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研究結構加目錄
蔡寧 研究方法
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res achus, ut Cas crum n on Itarid acciemus rem nes et? Nihiliis eorEdium omnesi tam publi, moremor ehebenimpos loctame virte
案例分析
研究動機 ( 用內文中標 )
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res achus, ut Cas crum n on Itarid acciemus rem nes et? Nihiliis eorEdium omnesi tam publi, moremor ehebenimpos loctame virte ipicivir potie patiocum iu culica atimusque mentium 研究目的
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res achus, ut Cas crum n on Itarid acciemus rem nes et? Nihiliis eorEdium omnesi tam publi, moremor ehebenimpos loctame virte 2
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res achus, ut Cas crum n on Itarid acciemus rem nes et? Nihiliis eorEdium omnesi tam publi, moremor ehebenimpos loctame virte ipicivir potie patiocum iu culica atimusque mentium sus publicul vis paris, unum sidiescri publicul tanum te aut noverit? Nihilis consupio, Opubist
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res achus, ut Cas crum n on Itarid acciemus rem nes et? Nihiliis eorEdium omnesi tam publi, moremor ehebenimpos loctame virte ipicivir potie patiocum iu
Ossolies
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elus, ursulego nes efacessa vivercepore nim ingultus et; nunum ignatorte abissi pareortem. Cupica L. Am, vocum vercerestem in vit, videm di pro vid aHacidem ta pultordit, conostod sum medem, oc, quam Ossolies
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elus, ursulego nes efacessa vivercepore nim ingultus et; nunum ignatorte abissi pareortem. Cupica L. Am, vocum vercerestem in vit,
Ossolies
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elus, ursulego nes efacessa vivercepore nim ingultus et; nunum ignatorte abissi pareortem. Cupica L. Am, vocum vercerestem in vit, 3
KISS THE FROG by MMW Architects
the fabrication
concept
it's based on the fairytale, in which a beautiful, rich prince, after been thrown an evil spell on, is trapped within the shape of a frog. one day, when the princess kisses him, he is transformed back to the prince he really is, and they live happily ever after.( 賦 予 " 青 蛙 " 一 有 機 形 狀，
詮釋跨足藝術、建築、設計、流行 文化領域。同時以此 temporary art pavilion 作為過去 ( 老國家畫廊 ) 與 現今 ( 新的藝術殿堂 ) 之連結。) 4
KISS THE FROG
A self-suppor ting construction is erected by establishing a higher air p re s s u re i n s i d e a s pa c e defined by a membrane, than found on the outside. It's fitted with 4 entrances – 1 main with 3 supplementary emergency exits. The exhibition concept is based on a pneumatic principal.The walls appear as concave planes growing out from the f l o o r. T h e m e m b r a n e used is a green colour, opaque PVC weave with a fire retardant layer. The inside has a white surface allowing projections of film, photo and digital sources to be displayed. 5
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pneumatic textile structure The non-pneumatic part 01 Cable 02 Parking(stage activities and dining 03 Revolving doors.(avoid decreasing the frog’s pressure.)
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Materials:Opaque PVC weave with a fire retardant layer.
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Pneumatic textile structure.
Box Mobile Gallery
cable
stage activities and dining.
concept Parking.
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The non-pneumatic part.
The ‘Box Mobile Gallery’ is a galler y responsive to various exhibition intentions and art media. The gallery consists of 12 panels softhinged side by side. Each of these panels features an art work fixed to its inside. The flexibility of the soft hinge system allows the spatial reconfiguration of the galler y, transforming one space to another according to site conditions, exhibition intention, and art media; from independent cells for an individual exhibition, to a common exhibition space 9
for a group exhibition, often times with an introductor y area or a court yard, and to a special exhibition space for various art media.
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The Box also functions as a crate, Art can be packed within the gallery, with some pieces sandwiched between panels and some contained within individual cells. In its folded and locked state, the box becomes an ar t crate, ready for travel or for storage.
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One Sqm House
產生背景
能從情感上和財力上感到擁有 一個屬於自己的小天地的移動 住宅，對那些無家可歸的人來 說有多大的意義。 ( 它擁有生存所需的必需品， 它也是你冒險和城市生活的一 個棲身空間，而不是一個偏遠 的藏身處。)
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The different constitution.
基本建設材料： 20 公尺的木板 (3.4 公分乘 3.4 公分，需約 300 美元 )、牆紙、 200 個 螺 絲 釘、4 個 輪 子、1 扇壓克力玻璃窗、1 扇門 13
One Sqm House
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蛋殼居
產生背景 房價過高、出外年輕人無能負擔 構法 骨 架 為 木 構。 以 竹 子 編 出「 蛋 殼」的雛型，然後用各種絕緣材 質和裝滿鋸木屑和青草種子的麻 布袋覆蓋在外頭，以鋼條、木條 製作底盤，填充保麗龍塊◎後鋪 上防水帆布，以木板固定。底盤 裝設滾輪可移動。 材料 竹子、絕緣材、木屑和種子、麻 布袋、輪子、木板、釘子、木條、 鋼條、防水帆布、保麗龍塊、太 陽能板 16
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蛋殼居 18
蛋殼居製作過程 19
SleepBox
產生背景 身處外地城市中，提供等待或暫 時只求一可安穩休息空間之旅 客。 材 料：ash-veneered MDF ( 貼 面中密度纖維板 )，金屬及玻璃 塑料纖維 ( 增加強度 )
面積：4 平方公尺 為使需求者不需花費太多時間尋 找旅館。供應充電插座、電視、 網路，使其自成一小型辦公室。 設置地點： @ 機場 @ 車站 @ 住宿設施 @ 會展中心 20
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Tricycle House and Tricycle Garden
concept The inability to own land is a fundamental condition in China unique from many western countries. The Tricycle House suggests a future where the temporary relationship and the public nature between people and the land they occupy is embraced.
materials
Translucent polypropylene, to ensure the interior is always well lit whether by the sun during the day or 22
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Solus re te cri, nonte con dit.
street lamps at night. (The plastic can be folded without losing its strength.) Tricycle.
like an accordion to increase space, and connect to other houses.)
fabrication Welding and Folding. (It can be entirely open up to the outside, expand out 24
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a. 折出伸縮外殼
b. 焊接內櫃及固定板
c. 組裝
c. 固定至三輪車
d. 伸縮處銜接收尾
d. 完成
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The Origami-Inspired Folding Bamboo House
concept It's intended to be used as temporar y shelters in the aftermath of an earthquake. This shelter was easily produced, cheap and environmentally friendly and can adapt to respond to the needs of different situations.
materials B a m b o o a n d re n e w a b l e materials.
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fabrication It utilizes a system of bamboo poles that are pre-assembled and can be folded easily into rigid geometric shapes. (The geometr y of these forms provides each structure's integrity, allowing a range of lightweight modular structures to be quickly assembled in factories and transpor ted to their destination.) 33
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Tea House
concept This breathing architecture is an attempt to approach t h e o r i g i n a l Te a Ro o m , aiming to oppose to the non-breathing 20th century concrete architectures.
materials
Technically, a membrane using a new material called Tenara was used to create a double membrane with air inserted in between. ( 高透明度，質地十分輕軟 )
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組裝過程
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Veasyble
concept The idea derives from a reflection on the change in our relationship with the domestic environment, due to the effects of our increasing mobility, and how this has affected our concept of intimacy, creating new demands.
materials
made from paper bonded to polyethylene and fabric.
the fabrication folding 40
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Solus re te cri, nonte con dit.
Hush
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WHY The 'womb' shape inspires ver y different feelings in different people; to me it is a warm, cosy space, for contemplation and rest… By creating an enclosed space HUSH provides a personal retreat, an escape into a dark, quiet, natural space, or state of mind.
MATERIALS It is made of 100% wool felt. ( 質地輕軟，移動方便然體積 過大且因縫紉方式及其厚度， 收納不易 ) THE FABRIC 通過剪裁、縫紉及折疊，利用 厚質羊毛氈的塑性形成一可敞 開可關閉之空間。
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開合 & 摺疊
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Emergency Shelter
WHY: The project aimed at the production of an emergency eco-park strategically designed with the potential to transform within a few days into a settlement to shelter people affected by natural disasters and par ticularly ear thquakes which are common in the region of Thessaloniki, Greece. In terms of urban design the proposal highlighted oppor tunities for the reappropriation of the redundant terrains of former military camps in the city. The proposed shelter u n i t i s e n e rg y - e f f i c i e n t , recyclable, polymorphic and extendable, easy to transfer and install and capable of engaging the dwellers in its construction process.
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THE FABRIC: The dwelling core is a self- suppor ting pleated tube to which deployable components – sleeping areas, veranda and bathroom – adhere. Dwelling parts were stored in the location in flat packages and erected in situ. The pleated surface is multilayered, including structural strata (honeycomb cardboard, Tectan board) and insulation strata (Actis, Gore-Tex). On its south-facing side, the hot air accumulated between the pleats can be released into the interior. Si de an d top facets can rotate into openings. The ambition behind the formal aspects of the design of the pleated shelter was to combine knowledge from the domain of folded plate shells and deployable structures employing pleat patterns deriving from origami. MATERIALS: corrugated paperboard (prototype) Solus re te cri, nonte con dit. 49
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The performance of these origami based surface prototypes in terms of kinematics is fascinating; they manifest translational and rotational deployment,flat packaging, axial revolutions.
They bare the potential to become a prime field of research for kinetic responsive surfaces.
folding 52
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Referance
Study Folding model 01
[PIPE COMBINATION_ group&ungroup]
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人是種群體動物，從早期聚落 發展到村莊、社會，乃至整個 國家，皆仰賴群體的同心協力 以及互助合作達成向前發展的 動力。然而隨著文明的演進， 人類的思考向前進入不完全的 本能性，行為模式開始有了自 我檢視，渴望除了原欲滿足外 亦有更深的達成自我。 於是部分人們脫開群體以求不 受干擾的自我探索，以孤獨的
方式追求更寧靜更全面更廣闊 的 思 考， 然 而 人 終 究 來 自 群 體，儘管脫開了人群，卻也仍 然想念群體的支持。 此次操作以空間表達人的雙面 性，既追求安定的生活，又渴 想漂泊的風景。而我們既不能 始終如一的伏身團體裡，亦無 法完全的離散，那便給予一種 可單元組構的方式連結生命。 55
01 以此空間裝置作為感知 環境的媒介。 ( 當你想保持周遭安靜不受打 擾，此空間可提供不直接面對 人群的隔離和包覆 ) ex.@ 河 堤：於 河邊 尋找 一平 坦地面架構裝置，觀賞河景。
Solus re te cri, nonte con dit. 56
@ 大廈頂樓：架設裝置俯視城 市。 @ 橋下空間 57
02 此 Group&Ungroup 的 空 間 裝 置 除表達人的一體兩面外，亦探討其於 真實生活中可被置入事件中的實際應 用。
@ 鬧區流動攤販 ：可快速收納的裝置，方 便於警察來襲時快速脫逃。 @ 市集：基於土地的需另作他用，收納和組 構皆十分方便容易。
SEMINAR SUMMERIZATION
( 尋找生活中較臨時性、即時性的空間裝置 ) ex. @ 難民營：以模矩化方式作為單元，可 極易快速展開使用並拼接。
鬧區中隨時準備逃亡的流動攤販 vendors, always ready to escape all the time.
大誌販賣者 people who sells the Big Issue.
Function: @instant pavilion @backpack transform to tent @space for architectural student
機能較單純，可擺放展品 ( 可釘可掛可夾 ... 機能較單純，提供休息、暫止 ( 可坐可臥 ... 較複雜，提供架子可供收納 ( 可掛可擺 ... ex. 睡眠、梳洗、放空 目前型式偏向 folding, inflated, stuffing. 移動性高。
難民營 refugee camps, for those who lose their homeland.
徹夜排隊的粉絲 fans, line up for something or someone all night. 58
活動臨時服務台 the temporar y counter, for some of activities. 59
SEMINAR SUMMERIZATION
KEY WORDS: FOLDING, TEXTILE, PLEAT, SHELTER, FISHBONES... Define the user function: architectural student, stay up late at school, no space to lie down, no private space to clean up your body, travel to somewhere for increasing our experience...
使用者設定：大誌販售者
V.S
使用者設定：自己 [ 裝置限制 ]： 輕 >>> 才能夠負荷著長途跋涉 好架設 >>> 才能立即展開使用 防水 >>> 設置戶外時下雨不致濕身感冒 防蚊蟲 >>> 才能安心入眠 可隔離外界視線 >>> 才能於內更衣梳洗 裝置架設須隔離地面 >>> 保持室內乾淨 體積限制 >>> 至少能容納一 180cm 人盤坐和臥 ( 可轉身 )
[ 參考材料 ]： 聚丙烯板、金屬支架、特多龍銀膠布、尼龍平織布 ( 防水帆 布 )、棉布、防水膠、金屬鎖件、蠟線、麻繩 ... 60
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a
A. 主摺 B. 側向摺 ( 凹 ) C. 側向摺 ( 凸 )
Solus re te cri, nonte con dit.
Study Folding model 02
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因應不同材質之使用： 使用於軟性材質 (ex. 紙張 ) 時可直接 以 " 折疊 " 方式進行。 使 用 於 硬 質 材 (ex. 聚 丙 乙 烯 板， 紙 板 ) 可於欲彎折處以刀輕劃便於凹折 塑型。 folding 方向： 藉由同向摺痕的長寬可改變成形壁強 度，同一面積寬度愈小則成形後之柔 軟度愈佳，較易進行塑形及包覆之動 作 [ 如右上圖 04] 於同一面向做出較小較密 (a 處 )，改 變 B 側向摺之角度可隨之改變形成壁 之彎曲度 [ 如右上 08、09]
塑性： 因此次操作材質為紙張，故可較隨意 進行塑形而摺疊出不同空間。( 集中 某處 )[ 右上圖 02、03、07、04]
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檢討項目：
01 若放大為 1:1 之實體，木框架 尺寸約 70cm，則量體過於龐大。 解決辦法：以可彎折之金屬桿件
替代，量體對折。( 如圖 02)
解 決 辦 法：study
model 比 例 較小，可實驗 1:1 尺寸，或 試驗其他材質 (EX. 防水帆布
03 支撐構件如何固定於 解決辦法：( 如圖 01)
skin 內。
02 氣泡紙厚度較厚，導致收納時 物體難以輕量化。
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Materials: 巴爾沙木板 3mm Solus re氣泡紙 te cri, nonte con dit.
Study Folding model 03
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How to build it up: 木 板 裁 切 8.5*8.5cm， 四 邊 向 內 offset 1 cm 後再裁切。四邊磨 R 角，固定至氣泡 紙內。
8.5cm
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Study Folding model 04
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說明 以重複折疊後的量體進行二次對 折。 如圖 04 水平向折線，相對應於使 用者之身高、坐姿，可隨之更動 水平向折痕。 圖 02 中 folding tent 末 端， 可 參照圖 10、11 中連結孔進行固 定 方 式 改 變， 可 造 成 圖 02、03 短向尺寸變化。 圖 08 中以膠帶附著短向折痕，目 的為避免量體於切割成型後使用
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時斷裂。 圖 12，可於此 folding tent 表面 進行開口動作以利對外視線。 操作時使用高磅數水彩紙，模擬 1:1 實體之堅硬材質。 缺點：摺疊攜帶時較費力，另需 考慮使用者置身其中時，和地面 接觸之關係。
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Study Folding model 05
以橫向凸線的數量做打折次 數，兩凸線形成ㄇ字型 68
凹線 凸線
縱向折線越緊密則最後試作於 瓦楞板時較易被受損，需再覆 上膠布保護折線。
凸線 凹線
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