amirul hakeem bin ma’az
master of architecture 04
merdeka tiada batas
rindu menikam dek
cinta sita, hilang bekas hilang sisa amarah, bongka r akar
bongkar mimpi surayala, datang bingung
berpaulan di amb ang yuda, ajak menung bawah panji wilm ana, apa hikmah tersemat di seb alik perintah?
rempuh ik rebah me rtimpuh, ba ri tegap be ke debu, da lang bu pasti pu uh, asal de abuhkan sa yar usah dil kapal berla ti, ma n da ilang hidup perlu meny atlah jauh, ang tersang ang belak nd pa lu, dahu rmula dari riwayat be
design thesis 2019
universiti teknologi MARA
merdeka tiada batas. malay civilisation revelatus museum
master’s thesis
setinggi- tinggi penghargaan kepada kedua ibu bapa ku dan juga kepada ahli keluargaku yang lain dalam menegakkan sendi-sendi yang rebah berkelanjutan. syakireen atas kurniaan dan peluang untuk terus berada di ruang dan dimensiNya bersama- sama. semoga kami terus di mandikan cahaya Nur dari seberang tanah, tanah yang dijanjikan. Amin Ya Rabbal Alamin.
merdeka tiada batas
dengan rasa cara kita orang timur maafkan hamba andai ada terkurang adatnya
master’s thesis
merdeka tiada batas. malay civilisation revelatus museum
master’s design thesis by
amirul hakeem bin ma’az | 2019 www.behance.net/amirulhakeem
supervised by
en. fairuz reza razali.
all works endorsed in Universiti Teknologi Mara, Puncak Alam
merdeka tiada batas
Abstract Malay civilisation had appeared 70000 years ago. It is an ethnic group that inhabits the Nusantara region which consist of the Peninsula, Sumatra, Java Island and many more. Since the Melaka glory years, Malay had a great civilisation with many region around the world recognises their greatness. 1511, the Portuguese attacked and colonized Malacca. It continues with the Dutch, British and Japan and this had led through the decline of Malay civilisation. It causes a major factor in the loss of Malay identity in the country and its people. Merdeka Tiada Batas Museum is a design thesis that attempts to regenerate Malay civilisation. It is identified that the spirit of Malay lies on water and is proven by the fact that they used to sail around the world, live near the river shoreline and defend their territory from the sea. The proposal is projected not to only exhibit Malay civilisation artefacts but also to stimulate spiritual senses and moments to the visitors. A site has been selected at Precinct 5, Putrajaya in which the site is located strategically beside a large-sized lake. Kenneth Frampton’s theory of critical regionalism was extracted by re-interconnect the visitors with the water. The site was dug to allow the water to access into the site perimeter. Exhibition spaces are integrated with the water element to introduce new typology of spaces, programme and circulation. It stimulates and engages spiritual connection with the visitors. With the presence of spiritual connections, this design thesis could preserve and regenerate the lost Malay identity hence changing the perception towards the Malay civilisation. Keywords: malay, civilisation, colonization, identity, museum, spiritual, water, typology
master’s thesis
contents.
merdeka tiada batas
part I
the project brief.
part Va
background research 01 issue 04 thesis statement 05 aim & objectives 06 client 07 collaborators 08 research question 09 design framework 10 precedent studies 12
part II
site appraisal.
designation purpose group 96 bomba appliances access 98 means of escape 99 fire detection 105 fire alarm system 106 fire supression system 108 emergency escape 114
part Vb
introduction 15 rationalisation 16 macro studies 18 micro studies 20 site images 22 s.w.o.c 24
part III
the design process. theory 27 translation 29 approach 31 technique 32 programme 33 programme strategy 34 s.o.a 40 parking allocation 41 site planning 42 form abstraction 44 final design process 50
part IV
the proposal. location plan 60 site plan 62 floor plans 64 perspective 76 elevations 78 section 84 spatial quality 86
fire protection system.
structural system. case studies 116 structural division 123 structural components 125 type of structural system 126 spanning equation 131 floor structural system 132 wall & roof structural system 133
part Vc
intergrated building services. water supply system 136 sanitary & sewage system 139 disposal system 141 electrical supply system 142 air- conditioning system 144 telecommunication system 145 mechanical transportation system 147 water barrier system 152
special study: spirit of space. introduction 154 archipelagoes 155 circulation 158 fase- scale 162
master’s thesis
merdeka tiada batas
the project brief.
master’s thesis
melayu. /me. la. yu/ ma.lay
Melayu is an ethnic group of Austronesia people predominantly inhabiting the malay peninsula, eastern sumatra and coastal borneo as well as the smaller islands that lies between these locations
merdeka tiada batas
background research.
travel from africa.
dispersion.
philippines. peninsula.
sumatra.
jawa.
7 0 0 0 0 years ago first wave of human from africa migrate to Yunnan (south east asia) through land
600 BC
indian sailors and traders began to sail to SEA. new religion and culture was introduced
developed outrigger boats and sailed to the east of pacific ocean (around Fiji island)
3 5 0 0 0 years ago
Funan, Champa, Gangganegara, Chih Tu, Langkasuka, Pan Pan and Srivijaya Kingdom was formed
50 AD
4 5 0 0 0 years ago migrated to southern SEA. become skilled in oceanography experienced from their
malay people from yunnan arrived with skill of iron age to technology
journey through the sea
300 BC
110 AD
Islam was introduced to the malay world through sumatran coast by the arab traders and spreaded to the peninsula
Kedah Tua high quality for ancient and became trading port
provide of iron warfare a major
800 AD
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significant greatness of civilisation.
* sailing expertise
* defence
* manu script writing
2
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* great ship builders
* archi tecture
* law & statutes
3
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issue.
loss of Malay identity.
through a long period of time, the Malays had gone through many colonization period started from 1511 by the portuguese, dutch, japan and the british. it causes the civilisation to decline and led to lost of identities
colonization period.
1511
portuguese conquered malacca
dutch took malacca from portuguese
1641
japanese took the peninsula
1945
1941
british secure Malay peninsula from the japanese
4
1824
british secure Malay peninsula from the dutch
until now
loss of Malay identity.
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thesis statement.
past character.
new present typolgy.
A Malay civilisation museum should not be designed as a typical museum which function just to store artefacts. the past and present character or context of the civilisation should be integrative, regenerative and articulated throughout the spaces in order to evoke an awakening experience.
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aim & objectives.
aim.
this thesis is conducted to investigate the possibilities to regenerate past context of the Malay civilisation through architecture via museum space and form articulation
objectives.
6
1
to regenerate Malay civilisation through architecture attributes
2
to create a spiritual and dramatic space and form in context of Malay civilisation
3
to design a new typology of a museum
.
.
.
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client.
.
Majlis Raja- Raja
vision. become an effective liaison between the administration of state palaces and the federal government in harmony, culture and prudence.
mission. 1. establish a harmonious atmosphere in preserving the sovereignty of the royal government for the sovereign and unassuming states in the comfort of administrative relations. 2. preserving the sovereignty of the royal government of the royal states as a source of power and authority between the central and state governments. 3. preserving the special position of the Malays and Bumiputeras in Sabah and Sarawak
objective. to form and become a friendly and cultural link between the administration of the state courts and the federal government, especially on matters that are established under the federal constitution and matters of Islamic religion.
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collaborators.
Sultan Perak
Sultan Johor
.
Sultan Pahang
Sultan Selangor
Raja Perlis
.
Sultan Terengganu
Sultan Kedah
Sultan Kelantan
.
.
.
with
8
.
.
.
Yamtuan Besar Negeri Sembilan
.
Government of Malaysia
.
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research question.
What? a malay civilisation museum
Why? to provide a solution for the loss of malay identity
How? by providing a unique experience in a new architectural typology
Where? to be located at a site where the genius loci is water
Who? initiated by the 9 Sultans of Malaysia in collaboration with the government
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design framework. issue driven.
issue.
sailing expertise.
great malay civilisation.
defence.
portuguese.
manuscript writing.
dutch.
great ship builders.
colinialism.
british.
loss of malay identity.
japan.
architecture. law & statues.
new space typology. identity regeneration.
visitors gain knowlege.
visitors gain spatial experience.
engage spiritual sense.
new circulation typology. new programme typology.
product. 10
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malay association with water.
critical regionalism theory.
water as nucleus of the architecture.
site.
solution.
identifying spirit of malay.
site selection at precinct 5, putrajaya.
presence of largesized lake.
space mould around water.
water enters the site perimeter.
water recreation hub. site digging.
tourism. accessibility.
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precedent studies.
12
suzhou museum.
moesgaard museum.
information.
information.
Architect : I.M. Pei Project Year : 2006 Area: 15000.0 m2 Project Category : Museum Location : Suzhou, Jiangsu, China
Architect : Henning Larsen Architects Project Year : 2014 Area: 16000.0 m2 Project Category : Museum Location : Aarhus, Denmark
architectural apperance.
architectural apperance.
- Architectural style and form have strong “Su, China, and New” characteristics. - “Su” is mainly reflected in the integration of Suzhou’s ancient city features and cultural connotation. “New” mainly manifests in the material.
- situated in the rolling bucolic landscape of Skåde. - With its sloping roofscape of grass, moss and brightly-coloured wild flowers, the building is a powerful visual landmark perceptible even from the sea
building concept.
building concept.
- combines traditional Suzhou architectural style - places the museum between the courtyards to harmonize the building with its surrounding environment
- the interior of the building is designed to evoke a varied terraced landscape, which is inspired by archaeological excavations as they gradually unearth the layers of history and expose lost civilisations.
featured programme/ space.
featured programme/ space.
- the unique is the northern courtyard on the central axis, which not only enables visitors to see the features of Jiangnan waterscape through the lobby glass, but also connects the garden directly with the garden of humble administrator’s yard across the north wall, and integrates the old and new
- alternative types of exhibitions where the use of technology is combined with a more workshop-like arrangement to give visitors a glimpse of how archaeologists and ethnographers work.
analysis.
analysis.
- techtonics of programmes in the courtyard design; genius loci - presence of native cultural evolution through material
- appreciating the genius loci which is the landscape - genius loci-oriented programme - integrating technology in design
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site appraisal.
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jalan venna p5/ 2, precinct 5, putrajaya. 2.8947° N, 101.6773° E
size : 4 acre = 16187 sqm.
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introduction.
putrajaya. Putrajaya has been the home of the Federal Government of Malaysia ever since the boom in the country. It prompted many government offices to move out of Kuala Lumpur to decongest the country’s capital. Situated just outside Kuala Lumpur, the city of Putrajaya was named after Tunku Abdul Rahman Putra, Malaysia’s first Prime Minister.
13 11 12
10
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Putrajaya
8
7
Diplomatic
1
9
15
16 2 3
18
17
4 19 6
5 20 Precinct
precinct 5. 15
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rationalisation.
1 presence of genius loci oceanography/ maratime
place to trade
start of settlements along the river
Putrajaya is rich with water element found at the Putrajaya Lake. the water element will be formulated to interconnect with the ancient nucleus and malay genius loci which is water. it will be formulated into the programs as told earlier, water is an sacred element to the malay as they common and very skilled in these subjects: 1) oceanography/ maratime 2) place to trade (by the shore) 3) start of settlements along the river
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2 water recreation hub
3 tourism
9.2 millon Precinct 5 is a water-based programme zone. Many kinds of water sport porgrammes are being held there such as the dragon boat race and kayaking
2017
Putrajaya Corporation (PPJ) is targeting the visit of 9.2 million domestic and foreign tourists source : astro awani
4 accessibility 2 hours away from the south with the future high speed rail (HSR) development
KL 30 mins
30 minutes away from kuala lumpur through Mex highway
KL Putrajaya
Putrajaya
HSR
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macro studies.
putrajaya lake.
water sports complex.
recreational airstrip.
marina putrajaya.
pullman hotel. ministry of tourism.
pullman hotel. herriot-watt university.
ministry of higher education.
18
gas district cooling.
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putrajaya boulevard.
government towers. precinct 4.
water treatment plant.
resevoir.
equestrian park.
picc.
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micro studies.
20
water body
access road
figure ground
monorail station future plan
view
pedestrian & cycling lane
sun
wind direction
green area
merdeka tiada batas
160m
setback 6000 mm.
100m
setback 6000 mm.
setback 4000 mm.
setback 6000 mm.
site
16 m 13 m 8m
21
site images.
master’s thesis
view from site towards north-east direction
point of canonic view
22
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view from the other site of the lake
view from the other side of the lake towards PICC
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s. w. o. c
s
trength - site having a strong genius loci which could interweave with malay civilisation water-based programme - in line with the progression of development of Putrajaya 2025 as a tourism spot
w o
eakness - site surroundings are still in the process of development
pportunity - chance to break the unconciousness of malay people that are affected by the colonization - respond to the surrounding development - could interconnect local & international tourist from KL and other places
c 24
onstraint - neighboring development around precinct 5 is still not confirmed by certain party
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the design process.
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theory.
critical regionalism.
kenneth frampton critical regionalism is an act to regenerate the impact of universal civilisation with element derived indirectly from peculiarities of a particular space
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subjects from the past are being regenerated into something new and still carries the essence of the past.
past.
regenerate.
present.
28
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translation.
the theory is being translated by interconnecting the malay civilisation culture of water- related with the museology space. water is allowed to access into the building fabric. it is a form of regenerating the culture in which it is tied with the spaces and programs
tr muaditio seu na m l normal spaces normal artefacts normal presentation
c muonce seu pt m
re cu gene ltur rat e ed
co attr ntem ibu por tes ary
wa ele ter me nts
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*expert sailors.
malay water- related culture.
regenerate
sailing native from nusantara to madagascar, hawaii and new zealand
*great ship builders. front-runner in vessel engineering. it includes the gigantic Jong Jawa and Pinisi Bugis
* trading power. used to be a great trading place where people all around the world meet. Melaka, Lembah Bujang and sumatera is one of the spots
30
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approach. reconnecting building with water
early-year of Malay settlements saw houses built along the river shoreline. most of their lives are associated with water.
today, malay now no longer live near the river as cause of modernization
reconnecting the building with water to create regenerated spaces that associates with water
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technique. allowing the water to access to the site the water from the lake is being utilized and interconnected with the overall scheme by allowing the water to access to the site
condition at site.
cutting the site.
bringing in the water.
output
new space typology
32
new type of circulation
new type of spatial experience
programme.
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islam exhibition
oceanography exhibition
war exhibition
architecture exhibition
manuscript exhibition
technology skills exhibition
law exhibition
food exhibition
layar bunyi ‘sound’ exhibition
layar tarian ‘dance’ exhibition
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programme strategy. museum exhibition issues
1
too many barrier between the audience and the artefacts
! uch t to no o d
intagible
2
anxietycause
3
stuffy
34
too many rules controling the audience ! oto ph no t! uie pq e e k g! lkin wa p e ke
period of exhibition is too long without any interactive programme
! ng ori ob o t its
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strategy
Indifference Method.
source: author
cooking in the kitchen vs. cooking in the woods indifference according to bernard tschumi is a technique of superimposing a programme to a place where it is not usually happenned there. it is to also make sure that the programme could fit and work at the unsual place. for instance in our daily routine we cook in the kitchen but what if we cook in the jungle near our house and back to the house to eat at the dining table? indifference is an creative act ranging on many possibilities 35
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indifference is used to break the museum exhibition issues in context of the water, trading environment is selected to be indifferentiated into a whole new programme where there will be sets or achipelagoes exhibiting the artefacts. it mimics the past glory of the malay being a trading power.
source: author
what to trade?
explaination on artefacts ideas tangibility
visitors will have the opportunity to circulate the archipelagoes of exhibition by boats where they could interconnect their past spiritual values with the water. various artefacts will be exhibited on the archipelagoes and they could trade explaination, ideas and could alsohave the chance to touch the artefacts 36
merdeka tiada batas
programme output
archipelago.
becomes
exhibition.
walking.
becomes
rowing.
soulless.
becomes
spiritual.
source: author
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source: author 38
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schedule of accommodation
basement 01.
sailing dock islam exhibition war exhibition oceanography exhibition architecture exhibition end dock
= = = = = =
231 sqm 353 sqm 353 sqm 353 sqm 353 sqm 356 sqm 1999 sqm
ground level.
ahu room 1 ahu room 2 water tank room mdf room pabx room msb room genset room tnb substation loading area
= = = = = = = = =
70 sqm 8 sqm 324 sqm 23 sqm 23 sqm 23 sqm 31 sqm 67 sqm 27 sqm
first level.
manuscript exhibition layar bunyi ‘sound’ exhibition layar tarian ‘dance’ exhibition food exhibition technology skills exhibition law exhibition reception lobby soft drink station balai santap dining kitchen ahu room 1 ahu room 2 toilet 1 toilet 2
= = = = = = = = = = = = = = =
1167sqm 584 sqm 390 sqm 390 sqm 779 sqm 584 sqm 91 sqm 106 sqm 20 sqm 548 sqm 184 sqm 91 sqm 84 sqm 39 sqm 39 sqm 5096 sqm
596 sqm
upper ground level.
grand lobby ticketing area control room souvenir shop bookstore multipurpose event-space musollah (m) musollah (f) viewing area bakery coffee shop ahu room toilet
= = = = = = = = = = = = =
363 sqm 101 sqm 21 sqm 52 sqm 57 sqm 239 sqm 51 sqm 51 sqm 76 sqm 27 sqm 27 sqm 7 sqm 39 sqm
second level.
lobby reception office curator room manager room file room meeting room server room pantry locker room artefact storage &conservation ahu room toilet
1111 sqm
total gross floor area circulation (30%) total nett floor area 40
= = = = = = = = = = = = =
1167sqm 584 sqm 390 sqm 390 sqm 779 sqm 584 sqm 91 sqm 106 sqm 20 sqm 548 sqm 184 sqm 91 sqm 84 sqm 951 sqm
= = =
9753 sqm 2926 sqm 6827 sqm
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parking allocation
exhibition spaces. value:
no of c.p.:
50 100 200
= 17 = 43 = 22
value:
no of c.p.:
25 50
= 22 = 11
value:
no of c.p.:
100 84
=3 =4
area:
value:
no of c.p.:
293 sqm
50 84
=6 =3
area: 4315 sqm
formula: car = 1cp/ 3 staff car = 1cp/ 100 sqm motorcycle = 1mp/ 200 sqm
commercial. 1. balai santap dining area: 548 sqm
formula: car = 1cp / 25 sqm motorcycle = 1mp/ 50 sqm
2. retails area: 340 sqm
formula: car = 1cp / 25 sqm motorcycle = 1mp/ 50 sqm
3. office
total.
car = 91 motorcycle = 40 services = 2 disabled parking: total cp< 100 = 4
* site is within 20 m radius to a future monorel station
total - 25%.
car = 69 provided 100 motorcycle = 30 provided 30 services = 2 provided 2 disabled parking: total cp< 100 = 4 provided 4
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site planning. building block
canonic axis
public connection
services
preliminary technique in site planning is to to lay the canonic view axis. canonic view axis is an axis spotted on site which have an effect of endless sea view effect. building block is located at the focal point facing the axis while public connections set to surround the building block. services are allocated at east side where there have no much circulation going on.
42
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public connection
parking
160m
upper exhibition
sea exhibition
3m
16m
43
form abstraction.
â&#x20AC;&#x153;as soon as i reached at the state, i saw a lot of men rest at daytime compared to the womes who worked hardâ&#x20AC;? FACT : men starts to work at 3.00 am where they will go out to the sea to catch fish and sell them early in the morning. after finish selling, they will go back to their house to rest before continue to work again at 3.am. there is difference in working time between the malay male and female at that time
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Sulalatus Salatin book had been through a lot of changes in terms of the meaning of words. the previous translators unable to translate the original words perfectly and it affects the meaning of the content. - Ahmat Adam
due to colonialism, there are many wrong perceptions are thrown towards the malay through a lot of mediums especially the manuscripts and books. although it is not true, the perception remain on peopleâ&#x20AC;&#x2122;s mind until today.
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the idea is to create a form that is a statement and at the same time having a dialogue with the visitors telling them that malay have always survived after all of the wrong perceptions thrown at them.
bookshelves symbolizes malay;
it is strong with many informations stacked in them. 46
merdeka tiada batas
1 bookshelves.
as in function, it acts as a revelatus, giving the true informations through the exhibitions
2 module.
a module is picked as a plane that contains the infomations
3 upshot.
a truncated volume is produced from the actual plane to highlight the importance of true informations
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preliminary abstracted pure form
48
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preliminary abstracted pure form
49
final design process.
01 segregation. segregating the exhibitions into different levels.
02 extrusion. extruding water exhibitions to regenerate moment at the sea; free to the sea and sky.
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03 deformation. block deformation to allow maximum tangibility of water with people.
04 truncated from. truncated form are drawn into the sea exhibition volumes.
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05 inversion. on the upper level exhibition, inversion is done using circles to create spaces outside of the truncated form.
06 undulating form. injection of undulating form on the upper level exhibition. undulating form symbolies the wrong preceptions towards the malay (truncated form).
52
source : author
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53
source : author
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preliminary 3D form implementation
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3D preliminary form implementation
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3D preliminary form implementation
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3D preliminary form implementation
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the proposal.
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N
location plan61.
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site plan63.
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basement 02 level plan. 64
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basement 01 level plan. 66
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ground level plan. 68
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upper ground level plan. 70
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first level plan. 72
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upper ground floor plan. 74
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west elevation.
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north elevation.
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east elevation.
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section a-a.
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from upper to lake level.
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.
exhibition at basement 01 level
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hanging ship.
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oceanography exhibition.
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.
hanging exhibition of oceanography exhibition
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manuscript exhibition.
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fire protection system.
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designation purpose group.
exhibitions (place of assembly)
office
| 1039 sqm
shop
| 109 sqm
exhibition.
96
| 6737 sqm Number of purpose group
Descriptive title
VII
place of assembly.
office.
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compartmentation.
Purposes for which compartment is intended to be used
Place, wether public or private, used for the attendence of persons for or in connection with their social, recreational, educational, business or other activities, and not comprised within group I to VI
Exhibitions (place of assembly) contains most of the floor area of the building It is concluded that the building is in the purpose group of Place of Assembly only as office and shop programs are just small programme that supports the exhibitions programme. If both office and shop programs are not included, the main program could still be functioned. therefore, compartmentation is not needed.
shop.
.
building height category
15m.
top most floor
3500 LVL2 7000 LVL1 4000 4000
UGF GF
3000
B01
3000
B02
the topmost floor of the building is 15m. therefore, the building does not require fireman lift and dry riser
97
bomba appliances access.
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N
ground level plan.
AP1
AP2
legend. assembly point fire truck access
By Law 140 All buildings in excess of 7000 cubic metres shall abut upon a street or road or open space of not less than 12 metres width and accessible to fire bridgade appliances
98
Volume of building in cubic meter
M i n i m u m proportions of perimeter of building
7000-28000
one sixth
28000-56000
one fourth
56000 - 84000
one half.
84000 - 112000
three fourth
112000 - Above
island site
Building Volume = 72,398 m3 Determine the road coverage percentage: One Half Total building Perimeter = 439,000 mm Bomba Access road required: 25% of total building perimeter = 109,750 mm Provided Bomba Access road = 307,000 mm Therefore, complied
means of escape.
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1. fire staircase
calculation. taking into accound the unoccupied circulation and artefacts area
99
masterâ&#x20AC;&#x2122;s thesis
taking the largest floor plate (1st floor) as the point of calculation
SC7
SC8
*SC12
*SC11
for basement
*
.
staircase 11
from basement to ground level. Form of staircase at ground level is being incorporated with the batu bersurat park.
100
merdeka tiada batas
*SC5 & 6 *SC3 & 4
*SC1 & 2
SC9 SC10
from upper levels
*
.
staircase 10
as the staircase catter escape from 2 different direction, an additional wall is provided to create 2 different final exit; one from the upper levels and the other is from the basement.
gf from basement additional wall
101
masterâ&#x20AC;&#x2122;s thesis
special feature. tower.
1. fire staircase.
- Tower as compartment
- Function of fire staircase solely as fire escape staircase and connector to the hanging exhibition
- Constructed using shear core construction
- Connecting from basement 01 (sea exhibition) to 1st level and towards the hanging exhibition
- Programme in tower consists of exhibition at Basement 01 level and hanging exhibition programme
- Final exit is at Basement 01
*SC1 & 2 *SC3 & 4 *SC5 & 6
3 1
1
2
2
2. fire rated glass sliding door.
3. kapal pinisi bugis.
- Acts as one of the component of the hanging exhibition
- Acts as one of the component of the hanging exhibition
- People could walk through the ship at the platform located at the highest point of the fire staircase
- People could walk through the ship at the platform located at the highest point of the fire staircase
102
merdeka tiada batas
special feature | escape route.
sea exhibition programme.
jetty point.
If fire occurs, rowers will escort all of the users out of the exhibition area to the nearest jetty; Marina Putajaya jetty which is just 350 m from the building. The alternative esape route is provided using sampan and through water
merdeka tiada batas.
to
Marina Putrajaya jetty
components.
rowers
putrajaya lake
marina jetty
103
travel distance & dead- end limit.
masterâ&#x20AC;&#x2122;s thesis
merdeka tiada batas.
buidling is provided with sprinkler for most of the spaces including the largest floor plate which is 1st level.
7th schedule. Limit when alternative exits are available Purpose group
VII
(1)
(2)
Dead- end limit
Un-sprinklered
NR
45
(3) sprinklered 61
NR - No requirements or not applicable For Places for Assembly - To refer Exit Details for Places of Assembly By- Law 183- 188
16m 11m
15m 10m 17m
15m
24m
8.5m
11m
15m 2m
6m
11m 11m
9m
16m 10m
26m
26m
16m
9m 7m
35m
10m
2m
6m 20m 5m 13m
Furthest travel distance = 42 m < 61m Therefore, complied 104
N
first level plan.
merdeka tiada batas
fire detection. H
.
objectives
heat detector.
▪To detect outbreak of fire To activate fire safety systems ▪ To inform Fire Brigade ▪ To monitor fire safety equipment
Smoke detector is for area where rapid heat development is normal for the function of the space, or where combustibles may burn with high release of smoke.
S H
H
H
H H
H
H
H H
H
H
S
S
S
H
H
H
H
H
S smoke detector. Heat detector is for area where smoke may be a common presence in the space, or where combustibles may burn rapidly and efficiently.
N
first level plan. 105
masterâ&#x20AC;&#x2122;s thesis
fire alarm system.
active provision. 10th schedule.
Table of requirements for fire extinguishment alarm systems and emergency lighting
Note 2: A) Automatic Sprinkler G) Hose Reel Note 3: 1) Automatic Fire Detectors System 2) Manual Electric Fire Alarm System Note 4: a) Signal Points Unit b) Central Battery
*
According to Note 3, the building is under number 2; Manual Electric Fire Alarm System
emergency alarm bell
.
manual call points
.
Manual call points and bells to be along escape corridors or beside exit and staircase doors, such that no occupant need travel more than 30 meters to reach a call point.
.
informing fire brigade
(By Law 238)
a fire command center is required for all buildings above 30.5 meters or exceeding 9,290 sq. meters in gross area
Total GFA |
gross floor area | 9753 sqm net floor area | 6827 sqm 106
the floor area exceeds hence fire command center is needed
merdeka tiada batas
N
first level plan.
location of control room at upper ground level 107
masterâ&#x20AC;&#x2122;s thesis
fire supression system.
1. hose reel
foam type. dry powder type.
floor area x 0.065 / 13 = 19.475 3895 x 0.065 / 13 = 20
calculation. Basement 01
hose reel no. | 1859 sqm/ 1000 = 1.8 = 2 water capacity | 2 X 300 = 600
Basement 02
hose reel no. | 3167 sqm/ 1000 = 3.1 = 3 water capacity | 3 X 300 = 900
Ground Level
hose reel no. | 447 sqm/ 1000 = 0.4 = 0 water capacity | 0 X 300 = 0
Upper Groud Level
hose reel no. | 1316 sqm/ 1000 = 1.3 = 1 water capacity | 1 X 300 = 300
1st Floor Plan
hose reel no. | 3895 sqm/1000 = 3.9 = 4 water capacity | 4 X 300 = 1200
2nd Floor Plan
108
hose reel no. | 727 sqm/ 1000 = 0.7 = 1 water capacity | 1 X 300 = 300
Total |
hose reel water capacity hose reel tanks
| 11 | 3300 | 3300/380
=9
merdeka tiada batas
2. fire extinguisher
HR2
HR1
30000
HR3 HR7 30000
30000
HR6
30000
HR4
HR5
30000
30000
30000
N
first level plan.
fire tank at ground level 109
3. hydrant
masterâ&#x20AC;&#x2122;s thesis
hydrant
By Law 225 Every building shall be served by at least one fire hydrant located not more than 91.5 metres from the nearest point of the fire brigade access N
ground level plan.
H1
3500
170 00
00 450
27000
180 00
H2
0 800 280 00
00 20
H3 60 00
0 00 23 1900 0
70 00
30 00 0
H4
hydrant distance. H1
to
H2
3500 + 45000 + 17000 = 65,500 mm
All of the distances are less than 91.5 metre. Therefore, hydrants are complied 110
H2
to
H3
27000 + 18000 + 8000 + 28000 + 2000 = 83,000 mm
H3
to
H4
2000 + 23000 + 6000 + 30000 + 19000 + 7000 = 87,000 mm
4. automatic sprinkler
merdeka tiada batas
NO. of sprinkler per Floor = Area/10 No. of System = Total/1000 Water Capacity = No. of system X 3000 NOS. OF TANKS = Water capacity / 380
calculation. Basement 01
sprinkler no. | 1859 sqm/ 10 = 186 water capacity | 3 X 300 = 900
Basement 02
sprinkler no. | 3167 sqm/ 10 = 317 water capacity | 5 X 300 = 1500
Ground Level
sprinkler no. | 447 sqm/ 10 = 45 water capacity | 1 X 300 = 300
Total |
sprinkler no of system
| 1143 | 1143/ 1000
water capacity
|
Upper Groud Level
sprinkler no. | 1316 sqm/ 10 =132 water capacity | 2 X 300 = 600
sprinkler tank
=1 1.143 x 3000 = 3429
| 3429/
=9
380
1st Floor Plan
sprinkler no. | 3895 sqm/10 = 390 water capacity | 6 X 300 = 1800
2nd Floor Plan
sprinkler no. | 727 sqm/ 10 = 73 water capacity | 1 X 300 = 300
1 head = 10 sqm therefore, distance between sprinkler heads ranging from 3.7m to 4.6m depending on the hazard level
111
masterâ&#x20AC;&#x2122;s thesis
area using sprinkler.
restaurant. reception.
toilet AHU toilet
kitchen
N
first level plan.
fire tank at ground level 112
5. clean agent
merdeka tiada batas
N
first level plan.
area using clean agent.
hanging exhibition.
exhibition.
hanging exhibition.
hanging exhibition.
benefits.
Fast Clean Agent systems reach extinguishing levels in 10 seconds or less.
FM- 200
Clean agent are being used at exhibition spaces that consists of invaluable artefacts. some of the artefacts are remnants and serve as an economic tie to the museum. hence, it should be well protected by any means
Effective Clean Agents are designed to control and extinguish a fire in its incipient stage before it has a chance to spread. Clean Agents are electrically non-conductive and non-corrosive, and there will be no damage to electronics and delicate mechanical devices. Safe Clean Agents are designed to provides a wide margin of human safety â&#x20AC;&#x201C; they are safe to use where people are present. Clean Clean Agents rapidly vaporizes to gas during discharge and evaporates cleanly, leaving no residue behind, which means no costly cleanup. Earth Friendly Clean Agents are non ozone depleting and have a short atmospheric lifetime. 113
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emergency escape.
N
first level plan.
EL
EL
EL
EL EL EL
EL
EL EL
EL EL
EL EL
EL
EL
EL
EL
EL
EL
EL EL
EL
EL
EL
EL
EL
EL
EL
EL EL
EL EL
EL EL EL
EL EL EL EL
EL EL EL
EL EL
EL EL EL
EL
EL
emergency light.
Exit sign shall place on top of every exit door and every fire staircase
114
exit sign.
Emergency light (EL) shall place along the exit path as clear direction to the final exit
merdeka tiada batas
structural system.
115
case studies.
masterâ&#x20AC;&#x2122;s thesis
source: business wire
busan cinema center. by Coop Himmelb(l)au South Korea 2012
As of July 2013, it has the World Record for the longest cantilever roof. The center was designed by the Austrian architectural design firm Coop Himmelb(l)au and constructed by Hanjin Heavy Industries.
116
The Busan Cinema Center is the official, exclusive venue of the Busan International Film Festival (BIFF), where its opening and closing ceremonies take place, located in Centum City, Busan, South Korea. The center opened on September 29, 2011, almost three years after construction began.The building won the International Architecture Award and the Chicago Athenaeum in 2007.
merdeka tiada batas
*165 m *32m
The big roof is 32 m high above the ground level
source: coop himmelb(l)au
* *85 m
front span cantilever.
The design challenges faced were to establish sensible loads for the structure and to find a reasonable workflow to deal, exchange, and analyse the desired geometry in cooperation with the 85 meter cantilever roof
*50 m
double cone structure. The roof structure cantilevers 85 m from the double cone with a back span of 45 m.
*45 m
back span cantilever.
longest canti lever roof
This big roof structure covers a total area of 165 Ă&#x2014; 62 m2 including a threestorey restaurant in the back span.
117
masterâ&#x20AC;&#x2122;s thesis
1. truss girder system. The roof is composed of an orthogonal steel truss girder system with longitudinal and transverse trusses. The depth of the roof varies between 3,5 m at the tip and 22 m in the back span area
2. surface.
The lower part is a threedimensional (3D) undulating surface The roof is clad with lightweight metal sheeting
3. crown.
*
The crown forms a structural transition between the orthogonal roof structure and the circular double cone structure. This allows a transition of high fixed-end moment forces from the roof chords into the double cone sections The crown consists of two double rings that are connected by rigid vertical and horizontal members The chord members are made of welded rectangular hollow sections
structural components.
4. double cone structure.
118
The double cone is a hyperbolic steel structure. It acts as the clamped support for the cantilever roof. The lower part of the double cone is made of concrete, which corresponds to the form of the back span.
its diameter varies from 33 m at the top (here equivalent to the outer ring of the upper plane of the crown) to 18,4 m at the double cone neck, which is 10 m above the bearing beams source: austalian design review
merdeka tiada batas
roof structure build-up.
source: bong-soo jeon
5m.
The girder grid spans 5 m at centres in both directions
1
At the back span, tension elements are used to hold down the roof
2
3
4
5 5. support structural system.
The walls are 800 mm thick and follow the shape of the double cone hyperbola. The height of the walls is 7,35 m from the ground level, and they continue down to the basement
The concrete walls form the lower part of the double cone. They consist of 14 shear walls that are connected by a concrete ring beam
The thick concrete shear walls are founded on a 3,5 m deep base slab, which covers the total area and is supported on the 2,5 m drilled piers.
119
master’s thesis
case studies.
heydar aliyev center. by Zaha Hadid Architects Baku, Azerbaijan 2013
The freeform structure of the project derives from the architectural design concept of modifying a single surface to adopt different functional requirements The design of the Heydar Aliyev Center establishes a continuous, fluid relationship between its surrounding plaza and the building’s interior The plaza, as the ground surface; accessible to all as part of Baku’s urban fabric, rises to envelop an equally public interior space and define a sequence of event spaces dedicated to the collective celebration of contemporary and traditional Azeri culture Elaborate formations such as undulations, bifurcations, folds, and inflections modify this plaza surface into an architectural landscape that performs a multitude of functions: welcoming, embracing, and directing visitors through different levels of the interior
120
The aim was to create a large columnfree space giving visitors the opportunity of experiencing the fluidity of the interior
1. structural concept. The Heydar Aliyev Center consists of 2 structural systems: space frame and shear core with a single movement joint
space frame. shear core.
merdeka tiada batas
*
shear core.
*
space frame.
2. detailings.
casting technique of the shear core is done floor by floor using steel cast
special extruded concrete at the joint between space frame and the core
some parts of the space frame are tied to the ground
waterproofing and mullion installed on top of the space frame
121
masterâ&#x20AC;&#x2122;s thesis
3. space frame.
source: pinterest
the space frame enables the construction of this free form structure while offering significant savings in time throughout the construction process
the substructure enables the incorporation of a flexible relationship between the rigid structural grid of the space frame and the free- formed exterior cladding seams which derive from complex geometry rationalization, architectural aesthetics and usage.
4. shear core.
source: pinterest
reinforced concrete is mainly used to construct shear walls as the partition to separate main spaces and to support the space frame. It also used to construct the footing of the building the building must be reinforced by massive 150-foot-long concrete piles buried below the Earthâ&#x20AC;&#x2122;s surface to withstand an earthquake measuring up to magnitude 7.0.
5. special nodes. the method of maintaining stability is to extend the steel core beam from the reinforced concrete core tube, fix the vertical steel member to the joist, and connect the space frame to the joist
source: pinterest
122
due to the large span of the space frame, it is connected to the reinforced concrete structure in addition to the support of the columns and directly to the foundation
the method of special node is applied to tie structure to counter the heaviness of the space frame and to avoid buckling when wind load is too much
source: pinterest
merdeka tiada batas
structural divsion.
second level first level
upper ground level ground level basement 01 level basement 02 level
ground area
merdeka tiada batas museum structure is divided into two. one rests on the ground and the other is a suspended structure tied to the shear cores
suspended area
123
masterâ&#x20AC;&#x2122;s thesis
5m x 5m
space truss are laid on a grid of 5m x 5m. It spans along the undulating form and is supported by the shear core
124
merdeka tiada batas
structural components.
1.
2.
.
.
shear core & lift core
3.
space truss floor beam
4.
longitudinal space truss system
.
latitudinal space truss system
.
125
type of structural system. Merdeka Tiada Batas is regarded as a suspended structure with most of its floor are hanged above the ground level while the remaining part rest on the ground
126
masterâ&#x20AC;&#x2122;s thesis
the first floor is hanged to achieve maximum open space at the basement 01 level (sea exhibition). To achieve the intention, space truss and shear core are used as the structural support of the building
merdeka tiada batas
The selection of space truss considers the fact that the museum needs to have a long-span columnless structure and long-span cantilever floor. space truss is more firm and economical compared to other structural system
1. shear core
system.
have a double function in this building. one is for exhibition space; on the platform and also on the vertical void. the other function is to be the main support system of the building. it is called the â&#x20AC;&#x2DC;tiang seriâ&#x20AC;&#x2122; for that reason
2.space truss
system.
is used for suspended wall and floor of the building. it is in line with its won grid, 5m X 5m. Material used for the system is 80 mm and 150 mm diameter circular hollow steel section
lift & staircase cores. 127
masterâ&#x20AC;&#x2122;s thesis
5mm Alucobond aluminium composite panel.
bath tub construction of basement parking.
128
pile foundations.
merdeka tiada batas
600 mm thick concrete shear core.
longitudinal space truss.
50 ton lightwood ship pinned to shear core.
steel floor beam truss.
129
masterâ&#x20AC;&#x2122;s thesis
finishes
5mm Alucobond aluminium composite panel.
main structural system
exploded structure.
steel space truss.
floor second floor
.
floor structural system
steel space truss floor beam.
floor
first floor.
floor structural system
steel space truss floor beam. supporting structural system
lift & staircase core.
main structural system
shear core.
joint to pile caps
upper ground floor. floor
floor structural system
steel i-beam. substructure
pile foundation.
strucked 10m below lake bed
130
merdeka tiada batas
spanning equation. The major concern on the suspended structure is the two longest cantilever floor span; 25 meter. Both of the cantilever span are joint to the shear core and supported by the lift cores
void
25m
core
25m
25m Comparison is done with the longest cantilever structure in the world; The Busan Cinema Center in order to identify the spanning specifications
N first level plan.
*longest cantilever span.
*
.
beam depth
busan cinema center.
85 m
9.5 m
merdeka tiada batas.
25 m
2.8 m
(as a roof)
131
masterâ&#x20AC;&#x2122;s thesis
tapered CHS floor beam.
secondary CHS floor beam.
perimeter beam.
space truss floor beam. space truss floor beam mainly function as a cantilever floor structure where it is pinned at the shear core. at some point, the floor beam may get additional support from lift cores. all of them are tied to a perimeter beam to be more firmer
15m
15m
2.5m
19m
19m
shear core thickness 600mm
3.0m the tapered beam depth connecting to the shear core is 3m and 2.5 m at the other end
tapered CHS floor beam
2.0m 2.0m the secondary beam tie all of the tapered beams making them more firmer. both end have depth of 2m 132
secondary CHS floor beam
services allocation
services of the buildings are allocated inside the floor beams. it includes water piping, sanitary piping, light fittings and many more
merdeka tiada batas
longitudinal space truss.
space truss wall & roof.
* longitudinal.
2m 2m 2m space truss wall joint
2.5m Jointing between space truss and shear core with additional support of extruded beam
module of diamond; circular hollow steel (CHS) 160mm diameter
300mm
space truss floor joint
undulating CHS 300 mm Modules of diamond arranged aligned to the undulating circular hollow steel CHS 300mm diameter
Jointing between both floor and wall space truss system using bolt and nut through a steel plate
133
masterâ&#x20AC;&#x2122;s thesis
latitudinal space truss.
space truss wall & roof.
* latitudinal. exploded gutter system
0.5 mm aluminium composite panel
150mm x 150mm gutter
overall alucobond installation 200 mm mineral filled core
0.5 mm aluminium sheet 150mm x 100 mm steel joist
2.5m
134
the space truss at the roof part is also designed to have â&#x20AC;&#x153;catwalkâ&#x20AC;? to assist services such as reparing light fittings and piping
space truss
the design of the gutter system follows the undulating shape with the placement of the gutter sits inside the alucobond panel
merdeka tiada batas
integrated building services.
135
masterâ&#x20AC;&#x2122;s thesis
water supply system. reticulation system.
water from the main street is lifted and fed by gravity to the roof storage tank before being supplied to the fixtures
indirect system | downfeed elevated tank.
roof. 3f.
2f. water supply equipment.
second floor.
- domestic use
first floor.
- domestic use - single restaurant & kitchen
ground floor.
- domestic use
receiving tank. P water supply pump.
M meter.
distribution system.
source of water is supplied from syarikat bekalan air selangor
bulk meter
136
suction tank
domestic water tank
fittings
merdeka tiada batas
1.2m
1.2m
a tank could accommodate 380 gallon of water = 1.44 m3
ratio between domestic water tank and suction tank. rules of thumb
66%
34%
Domestic water tank : Suction tank
1.2m
3000 gallon = 1.14 m3 water closet
unrinal
tap
basin
sink
shower
40 gallon per unit
20 gallon per unit
40 gallon per unit
= Volume of water required x 66% = 1.14 x 66% = 0.75 m3 / volume of a single tank = 0.75 / 1.79 = 0.42 ~ ~ 1unit of tank needed to provide 2 units to balance the system
20 gallon per unit
20 gallon per unit
450 gallon per unit
* UGF
* calculation.
Domestic water tank (66%)
01
* 02
* total.
Suction tank calculation (34%) = Volume of water required x 34% = 1.14 x 34% = 0.4 = 1 unit of tank needed
Men Woman Mixed Surau
Wc 4 4 1 Total 9
Tap 4 4 1 8 17
Basin 3 3 1 7
Sink -
Men Woman Mixed Kitchen
Wc 8 8 2 Total 18
Tap 8 8 2 18
Basin 6 6 2 14
Sink 4 4
Men Woman Mixed Workshop
Wc 4 4 1 Total 9
Tap 4 4 1 9
Basin 3 3 1 7
Sink 2 2
Capacity 40 Gallon 20 Gallon 20 Gallon 20 Gallon
Wc Tap Basin Sink Total
Total 40 x 36 = 1440 20 x 44 = 880 20 x 28 = 560 20 x 6 = 120 3000
137
masterâ&#x20AC;&#x2122;s thesis
N
ground level plan.
equipment location.
tap to SYABAS pipeline bulk meter
suction tank at ground level 138
domestic tank at cut- off roof level
merdeka tiada batas
sanitary & sewage system.
type of establishment commercial: includes office, shopping complex, entertainment/ recreational centres, restaurant and cafeteria
population equivalent 3 per 100 m2 gross area
calculation.
Population equivalent (PE) Total GFA
= 3 per 100m2 = 9753 m2
Hence Total Population Equiv. = (9753/ 100) x 3 = 293 PE MH1 to MH2 PE = 293 PE Peak flow factor = 4.7 x (PE / 1000)-0.11 = 5.4 l/s sewage production at average daily flow = (peak flow x PE x 225) / (24 x 60 x 60) = 355, 995/ 86400 = 4.12 l/s Pipe sizing for full capacity a) Diameter of pipe, d b) Gradient, s c) Manningâ&#x20AC;&#x2122;s roughness coefficient, n d) length, l
= 0.225m (min 0.25m) = 80m = 0.014 = 25m (max. 100m)
139
masterâ&#x20AC;&#x2122;s thesis
N
ground level plan. manhole location.
tap to existing sewer pipeline
MH1 MH2 MH3 MH4
20m
20m
vp
19m 18m
MH5 27m
MH6 20m
MH7
20m
vp
MH8
outlet to sewer
inlet
140
grease trap is installed at: kitchen (1st level) artefact conservation (2nd level) to filter grease from the water before entering sewer
merdeka tiada batas
disposal system. no. of refuse chamber. 1 m3
=
110sqm
of net building area
dimension of refuse chamber
net floor area (NFA) = 6827 sqm Therefore; size of refuse chamber = 6827 / 110 = 62 cubic meter standard size of refuse chamber = 4m x 8m or 105.6 cubic meter
pavement
8.3m 4m
Therefore; number of refuse chamber required = 62 / 105.6 = 0.95 ~ 1 unit
tap to existing sewer pipeline
N
ground level plan. 141
masterâ&#x20AC;&#x2122;s thesis
electrical supply system.
electrical component.
1
TNB sub-station
2
Genset room
3
Main switch board (MSB)
4
Sub switch board (electrical riser)
electrical distribution system.
TNB sub-station.
TNB substation provision.
provision. TNB sub-station type
power
single chamber
<1mW (7.6mx4.5m)
double chamber
1-2mW (10.0mx4.5m)
meter.
genset.
MSB.
SSB.
distribution board.
transformer
142
if fire or blackout happens, genset will take over the role of supplying electricity to the building
area served
size
>10,000sqft/ 929 sqm
0.3m x 0.2m x 0.46m
>100,00sqft/ 9,290sqm
1.2m x 0.6m x 1.06m
fittings
fittings
fittings
merdeka tiada batas
calculation. load.
total area. (sqm) (with parking) = 15,914 sqm total area. (sqft) (with parking) = 17, 1300 sqft
genset room.
total area. (sqm) = 15,914 sqm total area. (sqft) = 17, 1300 sqft
estimated supply per 1 sqft. (watts) = 10
estimated room size. (m2) = 1,1000
total supply. (watts) = 17, 1296.87 x 10 = 17, 13000
room. = 15,914/ 10 = 15,914
total supply. (MW) = 1.713 = double- chamber
room size. (sqm) = 32
electrical components location.
room dimension. (m) = square root of 32 = 5.7
N
ground level plan.
tap to tnb line
143
masterâ&#x20AC;&#x2122;s thesis
air- conditioning system. type of system.
calculation.
centralize air conditioning systems serve multiple spaces from one base location. these typically use chilled water as a cooling medium and use extensive ductwork for air distribution. chillled water is supplied from Gas District Cooling Plant 3 to the AHU rooms
rule of thumb
the size of the AHU room is calculated by using the rule of thumb which is 3% of the floor area largest floor plate gross floor area = first floor plate = 4778 sqm Therefore; size of AHU = 0.03 x 4778 = 143.34/ 2 (as the plate area is too long = 71.76sqm
gas district cooling plant 3
each size of AHU = sqft of 71.76 = 8.5m
tap to gas district cooling pipeline
Ahu 1
riser to AHU 2
N
ground level plan. 144
merdeka tiada batas
telecommunication system. distribution system. telekom malaysia. Telephone line will be tapped from the main Telekom lines from main road into buildingâ&#x20AC;&#x2122;s MDF room. MDF will distribute and devide the lines into direct line (Manager room and etc) and internal line (PABX).
1
Telephone system uses one room distribution system. The system consists of:
2
Main Distribution Frame (MDF) - Direct line for main function usage
3 4 5
Private Automatic Branch Exchange (PABX) - Internal lines is connected to and controlled by Operator Distribution Telephone Closet Local Circuit
director 1 mdf
director 2 direct line
pabx
operator internal line
telephone riser idf
Distribution System tel. devices
tap to telekom line
tel. riser
N
ground level plan. 145
masterâ&#x20AC;&#x2122;s thesis
integrated monitoring control system.
location of control room/ BAS at upper ground level
A building management system (BMS), or known as a boilding automation system (BAS), is a computater-based control system installed in a biuldings that controls and monitors the building performance system as well. BAS consist of; - Ventilation control - Close circuit video (CCTV) - Power monitoring - Card & keypad acces - Security - Fire alarm system - Elevators - Plumbing & water monitoring
146
merdeka tiada batas
mechanical transportation system.
1. lift calculation.
no. of lift provided.
nett floor area. (with parking) = 11,140 sqm = 11,9910.96 sqft estimated population. = 1 person/ 10 sqm = 11,140/ 10 = 1,114 Interval + average time (sec). - interval = 30 sec - average lobby wait time = 15 sec
8
rationalisation: - implementation of disabled- friendly design - nature size of site 100m+ end to end - nature of site having free space design at center of basement and ground level - artefact service lift
Handling Capacity (HC). - pax capacity (max) 12-28 = 12 pax - normal load/trip (p) 10-22 = 10 pax 5 min std. handling cap (HC)= 300p/I p=car loading I =interval (sec)
= (pax/car) = 30 sec
Percentage Handling Capacity (PHC). -min % building popn in 5 mins.(10-15) = 14 % where the population of building is = 38 Travel time. (lobby wait+travel time to median flr stop)
type of lift.
hydraulic lift.
Calculation no of pax per trip.
building height is 18.5m < 20m
p= POP x HCP/ (300/I) = (38 x 0.14 x 0.01) / (300/ 30) = 0.532 pax/ trip = 5.32 pax/ min
pit for hydraulic system at 1.5m depth
No of LIFTS 0.1 or > = 1
mechanical room at lowest floor - normally next to lift shaft
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lift for disabled
passenger’s lift
lift for services
passenger’s lift
N
ground level plan. 148
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passengerâ&#x20AC;&#x2122;s lift
passengerâ&#x20AC;&#x2122;s lift
lift for services
passengerâ&#x20AC;&#x2122;s lift
N
first level plan. 149
2. escalator
masterâ&#x20AC;&#x2122;s thesis
escalator 01
single bank type.
single bank type escalatorâ&#x20AC;&#x2122;s role is to connect people from upper ground level to basement 01 level
incline value. = 30 degree
width. = 1000 mm
speed. = between 0.45 m/ sec to 0.7 m/sec
hand railing. = 940mm height
1.2m
basement 02
platform.
1.0m moving handrail.
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upper ground level
motor space.
1.2m
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escalator 02
criss- cross type.
criss-cross type escalatorâ&#x20AC;&#x2122;s role is to connect people from basement 01 level to upper 1st level through upper ground level
basement 02
upper ground level
1st level
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water barrier system. water barrier functions when the lake water level exceeds the below platform level at basement 01 if water level exceeds, an indidcator will send message to control room to push the button to activate the water barrier
gate concrete compartment sea bed
sectional detail of water barrier
water barrier arise when water level exceeds
water barrier
N
ground level basement 02plan plan.. 152
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special study.
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introduction.
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*
* malay.
water.
live.
+ spirit of space. the main agenda in the museum design is to regenerate the connection between water and the visitors. it is extracted from the fact that the malays used to live, work, travel, defend and find food at the sea. in order to regenerate the past spirit, several techniques are being drawn to create a spiritual spaces that could connect to the visitors.
work.
+ travel.
+ defend.
+ food. 154
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archipelagoes.
war exhibition. oceanography exhibition.
architecture exhibition.
islam exhibition.
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the special study is inspired by the spirit of malays who often explore the world through the sea. some examples of places they went to and stayed there are madagascar, hawaii and new zealand. each of the exhibitions are being articulated into platforms mimicking archipelagoes. on the ground plane, the archipelagoes function as exhibition that exhibits malay greatest civilisations. on the other hand, hanging exhibition takes place on the vertical level which consists of various large artefacts.
4x sets of archipelago
platform. platform mimic sets of archipelagoes. it is exposed to the lake at the site. the intention is to show that malay had been travelled around the world. it is also intended to portray an elemental spiritual environment to the visitors where the exhibition is surrounded by water. each platform is designed to have a on plane exhibition
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hanging exhibitions. hanging exhibition is designed to have large-scale artefacts such as ship, vernacular house, insriptions and weapons hanged in the truncated volume. all of them are tied with special designed cable. with the presence of the staircase and top- platform, the visitors could walk through the artefacts and experience the detailings
ship.
vernacular house.
inscriptions.
weapons.
for oceanography exhibition
for islam exhibition
for architecture exhibition
for war exhibition
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circulation.
war exhibition. actual batu bersurat.
islam exhibition.
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architecture exhibition.
oceanography exhibition.
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the typology of circulation in the museum is changed by providing sampan as means of circulation. with this way, people could feel the sea environment and engage past spiritual senses. there will be rowers per boat that will take the visitors to the archipelagoes of exhibition.
160
sampan as means of circulation.
visitors will travel platforms to platforms by sampan. with the presence of water, they could engage their past spiritual senses
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amount of people.
a sampan could fit 3-4 vistitors plus another one for the rower.
point of stop.
several point of stop is allocated for the onwater batu bersurat exhibition. the sampans could stop around the batu bersurat and indulge the message before moving on the next exhibition
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false- scale.
140m
end to end width at the site opening to the lake
7m
sailing dock.
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end dock.
height from dock level to base of the undulating form.
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width and height of a particular space effect the feelings of visitors. the width of the sea exhibition are set to be broad while the height of the exhibition inside the tower set to be triple volume due to followed reasons.
35m
width.
width is ensured to be broad as it could to create a feeling being at the endless open sea
height.
height is ensured to be tall and open as it could. the tower is covered with screenings at the top as mentioned below. the importance of height is to create an experience of being at the sea where one feel open to the sky
rain of light and shadow.
apart from exhibiting hanging artefacts, the tower is designed to have an effect of looking on the star. in the past, the malay navigate by reading the star during sailing. the placement of a star- patterned screening as the roof accompanied with the false scales will result in a rain of light and shadow of star pattern in the tower which increases the spirit of the space
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dalam awan, ada hujan dalam hujan, ada lautan dalam aku, ada Dia dan dalam Dia ada kita semua
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salam aman salam hormat
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.
disclaimer
In making this report, a small number of images was used for which copyright holders could not be identified. In these cases, it has been my assumption that such images belong to the public domain. If you claim ownership of any images presented in this report, and not been properly identified, please notify me and I will be happy to make formal acknowledgement in all future editions. 168
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gemala mulut naga berangi, di pun ku se ncing mana ru se dir titian tak
gitu ya kalau be
, hadapan ku berjanji
ikan rampas jad sambar ku nci, kan ku sakti terku
bukti
erti tinggi, ng berperk temanku ya
keronsang terle kat kerana peniti, hujan
pelangi pula seb abkan igauan, tidak terlintas nya wa
dipertaruhkan dika ndung badan, ses at berangan terle paslah habuan , ikan tak dapat
umpan pula hila ng
merdeka tiada batas.