmail.com
230
Sam Wright Howie TRANSLUCENT PHOTOGRAPHY
2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY
This project was made for Photography and Art Direction in semester one, 2021. The translucent bottle/brand I selected for this project was Campari. My intention with the brand portrayal was to keep the style and feel of the vintage posters that Campari is known for, except convey the style photographically. This led me to select the bright
green colours to contrast with the deep red of the bottle. The social media image is contrasting with the poster and billboard by conveying an image of class and wealth. Meeting the audience on social media with a distinguished image that portrays who they could be if they drank Campari.
PHOTOGRAPHY
TRANSLUCENT PHOTOGRAPHY
CONTACT @swh.designs samwrighthowiesam@gmail.com
232
Art Clarine Wilmar
Laura King
Clarine Wilmar
MELBOURNE’S COASTAL NOCTURNAL WORLDS
2021 | RMIT UNIVERSITY
The mixed media artworks within this project explore Melbourne’s lively, but hidden nocturnal worlds—specifically focusing on the coastal habitats. The full moon’s powerful energy has state altering effects, transforming the seaside inhabitants into anthropomorphic beings.
The celebratory nature of these scenes captures the otherworldly persona of nocturnal land and sea animals that are often hidden in plain sight. With such great vastness and ever–changing natural elements, the sea is full of mysterious but alluring beings.
ART
MELBOURNE’S COASTAL NOCTURNAL WORLDS
CONTACT @clarinewilmar_art clarinewilmar@gmail.com
236
Laura King THE BOY WHO DREW CATS
2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY
The Boy Who Drew Cats is a Japanese fairytale that follows a young boy’s journey with his unusual gift. This visual adaptation is a shadow puppet stage production and children’s magazine. It retells the story from the boy’s perspective many years later,
sharing the story with his grandchildren. The tale is brought to life through various modes of image–making such as illustration, photography and collage.
ART
THE BOY WHO DREW CATS
CONTACT @lauraking.design to.lauraking@gmail.com
238
Contributors *CONTRIBUTORS ARE LISTED IN ORDER OF APPEARANCE
DIGITAL DESIGN
WEB DESIGN
3D RENDERING
MOTION DESIGN
LOGO DESIGN
TYPOGRAPHY
BRAND & IDENTITY
PUBLICATION DESIGN
PHOTOGRAPHY
ART
Alex Duong
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 11–12, 79–82
INSTAGRAM @anomalyalex_
BEHANCE Alex Duong
WEBSITE anomalyalex.com
Emily Chim RMIT UNIVERSITY
PG 13–14
INSTAGRAM @designby.emilychim
Iris Kuang RMIT UNIVERSITY
PG 15–18, 131–138, 185–188
EMAIL yingtongkuang@gmail.com
INSTAGRAM @irisdesign_studio
WEBSITE iriskuang.myportfolio.com 239
Jade Liou
RMIT UNIVERSITY
PG 19–24
EMAIL jl.jadeliou@gmail.com
INSTAGRAM @jadeliou
BEHANCE Jade Liou
Sam Wright Howie
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 30, 231–232
EMAIL samwhdesigns@gmail.com
INSTAGRAM @swh.designs
James Hollingsworth
Eleanor Donley
PG 25–26
PG 33–34, 179–180
RMIT UNIVERSITY
SWINBURNE UNIVERSITY OF TECHNOLOGY
@mild_ritual
@eleanordonleydesign
Mun Yap
Eloyse McCall
RMIT UNIVERSITY
PG 27–29, 66–68, 157–158
EMAIL by.mooneyap@gmail.com INSTAGRAM @_bymooney
WEBSITE munyap.myportfolio.com
SHILLINGTON COLLEGE OF GRAPHIC DESIGN
PG 35–36, 121–122
INSTAGRAM @eloysemccall.work
WEBSITE eloysemccall.work
Katie Zhou
Joel Humphries
Matt Allan
PG 37–39, 141–146
PG 47–48
PG 57–58
@katiezhoudesign
@foms.world @joelhumphries
mattallandesign@gmail.com
RMIT UNIVERSITY
RMIT UNIVERSITY
BILLY BLUE COLLEGE OF DESIGN
WEBSITE mattallan.net
Minh Ton-Nu
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 40–42
Jono Lucas
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 49–54
EMAIL minh.tonnu@outlook.com
jonolucasart@gmail.com
@heiimminh
WEBSITE
@jonolucas.3d
minhtonnu.myportfolio.com
WEBSITE jonolucas.com
Jasmin Hinss
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 61–62
EMAIL jmhinss@gmail.com
INSTAGRAM @jastild
WEBSITE jasminhinss.com
Wing Pang
UNIVERSITY OF TECHNOLOGY SYDNEY
PG 43–44
EMAIL hello@wingpang.com
INSTAGRAM @wing.png
WEBSITE wingpang.com
Madison Guidone CURTIN UNIVERSITY
PG 55–56
Hamish Mcrae
BILLY BLUE COLLEGE OF DESIGN
PG 65, 123–130
vitaminmdesign@gmail.com
mcraehj@gmail.com
@vitaminmdesign
INSTAGRAM @hamish_mcrae
BEHANCE Hamish Mcrae
240
DIGITAL DESIGN
WEB DESIGN
3D RENDERING
MOTION DESIGN
LOGO DESIGN
TYPOGRAPHY
BRAND & IDENTITY
PUBLICATION DESIGN
PHOTOGRAPHY
ART
Dan Go
SHILLINGTON COLLEGE OF GRAPHIC DESIGN
PG 71–72, 103–106
Andrea Garcia RMIT UNIVERSITY
PG 83–84
EMAIL garcia.a2302@gmail.com
Caroline Marta
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 91–102, 215–222
dangodoesadesign@gmail.com
crolinemrta@gmail.com
@andrea.dsgns
@dan.go.designs
BEHANCE
@crolinemrta
Andrea Garcia
Dan Go
WEBSITE
WEBSITE
s3848780.myportfolio.com
Caroline Marta
dangodoesadesign.com
Susanna Thibbles DEAKIN UNIVERSITY
PG 73–74
Ariella Weinmann RMIT UNIVERSITY
PG 85–86
EMAIL ariella.weinmann@gmail.com
susannathibbles@gmail.com
@ariellawdesigns
Edie Romalis
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 107–120, 171–178
EMAIL edieromalis@gmail.com
INSTAGRAM @edie.comm
@visionaryatelier
WEBSITE
BEHANCE
ariellaweinmann.com
ediesimone.com
Ayelen Gallardo
Isabel Ugonotti
WEBSITE
Susanna Thibbles
WEBSITE susannathibbles.myportfolio.com
SWINBURNE UNIVERSITY OF TECHNOLOGY
Zoe Baumgartner
PG 87–90
PG 75–76
RMIT UNIVERSITY
ayelenarantxa@hotmail.com
@zoemaiaa
@ayelen.design
WEBSITE
WEBSITE
zoebaumgartner.com
ayelen.myportfolio.com
241
BILLY BLUE COLLEGE OF DESIGN
PG 127–130
INSTAGRAM @byisabelugonotti
Phoebe Perkins
BILLY BLUE COLLEGE OF DESIGN
PG 127–130
INSTAGRAM @phoebeperkins_
Juno Wan
Linda Liu
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 149–156, 197–202, 223–230
EMAIL hello@junowan.com
INSTAGRAM @juno_wan
WEBSITE junowan.com
RMIT UNIVERSITY
PG 169–170
INSTAGRAM @aliceyu_designs
linda.liuu8@gmail.com
WEBSITE
aliceyu.myportfolio.com
@l__nda.l
RMIT UNIVERSITY
PG 139–140
Alice Yu
Nick McLean RMIT UNIVERSITY
PG 159–162
Emilija Prodic RMIT UNIVERSITY
PG 181–184
EMAIL emaprodic@gmail.com
@nickmclean.design
WEBSITE
@bobawillbeback
nickmclean.design
BEHANCE Emilija Prodic
Laura King
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 147–148, 193–196, 237–238
Tyler Hall TASTAFE
PG 163–166
to.lauraking@gmail.com
tyler@typedesigns.com.au
@lauraking.design
@typedesigns_
WEBSITE typedesigns.com.au
Jenna Cahill
SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 189–190
EMAIL jennamcahill@gmail.com
INSTAGRAM @lauraking.design
LINKEDIN Jenna Cahill
242
DIGITAL DESIGN
WEB DESIGN
3D RENDERING
MOTION DESIGN
LOGO DESIGN
TYPOGRAPHY
BRAND & IDENTITY
PUBLICATION DESIGN
PHOTOGRAPHY
ART
Lachlan Banham SWINBURNE UNIVERSITY OF TECHNOLOGY
PG 191–194
INSTAGRAM @lachi.e
WEBSITE lachlanbanham.xyz
WEBSITE dribbble.com/lachlanbanham
Sam Brown
UNIVERSITY OF SOUTH AUSTRALIA
PG 203–208
INSTAGRAM @sam.brown.design
WEBSITE sam-brown-design.myportfolio.com
Theresa Lee
THE UNIVERSITY OF MELBOURNE
PG 209–212
EMAIL theresalee0311@gmail.com
INSTAGRAM @ti_el.pdf
WEBSITE ti-el.com
243
Clarine Wilmar RMIT UNIVERSITY
PG 235–236
EMAIL clarinewilmar@gmail.com
INSTAGRAM @clarinewilmar_art
Next Issue: Volume 04
Volume 04 submissions will open in January 2022. For updates and information about Young Designers of Australia, visit designbykh.com/yda or follow us on Instagram at @youngdesignersau.
Read Yda on Issuu Visit issuu.com/youngdesignersau to read Volume 01–03.
244
