2016 Film Annual 2 by adnews magazine

DEPARTMENTS

C REAT IVE A NNUAL

4 Publisher’s Notes

FEATURES 6 Utah Film Incentive Program 8 BYUtv — Scott Swofford Leads with Success 12 Steve Olpin on YouTube and Loving it 14 Spy Hop Recognized by Michelle Obama 15 Park City Film Studios Open for Business 16 Alvarez and Hofeling Share the Magic 18 A Tribute to Don Schain

DIRECTORIES 20 Stage Pass Showcase 20 Stage Pass Matrix

focus: advertising agencies • media buyers • design • illustration • marketing research • social media • mobile media • public relations • direct response • responsive web • apps

P RINT ANNUA L

focus: print services • wide format • digital packaging • finishing • paper

MEDIA A NNUAL

focus: television • radio • cable • satellite • streaming media • out of home

UTAH EDUC AT ED

focus: Matching Educators with Students with Jobs Publisher / Editor: susen sawatzki • susen@adnewsonline.com

Publisher’s Assistant: briquelle schreiter • briquelle@adnewsonline.com Writer: jonathan richards • starbladepublishing@gmail.com Cover Illustration: dung hoang • hoang@shaolinfury.com

22 Production Directory Index 23 Production Directory

Printing and Mailing: One Stop CD Shop • 1stopcdshop.com a d n ew s p 801.532.1325 www.adnewsonline.com

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PUBLISHER’S NOTES susen sawatzki

Do you feel that 2016 will usher in an era of re-invention, transformation, and self discovery? There have been an unusual amount of conversations already in this first month of the new year about the desire, and in some cases, desperation for change—that it’s time to re-invent. There is at least one scheduled change ahead, that of electing a new president of the United States. And maybe that’s what’s got all the energy in an uproar. Regardless, what is it about change that has a tendency to unravel us? When I think of nature, does the rose fret about opening its pedals under the warmth of the summer sun? Does the rose think it has a choice of whether to bloom and then wilt? And if it did imagine that it

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somehow was in control, would it smell as sweet? What if we could slip into a state of mind where we relaxed and allowed a simple, peaceful unfolding of our lives like the rose? If we still had our will and our preferences and our creativity but we could also watch the beauty and simplicity of our lives opening in bloom? If that one, internal shift began germinating, there would be much less focus on the external world of our expectations and the need to measure our happiness or unhappiness, our satisfaction or dissatisfaction and constantly be monitoring if we are

indeed pleased with the outcome of an experience on a scale of 1 to 10. Truth, integrity, values and the likes serve as emotional iconology used as guardrails to help us measure whether we can feel safe, joyous, and worthy. It is that we desire to have an external measure which requires the judgment and approval of others for us to validate our self-esteem. We place this demand of validation on every relationship, resulting in the experience of co-dependent narcissism. One of the elements of my personal change is to set the world around me free of being my mirror and instead, look through the eyes of acceptance.

INCENTIVES

The Utah Film Commission’s The Amplifying Effect of Investing in Imagination

Many Park City residents became used to seeing Hollywood stars this year and, for once, it wasn’t during the annual Sundance Film Festival. Both ABC and HBO spent months in the local ski town filming two large productions: ABC with its new network series Blood & Oil and HBO with Steven Soderbergh’s latest project, Mosaic. Utah’s iconic scenery provides majestic settings and acts as an effective lure for tourists, businesses and, increasingly, film producers. The ease of transitioning from beautiful wild spaces to urban centers, often located within an hour or less of each other, is just one of the reasons filmmakers come to Utah. Virginia Pearce, Utah Film Commission Director, explains, “Our locations are dramatic and diverse. Mountains always come to mind when people think of Utah but we really have everything from open stretches of desert wilderness and red rock canyons to bustling hangouts and rural towns—as well as the picturesque peaks and greatest snow on earth. We have a deep and lasting commitment to the entertainment industry, with more than 900 films having been made in Utah, and our locations are definitely a contributing factor.” For the last 20 years, states and countries have realized that film productions can provide a huge influx of income, and have been steadily building incentive programs that encourage producers to consider alternatives to Hollywood. While filming, productions spend money on salaries for local crews, lodging and equipment, set building materials, permitting fees and travel and transportation, but the direct investment into a local economy isn’t the only benefit. Film production also acts as a billboard for the location, almost like a covert but powerful tourism brochure.

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“The benefits of film production reach far beyond financials,” said Vicki Varela, Managing Director of Tourism, Film and Global Branding for the state of Utah. “Film production builds Utah’s brand as a beautiful place for tourists to visit, and as a place that welcomes the creative class.” ABC’s Blood and Oil series filmed in Utah for these very reasons. The show was set in North Dakota, yet filmed in Northern Utah and staged at the Park City Film Studios as the producers and directors found the industry in Utah to be so much more robust. Says Josh Pate, the show’s co-creator, “We looked into filming in North Dakota, but there are more resources in Utah.” Location and local resources don’t win all film battles, however, as most large productions now rely on state tax incentive programs to finalize the deal. Utah’s film incentive program is solid and stable and has a number of advantages, but it’s also relatively small with a $6.79 million cap per year, which means that many potential studios may overlook Utah.

Motion Picture Incentive Program The economic benefit in terms of both direct and indirect investments in tourism and business that come from film productions can be very large—especially in the case of long-running TV series. For that reason, locations all around the world compete heavily to win the interest of studios and land longterm deals. Film incentive programs are a key element in this competition for attention. According to Marshall Moore, Marketing Director for Park City Film Studios and former Director of the Utah Film Commission, Touched by an Angel, the long-running television series from the late 1990s created an economic impact of more than $225 million in Utah. He points out that a current network TV series or two would be key to stabilizing and growing the film business in Utah, but the current incentive maxes out too low to attract and sustain the big names. According to Marshall, the major studios are looking for about 25 percent on a $30 million budget, or roughly $7-8 million. Utah’s program offers up to 25 percent, which is good, but it caps out at about

Utah has just about everything else going for it, says Virginia, “We have talent, locations, equipment, experience, infrastructure, and we’re a convenient 90-minute flight from L.A. The new Park City Film Studios gives Utah’s industry that extra boost. We’re film ready here.” The benefits of film production to the economy of Utah are undeniable. Virginia said, “In the 2014 fiscal year alone, 23 projects filmed in Utah and spent more than $20 million here. Since the incentive program’s inception in 2011, more than $195 million has been spent in the state, and 27% of that is in rural areas.” How much of the positive press regarding Utah as a great state for business comes as a result of the halo effect of film productions? How many people and even businesses visit Utah as a result of seeing the state in a film and then stay to bolster the local econ-

major studios are looking for about 25 percent on a $30 million budget, or roughly $7-8 million. Utah’s program offers up to 25 percent, which is good, but it caps out at about $6.79 million – just short of that mark. $6.79 million – just short of that mark. Jeff Miller, President of Vineyard Productions and President of the Motion Picture Association of Utah, agrees. He reports that Utah’s program is very consistent and solid, also pointing out that money in the program is set aside at the time of agreement, meaning that a studio will get the incentive as long the conditions are met. Jeff explains, in programs for other states, the incentives are sometimes paid out on a first-come, firstserved basis, meaning that late completion could result in the funds being depleted and the studio getting less than expected—or even nothing at all.

omy? Even making film scenes as a tourist destination? What happens when you infuse rural economies with $32 million in film-related spending? What is the long-term benefit of that short-term spend? Although ABC’s Blood and Oil will not be renewed, the production still spent more than $20 million in Utah and created 600 new jobs. Landing that series also opened doors for future productions and additional growth in Utah’s film industry, so the only question remaining is whether the state can furnish the incentives to support that growth.

by Jonathan Richards

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BYUtv - Proof that Content is Still King Scott Swofford’s line-up of programming provides vital nutrition to Utah’s production community

A testament to the power of content, BYUtv went from zero to the most ubiquitous channel in the U.S. in 15 years. When Derek Marquis, director of BYU Broadcasting saw an opportunity to make one of their signals, BYUtv “watchable” he recruited a known and proven talent. The signal came into being in 2000 when the FCC required broadcast entities to have a signal dedicated to educational and community purposes. BYU Broadcasting applied for a license, got it and had to be on air 24-hours a day within the week. The station aired a speech by LDS Church leader Gordon B. Hinckley when he addressed the student body of Brigham Young University. That speech ran on a loop 24 hours a day reaching 60 million homes. On the promise of “Keeping You Connected,” messages and events of BYU filled the on-air hours when eventually, Derek recognized a great opportunity. He reached out to Scott Swofford and Scott accepted the challenge to ultimately provide 8,760 hours of television programming per year on BYUtv. Scott says, “I was intrigued by the idea when Derek said, “Let’s change this to the way we want it to be.” Scott knew the components of quality production having been a producer and production manager on dozens of IMAX films shot in 50 countries working with the likes of Disney, Morgan Stanley and National Geographic. Also working on feature films and commercials he later shepherded the campaign called, “I’m a Mormon,” sponsored by the Church of Jesus Christ of Latter-day Saints (LDS) to propose that Mormons come in all shapes and sizes and span the gamut of races, interests and looks. Then, Scott was offered the blank slate of BYUtv. He and Derek, led by several national research firms, put together focus groups that intentionally excluded Mormons and those tending towards atheism. At first, the focus groups proclaimed to be honorable and watch television to be edified, ignobled and educated. However, the list of favorite shows included The Bachelor and American Horror Story. When the truth came out, it boiled down to escapism and entertainment—with a caveat that if there is enough entertainment value, a positive message will be tolerated, or even invited. With the starting point of a universal value, “See the Good in the World,” they created programming that promised escape and entertainment as the sugar on the spoonful of medicine for the soul—A cooking show exploring exotic herbs and grains, Turning Point tells stories that illustrate the pivotal point of change in people’s lives, American Ride, a 8

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BYUtv

FROM BIRTH TO TEENAGE YEARS

traveling history lesson from a Harley-riding, charming, bearded history teacher, Legends and The Story Trek are two other programs where inspiring stories of people’s lives come into focus. The sketch comedy show, Studio C is the most popular series and is produced in house. According to Scott, one of Studio C’s sketches hit 200 million views this year. The first three seasons of Granite Flats, BYUtv’s first scripted drama series was purchased by Netflix in 2015. Then there’s the hot topic of sports—BYU football and basketball with inside stories of athletes. The station offers something for every demographic and is available through broadcast in Utah, on 800 cable stations and satellite throughout the country, and for the chord cutters, BYUtv is available on more app platforms than many other networks— more than ABC, CBS—and the installs grow at an average of 7,000 per week. It also has its own app and programs can be viewed on its website, BYUtv.org. This seems inconceivable—an overnight success on a modest to low budget. BYUtv is not for profit and development is funded by a patchwork of sources including BYU, the LDS Church, grants, local sponsors and donors. The station is doing something that nobody else is doing, according to Scott; “Our goal is to highlight amazing stories through great story telling that are appropriate and appealing to sophisticated audiences of all ages.” Which breaks all the rules of marketing where you are only allowed ONE target audience. This tack has garnered BYUtv 51 Regional Emmys, two features in the New York Times plus other earned media and the most impossible feat—families joining together for appointment television. The series, Granite Flats, began to attract the attention of talent agents and by the second season, the show was featuring Cary Elwes (The Princess Bride), Finola

00 00 04 09 10 11 12 13 14 15 16

FOUNDED AS ONE OF BYU BROADCASTING’S 11 ENTITIES

ON AIR WITH 24-HOUR LOOP OF GORDON B. HINKLEY’S SPEECH

BYUTV REACHES 60 MILLION HOMES WITH THE THEME, “KEEPING YOU CONNECTED”

“SEE THE GOOD IN THE WORLD” IS LAUNCHED AND PROGRAMMING IS CREATED

SCOTT SWOFFORD RECRUITED TO MAKE BYUTV WATCHABLE

AMERICAN RIDE SEASON 1 WINNING FIRST REGIONAL EMMY

GRANITE FLATS, FIRST SCRIPTED DRAMA IN DEVELOPMENT

STUDIO C SKETCH HITS 100 MILLION VIEWS

BYUTV UP TO NEARLY 50 REGIONAL EMMYS

FIRST 3 SEASONS OF GRANITE FLATS SOLD TO NETFLIX

LAUNCH OF RELATIVE RACE

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G R A N I T E F L AT S

Hughes (General Hospital), which led to Christopher Lloyd (Back to the Future) and Parker Posey (Portlandia) becoming involved. While the pay scale was below what the stars were accustomed to, they loved the experience and believed in the product. More than proof of concept that good scripted material is rare and in demand (as well as on-demand), it proves that it doesn’t take a huge budget or a big studio to make something good. Working with a lean and smart team, Terri Pappas and Jared Shores, the quality of BYUtv’s show line-up would not be possible without Utah’s vast professional network of production talent and crew. The station’s shows are lensed by some of the most talented cinematographers in the country, directed by sought-after, feature, commercial and television directors and supported by Utah’s renowned, seasoned crew. It’s easy to “See the Good in the World” in what BYUtv is doing. First of all, giving birth to content that invites and illustrates values and goodness in the world. Second, it feeds the production industry of Utah with regular jobs and third, it provides a training ground for the next generation of writers, directors, producers, DPs and crew.

R E L AT I V E R A C E

2016 offers up season 11 and 12 of American Ride, season 7 of Studio C and a new show, Relative Race—similar to Amazing Race but in this concept, couples start out in San Francisco and have to get to New York in 10 days relying on the kindness of relatives they have never met. The producers research their respective DNA and give the couples the names and contact information. The rest is yet to come. Not having to rely entirely on ratings, the programs get a chance to find an audience and grow organically—authentically. And the world has spoken; it quite likes the invitation to, “See the Good in the World.”

by Susen Sawatzki

Captions at adnewsonline.com 10

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STEVE OLPIN

The Talking Fly, an Experiment in Passion

PHOTO BY JUSTIN HACKWORTH

After more than two decades as a filmmaker, Steve Olpin fell head over heels for the freedom of YouTube. His YouTube channel, The Talking Fly, is a series of short documentaries that explore the idea of doing, going and giving back. His subjects are artists, musicians, bike riders— people giving back to the world. He calls it a filmmaker’s sketchbook. He says, “As a documentary filmmaker, I sometimes use the term ‘fly on the wall’ to refer to a style of filmmaking that is observational. Yes, I like to observe, but I can’t help myself—I like to talk to the people as I film them, hence, the talking fly...” With experience in many types of filmmaking and commercial production, documentary is Steve’s favorite. His documentaries have shown at the Sundance Film Festival among other national and international film festivals and several of his works have captured prestigious recognition. “I get very excited about passionate people,” says Steve and is himself a passionate person about his YouTube channel which offers a platform where he is directed purely by his curiosity and rewarded by viewers who ask for more.

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Artist and primitive potter Kelly Magleby learns about and makes A n a s a z i s t y l e p o t t e r y. K e l l y w e n t into the backcountry of Southern Utah with a knife and a buckskin to learn about Anasazi Pottery by doing it the way the Anasazi did it. “Earth and Fire” is a documentary poem about a passionate artist. “Joe and Brian” is a short documentary about the ongoing art collaboration between Joseph Adams and artist Brian Kershisnik s h o t i n B r i a n ’s studio in the small Utah town of Kanosh.

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SPY HOP

R e c o g n i z ed by First La dy a t t h e W hite H ouse

Nineteen-year-old Kitzia Rodriguez was at the White House in November to receive an award from First Lady Michelle Obama on behalf of Spy Hop, which was recognized for its effectiveness in promoting learning and life skills in young people by mentoring them in the digital media arts, including film, audio, music and design. Spy Hop’s programming received the 2015 National Arts and Humanities Youth Program Award, the nation’s highest honor for out-of-school-time programs. The award recognizes the country’s best creative

youth development programs for using engagement in the arts and the humanities to increase academic achievement, graduation rates, and college enrollment. The awardees—chosen from a pool of more than 350 nominations and 50 finalists—were also recognized for improving literacy and language abilities, communication and performance skills, and cultural awareness. Kitzia said, “Spy Hop has empowered me with the passion and knowledge to become an engaged producer. The program has made me more confident in myself and has given me the opportunity to develop my talents.” Spy Hop was created to mentor young people in the digital media arts to help them find their voice, tell their stories and be empowered to affect positive

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change in their lives, their communities and the world. For more than 16 years, the program has engaged nearly 2,000 young people annually by providing high-quality, safe, out-of-school-time programming for K-12 youth. The program fosters personal and artistic expression through the use of emerging digital technologies and the media arts, and develops 21st century educational and workplace readiness skills. In addition to the national recognition with the prestigious award, Spy Hop also received $10,000 to support its programming and engage more young people from the community. “Spy Hop is thrilled to be acknowledged as one of the nation’s most exceptional artistic programs for young people. We’re incredibly proud of the students, mentors, supporters, board and staff who made it possible,” said Kasandra VerBrugghen, executive director of Spy Hop. “We hope this award will draw attention to the fact that programs like Spy Hop are essential investments in the community and the lives of our young people, by helping them find a passion that inspires and motivates them to learn and succeed in their lives.” “You can’t help but be moved by these kids, who show us the transformative power of the arts and humanities,” said Rachel Goslins, executive director of the President’s Committee on the Arts and the Humanities. “They are staying in school longer, getting better grades, graduating from high school and going on to college at significantly higher rates than their peers. And they’re building skills that will last them a lifetime.” FIRST LADY MICHELLE OBAMA, SPY HOP STUDENT KITZIA RODRIGUEZ, SPY HOP EXECUTIVE DIRECTOR KASANDRA VERBRUGGHEN

PA R K C I T Y F I L M S T U D I O S

Park City Film Studios recently hosted ABCâ&#x20AC;&#x2122;s Blood and Oil. Greg Ericksen, studio owner and developer as well as studio marketing manager, Marshall Moore reveled in the opportunity to see every square inch of the studio in use. It was designed to be a fully equipped facility offering sound stages, production offices, wood and metal shops, wardrobe, dressing and make-up and ample parking and storage.

And that it is. It can either serve a large production or several small productions at once and also transform into a venue for events. Utah now has yet another attraction to lure filmmakers and commercial producers from around the world to feel right at home at this remarkable facility.

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Genius at a Breakneck Pace

Matias Alvarez (L) and Mark Hofeling (R) had

to become bricks and mortar in order to work for bricks and mortar. Their space has a touch of whimsy with the vintage letter lights and lots of warehouse space to play and create. In the world of creative production, there are a couple words nobody likes to hear: budget and deadline. These concepts sound too much like another word no one likes to hear: limitation. None of us likes being limited, yet limits seem to be part of everyday life. The real genius is to make something so breathtaking that people forget that there were ever limits involved at all. If you haven’t had the pleasure of meeting them already, here’s your chance to get to know two individuals who have displayed limitless creativity in the face of all kinds of challenges—and done it in style. With more than 50 cumulative years of film production and design between them, Matias Alvarez and Mark Hofeling of the Creative Services Bureau have seen just about everything. Their client list boasts names like Walt Disney, National Geographic, Warner Brothers, Showtime, and ABC. “Our specialty is creating a lot of beautiful and interesting stuff—fast,” says Matias. They’ve been working together for more than two decades, and between film 16

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projects, they’ve recently began working with businesses small and large in mediums ranging from video to print to the wide world of the web—and everything in between. They specialize in delivering immersive, experiential solutions within budget under extremely tight deadlines, again, thanks to their background in the rapid-turnaround world of film. “We’re taking our skill set to the civilian world,” says Mark. For example, Airbnb came to them about building a space for Sundance in 2014. However, rather than wanting a booth where the company could push something on visitors, Airbnb wanted a homey, comfortable place where people could escape the madness of the rest of the festival and unwind for a bit. They were then put in touch with a local architecture firm, and together they renovated a small storefront into a beautiful space that felt like a down-to-earth Swedish cottage—start to finish in just 24 days. The setting proved to be a success, and Airbnb came back to them to work their magic again for 2015.

Mark and Matias form a dynamic duo of designer and producer. Mark’s specialty, honed through 60 films in the course of only 25 years, is production design. He knows how to envision something beautiful and then manage a crew to make dreams into reality. Matias has won filmmaking awards from the Director’s Guild of America three times thanks to his ability to orchestrate and manage all the moving pieces of a production—from creatives to laborers to office accountants. Because of their background and skill, they are invited to create and produce short-term, one-off projects with a defined lifetime, projects like The Living Room—the Utah Film Commission’s activation space on Main Street in Park City, Utah during the Sundance Film Festival. These projects come naturally for the duo because of their history with film production and having perfected the art and science of creating the interior of illusion. And while in-store design isn’t a set on a soundstage, Mark and Matias know how to design a space to create an immersive experience—and how that

ALVAREZ / HOFELING Creative Services Bureau feeling needs to evolve over time. Recently, they’ve been exploring a new outlet for their creative immersion through museum sets and other, more permanent pieces. For example, The Leonardo, a local museum, hosted nearly 30 different exhibits in just three years and was ready for more permanence. Needing a quick turn and a spectacular result, they approached Mark and Matias about building an exhibition space that would stand for five years and then travel. In providing guidance to the duo, the museum visioned them with the concept, “Flight”—and that was it. With one word, a tight deadline, and a small budget, Mark and Matias were turned loose to create something beautiful, transformative, and lasting—something that the museum could later send around the country as a traveling exhibit. Building such a space is a new challenge that pulls on their combined skills and keeps the duo sharp. They have the challenge of designing a space that incorporates the museum’s content while also providing both a physical and a metaphysical experience to patrons. But the real challenges come from the real-world aspects of the project. With a film set, there’s no real concern that 200 first-graders might come in and jump around for an hour; the set will be torn down again in a matter of days or weeks anyway. With a museum space, that’s a very real concern, so it’s an additional realm building to code with all the safety and fire-suppression concerns that come into play. Layer upon layer of red tape is a new challenge, but it’s one that they conquer daily. Never afraid of new challenges, they look at each other, shrug their shoulders, laugh and say something clever and sarcastic—wit and humor being the glue that keeps the two aligned and moving forward. Atlas Architects engaged them in a oneof-a-kind project. Atlas’ new office space will have a restaurant and bar as well as

The Flight Exhibit

coming soon to the Leonardo is being teased with this structure designed for robust climbing, general horsing around and viral selfies. be a bricks and mortar, living and breathing monument to Utah’s unique history of labor—particularly the hand-crafted work. For Mark and Matias, this has become an opportunity to reach back through the timeline and depict it experientially through stunning visuals. Who knows what else will arrive through the doors of this versatile bureau, but we’re going to keep an eye out. Could be a full-scale feature film or a temporary space to conduct a focus group.

The two joke about how they would run the business into the ground without each other, but together they form an ironclad whole. Their skill sets complement one another very well, making them a lifelong team that can solve nearly any creative problem. To sum up their work in a single word, you could simply say, “Genius.” by Jonathan Richards

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Celebrating Don Schain Have you ever met someone who was bigger than life? Someone who made such a big impact that his influence will continue like a legend to touch his friends and colleagues far into the future? Don Schain was just such a person. He was a person who knew how to get things done—and he got a lot of things done, including more than 50 films.

“For a life that touched so many, it should be celebrated. He was a champion of the state and recognized the talented professionals in this state. This gracious, intelligent man was a force to be reckoned with. He would walk into the capitol rotunda

Don Schain’s career began in Hollywood and moved to Utah in 1991 when he joined Leucadia Films. He is most noted for his role in producing, for the Disney Channel, the High School Musical series. He was the first president of the Motion Picture Association of Utah and is largely responsible for the creation of the Motion Picture Incentive Program. “Don Schain was passionate about the Utah film industry. He was inside it, he knew everyone. His contributions to film in Utah are a legacy that would be hard to repeat. He produced over 40 films here, was instrumental in creating our film incentive program and most importantly, he fostered hundreds of people in their film careers. His dedication will be missed.” —Virginia Pearce “It is because of Don Schain that there is a film industry in Utah and we will be forever grateful.” —Jeff Miller “I can’t start talking about Don without mentioning his five food groups— cigarettes, iced mochas, Johnny Walker Black, chocolate and meat loaf. As Don’s Consigliere, I would love to say to Don, ‘Don, you are the Don of all Dons and I will miss you terribly.’” —Mike Keily “Don’s legacy is his loyalty. Loyalty to the crew, loyalty to the talent, loyalty to his friends and loyalty to Utah. I believe he was most proud of the service he gave to the Motion Picture Association of Utah and the many independent films he produced. There is indeed a void that was created when he left us.” —Marshall Moore

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movie or the next year. He never forgot. He was a great leader, and an even greater friend. ‘You will be missed by me and many others. We love you Don.’” —Dallin Bassett “Don Schain was one of a kind. He worked tirelessly on every project regardless of the budget. He believed in the Utah film crews and fought hard to get them work. Don’s efforts as president of the Motion Picture Association of Utah ensured that we have tax incentives for film and television today. Don was one of the most loyal men I know and I will miss him dearly.” —Jeff Johnson “Don would always remark, ‘The filmmakers in Utah, I would put up against anyone else in the world. They are the very best.’” —Jeff Midgely

in that smart, Cashmere tan fulllength coat and he would start on the legislators and Governors on the importance of the film industry; and his efforts resulted in the passage of Motion Picture Fund legislation. He was a film commissioner’s dream. He will be missed but not forgotten.” — Leigh von der Esch “Hardly a day has passed over the last 13 years that I have not spoken with Don. When we were working on a film, Don was a force of nature and he was firm and exacting. When we were at the Capitol in front of the Legislature, he commanded the attention the of whole room with his eloquence. When we were between films, Don loved to casually sit on his patio sipping mochas and tell stories of his days in L.A. Don memorized every favor that you or anyone did for him and he would be sure to repay that favor even if it wasn’t until the next

“The universe of Don Schain—This wonderful world where you could build a whole new world inside of a warehouse, where the impossible was just a bump in the road and miracles were par for the course. A place where the word egregious was an exhalation. I never heard him use the term egregious about anything that was really egregious. It was an expression of passion, it was an expression of joy and it was an expression of how happy we all should have been to be in Don Schain’s world.” — Ken Diamond “Don Schain was the consummate gentleman and the very definition of old-school class, charm, and sophistication. He was a leader, mentor, patriarch and friend... full of fervor and love for our film community.” —K. Brooke Redmon

Thank you, Don, for everything you’ve done to make the Utah film industry what it is today. And for touching so many lives with your love an inspiration. Be at peace. photos courtesy of Shauna Schain. Captions and titles at adnewsonline.com

DON SCHAIN IN MEMORIAM

Barry Rosenbush, Bill Borden, Don Schain, Kenny Ortega Emmys 2006, winner, Outstanding Childrenâ&#x20AC;&#x2122;s Program, High School Musical

T h a n k Yo u for the memories from your friends at Vineyard Productions and adnews

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stage pass showcase

CREATIVE MEDIA GROUP

IMPATIENT COW

Jon Foster P 801.718.3006 THE RANCH 264 S. Glendale Street, Suite 100 SLC, UT 84104

CREATIVE MEDIA GROUP

John Farr O 801.221.9570 M 801.361.0012 231 S. Mountain Way Drive Orem, UT 84058

stage pass matrix

Impatient Cow A

12' 20' 55' 12' 20' 20'

Impatient Cow B

18' 40' 150'

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Lone Peak Studio A

14' 23' 34' 12' 12' 16'

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12' 10'

Lone Peak Studio B

16' 45' 65' 14' 35' 39'

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14' 10'

Media Grabbers

24' 40' 35' 22' 35' 38'

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12' 10'

• 16' 14'

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•

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Red Epic

Canon 5D MIII

Sony F3

Canon 5D MIII

Sony FS 700

open

Park City Film Studios 1

35' 100' 150'

as needed

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18' 15'

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Red Epic

Park City Film Studios 2

35' 100' 150'

as needed

•

18' 15'

•

Red Epic

Park City Film Studios 3 (2 & 3 can be joined)

35' 100' 150'

as needed

•

18' 15'

•

Red Epic

Redman Movies Express

18' 20' 30' 18' 20' 30'

•

Red Epic

Redman Movies Main

18' 60' 60' 18' 60' 60'

•

F IL M A NNU AL 2016

•

15' 10'

•

Red Scarlet

Canon 5D MIII

BMCC 4K

Sony F55

Arri Alexa

•

Media Grabbers Photo

•

Type

Sony EX3

Quantity

Type

Quantity

•

Type

Quantity

•

Cranes & Remote Heads

Industrial Quality Ventilation

Full Rental Equipment On-Site

•

Make-up and dressing rooms

•

Motion Capture

Set Storage

•

Fenced Parking

Meeting / Conference

Client Offices

DMX Control

•

Floor Drain for Wet Sets

•

Cameras

Kitchen

10' 8'

•

Light Package

Streaming

Fiber

Control Room

Special Features

Multi-Camera Switcher

Width

Bay Door

Height

Grade

Corner

Accoustic Treatment

Floating Walls

Floating Floor

•

15' 15' 17'

• = IN DEVELOPMENT

Length

Width

Height

15' 30' 30' 15' 15' 17' white cyc

Cyc

Sound

Light Grid

Creative Media Group Creative Media Group

Length

Company Name

Width

Height

Stage Size Green Screen

•

• •

•

MEDIA GRABBERS

LONE PEAK PRODUCTIONS

MEDIA GRABBERS INC.

LONE PEAK PRODUCTIONS

Joshua Eaton, President P 801.951.1382 383 North 700 West, Unit B, North Salt Lake, UT 84054

Bob Rock, Steve Smith P 801.521.5567 F 801.521.5569 404 North 300 West SLC, UT 84103

REDMAN MOVIES AND STORIES

PARK CITY FILM STUDIOS

REDMAN MOVIES AND STORIES, INC. PARK CITY FILM STUDIOS

Marshall Moore P 435.649.PCFS 4001 Kearns Blvd. Park City, UT 84060

速

Bryan Clifton P 801.978.9292 The Redman Building 1075 South 700 West SLC, UT 84104

FILM A NNUA L 2016

PRODUCTION DIRECTORY INDEX 3 SIXTY SCENERY

30 Set / Scene Design AVALANCHE STUDIOS

28 Producers / Production Companies

CREATIVE MEDIA GROUP

KALEIDOSCOPE PICTURES

31 Production Studios / Stages

24 Development Services

28 Producers / Production Companies

CREATIVE SERVICES BUREAU

28 Producers / Production Companies

BLUFIRE STUDIOS

23 Animation / Computer Graphics /

Visual Effects

DIGITAL BYTES

28 Producers / Production Companies

CAROLYN LEONE

23 Costume Design

FIFTYFILMS

28 Producers / Production Companies

CORSER

24 Directors

28 Producers / Production Companies COSMIC COLOR

24 Digital Cinema Mastering COSMIC FX

23 Animation / Computer Graphics /

Visual Effects

GORDON C. LONSDALE, ASC 25 DP / Cinematographers HALLETT MEDIA

30 Storyboard Services HARTLEY TAPE & SUPPLY 26 Expendables IMPATIENT COW

COSMIC PICTURES

28 Producers / Production Companies

23 Animation / Computer Graphics /

Visual Effects

28 Producers / Production Companies

COSMIC POST

23 Creative Services 24 Directors

25 Editors / Editing Facilities

28 Producers / Production Companies 30 Production Services KATHY JARVIS 24 Directors

MEDIAGRABBERS

23 Animation / Computer Graphics /

Visual Effects

25 Editors / Editing Facilities

31 Production Studios / Stages MOVING PICTURES LTD.

26 Equipment Rental, Sales & Leasing 30 Production Support Services MUNN POWELL / BLACKBOX

KINETO PICTURES

25 DP / Cinematographers

28 Producers / Production Companies

PARK CITY FILM STUDIOS

25 Editors / Editing Facilities

LONE PEAK PRODUCTIONS

31 Production Studios / Stages

25 Editors / Editing Facilities

PHILM GEAR, INC.

31 Production Studios / Stages

26 Equipment Rental, Sales & Leasing

MATTHEW WILLIAMS

PICTURELINE

28 Producers / Production Companies

25 DP / Cinematographers MCCARTY TALENT & MODELING AGENCY

26 Models / Actors / Voice Talent

25 Editors / Editing Facilities

24 Digital Asset Management

26 Equipment Rental, Sales & Leasing 30 Unmanned Aerial Vehicles

REDMAN MOVIES AND STORIES, INC.

26 Equipment Rental, Sales & Leasing 30 Sound Equipment

Rental, Sales & Leasing

31 Production Studios / Stages

Be (seen) more

STAR MOUNTAIN PICTURES

28 Producers / Production Companies STARS TALENT STUDIO

26 Models / Actors / Voice Talent THE DIGITAL RANCH 26 Interactive

THE STUNT DRIVER 30 Stunts

TMG / TALENT MANAGEMENT GROUP INC. 26 Models / Actors / Voice Talent TV SPECIALISTS INC.

26 Equipment Rental, Sales & Leasing 30 Unmanned Aerial Vehicles

VÉRITÉ

23 Animation / Computer Graphics /

Visual Effects

Reach the most upscale, educated and loyal audience on television. Promote your brand, build goodwill and support KUED. Sponsor the quality PBS programs on KUED 7.

Call

26 Interactive

VINEYARD PRODUCTIONS

28 Producers / Production Companies WARNER / CHAPPELL PRODUCTIONS

the KUED Development Department for pricing information.

801-581-4302

23 Audio / Music Composition /

Scoring / Production

30 Production Music Libraries WEBB AUDIO VISUAL

23 Equipment Rental, Sales & Leasing WHITE RABBIT PRODUCTIONS

28 Producers / Production Companies

F IL M A NNU AL 2016

PRODUCTION DIRECTORY ANIMATION / COMPUTER GRAPHICS / VISUAL EFFECTS

BLUFIRE STUDIOS

Matt Hoffman, President P 801.787.0690 vfx@blufirestudios.com blufirestudios.com

BluFire Studios provides fast, flexible, high-end visual effects and animation for a wide variety of worldwide clients. We can be seen in everything from national ads to feature films and primetime television to a display at the Smithsonian. Our recent work tied with Skyfall for a Cinefex award and was also featured in Cinefex magazine. We love to find unique solutions to post-production problems and employ cutting-edge technology and custom tools to make each project stand out.

IMPATIENT COW

Jon Foster, Producer, Icow.tv P 801.718.3006 THE RANCH 264 S. Glendale Street, Suite 100 Salt Lake City, UT 84104 jon@icow.tv icow.tv

We continue to be a SLC-based production and postproduction company. But now we have a brand new 35,000 sqft facility! Come check it out. Icow.tv.

CD / DVD DUPLICATION

VÉRITÉ

Kimberley A. Jones P 801.553.1101 608 West 9320 South Sandy, UT 84070 kjones@verite.com verite.com

From project management to production, Vérité is focused on making it happen for our clients by being an extension of their team. We’re a full service agency, which means our clients can come to us with anything, and we’ll use our expertise to bring projects to life. They know that no matter the challenge, they can say, “Vérité’s got this.” AUDIO / MUSIC COMPOSITION / SCORING / PRODUCTION

MEDIA GRABBERS INC. COSMIC FX

Micah Young P 801.467.4788 1345 South Major St. Salt Lake City, UT 84115 micah@cosmicpictures.com cosmicpictures.com

Ask us how our affordable VFX services can expand your creative vision and reduce your production costs. We offer digital set extensions, digital creatures, CG destruction and explosions, head replacements, full body digital doubles, green screen compositing, and paint removal.

Joshua Eaton, President P 801.951.1382 F 801.951.1387 TOLL FREE 888.225.8879 383 North 700 West, Unit B North Salt Lake, UT 84054 josh@mediagrabbers.com mediagrabbers.com

Grabbing people’s attention, thirty seconds at a time! We provide the eye candy that makes your media stand out. Whether it’s photo-real animation or sexy graphic compositing, from concept to delivery, we can make it shine. Find us on Facebook!

ONE STOP CD SHOP

Ken H. Rasmussen - President P 801.303.6100 3149 South State Street, Ste. A Salt Lake City, Utah 84115 ken@1stopcdshop.com 1stopcdshop.com

One Stop CD Shop has been delivering exceptional service to their clients for over 30 years. We have the experience and knowledge to produce the best CD, DVD, USB or Print products for you. Come in and let’s get started. CREATIVE SERVICES

WARNER/CHAPPELL PRODUCTION MUSIC

P 888.615.8729 F 615.242.2455

info@warnerchappellpm.com warnerchappellpm.com

With over 35 years of experience, Warner/Chappell Production Music brings you the largest and most diverse music library in the market today. COSTUME DESIGN -

CAROLYN LEONE CREATIVE COLLABORATIVE COMMITTED -

KALEIDOSCOPE PICTURES

P 801.356.1616 F 801.788.4840

15 North 100 East, Suite 200 Provo, Utah 84606 contact@kaleidoscopepictures.com kaleidoscopepictures.com

Kaleidoscope Pictures is an Emmy Award winning, full-service production company specializing in development, production and post services in narrative, documentary and commercial productions. Story is everything.

P 323.403.7795

25 years of experience. Works locally in Salt Lake, Los Angeles and Chicago.

FILM A NNUA L 2016

PRODUCTION DIRECTORY DEVELOPMENT SERVICES

DIRECTORS CORSER, INC.

KALEIDOSCOPE PICTURES

P 801.356.1616 F 801.788.4840

15 North 100 East, Suite 200 Provo, Utah 84606 contact@kaleidoscopepictures.com kaleidoscopepictures.com

John Corser P 435.200.3460 225 Main Street, Suite A PO Box 4198 Park City, UT 84060 john@corser.com corser.com

Corser, Inc. is a production company specializing in marketing, promotions and advertising. The Corser team is composed of A-list professionals at the highest levels of motion pictures, advertising and digital media.

DIGITAL CINEMA MASTERING KALEIDOSCOPE PICTURES

P 801.356.1616 F 801.788.4840

COSMIC COLOR

Micah Young P 801.463.3880 1345 South Major St. Salt Lake City, UT 84115 micah@cosmicpictures.com cosmicpictures.com

15 North 100 East, Suite 200 Provo, Utah 84606 contact@kaleidoscopepictures.com kaleidoscopepictures.com

The dark secret Hollywood doesn’t want you to know about. Studio quality digital cinema finishing on an indie budget. Digital dailies. Full DI and color grading services. Digital Cinema mastering. Clients include Fox Searchlight, ABC Television, dozens of happy indie producers, and you. Need a DCP for digital cinema distribution? We can do that too. Stop by and see the only large screen 4k digital finishing suite in Utah. You’ll be like,“What???” And we’ll be like, “I know, right?” DIGITAL CONTENT MANAGEMENT

Philip Boyack, President P 801.999.8552 12227 Business Park Dr. Draper, UT 84020 info@philmgear.com philmgear.com

Solutions for ALL THINGS VIDEO. Shared Storage, Archival, and Asset Management. Event Equipment Rentals. Cameras, Projectors, Switchers. Founded on relationships.

F IL M A NNU AL 2016

w w w. c o s m i c p i c t u r e s . c o m

KATHY JARVIS

Kathy Jarvis P 310.666.4758 kathy@kathyjarvis.com kathyjarvis.com

Director 2nd Unit. 3 episodes of ABC’s prime time Blood & Oil in 2015. Directed for ABC, Disney Family, Lionsgate, as well as commercials. Stunt Coordinator for the past 15 years. ABC Disney, ABC Family, Universal Pictures, Sony Pictures, Revolution Studios, Dreamworks, Paramount Pictures, Twentieth Century Fox, Blue Cross of California. DGA/SAG

PHILM GEAR, INC.

P I C T U R E S - CO LO R - F X - P O ST

Gordon C. Lonsdale ASC, DGA

PRODUCTION DIRECTORY DP / CINEMATOGRAPHERS

EDITORS / EDITING FACILITIES

GORDON C. LONSDALE, ASC M 801.362.6881

gclonsdale@gmail.com gordonclonsdale.com Representation: Innovative Artists: Cecilia Banck P 310.656.5186

Director of Photography for: TV Series, TV Movies, Features, Commercials and 2nd Unit. MATTHEW WILLIAMS

Director of Photography Film and Digital Cinematography P 818.590.4528 mwilliamsdp@gmail.com williamsdp.com

Film and Digital Cinematography Super 8 to IMAX, DSLR to Arri Alexa MUNN POWELL

Blackbox P 801.358.6866 Representation: UTA - Robert Arakelian P 310.860.3741 blackbox@mac.com munnpowell.com

Commercial clients include Verizon, Snapple, Toyota and more.

COSMIC POST

Micah Young P 801.467.4788 1345 South Major St. Salt Lake City, UT 84115 micah@cosmicpictures.com cosmicpictures.com

Without exaggeration, the very best place in the Universe. Literally. Edit. Colorization. Motion Graphics. Visual Effects. 2D and 3D Animation. Digital Dailies. Digital Cinema Mastering. 4 full-service edit suites and Digital Cinema Theater with Assimilate Scratch and Christie 4K Projection.

KALEIDOSCOPE PICTURES

P 801.356.1616 F 801.788.4840

15 North 100 East, Suite 200 Provo, Utah 84606 contact@kaleidoscopepictures.com kaleidoscopepictures.com

KINETO PICTURES INC.

Travis Babcock P 801.521.3725 M 801.599.2438 676 East Vine Street, Suite #5 Murray, Utah 84107 travis@kinetopictures.com kinetopictures.com

Kineto Pictures is an award-winning, full-service production facility, with a wide range of HD services—various camera packages, editing, color correction, and motion design. We specialize in episodic TV, custom commercials, corporate marketing and documentaries.

HD. 3D. TV. 2K. 4K. OK? Ask for Micah and he’ll give you the nice face discount.

LONE PEAK PRODUCTIONS

Bob Rock, Steve Smith P 801.521.5567 F 801.521.5569 404 North 300 West Salt Lake City, UT 84103 info@lonepeakproductions.com lonepeakproductions.com

Looking for a production company who can do it all? Lone Peak has been doing it all since 1979. In-studio and on-location shooting, 3 edit suites with color grading, compositing, motion graphics, animation, insert stage, audio booth and stock library for TV, corporate, industrial, and documentary. It all starts with an idea. Bring us your’s and let’s make it happen.

MEDIA GRABBERS INC.

Joshua Eaton, President P 801.951.1382 F 801.951.1387 TOLL FREE 888.225.8879 383 North 700 West, Unit B North Salt Lake, UT 84054 josh@mediagrabbers.com mediagrabbers.com

With 10 seasons of adventure reality shows and 500 commercials under our belt, yes, I’d say we know editing. From short form to long form, we have the experience, the facilities and the creative juices to help deliver award-winning media. Find us on Facebook!

FILM A NNUA L 2016

PRODUCTION DIRECTORY EQUIPMENT RENTAL, SALES & LEASING

REDMAN MOVIES AND STORIES, INC. MOVING PICTURES LTD.

Troy Parkinson, P 801.973.0632 F 801.973.0380 TOLL FREE 800.867.0632 812 West Layton Avenue Salt Lake City, UT 84104 mail@movingpics.net movingpics.net

Grip / Lighting / Dollies / Expendables Production Services—The way you want them. Delivery and pickup available.

PHILM GEAR, INC.

Philip Boyack, President P 801.999.8552 12227 Business Park Dr. Draper, UT 84020 info@philmgear.com philmgear.com

Solutions for ALL THINGS VIDEO. Shared Storage, Archival, and Asset Management. Event Equipment Rentals. Cameras, Projectors, Switchers. Founded on relationships.

Bryan Clifton, Kelly Eaton, Joe Olivas P 801.978.9292 F 801.978.2299 The Redman Building 1075 South 700 West Salt Lake City, UT 84104 bryan@redmanmovies.com kelly@redmanmovies.com joe@redmanmovies.com

Arri Alexa, Red Epic, Sony F65 and F55 cameras, grip and lighting, Fisher and Chapman dollys, jib arms to riding camera cranes, blmpded movie generators, Lightening Strikes, Helicopter mounts, walkie talkies, sound stages, expendables, trucks. Still photo strobes One stop shop, full customer service. Plus, Redman is now the Official Grip and Lighting Equipment Supplier for Park City Film Studios.

TV SPECIALISTS, INC.

Geoff Barry P 801.486.5757 F 801.486.7566 180 East 2100 South Salt Lake City, UT 84115 geoffb@tvspec.com tvspecialists.com

HD and production camera rentals, editing system packages, digital cinema projectors. Factory authorized sales and support. Locally owned and operated. For current prices, call Geoff.

PICTURELINE

Jens Nielsen P 801.364.1200 305 West 700 South Salt Lake City, UT 84101 support@pictureline.com rentals.pictureline.com

Pictureline’s photo and video specialists hand-pick only the very best equipment to provide a large variety of high-end gear to professionals across the country.

F IL M A NNU AL 2016

INTERACTIVE

THE DIGITAL RANCH, INC

Susan Jensen P 801.485.4503 F 801.485.2316 1354 East 3300 South, #300 Salt Lake City, UT 84106 susan@digital-ranch.com digital-ranch.com

Digital Ranch is your creative and technical partner for web design and video, phone apps, online marketing, cloud hosting, data backups and all things digital.

VÉRITÉ

Kimberley A. Jones P 801.553.1101 608 West 9320 South Sandy, UT 84070 kjones@verite.com verite.com

From project management to SPOTVérité COLOR is focused on production, making it happen for our clients by being an extension of their team. We’re a full service agency, which means our clients can come to us with anything, and we’ll use our expertise to bring projects to life. They know that no matter the challenge, they can say, “Vérité’s got this.”

EXPENDABLES HARTLEY TAPE & SUPPLY

WEBB AUDIO VISUAL

Steve Webb P 877.908.8567 F 801.484.8589 3020 South West Temple Salt Lake City, UT 84115 stevew@webbav.com webbav.com

From the lights on the ceiling to the cameras, projectors and everything in-between, Webb A/V provides the highest quality audiovisual equipment available for your next event or to update your company’s presentation room. Whether for rental or purchase, we offer thousands of products from projectors and TVs to professional-grade microphones, speakers, lighting and everything else audiovisual you can imagine. Webb is also known as a premier event production, management and staging company - doing events across the country. Our event experts can help create, manage and produce your events and those of your clients – no matter the size. Since 1955 we’ve staked our name and reputation on honesty, professionalism and dedication to our clients.

Myron Hartley P 385.218.5938 M 801.643.2442 Freeport West Bldg E-5 Clearfield, UT 84106 myron.hartleytape@gmail.com hartleytape.com

High Bond Tape, Gaffers Tape, Double Faced Carpet Tape, Double Coated Film Tape, ATG - 1.7,2 and 5 mil., Peel & Stick, Permanent, Removable, Hi/ Low, High Temp (Flash) Tape, Double Coated Masking Tape, Double Faced Window Glazing Foam plus the full line of packaging and construction tapes.

MODELS / ACTORS / TALENT

MCCARTY TALENT AGENCY P 801.581.9292

1326 Foothill Drive Salt Lake City, UT 84108 office@mccartytalentagency.com mccartytalentagency.com

Utah’s First & Finest Talent Agency is happy and grateful to be celebrating 42 years of business. McCarty’s has provided the State of Utah the best actors, voiceover artists, models, young performers and make-up artists. Please visit our website or give us a call.

STARS TALENT STUDIO P 801-201-5885

9441 S. Union Square Sandy, UT 84070 amber@starstalentstudio.com starstalentstudio.com

Stars represents more than 2,000 including many of Utah’s top actors, PANTONE 1585 C voice over talent, models, singers, and athletes. With over 30 years of experience, we specialize in representing talent with diverse ethnicities.

TALENT MANAGEMENT GROUP, INC.

Vickie Panek - Lauralee Bush Matua P 801.263.6940 F 801.263.6950 512 East 4500 South, Suite 200 Salt Lake City, UT 84107 Vickie@talentmg.com talentmg.com

TMG is YOUR source for the most capable talent to satisfy the needs of the most demanding clientele. We are professionals representing professionals – dedicated to the success of every project through excellence, quality and integrity. • Industrial • Print • Commercial • Runway • Voiceover • Presenters • TV • Makeup Artists • Film • Stylists

PRODUCTION DIRECTORY PRODUCERS / PRODUCTION COMPANIES

CREATIVE SERVICES BUREAU

Matias Alvarez, Mark Hofeling P 435.901.3188 Matias@creativeservicesbureau.com Mark@creativeservicesbureau.com creativeservicesbureau.com

Creative Services Bureau takes the expertise of film production professionals into the non-industry world to provide creative consulting and unique design at unparalleled speed.

COSMIC PICTURES INC

Micah Young P 801.463.3880 1345 South Major St. Salt Lake City, UT 84115 micah@cosmicpictures.com cosmicpictures.com

Lots of directors to choose from. Lots of camera formats to choose from (ARRI-Alexa, Movi, DJI Inspire X5, RED, DSLR, GoPro). Lots of post expertise to choose from (edit, graphics, effects, 3D animation, compositing, color, VO, and sound sweetening). Lots of projects to have fun on (commercials, industrials, web videos, features, and TV shows). Let’s. Get. Started. OPTIONS, people.

DIGITAL BYTES

Bruce Bain P 801.892.0300 F 801.892.0309 5882 South 900 East - Suite 300 Salt Lake City, UT 84121 bbain@digitalbytes.tv digitalbytes.tv facebook.com/DigitalBytes

Digital Bytes is Utah’s finest production and postproduction facility, specializing in corporate sales/marketing/training and recognition videos, multi-camera live events, streaming services and broadcast commercials.

IMPATIENT COW

Jon Foster, Producer, Icow.tv P 801.718.3006 THE RANCH 264 S. Glendale Street, Suite 100 Salt Lake City, UT 84104 jon@icow.tv icow.tv

We continue to be a SLC-based production and postproduction company. But now we have a brand new 35,000 sqft facility! Come check it out. Icow.tv.

AVALANCHE STUDIOS

Dave Lindsay P 801.747.1130 M 801.455.7345 8653 S. Sandy Parkway Sandy, UT 84070 dave@avalanche-studios.com avalanche-studios.com

Once upon a time there was a fullservice production facility specializing in TV ads and high-end corporate video projects. They offered creative services, scripting, shooting (HD to 5K), post, VFX, motion GFX, green screen, and more. They had a talented staff, tons of experience, and a plethora of passion—all to make sure every project and client lived happily ever after. What’s your story? We’ll help you tell it. CORSER, INC.

John Corser P 435.200.3460 225 Main Street, Suite A PO Box 4198 Park City, UT 84060 john@corser.com corser.com

F IL M A NNU AL 2016

FIFTYFILMS

P 801.652.2995 CREATIVE MEDIA GROUP

John Farr O 801.221.9570 F 801.221.8863 M 801.361.0012 231 S. Mountain Way Drive Orem, UT 84058 john@creativemediagroup.com creativemediagroup.com

CMG specializes in broadcast commercials, corporate customer testimonials, marketing and tradeshow video production. Established in 1997, CMG offers a full creative, professional and successful script to finish product.

mgr@fiftyfilms.com fiftyfilms.com

fiftyfilms is your one-stop shop for all your production needs. With our staff and gear, we can take your project from conception to high-end finishing. We can provide locations, sound stage, casting & crew, and have a full post-production facility including graphics and animation. We own Grip, Electric and Arri Alexa and Alexa Mini packages. Please visit our website for more info.

KALEIDOSCOPE PICTURES

P 801.356.1616 F 801.788.4840

15 North 100 East, Suite 200 Provo, Utah 84606 contact@kaleidoscopepictures.com kaleidoscopepictures.com

PRODUCTION DIRECTORY PRODUCERS / PRODUCTION COMPANIES

WHITE RABBIT PRODUCTIONS

LONE PEAK PRODUCTIONS

KINETO PICTURES INC.

Travis Babcock P 801.521.3725 M 801.599.2438 676 East Vine Street, Suite #5 Murray, Utah 84107 travis@kinetopictures.com kinetopictures.com

Bob Rock, Steve Smith P 801.521.5567 F 801.521.5569 404 North 300 West Salt Lake City, UT 84103 info@lonepeakproductions.com lonepeakproductions.com

VINEYARD PRODUCTIONS

TV production, corporate, industrials, & documentaries… looking for a production company who can do it all? Lone Peak has been doing it all since 1979. From concept, scripting, and graphics to shooting (in studio or on-location) and post (in one of our 3 edit bays). Great talent, great facilities, great work! It all starts with an idea. Bring us your’s and let’s make it happen.

Full-service production company specializing in feature-length films, commercials, television and large format. Having successfully managed over $250,000,000 in production funds, Vineyard has the experience and reputation for on-time and on-budget results.

Jeff T. Miller P 801.263.3443 F 801.263.3191 5183 South 300 West Murray, UT 84107 vineyardfilmproductions.com

Sam Prigg P 801.463.9292 F 801.463.7226 TOLL FREE 800.549.3115 1587 South Main Street Salt Lake City, Utah 84115 info@whiterabbitproductions.com whiterabbitproductions.com

For 30 years, Sam has been pulling “Rabbits Out Of His Hat” for his clients, shooting network news stories, entertainment, documentaries, commercials and news magazine shows. NBC, Oprah, Dr.Phil, Stars, Discovery Channel, Access Hollywood to name a few. (9) complete camera packages ranging from Sony and Panasonic ENG, (2) Canon C300’s, Black Magic 2.5 & 4K Cameras, Drones & GoPros. Complete audio, lighting and grip pkgs.

STAR MOUNTAIN PICTURES

Randy Sternberg P 801.520.5462 719 W 650 N Clearfield, UT 84105 starmountainpictures@gmail.com starmountainpictures.com

Star Mountain Pictures produces quality films with positive themes that inspire, enlighten, and entertain individuals and families worldwide.

Utah Film Center inspires and engages diverse audiences to initiate conversation and community building through curated film exhibition, educational programs, and artist support.

FILM EXHIBITION • MEDIA EDUCATION • FISCAL SPONSORSHIP Learn more about our free film screenings, annual film festivals, media education programs, and fiscal sponsorship program by visiting us on the platforms below.

FIND US ONLINE

@UTAHFILMCENTER

W W W.UTAHFILMCENTER .ORG FILM A NNUA L 2016

PRODUCTION DIRECTORY PRODUCTION MUSIC LIBRARIES

SET / SCENE DESIGN

SOUND EQUIPMENT RENTAL, SALES & LEASING

THE STUNT DRIVER

WARNER/CHAPPELL PRODUCTION MUSIC

Chris Nielsen P 310.709.5561 commercialstunts@yahoo.com TheStuntDriver.com

P 888.615.8729 F 615.242.2455

info@warnerchappellpm.com warnerchappellpm.com

With over 35 years of experience, Warner/Chappell Production Music brings you the largest and most diverse music library in the market today. PRODUCTION SERVICES

KALEIDOSCOPE PICTURES

P 801.356.1616 F 801.788.4840

15 North 100 East, Suite 200 Provo, Utah 84606 contact@kaleidoscopepictures.com kaleidoscopepictures.com

3 SIXTY SCENERY

Denton Mackenzie P 801.708.7900 2550 South West Temple SLC, Utah 84115 dentonm@3sixtyscenery.com 3sixtyscenery.com

3 Sixty Scenery is a full-service scenery design and fabrication company that was created to give our clients and us more control of the final product, more creative flexibility, and the exceptional results clients expect. No two projects are the same, and we build each with exacting standards that allow for proper and seamless installation. We always work within budget parameters, while exceeding the expectations that come with any dollar figure. We create and build everything from stages to permanent installations, special effects and movie location sets. We believe that if it can be envisioned, we can build it. (Recently we even built a “town square” waiting room for a Drs. Office.) And nobody is better to direct this company than Denton Mackenzie and his 20 years of experience. Some of our combined clients include doTERRA, DOMO, LDS Church, San Diego Mormon Battalion, HireVue, Instructure, Google, Chevron and LifeVantage.

REDMAN MOVIES AND STORIES, INC.

Kelly Eaton O 801.978.9292 M 801.718.4409 The Redman Building 1075 South 700 West Salt Lake City, UT 84104 kelly@redmanmovies.com soundequipment@redmanmovies.com

Production Sound Equipment Rental. Complete packages or supplemental ala-cart items. Sound Devices, Zoom recorders. Boom microphones & poles. Lectrosonics, Sennheiser wireless & IFB. Ktek, Denecke Timecode generators & slates. STORYBOARD SERVICES

HALLETT MEDIA

With skills ranging from Graphic Design to Illustration to Storyboards and Video Animation Direction, I am like your digital media tool belt!

Troy Parkinson P 801.973.0632 F 801.973.0380 TOLL FREE 800.867.0632 812 West Layton Avenue Salt Lake City, UT 84104 mail@movingpics.net movingpics.net

Grip / Lighting / Dollies / Expendables / Production Services – The way you want them. Delivery and pickup available.

Solutions for ALL THINGS VIDEO Video Editing and Post Production, Cameras, Shared Storage, Asset Managment, Live Event Streaming, Event Equipment Rentals. Projectors, Switchers and More.

F IL M A NNU AL 2016

Commercial Stunt Coordinator and Driver. 2nd Unit Director and Stunt Coordinator. Stuntman.

UNMANNED AERIAL VEHICLES

PICTURELINE P 801.364.1200

305 West 700 South Salt Lake City, UT 84101 support@pictureline.com pictureline.com

Pictureline is an authorized dealer for professional DJI unmanned aerial vehicles. Call to request a free flight demonstration of perfectly stabilized 4K aerial video today!

Jonathan DéVere Hallett P-SLC 801.860.3683 P-LA 323.435.8401 j.hallett@me.com hallettmedia.com

MOVING PICTURES LTD.

P 801-999-8552 info@philmgear.com www.philmgear.com

STUNTS

TV SPECIALISTS, INC.

James P 801.486.5757 F 801.486.7566 180 East 2100 South Salt Lake City, UT 84115 jamesb@tvspec.com tvspecialists.com

Aerial Cinematography Experts! Utah’s first DJI Authorized Dealer. On site training and repair. Phantom’s, Inspire’s, Osmo’s, Ronin’s, S900 & S1000’s. For more information, call James.

PRODUCTION DIRECTORY PRODUCTION STUDIOS / STAGES

MEDIA GRABBERS INC.

CREATIVE MEDIA GROUP

John Farr O 801.221.9570 F 801.221.8863 M 801.361.0012 231 S. Mountain Way Drive Orem, UT 84058 john@creativemediagroup.com creativemediagroup.com

Joshua Eaton, President P 801.951.1382 F 801.951.1387 TOLL FREE 888.225.8879 383 North 700 West, Unit B North Salt Lake, UT 84054 josh@mediagrabbers.com mediagrabbers.com

CMG maintains a 30’ x 30’ sound stage studio with full body Ultimatte green and white cycloramas, complete with a lighting grid and large selection of lighting options.

One of the largest double walled rentable green-screen coves in the Wasatch front. Two stories tall, incredible sound, large enough for a car and houses an industrial turntable that can hold 800lbs. Flip the switch and walls are lit! Find us on Facebook!

PARK CITY FILM STUDIOS

Marshall Moore P 435.649.PCFS TOLL FREE 844.400.7237 4001 Kearns Blvd Park City, UT 84023 info@parkcityfilmstudios.com parkcityfilmstudios.com

Park City Film Studios® (PCFS) is a digital technology firm that was organized for the purpose of providing operating infrastructure for motion capture films, production space, office space, business/event services, private academia, network television and more.

(F)ilm = Moab

LONE PEAK PRODUCTIONS

Bob Rock, Steve Smith P 801.521.5567 F 801.521.5569 404 North 300 West Salt Lake City, UT 84103 info@lonepeakproductions.com lonepeakproductions.com

Salt Lake’s oldest production company now has Salt Lake’s newest studio. Studio B is centrally located, full dmx controlled light grid, 30x35’ cove and control room with multi-camera switching and live streaming. At Studio B, there’s no branding other than yours. Your clients don’t have to know you don’t own the space, and they’ll be so impressed with what you’ve done, they’ll keep coming back to you… and you’ll keep coming back to Lone Peak… what a deal. Give us a call.

REDMAN MOVIES AND STORIES, INC.

Worlds away in your own backyard. Redman introduces three of the newest state-of-the-art stages in Salt Lake and Park City. Take advantage of our 60’ x 60’ MOS stage with 60’ green screen for your next major project, or check out our fully digital 20’ x 30’ insert stage optimized for motion capture. Plus, Redman is now the Official Grip and Lighting Equipment Supplier for Park City Film Studios.

MOAB TO MONUMENT VALLEY FILM COMMISSION 111 EAST 100 NORTH MOAB, UT 84532 (435) 259 - 4341 WWW.FILMMOAB.COM 1053 E. 2100 S. SLC UT 84106 801-359-3995

Call today to schedule your FREE consultation!

NEUROPATHY

AIN P E

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I FEE L AM W LIKE I EA GLOV RING ES

KN WEA

(F)ilm = Moab

G NUMBIN

TINGLING STABBING

NERVE CONDUCTION STUDY

CHIROPRACTIC INJECTIONS

NERVE BLOCK INJECTIONS

MOAB TO MONUMENT VALLEY FILM COMMISSION 111chiropracticsaltlake.com EAST 100 NORTH MOAB, UT 84532 visit (435) 259 - 4341 WWW.FILMMOAB.COM

LIGHT THERAPY

FILM A NNUA L 2016