EVENTS// ART & CULTURE// TECHNOLOGY // FASHION // CELEBRITIES // FILM // MAP & OFFERS Complementary
december
SEASON’S GREETINGS
DELIGHTFUL: AMSTERDAM LIGHT FESTIVAL
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in this issue:
Getting to know the artist Lina Issa
5
Amsterdam’s Unusual...
3 9
FILM REVIEWS
THE TASTE
10
15
HET CONCERTGEBOUW...
CLOUDLESS AMSTERDAM...
11
THE CITY RITES
14
16
7 WINTER EVENTS YOU SHOULDN’T MISS...
STREET OF OUR CITY
21
20 TECHNOLOGY AND SCIENCE
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the Amsterdo team Season’s Greetings Amsterdoers!
Yes, winter is upon us and the season of joy, good food and general over indulgence has arrived. If you are spending this Christmas and New Year away from your loved ones, do not worry. Amsterdam will certainly comfort you with a well deserved dose of oliebollen ( street food at its best, deep fried donuts, yum!) and seasonal goodies. From culture to nightlife to outstanding restaurants and bars that only get better in the winter, this city never loses its hype even in subzero temperatures. We Amsterdammers have already celebrated our half of Christmas, on St Nicholas’ day, but we can certainly deal with another day off to eat and rejoicing by the fire. This month we are blessed with the lovely Festival of Lights, which we urge you to check out as it is a one-off experience. And then of course, there is New year’s, one of my personal favourite dates, as the mixture of champagne, fireworks and good moods draws another year to a close. And the Amsterdo team would like to add, what a year!
INTERACT WITH THE WORLD AROUND YOU! Layar is a mobile app for discovering information about the world around you. Using Augmented Reality (AR) technology, Layar displays digital information, unsurprisingly called “layers” into your smartphone’s field of vision. We at AmsterDO like to embrace innovation, as well as support our local start-ups, we are very excited by our augmented edition, and would love to hear your views. Look out for the Layar Logo throughout the newspaper for more interactive media content. After installing Layar scan this page with the app to see a welcome message from the AmsterDo Team.
You are AmsterDO
Publisher and Chief Editor
Baz Riachi
1. Go to get.layar.com to install the app on your smart phone.
chiefeditor@amsterdo.com
2. Look for pages and content with the Layar Logo
3. Open the app and press the ‘Tap to view’ button...
AmsterDO wants YOU!
senior editor
Thisbe Casellini
seditor@amsterdo.com
senior editor
Alain Piro
senioreditor@amsterdo.com
senior editor
Thomas De Nicolai chief technology officer
grafix@amsterdo.com
info@amsterdo.com
Allesandro Sansottero
business development and sales
photographer
sales@amsterdo.com
pics@amsterdo.com
Michael Raciti
Welcome to Amsterdam’s newest community newspaper! We aim to provide a reliable source of news, opinion and insight into the depth and diversity of Amsterdam, whilst simultaneously providing visitors with a unique guide to the various levels of the city.
senioreditor@amsterdo.com
art director
Lou Buche
4. ...and discover an amazing extra layer of content.
David Cenzar
Special Thanks to :
Lina Issa, Nieuw Dakota Gallery, De Slang, UADC-BMD, our Facebook followers
a joint venture with flyerman
The team at AmsterDO come from all over the world and have a very mixed background, but one thing we all have in common is that we all love Amsterdam! We at AmsterDO don’t pretend to know it all. We don’t want this paper to voice the thoughts and opinions of a select group of people. We want this paper to be the voice of a city! We want local writers, photographers, artists, organizations and businesses to all be a part of AmsterDO. Each month we will be holding parties and competitions for everyone who wants to get involved. If you have an event, a story, some artwork, a good cause, a mission or a dream.... Please get into contact with us and we will share it with the city.
The AmsterDO Team - contribute@amsterdo.com
A Place Within Ourselves: Getting to know the artist Lina Issa ‘’I carry home in me, in my body, in my memory’’
S
omewhere out in cyberspace I met up with Lina Issa, a Lebanese performance and video artist, based in Amsterdam. Her work described as ‘ revolving around issues of place, otherness, kinesthetic embodied memory, and the performativity of (cultural) identity’ includes video and records of her performances, in the format of books, discussion groups and diaries. ‘’But is it Art’’ may come to mind, but one learns that the question is irrelevant as her work sensitively fuses notions of art, sociology, philosophy and as her own mum put it, also psychology. Her ongoing project What If, If I take your Place?, where she briefly lives out a real situation of a willing participant’s life, is now part of the Ruilen exhibition at the Mediamatic Fabriek. What was meant to be a quick interview via Skype, ended up becoming a two and a half hour long chat exploring her work, insights and past experiences. Here are some of the extracts from our conversation.
Could you describe your work as if you were explaining it to your 16 year old cousin? I make performance and video art, my work is very much inspired by the notion of displacement and migration and it is mostly experience based work, so departing from personal experience, going to shared experiences and then translating that to an experience that the viewer or audience can go through. Memory plays an important role in my work, and especially in the way it affects our idea of self and our identity. Remembering is a ‘performative’ act. Memory is a construction and so is our identity. So I am fascinated in how we perform and re perform our identity/ our subjectivity. I am often exploring the way we construct our identity and try to ‘de-construct’ it through my different projects. My work also tries to expose those mechanisms or structures... And also tries to expose the things that influence the way we construct, understand and share our identity. I perceive displacement as a very generative (although painful) experience. How much do you think your heritage affects what you produce? Do you think that in the multi-cultural world of today, also where new technology allows us to be in infinite places at the same time, it is still useful to talk about ‘roots’,
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‘national identity’ and place specific cultural influence? In terms of the advancement of technology I know that I am not my Facebook account, and neither this virtual interview we are having, neither the endless cheap flights that can drop me in city centres in Europe in no time, neither the revolution which is conducted on cyberspace. And I am not interested in confirming “roots”, and definitely not ‘’national identities” or ‘’locality’’. But we all do come from somewhere... And in my work (in me) this somewhere is the texture of my father’s hand when he caresses my forehead, the rusty fences along the sea boulevard where I grew up, the smell of the olive oil that soaked every bite I ate, the pulse of the street that took me to school day after day...This is what I call kinaesthetic memory. I carry home in me, in my body, in my memory.
between ‘knowing that he will be dying” till he actually is. My project, or the process of talking, understanding, and preparing for the ‘replacement’ opens up a space for reflection, it is like creating a ritual around a certain situation, a ritual in the sense of giving detailed attention, moving with care around the different emotions, thoughts, and relations that are part of the situation. Another example is when Wilda moved from Sweden to Thailand, and asked me to take one of her best friends for the walk they always did together when she used to live in Sweden. She asked me to tell her friend how much she cares about her and that she does not want to lose her because of the distance. We tried to prepare the situation by remembering how this walk was, and what are the special recognisable things they shared together as friends.
So lets talk about your work more specifically...How do you find people for the two replacement projects? In the project,Where We Are Not I sent someone in my place to my country Lebanon for 10 days to live with my family, visit my friends and experience the place that constitutes my idea of “home”. For this I did a casting. I placed an advertisement in different places, and met the people who reacted to the ad.Then I chose Aitana. For the project What If, If I Take Your Place?, where I take the place of someone in one situation or role in their lives, I placed an ad in the newspapers, first did it in Sweden during a residency I had there, then here in the Netherlands and now via the exhibition Ruilen | Swapping at Mediamatic. So in the second project people “choose me”, I do not choose them. I am dependent on this unstable factor called “The Other”, my work is always dependent on this unstable factor.
How do the people on the receiving end, the best friend, the father, your own family react ? Differently. They are all informed. The person tells those involved that Lina will take their place on this date and the moment they say yes, they create an opening, they start engaging. So a process of fantasy, association, questions and reflection is activated, meaning that I step into a very active space full of anticipation, curiosity and willingness. My father dived totally in, he was emotional, he added things to the schedule, he asked me questions via Aitana about the past... But he fully recognised what he wanted from this project and that was celebrating what we share despite of the distance, recognizing who we are and what we have. Addressing the pain of missing each other, and loving each other... My mother kept moving back and forth, stepping in, but then stepping out and repeating “She is welcome, we treat her as a friend, as a guest, as a daughter, but she can never take your place”
Lina Issa and Aitana Cordero
Diary used to record one of Lina Issa’s projects
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Was Aitana ‘ The Other’? Why did you choose her? “The Other” is never only “The Other”, so she was “The Other” because she could travel to my country and I couldn’t (Lina has faced difficulties with mobility due to complications with getting a Residency Permit for the Netherlands). She, having a Spanish passport is not subject to the politics of exclusion that allow some people to move freely and others not. She is ‘’The Other’’ because she is a dancer and choreographer, because she is a daughter of a divorced couple, because she speaks another language, because she does not eat meat, because she has a girlfriend, because she does not call someone a friend very fast, because she has long straight hair. But when I met her, we talked and I had a very intuitive feeling that this person can enter my intimate and fragile emotional and mental space. I felt I could see her eyes wandering around in my personal space and that of my loved ones. I felt curiosity and trust. She also had the courage and the skills of listening, of being there, of being interested and sensitive, brave and careful all at the same time. In your project What If, If I Take your Place? you are the one taking on someone else’s life. How do you go about taking someone’s place in their life on a practical and emotional level? I have not yet been in a situation where I had to take someone’s place in all the roles in their life. I am always asked to step into a specific situation and when this situation is clearly defined, we discuss all the different aspects and try to prepare. But I am never prepared enough. For example, now I am working on one replacement where a daughter who will be losing her father soon to cancer asked me to take her place visiting her parents, and doing and saying things in her place. She asks me if I can take her place in understanding and filling the time
Would you ever be willing to have your project filmed by a camera crew, or do you reckon it could run the risk of becoming a spectacle ? (Previous to the interview I sent Lina an extract from the American TV Series Wife Swap, where two presumptuously distinct families swap their matriarchs for a short period) I had offers for a documentary, someone following with the camera but I did not yet find the right form, the right tone, the right way or person to introduce the camera into this intimate place. It does not yet seem to me that it would add anything besides increasing the number of audience but that is not my aim. Aitana was asked not to make pictures, and I allow myself to take some pictures of my ‘traces in the life of an other’. But no people, and no attempt at ‘re-presentation’ as this project is not about representation, not visual at least. It is most important that this project stays distinctively different from the TV Series Wife Swap which is very sensational and spectacular. This work is not about spectacle. It is an example people always refer to because they know it. The concept of the TV Series is very interesting but it could be filmed with a totally different attitude and a totally different morality, which is not about ‘losers’ and ‘winners’, something TV always tries to make of people. I do believe filming or documenting can work and produce an interesting experience for the viewer, but it has to be with another intention and tone and it does not have to be literally filming the situation, there is a lot more around it where intimacy and fragility can be respected. Performance art, for its live quality and the fact that it is an experience rather than a commodity has always defied the art market. How does a performance artist make a living from art? It is difficult but it has been good so far. It is always in combination with other jobs: teaching, giving workshops, exhibition fees, not so much state funding in my case. Sometimes even cooking! I am busy now creating my own ‘Culinary Studio/ Cafe’, for more stability combined with creativity. It will be a place where stories are served and written about food, taste etc... Lina Issa will be at the Ruilen Exhibition at the Mediamatic Fabriek for two days a week until the 23rd December to talk about her project and meet potential participants. For the exact dates and times check the Mediamatic.net website or Facebook for the weekly dates. If you are interested in having Lina take your place or simply curious to check out the diaries from her previous replacements, drop by Mediamatic Fabriek, VOC–kade 10, 1018 LG or email her on what.if.amsterdam@ gmail.com.
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Amsterdam’s Unusual Art Galleries
top 5
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DE SLANG (Spuistraat 199)
W
e have all heard that Amsterdam has the most museums per square meter than any other European capitals. But have you seen enough Van Goghs and Rembrandts? Now it is time you check out these independent galleries that strive to do things a little bit differently. Here is a list of the best independent art galleries in Amsterdam.
MEDIAMATIC FABRIEK (Van Gendthallen, Voc-kade 10-12) With an interest in the relationship between art, culture and technology the space at Mediamatic (now also a virtual space with a growing social network) is in essence a cultural institution deeply involved in exploring society from new and unexpected angles. Participation and interaction is at the core of their work so expect to be involved in the projects during your visit. Recent exhibits included Gamification, an exploration of a world where art meets gaming meets life. The Ruilen Exchange Series, running weekly until 6th January has seen visitors defying our monetary ways and swapping Stampot recipes, Seeds and even dreams. With workshops, courses, exhibitions and more one visit might not be enough. Opening hours: Wednesday to Sunday 12:00 pm to 6:00 pm, Check the website for specific events www.mediamatic.net
GALLERY ROB KOUDIJS (Elandsgracht 12) Don’t be fooled by the description ‘Room for new jewellery’. This small gallery in the Jordaan specializes in cutting edge, contemporary jewellery, revealing its expressive potential, an aspect of the craft which is usually overlooked. Not many visitors will be stopping by here to shop for their partner’s engagement ring, but once you are inside jewellery takes a whole new meaning and function. Whether you see it as art, adornment or neither, it is worth a peak to question your preconceptions of the boundaries separating art and craft. Opening Times: Wednesday to Friday 12:00 pm-6:00 pm, Saturday 12:00 pm to 5: 00 pm www.galerierobkoudijs.nl
Creative Space at De Slang Located on the ground-floor in a building of squatted apartments, this art gallery serves as a platform for anyone who wishes to put on a cultural event, be them artists, film lovers, bands or curators. Opened last year in a spacious brick adorned
KULTER Sanderijnstraat 21 Is it just me or does long gallery visits usually result in rumbling stomachs? Combining the best things in life, food, art, music, play, performance and words, be ready to immerse your senses in one of the events at the small but unique Kulter Gallery. Every Thursday enjoy a ‘film&food’night. Forget the latest Hollywood blockbuster accompanied by a popcorn and fizzy drink combo. The current series, the Cafetera Film Project running until mid December is a collaboration between weekly guests, who use the first 10 seconds of the previous shown film to create their own short. Whilst a Chef cooks up a delicious meal for the audience. Check their calendar for more delicious adventures, contemporary art and workshops for children, all in an intimate and informal environment. Opening Times during the exhibitions: Wednesday 1:00 pm to 4:00 pm, Thursday 1:00 pm to 8:00 pm, Friday 1:00 pm to 6:00 pm, Saturday 2:00 pm to 5:00 pm Opening Times: outside the exhibitions: Thursday 10:00 am to 2:00 pm http://www.kulter.nl
room designated to serve as a garage or storage space, the local community is thankful that a string of creative projects have put it to good use. The organisers stress their attitude towards a more egalitarian approach to art, which has resulted in a full program with free weekly exhibitions, film nights, cultural projects, theatre and even debates. Opening times: vary, please check the website for the full program
NIEUW DAKOTA (Ms. of Riemsdijkweg 41)
Aldo van den Broek in his Studio, on show at Nieuw Dakota 29 nov – 3 dec. (image Klerkx Art Agency) No one should miss out on visiting the NDSM Wharf in the north of the city. A free ferry ride away a unexpected Amsterdam awaits, a welcome surprise to those who crave a bit of rawness and incredible views ove r the IJ. The new heart of the creative force in the city is the appropriate location for this two year old contemporary art gallery, housed in a glass fronted warehouse. The ample space shows work by local and international artists and has even been featured in an article by the Wall Street Journal. The unusual quality really lies behind the scenes, as the gallery describes itself as a platform for collaborations and cooperation amongst collectors, artists and curators from all over the world. Opening Times: Thursday & Friday 11:00 am to 7:00 pm, Saturday & Sunday 11:00am to 5:00 pm www.nieuwdakota.com
6 this dam life DELIGHTFUL: AMSTERDAM LIGHT FESTIVAL
Who hasn’t been captivated by the simple visual pleasures of watching a moonlit sky? Or found a haven in a room lit exclusively by candlelight? Or has joyfully gasped along at a fireworks display, as each new explosion of light and colour held their gaze? Light seems to have a strong effect on us, it entertains our eyes and with it our emotions.
F
rom the 7th December until the 20th of January Amsterdam will be hosting the Light Festival for the first time. As if the city’s pretty canals, charming architecture and rich history wasn’t enough, a walk around town between those dates will exceed your usual Amsterdam experience. The festival celebrates light as a means of bringing people together, creating art and adding that extra ‘wow factor’ to a winter night stroll. So expect to be enchanted by numerous illuminated bridges and locks, lit up boats at the Christmas Canal Parade and artists exploring light as a theme and medium. Amsterdam seems to be the perfect spot to enjoy this 40 day extravaganza. The Dutch do not give into winter hibernation so easily, in fact the cold is an inevitable truth braved day in and day out mounted on a bicycle wrapped up in a wooly scarf. Or on a cafe’s terrace enjoying a hot chocolate under a blanket provided by the establishment. The organisers certainly did not mischedule this outdoors event, but more to the point, probably considered that summer already has too much under its belt in terms of open-air entertainment. Furthermore, another reason the Light Festival will benefit from its location is of course the city’s many canals, which will serve as a playground for the lights reflected upon them. So wrap up warm and join the locals in this winter wonderland. The festival’s main programme consists of four features, but check the website for extra activities www.amsterdamlightfestival.com The backdrop of the festival, The Boulevard of Light will transform the historical Amstel River as iconic buildings, bridges and locks are bathed in light and colour. The displays between Muntplein and the
ASK AMY Hey Amy, I noticed your absence in the last edition, so I’ve been wondering, where the heck have you been? Dear Amsterdoers!!! It’s been 2 Loooong Months since i agonised last and i have soooo much to tell! The last time i wrote I was homeless... Not anymore! I now have a genuine registered lease signed for one year place,in North near a very lovely windmill. Yes... It’s true, and it has no less than 3 floors and a bathtub with garage. Space like you have never seen in Amsterdam before. BUT it is in the North, and waaay at the back, a ferry ride and a 15 min bike ride away, so it is further than I have ever lived before. But you get space and sanity away from touristy Amsterdam, although i have to say, I am still adjusting to the quiet here, I am a city girl through and through. Highlights obviously being the bathtub and being able to park my bike in my own garage. So along with this house,which by the way took a lot of effort and stress dealing with agencies,looking for an extra room mate as our third one pulled out last minute, we almost lost the place twice. So a 1500 money transaction and 4 weeks later we were in. Ive been dealing with a lot of Dutch bureaucracy in the last month, first the house, then came the taxes. The tax man caught up with me after my 2010 stint of owning my own tour company, and then not sorting out all my taxes. I currently have an accountant named Edwin working on that for me and we are hoping for a happy ending. It has been a hell of a time trying to account for everything from two years ago, and it has been taxing, to say the least. Amstel Hotel are better left undisclosed, as a slow walk down this magical route will probably not be done justice with only words. The link between art and light is one that goes back to the roots of painting itself, even before the impressionists out-rightly devoted their skills to the nature of light and its role in shaping our visual world. Illuminade celebrates this relationship with a showcase of light art sculptures and concepts, by established and up and coming artists. Dotted all around the city, Illuminade will be an exhibition like no other. The Socialight (hence the name) is a social programme aimed at actively
Luckily my hotel job in Haarlemmerstraat keeps me in the loop, still full of crazy tourists and locals alike as well as my Amsterdam tour guiding room mates and friends. The insanity of it all keeps me sane from all the other boring bureaucratic stress. And Haarlemmerstraat is the best street in Amsterdam to see the mix of the weird and wonderful of both local and not local as I have said time and time again. And we got some new neighbours this month! Across the road Vinnie’s Cafe opened up where they offer all organic fresh produce, served up by some pretty fresh looking Dutch dudes, i might add. That did not go unnoticed by me of course. Go in for some carrot cake made by Vinnie the man himself, you will not regret it. I am forever in search of the perfect coffee and cake and i have to say it came to me... Right across the road! I also managed to lose my British passport during the weeks of moving here, brand new 200 euro worth. Amazingly, It was found right next to the cemetery near my new place here in the North, handed in to the police station by a friendly ghost whose name I still don’t know but I thank him very much :). A visit from Oz from my best friend is coming up, she has never been here to see me before so I will be using my best tour guiding skills to entertain her. And let’s face it, after the last 2 months of boring bureaucracy I’ve had, i need some Amsterfun!!!!!!! And now i’ve got my passport back, I’m sorting my taxes and my life out, I’m thinking ‘What next Amy???’. That’s when it came to me: a HOLIDAY! I’m thinking Marrakech looks like a good deal. And I, like you, am already thinking, winter is here and i am going to need an escape very very soon. The christmas lights are long up, Sinterklaas has already arrived and we still have christmas and New Year on the way. I feel a lot of action in the making, Amsterdam is still busy even after peak season is over! So until then guys, I Wish you a safe and Dam fine Christmas with friends or loved ones or both.And don’t forget: you can Ask Amy any time!! Happy Christmas and Sinter klaas! xxx Do you have a question for Amy? Join our facebook page and post your question to our monthly columnist (Remember ANYTHING GOES!) or email her on askamy@amsterdo.com involving the local community in the events. Included is the Children’s Lampshades Forest at Waterlooplein, a collection of lampshades painted by 500 children especially for the festival. On the 22nd December join the exciting ( and as I anticipate also hilarious) Light my Ride, a 15km riding tour where you will not only be required to have your front and back lights on but a whole lot more. Get competitive and aim for the brightest, most overdone if not bearing on vulgar decoration for your set of wheels. The Light Festival has also paired up with the Christmas Canal Parade to offer families and Christmas enthusiasts the ultimate seasonal experience. If you get excited by coniferous trees adorned with cheap fairylights you will be amazed by what expects you at the Canal Parade on the 15th December. Sailing, pageantry and touring boats will serve as floating stages for choirs, theatre and of course, light displays. Whoever said Christmas could not get any more indulgent...
LGBT
LGBT in Amsterdam
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V
isitors and residents of the LGBT community in Amsterdam soon realize that Amsterdam can be one of the best places in Europe to be in. You would have a hard time finding as many gay-friendly activities and attractions as you would in the center of the city of Amsterdam. That is why the city has become one of the most popular destinations for gay groups and visitors. For a few centuries already, the residents of the city have held a very tolerant attitude towards all different lifestyles. One of the things that you will hear the most often said in Amsterdam is “live and let live.” There are so many things which make Amsterdam one of the best places for the LGBT community. The city hosted the first LGBT nuptials in the world and it constructed the first monument to celebrate gay sacrifices. It is also the only city in the world to host a Gay Pride Event with a parade of boats. History Amsterdam could be called the birthplace of gay rights. Homosexuality has not been a crime here since 1811 with the city’s first gay bar being established in 1927. COC, one of the first organizations which focuses on gay rights in the world, was established back in 1946. The city of Amsterdam also recognized the members of the community who fought and died during World War 2. In 1987, this recognition came in the shape of the Homomonument. Amsterdam also holds the distinction of being the first city in the world outside of North America to ever
The Homomonument in Westermarkt host the famous Gay Games and that was back in 1998. Last but not least, the Netherlands was the first country on the planet to make same sex marriage legal in 2001. The first ever legal LGBT nuptials were held in Amsterdam by the mayor. The Pride Tradition Never Stops The city of Amsterdam has been and still is one of the top destinations for LGBT travel. Amsterdam Gay Pride is held every year during the months of July and early August and it is one of the most famous Gay Pride Celebrations in the world. The Canal Parade brings a total of half a million visitors every year and that puts it on top as the biggest event hosted in Amsterdam. Amsterdam Gay Pride was named the best Gay Pride event in Europe in 2008. The event also won the title of the Welcome Award which makes it the most hospitable event in the city. Amsterdam Gay Pride was also nominated for the best LGBT event anywhere. Where To Party, Eat, Shop And Stay The LGBT community visitors do not need to look for the familiar rainbow flags in order to find the right bar, restaurant or hotel as the city is very open-minded and welcomes visitors from all walks of life. The friendliness towards the LGBT community can be expected everywhere in the city as businesses cater to everyone. Amsterdam Information If you are looking for an official place to get information for the LGBT community, just look for Pink Point which is located by the Homomonument. Pink Point provides all type of information, both on the LGBT scene in Amsterdam and the historical Homomonument. Pink Police Network, Amsterdam (Politienetwerk Roze In Blauw Amsterdam) Pink in Blue Police Network Amsterdam (Roze In Blauw) is one of the several anti-discrimination groups working from within the Amsterdam Police Department, for LGBT community. It is entirely funded by the Police Department. Pink in Blue co-operates with the National Homonetwork Police (Dutch: Landelijk Homonetwerk Politie), COC Amsterdam (an interest group for LGBTs), Foundation ProGay and Anti-discrimination Agency Amsterdam (Dutch: Meldpunt Discriminatie Regio Amsterdam), among others. The network’s members carry out all their regular duties as well as duties from the network.
A giant rainbow flag hanging at the Westertoren in Amsterdam during Amsterdam Gay Pride 2012
Have you been harassed, discriminated against or abused because you are homosexual, lesbian, bisexual or transgender? Always notify the police! Pink in Blue respects your privacy and you can count on sympathetic treatment. The force consists of well-trained policemen and policewomen, who have an affinity with this subject. In Emergency, please call: 112 If you feel more comfortable reporting directly to Pink in Blue, call: (020) 559 5385 E-mail: rozeinblauw@amsterdam.politie.nl Twitter: @rozeinblauw http://www.facebook.com/rozeinblauw.ams
8 INSIGHT NDSM Wharf: Notes on an Expat’s first encounter Y
ou can still imagine the gigantic ships approaching the slope underneath the even grander crane. The engineers in their suits and the work force scruffy and strong. The NDSM Wharf in Amsterdam Noord still carries the traits from back when it served as a shipyard. The brick warehouses, the long wide slopes, the spacious roadways and of course, the monumental crane. The wharf which manufactured bulk carriers, cargo and warships until 1937, finally closed in 1984
due to the decline of the industry. Today the area once again boasts with the power of creation, this time moving away from matters of transport and trade and becoming an important player in Amsterdam’s creative industry. This, I was about to find out when I took my first trip to the not-so-derelict NDSM Wharf. As I exit Centraal Station on the free ferry the change of setting is noticeable. Floating on the expansive IJ lake one you can finally breathe again after a long day battling in the small streets back in the heart of Amsterdam. The views aboard take you far far away from the 17th century mansions of the Prinsengracht. Rimming the IJ is an aesthetically unpleasant collection of insanely designed post-modern buildings, featuring dizzying diagonal lines and unrecognisable materials. Something of a comical take on architecture. As the ferry approaches the always surprisingly large crane the half sunken Soviet submarine welcomes us to the darker side of Amsterdam. The look is derelict but somehow sturdy, a piece of history yet an image of a futuristic dystopia. Look to your left however and the IJ Canteen is the first clue to your actual whereabouts. The restaurant features a humongous selection of spirits displayed against one of its all glass walls. A beautiful sight to be enjoyed on days when the sunshine lights up the different coloured
bottles. After half a dozen of oysters it is time to explore the decrepit scenery that lies beyond. Walk a little further and a recognisable 3 letters pop up adorning a warehouse. M-T-V. A fully working office building , not a post-apocalyptic MTV headquarters. There is certainly a ‘berlinesque’ air about the place, graffiti, decaying warehouses, rubble. And young, good looking people. Some zooming past on their skateboards heading to the skatepark housed in a warehouse a couple of buildings past MTV. Holding no skateboards or skills I took a quick peak inside. Expecting a couple of makeshift ramps I was faced with a polished wooden surprise, an ultra professional set of ramps, pipes and handrails, miles away from the usual inner city concrete skatepark. And a shop selling all the latest gear. Back on my walk I contour a lifesize tree made out of rusty metal, a piece of art which seems to have grown naturally from the seeds spread from the surrounding ageing materials. Fair enough that the Lonely planet calls it ‘recycled-junk streetart’, but it fits so perfectly with the scenery that its description deserves some poetry. I also spot an old abandoned tram, perfectly placed for a photograph with the big crane as the backdrop, and an enormous Tiki head looking into the distance. My next stop was the ‘arts city’. Which was to be a revelation of course. The derelict hangar turned out to be a congregation of studios subsidised by media and visual arts start-ups, where 250 artists put the massive space to good use. The studios have been set up in rows of piled up containers divided by walkways resembling again some sort of sci-fi film set. I wonder how many of them have had their work shown in the local art galleries, VOUS ETES ICI or the Nieuw Dakota. The latter which describes itself not as a gallery but as ‘a network platform, a continuous process, in which collaborations can be made visible in the form of presentations / exhibitions’. To finish my expedition I sat with with a glass of biertje (beer in dutch, still grasping the pronunciation) and a massive bowl of nachos in the lovely Noorderlicht Cafe, a greenhouse of tranquillity and stupendous views over the IJ. And yet more poetic ‘recycled-junk street-art’.
eten drinken
Handboogstraat 17-19, Sun-Wed: 11am-2am, Thu-Sat: 11am-3am, 020-2050940, info@boogetenendrinken.nl
Restaurant PANNEKOEKEN
THE TASTE 9
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ocated in the historic Jordaan District, just a block or two down from Westerkerk and the Anne Frank House, the entrance to The Pancake Bakery sits tucked away in a basement-like alcove. You might miss it if you don’t know what you’re looking for or can’t smell the intoxicating aroma of frying pancake batter and bacon. Watch your head as you duck into the cozy dining area. You can watch the chefs hard at work behind the red brick kitchen. Once you enter this place, you instantly know: there are not just pancakes here, there’s history too. Co-owner and manager, Bastiaan Schaafsma, might have pancake batter running through his veins. Back in 1980, his parents, a kindergarten teacher and history teacher respectively lived on one of the floors above the restaurant and bought the establishment from a local entrepreneur, who had started the business in 1973. Bastiaan’s parents quickly turned The Pancake Bakery into a flourishing family business and since then, not much has changed. The interior is nearly the same as it was 32 years ago. Bastiaan told us the tables and chairs were the same ones used since he was a toddler. The decorative schoolbook printing plates that don the walls come from Bastiaan’s grandfather who was a schoolbook salesman in the 50s and 60s. There used to be sand on the floor, but that bit of nostalgia is no longer allowed due to health codes. The Pancake Bakery is the quintessential family business. In 2001, when his father retired from the world of pancakes, he passed the wooden spoon onto his son, who runs it with the same love and attention as his parents. “Twelve years ago and I’m still here.” His father remains a co-owner, but he lets Bastiaan do his own thing. “I love the restaurant. You don’t want to know how busy it can be here!” The Pancake Bakery has since become a sort of Amsterdam icon among pancake restaurants, capturing the charm of a brown bar (did we mention you can buy a beer to accompany your pancake?) with the deliciousness of home cooking. Bastiaan’s family members are true pancake enthusiasts, so at The Pancake Bakery, you can guess what it’s all about. In the mid 90s, Bastiaan’s uncle, a professor of food research, helped perfect a better batter. Up until the early 90s, they made the batter by hand, but with the new and improved recipe, the chefs now only need to add water, so the quality is very consistent and perfect every time. The 1990s also brought changes to the menu. Traditional Dutch pancakes contain bacon and apples or ham, cheese, and mushroom. In an effort to diversify the menu, Bastiaan’s father made up the different kinds of combinations both savory and sweet. One of the things that make a Dutch pancake so remarkable is that the same batter can be used for many different flavor combinations.
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HET CONCERTGEBOUW BRINGS THE MUSICAL EXPERIENCE RIGHT INTO YOUR HOME
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et Concertgebouw (which literally translates to “concert building”) is one of the most acoustically perfect musical venues in the world. Built in 1888 by Dutch architect Adolf Leonard van Gendt, Het Concertgebouw will celebrate its 125th jubilee in the upcoming year. The concert hall is located just off of Museumplein, a twentyminute tram ride from Amsterdam Centraal Station. The “Great Hall” seats over 2000 spectators and the more cozy “Small Hall” seats just under 500, making it the perfect venue for enjoying a little of the old chamber music. Whether you’re into jazz, modern, or classical, you’ll find just about anything to suit your musical fancy. Or if you just want a quick taste, Het Concertgebouw’s hour-long “Tracks” series features live classical music performances where the artists share what inspires them through words, visuals, and, of course, music. To celebrate its 125th birthday, Het Concertgebouw will throw special monthly concerts highlighting the musical history that has unfolded over the past century. The upcoming year promises to hold special performances by such musical talents as Angela Gheorghiu, Valery Gergiev, Bernard Haitink, Mariss Jansons, Leonidas Kavakos, Menahem Pressler, Christianne Stotijn, and Eva-Maria Westbroek. In addition, the resident symphony, the Royal Concertgebouw Orchestra, holds regular recitals and performances. The Saturday Matinee series begins after 14:00 and features up-and-coming, world-class musicians such as Janine Jansen, Barbara Hannigan, Arthur and Lucas Jussen, Tabea Zimmermann, and Jaap van Zweden. Sunday Mornings are made complete with a guided tour for €10 extra beginning at 12:15. Your Sunday Morning concert ticket also gains you free entrance to the Rijksmuseum, the Stedelijk, and the Van Gogh Museum. In addition, show your Sunday morning concert ticket on GVB public transit and ride free. There’s even something for the kids. In Het Concertgebouw’s Choir Hall, the “Secrets for Your Ears” weekend series takes children 4 to 12 years old on an interactive journey into the world of music, instruments, and musical genius. At Het Concertgebouw, there actually is such a thing as a free
lunch – at least if you intend to “consume” music. The free Lunch Concert series is held weekly in either the Recital Hall or Main Hall, featuring every genre of music from open recitals to short performances. It’s a great way to test the waters of classical and/or unfamiliar music without investing a lot of time and money. The concert only lasts about half an hour and due to its popularity it tends to fill up, so get there early if you hope to find a seat!
Finally, if you’re a diehard music lover but can’t find the time to get out of the house, fear not! Het Concertgebouw makes it easier than ever to enjoy classical music, jazz music, master pianists, and special concerts right from the comfort of your home computer. In an effort to make music accessible to the widest possible audience, starting in 2013, Het Concertgebouw will stream live concerts on their website. Check the schedule for details. Happy listening!
Sinterklaas and Black Pete: Tradition and Controversy
The Tradition The most popular holiday in the west is upon us. That friendly old man in the red hat is currently getting ready to come down our chimneys with presents for the whole family on the 25th December. But if you are in the Netherlands the friendly old guy is already in town, and his name is Sinterklaas. The yearly tradition sees Sinterklaas, sporting a set of Catholic robes and a bishop’s hat, arrive in town from Spain on a Sunday in mid-November aboard a steam boat, accompanied by a troop of helpers. He then proceeds to parade around the city atop of his white horse, whilst his helpers, Black Pete’s distribute sweets and pepernoten (sugar and spice cookies) to the crowds of children. Sinterklaas, which is in part the prototype of the well known Santa Claus, is helped by the Black Pete’s to hand out presents on the 5th December, on the eve of St Nicholas Day. Unlike elsewhere part of the tradition is to wrap the presents in a creative way, for example a small present inside layers upon layers of wrapping paper and this is accompanied by a poem, usually aimed at poking fun at the receiver. The roots of the celebrations in its modern format dates back to the 19th century but St Nicholas, the Christian Saint, the original figure of Sinterklaas was a bishop living around the 6th Century in present day Turkey. Although there are different theories for the origin of the Saint he became known as the patron of sailors and children, due to his good deeds as a man who came from a rich background and invested his fortune on looking after the needy. The uniqueness and importance given to these celebrations seem to work as a symbol of ‘Dutchness’, as opposed to what some have criticised to be a highly commercial American style celebration that takes place on the 25th December. Nowadays some Dutch children are indeed blessed with two rounds of presents, which is not exactly a non-materialist take on the cel-
Sinterklaas and Black Pete/ Zwarte Piet. Image credited to Jan Arkesteijn
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The yearly arrival of Sinterklaas in November is the season’s highlight ebrations, however St Nicholas’ eve and Sinterklaas’ arrival in November are the real month’s highlight. Immersed in tradition, myth and religion it certainly rekindles a type of communal sense outside present buying, giving and receiving. The Controversy However there is a small debate that lingers on and that especially affects those who come from outside the Netherlands: Sinterklaas’ helper, Black Pete. If you are an expat or a person of African descent you might feel slightly puzzled if not insulted by the figure of Black Pete. Always played by a white person with a blackened face, bright red lips and a curly wig it is reminiscent of black-face figures which are now obsolete in western culture due to their negative racial connotations such as Minstrels and Golliwogs. Talking in a broken Dutch accent, the Sinterklaas helper has evolved from a scary figure who would abduct badly behaved children and take them to Spain into a mischievous clown figure. If Black Pete is indeed a racial stereotype, either representations are bound to offend those who make up a big part of Dutch history and society, first and second generations from former Dutch colonies in the Caribbean and South America. A paper by the Ferry State University for the Jim Crow Museum of Racist Memorabilia points to the duality inherent in the relationship between Sinterklaas and Black Pete, respectively represented as a white saint and a black servant, a civilised, wise master and a wild, childish, irrational subordinate. With this in mind a section of Dutch society have been protesting since the 1970s against what they see as an outdated relic from a colonial past unfit for a multi cultural society.Efforts were made to give the figure blue, red or green faces, which proved to be unsuccessful. An activist group, ‘Piet Vrij/ Black Pete is Racism’ was faced with the arrest of one of their member’s in last year’s celebrations when they attended the arrival of Sinterklaas in stencilled ‘Black Pete is Racism’ T-shirts. The anti- Black Pete feeling seems to be growing in recent years, as Euro News reported that the number of complaints to the Anti-discrimination Bureau has soared from 1 or 2 to more than a hundred. The counter argument protecting the custom is backed up by the aims to keep a tradition alive which brings joy to countless children today as it did to their parents and grandparents before that. In attacking it, it is the critics of the holiday who make it racist, by being over-sensitive about a mythical character whose black skin is really just the result of him going down the chimney on the eve of St Nicholas’ day. Black Pete’s evolution into a clown character has also meant that he is now a beloved figure rather than a menacing one, being his name that children excitingly chant as Sinterklaas’s Steam boat approaches the harbour.
Keeping the tradition alive. Image from Collectie Tropenmuseum And the online yearly debate rages on... We asked our readers: How do YOU feel about Sinterklaas’ companion Zwarte Piet/ Black Pete? Allison Kim-Czerniak 3 words... Dutch Racist Tradition Stijn van den Ende I love him because he gives pepernoten! Emma Vans-Colina Yeah time to give up bad habits Thu Ha Bui “ enslave “ is not a habit, not a tradition as either. Kimbell Blauw Enslaving has got nothing to do with it, these guys are black because they supposedly climb down your chimney to give you presents. Thinking it has to do with racism just shows how small-minded people are and just jump to the worst conclusion they could think of Shaun Lavelle He’s not black because of coal or chimneys. According to tradition, he was a slave freed by Sinterklaas. Originally he was clumsy and stupid in line with views of people from the colonies. It’s time to let the tradition die, or at least adapt it. It’s embarrassing for Holland. A TV station experimented with making rainbow-colored Petes a few years ago, which seems a much better option. David Dwars Why can’t Sinterklaas have a black friend?
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1 4 14Streets of our city Dapperstraat
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his month we will be reaching a little further out of the inner rings of Amsterdam and visiting the Dapperstraat, the home of the infamous Dappermarkt in the East of the city. The eastern neighborhood of Amsterdam was built relatively recently, approximately around 1870. However its history can be traced to a period when, whilst the heart of amsterdam boomed with the fruits of trade and colonisation, the east was just a stopover for those heading from the countryside to the city. Next to the Dapperstraat at the end of the Commelinstraat you found the Roomtuintjes (Creamgardens). There farmers
streets attracted small scale businessmen. These entrepreneurs, who hung around the streets selling merchandise of all kinds, sometimes as late as 11 pm became a nuisance to the neighborhood. That was when the city council decided to install what is today considered the best market in Amsterdam, the Dappermarkt. A forgotten fact about the area is its historical relevance during the atrocities of WW2, when most of the Jewish community deported from Amsterdam would have been made to do so through the muiderpoort railway station, at the end of Dappermarkt. The street seems to have been named after the last name of a doctor, Dapper, however with the lack of documents proving his status as such, many think he was really just a charlatan. Not bad for a charlatan then, huh? Dapperstraat today has a rich, diverse character hardly found inside the inner rings of Amsterdam. The East, the home of the city’s multicultural and immigrant community really comes alive when experienced from the Dappermarkt. For 8 hours a day, 6 days a week one
can mix with the locals, buy cheap fruit and veg and choose between a herring roll or a surinamese snack.
One of the many modern buildings in Dapperstraat, decorated with a poem by the Dutch poet J.C. Bloem. Image by Erik Joling By UADC-BMD, Belangenvereniging Marktondernemers Dappermarkt. Edited by the Amsterdo
THE DAPPERSTRAAT Nature is for the blank or satisfied. And then: what can we boast of naturewise? A stretch of woodland, postage stamp in size, A hill with some small houses on the side. Give me the town roads with their greyish cast, The harbour quays of interlocking stone The clouds whose beauty cannot be outdone When, skylight-framed, they all go drifting past. Everything’s much if much is not expected. Life hides its miracles till, without warning, They’re suddenly displayed in all their art. This on my own I thought I had detected, Rain-sodden, on a drab and drizzly morning, Just downright happy, in the Dapperstraat. Muiderpoort in a rendition from the 18th century by Hendrik Keun. Source: Amsterdam Municipal Department for the Preservation and Restoration of Historic Buildings and Sites (bMA) heading for Amsterdam who could not enter the city during night time would spend the night at a tavern. Poor farmers could only pay for the night with the milk provided by the cows they brought with them. This resulted in the owner of the tavern using this milk to produce cream products, something the region became famous for. Just up the road from the Dapperstraat, Muiderpoort, a classical gate built in the 18th century, was the location of Napoleon’s entrance into the city in 1811. Napoleon’s influence in the architecture around the area is easy to recognise in the large imposing buildings used for military purposes across the Mauritskade. Throughout the 18th century, the city centre was becoming overcrowded with working class people, who lived in growing poverty. To solve this issue the city council needed fast and cheap buildings in which to accommodate these families. Whether it was lack of money or care due to the status of the future residents, the further you moved from the centre, these new buildings showed increasingly poorer structural quality. Next to the harbour (in those days the harbour was next to the Scheepvaartmuseum/ Shipyard Museum) buildings were built so cost effectively that one building even collapsed during its construction, due to high levels of sand in the concrete mixture. In those days, all buildings carried a 4 layer structure, as building any higher could result in the structure sinking into the clay bottom underneath the ground. The closest to the Troppenmuseum, which was inaugurated in the 1920’s, the better quality and more expensive the buildings were, and this can be seen when one looks away from the museum into Dapperstraat where most buildings have been demolished and rebuilt in the 1980’s. In the beginning of the 20th Century, Dapperstraat was the heart of a working class area, where the hustle and bustle of its
- J.C. Bloem Translated by John Irons
The Dappermarkt. Image by Erik Joling
FILM REVIEWS
LOOPER
STAGE AND SCREEN 15 CLOUD ATLAS
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Hi There AmsterDo’ers!! This is the December edition of recent movies to check out in Amsterdam. Enjoy!
BREAKING DAWN 2
The final instalment of the twilight series, this movie brings an end to the story of Bella (Kirsten Stewart) and Edward (Robert Pattinson) and their very particular type of love. In the previous movies, you could only (or mostly) enjoy such a story if you read the books religiously, thought one of the main male characters was very attractive or if you are a 15 year old girl (I confess I have a little bit of all of the above). This last movie, however, turns away from the book ending – at least for a moment – which I assume is to allow non-fans and curious viewers to see what you expect to see in a film filled with special beings with super powers: an entertaining battle with real casualties and a great action sequence. Do not get too excited though, it is after all twilight; the creators had eventually to follow the book, appeasing the wrath of teenagers to follow if they a more realistic ending had been created. The movie does a well enough job bringing this series to an end. However if you are not a fan, expect less of a Bram Stoker’s Dracula and more of a Vampire Hanna Montana.
This is an exciting and interesting Sci-fi film starring Bruce Willis and Joseph Gordon-Levitt as old and young Joe, a triggerman working for the future crime organization in 2044 America. The triggerman takes care of criminals from 2074 sent to the present – 2024 – to be killed and disappeared leaving no trace that could be track back to the organization. The triggermen are called Loopers and once they are old enough they are sent back to their younger selves to be killed, “closing the loop” and being allowed to retired for the remaining of their lives. Once the old Joe is sent to be killed, the young one isn’t able to complete the job creating a strong chain of events. This film succeeds in explaining all impossibilities and closing any loop hole such a difficult plot might have. The story suddenly broadens introducing Sara (Emily Blunt) and her Son Cid (Pierce Gagnon) allowing for an explanation to everything that happens throughout the movie and gives a perfect ending that is simple removing any paradoxes and leaving you with a sense of mission accomplished. Joseph Gordon-Levitt it’s pretty entertaining as a young Bruce Willis wearing skinny jeans and spending most of its time high as a kite while Bruce Willis does a nice job as a desperate man trying to change his future. Sci-Fi, action and a pretty weird Diner scene are just part of this great film with intense narrative an actual intelligent story.
TAKEN 2
SINISTER
Did you enjoy Taken? It was a good film, right? Well as we all know, Hollywood will try to squeeze as much cash as they can from any movie and to turn it into a franchise is, these days, the best way. In this movie, Brian Mills (Liam Neeson) is with his daughter Kim (Maggie Grace) and ex-wife Lenore (Famke Janssen) in Istanbul on a holiday after Mills finishes a job. The trail of dead bodies left in the first film causes the family of these dead men to vow revenge on Mills and decide to kidnap the entire family while they are still in Turkey. The bad guys’ leader (the usual bad guy Rade Serbedzija) do not care that his son was a woman trafficker and a full blown criminal. He only cares about his revenge (in case you haven’t noticed yet, this film is filled with stereotypes) travelling from Albania to Turkey with a load of men to execute his mission. Mills and Lenore are kidnapped, but Kim stays in the hotel and is able to come to his daddy’s rescue, throwing grenades, jumping off buildings, driving through unknown streets and escaping cops and terrorist alike even though she failed her driving test twice! She is, after all, her father’s daughter. What follows is what you expect, Mills kicks everybody’s ass while Lenore is dragged, cut and almost tortured and killed. We all know who the victor is in this film, and if you enjoy Neeson as a super ex-CIA agent who can kill everybody, have no problem looking at the eternally crying face of Maggie Grace and want to see Famke Janssen looking gorgeous, than I got news for you: this is your film.
Despite my better judgment, I decide to watch this movie and I’m still scared. The film with Ethan Hawke and Vicent D’Onofrio tells the story of a washed up true-crime writer Ellison Oswalt (Hawke) who moves his family into a new home which was the scene for a horrific murder only months before. He is convinced that writing a book about the murders will be a success, especially because one member of the murdered family is still missing. During the move, Ellison discovers a box of 8mm tapes labelled as home movies (BBQ ’79, Pool Party ’66) and while watching them, discovers them to be recorded scenes of several gruesome murders including the most recent one that happened in their new home. The movie becomes creepier by the minute as Ellison reviews the films in his computer discovering a mysterious figure watching every scene from the distance and later on strange symbols in every film. With the
This film is based on the acclaimed novel by David Mitchell and directed by The Wachowski team (The Matrix). Like in the book, the movie revolves around different lives, eras, countries and even worlds. The tag line is “Everything is connected” hinting at the theory that we continue to meet each other in different lives, whether is to be lovers or enemies and that our lives depend on the connections we make. This film is mystery wrapped around an enigma, taking you through the story with what it feels like simplicity although once it’s over its very difficult to explain or to make a clear sense of it. We see most of the actors and actresses (among others, Tom Hanks, Halley Berry, Hugh Grant, Hugo Weaving and Jim Broadbent) in different roles while the film goes back and forth from one story to the other with no chronological order still managing to touch you with every single one and you can feel the intensity of whatever the characters desire at that exact moment in time. As it is tradition in films from the Wachowski, Cloud Atlas story is accompanied by amazing photography, beautiful scenery, make-up and great special effects that do not distract or affect the story, but simply embellishes every scene; even watching the end credits is worth it because you can see how many roles were played by each actor and I can assure you, it will surprise you. You will want to see this movie more than once even if it’s to try to make sense of the stories or just to feel the sense of freedom it conveys. I can say for sure, one time is not enough.
help of local Professor Jonas (D’Onofrio), he discovers that the figure is of a pagan deity called Bughuul who in ancient times would consume children souls. The film develops with Ellison’s two children, Trevor and Ashley (Michael Hall D’Addario and Clare Foley) having night terrors while his suffering wife grows more distressed and Ellison himself begins to see things out of the ordinary. The film is pretty frightening and shows the human side of the situation with Hawke playing a desperate man trying to revive his previous success. The supporting characters help to give the story extra realism eventually saving the ending from being ridiculous. Scary and with a good enough plot, adding the usual characteristics of scary movies (always walking in the dark even if the light switch is right next to you or choosing absurd curiosity instead of common sense), Sinister is entertaining and a good remedy against peaceful sleep.
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CLOUDLESS AMSTERDAM – THE CITY SEEN FROM THE SKY
I
t was a simple but brilliant idea that Peter Elenbaas put forward in the spring of 2004. At that time, he was a staff photographer at the Amsterdam newspaper Het Parool. Besides, more as a hobby than as his daily routine, he took pictures from high above the city on days when he accompanied one of his friends, who had a flying licence. Those first aerial photographs, still in black-and-white on coarse-grained film, date from the 1980’s. The idea Peter put forward in 2004 implied the publication of a series in the newspaper of aerial photographs in colour – partly to make it through the silly season. He asked me to write the accompanying text. The series, published three times a week from July till early October under the heading Cloudless Amsterdam (Amsterdam Onbewolkt), had an instant success with the reader. The publishing house Bas Lubberhuizen, specializing in photography and Amsterdam, took up the idea and published the series in a more extensive form as a book in the autumn of 2004. A tradition was born. Since then four more volumes have seen the light of day, and this year for the first time also in an English version: Cloudless Amsterdam. A City in Motion. We chose the photographs for this edition not only from some seven thousand aerial photographs Peter took in the summer of 2012, but we also included a few pictures he took decades ago. Together they give an impression of how Amsterdam has changed over the years – and of all that has been preserved. The development of Amsterdam is the archetypical Dutch story: land captured from the water. There was hardly any distinction between water and land in this region until early in the thirteenth century, when farmers from other parts came to the River Amstel in search of fertile soil. They built drainage canals and ditches, and on the ground they gained they constructed quays or embankments on which they built their wooden houses. Small settlements sprang up along both banks. Around 1270 the inhabitants built a dam in the river to connect these hamlets and protect them against the tidal movements of the IJ. That was the beginning of Amsterdam, ‘a town out of nothing’, as the latest generation of city historians has described the process. And the heart of the city still lies in the same place – the Dam. Around 1300, Amsterdam had become a port and a trading centre. This trade was conducted with towns round the Zuiderzee (now the IJsselmeer), but by the end of the fourteenth century there were contacts with ports on the Baltic too. In 1480 work began on the construction of a brick wall with gates and fortifications to protect the inhabitants. The painter and woodcarver Cornelis Anthonisz captured the city in an oil painting in 1538. Anthonisz sketched the image of the city with great accuracy in a bird’s-eye view from the IJ. Several woodcuts and prints were made of the painting, one of which is shown in the book, accompanied by an aerial photograph after Anthonisz’s painting. At the end of the sixteenth century and above all in the seventeenth – the Golden Age – Amsterdam became a world city and expanded dramatically. To give it room to grow and to facilitate the construction of the canals, the city wall, then barely a hundred years old, had to be demolished. The Herengracht was dug in 1613, followed in 1614 by the Prinsengracht– which lies in the outermost ring – and by the Keizersgracht in 1615. The canal district as a whole has been a UNESCO World Heritage site since 2010. It was primarily the houses of wealthy Amsterdam merchants that sprang up along the new canals. They had previously lived in Warmoesstraat on the right bank of the Amstel, as that
was the ‘pricey’ side of the then port on the IJ. The economic prosperity of the time was reflected in the imposing canal-side mansions that also served as warehouses. Another outward sign of the city’s prosperity in the seventeenth century was the building of a new town hall on the Dam, now the Royal Palace. The building, huge for its time and with foundations of 13,659 wooden piles, was designed by the architect Jacob van Campen. It took seven years to build. By the end of the seventeenth century Amsterdam had taken on outlines that did not change until the twentieth century. But inside the city boundaries in the intervening period much was changed, demolished, built and rebuilt, and filled in. At the end of the nineteenth century, an economic boom attracted waves of immigrants, the majority from inside the country’s borders. In twenty years the population had grown by 200,000. To cope with this population explosion an expansion plan was hurriedly drawn up for a still rural area to the west of the Amstel, beyond the Singelgracht. Once again, they took the easy option of following the existing pattern of farm ditches to create the street plan. Private initiative provided the city with many fine amenities. The cost of constructing the Vondelpark (1865) was borne by well-to-do Amsterdam citizens, as was the building of the Concertgebouw and the rebuilding of the city’s theatre, the Stadsschouwburg, in the Leidseplein after it burned down in 1890. Private individuals also took the initiative to build the Stedelijk Museum (1895). The building of Centraal Station (1889) and the Rijksmuseum (1885), both designed by the architect Pierre Cuypers, was funded from the general fund. Spacious, high-quality residential districts, likewise financed by private investors, grew up around the Vondelpark, the Concertgebouw and the museums. In the twentieth century there was one expansion plan after another for Amsterdam. A well-known design from the early period was Plan Zuid – Plan South – devised by the architect and town planner H.P. Berlage, who had already left his mark on the inner city with his monumental stock exchange (1903) in Damrak. But his greatest creation was Plan Zuid in 1917, which town planners and architects worldwide still consider exceptional. It covered a large area to the south of the existing city for which Berlage designed a varied street plan with wide avenues and narrower streets, with squares, public gardens and canals. The fame of Plan Zuid is also partly down to the architectural interpretation of Berlage’s design by the architects who built the apartment blocks and individual buildings in Plan Zuid between 1920 and 1940: the architects of the Amsterdam School, who chose to build in brick, with particular attention to the rhythm of the façades and elevations and the lavish use of ornament. In a later stage of the realization of the plan they were followed by representatives of the Nieuwe Bouwen movement, who shifted the focus on to stark, uncluttered lines and new building materials. While Plan Zuid was taking shape, new legislation prompted the building of social housing by housing cooperatives,
usually originating from the emerging trades unions. This led among other things to the building of ‘garden villages’ like Watergraafsmeer, rapidly dubbed ‘Betondorp’ (Concrete Village) because of the new building methods used to construct it, and the garden villages on the north bank of the IJ. It was still not enough, however, to solve the increasing need for new housing. In 1935 the city council’s Urban Development Department came up with a General Expansion Plan. It was founded on a strict separation of the four urban functions: living, working, travel and recreation. People travelled daily to the city centre or to the industrial areas around the docks for work – the new districts were purely residential. After the Second World War the implementation of the plan powered ahead. The philosophy of functionalism was followed even more strictly in the 1960s with the development of the Bijlmer, a large residential district in the southeast. This was yet another town-planning experiment: gigantic apartment blocks up to ten stories high in a shape based on the honeycomb. After just a few decades it became clear that neither expansion plan created the urban climate that the designers had in mind. In the interim the idea of the compact city had gained ground: high-density development within which urban functions were mixed. Recently an attempt has been made to redress the mistakes of the past in the western garden suburbs and the Bijlmer through demolition, renovation and new housing. In Amsterdam the idea of the compact city clearly struck a chord. A spectacular development has taken place in the eastern docks area and around the East and West Docks. Around 1975 Amsterdam City Council decided that the by then run-down area had to become residential. High-density development was needed: the idea of the compact city found acceptance for the first time. The approach was extremely successful. It gave rise to a great variety of architectural designs, from large housing complexes to single-family dwellings, from high-rises to lowrises. In a relatively short time a shabby industrial area was turned into a number of city districts, which are surrounded on all sides by water. The city is in motion on the north bank of the IJ, too. Large and small firms in the creative and cultural sectors are setting up in business, and new residential districts are being developed in the former shipyards and industrial areas, which had not been used for decades. In a few years’ time Amsterdam North, which in many respects was a somewhat isolated area, will get a metro link to the city centre. The building of Centraal Station at the end of the nineteenth century had the effect of cutting the city off from the IJ. With the development of both banks, the former main artery will again be connected to the city. This is also a striking aspect of the newest example of city expansion, the IJburg district, which is being constructed on artificial islands in the IJmeer to the west of the city. IJburg takes Amsterdam back to its roots: land conquers water.
Lambiek Berends
the taste
Restaurant Zuid Zeeland
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G
ijsbert Bianchi bought Restaurant Zuid Zeeland almost fifteen years ago. Before then it served exclusively Italian food. Under Bianchi’s watch the name didn’t change but the food certainly did! It has since become one of the most eclectic and delicious restaurants near the city center. Bianchi had previously made a career in the hotel service industry but with Zuid Zeeland, he wanted to try something new and innovative. Bianchi describes Zuid Zeeland’s unique concept as, “A serious restaurant. Not too fancy. No nonsense. Where the product speaks for itself and not so much the owner or the chef.” Simply put, the basic idea behind the restaurant was to create a place where the egos of the owner or chef do not interfere with the food (you won’t find any shouting Chef Ramsays here!). Over the years, Bianchi and his team have strived to improve the quality of the food step by step, serving fresh, locally grown or produced, organic, sustainable, and moderately-priced meals to tourists and locals alike. Zuid Zeeland resides in an historical building on the appropriately named Gentlemen’s Canal (Herengracht 413) and has developed into a sort of bohemian icon, catering to authors, publishers, journalists, ballet performers, even opera singers. “It’s a big cultural group of guests!” says Bianchi. The establishment serves lunch Monday through Friday (12:0014:30) and dinner every day of the week (18:00-23:00). Bianchi claims some locals frequent the restaurant more than twice a week. However, thanks to its convenient location near the center of town, Zuid Zeeland also welcomes plenty of tourists looking for a rich atmosphere and fine cuisine. They also host private dining and outdoor catering for receptions, birthdays, and special events. Every once in a while, they invite guests to try a Golden Age Dinner, so you can taste the cuisine of the really, really old country. In addition, Bianchi and Chef Degen organize cook and butler services for fine dining in your very own home. “It’s not our core business,”
says Bianchi, “ but on special occasions and upon special request, we love to do it.” Bianchi and M.S.C. certified Chef Marco Degen call their authentic dishes, “Modern Cuisine,” based mostly in French and Dutch cooking combined with some elements from Japan and other places. Much of the organic ingredients are locally grown or produced right here in the Netherlands. What they can’t get from local markets, they buy directly from organic farmers in Italy. A fresh shipment arrives once a week, Chef Degen says, who was the first chef at the restaurant to obtain his certification in buying and preparing sustainable (or
“green”) fish from the Marine Stewardship Council. They also boast a pretty impressive wine collection. According to Bianchi, “Some wines we import directly, about 90%, but wine is one of our hobbies, so we have quite a large selection for such a small restaurant.” Hence, you’ll find domestic, European wine from the Old World: France, Italy, and Germany. The menu changes twice every two months or about five times a year. “We grow with the seasons. So in the spring we serve spring vegetables and in the fall we serve fall vegetables.” Bianchi’s rule of thumb: “Don’t over do it. It’s not about being [or looking] impressive; it’s about tasting good.” If you are curious to know when the next menu change-up will happen, subscribe to the Zuid Zeeland Newsletter. So, why come to the restaurant? Bianchi declares, “This is not a tourist trap. It’s a typical restaurant for local crowds. It’s not crowded and it’s known by people who like good food and good wine.” Zuid Zeeland’s menu features inventive Dutch and French dishes and appetizers with a dash of the international. Even the names of the dishes are mouthfuls. Try appetizers such as the “Wild mushroom flan with mushrooms, a leek croquette, and Bleu de Wolvega cheese,” or the “Terrine of wild boar with various preparations of onion, wild boar ravioli, port syrup, and laurel-red wine sauce.” Stay for a main course such as the “Brill with a potato mousseline, black and yellow carrots, and a hazelnut beurre blanc” or the “Icelandic cod and Dutch pea soup with rye bread” Mmm mmm. But don’t forget to leave room for desserts such as the “Pure chocolate bombe with a soft whisky interior and smoked milk ice cream” or the “Pumpkin cheesecake with spiced cookie ice cream and marzipan-pumpkin ravioli.” Unconvinced? Check out the online recommendations to read personal thoughts from such notable diners as U.S. Vice President Al Gore and Academy Award Winner Matt Damon.
resturant information: LOCATION:
WEB:
CUISINE:
PHONE:
Herengracht 413 French
www.zuidzeeland.nl 020-6243154
our rating
TASTE & QUALITY
CUSTOMER SERVICE
INTERIOR
VALUE FOR MONEY
FINAL SCORE:
9.0
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paradiso
studio 80
sugarfactory
Weteringschans 6 | www.paradiso.nl UPCOMING EVENTS:
Rembrandplein 17 | www.studio-80.nl UPCOMING EVENTS:
Lijnbaansgracht 238 | www.sugarfactory.nl UPCOMING EVENTS:
Dark, Dark, Dark
Black Box
Damnation
WEDNESDAY, 12 DECEMBER, CLUB PARADISO PRESENTS:
Genre: Indie/ Alternative | Time: 20.15 | Price: € 10
SUNDAY, 16 DECEMBER, CLUB PARADISO PRESENTS:
The Finals Electric Guitar Heaven 2012
Line-up: Finalists and Mark Haanstra, Guillaume | Heurtebieze, Seth Josel | Genre: Punk/ Rock | Time: 20.00 | Price: € 12.50
FRIDAY, 21 DECEMBER, CLUB PARADISO PRESENTS:
Matana Roberts
Genre: American Jazz | Time: 20.00 | Price: € 8
SATURDAY, 22 DECEMBER, CLUB PARADISO PRESENTS:
Bassline invites Dj Drivah
WEDNESDAY, 12 DECEMBER, STUDIO 80 PRESENTS:
Line-up: Milan Meyberg and more Genre: House | Time: 23:00 - 04:00 | Price: €6 / Free entrance before midnight
SATURDAY, 15 DECEMBER, STUDIO 80 PRESENTS:
24 Hour Party People- Swoeso
Line up :Jef K, Lauhaus, Kebale and Liebe | Genre: Electro/ Techno Time : 23:00-09:00 | Price : Presale 1€ 3 / Doorsale 1€ 5 / Afterhour 1€ 0
FRIDAY, 21 DECEMBER, STUDIO 80 PRESENTS:
Kreativ- Apocalypse of Time
Line-up: Lovewbirds, Detroit Swindle, L’Atelier | Genre: Deep house, Tech House | Time:23:00-05:00 | Price: Presale 1€ 2.50 / Door: More
Line-up: DJ’s FS Green, Vic Crezée & Abstract, MC’s Fit & Lentini Genre: Bassline | Time: 24.00- 05.00 | Price: €13.50
SATURDAY, 22 DECEMBER, STUDIO 80 PRESENTS:
TUESDAY, 25 DECEMBER, CLUB PARADISO PRESENTS:
Line- up : Rhadow, Miss Melera, Francesco Rubostelli (Live) Genre: House/ Techno | Time: 23:00-05:00 | Price: Presale 1€ 2 / Doorsale 1€ 5
Boss Christmas Special
Ark of Noah- Doomsday Survivors
Line-up: DJ’s Switch, Mr Speak & Mike Mercy Genre: Bassline, Hip Hop, R&B | Time: 24.00- 05.00 | Price: € 15
FRIDAY, 28 DECEMBER, STUDIO 80 PRESENTS:
FRIDAY, 28 DECEMBER, CLUB PARADISO PRESENTS:
Line Up: Steve Bug (4hr), Dorine Dorado, Microove, De Sluwe Vos Genre: House/ Electro | Time: 23.00 - 05.00 | Price: Presale 13 / Doorsale 1€ 5
Amsterdam’s Balloon Fest 25 Year Special
Welcome to the Future- The Future is Noir
Line-up: Juri de Band, Kumbia.cl, Whoobab Swing, Paolo Passionato Genre: Alternative | Time: 21.30- 05.30 | Price: € 40
MONDAY, 31 DECEMBER, STUDIO 80 PRESENTS:
MONDAY, 31 DECEMBER, CLUB PARADISO PRESENTS:
Line-up: Anonym Live, Jimpster, Jason Lanox, Dorine Dorado Genre: Tech House/ Electro | Time: 23.00 - 05.00 | Price: € 30
Gliterazzi
Line-up: DJs Larry Tee (NY/Londen), Disctwins, Wannabe a Star, Grumpy Old Men Genre: Electro/ Rave | Time: 21.30- 05.00 | Price: € 35
Welcome to the Future
FRIDAY, 14 DECEMBER, SUGAR FACTORY PRESENTS:
Line- up: Mathik, Dither, N- Vitral, Promo Genre: Drum n Bass, Hardcore | Time: 24:00 - 05:00 | Price: €10
SUNDAY, 16 DECEMBER, SUGAR FACTORY PRESENTS:
Travesty Cabaret Travage: The End of Girls Line-up: Marlene XL, Coco Coquette, Saskia and Mrs England Genre: Cabaret | Time: 19.30 | Price: 15 €
TUESDAY, 18 DECEMBER, SUGAR FACTORY PRESENTS:
Pump on Tuesday
Line- up: Monsieur, Plastique, Gathier Genre: Electrohouse/ Pop / Dance | Time: 23.00- late | Price: € 3
FRIDAY, 21 DECEMBER, SUGAR FACTORY PRESENTS:
FILTH- One Year Anniversary
Line-up: Broken Note, 12Gauge, DubJunk, Genre: Bass/ Hardcore | Time: 00:00 - 5.00 | Price: € 12.50
SATURDAY, 22 DECEMBER, SUGAR FACTORY PRESENTS:
Blind Disco
Line-up: Orgue Eletronique, Carlos trevez, Malawi Genre: Techno House | Time: 23:00 to 5:00 | Price: € 10
THURSDAY, 29 DECEMBER, SUGAR FACTORY PRESENTS:
White Rabbit
Line- up: Dub Taylor, Tigerstripes, Some chemistry Genre: Deep Techno / Deep House | Time: 00:00 - 05:00 | Price: : Presale € 10/ Door € 12
MONDAY, 31 DECEMBER, SUGAR FACTORY PRESENTS:
NYE: Carnivale,
Line-up: David Labeij (live), Specker, Jop & Jordi vs VolDaa Genre: Techno/ House | Time: 0:15 - 5:00 | Price: € 45
escape
panama
club nl
1 9 19
Rembrandtplein 11 | www.escape.nl UPCOMING EVENTS:
Oostelijke Handelskade 4 | www.panama.nl UPCOMING EVENTS:
Nieuwezijds Vooburgwal 169 | www.clubnl.nl UPCOMING EVENTS:
Reveal
# Epic Special
Early Burly
THURSDAY, 13 DECEMBER, CLUB ESCAPE PRESENTS:
Line up: Marc Benjamin, Jesse Mak, The Fabulous Angels on stage Genre: House | Time: 23.00 - 04.00 | Price: €10/ Students Free
SATURDAY, 15 DECEMBER, CLUB PANAMA PRESENTS:
Line-up: Various Urban Artists Genre: Urban | Time: 23.00- late | Price: €10
SATURDAY, 15 DECEMBER, CLUB ESCAPE PRESENTS:
SATURDAY, 22 DECEMBER, CLUB PANAMA PRESENTS:
Line-up: Raymundo, East & Young, Georgio Schultz, Urban Eclectic | Genre: House | Time: 23.00 - 05.00 | Price: € 16
Line-up: Dj Orlando, Dj Flash, Dennis the Menace Genre: Dance Classics | Time: 22.00- 04.00 | Price: € 20
Brainwash
Going Back to my Roots
FRIDAY, 14 DECEMBER, CLUB NL PRESENTS:
Line-up: Johnny the Mole, Faddy Ferraye Genre: Deep/ Tech House | Time: 23.00 - late SUNDAY, 16 DECEMBER, CLUB NL PRESENTS:
1012
Line- up: Victor Badoux, Samuel Goldberg Genre: Deep Tech House | Time: 22.00- 03.00
MONDAY, 17 DECEMBER, CLUB NL PRESENTS:
Goosebumped
FRIDAY, 21 DECEMBER, CLUB ESCAPE PRESENTS:
MONDAY, 24 DECEMBER, CLUB PANAMA PRESENTS:
Line-up: De La Montagne, Saxophonation, Atmospheric Deep & Duyvo, Juvanice, Gathier, T’Amore Genre: Deep/ Tech/ Minimal | Time: 23.00- 05.00 | Price: € 10
Line-up: Various Djs | Genre: House/ Urban
Line- up: Fady Ferraye Genre: Progressive/ House | Time: 23.00- 03.00
WEDNESDAY, 26 DECEMBER, CLUB PANAMA PRESENTS:
SATURDAY, 22 DECEMBER, CLUB NL PRESENTS:
Superstars
# Epic Christmas Edition
Stout X-mas Jungle Edition
Line-up: Genaio Nvilla, Glowinthedark | Genre: Jungle
The Incrowd
Line-up: Marcella, Miss Sugaware, Lina Ann Genre: House | Time: 23.00 - 05.00 | Price: €16
SATURDAY, 29 DECEMBER, CLUB PANAMA PRESENTS:
TUESDAY, 25 DECEMBER, CLUB NL PRESENTS:
SATURDAY, 29 DECEMBER, CLUB ESCAPE PRESENTS:
Genre: 80s and 90s Classics Time: 22.00- 04.00 | Price: Presale € 10 / Doorsale € 15
FRIDAY, 28 DECEMBER, CLUB ESCAPE PRESENTS:
Femme Fatale Brainwash
We all love 80s and 90s
Line-up: Raymundo, Firebeatz, Mc Bunty, Urban Eclectic Genre: House | Time: 23.00- 05.00 | Price: € 16
SUNDAY, 30 DECEMBER, CLUB ESCAPE PRESENTS:
Genre: 80s and 90s Classics Time: 22.00- 04.00 | Price: Presale € 40 / Doorsale € 50
Line-up: Brian S, Frederik Abas, Kimberlee Ramirez, Mike Scott, MC Pryme Genre: Tech/ Deep House | Time: 23.00- 04.00 | Price: Presale €5
MONDAY, 31 DECEMBER, CLUB ESCAPE PRESENTS:
New Year’s Eve Celebration
Line-up: Roul & Doors (Defected), Raymundo, Frederik Abas, Gabriel & Castellon, Mc Marboo Genre: House | Time: 23.00 - 05.00 | Price: Presale € 60
Christmas at Club NL
Line-up: DJ Purusha | Genre: Deep House | Time: 23.00- Late
THURSDAY, 27 DECEMBER, CLUB NL PRESENTS: MONDAY, 31 DECEMBER , CLUB PANAMA PRESENTS:
Episode
Line-up: Paolo, Mr Milano | Genre: House | Time: 23.00- Late
80s and 90s New Year’s Eve Special
Shake ‘n Bake
Line-up: Brian S and Friends | Genre: House | Time: 23.00- 03.00
MONDAY, 31 DECEMBER, CLUB NL PRESENTS:
Mime: New Year’s Eve
Line-up: Jan Van Kampen, Mehdi Deyes, Mister Brown Genre: House | Time: 23.00- 06.00 | Price: Presale € 25 / Doorsale € 35
2 00 TECHNOLOGY AND SCIENCE Bright Minds at TED X Amsterdam
H
ow would you define human nature? What makes humans good or evil? Why would everyone benefit if all of us knew sign language? How can we know when someone is lying? Why is it that some people fall asleep so easily, while others toss and turn all night? If you find this questions as interesting and intriguing as I do, you should definitely check out the presentations given at the last TEDx Amsterdam event. On Friday 30th of November, during an event hosted at the Stadsschouwburg theater, more than twenty specialist from all over the world shared their insights about human nature in front
of a privileged audience. Scientists, activists, inventors and artists exposed the different facets of our very own nature. They confronted the audience with new perspectives on the way we interact and behave in moderns societies and on how to potentiate and improve ourselves as individuals . One of the highlights from the event was the talk given by Dan Ariely, a Professor of Psychology and Behavioral Economics at Duke University. In his talk Prof. Ariely discussed the meaning in labour. Among other things, he explained why and how we assign value to the things we
generate and why so often we fail to act in our own best interest. According to what he called the “IKEA effect�, we are inclined to value a piece of furniture more if we build it ourselves than if we pay for it. This simple but brilliant idea gives you a flavour of what you can find in this series of TEDx Amsterdam talks. Do you regret not being there to get to know the answers to all these mind-bloggling questions? Do not worry! As well as all the other talks from previous TED x Amsterdam events, they are available online to watch for free . Just go to www.tedxamsterdam. com and start exploring your own human nature!
7 WINTER EVENTS YOU SHOULDN’T MISS IN AMSTERDAM A
lot of people prefer the coziness of their homes when the days are getting colder and shorter but others like to go out wearing their scarves and mittens. Let’s have a look at the winter events you shouldn’t miss in Amsterdam. Ice rink Museumplein At the Museumplein in Zuid you’ll be able to skate circles on the large ice rink. There is a winter pavilion in lounge-style with a heated terrace where you can enjoy a drink. Dutch food, like stews and fritters, will be served in the little stalls. You can skate from 10 am until 8 pm. Winter Carnival in Noord The first edition of the Indoor Winter Fair Amsterdam will be held in the IJ-halls on the former NDSM site in Noord. From December 6th until January 2nd you can expect a giant circus, rides, an ice rink and a lot of carnival attractions. On Friday nights Variété Circus Theater Fantâsia presents the Late Night Show with burlesque and comedy. Ice Rink Leidseplein Every year the ice rink at the Leidseplein breathes out a wintery atmosphere. Cozy lights in the trees, snow cannons and artificial trees that are full of lights. At different stands you can get waffles or the traditional ‘oliebollen’. A lot of activities are being organized on and around the ice rink. In the weekends you can come and skate until midnight. The ice rink closes on January 13th. Light Festival This is the first time the Light Festival is organized. Starting from December 7th more than one (historical) building will be illuminated along the Amstel (Boulevard of Light). Illuminade starts on December 14th. From then on you can take an evening walk through Amsterdam to take a look at all the different artistic light installations that are placed in town. Light and artists that work with light are the theme of this route. Funky Xmas Market The monthly Funky Sunday Markets at the Westergasfabriek become more and more popular. The theme of this month’s market won’t come as a surprise: Christmas! On December 22 and 23 the Funky Xmas Market is being organized and you can go to the New Years Market on January 6th. Admission is free. Pink Christmas During the last two weeks of December Amsterdam turns Christmas pink! On of the most famous and probably the most hilarious highlights is the Drag Winter Olympics at the ice rink at the Leidseplein on December 20th. Miss Windy presents this legendary two-hour race between drag kings and queens. (Start: 5pm) Winter Parade You can sit at a 120-meter long table (Tafel van Idee) and enjoy the performances of a bunch of dancers, actors, musicians and poets while you are eating a delicious meal. The table acts as their stage.
singel 101bg 1012 VG Amsterdam, Netherlands +31 20 771 0915
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THE DAM REGULARS
FIRST AMSTERDAM HOTEL NIGHT ON 12 JANUARY 2013
If you are looking for an event a little off the beaten track – Look no further. Check out the ‘Dam Regulars’ for some real local events and a chance to mingle with some like minded people.
EVERY SUNDAY
‘ Easylaughs’ Comedy Workshop @ CREA
Café Cultural student centre for the University of Amsterdam Time: 15:00 | Location: Nieuwe Achtergracht 170 | Price: €30 for 4 work-shops EVERY MONDAY
Okido Yoga: Training for health, strength and mobility @ OT301
Famous squat which contributes immensely community activities. Check out their program! Time: 19:00 | Location: Overtoom 301 | Price: €12
towards
EVERY MONDAY
Drag Bingo @ The Queen’s Head Pub
A night which everybody should experience at least once, if not regularly! Time: 22:00-03:00 | Location: Zeedijk 20 | Price: €2.50 EVERY MONDAY
Sneak Preview @ Kriterion Movie Theatre
Locally famous student-run theatreregularly! Time: 22:15 | Location: Roetersstraat 170 | Price: €5
O
n 12 January 2013, Amsterdam residents will have the chance to enjoy an overnight hotel stay in their own hometown. A selection of 45 exceptional hotels will be offering rooms and suites at significantly discounted rates. Hotels will also be organising cultural, creative and culinary events over the course of the weekend that will also be open to individuals who just want to purchase a (passe-partout) ticket. That way, Amsterdam inhabitants can sample the character of a variety of different hotels.
EVERY MONDAY
Cheeky Mondays @ Winstons Kingdom
Time: Starting at 23:00 | Location: Warmoesstraat | Price: €7
EVERY TUESDAY
Open Mic Night @ Jet Lounge
Great venue, great vibe and totally acoustic. Time: 21:00 | Location: Groen van Prinstererstraat 41 EVERY WEDNESDAY AND SUNDAY
Noche Latina @ Candela
Grab a partner for a bit of Salsa dancing Time: 23:00-04:00 | Location: Korte Leidsedwarsstraat 85 | Price: Free before 12 EVERY SATURDAY
Organic Farmers Market
Organic Local Produce Time: 9:00-16:00 | Location: Noordermarkt, De Jordaan EVERY SUNDAY
Nude Swimming @ Zuiderbad
Not for everyone, but if you’re into it, well here it is, strip of a few layers and jump in! Time: 16:30-17:30 | Location: Hobbemastraat 26 | Price: €3.30 Have you got a small local event or activity and want to let people know? Send us an email @ events@amsterdo.com
From boutique hostel to luxury hotel
A range of various hotels are all participating in the Amsterdam Hotel Night. From the luxury hotel Seven One Seven to the largest hotel in the Benelux countries, Novotel, from the cultural Lloyd Hotel to fancy five star hotels like the InterContinental Amstel Hotel, from citizenM to the Hilton, Casa 400 to several special newcomers such as DoubleTree, Andaz and Sir Albert. The participating hotels are spread out throughout the entire city. The NH hotel chain will open the doors of no less than 11 of its hotels, including the famous Krasnapolsky and Barbizon Palace.
Cultural, creative and culinary events
From Saturday to Sunday afternoon, hotels throughout the city are organising a variety of creative, cultural and culinary events. These include skating on the highest ice rink in Amsterdam at the DoubleTree by Hilton, a comedy diner at the American Hotel, dancing in the historic Olofskapel at the NH Barbizon Palace, a Rooftop Winter BBQ organised by the Albus Hotel, an organic night market at the Conscious Hotel Vondelpark, a popup fashion sale at the WestCord Fashion
Hotel, Herman Brood Action Painting at the WestCord Art Hotel, a literary salon with Jan Siebelink at the Ambassade Hotel, the St. Matthew Passion at Moevenpick, a MadHatter´s brunch at the Andaz Hotel and the ‘Sound of Tunes’ event organised by the Conservatorium Hotel. Arnon Grünberg will interview the Fokkens sisters and Xaviera Hollander at the Cocomama Hostel, which is also organising a prostitution workshop. The Lloyd Hotel will be telling international ‘llove stories’ and Casa 400 will present hotel theatre in partnership with the Over het IJ Festival. There are also afternoon teas, cocktail-parties, diners and various other parties. With a passe-partout ticket, visitors who have not booked a room may also attend the various events on offer.
A hometown holiday
The idea for the Amsterdam Hotel Night came about after Vincent van Dijk spent a year sleeping in all the hotels in Amsterdam. “I discovered that Amsterdam has a lot to offer in the way of hotel bars, restaurants, and lobbies, but that most residents of the city see these locations as rather unapproachable and do not often step inside,” says Vincent van Dijk of HBMEO, the agency organising the event. “However, you really only experience a hotel´s true hospitality if you stay the night. I can state from experience that there is nothing more pleasant than enjoying a hometown holiday.”
Rooms & tickets
Amsterdam residents can book a room via the website: www.amsterdamsehotelnacht.nl. Each booking includes two tickets for the various events. These tickets can also be purchased separately.
UR TICKET PRE-BOOK YO ONLINE! FOR ONLY €50 RS.COM WWW.PKTOU
JOIN US BETWEEN 8-11 AT NELLY’S BAR WARMOESSTRAAT 117
FREE PICK-UP BETWEEN 7:45-8PM AT THE NATIONAL MONUMENT, DAM SQUARE
5 5 € PK TOURS