演出曲目 Program
華格納
「紐倫堡的名歌手」序曲
Wag n e r
“Die Meistersinger Von Nurnberg” Overture
柴可夫斯基
降 B 小調第一號鋼琴協奏曲，作品 23
Tch ai k o v sk y
Piano Concerto No. 1 in B flat Minor, Op.23 不太快的及很莊嚴的快板 Allegro non troppo e molto maestoso 純樸的小行板 Andantino semplice 火熱的快板 Allegro con fuoco
中 場休息 Int ermi ssi on
布拉姆斯
C 小調第一號交響曲，作品 68
B rah m s
Symphony No. 1 in C Minor, Op. 68 稍微持續的快板 Un poco sostenuto – Allegro 持續的行板 Andante sostenuto 優雅的稍快板 Un poco Allegretto e grazioso 悠閒的慢行板 轉為 有活力但不太快的快板 Adagio – Piu Andante – Allegro non troppo ma con brio
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演出人員 介紹 About Musicians
指揮
楊智欽
Conductor
Chih-Chin Yang
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「他對樂團展現高度的掌控能力，指揮技術精準，內斂且富於表情…」 — 聲樂家月刊
台灣雲林人，現任高雄市交響樂團駐團指揮。 畢業於莫斯科 Gnesin 俄羅斯國立音樂學院。曾師事 Miroslav Rusin，陳秋盛教授，András Ligeti，Gunther Herbig， Michael Jurowski…等。曾任臺北市立交響樂團助理指揮，國立中正文化中心兩廳院歌劇工作坊指揮。 音樂風格熱情細膩及流暢優美，具有豐富的管弦色彩與感染能力，嚴謹的工作態度與對樂譜的忠實解讀，使其演出 均獲愛樂者極熱烈的迴響。演出類型曲目廣泛，風格掌握精確。除精彩演繹經典管絃交響樂曲目之外。他對於歌劇及芭 蕾的製作及演出經歷也相當豐富；保留劇目包括：莫札特「唐喬望尼」，「魔笛」，「女人皆如此」；胡伯定克「糖果屋」； 普契尼「強尼史基基」，「波希米亞人」，「瑪儂雷斯考」；奧芬巴哈「霍夫曼的故事」；拉威爾「頑童與魔法」；馬 斯康尼「鄉村騎士」；威爾第「茶花女」，「弄臣」；普羅高菲夫「灰姑娘」… 等。 敏銳的音樂性及靈活的樂團掌握能力，讓他跟世界各地優秀的獨奏家及樂團的合作都相當精采而愉快。曾經合作的 音樂家有 Ivo Pogorelich 波哥雷里奇，Akiko Suwanai 諏訪內晶子，Tsuyoshi Tsutsumi 堤剛，Mayuko Kamio 神尾真由子， Cho-Liang Lin 林昭亮，Nai-Yuan Hu 胡乃元，Yu Kosuge 小菅優，David Grimal 大衛
里摩，Irina Mejoueva 梅優葉娃，
Nino Gvetadze 格韋塔澤，Uri Caine 尤里凱恩，Diethelm Hans-Joachim 狄特爾 約納斯，Kevin Maynor 凱文 梅諾爾，Paul Meyer 保羅 梅耶…等。 樂團方面則有 Svetlanov Symphony Orchestra ( State Academic Symphony Orchestra of Russia )，Voronezh Philharmonic Orchestra (Russia)，Württemberg Philharmonic Reutlingen (Germany) Bulgarian State Opera Burgas (Bulgaria)，台北市立交 響樂團，江蘇南京交響樂團…等。
Graduated from The Russian Academy of Gnesin, Moscow, Russia. Studied with Miroslav Rusin, Filex Chiu-Sheng Chen, András Ligeti, Gunther Herbig, Michael Jurowski…etc. He served as the Assistant Conductor of Taipei Symphony Orchestra, Conductor of Opera Studio of National Chiang Kai-Shek Cultural Center, Taiwan. He obtains very great success in performance from the public by his passion of music, rich orchestral color control capabilities, excellent rhythm, and faithful interpretation of the score. Yang has widely orchestra repertoire, from classical to contemporary music. In addition, he also keeps his passion on opera and ballet. Yang has already successfully performed Mozart’s “Don Giovanni “, “The Magic Flute “,” Cosi fan tutte “; Humperdinck’s” Hansel and Gretel “; Ferrari’s” Susanna’s secret “; Puccini’s” Gianni Schicchi “,” Manon Lescaut “; Offenbach’s” The Tales of Hoffmann “; Ravel’s” L’Enfant et les Sortileges “; Mascagni’s “Rusticana Cavalleria”; Prokofiev’s” The Cinderella”…etc. Yang has performed with many excellent soloists like : Ivo Pogorelich, Akiko Suwanai, Tsuyoshi Tsutsumi , David Grimal, Yu Kosuge, Mayuko Kamio, Cho-Liang Lin, Nai-Yuan Hu, Diethelm Hans-Joachim, Irina Mejoueva ,Nino Gvetadze, Uri Caine, Kevin Maynor…etc. And he also appears actively as guest conductor with State Academic Symphony Orchestra of Russia, Voronezh Philharmonic Orchestra, Württemberg Philharmonic Reutlingen, Bulgarian State Opera Burgas, Taipei Symphony Orchestra, Nanjing, Jiangsu Symphony(China) ...etc.
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鋼琴
牛田智大
© Ariga Terasawa Costume: Onward Kashiyama Co., Ltd.
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牛田智大，1999 年日本福島縣磐城市出生，隨後與家人移居上海，直到六歲才返日就學。 從小展現非凡音樂天賦：三歲開始學琴；五歲即擊敗多名選手獲得第二屆上海兒童鋼琴比 賽第一名。2008 年，年
八歲的牛田智大贏得「亞洲蕭邦國際鋼琴賽」(Chopin International
Piano Competition in Asia) 分組冠軍，此後更接連五年拿下
項賽事中各分組的金
，成績傲人。
2012 年，牛田智大參加第 16 屆浜松國際鋼琴學院大賽奪冠，成為史上獲得此項殊榮的最 年輕得主。同年，日本環球音樂為年
十二歲的牛田智大錄製第一張個人專輯，打破日本古典
鋼琴家出版個人專輯最年輕的紀錄，自此受到樂壇高度矚目，並受邀在日本各地巡迴演出。隔 年六月，環球音樂隨即為其錄製第二張個人專輯。 今年五—六月期間，牛田智大隨著鋼琴家弗洛達爾 (Stefan Vladar)，與其所指揮的維也納室 內樂團巡迴日本演出，
雖是他首度與外國樂團合作，但初試啼聲即獲得空前成功，樂團及觀
都給予他非常高的評價與讚賞。七月，環球唱片已為牛田智大發行第三張最新個人專輯。 一直以來，牛田智大最讓
人如此驚豔的，是與他年齡完全不相稱的細膩
釋度與華麗演
奏技巧，許多國際知名音樂家對他未來相當期待，包括曾二度受邀擔任柴可夫斯基音樂大賽評 審的鋼琴家中村紘子 (Nakamura Hiroko)，在聽過牛田智大的表演後稱讚：「無懈可擊、洋
著
童真及澄澈幸福感的鋼琴演奏，帶給我們無限力量與鼓勵。」而多次擔任「亞洲蕭邦國際鋼琴 賽」評審團主席的波蘭鋼琴家安傑伊．楊辛斯基（Andrzej Jasinski）也說：「從牛田智大的演奏， 我感受到無限的才華和可能，最棒的是他每一個音符都有鮮明的個性與意念，同時讓人感到豐 富的色彩。」 位樂壇明日之星目前於日本莫斯科音樂院學習，師事斯列
列夫教授 (Yuri Selesarev) 及
奧夫欽尼可夫教授 (Vladimir Ovchinnikov)。
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Born in Iwaki City, Fukushima on 16 October, 1999.
Immediately after his birth,
Tomoharu’s father was transferred to Shanghai with his family and Tomoharu grew up in Shanghai until 6 years old. Tomoharu showed an exceptional talent in music from his early age and started piano from 3 years old. At 5 years old, he won the first prize at a piano competition for children organized by Shanghai City. Starting from 2008 (8 years old), he has won the first prize at Chopin International Piano Competition in Asia for 5 consecutive years. In February 2012, Tomoharu won the first prize at the 16th Hamamatsu International Piano Academy Competition (youngest winner in its history). In March 2012 (12 years old), he made a CD debut from Universary Music Japan. It was the youngest CD debut as Japanese pianist in history. Since then, Tomoharu has performed concerts throughout Japan and the second CD was released in June 2013. In May-June, 2014, he toured in Japan with the Wiener Kammer Orchestra led by Mo. Stefan Vladar. It was the first time for Tomoharu to perform with a foreign orchestra. The tour made a huge success and got critical acclaims from both the audience and the orchestra. Third CD is schedule to be released from Universal on 2 July, 2014. Tomoharu now studies under Prof. Yuri Slesarev and Prof. Vladimir Ovchinnikov, professors of Moscow Conservatory in Japan.
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Pianist
Tomoharu Ushida
Š Ariga Terasawa Costume: Onward Kashiyama Co., Ltd.
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樂曲解說
華格納：「紐倫堡的名歌手」序曲
Program Notes
歌劇強人，非之莫屬－華格納 他一手
起無法令人忽視的豐功偉業，但他的情感世界卻因悖離
常倫而遭人側目；他大舉興建屬於自己的輝煌歌劇院，但他也曾經 面臨窮困潦倒且身無分文的境界；他專一而純粹的藝術態度讓自己 絡無數支持者，但在宗教及政治層面的複雜思想卻令自己備受爭 議。他，一位古典樂壇風雲叱
者，他就是華格納（Wilhelm Richard
Wagner, 1813-1883）。 中文曲解╱謝佳芳 英文曲解╱周兆儀
提及華格納，不免讓人興起一股敬慎，華格納承襲前人留下的藝術 遺產，創造歌劇世界的新規則，引領音樂世界的新思潮。在歌劇藝術方 面，華格納提出「總體藝術」（Gesamtkunstwerk）概念，在自己的歌 劇作品中整合了文學、音樂、視覺及劇場經營…等元素，讓
些元素相
互協調、交合來進一步地共同創造出華格納所想要達到的整體效果。 華格納提升了管絃樂團在歌劇中的地位，他並不採用傳統義大利式 歌劇中聲樂演唱者獨大的作法，華格納試圖平衡樂團與歌者的地位，讓 兩者的重要性平等相視。
個作法令管絃樂團在歌劇中的地位不再亞於
聲樂演唱者，並能擁有相當程度的精神與生命力。在華格納的歌劇作品 中，當歌者唱頌歌詞以展演劇情時，樂團部份也常以特定的旋律來暗示 劇情發展，相較於以往的傳統歌劇， 時展現出與
不同的特殊色彩，
樣的改造使得華格納的歌劇在當
樣的獨特魅力也替他吸引了不少死忠
追隨者。其著名的歌劇作品包括《黎恩濟》（Rienzi）、《漂泊的荷蘭 人》（Der Fliegender Holländer）、《唐懷瑟》（Tannhäuser）、《紐 倫堡的名歌手》（Die Meistersinger von Nürnberg）以及《尼貝龍根的指 環》（Der Ring des Nibelungen）。
「紐倫堡的名歌手」序曲 華格納一生追求宏大格局，花費大半人生打造以神話、傳說及悲 劇為題材的重量級歌劇作品，在成名的作品中，「紐倫堡的名歌手」 是他
有的一部喜歌劇（Opera buffa）作品，但
管「紐倫堡的名歌
手」棲身於喜歌劇之列，其風格的盛大華美仍足以睥睨莊歌劇（Opera seria）。 「紐倫堡的名歌手」一劇劇本由華格納親手編寫，共長三幕，全 劇演完需耗時四至五小時，故事背景圍繞著十六世紀紐倫堡地區中一 8
個名歌手協會（Guild of the Mastersinger）所發生的事，講述一位年輕騎士華爾特（Walther）欲娶相戀中的金匠女兒夏娃 （Eva）而參加名歌手大賽，最終打敗
其他對手成為冠軍，達到金匠開出的條件而順利迎娶愛人的故事。
「紐倫堡的名歌手」中的序曲音樂素材取自整齣歌劇的各幕，序曲的開端，以氣宇軒昂的銅管率先邁開步伐，並由 絃樂繼續展現神采奕奕的容貌，
個主題就代表著「名歌手」的尊榮形象；而長笛、雙簧管及單簧管所奏出的溫婉旋
律，則是夏娃與華爾特之間純潔的愛。樂曲中大多以絃樂代表華爾特，單簧管及其他木管所吹奏的滑稽旋律則是具諷刺 意味地象徵著名歌手們的鬥爭行為。整部序曲的音樂皆用以描繪故事的重要細節，色彩鮮明，引人入勝，實為華格納筆 下精彩之作。
Wag ne r : “Di e Me is t e rs in g e r V o n Nu rn be rg” O ve rtu r e Richard Wagner was born in Leipzig Germany on May 22, 1813, and died in Venice Italy on February 13, 1883. Wagner had written a prose version of Die Meistersinger von Nurnberg as far back as 1845. The full production of Meistersinger would not occur until 1868 but the ten-minute Overture Wagner unveiled six years before hinted at something that would become rather unique in his catalogue – pure, uncomplicated optimism. Meistersinger has always stood apart from the rest of Wagner’s output because it is, on the surface, a comic opera. The hero, Walther, with the help of the mastersinger Hans Sachs (both characters were based on historical figures), ultimately triumphs with his song, unlike any the mastersingers have heard before, and he gets the girl, too. It is unique among Wagner’s theatrical works in that none of the characters takes drugs or gets mixed up with magic, or die in each other’s arms to bring about the symbolic fulfillment. Meistersinger truly is optimistic and lighthearted, at least compared to the rest of Wagner’s output. Wagner composed the Overture during a train trip in March 1862, before beginning work on the rest of the opera. It introduces thematic material associated with the mastersingers and their apprentices. The opening music presents two broad, majestic themes that recur at the end of the opera, the first heard during the work’s celebratory final moments and the second accompanying the entrance of the mastersingers. A contrasting theme returns later during Walther’s prize song, music of great lyricism. The central section of the overture introduces busy music for the mastersingers’ apprentices, which Wagner uses as the basis of a fugue, a polyphonic nod to the opera’s 16th-century setting. The composer then brings back the two opening themes for a peroration of rousing splendor.
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高雄市交響樂團 Kaohsiung Symphony Orchestra
高雄市交響樂團 Kaohsiung Symphony Orchestra
1981 年成立，初為「高雄市管絃樂團」。1986 年擴大編制並禮聘亨利．梅哲擔任指揮。1991 年更名為「高雄 市實驗交響樂團」，朝向職業樂團邁進。1993 年蕭邦享先生出任指揮，1999 年陳樹熙先生接任團長。2000 年更名 為「高雄市交響樂團」。2007 年 7 月經公開
選，由朱宏昌先生出任團長。2009 年 4 月，高雄市交響樂團及高雄市
國樂團基金會整併為「財團法人高雄市愛樂文化藝術基金會」，並由高雄市文化局史哲局長出任董事長，擴大凝聚 社會力量參與音樂文化事務，期許樂團能永續發展。2010 年 7 月經董事會推選，由朱宏昌先生出任執行長一職，統 籌基金會會務及綜理兩樂團團務。2011 年 1 月經公開
選，由楊智欽出任駐團指揮。
曾聯演之國際級音樂家有，指揮家馬卡爾、康澤爾、喬治．芬頓、波本、譚盾、陳秋盛、曹鵬、簡文彬、陳康明、 西本智實、陳美安；演唱家卡列拉斯、羅素華生、海莉、娜塔莉夏高；小提琴家明玆、諏訪內晶子、神尾真由子、 五嶋龍、渡邊玲子、林昭亮、胡乃元、
林戈茲、夏小曹、曾耿元、阿卡多、辛多里、庄司紗矢香、安梅耶；大提
琴家米夏．麥斯基、日本大提琴教父─堤剛、2011 柴可夫斯基大提琴金
得主─納瑞克．哈克納札恩；當代鋼琴巨
匠─波哥雷里奇及加伏里洛夫、鋼琴詩人─傅聰、李雲迪、戴利席安、小菅優、范特捷、陳 牛牛、爵士鋼琴家小曾根真、2008 李斯特鋼琴大賽第二名得主─
、劉孟捷、鋼琴神童
諾．格韋塔澤、Flipse 國際大賽金
梅優葉娃、
蘇黎世國際鋼琴大賽首獎─艾力克希．伏羅汀；電吉他殷維馬姆斯、雙簧管大師約納斯、小號巨星納卡里亞可夫。 合作之團體包含：加拿大皇家、英國國家芭蕾舞團、明華園戲劇團、國立實驗合唱團、蘇科文芭蕾舞團、新古典舞團、 高雄城市芭蕾舞團等。2008 年陸續受邀至南京、上海、青島、蘇州、新加坡演出，亦獲邀擔任正副總統就職
會及
高雄世運開幕式演出。 樂團亦積極投入跨界演出，藉由加入新元素延伸古典樂的生命力，如結合話題日劇「馬卡爾的交響情人夢」、 大型影音音樂會 : 明華園歌仔戲團「白蛇傳」、譚盾「臥虎藏龍」、BBC 與 Discovery「藍色星球」、華納卡通「兔 寶寶大鬧交響宴」、原住民歌舞劇「很久沒有敬我了你」、「VGL 電玩音樂會」、「情歌時代 ~ 國台語老歌演唱會」、 小曾根真「蓋希文的藍色狂想」爵士音樂會、蘇科文芭蕾舞團「羅密歐與茱麗葉」、「梁祝小提琴協奏曲」首演 50 週年音樂會、「彌賽亞」、五月天樂團、台語天后江蕙等，皆吸引大批樂迷，成果斐然。2012 參與大型電影交響音 樂會「魔界首部曲 - 魔戒現身」、「賽德克．巴萊」及 2013 春天藝術節「Nasa 星世界 - 天文探索」音樂會演出，感 動近萬名觀
。2013 年更以「跨樂」為名巡演高雄、上海與北京等兩岸一級城市，樂團演奏實力備受肯定。
除定期音樂會外，樂團亦擔負起教育、推廣的責任，深入偏鄉舉辦「古典點點名」校園巡迴演出及讓學童體驗 首度進入音樂廳的「古典任意門」等系列兒童音樂會；同時樂團也積極拓展社區藝文參與，規劃如：「岡東有樂町 交響一條通」系列音樂會，進駐岡山文化中心及大東文化藝術中心等地方重要演藝廳演出，以期培養觀 在樂迷。 12
及發掘潛
Formerly known as Kaohsiung City Symphony Orchestra (KCSO), the orchestra was founded in 1981 and experienced steady growth under the leadership of conductor Henry Mazer. The orchestra was renamed the ‘Kaohsiung City Experimental Symphony Orchestra’ in 1991, a step towards becoming a professional orchestra. Violinist, Pang-Hsiang Hsiao was appointed as conductor in 1993, and Shu-Si Chen succeeded as the General Director in 1999. By 2000 the Kaohsiung City Music Center was completed and the orchestra took resident at the newly built center. At the same time, the orchestra was officially renamed the ‘Kaohsiung City Symphony Orchestra’. In July 2007, Hung-Chang Chu was publically selected as the general director of the orchestra; while in January 2011, Chih-Chin Yang was appointed as the new conductor for the orchestra, finally renamed as Kaohsiung Symphony Orchestra (KSO). In April 2009, Kaohsiung City Mayor, Chu Chen integrated the Kaohsiung Symphony Orchestra and the Kaohsiung Chinese Orchestra into one organization, namely the ‘Kaohsiung City Philharmonic Culture and Arts Foundation’. The foundation is now state funded with Che Shih, the Director General of Cultural Affairs Bureau, appointed as the president of the foundation. In July 2010, Hung-Chang Chu was appointed by the foundation’s committee to become the new Chief Executive of the Arts foundation, overlooking both orchestras, the KSO and KCO. For the past few years, the KSO has collaborated with many world renowned conductors, including Zdenek Macal, Erich Kunzel, George Fenton, Chrsitoph Poppen, Chiu-Shen Chen, Tsao Pen, Wen-Pin Chien and Kang-Ming Chen. Apart from collaborating with different conductors, KSO has also performed with many artists including Tenor Jose Carreras, Russell Watson, Soprano Natalie Choquette. Instrumentalist includes violinist Shlomo Mintz, Ryu Goto, Reiko Watanabe, Akiko Suwanai, Ilya Gringotls, Mayuko Kamio, Cho-Liang Lin, Nai-Yuan Hu, Xiao- Cao Sha, Keng-Yuen Tseng, Rafael Gintoli, Sayaka Shoji, Salvatore Accardo and Ann Akiko Meyer; cellists include Mischa Maisky, Tsuyoshi Tsutsumi and 2011 International Tchaikovsky Competition Gold Medalist, Narek Hakhnazaryan. KSO has also collaborated with many pianist including Ivo Pogorelich, Russian pianist Andrei Govrilov, “Pianist-Poet” Fu Tsong, “Genius Pianist” Yundi Li, Alicia Terzian, Lukas Vondracek , Chen Sa, MengChieh Liu, Piano Prodigy- Niu Niu, Jazz pianist Makoto Ozone and 2008 International Franz List Piano Competition Second prize winner Nino Gvetadze. Apart from the above, KSO has also collaborated with the following instrumentalist, including Swedish guitarist Yngwie Johann Malmsteen, trumpeters Sergie Nakariakov, as well as conductor and clarinetist, Paul Meyer. KSO has also collaborated with many international groups such as Canadian Royal Winnipeg Ballet, English National Ballet, Ming Hwa Yuan Taiwanese Opera, Taiwan National Choir, Suzho Science & Culture Arts Center’s Ballet, Neo-Classic Dance Company and Kaohsiung City Ballet. In recent years, KSO had been on tour to many Asian cities including Nanking, Shanghai, Qingdao, Suzhou and Singapore. Apart from being on tour, in 2008 KSO was also invited to perform at the inaugural ceremony of the president and vice-president of Taiwan. Beyond performing under the usual orchestral repertoire, KSO has in recent years, expands its collaboration with different genre, namely the Ming Hwa Yuan Arts and Cultural Group (A Taiwanese Opera Company) for a production of the “Legend of the White Snake”, Tan Dun’s “Crouching Tiger and Hidden Dragon”, the joint production of BBC and Discovery’s “Blue Planet”, “Warner Brothers’ Bugs Bunny at the Symphony”, Makoto Ozone’s “George Gershwin’s Rhapsody in Blue” Jazz Concert, “Romeo and Juliet” Ballet with Suzho Science & Culture Arts Center’s Ballet Company, The 50th year anniversary debut of “The Butterfly Lovers’ Violin Concerto”, “Love Songs of the Mandarin and Taiwanese” concerts, “Video Games Live Concert”, “Messiah”, “ May Day Band” live concerts etc. Those concerts have drawn a large number of music lovers. KSO also performed two concerts as part of the movie symphonic concert evening last year, which featured the most memorable movies scene from “The Lord of the Rings” and “Seediq Bale”, a Taiwanese epic historical film. Both concerts were an instant hit which draw in large crowds. To continue the tradition, this year KSO performed “NASA – The Planet and the Orbit” open-air concert as part of the 2013 Kaohsiung Spring Art Festival. This open-air concert was the first in Taiwan and was proved to be very popular as numbers reach ten thousand people over the course of two days. Throughout its seasonal performances, the KSO also regularly bring classical music including chamber and solo works to local schools and communities while share their knowledge and enthusiasm for music with the less privileged. By introducing classical music to communities who has little knowledge of the classical music world, not only does it provide them with a new experience, it also fostered a lasting and meaningful relationship between the orchestra and the local community. The KSO has developed its great popularity by its diversified programming and performing styles. 13
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白佩蕾