Portfolio 2015-2018

Albertus Magnus Yudhistira Portfolio 2015-2018

Architecture Model making Photography Graphic design

albertusmyudhistira@gmail.com 01

Portfolio 2015-2018

Contents 04 About me 06 Architecture 40 Model making 48 Photography 54 Graphic design

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Portfolio 2015-2018

About me

hello! I am a final year Master of

Architecture student. I am passionate about architecture and love to learn and design by thinking conceptually and creatively.

When designing, I am always attracted by innovative and meaningful precedents which influenced me to design innovative yet unique but also dramatic architecture that tells a story. By starting with the word “what if ... ?�, I challenge myself to experiment with various kinds of architecture.

I also like to make handcrafted things. Besides that, photography is my full-time hobby. I love to work in a diverse environment. Moreover, I also able to work under pressure and become proficient in new stuff quickly. I am highly adaptable to a new social environment.

Albertus Magnus Yudhistira albertusmyudhistira@gmail.com +61 413 277 502 bit.ly/AlbertusIssuu

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About Me

education

skills

Master of Architecture The University of Melbourne feb 2018 - present

3D modelling and drafting Rhinoceros 6.0; Grasshopper; SketchUp; Autodesk Revit; Autodesk AutoCAD; ABB RobotStudio 6

Bachelor of Environments (Major: Architecture) The University of Melbourne mar 2015 - nov 2017

Digital image and rendering Adobe Photoshop; Adobe Illustrator; Adobe InDesign; Adobe Lightroom; Lumion; Physical modelling 3D printing; laser cutting; ABB robot IRB 1200; handcrafting (balsa wood, concrete, plaster, screenboard, foamboard, etc.)

working experience Student Assistant Navanti (Melbourne) Assisting in UNO Apartment model making; recommending on model and display suite layout; liaising with stake holders. nov 2017

Languages Indonesian (native); English (fluent); German (basic)

Architecture Intern MNC Land (Indonesia) Conceptual and schematic design; signage design; construction documentation jan - feb 2017

competitions Urban Land Institute Melbourne CBD Revitalisation Proposal oct 2018 One Heart Foundation Children’s Eco Village in Africa dec 2016

organisational experience Built Industry Group Marketing officer oct 2018 - present

SuperStudio held by SONA (Student Organised Network for Architecture) aug 2016

Melbourne University Indonesian Student Association Media and marketing coordinator aug 2016 - jul 2017

Canon Light Awards Australia 2nd winner july 2014

Indonesian Film Festival Inc. (Melbourne) Creative vice coordinator sept 2015 - apr 2016

Kompas national daily newspaper (Indonesia) photos were published in monthly photo competition aug 30 2013 ed.; july 2 2013 ed.; nov 30 2012 ed.

interests architecture; urbanism; photography; technology; model making; economics; marketing

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Portfolio 2015-2018

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Architecture.

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Portfolio 2015-2018

Docklands Cultural Hall

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Architecture

performance typology.

aims to challenge the conventional manner of The journey through the newly-developed urban

performance. As a catalyst for Docklands, this is

space on top of the railway track and Etihad

the place where people can celebrate their cultural

Stadium ends on the observation deck located on

emotion and experimentation. This is the locus

top of the structure. Using elevator, people could

of Melbourne’s intense, dynamic, diverse, and

enjoy a dramatic moment when passing over the

endless energy.

timber canopy and have a feeling of relieve and surpresssed before ends their journey observing

Inspired by the exciting energy and diversity of

year / 2018-1

performance with the newly-experimental type of

studio / cultural

This is the new cultural icon for Docklands, which

Docklands Cultural Hall

the landscape of Docklands.

In the plaza, three studios and gallery is provided

the Central Pier, which symbolises by the use of

to give the chance for artists to experiment

small pieces of local timber (timber used for the

and present their work to the public. By using

docks structure) repeated in a random placement

advanced technology facilities, this will give them

to create a unified single flow of energy going

the opportunity to explore and speculate the

through the middle of the existing heritage building

performance typology. The plaza itself become the

and spreads out to the water and sky. A dramatic

place of interaction between people and artists, so

moment happens when the pieces start to spread

it narrows the gap between the art process and the

out at the edge of the pier and forming a burst

outcome. At the same time, one medium and two

of energy. The small timber pieces represent the

small theatres are also provided for rehearsal and

individual, unique, and different energy from

small performance purposes.

different Melburnian that work together to build this city and achieve a liveable place to live in.

At the edge of the structure, a semi-sphere structure is built as an observation space that portrays the panoramic view to the bridge and the pier, giving space for people to see the development of Docklands now and future.

A concert hall which seats 2,200 people also provides a space for local and international artists to present their work. The concert hall has a slightly different and unique form in order to challenge artists to recreate a new type of 09

project type / individual

by creating an endless journey from the CBD to

location / Central Pier, Docklands

Melbourne, I would like to celebrate this moment

Portfolio 2015-2018

Docklands Cultural Hall

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Architecture

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Portfolio 2015-2018

The Parkville Bazaar 12

Architecture

by Edward Dowell, which portrays a story of a weekly market of Athens where Greeks, Turks and Albanians mingle together, along with peasants and farmers from the surrounding countryside. The market

studio / education

This building is inspired by painting Bazar of Athens

The Parkville Bazaar thus becomes a place where people from different

year / 2017-2

background and culture gather, in which there is a process of exchange, not limited to goods, but also language, culture, knowledge and everything.

Key aspects that are taken for the design principle are open and flexible. The word ‘open’ means the

location / Parkville, Victoria

building should be open to new ideas and people from diverse background. At the same time time, in terms of space, the building is also open as people can see what is happening on the other side, so it appreciates the idea of transparency. The second one is ‘flexible’: the space must be flexible to allow continuous change and adaptation to the changing needs and future changes. This flexibility is translated into a multipurpose bazaar where activities are happening on it.

project type / individual

The new school building itself will feature a boulevard-like thoroughfare in the middle that connects the old school building with the Royal Parade. The boulevard, or the bazaar, will be based on the principle of flexibility so it could accommodate multiple kinds of programs and activities such as music performance, art exhibition, workshops, weekly market, etc. in and around it. It is going to be the center of activity and open laboratory that creates opportunities for the informal evolution of knowledge.

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Portfolio 2015-2018

Formal Learning Area

Lecture Theatre

Cafetaria

The Bazaar

Gym

Sports Hall

Roof Garden

Ground Floor Plan

First Floor Plan

The Parkville Bazaar West Section

East Section

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Architecture

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Portfolio 2015-2018

Daily School Hours use

The Parkville Bazaar

Workshop and Exhibition use

Parkville Sunday Market use

As the Bazaar will accommodate multiple kinds of activities during the day, programs are then proposed to predict what the space is going to be look like during the daily school hours and after school hours.

The diagram is divided into three main activities: daily use, workshop/exhibition/meeting use, and Parkville

Sunday Market use. One of the ways to achieve this flexibleness of the space is by having a convertible wall, which the door and wall can be folded to accommodate stalls and different kind of activities.

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Architecture

Translucent glass roof

Parapet

Daily use Main structure

Event use

Ceiling feature

Flexible classroom

Facade

Glass wall

Interior wall

Stairs

1:200 model

Ground floor

Exploded axonometric building elements

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Portfolio 2015-2018

Seats and Dominance

The Last Acumen, 2018 Directed by Albertus M Yudhistira

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Architecture

mainly use it simply as an object to seat and relax, as what the initial design intention is.

But, what if people use it beyond what the design is intended to be? What if people actually use it as a tool to show their power and dominance towards

studio / film and architecture

Regardless of many types of seatings, people

Seats and Dominance

others? How people use it as an object of their year / 2018-2

desire? Also, how the space itself can actually help them to reinforce the feeling and tension that they want to make?

All these questions are analysed in the form of short video essays and films, and how cinematic

location / various

techniques can show the use of seats, with its additional function to show dominance over others.

Click the link below to watch the movie http://bit.ly/Studio35mm

project type / individual

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Portfolio 2015-2018

Film: The Road Not Taken Cast

Jesslyn Humardani

Duration 03:09 Concept

For this submission we were to make a film, animation or VR about one of our past design projects or an existing building/urban space.

The film is about decision and regret, thus multiple cinematography techniques were used to show those ideas and the use of background sound and music strengthen the feeling and atmosphere.

Inspired by the poem ‘The Road not Taken’ by Robert Frost, this film tries to reinterpret the poem by looking at the meanings through architecture and cinematography.

Watch

https://youtu.be/aXQUlCv2PWA

Seats and Dominance 20

Architecture

Film: The Last Acumen Cast

Farhan Fiyoga; Neilwan Susanto

Duration 04:17 Concept

The fixed and stationary nature of chair is utilised to deliver the power and dominance of a character.

Different camera angle and point of view can influence how dominant the character is. The camera ‘A’ from the diagram below is shooting from a lower angle, making Frederik looks taller and bigger, hence filling up the frame. Thus, it manipulates the audience’s perception of him and tells that Frederik is currently dominating the scene.

The filming site was specifically chosen to help increase the tension and mood, followed by a one-point perspective compositional technique. This technique forces the audience to focus to a particular area of a frame, and the symmetry of it helps to divide the framing into the dominant one vs. the passive one.

Watch

https://youtu.be/PbDsSVGX8uQ

The camera is attached to the chair

Chair and camera movement

Shot

Camera motion

Tempo

Mood 1

2 3 4 5 6 7 8 - (refer back to chair and camera movement)

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Filming site

Portfolio 2015-2018

For Sale: Tree Stump 22

Architecture

modelling and computational design. Our brief for this studio was to create a “hotel� for echidna that lives along the Merri Creek in Melbourne.

studio / parametric

This studio was mainly based on parametric

For Sale: Tree Stump As a natural environment located in an urban

year / 2017-1

context, the human activity around the Merri Creek is quite dense, especially along the Merri Creek Trails. However, human activity in the Merri Creek, such as throwing trashes and removal of tree stumps might harm its habitat. The impact might be the decrease of insects such as termite and ants,

location / Merri Creek, Melbourne

which is the main source of food for the echidna.

My role in the group was to fabricate the modules (material: concrete, foam, dried moss, acetone), design the layout for the group journal, cut the foam using the robot, and generate ideas.

project type / group

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Portfolio 2015-2018

Construction and fabrication process Create the whole structure

Divide into modules

Produce modular formwork

Sketch design

For Sale: Tree Stump

Robot cutting process

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Cast

Assemble

Architecture

Fabrication process

1. Robot-cut mold

2. Moss was put inside the mold and sticked to the side of it before pouring the concrete

3. Removing the foam

4. Applying acetone for the inner foam part

5. Playing with disintegrated foam to create an organic kind of texture

6. Polishing

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Portfolio 2015-2018

A Melburnian Journey 26

Architecture

to have an intimacy with the building. He rarely

boathouse open to the public which the design

directs people straight to a point, but he uses an

must according to the manner of a master (in

ambiguous direction and play with natural lights/

this case: Tadao Ando) to add excitement and

darkness/surprises “to create the experience

liveliness to the Melburnians.

when people move through, making them think,

studio / experience

The brief for this studio was to design a new

A Melburnian Journey feel, and communicate—especially when it is combined with other perceptions and abstract

surely exciting to let people feel the nature.

nature”. He often incorporates a biophilic design

However, the southern part of the site is very

which creates a positive experience of nature

noisy—from Alexandra Avenue—which then

and touches people’s emotions.

a semi-circular wall is designed to create a

year / 2016-2

Surrounded by natural landscape, this site is

microcosm of the site. Water is also an important location / Alexandra Gardens, Melbourne

element in the site where almost half of the site is the river. Water thus incorporated into the design as the most important part of the journey.

When people walking to the entrance, they will see trees and other natural elements and intended to set their mind of the natural landscape. Then they will go down to the artificial lake in the middle of it which give chance for people to have a very different view and hear the sound of the landscape while viewing the tranquillity of the water.

project type / individual

Tadao Ando rarely changes the existing landscape of a site, so in the design, there are two separate buildings which are: the boathouse and the water feature. Some of the features are built underground to give space for existing trees, road and bike lane above it (not moved too far from the existing road).

Interestingly, most of his buildings acts as an active architecture, which always asks people 27

Portfolio 2015-2018

A Melburnian Journey

Cafe

Boat storage

Kiosk Boat hire counter

Boat workshop

Office Toilet and shower

Toilet Kitchen Restaurant

Detailed plan

Site plan

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Architecture

1. Entering the area from north-west People are directed to enter the building via a pathway.

2. Entering the first gate People are directed to enter the building and welcomed by the gate which also works as a frame to a whole new view.

3. Going down the the artificial lake Simplicity and nothingness. To let people empty their mind before entering the “hidden” lake.

4. Entering the second gate A very different atmosphere. People could hear the sound of nature, birds, winds, leaves. It is a hidden gem.

5. Diverted walkway People are directed to enter the dark walkway. To allow people to meditate, contemplate and follow their emotions.

6. Walkway to the restaurant A dark walkway. The only source of light is from the strip hollow line on one side of the walkway to create a phenomena that represents the source of life.

7. The restaurant Glass roof and wall restaurant to create opennes and let people to see their “past” experiences, while enjoying the view of the nature.

8. The boathouse, the final frame Framed view of the city of Melbourne and the river, to let people see the present condition of the landscape.

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Portfolio 2015-2018

A Place for Keeping Screts

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Architecture

within a site, but a structure that becomes the

inside the small space that ends the visitor’s

site, egalitarian. Both intimidating and exciting.

journey. It is a dead end. People might think that

Trapped, uncertainty, but exciting. Inspired by

there is something inside, but unfortunately is

some precedents, a mixture of intimidation and

not. Let them speculate.

year / 2016-1

Nothing. Yes, nothing. There is literally nothing

studio / conceptual

An active object or installation. Not a structure

A Place for Keeping Secrets

excitement was added to improve the spatial would intimidate people who are afraid as they have the possibilities to fall into the river.

“You might think that something was

However, for those whose curiosity defeats

intentionally being hidden or kept out from you.

their fear would found this exciting as this is a

You thought that I was keeping a secret.

challenge for them A small space was then added to encourage people to think, imagine, speculate, question.

Doubts and speculations that came out were

The truth is, nothing is being hidden nor I keeping a secret. The secret is actually inside your mind and perception.

derived from people’s mind and response to No need to speculate. No need to question. Since

different between one and another, depends on

there is no secret.

one’s perspective. Like the pyramid in Egypt, people speculate a lot about what was actually happening inside. Too many secrets need to be

It is just a fantasy ...”

revealed, but too many answers and speculations to be trusted.

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project type / individual

what they see. The truth behind it might be

location / Herring Island, Melbourne

quality of the design. The floating structure

Portfolio 2015-2018

Groove Top 32

Architecture

Words by Soomeen Hahm and Aleksandar Bursac (Mapping as Design, Architectural Association Visiting School 2017, Yonsei University, Seoul, Korea).

The full report of the course can be accessed via https://issuu.com/soomeenhahm/docs/mapping-asdesign

The groove top project will try to resolve this lack of public space and suggest some different solution for each group of people of this community to gather and share their interest.

studio / urban intervention

Groove Top The designed rooftop are allocated to different typology of users according to the time period. Using

can sit together and spend time as a community.

the analysis of spatial shifting of different categories

It goes as far as old people needing to seat on the

of person in the community, the merged rooftop are

pavement, and for children to stay on the street sides

given a suggestion toward which use could be optimal

without proper leisure zone. It is our goal to take into

in different part of the days.

year / 2017

Garibong Dong area lacks public spaces where people

consideration the needs of every different type of In doing so the Groove Top projects aims to gather people around different activities such as yoga, tai However, in Chinese culture, it is common to use the

chi, hip hop dancing, and to open the gathering

public space of the street for dancing activities. Not

opportunities for citizen.

only do the chinese people dance in the street, but also they create a liveful atmosphere which brings joy to the community, as well as taking advantage of

location / Garibong, Seoul

person in this site community.

every public spaces they are given. project type / group

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Portfolio 2015-2018

The Sprout 34

Architecture

studio / high-rise construction

The Sprout This site lends itself to some of Melbourne’s best views, the historic Exhibition buildings, Carlton Gardens, Port Phillip Bay and the CBD skyline.

The concept for the building design was inspired by the close proximity of the Carlton Gardens and the idea that the building and site should include a green space plaza. The tree-lined plaza

year / 2018-1

is seen as an extension of the surrounding gardens and an opportunity for people to enjoy healthy recreational spaces in the CBD. It also revitalises the quiter section of the Melbourne’s Hoddle Grid, especially in the intersection between La Trobe St and Exhibition St.

location / 300 Exhibition St., Melbourne

The connection with the gardens informed the organic form of the building development allowing it to sprout from the site. The building faces north-west on the site and makes use of the sun exposure. The western tower is higher to draw attention to the city. The diagrams below visually explain the position of the sun at 3 times during the day. The date chosen is the September Equinox when the day and night are approximately equal in duration.

project type / group

The building height maximises the potential Net Lettable Area and the design includes a retail precinct in the podium section, atrium and roof top garden at mid and high rise sections as well as the plaza restaurant.

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Portfolio 2015-2018

Crown space frame

Toilet and mechanical

Column Core

High-rise lifts

Typical floor w/ atrium

Emergency stairs Medium-rise lifts

The Sprout

Outrigger brace

Low-rise lifts

Outrigger brace connection

Band beams

Edge beams

Podium

Podium with atrium

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Architecture

1. Massing, with a reservable plaza area on the north side of the building

2. Slope the podium to create a continuous synergy between ground plane and the building

3. Add a skygarden in the middle to bring the streetscape into the high rise and enable social interaction above ground

Morning 9am

Midday 12pm

Afternoon 3pm

North wind effect to the surrounding site

The chamfered edge reduces the drag

The sloped podium reduces the downward wind

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Portfolio 2015-2018

12 Wall 1/ [DG12] 50mm thick internal glazed pivot door 2/ [WG12] Aluminium frame with double glazed window 3/ 190mm core-filled blockwork 4/ 90mm internal blockwork 5/ [PB] Plasterboard 6/ [PC1] 700x250 precast column 7/ 20mm R2.4 foilboard 8/ [FC2] 150 PFC 9/ Folded clorbond capping 10/ PFC header with welded steel plate support for window head 11/ [MC1] R6.0 insulation, Kingspan ‘Kooltherm K5’ external wall board 12/ [1C1] 100x100x6 SHS 13/ [RB11] 125x65 PFC 14/ [WF1] wall frame, 75x50x3.0 RHS 15/ 3mm perforated metal galvanised steel with 19mm diameter holes Ceiling and Roof 16/ [1DH1] 250x90 PFC continuous 17/ [DR3] 75x75x4.0 SHS for dropper 18/ [CT] (acoustic) ceiling tile, ‘Ultima’ very fine texture minreal fibre suspended 19/ [RB2] 600x115 GL18 Unilam 20/ Perforated box gutter 21/ 90x45 MGP10 trimmers to RB2 for support

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Slab 22/ 150 Bondek slab 23/ 400 cog Floor Finishes 24/ [CP3] Ontera ‘Envisions IBC’ cut pile lon carpet tiles with custom design, 457.2mm x 457.2mm x 7.3mm tiles, polymer fibreglass reinforced backing with 40% recycled content.

Construction Design

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Footing 25/ [PF1] Pad footing 600 mm depth with N20 reinforcement bars for bottom, and N16 bars for top.

26/ [WBR2] Reinforced blockwork N12, wall bracing and fully reinforced.

27/ [SF1] Strip footing 600 mm depth with 4-L12 top and bottom 28/ 100 mm compressible cardboard 1000x1000 void formers. Waterproofing membrane above it.

29/ mass concrete

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Soil 30/ 0-0.15m, admixed silt, clay, crushed basalt, brown/red 31/ 0.15-1.5m, silty clay, red/brown, high plasticity 32/ basalt rock 33/ line of influence

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Albertus Magnus Yudhistira // 755406

Construction Design ABPL 30041 Tutorial 10 / Evelyn

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Architecture

reasons behind the choices of building structure and materials are the aims of this subject. To help us to understand, we were assigned a 6x6 meter section of Western BACE building designed by Six

studio / construction

Understanding construction stages, detailing, and

Construction Design Degrees Architects and we had to peeled-off that

year / 2017-1

section and produced an axonometric building and a complete detailed 1:20 model. To be included in the drawing and model are the foundation, footing system, slab system, structural system and detailings of the building skin.

location / Melton South, Victoria project type / individual

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Portfolio 2015-2018

Model 40

Making.

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Portfolio 2015-2018

Arhitecture Manifesto 42

Model Making

studio / history

year / 2018-2

location / n/a

project type / individual

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Portfolio 2015-2018

Earth 44

Model Making

studio / conceptual

year / 2016-1

location / n/a

project type / individual

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Portfolio 2015-2018

Earth 46

Model Making

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Portfolio 2015-2018

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Photography.

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Portfolio 2015-2018

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Photography

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Photography

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Portfolio 2015-2018

Graphic

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Design.

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Portfolio 2015-2018

Arhitectural Practice

ROAM is not just creating a safe and comfort place

bringing people out to an unforgettable journey

for people to stay, but we also invite them to a

and providing a safe haven for them to stay.

local experience and explore the unexplored world that they never encounter before.

Our branding is clear and bold whilst maintaining an image of young, friendly, and energetic to our

This spirit and ambition is what inspires our logo.

target consumers. As we want to share

The logo is an abstraction of human’s natural

our dream and value with all “roamers”, we

craving to explore and look for something unique,

use easy and simple graphic, color, images,

and its natural state to always want to be safe and

and typeface so they can easily understand our

happy. It is a symbol of adventure and look into

vision and at the same time we could mutually

stories from the other side of the world.

understand them as our biggest partner.

We use orange as our primary color that inspired

(In this group assignment, I was in charge for the branding of our business plan. All graphics were designed and created by me)

by traveller’s ambition, their energy to explore, and their happiness which align with our philosophy of 56

Graphic Design

studio / business

year / 2018-2

location / n/a

project type / group

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Portfolio 2015-2018

Quite White 58

Graphic Design

studio / Hong Kong year / 2018 location / Hong Kong project type / group

Quite White, 2018 Inkjet print on A1 paper Exhibited at Osage Gallery, Kowloon, Hong Kong

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Portfolio 2015-2018

2 x A1 paper

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Graphic Design

2 x A1 paper

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Portfolio 2015-2018

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Graphic Design

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Portfolio 2015-2018

Thank you.

albertusmyudhistira@gmail.com 64