Every riven thing

Page 1

Every Riven Thing [2013]

for the Aldeburgh English Song Project

Aaron Holloway-Nahum www.aaronhollowaynahum.com


Every Riven Thing by Christian Wiman (used with permission) God goes, belonging to every riven thing he's made sing his being simply by being the thing it is: stone and tree and sky, man who sees and sings and wonders why God goes. Belonging, to every riven thing he's made, means a storm of peace. Think of the atoms inside the stone. Think of the man who sits alone trying to will himself into a stillness where God goes belonging. To every riven thing he's made there is given one shade shaped exactly to the thing itself: under the tree a darker tree; under the man the only man to see God goes belonging to every riven thing. He's made the things that bring him near, made the mind that makes him go. A part of what man knows, apart from what man knows, God goes belonging to every riven thing he's made.


Every Riven Thing Words by Christian Wiman from 'Every Riven Thing' FSG 2010 Used with Permission

Music by Aaron Holloway-Nahum

q = 66 with energy and life p cantabile espressivo

°? 4 ¢ 4

Baritone

-œ œ 4 ˙™ 3 3 j œ œ 3 j œ œ bœ bœ œ œ œ - #œ- nœ œ 4 4 - -

˙ ∑

God goes be - long - ing q = 66 with energy and life

4 Ó nn˙˙ &4

w w

to ev -ery riv -en

thing

he's

¿‰5 J 8

made.

™ 3 ˙˙ ™ 4

w w

*

[d]

4 Œ œœ ˙˙ 4 J

œœ 5 J‰8

3

p

mp Piano

3

{

4 & 4 Ó b˙˙ -

w w

4Œ j 4 œ ˙ ™™ œ ˙

3 4 ˙ ™™ ˙

w w

5 8

6

Bar.

°? 5 bœ ™ bœ œ bœ ™ bœ 3 bœ ‰ 7 bœ n œJ œ œ 4 nœ 8 8 4 ¢ 8 Sing

Pno.

his

5 Œ { & 8 œœ ™™

being

sim - ply by

3 7 8 ∑ 8

bƜ J

#Ɯ J

œ

3 œJ ‰ Œ Œ 4 #˙ ™ 4 4

being the thing it is with insistent presence

4Ó 4

3 4 ˙-

3 bœ 4

stone

and

4 4 ˙-

œ-

3 4 œ ˙-

œ-

poco f

° ** cresc. poco 13

Bar.

°? 3 #˙ ¢ 4

tree

Pno.

4 nœ nœ ™ ˙ 4

and

3 {& 4 œ ˙ -

Œ

3 3 # œ #œ œ œ 6 ˙™ 4 J 4

sky

3 nœ #œ nœ bœ 45

man who sees and sings

4 4 ™ # œø

3 4

j j œ # œ- œ ™

and won -ders why

6 4 # ˙-

œ-

5 4 œ # ˙-

˙-

n Ͽ

mp falsetto, innocent and light, a second voice & distinct character

˙o

17

œo

accel poco a poco

°? 5 4

Ó

God

4 4

goes.

Bar. mf rich and mature

?5 ¢ 4Ó

Œ ˙ God

4˙ 4

Ó

goes.

-œ nœ ˙ j3 3 j œ #œ œ- œ œ œ - - nœ- œ-

be - long ing

-œ œ œ œ

to ev -ery riv -en thing he's made

accel poco - a poco

Ϫ

5 &4

4 n-œ ™ 4

-œ ™

-œ œ J

-œ œ œ

mp sub. cresc. poco a poco Pno.

{

5 &4 œ ˙-

3 - 3- 3- 3 4 bœ œj œ œ œj œ bœ œj œ œ œj œ 4 ˙˙ ˙ ˙ ˙ ø

bœ ˙ -

j3 œœ

3

œ ˙ -

*Throughout the piece the tied quaver indicates placement of the consonant on the beat, as made explicit here **Unmarked crescendi are small expressive crescendi within the prevailing dynamic

-j œ œ

?

ø


2 q = 72 moving forward purposefully 21

Bar.

°? #œ œ3 œ œ ¢ means a

œ

storm

of

œ ‰ Œ J

p quasi recitative #œ œ œ -œ œ

œ -œ™ œ

think of the a -toms

in -side a

Œ

peace

q = 72 moving forward purposefully

n-œ

œ -œ œ

œ -œ œ

œ >œ œ

œ

œ

& mf 3

bœ ˙ -

3

Pno.

? Œ˙ -

{

‰ bœ œ œj œ ˙ -

3j œœ œ ˙ -

3

-j sfz p-sub. œ œ bœ ˙ -

3j œ œ

-j œ œ

3

œ ˙ -

ø

cresc. # œ œ œ œ #œ œ œ œ ≈#œ œ œ

24

Bar.

°? #˙ ¢

#œ œ œ # ˙

œ

think of the man

who

Ó

stone.

sits

a - lone

try -ing to will him - self

molto legato

n-œ ™bœ œ œ œ œ™ nœ ™ œ œ œ

œ bœ ™ nœ ™ œ œ œ

œ bœ ™

nœ ™

œ

œ œ

œ œ™

& cresc.

? bœ˙ -

Pno.

{

33 j œ œ œ œj œ ˙ -

bœ ˙ -

33j œ œ œ œj œ ˙ -

bœ ˙ -

3j œ œ

3

œ ˙ -

-j œ œ

mp (as before)

b œo

˙o œo

27

°?

3 4

Œ

God goes

b œo œo Œ

be

Œ Œ

4Ó U Œ Œ 4

- long - ing.

one voice/character poco f molto legato poss.

Bar. (mf)

#œ œ œ ? #œ#œ œ

œ

¢

in -to a still - ness where

&

b ? œ ˙ -

3 œj Œ Ó ˙ -

4 ŒU bœ œ œ 4 œ Œ œ

œ

be -long - ing.

ev -ery

mf (as before)

3 4

œ Œ œ Œ God

3 4

7 8

goes

To

œ

-œ œ œ U 4 Ó Œ Œ? J 4

7 œ 8

ri - ven

œ -œ œ 7 J 8

3 3

Pno.

{

mf rich and warm

U

3 4

4 4 ˙- œ- œ ˙-

ø

˙-

œ-

œ œ- œ œ ø

Ó w

˙

7 8


as little break 3 of phrase as possible 33

Bar.

°? 7 œ ¢ 8

œ

thing he's

#œ ™

#œ #œ œ œ

made

there is giv - en

nœ nœ 4 œ #œ ˙ 4 one

œ ‰ 43 J

shade

(loco)

? 87 œ

œ œ œ -œ œ J

œ œ œ J

œ #œ J

3

5

œ 44 œ J

-œ ˙ œœ ˙˙

nœnœ

3 4

3 3

3

Pno. p

{

? 87

j œ

œ™ ˙

4 4œ

œ œ

œ

bœ “‘ -

3 4

j #œ œœ ˙˙ -

ø

Bar.

36 °? 3 œ # œ œ œ bœ œ œ œ œ ¢ 4

shaped ex act - ly like the

q = 80 (sub.) quickening 3

œ

thing

-œ œ œ 2 ˙ 4

3 4

œ ‰ Œ J

it - self.

q = 80 (sub.) quickening

? 43

∑ &

“”œ # œ # œ n œ (loco) # œ n œ # œ nœ#œnœ œ 3 œ 2 # œ # œ # œ nœ #œ 4 4 5

mp decresc. Pno.

{

? 43

∑ &

3 2 #œ œ #œ nœ nœ œ #œ nœ #œ nœ 3 4 nœ œ œ? 4 3 3

ø

ø una corda (sempre) >

mp 40

Bar.

°? 3 Œ ¢ 4

Œ

3 œ œ œ 42

un -der the

3 n œ œ3 3 #œ œ œ œ3 œ 3œ n œ 2 # œ #3œ nœ 3 œœ œ œ 43 bœ œ 4 4 J J

tree a dar - ker

tree; un - der the man the on -ly

man to see

(prepared notes with blue tac: stopped, thudding sound)

Pno.

#œnœ 3 2 4 & 4 nœ œ# œ #œ ? nœ#œ #-‚ ‚ #-‚ p cresc. poco a poco # œ n œ œ 2 ? 43 4 #œ œ ‚ ‚ -‚ 3 ‘ “ ø (una corda>)

{

3 4 ‚

#-‚

2 4 ‚

#-O

3 4 ‚

-‚

3 4 #-O

2 4 ‚

-O

3 4 -O


accel 4 mf (still innocent)

˙o

45

œo

°? 3 4

b œo

b œo œo Œ 44

Œ

God

œo

goes

be

b ˙o

œo ‰ 43 Œ

Œ

long -ing

-

œo

to

ev

œo

Œ ery

-

œo Œ

riv

Œ

en

-

thing.

Bar. f richer still

¢

? 43

œ Œ œ 4 Œ 4

God

3 bœ ‰ œ œ ‰ œ 4 nœ Œ œ

goes

be - long -ing

to

ev

nœ Œ œ

ery

-

riv

-

en

accel (prepared notes with blue tac: bell-like sound) Pno.

{

? 43

4 4

_ -:“; ° poco f

- -_

3 4 -_

-_

-_

--

- -_

-_

--

tre corde

q = 96 more urgently quasi resitative 51

Bar.

j ‰ 44 Œ ‰ œJ œ

°? ¢ ˙ thing.

œ œ œ

œ œ œ œ 3œ œ

He's made the things

that bring him

œ

œ œ œ œ J ‰

near,

made the mind

q = 96 more urgently

?

-œ 4 nœ œJ 4

-œ œ -œ J

˙

3

œ

œ

œ

œ œ

œ œ

3

Pno. 3

{

4Ó 4 ˙™

? - -_

b˙ -

:“;

˙ - _

˙ -

-

œ _

55 3

Bar.

œ œ ˙™

thatmakes him go.

œ ? œ

œ œ

3 œ œ œ œ œ #œ J‰

Apart ofwhat man

œ œ œ œ œœ œ œœ

œ 2 œ œJ 5b-œ œ3 4 J‰ ‰ 4 knows,

{

j3 œ œ bœ -_

œ œ 2 œ bœ 5 œ 4 4

3

œ

j œ œ ˙ b˙ w - -_ - - _ ø

, œ b œ œbœ≈ œ 3 4

a - part from what man knows,

Pno.

?

ø

ø

°? œ œ œ œ ¢

2 5 4˙ 4Ó - - - ø

-œ œ , œ ≈ bœ œ œ 43 J J 3 3 ≈3 b˙ œ 4 _™ ø


5 q = 56 Tempo I meno mosso; with great energy and feeling mp (as before)

˙o

60

b œo

œo

°? 3 4

Œ

God

goes

Bar.

b œo œo

Œ

be mf (as before)

œ

?3 ¢ 4

4 4

Œ God

œ

œo

œo

4 Œ 4

‰ 43 Œ

Œ

long - ing

œo

to

ev

Œ ery

-

3 bœ ‰ œ œ ‰ œ 4 nœ

goes

be

-

long - ing

to

ev

Œ

œ

-

ery

q = 56 Tempo I meno mosso; with great energy and feeling Pno.

{

? 43

4 4 -_

--

-

3 4

-_

-_

œo

œo

-_

-_

--

“‘

b ˙o

œo

64

°?

Œ riv

en

-

Œ

4 4

thing.

Œ

Œ

Œ

œ

œ œ œ

he's

Bar.

?

¢ ?

Œ

riv

-

œ

4Œ 4

en

thing

4 4

he's

œ

œ

U œ

œ ≈ J ‰

œ œœ œœ

U œœ œ

œœ ≈ œ ‰ J

U

≈ j ‰ -

made.

Œ

p Pno.

{

4 4

? :“;

-_

-_

--

-

-_

--

-

-

ø


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