負育群帶聚落 Collective Negative Space Village｜文化數據 Cultural Data by Analeigh Yao

文化數據 Cultural Data

負育群帶聚落計畫概述

About Collective Negative Space Village

系列講座與場址關係

The Relationship between the Forum Series and the Site

計畫概念圖

Concept Diagram of Collective Negative Space Village

【文化數據】國際講座介紹

Introduction of "Cultural Data" International Forum

講者介紹

Speakers

負育群帶聚落海報設計概念

Concept of Collective Negative Space Village Poster Design

跨領域採集研究

Interdisciplinary Collecting Research

臺北地區都市空間構成盤點

Urban Space of Taipei Area

年表

Chronology

負育群帶聚落──團隊成員

Team Members of Collective Negative Space Village

實驗建築預告 Preview of Experimental Architecture

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└ 計畫概述 About ───────────────────────

負育群帶聚落 Collective Negative Space Village

「負育群帶聚落」作為一項實驗建築計畫，探問著建築的嶄新起點為何？「建築」若不只是靜態的表現物，那它應是某種隨時可以更動、寫入、拆解、組裝的連結與關係，就像海洋一樣，是活的。而我們不僅是被海洋串起的世界的島民，也是介入與形塑海域的航行者。為了實現這種建築──或至少打開思考與實驗的場域，我們從「教育（育）」這個核心出發，以「翻轉、顛覆、挑戰（負）」為動能，來尋找測量串連、牽引、形塑社群的「航線（群帶）」，進而繪製出這片「海域（聚落）」的基本樣貌。航程的起點從一條不復見的灌溉水圳與空總的關係開始，蔓延至「臺北盆地」，並以此想像空總的定位與角色。本計劃與「跨領域採集研究」、「提案式工作坊」以及「實驗建築團隊」三種類型的團隊合作，並以國際講座、工作坊、實驗建築發表的形式，繞行於「建築之外」、「棲居之事」與「文化數據」三片海域上，一同思考使各種形態與尺度的學習、教育、培育活動得以發生的建築的未來。

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負育群帶聚落

As an experimental architecture project, "Collective Negative Space Village" explores a brandnew starting point of architecture. If "architecture" is not only a static representation, it should be a link and relationship that can be altered, rewritten, disassembled and assembled at any time. It is alive like the ocean, and we are not only the islanders of the world strung by the sea, but also the sailors involved in interfering and shaping the seas. In order to realize this type of architecture, or at least open the field of thinking and experimentation, we proceed from the core of "education" and use "reversal, subversion, and challenge (negative)" as dynamic energy to find the "airlines (collective)". Further mapping the basic appearance of the "maritime zone (village)". The starting point of the voyage begins with a relationship between TAF/C-Lab and the irrigation river that no longer exist, spreading to the scale changes in the "Taipei Basin", thus imagining the general orientation and role of C-Lab. This project cooperates with the three types of team: "Interdisciplinary Collecting Research", "Proposal Workshop" and "Experimental Architecture Team". It bypasses three sea areas of“Beyond Architecture", "Habitat Matters" and "Cultural Data" through the form of international lectures, workshops, and experimental architecture. To think about a future of architecture that allows various forms and scales of learning, education, and cultivation to take place.

文化數據

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└ 計畫概述 About ──────────────────────

系列講座與場址關係 The Relationship between the Forum Series and the Site

「負育群帶聚落」計畫的首場國際

至建築與藝術領域的論證作為起點。

講座「建築之外」，超越建築作為物

在環境規畫上，從水文脈絡、物種棲

的邊界，給出三個向度的討論。在建

地、時序植被等的跨領域研究，論述

築的構成上，論述其作為城市環境中

如何讓環境自然生成，而非斷裂性的

熱能、氣流、光線等的交換器，建築

美學移植。在行動上，透過共享與參

個體的置入，不僅形成內部性的使用

與，彰顯問題並形成公共性的集體意

空間，也影響群體的微環境生成。在

識。

建築的生產上，論述科技發展一方面

三場國際講座從「建築之外」到

易化建築的菁英生產成為社群參與，

「棲居之事」，更進一步到關注與探討

另一方面也重新省視建築師的角色。

自然與人文環境中的資訊如何可被意

在建築的起點上，論述作為提問的建

識的「文化數據」，也反映「負育群

築行動，在輕與重之間，重新探討人

帶聚落」連結實驗建築計畫與臺北盆

與物的關係。

地，甚至於臺灣島的企圖，如此才有

第二場國際講座「棲居之事」，延

可能回來思考臺灣當代文化實驗場的

展建築至生物棲居的存在論題，也給

可能，是一種從生產性的實驗室轉化

出了三個面向的討論。在觀念上，從

成連結性、參與性的實驗場。

生態系理論在自然科學的脈絡與外延

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負育群帶聚落

The initial international forum of the project "Collective Negative Space Village" was "Beyond Architecture." The topic provided a three-dimensional discussion which how architecture went beyond the edge of architecture as a physical object. On the formation of architecture, we took it as a switch of heat, air and light within urban environment. The placement of individual building not only forms an internal space, but also affects the collective growth of micro-environment. On the level of architecture production, the development of sciences on one hand reduced the elite production of architecture into events of community participation; on the other hand, it reconsiders the role of architects. At the starting point of architecture, we discussed architectural action, which serves the function as a question, and re-explore the relationship between human and object within the lightness and the heaviness. The second international forum "Habitat Matters" extends the question of existence from architecture to the habitat of living c re a t u re a n d b r i n g s o u t a t h re e f o l d discussion. In terms of concept, it started from the argument of ecosystem theory

that is extended from the context of natural sciences to the discipline of architecture and arts. While concerning environmental planning, based on the cross-disciplinary research on hydrological contexts, species' habitats and temporal vegetation, we explored the way of how the environment naturally develop its landscape, instead of fractural aesthetic transplant. As to the actual action, we aimed to reveal the issues and to form a public collective awareness through sharing and participation. From the topic "Beyond Architecture" to "Habitat Matters," topic of the third forum falls into "Cultural Data," which further focuses and explores the process of how we realize the information of natural and cultural environment. It also reflects the attempt of "Collective Negative Space Village" to connect experimental architecture program with Taipei Basin or even Taiwan Island. In this way, it makes possible for us to reconsider the possibility of Taiwan Contemporary Culture Lab (C-Lab), which means to be a laboratory of connectivity and participation that evolved from a laboratory of producibility.

文化數據

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└ Village

自理

y nom

賦權

Auto

生態

Empowerment

植物

社區

an t

目的

創新 or vi

lu Air Pol

tion

道路

空 Ro

行為

Tectonic

Experimental Architecture

rolo

e ap

水文

Edu

n ptio

cati

rali

rpo

感知

ity

製圖

ct iv C

採集

蔓生

tin

機能

ing

樂

Sou

Data

開放數據

ure

量測

ity

rt C

a Sm

智慧城市

Lab

ture

Tex

數據

實驗室

Ente

空間

rtain

Space

質感

men

ory em

聲音

Co ll

Spread

Function

記憶

公共性

方法

rce

lic

緑地

Inno

nme

vatio n

o Envir

環境

d Hy

sc nd La

地景

史

Pu rp

ose

角色

re ltu Cu

文化

參與

居住

Concept Diagram of Collective Negative Space Village

Pa rtic ipa tio n

Com munity

Inhabit

計畫概念圖

負 Negative

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負育群帶聚落

文化數據

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└ 【文化數據】國際講座介紹 Introduction of "Cultural Data" International Forum ────────────────────

文化數據 Cultural Data

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「負育群帶聚落」作為一項實驗建築計

本場講座之講者，將共同針對其學科領

畫，其基進性絕非僅是關於某種物理性的空

域的資料採集與資料化的工作方法，以及

間或地景構築工作，而是如何通過操演多

這些資料在「創作」層面上的「轉化」實踐

樣性的探測、採集、搜羅資料的方法，來在

和驅動性，來進行分享與研討。任職於波

「空總－臺北盆地」的尺度變化中重新閱讀

士頓伯克利音樂學院歷史與人類學的施永

乃至界定事物之間的「相關性」，進而實踐

德長期投入聲音景觀、原住民族媒體以及

所謂內部與外部的「關係性」的創造。

地方倫理的研究，並將之運用於聲音藝術

我們從「建築之外」破題，描繪躍出框架

的創作。任職於國立高雄師範大學跨領域

後的種種風景，再以「棲居之事」進入到風

藝術研究所的蔡佩桂，將從「譜普市」計畫

景中，思考各種事物之間的生態關係。本場

如何通過虛擬城市與桌遊的概念，來回應

講座「文化數據」將著重於面對「數據」特別

高雄八一氣爆後的種種議題。藝術家理羅．

是「資料化」的方法論，來尋求重新界定事

紐熱衷運用協作來發展創作計畫，這次將

物之相關性的實踐以及文化風景的造動。

針對他與都市規劃師茱莉亞．內布里佳自

說到「數據」，許多人可能會想到谷歌

2016年開始的巴卡旺浮島計畫，來闡述跨

搜尋引擎及至公民科學運動所仰賴的「巨量

域數據行動的價值。此外，採集研究成員吳

資料」（俗稱「大數據」）及至「富數據」的

燦政會以2011年持續至今的《台灣聲音地圖

龐大影響力。這也意味著，數據不僅是某

計畫》，辯證地探討聲響記錄的價值以及對

種「中性」的資料，而是驅動著開放性的知

聽覺文化的反思。最後，「雜草稍慢」煮茶

識生產以及文化造形的要角。巨量資料的

人林芝宇作為採集研究串連，將以她在城

時代，要求我們必須重新檢討「採樣」的簡

南以及蟾蜍山的實踐，來闡述城市採集作

化分析邏輯，並且容忍「不精確性」以及創

為探索生命、將數據帶回生態循環的棲居

造性地運用「相關性」來多面向地開展事物

內涵。我們不僅活在數據驅動文化的時代，

的潛在可能性。

更朝向創意驅動數據的未來。

負育群帶聚落

As an experimental architecture project, the radicality of "Collective Negative Space Village" is by no means restricted within the scope of physical space or landscape construction. Hence, the project seeks for the diverse methods including detecting, mining, and data collecting in order to re-read or even re-define the correlation among various issues and objects. And the project will further implement the so-called creation of internal and external relationship. Initially, we get this project straight with "Beyond Architecture," depicting the scenery out of the frame. Then, with "Habitat Matters," we are able to return to the environment, and reconsider the ecological relations among various things. This forum, "Cultural Data," will put an emphasis on "data," in particular the methodology of "datafication," to seek for the practices of redefining the relations among things and movements of forming cultural scenery. Speaking of "data," many people would think of Google searching engine, "big data" that citizen science movement replies on, and the huge influence of "rich data." This means, data are not only some sort of "neutral" information but an important role which drives the open knowledge production and cultural formation. In the era of big data, it urges us to reconsider the simplified analysis of "sampling" and to tolerant "inaccuracy"; moreover, to make use of "correlation" creatively in order to diversely develop the potential possibility of things. Speakers in this forum will share the methodology of data collecting and datafication within their specified disciplines and the "transforming" practices and mobility on the "creation" level. DJ Hatfield currently works as associate professor of History and Anthropology in the Liberal Arts Department of the Berklee College of Music, Boston. He has been devoting himself into the studies of soundscape, media of the indigenous people and ethics of locality; he then turns his researches into his sound art practices. Tsai Pei-Kuei, assistant professor in Graduate Institute of Interdisciplinary Art, National Kaohsiung Normal University, will start from the concept of the project "Popping City" and respond to various issues regarding the aftermath of 2014 Kaohsiung gas explosions through the idea of virtual city and board game. Artist Leeroy New is keen at developing his artistic projects through collaboration. This time, he is going to explain the value of cross-disciplinary data action and take "Bakawan Floating Island Project," initiated by him and the urban planner Julia Nebrija since 2016, as a case study. Besides, artist Wu Tsan-Cheng will dialectically discuss the value of sound recording and his rethinking toward the audio culture, and take "Taiwan Sound Map Project," which he has been working on since 2011, as an example. Finally, Lin Zhi-Yu, the tea maker from "weed day," will elaborate the city collecting as the significance of life-exploring and bringing the data back to the ecological cycle through her collecting research connection practices in the southern area of the city and Toad Mountain. We are not merely living in the era that culture is driven by data, but forwarding to a future which data will be driven by creativity.

文化數據

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└ 講者介紹 Speaker ──────────────────────

【文化數據】國際講座 2018 年 8 月 19 日（星期日）╱ 地點：臺灣當代文化實驗場聯合餐廳一樓 International Forum – "Cultural Data" Sunday, 19th of August 2018 at C-Lab, Taipei Taiwan

09:40 10:00 10:00

↓ 10:10 10:10

↓ 11:00 11:10

↓ 12:00

講者 Main Speaker

蔡佩桂 Tsai, Pei-Kuei 講者 Main Speaker

主題演講 Theme Speak

理羅．紐 Leeroy New

● 午餐 ● Lunch

13:30

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邱俊達 Chiu, Chun-Ta (Yves)

主題演講 Theme Speak

↓

14:20

主持人 Moderator

引言 Introduction

12:00

13:30

Tsai, Pei-Kuei

● 報到 ● Registration

↓

蔡佩桂

講者 Main Speaker

主題演講 Theme Speak

施永德

國立高雄師範大學跨領域藝術研究所助理教授、英國倫敦大學科陶德藝術學院藝術史博士。曾策2016高雄市立美術館展覽《高雄獎夢幻隊與四道戰帖》；策展《「住非

14:30

● 茶敘 ● Tea time

↓ 15:00

住：展覽事件」在「非家」/ 生活在歷史性文化旅店中的新品種藝術》獲2011國藝會「視覺藝術策展專案」補助；策展2014《藝

15:00

跨域採集研究發表

講者 Main Speakers

↓

Interdisciplinary Collecting Research Speakers

林芝宇、吳燦政

術家的養成之道：來自高雄、年輕藝術家

Lin, Zhi-Yu Wu, Tsan-Cheng

的技術》獲國藝會常態補助，並獲台新獎

15:50

提名。目前集結夥伴建構一個基於真實高 15:50

↓ 17:00 17:00

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負育群帶聚落

綜合座談

雄的虛擬城市跨平台「譜普市」、發展「大

Round Table

文創家」展覽＋桌遊，也持續累積「100

● 賦歸 ● Farewell

堂中等教育的夢幻美好藝術課」，網址： https://www.dcbart.org/

Assistant Professor, Graduate Institute of Interdisciplinary Art, National Kaohsiung Normal University; PhD in History of Art, The Courtauld Institute of Art, University of London. Tsai, PeiKuei curated the 2016 exhibition "Dream Team of Kaohsiung Awards and Its Four Challenges," Kaohsiung Museum of Fine Arts. Her 2011 curatorial project "Non-Sleep in Non-Home: Art Living in a Historical Hotel" was awarded one "Production Grant to Independent Curators in Visual Arts" by National Culture and Arts Foundation. Her curated exhibition titled "The Production of Artists: the Technologies of Young Artists from Kaohsiung," sponsored also by National Culture and Arts Foundation, was nominated for the Taishin Arts Award. She currently works on a virtual city based on real Kaohsiung named "Popping City," an exhibition + board game project about the cultural creative industries, and a secondary educational project titled "Dream Classes Beyond Art,"https://www. dcbart.org/.

文化數據

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└ 講者介紹 Speaker ──────────────────────

講者介紹 Speaker ──────────────────────

理羅．紐

施永德

Leeroy New (b. 1986, General Santos City) is an artist-designer whose practice overlaps and 年，三投斯將軍市）的創作實踐橫跨不同 intersects with different creative industries. Originally 創意產業。原本學習雕刻，但由於對於跨 trained as a sculptor, but because of his penchant 域協作的熱情，在劇場設計、服裝造型及 for collaboration, he has dabbled significantly in 表演也有涉略，因而在建構世界及創作混 production design, costuming, and performance. This inclination to move from one mode of creative 種神話的概念驅使下，跨域創作的模式成 production to another has become the spine of his 為了他創作的核心精神。 practice driven by concepts of world building and 他利用週遭環境採集來的不同現成物品 hybrid myth-making. He initiates immersive installations that use a 製作大量沉浸式裝置，同時展現各地區當 variety of found objects directly sourced from the 地物件所流露的情感。例如在他的巴萊特 material culture of his current environment while 系列作品中，他使用塑膠繫帶編織成大型 harnessing vernacular crafting sensibilities. His 的工業水管，並連結至當地環境。這個系 Balete series, for example, using industrial pipes weaved using plastic ties into large-scale forms and 列的作品源於駐村時偶發實驗，因為創作 environments, began as a casual experiment during a 經費不足，而讓他在當地回收中心發現了 residency where, due to lack of funds, he discovered 廢棄的灌溉用水管作為創作素材。透過與 piles of discarded irrigation hoses in the local recycling centres. Through his collaborations with 當地表演者的合作，他將這些材料製作成 local performers, he was able to transform these same 一件件的作品，甚至是可穿戴的雕塑。這 materials into set pieces and even wearable sculptures 些作品集結成一個名為「馬尼拉外星人」 culminating in a cyber-site series called Aliens of Manila, which documents alien characters inhabiting 的網站，紀錄馬尼拉紛雜而色彩繽紛的街 Manila's often harsh yet colourful streets. 道上住著的外星生物。

藝術家暨設計師理羅•紐（出生於1986

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負育群帶聚落

施永德教授，美國芝加哥大學社會文化人類學博士，目前為波士頓伯克利音樂學院歷史與人類學副教授。作為一位人類學家與聲音藝術工作者，施永德的研究旨趣包括聲音景觀、原住民族媒體、以及地方倫理—— 即空間如何成為一種倫理物質，如何提出倫理要求。簡單一點講，他想探討的問題是，在移動的人生中，我們如何建立歸屬感？施永德著有一本專書，《臺灣到中國的朝聖之旅：儀式、串聯與社群》（2010），以及不少關於臺灣民間信仰活動、原住民族文化抗爭以及復振等專題論文。除了寫作以外，他從事聲音藝術實踐。對他來說，聲音藝術是民族誌的模式之一，可以提供更廣的空間探討不同文化狀態，並能讓學術跟社會民眾有更多互動空間。歡迎跟隨他的部落格，「聲在台灣 taiwansoundscapes.org」

DJ Hatfield is Associate Professor of History and Anthropology in the Liberal Arts Department of the Berklee College of Music. A sociocultural anthropologist and sound installation artist, Hatfield's research interests include soundscapes, indigenous media, and what he calls the "ethics of locality" - that is, how place becomes an ethical substance and the kinds of ethical claims place makes upon us. More simply put, in a life marked by movement, Hatfield wants to ask, how do we develop attachments to place or have a sense of home? Hatfield's academic writing includes the book length monograph Taiwanese Pilgrimage to China - Ritual, Complicity, Community (2010) and several articles on Taiwanese popular religious practice, popular music, and indigenous cultural resurgence. In addition to his writing, Hatfield maintains a sound art practice. To Hatfield, sound art IS another modality of ethnographic work, which provides greater breadth to explore cultural conditions and also creates the possibility for greater public engagement. Feel welcome to follow Hatfield's blog, taiwansoundscapes.org (Taiwan Soundscapes Project 聲在台灣)

文化數據

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└ 海報設計理念 Poster Design Aesthetics ───────────

負育群帶聚落海報設計概念 Concept of Collective Negative Space Village Posters Design

以地形、水文、道路、聚落四個層次呈現臺北盆地及其群聚環境，輻射狀擴及基隆港、淡水河出海口、桃園市區與埤塘地景、陽明山、中央山脈，呈顯以空總為地理起點，實踐臺灣當代文化實驗場所會觸及的自然、歷史與人文系譜。每一張海報依照國際講座與提案工作坊的不同性質進行四種層次的堆疊，並讓臺灣當代文化實驗場的地理位置在角落成為一個參考點，呼應「負育群帶聚落」地層式與組裝性的時序發展，循著參考點的拼疊，整體海報的閱讀與收集，將成為以臺灣當代文化實驗場為核心、連結各種資訊的文化實驗行動。

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負育群帶聚落

In the image, we present the landscape of Taipei Basin and its clustered environment with four levels: topography, hydrology, roads and villages. It demonstrates a natural, historical and humanistic genealogy reached by the practices of "Taiwan Contemporary Culture Lab." The genealogy takes TAF as the geographical starting point, and radially spreads to Keelung Harbor, the Tamsui River estuary, Taoyuan City and its farm pond landscape, Yangming Mountain and the Central Mountain Range. Each poster is designed with four different layers after individual approaches of international forums and proposal workshops. The site of "Taiwan Contemporary Culture Lab" would appear at the corner as a reference point echoing to the temporal development of "Collective Negative Space Village." Along with the assemblage of reference points, reading and collecting of the posters will become a cultural experimental action connecting various information that takes Taiwan's contemporary cultural experiments as its core.

文化數據

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└ 跨域採集研究 Interdisciplinary Collecting Research ───────

跨域採集研究 Interdisciplinary Collecting Research ───────

城市是什麼？城市與其周遭環境的關係是？

林芝宇

What is a City? What is the Relationship between a City and its Surrounding Neighborhoods?

雜草稍慢│Weed Day

Lin, Zhi-Yu

「雜草稍慢」煮茶人、藝術家、視覺設計師 ───────────────────────────────────────────── Tea-maker of “weed day”, artists, visual designer, member of Herbal Medicine Manufacturing Craft Union.

採草煮茶，蒐集土地的味道

與「實驗建築」的發展並進，「採集」是生活在城市之中的我們觀察、研究與建檔的方法。「負育群帶聚落」邀請五組不同領域的創作者，組成跨領域採集研究團隊，針對建築與空間、植物與土壤、地景與聲音、故事與場域以及生活與聲響展開城市空間的拓荒，建立檔案資料，並另外邀請一組對於雜草與土地關懷的採集創作者，藉由這六組採集研究者對城市的觀察，以及身體移動對空間的感受，解讀臺北盆地的生態經緯，拼成現代的空間語境。

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負育群帶聚落

Developing alongside with "Experimental Architecture," "collecting" is the method of observing, researching and archiving for us who live in a city. "Collective Negative Space Village" invites five creators from diverse fields to collaborate in a interdisciplinary t e a m . Fo c u s i n g p a r t i c u l a r l y o n t h e relationship between architectural and space, plant and soil, landscape and resonance, narrative and site, also life and sound, and in addition a collaborator who cares about the relationship between weed, land and our life. The six collecting creators/ researchers explore urban space and collect data related to the city. From their observations and physical sensation with space, they attempt to comprehend the physical features and ecosystems of the Taipei Basin, and compose a contemporary context of space.

「人們跑到深山野地親近大自然，大自然透過身邊的雜草親近人們。」— 雜草稍慢城市採集是一種探索生命的方式、靈感的來源，有衝撞、有瞭解、有反思。這對大多數人來說既陌生又熟悉，與身邊常見的草木野花親密接觸，可以發現許多美味野菜及青草茶原料，向土地學習的配方──雜草

Picking grass and making tea to collect the flavour of the land. "People go into wild to get close to nature, and nature gets close to people through the weeds that surround them." -weed day

茶，從生活中的一杯茶讓節奏慢下來；雜草

The lush weeds that grow around are full of

蔓生，裏頭有各種生命、昆蟲鳥獸，是要我

vitality. Gradually, we found that many of them are

們放慢步伐，感知身邊的事物，孕育生物多樣性的基礎，同時也肥沃土壤、與作物共生

raw materials for grass tea and nature is just around us. Each land has its own cultural landscape and grass flavor, and we collect weeds that grow freely

防病蟲害、保護大地之母寶貴的肌膚、紓解

all over the country. Using the traditional method

地球暖化……雜草在幫我們做復健、幫土地

of sunburn and wood-fire to make the herbal

做復健，幫助城市與生態取得平衡。開啟五

tea, the taste is unfathomably refreshing and mellow.Weed tea is the recipe given by the land.

感，感同身受，連結人與土地，重回生態循

Recovering the kindness of land is to treat yourself

環的一份子，萬物一體的宇宙之流。

well, as the concept of Body Soil Fuji.

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└ 跨域採集研究 Interdisciplinary Collecting Research ───────

聲音與城市當你放空腦袋思緒，聲音才有機會穿透你的身體與啟動其它的感知互動的可能性。

吳燦政

當我們思考城市與聲音的關係，針對所謂的「噪音」，隔絕或是控制是慣常的手法，而城市聲音的均質化現象，或許是針對地區季節氣候的差異作為？

Wu, Tsan-Cheng

以整個大臺北盆地來看，就像是個集音器，加劇了城市的聲響，模糊與散裂。濕熱氣候，空調交通聲響持續性的加入混響，人的活動路徑與生活型態持續改變中，而

聲音與影像創作者│Sound and Visual Artist

聲音在此產生的現象與狀態得不斷地觀察。當資訊訊息流動與便利的概念持續轉變中，但城市架構密集化的現象依舊。在高密度的

《臺灣聲音地圖計畫》創作者 ─────────────────────────────────────────────

城市空間，劃出一塊不作為的空地，對我來說是有趣的想像過程。以空總基地來看，唯有先空洞化此塊區域，聲音才有機會串流在此。

Artist of "Taiwan Sound Map Project"

以不作為的方式，空缺化這塊基地，將現有的建築體下沉入地平面，反射出我們的城市想像與思考，讓整塊基地成為聲響實驗的可能性。對空總基地的想像作為聲響實驗室將現有所有建築體往地面下沉完全空出整個基地觀察城市聲音的匯聚與流動試驗製作聲音事件與此空地匯整整合關於聲音的多樣可能性空缺化此基地以此觀察與實驗城市的聲音流串與彙聚

下沉建築體如方舟漂浮

Sound is a process that lurks in our lives and continues to spread and change. It is both the concept of the moment and the process of passing

聲音潛伏在我們的生活中，不斷的推移

and forgetting. Through the records of the everyday

擴散變化，是當下也是逝去的過程，是記

environment, which we take for granted, via walking

憶也是遺忘的過程。透過紀錄生活環境中，

or in a static position. The recording passes through

我們習以為常的聲響，漫步或定止的方式，穿越在城市與鄉村之間，人為與自然的環

the areas between the city and the countryside, and the artificial and natural environment. Through these recordings, the combination of sounds, and

境的地域，透過這些聲音紀錄資料，聲音

sound elements in the course of change, the project

的組合與變化過程中的聲響元素，試著推

tries to deduce the phenomenon of people's living

演出人們的生活環境現象，慢慢層疊出這地方的聽覺文化性格的流動。透過不是純

environment, and gradually cascade the flow of the cultural characteristics of hearing in this place. Through field recording, which is not a purely

然客觀形式的田野錄音，這樣的採集型態

objective, such a pattern of acquisition is also a

也是悖反的過程，聲音不斷地穿透與刺動

rebellious process. The continuous penetration and

身體感知開啟的過程，也將是形塑與映射個人的主觀想像。

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away. It is also the voice of the process of memory

負育群帶聚落

puncturing of the body by the sound will reveal one's senses and will also shape and reflect the subjective imagination of the individual.

Sound and the City When you empty your mind, the sounds are able to penetrate your body and raise the possibility to interact with your perception. Regarding the relationship between a city and sounds, particularly the so-called "noises," we tend to insulate the environment against sounds or control sounds. If we look at the Taipei Basin, it is like a sound collector enlarging the sounds in the city and further blurring and fragmenting the sounds. While in such a warm humid climate, with a mixture of various sounds and the changing of people's routes and lifestyle, we need to keep an eye on the phenomenon and situation brought about by the sounds. The concept toward the flow and convenience of information keeps being reshaped, yet the city's structure remains intense. However, it is an interesting imagining process to secure a vacant space in an intense city. In terms of TAF, we need to empty this area to allow the sounds coming in. We empty this base with inaction, and sink all the existing building below the horizon to reflect our imagination and thinking toward the city; thus, we may be able to turn this space into an experiment of sound.

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└ 跨域採集研究 Interdisciplinary Collecting Research ───────

蔡宛璇＋澎葉生 Tsai, Wan-Shuen + Yannick Dauby 聲音與環境│Sound and Environment 回看工作室共同負責人 Yannick Dauby（澎葉生）是定居臺灣的法籍聲音藝術與錄音工作者。他遊走於自然、都會、鄉間和工業環境間多年的聆聽經驗，並延展出各類形式的聲音創作實踐。蔡宛璇，造型藝術工作者與詩書寫。出生澎湖，旅法數年，現定居臺北盆地邊緣。 ───────────────────────────────────────────── Yannick Dauby is a French-born sound artist and recordist, living and working in Taiwan, with twenty years of experience of wandering in natural, urban, rural and industrial sound environments, hunting-gathering sounds and assembling and sharing them into soundtrack for film, dance, or exhibitions, or into personal creations such as experimental music and audio documentaries. Tsai, Wan-Shuen, visual artist and poet. Born in Penghu archipelago, living and working in the edge of the Taipei Basin.

Auscultation of urban habitat Are we sure our living environment is appropriate ?

type of investigations: sounds extracted from different

There are many fundamental ways of checking

areas of the Taipei Basin could be integrated into an

地不同區域提取的聲音整合成可以聆聽的形

it, just think about the chemical analysis of the air,

audible form, accessible to audience. This is also an

基本的檢驗方法有很多，像是生活必須的

式，供觀眾觸及。這同時也是一個發展聆聽

which is mandatory for our health. We can also easily

opportunity to develop a listening community, to

空氣品質分析，也可以輕易地聯想到教育、

社群的機會，用以增加對聲音環境的關注。

think about access to education, to transportation,

increase the attention towards sound environment.

etc. But there are other factors for a suitable habitat

這些年來，許多行動或計畫都提到了「音景」

These last years, numerous actions or projects are

交通等等的領域。但是關於適切棲地的考量

which are maybe less considered.

referring to the concept of "soundscape", but there is

因素，有些是較容易被人們忽略的。

的概念，但臺灣一直還沒有一個發展我們聲

I would propose listening as a way to investigate

not yet a platform for developing our audio culture,

我建議以聆聽作為一種方法來探查都市區

音文化的平台，一個準備好向公眾發聲的具

these subtle aspects of the urban area. Like a doctor

a physical place for listening what has been already

域的幽微面向，像是一位聽診的醫生聽身體

體場所，透過像是田野錄音和聲音紀錄創作

who is auscultating, listening to what the body says,

prepared for the public, such as field recordings and

one can listen what the city is expressing. It is not

audio documentaries. This audio base in Kong-Zong

所說的話，人可以聽到城市的表達。這不僅

的方式發聲。我認為空總這樣一個聲音基地，

only a matter of noise disturbance but also to check

could be a centre for exploring listening practices.

是關乎噪音干擾，同時是在檢驗居民們如何

可以是個探索聆聽實踐的中心和輻散點。

if the inhabitants can relate to their environment.

As an example, I am presenting my most recent

Presence of non-humans, of water can gives hint

work, related to Beitou area. Why Beitou? Because

about cohabiting ecosystems inside the city. Sounds

it presents a large variety of sound elements that

that have a historical significance can helps us root

integrate the human beings living there into the

都市棲居聽診我們是否確定我們生活在適當的環境？

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空總可以作為此種探究的基礎：將臺北盆

與他們的環境產生關聯。非人類生命和水的

舉例來說，發展的近期作品與北投地區有

存在暗示著城市內部的共生生態系統，而具

關。為什麼選擇北投？因為它呈現出各種各

有歷史意義的聲音可以幫助我們根植自己，

樣的聲音元素，將生活在那裡的人融入歷史

ourselves, identify with the communities. Sounds that

History (from the traditional market to the stone

進一步認同社群。基礎建設發出的聲音，就

中（從傳統市場到打石），這樣的特質源自該

emanate from infrastructures, if they don't contribute

carving), that emanate from the agricultural aspect

算沒有形成巨大的背景噪音，也揭示了城市

地區的農業，與人類移居和交通有關，甚至

to the massive background noise, can also reveal the

of the area, that relate to human displacement and transportation, and even place human on a much

的脈搏和呼吸。

可以將人放在更大規模的地質活動上來看待。

pulse and the breaths of the city.

負育群帶聚落

Kong-Zong (TAF/C-Lab) could be a base for this

larger scale, the geological activity. 文化數據

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└ 跨域採集研究 Interdisciplinary Collecting Research ───────

Plants during Air Force

Taipei Desert Ecology Healing

Command Headquarters Period

林暐翔

Trees: camphor, mango, jambu fruit, guava, longan,

Soil cultivating plants Life of plants nourish the complexity of its veins the earth! Soils carry many lives, nutrition and quality The plants reduce ecological adversity and gradually construct the environment with its own life and body from its generation Plants in the urban desert The soils that are forced to be compacted--How do they survive and renovate in adversity? How to slow the deterioration of artificial environment? How to silently improve the waste? How to help the people who is living in it?

banyan, sea fig, dragon juniper, norfolk island pine, siris tree, pomelo, swamp mahogany, yellow coconut Shrubs: golden dew, jungle flame, China rose, thick leaved fig Herbs: singapore daisy Then the space was open to management

植物生態│Plant Expert

Naturally grew: paper mulberry, mulberry, red cedar, Japanese climbing fern, country borage, floppers and so on.

植物人、生態農耕顧問、植物生態教育研究學者農業耕地規劃、土壤生態系統改良、植物生態復育、植物生態工程相關授課 ───────────────────────────────────────────── Ecological Farming Consultant, The Researching Scholar of Plant Ecological Education The teacher of Agricultural Land Planning, Soil Ecosystem Amelioration, Plant Ecological Rehabilitation, and Plant Ecological Engineering.

The pioneering plants and invasive plants begin to evolve in the wild. The main method to maintain is to prune trees and to mow the grass, instead of curing the roots and improving the quality of soil. It would easily wound the plants and cause them injury. The function of cooling from urban greening is gradually weakening. From the temperature chart, we may see the plants are enduring the heat and it's

空總軍營時期種植

臺北沙漠土壤生態癒

喬木：樟樹、芒果、蓮霧、芭樂、龍眼、

土壤孕育植物

正榕、雀榕、龍柏、小葉南洋杉、大葉合

植物生命滋養土地

plants still keep a strong stamina to survive.

歡、柚子、大葉桉、黃椰子

複雜性脈絡演進！

To be continued: the soil quality improvement

灌木：金露花、矮仙丹、朱槿、圓葉榕

土壤乘載眾多生命營養與質量

草本：南美彭棋菊

植物用自身世代生命及肉體逐步建構環境

而後開放空間交付管理

都市沙漠中的植物們

自然落種生長出：構樹、小果桑、茄苳、

受逼迫壓實的土壤們

海金沙、到手香、不死鳥等

如何堅忍的在逆境中生存修復？

先驅植物和入侵種植物開始野放競爭演化

如何減緩人工環境的劣化？

管理方式主要以修剪割草為主

如何默默改善這片荒蕪？

而非養護根系改善土質

如何幫助著生活在其中的人們？

difficult for them to cool down the environment. Regardless the ill condition of the environment, those

experiment in local waste recycling.

易傷及植株造成受傷傾斜病害綠化降溫的功能性逐漸衰弱溫測圖可看出植株處於高燒不易降溫環境如此惡劣植株求生意志依然旺盛

待續：在地廢棄物循環利用土壤質地環境改善實驗

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負育群帶聚落

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└ 跨域採集研究 Interdisciplinary Collecting Research ───────

廖惟宇 Liao, Wei-Yu 建築人│Architect

臺北人，水泥叢林長大。建築師。著《游擊造屋》一書。持續在建築事務所間流浪。 ───────────────────────────────────────────── Born in Taipei and grow up in the concrete jungle. An architect. The author of Guerrilla House-making. Continued to wander among architectural offices.

「我們趁著一天中唯一較長的空閒，收完早餐到午餐開始間的近一小時，躲到頂樓抽菸哈

「如此的封閉社會，內裡任何小事（也只會有小事）都可傳千里，除了在各處室傳遞文件

拉，把雜誌每篇報導每個字都讀過。在冬日來臨之前的溫暖早晨，躺在頂樓水泥地上曬太

的同時聊兩句散播消息，每天上下午的收發文、傍晚的倒垃圾及操練時間都是訊息交換的大

陽，看著被頂樓圍牆牆框住的藍天，向它吐煙，是我最難忘的超現實情景。」— 選自〈薩哥〉

聚會。而封閉環境中人對小事（也只會有小事）的感受會異常放大，於是任何小事都醞釀成

"What we do is to hide on the top floor to smoke, chat and read every single word in the reports on the magazines during the longest leisure time of the day, which is nearly one hour between breakfast and lunch. In the warm morning before winter day, lying on the cement floor on the top floor, watching the blue sky framed by walls, and spewing smoke to it, are the most unforgettable surreal scenes in my memory."- Excerpt from <Shaco>

了大事。」— 選自〈資收場〉 "In a closed society, anything small (only trivial things happen there) can be transmitted within a thousand miles. Apart from the gossips when passing documents in different offices, the dispatches during office hours in the morning and afternoon, garbage dumping in the evening, and training time are the big gathering of information. People's feelings about small things (and only small things would happen) will be greatly enlarged in such a closed environment, and any small things will breech into big ones." - Excerpt from <Information Gathering Field>

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負育群帶聚落

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└ 跨域採集研究 Interdisciplinary Collecting Research ───────

蘇弘 Su, Hung 建築創作│Architect ＋＋設計顧問有限公司負責人。東海大學景觀學系、文化大學建築及都市設計學系兼任講師及助理教授。巴塞隆納高等建築學院ETSAB 建築碩士及博士班。 ───────────────────────────────────────────── ++ Architect, Principal. Adjunct Instructor at the Department of Landscape Architecture of Tunghai University, Assistant Professor at the Department of Architecture and Urban Design of Chinese Culture University. Master degree and doctoral student in Architecture from ETSAB, UPC.

〈無題，不設計〉臺北實驗林－空總實驗a：採集空總裏的光盒子建築的保護下，房間是時光的盒子，留存了許多過去的痕跡機械複製與化學的反應，讓建築內部空間光景再次顯影實驗b：35公分的空總視線的採集，固定35公分距離的視野，另一種方式去觀看張大眼、低下頭，重新觀察環境當中足以珍視的某些片段實驗c：複寫空總直覺，蹲下身，伸出手－觸碰透過觸摸顯現環境當中那難以言說的質感實驗d：種空總的樹：樹與空間

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〈untitled , non-project〉 Taipei's Experimental Forest - TAF Experiment a: collection of light boxes in TAF Under the protection of the building, the room is a box of time, retaining many traces of the past. The reaction of mechanical replication and chemistry re-develops the space and light inside the architecture. Experiment b: TAF at a 35cm distance Collection of sight, with a fixed visual field of 35 cm, viewing with another way. Open your eyes, keep your head down, re-observe certain precious segments of the surroundings. Experiment c: duplicating TAF With instinct, to crouch and reach out your hand - and to touch. Through touching to reveal the unspeakable texture and quality in the environment. Experiment d: Growing trees of TAF: Tree and Space

樹與樹的間距，人與自然的距離

The gaps between trees, the distance between human and nature.

那難以言說的，必須保持沉默

The unspeakable should remain silent .

負育群帶聚落

文化數據

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臺北地區都市空間構成盤點 Urban Area ─────── UrbanSpace Spaceof of Taipei Taipei Area

MRT

High Speed Rail Residential and Merchant mix area

Railway

Industry

Highway

Agriculture

Airport

Partitions

Traffic System

Agriculture The proportion of water consumption

Livelihood

Industry

Reservoir Water conservation area Main trunk line of rivers Water pipeline Water purification plant National park and Ecological reserve Sewage treatment plant Parkland

Hydrology and Water Conservancy Facilities

Ecological Reserve and Parkland

臺北地區都市空間構成盤點 Urban Area ─────── UrbanSpace Spaceof of Taipei Taipei Area

Government Agencies Central government

Temples and Churches

Hospital County and city government

Medical center

Local hospital

Regional institutions

Exhibition and Performance Space

The Distribution of Schools University

High school

Elementary School

Junior high school

Market

Large or famous temples

Large or famous churches

Temples

Churches

Garbage Collection Site

Large exhibition space

Large performance space

Incinerator

Landfill

Large complex space

Medium exhibition space

Recycle Center

Waste recycling plant

Small exhibition space

Small performance space

Small composite space

Night Market

Market

Graveyard Big

Small

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└ 負育群帶聚落－團隊成員 Team Members of Collective Negative Space Village

年表

陳宣誠 Chen, Eric

Chronology 空間於時間裡轉化，在政治經濟的框架之下，創造了不同身份與群聚的歷史。現今為「臺灣當代文化實驗場」的場址，

The transformation of space in the flow of time creates a history of different identities and a history of gathering under the framework of the political economy.

置的「工業研究所」。1939年，中央研究所

the Governor-General of Taiwan during Japanese colonial period (1921 AD). In 1939, the Central Research Institute was abolished, and it was further developed into "Agricultural

所」、「工業研究所」與「熱帶醫學研究所」，

Experimentation Institute," "Forestry Experimentation Institute,"

而本場址則為其中的「總督府工業研究所」。

"Industrial Research Institute" and "Tropical Medical Research

量，將此地改為「空軍總司令部」，也就是

Institute." The location of TAF was the "Industrial Research Institute of the Office of the Governor-General." In 1949, Nationalist Government relocated to Taiwan, this place was

空總簡稱的由來。場址中的U字型建築「貳

converted to "Air Force Command Headquarters in Taipei." The

號館」經歷美軍轟炸、倖存，而成為古蹟建

U-shaped building "Building No. 2" has survived the bombing

築。2012年，因司令部搬遷，空總的活化利

by US Army and becomes a historical building. In 2012, due to the relocation of Air Force Command Headquarters, the

用成為重要議題，後於2018年定案成為今日

activation and reuse of the space of Air Force Command

的「臺灣當代文化實驗場」。

Headquarters, which then renamed "Taiwan Air Force"(TAF),

空總的角色從領航臺灣工業研究的中心，

became a critical issue, and it was later announced as today's From the center of Taiwan's industrial research navigation,

場域；而在時間的行進裡可見臺北這個都市

TAF has shifted to a military strategic position, and then,

擴張，空總這個場域、位址與地景上與整個

turned into a place for cultural experimentation. The change of the urban network, hydrological growth and decline, the eastward expansion of the historical city and the relationship

臺北盆地的關係，從臺北古都的邊界到如今

among site, location, landscape of TAF and Taipei Basin as a

的都市中心。在這些轉變裡，今日「當代文

whole can be seen through the development of time. TAF was

化實驗場」的定位，是否可能由對文化的理

He has engaged in the long-term exploration on body and landscapes in order to develop another redefined architectural scale. He also attempts to repeatedly perceive the most fundamental value of everything with the most authentic sensation, which enables buildings to become an environment for people.

邱俊達 Chiu, Chun-Ta (Yves)

s 策展人 C u r a t o r

藝術創作理論博士。關注研究基礎創作、優柔寡斷的辯證法以及形容詞的存有論。 PhD. of Art Creation and Theory of TNNUA. Concerning about Research-based Art, indecisive dialectics and ontology of Adjectives.

蔡明君 Tsai, Ming-Jiun

s 策展人 C u r a t o r

遊牧者，以藝術作為語言及方法與環境、人、空間對話。 A nomad, who holds conversations and builds relationship with environment, people and space via art.

黃彥一 Huang, Yen-Yi

s 共感地景創作專案經理 A rc h i B l u r L a b P ro j e c t M a n a g e r

淡江建築研究所碩士，2015年與建築師陳宣誠共同創立共感地景創作｜ArchiBlur Lab 建築團隊，實踐建築實驗精神。 Huang, Yen-Yi holds the master's degree from Graduate Institute of Architecture, TamKang University. In 2015, Huang and the architect, Eric Chen, jointly founded the ArchiBlur Lab to put into practice the experimental spirit of architecture.

"Taiwan Contemporary Culture Lab" (C-Lab).

轉換到軍事戰略位置，變為現今的文化實驗

網絡的改變、水文的消長與歷史城市的東移

的價值，讓建築成為關於人的環境。

The current site of "Taiwan Contemporary Culture Lab", was ruled as "Industrial Research Institute" by the Office of

1949年，國民政府來臺，因以國防為優先考

陳旻慧 Chen, Min-Hui

s 專案經理 P ro j e c t M a n a g e r

外文人、美術人，在影展、藝術、商業活動、語言、行政庶務間流浪中。 Born from foreign languages, literature and art. Wandering over film, art, event, words and office affairs.

徐漢翔 Hsu, Han-Shyang

s 駐地研究 R e s i d e n t R e s e a rc h e r

also switched from the border of the ancient capital Taipei to today's metropolitan city center. In these changes, regarding

農耕者，耕於都市鄰里、鄉村聚落，梳理文化水文，架構田間工事，進行生產活動。

解與創造，並認識族群與語言對文化的影

the position of C-Lab today, is it possible to realize the

A farmer, who rambles from city blocks to rural areas, making harvest from observing the currents and hard works in the fields.

響，透過數據作為方法，認識空總與臺灣的

history of TAF and Taiwan's culture as well as acknowledge

文化的過去，提出屬於當代的觀點，並為其累積甚至提出未來的想像。

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長期探索身體與地景間另一種重新定義建築的尺度，用最真實的身體感，反覆體會事物最根本

在日治時期（西元1921年）為臺灣總督府設

撤廢，拓展為「農業試驗所」、「林業試驗

s 計畫主持人 P ro j e c t D i re c t o r

負育群帶聚落

the influence of diverse communities and languages, to further bring up a contemporary concept and even to come up with an

姚羽亭 Analeigh Yu-Ting Yao

s 駐地研究 R e s i d e n t R e s e a rc h e r

imagination toward the future through the comprehension and

著迷於藝術、文化與人的連結與可能性。致力於搭建三者間一座又一座的橋梁。

creation of culture and the methodology of data?

Fascinated with connections and possibilities of art, culture and people. Dedicated to building up bridges within them.

文化數據

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【實驗建築預告】

Preview of Experimental Architecture

2018 十月建築從來就不只是建築，在圖紙以外的地方，試著找到接近它的道路。

實存空間裡的思維開展與具體行動，打開牆體，縫合新邊界關係，植入如探針般的量體，展開新向度與結點空間，作為聯繫未來新事件的環境基底。非現行營造生產體系的思維行動，用身體作為度量，於空間場域持續著建築活動，持續著與環境對話。

October 2018 Architecture is always beyond architecture. In the place out of the illustrated paper, try to seek for the path to approach it.

Unfold the thinking and put actual actions in the physical space, you may open the wall and stitch the new border of relationships. We implant a probe-like mass,unfold new dimensions and scatter space in order to prepare a fundamental environment for connecting future events. Instead of current thinking and action of production system, we use body as the measurement and keep the architectural action within the site to continue the dialogue with the environment.