Process ResearchMasterPietAgnesRotterdam,Book2022TatzberZwartInstituteofInteriorArchitecture:+Design
series of actions and events leading to a result
— the emergence and decline of the petroculture-dependent spaces in Neusiedl an der Zaya.
2
Table of contents Post Petrol Present 01 phase 1 I early drawings 04 phase 2 I experiments 18 phase 3 I boom and bust 22 phase 4 I swimming Pool 34 phase 6 I the tile 42 phase 6 I the drawing 47
3
4 Phase 1 I early drawings Instruments available to understand where I am.
Phase 1 I early drawings
5Phase 1 I early drawings
6 Phase 1 I early drawings
7Phase 1 I early drawings
8 Phase 1 I early drawings
9Phase 1 I early drawings
10 phase 6 I the drawing
church of Neusiedl, 1969 church of Neusiedl, 1968
You are not an invisible one, You are not infinite! But seven meters high. In you there is no secret But Andoil.you deal with us Not at will, nor inscrutable But according to calculation.
In the form of an oil tank. You ugly one, You are the most beautiful, Do us violence, You material one!
Where once there was grass There you sit now, oil tank, And in front of you is a feeling ThereforeNothing. hear us
Hasten hither, all Who sawed off the branch on which you sit, GodWorkers!has come again
11phase 6 I the drawing
And deliver us from the evil of the mind In the name of electrification Of ratio and statistics!
you were not there, But today only you are more.
Without invitation
Erase our ego! Make us collective! Because not how we want But as you will.
And you are not made of ivory And ebony, but of Glorious,Iron. glorious, glorious! You inconspicuous one!
We have come Seven hundred (and many are still on the way) From Whereeverywhere,nomorewind blows, From the mills that grind slowly, And the furnaces of which it is said, That no more dog occurs.
What is grass to you? You sit on it.
church of Neusiedl, 1969
And have seen you Suddenly in the night, Oil Yesterdaytank.
tankoilanworshipintellectualshundredSeven 1929Brecht,Bertolt
UN / COVER the oil ritual
13Phase 1 I early drawings
14 Phase 1 I early drawings church of Neusiedl, 1919
15Phase 1 I early drawings
16 phase 6 I the drawing © GeologischeÖsterreichischeGesellschaft/Austria; download unter www.geol-ges.at/ und www.biologiezentrum.at
17phase 6 I the drawing © GeologischeÖsterreichischeGesellschaft/Austria; download unter www.geol-ges.at/ und www.biologiezentrum.at
2 I experiments
Phase
18 3D scan
orientation tools
orientation tools
Phase 2 I experiments appearance
the representation authority caused to be issued a decision on its
19
20 Phase 2 I experiments interviews
21Phase 2 I experiments
A view of Temple of Kukulkan and Columns in one of the largest Maya cities of the Terminal Classic
22 Phase 3 I boom and bust CHICHEN ITZA, CIRCA 1952
Chichen Itza, Mexico(AD 800- 900)
Chichen Itza was one of the largest Maya cities and it was likely to have been one of the mythical great cities, or Tollans, referred to in later Meso american literature. The city may have had the most diverse population in the Maya world, a factor that could have contributed to the variety of architectural styles at the site.
Phase 3 I boom and bust
23Phase 3 I boom and bust
forward movement in time or place backward movement in time or place
Space
falling apart Phase 3 I boom and bust
24
25Phase 3 I boom and bust
Material: Size:
Location: Garden Valley, Nevada
26 Phase 3 I boom and bust Michael HeizerThe City (1972-on)
Michael Heizer remarks, “I think earth is the material with the most potential because it is the original source material.” “I’m buil ding this work for later. I’m interested in making a work of art that will repre sent all the civilization to this point.”
27Phase 3 I boom and bust
28 Phase 3 I boom and bust
29Phase 3 I boom and bust
30 Phase 3 I boom and bust
31Phase 3 I boom and bust
32 Phase 3 I boom and bust
34 phase 4 I the pool
Phase 4 I THE POOL swimming in appropriate style
36 Phase 3 I boom and bust
Cuoghi tends to work in cycles and series, obsessively exploring a given technique or method that requires him to master a set of skills, until his interest is exhausted and he moves on to the next thing.
Roberto Cuoghi“PERLA POLLINA, 1996–2016”
37Phase 3 I boom and bust
Courtesy: Fondazione Donnaregina per le arti contemporanee, Naples.
38 phase 4 I the pool
A pool may be referred to as fast or slow, depending on its physical layout.[27] Some design considerations allow the reduction of swimming resistance making the pool faster: namely, proper pool depth, elimination of currents, increased lane width, energy absorbing racing lane lines and gutters, and the use of other innovative hydraulic, acoustic and illumination designs.
Competition Pool
39phase 4 I the pool
The water must be kept at 25–28 °C (77–82 °F) and the lighting level at greater than 1500 lux. There are also regulations for color of lane rope, positioning of backstroke flags (5 metres from each wall), and so on.[26] Pools claimed to be "Olympic pools" do not always meet these regulations, as FINA cannot police use of the term. Touchpads are mounted on both walls for long course meets and each end for short course.
The Fédération Internationale de la Natation (FINA, International Swimming Federation) sets standards for competition pools: 25 or 50 m (82 or 164 ft) long and at least 1.35 m (4.4 ft) deep. Competition pools are generally indoors and heated to enable their use all year round, and to more easily comply with the regulations regarding temperature, lighting, and automatic officiating equipment.
An Olympic-size swimming pool (first used at the 1924 Olympics) is a pool that meets FINA's additional standards for the Olympic Games and for world championship events. It must be 50 by 25 m (164 by 82 ft) wide, divided into eight lanes of 2.5 m (8.2 ft) each, plus two areas of 2.5 m (8.2 ft) at each side of the pool. Depth must be at least 2 m (6.6 ft).[26]
42 phase 5 I the tile
43phase 5 I the tile
the alchemists have lost their bearings. phase 5 I the tile
44 phase 5 I the tile
45phase 5 I the tile
46 phase 6 I the drawing A 1 1 2 2 3 3 4 4 5 5 6 6 7 7 A B B C C D D E E
phase 6 I the drawing
47phase 6 I the drawing
