18 Changes by Yu//angie Zhou

18 CHANGES • > > •>> / A book about myself, about Angie Zhou, was Yu Zhou

护照 PASSPORT

国家码 / Country Code CHN

姓 / Surename 周 / Zhou 名 / Given names 煜 / YU

护照号 / Passport No. G 5 4 6 6 2 0 5 7

8 2 1 7 7 7 7 7

类型 / Type P

性别 / Sex 女/F 出生日期 / Date of birth 30 AUG 1992

POCHNZHOU<<YU<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< G54662057CHN9208304F2108122192083000<<00<<<<<<<<<<<<<<

No. 002

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

003

AVAIL ABLE: 08.30.1992

No.

PROGRAMMED BY: DAD&MOM

This book is designed by Angie Zhou. All rights reser ved. No part of this book may be reproduced in any form or by any means without permission from the designer. Critics and reviews are ver y welcomed.

No. 004

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

“

B E I N G M A D E B Y. . .

第 0.1 章

CONTENT S

YEAR. 000

pg. 05 •>> / 06

* THIS IS THE BEGINNING *

TO THE

•• > wonderland 01. °_ 02. °_

I WA S T H E N O. 0 1 . . .

第 0.2 章

YEAR. 003

03. °_

pg. 07

04. °_ 05. °_

•>> /

06. °_ 07. °_

016

08. °_ 09. °_ 10.

D O N O T WA N NA L I S T E N TO YO U G U Y S

CHAPTER 0.3

YEAR. 011

°_11. °_12.

pg. 17

°_13. °_14.

•>> /

°_15. °_16.

°_17. °_18. °_19.

005

No.

“

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

I AM ALL BY MYSELF RIGHT NOW

CHAPTER 0.4

YEAR. 011

pg. 37 •>> / 50 B E I N G M A D E B Y. . .

COLOPHON

YEAR. 019

No. 006

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

No.

007

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

i am in the wonderland—the world

WONDERLAND?

“There is no one who loves pain itself who seeks after it and wants to have it” •>> 3 Likely I have been through a lot, but not. However,

ever ything I experienced lead to who I am as a person right now. I might hated something when I deal with it, but I knew I will love it!

Go through different stages of my life and see how much it has been changed.

•>> 3 The typeface Utopia is a transitional serif created by

Robert Slimbach and presented by Adobe in 1992, was intended to solve a number of typographic problems related to office correspondence. This demanded versatility, so Slimbach created a font family with cuts for text, for titles, extra bold for headlines, small caps, all caps with numerals, old face numerals, fractions, ligatures and scientific markings. Not just its forms, but also its aesthetics make the balanced, elegant Utopia suitable for any use. •>> 3 The subject of study is the transitional life of me

being a stranger in this wonderland—the world. The word transitional is an adjective of the word transition, which means : 1. passage from one state, stage, subject, or place to another : •>> 3 1. change •>> 3 2. a movement, development, or evolution from one

form, stage, or style to another. •>> 3 3. an abrupt change in energy state or level (as of an

atomic nucleus or a molecule) usually accompanied by loss or gain of a single quantum of energy. •>> 3 Just like how Alice was in the Wonderland, we have to

experience lots of different things to grow up, to be mature. This time, not Alice but me being a stranger in this wonderland—the world. The whole book is playing with the idea of transition—which means

No. 008

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

•>> / Escape from the reality

•>> / Living in a virtual world •>> / Virtual&reality

•>> / Highly contrasted

•>> / Past & now •>> / No Place •>> / Good Place

•>> /

Transition—

•>> / Alice in the Wonderland

•>> / Traditional Living

Passage from one stage to another.

•>> / Vintage

•>> / Harmony with nature

•>> / Dream world

AVAIL ABLE: 08.30.1992

No.

009

PROGRAMMED BY: DAD&MOM

•>> / Growth

•>> / Experience

•>> / Keep changing, find the best way for yourself

•>> / Day dreaming

•>> / Non gravity

•>> / Bridge the virtual&reality

•>> / Make connection between virtual&reality

•>> / Dream walk

•>> / What if we have 366 days per year?

•>> / Mind floating

•>> / One might not even be able to identify themselves

•>> / You do not know what you were doing

No. 010

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人 •>> / I was not paid to do this 人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人 •>> / Utopia Std Italic 6.2/8 +80 Traking 人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人

011

AVAIL ABLE: 08.30.1992

No.

PROGRAMMED BY: DAD&MOM

人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人我人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人人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MADE IN: SHANGHAI, CHINA , THE WORLD

No. 012

NAME: ANGIE ZHOU TITLE: STUDENT_83%

GOT PROTECTED

•>> / I was not paid to do this

“There is no one

who loves pain itself who seeks after it and wants to

•>> / Utopia Std Italic 6.2/8 +80 Traking

妈..mama... ... ...

Exclusive sold vinyl se nses all-over but light more triple ad vantage, cre amy thank-you sure . Works, goo d pleas ing

丑小鸭很伤心，他

飞过篱芭

逃走了，

一直跑到一块沼泽地，那里住着一群野鸭。

丑小鸭恭恭敬敬地向他行礼，

可是野鸭们却说： “ 天哪，你真是丑得厉害！希望你个要同我们家族中的任何一只母鸭子结婚。

“哦，你们若能允许我在芦苇里躺一躺，喝点沼泽的水，这就足够了。”丑小鸭自卑地想。

接着，他们当中的一只跑过去，在小鸭的颈子上很啄一口，并且理直气壮的说：“他长得太特别了，所以必须挨打！ ” 到后来，小鸭的兄弟也讨厌起他来。他们总是说：你这个丑八怪，给给猫叼去才好哩 ” 最后，连鸭妈妈也不愿意要他 ” ， “你离我远点！ ” 这就是她留给可怜的小家伙的最后一句话。

No.

013

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

囡囡

o have it”

啊...啊唔.........

把拔..Ba...ba......ba...ba...bu....

这时，走来那只小鸭长得有多

一群别家的丑！

鸭子，他们故意扯开嗓喊： …

快看呀，

Eairh

NEH....

No. 014

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

No.

015

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

并背诵全文。

3 6 6 6 6 6 6 4 5 6 •>> 3 Over the gray plain of the sea the wind gathers storm-clouds.

Between the clouds and the sea proudly soars the stormy petrel, as a streak of black lightning. Now the waves on wingtip touching, now as an arrow soaring to the clouds, he screams, and — the clouds hear joy in the bird’s proud cry. In that cry — the lust of the storm! The power of anger, flame of passion and certainty in victory hear the clouds in that cry. •>> 3 The seagulls groan before the storm, — groan, toss over the sea

and are ready to dive their terror to its depths. And the loons also whimper, — the loons cannot attain joy of life’s struggle: thunder of lightning-bolts frightens them. The stupid penguin cowardly hides blubber in the rocks ... only the proud stormy petrel soars bold and free over the grey sea froth! Ever darker and lower clouds drop to the sea, waves singing and rending the heights to meet the thunder. •>> 3 Thunder rumbles. In pounding anger moan the waves, fighting

the wind. See the wind grab waves in a lockhold, and in wild fury, throw them on the rocks, smashing emerald masses to drops and mist. The stormy petrel soars with a scream, a streak of black lightning, as an arrow pierces the clouds, on wing-tip slicing the wave froth. See him hover, like a demon — proud, black demon of the storm — he laughs, and cries ... he laughs atop the clouds, he cries with joy! •>> 3 In the froth of anger — clever demon, — he has long heard

weariness, he knows that the clouds won’t cut the sun — no, the sun will triumph! •>> 3 The wind roars ... Thunder rumbles... As a blue flame burn

clouds over the sea’s abyss. The sea catches arrows of lightning and snuffs them in her depths. As snakes of fire howling in the deep vanish those reflections. •>> 3 The storm! Soon will break the storm! The bold stormy petrel

proudly flies between the lightning and the frothing anger of the sea; now screams the prophet of victory: — Let the storm burst forth in all fury!

YEAR. 006

This is when i started to learn

在苍茫的大海上，狂风卷集着乌云。在乌云和大海之间，海燕像黑色的闪电，在高傲的飞翔。一会儿翅膀碰着波浪，一会儿箭一般地直冲向乌云，它叫喊着， ──就在这鸟儿勇敢的叫喊声里，乌云听出了欢乐。在这叫喊声里 ─ ─ 充满着对暴风雨的渴望！在这叫喊声里，乌云听出了愤怒的力量、热情的火焰和胜利的信心。海鸥在暴风雨来临之前呻吟着，──呻吟着，它们在大海上飞窜，想把自己对暴风雨的恐惧，掩藏到大海深处。海鸭也在呻吟着， ──它们这些海鸭啊，享受不了生活的战斗的欢乐：轰隆隆的雷声就把它们吓坏了。蠢笨的企鹅，胆怯地把肥胖的身体躲藏到悬崖底下 … … 只有那高傲的海燕，勇敢地，自由自在的，在泛起白沫的大海上飞翔！乌云越来越暗，越来越低，向海面直压下来，而波浪一边歌唱，一边冲向高空，去迎接那雷声。雷声轰响。波浪在愤怒的飞沫中呼叫，跟狂风争鸣。看吧，狂风紧紧抱起一层层巨浪，恶狠狠地把它们甩到悬崖上，把这些大块的翡翠摔成尘雾和碎末。海燕叫喊着，飞翔着，像黑色的闪电，箭一般地穿过乌云，翅膀掠起波浪的飞沫。看吧，它飞舞着，像个精灵，──高傲的、黑色的暴风雨的精灵，──它在大笑，它又在号叫 … … 它笑些乌云，它因为欢乐而号叫！这个敏感的精灵， ──它从雷声的震怒里，早就听出了困乏，它深信，乌云遮不住太阳，── 是的，遮不住的！狂风吼叫 … … 雷声轰响…… 一堆堆乌云，像青色的火焰，在无底在大海上燃烧。大海抓住闪电的箭光，把它们熄灭在自己的深渊里。这些闪电的影子，活像一条条火蛇，在大海里蜿蜒游动，一晃就消失了。 ─ ─ 暴风雨！暴风雨就要来啦！这是勇敢的海燕，在怒吼的大海上，在闪电中间，高傲的飞翔；这是胜利的预言家在叫喊： ─ ─ 让暴风雨来得更猛烈些吧！

The first semseter at my elemetary school, we were assigned to read and memorize this “The Song of the Stormy Petrel” by the russian writer Maxim Gorky.

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01. °_ 02. °_ 03. °_ 04. °_ 05. °_ 06. °_ 07. °_ 08. °_ 09. °_ 10.

°_11. °_12. °_13. °_14. °_15. °_16. °_17. °_18. °_19.

* BEING BACK AND FORTH * TO THE

•• > unknown

No. 018

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

解：

No.

019

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

早6:30 、起床起床起床！

学 GETTING ORGANIZED

第 0.2 章

T IAN G RID - f arming f i el d ???

YEAR. 001

今天开始，我是一个小学生了,我要好好学习天天向上

田字格，田也能做成写字的格子啊?

一（2）班周煜

MADE IN: SHANGHAI, CHINA , THE WORLD

No. 020

NAME: ANGIE ZHOU TITLE: STUDENT_83%

•>> / I was not paid to do this

•>> 3 So the little girl now walked

•>> / Utopia Std Italic 6.2/8 +80 Traking

on, her bare feet quite red and blue with the cold. She carried a small bundle of matches in her hand, and a good many more in her tattered apron. No one had bought any of them the live long day no one had given her a single penny. Trembling with cold and hunger crept she on, the picture of sorrow: poor little child! The snow-flakes fell on her long, fair hair, which curled in such pretty ringlets over her shoulders but she thought not of her own beauty, or of the cold. Lights were glimmering through ever y window, and the savoir of roast goose reached her from several houses it was New Year’s eve, and it was of this that she thought.

YEAR. 001

This is the time i started to learn

it was dreadfully cold, it was snowing fast, and almost dark in the evening—the last evening of the old year was drawing in. But, cold and dark as it was, a poor little girl, with bare head and feet, was still wandering about the streets.

•>> 3 In a corner that formed by two

890

天气非常非常冷，雪下得很大，夜幕已降临。这是旧年最后的一夜 — — 除夕之夜。尽管天气是那么的寒冷和黑暗，一个贫穷的小女孩，光头赤脚仍在大街上徘徊。当她离家出门的时候，脚上穿着一双拖鞋，那是一双相当大的拖鞋 — — 的确太大了，那是她妈妈穿着合适的一双拖鞋。当她匆忙横穿马路的时候，两辆马车飞快地闯过来，吓得她把拖鞋跑丢了。一只怎么也找不到，另一只被一个小男孩抢跑了。他想，这只鞋可以当做玩具娃娃睡觉的摇篮。现在这小女孩只好光着脚在街上行走，一双脚步冻得又红又青。她那破旧的围裙兜着许多火柴，手里还拿着一小捆。可整整一天谁也没有向她买过一根 — — 谁也没有给她一个铜板。她又饿又冷，哆哆嗦嗦地向前走着，这是一幅非常凄惨的景象：可怜的小姑娘！雪花落在她那金黄色的头发上 — — 长长的卷发披散在肩上，看起来十分美丽，可她想不到自己的漂亮。从每扇窗子透出的亮光和飘出的烤鹅肉香味，使她想起的只是今天是除夕之夜。

houses, one of which projected beyond the other. She sat down, drawing her little feet close under her, but in vain, she could not warm them. She dared not go home, she had sold no matches, earned not a single penny, and perhaps her father would beat her， besides her home was almost as cold as the street， it was an attic； and although the larger of the many chinks in the roof were stopped up with straw and rags. the wind and snow often penetrated through.

GOING TO SCHOOL

街边一前一后坐落着两座房子，形成一个小墙角，她蹲在墙角里，把一双小脚卷缩到身下坐了下来，可是没有用，她还是不觉得暖和。她不敢回家，因为她还没有卖掉一根火柴，没有挣到一个铜板，她的父亲也许会因此打她，况且她家几乎和大街上一样冷。

“There is no one

who loves pain itself who seeks after it and wants to have it”

•>> 3 As the second match was struck

against the wall it kindles and blazed, and wherever its light fell the wall became transparent as a veil. The little girl could see into the room within.

她又擦着一根火柴，火柴燃起来了，发出了明亮的光。墙上那块被火光照着的地方，忽然变得透明，象一块薄纱。小女孩可以看到房间的东西，桌上铺着雪白的台布，上面放着精致的瓷碟，还有填满梅子和苹果、冒着热气、香喷喷的烤鹅。

No.

021

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

efgh

ijkl

pqrst

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4567890-=

No. 022

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

1+1=2 Y E S ! D O W H AT E V E R I M T E L L I N G T O D O !

Obey Dad&Mom’s Orders w

itself who after it and wants to hav

I’VE BEEN TOLD, 1+1=2 / MY DAD SAID IT WAS TRUE

THEN I BET 1+1=2, BECAU

who loves pain

seeks ve it

USE

PROGRAMMED BY: DAD&MOM

AVAIL ABLE: 08.30.1992

No.

023

01 0 022 03 04 05 06 07 08 09 10 11 { 12 ok, dad, so i will make 13 everthing under the id “navigation” 14 like this: 15 first, the background should be #CCC then the type is 20px for the left edge and 16 40px for the top, 60px for the bottom away 17 from the text block, is that right? 18 /} 19 2 0 Y E S T H A T I S R I G H T, G O O D G I R L ! 2 1 J U S T L I S T E N T O W H AT I M T E L L I N G Y O U AND OBEY THE ORDER, EVERYTHING 2 2 WILL BE ALL SET 23 24 25 26 27 { 28 ok, dad, then i will make the text 10pt Franklin 29 Gothic Book and give it a 18pt leading, 1pt 30 tracking and underline it, then move the whole thing id=”navigation” 100px away 31 from the left edge of the page, is 32 that correct dad?/} 33 34 35 36 37

No. 024

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

“

71323232 32323232 Now i can do ever ything on my own, things like parents are no longer needed

...” Skip school Fight with teachers

Copy other people's homeworks Play online games till the next morning

025

AVAIL ABLE: 08.30.1992

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PROGRAMMED BY: DAD&MOM

232323232323232 232323232323233

Nobody Ever Loved Me ConsequaturPretium Massa EtFelis

No. 001

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

“ .. exams

..”

002

AVAIL ABLE: 08.30.1992

No.

PROGRAMMED BY: DAD&MOM

No. 001

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

AVAIL ABLE: 08.30.1992

No.

002

PROGRAMMED BY: DAD&MOM

“

...”

homeworks

Y E S T H A T I S R I G H T, G O O D G I R L ! J U S T L I S T E N T O W H AT I M T E L L I N G Y O U AND OBEY THE ORDER, EVERYTHING

No. 001

NAME: ANGIE ZHOU TITLE: STUDENT_83%

6:30 a.m. 7:00 a.m. 7 : 3 0 a3. m . 8:00 a.m. 8:40 a.m. 8:50 a.m. 9:30 a.m. 9:40 a.m. 1 0 :/ 2I 0wasanot. mpaid . to do this •>> 11:00 a.m. •>> / Utopia Std Italic 6.2/8 +80 Traking 12:00 p.m. ....... .... ................ ..... ........... ................ .... ...........c C c C c c C c C c C c C c C P12:00 A.M. • >> / 01

6:30 a.m. 7:00 a.m. 7:30 a.m. 8:00 a.m. 8:40 a.m. 8 : 5 0 a . m . MADE IN: SHANGHAI, CHINA , THE WORLD 9:30 a.m. 9:40 a.m. 10:20 a.m. 11:00 a.m. 12:00 p.m. ....... .... ................ ..... 6:30 a.m. ........... 7:00 a.m. ................ 7:30 a.m. .... 8:00 a.m. ...........c 8:40 a.m. C 8:50 a.m. c 9:30 a.m. C c 9:40 a.m. c 10:20 a.m. C c 11:00 a.m. A 12:00 p.m. A a ....... C c .... C c ................ C ..... ........... P12:00 A.M. ................ • >> / 02 .... ...........c C c C c c ba C c C c A P12:00 A.M.

• >> / 03

“

personal time

...”

6:30 a.m. 7:00 a.m. 7:30 a.m. 8:00 a.m. 8:40 a.m. 8:50 a.m. 9:30 a.m. 9:40 a.m. 10:20 a.m. 11:00 a.m. 12:00 p.m. ....... .... ................ ..... ........... ................ .... ...........c C c C c c C c C c C c C c C P12:00 A.M. • >> / 04

P3:00 A.M. • >> / 05

AVAIL ABLE: 08.30.1992

002

PROGRAMMED BY: DAD&MOM

No.

01. °_ 02. °_ 03. °_ 04. °_ 05. °_ 06. °_ 07. °_ 08. °_ 09. °_

* BEING BACK AND FORTH *

10.

TO THE

°_11.

heart

°_12. °_13. °_14. °_15.

°_16. °_17. °_18. °_19.

•• >

MADE IN: SHANGHAI, CHINA , THE WORLD

No. 034

NAME: ANGIE ZHOU TITLE: STUDENT_83%

You can do what ever you want at home, i have to control my temper outside •>> / I was not paid to do this

•>> 3 I have been busy busy: took 11 courses at SES, took weekly

zither lesson from Xiaoye Yang-- an exceptional 21 string zitherist (what luck), started a small magazine with a bunch of friends who’s also interested. Under the help of my friends, I started to apply for the universities in the U.S, took the SAT exam, attended a gazillion short music related seminars, had 1 computer built for me, bought and sold several other old computers... and now started my own web site. So What???? Well, because I have discovered a life path I want to travel and enjoy with others who may be motivated by the same things. You may be one of those “others”. 11Exams are those things I never wanted to face. However, this time, they have to be taken due to one thing called “dream”.1I had to take an 3 hours flight to Hongkong to take the exam but I was toatally fine with it; I do not think I will still have the passion to do such things right now, but I know how crazy I was about my dream at that point. 11Mom said they will support me and what I do, as long as it is good for me as their beloved daughter. I still remember her went to Hongkong with me and waiting for me outside the exam room for hours. How lucky I am!1111I finally got accepted at Moore College of Art and Design at Philadelphia; I have heard about this city (bad stuffs), but, I knew I will go. My parents were so worried about me while they were excited about me being accepted by a college. 11My parents tried to convince me to go to AAU in San Francisco at that time, I was that stupid girl who never listen to parents, and now I am about to graduate from AAU. 11How funny.

•>> / Utopia Std Italic 6.2/8 +80 Traking

I started to prepare for the new adventure, United States is the place I’ve heard a lot but never experienced. My mom said that I’d better learn how to control my temper •>> 3 Ever y one who knew me would said that I am a pretty

short temper person, my parents hanged the chinese letter“忍”on my wall, and they really expected me to be more patient about ever ything before I left home, they knew the world outside is so unpredictable, no one else will treat my temper as nice as they did. wonderful/awful experiences, accomplishments or failures, genuinely interesting or peculiar episodes; but that it’s only real value today is the wealth of material it affords me for lyrics and music. I’m counting on my music, if called upon, to adequately express my past. •>> 3 July 1, 2006 a family owned business was sold and I became free to pursue my music without any “yeah buts.’ You know what “yeah buts” are; yeah but, I have to go to work or yeah but, what will the neighbors think? Life isn’t that different now except that it’s filled with artistic passion, curiosity, discovery, and the freedom to say “no, I just don’t like that” or “it makes no sense at all, I’m doing it anyway.” Right,,,,,,, 1it’s almost the same as dragging a bored soul to work daily. What’s not missing are hours of practice, study, and living in the questions around the purpose of all my work. Sometimes, this can produce more anxiety than making a payroll with negative cash flow. Whatever it is that I produce will at least be all mine and an authentic honest expression, something that is not really a commodity today.

.navigation{ background-color:#CCC; padding-left:20px; padding-top:40px; padding-bottom:60px;

I am pround of the decision I made. I will still follow my heart and keep moving on.

•>> 3 Smile more, be nice to ever yone, do not argue with

people, make more friends, make good relationship with your instructors, said mom.

(

•>> 3 It’s not that life before July 1, 2006 wasn’t full of odd twists,

1 4 7

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AVAIL ABLE: 08.30.1992

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PROGRAMMED BY: DAD&MOM

1 2 3 4 5 6 7 8 9 0

MADE IN: SHANGHAI, CHINA , THE WORLD

No. 036

NAME: ANGIE ZHOU TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

中华人民共和国外交部请各国军政机关对待持照人予以通行的便利和必要的协助。

The Ministry of Foreign Affairs of the People’s Republic of China requests all civil and military 01. °_

countries to allow the bearer of

02. °_ 03. °_ 04. °_ 05. °_

to pass freely and afford assistance in case of need. 06. °_ 07. °_ 08. °_ 09. °_ 10. °_11. °_12. °_13. °_14.

护照 PASSPORT

类型 / Type P

国家码 / Country Code CHN

护照号 / Passport No. G 5 4 6 6 2 0 5 7

姓 / Surename 周 / Zhou 名 / Given names 煜 / YU 出生地点 / Place of birth 上海 / SHANGHAI

°_16.

出生日期 / Date of birth 30 AUG 1992

签发地点 / Place of issue 上海 / SHANGHAI

°_17.

签发日期 / Date of issue 17 AUG 2011

有效期至 / Valid until 16 AUG 2021

°_18.

签发机关 / Authority 公安部出入境管理局

Exit & Entry Administration Ministry of Public Security

8 2 1 7 7 7 7 7

°_15.

性别 / Sex 女/F

°_19.

POCHNZHOU<<YU<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< G54662057CHN9208304F2108122192083000<<00<<<<<<<<<<<<<<

authorities of foreign this passport

037

AVAIL ABLE: 08.30.1992

No.

PROGRAMMED BY: DAD&MOM

No. 038

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

No.

039

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

G oing out to challenge the world i am leaving home

•>> 3

Packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, packing, I’ve been packing for the whole July and August 2008. 17171717171 7171717 1717 1717171717 1717171717excited to leave home, excited to the new place, can you imagine spend 10 years at same school and having the same classmates? i am soon going to be free! Planning, planning, ever yday waiting was just boring, could not wait to get started at a brand new place, where no one knows me and my stories. Dreaming about having new friends and learning new knowledges, and dreaming about being an designer. Though I do not think I knew what graphic design was really about as a 15 years old girl, but being a designer is cool enough for me to show off to people I knew!71

222IIIII... I started to miss my lovely home right after I said bye-bye to my dad at the airport, could not stop cr ying at the waiting room and on the plane to philadelphia. I was 15.222222222222222222222 222222222222222222222222

Finally I do not have to go to school with the same people who knew all those stupid things I’ve done! I will go start a brand new college life in United States!

•>> 3 But the good thing is finally I can get rid of chinese, math,

english, histor y... all those stupid classes I did not wanted to take! I will be doing things I like, such as......71 Sleeping? NO! Skip Class? NO! Graphic Design is a YES! 71 71 71 71

01. °_ 02. °_ 03. °_ 04. °_ 05. °_ 06. °_ 07. °_ 08. °_ 09. °_ 10.

°_11. °_12. °_13. °_14. °_15. °_16. °_17. °_18. °_19.

* BEING PROFESSIONAL * TO THE

•• > realistic

No. 042

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

043

AVAIL ABLE: 08.30.1992

No.

PROGRAMMED BY: DAD&MOM

Yo u A r e U g l y • > > / Yo u c a n n o t m a k e a n y m o n e y • > > / Yo u c a n n o t e v e n d o g o o d o n t h e e x a m s , y o u i d i o t ! • > > / Yo u A r e U g l y • > > / Yo u c a n n o t m a k e a n y m o n e y • > > / Yo u c a n n o t e v e n d o g o o d o n t h e e x a m s , y o u i d i o t ! • > > / Yo u A r e U g l y • > > / Yo u c a n n o t m a k e a n y m o n e y • > > / Yo u c a n n o t e v e n d o g o o d o n t h e e x a m s , y o u i d i o t ! • > > / Yo u A r e U g l y • > > / Yo u c a n n o t m a k e a n y m o n e y • > > / Yo u c a n n o t e v e n d o g o o d o n t h e e x a m s , y o u i d i o t ! • > > / Yo u A r e U g l y • > > / Yo u c a n n o t m a k e a n y m o n e y • > > / Yo u c a n n o t e v e n d o g o o d o n t h e e x a m s , y o u i d i o t ! • > > / Yo u A r e U g l y • > > / Yo u c a n n o t m a k e a n y m o n e y • > > / Yo u c a n n o t e v e n d o g o o d o n t h e e x a m s , y o u i d i o t ! • > > / Yo u A r e U g l y • > > / Yo u c a n n o t m a k e a n y m o n e y • > > / Yo u c a n n o t e v e n d o g o o d o n t h e e x a m s , y o u i d i o t ! • > >

No. 044

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this

Away from home i can not do a shit!

•>> / Utopia Std Italic 6.2/8 +80 Traking •>> 3

It was dreadfully cold, it was snowing fast, and almost dark in the evening— the last evening of the old year was drawing in. But, cold and dark as it was, a poor little girl, with bare head and feet, was still wandering about the streets. When she left her home she had slippers on, but they were much too large for her indeed, properly, they belonged to her mother, and had dropped off her feet whilst1 she was running very fast across the road, to get out of the way of two carriages. —This was how I thought my life was at Philadelphia, close if not 100% matches, nothing was expected.

•>> 3

“Now some one is dying,” said the little girl, softly, for she had been told by her old grandmother， the only person who had ever been kind to her, and who was now dead that whenever a star falls an immortal spirit returns to the God who gave it. 122232222222222222222222233333 32222222222222222 She struck yet another match against the wall it flamed up, and surrounded by its light, appeared before her that same dear grandmother, gentle and loving as always, but bright and happy as she had never looked during her lifetime. “Grandmother!” exclaimed the child.

Home sweet home, i do not know why i am here, over 16000 miles away from home, and got ever ything stolen, got cheated... I should’ve just stay at home and listen to my parents, wrong decision •>> 3

妈..mama... ... ...

“oh, take me with you! I know thou1 wilt2leave me as soon as the match goes out thou wilt vanish like warm fire in the stove, like the splendid New Year’s feast, like the beautiful large Christmas tree!” and she hastily lighted all the remaining matches in the bundle, last her grandmother should disappear. 222 22222222222222222222222222222

接着，他们当中的一只跑过去，在小鸭的颈子上很啄一口，并且理直气壮的说： “ 他长得太特别须挨打！ ” 到后来，小鸭的兄弟也讨厌起他来。他们总是说：你这个丑八怪，给给猫叼去才好哩 ” 最后，连鸭妈妈也不愿意要他 ” ， “ 你离我远点！ ” 这就是她留给可怜的小家伙的最

丑小鸭很伤心，他飞过篱芭逃走了，一直跑到一块沼泽地，那里住着一群野鸭。丑小鸭恭恭敬敬地向他行礼，可是野鸭们却说：“天哪，你真是丑得厉害！希望你个要同我们家族中的任何一只母鸭子结婚。 “哦，你们若能允许我在芦苇里躺一躺，喝点沼泽的水，这就足够了。”丑小鸭自卑地想。

别了，所以必，最后一句话。

AVAIL ABLE: 08.30.1992

No.

045

PROGRAMMED BY: DAD&MOM

Exclusive sold vinyl se nses all-over but light more triple ad vantage, cre amy thank-you sure . Works, goo d pleas ing

把拔..Ba...ba......ba...ba...bu....

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

t s r q p

No. 046

NAME: ANGIE ZHOU

•>> / I was not paid to do this

•>> / Utopia Std Italic 6.2/8 +80 Traking

•>> 3 11111111111111111111111111111111111

111 now I am into this serif typeface called“Utopia Std”, and combining my life with it.

With doing projects at school, I learned a lot, not just about design itself, but many other things...such as... •>> 3 Robert Slimbach is a type designer, who has worked at Adobe

Systems since 1987. He has won many awards for his digital typeface designs, including the rarely-awarded Charles Peignot Award from the Association Typographique Internationale, and repeated TDC2 awards from the Type Directors Club.

i know Utopia typeface was designed by... •>> 3 Slimbach was born in Evanston, Illinois in 1956. Shortly after,

Mauris Beatae Inventore Nonummy

he moved to Southern California where he spent his childhood and his youth. After leaving college he developed an interest in graphic design and typefaces while running a small screen printshop for manufacturing posters and greeting cards. 11

•>> 3 This work brought him into contact with Autologic Incorporated 3 Chronologically, the first recorded utopian proposal is Plato's

in Newbury Park, California, United States. After his training Republic. Part conversation, part fictional depiction, and from 1983 to 1985, Slimbach worked as a type designer with part policy proposal, it proposes a categorization of citizens Autologic Incorporation, whereSumner Stone also worked for into a rigid class structure of "golden," "silver," "bronze" and a short time. There he received further training, not just as a "iron" socioeconomic classes. The golden citizens are trained type designer but also he was a calligrapher. Slimbach was in a rigorous 50-year long educational program to be benign then self-employed for two years and developed the two fonts oligarchs, the "philosopher-kings." The wisdom of these rulers ITC Slimbach and ITC Giovanni for the International Typeface will supposedly eliminate poverty and deprivation through Corporation in New York. fairly distributed resources, though the details on how to do •>> 3 In the year of 1987 Robert joined Adobe Systems. Since this are unclear. The educational program for the rulers is the then, he has concentrated primarily on designing typefaces central notion of the proposal. There is a general pacifism or for digital technology, drawing inspiration from classical pacifist attitude. However, the people of the Republic are sources.236233623362336233623 all ready to defend themselves or to compete militarily for resources (such as land) if necessary. It has few laws, no lawyers •>> 3 He has developed many new fonts for the Adobe Originals program. His time at Adobe Systems in California has and rarely sends its citizens to war, but hires mercenaries seen the production of, among others, the Utopia (1988), from among its war-prone neighbors (these mercenaries were Adobe Garamond (1989), Minion (1990) and Poetica (1992) deliberately sent into dangerous situations in the hope that the font families. In 1991, he received the Charles Peignot more warlike populations of all surrounding countries will be Award from the Association Typographique Internationale weeded out, leaving peaceful peoples). for excellence in type design. More recently, Slimbach’s 3 In the sixteenth century, Thomas More's book Utopia proposed own roman script calligraphy formed the basis for his an ideal society of the same name. Some readers, including Brioso.3623362336233623 utopian socialists, have chosen to accept this imaginary society •>> 3 Since 2000, the rate of Slimbach’s new typefaces has slowed, as as the realistic blueprint for a working nation, while others have he has taken advantage of the new linguistic and typographic postulated that More intended nothing of the sort. Some[who?] capabilities offered by the OpenTypeformat. Where in the 1990s maintain the position that More's Utopia functions only on a given typeface design might be instantiated in one or two the level of a satire, a work intended to reveal more about the fonts, with 200-500 glyphs, a typical new Slimbach work postEngland of his time than about an idealistic society. 2000 has 1500-3000 glyphs.0236

09. °_ 10. °_ °_11. °_12.

PROGRAMMED BY: DAD&MOM

AVAIL ABLE: 08.30.1992

°_14.

No.

°_15.

wxy uv

5 4

°_16.

°_17.

°_18.

••> °_19.

047

°_13.

MADE IN: SHANGHAI, CHINA , THE WORLD

No. 048

NAME: ANGIE ZHOU TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

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049

AVAIL ABLE: 08.30.1992

No.

PROGRAMMED BY: DAD&MOM

MADE IN: SHANGHAI, CHINA , THE WORLD

No. 050

NAME: ANGIE ZHOU TITLE: STUDENT_83%

i now know how to put make-ups on... •>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

•>> 3 Freda Bright says, “Only in opera do people die of

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love.” It’s true. You really can’t love somebody to death. I’ve known people to die from no love, but I’ve never known anyone to be loved to death. We just can’t love one another enough. A heart-warming stor y tells of a woman who finally decided to ask her boss for a raise in salar y. All day she felt ner vous and apprehensive. Late in the afternoon she summoned the courage to approach her employer. To her delight, the boss agreed to a raise. The woman arrived home that evening to a beautiful table set with their best dishes. Candles were softly glowing. Her husband had come home early and prepared a festive meal. She wondered if someone from the office had tipped him off, or... did he just somehow know that she would not get turned down?She found him in the kitchen and told him the good news. They embraced and kissed, then sat down to the wonderful meal. Next to her plate the woman found a beautifully lettered note. It read, “Congratulations, darling! I knew you’d get the raise! These things will tell you how much I love you.” Following the supper, her husband went into the kitchen to clean up. She noticed that a second card had fallen from his pocket. Picking it off the floor, she read, “Don’t worr y about not getting the raise! You deser ve it anyway! These things will tell you how much I love you.” Someone has said that the measure of love is when you love without measure. What this man feels for his spouse is total acceptance and love, whether she succeeds or fails. His love celebrates her victories and soothes her wounds. He stands with her, no matter what life throws in their direction. Upon receiving the Nobel Peace Prize, Mother Teresa said, “What can you do to promote world peace? Go home and love your family.” And love your friends. Love them without measure.

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With doing projects at school, I learned a lot, not just about design itself, but many other things...such as...

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•>> 3 Robert Slimbach is a type designer, who has worked at Adobe

•>> 3 “Now some one is dying,” said the little girl, softly,

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for she had been told by her old grandmother， the only person who had ever been kind to her, and who was now dead that whenever a star falls an immortal spirit returns to the God who gave it. •>> 3 She struck yet where another match against the wall it flamed up, and surrounded by its light, appeared before her that same dear grandmother, gentle and loving as always, but bright and happy as she had never looked during her lifetime. “Grandmother!” exclaimed the child.

AVAIL ABLE: 08.30.1992

No.

•>> 3 Graphic design is a creative process—most often 3 A graphic design project may involve the stylization

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involving a client and a designer and usually completed in conjunction with producers of form (i.e., printers, signmakers, etc.)—undertaken in order to convey a specific message (or messages) to a targeted audience. The term "graphic design" can also refer to a number of artistic and professional disciplines that focus on visual communication and presentation. As a whole, it is also often referred to as Visual Communication or Communication Design. Various methods are used to create and combine words, symbols, and also images to create a visual representation of ideas and messages. A graphic designer may be using a combination of typography, visual arts and page layout techniques to produce the final result. Graphic design often refers to both the process (designing) by which the communication is created and the products (designs) which are generated. Common uses of graphic design include identity (logos and branding), publications (magazines, newspapers, and books), advertisements and product packaging. For example, a product package might include a logo or other artwork, organized text and pure design elements such as shapes and color which unify the piece. Composition is one of the most important features of graphic design, especially when using pre-existing materials or diverse elements. While Graphic Design as a discipline that has a relatively recent histor y, with the term "graphic design" first coined by William Addison Dwiggins in 1922, graphic design-like activities span the histor y of humankind: from the caves of Lascaux, to Rome's Trajan's Column towards the illuminated manuscripts of the Middle Ages, to the dazzling neons of Ginza. In both this lengthy histor y and in the relatively recent explosion of visual communication in the 20th and 21st centuries, there is sometimes a blurring distinction and also over-lapping of advertising art, graphic design and fine art. After all, they share many of the same elements, theories, principles, practices and languages, and sometimes the same benefactor or client. In advertising art the ultimate objective is the sale of goods and ser vices. In graphic design, "the essence is to give order to information, form to ideas, expression and feeling to artifacts that document human experience." In late 19th centur y Europe, especially in the United Kingdom, the movement began to separate graphic design from fine art. In 1849, Henr y Cole became one of the major forces in design education in Great Britain, informing the government of the importance of design in his Journal of Design and Manufactures. He organized the Great Exhibition as a celebration of modern industrial technology and Victorian design. From 1891 to 1896, William Morris' Kelmscott Press published books that are some of the most significant of the graphic design products of the Arts and Crafts movement, and made a ver y lucrative business of creating books of great stylistic refinement and selling them to the wealthy for a premium. Morris proved that a market existed for works of graphic design in their own right and helped pioneer the separation of design from production and from fine art. The work of the Kelmscott Press is characterized by its obsession with historical styles. This historicism was, however, important as it amounted to the first significant reaction to the stale state of nineteenthcentur y graphic design. Morris' work, along with the rest of the Private Press movement, directly influenced Art Nouveau and is indirectly responsible for developments in early twentieth centur y graphic design in general.

•>> 3 Typography is largely used by typesetters, compositors,

typographers, graphic artists, art directors, and clerical workers. Until the Digital Age, typography was a specialized occupation. Digitization has opened up typography to new generations of visual designers and lay users.

051

PROGRAMMED BY: DAD&MOM

and presentation of existing text and either preexisting imager y or images developed by the graphic designer. For example, a newspaper stor y begins with the journalists and photojournalists and then becomes the graphic designer's job to organize the page into a reasonable layout and determine if any other graphic elements should be required. In a magazine article or advertisement, often the graphic designer or art director will commission photographers or illustrators to create original pieces just to be incorporated into the design layout. Or the designer may utilize stock imager y or photography. Contemporar y design practice has been extended to the modern computer, for example in the use of WYSIWYG user interfaces, often referred to as interactive design, or multimedia design. Before any graphic elements may be applied to a design, the graphic elements must be originated by means of visual art skills. These graphics are often (but not always) developed by a graphic designer. Visual arts include works which are primarily visual in nature using anything from traditional media, to photography or computer generated art. Graphic design principles may be applied to each graphic art element individually(mentioned earlier) as well as to the final composition—the mock-up. Typography is the art, craft and techniques of type design, modifying type glyphs, and arranging type. Type glyphs (characters) are created and modified using a variety of illustration techniques. The arrangement of type is the selection of typefaces, point size, tracking (the space between all characters used), kerning (the space between two specific characters), and leading (line spacing). The page layout aspect of graphic design deals with the arrangement of elements (content) on a page, such as image placement, and text layout and style. Beginning from early illuminated pages in handcopied books of the Middle Ages and proceeding down to intricate modern magazine and catalogue layouts, structured page design has long been a consideration in printed material. With print media, elements usually consist of type (text), images (pictures), and occasionally place-holder graphics for elements that are not printed with ink such as die/laser cutting, foil stamping or blind embossing. Since the advent of the World Wide Web(www) and computer software development, many graphic designers have become involved in interface design. This has included web design and software design, when end user interactivity is a design consideration of the layout or interface. Combining visual communication skills with the interactive communication skills of user interaction and online branding, graphic designers often work with software developers and web developers to create both the look and feel of a web site or software application and enhance the interactive experience of the user or web site visitor. An important aspect of interface design is icon design. Considers how a user interacts with and responds to an interface, ser vice or product and adjusts it accordingly.

No. 052

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

053

AVAIL ABLE: 08.30.1992

No.

PROGRAMMED BY: DAD&MOM

No. 054

NAME: ANGIE ZHOU

MADE IN: SHANGHAI, CHINA , THE WORLD

TITLE: STUDENT_83%

•>> / I was not paid to do this •>> / Utopia Std Italic 6.2/8 +80 Traking

No.

055

AVAIL ABLE: 08.30.1992

PROGRAMMED BY: DAD&MOM

PRINTER: c

TYPEFACE: PAPER:

9000 UTOPIA STD

CANON

MOHAWK

MARK II

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BINDRY: CALIFORNIA OFFICE

SUPERFINE 100T

MAY

3:30

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