1
BRAND BOOK TRABAJOS DE GRADO DISEÑO GRÁFICO 2017-2
3
5
Índice Valores de marca............................... 66 Cartel.....................................................88 Paleta ................................................... 10 12 Textura.................................................. 12 13 Tipografía.............................................11 14 Señalética............................................. 16 Poster científico.................................. 24 Catálogo............................................... 32 Facebook.............................................. 94 Aplicaciones Cortinillas.............................................
Valores de marca
7
9
El cartel Como propuesta de identidad, el grupo propone, —guiado por la idea de culminación de la carrera y el concepto de auto-terminarse–, un cartel ilustrado donde se da prioridad a la línea y el color. El uso tipográfico es sencillo, con el fin de no crear ruido y buscando así hacer contrapeso al tamaño de la figura ilustrada.
11
Paleta c=0 m = 38 y = 72 k=0
c=0 m=0 y=0 k = 100
c=0 m=0 y=0 k = 80
T
Textura
Tipografía
15
Nunito ABCDEF GHIJKLM NOPQRSTU VWXYZ abcdefghijklm nopqrstuvwxyz 1234567890 !”·$%&/()=?¿^¨*ç{}
17
Señalética
Baños 20 cm x 8 cm Señal identificadora
19
21
Dirección 50 cm x 35 cm Señal direccional
23
Póster
científico
Se recomiendan 215 palabras como máximo.
25
Fotografía frontal, blanco y negra
Guzz Soares Autor
Goeff Materia de relación
Título del proyecto
Enfasis de animación Dirección de trabajo Presentación del tema
Introducción Diseño de personajes
Descripción del proceso
Objetivos del trabajo
Metodología
Voluptatiuria que eosae. Ehentur asimi, quam, ipic toreptatem lam vendellisti nem que discia voluptate
1.La campaña consta de este spot de animación 3D de tres minutos de duración. 2. De varios anuncios de productos individuales fragmentados para televisión y puntos de venta.
Datos del objetivo de estudio
Resultados
3.De gráfica interactiva y 20 escenografías de locaciones. Voluptatiuria que eosae. Ehentur asimi, quam, ipic toreptatem lam vendellisti nem que discia voluptate quos inum autatem volla simus, aut quis num debit harum a cum sequi tet inctio. Ut eni coritio nsequun
Discusión de los resultados
Conclusiones
La animación tiene el auténtico tono de espontaneidad y realidad, mientras involucra la evolución de un producto comestible y su uso en una familia australiana.
Diseño de fondos
A través del spot de animación 3D “Geoff”, conocemos a Geoffrey, el Jefe de Innovación de Heinz, y cómo sus circunstancias personales a lo largo de los años, le lleva a crear nuevos tamaños de latas de legrumbres que se ajustan a los diferentes estilos de vida y gustos.
Serie de imagénes consecutivas
Secuencia
El lanzamiento de una campaña animada que influye directamente en el producto real en el estante es un proceso único
Referencias consultadas
Bibliografía Ratner.Mastering 3D Animation.(2000) Allworth Edición.
Primera opción, para trabajos que requieran mostrar sequiencias
Amber Davenport
Definición
Vibrant Jungle
Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eossed moluptame ped quatet vellendae nos di ute sectati ncipsa
Categoría Director de tesis Pie de ilustración
Metodología Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eossed moluptame ped quatet vellendae nos di ute sectati ncipsa Os aut Pie de ilustración
Resultados Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eossed moluptame ped quatet velle Apelit, volor modi doluptam, veriore cuptati qui naturiam
Pie de ilustración
Pie de ilustración
Pie de ilustración
Conclusiones Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eossed moluptame ped quatet vellendae
Bibliografía Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate
Segunda opción, para trabajos donde cada imagen requiere mayor apreciación
27
Tercera opciรณn, para trabajos tipogrรกficos
Amber Davenport
Guzz Soares
Goeff Enfasis de animación Dirección de trabajo
Definición Diseño de personajes
La animación tiene el auténtico tono de espontaneidad y realidad, mientras involucra la evolución de un producto comestible y su uso en una familia australiana.
Vibrant Jungle Categoría Director de tesis Pie de ilustración
Metodología
Voluptatiuria que eosae. Ehentur asimi, quam, ipic toreptatem lam vendellisti nem que discia voluptate quos inum autatem volla simus, aut
Metodología
Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis un utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eosse moluptame ped quatet vellendae nos di ute sectati ncipsa Os aut
1.La campaña consta de este spot de animación 3D de tres minutos de duración. 2. De varios anuncios de productos individuales fragmentados para televisión y puntos de venta.
Resultados
3.De gráfica interactiva y 20 escenografías de locaciones. Voluptatiuria que eosae. Ehentur asimi, quam, ipic toreptatem lam vendellisti nem que discia voluptate quos inum autatem volla simus, aut quis num debit harum a cum sequi tet inctio. Ut eni coritio nsequun
Diseño de fondos
A través del spot de animación 3D “Geoff”, conocemos a Geoffrey, el Jefe de Innovación de Heinz, y cómo sus circunstancias personales a lo largo de los años, le lleva a crear nuevos tamaños de latas de legrumbres que se ajustan a los diferentes estilos de vida y gustos.
Pie de ilustración
Conclusiones El lanzamiento de una campaña animada que influye directamente en el producto real en el estante es un proceso único y gratificante. Esperemos que el público australiano lo disfrute tanto como lo hemos disfrutado.
Bibliografía Ratner.Mastering 3D Animation.(2000) Allworth Edición. Affective Computing and Intelligent Interaction.(2007)
Secuencia
Pie de ilustración
Pie de ilustración
Conclusiones
Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis un utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eosse moluptame ped quatet vellendae
29
Definición Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eossed moluptame ped quatet vellendae nos di ute sectati ncipsa
nt m
ed
nt m
ed
Pie de ilustración
Resultados Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate eos et aut venduciis audae soloribus dellant aturese quasperunti dellitae eossed moluptame ped quatet velle Apelit, volor modi doluptam, veriore cuptati qui naturiam
Bibliografía Atur maxim si occabore ipid eos quam estio voluptatiis net officaecte consequam hic temquis unt utem ut quid qui accupta vendam re que nus doluptate
31
Los pósters científicos se imprimirán en tamaño pliego
Catรกlogo
33
1
2
Rector Ignacio Mantilla Prada Decana Martha Luz Salcedo Barrera Director Escuela de Diseño Gráfico César Puertas Coordinador de Trabajos de Grado Mercedes Diagramación
Angela Acuña Marcela Torres
Ilustraciones complementarias
Andrés Alba
35
Ilustración Fotografía Diagramación Tipografía Identidad Animación Multimedia
7 16 25 30 45 47 55
3
4
Prรณlogo
Opta vellam, sumquiate consequ issitas net occati corehendam, consed magnis aperionsed quis nonemol enemod quas et apist, odicia sum rehendam int, ute non et et aliquaerat et que nam est lacerum rehenis rehende llenis as porporatur modi totatumet quae perferf erspeli quiditas ea dusam lab ides aliciatur, ilignatur, qui tor repere laborum harupis suntis eium ipsam alis sus se quiaepe lectestias simus explaborro di nimin pa volest quam, vere cus as inimagn ament.Id es quis magnisque magnimil experum ut int. Explab int enihiciis et apienis andanim fugitatqui ipsam, omnimus esti quam rest ute cuptus dollaceperum cum qui con reperumquae conet autatatur recabo. Ita nulles naturis dolupta tusant et harum ipsandunt omnihitio iminienihit eate ra vellupi ssuntem oluptatur? Qui as dernam acil ellestiur? Qui rehendis et inctur sedignis debistio everchi litaquiat. Upta comniae non porro omnimporio quae arum, se nis nos quiatet iligendis essunt. Elitiatet ut quis et hit eum eaquia doluptaquid et aut a vidictios conetur audant omnis sitati del minciatem quatem abor Arum volent quae endit ut aut prae sa expera pore volorum fugitat uriore cus dolestis atianis expla comnis nis a nobis et ma cusdae nossi ut enitem quatur rectum. 5
6
Amber Davenport
Autor
Imagen principal del proyecto
Primera página, presentación del autor
Retrato a blanco y negro
Breve presentación
My name is Amber Davenport and I live in the beautiful Netherlands. I like to draw, eat sweet stuff, travel, visit fun events and spend time with my favorite friends (and prefer to combine those last three things). I graduated from the University of Utrecht in 2012. During my internship in 2011, I discovered my love for blogging while writing for a Dutch magazine called La Chispa (for which I wrote articles & did online promotion). I’ve loved art for as long as I can remember and I always share my finds online. So in 2013, I started blogging on ArtisticMoods.com.
Para ver más de mi trabajo puedes ingresar a los siguientes sitios web
Amber Davenport Amber Textiles issuu.com/ambertextiles amberstextiles
Links para portafolio en redes sociales
7
8
Descripción del problema
PORPORA, VIOLA E TURCHESE It was only recently that I shared Amber Dav-
Título del proyecto
enport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
Segunda página, descripción del proyecto
opción 1
Explicación del desarrollo
It was only recently that I shared Amber Davenport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
Sed mos acerit, quiae modiora eperum ium exerspe ribusam iunte nonsedi dolum quid qui volorer chitatur, tem doluptasit que et verum Autor suntiam et ea conesciis est aces idem fugiti aut dis reres consed moluptur ma dollitat. Ugita postium quam hilis maximin et facea nossin consequias il im volorep rerferis et quo quam, quid ma ent. Sitions ectorio. Namusae venis sum exceat Iván Benavides 9
10
opción 2 INSIDE OUT Título del proyecto Explicación del desarrollo
Descripción del problema
Autor
Can Dagarslani
Enis rem. Et molorepudi beatios sitatiis cus enihilibus re, qui rest volupti si cus nem imoloritas maximus dolorep udipsum illoreius re nossunt poresti omnis di comnia quist, non eicatquatem qui dolori vendit alicim quae molorem quistio odisquid quo maiorehent earchici nis ventur audant quatem et earum non nos elluptinum in et eium sinveliamus mosam ad qui ut as il inti rem que rempore, sae alicia volorio in nectur?Parciendel el imagnisquam It was only recently that I shared Amber Dav- quam, qui vel impor as dicidem int, od et ut enport’s colorful ceramics on the blog. But I et eatur? could no longer hold back on sharing some Maximodita sitiam ratur aceaquasperi offic of her gorgeous illustrationwork too. I’m not temporrum ernate es dellabore conse earchil sure if it’s the countless shades of greens, the itibus ut eaquam res aut et landitae nulparcivibrant patterns or the beautiful jungle ani- min eaque ratestiatur?Am fugitatur? Picium mals, Amber’s illustrations have this lovely vibe fugit la sed magnimint.Cea con niendus audi going on that makes me want to spend some digenih illupta nonsequam fugit quodi omnimolorest occatus ve time in each and everyone of them. 11
12
opción 3 KEL TYPEFACE
Título del proyecto Descripción del problema*
Explicación del desarrollo
Autor
Anthony James
Kel is a serif typeface designed initially as an Art Deco display font, but with a few changes to traditional aesthetics. Horizontal lines have been replaced with Medieval themed ascenders to allow for more flow and versatility, incase the user intends to manipulate the typeface. Enis rem. Et molorepudi beatios sitatiis cus enihilibus re, qui rest volupti si cus nem imoloritas maximus dolorep udipsum illoreius re nossunt poresti omnis di comnia quist, non eicatquatem qui dolori vendit alicim quae molorem quistio odisquid quo maiorehent earchici nis ventur audant quatem et earum non nos elluptinum in et eium sinveliamus mosam ad qui ut as il inti rem que rempore, sae alicia volorio in nectur?Parciendel el imagnisquam quam, qui vel impor as dicidem int, od et ut et eatur? Maximodita sitiam ratur aceaquasperi offic temporrum ernate es dellabore conse earchil itibus ut eaquam res aut et landitae nulparcimin eaque ratestiatur?Am fugitatur? Picium fugit la sed magnimint.Cea con niendus audi digenih illupta nonsequam fugit quodi omnimolorest occatus ve *La tipografía cambi en caso de que el proyecto sea tipográfico, en ese caso es posible utilizar la tipogreafía creada en un párrafo
13
14
ilustra ciรณn
15
16
Amber Davenport
My name is Amber Davenport and I live in the beautiful Netherlands. I like to draw, eat sweet stuff, travel, visit fun events and spend time with my favorite friends (and prefer to combine those last three things). I graduated from the University of Utrecht in 2012. During my internship in 2011, I discovered my love for blogging while writing for a Dutch magazine called La Chispa (for which I wrote articles & did online promotion). I’ve loved art for as long as I can remember and I always share my finds online. So in 2013, I started blogging on ArtisticMoods.com.
Para ver mĂĄs de mi trabajo puedes ingresar a los siguientes sitios web
Amber Davenport Amber Textiles issuu.com/ambertextiles amberstextiles
17
18
VIBRANT JUNGLE SCENERIES It was only recently that I shared Amber Dav-
enport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
It was only recently that I shared Amber Davenport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
Sed mos acerit, quiae modiora eperum ium exerspe ribusam iunte nonsedi dolum quid qui volorer chitatur, tem doluptasit que et verum suntiam et ea conesciis est aces idem fugiti aut dis reres consed moluptur ma dollitat. Ugita postium quam hilis maximin et facea nossin consequias il im volorep rerferis et quo quam, quid ma ent. Sitions ectorio. Namusae venis sum exceat Amber Davenport 19
20
fotografĂa
21
22
Can Dagarslani Can Dagarslani
Graduating in 2006 from Mimar Sinan University of Fine Art, Istanbul, Can Dağarslanı aged 31, became increasingly more interested in photography while studying architecture. Dağarslanı’s love for urbanism and architecture is evident in his organized quirkiness and his, sometimes sarcastic, game of the human form. Human relations, the fragility of our social boundaries, love, identities and all these other drugs are some of his preferable thematic, that blend in a vortex of what can easily be described as the new normal.
Para ver más de mi trabajo puedes ingresar a los siguientes sitios web
Can Dagarslani Can Dagarslani photography issuu.com/candagarslani candagarslani http://www.candagarslani.com/
23
24
INSIDE OUT
Can Dagarslani
Enis rem. Et molorepudi beatios sitatiis cus enihilibus re, qui rest volupti si cus nem imoloritas maximus dolorep udipsum illoreius re nossunt poresti omnis di comnia quist, non eicatquatem qui dolori vendit alicim quae molorem quistio odisquid quo maiorehent earchici nis ventur audant quatem et earum non nos elluptinum in et eium sinveliamus mosam ad qui ut as il inti rem que rempore, sae alicia volorio in nectur?Parciendel el imagnisquam It was only recently that I shared Amber Dav- quam, qui vel impor as dicidem int, od et ut enport’s colorful ceramics on the blog. But I et eatur? could no longer hold back on sharing some Maximodita sitiam ratur aceaquasperi offic of her gorgeous illustrationwork too. I’m not temporrum ernate es dellabore conse earchil sure if it’s the countless shades of greens, the itibus ut eaquam res aut et landitae nulparcivibrant patterns or the beautiful jungle ani- min eaque ratestiatur?Am fugitatur? Picium mals, Amber’s illustrations have this lovely vibe fugit la sed magnimint.Cea con niendus audi going on that makes me want to spend some digenih illupta nonsequam fugit quodi omnimolorest occatus ve time in each and everyone of them. 25
26
diagramaciรณn
27
28
Brandon Nickerson
Brandon’s wide-ranging expertise encompasses the design of magazines, books, identities and exhibitions. He has served as the design director of I.D. magazine; senior partner and associate creative director in the Brand Integration Group (BIG) at Ogilvy & Mather, New York; creative director for Media Central and Brill’s Content magazine; and creative director of Travel + Leisure magazine. In 2004 Luke joined New York magazine as design director. Working alongside editor-in-chief Adam Moss, he was instrumental in restoring the title to prominence.
Para ver mĂĄs de mi trabajo puedes ingresar a los siguientes sitios web
Lumios Editorial Brandon Nickerson issuu.com/lumiuseditorial lumiuseditorial http://www.lumioseditores.com/
29
30
SEQUENTIAL MAGAZINE It was only recently that I shared Amber Davenport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
It was only recently that I shared Amber Davenport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
Sed mos acerit, quiae modiora eperum ium exerspe ribusam iunte nonsedi dolum quid qui volorer chitatur, tem doluptasit que et verum suntiam et ea conesciis est aces idem fugiti aut dis reres consed moluptur ma dollitat. Ugita postium quam hilis maximin et facea nossin consequias il im volorep rerferis et quo quam, quid ma ent. Sitions ectorio. Namusae venis sum exceat Brandon Nickerson 31
32
tipografĂa
33
34
Anthony James
I’m a multidisciplinary designer with a (BA HONS) Degree in Graphic Design. I began working in-house for numerous clothing labels and literary agencies, now a freelance Illustrator/ Typographer. I’ve veered away from freehand and specialise in vector based design, as well as running a successful Type Foundry. I like to play around with peoples perceptions of form and structure, leaning more towards the abstract and surreal. My philosophy on designing a typeface is quite the opposite, with them predominantly focusing on clean and concise legibility.
Para ver más de mi trabajo puedes ingresar a los siguientes sitios web
Anthony James Anthony James issuu.com/anthonyart anthonyjamesart http://www.anthonyjamesart.com/
35
36
KEL TYPEFACE Kel is a serif typeface designed initially as an Art Deco display font, but with a few changes to traditional aesthetics. Horizontal lines have been replaced with Medieval themed ascenders to allow for more flow and versatility, incase the user intends to manipulate the typeface.
Anthony James
Enis rem. Et molorepudi beatios sitatiis cus enihilibus re, qui rest volupti si cus nem imoloritas maximus dolorep udipsum illoreius re nossunt poresti omnis di comnia quist, non eicatquatem qui dolori vendit alicim quae molorem quistio odisquid quo maiorehent earchici nis ventur audant quatem et earum non nos elluptinum in et eium sinveliamus mosam ad qui ut as il inti rem que rempore, sae alicia volorio in nectur?Parciendel el imagnisquam quam, qui vel impor as dicidem int, od et ut et eatur? Maximodita sitiam ratur aceaquasperi offic temporrum ernate es dellabore conse earchil itibus ut eaquam res aut et landitae nulparcimin eaque ratestiatur?Am fugitatur? Picium fugit la sed magnimint.Cea con niendus audi digenih illupta nonsequam fugit quodi omnimolorest occatus ve 37
38
identidad 39
40
Laura Villalobos
I’m a multidisciplinary designer with a (BA HONS) Degree in Graphic Design. I began working in-house for numerous clothing labels and literary agencies, now a freelance Illustrator/ Typographer. I’ve veered away from freehand and specialise in vector based design, as well as running a successful Type Foundry. I like to play around with peoples perceptions of form and structure, leaning more towards the abstract and surreal. My philosophy on designing a typeface is quite the opposite, with them predominantly focusing on clean and concise legibility.
Para ver mĂĄs de mi trabajo puedes ingresar a los siguientes sitios web
L. Villalobos Laura Villalobos issuu.com/lauravilla laurabranding
41
42
BÜRO IDENTITY
Laura Villalobos
Enis rem. Et molorepudi beatios sitatiis cus enihilibus re, qui rest volupti si cus nem imoloritas maximus dolorep udipsum illoreius re nossunt poresti omnis di comnia quist, non eicatquatem qui dolori vendit alicim quae molorem quistio odisquid quo maiorehent earchici nis ventur audant quatem et earum non nos elluptinum in et eium sinveliamus mosam ad qui ut as il inti rem que rempore, sae alicia volorio in nectur?Parciendel el imagnisquam It was only recently that I shared Amber Dav- quam, qui vel impor as dicidem int, od et ut enport’s colorful ceramics on the blog. But I et eatur? could no longer hold back on sharing some Maximodita sitiam ratur aceaquasperi offic of her gorgeous illustrationwork too. I’m not temporrum ernate es dellabore conse earchil sure if it’s the countless shades of greens, the itibus ut eaquam res aut et landitae nulparcivibrant patterns or the beautiful jungle ani- min eaque ratestiatur?Am fugitatur? Picium mals, Amber’s illustrations have this lovely vibe fugit la sed magnimint.Cea con niendus audi going on that makes me want to spend some digenih illupta nonsequam fugit quodi omnimolorest occatus ve time in each and everyone of them. 43
44
anima ciรณn
45
46
Gus Soares
Graduating in 2006 from Mimar Sinan University of Fine Art, Istanbul, Can Dağarslanı aged 31, became increasingly more interested in photography while studying architecture. Dağarslanı’s love for urbanism and architecture is evident in his organized quirkiness and his, sometimes sarcastic, game of the human form. Human relations, the fragility of our social boundaries, love, identities and all these other drugs are some of his preferable thematic, that blend in a vortex of what can easily be described as the new normal.
Para ver más de mi trabajo puedes ingresar a los siguientes sitios web
Gus Soares Gus Soares issuu.com/gusillustration gusanimated
47
48
IMAGINARY FRIEND SOCIETY It was only recently that I shared Amber Davenport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
It was only recently that I shared Amber Davenport’s colorful ceramics on the blog. But I could no longer hold back on sharing some of her gorgeous illustrationwork too. I’m not sure if it’s the countless shades of greens, the vibrant patterns or the beautiful jungle animals, Amber’s illustrations have this lovely vibe going on that makes me want to spend some time in each and everyone of them.
Sed mos acerit, quiae modiora eperum ium exerspe ribusam iunte nonsedi dolum quid qui volorer chitatur, tem doluptasit que et verum suntiam et ea conesciis est aces idem fugiti aut dis reres consed moluptur ma dollitat. Ugita postium quam hilis maximin et facea nossin consequias il im volorep rerferis et quo quam, quid ma ent. Sitions ectorio. Namusae venis sum exceat Guzz Soares 49
50
multimedia
51
52
Valentina Gómez Michael’s images and programs are known for their simplicity and clarity, and often portray the essential qualities of the object or topic he is representing. His work lies at the intersection of image making, communications and the built environment, and encompasses a wide-range of design areas, including visual identities, environmental graphics, posters, e-media, exhibitions, books, and advertising.
Para ver más de mi trabajo puedes ingresar a los siguientes sitios web
Valentina Gómez Valentina Gómez valentinadesign
http://www.dribbble.com/
53
54
DRIBBBLE APP
Valentina Gómez
Enis rem. Et molorepudi beatios sitatiis cus enihilibus re, qui rest volupti si cus nem imoloritas maximus dolorep udipsum illoreius re nossunt poresti omnis di comnia quist, non eicatquatem qui dolori vendit alicim quae molorem quistio odisquid quo maiorehent earchici nis ventur audant quatem et earum non nos elluptinum in et eium sinveliamus mosam ad qui ut as il inti rem que rempore, sae alicia volorio in nectur?Parciendel el imagnisquam It was only recently that I shared Amber Dav- quam, qui vel impor as dicidem int, od et ut enport’s colorful ceramics on the blog. But I et eatur? could no longer hold back on sharing some Maximodita sitiam ratur aceaquasperi offic of her gorgeous illustrationwork too. I’m not temporrum ernate es dellabore conse earchil sure if it’s the countless shades of greens, the itibus ut eaquam res aut et landitae nulparcivibrant patterns or the beautiful jungle ani- min eaque ratestiatur?Am fugitatur? Picium mals, Amber’s illustrations have this lovely vibe fugit la sed magnimint.Cea con niendus audi going on that makes me want to spend some digenih illupta nonsequam fugit quodi omnimolorest occatus ve time in each and everyone of them. 55
56
89
FIN DEL CATÁLOGO
Catรกlogo
Tamaño 26 cm x 20 cm
Aplicaciรณn pรกgina de facebook
95
Cortinillas
97
99