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°“√ “«‰À¡ Silk thread spinning
¢Õß·«™à«¬„À⇰‘¥·√߇À«’¬Ë ß (rotary motion) À¡ÿπ‰¥âπ“π ¢π“¥¢Õß·«µà“ß°—πµ“¡¢π“¥¢Õ߇ âπ„¬ ·«¢π“¥‡≈Á°„™â ªíπò ¢π —µ«å ¢π“¥„À≠à „™âªπíò ‡ âπ„¬®“°æ◊™ ‡™à𠄬ªÉ“π≈‘ππ‘ (flax) ªÉ“π°—≠™“ (hemp) ·«™à«¬„À⇠âπ„¬∫‘¥‡ªìπ‡°≈’¬«Õ¬à“ß µàÕ‡π◊ËÕß ¡πÿ…¬å „™â·«ªíòπ‡ âπ„¬°—π∑—Ë«‰ª∑—Èß„π∑«’ª‡Õ‡™’¬ ·Õø√‘°“·≈–Õ‡¡√‘°“‡Àπ◊Õ ‡ âπ„¬∑’˪íòπ¥â«¬·«Õ“®‡ªìπ ‡ âπ„¬ —ÈπÊ §ÿ≥¿“æ‰¡à¥’π—° ·µà°Á „™â·«°—π‡√◊ËÕ¬¡“®π∂÷ß æÿ∑∏»µ«√√…∑’Ë ÚÛ ®÷߇≈‘°„™â ‡¡◊ËÕ¡πÿ…¬åª√–¥‘…∞凧√◊ËÕß ªíòπ¥â“¬¢÷Èπ„™â ºâ“ ¡—¬°àÕπª√–«—µ»‘ “ µ√å π— π‘…∞“π«à“‡ªìπºâ“∂—°∑’Ë „™â‡ âπ ¥â“¬ Õ¥¢—¥°—π‡À¡◊Õπ°“√ “π≈“¬¢—¥ ‡æ√“–‡»…ºâ“∑’Ëæ∫ ¡—°‡ªìπºâ“‡π◊ÈÕÀ¬“∫Ê ¡’‡ âπ„¬¢—¥°—πª√–¡“≥ Ò x ˆ ∂÷ß ÒÙ x ÒÙ ‡ âπ µàÕ Ò µ“√“߇´Á𵑇¡µ√ ‡ªìπ‡æ’¬ß‡ âπ„¬ ∑’Ë¢—¥°—π‡∑à“π—Èπ ‰¡àæ∫√‘¡ºâ“ ‡ âπ¥â“¬∑’Ëæ∫¡’¢π“¥‰¡à‡∑à“°—π ·≈–µ’‡°≈’¬«Õ¬à“ßÀ≈«¡Ê µ“¡‡¢Á¡π“Ãî°“ ®÷ßπà“®–‡ªìπ ºâ“∂—°¡“°°«à“∑ե⫬°’ËÀ√◊ÕÀŸ° ´÷Ë߉¡à√Ÿâ«à“‡ âπ„¥‡ªìπ‡ âπ¬◊π À√◊Õ‡ âπæÿàß Õ¬à“߉√°Áµ“¡ «—µ∂ÿ¥‘∫∑’Ëπ”¡“∑պ⓷≈–«‘∏’°“√∑պⓉ¥â æ—≤π“¡“‡ªìπ≈”¥—∫ ‡©æ“–«—µ∂ÿ¥‘∫π—Èπ ¡πÿ…¬å𔇪≈◊Õ°‰¡â ·≈–„∫‰¡â∑’Ë¡’‡ âπ„¬ ‡™àπ ªÉ“π ªÕ „∫ —∫ª–√¥¡“·ª√√Ÿª ‡ªìπ‡ âπ„¬ ‚¥¬·™àπÈ”„Àâ¬ÿଷ≈â«„™âÀ‘πÀ√◊Õ‰¡â∑ÿ∫„Àâ«ÿâπ (gelatine) À≈ÿ¥ 𔇠âπ„¬¡“∑”‡ªìπ‡ âπ‡æ◊ËÕ∂—°·≈–∑Õ ‡ªìπº◊πºâ“‰¥âÕ¬à“ß™“≠©≈“¥ µàÕ¡“‰¥âπ”ªÿ¬¢ÕßΩÑ“¬´÷Ëß ‡ªìπ‰¡âæ¡ÿà ¡’À≈“¬™π‘¥ ‡™àπ ™π‘¥ªÿ¬ ’¢“« ·≈– ’πÈ”µ“≈ÕàÕπ
‚¥¬‡°Á∫ ¡ÕΩÑ“¬¡“µ“°„Àâ·Àâß π‘∑°àÕπ®–𔉪 Õ‘È« ‡æ◊ËÕ ·¬°‡¡≈Á¥ÕÕ°®“°ªÿ¬ΩÑ“¬ ®“°π—Èπ𔉪¥’¥¥â«¬ °ß¥’¥ΩÑ“¬ „Àâªÿ¬ΩÑ“¬·µ°µ—«øŸ „™â ‰¡â≈âÕ ´÷Ë߇ªìπ‰¡â·∑àß°≈¡‡≈Á°Ê §≈÷ß ªÿ¬ΩÑ“¬∫π‰¡â°√–¥“π≈âÕ ®π‡ªìπ·∑àß°≈¡¬“«·≈â«¥÷߉¡â≈âÕ ÕÕ° ªÿ¬ΩÑ“¬∑’ˇªìπÀ≈Õ¥‡√’¬° µ‘È« 𔉪‡¢ÁπÀ√◊Õªíòπ„À⇪ìπ ‡ âπ„¬¥â«¬ ‰π À√◊Õ À≈“ ®π¥â“¬‡µÁ¡‰π ·≈â« “«®—¥‡¢â“ ‰¡â¢“‡ªï¬ „À⇪ì𠉮 À√◊Õ ªÕ¬ ªíòπ‡¢â“°ß ®“°°ßªíòπ‡¢â“ À≈Õ¥ ¢÷ß ‡ âπ¬◊π (‡ âπ‡§√◊Õ) ·≈â«∑Õ‡ªìπº◊πºâ“ Õ“®‡ªìπ ’ ∏√√¡™“µ‘ À√◊Õ¬âÕ¡„À⇪ìπ ’µà“ßÊ ‰À¡ ‡ âπ„¬¡À—»®√√¬å∑’˧π®’ππ”¡“®“°„¬∑’ËÀÿâ¡¥—°·¥â ¢Õßµ—«‰À¡ ‡√’¬°ºâ“∑’Ë∑ե⫬‡ âπ„¬‰À¡«à“ ºâ“‰À¡ °“√ “«‰À¡ °“√¬âÕ¡‰À¡ ·≈–°“√°√Õ‰À¡µ“¡°√√¡«‘∏æ’ π◊È ∫â“π ‚¥¬∑—Ë«‰ª®–§≈⓬§≈÷ß°—π ‡√‘Ë¡µ—Èß·µà°“√‡≈’Ȭ߉À¡„Àâ ‚µ ‡µÁ¡«—¬ ®π √â“ß√—ßÀÿ⡵—« ’‡À≈◊Õß π”√—߉À¡„ àÀ¡âյ⡠„™â擬‡≈Á°Ê °¥„Àâ ‰À¡®¡πÈ” ‡¡◊ËÕ√—߉À¡≈Õ¬¢÷Èπ¡“°Á§àÕ¬Ê “«‡ â π ‰À¡ºà “ π √–·∑– ‰ª‰«â „ π°√–¥â ß ‡¡◊Ë Õ “«‰À¡ ®πÀ¡¥À¡âÕ·≈â« ®÷߇∑™ÿ¥„À¡à≈߉ª ‡ âπ„¬‰À¡∑’Ë “« §√—Èß·√°®–„À≠à·≈–À¬“∫ ‡√’¬° ‰À¡„À≠à à«π‰À¡™—Èπ„π ‡ âπ‡≈Á° ‡√’¬° ‰À¡πâÕ¬ ´÷Ë ß ‡ªì π ‰À¡™—È π ¥’ ‰À¡∑’Ë ‰ ¥â ® –¡’ ’‡À≈◊ÕßµâÕß𔉪øÕ° ’ ‚¥¬·™à „ππÈ” –Õ“¥ ·≈⫵⡄ππÈ” ∑’Ë ‰¥â®“°°“√·™à°“∫°≈⫬·Àâß ß«ßµ“≈ À√◊Õø“ߢ⓫∑’Ë¡’ ¿“懪ìπ¥à“ß ‡ √Á®·≈â«≈â“ßπÈ”„Àâ –Õ“¥ 𔉪º÷Ëß·¥¥ „Àâ·Àâß ®“°π—Èπ𔉪¬âÕ¡ ’ ¡â«π‡¢â“À≈Õ¥‡æ◊ËÕ𔉪∑Õ ‡ªìπºâ“µàÕ‰ª 97
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‰π À√◊Õ À≈“ ‡§√◊ÕË ß°√ÕΩÑ“¬À√◊Õ‰À¡ ‡æ◊ËÕ∑”‡ªìπ‰®À√◊Õ‡ªìπ‡¢Á¥‰«â‡¢â“À≈Õ¥ °àÕπ∑’Ë®–𔉪„ à°√– «¬∑պⓠà«πª√–°Õ∫¢Õ߉π§◊Õ °ß≈âÕ¢π“¥„À≠à ¡’¢“·≈–∞“π ¡’∑’Ë®—∫ ”À√—∫À¡ÿπ¥â«¬¡◊Õ „Àâ°ß≈âÕÀ¡ÿπ√Õ∫µ—«‡Õß °ß≈âÕπ’È®–¡’ “¬æ“π‚¬ß‰ªÕ’°¥â“πÀπ÷Ëß ¡’·°π‡À≈Á°‡≈Á°Ê ‡√’¬° ‡À≈Á°‰π ∑’ËÀ¡ÿπ√Õ∫µπ‡Õ߉¥â‡™àπ°—π ‡¡◊ËÕÀ¡ÿπ°ß≈âÕ ‡À≈Á°‰π®–À¡ÿπµ“¡ ·≈–°√Õªÿ¬ΩÑ“¬„À⇪ìπ‡ âπ ‡¡◊ËÕµâÕß°“√°√ե⓬À√◊Õ‰À¡‡¢â“À≈Õ¥ °Á‡Õ“‡ âπ¥â“¬À√◊Õ‡ âπ‰À¡æ—π°—∫À≈Õ¥ ·≈â«À¡ÿπ°ß≈âÕ „ÀâÀ≈Õ¥¥â“¬ À¡ÿπ√Õ∫µ—«‡Õß ¡â«π‡Õ“‡ âπ¥â“¬ À√◊Õ‡ âπ‰À¡‡¢â“À≈Õ¥µ“¡µâÕß°“√ “Nai” or “la” is a hand-operated spinning wheel to spin cotton or silk into thread. It consists of a big wheel fitted on a base with a spindle, a conveyor belt, and a handle for turning the wheel. It can also be used to spin silk or cotton thread into a shuttle.
‡ âπ‰À¡∏√√¡™“µ‘ Natural silk threads.
ΩÑ“¬æ◊Èπ‡¡◊Õß ·≈–«— ¥ÿ¬Õâ ¡ ’µ“¡∏√√¡™“µ‘ Homespun cotton and various objects for natural dyes.
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¢π —µ«å ‡ âπ„¬Õ’°™π‘¥Àπ÷Ëß „™â¢π —µ«å ‡™àπ ¢π·°– ¡“ øíòπ‡ªìπ‡ âπ·≈â«®÷ß∑Õ‡ªìπº◊πºâ“ ‡√’¬° ºâ“¢π —µ«å ‡¡◊ÕË ¡πÿ…¬å “¡“√∂º≈‘µ‡ âπ„¬ ”À√—∫„™â∑պⓉ¥â·≈â« ‡™◊ÕË «à“¡’°“√𔇠âπ„¬¡“¬âÕ¡„Àâ¡’ ’ —π «¬ß“¡ ‚¥¬„™â«—µ∂ÿ¥‘∫ ®“°∏√√¡™“µ‘‡ªìπ ’¬âÕ¡¡“π“ππ—∫æ—πÊ ªï à«π¡“°„™â ¥Õ° º≈ √“° ‡ª≈◊Õ° ·≈–·°àπ¢Õßµâπ‰¡â∫“ß™π‘¥π”¡“ µâ¡À√◊ÕÀ¡—° ‡™à π ’§√“¡ ‰¥â®“°°“√À¡—°µâπ§√“¡À√◊Õ µâ π Àâ Õ ¡ ’ ¥” ®“°º≈¡–‡°≈◊Õ·≈–≈Ÿ° ¡Õ ’‡À≈◊Õß ®“° ‰¡â¢πÿπ·≈–¢¡‘πÈ ’·¥ß ®“°·°àπ¬ÕªÉ“·≈–‰¡âΩ“ß ’‡¢’¬« ®“° „∫ ¡ÕªÉ“ ’‡¢’¬«ÕàÕπ ®“°„∫·§ ’°“°’ ®“°„∫ —°À√◊Õ ¢¡‘Èπ™—𠇪ìπµâπ ªí®®ÿ∫—π™“«∫â“π„π¿“§‡Àπ◊Õ·≈–¿“§ µ–«—πÕÕ°‡©’¬ß‡Àπ◊Õ¬—ß„™â ’∑’Ë ‰¥â®“°∏√√¡™“µ‘‡À≈à“π’ȬâÕ¡ ‡ âπ¥â“¬®“°ΩÑ“¬·≈–‡ âπ‰À¡°—πÕ¬Ÿà∑—Ë«‰ª °“√¬âÕ¡ ’‡ âπ„¬ (¥â“¬ΩÑ“¬·≈–‡ âπ‰À¡) ·µà‡¥‘¡Õ“®®– ¬âÕ¡ ’‡√’¬∫Ê ’µ‘¥∫â“߉¡àµ‘¥∫â“ß ∑”„À⇠âπ„¬¥à“ß ‡¡◊ËÕπ” ¡“∑Õ‡ªìπº◊πºâ“®÷ß¡’√Õ¬¥à“߇ªìπ√‘È«‡ªìπ√Õ¬ ´÷ËßÕ“®‡ªìπ ∑’Ë¡“¢Õß°“√¡—¥¬âÕ¡„À⇰‘¥√Õ¬¥à“ßÕ¬à“߮߄® ¥â«¬°“√¡—¥ À√◊ÕºŸ° à«π∑’Ë ‰¡àµâÕß°“√„Àâ ’µ‘¥Õ¬à“ß°“√∑պⓡ—¥À¡’Ë πÕ°®“°«—µ∂ÿ¥∫‘ ∑’πË ”¡“·ª√√Ÿª „À⇪ìπ‡ âπ¥â“¬ ‡ âπ‰À¡ ”À√— ∫ ∑պ⠓ ¥— ß °≈à “ «·≈â « ªí ® ®ÿ ∫— π ¡’ ° “√º≈‘ µ ‡ â 𠄬 —߇§√“–Àå™π‘¥µà“ßÊ ‡æ◊ÕË π”¡“∑պⓄÀâ‡À¡“– ¡ Õ¥§≈âÕß °—∫°“√„™â Õ¬‡ªìπ®”π«π¡“° à«π°√√¡«‘∏’∑Õºâ“π—Èπ ¡πÿ…¬åÕ“®æ—≤π“®“°°“√∂—° °àÕπ∑’Ë®–æ—≤𓇪ìπ°“√∑Õ∑’˧≈⓬°—∫°“√ “π Õ“®‡ªìπ°“√ ∑Õ°÷ßË ∂—°∑’Ë „™âπ«‘È ¡◊Õ Õ¥ ‡ âπ¬◊π (warp ) ·≈– ‡ âπæÿßà (weft) À√◊Õ ‡ âππÕπ „À⢗¥°—π (finger weaving) µàÕ¡“®÷ßæ—≤π“ ¡“‡ªìπ°“√ ∑Õ·∫∫·π«πÕπ (horizontal ground loom) ‚¥¬¢÷ߥ⓬‡ âπ¬◊π‰«â „π·π«πÕπ ¡’‡ âπ¥â“¬ºŸ°µ‘¥°—∫¥â“¬ À√◊Õ ‰À¡‡ âπ¬◊π ≈—∫°—π∑ÿ°‡ âπ ·≈–ºŸ°ª≈“¬‡ âπ¥â“¬‡À≈à“π—Èπ ‡¢â“°—∫‰¡â ‡æ◊ËÕ„Àâ “¡“√∂¬°¥â“¬À√◊Õ‰À¡‡ âπ¬◊π¢÷Èπ≈߉¥â –¥«° ¢≥–∑’Ë Õ¥‡ âπ¥â“¬À√◊Õ‰À¡‡ âππÕπÀ√◊Õ‡ âπæÿàß ¢—¥‡¢â“‰ª§≈⓬°—∫°“√ “π‡ ◊ËÕ °“√∑Õ«‘∏’π’Ȭ—߉¡à „™â‡§√◊ËÕß ∑Õºâ“À√◊ÕÀŸ° À“°·µà „™â‡æ’¬ß‰¡â·∫πÊ (sword batten) °√–∑∫¥â“¬‡ âππÕπ„Àâ·π∫°—π·πàπ ®÷ß∑Õ‰¥â‡©æ“–ºâ“Àπâ“ ·§∫Ê Õ¬à“ߺâ“√—¥‡Õ« À√◊Õ√—¥ª√–§¥¢Õß¿‘°…ÿ ·≈–°“√∑Õ ºâ“Àπâ“·§∫¢Õß™“«‡¢“∫“߇ºà“´÷Ë߬—ß∑Õ°—πÕ¬Ÿà „πªí®®ÿ∫—π µà Õ ¡“°√–∫«π°“√∑պ⠓ ‰¥â æ— ≤ π“‰ªÕ’ ° ¢—È π Àπ÷Ë ß ¡’°“√𔇧√◊ËÕß¡◊Õ‡¢â“¡“™à«¬„π°“√∑Õ¡“°¢÷Èπ§◊Õ °“√∑Õ ·∫∫¢÷ß°—∫À≈—ß (backstrap loom) ‚¥¬¢÷߇ âπ¬◊π Õߢâ“ß ‰«â°—∫·ºàπ‰¡â ºŸ°ª≈“¬Àπ÷Ë߉«â°—∫µâπ‰¡âÀ√◊Õ‡ “‡√◊Õπ Õ’° ¢â“ßÀπ÷ËߺŸ°‡¢â“°—∫‡Õ«ºŸâ∑Õ „™â‡™◊Õ°§≈âÕßÀ—«∑⓬¢Õ߉¡â·≈â« §≈âÕß°—∫‡Õ« °“√∑Õ≈—°…≥–π’Ⱥâ∑Ÿ Õ “¡“√∂∫—ߧ—∫„À⇠âπ¬◊π µ÷ßÀ√◊ÕÀ¬àÕπ‰¥âµ“¡§«“¡µâÕß°“√ ∑”„Àâ∑Õ‰¥â –¥«° ‡¡◊ËÕ
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ºŸâ∑Õ‚π⡵—«‰ª¢â“ßÀπⓇ âπ¬◊π®–À¬àÕπ À“°‡Õπµ—«¡“ ¥â“πÀ≈—߇ âπ¬◊π®–µ÷ß ™à«¬„Àâ Õ¥‡ âπæÿà߉¥âßà“¬ ‡À¡“– ”À√—∫∑Õºâ“Àπâ“·§∫ ¬—ß¡’º∑Ÿâ պⓥ⫬«‘∏π’ ’È „πÀ≈“¬ª√–‡∑» ‡™àπ πÕ√凫¬å ·Õø√‘°“ ‡Õ°«“¥Õ√å Œ“«“¬ ®’π æ¡à“ ∏‘‡∫µ À¡Ÿà‡°“–™«“ ·≈–™“«‡¢“∫“߇ºà“„πª√–‡∑»‰∑¬ ‚¥¬‡©æ“– ™“«°–‡À√’ˬß∑’Ë „™â∑պⓠ”À√—∫∑”¬à“¡ ‡æ√“–∑Õ‰¥â –¥«° ‰¡àµâÕß„™â°’Ë ·≈–∑Õ‡ªìπ≈«¥≈“¬µà“ßÊ ‰¥âßà“¬ ¡’ºŸâª√–¥‘…∞凧√◊ËÕß∑Õºâ“Õ¬à“ßßà“¬Ê ∑’ˇ√’¬°«à“ ªíß°’Ë À√◊Õ ‚ªÉ°’Ë ¢÷Èπ„™â‡¡◊ËÕª√–¡“≥ Ò,¯ ªï¡“·≈â« ªí®®ÿ∫—π„π ¿“§‡Àπ◊Õ·≈–¿“§µ–«—πÕÕ°‡©’¬ß‡Àπ◊Õ‡√’¬° ÀŸ° À√◊Õ °’Ë ÀŸ°æ◊Èπ∫â“πª√–°Õ∫¥â«¬‚§√߉¡â√Ÿª ’ˇÀ≈’ˬ¡ ¡’‡ “ ’ˇ “ ¬÷¥ ‚§√ß √â“ߥ⫬ ‰¡â§“π°’Ë ¡’ ‰¡â§”æ—Ëπ¬÷¥‡ âπ¬◊π ·≈–‡ªìπ ∑’Ë¡â«π‡°Á∫ºâ“∑’Ë∑Õ·≈â« ‰¡â ‰¢«â ‡ªì π ‰¡â ¥â “ πÀ— « °’Ë ∑’Ë ™à « ¬„Àâ ‡ âπ¬◊πµ÷ß πÕ°®“° à«πª√–°Õ∫¢Õß‚§√ß°’∫Ë “ß à«π¥—ß°≈à“« ·≈â « à«πª√–°Õ∫∑’ˇªìπ‡§√◊ËÕß¡◊Õ ”§—≠∑’Ë· ¥ß„Àâ‡ÀÁπ æ—≤π“°“√¢Õß°’ËÀ√◊ÕÀŸ°∑պⓧ◊Õ øó¡ ‡§√◊ËÕß°√–∑∫‡ âπæÿàß ∑’Ëæ—≤π“¡“®“°°“√„™â ‰¡â°√–∑∫ øó¡ª√–°Õ∫¥â«¬‰¡âÀ√◊Õ ‡À≈Á°‡ªìπ´’∂Ë Ê’Ë §≈⓬À«’‡æ◊ÕË „Àâ Õ¥¥â“¬‡ âπ¬◊πºà“π‡¢â“‰ª‰¥â „™âøó¡°√–∑∫„À⇠âπæÿàß∑’Ë Õ¥¢—¥°—∫¥â“¬‡ âπ¬◊π·πàπ·≈– ‡√’¬∫‡ ¡Õ°—𠧫“¡°«â“ߢÕßø󡇪ìπµ—«°”Àπ¥¢π“¥ §«“¡°«â“ߢÕßÀπ⓺ⓠ·≈–™àÕßøíπÀ«’‡ªìπµ—«°”À𥧫“¡ °«â“ߢÕßøó¡ ‡™àπ øó¡¢π“¥ Ú ™àÕßøíπÀ«’ ‡ªìπµâπ à«πª√–°Õ∫ ”§—≠Õ’°Õ¬à“ßÀπ÷Ëߧ◊Õ ‰¡â¢—¥√àÕ߇¢“ ‡ªìπ ´’Ë ‰¡â°≈¡Ê ¡—°∑”¥â«¬‰¡â ‰ºà „™â‡ªìπ‡§√◊ËÕ߬°À√◊բࡥ⓬ ‡ âπ¬◊πµ“¡√Ÿª·∫∫·≈–≈«¥≈“¬¢Õߺâ“∑’˵âÕß°“√®–∑Õ ‚¥¬ ºŸ°‚¬ß‡ âπ¬◊π‰«â°∫— ‰¡â‡À¬’¬∫ÀŸ° ´÷ßË ºŸ∑â Õ®–‡À¬’¬∫¢÷πÈ ≈ߧ≈⓬ °—∫°“√¬°‡ âπµÕ°„π°“√ “π‡§√◊ËÕß®—° “π °“√‡À¬’¬∫‰¡â 99
‡§√◊ËÕßπÿàßÀà¡„π«‘∂’‰∑¬
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Objects in natural surroundings that can be used to dye fabrics.
°’Ë À√◊Õ ÀŸ°∑պⓠA hand loom for fabric weaving.
°√– «¬ ·≈– øó¡ æ—≤π“°“√¢Õß°’Ë À√◊ÕÀŸ°∑պⓠShuttle and other parts of the developed loom.
‡À¬’¬∫ÀŸ°µâÕß —¡æ—π∏å°∫— °“√æÿßà °√– «¬ ´÷ßË ‡ªìπ‰¡â¢π“¥‡≈Á° µ√ß°≈“ߪÉÕߧ≈⓬‡√◊Õ (¿“§‡Àπ◊Õ‡√’¬° ‡Œ◊Õ) ¡’√àÕß ”À√—∫ „ àÀ≈Õ¥¥â“¬∑’Ë®–„™â‡ªìπ‡ âπæÿàß ‚¥¬æÿàß ≈—∫°—π®“°√‘¡¥â“π ¢«“‰ª´â“¬ ®“°´â“¬‰ª¢«“ ≈—∫°—∫°“√°√–∑∫øó¡ ∑”‡™àππ’È ‰ª‡√◊ËÕ¬Ê ®π°«à“®–‰¥âº◊πºâ“µ“¡µâÕß°“√ °√– «¬®÷߇ªì𠇧√◊ÕË ß¡◊Õ ”§—≠´÷ßË ¡πÿ…¬åæ≤— π“¢÷πÈ „™â·∑π°“√ Õ¥¥â“¬‡ âπæÿßà ¥â«¬π‘È« ∑”„Àâ∑պⓉ¥â√«¥‡√Á« °“√æ— ≤ 𓇧√◊Ë Õ ß∑պ⠓ ¢Õß¡πÿ … ¬å ¡‘ ‰ ¥â À ¬ÿ ¥ ‡æ’ ¬ ß ‡∑à“π—Èπ ¡πÿ…¬å ‰¥â§‘¥«‘∏’ Õ¥°√– «¬ºà“π¥â“¬‡ âπ¬◊π°≈—∫‰ª °≈—∫¡“„Àâ√«¥‡√Á«¬‘Ëߢ÷ÈπÕ—π‡ªìπ∑’Ë¡“¢Õß°“√ √â“ß °’Ë°√–µÿ°
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(percussion loom) ´÷Ëß„™â°“√°√–µÿ° “¬∫—ߧ—∫„À⇰‘¥·√ß °√–·∑° àß°√– «¬„Àâ«ß‘Ë ‰ª·≈â«°≈—∫¡“ ≈—∫°—∫°“√°√–∑∫øó¡ ∑”„Àâ ∑ պ⠓ ‰¥â √ «¥‡√Á « °«à “ °“√∑ե⠫ ¬°’Ë ∏ √√¡¥“¡“° ∂÷ß°√–π—Èπ°Áµ“¡ ¡πÿ…¬å¬—ßµâÕß°“√∑պⓂ¥¬‰¡à „ ™â § π ´÷Ë ß ™“«µ–«— π µ° “¡“√∂ª√–¥‘ … ∞å ‡ §√◊Ë Õ ß®— ° √∑պ⠓ ‰¥â ‡ªì π º≈ ”‡√Á ® „π ¡— ¬ ªØ‘ «— µ‘ Õÿ µ “À°√√¡¢Õ߬ÿ ‚ √ª„π §√‘ µå»µ«√√…∑’Ë Ò˘ ∑”„ÀâÀ—µ∂°√√¡°“√∑պⓥ⫬¡◊Õ ·≈–·√ßß“π¡πÿ…¬å ‡ª≈’ˬπ‡ªìπ°“√∑ե⫬‡§√◊ËÕß®—°√ ·≈–°“√∑պ⓰≈“¬‡ªìπº≈º≈‘µ∑“ßÕÿµ “À°√√¡Õ¬à“ß∑’Ë ª√“°ØÕ¬Ÿà „πªí®®ÿ∫—π
ºâ“´‘Ëπµ’π®° A woven lower border design called “tinjok.”
≈«¥≈“¬∫πº◊πºâ“ : »‘≈ª–º “π¿Ÿ¡‘ªí≠≠“‰∑¬ ºâ“∑’Ë¡πÿ…¬å∑Õ¢÷Èπ„™â§√—Èß·√°§ß‡ªìπºâ“æ◊Èπ ’∏√√¡™“µ‘ ‰¡à¡≈’ «¥≈“¬ µàÕ¡“Õ“® √â“ß≈“¬ºâ“¥â«¬°“√æ‘¡æ奫⠬≈Ÿ°°≈‘ßÈ ‡æ√“–æ∫≈Ÿ ° °≈‘È ß ¥‘ π ‡º“∑’Ë ¡’ ≈ «¥≈“¬„π·À≈à ß ‚∫√“≥§¥’ ¡—¬°àÕπª√–«—µ‘»“ µ√å∫â“π‡™’¬ß —ππ‘…∞“π«à“‡ªìπ≈Ÿ°°≈‘Èß ”À√—∫„™âæ‘¡æåºâ“ ‚¥¬∑“ ’∫πº‘«≈“¬·≈â«°≈‘È߉ª∫πºâ“ ·µà ‰¡à¡À’ ≈—°∞“π«à“ºâ“æ‘¡æå ¡—¬°àÕπª√–«—µ»‘ “ µ√å¡≈’ «¥≈“¬ Õ¬à“߉√ ∂÷ß°√–π—Èπ°Áµ“¡ À≈—°∞“π¢â“߇§’¬ß ‡™àπ ≈«¥≈“¬
∫π‡§√◊ÕË ßªíπô ¥‘π‡º“ ¿“懢’¬π∫πºπ—ß∂È” ™à«¬„Àâ π— π‘…∞“𠉥â«à“ºâ“ ¡—¬°àÕπª√–«—µ‘»“ µ√å¡’≈«¥≈“¬§≈⓬°—∫≈“¬∫𠇧√◊ÕË ßªíπô ¥‘π‡º“ ‡™àπ ≈“¬°âπÀÕ¬ ≈“¬À¬—°√Ÿªøíπª≈“ ≈“¬ ¢¥‡™◊Õ° ·≈– ≈“¬∑’¡Ë «â πµ—«§≈⓬§≈◊πË À√◊Õ °âÕπ‡¡¶ ≈«¥≈“¬ ‡À≈à“π’§È ßæ—≤π“ ◊∫¡“„π ¡—¬ª√–«—µ»‘ “ µ√å ®π∂÷߬ÿ§∑’¡Ë πÿ…¬å √«¡°≈ÿà¡°—π‡ªìπ™π‡ºà“ √—∞ ·≈–Õ“≥“®—°√ ‚¥¬„™â≈“¬ºâ“ ‡ªìπ‡§√◊ËÕßÀ¡“¬¢Õß°≈ÿà¡·≈–· ¥ß§«“¡‡™◊ËÕ¢Õß°≈ÿà¡ ‡™àπ ≈“¬π“§ À√◊Õ ≈“¬ßŸ ≈“¬Àß å ≈“¬π°¬Ÿß ∑’Ë „™â‡ªìπ —≠≈—°…≥å ¢Õß™π‡ºà“„π ¡—¬ ÿ‚¢∑—¬ (æÿ∑∏»µ«√√…∑’Ë Ò˘-Ú) ´÷Ë߇ªìπ ¬ÿ§∑’Ë»‘≈ª°√√¡µà“ßÊ ‡®√‘≠°â“«Àπâ“¡“° ‡©æ“–≈«¥≈“¬ 101
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‡™‘ß´‘πË °–‡À√’¬Ë ß „π®—ßÀ«—¥°“≠®π∫ÿ√’ µ°·µàߥ⫬°“√ªí° ª√–¥—∫°√–®°·≈–≈Ÿ°ªí¥ Lower portion of karen robe from Kanchanaburi decorated with embroidery, pieces of mirrors, and beads.
¢«“ ºâ“™“«‰∑¬¿Ÿ‡¢“ ¬âÕ¡¥â«¬¬“߉¡âµ°·µàߥ⫬ºâ“ ’ right Natural sap dyed hill-tribe fabric decorated with colored pieces of cloth.
ªŸπªíπô ≈“¬‡§√◊ÕË ßªíπô ¥‘π‡º“ · ¥ß„Àâ‡ÀÁπ«à“§π‰∑¬ª√–¥‘…∞å ≈«¥≈“¬·ª≈°Ê „À¡àÊ ¢÷πÈ ‡ªìπ®”π«π¡“° ∑—ßÈ ≈«¥≈“¬∑’¡Ë “ ®“°∏√√¡™“µ‘ ‡™àπ ≈“¬¥Õ°∫—« ≈“¬°â“π·¬àß ≈“¬°√–®—ß ¥Õ°‰¡â „∫‰¡â π° ª≈“ µ≈Õ¥®π≈«¥≈“¬∑’Ë¡“®“°§«“¡‡™◊ËÕ ·≈–®‘πµπ“°“√ ‰¥â·°à ≈“¬‡∑æπ¡ °‘π√’ Àß å §™ ’Àå ‡ªìπµâπ „π ¡—¬µàÕÊ ¡“ ≈«¥≈“¬‡À≈à“π’È∂◊Õ«à“‡ªìπ≈“¬™—Èπ Ÿß®÷ß„™â ‡ªìπ≈“¬ºâ“ ”À√—∫°…—µ√‘¬å·≈–√“™ ”π—° ‡™àπ ≈“¬‡∑æπ¡ 𓧠π“ßÕ—ª √ Àß å ¡—°‰¡àª√“°Ø„πºâ“æ◊Èπ∫â“π Õ“®°≈à“« ‰¥â«à“≈«¥≈“¬ºâ“„πÕ¥’µ‡ªìπ‡§√◊ËÕß· ¥ß∞“π–∑“ß —ߧ¡ ¢ÕߺŸ â «¡„ ५⠬
°“√ √â“ß≈«¥≈“¬∫πºâ“æ◊Èπ∫â“π ≈«¥≈“¬∑’Ë ‡ °‘ ¥ ®“°°“√ªí ° Õ“®„™â ºâ “ æ◊È π À√◊ Õ ºâ “ ∑’Ë ¡’ ≈«¥≈“¬Õ¬Ÿà‡¥‘¡·≈â«π”«— ¥ÿÕ◊Ëπ‡ √‘¡‡¢â“‰ª ‡™àπ „™â ‰À¡À√◊Õ ¥â“¬µà“ß ’ªí°‡ √‘¡„À⇪ìπ≈«¥≈“¬ ‰¥â·°à ºâ“ªí° ¡—¬‚∫√“≥ ºâ“ªí°¢Õß™“«‡¢“∑“ß¿“§‡Àπ◊Õ À√◊Õ„™âºâ“µà“ß ’µà“ß™π‘¥ ‡¬Á∫µ‘¥°—π‡¢â“‡ªìπ≈«¥≈“¬µà“ßÊ ‡™àπ °“√„™â‡»…ºâ“‰À¡ ’ ¥Ê ‡¬Á∫µ‘¥∫π‡ ◊ÈÕŒ’¢Õߧπ‰∑¬‡™◊ÈÕ “¬≈“«‚´àß ·≈– °“√„™âºâ“µà“ß ’‡¬Á∫‡ √‘¡≈ß∫πºâ“∫“µ‘° À√◊պⓇ¢’¬π¥â«¬ ¢’Ⱥ÷Èß ·≈⫬âÕ¡§√“¡¢Õß™“«‡¢“ πÕ°®“°π’È Õ“®„™â≈Ÿ°ªí¥ ¡ÿ° ªï°·¡≈ß∑—∫ µ°·µà߇æ‘Ë¡‡µ‘¡„Àâ «¬ß“¡¬‘Ëߢ÷Èπ Õ¬à“ߺⓠ¢Õß™“«°–‡À√’¬Ë ß ·≈–™“«‡¢“∫“߇ºà“∑“ß¿“§‡Àπ◊Õ ‡ªìπµâπ ≈«¥≈“¬∑’ˇ°‘¥®“°°“√∑Õ ‡ªìπ°“√ √â“ß≈«¥≈“¬„π ‡π◊Èպⓠ‚¥¬∑Õ„ÀâÀπ⓺Ⓡªìπ≈«¥≈“¬®“°°“√¬°·≈–¢à¡ ‡ âπ¬◊π‡ âπæÿàß∑’Ë ‰¡àª√°µ‘ ‡™àπ °“√∑պ⓬° ºâ“¡—¥À¡’Ë ·≈– ≈«¥≈“¬∑’ˇ°‘¥®“°°“√‡ √‘¡‡ âπæÿàß摇»…‡¢â“‰ª ‰¥â·°à ºâ“¢‘¥ ®° ≈â«ß œ≈œ
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ºâ“¬° ºâ“∑’∑Ë Õ„À⇰‘¥≈«¥≈“¬„π‡π◊ÕÈ ºâ“‚¥¬µ√ß ¥â«¬°“√ ¬°‡ âπ¬◊π∫“߇ âπ¢÷Èπ ·≈–¢à¡À√◊Õ°¥≈߉¡à‡ªìπ√–‡∫’¬∫ ‡™à 𠇥’ ¬ «°— ∫ °“√ “π‡ ◊Ë Õ ≈”·æπÀ√◊ Õ ‡ ◊Ë Õ °√–®Ÿ ¥ „Àâ ‡ ªì π ≈«¥≈“¬ ≈«¥≈“¬∑’˪√“°Ø∫π‡§√◊ËÕß®—° “π¥—ß°≈à“«‡°‘¥ ®“°°“√¬°·≈–¢à¡µÕ°‡ âπ¬◊π‰¡à‡ªìπ√–‡∫’¬∫ ≈«¥≈“¬¢Õß ºâ“¬°°Á‡°‘¥¢÷πÈ ¥â«¬π—¬‡¥’¬«°—π ≈“¬ºâ“¬°¡—°πŸπ¢÷πÈ ®“°‡π◊ÕÈ ºâ“ ºâ“¬°∑’Ë¡’™◊ËÕ‡ ’¬ß‡ªìπ∑’Ë√Ÿâ®—°°—π¥’§◊Õ ºâ“¬°≈â“ππ“ ºâ“¬° æÿ¡‡√’¬ß ºâ“∑Õ¬°¥Õ°‡°“–¬Õ ºâ“¬°‡¡◊Õßπ§√»√’∏√√¡√“™ À√◊Õ ºâ“¬°‡¡◊Õßπ§√ ‡ªìπµâπ ºâ“¡—¥À¡’Ë (ikat) ºâ“∑’∑Ë Õ¥â«¬°“√¬âÕ¡ ’‡ âπ¥â“¬À√◊Õ‰À¡ ¥â«¬°“√¡—¥¬âÕ¡ (tie dye) ‚¥¬„™â‡™◊Õ°°≈⫬ À√◊Õ¿“¬À≈—ß „™â‡™◊Õ°ø“߉π≈àÕπÀ√◊Õæ≈“ µ‘°ÕàÕπºŸ°¡—¥√—¥∫“ß à«π¢Õß ‡ âπΩÑ“¬À√◊Õ‰À¡ ‡æ◊ËÕ‰¡à „Àâ ’¬âÕ¡´÷¡µ‘¥ à«π∑’Ë¡—¥‰«â °“√
ºâ“¡—¥À¡’Ë ≈«¥≈“¬∑’ˇ°‘¥®“°°“√¬âÕ¡¥â“¬ À√◊Õ‡ âπ‰À¡„À⇪ìπ≈“¬ ·≈â«®÷ß∑Õ‡ªìπºâ“ A “matmi” fabric.
¡—¥¬âÕ¡‡ªìπµ—«°”Àπ¥≈«¥≈“¬·≈– ’ π— ¢ÕߺⓠÀ“°≈«¥≈“¬ ≈—∫´—∫´âÕπ°ÁµÕâ ß¡—¥∂’Ë À“°µâÕß°“√ ’ π— ´—∫´âÕπ·æ√«æ√“« ¡“°°Á®–µâÕß¡—¥·≈⫬âÕ¡À≈“¬§√—Èßµ“¡µ”·Àπàß ’ ºŸâ¡—¥®– µâÕß¡’§«“¡‡¢â“„®·≈–¡’§«“¡™”π“≠∑—Èߥâ“π√Ÿª·∫∫¢Õß ≈«¥≈“¬ ·≈–À≈—°°“√º ¡ ’ ®÷ß®–‰¥â≈«¥≈“¬∑’Ë «¬ß“¡ ¥â«¬ ’ —πµ“¡∑’˵âÕß°“√ ¥â«¬‡Àµÿπ’È °“√∑պⓡ—¥À¡’Ë®ß÷ ‡ªìπ∑’Ë√Ÿâ·≈–¬Õ¡√—∫°—π«à“ ‡ªìπ°“√∑Õºâ“∑’µË Õâ ßÕ“»—¬∑—°…–§«“¡ “¡“√∂ Ÿß¬‘ßË Õ¬à“ßÀπ÷ßË ‡æ√“–µâÕß„™â‡∑§π‘§«‘∏’°“√¬ÿà߬“°´—∫´âÕπ¡“° °«à“®–∑Õ„Àâ ‰¥â·µà≈–≈“¬ °«à“®–‰¥â‡ªìπºâ“·µà≈–º◊πµâÕß„™â‡«≈“·≈–§«“¡ Õ¥∑π¡“° ‡©æ“–°“√∑Շ撬ßÕ¬à“߇¥’¬« ‚¥¬‰¡à‡°’ˬ«°—∫ ¢—ÈπµÕπµà“ßÊ µ—Èß·µà°“√‡≈’Ȭߵ—«‰À¡ “«‡ âπ‰À¡ øÕ° ¡—¥ ¬âÕ¡ œ≈œ ©–π—πÈ °“√∑պⓡ—¥À¡’Ë‚¥¬∑—«Ë ‰ª®÷ß¡—°π‘¬¡„™â ‰À¡
´÷ßË ‡ªìπ«— ¥ÿ∑¥’Ë ¡’ §’ ≥ÿ ¿“æ·≈–§ÿ≥§à“ Ÿß ·µà°¡Á ∫’ “ß∑âÕß∂‘πË ∑’∑Ë Õ ¡—¥À¡’¥Ë «â ¬ΩÑ“¬ ‡™àπ ¡—¥À¡’ΩË “Ñ ¬∑’∫Ë “â πÀπÕ߇¢◊ÕË π™â“ß µ”∫≈ ∑à“ ÕߧÕπ Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥¡À“ “√§“¡ ´÷Ë߬âÕ¡¥â«¬ ’§√“¡‡æ’¬ß ’‡¥’¬« °“√∑պⓡ—¥À¡’µË Õâ ß¡’§«“¡Õ¥∑π·≈–„™â‡∑§π‘§ Ÿß ™à“ß ¡—¥À¡’Ë®÷߉¥â√—∫°“√¬°¬àÕß«à“‡ªìπºŸâ∑’Ë¡’§«“¡ “¡“√∂ Ÿß°«à“ ™à“ß∑Õºâ“∑—Ë«‰ª ‡æ√“–°“√¡—¥‡ âπ‡§√◊ÕÀ√◊Õ‡ âπ¬◊ππ—ÈπµâÕß °”Àπ¥≈“¬·≈– ’ ‰«â≈à«ßÀπâ“ ‚¥¬‰¡à ‰¥â√à“ß·∫∫·µàÕ¬à“ß„¥ ‡¡◊ËÕ ◊∫ÀŸ°‡ªìπ‡ âπ‡§√◊ÕÀ√◊Õ‡ âπ¬◊π·≈â« ‰À¡∑’Ë¡—¥¬âÕ¡ ®–¬—߉¡à‡°‘¥‡ªìπ≈«¥≈“¬„Àâ‡ÀÁπ ®–ª√“°Ø≈«¥≈“¬°ÁµàÕ‡¡◊ËÕ π”‡ âπæÿàß¡“ Õ¥∑Õ„À⇪ìπ√Ÿª∏√√¡µ“¡§«“¡§‘¥∑’ˇªìπ π“¡∏√√¡ °“√∑պⓡ—¥À¡’˵âÕß∑Õ„À⇠âπ‡§√◊Õ·≈–‡ âπæÿàß ∑’ˬâÕ¡ ’·≈⫪√– “πµ√ß°—π∑ÿ°‡ âπµ“¡®—ßÀ«–∑’Ë¡—¥¬âÕ¡‰«â 103
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“Khit” fabric from the Northeast.
A woven lower border design called “tinjok.”
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¢Õß·µà≈–≈«¥≈“¬ ‰¡à‡™àππ—Èπ°Á®–‰¡à‡ªìπ≈«¥≈“¬µ“¡∑’Ë °”À𥉫â ∑ÿ°§√—Èß∑’Ë∑Õ‡ âπæÿàß·µà≈–‡ âπ®–µâÕߢ¬—∫‡ âπ‰À¡ „Àâ∂Ÿ°®—ßÀ«–≈“¬°—∫‡ âπ‡§√◊Õ∑ÿ°‡ âπ ©–π—Èπ°“√∑պⓡ—¥À¡’Ë ®÷ß¡’¢¥’ ®”°—¥∑’µË Õâ ß∑ե⫬ÀŸ°À√◊Õ°’Ë ¥â«¬«‘∏æ’ ßÿà ‡∑à“π—πÈ ®–∑Õ ¥â«¬°’Ë°√–µÿ°·∫∫æ—≤π“„À¡à ‰¥â¬“°¡“°À√◊Õ∑Õ‰¡à ‰¥â‡≈¬ ‡æ√“–®–µâÕߧլ¢¬—∫‡ âπæÿàß„Àâµ√ß®—ßÀ«–∑’Ë¡—¥≈«¥≈“¬°—∫ ‡ âπ¬◊π ™à“ß∑Õ®÷ßµâÕß¡’§«“¡™”π“≠‡ªìπ摇»… ºâ“¢‘¥ ºâ“∑’ Ë √â“ß≈«¥≈“¬‚¥¬°“√‡°Á∫‡¢“À√◊Õµ–°Õ‡ âπ¬◊π „Àâµà“߉ª®“°ºâ“æ◊Èπ ·≈⫇æ‘Ë¡‡ âπæÿàß摇»…‡¢â“‰ª ‚¥¬ æÿàß®“°√‘¡ºâ“¥â“πÀπ÷Ë߉ª¬—ß√‘¡ºâ“Õ’°¥â“πÀπ÷Ëß ®÷ß∑”„À⇰‘¥ ≈«¥≈“¬´È”Ê ®π‡µÁ¡Àπâ“ºâ“ π‘¬¡∑Õ°—π¡“°„π∑“ß¿“§ µ–«—πÕÕ°‡©’¬ß‡Àπ◊Õ·≈–¿“§‡Àπ◊Õ ºâ“®° ºâ“∑’ Ë √â“ß≈«¥≈“¬‚¥¬°“√‡æ‘¡Ë ‡ âπæÿßà 摇»…‡¢â“‰ª ‡ªìπ™à«ßÊ „™â¢π‡¡àπ ‰¡â À√◊Õª≈“¬π‘È«ß—¥ (®°) ‡ âπ¬◊π¢÷Èπ ·≈â« Õ¥‡ âπæÿßà 摇»…‡¢â“‰ª∑”„À⇰‘¥≈«¥≈“¬ ≈—∫ ’‡ªìπ™à«ßÊ µà“ß°—∫ºâ“¢‘¥∑’Ë „™â‡ âπæÿßà 摇»… ’‡¥’¬«µ≈Õ¥Àπ⓺ⓠ°“√∑պⓠ®°¡—°∑Õ°≈—∫¥â“πÀπ⓺Ⓣ«â¢â“ß≈à“߇æ◊ËÕ„Àâ®°‰¥â –¥«° «‘∏’ √â“ß≈«¥≈“¬∑’§Ë ≈⓬°—ππ’È „π¿“§‡Àπ◊Õ‡√’¬° ‡°“– À√◊Õ ≈â«ß
ºâ“≈“¬Õ¬à“ß ºâ“∑’Ë™à“߉∑¬ ¡—¬µâπ√—µπ‚° ‘π∑√åÕÕ°·∫∫≈“¬ ·≈â« à߉ª„Àâ™à“ß∑պⓄπª√–‡∑»Õ‘π‡¥’¬ æ‘¡æå≈ß∫πºâ“‡æ◊ËÕπ”‡¢â“¡“„™â „π√“™ ”π—°‰∑¬ ‚¥¬„™âºâ“¢“«∑’Ë´—° ®πÀ¡¥·ªÑß·≈â« «“ߢ÷ß„Àâµ÷ß ∑“À¡÷° ∫π·¡àæ‘¡æå°¥≈ß∫πºâ“µàÕÊ °—π‰ª ®π≈“¬‡µÁ¡º◊π ·≈⫬âÕ¡ ’ À“°µâÕß°“√ „Àâ¡’ ’Õ◊ËπÊ °Á·µâ¡≈߉ªÀ≈—ß®“°¬âÕ¡·≈â« ®“°π—Èπ„™â‡∫’Ȭ¢—¥™—°‡ß“ ºâ“∑’Ëπ‘¬¡ —Ëß¡“„™â ‰¥â·°à ºâ“æ◊Èπ ’ °≈“ߺ◊π‡ªìπ ’·¥ß À√◊Õ¢“« ™“¬ºâ“¡’≈“¬°√«¬‡™‘ßÀ≈“¬™—Èπ ºâ“∑âÕß≈“¬ °≈“ߺâ“∑”‡ªìπ≈«¥≈“¬ ‡µÁ¡∑—Èߺ◊π ¡’∑—Èß™π‘¥∑’Ë™“¬¡’≈“¬°√«¬ ™—Èπ‡¥’¬« ·≈–™π‘¥∑’Ë™“¬·≈–‡™‘ß¡’≈“¬ °√«¬√Õ∫ ≈«¥≈“¬∑’Ëπ‘¬¡‰¥â·°à ≈“¬æ√À¡ ’ËÀπâ“ æÿࡢ⓫∫‘≥±å ‡∑æπ¡ °â“π¢¥ °‘ππ√ ·≈–≈“¬æ√√≥惰…“ ºâ“æ‘¡æåª√–‡¿∑π’È¡’‡æ’¬ß Ú ∂÷ß Û ’ ‰¥â·°à ’¥” ’·¥ß ·≈– ’‡À≈◊Õß „π ¡—¬√—™°“≈∑’Ë Ú ™à“߉∑¬¡—°π”¡“ ‡¢’¬π ’‡æ‘Ë¡‡µ‘¡„Àâ «¬ß“¡¬‘Ëߢ÷Èπ ‡√’¬° ºâ“≈“¬‡¢’¬π ’ ∫“ß∑’‡¢’¬π∑Õß µ“¡¢Õ∫≈“¬ ‡√’¬° ºâ“‡¢’¬π∑Õß A special kind of hand-printed fabric called “pha lai yang” which Thai artists in the early Rattanakosin period designed and sent to India to be woven. Originally, they came in a few colors: black, yellow, and red. More colors, including gold accents, were later added during the reign of King Rama II.
µà“ß°—π∑’Ë°“√∑Õ≈â«ß®–ºŸ°‡ âπæÿàß摇»…‡¢â“°—∫‡ âπ¬◊π‡æ◊ËÕ ¬÷¥‡ âπæÿàß·µà≈–™à«ß °“√∑Õ≈—°…≥–π’Èπ‘¬¡∑Õ°—π¡“°„π °≈ÿà¡™“«‰∑¬≈◊ÈÕ ºâ“®°‡ªìπºâ“∑’¡Ë ≈’ «¥≈“¬ ’ π— ·æ√«æ√“« «¬ß“¡ ®÷ßπ‘¬¡ „™â‡ªìπ à«πµ°·µàß¡“°°«à“∑’®Ë –∑Õ‡ªìπºâ“º◊𠇙àπ „™âµ°·µàß µ’π´‘Ëπ ‡√’¬°«à“ ´‘Ëπµ’π®° À√◊Õ„™â∑Õ ≈—∫°—∫≈«¥≈“¬¢‘¥·≈– ¡—¥À¡’ˇªìπµ—«´‘Ëπ ≈«¥≈“¬∑’ˇ°‘¥®“°°“√‡¢’¬π·≈–¬âÕ¡ ‚∫√“≥„™â ‰¢ —µ«å ¬“߉¡â À√◊Õ¢’Ⱥ÷È߇¢’¬π‡ªìπ≈«¥≈“¬∫πº◊πºâ“·≈⫬âÕ¡ ’ ’®– µ‘¥ à«π∑’‡Ë ªìπ‡π◊ÕÈ ºâ“·µà ‰¡àµ¥‘ ≈«¥≈“¬∑’‡Ë ¢’¬π‰«â ‡¡◊ÕË ·Àâß·≈â« π”‰ªµâ¡À√◊Õ´—°„Àâ ‘Ëß∑’ˇ¢’¬π‰«âÀ≈ÿ¥ÕÕ°®–ª√“°Ø≈«¥≈“¬ ∫πº◊πºâ“ °“√ √â“ß≈«¥≈“¬«‘∏’π’È “¡“√∂¬âÕ¡‡æ’¬ß ’‡¥’¬« À√◊Õ¬âÕ¡´âÕπ∑—∫°—πÀ≈“¬ ’°Á ‰¥â ‚¥¬„™â·¡àæ‘¡æå®ÿà¡¢’Ⱥ÷Èß°¥ ≈ß∫πºâ“·∑π°“√‡¢’¬π ‡™àπ ºâ“∫“µ‘° (batik) ¢ÕßÕ‘π‚¥π’‡´’¬ À√◊Õ ºâ“ª“‡µä– ∑“ß¿“§„µâ ºâ“æ‘¡æå·≈–ºâ“‡¢’¬π≈“¬ √â“ß≈«¥≈“¬¥â«¬°“√æ‘¡æå≈“¬ ≈ß∫π‡π◊Èպⓠ—ππ‘…∞“π«à“«‘∏’æ‘¡æå≈“¬ºâ“π’È¡’¡“·µà ¡—¬ °àÕπª√–«—µ‘»“ µ√å ‡æ√“–æ∫≈Ÿ°°≈‘Èߥ‘π‡º“ ”À√—∫°≈‘Èß ’
∑’Ë·À≈àßÕ“√¬∏√√¡°àÕπª√–«—µ‘»“ µ√å∫â“π‡™’¬ß Õ”‡¿Õ ÀπÕßÀ“π ®—ßÀ«—¥Õÿ¥√∏“π’ °“√ √â“ß≈«¥≈“¬¥â«¬°“√æ‘¡æåπ’È ‰¡àª√“°Ø„πºâ“æ◊πÈ ∫â“π ¢Õ߉∑¬ ¡’·µàºâ“æ‘¡æå∑’Ë —Ëß¡“®“°ª√–‡∑»Õ‘π‡¥’¬„π ¡—¬ √—µπ‚° ‘π∑√å∑’ˇ√’¬° ºâ“≈“¬Õ¬à“ß ´÷Ë߇ªìπºâ“∑’Ë™à“߉∑¬ àß ≈«¥≈“¬‰ª„Àâ™à“ß∑պⓄπÕ‘π‡¥’¬æ‘¡æå ·≈â« àß°≈—∫‡¢â“¡“ „™â „π√“™ ”π—°‰∑¬ ¿“¬À≈—ߺⓙπ‘¥π’È ‰¥â√∫— §«“¡π‘¬¡¡“°¢÷πÈ ™à“ß™“«Õ‘π‡¥’¬®÷߇¢’¬π≈“¬‡≈’¬π·∫∫≈“¬‰∑¬·≈â«æ‘¡æå ‡ªìπºâ“≈“¬‰∑¬ à߇¢â“¡“¢“¬‡√’¬° ºâ“≈“¬πÕ°Õ¬à“ß µàÕ¡“ ‰¥â·æ√àÀ≈“¬‰ª Ÿà™“«∫â“π ‚¥¬‡©æ“–ºŸâÀ≠‘ßπ”¡“πÿà߇ªìπ ºâ“‚®ß°√–‡∫π·≈–ºâ“∂ÿß °√–∑—Ëß¡’ºŸâµ—Èß‚√ßß“πæ‘¡æåºâ“¢÷Èπ „πª√–‡∑»‰∑¬ ≈«¥≈“¬ºâ“∑’Ë „™â‡ªìπ‡§√◊ÕË ßπÿßà Àà¡¢Õߧπ‰∑¬¥—ß°≈à“«·≈â« ‡ªìπ»‘≈ª–ª√–¬ÿ°µå (applied art) ∑’ˇ°‘¥®“°§«“¡§‘¥ √â“ß √√§å·≈–¿Ÿ¡‘ªí≠≠“¢Õߧπ‰∑¬∑’˙૬„À⇧√◊ËÕßπÿàßÀà¡ ¡’ ’ —π·≈–≈«¥≈“¬ß¥ß“¡ ‡ªìπ‡Õ°≈—°…≥å∑’Ë·µ°µà“߉ª®“° ‡ ◊ÈÕºâ“Õ“¿√≥å¢Õß™“µ‘Õ◊ËπÊ 105
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©–π—Èπ ≈“ß∑’‡¢“°ÁπÿàߺⓠÕߺ◊π´âÕπ∑—∫°—π ‡æ◊ËÕ„Àâº◊π∫π¥Ÿ ‡√’¬∫√âÕ¬ ...πÕ°®“°ºâ“πÿàß·≈â« ºŸâÀ≠‘ß°Áª≈àÕ¬µ—«≈àÕπ®âÕπ ‡æ√“–æ«°π“ß¡‘‰¥â «¡ ‡ ◊ÕÈ ™—πÈ „π¡— ≈‘π (‡À¡◊ÕπÕ¬à“ßæ«° ºŸâ™“¬) ™—Ë«·µà§π¡—Ëß¡’‡∑à“π—Èπ∑’Ë„™â ‰∫Àà¡ ≈“ß∑’°Áªí¥™“¬ ‰∫ ‡©’¬ß‰ª§≈ÿ¡µâπ·¢π‡¢â“‰«â ·µàÕ“°“√∑’Ë ÿ¿“æ¢Õßπ“ß°Á§◊Õ „™âµÕπ°≈“ߺ◊𠧓¥¢πÕß·≈â« Õ¥√—°·√â¡“ª°∂—π‡¢â“‰«â ·≈â« µ≈∫™“¬ ‰∫∑—ßÈ Õߥâ“π –æ—° ‰À≈à‰ª∑‘ßÈ ™“¬Õ¬Ÿ∑à “ß‡∫◊ÕÈ ßÀ≈—ß (Àࡵ–·∫ß¡“π)..é Û °“√πÿàßÀà¡¢Õß “¡—≠™π™“« ¬“¡ ‡™àππ’È ¬—ß ◊∫¡“„π ¡—¬√—µπ‚° ‘π∑√å ç‡π◊ËÕß®“°™’«‘µª√–®” «—π¢Õß√“…Æ√™“¬µâÕß∑”ß“π„™â·√ßß“π„π∑’Ëπ“ «π À√◊Õ ‰√à À√◊Õ∂â“Õ¬Ÿà„πªÉ“°ÁµâÕßÕÕ°≈à“ —µ«å À“¢Õߪɓ ∂â“Õ¬Ÿà°—∫ ∫â“π°ÁÀ“∫πÈ” µ”¢â“« ·∫°¢ÕßÀπ—° °“√·µàß°“¬®÷ß¡’ ≈—°…≥–∑–¡—¥∑–·¡ß °≈à“«§◊Õ πÿßà ºâ“™‘πÈ ‡¥’¬«¥â«¬«‘∏’ ∂°‡¢¡√ ‡ªìπ°“√πÿàß‚®ß ·µà∂°„Àâ —Èπ¢÷Èπ‡Àπ◊Õ‡¢à“ ‡æ◊ËÕ –¥«°„π°“√
°“√·µàß°“¬¢ÕߺŸâ™“¬ ‡™◊ÕÈ “¬‰∑¬¬«π „𮑵√°√√¡Ω“ºπ—ßÕÿ‚∫ ∂ «—¥ ¡ÿÀª√–¥‘…∞“√“¡ µ”∫≈ «π¥Õ°‰¡â Õ”‡¿Õ‡ “‰Àâ ®—ßÀ«—¥ √–∫ÿ√’ The depiction of Thai Yuan long robes in the mural paintings in the ordination hall at Wat Samuha Praditharam in Amphoe Sao Hai, Saraburi.
´â“¬ °“√πÿàß´‘Ëπ¢Õß µ√’ ‡™◊ÕÈ “¬‰∑¬¬«π „𮑵√°√√¡Ω“ºπ—ßÕÿ‚∫ ∂ «—¥ ¡ÿÀª√–¥‘…∞“√“¡ µ”∫≈ «π¥Õ°‰¡â Õ”‡¿Õ‡ “‰Àâ ®—ßÀ«—¥ √–∫ÿ√’ left The dressing style of the Thai Yuan females as recorded in the mural paintings in the ordination hall at Wat Samuha Praditharam in Amphoe Sao Hai, Saraburi.
ÕÕ°·√ß ‰¡à «¡‡ ◊ÈÕ ‚æ°ºâ“∑’Ë»’√…– ‰¡à «¡√Õ߇∑â“ ∂â“Õ¬Ÿà ∫â“π‰¡àµâÕß∑”ß“π°Áπÿàߺâ“≈Õ¬™“¬ À√◊Õπÿàß‚ √àß¡’ºâ“§“¥æÿß „πƒ¥Ÿ‡∑»°“≈ß“πæ‘∏’ ‡™àπ æ‘∏’‡π◊ËÕߥ⫬™’«‘µª√–®”«—π∑“ß æÿ∑∏»“ π“ ´÷Ëß®—¥¢÷Èπ„π«—¥Õ—π‡ªìπ»Ÿπ¬å°≈“ߢÕßÀ¡Ÿà∫â“π À√◊Õ™ÿ¡™π À√◊Õ„π§√Õ∫§√—« „π‡«≈“‡™àππ’È ™“«∫â“π®–¡“ æ∫ª– ¡“§¡√à«¡°—π °“√·µàß°“¬®÷߇√’¬∫√âÕ¬æ‘∂’æ‘∂—π¢÷Èπ ¡—°πÿàß‚®ß°√–‡∫π‡ªìπºâ“·æ√ ’µà“ßÊ ·≈–Àࡺⓧ≈âÕß§Õ ª≈àÕ¬™“¬¬“«∑—Èß Õߢâ“߉«â¥â“πÀπâ“ À√◊Õ§≈âÕ߉À≈à∑‘Èß™“¬ ‰«â¥â“πÀπâ“ À√◊Õæ“¥‰À≈à‰«â ∑—¥¥Õ°‰¡â ∫ÿÀ√’Ë À√◊Õ¬“¥¡‰«â∑’Ë ÀŸ º—¥Àπⓥ⫬·ªÑßÀÕ¡ à«π∑√ߺ¡°Áµ—¥º¡ªï°À√◊Õµ—¥º¡ ·∫∫ºŸâ™“¬∑—Ë«‰ª Õ¬à“߉√°Áµ“¡™“¬ “¡—≠™π∑’Ë¡’∞“π–∑“ß ‡»√…∞°‘®¥’ ‡™àπ ∑”°“√§â“ °Á·µàßµ—«¥â«¬‡ ◊Èպ⓷æ√æ√√≥ ™—Èπ¥’ ‡©æ“–ºâ“πÿàß∑Õ∑’ËÀ“´◊ÈÕ‰¥â®“° ‘π§â“µà“ߪ√–‡∑» À√◊Õ ‰¡à°Á®“°™à“ßΩï¡◊Õ„π«—ßÀ≈«ß µ√’™“«∫â“π‚¥¬∑—«Ë ‰ª°Áπßÿà ºâ“®’∫ Àà¡ ‰∫ ∂Ⓡ«≈“∑”ß“π Àπ—°°Á„™âÀà¡·∫∫µ–·∫ß¡“π ª≈àÕ¬™“¬ À√◊ÕºŸ°™“¬ ∂Ⓡªì𠇫≈“Õ¬Ÿ∫à “â π°ÁÀ¡à ‡ÀπÁ∫Àπâ“·∫∫ºâ“·∂∫ „π‡«≈“ÕÕ°®“°∫â“π ®÷ß„™â ‰∫‡©’¬ß ·≈–„πƒ¥ŸÀπ“«°ÁÀࡺ⓷æ√ À√◊Õ·æ√‡æ≈“– §≈ÿ¡‰À≈à ’¢Õߺⓙ“«∫â“π¡—°‡ªìπ ’¥”À√◊Õ ’‡¢’¬«µ–æÿàπ ºâ“Àà¡ ’¢“« µ—¥º¡ªï° ∂Ⓡªìπ§π«—¬ “« º¡µ—¥ —Èπ‡ªìπ·∫∫ ¥Õ°°√–∑ÿà¡ ·≈⫪≈àÕ¬∑⓬¬“«ßÕπ∂÷ß∫à“ ∂ⓇªìπºŸâ„À≠à µ—¥º¡ªï°·∫∫‚°π∑⓬∑Õ¬ —πÈ „π°√≥’∑‡’Ë ªìπ µ√’·µàßß“π·≈â« ‡«≈“Õ¬Ÿà∫â“πÕ“®®–‰¡àÀà¡ ‰∫ πÕ°®“°π’È≈—°…≥–ºâ“πÿàß ·≈– ‰∫π’È ∂â“À“°‡ªìπ µ√’™“«∫â“π∞“π–¥’°Áπÿàߺ⓬°∑ե⫬ ‰À¡ ·≈–ºâ“∑’Ë ’ ¥ «¬°«à“ ”À√—∫ºŸâ∑’Ë¡’«—¬ ŸßÕ“¬ÿ°Á¡—°
πÿàßÀࡺⓠ’‡√’¬∫‡ªìπ ’æ◊Èπ ‚¥¬‡©æ“–ºâ“µ“¢“«¥” ´÷Ëß∂◊Õ«à“ ÿ¿“æ‡À¡“– ¡·°à«—¬ ..é Ù ‡§√◊ËÕßπÿàßÀà¡¢Õß™“«∫â“π‡ªìπºâ“ ∑’Ë∑Õ„™â‡Õß·∑∫∑—Èß ‘Èπ À“°‡ªìπ§À∫¥’¡’‡ß‘π°ÁÕ“®À“´◊Èպⓠ®“°µà“ߪ√–‡∑»¡“„™â∫“â ß ·µàµÕâ ߉¡à ç∑”‡∑’¬¡‡®â“‡∑’¬¡π“¬é §◊Õ ‰¡à „™âºâ“∑’ˇ®â“𓬙—Èπ Ÿß„™â¡“πÿàßÀà¡ ∂◊Õ«à“‡°‘π∞“π– πÕ°®“°π’È ¬—ß¡’ °ÆÀ¡“¬ °”Àπ¥‡√◊ÕË ß°“√„™âº“â ‰«âµß—È ·µà ¡—¬ Õ¬ÿ∏¬“ µàÕ¡“„π ¡—¬√—™°“≈∑’Ë Ò ·Ààß°√ÿß√—µπ‚° ‘π∑√å ¡’ æ√–√“™∫—≠≠—µ‘Àâ“¡ª√–™“™ππÿàßÀࡺâ“∫“ß™π‘¥∑’Ë ß«π‰«â ”À√—∫™π™—Èπ Ÿß‡∑à“π—È𠇙àπ Àâ“¡πÿàߺⓠ¡ªí°ªŸ¡∑âÕßπ“° ·≈–„ à‡ ◊ÈÕ§√ÿ¬ °√Õß§Õ °√Õßµâπ·¢π ¢âÕÀâ“¡π’Ȭ°‡≈‘°„π ¡—¬√—™°“≈∑’Ë ı ‡¡◊ËÕ∑√ß√—∫«—≤π∏√√¡°“√·µàß°“¬·∫∫ µ–«—πµ°‡¢â“¡“„π√“™ ”π—°°àÕπ∑’®Ë –·æ√àÀ≈“¬‰ª Ÿªà √–™“™π ‡§√◊ËÕßπÿàßÀà¡„π√“™ ”π—°‰∑¬ ¡—¬Õ¬ÿ∏¬“·≈–√—µπ‚° ‘π∑√å à«π¡“°„™âº“â ∑’ Ë ß—Ë ´◊ÕÈ ¡“®“° ‡¢¡√ ‡ªÕ√凙’¬ ®’π ·≈–Õ‘π‡¥’¬ ‡ªìπµâπ ¥—ßπ—Èπ ºâ“∑’Ë™“«∫â“π„™âπÿàßÀà¡®÷߇ªìπºâ“∑’Ë∑Õ‡Õß ºâ“∑Õ¡◊Õ À√◊Õ ºâ“æ◊Èπ∫â“π ´÷Ë߇ªìπ√“°∞“π°“√πÿàßÀà¡¢Õß §π‰∑¬ °àÕπ∑’Ë®–ª√—∫‡ª≈’ˬπ«—≤π∏√√¡°“√·µàß°“¬‰ª‡ªìπ ·∫∫µ–«—πµ° ºâ“æ◊Èπ∫â“𠇪ìπ‡§√◊ËÕßπÿàßÀà¡∑’Ë™“«∫â“πª√–¥‘…∞姑¥§âπ ¢÷Èπ„™â Õ¬„π™’«‘µª√–®”«—π ¡’ ’ —π ≈«¥≈“¬ µ“¡§µ‘π‘¬¡ §«“¡‡™◊ËÕ ·≈–√ π‘¬¡¢Õß°≈ÿà¡™π · ¥ß„Àâ‡ÀÁπ¿Ÿ¡‘ªí≠≠“ ¢Õß°≈ÿà¡™πµà“ßÊ ‰¥â‡ªìπÕ¬à“ߥ’ Õ“®·∫àߺâ“æ◊Èπ∫â“π‡ªìπ °≈ÿà¡Ê µ“¡æ◊Èπ∑’Ë¢Õߪ√–‡∑»‰¥â¥—ßπ’È ºâ“·≈–‡§√◊ËÕßπÿàßÀà¡ æ◊πÈ ∫â“π¿“§‡Àπ◊Õ ¿“§°≈“ß ¿“§µ–«—πÕÕ°‡©’¬ß‡Àπ◊Õ ·≈– ¿“§„µâ 107
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ºâ“¡— ≈‘π ºâ“‡π◊ÈÕ∫“ß≈–‡Õ’¬¥ „™â‡ªìπ‡ ◊ÈÕ™—Èπ„π ¡—¬‚∫√“≥ —Ëß¡“®“°‡ªÕ√凙’¬ ¢πÕß §◊Õ À≈—ß √“™“»—æ∑å„™â æ√–¢πÕß –æ—° §◊Õ ºâ“Àà¡ ‰∫‡©’¬ß ∂Ⓡªìπ “¡—≠™π°Á„™âºâ“∏√√¡¥“ À√◊պ⓷æ√®’∫„À⇪ìπ√‘È« À“°‡ªìπ‡®â“𓬇√’¬° ºâ“∑√ß –æ—° ¡—°‡ªìπ ºâ“µ“¥∑Õß ∑’∑Ë Õ¥â«¬∑Õß·≈àß°—∫‰À¡ „π°ÆÀ¡“¬µ√“ “¡¥«ß ¡—¬æ√–‡®â“ÕŸà∑Õß (æ.».Ò˘Ò) ‰¥â°”Àπ¥™π‘¥¢Õߺâ“∑’Ë„™âµ—¥‡ ◊ÈÕ ”À√—∫ æ√–∫√¡«ß»“πÿ«ß»å ‰«âµà“ß°—𠇙àπ ç≈Ÿ°‡∏Õ‡Õ°‚∑...‡ ◊ÈÕ‚¿§≈“¬∑Õß À≈“π‡∏Õ‡Õ°‚∑..‡ ◊ÈÕ·æ√æ√√≥ ¢ÿπÀ¡◊Ëπæ√–°”π—≈..‡ ◊ÈÕ¢“«..é µàÕ¡“„π ¡—¬√—™°“≈∑’Ë Ò ·≈–√—™°“≈∑’Ë Û ¡’æ√–√“™∫—≠≠—µ‘°“√·µàß°“¬ÕÕ°¡“ ∫—ߧ—∫„Àâ¢â“√“™°“√·≈–¢â“√“™∫√‘æ“√ ·µàß°“¬µ“¡∞“π—π¥√»—°¥‘Ï ∫√√¥“»—°¥‘Ï µ”·Àπàß µ“¡∑’Ë ‰¥â°”Àπ¥‰«â ‡©æ“–‡§√◊ËÕß∑√ߢÕ߇®â“𓬙—Èπ Ÿß à«π¡“°‡ªìπºâ“∑’Ë —Ë߇¢â“¡“®“°µà“ߪ√–‡∑» ®÷ß∑”„Àâ™π™—Èπ Ÿß¡’‡§√◊ËÕßπÿàßÀà¡ µà“ß®“° “¡—≠™πı
°“√·µàß°“¬¢Õß™“«≈â“ππ“ ®‘µ√°√√¡Ω“ºπ—ßÕÿ‚∫ ∂«—¥¿Ÿ¡‘π∑√å Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥πà“π The dressing style of the Lanna people as depicted in the murals at Wat Phumin in Nan.
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§π‰∑¬ À√◊Õ ™π‡ºà“‰∑¬ ∑’Ë查¿“…“µ√–°Ÿ≈‰∑¬-≈“« ¡’À≈“¬ “¢“ ∑—Èß∑’ËÕ¬Ÿà„πª√–‡∑»‰∑¬·≈–πÕ°ª√–‡∑» (¡—°‡√’¬° ‰∑) ‡™àπ ‰∑¬¥” À√◊Õ ‚´àß ‰∑¬πâÕ¬ ‰∑¬„À≠à ‰∑¬¬«π ‰∑¬≈“« ‰¥â·°à ≈“«æ«π ≈“«§√—Ëß ≈“«‡«’¬ß ™π‡ºà“‰∑¬∑’ËÕ“»—¬Õ¬Ÿà„πª√–‡∑»‰∑¬ ªí®®ÿ∫—π∂◊Õ‡ªìπ§π‰∑¬∑—Èß ‘Èπ ·¡â®–¡’‡™◊ÈÕ “¬µà“ß°—π°Áµ“¡ °≈ÿ¡à ™π∑’ºË ™Ÿâ “¬ —°¢“ ¢÷Èπ‰ª®π∂÷ß‚§π¢“À√◊Õæÿß ∑’ËÕ“»—¬ Õ¬Ÿà„π¿“§‡Àπ◊Õ ∫“ß∑’‡√’¬° ≈“«æÿߥ” ‡æ√“–‡ªìπ§π‰∑¬‡™◊ÈÕ “¬≈“«°≈ÿà¡Àπ÷Ëß ¥—ߪ√“°Ø„π¿“殑µ√°√√¡Ω“ºπ—ß«‘À“√ ≈“¬§” «—¥æ√– ‘ßÀåœ Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥‡™’¬ß„À¡à ·≈–®‘µ√°√√¡Ω“ºπ—ß«‘À“√«—¥¿Ÿ¡π‘ ∑√å Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥πà“𠇪ìπµâπ
ºâ“´‘πË ≈â“ππ“ ª√–°Õ∫¥â«¬ À—«´‘Ëπ µ—«´‘Ëπ ·≈–µ’π´‘Ëπ A traditional Lanna robe for women has three parts: the upper piece, the main piece, and the decorative lower border.
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°“√∑պⓠՔ‡¿Õ≈—∫·≈ ®—ßÀ«—¥Õÿµ√¥‘µ∂å A robe with exquisite decorative lower border from Amphoe Laplae, Uttaradit.
§“¥°à“π ∑’∑Ë Õ¥â«¬‡ âπ¥â“¬∑’¡Ë ¥— ¬âÕ¡≈“¬¢«“ß≈”µ—« ∫“ß∑’∑Õ ≈—∫°—∫≈“¬¢‘¥ ‰¡à¡’≈«¥≈“¬∑’ˇ™‘ß ·µà®–„À⧫“¡ ”§—≠°—∫ ≈«¥≈“¬·≈– ’ —π∫πµ—«´‘Ëπ ´‘Ëπ‰∑¬≈◊ÈÕÕ’°™π‘¥Àπ÷Ëߧ◊Õ ´‘Ëπ≈“¬πÈ”‰À≈ ∑’Ë°“√∑Õ ≈â«ß À√◊Õ ‡°“– ‚¥¬°“√‡°’ˬ«‡ âπ¥â“¬ ’µà“ßÊ ∑’Ë Õ¥√–À«à“ß ‡ âπ¬◊π„À⇪ìπ≈“¬µ“¡µâÕß°“√§≈⓬°—∫°“√ “π πÕ°®“°≈“¬ πÈ”‰À≈·≈⫺â“∑’Ë∑ե⫬°“√≈â«ßÀ√◊Õ‡°“–¬—ß¡’≈“¬Õ◊ËπÊ Õ’° ‡™àπ ≈“¬®√«¥ ≈“¬πÈ”‰À≈ “¬√ÿâß ºâ“∑Õ™“«‰∑≈◊ÈÕÕ’°™π‘¥Àπ÷Ëߧ◊Õ ºâ“≈“¬‡°Á∫¡ÿ° ‡ªìπºâ“∑’Ë ∑Õ‚¥¬„™â ‰¡â ‰ºàª≈“¬·À≈¡ Õ¥‡°Á∫≈“¬ §≈⓬°—∫°“√‡°Á∫¢‘¥ ∫“ß∑’ Õ¥¥â«¬¥‘πÈ ‡ß‘π·≈–¥‘πÈ ∑Õß à«π¡“°¡—°∑Õ‡ªìπ ºâ“‡™Á¥ ºâ“Àà¡ À√◊Õºâ“À≈∫ ‡ªìπµâπ ·¡âªí®®ÿ∫—πÀ≠‘ß™“«≈â“π𓬗ßπÿàß´‘ËπÕ¬Ÿà∫â“ß ·µà «¡ ‡ ◊ÈÕ·∑πºâ“·∂∫√—¥Õ° ´÷Ë߇√‘Ë¡¡“µ—Èß·µà ¡—¬√—™°“≈∑’Ë ı ≈—°…≥–‡ªìπ‡ ◊ÈÕºâ“ΩÑ“¬ ’¢“«µÿàπ §Õ°≈¡ ·¢π°√–∫Õ° ºà“ Àπ⓵≈Õ¥À√◊Õºà“§√÷ËßÕ° µ‘¥°√–¥ÿ¡·ªÖ∫ À√◊ÕºŸ°‡™◊Õ° ¡’ °√–‡ªÜ“À√◊Õ‰¡à¡’°Á ‰¥â ºŸâ ŸßÕ“¬ÿ®– «¡‡ ◊ÈÕæÕ¥’µ—« §≈⓬‡ ◊ÈÕ ™—Èπ„π §Õ°≈¡µË” ‡«â“·¢π À“°‰ª«—¥®–Àࡺ⓷∂∫∑—∫‡ ◊ÈÕ Õ’°™—ÈπÀπ÷Ëß à«π‡¥Á°Ê À√◊ÕÀ≠‘ß “« «¡‡ ◊ÈÕ∫à“ÀâÕ¬ §◊Õ ‡ ◊ÈÕµ—«À≈«¡ ®’∫Àà“ßÊ ∑—Èߥâ“πÀπâ“·≈–À≈—ß „™âºâ“µàÕ¢Õ∫ µ—«‡ ◊ÈÕ¥â“π∫π¡’‡ âπ¥â“¬∂—°À√◊պ⓷∂∫°«â“ߪ√–¡“≥ Ò π‘«È §√÷ßË ‡¬Á∫µ‘¥µ—«‡ ◊ÕÈ ‡ªì𠓬§≈âÕ߉À≈à∑ß—È Õߢâ“ß ‡ ◊ÕÈ ¢Õß ºŸâÀ≠‘ß™“«≈â“ππ“Õ“®µà“ß°—π‰ª∫â“ßµ“¡§«“¡π‘¬¡¢Õß ·µà≈–°≈ÿà¡™π ”À√—∫ºŸâ™“¬π—Èππ‘¬¡ «¡°“߇°ß§≈⓬ °“߇°ß®’π µ—¥‡¬Á∫¥â«¬ºâ“ΩÑ“¬¬âÕ¡§√“¡ (À¡âÕÀâÕ¡) ‡√’¬° °“߇°ßÀ¡âÕÀâÕ¡ ¡’∑—Èß°“߇°ß¢“ —Èπ§√÷Ëß·¢âß ·≈–°“߇°ß
¢“¬“« (‡µ’ˬ« –¥Õ) π‘¬¡ «¡‡ ◊ÈÕ§Õ°≈¡∑ե⫬ΩÑ“¬ ’¢“« µÿàπÀ√◊Õ¬âÕ¡§√“¡Õ¬à“ß∑’ˇ√’¬°«à“ ‡ ◊ÈÕÀ¡âÕÀâÕ¡ ·¢π —Èπ ºà“ Àπ⓵≈Õ¥ ºŸ°‡™◊Õ° ¡’°√–‡ªÜ“ª–∑—Èß Õߢâ“ß µàÕ¡“æ—≤π“ ‡ªìπ‡ ◊ÈÕºà“§√÷ËßÕ° µ‘¥°√–¥ÿ¡ ¡’°√–‡ªÜ“À√◊Õ‰¡à¡’°Á‰¥â ˜ ºâ“ ”À√—∫µ—¥‡¬Á∫‡ªìπ‡§√◊ËÕßπÿàßÀà¡∑’Ëπ‘¬¡°—π¡“°„π¿“§‡Àπ◊Õ Õ’°™π‘¥Àπ÷Ëߧ◊Õ ºâ“ ’°√¡∑à“ (indigo) À√◊Õ ’§√“¡ ¬âÕ¡ ¥â « ¬ µâπ§√“¡ À√◊ÕµâπÀâÕ¡ ”À√—∫µ—¥‡¬Á∫‡ªìπ‡ ◊ÈÕ·≈– °“߇°ßÀ¡âÕÀâÕ¡ ∑”°—π¡“°∑’Ë µ”∫≈∑ÿàß‚Œâß Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥·æ√à πÕ°®“°π’¬È ß— ¡’º“â ∑Õ™π‘¥µà“ßÊ ¢Õߧπ‰∑¬‡™◊ÕÈ “¬¬Õß ∑’µË ”∫≈‡«’¬ß¬Õß Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥≈”æŸπ ºâ“ΩÑ“¬æ◊πÈ ‡¡◊Õß Õ”‡¿ÕªÉ“´“ß ®—ßÀ«—¥≈”æŸπ ·≈–ºâ“∑Õ¢Õß™“«‰∑¬¿Ÿ‡¢“ ‡ºà“µà“ßÊ ´÷Ëß¡’√Ÿª·∫∫‡©æ“–∂‘Ëπ∑’Ë·µ°µà“ß°—π¡“°¡“¬ „π∫√‘‡«≥¿“§‡Àπ◊ÕπÕ°®“°∑պ⓴‘πË ´÷ßË ‡ªìπºâ“πÿßà ·≈â« ¬— ß ∑պ⠓ Õ◊Ë π Ê Õ’ ° À≈“¬™π‘ ¥ ‡™à π ºâ “ Àà ¡ À√◊ Õ ºâ “ À≈∫ ºâ“≈âÕÀ—«™â“ß µÿßÀ√◊Õ∏ß™π‘¥µà“ßÊ
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ºâ“·≈–‡§√◊ËÕßπÿàßÀà¡æ◊Èπ∫â“π
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§√“¡ ‰¡âæÿà¡™π‘¥Àπ÷Ëß („π °ÿ≈ Indigofera ¡’ª√–¡“≥ ˜ ™π‘¥ ¢÷Èπ∑—Ë«‰ª„π‡¢µ√âÕπ ·≈–°÷Ëß√âÕπ „π∑«’ª‡Õ‡™’¬·≈–·Õø√‘°“) „∫·≈–µâπ „™â∑” ’°√¡∑à“ (indigo) À√◊Õ ’§√“¡ ∫“ß∑’‡√’¬° ’π‘≈ °“√ª≈Ÿ°§√“¡®–µâÕßÀ«à“π‡¡≈Á¥§√“¡∑‘È߉«â °àÕπÀπâ“Ωπ ®“°π—Èπª√–¡“≥ Û ∂÷ß Ù ‡¥◊Õπ µâπ§√“¡°Á‚µæÕ∑’Ë®–‡°Á∫‡°’ˬ« „™âµâπ °‘Ëß ·≈–„∫¡“À¡—°°—∫πÈ”´“«¢â“«∑‘È߉«â Ò §◊π ®–‰¥âπÈ” ’‡¢’¬«ÕàÕπ ·¬°‡Õ“°“°ÕÕ° º ¡°—∫ªŸπ°‘π°—∫À¡“° „™â ‰¡âµ’„Àâ¢÷ÈπøÕß ®π‡°‘¥ªØ‘°‘√‘¬“∏√√¡™“µ‘®“°¬’ µå ∑‘Èß„Àâµ°µ–°Õπ§≈⓬‡≈π®π‰¥â‡π◊ÈÕ§√“¡ ’πÈ”‡ß‘π‡¢â¡ ‡°Á∫‰«â„™â¬âÕ¡ºâ“ ¬âÕ¡ΩÑ“¬ °“√¬âÕ¡µâÕߺ ¡πÈ”¥à“ߢ’ȇ∂â“„À⇰‘¥°“√ ∫Ÿ¥‡πà“ „ à¡–°√Ÿ¥ ‡À≈â“ ªŸπ°‘π°—∫À¡“°≈߉ª º ¡ ·≈â«π” ‘Ëß∑’Ë®–¬âÕ¡·™àÀ¡—°‰«âÕ¬à“ßπâÕ¬ Àπ÷Ëß«—π ‡¡◊ËÕ¬âÕ¡§√—Èß·√°®–¡’ ’øÑ“ ®÷ßµâÕ߬âÕ¡´È”Ê °—πª√–¡“≥ ‘∫§√—Èß®÷ß¡’ ’πÈ”‡ß‘π‡¢â¡ °“√π”ΩÑ“¬™ÿ∫πÈ”À¡“¥Ê ·≈â«®ÿà¡≈ß„πÀ¡âÕ§√“¡ Ò §√—Èß ‡√’¬°«à“ ≈ß Ò ∫“∑ ¬âÕ¡ Ú §√—È߇√’¬° ≈ß Ú ∫“∑ À“°¬âÕ¡∑—∫°—πÀ≈“¬Ê §√—Èß ’®–‡¢â¡¡“°¢÷Èπ ‡√◊ËÕ¬Ê À“°µâÕß°“√„À⇪ìπ ’Õ◊Ëπ°Á “¡“√∂ ¬âÕ¡ ’Õ◊Ëπ∑—∫≈߉ª ‡™àπ ’‡À≈◊Õß®“°·§ ’™¡æŸ®“°µâπ§âÕ ’¡à«ß®“°πÈ”§√—Ëß §√“¡ ¿“§‡Àπ◊Õ‡√’¬° ÀâÕ¡ ÀâÕ¡‡¡◊Õß À√◊Õ ŒàÕ¡
´â“¬ ¢«“ ºâ“´‘Ëπµ’π®°∫â“πÀ“¥‡ ’Ȭ« Õ”‡¿Õ»√’ —™π“≈—¬ ®—ßÀ«—¥ ÿ‚¢∑—¬ left, right The intricate design of the lower border called “tinjok” from Ban Hat Siao, Amphoe Si Satchanalai, Sukhothai.
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ºâ“·≈–‡§√◊ËÕßπÿàßÀà¡ æ◊Èπ∫â“π¿“§°≈“ß ºâ“æ◊Èπ∫â“π¿“§°≈“ß à«π¡“°‡ªìπºâ“∑Õ¡◊Õ¢Õß °≈ÿà¡ §π‰∑¬‡™◊ÈÕ “¬≈“«æ«π ≈“«§√—Ëß ≈“«‡«’¬ß ∑’ËÕæ¬æ‡¢â“¡“ µ—ßÈ ∂‘πË ∞“π„π∫√‘‡«≥¿“§°≈“ߥ⫬ “‡Àµÿ∑“ß°“√‡¡◊Õß ‡™àπ ¡—¬°√ÿß∏π∫ÿ√’ (æ.».ÚÛÒÛ ∂÷ß ÚÛÚı) ¡‡¥Á®‡®â“æ√–¬“ ¡À“°…—µ√‘¬å»÷°·≈–‡®â“æ√–¬“ ÿ√ ’À嬰°Õß∑—扪µ’≈â“π™â“ß (ª√–‡∑» “∏“√≥√—∞ª√–™“∏‘ª ‰µ¬ª√–™“™π≈“«„πªí®®ÿ∫—π) ‰¥â°«“¥µâÕπ™“« ºŸâ ‰∑¥” À√◊Õ ‰∑∑√ߥ” ¡—°‡√’¬° ≈“«‚´àß À√◊Õ ‚´àß ·≈–™“«≈“«Õ◊πË Ê ®“°∫√‘‡«≥Ωíßò ¢«“¢Õß·¡àπÈ”‚¢ß ‡¢â“¡“‡ªìπ®”π«π¡“° ™“«≈“«‡À≈à“π’È ‰¥âµ—Èß∂‘Ëπ∞“πÕ¬Ÿàµ“¡ À—«‡¡◊Õßµà“ßÊ ‰¥â·°à ®—ßÀ«—¥ √–∫ÿ√’ π§√𓬰 ≈æ∫ÿ√’ √–∫ÿ√’ ©–‡™‘߇∑√“ √“™∫ÿ√’ ™≈∫ÿ√’ ·≈–®—π∑∫ÿ√’ µàÕ¡“„π√—™°“≈æ√–∫“∑ ¡‡¥Á®æ√–æÿ∑∏¬Õ¥øÑ“®ÿÓ ‚≈°¡À“√“™ (æ.».ÚÛÚı ∂÷ß ÚÛıÚ) ‡¡◊Õß·°«·≈–‡¡◊Õß æ«π·¢ÁߢâÕµàÕ‡«’¬ß®—π∑πå ‡®â“‡¡◊Õ߇«’¬ß®—π∑π嬰∑—扪 ª√“∫·≈â«°«“¥µâÕπ§√Õ∫§√—« ™“«æ«π ·≈– ™“«‚´àß àß
¡“„Àâ ®÷ß‚ª√¥‡°≈â“œ „Àâ ‰ªµ—ßÈ ∂‘πË ∞“πÕ¬Ÿµà “¡À—«‡¡◊Õß√Õ∫πÕ° ‡©æ“–™“«‚´à߉ªµ—Èß∂‘Ëπ∞“π∑’Ë∫√‘‡«≥Õ”‡¿Õ‡¢“¬âÕ¬ ®—ßÀ«—¥ ‡æ™√∫ÿ√’ µàÕ¡“·¬°¬â“¬°—π‰ªµ—Èß∂‘Ëπ∞“π„π∫√‘‡«≥®—ßÀ«—¥ „°≈⇧’¬ß ‡™àπ ®—ßÀ«—¥π§√ª∞¡ ·≈– ÿæ√√≥∫ÿ√’ ¡—¬√—™°“≈∑’Ë Û æ√–∫“∑ ¡‡¥Á®æ√–π—Ë߇°≈Ⓡ®â“Õ¬ŸàÀ—« (æ.».ÚÛˆ˜ ∂÷ ß ÚÛ˘Ù) à ß ‡®â “ æ√–¬“√“™ ÿ ¿ “«¥’ ‰ ªµ’ ‡«’¬ß®—π∑πå·≈â«Õæ¬æ§√Õ∫§√—«™“«≈“«¡“‰«â∑’Ë ≈æ∫ÿ√’ √–∫ÿ√’ ÿæ√√≥∫ÿ√’ °”·æ߇æ™√ πÕ°®“°π’È ¬—ß‚ª√¥‡°≈â“œ „Àâ ‡®â“æ√–¬“∏√√¡“¬°∑—æ¢÷Èπ‰ª¢—∫‰≈à≠«π∑’ˇ¢â“‰ªµ—Èß∂‘Ëπ∞“π Õ¬Ÿà „π‡¢µ‡¡◊Õßæ«π·≈–‡¡◊Õß„°≈⇧’¬ß¢Õß≈“« ·≈â«°«“¥ µâÕπ§√Õ∫§√—«™“«≈“«‡¢â“¡“‰«â∑’Ë∫â“πÀ¡’Ë ∫â“π π“¡·®ß ∫â“π°≈⫬ ∫â“πÀ‘πªí° ·≈–À¡Ÿ∫à “â πÕ◊πË Ê „π‡¢µÕ”‡¿Õ∫â“πÀ¡’Ë ®—ßÀ«—¥≈æ∫ÿ√’ ∫â“π∑—∫§≈âÕ «—ßÀ≈ÿ¡ ∑ÿàß‚æ∏‘Ï µ–æ“πÀ‘π ®—ßÀ«—¥æ‘®‘µ√ §π‰∑¬‡™◊ÈÕ “¬≈“«‡À≈à“π’ÈπÕ°®“°ª√–°Õ∫ Õ“™’æ∑”π“∑”‰√à·≈â« ¬—ß∑պ⓵“¡·∫∫Õ¬à“ß·≈–¢π∫π‘¬¡ 113
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´‘Ëπ∫â“π§Ÿ∫—« Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥√“™∫ÿ√’ A robe from Ban Khu Bua, Amphoe Mueang, Ratchaburi.
∑’Ë ◊ ∫ ∑Õ¥°— π ¡“·µà ∫ √√æ∫ÿ √ÿ … ¢Õßµπµ“¡∑â Õ ß∂‘Ë π µà “ ßÊ À≈“¬·Ààß ‡™àπ °≈ÿà¡∑պⓉ∑¬æ«π À√◊Õ ≈“«æ«π ∫â“π À“¥‡ ’Ȭ« ∫â“πÀ“¥ Ÿß ∫â“π„À¡à ·≈–∫â“π·¡à√“° µ”∫≈ À“¥‡ ’Ȭ« Õ”‡¿Õ»√’ —™π“≈—¬ ®—ßÀ«—¥ ÿ‚¢∑—¬ ∫â“π°≈⫬ ∫â“πÀ‘πªí° Õ”‡¿Õ∫â“πÀ¡’Ë ®—ßÀ«—¥≈æ∫ÿ√’ ∫â“π‰√à Õ”‡¿Õ∫â“π‰√à ®—ßÀ«—¥Õÿ∑—¬∏“π’ πÕ°®“°π’¬È ß— ¡’ °≈ÿ¡à §π‰∑¬‡™◊ÕÈ “¬‰∑¬¬«π ∑’ÕË æ¬æ®“° ‡¡◊Õ߇™’¬ß· π‡¢â“¡“µ—ßÈ ∂‘πË ∞“π„π¿“§°≈“ßÀ≈“¬°≈ÿ¡à ‡™àπ °≈ÿ¡à ∑պ⓵”∫≈§Ÿ∫«— µ”∫≈¥Õπ·√à Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥√“™∫ÿ√’ ∫â“π‡ “‰Àâ Õ”‡¿Õ‡ “‰Àâ ®—ßÀ«—¥ √–∫ÿ√’ ™“«‰∑¬‡™◊ÈÕ “¬≈“«æ«ππ‘¬¡πÿàß´‘ËπΩÑ“¬ À√◊ÕΩÑ“¬ ≈—∫ ‰À¡´‘πË ∑’πË ßÿà Õ¬Ÿ∫à “â π·≈–πÿßà ∑”ß“π‡ªìπ´‘πË ΩÑ“¬∑ե⫬≈«¥≈“¬ ∏√√¡¥“ ‡™‘߇ªìπ·∂∫ ’¥”À√◊Õ ’·¥ßÕ¡ â¡ „π‚Õ°“ 摇»… ‡™àπ ß“π‡∑»°“≈ª√–®”ªï ß“π∫«™π“§ ®–πÿàß´‘ËπΩÑ“¬À√◊Õ ΩÑ“¬ ≈—∫‰À¡ ≈“¬¢«“ß≈”µ—« ‡™‘߇ªìπ≈“¬®° π‘¬¡∑Õ‡ªìπ ≈“¬‡√¢“§≥‘µ ‡√’¬°™◊ËÕµà“ßÊ °—𠇙àπ ≈“¬ ‘∫À°¥Õ°µ—¥ ≈“¬·ª¥¢Õ ≈“¬ ’¥Ë Õ°µ—¥ ≈“¬‡§√◊Õ„À≠à ≈“¬¥Õ°‡§√◊ÕπâÕ¬ ≈“¬‡À≈à“π’È¡—°Õ¬Ÿà „π√Ÿª ’ˇÀ≈’ˬ¡¢â“«À≈“¡µ—¥¡’≈“¬‡≈Á°Ê ¢â“ß„π µ—«≈“¬π‘¬¡„™â ’·¥ßÕ¡ â¡ ’πÈ”µ“≈ªπ‡À≈◊Õß ≈“¬ ∑’Ë Õ¥‰ ⇪ìπ ’ÕàÕ𠇙‘ß≈à“ß ÿ¥¡—°‡ªìπæ◊Èπ ’·¥ß µ’π®°¢Õß §π‰∑¬‡™◊ÈÕ “¬≈“«æ«π®–¡’√Ÿª·∫∫§≈⓬§≈÷ß°—π
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πÕ°®“°ºâ“´‘Ëπ·≈⫧π‰∑¬‡™◊ÈÕ “¬≈“«æ«π¬—ß∑պⓠ™π‘¥Õ◊ËπÕ’°À≈“¬™π‘¥ ‡™àπ ºâ“Àà¡πÕπ À√◊Õ ºâ“À≈∫ ºâ“‡π◊ÈÕ Àπ“≈“¬µ“√“ßÕ¬à“ߺⓢ“«¡â“ ∑ե⫬ΩÑ“¬‡ªìπ ’ˇÀ≈’ˬ¡ º◊πºâ“ À¡Õπº“ À√◊Õ À¡Õπ¢«“π ·≈– À¡Õπ ’‡Ë À≈’¬Ë ¡ ´÷ßË ¡’≈“¬¢‘¥∑’ËÀπâ“À¡ÕπÕ¬à“ßÀ¡Õπ¢‘¥¢ÕßÕ’ “π ºâ“¢“«¡â“ π‘¬¡∑Õ‡ªì𵓵“√“ß ∂â“„™â‡ªìπºâ“°√“∫®–∑Õ‡ªìπ√Ÿª —µ«å∑’Ë ‡™‘ߺⓠ‡™àπ ™â“ß ¡â“ §π¢’Ë¡â“ ºâ“™π‘¥π’È·µà‡¥‘¡„™â „πæ‘∏’ ·µàßß“π·≈⫇°Á∫‰«â‡ªìπ ‘√‘¡ß§≈ ·µàªí®®ÿ∫—πª√–¬ÿ°µå‡ªìπ ºâ“æ—π§Õ ºâ“§≈ÿ¡‰À≈à ¢≥–‰ª«—¥À√◊Õ‰ªß“πæ‘∏’µà“ßÊ ‡ªìπ ºâ“ΩÑ“¬∑ե⫬ÀŸ°Àπâ“·§∫ ®÷ßµâÕß„™â Õߺ◊π‡æ≈“–µàÕ°—π µ√ß°≈“ß ‡™‘ß¡’≈“¬ ª≈àÕ¬™“¬ºâ“‡ªì𙓬§√ÿ¬·≈â«∑”‡ªìπ ‡°≈’¬« ¬à“¡ ∂ÿß„ à¢Õß ∑ե⫬ΩÑ“¬ ‡ªìπ¢Õß„™âª√–®”µ—« ª√–®”∫â“π ¡—°∑ե⫬ΩÑ“¬ ’¢“«¡’≈“¬¥”‡ªìπ∑“߬“« ¡’ Û ¢π“¥§◊Õ ¢π“¥„À≠à „™â „ àºâ“·≈–Õÿª°√≥å°“√∑պ⓷¢«π ª√–®”ÀŸ° À√◊Õ„ à¥â“¬∑’ˬ—߉¡à ‰¥â¬âÕ¡ À√◊Õ„ àºâ“∑’Ë∑Õ·≈⫉ª ¢“¬ ¢π“¥°≈“ß„™â –擬µ‘¥µ—«¬“¡‡¥‘π∑“ß ¢π“¥‡≈Á°„™â „ à ¢ Õß°√–®ÿ ° °√–®‘ ° µ‘ ¥ µ— « ‡¡◊Ë Õ ‰ª«— ¥ À√◊ Õ ‰ª√à « ¡„πß“π ª√–‡æ≥’µà“ßÊ °“√∑պⓢÕß™“«‰∑¬æ«π„πªí®®ÿ∫—π¬—ß¡’Õ¬Ÿà „πÀ≈“¬ ∑âÕß∂‘Ë𠇙àπ °≈ÿà¡∑Õºâ“∫â“π∑ÿàß ß∫ µ”∫≈‰ºà‡¢’¬« Õ”‡¿Õ «à“ßÕ“√¡≥å °≈ÿà¡∑Õºâ“∫â“π‚§°À¡âÕ µ”∫≈‚§°À¡âÕ Õ”‡¿Õ∑—æ∑—π ·≈–°≈ÿà¡∑Õºâ“∫â“π∑—æ§≈⓬ µ”∫≈∑—æÀ≈«ß Õ”‡¿Õ∫â“π‰√à ®—ßÀ«—¥Õÿ∑—¬∏“π’ °≈ÿà¡∑պ⓵”∫≈‡π‘π¢“¡ Õ”‡¿ÕÀ— 𠧓 °≈ÿà ¡ ∑պ⠓ µ”∫≈°ÿ ¥ ®Õ° Õ”‡¿Õ«— ¥ ‘ ß Àå ®—ßÀ«—¥™—¬π“∑ ·≈–∫“ß∑âÕß∂‘Ëπ‡¢µ®—ßÀ«—¥ ‘ßÀå∫ÿ√’·≈– ®—ßÀ«—¥ ÿæ√√≥∫ÿ√’ §π‰∑¬‡™◊ÈÕ “¬‰∑¬¬«π À√◊Õ ‚¬π° ‡ªìπ°≈ÿà¡™π∑’Ë¡’ ¢π∫ª√–‡æ≥’ · ≈–«— ≤ π∏√√¡§≈â “ ¬§≈÷ ß °— ∫ ™“«‰∑¬¬«π À√◊Õ§π‡¡◊Õß„π≈â“ππ“ ™“«‰∑¬¬«π∑’ˇ¢â“¡“µ—Èß∂‘Ëπ∞“π„π ¿“§°≈“ß à«πÀπ÷ËßÕæ¬æ¡“®“°‡¡◊Õ߇™’¬ß· π „π ¡—¬ √—™°“≈∑’Ë Ò ·Ààß°√ÿß√—µπ‚° ‘π∑√å ‡æ◊ËÕ„Àâæâπ®“°Õ‘∑∏‘æ≈ ¢Õßæ¡à“∑’Ë¡—°‡¢â“¡“µ’‡¡◊Õ߇™’¬ß· π·≈â«„™â‡ªìπ∑’Ë – ¡ ‡ ∫’¬ß°àÕπ∑’Ë®–‡¢â“¡“√ÿ°√“πÀ—«‡¡◊ÕßΩÉ“¬‡Àπ◊ÕÕ¬Ÿà‡ ¡ÕÊ æ√–∫“∑ ¡‡¥Á ® æ√–æÿ ∑ ∏¬Õ¥øÑ “ ®ÿ à “‚≈°¡À“√“™®÷ ß ‚ª√¥‡°≈â“œ „ÀâÕæ¬æ™“«‡¡◊Õ߇™’¬ß· π®”π«πÀπ÷Ëß≈ß¡“ µ—Èß∂‘Ëπ∞“π∑’ËÕ”‡¿Õ≈—∫·≈ ®—ßÀ«—¥Õÿµ√¥‘µ∂å Õ”‡¿Õ‡ “‰Àâ ®—ßÀ«—¥ √–∫ÿ√’ Õ”‡¿Õ‚æ∏“√“¡ Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥√“™∫ÿ√’ ‡ªìπµâπ ™“«‰∑¬¬«π‡À≈à“π’¬È ß— §ß√—°…“«—≤π∏√√¡°“√∑պⓠµ“¡·∫∫·ºπ∑’Ë ◊∫∑Õ¥°—π¡“·µà∫√√æ∫ÿ√ÿ…®π∂÷ßªí®®ÿ∫—π ‚¥¬‡©æ“–´‘Ëπµ’π®°∑’Ë¡’ ’ —π·≈–≈«¥≈“¬ «¬ß“¡¡“° ™“«‰∑¬∑√ߥ” À√◊Õ ™“«‰∑¬‚´àß À√◊Õ∑’ˇ√’¬°°—π«à“ ‚´àß π—ÈπÕæ¬æ‡¢â“¡“µ—Èß∂‘Ëπ∞“π„π∫√‘‡«≥¿“§Õ’ “π·≈–¿“§ °≈“ßÀ≈“¬√–≈Õ° µ—Èß·µà ¡—¬°√ÿß∏π∫ÿ√’ ¡—¬√—™°“≈∑’Ë Ò
·≈– ¡—¬√—™°“≈∑’Ë Û ·Ààß°√ÿß√—µπ‚° ‘π∑√å ‚¥¬µ—Èß∂‘Ëπ∞“π Õ¬Ÿà „π‡¢µÕ”‡¿Õ‡¢“¬âÕ¬ ®—ßÀ«—¥‡æ™√∫ÿ√’ µàÕ¡“®÷ߢ¬“¬ ÕÕ°‰ªµ—Èß∂‘Ëπ∞“π„πÀ≈“¬∑âÕß∂‘Ëπ„π®—ßÀ«—¥„°≈⇧’¬ß ‡™àπ ∫√‘‡«≥Õ”‡¿Õ∫“߇≈π ®—ßÀ«—¥π§√ª∞¡ ·≈–Õ”‡¿ÕÕŸà∑Õß ®—ßÀ«—¥ ÿæ√√≥∫ÿ√’ ™“«‰∑¬‡™◊ÈÕ “¬‚´àß∑—ÈßÀ≠‘ß·≈–™“¬π‘¬¡πÿàßÀࡥ⫬ºâ“ ’¥” À√◊Õ°√¡∑à“ ºŸâÀ≠‘ßπÿàß´‘Ëπ¥” ’¡’√‘È«¢“«¢π“π°—∫≈”µ—« ‡√’¬° ´‘Ëπ≈“¬™–‚¥ À√◊Õ ´‘Ëπ≈“¬·µß‚¡ «¡ ‡ ◊ÈÕ°âÕ¡ ’¥” À√◊Õ ’§√“¡‡¢â“√Ÿª §Õ°≈¡ ·¢π°√–∫Õ° µ‘¥°√–¥ÿ¡‡ß‘π∂’ËÊ ˘ ∂÷ß ÒÒ ‡¡Á¥ À“°‡ªìπ§π¡’∞“π–¥’®–µ‘¥°√–¥ÿ¡ Õß·∂« ‡¡◊ÕË ‰ª«—¥¡—°æ“¥ ºâ“‡ªï¬« À√◊պⓠ‰∫ À“°‰ªµ≈“¥®– –擬 °–‡À≈Á∫ µà“ß°√–‡ªÜ“ À“°‡¢â“ªÉ“®– –擬¬à“¡ ºŸâ™“¬πÿàß °“߇°ß À√◊Õ â«ß°âÕ¡ (°“߇°ß¢“ —Èπ) À√◊Õ â«ßŒ’ (°“߇°ß ¢“¬“«) ’¥”À√◊Õ ’§√“¡§≈⓬°“߇°ß®’π À“°‰ªß“πæ‘∏ ’ ”§—≠ ∑—ßÈ À≠‘ß·≈–™“¬®– «¡ ‡ ◊ÕÈ Œ’ §◊Õ‡ ◊ÕÈ ’¥” ∑√ß°√– Õ∫ §Õ°≈¡ ºà“Àπâ“ ·¢π¬“« “∫ ¯ «“ ªÑ“¬∑—∫¥â“π´â“¬ µ‘¥°√–¥ÿ¡ √—¥§Õ µ—«„À≠ଓ«≈ß¡“‡ ¡Õ‡¢à“ §≈ÿ¡µ°·µàߥ⫬ºâ“‰À¡ ’ ¥Ê ·≈–°√–®°‡ß“‡≈Á°Ê ∑’˧Շ ◊ÈÕ·≈–„µâ·¢π¥â“π„π ¢Õ߇ ◊ÈÕ ‚¥¬ «¡‡ ◊ÈÕ°≈—∫‡Õ“¥â“π„πÕÕ°„Àâ‡ÀÁπ ’ —π∑’Ë «¬ß“¡‡©æ“–ß“π ”§—≠ ‡™àπ ß“π»æ¢Õß≠“µ‘∑’Ë „°≈♥‘ °—π °“√∑պⓢÕß™“«‰∑¬‡™◊ÕÈ “¬≈“«‚´àß„πªí®®ÿ∫π— ¡’Õ¬Ÿ∫à “â ß ‡™àπ °≈ÿ¡à ∑պ⓵”∫≈¥Õπ¡–‡°≈◊Õ Õ”‡¿ÕÕŸ∑à Õß ®—ßÀ«—¥ ÿæ√√≥∫ÿ√’ ‡ªìπµâπ ªí®®ÿ∫—π°“√∑Õºâ“æ◊Èπ∫â“π¢Õߧπ‰∑¬‡™◊ÈÕ “¬≈“« ·≈– ‰∑¬¬«π„π∫√‘‡«≥¿“§°≈“߉¥â√—∫°“√Õπÿ√—°…å·≈– à߇ √‘¡ ‡ªìπÀπ÷Ëßµ”∫≈Àπ÷Ëߺ≈‘µ¿—≥±å µ“¡π‚¬∫“¬¢Õß√—∞∫“≈ ™à«¬„Àâ°“√∑Õºâ“æ◊Èπ∫â“π„π¿“§°≈“ߧßÕ¬Ÿà ‰¥â√–¥—∫Àπ÷Ëß Õ¬à“߉√°Áµ“¡ °“√·µàß°“¬¢Õß™“«∫â“π À√◊Õ “¡—≠™π ¿“§°≈“ß„πÕ¥’µ πÕ°®“°°“√·µàß°“¬‡©æ“–°≈ÿà¡™π∑’Ëπÿàß ´‘Ëπ ¡’ºâ“·∂∫√—¥Õ°·≈â« ™“«‰∑¬∑—Ë«‰ª°ÁπÿàßÀà¡Õ¬à“ßßà“¬Ê ¥â«¬°“√πÿàߺ◊πÀࡺ◊π ‡©æ“–ºŸâ™“¬Õ“®®–πÿàß‚®ß°√–‡∫π¡’ ºâ“¢“«¡â“§“¥‡Õ« ∑àÕπ∫π‡ª≈◊Õ¬‡ª≈à“ °“√πÿàßÀà¡¢Õß™“¬ ‰∑¬‡√‘Ë¡‡ª≈’ˬπ¡“πÿàß°“߇°ß·≈– «¡‡ ◊ÈÕ ¢≥–∑’˺ŸâÀ≠‘ß°Á ‡ª≈’Ë¬π®“°°“√πÿàß´‘Ëπ πÿàߺâ“∂ÿß πÿàߺⓂ®ß°√–‡∫π ¡“ «¡ °√–‚ª√ß·≈–‡ ◊ÈÕ·∫∫™“«µ–«—πµ°„π ¡—¬√—™°“≈∑’Ë ı ·≈â« ‡ª≈’Ë¬π¡“·µàß°“¬µ“¡ “°≈π‘¬¡‡™àπ∑ÿ°«—ππ’È
°–‡À≈Á∫ ¿“™π– “π¥â«¬‰¡â ‰ºà ¢Õߧπ‰∑¬‡™◊ÈÕ “¬‚´àßÀ√◊Õ‰∑¬∑√ߥ” ª“°°≈¡ °≈“ߪÉÕß Õ∫‡¢â“ °âπ‡ªìπ ’ˇÀ≈’ˬ¡º◊πºâ“ ¡—°‡ √‘¡¢Õ∫ª“° ¥â«¬À«“¬ ¡’ÀŸ ”À√—∫√âÕ¬‡™◊Õ° –擬‰À≈à ‚¥¬∑—Ë«‰ª‡®â“∫à“« ®–‡ªìπºŸâ “π‡æ◊ËÕ„ à‡§√◊ËÕߢ—πÀ¡“° „πæ‘∏’·µàßß“π ‡®â“ “«®–√—∫°–‡À≈Á∫ ‰ª‰À«âº’∫â“πº’‡√◊Õπæ√âÕ¡°—∫‡®â“∫à“« ®“°π—Èππ”À¡“°æ≈Ÿ„π°–‡À≈Á∫ ·®°§π‡≤à“§π·°à ‡æ◊ËÕ§«“¡‡ªìπ ‘√‘¡ß§≈ ·≈–‡ªìπ°“√¢Õæ√‰ª¥â«¬ À≈—ß®“°·µàßß“π·≈â«À≠‘ß™“«‚´àß ®–„™â°–‡À≈Á∫„ à‡ ◊Èպⓠ·ªÑß ¢â“« º≈‰¡â ·≈– ‘ËߢÕßÕ◊ËπÊ °–‡À≈Á∫∑’Ë„™â„πæ‘∏’·µàßß“π‡ªìπ‡§√◊ËÕß∫Õ° ∞“π–¢Õ߇®â“∫à“«¥â«¬ §◊Õ∂â“¡’∫√√¥“»—°¥‘Ï À√◊Õ‡ªìπºŸâ∑â“« „™â°–‡À≈Á∫ Ù „∫ ·µà∂Ⓡªìπ§π “¡—≠„™â°–‡À≈Á∫ Ú „∫ ªí®®ÿ∫—π™“«‰∑¬‡™◊ÈÕ “¬≈“«‚´àß„π∫√‘‡«≥ ®—ßÀ«—¥‡æ™√∫ÿ√’ ÿæ√√≥∫ÿ√’ ·≈–π§√ª∞¡ ¬—ß„™â°–‡À≈Á∫Õ¬Ÿà∫â“ß A Song container called “kalep” is made from bamboo strips woven into a basket-like container. Usually a bridegroom makes kaleps to contain dowry and offerings for his bride. During the wedding, after the bride has received them, she puts away the offers and uses the kalep to contain snacks and chews for the guests. They will be used to contain her personal effects afterwards. A well-to-do groom usually offers four kaleps to his bride, whereas an ordinary groom offers only two. Kalep is still used in some western cities.
À≠‘ß™“«‚´àß ·µàß°“¬µ“¡ª√–‡æ≥’¥—È߇¥‘¡ –擬°–‡À≈Á∫ A Song female in traditional costume, carrying the folk bamboo container called “kalep.”
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´â“¬ ºâ“‰À¡¡—¥À¡’Ë Õ”‡¿Õ™π∫∑ ®—ßÀ«—¥¢Õπ·°àπ left A “matmi” fabric design from Amphoe Chonnabot, Khon Kaen.
¢«“ ´‘Ëπ¡—¥À¡’Ë∫â“πÀπÕ߇¢◊ËÕπ™â“ß Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥¡À“ “√§“¡ right A “matmi” fabric design from Ban Nong Khuean Chang, Amphoe Mueang, Maha Sarakham.
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„∫¡“‡≈’Ȭߵ—«‰À¡ À≈—ß®“°‡°Á∫ ¡ÕΩÑ“¬ π”ªÿ¬ΩÑ“¬¡“ªíòπ ·≈– “«„À⇪ìπ‡ âπ·≈â« µâÕßøÕ°·≈–¬âÕ¡ ’ ®“°π—πÈ ®÷ß∑ÕÀ√◊Õ µ”ÀŸ° ¥â«¬°’æË π◊È ∫â“π∑’‡Ë √’¬°«à“ ‚ŒàßÀŸ° À√◊Õ ‚Õàß°’Ë ºâ“æ◊πÈ ∫â“π Õ’ “π∑’Ë √Ÿâ ®— ° °— π ¥’ §◊ Õ ºâ “ ¡— ¥ À¡’Ë ºâ “ ¢‘ ¥ ºâ“ ®° ·≈–ºâ “ æ◊È π „π ¡—¬‚∫√“≥ºâ“‡À≈à“π’∑È Õ¢÷πÈ „™â „π™’«µ‘ ª√–®”«—π ·µàª®í ®ÿ∫π— ¡— ° ∑Õ‡ªì π º≈‘ µ ¿— ≥ ±å ‡ æ◊Ë Õ ®”Àπà “ ¬‡ªì π √“¬‰¥â ‡ √‘ ¡ ¢Õß §√Õ∫§√—« ºâ“¡—¥À¡’Ë ‡ªìπºâ“∑’Ë¡’™◊ËÕ‡ ’¬ß¢Õß™“«Õ’ “π ‡æ√“–¡’ ≈«¥≈“¬ ’ —π «¬ß“¡ ‡°‘¥®“°¢—ÈπµÕπ°“√∑Õ∑’Ë´—∫´âÕπ µ—Èß·µà°“√¡—¥¬âÕ¡‡ âπ„¬ ∂⓵âÕß°“√≈«¥≈“¬≈–‡Õ’¬¥µâÕß ¡—¥∂’ËÊ À“°µâÕß°“√ ’ —π·æ√«æ√“«®–µâÕß¡—¥·≈⫬âÕ¡ À≈“¬§√—Èßµ“¡µ”·Àπàß ’µà“ßÊ ºŸâ¡—¥®–µâÕß¡’§«“¡‡¢â“„® ·≈–¡’§«“¡™”π“≠„π°“√«“ß√Ÿª·∫∫¢Õß≈«¥≈“¬ ·≈– À≈—°«‘∏’°“√º ¡ ’ ®÷ß®–‰¥âºâ“∑’Ë¡’≈«¥≈“¬·≈– ’ —π «¬ß“¡ ºâ“¡—¥À¡’Ë¡’∑—Èߺâ“ΩÑ“¬·≈–ºâ“‰À¡ À“°‡ªìπºâ“ΩÑ“¬π‘¬¡¬âÕ¡ ·≈–∑Õ‡ªìπ≈«¥≈“¬À¬“∫Ê ¥â«¬ ’¢“«°—∫ ’§√“¡‡∑à“π—πÈ ‡™àπ ºâ“¡—¥À¡’∫Ë “â πÀπÕ߇¢◊ÕË π¢â“ß µ”∫≈∑à“ ÕߧÕπ Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥¡À“ “√§“¡ ™“«Õ’ “π∑պⓡ—¥À¡’∑Ë ß—È °≈ÿ¡à §π‰∑¬‡™◊ÕÈ “¬≈“« ºŸâ ‰∑¬ ·≈–‡¢¡√ °≈ÿࡧπ‰∑¬‡™◊ÈÕ “¬≈“«∑’Ëπ‘¬¡∑պⓡ—¥À¡’Ë¡’Õ¬Ÿà ¡“°∑’Ë Õ”‡¿Õ™π∫∑ ®—ßÀ«—¥¢Õπ·°àπ ·≈– Õ”‡¿Õ∫â“π‡¢«â“ ®—ßÀ«—¥™—¬¿Ÿ¡‘ à«π°≈ÿ¡à ºŸâ ‰∑¬π—πÈ ¡’°“√∑պⓡ—¥À¡’ÕË ¬Ÿ∫à “â ß ·µà √Ÿª·∫∫¢Õß≈«¥≈“¬·≈– ’ —π§àÕπ¢â“߇√’¬∫ßà“¬‰¡à«‘®‘µ√ ´—∫´âÕππ—° ‡™àπ‡¥’¬«°—∫°≈ÿࡧπ‰∑¬‡™◊ÈÕ “¬‡¢¡√ ·¡â«à“ ‡¥‘¡®–¡’°“√∑պⓡ—¥À¡’Ë°—π¡“° ·≈–π‘¬¡„™â ’∑’Ë ‰¥â®“° ∏√√¡™“µ‘´÷Ëß¡’‡æ’¬ß‰¡à°’Ë ’ ∑”„Àâ ’°≈¡°≈◊π°—π ¿“¬À≈—ß¡’ °“√¡—¥À¡’ˇªìπ≈«¥≈“¬·ª≈°Ê ·≈–¡’ ’ —𠥄 ¡“°¢÷Èπ Õ“®‰¥â√—∫·∫∫Õ¬à“ß®“°°≈ÿà¡™“«‰∑¬‡™◊ÈÕ “¬≈“«∑’ˇ¢â“‰ªµ—Èß ∂‘Ëπ∞“πÕ¬Ÿà „πÀ¡Ÿà∫â“π„°≈⇧’¬ß À√◊ÕÀ¡Ÿà∫â“π‡¥’¬«°—π πÕ°®“°∑պⓡ—¥À¡’Ë·≈â« §π‰∑¬‡™◊ÈÕ “¬‡¢¡√¬—ß∑Õ ºâ“‰À¡·∫∫Õ◊ËπÊ ¥â«¬ ‡™àπ ºâ“À“ß°√–√Õ° ∑’Ë∑ե⫬‡ âπ ‰À¡µà“ß ’§«∫°—π ºâ“ªŸ¡ ºâ“∑’Ë¡’≈—°…≥–°“√¡—¥À¡’Ë摇»… ‡™àπ‡¥’¬«°—π°—∫ ºâ“‚Œ≈ ºâ“ª√¡ (æ√¡) ºâ“‡™’¬¡ (≈ÿ¬, ‡™’¬¡) ´÷Ëßπ‘¬¡„™â „πÀ¡ŸàºŸâ ŸßÕ“¬ÿ ∑Õ°—π¡“°„π‡¢µ®—ßÀ«—¥ ÿ√‘π∑√å ∫ÿ√’√—¡¬å ·≈–»√’ –‡°… ºâ “ ¢‘ ¥ ‡ªìπºâ“Õ’°™π‘¥Àπ÷ËߢÕß™“«Õ’ “π∑’Ë∑Õ„À⇰‘¥ ≈«¥≈“¬‚¥¬„™â ‰ ¡â · ºà π ·∫π∫“ߪ“¥‚§â ß „Àâ ª ≈“¬·À≈¡ –°‘¥‡ âπ‡§√◊ÕÀ√◊Õ‡ âπ¬◊π„À⬰¢÷Èπµ“¡√Ÿª≈—°…≥–≈«¥≈“¬ „π·µà≈–·∂«·µà≈–≈“¬ ·≈⫬°‰¡â‡°Á∫¢‘¥µ—Èߢ÷Èπ‡æ◊ËÕæÿà߇ âπ πÕπÀ√◊Õ‡ âπæÿàߥ⫬°√– «¬ Õ¥‡¢â“‰ª√–À«à“߇ âπ¬◊π ∑” ‡™àππ’ È ≈—∫°—π‰ª®π°«à“®–‰¥â≈“¬·µà≈–·∂«®πÀ¡¥‡ âπ‡§√◊Õ ´÷ËßµâÕß„™â‡«≈“·≈–§«“¡Õ¥∑π¡“°‡™àπ‡¥’¬«°—π°—∫°“√ ∑պⓡ—¥À¡’Ë ‡æ’¬ß·µà ‰¡à¬ÿà߬“°´—∫´âÕπ‡∑à“
ºâ“¢“«¡â“ A piece of bathing cloth.
®“°°√√¡«‘∏’∑’˵âÕß„™â ‰¡â‡°Á∫¬°‡ âπ‡§√◊Õ‚¥¬°“√π—∫ ‡ âπ‡§√◊Õ·≈⫇°Á∫¬°µ“¡≈—°…≥–≈«¥≈“¬π’ȇÕß ®÷ß¡—°π‘¬¡ ‡√’¬°°—π∑—Ë«‰ª«à“ ‡°Á∫¢‘¥ ¡“°°«à“ ∑Õ¢‘¥ °“√‡°Á∫¢‘¥§◊Õ°“√ ‡°Á∫≈«¥≈“¬ à«π°“√∑Õπ—Èπ‡ªìπ¢—ÈπµÕπ∑’Ëæÿà߇ âππÕπÀ√◊Õ ‡ âπæÿà߇¢â“‰ª√–À«à“߇ âπ¬◊π ·≈â«°√–·∑°„Àâ‡π◊Èպ⓷πàπ ºâ“¢‘¥∑’Ëπ‘¬¡‡°Á∫·≈–∑Õ°—π‚¥¬∑—Ë«‰ª¡’Õ¬Ÿà Û ™π‘¥ µ“¡ °“√„™â Õ¬§◊Õ ¢‘¥µ’π´‘Ëπ ¢‘¥À—«´‘Ëπ ·≈– ¢‘¥À¡Õπ ¢‘¥µ’π´‘πË „™âµÕà µ’πÀ√◊Õ‡™‘ß´‘πË ‡ªìπºâ“Àπâ“·§∫ „™âµÕà µ—« ´‘πË ∑’ Ë π—È ¡“°‰ª„À⬓«πÿßà ‰¥âæÕ¥’ ·≈–™à«¬„Àâµπ’ ´‘πË ‰¡à¢“¥ßà“¬ ¢‘¥µ’π´‘Ëππ‘¬¡∑ե⫬ΩÑ“¬‡™àπ‡¥’¬«°—π°—∫´‘Ëπ ·µà¡—°®–¡’
’ —π·≈–≈«¥≈“¬¡“°°«à“ §«“¡°«â“ߢÕߢ‘¥µ’π´‘Ëππ—Èπ‰¡à ·πàπÕπ ‚¥¬∑—Ë«‰ª®–°«â“ߪ√–¡“≥ Ú ∂÷ß Û π‘È«¢÷Èπ‰ª ∑—Èßπ’È¢÷ÈπÕ¬Ÿà°—∫§«“¡¬“«¢Õßµ—«´‘Ëπ ¢‘¥À—«´‘Ëπ ºâ“¢‘¥∑’Ë „™âµàÕ™“¬∫π¢Õßµ—«´‘Ëπ¥â«¬‡Àµÿº≈ ‡¥’¬«°—π°—∫°“√µàÕµ’π´‘πË ¡—°∑ե⫬ºâ“‰À¡‡æ◊ÕË „Àâπßÿà ªÑ“¬æ—∫ ·≈–¢¡«¥‡¢â“°—∫‡Õ«‰¥â –¥«° ‰¡à‡®Á∫‡Õ« ·≈–™à«¬„À♓¬æ° ·πàπ°«à“°“√„™âº“â ΩÑ“¬∑’¡Ë ‡’ π◊ÕÈ À¬“∫π‘¬¡∑ե⫬‰À¡æ◊πÈ ’·¥ß ·≈– ’¢“« ∂Ⓡªìπ≈«¥≈“¬¡—°„™â ’·¥ß ¢“« ·≈–‡À≈◊Õß ¢‘¥À¡Õπ ∑ե⫬ΩÑ“¬‡æ◊ÕË „™â∑”À¡Õπ‚¥¬‡©æ“– π‘¬¡∑” °—πÀ≈“¬·∫∫À≈“¬¢π“¥ ‡™àπ À¡Õπ ’ˇÀ≈’ˬ¡ À¡Õπ‡°â“ 119
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ºâ“·æ√«“ ∫â“π‚æπ Õ”‡¿Õ§”¡à«ß ®—ßÀ«—¥°“à ‘π∏ÿå A traditional shawl called “prae-wa” from Ban Pon, Amphoe Kham Muang, Kalasin.
·æ√«“ ºâ“™π‘¥Àπ÷Ëß„™âÀࡇ©’¬ß‰À≈à À√◊Õ§≈ÿ¡‰À≈à‡™àπ‡¥’¬«°—∫ºâ“ ‰∫ ¡—°„™â„πß“π∫ÿ≠ª√–‡æ≥’À√◊Õß“π ”§—≠Ê ™“«ºŸâ ‰∑¬π‘¬¡∑Õ°—π¡“°§Ÿà°—∫ ºâ“·æ√¡π ºâ“√Ÿª ’ˇÀ≈’ˬ¡®—µÿ√— À√◊Õ ’ˇÀ≈’ˬ¡º◊πºâ“ ·µà∂â“æ—∫§√÷Ëß·≈â«°Á®–‡ªìπ®—µÿ√— ‰¥âæÕ¥’ „™â§≈ÿ¡»’√…–𓧠À√◊Õ„™â‡™Á¥Àπâ“ ºâ“·æ√«“·≈–ºâ“·æ√¡π ∑Õ°—π¡“°∑’Ë∫â“π‚æπ Õ”‡¿Õ§”¡à«ß ®—ßÀ«—¥°“à ‘π∏ÿå
(À¡Õπ ’‡Ë À≈’¬Ë ¡¢π“¥„À≠à) À¡Õπ “¡‡À≈’¬Ë ¡ (À¡Õπ¢«“π) ·≈–À¡Õπ™àÕß (À¡Õπ “¡‡À≈’ˬ¡∑’ˬ—¥πÿàπ‡ªìπ™àÕßÊ ) ¢‘¥ À¡Õπ®–°«â“ß°«à“¢‘¥µ’π´‘Ëπ·≈–¢‘¥À—«´‘Ëπ ‚∫√“≥π‘¬¡„™â æ◊Èπ ’¢“« ‡À≈◊Õß ‡°Á∫≈“¬ ’¥”À√◊Õ ’§√“¡ ¡—°«“ß≈“¬¢‘¥ æ“¥°≈“ßµ—«À¡Õπ·≈⫵àÕ¢â“ß∑—ßÈ ÕßÕÕ°‰ª¥â«¬ ’¢“« ·¥ß §√“¡ À√◊Õ¥”‡À¡◊Õπ°—π∑—Èß Õߢâ“ß °≈ÿà¡™π∑’Ëπ‘¬¡∑պⓢ‘¥°—π¡“°§◊Õ °≈ÿࡧπ‰∑¬‡™◊ÈÕ “¬ ≈“«„π®—ßÀ«—¥¡À“ “√§“¡ ¢Õπ·°àπ Õÿ¥√∏“π’ Õÿ∫≈√“™∏“π’ ™—¬¿Ÿ¡‘ ªí®®ÿ∫—πª√–¬ÿ°µå≈«¥≈“¬¢‘¥®“°√Ÿª·∫∫¥—È߇¥‘¡„À⇢ⓠ°—∫§«“¡π‘¬¡¢ÕߺŸâ∫√‘ ‚¿§ ‡™àπ ∑Õ‡ªìπ¬à“¡ °√–‡ªÜ“∂◊Õ °√–‡ªÜ“ –擬 ºâ“ªŸ‚µä– ºâ“√Õß®“π ºâ“æ—π§Õ ºâ“§≈ÿ¡‰À≈à ·≈–ºâ“§≈ÿ¡‡µ’¬ß ‡ªìπµâπ ºâ“®° ºâ“∑’Ë „™â«∏‘ °’ “√‡°Á∫À√◊Õ®°‡ âππÕπ摇»…¥â«¬¢π‡¡à𠇪ìπ™à«ßÊ ®÷ß¡’≈«¥≈“¬≈–‡Õ’¬¥·≈–¡’ ’ π— ¡“°°«à“ ¡’∑ß—È ™π‘¥ ∑’∑Ë Õ¥â«¬‰À¡·≈–ΩÑ“¬ ·µà „π¿“§Õ’ “ππ‘¬¡∑պ⓮°‰À¡ ‡™àπ ºâ“·æ√«“ ºâ“·æ√¡π ¢Õߧπ‰∑¬‡™◊ÈÕ “¬ºŸâ ‰∑¬
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°“√∑Õºâ“æ◊Èπ∫â“π¢Õß™“«Õ’ “π ∑—Èߺâ“ΩÑ“¬·≈–ºâ“‰À¡ πÕ°®“°¡’°√√¡«‘∏’µà“ßÊ ·≈â« ™“«Õ’ “π¬—ß √â“ß√Ÿª·∫∫ ≈«¥≈“¬·≈– ’¢ÕߺⓄÀâ¡’§«“¡ß¥ß“¡ª√– “π°—∫§µ‘π‘¬¡ ¢Õß·µà≈–°≈ÿà¡™π ‚¥¬‡©æ“–°“√ÕÕ°·∫∫≈«¥≈“¬µà“ßÊ πÕ°‡Àπ◊Õ®“°™à«¬„À⇰‘¥§«“¡ß“¡·≈â« ≈«¥≈“¬¢Õߺ⓬—ß ∫àß∫Õ°∂÷ß ∂“π–∑“ß —ߧ¡ ‡»√…∞°‘® §«“¡‡™◊ÕË ·≈–√ π‘¬¡ ¢ÕߺŸâ∑Õ·≈–ºŸâ „™â¥â«¬ ≈«¥≈“¬¢Õߺâ“æ◊Èπ∫â“π¿“§Õ’ “π ·∫à ß ‡ªì π Ù ª√–‡¿∑¥— ß π’È §◊ Õ ≈«¥≈“¬∑’Ë ‰ ¥â ¡ “®“°√Ÿ ª —µ«åµà“ßÊ ‡™àπ ·¡ßªÉÕßÀ√◊Õ·¡ßßÕ¥ µ–¢“∫ 𓧇°’Ȭ« 𓧙Ÿ°“∫À≈«ß ¡â“ π°¬Ÿß ‰°à ‘ß‚µ °√–√Õ° ™â“ß π° ≈«¥≈“¬∑’Ë¡“®“°√Ÿª∑√ߢÕßæ◊™ ‡™àπ ¥Õ° √âÕ¬ ¥Õ°µâπ ¥Õ°æ‘°ÿ≈ ¥Õ°ÕâÕ ¥Õ°æ«ß ¥Õ°®—π∑πå ≈«¥≈“¬ª√–¥‘…∞å ‡™àπ ≈“¬ “¡‰¡â „À≠à ≈“¬ Õ߉¡â ≈“¬¢âÕ‡§√◊Õ ≈“¬µ–‡¿“ À≈߇°“– ≈“¬°â“π„À≠à ≈“¬‚§¡‡®Á¥ ≈“¬ª√“ “∑ ≈“¬ ∏√√¡“ πå ≈“¬æÿࡢ⓫∫‘≥±å ·≈– ≈«¥≈“¬‡∫Á¥‡µ≈Á¥ ‡™àπ ≈“¬¢‘¥µ“ ≈“¬¢âÕÀ«à“π ≈“¬À¡’Ë√à“¬ ≈“¬º ¡ ≈“¬À¡’ˇ™‘ß ≈“¬Õ—¡æ√¡ πÕ°®“°∑պⓇªìπ≈«¥≈“¬µà“ßÊ ¥—ß°≈à“«·≈â« ¬—ß∑պⓠæ◊Èπ ’‡¥’¬«À√◊Õ Õß ’ „™âµ—¥‡ ◊Èպⓠ°“߇°ß ‡™àπ ºâ“‚ √àß ºâ“¢“«¡â“ ºâ“·¬àß (ºâ“Àà¡) ºâ“≈“¬µ“À¡“°√ÿ° œ≈œ ºâ“∑’Ë∂◊Õ«à“‡ªìπ·æ√æ√√≥∑’Ë¡’§«“¡¡À—»®√√¬åÕ¬à“߬‘Ëß ™π‘¥Àπ÷ßË ¢Õß™“«Õ’ “π§◊Õ ºâ“‰À¡ °“√‡≈’¬È ߉À¡ °“√ “«‰À¡ °“√¬âÕ¡ ·≈–°√√¡«‘∏’°“√∑պⓉÀ¡‡ªìπ¿Ÿ¡‘ªí≠≠“¢Õß™“« Õ’ “π∑’Ë —Ëß ¡ ◊∫∑Õ¥°—π¡“·µà ‚∫√“≥ ™“«Õ’ “π𔇠âπ„¬ ®“°µ—«‰À¡¡“∑Õ‡ªìπºâ“µ—Èß·µà‡¡◊ËÕ„¥‰¡à¡’À≈—°∞“π·πà™—¥ ·µà™“«Õ’ “π∑պⓉÀ¡®“°‰À¡æ◊Èπ∫â“π¡“™â“π“π °àÕπ∑’Ë √—∞∫“≈®– —Ëß´◊ÈÕ‰À¡®“°ª√–‡∑»≠’˪ÿÉπ‡¢â“¡“‡¡◊ËÕ¡’°“√ √â“ß ∑“ß√∂‰ø “¬π§√√“™ ’¡“¥â«¬‡Àµÿº≈∑“ß°“√‡¡◊Õß·≈– ∑“߬ÿ∑∏»“ µ√å „πªïæ.». ÚÙÙÚ µàÕ¡“„πªïæ.». ÚÙÙı °√–∑√«ß‡°…µ√“∏‘°“√·≈–°√–∑√«ß¡À“¥‰∑¬ °Á¬ß— ‰¡à∑√“∫ «à“¡’·À≈à߇≈’Ȭ߉À¡Õ¬Ÿà „π¿“§Õ’ “π¡“‡ªìπ‡«≈“π“π·≈â« ‡æ√“–®“°√“¬ß“π°“√µ√«®°“√¡≥±≈π§√√“™ ’¡“¢Õß ¡‡¥Á®œ °√¡æ√–¬“¥”√ß√“™“πÿ¿“æ æ∫ ‘π§â“ àßÕÕ°¢Õß ∑âÕß∂‘ËπÕ’ “π¡’·µà¢Õߪɓ ‰¡à¡’ ‘π§â“æ«°ºâ“‰À¡ ‰À¡¥‘∫ ·≈–‰À¡Õ◊ËπÊ ‡≈¬˘ µàÕ¡“√—∞∫“≈‰∑¬‰¥â√—∫§”·π–π”®“°√—∞∫“≈≠’˪ÿÉπ„Àâ à߇ √‘¡Õÿµ “À°√√¡º≈‘µ‰À¡ ‚¥¬∂◊Õ√–∫∫°“√§â“‰À¡¥‘∫ ¢Õß≠’˪ÿÉπ‡ªìπ·∫∫Õ¬à“ß æ.».ÚÙÙı √—∞∫“≈≠’˪ÿÉπ àß𓬠§“‡¡∑“‚√ ‚∑¬“¡“ (Kametaro Toyama) ºŸ‡â ™’¬Ë «™“≠‡√◊ÕË ß ‰À¡‡¢â “ ¡“ ”√«®°“√‡≈’È ¬ ß·≈–º≈‘ µ ‰À¡∑’Ë π §√√“™ ’ ¡ “ √—∞∫“≈‰∑¬®÷߉¥â√—∫√“¬ß“π«à“‡°◊Õ∫∑ÿ°À¡Ÿà∫â“π„π¿“§Õ’ “π ¡’°“√∑պⓉÀ¡·≈–ºâ“ΩÑ“¬¥â«¬«‘∏¡’ —¥À¡’Ë ¢‘µ ®° œ≈œ Õ¬Ÿà °àÕπ·≈â«
„π ¡—¬√—™°“≈∑’Ë ı æ√–∫“∑ ¡‡¥Á®æ√–®ÿ≈®Õ¡‡°≈â“ ‡®â“Õ¬ŸÀà «— ∑√ßæ—≤π“ª√–‡∑»µ“¡·∫∫Õ¬à“ßµ–«—πµ° §π‰∑¬ π‘¬¡·µàß°“¬·∫∫™“«µ–«—πµ°¡“°¢÷Èπ ‚¥¬‡©æ“–¢â“√“™ ∫√‘æ“√·≈–¢â“√“™°“√µâÕß·µà߇§√◊ËÕß·∫∫ª√–®”°√¡ °Õß ·≈–Àπ૬ߓπµà“ßÊ ®÷ßµâÕß„™âºâ“¡“°¢÷Èπ ‚¥¬‡©æ“–ºâ“‰À¡ ´÷Ë߇ªìπºâ“™—Èπ¥’π—Èπ¡’ºŸâµâÕß°“√¡“° ¥—ßπ—Èπ ‡æ◊ËÕ≈¥°“√ —Ëß´◊ÈÕ ºâ“¡“®“°µà“ߪ√–‡∑» √—∞∫“≈®÷ß à߇ √‘¡„Àâ¡’°“√‡≈’Ȭ߉À¡ ª≈Ÿ°À¡àÕπ ·≈–∑պⓉÀ¡¢÷Èπ„π®—ßÀ«—¥π§√√“™ ’¡“ µ“¡ §”·π–π”¢ÕߺŸâ‡™’ˬ«™“≠™“«≠’˪ÿÉπ ‚¥¬‡≈’Ȭ߉À¡·≈–º≈‘µ ‡ âπ„¬‰À¡µ“¡·∫∫≠’˪ÿÉπ æ√âÕ¡∑—Èß —Ëß´◊ÈÕæ—π∏ÿå ‰À¡¡“®“° ª√–‡∑»≠’˪ÿÉπ¥â«¬ ‡æ√“–æ—π∏ÿå ‰À¡¢Õß≠’˪ÿÉπ‡ªìπ‰À¡∑’Ë „Àâ º≈º≈‘µ¡“°°«à“‰À¡æ—π∏ÿåæ◊Èπ‡¡◊Õß∑’Ë™“«∫â“π‡≈’ȬßÕ¬Ÿà°àÕπ ´÷Ë߇ªìπ‰À¡∑’Ë „À⇠âπ„¬πâÕ¬·≈– —Èπ µàÕ¡“ª√–¡“≥ªïæ.». ÚÙıÒ ‰¥â‡°‘¥‚√§√–∫“¥‰À¡§√—Èß„À≠à ®π∑”„Àâæ—π∏ÿå ‰À¡„π ¿“§Õ’ “π·∑∫®– Ÿ≠æ—π∏ÿå ¥—ßπ—Èπ„πªïæ.». ÚÙıÚ √—∞∫“≈®÷ß√◊ÈÕøóôπ°“√‡≈’Ȭ߉À¡ ·≈–∑պⓉÀ¡Õ¬à“ß®√‘ß®—ߢ÷πÈ Õ’°§√—ßÈ Àπ÷ßË ‚¥¬ °√¡À¡◊πË æ‘‰™¬ ¡À‘π∑‚√¥¡ (æ√–Õߧ凮ⓇæÁ≠æ—≤πæß»å) Õ∏‘∫¥’ °√¡™à“߉À¡ ‰¥â°Õà µ—ßÈ ‚√߇√’¬π™à“߉À¡ ¢÷Èπ„π«—ß„À¡à √–ª∑ÿ¡ µàÕ¡“ ‚√߇√’¬ππ’ȇª≈’ˬπ™◊ËÕ‡ªìπ ‚√߇√’¬π‡°…µ√ °“√ à߇ √‘¡°“√ ‡≈’È ¬ ߉À¡·≈–∑պ⠓ ‰À¡π’È ‰ ¥â «à “ ®â “ ß™“«≠’Ë ªÿÉ π ¡“‡ªì π §√Ÿ ·π–π”°“√‡≈’Ȭ߉À¡ °“√ “«‰À¡·≈–°“√∑պⓉÀ¡ ‚¥¬ ¢¬“¬ÕÕ°‰ª∑’ËÕ”‡¿Õªí°∏ß™—¬ ®—ßÀ«—¥π§√√“™ ’¡“ ·≈– ®—ßÀ«—¥∫ÿ√√’ ¡— ¬å ‡©æ“–∑’ªË °í ∏ß™—¬¡’‡§√◊ÕË ß “«‰À¡·∫∫≠’ªË πÿÉ ∂÷ß Ù¯ ‡§√◊ÕË ß ™à«¬„À♓«∫â“π “«‰À¡‰¥â√«¥‡√Á«·≈–‰¥â‡ âπ‰À¡ ¡Ë”‡ ¡Õ°«à“°“√ “«‰À¡·∫∫æ◊πÈ ∫â“π¢Õ߉∑¬ π—∫«à“Õ”‡¿Õ ªí ° ∏ß™— ¬ ‡ªì π ·À≈à ß ”§— ≠ ∑’Ë ‡ √‘Ë ¡ µâ π æ— ≤ π“°“√∑պ⠓ ‰À¡ ®“°·∫∫æ◊Èπ∫â“π¡“‡ªìπ°“√º ¡º “π°—∫·∫∫·ºπ∑’Ëπ”¡“ ®“°≠’˪ÿÉπ ·µàπà“‡ ’¬¥“¬«à“‡¡◊ËÕ°√¡À¡◊Ëπ摉™¬¡À‘π∑‚√¥¡ ‘πÈ æ√–™π¡å·≈â« °Á‰¡à¡º’ Ÿâ „¥ π„® à߇ √‘¡„À♓«∫â“π‡≈’¬È ߉À¡ ª≈Ÿ°À¡àÕπ ·≈–∑պⓉÀ¡µ“¡·∫∫Õ¬à“ß∑’Ë∑√ß√‘‡√‘Ë¡‰«âµàÕ‰ª À¡Ÿ∫à “â π∑’¡Ë ™’ Õ◊Ë ‡ ’¬ß„π°“√∑պⓉÀ¡„πÕ”‡¿Õªí°∏ß™—¬¡“ ·µà‚∫√“≥§◊Õ ∫â“π®–‚ª– (®–‚ª– ¿“…“≈“«À¡“¬∂÷ß¡–æ√â“«) ™ÿ¡™π‡≈Á°Ê ∑’Ë¢¬“¬µ—«‡ªìπ™ÿ¡™π„À≠à®π‡ªìπ‡¡◊Õßªí° ·≈– ‡ªìπÕ”‡¿Õªí°∏ß™—¬„π∑’ Ë ¥ÿ ™ÿ¡™π®–‚ª– (æ.».ÚıÛˆ ‡ª≈’¬Ë 𠇪ìπ∫â“π∏ß™—¬) ‡ªìπ™ÿ¡™π‡™◊ÈÕ “¬≈“«∑’ËÕæ¬æ¡“®“° ‡«’¬ß®—π∑πåµ—Èß·µà ¡—¬ ¡‡¥Á®æ√–‡®â“µ“° ‘π¡À“√“™ µàÕ¡“ ™ÿ¡™ππ’È ‰¥â°≈“¬‡ªìπ‡¡◊ÕßÀπâ“¥à“π°“√§â“¢ÕßÕ’ “π ™“« ªí°∏ß™—¬®÷߉¡àπ‘¬¡‡≈’Ȭ߉À¡‡Õß À“°·µà®–´◊ÈÕ‡ âπ‰À¡¡“ ®“°∂‘πË Õ◊πË °“√∑պⓢÕß™“«ªí°∏ß™—¬·∫àßÕÕ°‡ªìπ Û √–¬– §◊Õ √–¬–·√°™“«∫â“π´◊ÈÕ‡ âπ„¬¡“®“°‡¡◊Õßµà“ßÊ „π ¿“§ Õ’ “𠇙àπ ¢Õπ·°àπ ¡À“ “√§“¡ ·≈–∫ÿ√’√—¡¬å œ≈œ ´÷Ëß æàÕ§â“π”¡“¢“¬ ·≈â«∑Õ‡ªìπºâ“¢“¬À“°”‰√‡ªìπ√“¬‰¥â¢Õß
¢‘¥Àπâ“À¡Õπ ∫â“πªÉ“µ‘È« ®—ßÀ«—¥¬‚ ∏√ “Khit” pattern used to decorate a small pillow from Ban Pa Tio, Yasothon.
§√Õ∫§√—« µàÕ¡“ ¡—¬°àÕπ ߧ√“¡‚≈°§√—Èß∑’Ë Ú ™ÿ¡™π¡’ ¢π“¥„À≠à¢÷Èπ ¡’π“¬∑ÿπ´◊ÈÕ‡ âπ‰À¡‰«â·≈â«®â“ß™“«∫â“π∑Õ ™“«∫â“π‡√’¬°«à“ √—∫®â“߇®ä° (∑պⓄÀâ§π®’π) ‚¥¬™“«∫â“𠉥â§à“·√ß «‘∏’°“√∑Õ°Á¬—ß„™â°’Ë∑Õ¡◊ÕÀ√◊Õ°’Ëæ◊Èπ∫â“π ‡¡◊ËÕ¡’°“√ ∑պ⠓ ¡“°¢÷È π ®÷ ß ∑”„Àâ ‡ ¡◊ Õ ßªí ° ∏ß™— ¬ ‡ªì π »Ÿ π ¬å ° ≈“ߢÕß µ≈“¥ºâ“∑’ Ë ”§—≠¢ÕßÕ’ “π ¥—ßπ—πÈ À≈—ß ß§√“¡‚≈°§√—ßÈ ∑’Ë Ú æàէ⓮÷ßπ”°’°Ë √–µÿ°‡¢â“¡“„À♓«∫â“π∑Õ ∑”„Àâ∑Õ‰¥â√«¥‡√Á« ·≈–‰¥â ª √‘ ¡ “≥¡“° ‡ªì π °“√æ— ≤ π“°“√∑պ⠓ ¢Õß™“« ªí°∏ß™—¬‰ªÕ’°√–¥—∫Àπ÷Ëß °àÕπ∑’Ë®–‡ª≈’Ë¬π¡“‡ªìπ°“√∑Õ„π √–∫∫Õÿµ “À°√√¡‡¡◊ËÕª√–¡“≥ Û ªï∑’˺à“π¡“ ¡’‚√ßß“π ∑պⓉÀ¡®”π«π¡“°‡¢â“¡“µ—Èß„π‡¢µ ÿ¢“¿‘∫“≈ªí°∏ß™—¬ πÕ°®“°‚√ßß“π¢π“¥„À≠à·≈⫬—ß¡’Õÿµ “À°√√¡¢π“¥ ¬àÕ¡∑’Ë∑”„π§√Õ∫§√—«¥â«¬ ∑”„Àâªí°∏ß™—¬°≈“¬‡ªìπ‡¡◊Õß Õÿµ “À°√√¡∑պⓉÀ¡∑’Ë ”§—≠¢ÕßÕ’ “𠧫“¡‡ª≈’Ë ¬ π·ª≈ß∑’Ë ‡ °‘ ¥ ¢÷È π °— ∫ ºâ “ ‰À¡ªí ° ∏ß™— ¬ §◊ Õ √–∫∫Õÿµ “À°√√¡‰¥â∑”≈“¬≈—°…≥–‡©æ“–¢Õߺâ“∑Õ¡◊Õ∑’Ë¡’ ’ π— πÿ¡à π«≈ ¬âÕ¡¥â«¬ ’∏√√¡™“µ‘ ‡π◊ÕÈ ºâ“¡’ª¡∑’‡Ë °‘¥®“°°“√ µàÕ°—π¢Õ߇ âπ‰À¡ ·≈–¢π“¥¢Õ߇ âπ‰À¡∑’Ë ‰¡à‡∑à“°—π ‡π◊ÈÕ ºâ“®÷߉¡à‡√’¬∫‡ ¡Õ°—π ´÷Ë߇ªìπ≈—°…≥–‡¥àπ¢Õߺâ“∑Õ¡◊Õ ªí®®ÿ∫—π‡Õ°≈—°…≥凩擖¢ÕߺⓉÀ¡ªí°∏ß™—¬ Ÿ≠‰ªæ√âÕ¡ °—∫¿Ÿ¡‘ªí≠≠“∑’Ë ◊∫∑Õ¥°—π¡“®“°∫√√æ™π Õ¬à“߉√°Áµ“¡ ¿“§µ–«—πÕÕ°‡©’¬ß‡Àπ◊ÕÀ√◊Õ¿“§Õ’ “𠇪ìπ·À≈àߺ≈‘µºâ“æ◊Èπ∫â“π∑’Ë ”§—≠¢Õ߉∑¬¡“·µà ‚∫√“≥ ·¡â∑ÿ°«—ππ’È™“«Õ’ “π°Á¬—ß∑պ⓰—π·æ√àÀ≈“¬ À≈—ß®“°∑’Ë ¡Ÿ≈π‘∏‘ à߇ √‘¡»‘≈ª“™’æ摇»… „π ¡‡¥Á®æ√–π“߇®â“ ‘√‘°‘µ‘Ï æ√–∫√¡√“™‘π’π“∂ ‰¥â à߇ √‘¡„Àâ√“…Æ√∑պⓇªìπ√“¬‰¥â 摇»…À≈—߃¥Ÿ∑”π“ ·≈–√—∞∫“≈ à߇ √‘¡„Àâºâ“æ◊Èπ∫â“π‡ªìπ ‘π§â“ Àπ÷Ëßµ”∫≈ Àπ÷Ëߺ≈‘µ¿—≥±å
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ºâ“‡°“–¬Õ ®—ßÀ«—¥ ߢ≈“ Ko Yo fabrics from Songkhla.
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¡“π“ππ—∫√âÕ¬ªï ºâ“∫â“ππ“À¡◊πË »√’¡À’ ≈“¬™π‘¥ ‡™àπ ºâ“‡∫’¬Ë ß ºâ“¢“«¡â“ ºâ“æ“π™â“ß ∑’Ë „™â‡ªìπºâ“πÿàßÀà¡ à«πºâ“´‘Ëπ°Á¡’ ºâ“ À“ß°√–√Õ° ºâ“µ“ ¡ÿ° ºâ“‡∫’Ë¬ß ºâ“Àπâ“·§∫·µà¬“« ™“¬ºâ“ ’‡√’¬∫∑—Èß Õß™“¬ °≈“ߺ◊π∑Õ¬°‡ªìπ≈“¬≈Ÿ°·°â« ´÷ßË ‡ªìπ≈“¬ª√–®”∂‘πË ‡®â“ “« ¡—°∑Õ‰«â „À⇮â“∫à“«ÀâÕ¬‰À≈à „πæ‘∏’·µàßß“π §π™√“¡—°„™âºâ“ ‡∫’ˬßÀࡇ©’¬ßÀ√◊ÕÀâÕ¬‰À≈à ‰ª∑”∫ÿ≠∑’Ë«—¥ ‰ªß“πæ‘∏’µà“ßÊ À√◊Õ„™â‡ªìπºâ“Àà¡·≈–ºâ“°√“∫æ√–¥â«¬ ºâ“‡∫’ˬߡ—°∑ե⫬°’Ë æ◊Èπ∫â“π∑’ˇ√’¬°«à“ °’ˇµ’Ȭ ´÷Ëß„™â∑Õºâ“Àπâ“·§∫‡æ’¬ßª√–¡“≥ Àπ÷Ë߻հ π‘¬¡∑Õ≈“¬≈Ÿ°·°â«¡“°°«à“≈“¬Õ◊Ëπ ∑ե⫬ ’ ‡À≈◊Õß ≈—∫·¥ß ªí®®ÿ∫—π™à“ß∑պⓇ∫’ˬß≈“¬≈Ÿ°·°â«≈¥ ®”π«π‰ª¡“° ‡æ√“–°“√∑ÕµâÕß„™â ¡“∏‘·≈–§«“¡æ¬“¬“¡ Ÿß ™à“ß∑Õºâ“√ÿàπ„À¡à¡—°À—π‰ª∑Õºâ“æ◊Èπ¥â«¬°’Ë°√–µÿ°∑’Ë∑Õ‰¥â –¥«°·≈–√«¥‡√Á« ºâ“¢“«¡â“ ¢Õß∫â“ππ“À¡◊Ëπ»√’ „™â‡ªìπºâ“Àà¡ ºâ“ÀâÕ¬‰À≈à ¢Õߧπ‡≤à“§π·°à √Ÿª·∫∫¢Õߺⓢ“«¡â“∫â“ππ“À¡◊Ëπ»√’ ·µ°µà“ß®“°ºâ“¢“«¡â“∑—Ë«‰ª§◊Õ °≈“ߺ◊π∑Õ ≈—∫ ’‡ªìπ≈“¬ √“™«—µ√ ‡™‘ߺâ“∑Õ‡ªìπ√‘È«Ê ºâ“¢“«¡â“≈“¬√“™«—µ√∫â“ππ“ À¡◊Ëπ»√’ ¡’ ’ —π·≈–≈«¥≈“¬≈–‡Õ’¬¥ª√–≥’µ «¬ß“¡
ºâ“æ“π™â“ß ºâ“∑’Ë „™â „πæ‘∏’¨“ªπ°‘® °«â“ߪ√–¡“≥Àπ÷Ëß »Õ° ¬“«ª√–¡“≥Àπ÷ßË «“ ¡—°∑Õ≈“¬‡ªì𧔰≈Õ𠂧≈ß ∫Õ° ª√–«—µ‘¢ÕߺŸâµ“¬ ·≈–§µ‘ Õπ„®„Àâ¬÷¥¡—Ëπ„π§ÿ≥§«“¡¥’ ≈–®“°∫“ª·≈–§«“¡™—Ë« ‡ªìπ¡√≥“πÿ µ‘·°àºŸâ∑’ˬ—ß¡’™’«‘µÕ¬Ÿà ‡®â“¿“æ®–æ“¥ºâ“æ“π™â“߉«â°—∫À’∫»æ„π°“√µ—Èß»æ ‡¡◊ËÕ‡º“ »æ·≈â«®–µ—¥ÕÕ°‡ªìπº◊π‡≈Á°Ê ∂«“¬æ√–‡æ◊ËÕ„™â‡ªìπºâ“‡™Á¥ ª“° ‡™Á¥¡◊Õ ªí®®ÿ∫—π¬—ß¡’°“√„™âºâ“™π‘¥π’ÈÕ¬Ÿà∫â“ß ºâ“À“ß°√–√Õ° ‡ªìπºâ“Õ’°™π‘¥Àπ÷ßË ∑’¡Ë ≈’ °— …≥–‡©æ“–∂‘πË ‡¥àπ™—¥·≈–¬—ßπ‘¬¡„™â°—π„π∑âÕß∂‘Ëπ ‚¥¬‡©æ“–ºâ“À“ß °√–√Õ°∑’Ë∑ե⫬ΩÑ“¬π—Èπ¬—ßπÿàß°—πÕ¬Ÿà∑—Ë«‰ª „πªï æ.».ÚıÒÙ ™à“ß∑Õºâ“∫â“ππ“À¡◊Ëπ»√’ ‰¥â√«¡°≈ÿà¡ °—π∑պⓥ⫬°’Ë°√–µÿ°·∑π°’Ëæ◊Èπ∫â“π ∑—Èß≈«¥≈“¬¢Õߺâ“∑’Ë ∑Õ à«πÀπ÷Ëß°Á√—∫·∫∫Õ¬à“ß¡“®“°‡°“–¬Õ ®—ßÀ«—¥ ߢ≈“ ®÷߇ªì𠓇ÀµÿÀπ÷Ëß∑’Ë∑”„Àâºâ“∑Õ∫â“ππ“À¡◊Ëπ»√’ „πªí®®ÿ∫—π¡’ §«“¡§≈⓬§≈÷ß°—∫ºâ“‡°“–¬Õ ºâ“∑Õ‡°“–¬Õ ºâ“∑Õ¡◊Õ¢Õß™“«‡°“–¬Õ µ”∫≈‡°“–¬Õ Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥ ߢ≈“ °≈à “ «°— π «à “ ™“«‡°“–∑’ˇªìπ ™à“ß∑Õºâ“π—ÈπÕæ¬æ¡“®“°∫â“π∑à“π“ßÀÕ¡ µ”∫≈πÈ”πâÕ¬ Õ”‡¿ÕÀ“¥„À≠à ·≈–µ”∫≈∑ÿßà À«—ß Õ”‡¿Õ‡¡◊Õß ß¢≈“ ´÷ßË ‡ªìπ
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´‘Ëπ¬°¥Õ°∫â“πæÿ¡‡√’¬ß Õ”‡¿Õ‰™¬“ ®—ßÀ«—¥ ÿ√“…Æ√å∏“π’ Fabrics from Ban Phum Riang, Amphoe Chaiya, Surat Thani.
ºâ“æ“π™â“ß ∫â“ππ“À¡◊πË »√’ A piece of fabric called “pha phan chang” from Ban Na Muen Si, Amphoe Mueang, Trang.
·À≈àß∑պⓡ“µ—ßÈ ·µà ¡—¬°√ÿß∏π∫ÿ√’ ‡®â“æ√–¬“π§√œ ‡§¬„Àâ °√¡°“√‡¡◊Õß°«“¥µâÕπ‡Õ“™à“ß∑պ⓮“°‡¡◊Õß ß¢≈“‰ª‰«â ∑’ˇ¡◊Õßπ§√»√’∏√√¡√“™ ¿“¬À≈—ß°“√∑Õºâ“∑’ˇ¡◊Õß ß¢≈“ ‡°◊Õ∫ “∫ Ÿ≠ ®π∂÷ß ¡—¬√—™°“≈∑’Ë ı ™“«‡¡◊Õß ß¢≈“®÷ß °≈—∫¡“∑պ⓰—π·æ√àÀ≈“¬Õ’°§√—Èß ¥—ß∫∑æ√–√“™π‘æπ∏å „π æ√–∫“∑ ¡‡¥Á®æ√–®ÿ≈®Õ¡‡°≈Ⓡ®â“Õ¬ŸàÀ—« ‡¡◊ËÕ§√—È߇ ¥Á® ª√–æ“ ·À≈¡¡≈“¬Ÿ √.».Ò˘ (æ.».ÚÙÛÛ) µÕπÀπ÷ßË «à“ ç...·µà‡®â“‡¡◊ÕߢÕ߇¢“«à“ ºâ“¡“° ‡ß‘π Û ∫“∑ ´◊ÈÕ‰¡àÀ¡¥ ‡√“®÷Ë߉¥âÕÕ°‡¥‘π‰ª¥Ÿ¡’ºâ“¡“°°«à“§√“«°àÕπ πÿ° π“π ¡“°·µà®–√Õ´◊ÈÕ°Á‰¡à‰¥â‡æ√“–ªÉ«¬°“√‡ ’¬‡«≈“®–√’∫≈߇√◊Õ ‡ªìπ·µà‡°≥±åæ√–¬“‡∑‡«»√å·≈–æ√–¬“ √√‡æ∑„Àâ‡Õ“‡ß‘𠉪®—¥´◊ÈÕ§π≈–·∂∫ √â“πÀπ÷Ëß„Àâ´◊ÈÕºâ“Àπ÷Ëߺ◊π∑ÿ°√â“π...é ÒÛ ‡¡◊ËÕæ√–∫“∑ ¡‡¥Á®æ√–ª°‡°≈Ⓡ®â“Õ¬ŸàÀ—« ‡ ¥Á®œ ‡¬’ˬ¡ √“…Æ√∑’Ë ß¢≈“„πªïæ.».ÚÙ˜ı √“…Æ√π”ºâ“‡°“–¬Õ¢÷Èπ ∑Ÿ≈‡°≈â“œ ∂«“¬ ‰¥âæ√–√“™∑“π™◊Ëպ⓬°¥Õ°π—Èπ«à“ ºâ“≈“¬ √“™«—µ√ µàÕ¡“‰¥â√—∫§«“¡π‘¬¡·æ√àÀ≈“¬¡“®πªí®®ÿ∫—π °“√∑պ⠓ ‡°“–¬Õ‰¥â À ¬ÿ ¥ ™–ß— ° ‰ª™—Ë « √–¬–Àπ÷Ë ß ¡— ¬ ߧ√“¡‚≈°§√—Èß∑’Ë Ú ‡æ√“–¢“¥«—µ∂ÿ¥‘∫ ®π∂÷ß æ.».ÚıÒ¯ ‰¥â¡’°“√øóôπøŸ°“√∑Õºâ“∑’ˇ°“–¬Õ¢÷Èπ¡“Õ’°§√—ÈßÀπ÷Ëß «‘∏’∑Õ
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·≈–≈“¬ºâ“‡°“–¬Õ‰¡àµà“߉ª®“°ºâ“∑Õæ◊Èπ∫â“π¿“§„µâ∂‘Ëπ Õ◊ËπÊ ¡“°π—° ‡¡◊ËÕæ.».ÚıÚÙ ¡’°“√∑ե⫬°’Ë°√–µÿ°Õ¬Ÿà ª√–¡“≥ ˘ˆ˜ À≈—ß ¡’º∑Ÿâ Õ∑—ßÈ ™“¬·≈–À≠‘ߪ√–¡“≥ Ò, §π ¡—°∑Õ‡ªìπºâ“¬°¥Õ°™π‘¥ Õßµ–°Õ ’˵–°Õ À°µ–°Õ ·ª¥µ–°Õ ·≈– ‘∫µ–°Õ ´÷Ë߇ªìπºâ“‡π◊ÈÕÀπ“ ∑ե⫬¥â“¬ ΩÑ“¬·≈–‡ âπ„¬ —߇§√“–Àå À√◊Õ‡ âπ„¬ —߇§√“–Àåº ¡‰À¡ ”À√—∫„™â‡ªìπºâ“´‘πË ºâ“µ—¥‡ ◊ÕÈ ºâ“ ·≈–ºâ“ΩÑ“¬‡π◊ÕÈ ∫“ß∑’∑Ë Õ‡ªìπ ºâ“‚ √àß ·≈–ºâ“¢“«¡â“ ¡’≈«¥≈“¬µà“ßÊ °—𠇙àπ ≈“¬¥Õ° √“™«—µ√‡≈Á° ≈“¬¥Õ°√“™«—µ√„À≠à ≈“¬≈Ÿ°·°â« ≈“¬¥Õ° æ‘°ÿ≈‡≈Á° ≈“¬¥Õ°æ‘°ÿ≈„À≠à ≈“¬¥Õ°®‘° ≈“¬¥Õ°®ÿ° ≈“¬ µ–‡§√’¬– ‡ªìπµâπ ªí®®ÿ∫π— °“√∑պⓇªìπÕ“™’æ∑’ Ë √â“ß√“¬‰¥â „Àâª√–™“™π∫π ‡°“–π—∫ ‘∫≈â“π∫“∑µàÕªï À“°™“«‡°“–¬Õ “¡“√∂√—°…“ §ÿ≥¿“æ¢ÕߺⓄÀâ ‰¥â¡“µ√∞“π ¡’√Ÿª·∫∫ ≈«¥≈“¬·≈– ’ —π ∑’‡Ë ªìπ‡Õ°≈—°…≥凩擖∂‘πË ‰«â ‰¥â ºâ“‡°“–¬Õ°ÁÕ“®®–‰¥â√∫— §«“¡ π‘¬¡®“°ºŸâ∫√‘ ‚¿§µ≈Õ¥‰ª πÕ°®“°ºâ“æ◊πÈ ∫â“π¥—ß°≈à“«·≈â«„π¿“§„µâ¬ß— ¡’º“â æ◊πÈ ∫â“π æ◊πÈ ‡¡◊Õß∑’¡Ë ™’ Õ◊Ë ‡ ’¬ß¡“·µàÕ¥’µÀ≈“¬™π‘¥‡™àπ ºâ“¬°µ“π’ ‡ªìπ ºâ“∑Õ¬°¥Õ°ª√–‡¿∑‡¥’¬«°—∫ºâ“¬°‡¡◊Õßπ§√ °≈à“«°—π«à“ ºâ“¬°µ“π’∑ե⫬‰À¡®“°®’π Õ¥‡ âπ‡ß‘π·≈–∑Õß®“°®’π ·≈–Õ‘π‡¥’¬ ‡æ√“–ªíµµ“𒇪ìπ‡¡◊Õß™“¬Ωíòß∑–‡≈ ®÷ßµ‘¥µàÕ §â“¢“¬°—∫µà“ß™“µ‘ –¥«° ºâ“®«πµ“π’ ºâ“‰À¡ À√◊Õ‰À¡·°¡ ΩÑ“¬ Õ¥ ’‡ªìπ√‘È«µ“¡§«“¡¬“«¢Õߺⓠºâ“™π‘¥π’ÈÕ“®∑Õ ®“°«—ßÀ√◊Õ®«π‡®â“‡¡◊Õßªíµµ“π’®÷߇√’¬° ºâ“®«πµ“π’ à«π ºâ“∑’¡Ë ≈’ «¥≈“¬§≈⓬ºâ“™«“ ‡√’¬° ®«π™«“µ“π’ ‡¡◊Õßªíµµ“π’ „πÕ¥’µ‡ªìπ‡¡◊Õß∑à“∑’˵‘¥µàէⓢ“¬°—∫µà“ߪ√–‡∑» §ß‰¥â√—∫ ·∫∫Õ¬à“ß°“√∑Õºâ“™π‘¥µà“ßÊ ¡“®“° ®’π Õ‘π‡¥’¬ ·≈– ‡ªÕ√凴’¬ ·≈⫪√–¬ÿ°µå≈«¥≈“¬·≈– ’ π— „À⇢⓰—∫§«“¡π‘¬¡ ¢Õß∑âÕß∂‘Ëπ °“√‡≈‘°∑պⓇæ◊ËÕ„™â‡ªìπ‡§√◊ËÕßπÿàßÀà¡¢Õß™“« ªíµµ“π’Õ“®‡æ√“–¢“¥·§≈π«—µ∂ÿ¥‘∫´÷ËßµâÕß —Ëß´◊ÈÕ®“°µà“ß ª√–‡∑»∑”„À⺓⠡’√“§“ Ÿß ™“«‡¡◊Õß®÷ß´◊ÕÈ ºâ“®“°µà“ß∂‘πË ¡“„™â ªí®®ÿ∫π— ºâ“∑’πË ¬‘ ¡„™â‡ªìπ‡§√◊ÕË ßπÿßà Àà¡∑—«Ë ‰ª§◊Õ ºâ“ª“‡µä– (batik) ´÷Ëߺ≈‘µ°—π¡“°„π®—ßÀ«—¥ªíµµ“π’ ¬–≈“ ·≈–π√“∏‘«“ ºâ“æ◊πÈ ∫â“π¿“§µà“ßÊ ¢Õ߉∑¬∑—ßÈ ∑’∑Ë Õ‡ªìπ‡§√◊ÕË ßπÿßà Àà¡ „π ¡—¬‚∫√“≥·≈–ºâ“∑’Ë∑Õ®”Àπà“¬„πªí®®ÿ∫—π ‡©æ“–ºâ“∑’Ë ∑Õµ“¡°√√¡«‘∏’∑’Ë ◊∫∑Õ¥°—π¡“·µà∫√√æ∫ÿ√ÿ…π—È𠇪ìπ ¿Ÿ¡‘ªí≠≠“‰∑¬∑’˧«√‰¥â√—∫°“√Õπÿ√—°…å ◊∫∑Õ¥„Àâ§ßÕ¬Ÿà ◊∫‰ª
ºâ“‡∫’ˬß≈“¬≈Ÿ°·°â« ∫â“ππ“À¡◊πË »√’ Õ”‡¿Õ‡¡◊Õß ®—ßÀ«—¥µ√—ß
ºâ“¢“«¡â“≈“¬√“™«—µ√ ∫â“ππ“À¡◊πË »√’ A piece of bathing cloth in a design called “lai rachawat” from Ban Na Muen Si, Amphoe Mueang, Trang.
A shawl in a local design called “lai luk kaeo” from Ban Na Muen Si, Amphoe Mueang, Trang.
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¿“æ≈“¬√¥πÈ” · ¥ß°“√·µàß°“¬¢Õß ¢ÿππ“ß «¡≈Õ¡æÕ° A decorative depiction of costume in the Ayutthaya period with courtiers wearing a traditional headgear called “lomphok.”
≈Õ¡æÕ° ‡§√◊ËÕß «¡»’√…–¢ÿππ“ß ·≈–∑À“√ ∑”¥â«¬‚§√߉¡â ‰ºà Àÿ⡥⫬ºâ“‰¢«â°—π§≈⓬°“∫‰ºà ¡’¬Õ¥·À≈¡§≈⓬™Æ“
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«‘«—≤π“°“√ ‡§√◊ËÕßπÿàßÀà¡„π«‘∂’ ‰∑¬ ‡§√◊ËÕßπÿàßÀà¡πÕ°®“°®–„™âª°ªî¥√à“ß°“¬·≈â« ¬—߇ªì𠇧√◊ËÕß∫Õ°™—Èπ«√√≥–¢ÕߺŸâ§π„π —ߧ¡¥â«¬ ‚¥¬‡©æ“– ¡—¬∑’Ë√“™Õ“≥“®—°√‰∑¬ª°§√Õߥ⫬√–∫Õ∫°…—µ√‘¬å À√◊Õ ¡∫Ÿ√≥“≠“ ‘∑∏‘√“™¬å °“√·µàß°“¬·≈–‡§√◊ËÕßπÿàßÀࡇªì𠇧√◊ËÕß°”Àπ¥™π™—Èπ∑“ß —ߧ¡∑’Ë ”§—≠ ‡™àπ‡¥’¬«°—∫°“√ °”À𥂥¬ »—°¥‘π“ „π ¡—¬µâπ√—µπ‚° ‘π∑√å·∫àß™π™—Èπ „π —ߧ¡ÕÕ°‡ªìπ Ù ™—Èπ§◊Õ ™—Èπ‡®â“𓬠¡’æ√–¡À“°…—µ√‘¬å ∑√߇ªì π ºŸâ π” Ÿ ß ÿ ¥ √Õß≈ß¡“§◊ Õ æ√–∫√¡«ß»“πÿ « ß»å ∞“π— π ¥√»— ° ¥‘Ï µ—È ß ·µà ™—È π ‡®â “ øÑ “ æ√–Õߧ凮ⓠÀ¡à Õ ¡‡®â “ ™—ÈπºŸâ¥’ ‰¥â·°à ∫ÿ§§≈ Ú æ«° æ«°Àπ÷ßË ‡ªìπ≠“µ‘À“à ßÊ ¢Õß æ√–‡®â“·ºàπ¥‘π ∑’Ë ‰¡àπ—∫«à“‡ªìπ‡®â“π“¬ Õ’°æ«°Àπ÷Ëߧ◊Õ ¢ÿππ“ß ´÷Ëß·∫à߇ªìπ Ú √–¥—∫§◊Õ ¢ÿππ“ß™—Èπ —≠≠“∫—µ√ »—°¥‘π“ Ù ‰√à ®π∂÷ß Ò, ‰√à ‰¥â√—∫°“√∂«“¬µ—«‡¡◊ËÕ ‡¢â“√—∫√“™°“√ ¡’Àπâ“∑’ˇ¢â“‡ΩÑ“Àπâ“æ√–∑’Ëπ—Ë߇«≈“‡ ¥Á®ÕÕ° «à“√“™°“√·ºàπ¥‘π À√◊Õß“πæ√–√“™æ‘∏’µà“ßÊ ‡™àπ °“√ µâÕπ√—∫·¢°‡¡◊Õß ∑Ÿµ“πÿ∑µŸ µà“ߪ√–‡∑» ´÷ßË ∂◊Õ‡ªìπ™π™—πÈ Ÿß „™â™’«‘µÕ¬Ÿà „π√“™ ”π—° µâÕß·µàß°“¬µ“¡∑’Ë°”Àπ¥‰«â „π°Æ ¡≥‡±’ ¬ √∫“≈ à « π¢ÿ π π“ß∑’Ë ¡’ »— ° ¥‘ π “µË” °«à “ Ù ‰√à ‰¡à¡’µ”·Àπàß„π‡«≈“‡¢â“‡ΩÑ“ πÕ°®“°π’Ȭ—ß¡’ºŸâ∑’Ë ‰ ¥â √— ∫ æ√–√“™∑“πµ”·Àπàß·≈–¬»»—°¥‘Ï∑“ß√“™°“√ ·µà¡’»—°¥‘π“ µË”°«à“ Ù ‰√à ‰¥â·°à ºŸ∑â ¡’Ë À’ πâ“∑’¥Ë ·Ÿ ≈·≈–‡°Á∫¿“…’Õ“°√„Àâ√∞— à«π¡“°‡ªìπ™“«®’π∑’˧«∫§ÿ¡·≈–¥Ÿ·≈°“√§â“ ”‡¿“„π ¡—¬ µâπ√—µπ‚° ‘π∑√å ™—Èπ‰æ√à §◊Õ √“…Æ√∑—Ë«‰ª à«π„À≠à‡ªìπ ™“«π“™“«‰√à ‡ªìπ°”≈—ߺ≈‘µ∑’Ë ”§—≠¢Õß™“µ‘·≈–‡ªìπºŸâ‡ ’¬ ¿“…’Õ“°√„Àâ∫â“π‡¡◊Õß ·≈– ™π™—Èπ∑“ §◊ÕºŸâ∑’Ë ‰¡à¡’Õ‘ √– ‡ √’¿“æ§√∫∂â«π‡À¡◊Õπ§π∑’ˇªìπ‰∑¬·°àµ—« °ÆÀ¡“¬ »—°¥‘π“°”Àπ¥„À⇪ìπ§π™—ÈπµË” ÿ¥‡™àπ‡¥’¬«°—∫¢Õ∑“π ¡’ »—°¥‘π“‡æ’¬ß ı ‰√à ·¡â „π —ߧ¡‰∑¬®–¡’°“√·∫àß™—Èπ«√√≥– ¥—ß°≈à“« ·µàµà“ß®“°«√√≥–¢ÕßÕ‘π‡¥’¬§◊Õ “¡“√∂‡ª≈’Ë¬π ™—Èπ‰¥â ‡™àπ ‰æ√à∑’Ë¡’§«“¡™Õ∫„π√“™°“√°ÁÕ“®‰¥â√—∫·µàßµ—Èß ‡ªìπ¢ÿππ“߉¥â ∂â“¢ÿππ“ß∑”‰¡à¥’°ÁÕ“®∂Ÿ°≈¥™—Èπ≈ß¡“‡ªìπ ‰æ√à ‰¥â‡™àπ°—π ÒÙ ‚¥¬π—¬¥—ß°≈à“« —ߧ¡‰∑¬„πÕ¥’µ®÷ß·∫àߧπÕÕ°‡ªìπ Ú °≈ÿà¡„À≠àÊ §◊Õ ™π™—Èπ Ÿß ‰¥â·°à æ√–¡À“°…—µ√‘¬å ·≈– æ√–√“™«ß»å ‡ π“∫¥’ ¢â“√“™∫√‘æ“√µà“ßÊ ´÷Ëß¡’Àπâ“∑’Ë ‡°’ˬ«¢âÕß°—∫°“√∫√‘À“√√“™°“√·ºàπ¥‘π √«¡‰ª®π∂÷ß∫ÿ§§≈ ∑’ˇ°’ˬ«‡π◊ËÕß°—∫æ√–¡À“°…—µ√‘¬å´÷Ëß„™â™’«‘µÕ¬Ÿà „π√“™ ”π—° ∫ÿ§§≈‡À≈à“π’È¡’«—≤π∏√√¡·≈–«‘∂’™’«‘µµà“߉ª®“°§πÕ’°°≈ÿà¡ 129
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ºâ“ªŸ¡‰À¡ ¡—¬√—µπ‚° ‘π∑√å An exquisite piece of fabric called “pha pum mai” of the Rattanakosin period.
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ºâ“¬° ºâ“∑’Ë∑Õ≈«¥≈“¬ ‡ªìπ¥Õ°¥â«¬°“√ Õ¥ ‡ âπ¬◊π·≈–‡ âπæÿßà ¢—¥°—𠵓¡∑’ËÕÕ°·∫∫≈“¬‰«â ≈«¥≈“¬¡—°πŸπ¢÷Èπ¡“®“°‡π◊Èպⓠºâ“¬°∑’Ë∑ե⫬‰À¡‡√’¬° ºâ“¬°‰À¡ À“°∑ե⫬‰À¡∑Õ߇√’¬° ºâ“¬°∑Õß ºâ“¬°„πÕ¥’µ∑’Ë¡’§«“¡ß¥ß“¡¡“° §◊Õ ºâ“¬°‡¡◊Õßπ§√»√’∏√√¡√“™
ºâ“¬° ‡¡◊Õßπ§√»√’∏√√¡√“™ The traditional fabric called “pha yok” from Nakhon Si Thammarat.
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ºâ“≈“¬Õ¬à“ß ¡—¬√—µπ‚° ‘π∑√å “Pha laiyang” from the Rattanakosin period.
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’¥”‡®◊Õ¢“« à«π¡“° «¡‡ ◊ÕÈ ¢“«À√◊Õ ’‡¥’¬«°—∫ºâ“πÿßà ºâ“¡à«ß ∑’Ë¢â“√“™°“√∑—Ë«‰ªπÿà߉ª∑”ß“π§◊Õ ’πÈ”‡ß‘π·≈– ’°√¡∑à“∂◊Õ ‡ªì π ’ ÿ ¿ “æ ®÷ ß „™â ‡ ªì 𠇧√◊Ë Õ ß·∫∫¢â “ √“™°“√¡“®π∂÷ ß æ.».ÚÙ˜¯ °Á‡≈‘°„™â ‡ª≈’ˬπ¡“πÿàß°“߇°ß “°≈·∫∫Ω√—Ëß ”À√—∫°“√·µàß°“¬¢Õß™π™—Èπ ŸßΩÉ“¬„ππ—Èπ ¬—ß§ßπÿàß ºâ“Àà¡ ‰∫°—πÕ¬Ÿà ·µà¡’‡ ◊ÈÕÕ¬à“ßΩ√—Ë߇æ‘Ë¡‡¢â“¡“∫â“ß ‚¥¬¡“° ¡—°Àà¡ ‰∫∑—∫‡ ◊ÈÕ·¢π¬“« ™“¬¬“«‡æ’¬ß∫—Èπ‡Õ« Àà¡·æ√ ‰∫‡©’¬ß∫à“πÕ°‡ ◊ÈÕ ∫“ß∑’ «¡√Õ߇∑ⓥ⫬ „π√—™°“≈π’È ‚ª√¥‡°≈â“œ „Àâ‡≈‘°πÿàß®’∫‡ª≈’Ë¬π¡“‡ªìππÿàß‚®ß°√–‡∫π ®– πÿàß®’∫‰¥â°ÁµàÕ‡¡◊ËÕ·µà߇µÁ¡¬»„À≠àÀࡵ“¥¥â«¬‡∑à“π—Èπ °“√ ‡ª≈’ˬπ·ª≈ß·∫∫·ºπ°“√·µàß°“¬„π√“™ ”π—°„π ¡—¬ √—™°“≈∑’Ë ı ¡’º≈°√–∑∫µàÕ°“√„™âºâ“™π‘¥µà“ßÊ ∑’Ë „™â‡ªì𠇧√◊ËÕßπÿàßÀà¡¡“·µà ‚∫√“≥ ‡¡◊ËÕ‡ª≈’ˬπ°“√·µàß°“¬®“° °“√πÿàß·≈–Àà¡¡“‡ªìπ°“√ «¡‡ ◊ÈÕºâ“Õ¬à“ß™“«µ–«—πµ° ºâ“æ◊πÈ ∫â“ππ“π“™π‘¥∑’‡Ë §¬„™âπßÿà Àà¡®÷ߧàÕ¬Ê≈¥°“√„™â Õ¬≈ß ‡√◊ËÕ¬Ê ·µà¡’ ‘Ëßπà“ π„®‡°‘¥¢÷Èπ„π√—™°“≈π’ȧ◊Õ æ√–∫“∑ ¡‡¥Á®æ√–‡®â“Õ¬ŸàÀ—«∑√ß πæ√–∑—¬°“√∑պⓉÀ¡‰∑¬¡“° ∂÷ß°—∫∑√ß ∂“ªπ“ °√¡™à“߉À¡ ¢÷È π „π √.».ÒÚÚ À√◊ Õ æ.».ÚÙÙˆ ‡æ◊ÕË à߇ √‘¡æ—≤π“°“√∑պⓉÀ¡„πª√–‡∑»‰∑¬ ·µà°Á ‰¡àª√– ∫§«“¡ ”‡√Á®®π„π∑’Ë ÿ¥µâÕ߇≈‘°‰ª „π ¡— ¬ √— ™ °“≈π’È ‚ª√¥‡°≈â“œ „Àâ¡’°“√ª√—∫ª√ÿß·≈– ‡ª≈’ˬπ·ª≈ß°“√·µàß°“¬¢Õßæ√–∫√¡«ß»“πÿ«ß»å ·≈– ‡ π“∫¥’ ¢â“√“™°“√„Àâ∑—π ¡—¬¡“°¢÷È𠂪√¥‡°≈â“œ „Àâ™à“ß µ—¥‡ ◊ÈÕ·∫∫Àπ÷Ëß∑’Ë∑√߉¥â¡“‡¡◊ËÕ§√—È߇ ¥Á®œ ‡¡◊Õß°—≈°—µµ“ ª√–‡∑»Õ‘π‡¥’¬ (æ.».ÚÙÒÙ ∂÷ß ÚÙÒı) ‡ªìπ‡ ◊ÈÕ§Õªî¥ ¡’ °√–¥ÿ¡µ≈Õ¥Õ° ‰¡àµâÕß «¡‡ ◊ÈÕ™—Èπ„π ‡¡◊ËÕ™à“ßµ—¥¡“∂«“¬ °Á‚ª√¥‡°≈â“œ „Àâ√“™‡≈¢“πÿ°“√§‘¥™◊ÕË ∂«“¬‚¥¬ 𔧔«à“ √“™ ·≈– pattern ¡“√«¡°—π ·ª≈«à“ ‡ ◊ÈÕ·∫∫À≈«ß ·µà‡æ’È¬π ¡“‡ªì𠔇π’¬ß‰∑¬«à“ √“™ª–·µπ ¿“¬À≈—ߺŸâ™“¬π‘¬¡ «¡ ‡ ◊ÈÕ√“™ª–·µπ πÿàߺⓡà«ß «¡√Õ߇∑â“∫â“߉¡à «¡∫â“ß µ“¡∞“π–¢Õß·µà≈–§π à«π°“√·µàß°“¬¢Õß µ√’‡√‘¡Ë «¡‡ ◊ÕÈ ·≈–Àà¡ ‰∫ ‚¥¬‡√‘¡Ë ®“° µ√’™—Èπ Ÿß°àÕπ πÕ°‡Àπ◊Õ®“°°“√ «¡‡ ◊ÈÕÀà¡ ‰∫·≈â« „π√—™°“≈∑’Ë ı ‚ª√¥‡°≈â“œ „Àâ‡≈‘°πÿàߺ⓮’∫¡“‡ªìπºâ“‚®ß °√–‡∫π ¬°‡«âπß“πæ√–√“™æ‘∏’·µà߇µÁ¡¬»®÷ßπÿàß®’∫Àࡵ“¥ ¥—ßπ—Èπ ¿“æ∂à“¬„π√—™°“≈∑’Ë ı à«π„À≠à®–‡ÀÁπ«à“ µ√’™—Èπ Ÿß ¡—¬π—πÈ «¡‡ ◊ÕÈ ¢“«·¢π¬“« Àà¡ ‰∫πÿßà ‚®ß°√–‡∫π ∫“ß∑’ «¡∂ÿ߇∑⓬“«µ≈Õ¥πàÕß «¡√Õ߇∑â“∫Ÿäµ √Ÿª·∫∫‡ ◊ÈÕ¢Õß µ√’ „π√—™°“≈∑’Ë ı ‰¥â·∫∫Õ¬à“ß¡“®“° µ–«—πµ° ∑’Ëπ‘¬¡°—π¡“°§◊Õ ‡ ◊ÈÕ·¢πæÕß À√◊Õ∑’ˇ√’¬°°—π«à“ ·¢πÀ¡Ÿ · Œ¡ πÕ°®“°‡ ◊È Õ ·≈â « æ«°‡§√◊Ë Õ ßª√–¥— ∫ ∂π‘¡æ‘¡æ“¿√≥å·∫∫µà“ßÊ ®“°¬ÿ‚√ª°Á¡’ºŸâ —Ë߇¢â“¡“¢“¬ °—π∫â“ß·≈â« 135
°“√·µàß°“¬¢Õ߇¥Á°ºŸâÀ≠‘ß ¡—¬√—µπ‚° ‘π∑√å The traditional costume of a Rattanakosin girl from a well-to-do family.
„π ¡—¬æ√–∫“∑ ¡‡¥Á®æ√–¡ß°ÿƇ°≈Ⓡ®â“Õ¬ŸàÀ—« √—™°“≈ ∑’Ë ˆ (æ.».ÚÙıÛ ∂÷ß ÚÙˆ¯) ‡ªìπ¬ÿ§∑’ Ë µ√’‰∑¬‡ª≈’¬Ë π·ª≈ß °“√·µàß°“¬‰ª¡“° ‡√’¬°«à“¬ÿ§ πÿßà ´‘πË øíπ¢“« ‡°≈⓺¡¡«¬ ´÷ßË ∂◊Õ‡ªìπæ√–√“™π‘¬¡„π ¡—¬π—πÈ °“√πÿßà ‚®ß°√–‡∫π Àà¡ ‰∫ ≈¥πâÕ¬≈߉ª æ√âÕ¡°—ππ—Èπ°Á¡’°“√™—°™«π„Àâ µ√’ ‰∑¬πÿàß´‘Ëπ ·∑π°√–‚ª√ß∑’Ë¥Ÿ‡ªìπΩ√—Ëß¡“°‰ª «¡‡ ◊ÈÕÀ≈«¡Ê ·¢π —Èπ ∫â“߬“«∫â“ß ‚¥¬‡©æ“–‡ ◊ÈÕ‰¡à¡’·¢π ‰¥â°≈“¬‡ªìπ¢ÕߧŸà°—∫ ´‘Ëπ„π ¡—¬√—™°“≈µàÕ¡“ à«π°“√‡°≈⓺¡¡«¬π—È𠇪ì𧫓¡π‘¬¡∑’ËÕ“®¡“®“° µ–«—πµ° §◊Õ‰¡àµ—¥ —Èπ·∫∫∑√ߥհ°√–∑ÿà¡À√◊Õ‰«â®ÕπÕ¬à“ß ‚∫√“≥ ·µà‡°≈â“¡«¬À√◊Õ¥—¥≈ÕπÕ¬à“ßΩ√—Ëß ”À√—∫øíπ¢“« π—Èπ‡ªìπ§à“π‘¬¡„À¡àµ“¡æ√–√“™π‘¬¡¢Õß√—™°“≈∑’Ë ˆ ™à«¬ „Àâ§π‰∑¬≈¥°“√°‘πÀ¡“°‰ª‰¥â∫â“ß ®πæ.». ÚÙ¯Ú ¡—¬ ®Õ¡æ≈ ª. æ‘∫Ÿ≈ ߧ√“¡ (·ª≈° æ‘∫Ÿ≈ ߧ√“¡) ®÷ßÀâ“¡ §π‰∑¬°‘πÀ¡“° ‡æ√“–‡ÀÁπ«à“≈â“ ¡—¬ °“√·µàß°“¬·∫∫µ–«—πµ°‰¥â√∫— §«“¡ π„®®“°™π™—πÈ Ÿß ·≈–™“«‡¡◊ÕßÀ≈«ß‡ªìπ à«π„À≠à ™“«™π∫∑§ß·µàß°“¬ßà“¬Ê „Àâ Õ¥§≈âÕß°—∫°“√ª√–°Õ∫Õ“™’æ ·≈–¢π∫ª√–‡æ≥’¢Õß µπ¡“°°«à“∑’Ë®–·µà߇æ◊ËÕ§«“¡ «¬ß“¡µ“¡ ¡—¬π‘¬¡Õ¬à“ß µ√’™“«°√ÿß «‘«—≤π“°“√‡§√◊ËÕßπÿàßÀà¡„π«‘∂’‰∑¬
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„π ¡—¬æ√–∫“∑ ¡‡¥Á®æ√–ª°‡°≈Ⓡ®â“Õ¬ŸÀà «— √—™°“≈∑’Ë ˜ (æ.».ÚÙˆ¯ ∂÷ß ÚÙ˜˜) °“√·µàß°“¬¢Õߧπ‰∑¬µà“ß®“° ¡—¬√—™°“≈∑’Ë ˆ ‡©æ“–À≈—߇ª≈’ˬπ·ª≈ß°“√ª°§√Õß®“° √–∫Õ∫ ¡∫Ÿ√≥“≠“ ‘∑∏‘√“™¬å¡“‡ªìπ√–∫Õ∫ª√–™“∏‘ª ‰µ¬ æ.». ÚÙ˜ı §≥–√“…Æ√å∑√’Ë «à ¡°—π‡ª≈’¬Ë π·ª≈ß°“√ª°§√Õß ‡ÀÁπ«à“§«√„Àâ¢â“√“™°“√·µàßµ—«·∫∫ “°≈π‘¬¡ ®÷ßÕÕ° æ√–√“™∫—≠≠—µ°‘ “√·µàß°“¬¢Õߢâ“√“™°“√æ≈‡√◊Õπ Àâ“¡πÿßà ºâ“¡à«ß‚¥¬‡¥Á¥¢“¥ ·≈–°”À𥇧√◊ËÕß·∫∫¢Õߢâ“√“™°“√ æ≈‡√◊Õπ¢÷Èπ„À¡à ”À√—∫ª√–™“™π∑—Ë«‰ª°Á ‰¡à ‰¥â∫—ߧ—∫„Àâ‡≈‘° πÿàߺⓡà«ß‡ ’¬∑’‡¥’¬« ”À√—∫ºŸâÀ≠‘߬—ߧߡ’∑—Èßπÿàߺâ“∂ÿß∫â“ß °√–‚ª√ß∫â“ßµ“¡Õ—∏¬“»—¬ „π√—™°“≈π’Èπ‘¬¡‡ ◊ÈÕ‰¡à¡’·¢π „πÀ¡ŸàºŸâÀ≠‘ß ∂◊Õ‡ªìπ‡ ◊ÈÕπ” ¡—¬ ¡—¬æ√–∫“∑ ¡‡¥Á®æ√–‡®â“Õ¬ŸÀà «— Õ“π—π∑¡À‘¥≈ √—™°“≈ ∑’Ë ¯ (æ.».ÚÙ˜˜ ∂÷ ß ÚÙ¯˘) ‡ªì π ™à « ߇«≈“¢Õß°“√ ‡ª≈’¬Ë π·ª≈ß∑“ß«—≤π∏√√¡∑’ Ë ”§—≠Õ’°™à«ßÀπ÷ßË ‡¡◊ÕË ®Õ¡æ≈ ª. æ‘∫Ÿ≈ ߧ√“¡ ‡ªìπ𓬰√—∞¡πµ√’ „πªïæ.».ÚÙ¯Ò ‰¥â ·∂≈ßµàÕª√–™“™π«à“®–π”ª√–‡∑»‰ª Ÿ§à «“¡‡ªìπÕ“√¬ª√–‡∑» ®”‡ªìπµâÕߪؑ√ªŸ «—≤π∏√√¡Õ¬à“ß®√‘ß®—ß ®÷ßÕÕ°ª√–°“»‡ªìπ √—∞π‘¬¡ „π‡√◊ËÕßµà“ßÊ Õ¬à“ßµàÕ‡π◊ËÕß ‡™àπ ª√–°“»√—∞π‘¬¡ ©∫—∫∑’Ë Ò ≈ß«—π∑’Ë Òı ¡°√“§¡ æ.».ÚÙ¯Ù ç‡√◊ËÕß°“√ ·µàß°“¬¢Õߪ√–™“™π™“«‰∑¬é ∑’æË ¬“¬“¡„Àâ§π‰∑¬·µàß°“¬ Õ¬à“߇ªìπ√–‡∫’¬∫„π‚Õ°“ µà“ßÊ ‰¥â·°à ‡§√◊ËÕß·µàß°“¬ ∏√√¡¥“∑’Ë „™â „π™ÿ¡™πÀ√◊Õ “∏“√≥– ‡§√◊ËÕß·µàß°“¬∑”ß“π §◊Õ‡§√◊ËÕß·µàß°“¬¢≥–∑”ß“πª√–°Õ∫Õ“™’æµà“ßÊ ·≈–°“√ ·µàß°“¬µ“¡°“≈‡∑»–∑’‡Ë À¡“– ¡ ∑’ Ë ”§—≠§◊Õ°“√™—°™«π·°¡ ∫—ߧ—∫„Àâ∑ÿ°§π «¡À¡«° ‚¥¬™—°™«π„À⺟âÀ≠‘ß «¡À¡«° ç...‡æ◊ËÕ à߇ √‘¡°“√ √â“ß™“µ‘¢Õß∑à“π„πÀπâ“∑’Ë µ√’‰∑¬„Àâ ‡¥àπ¬‘ßË ¢÷πÈ . .é ¿“¬À≈—ß®÷ß¡’º‡Ÿâ √’¬°¬ÿ§®Õ¡æ≈ ª. æ‘∫≈Ÿ ߧ√“¡ «à“ ¬ÿ§¡“≈“π”‰∑¬‰ª Ÿà¡À“Õ”π“® °“√·µàß°“¬‚¥¬∑—«Ë ‰ª¢ÕßÀ≠‘ß™“¬ ¡—¬π—πÈ §◊Õ ºŸ™â “¬ «¡ °“߇°ß¢“¬“« «¡‡ ◊ÈÕ¡’·¢π §Õªî¥ À√◊Õ§Õ‡ªî¥ À“°‡ªìπ ™π∫∑À√◊ÕπÕ°‡¢µ‡∑»∫“≈ «¡‡ ◊ÈÕ∑√ß°√–∫Õ°·∫∫‰∑¬ ·¢π¬“« §Õµ—Èß °≈—¥°√–¥ÿ¡ ı ‡¡Á¥ ¡’°√–‡ªÜ“ à«πºŸâÀ≠‘ß πÿàߺâ“∂ÿßÀ√◊Õ°√–‚ª√ß ÕÕ°πÕ°‡¢µµâÕß «¡‡ ◊ÈÕ®–‡ªìπ ·∫∫„¥°Á ‰ ¥â ·µàµâÕߧ≈ÿ¡‰À≈à µâÕß «¡√Õ߇∑â“ ·≈– «¡ À¡«°∑ÿ°§π °“√·µàß°“¬·∫∫√—∞π‘¬¡ √â“ߧ«“¡Õ÷¥Õ—¥„À♓«∫â“π ·≈– “¡—≠™π∑—Ë«‰ª‰¡àπâÕ¬ ‡©æ“–ºŸâÀ≠‘ß∑’ˇ§¬·µàπÿàß‚®ß °√–‡∫π ‡¡◊ÕË ∂Ÿ°™—°™«π„Àâπßÿà ºâ“∂ÿß ®÷ߥŸ¢¥— ‡¢‘π·≈–‰¡à –¥«° °“√·µàß°“¬µ“¡√—∞π‘¬¡∑’Ë ¡∫Ÿ√≥å®–µâÕß «¡À¡«° «¡ ∂ÿ߇∑â“ √Õ߇∑ⓥ⫬ ‡¡◊ËÕæâπ¬ÿ§®Õ¡æ≈ ª. æ‘∫Ÿ≈ ߧ√“¡ °“√ «¡À¡«°°Á §àÕ¬Ê À“¬‰ª ™“«‰√à™“«π“°Á°≈—∫‰ª «¡ßÕ∫¥—߇¥‘¡ ·µà ß‘Ë ∑’Ë
∫π °“√·µàß°“¬ µ“¡ª√–‡æ≥’𬑠¡ ¢Õß∑âÕß∂‘πË above Local dressing styles.
≈à“ß ºŸâÀ≠‘ß™π∫∑ §“¥ºâ“·∂∫ πÿàß‚®ß°√–‡∫π below An upcountry female with a piece of cloth to cover her chest, wearing “pha chong kraben.”
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Thai Wisdom: Thai Ways of Life
Wooden shuttles for fabric weaving.
Chapter Two
Traditional Thai Clothing ÒÛ¯
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Clothing normally serves as protection from severe heat or cold. In ancient times, human beings must have clothed themselves with any natural materials available. Later, they must have made simple woven wear from certain fibrous plants such as flax, jute, or pineapple leaves, before knowing how to acquire threads and how to weave fabrics from cotton, wool, or silk.
Since the Sukhothai Period, the Golden Age of art, Thai artisans had invented many new designs from the surrounding natural objects, and from some mythical characters after their imagination, as reflected in unearthed pottery fragments. There were three methods to imprint these designs on to the fabrics: by embroidering, weaving, and painting. However, certain designs were reserved for nobility or dignitaries. Therefore, fabric designs were not simply artistic expressions but they also denoted subtle stratification in the fabric of Thai society.
After having learned to acquire silk thread and to make silk cloth, humans must have learned coloring with natural dyes from readily available plants such as the indigo dye from the indigo plant, the black dye from ebony fruits (Diospyros mollis), yellow from jackfruit wood or cumin, red from Sappan wood (Caesalpinia sappan), green from leaves of wild olive (Vitex pinnata, LABIATAE), light green from leaves of cork wood trees, and khaki from teak leaves.
Local Fabrics and Attire The Siamese formerly dressed very simply, with “a piece to wear and another piece to wrap” themselves-as a Thai saying goes. Men usually covered the lower part of their body from the waist down. Women had something to wear and to wrap the upper part of the body. Most of their clothes were home spun. Wealthy people may have imported fabrics from abroad, but they were careful not to “emulate the lords and masters,” by wearing certain kinds of valuable and rare clothes reserved for nobility. As a matter of fact, in the late Ayutthaya Period, there was a decree to forbid commoners to use certain kinds of fabric and clothing reserved for dignitaries. The decree was repealed in the Fifth Reign (1868-1910), when western attire was adopted and widely used in the court as well as among commoners.
It has been hypothesized that humans must have developed weaving techniques from knitting. Weaving gradually became more sophisticated with the invention of percussion loom about 1,800 years ago. The tool had made weaving much faster. In Europe, this had led to a breakthrough in human history, the Industrial Revolution, when machines were invented to replace human hands in cotton mills in the mid-19th Century CE. In Thailand, however, back-strap looms or handlooms are still in used for certain kinds of materials weaving, especially in some rural villages around the country.
Fabric Designs: Art Woven with Thai Wisdom.
Local fabrics and dresses that commoners used in their daily life, however, reflected both ancestral wisdom and local belief systems. They can be regionally divided into four areas.
Rollers made from terra cotta unearthed at Ban Chiang indicate the printing (or rolling) of patterns on fabrics in solid colors. Certain archeological fragments discovered support the idea that early fabric designs may have been similar to those on pottery, such as spiral, saw tooth, coiled rope, or wave designs. After human communities had developed and become more complex, certain patterns for example, naga, serpent, hemsa, or peacock designs must have been invented to signify group identities.
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Northern-Style Fabrics The northern highlands comprise of various ethnic groups with their own traditional costume. The Thai Yuan, or Khon Mueang, in the plains and in the city areas, for example, have their own dressing style much different from that of the hill tribes. In the old days, male Thai Yuan descendants wore a piece of thigh-length wrap, in order to show off elaborate tattoo designs on their body. They did not cover the upper part of the body, but they wore a long decorative piece of cloth across the shoulders. The aristocrats, however, wore a shirt with a long piece of decorative cloth tied around their waist. Women wore an ankle-length robe with horizontal stripes but no blouse. They covered the upper part of the body with a wrap and did their hair in a high chignon decorated with a hairpin or flowers. This dressing style has been depicted in several murals in temples around Chiang Mai. Presently, local Lanna women wear long robes, but they also wear blouses instead of chest wraps, the practice observed since the Fifth Reign. The blouses are usually made from off-white cotton in a T-shirt pattern with a buttoned slit along the front. Men wear indigo pants and shirts made from specially dyed fabric called “mohom.” In addition, there are still many kinds of homespun fabric made in hill tribe villages. They also make several kinds of fabric items such as northern-style decorative flags, blankets, and other household items.
“Nam lai” fabric design.
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Central-Style Fabrics Many ethnic people in the Central Plains were immigrants from Laos. Some were from the northern city of Chiang Saen. They have retained their ethnic culture in fabric making and costume. Most of them make cotton robes for home use, and silk robes for temple visits or for auspicious occasions. Chiang Saen descendants in Uttaradit, Saraburi, and Ratchaburi, for example, still preserve their northern cultural heritage in dressing style. They still make intricate embroidered borders for robes called “tinjok.” The Thai Song Dam in Khao Yoi, Phetchaburi, for instance, still weave and wear their traditional costume made from cotton fabric: a black or dark blue robe with red stripes, and a blouse of the same color. If they are about to go to the temple, a decorative piece of cloth will be placed on their shoulders. Many other ethnic groups maintain their traditional costume in the similar way. The Central style of clothing varied from one ethnic culture to another. In general, however, they still dressed conservatively. The changes came in the reign of Rama V when imported western outfits and dressing style soon replaced the Siamese traditional attire in the Central Region.
A full-size robe with “tinjok” border.
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Silk threads in “matmi” design.
Northeastern-Style Fabrics The majority of the northeastern Thai people are Lao descendants. There are also Cambodian descendants scattered in Surin and Buri Ram. These ethnic groups have different cultural heritage, which is highly visible in their dialect, traditional costume, and belief systems. Most of them, however, share basic cultural beliefs and practices common among people in agrarian communities. They spend 7-9 months from the rain to the cold seasons on planting and harvesting. The 3-5 months of summer are for making preparations for the planting season and repairing tools for everyday use, as well as for some entertainment and religious festivals. A traditional saying “After the rice planting season, women weave fabric and men strike iron,” clearly summarizes local activities and practices. Northeastern farmers grow cotton and mulberry trees (for silk worms) simultaneously with rice planting. After the rice harvest, the cotton will also be ready for the harvest. Villagers will then begin the fabric production process. They weave both cotton and silk fabrics for different occasions. Many localities have their own
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signature fabric. For example, the hole and prom fabrics are from the Lower Northeastern areas of Surin, Buri Ram, and Si Sa Ket. The khit designs are especially popular among the Lao descendants in Maha Sarakham, Khon Kaen, Udon Thani, and Chaiyaphum. Northeastern fabric is different from that of the northern people. The stripes and designs run vertically along the length of the wearer. A robe usually has only one seam, which is carefully hidden and invisible under the front fold of the robe. The northern fabric, in contrast, runs the stripes and the patterns horizontally across the wearer’s body. A northern robe often has two seams. When worn, one will be visible in front and the other at the back of the wearer. In addition to fabrics for clothing, people also make other items to meet the market demand, such as bags, handbags, tablecloths, doilies, napkins, scarves, shawls, and bed spreads. Silk from the Northeast is very beautiful and second to none. HM Queen Sirikit has recently encouraged people to continue their weaving art. She has graciously included their weaving art to the SUPPORT Handicraft Center’s programs under her royal patronage.
Southern-Style Fabrics The neighboring Malay culture and the imported Chinese, Indian, and Arabic cultures have greatly influenced southern art and culture. However, many localities have developed their own signature fabrics, such as the intricately woven design pha yok from Nakhon Si Thammarat; pha phumriang from Amphoe Chaiya, Surat Thani; pha Ban Na Muen Si from Trang; and pha ko yo from Ko Yo, Songkhla. All these fabrics are made into garments and other items for special occasions, such as a decorative piece of cloth used in a wedding ceremony, a funeral, and a prayer.
Ko Yo fabric from Songkhla.
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A piece of “phan chang” fabric from Ban Na Muen Si, Trang.
The Development of Rattanakosin Costume In traditional Thai society, people were roughly categorized into the ruler class (royalty, nobility, and courtiers) and the ruled (commoners and peasants). Dress was a means to distinguish people of different social status. Commoners were not to “over-dress higher than their station in life.” Different kinds of fabric were used to reward courtiers and nobility, which also denoted their “station in life” as well as in the court. An early Rattanakosin law clearly defined particular kinds of costume for dignitaries and members of the royal household.
A dressing style of Thai men in the early Rattanakosin Period.
In the early Rattanakosin Period, from the First Reign (1782-1809) to the Third Reign (1824-1851), the Court still adopted and observed Ayutthaya practices. Silk and golden threads were used in the weaving of fabric for the ruler class, both men and women. Women wore long robes and wrapped the upper part of their body with a piece of cloth. Men, on the contrary, still covered only the lower part of themselves, except for the occasion when they were to be in audience with the king. King Rama III, however, did not like wearing shirts himself. Courtiers during his time, thus, followed the royal preference.
Above right A dressing style of Thai women early in the Fifth Reign (1868-1910) of the Rattanakosin Period.
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The changes came with the enthronement of Rama IV (1851-1868). The king intended to develop the country to be “equal” to the western colonizing powers. He had a decree that all courtiers in audience had to wear a shirt to cover themselves. The king himself began wearing western clothes. Soon, the idea spread among courtiers and later to some commoners outside the palace. However, the general local dressing style remained unchanged.
citizens’ duty to follow the state preference. A decree was announced on 15 January 1941, stating the dress code for all occasions. He also stressed the western idea of wearing hats. The slogan for the period was “Hats will lead us to being a super power.” After his government, people discarded the hats and the socks, and went back to the former dressing style they preferred. However, more ladies were wearing long robes and keeping their teeth white. Men were wearing western style clothes. The trend continued into the beginning of the present reign (Rama IX, 1946-present).
Greater changes to modernity and westernized dressing style came in the Fifth Reign. After his royal visit to Calcutta in India (1871-1872), the king designed a shirt for courtiers to wear to the palace, called “raj pattern,” which was similar to the Indian-style shirt. Court ladies led the fashion by wearing a long-sleeved blouse under the sabai (long scarf worn across the chest and over one shoulder). Long socks and shoes were also introduced.
Another breakthrough concerning ladies’ wear took place in 1960. HM Queen Sirikit was to accompany HM the King on their state visit to European countries and the USA for six months. She had commissioned knowledgeable personalities to design a set of traditional Thai costume from available historical and archeological evidence. The set comprises 8 patterns, ranging from the least formal dress called Thai Ruean Ton, to that for the most formal occasion and for full decorations called Thai Dusit, as well as the traditional dress called Thai Chakrapat, and the dress for the cold weather called Thai Sivalai.
The long silk robe, with pleated ridge along the middle of the front piece, was replaced by a shorter pha chong kraben. The former attire of long silk robe and silk scarf was reserved for more formal occasions. More European garments and accessories were imported. In the reign of Rama VI (1910-1925), the fashion was changed again. It was the period of “long robe, white teeth, and a low chignon,” which were believed to be “the court preference” for women. The robe was either ankle length or shorter, worn under a sleeveless blouse. The chignon was western in style. The “white teeth” was the king’s attempt to stop traditional betel nut chewing, for hygienic reason. The practice was entirely forbidden during the dictatorial government of Field Marshal Plaek Pibulsonggram in 1939, who deemed the practice “backward” and uncivilized.
Another change for men costume came in 1979, when General Prem Tinsulanonda began to promote a kind of men’s shirt design, which was a gift from HM the King. There are three patterns: the long-sleeved with a scarf, the long-sleeved without a scarf, and the short-sleeved. The king has used these patterns regularly in many formal occasions to avoid wearing the western-style suit-and-tie, which is not at all suitable for a hot climate as in Thailand. Clothing is one of the four basic needs for humans. It has developed from providing bodily protection to becoming the attire to denote social status in the more complicated spin of human society.
However, it should be noted that western fashion was mainly for people in the capital city and the upper class. Commoners and rural people still maintained the simple and practical dressing style after their ethnic traditions and beliefs. In the Seven Reign (Rama VII, 1925-1934), there were not many changes from the last reign. After the 1932 political revolution from absolute monarchy to parliamentary democracy, however, the ruling class at the time wanted government officials to adopt western-style clothing. A dress code bill was passed specifically for government officials. The Cultural Revolution, nevertheless, actually took place in the next reign (Rama VIII, 1934-1946) under the administration of Field Marshal Plaek Pibulsonggram. He deemed it the
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