Architecture portfolio 2016-2019_Josy Yu

A

R

C

H

selected works/ 2016-2019

/ JOSY / YU CHIEH 游婕

ARCHITECTURE PORTFOLIO

+ EXPERIENCES + CV

/ JOSY / YU CHIEH 游婕 1996.08.22

EXHIBITION

-Final Review Exhibition FCU, Taichung City, 06/2018 -Final Review Exhibition FCU, Taichung City, 01/2018 -Nuit Blanche NTU, Taipei City, 10/2017

EXCHANGE

-Architecture Exchange Program RMIT, Melbourne, Australia, 02-07/2017

WORKSHOP

-Mixed Reality Robotic Fabrication Interface for Design Exploration Workshop Taichung City, 09/2018 -ETH + NUU Workshop Taipei City, 12/2017 -JWU Workshop Tamsui, Taipei City, 08-09/2017 -Water and Shadow Workshop Vienna, Austria, 10/2016 -JWU Workshop Tokyo, Japan, 08/2016 -Voluntary Program Sri Lanka, 08/2015

INTERNSHIP

-Winter Internship (Fielddirektor) Taichung City, 01-02/2018 -Summer Internship (Protoplain Architects) Taichung City, 07-08/2016

EDUCATION

-National Cheng-Kung University Major in Architecture Tainan City, 2019-Feng-Chia University Major in Architecture Taichung City, 2014-2019 -Dong-Shang Senior High School Taichung City, 2011-2014

AWARDS

-Team 20 Architecture and Urban Planning Graduation Projects Competition Honorable Mentioned Taichung City, 07/2019 -New Taipei City Architects Association Architectural Design Competition Merit Award New Taipei City, 07/2019 -Robotic Digital Manufacturing Competition Honorable Mentioned Taichung City, 09/2018 -Architecture Competition 2016 in Taiwan Honorable Mentioned Taichung City, 02/2016

CERTIFICATION

-TOEIC Test (scored 895) Taipei City, 10/2017 -IELTS Test (overall 7) Taipei City, 08/2016

SOFTWARE

Adobe Indesign Adobe Photoshop Adobe Illustrator Adobe Premiere Adobe After Effects Rhino Grasshopper Autocad Sketchup

LANGUAGES

Mandarin English Japanese Spanish

CONTENTS

01

WALKIN’ DOWNTOWN

02

RESILENCE

03

URBAN ANTI-PLANTING SYSTEM

04

COMMUNITY TREE IN BETWEEN UTOPIA AND HETEROTOPIA

05

THE GALLERIE

06

CONCRETE TYPOLOGIES

07

THE PRACTICE OF CONSTRUCT AND DECONSTRUCT THE 1:1 SCALE PROJECT

08

CUSTOMIZED THIN SHELL SYSTEM

09

THE AUTONOMY OF SPACE

WALKIN’ DOWNTOWN “Rethink the walkability of downtown.”

The design is mainly focus on the walkability of downtown in Taichung City. Downtown Taichung used to be an important place for both business and administration. As a historical city, containing lots of untold stories. Therefore we want to do something to embrace and emphasize the culture and history values of Downtown Taichung.

01

fig.01_perspective view

+2710 +2110 +1810 +1540 +1270 +970 +670 +400 GL ±0

fig.02_diagram (shape study)

The form of the building mimics the shape of stacking books. The volumes were designed to distinct different function and program which promotes different chapter and aspects of the history and culture of Taichung City. Coincidently the “books cover” of each floors act as a veranda design as well.

fig.03_diagram (shape study)

A

B’

A’ fig.04_landscape design and ground floor plan

WALKIN’ DOWNTOWN

B

/Observ +2710

/Audito +2110

/Office and W

+1810 +1540

/Handcraft and De

+1270

/Local Foo

+970 +670

/Historical Exh

+400

/Informatio

GL Âą0

fig.05_AA’ section view

We designed the building as a tourism information and cultural centre. First of all, by along the sidewalk and veranda to the centre for obtaining the information , the cultu strategy intended to promote and boost the prosperity of the town as well.

vatory/

orium/

Workspace/

elicate Workshop/

od Court/

hibition Space/

on Centre/

fig.06_BB’ section view

WALKIN’ DOWNTOWN

passing through this building before heading to the new town, the tourists can access ure and history of Taichung. Then eventually proceed to the rest of their journey. The

RESILENCE “Creating a silence highrise in the city.”

This design is about a highrise around 35 floors, located in Australia, Melbourne CBD. The main concept is SILENCE, related to the situation that the city is facing: ”It’s hard to find a nice and quiet corner.”

Therefore I started to discuss with the issue and the strategy was to create a long gap for people to interact in the space, otherwise people don’t talk or conversate with each other beyond the gap. The analysis was based on the transportation and human flow to avoid the noise effected by the environment.

02

The design is about a highrise around floors, located in Australia, Melbourn CBD.

06

The concept is SILENCE, related to the situation that the city is facing--- It s hard to find a nice and quiet corner.

Therefore I started to discuss with the issue and the strategy was to create a long gap for people to interact in the space, and otherwise people don t ta or conversate with each other beyon the gap.

The analysis was based on the transportation and human flow to av the noise effected by the environmen

HIGHRISE DESIGN STUDIO

fig.07_conceptual perspective view

MELBOURNE CBD

The design is about a highrise around 35 floors, located in Australia, Melbourne CBD. The concept is SILENCE, related to the situation that the city is facing--- It s hard to find a nice and quiet corner. fig.08_Melbourne CBD map

MELBOURNE CBD

fig.09_transit system and hiearchy of road system

Therefore I started to discuss with the issue and the strategy was to create a long gap for people to interact in the space, and otherwise people don t talk or conversate with each other beyond the gap.

The analysis was based on the transportation and human flow to avoid the noise effected by the environment.

fig.10_composite elements

From mapping the relationship of the hiearchy of streets / roads / alleys in Melbourne and observing the key elements of the city, the propsal was about a concept of how to create a silience building in the site. Modern people enjoy having activities outdoor, however, except for the dynamic things, was it possible to design a highrise that offered and intergrated different kinds of programs related to “silence“ for citizens and visitors to do static activitites in it?

Programs in Highrise

SILENCE

study room + library (32-36F) gallery + visual center (29-31F) connective circular hallway + exhibition (25-28F) multi-purpose space (21-24F) studios + public workshop (17-20F) praying room + meditation space + church (13-16F) private rest room + office space (4-13F) ground floor + commercial (1-3F) NOISY

RESILENCE

Through creating a gap in the building, people can interact in this particular space only. Also the ceiling of the highrise was designed by irregular surface, to absorbe the sound and noise better. Moreover, from the buttom to the top floor, was arranged by the qualities of the programs (noisy to silence).

fig.11_ interior perspective view

E

D

C B

A

perspectives and sections fig.12_conceptual perspective view RESILENCE

URBAN ANTI-PLANTING SYSTEM “Returning the land.”

The strategy was called URBAN SUBTRACTION, seperated into three parts, first was SURFACE, analyzed and zoomed in the spots to produce Magnolia in different hierarchy of urban. Second was LINE, to redifine the transportation ways based on the spot central decided by “surface strategy”. Last was POINT, to redecide the points that vendors used to sell flowers.

03

gas stations parking locations of mognolia in Taipei commercial zones educational zones green zones (parks) industrial area

fig.13_mapping of potential planting spots

fig.14_Magnolia and related industry

Magnolia, a kind of flower species special to Taiwan. It’s highly related to the poor and voluntary activities. The aim in this project was to design a movable stand which fit human scale and emphasized on how it combined with the environment in and outside.

Transit System and Flow in Taipei City

Taipei Residents Density

pros : short space distance cons : interrupt mutually

Taipei MRT Station Human Flow

大安 大同 松山 萬華 中正 信義

increase decrease

fig.15_Transit System and Flow in Taipei City

The Daily Life of Magnolia

6:30PM

8:30PM

採花/花農

9:00PM

01:20AM

01:51AM

運送/批發

05:20AM

Magnolia has limitations of the preservation length

07:09AM

self-producing

08:17AM

-redesign the system of self-producing -social issue of underprivileged groups -variable selling locations

05:02PM

販售/花販

URBAN ANTI-PLANTING SYSTEM

reduce the distance and time between production and marketing

整理/批發

THE MARKET OPERATION SYSTEM OF MAGNOLIA

100 TWD

200 TWD

花農

花販

盤商

average collection per day : 30-36kg (6kg per person) Magnolia vendors: average output value of every kg around 60 TWD at least 300 mobile vendors in Taipei city per day 1 hectare annual output value approximately over 500,000 TWD

EG. a bunch of flower cost 5 TWD a bunch of flower sells 20 TWD, three for 50 TWD profits of a bunch of flower: 15 TWD

THE MARKET DEMAND OF MAGNOLIA 屏東縣市52公頃(83%) 其他縣市12公頃(17%)

台北需求量300斤以上(10%)

屏東縣市其他地方10多公頃(24%)

高樹+鹽埔鄉40多公頃(76%)

全台供給量約64公頃

全台需求量3000斤

供給

需求

STRATEGY PROPOSAL

住宅區 商業區

RETURN THE LAND

農地區

+

屏東高樹鄉土地使用分區

屏東農地21000m2

+

12F

12F

10F

大同區

大安區

松山區

1F:635m2

1F:658.5m2

1F:584m2

The tower was designed in two types,

CONCEPT IMAGE OF TOWER SECTION

10 and 12 floors. It included the everyday work that farmers used to

切片服務比例及量

還原

生產

走道 機械

2. 5

9

11

切片方式探討

以環狀方式計算

do and replaced the transportation of the long distance between north

m

and south of Taiwan, also a transfer station to bring the movable stand to

高樓層

other sellling places. scale:1/200

6. 9

3. 6

2

1

m

the upper tp lower, as well as the pro-

低樓層 還原

生產

The size of module will change from

機械 走道 scale:1/200

cess of everyday work of Magnolia.

高樓層(地栽)

2.5m

還原

1m

2m

走道

機械

時間

4.5m

4.5m

生產

低樓層(盆栽)

6.9m

3.6m

2m

2m

06:30PM

高樓層(地栽)

08:30PM

採花

轉運空間

10:00PM

暫時存放至早上 大尺寸換小尺寸

05:30AM

低樓層(盆栽)

fig.16_concept image of the tower for production

至各點販賣 攤車因不同銷售點 而有模式及形式上 的變化

URBAN ANTI-PLANTING SYSTEM

07:00AM

PROGRAMS IN THE RANGE

三個基地

需求銷售點

松山區/鵬程公園:3894m2 大安區/金華公園:4390m2 大同區/朝陽公園:4235m2

10 18 12

fig.17_analysis of green parks space in urban sites

加油站 停車場 市場 接送區

CLASSIFICATION OF SELLING LOCATIONS REDEFINE THE SELLING RANGE

4 SIZES---MODULE

步 行

自 行 車

機 車

汽 車

停車格(汽車)

2.4M 6M

停車格(機車)

1M 2M

加油設備島

1.2M 1.8M

停車自動系統島

生產基地(公園) 4km/hr

50km/hr 50km/hr

20km/hr

0.6M

速度

2M

共12點 共54點 共35點 共21點

最小公因數 20CM*60CM

A.加油站 B.停車場 Time:8-10min

C.市場

D.接送區

人行道 停車(機車)格 停車(汽車)格

FLUIDITY OF SELLING LOCATIONS 9:00

7:00

A.加油站

0.8

11:00

0.2

15:00

13:00

0.2

0.2

17:00

0.3

19:00

0.8

OVERLAPPING TIME

B.停車場

0.6

0.4

0.3

0.2

0.6

0.7

B.停車場

A.加油站

0.6

0.2

0.1

0.1

0.4

D.家長接送區

0.7

Time 8:00

D.接送區

0.7

0.1

0.1

0.1

0.5

0.5

12:001

7:00

21:00

URBAN ANTI-PLANTING SYSTEM

C.市場

C.市場

CONSTRUCTION SYSTEM A.Split the component

B.Reverse the component

offset 15cm C

240cm

210cm B

切片 A

框架

水平板與滑軌間的連接

120cm 150cm

水平板拉出來後接地

30cm

100cm

30cm

75cm

30cm

section 62cm

62cm

storage

sell <take the gas station as an example >

rest

plan

切片與輪子的連接

小樑(軌道)

支撐

A.將框架切片正反相接，組合好後放置支撐上 B.放置小樑於框架切片上

框架切片(固定)

C.將實體切片鎖上輪子固定，及放置滑軌於凹槽中

水平板(可滑動)

D.依需求使用，將水平板鎖至滑軌上 E.將白鐵管鎖至水平板上(移動出來)

fig.18_installation perspective view fig.19_installation explosive view

URBAN ANTI-PLANTING SYSTEM

實體切片(可滑動)

SOCIAL HOUSING IN NANJI AIRPORT NIGHT MARKET “Redesign social housing.”

_ JWU WORKSHOP PROJECT

The project was located in Nanji Airport Night Market in Taipei.

It featured with the additional volumes of the housing and they gradually changed how the elevation looked like before. We discussed not to get rid of all the volumes, based on different buildings facing various environment, we preserved the main structure and some of the additionals, also added new constructions to emphasize it.

04

fig.20_social housing perspective view

fig.21_the change of Nanji Airport Social Housing

COMMUNITY TREE IN BETWEEN UTOPIA & HETEROTOPIA

COMMUNITY TREE IN BETWEEN UTOPIA & HETEROTOPIA

2F P sca

sha

origina

SOCIAL HOUSING IN NANJI AIRPORT NIGHT MARKET

fig.22_re-arranged family types distribution

re-arranged plans

RE-ARRANGED PLANS

family type elder living alone/youth

single family/couple

small family

3 generations

scale:1/100

scale:1/200 fig.23_re-arranged plans

We started to analyze the historic site and classify the types of residents living inside currently. There were total 240 units in our site, there were 48% used for self occupa tion, 43% for tenancy, and 5% was empty houses. Also after knowing the 5 types of additionals, it could tell how the space was lack of for the residents, such as laundry spaces, kids rooms, kitchen, etc. Therefore we considered and rearranged the actual spaces and programs which fit to various type of family.

-

We started to analyze the historic site and classify the types of residents living inside currently. There were total 240 units in our site, there were 48% used for self occupation, 43% for tenancy, and 5% was empty houses. Also after knowing the 5 types of additionals, it could tell how the space was lack of for the residents, such as laundry spaces, kids rooms, kitchen, etc. Therefore we considered and rearranged the actual spaces and programs which fit to various type of family.

2F Plan scale: 1/400 2F PLAN scale:1/400

couple / 7units small family / 5units

Building ABuilding A

additionals additionals

sharingspace space sharing 3 generation / 2units small family / 15units

original residents original residents

Building B

Building B

facilities facilities

couple / 12units small family / 7units

Building C

3 generation / 2units Building C fig.24_2F plan of redesigned social housing

Area: phase 1 building 1-3

SOCIAL HOUSING IN NANJI AIRPORT NIGHT MARKET

The propotion of occupation

Sharing Strategy

1/100

1/200

public space program public space program fig.25_public space in the housing

different types of 3m*3m space

structure system

SOCIAL HOUSING IN NANJI AIRPORT NIGHT MARKET

fig.26_social housing section perspective view

THE GALLERIE â&#x20AC;&#x153;GREEN ACADEMY DISMECO.â&#x20AC;?

_with Protoplain Architects Teams

It was a competition which I worked with my classmates and tutor as a team in summer internship. From proposing the concept till we disscussed and intergrated ideas, then focused on one main strategy, here comes the result. A shuttling gallery, a middle level was placed in this building, which was aimed to collect information, idea and sustainable concept, also arouse the inspiration and cooperation between different specialties. Also, as a spoke-landmark, we expected the gallery could spread sustainable green energy and eco-friendly knowledge by perceiving and respecting the original building texture, moreover adopting environmental-friendly construction. Finally, we took the crucial actions to modify this old abandoned factory and looked forward to see this building being a new substance fully ready for the next generation.

05

fig.27_perspective view of the middle level

Life-Style Academy Level 3

dorm / restaurant

Green Business Incubator Level 2

laboratory / office

Lobby cafe / bookstore / multifunctional space

Training Center Level 1

workshop / studio

Science Recycled Museum Level 0

childrenâ&#x20AC;&#x2122;s museum / auditorium

green business incubator training center life-style academy

childrenâ&#x20AC;&#x2122;s museum

lobby

A middle level is created to confirm the route of various programs in different levels in this building. To make people gather in this platform, we excavate the original floor of the second floor to raise the space higher and brighter.

auditorium

Level M

THE GALLERIE

fig.28_front elevation view

SECTION

The lobby, created in the middle level, shows a great importance in the building. The multifunctional space includes programs such as bookstore and cafeâ&#x20AC;&#x2122;. It can be regarded as a centre which people may interact with others and also experienced the former atmosphere.

fig.29_the gallarie section perspective view

MATERIALS

1 2

5

waxed recycled paper panel

2

2

4 3

3

CLT panel 4

6 2 1

original concrete floor

1.original column & beam 2.structure retrofit system 3.middle level floor

1.original concrete floor

4.SC tiered seating stsyem

2.stainless joint 3.cross-laminated timber panel (t=150mm) 4.waxed recycled paper panel (t=80mm) 5.stainless joint 6.air layer (t=100mm)

THE GALLERIE

CONCRETE TYPOLOGIES â&#x20AC;&#x153;Robotic design and generating patterns.â&#x20AC;?

Learn the mythology of how concrete patterns were generated from replicating the references of RECKLI catalouge. Furthermore, to research the potential application of concrete facade in reality, in class we operated industrial robots (UR10) with installing a steel tool blade that can bend to any shape on it, also stimulating how the robot work and avoid collision in Grasshopper.

06

TOP VIEW

SECTION

fig.30_references from RECKLI catalogue

operation in Grasshopper

Finally decide to work with the oval-shaped blade. And the mythology I want to try is to rotate the tool gradually from different degrees.

e TOOL BLADE

CONCRETE PATTERNS TYPOLOGIES RESEARCH

WORKING PROGRESS CONCRETE TYPOLOGIES

With various degrees of rotating the tool and collaborating with the industrial robot (UR10), it turned out a series of pattern typologies.

THE PRACTICE OF CONSTRUCT AND DECONSTRUCT THE 1:1 SCALE PROJECT “Participation of pavilion projects.”

Through participating these 1:1 scale pavilions, I have experienced how constructions works in reality. From curating exhibitions to the construction, collaborating with around 15 students in each of these works. Each pavillion lasted 7 working days, by using CNC machine to manufacture and cut wooden boards in pieces, then assembled the components in orders without screws.

07

01

04

02

05

03

06

DESIGNER:HSI-CHUN, WANG & PEI-WEN, CHEN fig.31_”playscape” construction progress

大樑a1

小樑b2

小樑b1 組裝順序 1.先將大樑a2位置確認並放置 2.切片順序從A-G，正1反2，架上大樑a2 3.放置小樑b1,b2於切片上 4.放置大樑a1 5.放置最短的樑

大樑a2

DESIGNER:CHENG-JHE, LI

fig.32_”fish bridge” construction progress

DESIGNER:CHENG-JHE, LI & ZIH-HAO, SUN fig.33_construction progress in exhibition

THE PRACTICE OF CONSTRUCT AND DECONSTRUCT THE 1:1 SCALE PROJECT

CUSTOMIZED THIN SHELL SYSTEM â&#x20AC;&#x153;Clay 3D printing experiments and research.â&#x20AC;?

Based on the robotic fabrication-3D printing clay, we tried to carry out a research-oriented design. Started with a scale of architectural elements, and through a wide range of material experiments. Also combined the concept and the innovative method of construction, finally developed a customized thin shell system.

The progress including how we optimized the module and operatedfeedback loop of the points.

08

fig.34_clay printing thin shell surface

03_[真實構築發展+實驗成果]

robot tool A_printing 陶土擠壓罐 馬達

機器位置

陶土擠出頭

RESULT IMAGES

/ small/ small scale_lampshade scale_lampshade

/ big scale_pavilion

MATERIAL clay erosion testing 以平面方式自然侵蝕

Erosion 陶土50g

b.陶土50g+ 滑石粉5g

以立面方式自然侵蝕

雨水侵蝕溶解實驗

滑石粉(矽酸鎂)

a.陶土25g+ 滑石粉5g

a.陶土50g

矽酸鎂+水

矽酸鎂+碳酸水

b.陶土50g+滑石粉5g

02_[設計發展+構築測試]

01_[前期設計+材料測試]

raindrops & clay

robot tool B_droplet

CONCEPT

機器位置 壓克力盒子

水平侵蝕

垂直侵蝕

滴管 LIFECIRCLE

概念說明圖

以 [雨水] 的方式劃分出內與外的場域

STRATEGY A.RAIN TRAIL

B.DROPLET METHOD (RAIN ROUTE) droplet method

[地形]控制雨水路徑 控制雨水路徑的過程

rain route

以立面曲面為例

viscosity

droplet method

[地形]控制雨水路徑 控制雨水路徑的過程 +相對侵蝕明顯

A

+時間可被預測(建立data)

rain route

以立面曲面為例

雨水路徑 A

+相對侵蝕明顯 +時間可被預測(建立data) DROP滴狀式工法

微觀 雨水路徑

B

A區域與B區域依照植物形式 設計為需被侵蝕部分

微觀

以地形方式模擬不同半徑之圓錐對應不同高度所影� R:1.583cm 較低處 較高處 的雨水路徑極其紋理

R:1.328cm

R:1.583cm

B

DROP滴狀式工法

Connection Connection

以平面角度為例

A區域與B區域依照植物形式 設計為需被侵蝕部分

A區域

R:1.328cm

B區域

A區域

B區域

被控制侵蝕的區域 以平面角度為例

viscosity 在考慮結構性所需的黏滯性時，黏 著接觸面積不能過小

以地形方式模擬不同半徑之圓錐對應不同高度所影� 的雨水路徑極其紋理

total 10 types

R:0.437cm R:0.728cm

較低處

R:0.807cm R:0.881cm R:1.073cm R:0.437cm R:0.728cm R:1.069cm R:0.807cm R:0.881cm R:1.073cm R:1.069cm

較高處

在考慮結構性所需的黏滯性時，黏 著接觸面積不能過小 因端點造成雨水的分流，因此可以控制其 端點位置來決定雨水路徑 因端點造成雨水的分流，因此可以控制其 端點位置來決定雨水路徑

雨水路徑

外層與內層的連結

被控制侵蝕的區域

total 10 types

雨水路徑

外層與內層的連結

concept thinking:

design method: By operating TACO in grasshopper to simulate and control the robot, air compressor provided air pressure, using Arduino for the switch of io and air pressure, presented how the route works and extrude the clay. After hard works on testing, we chose a fabric that could perfectly match the clay(with suitable propotion) and bind well together. In the meantime, lock the fabric and bolt properly at different heights in the designed module to form the surface.

CUSTOMIZED THIN SHELL SYSTEM

Since the erodible and hydrating characteristic of clay, we developed such particular methods as drop and spray. Through controlling the parametric of water content, drop amounts and height, formed the “topography”on the fabric set in the module, and manufactured a thin shell for deciding the rain route and area to erode. Finally create a space that was divided by the rains and it routes(naturally).

<DESIGN DEVELOPMENT + FABRICATION TESTING>

+fabrication design

+material experiment MATERIAL EXPERIMENT / suitable volume of water

innovative methods: A.工具管徑+路徑間距+高度

目的:實驗出不同水量滴墜的效果

40%

30%

可見條狀塊體堆積無法 形成drop

4mm

50%

條狀塊體開始變稀仍 無法構成drop

parameters_reality test

成功以drop的方式堆積

Result : 50%加水量較佳

/ suitable height

目的:實驗出不同工具距離水平面 之高度差異性

減少

3.0mm

貼緊布面

1.5mm

DifferB.手臂速度+陶土濕度+氣壓大小 from 3D printing’s layering, we re控制在1以上 67.5% searchedauto_30 and developed another extruder to applyC.IO邏輯調整 to the new methods, which was drop and spray. Drop would dropping combine fabric and clay with gravity itself, then we FAgot the thin shell surface. In the J progress, it was Gimportant to consider the A F B+C+D+E shrinkage of clay and the tension of fabric.

B+C H+I

printing

(last point)

A:printing_off B:printing_on C:printing_on +wait_1sec D:printing_off E:printing_off +wait_1sec F:printing_off

10cm：頂端尖錐

15cm：頂端平滑

20cm：頂端輕微凹陷

G(same

point)

D

30cm：頂端輕微凹陷

Result : 15 cm可產生衝擊擴張基底，不會產生凹陷，為較佳工具高度

/ height & diameter parameterize

A.methology_dropping

目的:將不同滴數之直徑與陶土堆積高度參數化

B.methology_printing

FABRICATION DESIGN combine the fabric and clay with [gravity]

[normal plane] related to the area

parameters_reality test

滴數

10

20

30

40

高度(cm)

0.8

3.2

4.3

3.8

直徑(cm)

3

3.2

3.2

A.工具管徑+路徑間距+高度 4mm

減少

3.0mm

貼緊布面

1.5mm

height

4.3

B.手臂速度+陶土濕度+氣壓大小

Result : 直徑增加以30~40區間最為明顯

auto_30

67.5%

控制在1以上

C.IO邏輯調整

/ suitable spacing

typeA

dropping

目的:實驗出各個滴下的端點之間需間隔多少才能相互黏著而不會斷裂

觀察測量出端點的間距:

printing

F A

0.35-0.6cm 均沒有裂痕 0.8cm 稍有裂痕出現 1.0cm 幾乎將斷裂

B+C+D+E

(針筒管徑:0.45cm)

A

G

A:printing_off B:printing_on C:printing_on +wait_1sec D:printing_off E:printing_off +wait_1sec F:printing_off

針筒管徑雨滴狀端點間距比例 實驗出的比例大約為0.7-1.3，但可能可以大於1.3而不斷裂

G(same

J(last

B+C

point)

F

E

H+I

point)

type B

D

Result : 0.7-1.3為較佳端點間距比例

A.methology_dropping

B.methology_printing

combine the fabric and clay with [gravity]

[normal plane] related to the area

C.knot / structure study

weaving affects the parametric of structure

02_節點間距離

01_節點旁分支數

type

type B

分支數4

TYPE_01

TYPE_02

TYPE_03

先印出網格，之後在節點 上加強

每條線經過節點�繞一圈． 在列印時線就纏繞在一�結 構性較強

每條線印兩次並排

編織法上影�結構的參 數

實驗結果

height

printing_off printing_on printing_off +printing_on printing_on +printing_off

分支數6

03_線的寬度

04_線與線的角度

接觸端產生彎距

05_層高

<FEEDBACK LOOP + CONSTRUCTION SYSTEM>

FEEDBACK LOOP SYSTEM 反饋點系統(布面)

2 points orientation of the module A.手臂以兩點定位模具位置

8 points orientation of the fabric B.手臂以八點定位紗布位置

route testing to form a surface C.模擬以八點連線形成布面

simulation finished D.模擬布面完成

MODULE SYSTEM OPTIMIZATION

模具優化系統

A.角鐵所固螺絲

目的:固定並使布料緊實彈性

B.壓克力接頭所固螺絲

C.束線帶綁定

future aim: We look foward to make this construction method more mature and can offer to larger architecture works. The joints of each surface should be improved and according to this system, research deeper for a better completed data base.

麻布

模具拆解圖 粗紗布

fabric testing applied on the system

細紗布

CUSTOMIZED THIN SHELL SYSTEM

帆布

The Autonomy of Space.

“Architecture without Architect.”

“A light timber construction system for the society.”

Through rethinking about the pure relationship between human beings and architecture, we think that buildings nowadays have gradually lost the spirit of space. As being residents, most of us are controlled by the rapid and efficiency construction thoughts.

Therefore we actually aren’t able to choose what kind of space to live in. That is to say, we’ve lost the autonomy of space.

This is a project of providing architecture service for the public.

We designed a light architectural system, by using the new material-CLT(cross-timber-laminated) combining timber structure, and look forward to offer the public another option for building space.

09

“Architecture without Architect” Bernard Rudofsky / 1964

Human started to build things to fulfill living demands in the old times, and so the connection with architecture began. Many of the cases referred in the book <Architecture Without Architects / Bernard Rudofsky / 1964>, such as cave dwellings in Yunnan, were builded without architects. However after experiencing industrialization, people gradually don’t really take the spirit of space as an importance, and usually considered functions in the first place.

fig.35_social dillema

An architecture phenomenon is occurring in the current society of city, it is filled with large volume as a result of the preference of market demand and economic effectiveness, and still, the situation is expanding these days. In the future of labor power decreasing, it is even harder to own either a space or residential than present. Contrast to the urban, rural area can probably have wider land to take advantage; however, people can barely have space with nice qualities in low cost. There remain a problem that they canâ&#x20AC;&#x2122;t afford the cost of construction, or the intervention of professional is sufficient.

| Object Autonomy |

| Behavior Autonomy |

| External Autonomy |

| Field Autonomy |

fig.36_classification of the autonomy of space

THE AUTONOMY OF SPACE

fig.37_hiearchy of the autonomy of space

These low cost options are similar to see in nowadays...

fig.39_different building options with low cost

Based on the standardization of manufacturing, we are often limited by the cost and economic, the knowledge and technique of construction, which made people hard to get rid of the professional thing.

+ PRINCIPLES +

11

Low Cost 低成本

Easy to Assemble 易組裝

Informatization 訊息化

Light Material 輕材料

A 低人力

A 工序少

A 資訊化

A 輕材料選擇:木構clt

B 容易運輸

B 工法簡單

B 網絡媒體

B 可運送的最大尺寸

C 材料規格化，組件系統化

C 零件單一化

C 型錄/說明書

D 預鑄構件

D 開放性架構

C 易組裝理解的構法

E 輕量化

Application 情景應用

A

D 通用情境:長形基地

Site Situation 基地狀況 A

B

E 街屋基本須達到物理性質:防火 F 街屋可操作特性:天井與採光

C

B

A

D

B

B

B

A

C

C

B

D

C

ALTERNATIVE DESIGN SYSTEM 設計留白達到變動自主

E

A 牆面的位置與虛實 B 樓板的位置與虛實 C 框架的增建 F

A

A

A

B

B

B

C

C

C

fig.40_principles and strategy of the light construction system in design

E

THE AUTONOMY OF SPACE

D

fig.41_book cover of CLT construction guide book

While the threshold of construction may be too high for general public, we made a guide book of CLT construction. The booklet considered as an interface of promoting system construction to the public. Through promoting the information, we can convey and widespread the knowledge and instructions of the system to more people.

fig.42_contents of CLT construction guide book

THE AUTONOMY OF SPACE

We tend to apply a new industrial timber: CLT (cross-timber-laminated) to the system design. Based on its great attributes of remaining the good side of timber and meanwhile improve some deficient qualities like fire resistance and structural strength.

public private

fig.43_module design progress

In the system, different types of modules were designed and considered with the CLT construction in reality, including how the joints connected and the steps of installing pipelines. Furthermore, weâ&#x20AC;&#x2122;ve offered the range of space qualities for the users to choose.

fig.44_singular module construction explosive view THE AUTONOMY OF SPACE

Basically the whole construction uses the less cost and less material in this proposal.

Following the principle of low cost / easy to assemble / information and light material.

fig.45_types of social applications

fig.46_section models

THE AUTONOMY OF SPACE

SOCIAL APPLICATION 01 rural residentials

THE AUTONOMY OF SPACE

1F Plan scale 1 : 50

SOCIAL APPLICATION 02 street house

THE AUTONOMY OF SPACE

1F Plan scale 1 : 50

SOCIAL APPLICATION 03 community center

1F Plan scale 1 : 50

THE AUTONOMY OF SPACE

fig.45_design to construction progress in the system

fig.46_website of the light timber construction system

THE AUTONOMY OF SPACE

Referring to the progress of the system operation, we kind of presenting and operating in these 4 steps below.