RISD Global I Cork Exhibition

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Life isn’t always beautiful, but the struggles make you stronger, the changes make you wiser.

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Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on. hugged, pressed and more.During my experimentation I tried cutting t (1)©2014-2017 Qihaoip, Inc. All rights reserved. (2)©2017 Qihaoip Corporation. All rights reserved. (3)Copyright ©2014-2017 Qihaoip. All rights reserved. (4)Copyright ©2017 Qihaoip. All rights reserved. (5)©2017 Qihaoip. and XXX. All rights reserved. and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement

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Content


2019

Foreword Gwen Farrelly

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on.

Cork on Exhibit

hugged, pressed and more.During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts it makes it softer. Cork is already naturally soft and quite flexible but with the additional cuts cutting the cork on the table saw to

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot 1


Portugal Initiative

2018

ARCHITECTURE WINTERSESSION 2

Peter Tagiuri

Laura Briggs

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on.

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.

hugged, pressed and more.During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts it makes it softer. Cork is already naturally soft and quite flexible but with the additional cuts utting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts

The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural 3


2018

Laura Briggs Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities.The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on.

ARCHITECTURE WINTERSESSION 4

hugged, pressed and more.During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts it makes it softer. Cork is already naturally soft and quite flexible but with the additional cuts utting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on the depth, direction, spacing of the cuts

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural 5


WINTER SESSION

Cork and Portugal Eduardo Duarte Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.

2019 6

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural 7


Patrick Spence Dongrui Tang Yunni Cho Xinjun Li Yunjoung Cho Eleni Contis Silas Gibbins Cali Hetfield Kela Johnson Jiamin Lin Dan Mitrovic Andrea Porras Loretta Quint Tomiris Shyngyssova Christina Truwit Yueying Wang 8

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Architecture

RISD

Laura Briggs

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.

2018 10

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for

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Aniebietabasi Ekong Sina Erol Cameron Kucera Vuthy Lay Xingjun Li Sara Naja Taylor McCabe Loretta Quint Natnaree Ruethaivanich Peter Tagiuri Avril Teo Xuan Wang Corey Weiss Qianfei Xu Lan Zhang 12

13


WINTER SESSION

RISD

Laura Briggs Critic lbriggs@risd.edu 401-454-6281

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.

2018 14

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for 15


Valentin Bufler Koen Campm Daphne Do, Aaron Teves Danny Lee Ting-Hsun Lee Vanessa Kent Clay Zhan Kuang Lin Derek Yuanchao Lee, Jen Chenyu Zhang Ting Kanyarat Loetaphirom Francesca Lu Nicole Merola Madison Murray, Jasmine Gutbrod, Alexa Thorne Susu Pan Danielle Williams Clare Jisu Yang 16

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Time Scape Aaron Traves, B.Arch 20 Daphne Do, BFA Furniture 20 18

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

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20

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Festina Lente Clare Jisu Yang Ting Kanyarat Loetaphirom 22

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

Urban Seating Clay Lin Arch 19

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

23


INDUSTRIAL DESIGN

RISD

Laura Briggs Critic lbriggs@risd.edu 401-454-6281 Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.

2019 24

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for 25


Victor Badami II Valentin Bufler Koen Campman Ji Yeon Lee Julia Lemle Elaine Li Diana Lin Yu Mo Camilo Herrera Matiz Max Pratt Jesslyn Sutisna Qianyi Zhang

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INTERIOR ARCHITECTURE

RISD

Laura Briggs Critic lbriggs@risd.edu 401-454-6281

Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it.

2019 28

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot 29


Xueyan Han Diana Lin Alia Marzuki Candice Mouterede Wesley Sanders Ruchika Shah Dingwen Sun Jiaye Zhao Andrea Zhu

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31


M1 / M6

32

33


Victor Badami II ID 2019 34

M1

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

M2

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

35


Elain Lee ID 2019 36

M3

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

Lily Huo INTAR 2019

M4

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

37


Andrea& Candice INTAR 2019 38

M5

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

Andrea& Candice INTAR 2019

M6

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it.

39


W1 / W7

40

41


W1

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Minimalism

Minimalism Max Pratt ID 2018 42

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

43


W2

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Minimalism

Minimalism Max Pratt ID 2018 44

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

45


W3

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

MInimalism

Minimalism Max Pratt ID 2018 46

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

47


W4

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Outware

Outware Ji Yeon Lee ID 2018 48

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

49


W5

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

The Jiggle Box

Jiggle Box Jesslyn Sutisna ID 2019 50

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

51


W6

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Dome Stool

Doem Stool Elaine Lee ID 2018 52

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

53


W7

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Shower Chair

Shower Chair Julia Lemle ID 2018 54

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

55


56

A1 / A9

57


A1

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Move the Moutain

Move the Moutain Dingwen Sun INTAR 18 58

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

59


A2

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Fill the Sea

Fill the Sea Dingwen Sun INTAR 18 60

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

61


A3

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Filter the Light

Filter the Light Dingwen Sun INTAR 18 62

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

63


A4

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Filter the Light

Ha Elaine Li ID 18 64

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

65


A5

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Tabletop Lamp

Tabletop Lamp Julia Lemle ID 18 66

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

67


A6

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Cork Nest

Cork Nest Wesley Sanders INTAR 18 68

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

69


A7

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Cork Nest

Ha Xueyan Han INTAR 18 70

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

71


A8

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Untitled

Untitled Yu Mo ID 18 72

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

73


A9

Ornamentation is usually defined as a qualitative property that it is there just f however, in contemporary ornamentation the visual quality is what adds its functional qualities. The repetitive cuts created a pattern on the cork changing it visually, ornamenting the material but it is also that ornamentation (pattern) that made it extremely flexible and compress when you put weight on it. The cube form makes the functional purpose of the object ambiguous, forcing the audience to interact and touch the material to discover that it reacts to weight and touch. The Jiggle Box can be stood on, sat on, hugged, pressed and more. During my experimentation I tried cutting the cork on the table saw to create different patterns and cuts and found that depending on the pattern of the cut it changes the nature of the material. Depending on thes it softer. Cork is already naturally soft and quite flexible but with the additional cuts it can make it extremely flexible.

Caverna

Caverna Yu Mo ID 18 74

The patterns created can be applicable to much more things and can potentially be used like some sort of upholstery material.

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a lot with the cutting of the cork to determine how soft or how hard the cork should feel when you put weight on it. Ornamentation is usually defined as a qualitative property that it is there just for visual purposes, however, in contemporary ornamentation the visual quality its functional qualities.

The Jiggle Box can be stood on, sat on, hugged, pressed and more. The aim is to encourage people to interact and touch the boxes to discover the softness and squishiness

75


Under the microscope

Under the microscope

77 76

2 1


Jiggle Box ID 2019

Jesslyn Sutisna A9

Jiggle Box ID 2019

Jesslyn Sutisna A9

Jiggle Box ID 2019

Jesslyn Sutisna A9

Jiggle Box ID 2019

Jesslyn Sutisna A9

Jiggle Box ID 2019

Jesslyn Sutisna A9

Jiggle Box ID 2019

Jesslyn Sutisna A9

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

Jiggle Box ID 2019

Jiggle Box ID 2019

Jiggle Box ID 2019

Jiggle Box ID 2019

Jiggle Box ID 2019

Jiggle Box ID 2019

Jesslyn Sutisna A9

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

78

Jesslyn Sutisna A9

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

Jesslyn Sutisna A9

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

Jesslyn Sutisna A9

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

Jesslyn Sutisna A9

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

Jesslyn Sutisna A9

In the end after many trial and error, I decided to use the jiggly, squishy cork and apply it to the third option - a box. After a lot of refinement and testing to make sure the box was structural enough and suitable for seating. I had to test a to determine how soft or how hard the cork should feel when

79


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