Your Luxury Africa - February 2023 issue

BRIGHT & BEAUTIFUL

featuring designer BUBU OGISI

A NEW YEAR BRINGS WITH IT THE HOPE of re-imagining the canvas that is our lives. Most of us are still auditing the ways we do things, focusing on how we can infuse more joy into our lived experiences. One trick I’ve found for quick upliftment is the introduction of colour into my space and, of course, with beautiful things. Life is too short not to surround yourself with beautiful things, and in our first edition of the year, we look at all things new, bright and beautiful! Think special additions you can make to your beauty and grooming arsenal or picturesque escapes along the Aegean Sea.

Those who know me, know I love an art fair, and one of the best, the Investec Cape Town Art Fair, is the ultimate kick-off to the year’s art offerings. While in the Mother City, be sure to also check out the new members-only bar, The Queens, which owner Yossi Schwarts spoke exclusively to us about. We also spoke to talented Nigerian designer, Bubu Ogisi, whose work continues to make waves. 1. 4.

As I re-imagine my personal canvas this year, I will be taking up a new venture in Dubai. I have relished the opportunity to help set up YourLuxury Africa as we continue to herald in a new way of looking at and experiencing luxury. Despite still being new players on the scene, I have no doubt that the formidable team that makes up this exciting lifestyle platform will take it to even greater heights. As I sign-off, special editions editor, Ingrid Wood, will act as the interim editor. I have no doubt that her vast experience and industryleading ways will see the brand in great hands. Thanks to all of you who have shown immense support to YourLuxury Africa so far. We hope to continue to make this the go-to luxury platform on the continent. Let’s make 2023 and beyond our strongest yet!

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EDITORIAL: EDITOR IN CHIEF Thembalethu Zulu thembalethu@yourluxury.africa

MANAGING EDITOR Matthew McClure matthew@yourluxury.africa

COPY EDITOR Tamlyn Cumings IMAGE EDITOR Coralie Elske BEAUTY EDITOR Ingrid Wood ingrid@yourluxury.africa

ADVERTISING & MARKETING: MD Yvonne Shaff +27 (82) 903 5641 I yvonne@yourluxury.africa

CREATIVE DIRECTOR Kate Walters

PRODUCTION ASSISTANT Rachael Akerman rachael@yourluxury.africa

ACCOUNT DIRECTOR Tamara Nicholson +27 (83) 604 0949 I tamara@yourluxury.africa

ADVERTISING CO-ORDINATOR Yvette Mehl + 27 (21) 439 4907 I yvette@yourluxury.africa

MANAGEMENT: MANAGING DIRECTOR & PUBLISHER Yvonne Shaff

EDITORIAL DIRECTOR Jacquie Myburgh Chemaly jacquie@yourluxury.africa DISTRIBUTION & PRINT: DISTRIBUTION On the Dot, Media Support PRINTED BY Novus Print for YourLuxury: PO Box 1053, Sea Point 8060, Cape Town. All rights reserved. Whereas precautions have been taken to ensure the accuracy of information, neither the editor nor YourLuxury Africa can be held liable for any inaccuracies, injury or damages that may arise. The opinions expressed in

may not reflect those

going to print.

yourluxury.africa

Tank Francaise watch,

Grey Gradient sunglasses,

Dolce & Gabbana rabbit-print brocade A-line dress, dolcegabbana.com

LVxYK Petite Malle bag, Louis Vuitton, louisvuitton.com

Charles Greig earrings, Charles Greig, charlesgreig.co.za

Iamisigo SS20 collection by Bubu Ogisi PHOTOGRAPHER: Kader Diaby

BRIGHT & BEAUTIFUL featuring designer

Mini yellow-gold butterfly pendant; mini butterfly silhouette diamond pendant Graff shop. delaire.co.za

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We’ll be sharing news and views about the ultimate luxury lifestyle – with carefully curated content from all over Africa and beyond. From food to fashion, wine to watches, wheels to wings and fragrance to fine art – it’s all there in one exquisite online space. And don’t forget to follow us on Instagram and Facebook.

WATCHES & JEWELS

THE EXQUISITE CLASSIQUE PHASE DE LUNE 9085 IS BREGUET’S VALENTINE’S DAY SPECIAL

A limited edition of 28 pieces, the timepiece comes with a mother-of-pearl dial set with rubies and surrounded by diamonds.

By Sony Thomas Published 13/01/2023

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Luxury watchmakers love Valentine’s Day. From Omega and Blancpain to Chopard and Harry Winston, several premium brands have marked the day with special edition timepieces over the years. Breguet, one of the world’s oldest surviving and among the most prestigious watch brands, has regularly come up with Valentine’s Day special edition watches. In 2022, Breguet came out with the Reine de Naples 8905 – named after Caroline Murat, the Queen of Naples for whom Abraham-Louis Breguet is said to have created the first wristwatch in 1812. For 2023, the Swiss watchmaker has decided to celebrate love with the Classique Phase de Lune 9085 Valentine’s Day Edition.

ART & CULTURE

MASTERY OF ARTISTRY

We love a celebration of local talent. On our radar right now is an explosion of colour and beautiful objects

By Sony Thomas Published 27/12/2022

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FREEDOM OF FORM

A world leader in furniture design and interiors, Roche Bobois is famous for its iconic Mah Jong modular sofa, which was created in 1971. Whether as a corner sofa, straight sofa, armchair, bench seat or extra bed, the Mah Jong was intended to adapt in function and form. Fifty years on, and it is still as relevant as it was then. Today it is dressed in fabric by some of the world’s finest couturiers –the one pictured here is by Missoni Home.

Alexander Krenz Piece © Supplied

Elegance is an attitude

Jennifer Lawrence

Mall of Africa

• Clearwater Mall • Canal Walk

JOBURG BALLET OPENS ITS FIRST SEASON of the year with Dialogues, three short ballets new to the company’s mainstream repertoire. Dancer Chloé Blair will present an extended version of her piece, Table for Two, initially staged for Joburg Ballet RAW in 2021. The series was devised to showcase fresh choreography in a setting where the audience may interact with the process.

Roseline Keppler, a senior dancer with Vuyani Dance Theatre, will premiere a new work, Identity, while dancer Bruno Miranda will stage the Grand Pas from the 1896 ballet, Bluebeard – a first for South Africa. Bluebeard tells the story of a rich nobleman with a huge blue beard who murdered six wives as punishment for disobedience.

~ Debbie Hathway

Booking opene on 24 January 2023 via joburgtheatre.com. Performances will run from Friday 17 March to Sunday 26 March.

JOBURG BALLET TRIPLE BILL

JOBURG BALLET OPENS DIALOGUES, ITS FIRST SEASON OF THE YEAR, WITH THREE SHORT BALLETS AT JOBURG THEATRE

ARTISTIC WONDER

Denis Mubiru’s vibrant, expressionistic works narrate the personal and public life stories of everyday Africans. Chaotic, raw and colourful, his style encapsulates a gritty examination of contemporary urban African issues: economic inequality, human rights, social stratification, the environment and evolving personal relationships. “My work explores the issues of identity, specifically for Black people. I explore our relationship to the word identity and how it performs socially, politically and economically. I live inside the evolving personal relationship I have with my Africa and Kampala, Uganda, in transit. Therefore, when I ask myself what it is to be human and what we define as human rights, I look to the scars of immigration and my environment that fosters it,” shares the artist. Denis has participated in numerous exhibitions throughout Africa and abroad. He is swiftly developing a strong following and a collector base who expect exciting things from this young and talented artist. Denis’ online exhibition will be available on themelrosegallery.com throughout February. themelrosegallery.com

MUSIC AND DANCE MEET HEALING

MOYA — a three-night musical and dance offering by songstress

Simphiwe Dana in collaboration with prolific choreographer and artistic director Gregory Maqoma, and musician Titi Luzipo as musical director — is a one-of-a-kind piece themed around healing, spirituality and connection. Simphiwe’s soothing acapella tunes, accompanied by fittingly curated dance performances, take audiences on a journey of healing. All in all, MOYA is a gentle post-pandemic reminder “to re-centre ourselves and remember the spiritual purpose of life”. ~ Kemong Mopedi MOYA runs from 3 to 5 March at the Joburg Theatre. Tickets range between R350 and R550, available at joburgtheatre.com.

PLANT LOVE

Fascinated by the plant movement on social media and with organicism finally taking centre stage, Lauren Shantall created a series of plant portraits in acrylics aptly named Plant Babies. “It makes me happy when I see the plant world taking pride of place in urban homes and spaces, and how the two seem to be moving closer together,” says Lauren. “From this shift, we can read so many things: there’s reverence for nature, heightened awareness of greening and green issues, the place for plant therapy as an antidote to digital disconnection and the need to express care and nurture growth and positivity.” For more information on the exhibition, visit laurenshantall.com, rkcontemporary.com or flourishplantstudio.com. ~ Kemong Mopedi

Plant Babies opens to the public from 8 February to 9 March at The Yard in the Silo District, V&A Waterfront, Cape Town.

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GEM SETTING IS NO NOVELTY IN THE WORLD OF HOROLOGY

While there are arguments as to whether precious-stone-encrusted watches date back to the 16th or early 19th century, the fact is that gem-setting is pretty much as old a tradition in watchmaking as watchmaking itself. The trend was arguably popularised in the past century by the Rolex Rainbow Daytona, but it also divided opinion, with some viewing it as a tasteless way to display wealth. Tennis legend Roger Federer could have helped soften this critical view when he stepped onto Wimbledon’s Centre Court wearing a Rolex Daytona Orange. In fact, Federer is just one of an increasing number of celebrities seen sporting gem-set watches, some outrageously gaudy, and others more understated. Here, we look at four covetable gem-set watches released by some of the world’s leading watch brands.

GEM, SET, GO!

PIAGET

Limelight Gala Precious

Not many brands can blur the lines between watches and jewellery like Piaget does, and the most iconic model in Piaget’s line of women’s luxury watches is the Limelight Gala. The model’s signature asymmetrical lugs wrap around the curved case, ensuring that it cannot be mistaken for anything else. The latest iteration of the Limelight Gala got a new version dubbed Precious. The special piece’s malachite dial is highlighted by an exquisitely coloured gradient setting of tsavorites and diamonds on the asymmetrical bezel. The 32mm white-gold case of the Limelight Gala Precious has a total of 174 diamonds and 22 tsavorites. Completing the intricately beautiful package is the bracelet, engraved using the brand’s signature Palace Décor technique, giving the gold a silklike sheen. piaget.com

OMEGA

Seamaster Diver 300M in Canopus Gold

Omega marked 60 years of James Bond – the character and franchise with which the Swiss watchmaker has been linked for a few decades now – with a new 42mm Seamaster Diver 300M in Canopus Gold. While the dial is made from natural grey silicon, in a purported nod to the sands of 007’s Caribbean hideaway, the unidirectionally rotating bezel is set with shaded green- and yellowtreated diamonds, with two diamonds at 12 o’clock. The caseback is decorated with the famous spy’s silhouette and spinning gun barrel as seen in every James Bond movie’s opening sequence. The watch is presented in a mango tree box with motherof-pearl marquetry and a 60 years of Bond logo. The use of the mango tree references the song Underneath the Mango Tree from Dr. No –the first James Bond movie. omegawatches.com

ROLEX Oyster Perpetual Yacht-Master 40

The Rainbow Daytona might be a contentious object despite its cult status, but the 40mm Yacht-Master, set with coloured sapphires, is sure to appeal to a much wider audience. Rolex says the new variant is inspired by the aurora borealis and the ripple of hues produced by the phenomenon. The watch, cast from 18kt white gold, features a rotatable bezel set with trapeze-cut precious stones, including pink sapphire, light blue sapphire, diamond, purple sapphire and dark blue sapphire. The five hues are repeated eight times around the bezel to create a seamless look. A triangular diamond at 12 o’clock completes the set of 46 brilliant-cut diamonds that are used on the case, from the lugs to the crown guard. Being a Rolex, it’s sure to be difficult to get your hands on this timepiece, but it is possibly one of the most elegant gem-set watches from the brand. rolex.com

PATEK PHILIPPE

5271 – Grand Complications Sapphire and Ruby

Patek Philippe paid tribute to its iconic Grand Complications by creating two platinum-cased jewellery versions of its Reference 5271 perpetual calendar chronograph. The first one, the Reference 5271/11P-010, features 80 blue baguettecut sapphires with a total of 5,16cts, including 58 sapphires on the bezel and lugs and 22 sapphires on the clasp. Meanwhile, the second version, the Reference 5271/12P-010, houses 80 baguette-cut rubies totalling 5,25cts set on the bezel, lugs and foldover clasp. Both watches are paired with glossy black alligator straps and contrasting blue or red stitching. The watches are powered by the manually wound CH 29-535 PS Q calibre. patek.com

MASTER OF MATERIALS

Messika has collaborated with racing driver Romain Grosjean on this sexy men’s jewellery range: Joaillerie Move leather bracelet in Bleu de Chine with titanium graphite, POR; Joaillerie Collier Move necklace in titanium naturel, R18 600; Joaillerie Bague Move ring in titanium graphite R19 600, bhhboutique.co.za

BLUEsy

GO TRUE BLUE THIS SEASON WITH SOME OF OUR FINEST FINDS

A unisex floral, citrus and woody fragrance, Memo Paris Madurai 75ml EDP has exotic notes of bergamot, clary sage, Indian tuberose and turmeric essence, R4 850, skins.co.za

The vegan friendly Bluebeards Revenge Vanguard shaving brush, R665, has dense synthetic bristles to whip up the richest wet shaving lathers, haircare.co.za

The Louis Vuitton Aerogram Takeoff briefcase is an elegant alternative to a traditional attaché case, R56 500, Louis Vuitton

The limited-edition Breitling Top Time Deus chronograph, a nod to the original 1960s watch, features a 41-millimetre stainless-steel case matched to a brown racing-themed calfskin leather strap, R108 100, breitling.com/za

La Prairie Skin Caviar Harmony L’Extrait is infused with Caviar Infinite for an intensive anti-ageing treatment, R13 505, Edgars

Add

The ultimate feel-good jewel: Graff Wild Flower yellow gold and diamond pendant (total carat weight of approximately 0.36 carats), $7 300, graff.com

Up the ambience with an Acqua di Parma Colonia yellow cube candle, 1kg, R2 600, skins.co.za

SIDE OF LIFE THE BRIGHT

ENJOY SUMMER

ALL YEAR ROUND WITH THESE RAYS OF SUNSHINE

COMPILED BY INGRID WOOD

Toast the day with Veuve Clicquot Yellow Label Brut in a limited-edition Icons Fridge gift box, cued by Smeg’s classic 1950s fridge, R899, Norman Goodfellows

Reveal even-toned, glowing skin with NeoStrata Enlighten Vitamin C + PHA serum R847, neostrata.co.za

Nail the season with OPI Infinite Shine long-wear Lacquer in Sun, Sea and Sand in my Pants, R310, cosmetology.co.za

some shimmer with this Pomellato Nudo rose and white gold lemon quartz ring, R64 000, bhhboutique.co.za

The LumiGlo Eye Glow Up will brighten tired eyes, R110 each, lumigloskin.com

An ideal everyday bag, Louis Vuitton’s City Keepall now comes in LV Aerogram leather, R42 500, Louis Vuitton

The Time Traveller

A TRUE ORIGINAL AND MAVERICK, DESIGNER BUBU OGISI WEAVES TOGETHER AFRICA’S PAST AND PRESENT IN A CAPTIVATING TALE FOR THE FUTURE

WORDS CHRISTINE VAN DEEMTER

BUBU OGISI IS AN ARTIST. Not in the cynical, click-baity definition of our age of disposability; but one where the need to absorb and create runs marrow-deep. An artist who drinks in her craft and its milieu, always hungry to reach further and deeper, her curiosity never sated. Self-assured and deeply intellectual, Bubu travels through life with a keen eye for meaningful stories and the layers of history and tradition behind them. In this way, the Nigerian designer, stylist and creative director seeks to reawaken not only the diverse craftsmanship of the continent, but also the multifaceted identities that underpin it. Her chosen medium is fashion – a canny choice that deftly straddles the commercial and creative worlds. Material without having to be materialistic, fashion lets Bubu wear her soul on her skin. “What I wear has always been important to me because my outfit is the first impression or presentation of myself,” she says. “Dressing up is a spiritual process for me. I take it seriously. My work has a lot to do with spirituality and how we express ourselves through our beliefs, and how this affects our choice of dress. How we present ourselves in this world is important to me.”

Bubu has been enthralled by fashion and fabric ever since her mother took her along on one of her trips. “My mom is obsessed with fabric,” she shares. “When it’s a birthday or Christmas, she always gives fabric as a gift.” Today, the designer, who was raised in Lagos and London and studied fashion at Esmod in Paris, traverses Africa in search of the hand-made crafts that help make up the rich tapestry of the continent. These ancient artisanal skills are undoubtedly the driving force behind her womenswear brand, IAMISIGO, which she

established in 2013, with bases in Lagos, Nairobi and Accra. She and a team of artisans create deeply personal and unique pieces celebrating and reimagining these crafts, which often run the dual risks of being forgotten and being taken for granted. Witness her loop-weave pieces, made in Kenya using hemp and cotton, or her infinitely versatile and original shirt dresses – pieces that not only play with textile use, but also broaden the possibilities of what “African fashion” can be. Her travels across Africa are about fabric research, yes, but also fabric preservation, “and how those techniques and processes can be interpreted for the future with new eco-innovative design,” she asserts. Bubu researches and finds communities with trades that might slowly be dying from an influx of fast fashion and faster globalisation, and tries to figure out eco-conscious and creative ways to revive them. This is a latent benefit of tracing and preserving age-old handicrafts: the unearthing and reimagination of materials – tree bark, flax, palm, recyclables – that could help make fashion more ecologically friendly. She even collaborated with artisans in Kenya who crochet and weave recycled plastic with silk, cotton and hemp to create dresses, tunics and tops, while another collection featured pieces made from raffia and recycled cotton. Complex, innovative and colourful fabrics for a complex, innovative and colourful artist –and continent.

“Ogisi absolutely excels at the fine balancing act that has defined the global success of so many African designers: manipulating the hallmarks of the contemporary to sustain and elevate the traditional,” comments creative content

yourluxury.africa

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LEFT & ABOVE: Iamisigo SS20 Collection

RIGHT: Bubu Ogisi

“We are able to TELL STORIES through FABRICS and FIBRES.”

consultant and writer of the newsletter African Fashion Weekly, Modupe Oloruntoba. “IAMISIGO memorialises timeless elements of West African spirituality by weaving the thrumming energy of our current moment into them, and does so with ingenious consideration, both for the local environment and the people with whom she shares this cultural capital. It's work that expands the perceived borders of African creativity for the global mind, but more importantly, helps its heir resurface, embrace and celebrate their inheritance.”

Bubu’s unconventional work has drawn much international acclaim. She has shown at fashion weeks in London, Paris, Lagos, Durban and Bogotá and is part of the blockbuster Africa Fashion exhibition, showcasing at the V&A Museum in London until 16 April. The exhibition celebrates the creativity and global impact of contemporary African fashion, with South African designers Thebe Magugu and Sindiso Khumalo also participating.

For her part, Bubu is showing her IAMISIGO SS19 collection, Gods of the Wilderness, which references ancient West African masquerade costumes. Drawing inspiration from the region’s rich heritage of abstract performance art, her work comments on the various forms of identity created by different cultures and its resonance today. At the root of it all lies her quest for storytelling – stories about ourselves and about the creators of generations of craftsmanship.

“We are able to tell long-lasting stories through fabrics and fibres, stories about how people lived. You can sometimes read these stories in books, but it’s much more interesting to look at the fabric and understand how it was made entirely by hand – without a single machine. Who came up with this idea, and how? How did the personalities of these different people and cultures integrate and interweave into the piece of work? What is the historical folklore behind these techniques?” What always surprises her – from the men weaving intricate designs in West Africa to the women in East Africa with their more minimal patterns – is the time these processes take. “A lot of people don’t understand the amount of time it takes to create a garment or fabric,” she says. “For me, it’s important to preserve works of hand, because the hand is truly at the forefront of creativity. It’s incredible to see how people have been able to master that.”

These are stories not often told and, more pertinently, they are stories that Bubu is not telling for a Western audience. It is for Africa and Africans that she weaves her colourful tales. She wants to reframe the discourse as well as leave a legacy of African ingenuity; one that doesn’t “Africanise” western ideas but instead ushers in a new era of African design, with our resourcefulness and artistry at the core. ■

LEFT: Celestial Being Exhibition 2022

MIDDLE CLASS

LUXURY MEETS SUSTAINABILITY IN SOME OF THE MOST EXCITING NEW DEVELOPMENTS OPENING IN 2023

WORDS BOGOSI MAKHENE

WITH THE CONTINUED ARCHITECTURAL development of the Middle East, it’s no surprise that the region is known for its unique structures. Beyond being home to some of the world’s tallest buildings, the ‘bigger-is-better’ approach has also started to factor in sustainability as part of the region’s architectural ethos. This year brings with it the opening of some of the United Arab Emirates’ most standout (and highly anticipated) buildings, including an incredibly ambitious tourist development and an interfaith complex.

Here are three developments that, beyond their architectural marvel credentials, also create statements around ethical design in both form and function.

LOW-ENERGY LUXURY

In 2019, the Kingdom of Saudi Arabia (KSA) opened up several of its historic, architectural and natural landmarks to leisure travellers for the first time in its history. Since then, KSA has taken strides towards becoming a top destination for tourists. Enter Kengo Kuma, widely considered the most critically acclaimed Japanese architect. Along with his firm Kengo Kuma & Associates, he has designed a futuristic luxury resort, comprising villas built both on land and overwater. The project seamlessly combines luxury and sustainability, superseding conventional design and construction with its zero waste-to-landfill industrial processes, low-impact design and the use of renewable energy. In fact, the resort will form part of the biggest tourism destination powered by renewable energy. Located on Ummahat Al Shaykh Island, the design mimics the natural surroundings of the island’s topography. Conceptualised around a sustainability imperative, it employs minimum excavation that integrates pre-fabricated components. Think salt-resistant accolade wood, clay plaster that has been made from unfired mud brick, and roofs made from cedar-wood shingles, achieving an architecture that is an integral part of the environment. Kengo has also followed the concept of critical regionalism with the use of local materials and skills.

yourluxury.africa

‘The project SEAMLESSLY combines LUXURY and SUSTAINABILITY.’

DESERT JEWEL

The Red Sea Project, which was announced in 2017, is one of the most ambitious developments to date. Comprised of several developments, including hyper-luxury hotels and lifestyle amenities, the project is set to attract numerous tourists to the Red Sea coast. One of the key structures forming part of the project is the Red Sea International Airport. Inspired by the colours and textures of the desert landscape, the airport, located on the west coast of Saudi Arabia, will exclusively serve tourists visiting the Red Sea tourist development. The building, designed by British architects Foster + Partners, is iconic on all levels. A first of its kind, it will only be powered by renewable energy and, during times of low demand, certain parts of the airport will be shut down to reduce energy use. With forms mimetic of sand dunes, it is set to have a mirage-like effect. The airport will also feature spas, restaurants and lounges with extensive landscaped greenery. Parallel to the 3 700-metre-long main runway, the airport will also feature a sea-plane runway.

HOLY TRINITY

Historically, architecture has been used to influence the social imagination, and renowned Ghanaian-British architect, David Adjaye, uses this convention to communicate alternative narratives in his latest design, the Abrahamic Family House, in Abu Dhabi. The interfaith complex on Saadiyat Island, off the coast of the UAE’s capital city, is appropriately positioned in the new cultural district. It consists of three temples which represent the main Abrahamic faiths: Islam, Judaism and Christianity. The buildings have been designed neutrally and in cubic form, collapsing the known structural forms associated with the three religions – the mosque, church and synagogue. In an interview with Architectural Digest, David aptly stated: “I believe architecture should work to enshrine the kind of world we want to live in”. Spatially, the temples revisit sacred and ritual architecture in orientation, material design and technology through the use of traditional decorative elements, highlighting the message of universality. The design further promotes similarities between the different religions in its landscaping, with a public garden between the three structures forming the proverbial middle ground. ■

IN KEEPING WITH THE NOTION OF ‘TIME’ as the theme of the 10th edition of the Investec Cape Town Art Fair (ICTAF), we've compiled a guide to the fair for anyone with limited time to better orientate themselves over the weekend of 17 – 19 February. And who better to guide us than Laura Vincenti, the ICTAF director? Laura joined the ICTAF team in 2015, taking hold of the reins as director in 2017, and has been at the helm while the fair has enjoyed a period of massive growth and popularity.

WHAT’S THE BEST DAY TO VISIT THE FAIR?

Every day is special! On Friday and Sunday there will be different walkabouts led by local and international curators, as well as talks at the speaker’s corner. Saturday is the talks programme, and some performance art will take place (details to be confirmed. Check the programme at investeccapetownartfair.co.za).

TELL US ABOUT THE GUIDED WALKABOUTS...

We’ll have local and international curators leading the walkabouts, and these will be on a first come, first served basis. There will be around eight to 10 walkabouts on Friday and Sunday.

FOR VISITORS WHO LOVE PRINTS, WHICH GALLERIES WILL BE SHOWCASING THESE AT THE FAIR?

For prints I would visit South Atlantic Press, Artist Proof Studio and Dale Sargent Fine Art.

A WALK

WHAT HAS DRIVEN THE LAYOUT, FORMAT AND SELECTION OF PROJECTS WITHIN THE ALT SECTION AT THE FAIR THIS YEAR?

The overarching theme of the fair is ‘Time’, so we have looked at how time has been defined in the artist’s practice, and how this has impacted our ways of looking at art. ALT represents a new way of showcasing art in installation-style booths or ‘antibooths’, and the selection was driven by how the galleries and artists translated the concept of time into their installations.

FOR THE FIRST TIME AT THE FAIR, ART MOMENTUM IS HOSTING ‘SPEED DATING’ (A CLOSED EVENT, BY INVITATION ONLY). CAN YOU TELL US MORE ABOUT THIS?

It’s a quirky way of creating job opportunities and giving those invited a chance to network. Taking its cue from traditional speed dating, art speed dating allows each participant to interact one-on-one for a few minutes. When the buzzer sounds, we switch things up! This event provides invitees with exposure to a wide variety of professionals in a short amount of time and ensures that everyone has an equal opportunity to exchange information. It’s a fun, fast-paced way to let others know who you are, what you do and what you hope to do in the future.

FOR VISITORS WHO ARE COLLECTORS OF CONTEMPORARY SCULPTURE, WHICH GALLERIES WILL BE SHOWCASING THESE AT THE FAIR?

Eigen + Art, Galleria Six and Southern Guild.

IS IT EASY TO FIND MY WAY AROUND THE FAIR?

I’m an architect, so my expertise is to work with space. At the entrance, a floor vinyl will show you the way using different colours. The floorplan is user-friendly, with a simple grid and signage on the floor and walls to identify the different sections, and fascia on the side walls of each gallery. Each section is represented by a different colour on each fascia.

yourluxury.africa

KALASHNIKOVV GALLERY

GALERIE EIGEN + ART

SOUTHERN GUILD

GALLERY DE MOVE ON

ARTIST PROOF STUDIO

THOMARTS GALLERY

AFRIART GALLERY

ARE THERE ANY NEW SOUTH AFRICAN GALLERIES THAT HAVE BEEN SELECTED FOR THIS YEAR’S FAIR?

Eleven galleries have been selected and are spread around the different sections. 131 A Gallery, Asisebenze Art Atelier, BKhz, Bubblegum Gallery, CHURCH Projects, Gallery De Move On, iBi Art, Nel, RESERVOIR, Riaan Bolt Antiques and Thomarts Gallery.

YOUR GO-TO GUIDE ON WHAT NOT TO MISS AT THIS MONTH’S INVESTEC CAPE TOWN ART FAIR

WORDS MATTHEW MCCLURE

WHICH NEW INTERNATIONAL GALLERIES HAVE BEEN ADDED TO THE FAIR THIS YEAR?

Eighteen galleries from Istanbul to New York have been included in this year’s fair. These are Anna Laudel, Atelier le Grand Village, C24 Gallery, ERA Gallery, Galerie Atiss Dakar, Galleria Six, Gallerie Eric Dupont, Gallery 1957, LAB36+Senda, Madragoa, Michela Rizzo, OH Gallery, Ora Loapi, P420, Primo Marella Gallery, Reiners Contemporary Art, Shazar Gallery and Strouk Gallery. We hope to widen representation from around the world and offer a broader choice to collectors and visitors, but also from a curatorial point of view, they represent artists whose works fit into the curatorial statement and respond well to market demand.

CAN YOU NAME THREE NEW PANELISTS AT THIS YEAR’S TALKS PROGRAMME?

WHAT WILL THEY BE DISCUSSING?

WHAT IS THE FIRST THING A VISITOR TO THE FAIR WILL SEE WHEN THEY WALK IN?

You’ll see the section Tomorrows/Today, this year made very colourful, and highlighting 10 artists from around the world who will be the leading names of the future by forecasting relevant practices and ideas.

Wanjiru Koinange, co-founder of Book Bunk in Nairobi, will be in conversation with Paul Ninson, founder of the Dikan Centre in Accra. They’ll be discussing arts and cultural infrastructure, the relationship between space and architecture, and what it means to ‘contain’ art. You don’t want to miss the artist conversation between Binta Diaw, an Italian-Senegalese artist, Francesco Jodice and Natasha Becker, the curator of TT. This will centre on social and political issues in artistic practice.

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GOODMAN GALLERY

EBONY/ CURATED

ASISEBENZE ART ATELIER

ZEITZ MOCAA

DON’T MISS THE OTHER EXCITING EXHIBITIONS, AUCTIONS AND SHOWS PLANNED FOR THE MONTH OF FEBRUARY IN CAPE TOWN

ARTIST WALKABOUT WITH TERESA KUTALA FIRMINO

EVERARD READ CAPE TOWN, V&A WATERFRONT

Everard Read’s Cape Town Gallery on the Waterfront presents a walkabout of Teresa Kutala Firmino’s Owners of the Earth II: Beyond Victims, Villains & Vixen. The artist herself will be present on Saturday 18 February at 11:00 to shed light on her exploration of “the space between trauma and fantasy” in her new body of work.

12:0016:00

GROUP SHOW 16 ON LEROTHOLI

16 LEROTHOLI AVE, LANGA, CAPE TOWN

16 on Lerotholi is collaborating with Everard Read to present Natural Habitat, a group show featuring the work of 10 artists (Blessing Ngobeni, Nandipha Mntambo and Phillemon Hlungwani among them), and the deep, meaningful connection of these creative practitioners to the landscape of Langa Township.

SOLO SHOW MISHECK MASAMVU

ART AUCTION STRAUSS & CO

1 OAKDALE ROAD, NEWLANDS, CAPE TOWN

Leading fine art auction house Strauss & Co will present an auction of PanAfrican modernist and contemporary fine art on 28 February at 19:00, under the title Curatorial Voices: Modern and Contemporary Art from Africa. Strauss & Co has invited five curators from across the continent to select art for this pioneering sale, including Dana Endundo Ferreira (founder and CEO of Pavilion54 in the Democratic Republic of the Congo), Heba Elkayal (an independent curator and art historian from Egypt) and Valerie Kabov (director of the First Floor Gallery Harare in Zimbabwe).

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GOODMAN GALLERY CAPE TOWN, 37A SOMERSET RD, GREEN POINT

Pop into the Goodman Gallery to catch a performance-art piece by leading Zimbabwean artist Misheck Masamvu, who also has a solo exhibition currently up at the gallery titled Safety Pin. At the ICTAF itself, don’t miss US-based painter Cassi Namoda’s SOLO booth exhibition. This evocative body of work is titled Cassava Famine and tackles the future of the Global South alongside subjects like climate change.

AS YOU STROLL THROUGH THE ICTAF over the third weekend of February, you’ll notice smaller, separate booths attached to some of the main galleries. These are South African art writer, critic and curator Sean O’Toole’s contributions to this year’s art fair. It’s an exhibition of 10 artists from each of the five main sections of the fair (Main, ALT, Past/Modern, Editions and Tomorrows/Today) working within the disciplines of painting, photography and drawing, under the title SOLO: Time’s Labyrinth.

Sean has been an instantly recognisable feature of the South African cultural landscape for a number of years and was approached by ICTAF director, Laura Vincenti, to curate a show that responded to the fair’s overall theme of ‘Time’. His initial concept for the intervention involved focusing exclusively on artworks that incorporated photography and/or drawing, so he approached existing fair exhibitors and galleries that might be interested in participating. However, the feedback he received pushed his concept in a different direction. “Dealers will tell you this is the hardest work to sell in South Africa, so it didn’t unleash a deluge of applications,” says Sean.

Happily, this unexpected outcome resulted in a fascinating exhibition. “I’ve had to think about what curating means. It’s staging a story, an argument, and asking a question through a set of objects that are placed in relation to one another. What I like about this is the density and that you’re able to see more than one work by an artist.”

The SOLO booths create an environment where you’ll be able to understand and appreciate the development of work from each artist – something that might be missing from larger gallery spaces where the emphasis is on putting up as many saleable pieces from different artists as possible. At its most elemental, Sean says that SOLO is about the joy of looking. “I think often in the art world, you tend to get caught up in the politics and forget about the basic pleasure.”

What this project offers is not only a delightful insight into the minds and practices of some local and international contemporary artists, but also a deep reflection on how we define and depict drawing and photography as creative disciplines, and how these methodologies relate to time. For these reasons alone, you should certainly set time aside to visit the SOLO: Time’s Labyrinth booths.

SEAN O’TOOLE HAS CURATED A SELECTION OF EXCEPTIONAL CONTEMPORARY ARTISTS FOR THIS YEAR’S SOLO PROJECT AT THE INVESTEC CAPE TOWN ART FAIR WORDS MATTHEW MCCLURE

INSIDE THE LABYRINTH

The curator’s top picks from SOLO: Time’s Labyrinth

ARTIST: LUNGA NTILA | GALLERY: BKHZ

“I was introduced to Lunga’s work by Candice Ježek, proprietor of the risograph printer and publisher, Dream Press. Candice was making a book version of Lunga’s enigmatic collage of selfportraits from her series Ukuzilanda. I was struck by the boldness of the work; it had an urgency about it, but also a lightness. Sadly, Lunga passed away before I was able to meet her. My hope is that this presentation will commemorate an astonishing young talent.”

ARTIST: JEANNE GAIGHER | GALLERY: OSART

“In 2016, I was asked to profile Jeanne. At the time, she was showing paintings and mixed-media photographs and I was struck by her distinctive colour palette and openness to experimenting with media. I’ve been tracking her career ever since, and her recent work has shown a stronger interest in depicting bold female figures. Jeanne’s paintings often reveal her delicate pencil marks.”

ARTIST: MAJA BEHRMANN | GALLERY: EIGEN + ART

“I am an admirer of Eigen + Art’s programme, partly because my wife’s family is from Leipzig. I was unfamiliar with Maja’s knitted textiles and sculptures, only seeing them for the first time at last year’s Cape Town Investec Art Fair. Combining references to German folklore and the Memphis Group, Maja’s output includes drawing, painting, collage, lathed wooden objects and knitted pieces. It is magical.”

ABOVE: Static by Johno Mellish BELOW: Famous Last Words by Lunga Ntila; Metallic Ratio by Jeanne Gaigher; Ohne Titel (Wound) by Maja Behrmann

ART INSIDE MY...

A WALK THROUGH LANGA KHANYILE’S PRIVATE ART COLLECTION

Which artwork do you wish you owned from anywhere or a certain time period?

“There is a series by Ayanda Mabulu called The Healers that he recently exhibited. The entire series is evocative and packed with a supreme spirit. In particular, there is one healer that is seated near her throne, sipping from a teacup with gold-tipped talons, while a black beast (her spirit animal or her totem) peeks from beneath the lush brush around her. It quivers my heart on many levels and speaks to an ancient part of me.”

WALKING INTO LANGA KHANYILE’S HOME is like stepping into a well-curated, private gallery. From sculptures gathered across the continent to some of the country’s biggest names, including Sam Nhlengethwa and Ayanda Mabulu, Langa’s collection is enviable.

Langa, the marketing lead for the rest of Africa at Mondelez International, has been collecting his prized possessions for as long as he can remember.

“I started collecting art in high school; mostly artworks I did myself. Some still hang on my walls to this day,” he says. Using money he made from piece jobs and selling snacks, he would buy paint supplies and frames for personal artworks that he wanted to keep.

“Later, when I moved into digs, I would expropriate artworks from my older brother – whatever could fit in a suitcase or the boot of a car with the seats pushed down,” he says laughing. The first piece he bought for himself as a 30-year-old in 2013 hangs beside his fireplace: a painting of a herd of buffalo by Danie Theron.

“I have always loved the arts,” he says. In his youth, Langa acted in plays, sang in choirs

and bands and founded a car design club in primary school. “I am gifted in the arts and have been artistic for as long as I can remember. Some of my earliest memories are tied to art,” he says of the discipline he describes as offering “freedom”.

Part of his love of collecting different pieces is in the stimulation it can bring across different senses. “It’s not just the art that hangs on the walls, but the art that we sit on, drink from and eat with. One can be intentional about collecting while finding joy from the craft and beauty in almost anything,” he says. Langa also deems the experience of curating his space as transformative. “I used to have a dull and dreary room in my house. I never enjoyed spending time in there and didn’t know what to do with it. I then threw in an electric blue designer couch and sunshine yellow ottoman, and even though I kept the art on the walls the same, it now makes me smile just thinking about it.”

WORDS THEMBALETHU ZULU PHOTOGRAPHY ROELENE PRINSLOO

ABOVE: The Goat by Ricky Dyaloyi

FROM LEFT: King Poetic by Ayanda Mabulu; The Jazz Series by Sam Nhlengethwa; Fees must fall by Asanda Kupa

BOLD AFRICAN VOICES

STRAUSS & CO LAUNCHES ART MARKET INNOVATION IN CAPE TOWN

WORDS JAMES SEY

STRAUSS & CO IS LAUNCHING AN AMBITIOUS AND INNOVATIVE NEW EXPANSION PROGRAMME in Cape Town, timed to coincide with this year’s flagship Investec Cape Town Art Fair. Focused on the company’s plans to have a cross-continental presence in its key markets, it is opening a new ‘artistic office and exhibition space’ in Brickfield Canvas, the creative hub and technology campus located in Woodstock, Cape Town.

The inaugural exhibition programme is an innovative move from the company. The public exhibition showcases works of art offered in a new auction format, titled Curatorial Voices: Modern and Contemporary Art from Africa, and will take place on 28 February 2023. This Pan-African auction will feature collectable art by renowned modernist and contemporary artists. Curated by Strauss’ Kate Fellens and Kirsty Colledge, with additional works by five leading female curators from important art centres across Africa, namely the Democratic Republic of the Congo, Egypt, Kenya, Zimbabwe and South Africa. Some of the highlights include works by Pierre-Christophe Gam, Cyrus Kabiru, Zanele Muholi, Simphiwe Ndzube, Thierry Oussou, Athi-Patra Ruga, Cinga Samson and Tafadzwa Tega.

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Some curators include Egyptian Heba Elkayal, who specialises in modern and contemporary Middle Eastern art and Dana Endundo Ferreira, founder and CEO of Pavilion54, a one-stop digital platform and community around modern and contemporary art from Africa and its diaspora. Danda Jaroljmek, director of Circle Art Agency in Nairobi, joins the list, as does Valerie Kabov of First Floor Gallery Harare in Zimbabwe, a curator who has been actively engaged in pan-African art initiatives. The final curator in this stellar line-up is South African Kimberley Cunningham, who recently launched Cunningham Contemporary, an alternative gallery and curatorial space focused on art from Africa and the diaspora. She is now head curator for the Singita Art Gallery and residency programme, and will launch Women in Art Africa, a networking and support platform for women in the sector, in 2023.

“Curatorial Voices: Modern and Contemporary Art from Africa is a celebration of African achievement,” says Bina Genovese, managing executive at Strauss & Co, another authoritative female art professional who also acts as the auctioneer for the sale. “The auction will present works by renowned African artists to the public at a time when Cape Town, a global art capital, is the centre of attention.”

The Curatorial Voices: Modern and Contemporary Art from Africa exhibition will take place from 13 to 28 February at 35 Brickfield Road, Woodstock, Cape Town. ■

OPPOSITE:

1. Self portrait as Fisherman by Sane Wadu; 2. Displacement by Mohamed Otaybi 3. Before the day has a meaning by Cinga Samson 4. Things I hope to Burn Courtesy by Ibrahim Ahmed

5. Destroyer of Manifest by Nermine Hammam 6. Night Birds in Tango by Simphiwe Ndzube 7. Waiting List by Tafadzwa Tega

PERSONALISATION IS THE NAME OF THE GAME when it comes to adding that exclusive touch, and no one does this better than the automobile industry. We look at three leading luxury brands that offer their customers some of the best customisation options.

ROLLS-ROYCE BESPOKE

Rolls-Royce doesn’t consider itself a carmaker, but rather identifies as a ‘house of luxury’. So, when it comes to the personalisation of a motor vehicle, the Goodwood automaker is understandably at the top of its game. Each car from the marque is a canvas that clients can use to showcase their personality in the most unique ways. If more than a whopping 40 000 paint shades to choose from aren’t enough, the Bespoke division will emulate the sunlight that hits your part of the globe to show you exactly how the hues will look in your city. You can also get anything from your family crest to a specific flower from your garden embroidered onto the leather upholstery and the umbrella hidden within the door, or commission a work of art onto the car’s dashboard. For those looking for even more exclusivity, there is Coachbuild which will let you build your one-off car from the ground up, just like the 2021 Rolls-Royce Boat Tail.

MOBILE CANVAS

ULTRA-LUXE CARMAKERS ARE TAKING PERSONALISATION TO EXCLUSIVE LEVELS, HELPING CUSTOMERS TRANSFER THEIR PERSONALITY ONTO THEIR RIDES

WORDS SONY THOMAS

BENTLEY MULLINER

Positioned as the pinnacle of bespoke craftsmanship, Bentley’s customise division offers almost every service that Rolls-Royce offers its clients, including coachbuilt vehicles. From exclusive one-off commissions to cars built in short and limited production runs – much like the 18-unit Bacalar Barchetta –the Crewe carmaker offers an impressive selection of unique personalisation options. These include panels of veneer on waist rails, or the fascia made with stone that was formed over 200 million years ago and 18kt-gold ‘organ stop’ air vent controls. There are also personalised lamps that will project your name, image, or an emblem of your choice onto the ground when you open the door of your car in the dark.

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LAMBORGHINI AD PERSONAM

When you’re lucky enough to drive a car made by the quintessentially Italian supercar maker Automobili Lamborghini, you really don’t need special colours or customisation to turn heads. But the brand does offer several personalisation options to its customers through their Ad Personam programme. Some of these include 348 unique Ad Personam colours to customise the exterior and interior, a special transparent paint containing diamond dust microcrystals and special embroidery commissions carried out by the studio’s saddlery department.

DRIVE TOMORROW, TODAY

THE ALL-NEW, ALL-ELECTRIC BMW IX is our herald of what the future of mobility looks like – and it’s here, today. From the very first moment our designer’s pencil touched paper to when you take delivery of the BMW iX, we’ve remained completely committed to our vision of sustainability and emission-free driving pleasure. The car’s elegantly proportioned surfaces and characteristic lines give the BMW iX a magnificent monolithic shape. With each detail meticulously blending into the modern design, it’s as if the BMW iX has been created from a single mould.

For the first time, we’ve incorporated flush handles and frameless doors on a BMW sports-activity vehicle (SAV), further accentuating its pioneering spirit. These design elements aren’t just an appealing aesthetic element; they serve an important practical function. By minimising drag on the BMW iX, we’ve maximised the driving range while also making sure the driver has the most comfortable and peaceful ride possible by reducing road noise.

With a range of up to 630km on a single charge, the BMW iX is equally at ease on the open road and in the modern cityscape. Two powerful electric motors give the BMW iX incredible performance with 385kW of power. The BMW xDrive electric all-wheel drivetrain ensures that this power is smoothly delivered to the wheels, propelling the iX to 100km/h in an astonishing 4,6 seconds. The instant torque and stepless acceleration from a standing start means you can rely on the BMW iX to respond precisely and spontaneously to every movement of the accelerator pedal, delivering a superior driving experience. ■

‘With the BMX iX, we’ve remained committed to our vision of sustainability.’

THE BIG BLUE

THE AEGEAN IS A TROVE OF WONDER WITH ITS BRIGHT BLUE SEA AND RICH HISTORY, AND THERE ARE FEW BETTER WAYS TO EXPERIENCE IT THAN ABOARD A LUXURY CATAMARAN

WORDS PETER FROST

THE AEGEAN SEA. My introduction, burned into my memory, was Jean-Marc Barr swimming off Amorgos in The Big Blue. Apposite indeed; the Aegean is the real star of any movie it appears in, including Luc Besson's César-winning biopic of free-diver Jacques Mayol. It's the part of the Mediterranean that absolutely belongs in a Bond movie – an impossibly deep blue set against hidden islands and thousand-year-old ruins. To the north and east is Greece and to the west, Turkey. It's in that 400km-wide embrace and upwards of 150 islands that offers an opportunity for adventure, intrigue and relaxation.

CATAMARAN COSSETING

The only way to effectively cruise the coastline and hop between islands is by boat and, if you're one of the fortunate few, not just any boat. Cue Meridian Adventure Sail, a private explorer’s club specialising in epic ocean journeys to magnificent destinations. The company's 62-foot catamarans are custom made in Bordeaux, France, and offer accommodation in fully equipped staterooms, with each yacht sporting its own air-conditioned lounge, kitchen and crew. The company is famous for sailing the flotilla in formation and, when not under sail, the yachts form a floating marina of sorts; a hyper-exclusive hotel on water. The Aegean itineraries allow for the chartering of just a single yacht, but really, there's nothing more spectacular than a formation of catamarans crossing a rapidly bronzing ocean. The craft, staffed by crew from Meridian’s own training academy, is transport, home, viewing platform and playground, undoubtedly one of the best ways to experience

the sea and all it has to offer. Carried aft on the yachts are state-of-the-art tenders, boats deployed during daily excursions to the beaches, islands, villages and ruins of the Aegean. It’s a well-oiled, almost military machine, impressive to behold and an exclusive adventure club, far more than a conventional fly-and-flop water experience.

A Meridian Aegean escape begins on land, usually in Turkey – that most ancient of ancient lands. Guests are transported to the awaiting catamarans, settle into their respective staterooms and are given a contextualising debrief. Journeys through the Aegean range from four to 10 days, sailing along the coast and between islands, anchoring where it is quiet, beautiful and interesting, with each odyssey carefully curated by the Meridian team.

REVELATIONS, LAVRAKI AND A HUNDRED ISLANDS

So to it. Day one begins as they all do, cosseted in a stateroom with all the mod-cons, a sunrise of extraordinary beauty filtering in through the designer porthole. Up on deck, the yacht’s captain is overseeing the breakfast spread –fruits, pastries and a cooked component – and coordinating the tender launch. Shower, walk up through the expansive, air-conditioned saloon lounge, take in the focused activity of the crew, sit and eat. There’s time enough to take in the Med’s cobalt blue before it is onto the tenders across an untouched bay, off to one of the chosen spots of the day. It might be an unheralded restaurant on the beautiful Aşı Koyu beachfront for grilled lavraki (Mediterranean sea bass), or to visit St John’s Cave of the Apocalypse on the island of Patmos, where legend has it the famous disciple received his visions for the Book of Revelations. On the way there will be a briefing of what to expect; housekeeping essentially.

TURTLES AND SHIPWRECKS – A WORLD BENEATH

Around the island of Leros and in many of the bays where the yachts anchor, it's going to be all about snorkelling. This part of the Med is a treasure trove of ancient, submerged waterscapes, both natural and man-made. Into swimming kit, ‘three, two, one,’ and… the world slows.

Breathe in. Out. Adjust the mask. Work on breathing through only your mouth. Then look down. This is what it’s all about – the Aegean's secret wonderland. For beginners, Leros is the best possible introduction to Davy Jones' locker. Not only is it one of the best places on Earth to explore shipwrecks (there are eight WWII ships in the shallow waters), but it's also a moodboard of the Med's best wildlife; think turtles and whales. There’s too much to see and simply not enough time.

Back on board over another sumptuous lunch, stories are swapped – ‘did you see the turtles?’ – before the Seabobs, Fliteboards and stand-up paddle boards are rolled out. Meridian’s toys are state-of-the-art, and as the sun sets into yet another Greek picture postcard, the laughter from the water behind the yachts is a fitting soundtrack to an exceptional day. Elegant, ethical, intriguing and instructive. What’s not to love?

For more information, visit meridianadventuresail.com ■

GETTING THERE

• Meridian Aegean itineraries leave from Kuşadası, Sığacık or Çeşme in Turkey, or Samos in Greece.

• Turkish Airlines flies to Ankara in Turkey from Cape Town, Johannesburg and Durban, with connections to Kuşadası daily.

• Turkey requires a visa to enter – South African travellers can apply online.

GOOD TO KNOW

• Life aboard a Meridian catamaran is not unlike a five-star hotel with all the extras on offer, so approach the trip accordingly.

• Mealtimes are generally an informal affair, but some guests elect to dress up.

• Excursions inevitably require a degree of basic fitness, and comfortable footwear – as well as swimwear – is essential.

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‘The Aegean ABSOLUTELY belongs in a Bond movie, an impossible DEEP BLUE set against HIDDEN ISLANDS and thousand-yearold ruins.’

BIG GER THAN YOUR AVERAGE

IMMERSE YOURSELF IN A SENSORY JOURNEY OF JAPANESE FLAVOURS AT BALLITO’S NEWEST HOTSPOT, YORI O K I

WORDS KATHARYNN KESSELAAR

KWA-ZULU NATAL (KZN) ISN’T necessarily known for its vibrant East Asian food scene, so the opening of Ballito’s Japanese-fusion restaurant, Yori ōkī, was most certainly a welcome delight.

I heard about this new space and, having secured a reservation – booking is essential – I was excited to see if this new eatery was worth the hype.

Created by husband-and-wife duo Christos and Tracy Konahos, Yori ōkī was born out of their shared love for Asian cuisine. No strangers to the restaurant scene, having already achieved success with their Greek restaurant, Attikos Mediterranean Grill, their new gem is a beautifully designed space in which to indulge in the flavours of Japan.

Translated to English, Yori ōkī means “bigger than”, “greater” or “more often”, and upon entering, you are immersed in a unique Japanese dining experience. The ambience is big: big on Japan, big on flavour and big on atmosphere.

The extensive food offering serves up a fusion of Japanese flavours, from traditional and signature sushi and dim sum to ramen, mamezara (small dishes) and some distinctive desserts. Everything is created in-house, including the teriyaki sauce, with many ingredients imported from Japan and other Asian countries.

I consider myself somewhat of a calamari connoisseur and the Sichuan salt and pepper calamari did not disappoint. We shared the edamame beans – after all, it would be rude not to.

The prawn wontons provided delicious pockets of flavour, and the sushi was simply delicious. I had the oki kuchi and can attest that even after eight pieces, I was left wanting more. The prawn salad and Kongo combo was also a resounding success. The food was a celebration of Japanese fusion cuisine at its finest. The drinks menu is hardly an afterthought, with an extensive range of Japanese liquors and whiskies that only added to the authentic nature of Yori ōkī.

After the turmoil that has hit KZN shores over the past year, eateries like this one provide much-needed light and respite –affirming that there is still much to offer from this coastal region. From the service to the flavours and the intricate decor details, I can confirm that I am big on Yori ōkī, and am sure you will be too.

Where: Ballito Lifestyle Centre, Ballito, KZN, 4420  Contact: 087 711 2001

WE NEED TO MAKE SURE we understand each other upfront,” Yossi Schwartz tells me when we sit down to chat about his new venture, The Queens.

I’d requested an interview with the independent whisky bottler following a visit to the venue a couple of weeks prior. While the occasion was its launch, the event was by no means a PR exercise; I was the only journo in attendance, my invitation coming by way of bar manager and industry comrade Matthew Cox.

The place is so private that it doesn’t even have a name, going by the name The Queens, which was the name of the hotel the 200-year-old building used to house.

“I know it might sound a little bit arrogant, but we only deal with people we like,” Yossi elaborates. “That's because, for me, when you come to the lounge, it’s like inviting you into my house. This is my unique selling point (USP).”

FIT FOR A QUEEN

THE QUEENS IS CAPE TOWN’S NEW MEMBER’S BAR WITH A DIFFERENCE

The mention of a USP is the first indication that there’s branding afoot and the establishment’s home-away-from-home positioning is not an eccentric whim. It also hints that it’s not entirely impenetrable to the public, provided they meet certain requirements.

This is hardly surprising, as prior to focusing on spirits full time, Yossi captained Y&R South Africa, an ad agency famed for its creative campaigns and clever communications.

While not strictly a members-only club, this lounge is something much more restricted: you gain access either by being in the inner circle or by being a guest of someone who is. There are two exceptions though, like occasional open evenings and members of the public who express interest in tasting the Single & Single whisky range Yossi produces.

In addition to these limited-edition bottlings, other treasures that patrons have access to are the spirits in his personal collection, which he has been building for some 30 years. Matthew and his team will serve these alongside masterfully created cocktails – both signature and classics – as well as fine wines and luxurious champagnes, each of which can be paired with Sicilian cheeses, cured meats and bespoke sushi.

“I want to do all the things the bars in Cape Town want to do, but it’s not commercial. I want to be generous. I want to use the best ingredients money can buy,” Yossi enthuses. This abundance extends to the exotic, fresh-cut flowers scattered about the steel blue interior and the multiple local botanicals, tinctures and bitters atop the bar.

Soon too, the lounge will become an exhibition space, featuring original artworks from rotating galleries, while musicians will be invited to perform.

About 60 guests can be seated, either inside on comfortable couches overlooking the city or at tables on the secluded patio, protected from the Cape Doctor.

“We want to create traffic, but we want traffic that we’re happy to have. It’s a little bit of giving back and a little bit of a showcase. This is our gesture,” he concludes.

For more information or any queries, email info@singleandsinglewhisky.com

WORDS LEAH VAN DEVENTER PHOTOGRAPHY DAVID SAVAGE

WHO WANTS TO LIVE FOREVER?

WORDS GEORGINA CROUTH

FOR FANS OF THE 1986 CULT CLASSIC Highlander, that might sound like a rhetorical question because the lead, Connor MacLeod (played by a then dreamy Christopher Lambert), suffered through his immortality with a full head of hair, enviable biceps and magical psychic powers.

For us mere mortals, ageing is inevitable, but since we are living longer than previous generations, the potential for a longer life raises the question: how do we maximise all that time?

In their book The 100-Year Life management expert Lynda Gratton and economics professor Andrew J. Scott explore what one could do with more time on their side, since the 100-year life is within reach.

The traditional notion of a three-stage approach to our working lives – education,

IT’S TIME TO THINK ABOUT WHAT A LONGER LIFE MEANS FOR YOUR HEALTH, WEALTH, WORK AND RELATIONSHIPS

career and then retirement – has collapsed, so planning for longevity means doing things differently.

Research indicates we are living longer than ever in history. The New England Centenarian Study, the world’s largest such study, shows exceptionally old people are becoming more commonplace.

In the UK, the latest census data indicates that there were 15 120 centenarians alive in 2020 (almost double the figure in 2002), despite COVID-19.

People who make it to 100 aren’t just long-living, they often avoid contracting serious illnesses. Gerontologist Tom Perls, the author of the New England study, told Wired magazine that, while age is a major risk factor for many serious illnesses, the adage “the older you get, the sicker you get” is false: he believes “the older you get, the healthier you’ve been”.

A healthy mindset is part of the puzzle. A UBS Investor Watch survey of 4 500 high-net-worth individuals (HNWIs) in the US, Latin America, Europe and Asia published in October 2022, indicated that wealthy investors expect to live the longest, and they are the most willing to sacrifice their wealth for better health.

In Hong Kong, which has among the highest life expectancy in the world, 60 percent of HNWIs are convinced they will live to 100, and their optimism about longevity outstrips that of almost all other countries, including Singapore, Taiwan, and the US.

Ninety percent of prosperous people in Hong Kong believe investing in and caring for their health to be more important than increasing their wealth, which is why they are making wealth and health decisions to support an extra-long life.

Some interesting findings from the UBS survey:

WORKING SMARTER, NOT HARDER HNWIs are working later in their lives, but they’re doing it more sensibly. In Asia, which is known for its work ethic, almost all Hong Kong investors believe that working is good for them. Too much work is frowned upon though, so they scale back with age. They take weekends off, respect holiday time, and turn off their phones and email frequently.

NO PRICE ON GOOD HEALTH Good health takes precedence over abundant wealth for HNWIs, with fears of deteriorating health driving their investment in a longer and healthier life. They are also helping the less fortunate to stay healthy, with 71 percent investing in uplifting healthcare for others. Practising self-care, eating better-quality food, stressing less about finances and working on a growth mindset are all seen as an investment in yourself.

CHANGING INVESTMENT BEHAVIOUR The potential of a 100-year life is changing investment behaviours, with 41 percent of HNWIs adjusting their long-term financial plans, and 37 percent adjusting their spending patterns. Fifty three percent said they have made, or would make, more long-term investment decisions in equities, bonds, healthcare and property.

LEAVING A LEGACY Longevity guides HNWI’s legacy planning, with seven in 10 preparing to give more away while they’re still alive. And yet, despite the pandemic, many investors aren’t taking the actions necessary to ensure successful wealth transfer. UBS says its study showed four in 10 HNWIs don’t have an up-to-date will or wealth-transfer plan. Half aren’t having important conversations to prepare their future heirs. And 46 percent don’t talk openly about financial issues in the family.

PAUL SIGUQA GREW UP IN THE CAPE WINELANDS WHERE HE BECAME ATTUNED TO THE INTRICACIES OF WINE-MAKING. NOW, AS THE OWNER AND PRODUCER OF KLEIN GOEDERUST WINES, HE IS REIMAGING A HISTORICALLY COMPLEX SITE WHILE BUILDING A STRONG LEGACY WITHIN THE LOCAL WINE INDUSTRY

RAISING A GLASS TO PAUL SIGUQA

AGE: 42

HOMETOWN: Franschhoek

ON HIS EARLY MEMORIES OF WINE: Wine has always been part of my life. Vineyards surrounded my home and the change of season would be evident in the changes we would see on the vines. Harvest season brought a level of excitement and celebration. Some of my earliest memories are of being in the cellar where my mother worked as a labourer, the smell of fermenting wine and the smell of ageing wine in the maturation cellar. My love for wine started when I got my first holiday job in the tasting room at Backsberg Family Wines.”

ON CONFRONTING SOUTH AFRICA’S PAINFUL HISTORY FOR A BETTER

FUTURE: “The history of apartheid, segregation and oppression is painful, and the people of the winelands carry that with them – especially with the legacy of the dop system (where farm labourers were compensated with cheap wine). The biggest barrier for Black

people in the industry is access to land. Land is economic freedom, and until we have access to land, we have not yet seen uhuru (freedom). We must change the narrative, and the only way to do that is by empowering ourselves through education and knowledge and moving into spaces that we were not allowed into historically. The wine industry is such a space, and the future of it can only be bright if it is diverse.”

ON WHAT DREW HIM TO THE KLEIN GOEDERUST FARM: “I was drawn to this farm in particular because of the location. We are right on the main road into Franschhoek, which is home to some of the best brands and greatest farmers in the wine industry. Being amongst giants was attractive, although intimidating. There is no room for mediocrity and inferior wine brands in this space. When I first saw the farm, it was rather run-down, and I knew it would take plenty of work and resources to restore it – but it was all we could afford at the time. However, we couldn’t have asked for a better home.”

ON WORKING WITH HIS BEST FRIEND, WINEMAKER RODNEY ZIMBA: Rodney is not just an amazing wine maker, he is also a remarkable human. He had complete belief in my vision and risked it all by quitting a job of 27 years to join a Black-owned start-up wine business. We have known each other since childhood, and it helps that we have the same wine palate. We both believe in quality over quantity and share a vision when it comes to our wines. We produce premium wines, each bottle proudly marked with the southern ground hornbill (my family clan totem) and the iconic fleur-de-lis symbol.”

ON THE FUTURE AND LEGACY OF KLEIN GOEDERUST: “We would like to acquire more land, broaden our wine offering and build a production facility on the farm. We would also like to add a hotel to the farm to complement our amazing restaurant, the Klein Goederust Boutique Winery. We’d like to leave a legacy of hope. One that is full of possibilities and shows that if children of farm labourers can buy a farm and successfully run it, the children of mine workers in Gauteng, Limpopo, North West and Mpumalanga can also own the mines and run them successfully.

WORDS NTOMBENHLE SHEZI

OUT OF OFFICE

JAMES BARTY, FOUNDING

PARTNER OF THE KING JAMES GROUP, TELLS US ABOUT SOME OF HIS FAVOURITE THINGS AND HOW HE SPENDS HIS DOWNTIME

WORDS THEMBALETHU ZULU

WHAT IS YOUR IDEA OF LUXURY? “ The old adage about the luxury of time is probably very relevant for me. I find the ability to carve out time for myself and my family an enormous luxury. But then I also have the more materialistic view of luxury in the sense of both experiences and things. I see luxury on a number of different dimensions.”

IN A WORLD WHERE WE’RE TECHNICALLY ALWAYS AVAILABLE, HOW DO YOU SEPARATE WORK FROM PERSONAL LIFE? As someone who has run his own business for 25 years, I’ve never been able to do that. In fact, I find it hard to even begin to try because I think it’s more about how you manage the balance. You need to be disciplined in the ability to manage yourself seamlessly through phases when you are required to be less plugged in, and times when you absolutely have to be available. For instance, my family know I’m a better person on holiday if I’ve had an hour in the morning to deal with my email or any urgent matters – then I can be completely focused on the holiday part. So, I don’t separate… I merge and manage.”

WHAT’S THE LONGEST TIME YOU’VE MANAGED TO STAY OFFLINE? “ I can stay offline for a weekend, but never much longer than that. I’ve never been one to go for the big tech detox weekends. I’d rather find a healthy medium.”

IS THERE ONE THING YOU DO AFTER A LONG DAY AT WORK TO HELP YOU UNWIND? “ Pour myself a large Scotch! There’s probably multiple answers to this, but if I’m at home and don’t have a plan to exercise, then yes, a large Scotch. Then, generally, I’ll connect with my wife and family.”

OUTSIDE OF YOUR HOME, WHERE IS YOUR FAVOURITE SPACE? “ We have a wonderful cottage in Langebaan in the West Coast National Park. It’s in Churchhaven, off the grid, beautiful and incredibly peaceful.”

ON A SUNDAY NIGHT, HOW DO YOU PREPARE FOR THE WEEK AHEAD? “I try and enjoy my Sunday night and not let the week ahead impact it. I rather push out my planning to very early on Monday morning.”

BEST REASON YOU LAST SWITCHED YOUR PHONE TO AEROPLANE MODE?

For a fantastic week in the Seychelles with my family. I must say, I was very impressed with the level of activity. There’s lots to do. We were quite active, even though you think of the Seychelles as a fly-and-flop destination. We fished, we snorkeled and we hiked.”

DOWNTIME HOTLIST

Go-to out-of-office outfit: My cycling kit. Your happy place: My family home in St James, Cape Town, along the False Bay coastline. A book you’d recommend: I’m reading one now which I’m finding very interesting. It’s called The 100-Year Life Hidden gem you love: A little wine bar in Noordhoek called Furny’s. It’s a great little find. A hobby you’d like to get into: I’d love to further my interest in wine and make my own. One luxury that’s actually a necessity: I think treating yourself to a trip to the bush.