棲居之事 Habitat Matters 活動回顧
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Events Review
關於實驗建築計畫
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About Experimental Architecture Project
負育群帶聚落計畫概述
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About Collective Negative Space Village
【棲居之事】國際講座介紹
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Introduction of "Habitat Matters" International Forum
團隊介紹
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Team Members
海報設計理念
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Poster Design Aesthetics
跨領域採集研究
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Interdisciplinary Collecting Team
空總文史經緯
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Brief History of C-Lab
工作站發展
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Development of the Workstation
年表
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Chronology
字彙表
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Glossary
活動預告 Upcoming Events
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└ 活動回顧 Events Review ───────────────────
建築之於環境， 是提問也是提案， 是想像的築構實踐 Architecture is the query and proposal to the environment and also is the constructive practice of imagination.
今年 4 月底，提案工作坊—「未來社會事務所」第一階段由群眾自造建置了 1： 50 的空總模型，邀集民眾對臺灣當代文化實驗場做多元而自由的想像；「負育群帶 聚落」的首場國際講座－「建築之外」，邀請國內外建築領域的專家談論建築作為 一種實驗的態度。當天絡吳工作室以理解自然環境與氣候流向去思考建築外部皮層 連結內部場所的流動性；侯君昊分析數位化、大數據發展下的建築生產，建築的實 驗性何在；而法國建築藝術家迪迪耶．弗薩．佛斯提諾則認為建築的實驗性在於重 組一種對身體的協商，進一步對建築的存在提出反省；對空總基地進行採集的研究 者蘇弘，以「光影盒子」的概念呈現漫遊觀察的精神；廖惟宇以《切片全景圖 》詮 釋真實佐虛構的空總文字書寫。而在講座之後，實驗建築合作的馬來西亞團隊窩工 房的分享會，則暢談其建築實踐的態度，聚焦於「走入社區，讓人群走出」，場場 豐富，令人神往。 這串彼此接連對話的互動現場，是對臺灣當代文化實驗場之於臺北或整個臺灣對 於建築作為一種實驗的首發提問，接續的「棲居之事」國際講座，將引領居民翱翔 於河圳、動植物生命與建築之間，開啟跨域的對話，探究自然生態與建築的關係。
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負育群帶聚落
At the end of April this year, in the first stage of the proposal workshop - "Trans After Future", Netizen Productions builts a 1:50 Taiwan Air Force Headquarter(TAF) model. It acts as an invitation to gather people's imagination towards Taiwan Contemporary Culture Lab with diversity and freedom. In the first international forum of "Collective Negative Space Village" "Beyond Architecture", domestic and foreign experts in the architectural field were invited to discuss about the attitude of seeing architecture as an experiment. In which ROEWU Architecture uses the understanding of natural environment and air flow to think about the fluidity of the connection between internal place and the exterior of a building, whereas Hou, June-Hao analyzes the experimentality of architecture when the architectural production is under the context of digitalization and big data development; Didier Fiúza Faustino, the French architect and artist, believes that the experimentality of architecture lies in the reconstruction of bodies' negotiation, and further addresses self-reflections on the existence of architecture; Su, Hung, a researcher who is working as a collector at C-Lab, uses the concept of "Light Box" to present the spirit of wandering observation; Liao, Wei-Yu's work "Panorama of Slices" interprets the written words regarding C-Lab that lie between reality and imagination. Besides the forum, the sharing session by Tatewowe Atelier, the Malaysian experimental architecture team, demonstrated the attitude of their architectural practice, which focuses on "walking into the community and make the crowd move". Every of the sharing was full of abundance and fascination. The series of associated events is the first query to Taiwan Contemporary Culture Lab in relation to Taipei or Taiwan regarding architecture as an experiment. The following international forum "Habitat Matters" intends to lead the residents to be involved in the interdisciplinary dialogues between rivers, lives of animals and plants and architecture, further to explore the relationship between natural ecology and architecture.
棲居之事
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└ 關於實驗建築計畫 About Experimental Architecture Project ──
臺灣當代文化實驗場 與實驗建築之關係 The Relationship between Taiwan Contemporary Culture Lab (C-Lab) and Experimental Architecture
在臺灣當代文化實驗場的概念中進行 實驗建築計畫，是對於建築自身的一種反 省。建築的樣態如何面對一種流動的關係 性生產，容納並有創造事件發生的彈性； 如何形成知識生產的平台，而這知識生產 有其應用性的場域，容許、甚至鼓勵變異 的產生，並進行一種持續性、有機性的改 變。「負育群帶聚落」實驗建築計畫即是 在這個反省基礎上，實踐建築的樣態成為 開放式的連結網絡，一方面透過和不同領 域工作者進行檔案研究與知識生產，另一 方面發展相關技術，不聚焦在單一建築體 上，而是形成一個關係性的生產聚落。
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負育群帶聚落
The idea of experimental architecture project within the concept of Taiwan Contemporary Culture Lab is to propose a self-examination and reflection upon its buildings. The state of architecture is a fluid and relational production, and it embraces and also creates spontaneous happenings ; it creates a incubator of knowledge which may be applied to a practical site that allows and even encourages variation in order to proceed sustainable and organic changes. The experimental architecture practice of "Collective Negative Space Villages" is based on this foundation of self-reflection, and make architecture an open network. For one, this allows an interdisciplinary collaboration for knowledge production and archive researching, and on the other hand, it formulates abilities that not to focus on a single piece of architecture, but a relational developmental community.
Co-workstation
Outdoor working field / Performing deck
Existing building (Zhongshan Hall)
Sharing dining hall
Architectural installation experiment
Existing building (Dormitory B)
Shower room / Composting toilet
Architectural installation experiment
Experimental corridor
Existing building (Dormitory A)
負育群帶聚落配置平面 Collective Negative Space Village plan Collective Negative Spacesite Village 棲居之事
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└ 計畫概述 About ──────────────────────
負育群帶聚落 Collective Negative Space Village
空總創新基地（TAF）歷史上，曾是漢人移墾落腳的聚落，日治時代成為「工業 研究院」，國民政府治理後轉為「空軍總司令部」，並輾轉成為今日的「臺灣當代文 化實驗場」。這滿溢的革新動能，更涉及臺北城市即將產生的變遷。 「負育群帶聚落」作為一項實驗建築計畫，探問著建築的嶄新起點為何？「建築」 若不只是靜態的表現物，那它應是某種隨時可以更動、寫入、拆解、組裝的連結與 關係，就像海洋一樣，是活的。而我們不僅是被海洋串起的世界的島民，也是介入 與形塑海域的航行者。 為了實現這種建築──或至少打開思考與實驗的場域，我們從「教育（育）」這個 核心出發，以「翻轉、顛覆、挑戰（負）」為動能，來尋找測量串連、牽引、形塑社 群的「航線（群帶）」，進而繪製出（mapping）這片「海域（聚落）」的基本樣貌。航 程的起點從一條不復見的灌溉水圳與空總的關係開始，蔓延至「臺北盆地」，並以 此想像空總的定位與角色。 本計畫與「跨領域採集研究」、「提案式工作坊」以及「實驗建築團隊」三種類型 的團隊合作，並以國際講座、工作坊、實驗建築發表的形式，繞行於「建築之外」、 「環境生態」與「文化數據」三片海域上，一同思考使各種形態與尺度的學習、教 育、培育活動得以發生的建築的未來。
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負育群帶聚落
TAF was once a settlement for the Han people in the history. It became the "Industrial Research Institute" during the Japanese colonial period. After the Nationalist government reignited, it became the "Air Force Command Headquarters" and was transformed into today's "Taiwan Contemporary Culture Lab (C-Lab)" The abundant innovative energy is highly related to the upcoming changes of the Taipei City. As an experimental architecture project, "Collective Negative Space Village" explores a brand new starting point of architecture. If "architecture" is not only a static representation, it should be a link and relationship that can be altered, rewritten, disassembled and assembled at any time. It is alive like the ocean, and we are not only the islanders of the world strung by the sea, but also the sailors involved in interfering and shaping the ocean. In order to realize this type of architecture, or at least open the field of thinking and experimentation, we proceed from the core of "education" and use "reversal, subversion, and challenge (negative)" as dynamic energy to find the "airline (collective)". Further mapping the basic appearance of the "maritime zone (village)". The starting point of the voyage begins with a relationship between TAF and the irrigation river that no longer exist, spreading to the scale changes in the "Taipei Basin", thus imagining the general orientation and role of TAF . This project cooperates with the three types of team: "Interdisciplinary Collecting Research", "Proposal Workshop", and "Experimental Architecture Team". It bypasses three sea areas of "Beyond Architecture", "Environmental and Ecology" and "Cultural Data" through the form of international forums, workshops, and experimental architecture. To think about a future of architecture that allows various forms and scales of learning, education, and cultivation to take place.
棲居之事
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教育
Education
概念圖 Concept Diagram
育
負
構築 Tectonic
Nurturing
Negative
土地 Ground
Landscape
實驗 建築
行為 Behavior
Experimental Architecture
空間
群帶
Space
Collective
水文
道路
Hydrology
History
生態 Ecology
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Life
感知
Sensation
Plant
Sound
負育群帶聚落
生活
Village
植物
聲音
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聚落
地景
採集 Collecting
植物 Plant
公共性 Public
Road
製圖
Mapping
藝術 Art
棲居之事
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└ 【棲居之事】國際講座介紹 Introduction of "Habitat Matters" International Forum ────────────────────
棲居之事 Habitat Matters
空總實驗建築計畫「負育群帶聚落」以三場國際講座以延續對話與擴展議題的方 式來思考與規劃。接續「建築之外」，第二場國際講座「棲居之事」希望將討論延伸 並擴充，從都市規劃、自然與文化地景、城市作為生態系等議題來思考。 當提到「棲地」，彷彿會直接地想到自然生物，但當說到「居住」似乎會直覺想 到人。那麼是否可以用「棲居」來思考人與其他生物的共同居住地──城市──以 及與城市以外環境的關係。水泥城市是否可以不僅是為了人類的現代便利生活所存 在的熱島？城市中其他生物的生活是如何與人們相關聯？都市其實無法自外於都市 以外的地區作為支撐系統，臺北與它身處盆地這樣的自然地貌有什麼重要關係？ 「棲居之事」希望能夠從生態系的角度來觀看、思考城市的狀態，特別是對於 空總這個在臺北市中心的水泥基地未來的發展。因此，我們邀請了來自澳洲 Turf Design Studio 生態地景設計工作室的總監麥可．霍恩，長期對於公民城市或非典型 都市規劃實踐進行研究與書寫的侯志仁，擅長用生物地理學與博物學採集角度與 方法連結不同議題進行研究的洪廣冀，以及跨域採集團隊的視覺與聲音創作者蔡宛 璇、澎葉生和植物醫生林暐翔。透過這些講者不同的觀點來談談這個計畫關心與 「棲居」相關的事。
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TAF Experimental Architecture Project "Collective Negative Space Village" establishes its thought and plan through three international forums in order to continue the dialogue and expand the issues. Following the first forum "Beyond Architecture", "Habitat Matters" hopes to extend and expand the discussion, considering issues such as urban planning, natural and cultural landscapes, and cities as ecosystems. When it comes to the word "habitat," it seems that people will think of natural creatures directly, but when it comes to"dwelling", it seems that people will intuitively think of human. Yet it is important to think of "habitat" including the idea of dwelling to reflect on the co-residence space of people and other living organisms, which are the cities – and their relationship with the environment outside of the city. Can a cement city not only be a heat island that exists for the modern convenience of mankind? How are the lives of other organisms in the city related to people? In fact, the city cannot function without what is outside of the city as the support system. What is the important relationship between Taipei and its natural feature as basin? "Habitat Matters" intends to see and think about the state of the city from the perspective of the ecosystem, especially focusing on the future development of C-Lab, a cement base in central Taipei. Therefore, we invite Mike Horne, the director of Turf Design Studio, a ecological landscape design studio in Australia; Jeffrey Hou, who has studied and written about civil cities and atypical urban planning practices; Hung, Kuang-Chi, who is good at using biogeographical and natural historical perspectives and methods on collecting and connecting different topics ; interdisciplinary collecting team members, Tsai, Wan-Shuen and Yannick Dauby who are visual and sound artists also the plant doctor Lin, Wei-Siang. Through the different views of these speakers, the forum means to elaborate the "habitat" concerns in relation to urban and natural environment and then think about Taipei city.
棲居之事
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└ 講者介紹 Speaker ──────────────────────
【棲居之事】國際講座 2018 年 7 月 7 日（星期六）╱ 地點：臺北空總當代文化實驗場 中山堂（圖書館） International Forum – "Habitat Matters" Saturday, 7th of July 2018 at Taipei C-Lab, Taiwan
09:40 10:00 10:00
↓ 10:10 10:10
↓ 11:00 11:10
↓ 12:00
14:30
↓ 15:00
講者 Main Speaker
侯志仁 Jeffrey Hou
17:00
負育群帶聚落
術研究等專業科目。
中的爭議性，毅然決然斷開了這條研究道
麥克．霍恩 Mike Horne
路，轉而在 2006年至2013年到哈佛大學研 讀科學史系並取得博士學位。 研究岔路如此徑並走非首次，洪廣冀在 臺大森林學撰寫新竹司馬庫斯碩士論文時，
● 茶敘 ● Tea time
以「地理學」作為分析架構，他一次次在投 入研究的過程，以理解置身其中的框限，
Interdisciplinary Collecting Research Team Speakers
17:00
教授文化、社會、自然、地理學與科學技
認到林學和環境資源管理科學在當代社會
講者 Main Speaker
主題演講 Theme Speak
跨域採集研究團隊發表
↓
臺灣大學地理環境資源學系助理教授，
原先在臺大念森林博士班的洪廣冀，體 ● 午餐 ● Lunch
↓
15:50
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洪廣冀 Hung, Kuang-Chi
15:00 15:50
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講者 Main Speaker
主題演講 Theme Speak
↓
↓
蔡明君 Tsai, Ming-Jiun
主題演講 Theme Speak
13:30
14:20
主持人 Moderator
引言 Introduction
12:00
13:30
Hung, Kuang-Chi
● 報到 ● Registration
↓
洪廣冀
講者 Main Speakers
跨越出走，自此將研究視野開拓到新的境
蔡宛璇＋澎葉生、林暐翔
界，也因為悉知研究主體的核心是人類與
Tsai, Wan-Shuen + Yannick Dauby Lin, Wei-Siang
生態大地之間的關係，廣泛學習了人類學、 歷史學、環境史、生物地理學、演化生物
綜合座談 Round Table
● 賦歸 ● Farewell
學等研究主題。他並不鑽入單一研究主題， 而是將主題作為思維、空間尺度發展的中 心點，牽繫到人類世紀的帝國擴張、宗教 與科學衝突，甚至種族分類的歷史。
Assistant Professor at the Department of Geography, National Taiwan University, lectures on culture, society, nature, geography, technological research. Originally studying Forestry and Resource Conservation for his Ph.D. at NTU, Hung came across the conflict between forestry and resource management in today's world, thus deciding stop his research. From 2006-2013, he continued and finished his Ph.D. at Harvard University, majoring in the history of science. This was not the first time Hung had ran into such diverging crossroads in his research. The subject of his master's thesis in NTU is Smangus in Hsinchu. He utilized "geographical" viewpoints to realize and understand the limitations of being in a field and the way to go beyond it while doing his research. Well versed in the core of his topic that is the relationship between human and ecology of earth, he broadened the scope of his research in themes including anthropology, history, environmental history, biogeography, and biological evolution. Hung never wanders within the limitations of one research topic, but take the topic as a core of the development of thoughts and space which develops the scope of the research touching upon empire expansion throughout human history, the conflict between religion and science, and even the history of race concepts.
棲居之事
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└ 講者介紹 Speaker ──────────────────────
講者介紹 Speaker ──────────────────────
侯志仁
麥可．霍恩
Jeffrey Hou
Mike Horne
美國華盛頓大學景觀建築系教授，現 居西雅圖，教學與研究領域包括：公民城 市、規劃與設計的民主化、公共空間、社 區園圃、與反叛式的空間營造。 專業足跡遍及太平洋兩岸，早年參與過 的個案包括：宜蘭歷史空間研究調查、蘭 嶼海砂屋社區重建、黑面琵鷺與海岸生態 保育等，近年來著力於西雅圖亞裔社區的 環境重建與社區營造，以及臺北的社區再 生，從實際的案例觀察並串連社會中不同 的動力。 曾任維也納科技大學（TU Wien）訪問 教 授、 日 本 千 葉 大 學 訪 問 教 授、 中 原 大 學兼任教授與傅爾布萊特訪問學者。獲 有景觀建築教育學會「服務學習教學卓越 獎」、西雅圖華埠與國際區發展中心「社 區營造者獎」、紐約建築師協會「整體設 計獎」，並三度獲得環境設計研究學會著 作獎（Places Book Award）。 著 有《 城 市 造 反： 全 球 非 典 型 規 劃 術》、《反造城市：台灣非典型規劃術》、 《混城亂市：亞洲城市的另一面》等書。
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Jeffrey Hou is Professor of Landscape Architecture at the University of Washington. Currently based in Seattle, his work focuses on civic urbanism, democratization of planning and design, public space, community gardening, and insurgent placemaking. In a career that spans the Pacific, he has worked with indigenous tribes, farmers, and fishers in Taiwan, neighborhood residents in Japan, villagers in China, and inner-city immigrant youths and elders in North American cities, on projects including design of arts complexes, rebuilding of indigenous communities, conservation of wildlife habitats, and community building in inner-city neighborhoods. Hou was a City of Vienna Visiting Professor at TU Wien, a Visiting Professor at Chiba University, an Adjunct Professor at Chung Yuan University, and a Fulbright Scholar. He is a recipient of the CELA Award of Excellence in Service-Learning Education, Community Builder Award from the Seattle Chinatown-International District Preservation and Development Authority, and the Matthew W. Del Gaudio Award for Excellence in Total Design from the New York Society of Architects. His edited and co-edited books include Insurgent Public Space: Guerrilla Urbanism and the Remaking of Contemporary Cities and Messy Urbanism: Understanding the "Other" Asian Cities.
過去 15 年間，Turf 設計工作室將景觀 建築實踐在合作的概念與實際層面上，提 升到新的創意與效能層次。Turf 團隊由麥 可霍恩領導，在澳洲與歐洲志趣相同且技 能互補的工作室協同增效地合作，以活力 與熱情執行都市與生態複雜設計的計畫， 實踐了「協力」的意義。 近期的一個地景計畫，是一個從澳洲最 老的大學校區中央到密集的都會區域驚人 的濱水生態都會公園。他們異質團隊合作 模式是在深厚的建造知識的基礎上，結合 小型工作室的力量，為所有的計畫帶出非 凡的創新設計，創造出最精彩的城市空間。 文
詹姆斯．沃瑞克教授，新南威爾斯
大學，景觀建築系教授，都市發展與設計 課程主任，任教於居住環境系。
"Over the past fifteen years, Turf Design Studio has brought the idea and reality of collaborative practice in landscape architecture to new levels of creativity and effectiveness. In response to complex challenges in urban design and ecological design, the Turf team under the leadership of Mike Horne, has reached out to like-minded but complementary atelier-based practices in Australia and Europe to deliver projects with an energy and élan that has given the term 'synergy' true meaning. From a new landscape for the central campus of Australia's oldest university to a dense urban quarter, a dramatic waterfront and a system of constructed ecologies for an inner urban park, the collaborative approach has brought talent and skill to the making of the city in pace-setting ways. The Turf approach, based on the combined power of small offices, has brought design innovation to the fore in all these projects, backed up by deep knowledge on how to build – and the city has been the winner." Text by / Professor James Weirick, Professor of Landscape Architecture, Director, Urban Development & Design Program, Faculty of Built Environment, University of New South Wales
棲居之事
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└ 團隊介紹 Team Memebers ────────────────
海報設計理念 Poster Design Aesthetics ───────────
陳宣誠 Chen, Eric
棲居之事─水紋邊界
s 計畫主持人 P ro j e c t D i re c t o r
長期探索身體與地景間另一種重新定義建築的尺度，用最真實的身體感，反覆體會事物最根本 的價值，讓建築成為關於人的環境。 He has engaged in the long-term exploration on body and landscapes in order to develop another redefined architectural scale. He also attempts to repeatedly perceive the most fundamental value of everything with the most authentic sensation,
The concept of visual aesthetics "Habitat Matters - Hydrology Boundary"
which enables buildings to become an environment for people.
邱俊達 Chiu, Chun-Ta (Yves)
s 策展人 C u r a t o r
藝術創作理論博士。關注研究基礎創作、優柔寡斷的辯證法以及形容詞的存有論。 PhD. of Art Creation and Theory of TNNUA. Concerning about Research-based Art, indecisive dialectics and ontology of Adjectives.
蔡明君 Tsai, Ming-Jiun
s 策展人 C u r a t o r
人們踩踏於島嶼之上，島嶼植基於海洋
遊牧者，以藝術作為語言及方法與環境、人、空間對話。
中，洋流水系串連海陸、山巒和臺灣百座
A nomad, who holds conversations and builds relationship with environment, people and space via art.
島嶼，海洋將臺灣島嶼牽繫，並連結向外
黃彥一 Huang, Yen-Yi
擴散的世界。 s 共感地景創作專案經理 A rc h i B l u r L a b P ro j e c t M a n a g e r
淡江建築研究所碩士，2015年與建築師陳宣誠共同創立共感地景創作｜ArchiBlur Lab 建築團 隊，實踐建築實驗精神。
流動的水紋彷彿是城市裡的負空間，而 水是生命維持的重要物質，「棲居之事」海 報設計，以「水紋、山脈」為重點，透過
Huang, Yen-Yi holds the master's degree from Graduate Institute of Architecture, TamKang University. In 2015, Huang and the architect, Eric Chen, jointly founded the ArchiBlur Lab to put into practice the experimental spirit of architecture.
層次堆疊的山系水紋地景，將山形河流 鮮明地勾勒出來，顯現島嶼的多維度和
陳旻慧 Chen, Min-Hui
s 專案經理 P ro j e c t M a n a g e r
外文人、美術人，在影展、藝術、商業活動、語言、行政庶務間流浪中。 Born from foreign languages, literature and art. Wandering over film, art, event, words and office affairs.
深淺層，從視覺上體驗出島嶼空間的脈搏 動向，以及生態環境中雜草花木的淬煉釋 放，自然氣息的語言聲響，似乎靜謐的悄 悄傾洩而出。
徐漢翔 Hsu, Han-Shyang
s 駐地研究 R e s i d e n t R e s e a rc h e r
農耕者，耕於都市鄰里、鄉村聚落，梳理文化水文，架構田間工事，進行生產活動。 A farmer, who rambles from city blocks to rural areas, making harvest from observing the currents and hard works in the fields.
層疊、組構的設計理念，呼應「負育群 帶聚落」複合式的實驗建築計畫，點出我 們在乎的不只是建築自身，而是關於建築 之外，環境共生的自然生態走向。而每張
劉嘉 Liu, Jia
s 駐地研究 R e s i d e n t R e s e a rc h e r
從分析場面調度到觀察空間語境，迷途在真實與虛幻的城市裡。 From analysing mise-en scene to space language, I got lost in the blurred line between reality and illusion of city.
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負育群帶聚落
地圖之外尚待開發的更多地景，也留給身 為島國人民的我們，一片自由想像的棲地。
People live on islands, and islands are based on the ocean. The ocean currents are linked to the sea, land, mountains, and hundreds of islands in Taiwan. The ocean embraces the islands of Taiwan and links it to the outwardly extending world. The flowing water pattern is like a negative space in the city, and water is an important element for life support. The poster design of "Habitat Matters" focuses on "hydrology and mountains" and outlines the landscape, mountains and rivers. In this way, the multi-dimensional and rich layers of the island can be visualized, and, furthermore, the spatial atmosphere of the island can be visually experienced. The vigorous growth of grass, flowers and trees in the ecological environment as well as the sound of nature's breath seems to be quietly poured out. The design concept of combining layered maps is to respond to the complex experimental architecture project of Collective Negative Space Village. To point out that we care about not only the buildings, but also the natural ecological of environmental symbiosis beyond architecture. However, more landscapes beyond the maps that are yet to be developed are left to people of this island nation as an freely imaginable habitat. 棲居之事
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跨域採集研究
跨域採集研究 Interdisciplinary Collecting Research ───────
Interdisciplinary Collecting Research
林暐翔 Lin, Wei-Siang 植物生態│Plant Expert 植物人、生態農耕顧問、植物生態教育研究學者 農業耕地規劃、土壤生態系統改良、植物生態復育、植物生態工程相關授課 ───────────────────────────────────────────── Ecological Farming Consultant, The Researching Scholar of Plant Ecological Education The teacher of Agricultural Land Planning, Soil Ecosystem Amelioration, Plant Ecological Rehabilitation, and Plant Ecological Engineering.
城市是什麼？如何觀看一座城市？ 場所錨定在時間裡，透過時代價值 的賦予，以及個人身體經驗和情感的 記憶，對基地的觀察，呈現了自己與 土地連結的獨特關係，也成為另類的 「觀看」感受方式。 「負育群帶聚落」邀請五組不同領 域的創作者，組成跨領域採集研究團 隊，針對建築攝影、植物與土壤、地 景錄音、寫作展開城市空間拓荒，建 立檔案資料，從他們對城市的觀察， 以及身體移動對空間的感受，解讀臺 北盆地的生態經緯，拼成現代的空間 語境。
What is a city ? How do people observe a city ? A space anchors itself into time during which it is seen. Thus taking the value of time into account, as well as observing sites from a standpoint of personal bodily experiences and memories of emotions, one can approach the land with a unique position and perhaps truly understand the humanistic feeling of this type of "observing" equation. "Collective Negative Space Village" invites creators from five different fields to collaborate in a interdisciplinary team. Focusing particularly on architectural photography, flora and soil, landscape sound recording and writing, they explore urban space and document data of the city. From their observations and physical sensation with the space, they attempt to comprehend the physical features and ecosystems of the Taipei basin, and compose a more contemporary context of space.
臺北沙漠土壤生態癒
Taipei Desert Ecology Healing
土壤孕育植物
Soil cultivating plants
植物生命滋養土地 複雜性脈絡演進！
Life of plants nourish the complexity of its veins the earth! Soils carry many lives, nutrition and quality
土壤乘載眾多生命營養與質量
The plants reduce ecological adversity and
植物用自身世代生命及肉體逐步建構環境
gradually construct the environment with
都市沙漠中的植物們
its own life and body from its generation Plants in the urban desert
受逼迫壓實的土壤們
The soils that are forced to be compacted
如何堅忍的在逆境中生存修復？
How do they survive and
如何減緩人工環境的劣化？ 如何默默改善這片荒蕪？ 如何幫助著生活在其中的人們？
renovate in adversity? How to slow the deterioration of artificial environment? How to silently improve the waste? How to help the people who is living in it?
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負育群帶聚落
棲居之事
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└ 跨域採集研究 Interdisciplinary Collecting Research ───────
蔡宛璇 ＋澎葉生 Tsai, Wan-Shuen + Yannick Dauby 聲音與環境│Sound and Environment 回看工作室共同負責人 Yannick Dauby（澎葉生）是定居臺灣的法籍聲音藝術與錄音工作者。他遊走於自然、都會、 鄉間和工業環境間多年的聆聽經驗，並延展出各類形式的聲音創作實踐。 蔡宛璇，造型藝術工作者與詩書寫。出生澎湖，旅法數年，現定居臺北盆地邊緣。 ───────────────────────────────────────────── Yannick Dauby is a French-born sound artist and recordist, living and working in Taiwan, with twenty years of experience of wandering in natural, urban, rural and industrial sound environments, hunting-gathering sounds and assembling and sharing them into soundtrack for film, dance, or exhibitions, or into personal creations such as experimental music and audio documentaries. Tsai, Wan-Shuen, visual artist and poet. Born in Penghu archipelago, living and working in the edge of the Taipei Basin.
Auscultation of urban habitat Are we sure our living environment is appropriate ?
type of investigations: sounds extracted from different
There are many fundamental ways of checking
areas of the Taipei Basin could be integrated into an
地不同區域提取的聲音整合成可以聆聽的形
it, just think about the chemical analysis of the air,
audible form, accessible to audience. This is also an
基本的檢驗方法有很多，像是生活必須的
式，供觀眾觸及。這同時也是一個發展聆聽
which is mandatory for our health. We can also easily
opportunity to develop a listening community, to
空氣品質分析，也可以輕易地聯想到教育、
社群的機會，用以增加對聲音環境的關注。
think about access to education, to transportation,
increase the attention towards sound environment.
etc. But there are other factors for a suitable habitat
這些年來，許多行動或計畫都提到了「音景」
These last years, numerous actions or projects are
交通等等的領域。但是關於適切棲地的考量
which are maybe less considered.
referring to the concept of "soundscape", but there is
因素，有些是較容易被人們忽略的。
的概念，但台灣一直還沒有一個發展我們聲
I would propose listening as a way to investigate
not yet a platform for developing our audio culture,
我建議以聆聽作為一種方法來探查都市區
音文化的平台，一個準備好向公眾發聲的具
these subtle aspects of the urban area. Like a doctor
a physical place for listening what has been already
域的幽微面向，像是一位聽診的醫生聽身體
體場所，透過像是田野錄音和聲音紀錄創作
who is auscultating, listening to what the body says,
prepared for the public, such as field recordings and
one can listen what the city is expressing. It is not
audio documentaries. This audio base in Kong-Zong
所說的話，人可以聽到城市的表達。這不僅
的方式發聲。 我認為空總這樣一個聲音基地，
only a matter of noise disturbance but also to check
could be a centre for exploring listening practices.
是關乎噪音干擾，同時是在檢驗居民們如何
可以是個探索聆聽實踐的中心和輻散點。
if the inhabitants can relate to their environment.
As an example, I am presenting my most recent
Presence of non-humans, of water can gives hint
work, related to Beitou area. Why Beitou? Because
about cohabiting ecosystems inside the city. Sounds
it presents a large variety of sound elements that
that have a historical significance can helps us root
integrate the human beings living there into the
都市棲居聽診 我們是否確定我們生活在適當的環境？
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空總可以作為此種探究的基礎：將臺北盆
與他們的環境產生關聯。非人類生命和水的
舉例來說，發展的近期作品與北投地區有
存在暗示著城市內部的共生生態系統，而具
關。為什麼選擇北投？因為它呈現出各種各
有歷史意義的聲音可以幫助我們根植自己，
樣的聲音元素，將生活在那裡的人融入歷史
ourselves, identify with the communities. Sounds that
History (from the traditional market to the stone
進一步認同社群。基礎建設發出的聲音，就
中（從傳統市場到打石），這樣的特質源自該
emanate from infrastructures, if they don't contribute
carving), that emanate from the agricultural aspect
算沒有形成巨大的背景噪音，也揭示了城市
地區的農業，與人類移居和交通有關，甚至
to the massive background noise, can also reveal the
of the area, that relate to human displacement and transportation, and even place human on a much
的脈搏和呼吸。
可以將人放在更大規模的地質活動上來看待。
pulse and the breaths of the city.
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負育群帶聚落
Kong-Zong (TAF/C-Lab) could be a base for this
larger scale, the geological activity. 棲居之事
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└ 跨域採集研究 Interdisciplinary Collecting Research ───────
跨域採集研究 Interdisciplinary Collecting Research ───────
吳燦政
廖惟宇
Wu, Tsan-Cheng
Liao, Wei-Yu
聲音與影像創作者│Sound and Visual Artist
建築創作│Architect
《臺灣聲音地圖計畫》創作者 ─────────────────────────────────────────────
場所觀察｜臺北人，水泥叢林長大。建築師。 著《游擊造屋》一書。持續在建築事務所間流浪。 ─────────────────────────────────────────────
Artist of "Taiwan Sound Map Project"
Born in Taipei and grow up in the concrete jungle. An architect. The author of "Guerrilla House-making". Continued to wander among architectural offices.
切片全景圖 「即使之前並不太熟，大概只聊個兩句話 就知道對方是同個調調而搭上線。開始幾天
Taiwan Sound Map Project
臺灣聲音地圖計畫
Sound is a process that lurks in our lives and
的Gigs、已停刊的破報、路邊買的大誌這些
continues to spread and change. It is both the
平常會拿不會看的刊物，我們趁著一天中唯
concept of the moment and the process of passing away. It is also the voice of the process of memory
一較長的空閒，收完早餐到午餐開始間的近
聲音潛伏在我們的生活中，不斷的推移
and forgetting. Through the records of the everyday
一小時，躲到頂樓抽菸哈拉，把雜誌每篇報
擴散變化，是當下也是逝去的過程，是記
environment, which we take for granted, via walking
導每個字都讀過。在冬日來臨之前的溫暖早
憶也是遺忘的過程。透過紀錄生活環境中，
or in a static position The recording passes through
晨，躺在頂樓水泥地上曬太陽，看著被頂樓
the areas between the city and the countryside, and the artificial and natural environment. Through
圍牆牆框住的藍天，向它吐煙，是我最難忘
穿越在城市與鄉村之間，人為與自然的環
these recordings, the combination of sounds, and
的超現實情景。」──選自〈薩哥〉
境的地域，透過這些聲音紀錄資料，聲音
sound elements in the course of change, the project
我們習以為常的聲響，漫步或定止的方式，
的組合與變化過程中的聲響元素，試著推
tries to deduce the phenomenon of people's living environment, and gradually cascade the flow of
「刷地階段是整場儀式的重頭戲，軍中如 此的封閉社會，內裡任何小事（也只會有小
the cultural characteristics of hearing in this place.
事）都可傳千里，除了在各處室傳遞文件的
地方的聽覺文化性格的流動。透過不是純
Through the field recording, which is not a purely
同時聊兩句散播消息，每天上下午的收發
然客觀形式的田野錄音，這樣的採集型態
objective , such a pattern of acquisition is also a
文、傍晚的倒垃圾及操練時間都是訊息交換
演出人們的生活環境現象，慢慢層疊出這
也是悖反的過程，聲音不斷地穿透與刺動
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我帶了些雜誌丟在賣飯票的地方，有已停刊
rebellious process. The continuous penetration and puncturing of the body by the sound will reveal one's
的大聚會。而封閉環境中人對小事（也只會
身體感知開啟的過程，也將是形塑與映射
senses and will also shape and reflect the subjective
有小事）的感受會異常放大，於是任何小事
個人的主觀想像。
imagination of the individual.
都醞釀成了大事」──選自〈資收場〉
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負育群帶聚落
Panorama of Slices Excerpts from the works: "Though we were not familiar with each other before, we became acquaintances after a conversation that started from a resonant chit-chat. The first couple of days I dropped some magazines at the meal-ticket place, including the defunct magazine Gigs and Pots Weekly, Big Issue that I bought on the street, those magazines that Igrab but don't actually read. What we do is to hide on the top floor to smoke, chat and read every single word in the reports on the magazines during the longest leisure time of the day, which is one hour between breakfast and lunch. In the warm morning before winter day, lying on the cement floor on the top floor, watching the blue sky framed by walls, and spewing smoke to it, are the most unforgettable surreal scenes in my memory."—<Shaco> "The floor-brushing is the highlight of the entire ceremony. In a closed society such as the military, anything small (only trivial things happen there) can be transmitted within a thousand miles. Apart from the gossips when passing documents in different offices, the exchange during office hours in the morning and afternoon, garbage dumping in the evening, and training time are the big gathering of information. People's feelings about small things (and only small things would happen) will be greatly enlarged in such a closed environment, and any small things will breech into big ones."—<Information Gathering Field>
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└ 跨域採集研究 Interdisciplinary Collecting Research ───────
蘇弘 Su, Hung 建築創作│Architect ＋＋設計顧問有限公司負責人。東海大學景觀學系、文化大學建築及都市設計學系兼任 講師及助理教授。巴塞隆納高等建築學院ETSAB 建築碩士及博士班。 ───────────────────────────────────────────── ++ Architect, Principal. Adjunct Instructor at the Department of Landscape Architecture of Tunghai University, Assistant Professor at the Department of Architecture and Urban Design of Chinese Culture University. Master degree and doctoral student in Architecture from ETSAB, UPC.
沒有題目的不設計 a. 光陰的採集：光盒子裡的空總 建築的保護下，房間是時光的盒子，留存了許多過去的痕跡 透過重複性的固定位置、角度、光圈與快門進行蒐集 機械複製與化學的反應，讓建築內部空間與光線的景象再次顯影 b. 視線的採集：35公分的空總 固定35公分距離的視野，另一種方式去觀看 回到自身處所：張大眼、低下頭，重新觀察日常生活 藉由手機，透過觀看，去記錄環境當中足以珍視的某些片段 c. 觸覺的採集：複寫空總 質感採集，嘗試回到自身感知 蹲下身，伸出手─觸碰 運用最單純的：手與紙，顯現出環境當中那難以言說的質感 那難以言說的，必須保持沉默
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負育群帶聚落
An Untitled Non-Project A. Collection of Time: TAF in a light box Under the protection of the building, the room is a box of time, retaining many traces of the past. Collecting through repetitive fixed positions, angles, apertures and shutters. The reaction of mechanical replication and chemistry re-develops the space and light inside the architecture. B. Collection of Sight: 35 cm of TAF Viewing with a fixed 35cm distance, which is another way to observe. Return to your own space: open your eyes, keep your head down, re-observe your daily life. To record certain precious segments of the surroundings with your mobile phone and through observation. C. Collection of Touch: duplicating TAF Collect the texture and quality and try to return to self-perception. Crotch and reach out - to touch Use the simplest: hands and papers to reveal the unspeakable texture and quality in the environment. The inexplicable ones, must keep silent.
棲居之事
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空總文史經緯 Brief History of C-Lab 空間在時間之流的轉化，在政治經 濟的框架之下，創造了人群聚活動的 歷史，現今為「臺灣當代文化實驗場」 的前空軍總司令部，在日治時期（西元 1921 年）被台灣總督府制定為「工業研 究所」，到了 1939 年中央研究所將之改 設置為農業試驗所、林業試驗所、工業 研究所與熱帶醫學研究所，空總位址即 當年設置的「總督府工業研究所」。 1949 年 國 民 政 府 來 臺， 因 以 國 防 優先考量，將此地轉為「空軍總司令 部」，其中戰情大樓更經歷美軍轟炸、 倖存而成為古蹟建築。2012年，因著 司令部搬遷，空總的活化利用成為議 題，後定案為今日的臺灣當代文化實 驗場。空總從領航臺灣工業研究的中 心，轉換到軍事戰略位置，再輾轉變 為現今的文化實驗之地。而空總延伸 出去的整個臺北盆地，透過時間軸輾 轉可見都市網絡的改變、水文的消長 與歷史城市的東移擴張，空總從臺北 古都的邊界到如今的都市中心，形成 她與生俱來獨特的空間氣息。
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26
負育群帶聚落
The transformation of space in the flow of time created a history of human activities under the framework of the political economy. "Taiwan Contermporary Culture Lab", which is the former TAF , was ruled as "Industrial Research Institute" by the Office of the Governor-General of Taiwan during Japanese colonial period (1921 AD). In 1939, it was changed into an agricultural experimentation institute, a forestry experimentation institute, an industrial research institute, and a tropical medical research institute by the Central Research Institute. The address of TAF was the "Industrial Research Institute of the Office of the Governor-General" . In 1949, Nationalist Government relocated to Taiwan, this place was converted to " Air Force Command Headquarters" based on national defense priorities. The Operations and Intelligence Center building also experienced US army bombing and survived becoming a monument building. In 2012, due to the relocation of Air Force Command Headquarters, the active use of TAF became an issue, and it was later become today's Taiwan Contemporary Culture Lab. From the center of Taiwan's industrial research navigation, TAF has shifted to a military strategic position, and then, turned into a place for cultural experimentation. The change of the urban network, hydrological growth and decline and the eastward expansion of the historical city can be seen through the timeline of the entire Taipei Basin, which extends from TAF . TAF, from the border of the ancient capital Taipei to today's metropolitan city center, has formed its unique space atmosphere.
棲居之事
27
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┘
└
Urban Space of Taipei Area
Residential and Merchant mix area
Industry
National park and Ecological reserve
Agriculture
Parkland
Partitions
Ecological Reserve and Parkland
Agriculture The proportion of water consumption
Livelihood
Industry
Reservoir Water conservation area Main trunk line of rivers Water pipeline
MRT
High Speed Rail
Railway
Water purification plant Highway Sewage treatment plant Airport
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28
負育群帶聚落
Hydrology and Water Conservancy Facilities
棲居之事
Traffic System
29
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┘
└ 工作站發展 Development of the Workstation ────────
負育共生聚落的再想像─ 以工作站為起始 Re-imagining Collective Negative Space Village ─ Starting from the Workstation
負育共生聚落為基底，以共享工作場域為起始，作為思維價值、知識生產的實踐行動， 「『構 築』不僅是建築實踐的慣常語彙，亦是使建築成為一種『思考方法』的思維；進行構築的負空 間，也不僅是簡單的空間改造，而是創作出嶄新的共生關係的『負育』實踐。 」 思維的孢子，生根開展於空總既存的官兵宿舍，開放既有牆體及棲居邊界的再定義，凝 聚空間核心與密度適切的流散，繁殖空間物件形塑場域，塑造空間聚集、流動、多樣層次的 活動可能與目的。 •共同工作區：藉由開放空間及靈活的配置方法，維繫多樣的活動事件。 •活動平台：跨越既有邊界，聯繫起空間內外雙向活動的開展。 •共饗食堂：連結未來實驗苗圃的食物聚集場所。 •乾式廁所、淋浴間：生理的核心空間，開始再感知自身身體循環及物質轉變， 形成循環資源的生活態度。 •實驗長廊：透過框架體的置入，擾動既有空間序列，開啟過去不曾存在的向度，框架 結構乘載各式實驗機構，移動多變的屬性，激發思維的多向度開展，變即是不變定律。 植入生活基礎元素、及因應環境的有機體架構，滋長如生態系般厚實的共生聚落，我們 以工作站作為實驗的起點。
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負育群帶聚落
Undertaking Collective Negative Space Village as a base, beginning with the sharing of work fields, as a practice of thinking value and knowledge production. "Construction" is not only the common vocabulary of architectural practice, but also the thinking that makes architecture a "method of thinking". The negative space in construction is not only a simple space transformation but a "negative/ cultivate" practice that creates a new symbiotic relationship." •Co-working Space: It maintains a variety of activity events through open space and flexible configuration methods. •Events Platform: Cross the existing boundaries and connect with the development of two-way activities both inside and outside the space. •Sharing Diner: A food gathering place that links future experimental plants nurseries. •Composting Toilet and Shower Room: The physical core space that initiates the re-perceive physical circulation and material changes, and forms a life attitude towards circular resource. •Experimental Corridor: Through the placement of the framing, the existing spatial sequence is disturbed, the dimension that has not existed in the past is opened, the frame structure is loaded with all kinds of experimental institutions, the property of moving is varied, and the multi-dimensional development of the inspiring thinking is carried out. Changing is the unchangeable law. Embedding the basic elements of life and the organism's structure that responds to the environment, and fostering a thick symbiotic settlement like the ecosystem, we use the Workstation as the starting point of the experimental practice.
棲居之事
31
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┘
└ 年表 Chronology ──────────────────────
字彙表 Glossary ───────────────────────
線讓我們交織， 而今日則要拆解 We are bound together by different lines, but today we break free 1. 建築師 architect
– noun – a person responsible for achieving a particular plan or aim. ── Cambridge Dictionary
英文的「建築師」 （architect）在本質上，並非專指設計建築物，而是指「負責解決問題，達到特定目 的之人」。建築師的定義，是將複雜的系統做適合的解決方案，不僅止於創作建築物本身。
人群在山形輪廓與岸際潮帶之間，座落聚 集，每個點與線在島嶼洋流裡交織成複雜的 歷史文化，也反映了空間概念、城市成形的 群力行為。 20 世紀中葉有了「世界公民」的概念，國 際上也紛紛成立跨國、跨政府的串連組織， 針對自然生態保護、環境評估、海洋公約、 氣候變化等發表宣言或立下規範，而臺灣近 來熱議的空氣汙染話題、生態永續和環境教 育，都逐漸受到社會公民的重視，政府亦陸 續立法制衡在保護自然的前提下開發資源。 這段時間軸，標示出土地上人群聚的點、 河流的線、擴大到臺灣島嶼和國際上對生態 採取的行動層面，清晰梳理城市聚落在臺灣 時空的進程裡，島民如何與自然環境彼此拉 鋸、交會與形塑，共同目睹從曾經到現今， 願從過去的審視，回過頭來張望未來的期 盼，如何可能。
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負育群帶聚落
Humans settled together in the valleys and river banks throughout history creating complex cultures and civilizations, while reflecting the innate ability we have for spatial awareness, and collective communities. The term "Global Citizen" was coined in the mid20th Century, and the international communities have indeed reflected such a phenomenon. Cross-national, cross-governmental organizations, tackling and setting regulations for natural environmental protection, environmental evaluation, oceanic treaties, and climate change. Taiwan at the same time, has growing civilian awareness in issues such as air pollution, sustainable environmental protection and education, and the government also continues to put ordinances in place to balance development and environmental protection. In this chronology, we mark the residential development and hydrology transformation as well as the ever-growing, ever-reaching movement has now probed Taiwan to synchronize itself to the fervent activism in the global community. With these influential milestones, whether they are tangible or intangible, we acknowledge how the people on this island-nation see and interact with the environment The constant reshaping, tussling, and crisscrossing that us humans have with our environment is impertinent to how we view and assess our past, in order to look forward to the possibilities of the future.
The word“architect" in English, does not essentially refer exclusively to design buildings but refers to "people who are responsible for solving problems and achieving specific goals." The definition of an architect is to make a complex system an appropriate solution, not only to create the building itself.
2. 棲地 habitat
– noun – the natural environment in which an animal or plant usually lives. ── Cambridge Dictionary
專指動植物的棲息地。 建築植基於土地，也是生物與人類共同踩踏之處，大地大海與山河，都是生命體共享的寶物。 Specifically where animals and plants inhabited. Architecture is based on land and it's also a place where creatures and humans tread on. The earth, the mountains and rivers are the treasures shared by organisms.
3. 界線 boundary 建築學家皮耶．馮麥斯認為，物件被感知是獨立自主的主體，必須透過它的「邊界」和「輪廓」去劃 分，反之就會變得模糊曖昧。棲地和城市之間沒有邊界，這是當代都市人對所在城市的新議題。 Pierre von Meiss, professor of architecture, believes that an object is perceived as an autonomous subject and must be divided through its "boundary" and "contour", otherwise it will become obscure. There is no boundary between habitat and the cities, and this is a new issue for contemporary urban residents in their cities.
4. 負空間 negative space 在建築語言中，正空間例如大廳，有明確功能目的，且能讓人作停留之處，而負空間如樓梯、通 道、小徑，這些被看待成「空間與空間之間的轉折」，被當作過路、穿越、不做停留的空間，在建築 語境裡稱做「負空間」。 In the architectural perspective, a positive space such as a hall, which has a clear functional purpose that allows people to stay. Negative spaces such as stairs, aisles, and trails are regarded as "a transition between spaces". As a space for crossing, passing by and proceeding, it is called "negative space" in the context of architecture.
棲居之事
33
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時間
1895
1936
空總歷史
日 治 時 期
臺北聚落形成與城市規劃畫
臺灣重要事件與政策
水紋與人為工程
臺灣環境保育設施與規範
國際環境發展與主張
甲午戰敗，進入日治時期
臺灣總督府公布《臺灣都市計劃令》，加入「地域制」的觀念，臺灣的 都市規劃正式進入為都市計畫時代
臺北市合併松山庄，臺北市範圍就一直保持到戰後升格為直轄市；臺
1938
灣制定公佈《建築法》
臺灣省工業試驗所接管，改名為「工業試驗所大安新址」， 又稱「工業試驗所大安所」
1945
1948
1949
二次世界大戰結束，日本戰敗，國民政府接管、遷臺， 成為「中華民國」
臺 灣 光 復 戒 嚴
1950
國際自然保護聯盟在法國楓丹白露成立， 1956 年改名為「國際自然及資源保護聯盟」 國民黨撤退至台，同年頒佈《台灣省戒嚴令》， 進入戒嚴時期
海岸區多屬《戒嚴令》定義的警戒或接戰地域
改作國防部空軍總司令部
1958 年至 1993 年淡水河口因水庫與過量人為工程，使得河道運輸能力減 弱，海水侵蝕八里海岸，導致人民陸續遷出
1958
1959
省府公佈《城市建築管理辦法》
1964
石門水庫竣工
1970
美國總統理查．尼克森簽署了《國家環境政策法》
公佈《國家公園法》
1972
聯合國發表《聯合國人類環境宣言》
1973
臺北地區防洪計畫建議方案
1975
制定《國民住宅條例》。該條例於 2015 年廢止
1976
正式執行《瀕臨絕種野生動植物國際貿易公約》 瀕臨絕種野生動植物國際貿易公約
制定公佈《山坡地保育利用條例》
翡翠水庫興建工程動工，建置歷時 8 年
1979
世界氣象組織於日內瓦召開「第一次世界氣候會議」
為保存及活用文化資產，公佈《文化資產保存法》
1982
聯合國海洋法公約；聯合國通過《世界自然憲章》
臺灣第一座國家公園，墾丁國家公園設立； 內政部營建署實施《海岸管理方案》，
1984
發展「臺灣沿海地區自然環境保護計畫 (I)」，但效益不彰
1985
陽明山國家公園落成
1986
太魯閣國家公園成立
1987
解嚴。總統蔣經國正式宣佈廢除戒嚴法
1990
訂定《臺北市地下水管理自治條例》
1988
1993
環 境 意 識 崛 起
《國家安全法》以海防軍事設施安全為由，設定多個海岸經常管制區， 明文規定，海岸不得私有化
政府在新北東北角海岸和美漁港辦理「第二期台灣地區漁港建設方案」， 於 1990 年完工，導致本港港區泊地淤砂嚴重
由世界氣象組織、聯合國環境署合作成立「跨政府氣候變化專門委員會」
OURs 公佈《中華民國專業者都市改革組織章程》； 成立臺北市政府都市發展局
1992
於里約地球高峰會簽署《生物多樣性公約》
臺北港防波堤陸續完工；亞洲水泥開礦
1994
制定《環境影響評估法》，含廢棄物處理政策；公佈《水土保持法》
1999
九二一集集大地震
1996
首次總統直選。賀伯颱風侵臺，引發臺灣造林運動
荒野保護協會發起「搶救消失的海岸線」連署行動， 搶救台 11 線東部濱海公路
1997
國際簽署《京都協議書》
1998
臺北港啟用
花蓮豐濱原住民守護秀姑巒溪，阻擋被泛舟業者水泥化的危機 臺灣發佈《環境基本法》；制定《臺北山坡地開發建築都市設計準則》
2002
《南海共同行為宣言》
2005
因應《國防部組織法》修正，全銜改稱「國防部空軍總司令部」
2004
水利署訂定「海岸環境營造計畫」
2007
東沙環礁國家公園成立；全文修正《文化資產保存法》
2008
臺灣全面禁止捕撈、販賣、持有及進出口鯨鯊
2009
八八風災
2010
實施《環境教育法》、公布《地質法》
空總搬遷至臺北市中山區大直忠勇營區，
2012
政府提議園空總舊址仿東京六本木開發為「臺北城中城」 行政院經濟建設委員會核定「國家氣候變遷調適政策綱領」
2013
紀錄片《看見台灣》上映
行政院決議全區現狀保留，在經濟部工業局輔導下，
2015
空總轉為「TAF 空總創新基地」 臺北市政府開始擬定「社會住宅」相關政策
2 月 4 日執行《海岸管理法》實施《濕地保育法》
聯合國制定「國際土壤年」
內政部簽署《臺北國際濕地宣言》
2016
聯合國簽訂「巴黎協定」
2017 2018
行政院召開「國土保育專案小組」會議
《廢物務處理法》實施；修《礦業法》
空總由「空總文化實驗室」更名為「臺灣當代文化實驗場」
Time
History of C-Lab Hydrology and Human Factors
Formation of Taipei Settlement and Urban Plan Environmental Conservation Facilities and Regulations in Taiwan
Important Events and Policies in Taiwan
International Environmental Development and Advocacy
Japanese Colonial Period 1895
Quing Dynasty was Defeated in the Sino-Japanese War, so tha Taiwan entered the period of Japanese rule.
1936
Office of the Governor-General announced Taiwan Urban Planning Decree, it added the concept of Region System. Taiwan's urban programme officially entered Urban Plan era.
1938
Songshan Village was merged into Taipei City, the range was mantintained as the same until the city was upgraded into special municipality after war; Building Act was established and announced in Taiwan.
1945
Taiwan Provincial Industrial Testing Institute took over and changed its name to "Industrial Testing Institute Daan New Site", also known as "Industrial Testing Institute Daan Branch". The end of World War II, Japan was defeated. The Nationalist Government took over and moved to Taiwan, becoming the "Republic of China."
P o s t w a r Ta i w a n ă&#x20AC;&#x20AC; 1948
International Union for the Protection of Nature (IUPN) was established in Fontainebleau, France, and was renamed as "International Union for Conservation of Nature and Natural Resources(IUCN)" in 1956.
Martial Law Period 1949
Kuomintang (Nationalist Party of China) KMT / retreated to Taiwan. In the same year, the Martial Law was issued and entered the period of martial law. Most of the coastal areas are defined as guarded area and military engagement by Martial Law.
1950
It was renamed "Air Force Command Headquarters" of Ministry of National Defense.
1958
From 1958 to 1993, due to the reservoirs and excessive human factors, the transport capacity of the river course was weakened, and the Bali Coast was eroded by sea water, causing the people to gradually move out.
1959
The provincial government announced Urban Construction Administration Regulations.
1964
Shihmen Reservoir was completed.
1970
US president Richard Nixon signed "The National Environmental Policy Act" (NEPA).
1972
National Park Law was announced.
United Nations announced "Declaration of the United Nations Conference on the Human Environment". 1973
Flood prevention plan proposal of Taipei Region.
1975
Public Housing Act was established. This Act was abolished in 2015. "Convention on International Trade in Endangered Species of Wild Fauna and Flora"(CITES), which is also known as the "Washington Convention", was formally implemented.
1976
The establishment and announcement of Slopland Conservation and Utilization Act.
1979
The construction of Feitsui Reservior started, which lasted 8 years.
"The first World Climate Conference" was held in Geneva, convened by the World Meteorological Organization (WMO). 1982
In order to preserve and utilize cultural assets, Cultural Heritage Preservation Act was announced.
United Nations Convention on the Law of the Sea (UNCLOS); World Charter for Nature was adopted by United Nations. 1984
Kenting National Park, the first national park in Taiwan, was established; Construction and Planning Agency of Minister of the Interior implemented Coastal Zone Management Program to develop Coastland Natural Environment Protection Plan (I), yet the result turnt out to be ineffective.
1985
Yangmingshan National Park was inaugurated.
1986
Taroko National Park was established.
1987
Martial Law ended. President Chiang Ching-kuo officially announced the abolition of martial law. On the grounds of the safety of maritime defense facilities, many coastal regulation zones were set up according to National Security Act, in which expressly provided that the coast cannot be privatized.
Environmental Awareness Rises 1988
The government ran the second phase of "Taiwan Fishing Port Construction Plan" at Hemei Fishing Port, which is located in the northeastern coast in New Taipei City. It was completed in 1990 and resulted in serious siltation in the port area.
"The first World Climate Conference" was held in Geneva, convened by the World Meteorological Organization (WMO)."Intergovernmental Panel on Climate Change (IPCC)" was established with the cooperation of World Meteorological Organization and United Nations Environment Programme. 1990
Taipei City Self-Government Ordinance for the Management of Groundwater was formulated.
1992
"Convention on Biological Diversity"(CBD) was signed at the Earth Summit in Rio de Janeiro.
1993
OURs announced "Articles of Organisation of Urban Re's". The establishment of Department of Urban Development, Taipei City Government.
1994
Successive breakwaters were constructed at Taipei Harbor; Asia Cement Corporation started open pit mines. Environmental Impact Assessment Act was formulated, which included waste mananement policy; Soil and Water Conservation Act was announced.
1996
The fisrt direct presidential election. Typhoon Herb invaded Taiwan, triggering afforestation movement in Taiwan. Society of Wilderness launched a petition "Rescue Disappearing Coastline" to take action to rescue the Provincial Highway 11, the East Coastal Highway of Taiwan.
1997
International treaty "Kyoto Protocol" was signed.
1998
Taipei Harbor opened.
1999
The 921 earthquake.
2002
The Aboriginal people of Fengbin in Hualien guarded Xiuguluan River, preventing rafting industry from cementation. Basic Environment Act was announced in Taiwan; Taipei Hillside Site Development and Urban Design Guidelines was formulated.
Declaration on the Conduct of Parties in the South China Sea (DOC) 2004
"Coastal Environment Plans" was formulated by Water Resources Agency.
2005
Its full title was renamed "Air Force Command Headquarters" of Ministry of National Defense, in response to amendments of the Organic Act of the Ministry of National Defense.
2007
Dongsha Atoll National Park was established; Cultural Heritage Preservation Act was amended.
2008
Fishing, sale, holding and trading of whale sharks were banned in Taiwan.
2009
Typhoon Morakot (88 disaster)
2010
Environmental Education Act was implemented; Geology Act was announced.
2012
The Headquarters was relocated to Zhongyong base in Dazhi, Zhongshan District, Taipei City. The government proposed that the former site of The Headquarters developed as "Midtown of Taipei City", imitating Roppongi, Tokyo. Council for Economic Planning And Development approved "Adaptation Strategy to Climate Change in Taiwan".
2013
Documentary film "Beyond Beauty: Taiwan from Above" was released. Executive Yuan convenes the meeting of "National Land Conservation Task Force".
2015
In February, the Executive Yuan decided to retain the status quo in the entire region. Under the guidance of the Industrial Bureau of the Ministry of Economic Affairs, the whole space was changed to the "Taiwan Air Force Innovation Space (TAF)".
Taipei City Government began to formulate "social housing" related policies. Coastal Zone Management Act was implemented on Feburary 4th. Wetland Conservation Act was implemented.
The United Nations declared the "International Year of Soils". 2016
The Ministry of the Interior signed The Taipei Declaration of International Wetlands.
"Paris Agreement" was signed by the United Nations. 2017
Waste Disposal Act was implemented; Mines Business Act was amended.
2018
"Taiwan Air Force Innovation Space" then later "Taiwan Air Force Cultural Laboratory" changed its name to the "Taiwan Contemporary Culture Lab (C-Lab)".
【活動預告 】 Upcoming Events
s 提案工作坊 P ro p o s a l Wo r k s h o p
合作團隊∣ By ：竹圍工作室 B a m b o o C u r t a i n S t u d i o
0→1→0：好生態，不合作嗎？－2018 年7月21、22、28日. 0→1→0：Why Not Cooperate? - 21, 22, 28th of July, 2018. 活動的專題演講中，將邀請專業者分享跨域後所洞見的未來，而工作坊則以互動方式聚焦在三 個領域：文化藝術、環境教育、循環經濟進行策略思考，探索在跨域時代的合作場域中，如何 創造更可持續的運作機制。 During keynote speech, professionals will be invited to share their insights of the future based on their interdisciplinary work. The workshops will focus on three areas in an interactive manner: culture and the arts, environmental education and circular economy, and carry out strategic thoughts and explore how to create a more sustainable operation mechanism in the cooperative field in the interdisciplinary era.
s 國際講座 參 I n t e r n a t i o n a l F o r u m 3
《文化數據》2018 年 8 月19日（週日）. "Cultural Data" 19th of August, 2018.
實驗建築十月底發表. Presentation of the experimental architecture - October, 2018.