Life Portfolio (2011-2017) by Alejandro Bolaños Valverde

ARCHITECTURE AUTOMOTIVE FURNITURE ART MUSIC WORK

This document is intended to show my lifeÂ´s work throughout college experience (20112017). The most important part inside this document is the way I use Design as a way of thinking and how the process involved determines the solutions to the different problems I encountered along the way. This is me.

LIFE PORTFOLIO 2011-2017 Alejandro BolaĂąos V. Copyright 2017 - All rights reserved. All the content in this document is property of the author and may not be used or reproduced in any way or form unless prior permission is given by the author. Subject to law on respective country or state.

CONTENTS: 01_INTRODUCTION...................08 - 13 What is Design?........................................................................10 - 11 The Architecture Manifest........................................................12 - 13

02_ARCHITECTURE....................14 - 61 The Conceptual Projects:..........................................................16 - 57 - Public Buildings - Space.......................................................16 - 31 1. Curridabat Building Center.................................18 - 21 2. Tárcoles Information Center................................22 - 27 3. “La Amargura” Public Park.................................28 - 31 - Housing - Private Home.......................................................32 - 41 1. Caribe House.......................................................34 - 37 2. La Carpio´s Terraces.............................................38 - 41 - Other Buildings.....................................................................42 - 57 1. Acuatic Interface Modules - Nicoya...................44 - 47 2. Costa Rican National Brewery Lounge...............48 - 51 3. Erotik Art Gallery...................................................52 - 57 The Built - Finished Projects:.....................................................58 -65 - Health and Multisensory spaces.........................................60 - 65 1. National Children´s Hospital Sensory Room....60 - 61 2. Private Doctor´s Office Sensory Room..............62 - 63 3. Santa Paula University´s Sensory Room.............64 - 65

03_AUTOMOTIVE......................66 - 73 The Costa Rican Country Classic FJ40 Reinvented..................68 - 71 Modifications and other parts..................................................72 - 73

04_FURNITURE..........................74 - 81 The Desk - The Architect´s Workspace.....................................76 - 77 The materials, design and hidden compartments....................78 - 81

05_ART.......................................82 - 87 The Architect as an Artist.........................................................84 - 85 Works of Art..............................................................................86 - 87

06_MUSIC..................................88 - 93 The Architect as a musician......................................................90 - 91 More photos.............................................................................92 - 93

07_ WORK...............................94 - 106 Work experience - Current Work Projects.............................96 - 105 1. Santa Paula University.........................................96 - 97 2. HandyCat Centroamérica...................................96 - 97 3. ABV-VAL Consultorías.........................................96 - 97 4. Graduation Project “Templum”........................98 - 103 5. Toolbox + C.V. + Profile...................................104 - 105 6. Contact.......................................................................106

01_INTRO 8

Who? What? Why?

ODUCTION 9

What is Design?

DESIGN Thinking It is a way of thinking I use to overcome a situation or problem that needs to be better, this process always involves people. Design thinking is encrypted in every human on Earth, therefore everyone uses design thinking every day, even if it goes by unattended. This process is enriched by the technical knowledge, experience and creative process of every single human. I believe that this way of thinking may save humankind from future and current problems by designing

new laws, programs, buildings, systems, objects or anything that requires creation. In this creation process and design thinking is where I have chosen to spend the rest of my life, solving problems, helping others and making tangible any idea that I or even someone else has in mind. I have chosen design as my way of thinking. I have a long road ahead and much to learn, so, from this moment on, I am a designer.

DESIGN THE OBJECT Axonometric view of one of my conceptual designs

THE ARCHITECTURE M A N I F E S T Architecture should go far beyond the physical and mental dimensions, it is an act that moves the human spirit. Architecture should also go beyond the principles established by Vitruvius, it should go far beyond than the technical, the esthetic and the functional. If architecture is not done to help the humankind it should not be called architecture. I do not mean that it should be free or for the less priviledged, I mean it should be thought for making people better, then it can worry about less important topics like esthetics or what coloquial language calls â&#x20AC;&#x153;beautifulâ&#x20AC;?.

I AM CHALLENGED BY: Multisensory Architecture Spiritual Architecture

I AM INTERESTED IN: -How do buildings behave after they are built. -How buildings change through time. -How buildings shape human behaviour. -How architecture changes and helps people.

I WORRY ABOUT: -How law and legislations condition design and architecture and how to overcome this matter. -How to help this country and make the world I live in a better place through Architecture and Design.

Where does Architecture stand in this matter? The question I always ask myself when taking over a project. Many architects believe that Architecture by itself is capable of solving anything, this is not entirely true. Knowing the limits of what you do and where can it take you to is essential. I strongly believe that without the people inside a project it will become useless and a mere expression of esthetics and shapes with no final use other than contemplation. Any matter can have a possible solution by means of architecture only if after the process of investigation and application it is determined that we as Architects can provide the best solution for it.

02_ARCHI 14

Architecture is a way of design that is in charge of interpreting, designing and building the world that sorrounds the human beign. The problem is the object, this implies a process that involves investigation, development and a proposal that has the ability to improve the situation regarding the problem.

ITECTURE 15

The Conceptual Projects: 16

I. PUBLIC BUILDINGS - SPACE (16 - 31) II. Housing - Private Homes (32 - 41) III. Other Buildings (42 - 57) 17

CBC

Curridabat Building Center

This project was designed as a Building Center for the community, a place destined to cultural, educative and human development for the Curridabat Zone in San JosĂŠ, Costa Rica. Located in between two other buildings and a street front facade, the CBC intends to â&#x20AC;&#x153;swallowâ&#x20AC;? the users on the central park in front through a narrow but interesting entrance (Picture on the right). Once inside, the user can experience the building as a whole together with all its visual points of view. Both night and daytime activities allow the visitors to live all the phases of the building (Picture on the Bottom). The project holds a full day service Cafe, An Auditorium, Amphitheater, community offices, services, leisure areas and a street front wide gallery, open to hold any type of activity. This project was designed by articulating materials and natural illumination, where the main character is the user.

ESCALA: 1:150

SIN ESCALA

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL PRIMER NIVEL ESCALA: 1:150

DE DISTRIBUCIÓN ARQUITECTÓNICA DEL SUB NIVEL SubPLANTA Level Floor Plan ESCALA: 1:150

ESTUDIO AXONOMÉTRICO DEL PROYECTO ESTUDIO AXONOMÉTRICO DEL PROYECTO SIN ESCALA SIN ESCALA ESTUDIO AXONOMÉTRICO DEL PROYECTO SIN ESCALA

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL SEGUNDO NIVEL PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL PRIMER NIVEL ESCALA: 1:150 PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL PRIMER NIVEL ESCALA: 1:150

ESCALA: 1:150

DE DISTRIBUCIÓN ARQUITECTÓNICA DEL PRIMER NIVEL FirstPLANTA Level Floor Plan ESCALA: 1:150

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL TERCER NIVEL ESCALA: 1:150 PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL SEGUNDO NIVEL

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL SEGUNDO NIVEL Second Level ESCALA: 1:150 Floor Plan ESCALA: 1:150 PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL SEGUNDO NIVEL ESCALA: 1:150

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL SUB NIVEL ESCALA: 1:150

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL TERCER NIVEL Third Level Floor Plan PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL TERCER NIVEL ESCALA: 1:150

ESCALA: 1:150 PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL TERCER NIVEL

SECCIÓN LONGITUDINAL SECCIÓN LONGITUDINAL

Building Section A ESCALA: 1:100 ESCALA: 1:100

SECCIÓN TRANSVERSAL SECCIÓN TRANSVERSAL

Building Section B ESCALA: 1:100 ESCALA: 1:100

The bathrooms are located on the sub level and have a small waiting room for family members and companions. By adding a well-designed waiting room in a basement it was intended to change the Costa Rican popular ideal that basements are only good for storing things. The maintenance service office and other vital building systems are located on the door next to the elevator. SECCIÓN DEL AUDITORIO SECCIÓN DEL AUDITORIO

ESCALA: 1:100 The second floor offers a rooftop garESCALA: 1:100 den that allows breathing for both the building and the user without the need of going down. It has rest areas, meeting points and another point of view towards the amphitheater. The exhibition area is an open plan, it also has a wonderful view towards the main street/central park and the inner patio. Moving panels allow ease of use for different activities anytime of the year.

The third floor is home to the administrative offices and community attention services. This level works as a mezzanine for the exhibition room, therefore it is possible to monitor almost every part of the building. From this part, users can also enjoy the magnificent view towards the Main Street and park.

On the way out, the visitor may stop by the Cafe, named after Sinatra´s famous “My Way” for a succulent snack or cup of the best Costa Rican coffee. I holds an opening on top that helps ventilate and illuminate the area in the daytime. A long planter separates the main hallway from the Cafe.

TIF

TĂĄrcoles Information Center

Designed as a Touristic and Community Information Center, this building is born with the need of creating public space, the massive (compared to local scale) volume leaves a void underneath that is integrated to its context by generating a plaza that serves as an entrance. This plaza is also the ideal of a multi-cultural activity place for the small seafront town of TĂĄrcoles in Puntarenas, Costa Rica. The building is located based on the solar and wind study, therefore the sunset is enhanced and a full day protection. The volume also generates a city center plaza protected from the sun rays and the hot day. The lower view is the street view from the main highway (Route 1), it puts the community on the travelerâ&#x20AC;&#x2122;s eye as a welcoming building, defining the entrance to the fishing and crocodile tourism based community that was forgotten by the roaders and tourists. The building is intended for the commonwealth of a low budget community in need.

First Level Floor Plan

Second Level Floor Plan

Third Level Floor Plan

The void created on the second level not only helps the building in a structural matter, it helps visually as well so that a bond can be made between the local food restaurant and the plaza below it. Natural ventilation is vital in this area, therefore it became a fundamental part of the design process. The entrance squeezes the user into the building and opens up to the central atrium inside the building, where the bridges between different areas can be appreciated and walked through. The service to the visitor is the main goal of this building, therefore the counter desk with tour information and town activities is always open as well as the store for local products on the first level. On the second level the user may use the bathrooms and restaurant that also has a open air terrace over the store. On the third floor the Gecko bar and the offices can be found.

The project is designed to be built with concrete as the main material, with a board formed finish on the surfaces. A series of beams, anchor points and massive foundations hold the project together. The floor structure uses a â&#x20AC;&#x153;Double Tâ&#x20AC;? beam of 1220mm x 350mm with a 60mm thick concrete slab with a wooden like finish, all these elements depend on the concrete column and beam system. The roof design intended to eliminate the classic 2 water roof or the sideways roof design of the tropical areas, instead, a flat gesture was intended by applying new systems on the market. It is made with regular steel plate material with internal water evacuation systems which allow a better natural ventilation for the project. This system helps as a heat dissipating device for the hot local climate. The section below explains how the atrium and different levels are connected and work as a whole. It also shows how the inside of the project relates to the outside in terms of permeability by showing what is not shown on the perspectives or floor plans. It all consists on the angle, where architecture takes a strong position towards the intention of project like this one. The hole on the second floor is also shown on this section, helping to show a more understandable view of the intended upward force on the design process.

“La Amargura” Urban Park

The “Amargura” or Bitter Park is designed on the famous local street full of bars with the name Bitter Street (Calle de la Amargura). It basically intends to eliminate most of the old, full of rats and small deteriorated commerce buildings and transform it into a urban park. The idea is also to eliminate the car access and create a pedestrian path all along the main street. The University of Costa Rica (UCR) is just south of this street and is a great urban center for the thousands of students and all other users. Basically, the geometry responds to the pedestrian paths generated or that could be generated within the park. A central local tree and several kiosks for rest and other activities are also contemplated on the quick but determined design. Accessibility and security are fundamental issues on this part of the city, therefore, the single level and underground electricity along with the park lighting is also a matter of huge importance. Local flora is applied to the design, which, by having concrete benches and a floor pattern that absorbs rain will create the concept for this lung inside the University area. This intervention will end up enhancing the nearby commerce buildings of the area. Convergence and user exchange are expected on this park, this is what the cities need in Costa Rica.

The Conceptual Projects: 32

II. HOUSING - PRIVATE HOMES (32 - 41) I. Public Buildings - Space (16 - 31) III. Other Buildings (42 - 57) 33

Caribe House

and give the building a more private look in case future neighbors appear. Direct sun radiation is almost denied completely, as well as longer roof eaves help maneuver the rainy and humid climate of the zone. The analysis by which this house went This private home was designed in the magnifi- through reflects the importance of many functioncent Caribbean coast of Costa Rica. Thoughtful al matters as equally as the esthetic part of design. of the environment and how to handle neighbors, floods and sunrays, this weekend home is de- Finally, the house intends to pop out of the wet signed to look at the sunrise and the sea from one jungle, metaphorically and literally. The first floor side and the sunset and mountains on the other. serves as a parking lot for 4 vehicles and also gives

Caribbean Beachfront

The space was designed to evacuate hot air and help user flow inside on a more efficient way than most small homes on the area. The parasols become part of the design of the facade

an added security measures for the far from civilization home. The sound of rain is something that could become a problem in most houses with a metal roof like the one on this house, nevertheless, the sugar cane ceiling helps decrease the noise.

B 9.42 m

9.90 m 2.70 m 1.48 m

0.50 m 0.47 m

0.15 m

2.48 m

6.08 m

1.40 m

1.00 m

UNIVER

3.20 m

6.00 m

0.47 m

6.90 m

0.50 m

0.32 m

1.65 m

5.50 m

0.50 m 0.95 m

1.20 m

0.95 m 0.50 m

0.94 m

6.00 m

0.26 m 1.39 m

1.20 m

6.00 m

ESCUEL ARQUIT

TÉCNICA COMUNI

2.80 m

2 A06

13.79 m

0.50 m

14.03 m

2 A06

14.40 m

5.50 m

6.00 m

D06

PROYEC VIVIEND

PROFES

D05

ARQ. HÉ RODRÍG

6.51 m

6.00 m

5.50 m

6.00 m

2.80 m

D03

D04

ESTUDIA

0.26 m

ALEJAND

0.47 m 0.12 m

1 D02

0.79 m

0.30 m

5.70 m

0.94 m

0.30 m

0.32 m

6.00 m

0.94 m

1 A06

PLANTA DEARQ. DISTRIBUCIÓN ARQUITECTÓNICA DEL PRIMER NIVEL PLANTAS 1 : 50

1 A06

CONTIEN

PLANTA D ARQUITEC PRIMER N

PLANTA D ARQUITEC SEGUNDO

7.89 m

2010300 3

0.38 m

1.20 m

0.95 m 0.50 m

D12

0.26 m

D01

0.12 m

3.20 m

D11

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL SEGUNDO NIVEL PLANTAS ARQ. 1 : 50

ESCALA

29 DE M

LAMINA:

La Carpio Terraces Social Housing in San José

Social housing should not only be prefabricated, monotonous and boring house complexes on a plain level. This is one example of a cheap terrain and terrace system with a unique roof that covers all houses in the complex. This project investigates the numerous configurations for the placement of each house until the most efficient and functional “U” shaped distribution was achieved. By creating shared laundry stations, shared roofing system and public space, the area dedicated towards good living could be enlarged and destined to other services like ADA apartments and housing designed for the growing or decreasing family. A balance between all the areas was achieved by a floor usage analysis according to local laws and specific needs of each segment of the population.

The Master Plan involves shared public areas between houses that work as a small neighborhood inside the complex, a bigger social area or park was designed in 3 terraces, the higher the user goes the higher the age the area was designed for, from children to older adults. The one way road is though for economic growth of the local community and visitors or other functional parking needs by adding one parallel parking lane on each side. Module A is designed to accommodate 4 regular 42m2 apartments and 2 bigger apartments for 6 to 8 family members or a 4 member family with ADA needs. This module is designed to efficiently backup the border of the property. Module B holds up 6 regular homes with the possibility of a single bed on the extra room or a higher bed for two children or occupants. The mini neighborhood also works as passageway for the inner park volume. Both modules are designed to be built in masonry systems, therefore a more reliable and more efficient construction can be made. The roof design is made to prevent undesired changes by the house owner, like it has been seen on many social housing projects, if the roof is everyone’s roof then no one can modify it unless everyone agrees to. The individual houses are designed for a constantly changing family, not only a two bedroom and one bathroom classic home that often ends up limiting the family´s growth options and desires.

2.24 m

2.49 m

1.69 m

0.92 m

1.69 m 4 0.92 m

0.92 m

1.59 m 0.92 m

A101

0.69 m

0.92 m

1.59 m

3 0.92 m

2.52 m 0.39 m

1.97 m

E F

1.69 m 0.92 m

0.92 m

21.80 m

E F

7.20 m

1 : 100

2.24 m

2.49 m

2.80 m

0.92 m

1.69 m 0.92 m

1.59 m 0.92 m

0.69 m

0.92 m

1.59 m

0.92 m

1.69 m 0.92 m

0.92 m

G D

4.31 m

3.57 m

0.33 m 1.87 m

0.73 m 0.76 m 0.71 m

2.02 m

F C

2.20 m

4.41 m

1.06 m 0.20 m 0.64 m

0.50 m

2.22 m

1 : 100

SECCIÓN LONGITUDINAL 1 : 100

2.36 m

PLANTA DE ARQUITECTÓNICA DEL MÓDULO A Module ADISTRIBUCIÓN Floor Plan 1

SECCIÓN TRANSVERSAL

18.40 m

2.80 m

1.97 m

18.40 m

6.40 m 18.40 m

ELEVACIÓN FRONTAL

B 1 : 100

E F

2.80 m

3.00 m

2.80 m

4.20 m

6.40 m

4.20 m

2.80 m

3.00 m

2.36 m 1.14 m 0.39 m 2.52 m

3.00 m

7.20 m

2.90 m

4.40 m

7.20 m

mm 2.36 m 2.802.52 m m 0.39 m 1.14 6.40

7.40 m

1.00 m 0.41 m

21.80 m

2.80 m

6.40 m

A101

4 A101

4.31 m

2.80 m

2.38 m

2.80 m

0.41 m

2.36 m 1.14 m 0.39 m 2.52 m

0.61 m

3.26 m

0.92 m 6.40 m

2.79 m 1.13 m 0.93 m

G D

2.38 m

18.40 m 2.80 m

E F

0.93 m

G D

2.80 m

1.13 m

6.40 m

2.79 m

1.97 m

7.20 m

PLANTA DE 2.84 DISTRIBUCIÓN ARQUITECTÓNICA DEL 4.20 MÓDULO A 1.56 m m 3.00 m 3.00 m 4.20 m m 3.00 m

0.33 m

7.40 m

E F

G D

E F

0.33 m

0.73 m

1.06 m 0.20 m 0.64 m

0.76 m

1 : 100

0.71 m

2.20 m

0.73 m

SECCIÓN LONGITUDINAL

5 2.22 m

0.71 m

2.02 m

2.20 m

2.20 m 2.22 m

6.40 m

1 : 100

0.50 m

0.33 m 1.87 m

18.40 m

1 : 100

2.36 m 2.52 m 0.39 m 1.14 m

6.40 m

ELEVACIÓN FRONTAL

SECCIÓN TRANSVERSAL 4.41 m

1 : 100

SECCIÓN TRANSVERSAL

5 A101

4.31 m

0.41 m

G D

0.41 m

2.22 m

2.36 m 1.14 m 0.39 m 2.52 m

4.31 m

2.80 m

1.00 m 0.41 m 2.90 m

2.20 m

G D

0.92 m 0.61 m 0.68 m

ELEVACIÓN FRONTAL 1 : 100

2.80 m

4.31 m

1.00 m 0.41 m

2.90 m

G D

E F

3.00 m

6.40 m

4.20 m

4.31 m

0.61 m

3.26 m 6.40 m

7.20 m

A 4.20 m

0.92 m

E F

18.40 m

3.00 m

1 : 100

2.80 m

18.40 m

2.80 m

7.20 Bm

4.31 m

G D 3.00 m

2.80 m

4.40 m

2.80 m

7.40 m

E F

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL MÓDULO B

3.57 m

21.80 m

4.31 m

4 A101

3.57 m

0.33 m

0.33 m 1.87 m

E F

6.40 m

1 : 100

2.52 m 0.39 m 1.14 m

A101

SECCIÓN LONGITUDINAL 1 : 100

E F

PLANTA DE ARQUITECTÓNICA DEL MÓDULO B Module BDISTRIBUCIÓN Floor Plan 1

G D

4.31 m

0.33 m

0.33 m 1.87 m

SECCIÓN TRANSVERSAL 1 : 100

0.71 m

1 : 100

2.22 m

ELEVACIÓN FRONTAL

0.76 m

0.73 m

4.31 m

1.00 m 0.41 m

G D

2.90 m

2.20 m

0.92 m 0.61 m 0.68 m

E F

3.57 m

0.41 m

1 : 100

SECCIÓN LONGITUDINAL 1 : 100

E F

G D

A 3

4 A101

4 7.20 m 4.20 m

3.00 m

2.90 m

0.61 m 0.92 m

6.40 m

3.26 m

2.80 m

ELEVACIÓN FRONTAL

18.40 m

Module A Street Elevation

A 4.31 m

4.20 m

6.40 m

3.00 m

2.80 m

7.20 m 3.00 m

2.36 m 1.14 m 0.39 m4.31 2.52mm

7.40 m 4.40 m

1.00 m 0.41 m

21.80 m

2.80 m

G D

2.80 m

1 : 100

2.36 m

The elevations and sections show the distribution of heights and the way the ventilation and roof system designed for each module, the way E F the connect each other is the key feature onF this project, making it a different but efficient and realistic project for social housing in Costa Rica. The PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL MÓDULO B 1 cost is a little higher but definitely has better results. 6.40 m

A101

1 : 100

The place turns into a playground, or a drying place, or anything the neighbors need. Creating encounter 2 ELEVACIÓN FRONTAL points is essential for the quality of life of the people. Module B Street Elevation 1 : 100

1.00 m 0.41 m

4.31 m

G D

2.90 m

2.20 m

E F

0.92 m 0.61 m 0.68 m

The communal laundry concrete structures re designed to last. There are 4 per module and can use the water picked up from the roofing system to recycle and lower the bill and help the environment. They include the faucet and a structure designed for rubbing and water economy. The shape allows two people working at the same time.

6.40 m

2.52 m 0.39 m 1.14 m

Module A

Module B

The Conceptual Projects: 42

III. OTHER BUILDINGS (42 - 57) I. Public Buildings - Space (16 - 31) II. Housing - Private Homes (32 - 41) 43

39.83 m

60 .00 °

9.83 m

180.00° 3.42 m

3.60 m

7 9.9 0m

15.98 m

.27 20

20 .07 m 39 .89 m

0° 0.0 18

18 0.0 0°

.03 40

9.9 2m

3m 9.8

The problem is that artisan fishermen are not equipped for long travels over 7 miles offshore, so the answer is a design that floats and serves as a fuel center, fish storage and other services for the fishermen going beyond the ban limits to be able to keep on with normal life.

60.00°

The modules are geometrically designed to fit one another and to be able to be towed and anchored where needed. The hexagon is the starting point and as the diagram below explains it, it is designed to go with the sea flow.

PRODUCED BY AN AUTODESK STUDENT PRODUCT

form synthesis

analeptic systems >TD.8 amrhein.arrea.bolaños.ramirez

module program:

Quick access services

The basic shape starts from a regular hexagon because of its modulation capacity and overall circulation.

Access points generate an inward tension on the original shape.

Deformation of shape due to the inward tension. Allows more dock area, and improves access points.

Circulation on the new access area is improved by increasing the radius of the deformed sides.

Circulation points, for facilities that require loading and unloading.

Access points that allow anchoring and remaining on the module.

Repetition and configuration of the module grants more posibilities for the program to star expanding and functioning in a improved manner.

The modules offer the posibility to refuel in order to make longer fishing trips, as well as a fish receptor that eliminates the need to mantain the product on board, also allowing for longer trips. Both these services require that fishermen can load and unload easily from their boats to the module and viseversa. Also, the fuel supplier has to be able to restock the module, and the fish receptor must collect the product from all the modules, increasing the need for loading and unloading.

Fuel Service Center Fish Receptor

Longer duration Services

module configuration

The new deformed shape allows for both access points that act as docks where the boats can anchor for longer periods of time, and circulation where boats can load and unload with ease.

The modules also offer other services that require that the fishermen anchor their boats to the module and remain on the module for longer periods of time. These activities require access and circulation.

Convenience Store Ice Supplier Recreation and Rest Areas Control Station

The control station located on the module will be for institutional, governmental or police use only. This area does not require access for the fishermen nor circulation of the module visitors. It can be located in the inner-most part of the module.

1 Load and unload, easy access docks. Fluid water circulation. Fuel supply and Fish receptor.

2+3

Circulation on the new access area is improved by increasing the radius of the deformed sides.

aquatic interface modules

Generate an integrated, centralized and strategic system that allows an increase in productivity and lower the effects of the seasonal fishing ban.

20.17 m

° .00 60

Acuatic Interface Modules This project responds to a national crisis regarding artisan fishermen who live at the Gulf of Nicoya. They have been exploiting the zone for decades and the sea ecosystem needs to heal, therefore the government set up a fishing ban on the zone marked on the map.

2 9.83 m

3m 9.9

PRODUCED BY AN AUTODESK STUDENT PRODUCT

AIM Nicoya Gulf

Access points for the module, circulation around the selling points and recreation areas.

Main area and circulation.

Abangares River Delta

ZONE 1

ZONE 2

Morales Point

Bejuco Island Venado Island Caballo Island

Negritos Island

Puntarenas

ZONE 3

GULF ZONIFICATION

Tempisque River Delta

Article 7 of the fishing law # 190 states in article 69 zones 1,2, and 3 are only to be used exclusively for small scale artisanal, sport, scientific and technological fishing.

The project also works with nigh fishing, solar panels, deep water generators and fresh water tanks are available for the cooperatives involved in this process. The aim of this project is to help the more than 3,000 artisan fishermen families and to help the environment grow healthier by helping the fishermen and with the systems that prevent bigger ships from destroying the ocean bottom. The system is built in fiberglass, stainless steel, marine grade wood and other resistant and light materials. The modules allow fishermen to sleep inside them and to work with any type of working structure they might need, from cellars to specialized fridges to store fresh products and food. The two different altitudes help both big and smaller ships.

Brewery Lounge National Brewery Costa Rica This was a contest that got to the final instance but was declined due to a “budget shortage”. The National Brewing Company of Costa Rica was working on a new product: Artisan Beers. They had a mezzanine on the brewing grounds and needed a complete remodeling for the project. They were looking for a retro - vintage style with bits of irreverence and awkwardness in a more artistic way. As the user enters the project a typical cartwheel can be found full of ice cold beers and a bar made of old western style objects and vintage memorabilia. The bathroom hallway has a throne at the end for the “beer king” that is able to sit on it (it is a golden toilet). Finally, the 5 theme lounge opens up to the user for him to choose between the classic bar, a living room, diner booths or bar stools near the mezzanine edge. The project was intended for young adults looking for a different experience, a bar/showroom that exceeded any expectations. The red carpet, chromed finishes and other details enhance the project´s intentions of a different view of a bar, where the old fashioned meets the new beers.

8.50 m 3.13 m

6.63 m 5.37 m

2.18 m

9.10 m

1.40 m 1.45 m 1.60 m

9.10 m

5.65 m

8.51 m

10.09 m

BAJA

11.51 m

4.44 m

2.55 m

2.82 m 5.37 m

5.03 m

1.60 m

5.03 m

2.64 m

6.46 m 10.70 m

21.10 m

PRODUCED BY AN AUTODESK STUDENT PRODUCT

24.22 m

3.00 m

PRODUCED BY AN AUTODESK STUDENT PRODUCT

Erotik Gallery

Art Gallery in Barrio Amón 21 / 22

3 EDIFICIOS

3 INTENSIDADES

VARIOS ARTISTAS

7YPTLY LKPÄJPV LU LS recorrido erótico, exclusivo para obras simbólicas provocativas de un nivel bajo en sexualidad.

:LN\UKV LKPÄJPV LU LS recorrido erótico, exclusivo para obras de mera desnudez, incitación y picardía en expresión.

ACCESO PEATONAL El acceso es exclusivamente peatonal y no contempla el parqueo, debido al contexto inmediato. Al ser un lote esquinero se pretende mayor cantidad de personas, no de autos.

30%

TEMPORALIDAD Diurna y nocturna, no obstante, se esperaría mayor presencia de usuarios en horario nocturno. La teatralidad interna permite tener sensaciones muy similares, sea de día o de noche.

ØS[PTV LKPÄJPV LU LS recorrido erótico, exclusivo para obras que muestren el acto del sexo puro y al desnudo.

15%

50% 80%

30%

15%

PLANTA ARQUITECTÓNICA PRIMER NIVEL De acuerdo con el análisis de

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Estructura General, estos espacios están diseñados en función de la liberación de serotonina.

ESTRUCTURA GENERAL

ANÁLISIS

55%

El soneto narra el preámbulo al acto sexual, el juego y la picardía culminan en un clímax de incertidumbre. La vivencia que se narra en el poema es ignorante, mundana, tímida y natural, dando paso al erotismo: detonante natural de la SEROTONINA, la hormona del placer.

La estructura general se analiza con base en la liberación de serotonina, midiendo así la intensidad. Al recorrer el poema de manera vivencial, ciertas palabras detonan la liberación de esta hormona, al igual como hay palabras que no la detonan, reduciendo la capacidad de absorberla y cambiando así la atmósfera. Son acciones que dan paso a la sensación pura del placer.

ANÁLISIS DE LIBERACIÓN DE SEROTONINA VS TIEMPO

PLANTA DE SITIO 1

80% 60% 40% 20%

VERSO I

VERSO II

VERSO III

VERSO IV

80%

60% 40%

20%

VERSO I

VERSO II

VERSO III

VERSO IV

La noche, deseosa, apenumbrada, te quitó sin pensar las zapatillas... y -por sentirse blanca y alumbradadesnudó blancamente tus rodillas.

Luego -por diversión, sin decir nadala noche se llevó tu blusa larga y te arrancó la falda ensimismada como una cosa tímida y amarga.

PLANTA ARQUITECTÓNICA

O F A

100% 80%

60% 40% 20%

VERSO I

VERSO II

VERSO III

Después te colocaste travesura: desnudaste tus pechos por ternura y -hablando de un amor vago, inconexo-

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60% 40% 20%

VERSO I

VERSO II

VERSO III

40%

100%

15%

POEMA 100%

CONTEXTO BARRIO AMÓN

70%

Porque si y porque no, a medio reproche, desnudaste también, entre la noche, la noche pequeñita de tu sexo.

Based on the serotonin SEGUNDO NIVEL release on my body as I read an erotic poem I gave the path of the project its quality of space. Designed within 3 18m3 cubes, this art gallery consisted of three buildings, only one developed for the poem chosen. As the eroticism increased, serotonin, curiosity, quality of space, color, intensity and other values increased.

ANÁLISIS MACRO DE LIBERACIÓN DE SEROTONINA VS TIEMPO / CAMBIOS DE ATMÓSFERAS 100% 80% 60% 40% 20%

ESTROFA 1

ESTROFA 2

ESTROFA 3

ESTROFA 4

E L EL JUEGO EL PREÁMBULO AL ACTO SEXUAL

LA PICARDÍA

S E X O

This two level project is an art gallery that exhibits anything that society calls taboo, based on a metaphorical sexual poem, the poetics of the space designed is represented by the color, the scale, material and gesture of the building that seems to be a whomb, or whatever the viewer wants to see. This is what I consider my masterpiece at college.

Las secciones axonométricas componen el Axonométrico Escrutante. El proyecto se compone de 3 materiales principales: -Concreto: Textura lisa o áspera. -Madera: Calidad estética, calidez.

“Para las mujeres, el mejor afrodisiaco son las palabras. El punto g está en los oídos, y el que busque más abajo está perdiendo el tiempo”. -Isabel Allende- escritora chilena. Ejemplo de texto en una pared.

-Vidrio: Filtro visual, división.

AXONOMÉTRICO ESCRUTANTE SECCIONES VERTICALES

The rhythm in the poem determined the openings in the facade. The penetration effect on the ceiling is the master gesture of the project, the climax of the poem, the poem as the building, the building as a vehicle of the imagination.

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The Built - Finished Projects: 58

Health and Multisensory spaces (58 - 65) Snoezelen Multisensory Rooms at different healthcare clinics 59

Snoezelen Room Santa Paula University The space was designed, built, inspected and instructed to be used under the fundamental principles of the Snoezelen method. It states that the space must be controlled as far as senses goes, other principles include the use of walls as integrated projection surfaces and space definition. The wooden Cristobal walls were preserved and cured again, the equipment correctly chosen to comply with the medical/therapy professionalâ&#x20AC;&#x2122;s needs for this Clinic. This is the first of a series of projects of this kind in Costa Rica. The experience of working with one of these is a virtuous and huge developing for an architectâ&#x20AC;&#x2122;s professional formation due to the handling of the senses.

Snoezelen Room Private Clinic in Moravia On this case, the client worked with a different type of patient, one with educational troubles and other disabilities. The fiber optics, projectors and water panels work with the surfaces to create amazing effects on the room. It is important to know that during therapy, all the equipment will never be on at the same time, allowing a complete control of the colors and other stimulants for the patients. The goal of these spaces is to control the temperature, lighting, sound and other means of stimulation that outside the room are virtually inaccessible for control. On this case, even the clothing the therapist uses is part of the architecture within, other curtains and moving panels enhance the experience of relaxation. These spaces take months to plan and build.

Snoezelen Room National ChildrenÂ´s Hospital

6 months of preparation made this project the most ambitious one of my portfolio. Over 30K in equipment for therapeutic treatment for all the children. The absolute control over the room and the effectiveness of the 7 senses awarded me a special recognition from the hospital organization. This space was part of the project that won the international Architecture contest in Costa Rica on 2016 in the category of Patrimony and Preservation.

03_AUTO 66

Le Corbusier called the house or home a “living machine”, I believe we all have our machine like structures and visions of life, specially regarding architecture. The automobile as a way of transport has turned into a way of life for many in a way that the building, design, modification, upgrade and personalization of the car as a machined companion for the human beign is a vision and oportunity for design as a way of thinking to overcome new challenges. The so called “voiture” is not only an object, it represents most of western culture´s way of life and transport throughout the city. To me this is a different way of design of human life and behaviour.

OMOTIVE 67

Man against Machine: The challenge 68

The design of a project and the hands on process The FJ40, Costa Rican Classic Car 69

Toyota FJ FORTY ´´Back in the 1950’s the American Army contacted the Toyota Motor Corporation with a request for a 4WD vehicle to be used by the soldiers and military police stationed in Japan. Toyota took the request seriously. The result: the Land Cruiser, a literally bulletproof vehicle. Down to earth yet with spirited attitude, capable of enlivening the life you’re living and the conversation you’re having. All FJ40 Land Cruisers are two door four-wheel drive trucks with removable hard top, doors and fold down windshield frame allowing for “open-air” driving.´´ This classic was the one in charge of getting everyone everywhere inside Costa Rica. Still seen today at the street, this die hard vehicle will last forever, even with a rusted floor.

THE KOFIMAKER 350+ HP of pure testosterone power on a big wheel and open roof car ready for the most difficult terrains. The point of showing this project is the design involving all the accesories artisan made for it, for example the half doors, rear bumper with cooler and tire carrier as a swing away system and other specialty details designed custom or the car. The machine requires techincal knowledge and time for the manufacturing of most of the pieces. A car that becomes a personal project but ends up on a Life Portfolio... WHY? Because it shows how I think and how I solve problems. This car was modified and used by me as a DIY project. This is the Kofimaker, my adventure companion, my personal project.

04_FUR 74

Architecture is not always about buildings or cities, on most cases it is also determined by the furniture that it holds inside. The architectÂ´s workspace and certain tools needed should be designed with the same rigurosity as the buildings produced within. The design of furniture, no matter if it is a simple doorknob or a complex desk, should respond to the userÂ´s specific needs and capabilities. Even though standarized and universal furniture are a great solution for mass production, there are some cases where specific design can enhance the user and improve his or her quality of life to a whole new level where not even him or her could have imagined.

RNITURE 75

THE DESK

The architectÂ´s workspace I needed a space for myself at home, a workbench that would help me pour all my ideas into paper, computer or any other material that could help me develop the idea, materialize it and communicate it. The architectÂ´s workspace is a very complex one and a very singular operation depending on the individual. On my case, the client needed comfort, ergonomic aspects, ease of use, no drawers, cleanliness, lights everywhere (with controls), fit inside the corner under the staircase, UPS systems, hidden compartments, and much more ideas left on paper. This desk has 4 hidden compartments, over 300 LED lights, no screws shown on sight, thin sections, modular and modifiable supports, made from ecologically friendly 100% natural wood (imported pine), 2 UPS systems (one for the computers and one for the desk), 2 A/C 120V outlets, 1 USB outlet, hidden compartments for the cables and much more elements that make this a very good desk for long hour working and ease of use. The desk also has a 11in.x17in. light source for working with any type of plans or paper a designer might need. The width of the desk is less than one and a half inch, and there is nothing under it, no cables, only the boxes of the hidden compartments. The U shaped desk has every area needed on an office, including all the types of paper, drawing and painting tools, model making, printer, 2 computers and even a space for Lego modeling. There was a 6-month investigation process before the design, involving materials, types of desks, treatment of wood and other topics, finally, I built this myself with the help of a friend, I am actually working on my office design, where I am building a bigger desk on hardwood, a meeting table and a recording studio.

Designing something for myself was challenging, being the designer and client at the same time and experimenting with materials, mechanisms and types of joints. This process involved activities such as measuring my own body, chair, room and all the possible heights, widths and possibilities I had to get to the best solution for all my needs.

The design process took around 2 months, nevertheless, it kept on going as the building process took place, even so, after finishing the building lapse. Solving joints, changing concepts and emerging ideas had to be drawn at the moment and used as guide for the next steps. Experimentation was one of the main processes by which this project took its own shape.

The design process also had to take into account the tight space where the desk should fit. The building and maintenance of the desk over time was also contemplated. As shown, there is a small control panel on the bottom right that works as a registry for all the electrical components that control every single part of the desk as a single system (4 main circuits).

The bookshelves have 2 of the 4 hidden compartments of this project. Each shelf has a 3.5inch front section that opens up as shown on the right. The steel profile structure screwed to the wall using Hilti screws allows the shelf to look like it is floating, with no need for angular supports underneath. They also are designed and built to support over 150 pounds each. There are groups of LED lights distributed inside every sub-compartment, designed for storing documents, paper, keys and anything that fits. The shelves also match the staircase level, allowing more space for showing books and using them by accessing the wooden staircase from behind. My client likes reading and having reference books handy.

The hidden compartments shown have an autonomous mechanic and hydraulic systems with magnetic closure together with a push-action functionality. The wood grain needed to match in order for it to look hidden, with no pull tabs or different heights when closed. The wall on the back works as a pin-board. The hidden compartments are not suited for everybody, this was a challenge but not something I would repeat on every desk due to the complexity of the systems and ease of use. Nevertheless, I am proud of the result and happy with the way they function.

05_ART 82

I believe that the architect who is not an artist should not be a good architect. Architecture is a mixture between Art and Science, too much of one will end up in a messy design. The creative development an architect has as an artist in the plastic arts (painting, drawing, sculpture, etc) explodes every single corner of the human brain, allowing to explore him/herself in a way that traditional Science could not. Having a controled but free creative spirit will evolve the architectÂ´s critical thinking through time to a point where he or she can become an individual with a defined identity and a strong language regarding architecture.

ART WORKS The architect as an artist

This is my artwork, for years I have been drawing big portraits of people in a state vulnerability or similar. They need attention and I give it to them. My tool is my favorite one, my hand, paper and the ones below this text. The same tools apply for an architect. There is little room for mistakes, therefore concentration is required every time I draw a portrait. The technique uses crosshatches and controlled scribbles that end up being face marks or define specific parts of the human face. Experience has taken me to embassies, Cultural Centers, galleries and several restaurants and public places. My final goal is to immortalize peopleÂ´s expressions, that moment or instant that expresses a feeling or abstract thought.

06_MUSIC 88

Music and Architecture have so much in common that it is imperative to include a chapter on this Portfolio. Music is my passion, therefore it is expected that the influence of music and everything involved in it will affect directly the decisions taken when the design process is happening. According to studies around the world, the creative mindÂ´s development is greatly increased when music is a part of the process. The richness it may develop on the uncuncious and the spirit is something I have tried to develop throughout the years.

MUSIC MATTERS The architect as a musician

Music is related to architecture in every way imaginable, I am currently working on a 10 track CD with my own music and the process by which it is shaped also goes hand by hand with architecture processes that we often take for granted. Music has been around me all my life, I have never spent a day without music in my life, and this definitely determines the type of architect I am. If you are reading this, please donÂ´t look to me as a narcissist or similar, I am only proud in a good way of all the time I have put into my passion. Little by little I have spent what I have earned on my job in musical instruments and other investments for my final goal, an NGO that runs on music! The concerts are every month, I have a band, love Classic Rock and Spanish pop music, love songs and I believe that music can save lives.

07_WORK 94

Becoming a succesful architect is not just about designing conceptual projects and all the other things showed on this portoflio earlier, the Works in Progress, Working Experience and the CV also help define who I am. Working has allowed me to understand the difference between the conceptual designs and reality. This experience has teached me half the knowledge I know regarding architecture, not everything is learned at college.

Current Work

Santa Paula University I work as the Project Manager and Infrastructure Manager of the University. I am in charge of handling over 17,000m2 of campus with over 10,000m2 of building grounds. As of this past year (2017), I became an active member of the Board. Working here has allowed me to practice drawing a floor plan, but most of the time I am drawing literally over the floors and walls, making plans by hand, by explaining workers with diagrams, leading my team into the remodeling objectives and other spatial operation projects including a Clinic, Specialized Gym and all the landscape design of the gardens and public areas of the campus. The work place has also allowed me to take advantage of the hours after work to do projects with my team as well, lowering rental and other costs for starting my own firm and business.

Above, one of the cars we have restored at the maintenance department at the University. The 69 Idea Lab and Consultorias ABV-VAL are starting companies on the construction, restoring, remodeling and other design and execute projects managed by me. I expect to work on areas and projects that challenge me to learn new things and work with diverse parts of the community. On the left, some of the cars that have been part of the small workshop. I am not a car designer, and do not plan to work with cars the rest of my life, nevertheless, it is a hobby that I have taken to the next level by working on other peopleÂ´s cars and projects, including camping trailers, drawer systems and full restoration projects.

Graduation Project TEMPLUM: Spiritual Architecture

The human being is composed of 3 dimensions: Body, Mind and Spirit. A complete health state of these 3 dimensions can be seen as good quality of life, wellness and happiness. Spirituality can be defined as out need and ability to connect and communicate with whatever is sacred for us, and to trasnform any human experience into a sacred or trascendent one. Even though this concept is not tangible, it exists, proven to exist in all cultures of the world. Today, there are empty spaces in the building of the concept, if it is developed in a way

different from the past 2,500 years. At the same time, there is a theoretic void in architecture regarding the involvement of spirituality because it has based itself mostly on body and mind, leaving spirituality developed mostly by religious buildings. This project developed the research of these 3 concepts (body, mind and spirit) under one whole object of study so a contribution to the construct of this concept called Spiritual Architecture is made. This idea consists of a sensory experience in which the study of how architecture generates an impact on the senses was made, and how this simuli, on a transduction level can evoke the sacred of trascendental matters. All this thriving for solving the universal need of Spiritual Health, developed throughout the design of the TEMPLUM.

PLANTA DE DISTRIBUCIÓN ARQUITECTÓNICA DEL TEMPLUM 1:75

This project was made under several design rules or directions, most of them studied by Mircea Eliade on his book The Sacred and the Profane. These guides for a Spiritual Space were made to be used on any site, nevertheless, they were applied on a private university here in Costa Rica. The project contemplates an underground temple with a plaza on top, the volume serves also as a connecting point between the campus and the main offices building. The project uses concrete as the main material by means of a waffle floor and structural walls. It uses absolutely no mechanical ventilation and the yearly cost for a 24hr lit 170 light system is under $2,000, making this a highly efficient building, even after looking at the handle of light design. This is a building where anyone can enter, regardless of their beliefs or culture, and practice their own way of silent pray, meditation or rest, as long as it does not bother other users. Values like tolerance, love, respect, inclusion and accessibility are present all the way. The building serves also as a funeral home for the community, where there are many cancer related deaths with no money to pay for the departure process. In other words, people that do not

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have means can say goodbye to their loved ones and accompany the family on this space as well. This is a project that represents a social and political act because it stands for equal rights for everyone, regardless of their religion or beliefs. This building is made under de premise that we are all born equal, and states humanism as the main way of thinking during the design process.

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SOME INFO ON ME Architect, musician, designer, car enthusiast. I communicate myself by drawing by hand. I try to learn something new every day. I believe in helping people.

Work Experience: 2008-2011: Maintenance Department on vacation period. Universidad Santa Paula 2011-2016: Director of Infraestructure and Maintenance. Universidad Santa Paula. 2016-Present: Project Manager - Infraestructure Manager. Member of the Board. Universidad Santa Paula. 2014-Present: President and head designer of 69 IDEA LAB and ABV-VAL ConsultorĂas.

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2012-Present: HandyCat CentroamĂŠrica Main Consultant and designer.

TOOLBOX: Hand drawing Digital hand drawing Autodesk Revit Autodesk AutoCad Autodesk RevitMEP Autodesk 3DS Max Adobe Ilustrator Adobe Photoshop Adobe InDesign Sketchup PRO Blender Unreal Engine 4 Lumion iMovie ProCreate I also handle Keynote, PowerPoint, Project, Office pack and all other basic programs everyone should know how to use as a basic toolbox. I also have experience in the construction area, like welding, wood working and other handyman activities that I also believe every architect should know and practice. I am a DIY person on mostly everything. I am eager to learn whatever makes me better.

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CONTACT Alejandro BolaĂąos V. (506) 8805-6969 alejandrob@uspsantapaula.com

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