Aditi Maria Mathew Interior Design Portfolio
Curriculum Vitae E D U C AT I O N Centre for Environmental Planning and Technology | Ahmedabad, India Bachelor Of Interior Design 2016-2021 (5 year program)
The Choice School | Kochi, India CBSE 2003-2016
Naval Public School | Kochi, India ADITI MARIA MATHEW
CBSE 2002-2003
Interior Designer
REFERENCES 1 February 1998 Kochi, Kerala English Hindi Malayalam French (A1)
aditimmathew@gmail.com +91 9746948787 www.linkedin.com/in/ aditimmathew
Mrs. Mithila Singh | Chie Design LLP +91 98205 79502 mithila@chiedesign.in
Mr. Kaizad Dinshaw | Nitido Design +91 9820210311
kaizad@nitidodesign.com
Dr. Seema Khanwalkar
+91 9898003797 seema.khanwalkar@cept.ac.in
OTHER WORKS Thesis :
https://issuu.com/aditimmathew/docs/ decoding_prisons
Studios :
https://portfolio.cept.ac.in/student/aditimaria-mathew-ui0116
WORK EXPERIENCE
S O F T WA R E S K I L L S
Chie Design LLP | Mumbai, India
Founder & Editor
AutoCAD AutoCAD Revit Rhinosaurus Grasshopper SketchUp Vray Lumion Adobe Photoshop Adobe InDesign Adobe Illustrator Microsoft Word Microsoft PowerPoint Microsoft Excel
ACADEMIC EXPERIENCE
DESIGN SKILLS
Redefining Spaces - Exploring Key Elements Of Art Direction | CEPT University
Design Thinking Design Research
Interior Architect April 2021 - December 2021
Nítido Interior Design | Mumbai, India Interior Design Intern July 2019 - December 2019
Fingerprint Collective | Ahmedabad, India Content Writer December 2019 - March 2020
The Chocolatier | Ahmedabad ,India Graphic Designer
August 2018 - October 2018
The Plinth | CEPT, Ahmedabad India
Summer/Winter School May 2017
Documentation and appreciation of the heritage of Ahmadabad | CEPT University Summer/Winter School December 2016
A C A D E M I C P U B L I C AT I O N S Decoding Prisons : Theories Of Punishment As A Factor In The Design Of Colonial Prisons & Its Influence on Modern Correctional Facilities |
CEPT University
Thesis guided by Dr. Seema Khanwalkar May 2021
Conceptualizing Space Planning Detailing Technical Drawing Graphic Design Sketching Hand drafting Model Making Communication Writing
Service Experience Letter
Ref : CDEMP004_SEL_20211210
To Whom so ever It May Concern Aditi Mathew is an energetic young designer who has worked at Chie Design LLP in the capacity of an Interior Architect, handling different aspects of projects viz. conceptualization, detailed design, construction drawings and presentations. Owing to her self-confidence and dedication, she was able to handle multiple projects and has performed all her duties in a professional manner. She has worked with us from April 2021 to December 2021 on project basis. Aditi has been an asset since she started to work with us. She has good communication skills; spoken and written. She can work with minimal supervision credit to her organization and tasking abilities. She is reliable, dependable and a team player, works with a positive attitude. I wish Aditi all the very best for her future endeavours and I’m sure she will be an asset to any organisation she joins.
Thank you. Regards,
L7, TEC, The Capital, Plot No. C-70, G Block, BKC, Bandra (East), Mumbai 400051 LLPIN:AAV-8770 I www.chiedesign.in I 022 3596 2379
Framed Corridors Institute Of Ornamentation
Understanding the principles of ornamentation through nature. By studying the how has nature developed ornamentation through geometry and the forces that form it, through lines, planes, addition, subtraction and assembly, adding dimension to the how one can experience ornamentation. The Institute Of Ornamentation took into account the heritage and history of AspenWall in Fort Kochi. Each space had to have its own identity while also falling into the larger blanket of the institute The ornamentation began with a detail that resulted in a larger element of ornamentation. They came together in the larger theme of the Framed Corridors. The institute is a maze of a different types of corridors, according to the activities within the space, the type of element’s forms vary. Ornamentation was achieved using the processes of the previous modules. From the line to the formation of an ornamented space. Like the layers of the program, there are several layers of ornamentation in each and every space to come together an make the institute.
CIRCULATION
ZONING
EXPLODED ISOMETRIC
C
View of staircase as an element of ornamentation in the space explored through circulation
SECTION
Element of ornamentation integrated through elements and a graphical patterns
SITE
THE DESIGN OF THE INSTITUTE OF ORNAMENTATION IS A CULMINATION OF THE PR THE STUDIO. IT MERGES WITH THE CONTEXT OF THE SITE AND THE PROGRAM TO MANEFESTATION OF ORNAMENTATION.
USING THE PROCESS OF MODULE 1 TO DEVELOPE THE ELEMENTS AND SURFACES THE IDEA OF ORNAMENTATION AND MODULE 2 TO MASS THE SPACE AND ADDING COMPLEX PROGEAM THAT THE SHOP BY ADDING LAYERS AND LAYERS, THE INSTIT HOLDS A VARIETY OF PROPERTIES OF ORNAMENTAION
A SINGLE DETAIL OF ORNAMENTATION LED TO THE OVERALL MASSING OF THE SIT APDATING EASILY TO THE DESIGNS OF EACH OF THE SPACES
ORNAMENTATION HERE IS A REFLECTION OF THE HISTORY OF THE SITE, A MERGIN COLONIAL AND TRADITIONAL, CLASSICAL AND CONTEMPORARY.
Ornamentation on ornamentation to explore its possibilities
UN PR OR NA
DISPLAY PANELS
SECTIONAL PERSPECTIVE
Amu
A Point Of View
ul Interpretation Centre | Institutional Studio The Amul Interpretation Centre is to a space that reflects the ideals and notions of the brand. The site is the existing museum at Anand. The aim of the program is to bring in new visitors as well as creating an interactive and innovative experience. One that connects people with each other and forges a bond between them. It allows an interaction that exists because of the way they depend on each other. There is balance created between the two. This Centre accentuates these interactions and connections with respect to the history of the brand and with the building and its surroundings that is the factory, silos and greenery using the existing grids of the building. Connections define the exterior facade playing with the views available from within and how light enters the space. The spaces are constantly transforming because of the facade as well as the possibilities of the exhibits within
SECTION A
BASEMENT
GROUND FLOOR
SECTION B
FIRST FLOOR
TYPE 1
A M U LP E I SO P IN MN IU LD E ISA’LSI VPERSE A DM M I LBKE A NM D EI S TSPA PR O DTUHCETS CO RT IR N AT D IONS C EB LR EA BR
MOMENTS - THIS DISPLAY WILL SHOWCASE MOMENTS CAPTURED WHEN A PERSON USES ADS - THE ADS OF AMUL DISPLAYED AMUL DEPENDING ON THE DAY ( EG. IF TODAY IS 8THBLACK OCT, THE ALL 8TH OCT ADS WILL BE DISPLAYED) AND WHITE PHOTOS A PERSON CAN CHECK A SPECIFIC DAY ALSO DISPLAY CHANGES EVERY 6 MONTHS TYPE TYPE 2 2
E V E RY M O R N I NG P E O P L E A L L OV E R C O U N T RY U S E A M U L I N THEIR LIVES.
AMUL DEPENDS ON THE C O N S I STA NC Y O F I TS P R O D U C TS A N D O N T H E T R U ST T H E Y H AV E W I T H T H E I R C U ST O M E R S .
SECTION CC’
I T I S R E L ATA B L E I N E V E RY T H I NG F R O M I TS P R O D U C TS T O I T A DV E RT I S I NG .
ADITI MARIA MATHEW UI0116 W H AT I S A M U L ?
A M U L C O N N E C TS P E O P L E . I T F O R G E S R E L AT I O N S H I P S T H E M S E LV E S A N D T H E I R C U ST O M E R S A S W E L L A S B O N D I T C R E AT E S B E T W E E N PEOPLE. I T B E C O M E S PA RT O F PEOPLES LIVES AND B E C O M E S PA RT T H E I R C E L E B R AT I O N S
BASEMENT PLAN
SECTION DD’’ GROUND FLOOR PLAN
PROGRESS CURRENT AND FURTURE PLANSOF AND EVENTS OFMANUFACTURED AMUL WILL BE DISPRODUCTS -- THE VIDEOS OF DIFFERENT PRODUCTS AMUL BEING AS PLAYED A DIGITAL SCREEN ONLY BUTTER AND MILKON PRODUCTION CAN BE SEEN ON SITE TYPE ON 1- SEATING DISPLAYED LED SCREENS TYPE 1 - SEATING
FIRSTFLOOR PLAN
EXPLODED ISO
SCALE 1:100
AMUL DEPENDS ON THE C O N S I STA NC Y O F I TS P R O D U C TS A N D O N T H E T R U ST T H E Y H AV E W I T H T H E I R C U ST O M E R S . I T I S R E L ATA B L E I N E V E RY T H I NG F R O M I TS P R O D U C TS T O I T A DV E RT I S I NG .
ADITI MARIA MATHEW UI0116
HISTORY- THE HISTORY OF AMUL IN STILLS WITH ADISPLAY READ UP INDETAILS 4 LANGUAGES ( INCLUD1:20 SCLAE ING BRAILLE) TYPE 1
DISPLAY CONENTS
A M U L I S I N D I A’ S P R E M I U M M I L K A N D I TS P R O D U C TS BR AND E V E RY M O R N I NG P E O P L E A L L OV E R C O U N T RY U S E A M U L I N THEIR LIVES.
BASEMENT PLAN
The interior space utilize the buildings existing grids as a guideline. Maintaining the structure of the building to the benefit of its users and as a demarcation to divide the spaces a public and private. The materials use follow the identity of the brand that is its use ENTRY humble roots with good execution.
GROUND FLOOR PLAN
FIRSTFLOOR PLAN
EXPLODED ISO
SCALE 1:100
A M U L C O N N E C TS P E O P L E . I T F O R G E S R E L AT I O N S H I P S T H E M S E LV E S A N D T H E I R C U ST O M E R S A S W E L L A S B O N D I T C R E AT E S B E T W E E N PEOPLE. I T B E C O M E S PA RT O F PEOPLES LIVES AND B E C O M E S PA RT T H E I R C E L E B R AT I O N S
ADS - THE ADS OF AMUL DISPLAYED DEPENDING ON THE DAY ( EG. IF TODAY IS 8TH OCT, THE ALL 8TH OCT ADS WILL BE DISPLAYED) MOMENTS - THIS DISPLAY WILL SHOWCASE MOMENTS CAPTURED WHEN A PERSON USES A PERSON CAN CHECK A SPECIFIC DAY ALSO AMUL TYPE 2 BLACK AND WHITE PHOTOS DISPLAY CHANGES EVERY 6 MONTHS PROGRESS - THE CURRENT AND FURTURE PLANS AND EVENTS OF AMUL WILL BE DISTYPE 2 PLAYED ON A DIGITAL SCREEN TYPE 1- SEATING PRODUCTS - VIDEOS OF DIFFERENT PRODUCTS OF AMUL BEING MANUFACTURED AS ONLY BUTTER AND MILK PRODUCTION CAN BE SEEN ON SITE DISPLAYED ON LED SCREENS TYPE 1 - SEATING HISTORY- THE HISTORY OF AMUL IN STILLS WITH A READ UP IN 4 LANGUAGES ( INCLUDING BRAILLE) TYPE 1 ADS - THE ADS OF AMUL DISPLAYED DEPENDING ON THE DAY ( EG. IF TODAY IS 8TH OCT, THE ALL 8TH OCT ADS WILL BE DISPLAYED) A PERSON CAN CHECK A SPECIFIC DAY ALSO TYPE 2
PROGRESS - THE CURRENT AND FURTURE PLANS AND EVENTS OF AMUL WILL BE DISPLAYED ON A DIGITAL SCREEN TYPE 1- SEATING
BASEMENT PLAN
ADITI MARIA MATHEW UI0116
GROUND FLOOR PLAN
FIRSTFLOOR PLAN
EXPLODED ISO
SCALE 1:100
EXTERIOR FACADE
BASEMENT PLAN SCALE 1:75
AXIS 4
DEPA
EACH PANEL IS DIVIDED INTO 3 PARTS WHICH AXIS COULD BE GLASS, VERTICAL LOUVERS OR HORIZONAL LOUVERS.
D D C C
2
EACH PANEL DEPENDS UPON THE INTERIOR FUNCTION, THE SECTION CC’ EXTERIOR AND THE SUN PATH. SCALE 1:75
AXIS5
D O
1
EACH POINT OF THE PANEL ADHERES TO THE CONNECTIONS BETWEEN THE INTERIOR AND THE EXTERIOR
D
IT BRINGS LIGHT AND VENTILATION INTO THE BUILDING.
D EX
GRID
D HISTO
SECTION BB
GRID
W H M
D
D GIF
GRID 158
4
7
W H M
6
D A 16
VOLUME 17
VOLUME
VOLUME
FACADE COMBINATIONS
Exterior facade uses the combinations availableSCALE with1:50 vertical louvers, horizontal louvers and glass paneling at 500mm intervals. WAS Based on the function of the spaces it encloses, its orientation with respect to the movement of sun, wind direction and the ENTRY as a connecting views available. The ‘skin’ of the building acts GROUND FLOOR PL membrane. SCALE 1:75 EX ENTRY
19
NS DS THAT CHANGE ACHING DATE AND THE NT DATE
STRUCTURE
ON THE PRODUCTION T
STRUCTURE
N N N
TORY OF THE PRO-
STRUCTURE
GROUND FLOOR PLAN
FIRST FLOOR PLAN SCALE 1:75
MATERIAL BOARD
OF PEOPLE USING NGING
ALUMINIUM TRACK CHANNELS
ENTRY
MS FLAT MS 20X20MBOX SECTION
3 . GIFTSHOP
TRACK LIGHTS
MS 20X20MBOX SECTION PLY WOOD
6 .DISPLAY AREA 1 7 .DISPLAY AREA 2
.DISPLAY AREA ELEVATION DISPLAY8T1 The 9 .AUDITORIUM SCALE 1:20
SECTION DISPLAY T1 DETAILS DISPLAY T2 moving exhibition panels allow the displaysSECTION to constantly SCALE 1:20 SCALE 1:5 SCALE 1:20 change its location as well as giving flexibility on what can be displayed. The program allows for the panels to be interactive by giving visitors access to Amul’s archives of its history, political opinions, impact and reach. 3
10.CAFE
11.WALL PAINTING AREA 12.HR OFFICES
13.BREAK ROOM 14.TOILET
15.HR HEAD OFFICE 16.MEETING ROOM 17.ARCHIVES 18.DISPLAY AREA 4 19.DISPLAY AREA 5
A
SITE PL SCLAE
2 .CLOAK ROOM
5 .LADIES WASHROOM
SITE PL SCLAE 1
SITE PLW FIRST FLOOR PLAN SCLAE PA1
1 .HELP DESK
4 .GENTS WASHROOM
VI PROD AMUL
ENTRY
LEGEND
Y OF AMUL
PLAY T3
D
W H M
3
THE OUTSIDE FACADE CONNECTS THE INSIDE AND THE OUTSIDE.EVERY 1.5M THERE IS A FACADE PANEL.
TED
HR OF
R HEAD FFICICE
CONFERENCE ROOM ARCHIVES
HR ARTMENT
GATHERING AREA EXHIBIT 1
HISTORY OF PRODUCTION OF AMUL PRODUCTS
XHIBIT 3
ORY OF AMUL
FT SHOP CLOAK ROOM HELP DESK EXHIBIT 1
SHROOM
PHOTOGRAPHS OF PEOPLE USING AMUL IN THEIR DAY TO DAY LIVES
EXHIBIT 2
XHIBIT 3
ALL AMUL ADS FOR CORRESPONDING WITH THE GIVEN DAY
IDEOS OF DUCTION OF L PRODUCTS
WALL AINTING AREA
AUDITORIUM CAFE
EXPLODED ISOMETRIC
Escher,s Modulation
Exhibition Panel | Workshop Studio Understanding and implementation of modulation from Escher by deriving the points, lines and grids from his seminal work and translating it into the design a modular exhibition system. Further guided by parameters that students use such as standard paper sizes and model sizes, accounting for the cone of vision, a grid is formed to became the base of the design and the manner of modulation testing how flexibility is based of limitations. This modulation has a triangular grid that ensuring that the exhibiting space is utilized to its maximum potential through a single module or a connected one. Designing proceeded to making a 1:1 functioning prototype of the system; testing the idea and the details.
Track lights are used to Light a singular system Allowing the possibility Of adding more during Modulation
ELEVATION 1
ELEVATION 2
PLAN
Circular holes on all Four sides allow rotation in any orientation.
SECTION
Underlying grid
EXPLODED ISOMETRIC
Modulation Combinations
1:1 PROTOTYPE
A Place For Everything
Chari Residence | Chie Design
The renovation of a 2BHK flat in the heart of Bombay for a family of four to completely transform the space. The clients requested that everything in their home life as well as their professional life has a place in this home. Tied together through soft arches that slightly enclose all the open spaces to created a designated areas while remaining light and open. Each room had unique challenges that drove the design forward from storage to functionality to movement. From demolition to detailing, I worked on design concepts, its manifestation, its rendering formations and its construction drawing package. Using a mix of fresh and earth tones while also layering texture in the design and in the soft furnishings to complete the space.
FLOOR PLAN LIVING ROOM
BEDROOM 1 BATHROOM
KITCHEN
HOME OFFICE DINING ROOM
MASTER BEDROOM BATHROOM
Furniture Layout The furniture layout was dictated by the storage requirements within the functions of the space leading to a mixture of integrated furniture and loose furniture. The integrated furniture is curated to ease the movement between spaces while fitting in seamlessly with its surroundings. The spaces are opened up to become lighter and airier.
MAST
BEDROOM 1
Material Palette - Layering of tones and textures
TER BEDROOM
Feature wallpaper in the dining room/home office
LIVING/DINING ROOM DETAILS
MASTER BEDROOM DETAILS
3A
MASTER BEDROOM - EL
LEVATIONS
REFLECTED CEILING PLAN
Interior D
L7 | Tech Bandra (Ea Maharash Email ID :
Key
Notes
fgkf
TSE rRA ghr ATSE R flkv fgk kvghrr l
lkvg h lkvg rrRATSE ppp hrrR eee ATS eee E e lkvg h
E ATS hrrR E lkvg ATS olb hrrR E lkvg rrRATS h lkvg
lkvg
hrrR
fgp
dflk dflk
dfjk
dfjk
rrRA TSE
lkvg
lfdklfdkjfdkjfd
ALL DIMENSIONS AR UNLESS SPECIFIED O
4
ALL DIMENSION ARE AND VERIFIED PRIOR
5
THE CONTRACTOR I INTERIOR DESIGNER NECESSARY CLARIFIC
E pp EEE pr EEE rrr rrr
ee VV ee VV ee V
THE ID DRAWINGS I INTENT AND WHERE DEVELOPED BY THE ACCORDINGLY INTO DRAWINGS.
E E
TSE
rRA
klfkgf ESTARrrhgvkl
ESTARrrhgvkl
ESTARrrhgv ESTARrrhgv klfkgf kl
3
ESTARrrhgv
ESTARrrhgvklblopgfk
ATSE
DO NOT SCALE DRAW
ATS
hrrR
lkvg
ESTARrrhgvkl ESTARrrhgvkl
ATSE
hrrR
ALL DESIGNS ARE SOL DESIGN, AND CANNOT THEIR WRITTEN PERM
2
ATS
hrrR
lkvg
ghr
flkv
fgk
1
Description
Rev
Drawn
DESIGN BY CHIE DESIGN LLP L7 | Tech | The Capital | Plot No. C 70 | Bandra (East) | Mumbai - 400 051 Maharashtra, India
fgkf
lkvg h lkvg rrRATSE hrrR ATS eee E e h
ppp
eee
TSE rRA SE ghr flkv hrrRAT lkvg
lkvg
fgk
E ATS hrrR E lkvg ATS hrrR E lkvg rrRATS h lkvg
hrrR
lfdklfdkjfdkjfd
klfkgf
ESTARrrhgv ESTARrrhgv klfkgf kl
ESTARrrhgvkl ESTARrrhgvkl
ESTARrrhgvkl
ESTARrrhgvklblopgfk
E pp EEE pr EEE rrr rrr
ee VV ee VV ee V
E
ESTARrrhgv
ESTARrrhgvkl l
l
ATSE
TSE
ATS
hrrR
ESTARrrhgvk
ESTARrrhgvk
N
ESTARrrhgvk
ATSE
hrrR
A hrrR
lkvg
lfkgf p rrhgvk l eepp ESTAR rrhgvk eeeee l ESTAR
TSE
lkvg
E
ATS
hrrR
lkvg
g flkv
fgk
rrRA
lkvg
olb
fgp
dflk
dflk
dfjk
dfjk
Client
MS MATANGI CHARI
Details
122, MEHR-DAD
----------
Drawing Title
REFLECTED CEIL
Drawing Number
I-RCP Sheet Size
1A
REFLECTED CEILING PLAN
Scale:
A1
1:20
Drawn by
Checked by
ADITI M
MITHILA
Chie Design reserves all rights to these drawings, designs contained herein.
Night & Day
Facade Design | Chie Design This single story bungalow lies at the heart of the Bombay. The facade was a result of the interior functions. The aim was to create a layered, eye-catching facade that draws ones eye while passing by. The warm colours and graphical lines created by the available sizes of the materials played into the design of the facade.
The rhythm of this graphical pattern continues in the lighting of it. The warm tones make the home inviting and approachable while making it opulent as well. A touch of greenery breaks the inorganic pattern to brighten the look of the facade during the day. The transformation from day to night comes together seamlessly through the layers of design principles. Images are the property of Chie Design LLP
FACADE AT DAYTIME FACADE AT NIGHTTIME
Concrete with grooves
ACP Wooden Sheets with grooves
lfkgf l
lfkgf l
ppp
vkl eeeeeee
ESTARrrhgvkl
ESTARrrhg ESTARrrhg vklfkgf
d dklfdkjfdkjf
klblopgfklf kl
kl ESTARrrhgv ESTARrrhgv ESTARrrhgv
kl kl
ESTARrrhgvkl
ESTARrrhgv ESTARrrhgvkl
lfkgf rrhgvk ESTAR
EEEEEEE rrrrrrrppp
ESTARrrhgvkl
kl
ESTARrrhgv
eeeeee VVVVV
ppp
vkl eeeeeee
ESTARrrhgvkl
kl ESTARrrhgv
eeeeee VVVVV
EEEEEEE rrrrrrrppp
Greenery
rrhgvk rrhgvk
ESTAR ESTAR
d dklfdkjfdkjf
klblopgfklf kl
kl ESTARrrhgv ESTARrrhgv ESTARrrhgv
ESTARrrhgvkl
ESTARrrhg ESTARrrhg vklfkgf
rrhgvk rrhgvk
ESTAR ESTAR
lfkgf
ESTARrrhgv
rrhgvk ESTAR
Exposed Concrete
Glass Panel
LIGHTING LAYOUT
EEEEEEE ppprrrrrrr
E ATS hrrR TSE A lkvg fgkf kvghrrR l e eeeATSE eee
E ATS hrrR E ATS hrrR
lbl kv gh lkv rrR AT lkv ghrr gh RA SE rrR TSE AT SE
po fg
flk
AT SE
lkd
gh
rrR
df
lkv
gh
fjk jkd
rrR AT SE
lkvg
lkv
fg
kfl kv lkv ghr gh rRA rrR TS AT E SE
lkvg
fg
kfl
kv g
hrr
rrR gh kv kfl fg
GROUND FLOOR GROUND LAYOUT FLOOR LAYOUT
eeeeee VVVVV
hrrR
lkvg
df
kfl kv lkv ghr gh rRA rrR TS AT E SE
lbl kv gh lkv rrR AT lkv ghrr gh RA SE rrR TSE AT SE
po fg
fg
flk
rrR AT SE
AT SE
lkd
gh
rrR
df
lkv
gh lkv
E
fjk
E
ATS
AT S
df
jkd
e ppp
E ATS
hrrR
lkvg
E
hrrR
lkvg
EEEEEEE ppprrrrrrr
E ATS hrrR TSE A lkvg fgkf kvghrrR l eee eee ATSE
eeeeee VVVVV
hrrR
lkvg
RA TS
ppp
FIRST FLOOR LAYOUT FIRST FLOOR LAYOUT
Mudras
CEPT Garba 2018 | Graphic Design
Navratri celebrates the victory of good over evil in a nine night festival event, each showcasing the avatars of the goddess Durga. Each Mudra is a reflection of the energy that each goddess emits. These mudras are a reinterpretation of the synergy that constantly revolves around navratri while tying in the hand movements of Bharatnatyam. The formations of concentric circles encapsulate the movement and keep the aura defined within the Garba that is the ritual of dancing around the mandir or hearth. The colour in the mudras complete the manifold nature of the goddess to further indulge her energies. The graphic created is a melding of Indian culture in its history and its rituals. In collaboration with Meghana Walimbe
Miscellaneous
2016-Present | Mixed Mediums Selected works that display the various mediums through which I capture and learn how light, water, built form and nature come together in my surroundings and how they interact with one and another to create frames. They include : Door details measure drawn and drafted during a winter school based the study of pol houses in the Old City of Ahmedabad. Learning how to not only document historical site but also study the making of the same. Sketches done over the years, using it to form an analysis by studying its details while being drawn. Moments captured when passing by something seemingly ordinary and discovering the extraordinary in it.
HAND DRAFTING AND DOCUMENTATION
Double doors with a security gate of a Pol house in the heart of the old city in Ahmedabad. This Historical home was documented by a group of 12, measure drawn and hand drafted. The study of this door brought in the light the use of details in integrated ornamentation. PHOTOGRAPHY
SKETCHES
CHES
Chamabakulum, Kerala, June 2017
Bombay, May 2020
TOGRAPHY
June 2016
April 2016