Animanima Festival 2011 by Festival Animanima

ANIMANIMA 2011 Međunarodni festival animacije International Animation Festival

Savet festivala / Festival Council Aleksandra Sekulić, Miloš Tomić, Nenad Trifunović Srđan Vučinić, Miloš Gojković Direktor festivala / Festival Director Dragojlo Jerotijević Umetnički direktor / Art Director Milen Alempijević Izvršni direktor / Executive Director Nebojša Petrović Sekretar, Press klub / Secretary, Press Club Dušan Jakovljević Saradnici / Associates Ilija Damjanović, tehnička podrška / Technical Support Aleksandar Jovanović, web podrška / Web Support Festivalski spot / Festival’s video Krunoslav Jović Festivalski plakat / Festival Poster Milan Pavlović mr.stocca Festivalski audio spot / Festival’s audio Srđan Mastilović Adresa / Address ANIMANIMA Festival Dom kulture Čačak, 32000 Čačak, Trg ustanka 2, SRBIJA SERBIA Tel: ++381 32 341 068, Fax: ++381 32 225 073, E-mail: office@animanima.org www.animanima.org KATALOG / CATALOGUE Izdavač / Publisher: Dom kulture Čačak / Cultural Center Cacak Za izdavača / For Publisher: Dragojlo Jerotijević, direktor / Director Urednik / Editor: Milen Alempijević Korica / Cover design: Milan Pavlović mr.stocca Dizajn i grafička priprema / Design & Prepress: Ivan Kostić Štampa / Press: Grafički centar Čačak Tiraž / Circulation: 400 Godina / Year: 2011

SADRŽAJ CONTENT 4 5 6 8

Mali jubilej, veliko zadovoljstvo / A small jubilee and a great pleasure Posebna projekcija / Special Screening: The Lost Thing Selekciona komisija / Selection Committee Žiri / Jury

10 11 17 23 29 35

TAKMIČARSKI PROGRAM / COMPETITION PROGRAMME Takmičenje 1 / Competition 1 Takmičenje 2 / Competition 2 Takmičenje 3 / Competition 3 Takmičenje 4 / Competition 4 Takmičenje 5 / Competition 5

47 48 50 53 56 59

POSEBNI PROGRAMI / SPECIAL PROGRAMMES Portret animatora / Portrait of an Animator: Joana Toste Studio u gostima / A visiting studio: IL LUSTER, Holandija / The Netherlands Škola u gostima / A visiting school: THE ANIMATION WORKSHOP, Danska / Denmark Savremena slovenačka animacija / Contemporary Slovenian animated film Retrospektiva / Retrospective: Nikola Majdak

61 62 64 66

PANORAMA / PANORAMA Panorama 1 / Panorama 1 Panorama 2 / Panorama 2 Panorama 3 / Panorama 3

69 70 71 72 73

DUGI METAR / FEATURE FILMS Igor (SAD) / Igor (USA) 9 (SAD) / 9 (USA) Idioti i anđeli (SAD) / Idiots and Angels (USA) Kurt se prozlio (Norveška) / Kurt Turns Evil (Norway)

75 76 78 81 82 84

PRATEĆI PROGRAMI / ADDITIONAL PROGRAMMES Izložba stripa / Comics Exibition: Nina Bunjevac Promocija knjige / Introducing a book: Nevidljivi strip / Invisible Comics Projekcija / Screening: Stripburger u pokretu / Stripburger in Motion Predavanje / Lecture: Moderna basna ili socijalni bestijarij / A modern fable or a social bestiary Filmovi za decu: Program Slon / Films for children: The Elephant

86 86 90

INDEKS / INDEX Filmovi / Films Autori / Authors

PODRŠKA / SUPPORT

PET GODINA – MALI JUBILEJ, VELIKO ZADOVOLJSTVO

FIVE YEARS – A SMALL JUBILEE AND A GREAT PLEASURE

Proteklih godina prikazali smo na desetine filmova iz celog sveta, prateći aktuelnu produkciju, tragajući za autorima i njihovim ostvarenjima koja su i nas i vas, našu radoznalu publiku, uvek i iznova iznenađivali, kojima smo se divili, uz koje smo se zabavljali. Želeli smo da ova godina bude u znaku dinamičnih, kreativnih promena, pa tako ANIMANIMA u svom 5. izdanju predstavlja i svoj novi web sajt.

For the past five years we have screned dozens of films from around the world, moving in step with the production trends, searching for authors and their creations, always re-living together with our audience the same feeling of surprise, admiration and pleasure. We wanted this year to be marked by dynamic and creative changes, so that ANIMANIMA can now, in its 5th edition, present its new website.

ANIMANIMA 2011 otpočeće specijalnom projekcijom filma Izgubljena stvar, dobitnika Kristala u Ansiju i nagrade Američke akademije za film, a kruna festivala, po običaju, biće projekcija nagrađenih filmova, i najboljeg među najboljima, ostvarenja kome će pripasti “Zlatni štift”, glavna nagrada ANIMANIME. Četiri festivalska dana biće prilika za susrete sa našim dragim gostima, profesionalcima iz sveta animacije, iz Danske, Holandije, Portugalije, Slovenije... kao i da se uživa u izvanrednim filmovima takmičarskog programa, njih šezdeset iz dvadeset zemalja. Dodajmo i atraktivne posebne i prateće programe i zaokružimo sliku o Domu kulture u Čačku, ponovo u njegovoj tradicionalnoj ulozi - najvećeg bioskopa u Srbiji u kome se prikazuju animirani filmovi! Dođite na ANIMANIMU 2011, neka mali jubilej našeg festivala postane veliko zadovoljstvo za sve nas.

ANIMANIMA 2011 will start with a special screening of the film The Lost Thing, the winner of the Crystal in Annecy and also of the award presented by the American Film Academy. The crown event of the 2011 festival will be, as usual, the presentation of the awarded films, including the winner of the Golden Peg Bar, the main award of the ANIMANIMA Festival. The four festival days will be an opportunity to meet with our dear guests, animation professionals from Denmark, Holland, Portugal, Slovenia... and also to enjoy the outstanding films in the competition programme, which will present sixty works coming from around twenty different countries. Let us not forget the attractive special programmes and fringe events, to complete the picture of the Cultural Centre in Čačak in its traditional role of the largest cinema in Serbia screening animated films! Visit us at ANIMANIMA 2011 and let our small jubilee become a great pleasure for all of us.

Milen Alempijević, umetnički direktor festivala

Milen Alempijević, Art Director of the Festival

mali jubilej, veliko zadovoljstvo / a small jubilee and a great pleasure

IZGUBLJENA STVAR je kratki animirani film zasnovan na izvrsnoj slikovnici višestruko nagrađivanog ilustratora Šona Tena. Moderna bajka jedinstvene estetike, čija je priča istovremeno i osobena i univerzalna u privlačnosti za sve uzraste. Ovaj film označava rediteljski debi Endrjua Rumana i Šona Tena. Produkcija: Passion Pictures Australia, 2010.

Special screening: THE LOST THING

Priča: Jedan dečak pronalazi stvorenje neobičnog izgleda na plaži gde je skupljao zatvarače za boce. Shvativši da je izgubljeno, on pokušava da sazna ko je njegov vlasnik ili odakle je. Ali, niko nije zainteresovan, gotovo da i ne primećuju da je biće tu, bez imalo volje da se posvete pojavi koja remeti njihovu svakodnevicu. Ne objašnjavajući zašto, dečak saoseća sa bićem i priprema se da pronađe pravo mesto za njega.

THE LOST THING is animated short film based on the highly acclaimed picture book by multi award winning author and illustrator, Shaun Tan. A modern fable with a unique aesthetic, the story is at once idiosyncratic and universal in its appeal to all ages. The film marks the directorial debut of both Andrew Ruhemann and Shaun Tan. Production: Passion Pictures Australia, 2010.

Plot: A boy discoveres a bizzare looking creature while out collecting bottle tops at the beach. Realising it is lost, he tries to find out who owns it or where it belongs, but is met with indifference from everyone else, who barely notice its presence, each unwilling to entertain this uninvited interruption to their day to day lives. For reasons he does not explain, the boy empathises with the creature, and sets out to find a ‘place’ for it.

posebna projekcija / special screening

Posebna projekcija: IZGUBLJENA STVAR

Animanima 2011 SELEKCIONA KOMISIJA SELECTION COMMITTEE

Slobodan Danilović

selekciona komisija / selection committee

8 SLOBODAN DANILOVIĆ (1977) se od 1998. godine aktivno bavim kompjuterskom animacijom. U gejming industriji na različitim projektima učestvovao je kao lead animator, asistent režije, art direktor i režiser na kinematografskim trejlerima i sekvencama za izdavače kao sto su Disney, Electronic Arts, Codemasters, Starbreeze, Remedy Entertainment, Coldwood Interactive, IO Interactive... Bio je angažovan je i u Kompaniju na nekim od pionirskih animiranih serija u Srbiji. Kao freelancer godinama je sarađivao sa studijima iz cele Evrope, na reklamama (Fiat, Toyota, Geox), kao i na programima za nacionalne televizije nekih evropskih zemalja poput Holandije, Italije, Švedske. Trenutno je lead animator u Imagination studios, gde je radio na nekim od najznačajnijih naslova iz sveta video igara, kao što su: Battlefield (Bad company, Battlefield 3, Battlefield Heroes), Kane and Lynch 1 i 2, Alan Wake, Bulletstorm, Mirrors Edge, Riddick serijal, World in conflict...

NEBOJŠA PETROVIĆ je rođen 1979. u Sarajevu. Diplomirao je na Fakultetu primenjenih umetnosti u Beogradu, Odsek primenjena grafika, atelje grafika i knjiga. Bavi se animacijom, ilustrovanjem, crtanjem, grafikom, slikanjem murala, grafičkim dizajnom, pedagoškim radom. U periodu 2004-2008. učestvovao u organizaciji Međunarodnog festivala animiranog filma BALKANIMA u Beogradu (u periodu 2006-2008. kao glavni organizator festivala). Kao saradnik Akademskog filmskog centra Doma kulture Studentski grad učestvovao je u organizaciji Festivala Alternative Film/Video (2007, 2008.) i projekta „Videografija regiona”. Član je tima Medijske arheologije, projekta koji se bavi istraživanjem medija u SFRJ: www.medarh.org

SLOBODAN DANILOVIĆ (1977) has been actively involved in computer animation sice 1998, having participated in various projects in the broad field of the gaming industry, as the lead animator, assistant director, art director and director of cinematographic trailers and sequences produced for the leading publishers such as Disney, Electronic Arts, Codemasters, Starbreeze, Remedy Entertainment, Coldwood Interactive, IO Interactive … He was also engaged by the Company, at some of the pioneering animated series in Serbia. As a freelancer, he has been collaborating for years with studios around Europe, in various advertising projects (Fiat, Toyota, Geox), as well as in TV programmes of different national televisions in Holland, Italy, Sweden and some other European countries. He is currently working as a lead animator at the Imagination Studios, where he has been involved in some of the major titles in the world of video games, such as: Battlefield (Bad Company, Battlefield 3, Battlefield Heroes), Kane and Lynch 1 and 2, Alan Wake, Bulletstorm, Mirrors Edge, the Riddick series, World in Confilict...

NEBOJŠA PETROVIĆ was born in 1979 in Sarajevo. Graduated from Faculty of Applied Arts in Belgrade, Applied Graphics Department. Works in fields of animation, illustration, drawing, printmaking, mural painting, graphic design. Also works with children as a teacher of arts. In the period of 2004 – 2008 he worked in organization of the European Animated Film Festival BALKANIMA in Belgrade, since 2006 to 2008 as a head of the organizing team. He collaborated in projects of Academic Film Center in Students’ City Cultural Center in Belgrade, such as Alternative Film/Video Festival (2007 and 2008) and project called Videography of the Region. Partici-

Nebojša Petrović

Milen Alempijević

MILEN ALEMPIJEVIĆ (1965), književnik i publicista, sa desetak objavljenih knjiga različitih žanrova. U periodu 2004-2006 uređivao je i vodio radijsku emisiju o džezu, a poslednjih godina piše tekstove na teme iz oblasti džeza, filma i animacije za dnevne listove i časopise iz kulture. Neki od ovih analitičkih tekstova su realizovani i u formi multimedijalnih predavanja koje je Milen održavao u kulturnim centrima i na festivalima, poput projekta „Džez i animirani film“ (Balkanima, Novi Beograd, 2010) ili najnovijeg, „Savremena basna ili socijalni bestijarijum“, koje će premijerno biti predstavljeno u okviru pratećeg programa ovogodišnjeg izdanja festivala Animanima u Čačku. Milen je urednik filmskog i video programa Doma kulture Čačak, a ujedno i umetnički direktor međunarodnog festival animacije ANIMANIMA.

pates in the project Media Archaeology as a member of the working team researching media in former Yugoslavia: www.medarh.org As a member of the Citizens Association Grupa IDE from Belgrade participates in several projects like international graffiti and hip-hop festival “Meeting of Styles”, “RAPRESENT” graffiti workshop and creative art workshops for children as well. Works as a producer of the International Animation Festival ANIMANIMA in Čačak.

MILEN ALEMPIJEVIĆ (1965), author and writer of about a dozen books of diferent genres. In the period 2004-2006, he edited and broadcasted a radio programme on jazz music, while over the past few years he has written articles on jazz, film and animation for daily newspapers and culture magazines. Some of these analytical essays were reproduced in the format of multimedia lectures that Milen held in cultural centres and at festivals, such as the “Jazz and Animated Film” (Balkanima, Novi Beograd, 2010), or the most recent “A modern fable or a social bestiary”, which will have its premiere within the fringe programmes of this year’s Animanima Festival in Čačak. Milen is the editor of the film and video programme of the Cultural Centre in Čačak, and also the artistic director of the International Animation Festival ANIMANIMA.

selekciona komisija / selection committee

Član je Udruženja građana „Grupa IDE” iz Beograda sa kojim učestvuje u realizaciji više projekata, internacionalnog grafiti i hip hop festivala “Meeting of Styles”, “RAPRESENT” grafiti radionice, kao i kreativnih umetničkih radionica za decu. Izvršni direktor Međunarodnog festivala animacije ANIMANIMA u Čačku.

Animanima 2011 ŽIRI / JURY Rulof van den Berg Roelof van den Bergh

žiri / jury

10 RULOF VAN DEN BERG je diplomirao na studijama za film i animaciju na Akademiji Gerit Ritveld u Amsterdamu. Kao nezavisni animator i režiser bavio se izradom laserskih i multi-medijalnih postavki u periodu od 1989. do 2001.godine, uz povremeno angažovanje na poslovima animacije za Holandsku televiziju. Dva od njegovih kratkih animiranih filmova prikazivana su na različitim festivalima: Natpis (2004) i Varijete (2009). Rulof radi kao profesor animacije na Visokoj umetničkoj školi u Utrehtu, Holandija.

ŽOANA TOŠTE rođena je 1970. godine. Diplomirala je u oblasti industrijskog dizajna, da bi zatim završila postdiplomske studije u istoj oblasti, na Umetničkoj školi u Glazgovu / Portugalski Centar za dizajn. Tokom ovog perioda, naporedo je studirala slikarstvo pri Nacionalnoj Asocijaciji za lepe umetnosti u Lisabonu, da bi tokom 1992. godine napravila jednogodišnju pauzu na studijama, kako bi se posvetila studijama animacije u Tobistunu. Od ovog perioda, neprekidno je angažovana u oblasti animacije gde, pored saradnje sa nekolicinom studija, radi i na realizaciji sopstvenih projekata. Tokom 2004. godine, Žoana je osnovala sopstvenu produkcijsku kuću, pod nazivom Gomtch-gomtch. Istovremeno, izrađuje ilustracije, radi kao scenograf u pozorištu, priređuje radionice za decu i bavi se dizajnom internet prezentacija. Do sada je više puta učestvovala u radu različitih festivala kao član žirija.

IGOR PRASEL rođen je 1971. godine u slovenačkom primorskom gradu Kopru (Kapodistria). Trenutno dovršava svoje postdiplomske (Master)

Žoana Tošte Joana Toste

Igor Prasel Igor Prassel

ROELOF VAN DEN BERGH studied film and animation at the Gerrit Rietveld Academy in Amsterdam. As a freelance animator and director he made laser shows and multi media shows from 1989 until 2001, besides the occasional animation for Dutch television. Two of his animated shorts featured on various festivals: Notice (2004) and Variété (2009). He teaches animation at the HKU (Hogeschool voor de Kunsten Utrecht) in The Netherlands.

JOANA TOSTE was born in 1970. She got her degree in industrial design, followed by a post-graduate degree in the same area at the Glasgow School of Art/Centro Português de Design. During this period she stud-

ied painting at Sociedade Nacional de Belas Artes de Lisboa and in 1992 interrupted her studies during one year, to perform animation studies at Tobistoon. Since then, she has worked in animation, collaborating with several studios and developing her own projects. In 2004 she created her own production’s company called gomtch-gomtch. Simultaneously, she works in illustration, theatre set design, workshops for children and web design. She had been invited from several festivals for being jury.

IGOR PRASSEL was born in 1971 in the Slovenian coast town Koper-Capodistria. He is currently finishing his Masters degree in Media Studies at the Ljubljana Faculty for Graduate Social Sciences Studies. He was a long time co-editor of the only Slovene comics magazine Stripburger. From 1992 he is running a monthly animation film program at the Slovene Cinematheque. He is trying to survive as a freelance journalist (Delo, Ekran), animation film programmer and board member for many different film and contemporary arts festivals in Slovenia and abroad. He was a jury member at important international animation film festivals (Stuttgart, I Castelli Animati, SICAF, anim’est, Balkanima, Monstra, 25 FPS, Anifest...). From 2008 he collaborates with the World Festival of Animated Films Animafest Zagreb as programme adviser. In 2004 he founded the International Animation Film Festival Animateka, where he is the artistic director.

žiri / jury

studije u oblasti Medijskih studija, na Fakultetu za društvene nauke u Ljubljani. Dugo je radio kao pomoćnik urednika jedinog slovenačkog strip-magazina, Stripburger. Od 1992. godine, uređuje mesečno izdanje animiranog filmskog programa za slovenačku Kinoteku. Kako sam kaže, pokušava da preživi radeći kao nezavisni novinar (Delo, Ekran), programer za filmsku animaciju i član odbora mnogih filmskih festivala, kao i festivala savremene umetnosti, kako u Sloveniji, tako i u inostranstvu. Bio je član žirija na važnim međunarodnim festivalima animacije (Štutgart, I Castelli Animati, SICAF, Anim’est, Balkanima, Monstra, 25 FPS, Anifest...). Počev od 2008. godine, sarađuje sa Festivalom svetske animancije, Animafestom u Zagrebu, kao programski savetnik. Igor je 2004. godine osnovao Međunarodni festival animacije Animateka čiji je umetniči direktor.

Animanima 2011 TAKMIČARSKI PROGRAM COMPETITION PROGRAMME

TAKMIČENJE 01 COMPETITION 01

LUMINARIS / LUMINARIS Argentina / Argentina, 2011, 6:20

IZMEĐU MEDVEDA / BETWEEN BEARS Izrael / Israel, 2010, 5:22

IGLMENOV JELENAK / THE EAGLEMAN STAG Velika Britanija / United Kingdom, 2010, 9:00

POSETA / THE VISIT Nemačka / Germany, 2011, 8:30

GDE SI, LJUBAVI MOJA / DOVE SEI, AMOR MIO Hrvatska / Croatia, 2011, 10:30

STAZE MRŽNJE / PATHS OF HATE Poljska / Poland, 2010, 10:00

PECAROŠ STVARI / MATTER FISHER Velika Britanija / United Kingdom, 2010, 7:25

SUTON / THE GLOAMING Francuska / France, 2011, 14:00

OVO NIJE STVARNO / THIS IS NOT REAL Velika Britanija / United Kingdom, 2011, 7:18

JUTARNJA ŠETNJA / A MORNING STROLL Velika Britanija / United Kingdom, 2011, 6:47

takmičenje 01 / competition 01

LUMINARIS LUMINARIS

IZMEĐU MEDVEDA BETWEEN BEARS

U svetu u kom svetlost vlada i određuje ritam vremena, jedan običan čovek ima plan koji bi mogao da promeni sudbinu.

“Dug mom detinjstvu i drugim životima za koje se nadam da sam ih živeo.” E. Hilleli

In a world controlled and timed by light, a common man has a plan that could change destiny.

“A debt to my childhood and other lives i hope i lived.” E. Hilleli

Argentina / Argentina, 2011, 6:20

Izrael / Israel, 2010, 5:22

Piksilacija / Pixilation

3D kompjuter / 3D Computer

Režija / Direction: Juan Pablo Zaramella Scenario / Script: Juan Pablo Zaramella, Gustavo Cornillón Animacija / Animation: Juan Pablo Zaramella Montaža / Editing: Juan Pablo Zaramella

Dizajn zvuka / Sound design: Diego Gat, Alejo Villarino Produkcija / Production: JPZtudio

Juan Pablo Zaramella contact@zaramella.com.ar www.zaramella.com.ar

Režija / Direction: Eran Hilleli Scenario / Script: Eran Hilleli Animacija / Animation: Eran Hilleli Montaža / Editing: Eran Hilleli

Dizajn zvuka / Sound design: Ori Avni, Daniela Spector Produkcija / Production: Bezalel Academy of Art and Design

Eran Hilleli eranhill@gmail.com www.eranhilleli.com

IGLMENOV JELENAK THE EAGLEMAN STAG

POSETA THE VISIT

Piterov život prošao je u fasciniranosti i strahu od ubrzane recepcije vremena i starenja. Kako se bliži kraju svog veka, njegovo interesovanje prelazi u opsesiju i on preduzima sve ekstremnije mere u cilju kontrole i merenja ubrzanja prolaska vremena.

Tragikomična priča o starici koja, na užas svog sina, priprema hranu usred noći za svoje odavno preminule prijatelje. Mašta, san ili java? Ima li razlike? Jer, kad ljudi ostare...

Peter’s life has been spent in both fascination and fear of his quickening perception of time with age. As he nears the end of his days, his interest turns to obsession and he undertakes progressively extreme measures to control and counter times increasing pace.

A tragicomical story about an old woman, who, to the horror of her son, is cooking up a meal in the middle of the night for her long-deceased friends. Fantasy, dream or reality? What is the difference? When people get old...

Velika Britanija / United Kingdom, 2010, 9:00

Nemačka / Germany, 2011, 8:30

Lutke / Puppets

3D kompjuter / 3D Computer Dizajn zvuka / Sound design: Benedict Please Produkcija / Production: Royal College of Art

Mikey Please pleasemikeplease@gmail.com www.mikeyplease.co.uk

Izvorni naslov / Original Title: Der Besuch Režija / Direction: Conrad Tambour Scenario / Script: Conrad Tambour Animacija / Animation: Conrad Tambour

Montaža / Editing: Wiebke Hofmann Dizajn zvuka / Sound design: Alexander Moyerer Produkcija / Production: Filmakademie Baden-Wuerttemberg

Filmakademie Baden-Wuerttemberg sigrid.gairing@filmakademie.de www.filmakademie.de

takmičenje 01 / competition 01

Režija / Direction: Mikey Please Scenario / Script: Mikey Please Animacija / Animation: Mikey Please Montaža / Editing: Mikey Please

takmičenje 01 / competition 01

GDE SI, LJUBAVI MOJA DOVE SEI, AMOR MIO

STAZE MRŽNJE PATHS OF HATE

Snaga poricanja i strah od promene drže staricu u začaranom krugu najgorih noćnih mora, koji se prekida kada se otkrije njezina tajna...

Kratka pripovest o demonima koji dremaju duboko u ljudskoj duši i imaju moć da čoveka gurnu u ambis zaslepljujuće mržnje, jarosti i gneva.

The power of denial and fear of change keep the old lady trapped in her worst nightmares until suddenly a long-kept secret emerges and the old lady can’t escape it anymore.

A short tale about the demons that slumber deep in the human soul and have the power to push people into the abyss of blind hate, fury and rage.

Hrvatska / Croatia, 2011, 10:30

Poljska / Poland, 2010, 10:00

3D kompjuter / 3D Computer

Režija / Direction: Veljko Popović Scenario / Script: Veljko Popović Animacija / Animation: Marin Kovačić Montaža / Editing: Iva Kraljević

Dizajn zvuka / Sound design: Natko Stipaničev Produkcija / Production: Bonobostudio

Bonobostudio vanja@bonobostudio.hr www.bonobostudio.hr

Režija / Direction: Damian Nenow Scenario / Script: Damian Nenow Animacija / Animation: Damian Nenow Montaža / Editing: Damian Nenow

Dizajn zvuka / Sound design: Maciej Tegi Produkcija / Production: Platige Image

Platige Image piechnik@platige.com www.platige.com

PECAROŠ STVARI MATTER FISHER

SUTON THE GLOAMING

Usamljeni pecaroš združen sa jednom formom nepoznate supstance na putovanju sa neočekivanim ishodom.

Glavni lik stvara svet koji izmiče njegovoj kontroli. Civilizacija i njena ubrzana evolucija.

A serendipitous journey in which a lone fisher is united with a form of estranged matter.

A character creates a world that is beyond his control. Civilization and its accelerated evolution.

Velika Britanija / United Kingdom, 2010, 7:25

Francuska / France, 2011, 14:00

2D kompjuter / 2D Computer

Stop-motion Dizajn zvuka / Sound design: Joe Tate Produkcija / Production: Studio AKA

Studio AKA kaye@studioaka.co.uk www.studioaka.co.uk

Režija / Direction: Nobrain Scenario / Script: Niko Nobrain Animacija / Animation: Florian Durand, Ludovic Montaža / Editing: Niko Nobrain, Grégoire Sivan

Dizajn zvuka / Sound Design: Kouz Production Produkcija / Production: Autour de Minuit, Sabotage

Autour de Minuit festivals@autourdeminuit.com www.autourdeminuit.com

takmičenje 01 / competition 01

Režija / Direction: David Prosser Scenario / Script: David Prosser Animacija / Animation: David Prosser Montaža / Editing: David Prosser

takmičenje 01 / competition 01

OVO NIJE STVARNO THIS IS NOT REAL

JUTARNJA ŠETNJA A MORNING STROLL

Čarli je jedanaestogodišnjak koji sklonište od digitalne monotonije u svom okruženju traži u izmaštanom svetu i čezne za avanturom na Himalajima.

Kada Njujorčanin prođe pored pileta u svojoj jutarnjoj šetnji, ostaje nam da se pitamo ko je od njih dvoje prava gradska “ptica”... Delimično zasnovan na stvarnom događaju koji Pol Oster pominje u svom romanu Istinite pripovesti iz američkog života, ovaj film nam donosi priču o ranojutarnjem susretu jednog Njujorčanina sa piletom, o događaju koji se odigrava više od 100 godina.

Charley is an 11 years old boy who seeks refuge in an imaginary world from the digital monotony of his environment and desires to venture to the Himalayas.

“When a New Yorker walks past a chicken on his morning stroll, we’re left to wonder which one is the real city slicker...” Based loosely on a real life event recounted in Paul Auster’s brilliant book True Tales of American Life, film A Morning Stroll tells the story of one New Yorker’s early morning encounter with a chicken, an event that plays out over 100 years.

Velika Britanija / United Kingdom, 2011, 7:18

Velika Britanija / United Kingdom, 2011, 6:47

3D kompjuter / 3D Computer

2D i 3D kompjuter / 2D and 3D Computer

Režija / Direction: Gergely Wootsch Scenario / Script: Gergely Wootsch Animacija / Animation: Gergely Wootsch Montaža / Editing: Gergely Wootsch

Dizajn zvuka / Sound design: Julian Scherle Produkcija / Production: Royal College of Art

Gergely Wootsch hello@gergely-wootsch.com www.gergely-wootsch.com

Režija / Direction: Grant Orchard Scenario / Script: Grant Orchard Animacija / Animation: Grant Orchard Montaža / Editing: Nic Gill

Dizajn zvuka / Sound design: Nic Gill Produkcija / Production: Studio AKA

Studio AKA kaye@studioaka.co.uk www.studioaka.co.uk

TAKMIČENJE 02 COMPETITION 02

SAN O 1. APRILU 1999. GODINE / DREAM OF 1ST APRIL 1999 Francuska / France, 2010, 5:36

SERGEJ PROKOFJEV. ČETVRTA NARANDŽA. / SERGEI PROKOFIEV. THE FOURTH ORANGE. Rusija / Russia, 2010, 13:00

LAZAROV / LAZAROV Francuska / France, 2010, 5:00

CVET BITKE / FLOWER OF BATTLE Hrvatska / Croatia, 2011, 19:25

ROĐENDAN / BIRTHDAY Finska / Finland, 2010, 4:21

MAMAC / LURE Hrvatska / Croatia, 2011, 3:12

TVORAC / THE MAKER SAD / USA, 2011, 5:17

KUBLAJ KAN / KUBLA KHAN SAD / USA, 2011, 3:38

MRTVAČKI PLES / DANCE OF DEATH Slovenija / Slovenia, 2010, 4:07

RONIOCI NA KIŠI / DIVERS IN THE RAIN Estonija / Estonia, 2010, 24:00

takmičenje 02 / competition 02

SAN O 1. APRILU 1999. GODINE DREAM OF 1ST APRIL 1999

SERGEJ PROKOFJEV. ČETVRTA NARANDŽA. SERGEI PROKOFIEV. THE FOURTH ORANGE.

Dečak hoda u snegu. Izgubio se. Crno čudovište ga uzima za ruku i vodi ga u svet knjiga koje proniču u dušu...

Pripovest o životu genijalnog kompozitora.

A little boy is walking in the snow. He’s lost. A black monster takes him by the hand and guides him into the world of the books that look inside soul...

A tale of a genius composer’s life.

Francuska / France, 2010, 5:36

Rusija / Russia, 2010, 13:00

3D kompjuter / 3D Computer

Kolaž / Cut-out

Izvorni naslov / Original Title: Rêve de 1er avril 1999 Režija / Direction: David B, Thomas BertrandBatlle, Julien Hazebroucq, Emmanuelle Leleu, Bastien Létoile, Maxence Martin, Juan Paul Monge, Héloïse Papillon, Camille Perrin Scenario / Script: David B

Animacija / Animation: same team as for Direction Montaža / Editing: same team as for Direction Dizajn zvuka / Sound Design: Reinhardt Wagner Produkcija / Production: Canal+, Cargo Films

Autour de Minuit festivals@autourdeminuit.com www.autourdeminuit.com

Izvorni naslov / Original Title: Sergei Prokofiev. Chetvertij Apelsin. Režija / Direction: Julia Titova Scenario / Script: Irina Margolina Animacija / Animation: Stanislav Speranskij, Anna Tumelia, Tatiana

Skriganova, Nikolai Yarunin, Olga Ribina, Tatiana Nikeenko, Svetlana Saevets, Irina Zabello, Elena Tumanova, Oksana Tchutseva Montaža / Editing: Denis Shkitko Dizajn zvuka / Sound design: Viacheslav Tarasov, Ivan Voronin Produkcija / Production: Studio M.I.R.

Irina Margolina margoirina@yahoo.com www.studio-mir.ru

LAZAROV LAZAROV

CVET BITKE FLOWER OF BATTLE

Odbijajući da prihvate pad SSSR-a, šačica ruskih naučnika pod velom tajne radi na uskrsnuću sovjetske moći. Evo nekoliko novih prizora iz misterioznog programa Lazarov.

U maglovitom podzemnom svetu arkadijskog ugođaja obitavaju neobični likovi: Opsenar, Građanski entitet, Drveni lutak i ćutljivi, ali opasni Mačevaoci. Njihovi misteriozni doživljaji alegorija su odnosa između izumrle tradicije evropskog borbenog mačevanja i doktrine pragmatskog političkog delovanja. Da li je završetak alegorije ujedno početak poučnog nesporazuma?

Refusing to accept the decline of the USSR, a handful of Russian scientists working secretly to resurrect the Soviet power. Here are some new images of the mysterious program Lazarov.

The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsmen. Their mysterious experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding?

Francuska / France, 2010, 5:00

Hrvatska / Croatia, 2011, 19:25

Lutke, glumci / Puppet, Live acting

3D kompjuter / 3D Computer Dizajn zvuka / Sound Design: Nietov Produkcija / Production: Autour de Minuit

Autour de Minuit festivals@autourdeminuit.com www.autourdeminuit.com

Izvorni naslov / Original Title: Cvijet bitke Režija / Direction: Simon Bogojević Narath Scenario / Script: Simon Bogojević Narath Animacija / Animation: Nikola Radović

Montaža / Editing: Simon Bogojević Narath Dizajn zvuka / Sound design: Hrvoje Štefotić Produkcija / Production: Bonobostudio

Bonobostudio vanja@bonobostudio.hr www.bonobostudio.hr

takmičenje 02 / competition 02

Režija / Direction: Nietov Scenario / Script: Nietov Animacija / Animation: Nietov Montaža / Editing: Nietov

takmičenje 02 / competition 02

ROĐENDAN BIRTHDAY

MAMAC LURE

Majka želi da svom detetu da rođendanski pokon, ali njen miljenik nije zainteresovan.

More, čovek, riba... Po nekoliko čuda i ljudskih slabosti.

Mother wants to give her children a birthday present but deary is not interested.

Sea, man, fish... And a couple of miracles and human foibles.

Finska / Finland, 2010, 4:21

Hrvatska / Croatia, 2011, 3:12

Crtež na papiru / Drawing on paper

Crtež na celu / Drawing on cell

Izvorni naslov / Original Title: Syntymäpäivä Režija / Direction: Jari Vaara Scenario / Script: Jari Vaara Animacija / Animation: Jari Vaara

Montaža / Editing: Jari Vaara Dizajn zvuka / Sound design: Jari Vaara Produkcija / Production: Jari Vaara

Izvorni naslov / Original Title: Ješka Režija / Direction: Dinko Kumanović Scenario / Script: Dinko Kumanović Animacija / Animation: Dinko Kumanović

Montaža / Editing: Dinko Kumanović Dizajn zvuka / Sound Design: Hrvoje Niković Produkcija / Production: ATER, Ustanova Zagreb film

Jari Vaara jarivaara@rocketmail.com www.kutikuti.com

Dinko Kumanović sanja.borcic@zagrebfilm.hr www.zagrebfilm.hr

ATER, Ustanova Zagreb film sanja.borcic@zagrebfilm.hr www.zagrebfilm.hr

TVORAC THE MAKER

KUBLAJ KAN KUBLA KHAN

Neobično stvorenje u trci s vremenom dok stvara najvažniju i najlepšu kreaciju svog života.

Animirana interpretacija poeme Kublaj Kan Samjuela Tejlora Kolridža iz 1797. Njegova “vizija u snu” nastala je pod uticajem opijuma.

A strange creature races against time to make the most important and beautiful creation of his life.

This is an animated interpretation of a poem Kubla Khan written by Samuel Taylor Coleridge in 1797. His “vision in a dream” was composed under the influence of opium.

SAD / USA, 2011, 5:17

SAD / USA, 2011, 3:38

Lutke, stop-motion / Puppets, Stop-motion

Glina / Clay Montaža / Editing: Christopher Kezelos Dizajn zvuka / Sound design: Brendan O’Brien Produkcija / Production: Zealous Creative

Christopher Kezelos chris@zealouscreative.com www.zealouscrerative.com

Režija / Direction: Joan C. Gratz Scenario / Script: Poem by Samuel Taylor Coleridge Animacija / Animation: Joan C. Gratz Montaža / Editing: Joan C. Gratz, Steven Miller

Dizajn zvuka / Sound design: Jason Livesay, Adam Skorupa Produkcija / Production: Gratz Film

Joan C. Gratz festivals@laika.com www.gratzfilm.com

takmičenje 02 / competition 02

Režija / Direction: Christopher Kezelos Scenario / Script: Christopher Kezelos Animacija / Animation: Christopher Kezelos, Mark Lagana, David Cox, Ai Ikeda

takmičenje 02 / competition 02

MRTVAČKI PLES DANCE OF DEATH

RONIOCI NA KIŠI DIVERS IN THE RAIN

Godine 1490. Janez iz Kastava oslikao je romaničku baziliku Svetog Trojstva u Hrastovlju. Freske opisuju procesiju “Plesa smrti” upozoravajući nas da su svi jednaki pred smrću. Film je autorova savremena interpretacija slikareve ideje.

Ovo je priča o svakodnevnom roniocu i noćnoj zubarki. Njihovi poljupci su uvek oproštajni poljupci.

Of year 1490 Janez from Kastav painted Romanic basilica of Holy Trinity in Hrastovlje. Frescoes depiction of procession “Dance of death” warning us that all are the same before death. Film is author’s contemporary interpretation of a painter’s idea.

This is a story about an everyday diver and a night dentist. Their kisses are always good-bye kisses.

Slovenija / Slovenia, 2010, 4:07

Estonija / Estonia, 2010, 24:00

Fotografija, 2D kompjuter / Photo, 2D Computer

Crtež na papiru / Drawing on paper

Izvorni naslov / Original Title: Mrtvaški ples Režija / Direction: Koni Steinbacher Scenario / Script: Koni Steinbacher Animacija / Animation: Koni Steinbacher

Montaža / Editing: Koni Steinbacher Dizajn zvuka / Sound design: Koni Steinbacher Produkcija / Production: KOST

Koni Steinbacher konrad.steinbacher@guest.arnes.si

Izvorni naslov / Original Title: Tuukrid Vihmas Režija / Direction: Priit and Olga Pärn Scenario / Script: Priit Pärn Animacija / Animation: Eesti Joonisfilm crew

Montaža / Editing: Priit and Olga Pärn Dizajn zvuka / Sound design: Horret Kuus Produkcija / Production: Eesti Joonisfilm

Priit and Olga Pärn info@joonisfilm.ee www.joonisfilm.ee

TAKMIČENJE 03 COMPETITION 03 01

BERAČICA CVEĆA / DAISY CUTTER

Španija / Spain, 2010, 6:00

PUŽ / ESCARGOT

AMAR / ÁMÁR Španija / Spain, 2010, 8:00

Hrvatska / Croatia, 2011, 8:41

OSTAVLJENO, UZETO / SOMETHING LEFT, SOMETHING TAKEN SAD / USA, 2010, 10:13

UKRŠTENA HARINGA / CROSSED SILD Srbija / Serbia, 2010, 12:16

ŠARENA LAŽA / PIGEON’S MILK Češka Republika, Srbija / Czech Republic, Serbia, 2010, 3:10

FRIDA I VREME PRE MENE / FRIDA & THE TIME BEFORE ME

Nemačka / Germany, 2010, 8:00

BOLNICA ČUDA / THE WONDER HOSPITAL SAD / USA, 2010, 11:23

ZAKUPAC / THE RENTER SAD / USA, 2011, 9:52

DETANT / LA DÉTENTE Francuska / France, 2011, 8:30

takmičenje 03 / competition 03

BERAČICA CVEĆA DAISY CUTTER

PUŽ ESCARGOT

Ovo je priča o desetogodišnjoj devojčici Zairi, koja, kao i mnoga druga deca, oseća nepravednost rata, iz perspektive koju joj njena nežnost i naivnost dopuštaju.

Dve vojske puževa u borbi sa istim ciljem, poslednjim pupoljkom na stabljici. Ali pupoljak pripada jednom drugom svetu...

Daisy Cutter tells the story of a ten years old girl, Zaira, who (like many other children) experiences the injustice of war, with the prespective that her tender and naive eyes allow her.

Two armies of snails in combat with the same goal: the last bud on the tree. However, the bud belongs to another world...

Španija / Spain, 2010, 6:00

Hrvatska / Croatia, 2011, 8:41

3D kompjuter / 3D Computer

Režija / Direction: Enrique García, Rubén Salazar Scenario / Script: Enrique García, Rubén Salazar Animacija / Animation: Jorge Sánchez, Mikel Fernández de Ortega, Igor González, Jon Soler, Yuste Gil, Alexis Herrera

Montaža / Editing: Rubén Salazar Dizajn zvuka / Sound design: Aritz Villodas, Mikel F. Krutzaga Produkcija / Production: Silverspace

Režija / Direction: Manuel Šumberac Scenario / Script: Manuel Šumberac Animacija / Animation: Manuel Šumberac Montaža / Editing: Manuel Šumberac

Dizajn zvuka / Sound Design: Teo Visintin Produkcija / Production: Akademija likovnih umjetnosti Zagreb

Kimuak kimuak@filmotecavasca.com www.kimuak.com

Manuel Šumberac sanja.borcic@zagrebfilm.hr www.zagrebfilm.hr

Akademija likovnih umjetnosti Zagreb alu@alu.hr www.alu.hr

FRIDA I VREME PRE MENE FRIDA & THE TIME BEFORE ME

Devojka i mladić, čiji su životi formirani monotonijom svakodnevnice i strahom od promene, savršeno bi se slagali i nadopunjavali kada bi samo imali prilike da se sretnu. Jednom se ovo zamalo dogodilo...

Sve donedavno nisam ništa znala o svojoj prabaki Fridi osim da je svaku ulicu prešla sa otvorenim kišobranom. Ona je bila svoj sopstveni pešački prelaz. Frida je umrla one godine kada sam ja rođena.

A boy and a girl, whose lives were molded by day-to-day monotony and fear of change, would be a pefect match only if they could meet each other. Once this almost happened...

Up until recently I knew nothing about my great-granny Frida except that she crossed every street with an opened umbrella. She was her own zebra-crossing. Frida died the year I was born.

Srbija / Serbia, 2010, 12:16

Nemačka / Germany, 2010, 8:00

Lutke / Puppets

Kolaž / Cut-out

Režija / Direction: Lea Vidaković, Ivana Bošnjak Scenario / Script: Lea Vidaković, Ivana Bošnjak Animacija / Animation: Ivana Bošnjak, Lea Vidaković Montaža / Editing: Lea Vidaković, Ivana Bošnjak

Dizajn zvuka / Sound design: Hrvoje Radnić, Hrvoje Nikšić Produkcija / Production: Hogskulen i Volda

Lea Vidaković lea@leavidakovic.com www.leavidakovic.com

Izvorni naslov / Original Title: Frida & die Zeit vor mir Režija / Direction: Meike Fehre Scenario / Script: Meike Fehre, Lars Dahms Animacija / Animation: Meike Fehre, Gregor Stockmann

Montaža / Editing: Meike Fehre Dizajn zvuka / Sound design: Christian Riegel, Enrico Baitz Produkcija / Production: Puppethotel

Meike Fehre meike.fehre@puppethotel.de www.puppethotel.de

27 takmičenje 03 / competition 03

UKRŠTENA HARINGA CROSSED SILD

takmičenje 03 / competition 03

BOLNICA ČUDA THE WONDER HOSPITAL

AMAR ÁMÁR

Nadrealno putovanje kroz misterioznu bolnicu koja menja percepciju fizičke lepote.

Ines putuje u Indiju da poseti svog prijatelja Amara koji godinama živi u ustanovi za mentalno obolele. Ona se seća poslednjih dana koje su proveli zajedno i svog obećanja da će se vratiti.

A surreal journey through a mysterious hospital that alters the perception of physical beauties.

Inés travels to India to visit her friend Ámár, who has been living in a mental institution for years. Inés remembers the last days they spent together and her promise to return.

SAD / USA, 2010, 11:23

Španija / Spain, 2010, 8:00

Lutke / Puppets

Crtež na papiru / Drawing on paper

Režija / Direction: Beomsik Shimbe Shim Scenario / Script: Shimbe Animacija / Animation: Shimbe, Jaewan Park, Byung-ho Kang Montaža / Editing: Shimbe

Dizajn zvuka / Sound design: Danielle Ash Produkcija / Production: Shimbe

Beomsik Shimbe Shim shim@shimbe.com www.shimbe.com

Režija / Direction: Isabel Herguera Scenario / Script: Isabel Herguera Animacija / Animation: Isabel Herguera, Rajiv Eipe Montaža / Editing: Isabel Herguera, Eduardo Elosegi

Dizajn zvuka / Sound design: Xabier Erkizia Produkcija / Production: Isabel Herguera

Kimuak kimuak@filmotecavasca.com www.kimuak.com

OSTAVLJENO, UZETO SOMETHING LEFT, SOMETHING TAKEN

ŠARENA LAŽA PIGEON’S MILK

Svako ko se pojavi na mestu zločina nešto ostavlja iza sebe, a nešto uzima sa sobom. Ovo je animirana crna komedija o paru koji se na putovanju susreće sa čovekom za koga veruju da je ubica Zodijak.

Konfuzna priča o radosti uništavanja.

Everyone who enters a crime scene, leaves something behind and takes something away. This is an animated dark comedy about a vacationing couple’s encounter with a man they believe to be the Zodiac Killer.

Puzzled story about joy of destroying.

SAD / USA, 2010, 10:13

Češka Republika, Srbija / Czech Republic, Serbia, 2010, 3:10

Crtež na papiru, lutke, kolaži, predmeti, piksilacija / Drawing on paper, Puppets, Cut-out, Objects, Pixilation

Crtež na piru, kolaž, objekti, piksilacija / Drawing on paper, Cut-out, Objects, PIxilation

Režija / Direction: Max Porter, Ru Kuwahata Scenario / Script: Max Porter, Ru Kuwahata Animacija / Animation: Max Porter, Ru Kuwahata Montaža / Editing: Max Porter

Režija / Direction: Miloš Tomić Scenario / Script: Miloš Tomić, Jakub Felcman Animacija / Animation: Miloš Tomić Montaža / Editing: Marko Simić

Ru Kuwahata ru@tinyinventions.com www.tinyinventions.com

Crtež / Drawing: Vuk Palibrk Dizajn zvuka / Sound design: Vladimir Chab Produkcija / Production: Goethe Institut, FAMU

Miloš Tomić bilboblah@hotmail.com www.milostomic.com

takmičenje 03 / competition 03

Dizajn zvuka / Sound design: Greg Sextro Produkcija / Production: Ru Kuwahata

takmičenje 03 / competition 03

ZAKUPAC THE RENTER

DETANT LA DÉTENTE

Dečaka ostavljaju na neko vreme u kući starije žene. Kuća se nalazi usred zakorovljenih polja na kojima trunu kruške. Samac koji iznajmljuje sobu doprineće uznemirujućoj atmosferi.

Prvi svetski rat, francuski vojnik u rovu paralizovan je strahom. Njegov duh iz realnosti beži u svet gde se ratovi vode igračkama.

A young boy is dropped off at an elderly woman’s home for the day. Her house sits amongst fields of weeds and rotting pears. A lone man, who rents a room, adds to the unsettling atmosphere.

In a trench during the first world war, a French soldier becomes paralyzed with fear. His mind disconnects from reality and escapes to a world where wars are fought by toys.

SAD / USA, 2011, 9:52

Francuska / France, 2011, 8:30

2D kompjuter / 2D Computer

3D kompjuter / 3D Computer

Režija / Direction: Jason Carpenter Scenario / Script: Jason Carpenter Animacija / Animation: Jason Carpenter Montaža / Editing: Jason Carpenter

Dizajn zvuka / Sound design: Jeff Shiffman Produkcija / Production: Jason Carpenter

Jason Carpenter jason@therenter.net www.therenter.net

Režija / Direction: Pierre Ducos, Bertrand Bey Scenario / Script: Pierre Ducos, Bertrand Bey Animacija / Animation: Pierre Ducos, Bertrand Bey Montaža / Editing: Pierre Ducos, Bertrand Bey

Dizajn zvuka / Sound design: Pierre Ducos, Bertrand Bey Produkcija / Production: Pierre Ducos, Bertrand Bey

Pierre Ducos, Bertrand Bey contact@ladetentelefilm.com www.ladetentelefilm.com

TAKMIČENJE 04 COMPETITION 04

GALERIJA / THE GALLERY Poljska / Poland, 2010, 5:00

TAMO GDE PSI UMIRU / WHERE DOGS DIE Francuska / France, 2011, 12:00

DVA KORAKA IZA / TWO STEPS BEHIND Poljska / Poland, 2010, 8:00

PLANETA Z / PLANET Z Francuska / France, 2011, 9:30

MASKA / THE MASK Poljska / Poland, 2010, 24:00

BOCA / BOTTLE SAD / USA, 2010, 5:25

NOĆNI ZVUKOVI / NIGHT SOUNDS Švedska / Sweden, 2011, 5:00

EGARO / EGARO Francuska / France, 2011, 6:09

RITUAL / THE RITUAL Poljska / Poland, 2010, 5:00

GRAFITIGAR / GRAFFITIGER Češka Republika / Czech Republic, 2011, 10:20

takmičenje 04 / competition 04

GALERIJA THE GALLERY

TAMO GDE PSI UMIRU WHERE DOGS DIE

Groteskna slika o tome kako slobodan dan može postati radni dan.

Ljudi kažu da psi, kada osete da će da uginu, napuštaju svoje vlasnike, da se ovi zbog toga ne bi rastužili. Gde psi umiru? Povest života, ljubavi i smrti jednog psa.

Grotesque picture about how the day off can become working one.

People say that dogs, when they feel they are dying, leave their owners, for them not to be sad. Where dogs die? History of life, love and death of one dog.

Poljska / Poland, 2010, 5:00

Francuska / France, 2011, 12:00

Crtež / Drawing

Slika na staklu / Painting on glass

Izvorni naslov / Original Title: Galeria Režija / Direction: Robert Proch Scenario / Script: Robert Proch Animacija / Animation: Robert Proch

Montaža / Editing: Robert Proch Produkcija / Production: The Academy of Fine Arts in Poznan

Izvorni naslov / Original Title: Là où meurent les chiens Režija / Direction: Svetlana Filippova Scenario / Script: Svetlana Filippova Animacija / Animation: Svetlana Filippova

Montaža / Editing: Svetlana Filippova Dizajn zvuka / Sound Design: Arseniy Troickiy Produkcija / Production: Sacrebleu Productions

Robert Proch info@robertproch.com

Svetlana Filippova filippovas@list.ru

Sacrebleu Productions distribution@sacrebleu@gmail.com www.sacrebleuprod.com

DVA KORAKA IZA TWO STEPS BEHIND

PLANETA Z PLANET Z

Dečak u tuđem gradu biva uvučen u neobične odnose koji nisu uvek prijateljski. Zbog toga će se vratiti odakle je došao, ali da li je to stvarno kraj putovanja?

Planeta Z, negde u univerzumu. Čuda se događaju. Izvori vode izbijaju i daju novi život, nastaju biljke. Pustinjska planeta postaje zelena. Ali, malo po malo, gljive osvajaju zelene prostore, uništavajući idilični život. Otrovne spore ubijaju biljke i prepobražavaju planetu u trulež...

A boy in a strange city gets caught up in a strange relationships that are not always friendly. As a result, he returns to the place from where he came, but is that really the end of his journey?

Somewhere in the Universe, the Planet Z. A miracle happens. A water jet springs up and gives birth to a new life: plants. A desert planet becomes a green planet. But, little by little, mushrooms invade the green land, destroying the idyllic life. The toxic spores kill the plants, and transform the planet to a mouldy land...

Poljska / Poland, 2010, 8:00

Francuska / France, 2011, 9:30

Fotografija, kolaž, 2D kompjuter / Photo, Cut-outs, 2D Computer

2D kompjuter / 2D Computer

Izvorni naslov / Original Title: Dwa kroki za Režija / Direction: Paulina Majda Scenario / Script: Paulina Majda Animacija / Animation: Paulina Majda, Piotr Milczarek

Montaža / Editing: Janusz Czubak Produkcija / Production: Polish Filmmakers Association Munk Studio TVP Kultura, Lukaflm Studio Grafiki Animowanej

Režija / Direction: Momoko Seto Scenario / Script: Momoko Seto Animacija / Animation: Julio Leon, Paul Alexandre Montaža / Editing: Nicolas Sarkissian, Momoko Seto

Dizajn zvuka / Sound Design: Quentin Degy Produkcija / Production: Sacrebleu Productions

The Polish Filmmakers Association l.madzik@sfp.org.pl www.sfp.org.pl

Momoko Seto setomomoko@gmail.com

Sacrebleu Productions distribution.sacrebleu@gmail.com www.sacrebleuprod.com

33 takmičenje 04 / competition 04

takmičenje 04 / competition 04

MASKA THE MASK

BOCA BOTTLE

Novi animirani film braće Kvej sa muzikom kompozitora Kšištofa Pendereckog. Zasniva se na kratkoj priči Maska Stanislava Lema. Lepotica Duenja je stvorena da bi ostvarila stanovitu misiju. Međutim, biće prinuđena da bira između izvršenja zadatka zbog kog je nastala i ljubavi.

Animiran na lokacijama na plaži, na snegu i pod vodom, ovaj kratki film rađen stop-motion tehnikom prati prekookeanski razgovor dva karaktera uz pomoć predmeta u boci.

The latest animated film of Quay brothers, with the music composed by Krzysztof Penderecki. It is based on short story The Mask by Stanislaw Lem. Beautiful Duenna was created in order to carry out certain mission. However, she will be forced to choose between accomplishing the task she was created for and love.

Animated on location at a beach, in the snow, and underwater, this stopmotion short details the transoceanic conversation between two characters via objects in a bottle.

Poljska / Poland, 2010, 24:00

SAD / USA, 2010, 5:25

Lutke / Puppets

Lutke, glina, predmeti, pesak, stop-motion / Puppets, Clay, Objects, Sand, Stop-motion

Izvorni naslov / Original Title: Maska Režija / Direction: Timothy Quay, Stephen Quay Scenario / Script: Quay Brothers Animacija / Animation: Quay Brothers

Montaža / Editing: Quay Brothers Dizajn zvuka / Sound Design: Janusz Czubak Produkcija / Production: SE-MA-FOR Film Production

SE-MA-FOR Film Production p.kardas@se-ma-for.com www.se-ma-for.com

Režija / Direction: Kirsten Lepore Scenario / Script: Kirsten Lepore Animacija / Animation: Kirsten Lepore Montaža / Editing: Kirsten Lepore

Dizajn zvuka / Sound design: Kirsten Lepore Produkcija / Production: Kirsten Lepore

Kirsten Lepore kirsten.lepore@gmail.com www.kirstenlepore.com

NOĆNI ZVUKOVI NIGHT SOUNDS

EGARO EGARO

Svako bi trebalo da spava u Tihom Gradu, ali šta je to ispod kreveta? I napolju, iza prozora? I ko to stalno svira taj klavir?

Tužan i usamljen muškarac sanja o tome kako je skupio hrabrost da izađe iz kuće u susret ženi koju voli.

Everyone should be sleeping in Silent City, but what’s under the bed? And outside the window? And who keeps playing that piano?

A sad and lonely little man dreams of having the courage to get out of his house to meet the woman he loves.

Švedska / Sweden, 2011, 5:00

Francuska / France, 2011, 6:09

Crtež, kolaž, 2D kompjuter/ Drawing, Cut-outs, 2D computer

3D kompjuter / 3D computer

Režija / Direction: Jacob Stålhammar Scenario / Script: Jacob Stålhammar Animacija / Animation: Jacob Stålhammar Montaža / Editing: Jacob Stålhammar

Režija / Direction: Bruno Salamone, Benoît Delaunay, Maïwenn Le Borgne, Anaëlle Moreau, Alexia Provoost, Simon Taroni Scenario / Script: Bruno Salamone Animacija / Animation: same team as for Direction

Jacob Stålhammar jacs@algonet.se www.jacobstalhammar.com

Montaža / Editing: same team as for Direction Dizajn zvuka / Sound Design: Micusnule Produkcija / Production: Canal+, Cargo Films

Autour de Minuit festivals@autourdeminuit.com www.autourdeminuit.com

takmičenje 04 / competition 04

Dizajn zvuka / Sound Design: Jacob Stålhammar Produkcija / Production: Jacob Stålhammar

takmičenje 04 / competition 04

RITUAL THE RITUAL

GRAFITIGAR GRAFFITIGER

Ponašanje, gestovi, navike čoveka i psa pokazuju dalekosežne sličnosti, dok je njihov međusobni odnos beskrajan krug svakodnevnih rituala.

Duhovita i pomalo melanholična priča u usamljenom grafiti-tigru, čiji su dom zidovi i fasade zgrada u Pragu.

Behaviors, gestures and habits of both the human and his dog show a far-reaching resemblance, while their mutual relationship is an unending cycle of everyday rituals.

A witty and a slightly melancholic story of a lonely graffiti-tiger, whose home-place are walls and facades of Prague buildings.

Poljska / Poland, 2010, 5:00

Češka Republika / Czech Republic, 2011, 10:20

Crtež, rotoskopija / Drawing, Rotoscopy

2D kompjuter, glumci / 2D computer, Live acting

Izvorni naslov / Original Title: Rytual Režija / Direction: Zbigniew Czapla Scenario / Script: Zbigniew Czapla Animacija / Animation: Zbigniew Czapla

Montaža / Editing: Tomasz Wolf Produkcija / Production: Polish Filmmakers Association Munk Studio TVP Kultura, Lukaflm Studio Grafiki Animowanej

Režija / Direction: Libor Pixa Scenario / Script: Libor Pixa Animacija / Animation: Libor Pixa Montaža / Editing: Otakar Senovsky

Dizajn zvuka / Sound Design: Marek Musil Produkcija / Production: nutprodukce / FAMU

The Polish Filmmakers Association l.madzik@sfp.org.pl www.sfp.org.pl

Libor Pixa libor.pixa@seznam.cz www.liborpixa.cz

nutprodukce / FAMU pavla.kubeckova@gmail.com www.nutprodukce.cz

TAKMIČENJE 05 COMPETITION 05 01

ČUDOVIŠTE IZ NIKSA / THE MONSTER OF NIX

12 02

OPSADA / THE SIEGE Velika Britanija / United Kingdom, 2011, 1:02

Holandija, Francuska, Belgija / Netherlands, France, Belgium, 2011, 30:00

SOFITINA ZEMLJA / SZOFITA LAND

AIDES “SMATLI” / AIDES “SMUTLEY” Velika Britanija / United Kingdom, 2011, 2:20

Mađarska / Hungary, 2010, 5:46

13 03

SPOLJNJI SVET / THE EXTERNAL WORLD

DŽORDŽ MAJKL “DECEMBARSKA PESMA” / GEORGE MICHAEL “DECEMBER SONG”

Nemačka / Germany, 2010, 15:00

Velika Britanija / United Kingdom, 2010, 3:48

SVETO PILE ŽIVOTA I MUZIKE / THE HOLY CHICKEN OF LIFE AND MUSIC

Francuska / France, 2010, 3:00

PET GODINA STARIJI “GRAD” / FIVE YEARS OLDER “THE CITY”

OVAJ NEPREDVIDLJIVI ŽIVOT / THIS UNPREDICTABLE LIFE Velika Britanija / United Kingdom, 2011, 1:11

HARMONIX “DANCE CENTRAL” INTRO Velika Britanija / United Kingdom, 2010, 1:09

Švajcarska / Switzerland, 2010, 4:09

16 06

COMPARE THE MARKET “ULICA AMBICIOZNIH” / COMPARE THE MARKET “STREETS OF AMBITIOUSNESS” Velika Britanija / United Kingdom, 2010, 1:00

PLANTERS “TRIATLON” / PLANTERS “TREE-ATHLON” SAD / USA, 2011, 0:30

EFEKAT DEVOJČICE / THE GIRL EFFECT

EATLIZ “OSLOBODI OVO DETE” / EATLIZ “LOOSE THIS CHILD” Izrael / Israel, 2010, 3:43

Velika Britanija / United Kingdom, 2010, 3:05

18 08

POTERA / THE CHASE

DŽEK DENIJELS “MED IZ TENESIJA” / JACK DANIELS “TENESSEE HONEY”

Velika Britanija / United Kingdom, 2011, 1:56

Velika Britanija / United Kingdom, 2011, 0:30

PONEKAD ZVEZDE / SOMETIMES THE STARS

Australija / Australia, 2011, 4:52

PLANTERS “ALEHANDRO” / PLANTERS “ALEJANDRO” SAD / USA, 2011, 0:30

PLANTERS “PRAZNIČNA ŽURKA” / PLANTERS “HOLIDAY PARTY” SAD / USA, 2010, 0:30

GORILLAZ “ON MELANCHOLY HILL” Velika Britanija / United Kingdom, 2010, 4:21

takmičenje 05 / competition 05

ČUDOVIŠTE IZ NIKSA THE MONSTER OF NIX

SOFITINA ZEMLJA SZOFITA LAND

Život je lep u idličnom selu iz bajke Niks... sve dok se ne pojavi sveproždiruće čudovište. Mladi Vili treba da mu se suprotstavi. Sam.

Kako prsten počinje da postoji? Dobro došli u fantastični svet i maštovitu muzičku radionicu Sofitine Zemlje.

Life is good in the idyllic fairytale village of Nix... until an all-devouring monster appears. Young Willy has to fight it. Alone.

How does a ring comes into existence? Welcome to Szofita Land’s fantasy world and musical imaginary factory.

Holandija, Francuska, Belgija / Netherlands, France, Belgium, 2011, 30:00

Mađarska / Hungary, 2010, 5:46

3D kompjuter / 3D Computer

2D kompjuter/ 2D Computer

Režija / Direction: Rosto Scenario / Script: Rosto Animacija / Animation: Martijn Paasschens, Paulien Bekker, Denis Briant, Patrick Chin

Montaža / Editing: Rosto, Nicolas Schmerkin Dizajn zvuka / Sound design: Rosto, performed by Metropole Orkest Produkcija / Production: Studio Rosto A.D., Autour de Minuit

Autour de Minuit festivals@autourdeminuit.com www.autourdeminuit.com

Režija / Direction: Szofita Scenario / Script: Szofita Animacija / Animation: Szofita Montaža / Editing: Szofita

Dizajn zvuka / Sound Design: Szofita Produkcija / Production: Moholy-Nagy University of Art and Design

Autour de Minuit festivals@autourdeminuit.com www.autourdeminuit.com

SVETO PILE ŽIVOTA I MUZIKE THE HOLY CHICKEN OF LIFE AND MUSIC

Jedan dečak uči da svira klavir.

Ovo je priča o Svetom Piletu, čudesnoj zveri, obožavanoj i iskorišćavanoj, u skaski o ljubavi i žaljenu, ljubavi i nauci, Životu i Muzici.

A boy learns to play the piano.

This is the story of the Holy Chicken, a magnificent beast, worshiped and exploited, in a tale of love and regret, art and science, Life and Music.

Nemačka / Germany, 2010, 15:00

Francuska / France, 2010, 3:00

3D kompjuter/ 3D Computer

Režija / Direction: David O’Reilly Scenario / Script: David O’Reilly Animacija / Animation: Max Stöhr, Tobias Von Burkersroda, Jim Levasseur

Dizajn zvuka / Sound design: Bram Meindersma Produkcija / Production: DOR / DETAiLFILM, Germany

David O’Reilly mail@davidoreilly.com www.davidoreilly.com

DOR/ DETAiLFILM info@detailfilm.de www.detailfilm.de

Režija / Direction: Nomint Scenario / Script: Nomint Animacija / Animation: Andreas Helmis, Konstantinos Diamantis, Konstantinos Petrou

Montaža / Editing: Nomint Dizajn zvuka / Sound design: Christos Lefakis Produkcija / Production: Nomint Motiondesign

Autour de Minuit festivals@autourdeminuit.com www.autourdeminuit.com

39 takmičenje 05 / competition 05

SPOLJNJI SVET THE EXTERNAL WORLD

takmičenje 05 / competition 05

PET GODINA STARIJI “GRAD” FIVE YEARS OLDER “THE CITY”

COMPARE THE MARKET “ULICA AMBICIOZNIH” COMPARE THE MARKET “STREETS OF AMBITIOUSNESS”

Pesma Grad švajcarskog elektro-pop sastava Pet godina stariji opisuje proces u kome se jedan putnik upoznaje sa nepoznatim gradom, prilagođavajući se njegovom ritmu, sve dok ga on u potpunosti ne upije u sebe.

Najnoviji deo kampanje Compare the Market nudi još jedan duhovit uvid u istoriju projekta Compare the Meerkat od strane Aleksandra Orlova. On objašnjava kako je njegov otac započeo biznis na ulicama Moskve i polako ga nadgradio do ovog što je danas.

The song The City by the Swiss electro-pop band Five Years Older describes the process of a commuter becoming acquainted with an unknown city, adapting to its rhythm, until he is completely absorbed by it.

This latest installment in the Compare the Market campaign gives us another amusing glimpse of the history of Compare the Meerkat from Alexandr Orlov. He explains how his father set up his business on the streets of Moscow and slowly built it up to what it is today.

Švajcarska / Switzerland, 2010, 4:09

Velika Britanija / United Kingdom, 2010, 1:00

Rotoskopija / Rotoscopy

3D kompjuter, glumci / 3D Computer, Live action

Režija / Direction: Dirk Koy Scenario / Script: Dirk Koy Animacija / Animation: Dirk Koy Montaža / Editing: Dirk Koy

Muzika / Music: Five Years Older Produkcija / Production: Dirk Koy

Dirk Koy koy@equipo.ch www.equipo.ch

Režija / Direction: Darren Walsh Scenario / Script: Darren Walsh Animacija / Animation: Wes Coman, Catherine Brooke, Magali Barbe, Yoane Pavade

Montaža / Editing: Dan Greenway Dizajn zvuka / Sound design: Christopher Slaski Produkcija / Production: Passion Pictures

Passion Pictures kims@passion-pictures.com www.passion-pictures.com

EFEKAT DEVOJČICE THE GIRL EFFECT

POTERA THE CHASE

Film koji je naručila Nike Foundation posredstvom agencije Wieden Kennedy prati put 12-godišnje devojčice na kome ona pokušava da se spase siromaštva, eksploatacije i rizika od AIDS-a, u nameri da za sebe i buduće generacije izgradi bolji svet.

Neksusovi reditelji Smith & Foulkes kreirali su novi spot za Venables-BellIntell-ov neverovatni novi procesor Core i5. Vratolomne scene potere ispunjene neprestanom akcijom su savršen način da se napravi poređenje sa izuzetnim mogućnostima novog procesora.

A film commissioned by the Nike Foundation through agency Wieden Kennedy takes us on the journey of a 12 year-old girl to escape poverty, exploitation and the risk of AIDS/HIV, to build a better future for herself and future generations.

Nexus directors, Smith & Foulkes, have created a dynamic new spot for Venables and Bell and Intel’s incredible new Core i5 processor - a breakneck, all-action chase scene which is the perfect showcase for the new processor’s amazing capacity.

Velika Britanija / United Kingdom, 2010, 3:05

Velika Britanija / United Kingdom, 2011, 1:56

2D kompjuter / 2D Computer

Piksilacija, glumci / Pixilation, Live action

Dizajn zvuka / Sound design: Mighty Nice Produkcija / Production: Nexus Productions

Režija / Direction: Smith & Foulkes Scenario / Script: Nexus Productions Animacija / Animation: Nexus Productions Montaža / Editing: Paul Hardcastle

Dizajn zvuka / Sound design: Nexus Productions Produkcija / Production: Nexus Productions

Mighty Nice info@nexusproductions.com

Nathalie Le Berre info@nexusproductions.com www.nexusproductions.com

Smith & Foulkes fernanda@nexusproductions.com www.nexusproductions.com

Tracey Cooper info@nexusproductions.com www.nexusproductions.com

takmičenje 05 / competition 05

Režija / Direction: Mighty Nice Scenario / Script: Wieden and Kennedy Animacija / Animation: Mighty Nice Montaža / Editing: Mighty Nice

takmičenje 05 / competition 05

PONEKAD ZVEZDE SOMETIMES THE STARS

PLANTERS “PRAZNIČNA ŽURKA” PLANTERS “HOLIDAY PARTY”

Putovanje izgubljene devojke nadrealnim pejzažima i njena čežnja da se poveže sa udaljenim ali ipak čudno bliskim svetom. A istinski mir je moguće pronaći jedino kada se taj svet urušava.

Planters, američki vodeći proizvođač “grickalica”, lansirao je novu marketinšku kampanju u kojoj predstavlja mnogovoljenog G. Kikirikija, koji sada i govori, po prvi put posle 94 godine. Praznična žurka nam daje prvi uvid u njegovu ličnost i ono do čega mu je stalo.

A lost girl’s journey through a surreal landscape, and her yearning to make a connection in this distant yet strangely familiar world. It is only when her world collapses that true peace is found.

Planters, America’s leading snack nut brand, launched a new marketing campaign that features Mr. Peanut, the beloved icon, speaking for the first time in 94 years. Holiday party gives the first glimpse into his personality and the things he cares about.

Australija / Australia, 2011, 4:52

SAD / USA, 2010, 0:30

2D kompjuter / 2D Computer

Glina / Clay

Režija / Direction: Ari Gibson, Jason Pamment Scenario / Script: Luke Jurevicius, Ari Gibson, Jason Pamment Animacija / Animation: Ari Gibson Montaža / Editing: Ari Gibson

Muzika / Music: The Audreys Produkcija / Production: Vishus Productions

Vishus Productions luke@vishusproductions.com www.vishusproductions.com

Režija / Direction: Mark Gustafson Scenario / Script: Mark Gustafson Animacija / Animation: Julianna Cox, Wendy Fuller, Chris Ohlgren, Bartek Prusiewicz, Anthony Scott, Suzanne Twining

Montaža / Editing: Michael Corrigan Dizajn zvuka / Sound design: Mark Gustafson Produkcija / Production: LAIKA/house

Mark Gustafson festivals@laika.com www.laika.com/house

OPSADA THE SIEGE

AIDES “SMATLI” AIDES “SMUTLEY”

Nexus-ovi reditelji FX & Mat su se udružili sa vrhunskom kućom za specijalne efekte Framestore da bi kreirali kinematičku priču o sukobu dveju kultura. Smešten u fantastični svet leda, spot prikazuje armiju neustrašivih ratnika vatre koja se sprema da napadne miroljubivu zajednicu bića koja živi na ledu.

Smatli je jedan srećan mačor, jer ima devet života. Upražnjavaće seks bez zaštite sa bilo čim na dve noge, četiri kopita ili s parom peraja, u zavisnosti od situacije. Međutim, on to može samo zato jer ima devet života.

Nexus directors FX & Mat teamed with top VFX house Framestore to create a cinematic story of the clash of two cultures. Set in an icy fantasy world, the spot sees an army of fearsome fire warriors poised to descend upon a peaceful community of ice-dwelling creatures.

Smutley is a happy cat because he’s got nine lives. He will have unprotected sex with anything on two legs, four hooves or a couple of flippers, if the situation arises. However, he’s only able to do this because he is a cat with nine lives.

Velika Britanija / United Kingdom, 2011, 1:02

Velika Britanija / United Kingdom, 2011, 2:20

3D kompjuter / 3D Computer

2D kompjuter / 2D Computer Dizajn zvuka / Sound design: Gus Koven Produkcija / Production: Nexus Productions

FX & Mat info@nexusproductions.com

Isobel Conroy info@nexusproductions.com www.nexusproductions.com

Režija / Direction: againstallodds Scenario / Script: againstallodds Animacija / Animation: Niklas Rissler, Kevin O’Grady Montaža / Editing: againstallodds

Dizajn zvuka / Sound design: Henryboy, Bill Chesley Produkcija / Production: Passion Pictures

Passion Pictures kims@passion-pictures.com www.passion-pictures.com

takmičenje 05 / competition 05

Režija / Direction: FX & Mat Scenario / Script: Wieden and Kennedy Animacija / Animation: Framestore Montaža / Editing: Framestore

takmičenje 05 / competition 05

DŽORDŽ MAJKL “DECEMBARSKA PESMA” GEORGE MICHAEL “DECEMBER SONG”

OVAJ NEPREDVIDLJIVI ŽIVOT THIS UNPREDICTABLE LIFE

Dečak se sprema za još jedan isprazan Božićni praznik i odlazi u svoju spavaću sobu da gleda televiziju. Ali, televizor iznenada postaje ulaz u jedan novi svet...

Ovaj nepredvidljivi život je uzbudljivi miks volumetrijskog svetla i čudesnih partikula koji oživljava predivni svet mašte u kome preduzimamo zapanjujuće putovanje.

A young boy is preparing himself for an empty Christmas. He goes to his bedroom to watch TV. Suddenly the TV becomes a portal to a new world...

This Unpredictable Life is a breathtaking mix of volumetric lighting and magical particles bringing to life a beautiful fantasy world through which we take an amazing trip.

Velika Britanija / United Kingdom, 2010, 3:48

Velika Britanija / United Kingdom, 2011, 1:11

2D i 3D kompjuter / 2D and 3D Computer

3D kompjuter / 3D Computer

Režija / Direction: MIE Scenario / Script: MIE Animacija / Animation: MIE Montaža / Editing: MIE

Muzika / Music: George Michael Produkcija / Production: MIE

Režija / Direction: Smith & Foulkes Scenario / Script: Nexus Productions Animacija / Animation: Nexus Productions Montaža / Editing: Nexus Productions

Dizajn zvuka / Sound design: Aaron Reynolds &Wave Produkcija / Production: Nexus Productions

MIE alex@m-i-e.co.uk www.m-i-e.co.uk

Smith & Foulkes fernanda@nexusproductions.com www.nexusproductions.com

Tracey Cooper info@nexusproductions.com www.nexusproductions.com

HARMONIX “DANCE CENTRAL” INTRO

PLANTERS “TRIATLON” PLANTERS “TREE-ATHLON”

Grafiti umetnik sa sprejom u rukama je na zgradi. On skače na krov voza u pokretu, a nešto kasnije se premeće preko glave u vagonu. Ubrzo ga napušta i skejtbordom se spušta niz ulicu dok za njim ostaje ružičasti trag...

Planters, američki vodeći proizvođač “grickalica”, lansirao je novu marketinšku kampanju u kojoj predstavlja mnogovoljenog G. Kikirikija, koji sada i govori, po prvi put posle 94 godine. U Triatlonu on trči, pliva i vozi bicikl u pobedničkoj formi.

A graffiti artist with a spray can is on a building. He jumps onto the roof of a passing train and somersaults into the carriage. The artist leaves the train and skateboards away down the street, leaving pink graphic trails...

Planters, America’s leading snack nut brand, launched a new marketing campaign that features Mr. Peanut, the beloved icon, speaking for the first time in 94 years. Mr. Peanut jogs, swims and bikes to victory in Tree-athlon.

Velika Britanija / United Kingdom, 2010, 1:10

SAD / USA, 2011, 0:30

2D kompjuter / 2D Computer

Glina/ Clay Montaža / Editing: Lee Gingold, Jamie Foord, Tim King, Daniel Florencio Dizajn zvuka / Sound design: Rob Valley, Dan Sumich Produkcija / Production: Passion Pictures

Passion Pictures kims@passion-pictures.com www.passion-pictures.com

Režija / Direction: Mark Gustafson Scenario / Script: Mark Gustafson Animacija / Animation: Julianna Cox, Wendy Fuller, Chris Ohlgren, Bartek Prusiewicz, Anthony Scott, Suzanne Twining

Montaža / Editing: Michael Corrigan Dizajn zvuka / Sound design: Mark Gustafson Produkcija / Production: LAIKA/house

Mark Gustafson festivals@laika.com www.laika.com/house

takmičenje 05 / competition 05

Režija / Direction: Rob Valley, Dan Sumich Scenario / Script: Rob Valley, Dan Sumich Animacija / Animation: Rob Valley, Dan Sumich, Pete Dodd, Benoit Feroumont

takmičenje 05 / competition 05

EATLIZ “OSLOBODI OVO DETE” EATLIZ “LOOSE THIS CHILD”

DŽEK DENIJELS “MED IZ TENESIJA” JACK DANIELS “TENESSEE HONEY”

Ponekad, plaža nije samo plaža. A tako je, dok noć pada, i u ovom videu. Sunce odlazi, pesak oživljava i uzima oblike čitavog mini eko-sistema vodenog života. Morska kornjača je rođena, jegulje bi da gone svoj plen, a Majka Zemlja sve to usklađuje.

Pčela sa bajkerskom kacigom na glavi velikom brzinom leti kroz šumu sve dok ne naleti na crnu etiketu Džeka Denijelsa. Kada zaroni u ćilibarnu tečnost, stara etiketa nestaje i pojavljuje se Med iz Tenesija.

Sometimes a beach isn’t just a beach. And, as night falls, that is the case in this video. As the sun goes, the sand comes to life and takes on the forms of an entire mini eco-system of aquatic life. Sea turtles are born, eels emerge to pursue their prey and Mother Earth orchestrates it all.

A bee with the biker’s helmet flies through the forest at high speed until she finds a bottle of Jack Daniel’s black label. As she dives into the amber coloured liquid, blows away the old label, and it is transformed into the new Jack Daniel’s Tennessee Honey.

Izrael / Israel, 2010, 3:43

Velika Britanija / United Kingdom, 2011, 0:30

Predmeti, piksilacija, pesak / Objects, Pixilation, Sand

3D kompjuter / 3D Computer

Režija / Direction: Yuval Nathan, Merav Nathan Scenario / Script: Yuval Nathan, Merav Nathan, Nadav Ben Simon, Guy Ben Shetrit Animacija / Animation: Yuval Nathan, Guy Ben Shetrit, Moshe Zilbernagel, Talia Tzur

Režija / Direction: Pete Candeland Scenario / Script: Peter Hughes Animacija / Animation: Ryan Bradley, Leo Baker Montaža / Editing: Leo Baker

Montaža / Editing: Yuval Nathan, Merav Nathan Muzika / Music: Eatliz Produkcija / Production: Yuval and Merav Nathan

Yuval Nathan yuval-nathan@bezeqint.net www.onewingfly.com

Dizajn zvuka / Sound design: Colin & The Lodge NYC Produkcija / Production: Passion Pictures

Passion Pictures kims@passion-pictures.com www.passion-pictures.com

GORILLAZ “ON MELANCHOLY HILL”

Planters, američki vodeći proizvođač “grickalica”, lansirao je novu marketinšku kampanju u kojoj predstavlja mnogovoljenog G. Kikirikija, koji sada i govori, po prvi put posle 94 godine. Alehandro donosi priču o bademu-toreadoru koji pripitomljava bubu-bika.

U nastavku priče koja je započela sa Stajlom, pratimo članove benda i nekoliko njihovih muzičkih saradnika na putovanju po uzburkanom okeanu u potrazi sa Plastičnom Plažom.

Planters, America’s leading snack nut brand, launched a new marketing campaign that features Mr. Peanut, the beloved icon, speaking for the first time in 94 years. Alejandro tells the story of a bullfighting almond working to tame a Bull Beetle.

In a continuation of the story which began with Stylo, we follow members of the band and some of their musical collaborators on a dramatic ocean based journey in their quest to reach Plastic Beach.

SAD / USA, 2011, 0:30

Velika Britanija / United Kingdom, 2010, 4:21

Glina / Clay

Crtež na papiru / Drawing on paper

Režija / Direction: Mark Gustafson Scenario / Script: Mark Gustafson Animacija / Animation: Julianna Cox, Wendy Fuller, Chris Ohlgren, Bartek Prusiewicz, Anthony Scott, Suzanne Twining

Montaža / Editing: Michael Corrigan Dizajn zvuka / Sound design: Mark Gustafson Produkcija / Production: LAIKA/house

Mark Gustafson festivals@laika.com www.laika.com/house

Režija / Direction: Jamie Hewlett, Pete Candeland Scenario / Script: Jamie Hewlett, Pete Candeland Animacija / Animation: Robert Valley, Daryl Graham, Pete Dodd, Yuriy Sivers, Chris Welsby, Isabel Auphan, Sandra Guarda, Alice Holme, Wes Coman

Montaža / Editing: Lee Gingold, Tim King Dizajn zvuka / Sound design: Jamie Hewlett, Pete Candeland Produkcija / Production: Passion Pictures

Passion Pictures kims@passion-pictures.com www.passion-pictures.com

47 takmičenje 05 / competition 05

PLANTERS “ALEHANDRO” PLANTERS “ALEJANDRO”

POSEBNI PROGRAMI SPECIAL PROGRAMMES

Portret animatora: ŽOANA TOŠTE, Portigalija Portrait of an animator: JOANA TOSTE, Portugal

Studio u gostima: IL LUSTER, Holandija A visiting studio: IL LUSTER, The Netherlands

Škola u gostima: THE ANIMATION WORKSHOP, Danska A visiting school: THE ANIMATION WORKSHOP, Denmark

SAVREMENA SLOVENAČKA ANIMACIJA CONTEMPORARY SLOVENIAN ANIMATED FILM

Retrospektiva: NIKOLA MAJDAK Retrospective: NIKOLA MAJDAK

Portret animatora: ŽOANA TOŠTE A Portrait of an Animator: JOANA TOSTE

posebni programi / special programmes

50 Portugalska rediteljka i animatorka Žoana Tošte, kojoj je ove godine posvećen specijalni festivalski program Portret animatora, jedno je od najzanimljivijh imena savremene evropske nezavisne scene. Pod sopstvenom produkcijskom etiketom, Gomtch-Gomtch, ova autorka je od 2004. godine do danas uspela da iznedri nekoliko zanimljivih, po mnogo čemu apartnih animiranih ostvarenja. Njen crtež je slobodan, ležeran, gotovo sveden, ali vizuelna ekspresija je u službi animacijskog postupka i nepogrešivo doprinosi efektu njenih rediteljskih zamisli. Šta je to što njene filmove čini toliko osobenim? Najpre, sveprisutni osećaj za humor, ludička energija i spremnost da svoje gledaoce iznenadi, dokazujući Švankmajerovu misao o animaciji kao o sredstvu subverzije. U filmu Biće (Serão), baka posle porodičnog ručka slaže tarot karte i kada ugleda zloslutni znak, uz krik se sruši i ostane nepomična na podu. Započinje niz kobnih događaja: glavu porodice pogodi infarkt, njegova ispala cigareta spali usnulog dedu, majka se u kuhinji smrtno povredi nožem, decu udari struja, starija kćer ispadne kroz prozor. Karikaturalan crtež i nagomilavanje incidenata kojim sažima pripovedačko vreme stalno nas drže na ivici smeha, uprkos katastrofi. Zatamnjenje. Odjednom, baka ustaje, uzima daljinski upravljač i uključuje televizor kao da se ništa nije dogodilo, čime Žoana precizno zaokružuje strukturu gega ove crnohumorne komedije. I u filmu Pileći paprikaš (Guisado de galinha) porodica je na okupu, a nevolje počinju kada se na vratima pojavi komšinica da pozajmi glavicu luka za paprikaš. Dve domaćice će se sporečkati, u svađu će se umešati muževi, pašće teške reči... na kraju jedan pucanj rasteraće ptice iz krošnje. U odjavnoj sceni, muževljeva fotelja je prazna, a žena plače jer... seče luk. Ovakav, predvidljiv dramski zaplet dobija novu dimenziju onog trenutka kada shvatimo da Žoanini likovi ne izgovaraju svoje replike, već ih pevaju, u fado stilu! Na samom kraju ove animirane operete, fadistkinja peva epilog, ali peva i odjavnu špicu pominjući i rediteljku „koja se

Portuguese director and animator, Joana Toste, the author in the focus of this year’s special programme – A Portrait of an Animator, is one of the most interesting names of the contemporary European independent scene. Working under her own production label, Gomtch-Gomtch, since 2004 until now, this author has managed to create several interesting and in many aspects quite exquisite works of animation. Her drawing follows a free form in its leisurely and almost rounded impression – however, her visual expression serves the purpose of the animation process and infallibly contributes to the effect of her director’s vision. What makes her films so peculiar? First of all, her permeating sense of humour, her playful energy and her readiness to take her spectators by surprise, proving in her own way Švankmajer’s vision of animation as a means of subversion. In the film Will Be (Serão), we watch a granny laying down Tarot cards after a family lunch. Having seen an ominous sign, she collapses in a scream, lying motionless on the floor. This sets off a train of fatal events: the heat of the family suffers a heart attack, while the cigarette that he drops will set on fire the drowsing grandpa. In the kitchen, mother will fatally wound herself with a knife, the children will get an electric shock, the elder daughter will fall out of the window. The caricature drawing and piling up the incidents which creates the effect of shortening the narration time, keep us on the verge of laughter, despite the catastrophic developings. A black-out. Suddenly, granny rises, takes the remote control and turns on the TV, as if nothing had happened – a scene with which Joana precisely rounds up the structure of a gag of this black-humour comedy. In the film Chicken Stew (Guisado de galinha) we see another family gathered together, while the trouble begins when a neighbour appears at the door to borrow an onion for the stew. The two housewives will have an argument, the husbands will get involved, and some rude words will be exchanged... in the end, a fired shot will scare away the birds in the tree. In the final scene, the husband’s armchair is empty, and the woman is shedding tears over... the onion she happens to be cutting. This kind of predictable plot takes on a new dimension from the moment we realise

Filmografija / Filmography: 01 A DAMA DA LAPA; produced by Zeppelin Filmes; 2004, 5:00 02 MENU; produced by Gomtch-gomtch; 2005, 3:00 03 PIU-TOC-NHAM; produced by Gomtch-gomtch; 2005, 0:10 04 SERÃO; produced by Gomtch-gomtch; 2006, 3:00 05 CÃES, MARINHEIROS; Produced by Filmógrafo and Gomtch-gomtch; 2007, 7:00 06 GUISADO DE GALINHA; produced by Gomtch-gomtch; 2007, 4:00 07 IN OTHER WORDS; produced by Gomtch-gomtch; 2008, 3:00 08 VOA VOA NUM PRÉDIO DE LISBOA; produced by Gomtch-gomtch; 2008, 4:00 09 RAIO-XYZ; produced by Gomtch-gomtch; 2009, 5:00 10 QUEM É ESTE CHAPÉU?; produced by Gomtch-gomtch; 2011, 4:00

moli svom svecu zaštitniku da se publici dopadne ovaj film makar onoliko koliko joj se sviđa vino.” Nije li ovaj neobični prosede dokaz bazične premise o mehanizmu smeha koja se zasniva na „greškama” posmatračevog uma, to jest na odstupanju od očekivanog, na nesaglasju mišljenog i saznatog? Čak i u filmu Pas, mornari (Cães, marinheiros) egzistira jedna „porodica“: Pas i njegova Žena imaju Mornara. Po motivima kratke priče Erberta Eldera, Žoana oživljava pripovest o mornaru koji je silom prilika „izneverio more“. Bizarna podela ovog filma ima izvesnu komičku snagu iako će mornar, vezan za kolac negde duboko u kontinentu, ispustiti dušu mučenu neprebolnom nostalgijom. Porodica, sloboda, tradicija, život i smrt, večne teme o kojima Žoana u svojim animiranim igrokazima reflektira na način koji će našu egzistencijalnu zebnju, ako ne otkloniti, a ono makar umanjiti do podnošljivosti. A zar to nije čudesna moć animacije? I veština jedne animatorke zbog koje se svaki njen film uvek iščekuje s nestrpljenjem? Uveren sam da je i njen najnoviji film, Quem é este chapéu?, koji će svetsku premijeru imati u Čačku, na ANIMANIMI 2011, još jedno iznenađenje za nas.

Milen Alempijević posebni programi / special programmes

that the lines uttered by Joana’s characters are not spoken, but rather sung in the Fado style! At the very end of this animated operetta, the Fado singer sings an epilogue, but also the closing piece, in which she mentions the director who “prays to her patron saint that the audience will like the film at least as much as they like wine”. As for this unusual development – is it not, after all, a proof of the basic premise that the mechanism of laughter relies on the “imperfections” of the spectator’s mind, i.e. on the divergence from the expected, the mismatch between the envisaged and experienced? Even in the film Sailor dogs (Cães, marinheiros) there is a “family” in existence: a Dog and his Wife have a Sailor. Following the motifs of the short story by Herberto Helder, Joana creates a story of a sailor who had happened to “fell from grace with the sea”. The bizarre assignment of roles in this film has a certain comic power, although the sailor, tied to a stake somewhere deep in the mainland, eventually partakes with his nostalgia-tormented soul. Family, freedom, tradition, life and death, are the eternal themes used by Joana to reflect on our existential apprehension in a way that will, if not eliminate, then at least alleviate it to the level of the bearable. Is this not, after all, the miraculous power of animation? And is it not the skill of an animator that makes her every new film an event that is awaited with impatience? I am certain that her latest film, Quem é este chapéu?, which will have its world premiere at ANIMANIMA 2011 in Čačak, will be another surprise for us.

Milen Alempijević www. gomtchgomtch.com.sapo.pt

Studio u gostima: IL LUSTER PRODUCTIONS

A Visiting Studio: IL LUSTER PRODUCTIONS

il Luster Productions je najvažnija i najproduktivnija producentska animacijska kuća u Holandiji, specijalizovana i za nezavisnu umetničku animaciju, i za razvoj međunarodnih koprodukcija u oblasti animacije i izradu filmova po narudžbini. U ovom trenutku, il Luster Productions radi na više od 20 projekata (serija, kratkih filmova i dugometražnih filmova) u fazi produkcije i pred-produkcije, koje potpisuju različiti režiseri i koji se ostvaruju u saradnji sa različitim (međunarodnim) studijima. Od svog osnivanja, pre gotovo 15 godina, kuća il Luster je realizovala produkciju preko dvadeset nezavisnih filmskih ostvarenja, niz projekata za razne naručioce, dve televizijske serije i 27 animiranih filmova o poeziji, koje je pratio obrazovni projekat za srednje škole. Mnogi od ovih filmova nagrađeni su (međunarodnim) nagradama i priznanjima. il Luster distribuira svoje filmove na nacionalnom i na međunarodnom nivou, i oni se prikazuju na festivalima, u bioskopima i muzejima

il Luster Productions is the most important and productive producing company for animation in the Netherlands. il Luster Productions is specialised in independent artistic animation, the development of international animation co-productions and films under commission. Momentarily there are over 20 projects (series, short films and features) in production and pre-production of various directors and in co-operations with divers (international) studios. Since her foundation nearly 15 years ago il Luster have produced over twenty independent films, divers commissioned projects, two television series and 27 animated poetry films accompanied by an educational project for high schools. Many of these films have received (international) awards and prizes. il Luster distribute their films on a national and international scale. The films screen at festivals, movie-theatres, and museums around the world. The digital distribution is being achieved

posebni programi / special programmes

širom sveta. Digitalna distribucija se vrši putem različitih portala, kao i putem sopstvenog animacijskog podcast-a, dok će uskoro biti dostupna i preko aplikacija za mobilne telefone. il Luster Productions je takođe i inicijator prve holandske Internet prodavnice animacije www.animationwebshop.nl, čime je ostvarena direktna veza sa poslovima produkcije i distribucije DVD-a sa holandskim ostvarenjima iz oblasti animacije. il Luster je nedavno objavio sopstvenu kompilaciju DVD-a: “Nezavisna holandska animacija”, vol. 1, 2 i 3, kao i “Najbolja holandska animacija”, vol 1. Osnivači il Luster Productions-a su Arno Rijken i Mikel Snijders, sa pojačanjima koje je ekipa dobila u liku Kris Mouv (produkcija i distribucija) i Ramona Verbernea (producent TV serija). Rijken i Snijders su angažovani kao gostujući predavači na različitim akademijama, kao i učesnici različitih savetodavnih veća koja se bave animacijom i kratkim filmovima. Pregled projekata produkcije u realizaciji kuće il Luster možete naći na www.illuster.nl.

through various portals, their own animation podcast and soon also by apps for mobile devices. il Luster Productions is simultaneously initiator of the first Dutch animation webshop www.animationwebshop.nl and therefore il Luster has become involved with the production and distribution of Dutch animation DVD’s. il Luster have released their own compilation DVD’s: Independent Animation from the Netherlands volume 1, 2 and 3, and Best Animation from Holland volume 1. il Luster Productions is founded by Arnoud Rijken and Michiel Snijders and the team is expanded with Chris Mouw (production and distribution) and Ramon Verberne (producer tv series). Rijken and Snijders are active as guest lectors for various academies and they participate in divers advise counsels for animation and short films. An overview of the productions of il Luster can be found on www.illuster.nl.

posebni programi / special programmes

il Luster Program / il Luster Programme 01 BEK, Lucette Braune, 2004, 12:38 02 HOW SNJEZHI TSJELOVEK FOUND HIS ANCESTORS, Joris Oprins, 2004, 3:05 03 RAIN, Michael Sewnarain, 2005, 2:04 04 LOST CARGO, Pieter Engels & Efim Perlis, 2006, 15:45 05 HARD BOILED CHICKEN, Arjan Wilschut, 2006, 4:40 06 THE PHANTOM OF THE CINEMA, Erik van Schaaik, 2008, 10:46 07 VARIETE, Roelof van den Bergh, 2009, 4:45 08 PIVOT, André Bergs 2009, 5:00 09 LOST IN SPACE, Frodo Kuipers, 2010, 1:00 10 ABSTRACT DAY, Oerd van Cuijlenborg, 2010, 5:36 11 LITTLE QUENTIN, Albert’t Hooft & Paco Vink, 2010, 9:15

posebni programi / special programmes

Škola u gostima: THE ANIMATION WORKSOHOP – VIA UNIVERSITY COLLEGE

A Visiting School THE ANIMATION WORKSHOP – VIA UNIVERSITY COLLEGE 55 The Animation Workshop is Denmark’s only animation school and it has existed since our creation in 1989. We are located in the town of Viborg which lies in the heart of Denmark with beautiful rural surroundings. The school is made up of our 7 main activities; the Bachelor of Arts degree with two lines of study in Character Animation and CG Art; the Professional Training courses which consists of 15-week introduction programs to Character Animation and CG Art; the Drawing Academy which trains students in classical drawing; the Artists-in-Residence program where students and professionals from around the world work on film, game, and illustration projects; the Center for Animation and Pedagogy that works to implement animation as a pedagogic tool in the European elementary school system and furthermore hosts workshops for children in Denmark and around the globe; the Animation Hub that aims to generate new animation jobs within the medical, science, and news industries; and finally our Talent Hub which houses several of our alumni students who have started their own animation studios.

Studenti pohađaju nastavu koju vode vanredni međunarodni predavači – profesionalci iz studija kao što su Pixar, DreamWorks, Disney, Blue Sky, Nickelodeon, Framestore, Aardman, MPC, MacGuff, i mnogi drugi. Naš je cilj da nastava koju studenti pohađaju ima što je moguće više dodirnih tačaka sa studijima i njihovim radom, kako bi po završetku studija naši diplomci bili spremni da se uključe u rad pravih produkcija. Da bi se ovi ciljevi još bolje i lakše realizovali, studenti često učestvuju u zajedničkim projektima koji se realizuju u saradnji sa drugim školama, a ponekad su uključeni i u projekte sa danskim kompanijama, kako bi stekli dodatna znanja. Pored ovoga, studenti fakultetskih (BA) programa na svojoj trećoj godini studija rade na izradi svojih filmova – diplomskih radova, dok

All students are trained by visiting international professionals from studios such as Pixar, DreamWorks, Disney, Blue Sky, Nickelodeon, Framestore, Aardman, MPC, MacGuff, and many, many others. We aim to keep the training as close to studio life as possible in order for the students to be ready to work on real productions after graduation. To further this, students often participate in collaborative work with other schools and sometimes do projects for Danish companies as part of their training. Also, Bachelor of Arts students spend their third year making graduation films, and their last semester as interns in animation and game companies around the world in which they are often hired upon graduation.

posebni programi / special programmes

Radionica za animaciju je jedini fakultet za animaciju u Danskoj. Škola aktivno deluje od svog osnivanja 1989. godine, smeštena u srcu Danske, u gradu Viborgu, okruženom predivnom prirodom. Studije su organizovane u 7 glavnih oblasti rada: fakultetske studije (BA) imaju dva smera, Animacija likova i CG umetnost; profesionalni kursevi obuke se sastoje od uvodnih programa u Animaciju likova i CG umetnost, u trajanju od 15 sedmica; Akademija crtanja, gde studenti izučavaju klasični crtež; Program boravka i studija, u okviru koga studenti i profesionalni umetnici iz celog sveta rade na projektima u oblasti filma, igara i ilustracija; Centar za animaciju i pedagogiju, koji radi na implementaciji animacije kao pedagoškog sredstva u evropskom sistemu osnovnih škola, a pored toga organizuje i radionice za decu iz Danske i drugih zemalja; Centar za animaciju, koji radi sa ciljem da stvori nove oblasti primene animacije u medicini, nauci i medijima; konačno, tu je i Centar za talente, koji okuplja nekolicinu naših diplomiranih studenata koji su pokrenuli sopstvene studije animacije.

posebni programi / special programmes

56 poslednji semestar provode kao pripravnici u različitim kućama širom sveta koje se bave animacijom i kompjuterskim igrama, gde često dobijaju i zaposlenje nakon završetka studija. Radionica za animaciju ima izrazito internacionalno usmerenje. Većina naših vanrednih profesora dolazi iz inostranstva, kao veliki broj naših studenata i osoblja. Uz to, tesno sarađujemo sa međunarodnim školama animacije i kompanijama koje su aktivne u ovoj oblasti, tako da veoma često koristimo i ovu široku mrežu mogućnosti kako bismo realizovali filmske projekte i stvorili nove obrazovne mogućnosti na međunarodnom planu. Kao primer ovakvog načina rada, možemo navesti diplomske studije Animation Production Masterclass koje organizujemo u saradnji sa MOME u Mađarskoj, ili Filmakademie u Nemačkoj, Gobelins u Francuskoj, dok naši studenti na fakultetskom programu (BA) izrađuju svoje filmove – diplomske radove na Nacionalnoj filmskoj školi u Danskoj. Cilj škole THE ANIMATION WORKSHOP je da nastavi sa obučavanjem studenata na trenutnom visokom nivou kompetentnosti, kao i da im pomaže da dobiju angažovanje u okviru studija animacije, kako u Danskoj, tako i u drugim zemljama. Fakultet će isto tako nastojati da i ubuduće funkcioniše kao centar za izučavanje i razvoj danske i evropske animacije, kao i da – radeći na optštem planu – podstiče informativne, obrazovne i razvojne aktivnosti usmerene ka studentima i profesionalcima koji deluju u oblasti animacije. Tina Rathky Jensen, administrator diplomskih studija

The Animation Workshop is very internationally focused. The majority of our guest teachers are from abroad as are many of our students and staff members. Furthermore, we have close partnerships and collaborations with international animation schools and companies and often make use of this extensive network to realize film projects and create new educational possibilities across borders. For example, we run an Animation Production Masterclass together with MOME in Hungary, the Filmakademie in Germany, and the Gobelins in France, and our bachelor students work on the animation graduation films which are made at the National Film School of Denmark. It is the objective of The Animation Workshop to continue to train students to a high level of competence and see them hired by Danish and international animation studios, to function as a knowledge and development centre for the Danish and European animation industry, and generally to instigate informational, educational, and development activities for animation students and professionals. Tina Rathky Jensen, Administrator of the Bachelor Education

Program Diplomci 2011 / Programme Batchelors 2011 01 THE SAGA OF BIĂ&#x201D;RN, Frederik Valentin Bjerre-Poulsen, 7:05 02 LAST FALL, Andreas Thomsen, 5:58 03 THE FLAP CRASHERS, John Mallet, 6:27 04 SALMA, Martin Sand Vallespir, 4:17 05 THE BACKWATER GOSPEL, Bo Mathorne, 9:32 06 CAPTAIN AWESOME, Ercan Bozdogan, 8:10 07 MIGHTY ANTLERS, Sune Reinhardt Fogtman, 4:38 07

posebni programi / special programmes

SAVREMENI SLOVENAČKI ANIMIRANI FILM

CONTEMPORARY SLOVENIAN ANIMATED FILM

Sa novim milenijumom, slovenački kratki animirani film sa svojim nevelikim kapacitetima kada je u pitanju produkcija, doživeo je povratak izvornom autorskom pristupu. Nova generacija autora traži međunarodnu afirmaciju. Nadam se da će ovaj izbor, koji sadrži filmove u različitim tehnikama animacije, uspešno dokazati kvalitet novih kratkih animiranih flimova iz Slovenije.

The new millennium brought a revival of original authorial approach to the low production capacity figures for short animated film in Slovenia. The new generation is eager for international visibility. I hope this selection with films made in different animation techniques will proof the quality level of the new Slovenian animated shorts.

posebni programi / special programmes

Najnovije veliko ostvarenje u istoriji slovenačke animacije predstavlja uspešno okončanje animirane serije Bizgeci (2003-2008) čiji je autor Grega Mastnak. Producent je uspeo da okupi slovenački tim saradnika koji je, uloživši puno truda, uspeo da dovrši 13 nastavaka serije u kojima se pojavljuje mnoštvo dobroćudnih pernatih stvorenja. Za producenta je uspeh serije Bizgeci predstavljao dodatni dokaz da kratki animirani film ima perspektivu, pa je usledilo novo ostvarenje – film Prdeži – miris ljubavi (2006), za koji je animaciju izveo Vladimir Leben, jedan od ključnih animatora serije Bizgeci. Ono što predstavlja poseban kvalitet ovog filma jeste činjenica da se radi o orignalnom slovenačkom 2D crtanom filmu, punom duha i crnog humora. Dušan Kastelic se predstavlja osvarenjem Cikorija i kafa (2008), filmu zasnovanom na pesmi Iztoka Mlakara, u kome pratimo priču o jednostavnom paru sa sela, od njihovog venčanja do smrti. Osnovna nit priče je mala prevara žene, koja čitavog života svom mužu priprema jeftinu zamenu za kafu (cikoriju), umesto prave kafe. Jednostavna priča o tome kako onima koje volimo ne umemo da pokažemo svoju ljubav sve dok ne bude suviše kasno, prikazana na izuzetan način primenom 3d modeliranja i kompjuterske 3d animacije. U saradnji sa Igorom Šinkovecom (animator) i Tomažem Lavričem (strip autor), Kastelic je kreirao još jedno ostvarenje – adaptaciju Lavričevog sripa Ekstremni sportovi.

The last big hit for the history of Slovenian animation film is the successful termination of Grega Mastnak’s animated series The Beezes (2003-2008). The producer succeeded to build up an all Slovenian team which worked hard to finish 13 serials featuring a bunch of friendly feathered creatures. The success of The Beezes gave the producer a proof that is worth to believe in short animation film and Bravefarts – Love is in the Air (2006), animated by Vladimir Leben who was one of the key animators for The Beezes, is one of the original Slovenian 2D cartoon, full with black humor and wit. Dušan Kastelic Chicory ‘n’ Coffee (2008), based on the song by Iztok Mlakar, follows the story of a simple peasant couple from their wedding to their death. The main thread of the story is a tiny deceit – throughout their whole life the wife has prepared a cheap coffee substitute (chicory) instead of real coffee for her husband. A simple story about how we are unable to show our loved ones that we love them until it is too late, is outstanding in the excellent use of 3d modeling and 3d computer animation. With Igor Šinkovec (animator) and Tomaž Lavrič (comic author), Kastelic also created a witty adaptation of Lavrič comic book Ekstremni športi. The freshest breeze has been felt in the field of puppet animation. Špela Čadež successfully presented her student films Mate to Measure (2004) and Lovesick (2007) around the world. Both films were done at

Najveće osveženje donosi nam lutkarska animacija. Špela Čadež se uspešno predstavila širom sveta svojim studentskim filmovima Mate to Measure (2004) i Ljubavni jadi (2007). Oba filma su realizovana na Akademiji za medijske umetnosti u Kelnu, i oba su priče ispunjene poezijom svakodnevnice i izuzetna animatorska dostignuća. Saradnik Špele Čadež, animator Matej Lavrenčič, i Roman Ražman su zajedno kreirali naručeni projekat - kratki erotski animirani film Peti, kratki film u perverzijama (2006), kao deo pozorišne predstave. Prvo iznenađenje za javnost došlo nam je u obliku animiranog filma sa lutkama Dvorište (2006), čiji je režiser Nejc Saje, u produkciji mulitmedijalne asocijacije Strup. Ovaj dvadesetpetominutni animirani film sadrži izuzetnu originalnu naraciju, fantastičnu scenografiju i dizajn lutaka, odličnu sinhronizaciju i kompleksnu animaciju, u kojoj se pojavljuje čak petnaest likova. Ipak, kao da je odabrani trenutak preuranjen i da Slovenija još uvek nije

the Academy of Media Arts Cologne and both are tales full of quotidian poetry and great animation skills. Matej Lavrenčič, who is collaborating with Špela Čadež as animator and Roman Ražman were commissioned to produce the erotic animated short Patty, Short Film in Perverses (2006) as part of a theatre play. The first public surprise come in the form of the puppet animated film Courtyard (2006), directed by Nejc Saje in the production of the multimedia association Strup. The twenty-five minutes long animated film excels in its original storyline, fantastic scenography and puppet design, superior synchronization and complex animation of as many as fifteen characters. But it seems it was too soon for Slovenia to develop a puppet animated film series. Kolja Saksida’s animated films have been screened at festivals and broadcast on television worldwide. So far his most notable production was an animated series Koyaa that has been broadcasted on the Slovenian national television throughout

posebni programi / special programmes

60 bila spremna da razvije svoju prvu seriju lutkarske animacije. Animirani filmovi Kolje Sakside prikazivani su na filmskim festivalima i televizijama širom sveta. Do sada, njegovo najzapaženije ostvarenje ostaje animirana serija pod nazivom Koyaa, koja je priikazivana na slovenačkoj Nacinalnoj televiziji tokom sezone 2005. Kolja je suosnivač i direktor produkcijske kuće ZVVIKS, Instituta za filmsku i audio-vizuelnu produkciju sa sedištem u Ljubljani, gde je upravo završena pilot-epizoda za novu seriju Koyaa – The Extraordinary (2011). Živa Moškrič, Mitja Manček, Urban Breznik, Timon Leder i Anka Kočevar su svoje akademske studije (u Velikoj Britaniji, Češkoj Republici i Sloveniji) završili kratkim animiranim filmovima, tako da se čini da je budućnost animiranog filma u Sloveniji sigurna i blistava. Igor Prasel Direktor Međunarodnog festivala animiranog filma Animateka the 2005 season. He is a co-founder and director of production house ZVVIKS, Institute for film and audiovisual production, based in Ljubljana, where they finished a pilot for a new series Koyaa – The Extraordinary (2011). Živa Moškrič, Mitja Manček, Urban Breznik and Timon Leder, Anka Kočevar all finished their academy study (in the UK, Czech republic and Slovenia) with short animated films, so it seems that the future of animation film in Slovenia is clear and bright. Igor Prassel Director of the Animateka International Animation Film Festival

Program / Programme: 01 THE BEEZES – POETS / Bizgeci – Pesniki Grega Mastnak (Casablanca), 2006, 5:00 02 THE COURTYARD / Dvorišče Nejc Saje (Strup produkcija), 2006, 24:00 03 PATTY, SHORT FILM IN PERVERSES / Patty, kratki film v perverzih Matej Lavrenčič, Roman Ražman (Familija), 2006, 3:30 04 BRAVEFARTS – LOVE IS IN THE AIR / Prdci – Vonj ljubezni Polona Sepe, Vladimir Leben, Uroš Goričan (Casablanca), 2006, 6:40 05 LOVESICK / Liebeskrank Špela Čadež (KHM / Špela Čadež), 2007, Germany/Slovenia, 8:30 06 CHICORY ‘N’ COFFEE / Čikorija an kafe Dušan Kastelic (Bugbrain institute) 2008, 9:00 07 WORK / Delo Urban Breznik, Timon Leder (ALU Ljubljana), 2008, 5:20 09 EX PASSU Anka Kočevar (ALU Ljubljana), 2009, 4:00 10 WALL OF SIGHS / Zid vzdihljajev Dušan Kastelic, Igor Šinkovec, Tomaž Lavrič (Bugbrain institute), 2009, 4:00 11 DEATH / Smrt Mitja Manček, 2008, 4:00 12 KATALENA: TA ALDOWSKA Živa Moškrič (2 Reels), 2009, 5:22 13 KOYAA – THE EXTRAORDINARY / Koyaa – Lajf je čist odbit Kolja Saksida (Zvviks), 2011, 3:00

Retrospektiva: NIKOLA MAJDAK

Retrospective: NIKOLA MAJDAK

61 Nikola Majdak, a pioneer and a major figure of Serbian animation, was born in Valjevo in 1927. After finishing a training course for war cameramen at the Film Unit of the National Liberation Army Headquarters, Nikola went on to finish the high school and the Faculty of Philosophy in Belgrade. He worked as a regular professor and Head of Department for the Film and Television Camera of the Faculty of Dramatic Arts in Belgrade and also headed the Animation Department of the “Dunav Film” Film School. Until recently, Nikola Majdak was the President of the Serbian branch of the ASIFA. As a director, director of photography, cameraman, editor or animator, he has made more than 300 documentaries (among which the most significant are the ones made in collaboration with Aleksandar Petrović, Ratomir Ivković and Mića Milošević), feature films, short and animated films. He is the author of the first cartoon films in Belgrade, The Soloist and The Chalk-man (1963).

posebni programi / special programmes

Pionir srpske animacije i jedan od najznačajnijih stvaralaca u ovoj oblasti, Nikola Majdak, rođen je 1927. godine u Valjevu. Završio je kurs za ratne snimatelje pri Filmskoj sekciji Vrhovnog štaba NOV i POJ, srednju filmsku školu u Beogradu i diplomirao na Filozofskom fakultetu u Beogradu. Bio je redovni profesor i šef katedre za filmsku i TV kameru Fakulteta dramskih umetnosti u Beogradu. Rukovodio je odsekom za animaciju na Filmskoj školi Dunav filma, a i doskorašnji je predsednik srpskog ogranka ASIFA. Kao reditelj, direktor fotografije, kamerman, montažer ili animator snimio je preko 300 dokumentarnih (među kojima su najznačajniji oni koje je radio sa Aleksandrom Petrovićem, Ratomirom Ivkovićem i Mićom Miloševićem), igranih, kratkometražnih i animiranih filmova. Autor je prvih crtanih filmova u Beogradu, Solista i Čovek od krede (1963). Dobitnik je velikog broja domaćih i međunarodnih nagrada, između ostalih i Zlatne plakete Jugoslovenske kinoteke. Osnivač je i umetnički direktor evropskog festivala animiranog filma Balkanima, koji se od 2004. godine održava u organizaciji Akademskog filmskog centra u Domu kulture Studentski grad u Novom Beogradu. Animirani filmovi: Solista (1963), Čovek od krede (1963), Pardon (1966), Zaljubljen u tri kolača (1967), Izvor života (1969), Tu-tu (1971), Vreme vampira (1971), Enciklopedija krvnika (1974), Svet tišine (1978), Spraytime 2002 (1978), Poslednji sunčev zrak (1980), Ljubav na prvi pogled (1982), Poslednji TV dnevnik (1983), Noćna straža (1983), Ostrvo (1984), Tour retour (1985), Veliki prasak (1987), Cross-country (1988), Autoportret (1988), Nocturno (1989), Le Grand-guignol (1993), Pecanje (1993), Curriculum vitae (1994), Ars magna lucis et umbre (1995), Diptih o sidi (1995), Pontius Pilatus Secundus (1996). Pišući o Majdakovom filmu Pontius Pilatus Secundus u svom tekstu Udahnuti život (Animirani film, zbornik, Beograd, 2000.), ugledni teoretičar i istoričar filma Božidar Zečević tvrdi da ga je “Majdak podsetio na to

posebni programi / special programmes

da je film Božije čudo, koje nam govori istinu; koje nam tumači i posreduje Jevanđelje izvornim filmskim jezikom. Šta bih više hteo od filma? Šta bi više hteli i Vera i Ljubiša Jocić, koji su želeli da od mrtvog stvore živo i tako prenesu Njegovu ideju u filmski svet. Tu se još ne završava Majdakova misionarska ideja i on tek sad namerava ponovo da nas vrati u tunel mraka i košmarne istorije ovozemaljskog života, prema izlazu koji slutim i koji neće biti drugo do novo iskušenje. Film i ne može drugo. Majdak mu je posvetio ceo svoj život.”

ask, after trying to transform dead into alive and, by doing so, transfer His idea into the world of film. But this is not where Majdak’s missionary idea will end – to the contrary, this is where he plans to take us all the way back to the tunnel of darkness and the nightmare of the history of the earthly life, all the way towards the exit that I can vaguely feel as another temptation. Because this is the only thing that the film can ever be, having taken Majdak’s lifetime of devotion.”

Nikola is the winner of numerous national and international awards, including the Gold Medal of the Yugoslav Film Archive, and also the founder and art director of the European festival of animated film, Balkanima, which has been running since 2004, organised by the Academic Film Centre of the Cultural Centre in Studentski grad, New Belgrade. Animated films: The Soloist (1963), The Chalk-man (1963), Pardon (1966), In Love with Three Cakes (1967), Source of Life (1969), Tu-tu (1971), Time of Vampires (1971), Encyclopedia of Hangmen (1974), The World of Silence (1978), Spraytime 2002 (1978), The Last Sunbeam (1980), Love at First Sight (1982), Last TV News (1983), Nightwatch (1983), The Island (1984), Tour retour (1985), Big Bang (1987), Crosscountry (1988), Self-portrait (1988), Nocturno (1989), Le Grand-guignol (1993), Fishing (1993), Curriculum vitae (1994), Ars magna lucis et umbre (1995), Diptych on AIDS (1995), Pontius Pilatus Secundus (1996). Writing about Majdak’s film Pontius Pilatus Secundus, in the essay entitled Inspiring life (Animirani film, journal, Belgrade, 2000.), the renowned theorist and film historian Božidar Zečević claims that “Majdak reminded (him) that film is God’s miracle telling us the truth, interpreting and conveying the Gospel, through the original language of the film. What more can be asked from film? What more could Vera and Ljubiša Jocić

Program / Programme: 01 ČOVEK OD KREDE / THE CHALK-MAN Avala Film, 3:25 02 ZALJUBLJEN U TRI KOLAČA / IN LOVE WITH THREE CAKES Neoplanta, 7:00 03 PARDON Dunav Film 7:00 04 SPRAY TIME 2002 Neoplanta, 6:00 05 VREME VAMPIRA / TIME OF VAMPIRES Dunav Film, Zagreb Film, 8:30 06 IZVOR ŽIVOTA / THE COURCE OF LIFE Neoplanta, 10:00 07 POSLEDNJI TV DNEVNIK / LAST TV NEWS Dunav Film, 5:30 08 LE GRAND GUIGNOL Dunav Film, 4:20 09 PONTIUS PILATUS SECUNDUS Jugoslavija Film, Zastava Film, 4:20 10 CURRICULUM VITAE Jugoslavija Film, 4:00

PANORAMA PROGRAM FILMOVA VAN KONKURENCIJE NON-COMPETITIVE FILM PROGRAMME

panorama 01 / panorama 01

AUTOGENI TRENING AUTOGENIC TRAINING

PAUNOVO OKO THE PEACOCK EYE

Italja / Italia, 2011, 7:00

Belgija / Belgium, 2010, 13:00

Izvorni naslov / Original Title: Training autogeno Režija / Direction: Astutillo Smeriglia

Astutillo Smeriglia astutillo@comafilm.net www.comafilm.net

Izvorni naslov / Original Title: L’oeil du paon Režija / Direction: Gerlando Infuso

HRANJENJE GRUB

BLIŽNJI KIN

Norveška / Norway, 2010, 7:30

Belgija / Belgium, 2011, 11:00

Režija / Direction: Annalise Wimmer

Annalise Wimmer annalise.wimmer@gmail.com www.annalisewimmer.com

Režija / Direction: l’Atelier Collectif

Gerlando Infuso gerl.ando@hotmail.com www.gerlandoinfuso.com

l’Atelier Collectif diffusion@zorobabel.be www.zorobabel.be

CHUNKOTHY

PATKA, SMRT I LALA DUCK, DEATH AND THE TULIP

Velika Britanija / United Kingdom, 2011, 3:09

Nemačka / Germany, 2010, 10:53 Beccy McCray info@nexusproductions.com www.nexusproductions.com

Izvorni naslov / Original Title: Ente, Tod und Tulpe Režija / Direction: Matthias Bruhn

BALET NEIZLEGLIH PILIĆA BALLET OF UNHATCHED CHICKS

IZA STAROSTI BEYOND THE OLD AGE

SAD / USA, 2011, 2:00

Poljska / Poland, 2010, 10:00

Režija / Direction: Shaun Seong-young Kim

Shaun Seong-young Kim skim.film@gmail.com www.skimation.com

Izvorni naslov / Original Title: Poza staroscia Režija / Direction: Grzegorz Waclawek

Richard Lutterbeck info@trickstudio.de www.trickstudio.de

Eva Jastrzebska l.madzik@sfp.org.pl www.sfp.org.pl

panorama 01 / panorama 01

Režija / Direction: Celyn info@nexusproductions.com

panorama 02 / panorama 02

5 MINUTA SVAKI 5 MINUTES EACH

PLIVAČKI BAZEN SWIMMING POOL

Srbija / Serbia, 2011, 9:40

Češka Republika / Czech Republic, 2010, 6:34

Režija / Direction: Vojin Vasović

To Blink Studio vojinvasovic@hotmail.com www.toblinkstudio.pl

Režija / Direction: Alexandra Hetmerova

PAS / ZEC DOG / RABBIT

VAVILONSKA KULA BABYLON TOWER

Hrvatska / Croatia, 2011, 12:10

Srbija / Serbia, 2010, 7:10

Režija / Direction: Nebojša Slijepčević

Ustanova Zagreb Film sanja.borcic@zagrebfilm.hr www.zagrebfilm.hr

Režija / Direction: Jelena Bešir

FAMU Studio vera.hoffmanova@famu.cz www.famu.cz

Jelena Bešir jelenabesir@gmail.com

ĐOAKINO ROSINI. BELEŠKE SLADOKUSCA. GIOACHINO ROSSINI. GOURMET’S NOTES.

U OPERI AT THE OPERA

Rusija / Russia, 2010, 13:00

Argentina / Argentina, 2010, 1:00 Studio M.I.R. margoirina@yahoo.com www.studio-mir.ru

Izvorni naslov / Original Title: En la opera Režija / Direction: Juan Pablo Zaramella

RAZGOVARAJ S NJIM TALK TO HIM

BRŠLJAN TANGO WALLFLOWER TANGO

Poljska / Poland, 2010, 10:00

Nemačka / Germany, 2011, 6:50

Izvorni naslov / Original Title: Porozmawiaj z nim Režija / Direction: Agata Pretka

Agata Pretka pretkownik@gmail.com

Režija / Direction: Wolfram Kampffmeyer

Juan Pablo Zaramella contact@zaramella.com.ar www.zaramella.com.ar

Wolfram Kampffmeyer kampffmeyer@gmail.com www.animation3.de

panorama 02 / panorama 02

Režija / Direction: Oxana Cherkasova

panorama 03 / panorama 03

NOREGRETS “MORAŠ DA POKUŠAŠ” NOREGRETS “YOU HAVE TO TRY”

HOD PO VODI THE WATERWALK

Srbija / Serbia, 2010, 4:16

Francuska / France, 2010, 4:21

Režija / Direction: Igor Vujčić

Igor Vujčić igor.vujcic@hotmail.com

Režija / Direction: Johannes Ridder

DEOBA PARTITION

TATAMP TATAMP

Švajcarska / Switzerland, 2011, 5:40

Japan / Japan, 2011, 5:38

Režija / Direction: Delia Hess, Eleonora Berra, Shami Lang-Rinderspacher

Delia Hess mail@deliahess.ch www.deliahess.ch

Režija / Direction: Mirai Mizue

Johannes Ridder yoridder@yahoo.fr

Mirai Mizue mirai0714mizue@yahoo.co.jp

PRINC PACOV PRINCE RAT

BOG I ZEMLJANI GOD AND EARTHLINGS

Nemačka / Germany, 2011, 14:30

Hrvatska / Croatia, 2010, 4:00 Albert Radl mail@albert-radl.de www.radl-animation.com

Režija / Direction: Siniša Mataić

CONFORMIS

NA PRODAJU ON SALE

Nemačka / Germany, 2011, 5:46

Srbija / Serbia, 2010, 3:53

Režija / Direction: Martin Groetzschel, Benjamin Manderbach

Martin Groetzschel martin.groetzschel@filmakademie.de

Režija / Direction: Tijana Prodanov

Ustanova Zagreb Film sanja.borcic@zagrebfilm.hr www.zagrebfilm.hr

Tijana Prodanov tijana.prodanov@gmail.com

panorama 03 / panorama 03

Izvorni naslov / Original Title: Prinze Ratte Režija / Direction: Albert Radl

panorama 03 / panorama 03

THE HEAVENLY SPHERES “VREME LETI” THE HEAVENLY SPHERES “TIME FLIES”

USTA OD PESKA MOUTHS OF SAND

Velika Britanija / United Kingdom, 2010, 4:56

Španija / Spain, 2010, 5:00

Režija / Direction: Yuki Nishimura

Yuki Nishimura yuki.nishimura21@googlemail.com www.yukinishimura.com

Režija / Direction: Angel Aldarondo

Kimuak kimuak@filmotecavasca.com www.kimuak.com

USPON I PAD W.C.-A RISE AND FALL OF W.C.

ZAŠTO NOSIŠ BRADU? WHY DO YOU HAVE A BEARD?

Estonija / Estonia, 2011, 5:40

Irska / Ireland, 2010, 6:00

Režija / Direction: Martinus Klemet

Martinus Klemet martinusklemet@gmail.com

Režija / Direction: Paul O’Donoghue

Paul O’Donoghue elusive@iol.ie www.ocusonic.com

DUGI METAR FEATURE FILMS

IGOR / IGOR SAD / USA, 2008, 87:00 Reditelj / Director: Anthony Leondis

9/9 SAD / USA, 2008, 79:00 Reditelj / Director: Shane Acker

IDIOTI I ANĐELI / IDIOTS AND ANGELS SAD / USA, 2008, 78:00 Reditelj / Director: Bill Plymton

KURT SE PROZLIO / KURT TURNS EVIL Norveška / Norway, 2008, 74:00 Reditelj / Director: Rasmus Sivertsen

dugi metar / feature films

IGOR IGOR Scenario Krisa Mekene donosi priču o grbavcu nezavisnog duha kome je dojadilo da bude obični asistent koji stalno ponavlja “da, gospodaru”. On sanja o tome da postane naučnik i kada njegov opaki gazda umre sedmicu pre godišnjeg Sajma Zle Nauke, to je Igorova šansa. Uz pomoć dva eksperimentalna stvorenja, Mozga (mozak u tegli koji u stvari samo malo svetluca) i Skempera (ciničnog zeca-samoubice), Igor se baca na izgradnju najvećeg zlog izuma svih vremena – ogromnog, zastrašujućeg čudovišta. Nažalost, umesto samog zla, nastaje gigantska ali dobroćudna glumica u pokušaju, Eva, koja ne bi ni mrava zgazila.

The script by Chris McKenna tells the story of a hunchbacked independent spirit. Igor is sick of being a lowly lab assistant with a “Yes Master’s” degree and dreams of becoming a scientist. When his nasty master dies a week before the annual Evil Science Fair, Igor gets his chance. With the help of two of his experimental creations, Brain (a brain in a jar who is actually a little light on brains), and Scamper (a cynical bunny brought back from being road kill), Igor embarks on building the most evil invention of all time - a huge, ferocious monster. Unfortunately, instead of turning out evil, the monster turns out to be Eva, a giant aspiring actress who would never hurt anyone.

SAD / USA, 2008, 87:00 Reditelj / Director: Anthony Leondis Scenario / Screenplay: Chris McKenna, John Hoffman, Anthony Leondis, Dimitri Toscas

Glasovi / Voices: John Cusack, John Cleese, Steve Buscemi, Jay Leno, Christian Slater... Produkcija / Production: Exodus Film Group, USA, 2008

9 9

The time is the too-near future. Powered and enabled by the invention known as the Great Machine, the world’s machines have turned on mankind and sparked social unrest, decimating the human population before being largely shut down. But as our world fell to pieces, a mission began to salvage the legacy of civilization; a group of small creations was given the spark of life by a scientist in the final days of humanity, and they continue to exist post-apocalypse.

SAD / USA, 2009, 79:00 Reditelj / Director: Shane Acker Scenario / Screenplay: Pamela Pettler

Glasovi / Voices: Christopher Plummer, Martin Landau, Elijah Wood, Jeniffer Connelly, Crispin Glover... Produkcija / Production: Focus Features, USA, 2009

dugi metar / feature films

Bliska budućnost. Izum poznat kao Velika Mašina je podržao sve ostale mašine na svetu koje su se okrenule protiv čovečanstva, izazvale nemire, desetkujući populaciju, pre nego što su se pogasile. Svet se raspao u komade, ali je počela misija spasavanja nasleđa civilizacije: šačica malih kreatura, kojima je jedan naučnik u poslednjim danima čovečanstva udahnuo život, nastaviće svoju postapokaliptičnu avanturu.

dugi metar / feature films

IDIOTI I ANĐELI IDIOTS AND ANGELS Idioti i anđeli je mračna komedija o čovekovoj borbi za sopstvenu dušu. Ejndžel je sebičan, nasilan, nemoralan čovek koji visi u lokalnom baru kinjeći ostale mušterije. Jednog dana on se na zagonetan način probudi sa parom krila na leđima. Krila ga nagone da čini dobra dela što je protivno njegovoj prirodi. Očajnički pokušava da ih se otarasi, ali nailazi na otpor onih koji njegova krila vide kao kao svoju šansu za slavu i bogatstvo.

Idiots and Angels is a dark comedy about a man’s battle for his soul. Angel is a selfish, abusive, morally bankrupt man who hangs out as his local bar, berating the other patrons. One day, Angel mysteriously wakes up with a pair of wings on his back. The wings make him do good deeds, contrary to his nature. He desperately tries to rid himself of the good wings, but eventually finds himself fighting those who view the wings as their ticket to fame and fortune.

SAD / USA, 2008, 78:00 Reditelj / Director: Bill Plympton Scenario / Screenplay: Bill Plympton

Produkcija / Production: Bill Plympton Studios, USA, 2008

KURT SE PROZLIO KURT TURNS EVIL

This is the first film adaptation of a book from the famous Norwegian children’s book series by Erlend Loe, about Kurt, a short-tempered but good-natured forklift driver. One day Kurt discovers that society basically does not respect forklift operators very much. His wife is an ambitious architect. His neighbor is a medical doctor. Not even Kurt’s own kids seem to be very happy about their father’s occupation. Even if Kurt is popular among his colleagues and likes to drive a forklift, he quits his job, and starts climbing the social ladder. He wants to become a doctor, he wants to get rich, and he wants to be somebody. In the end, he even wants to become Prime Minister. But he does not have much success in any of his projects, and as time goes by, Kurt turns - vicious. Norveška / Norway, 2008, 74:00 Izvorni naslov / Original Title: Kurt blir grusom Reditelj / Director: Rasmus Sivertsen Scenario / Screenplay: Karsten Fullu, Erlend Loe, Per Schreiner

Glasovi / Voices: Atle Antonsen, Kristin Skogheim, Pernille Sørensen, Aksel Hennie... Produkcija / Production: Nordisk Film, Norway, 2008

dugi metar / feature films

Ovo je prva filmska adaptacija jedne knjige iz serije norveškog pisca za decu Erlenda Loa o prgavom vozaču viljuškara, Kurtu. Jednog dana Kurt shvata da društvo zapravo i ne mari previše za vozače viljuškara. Njegova žena je ambiciozni ahitekta, a njegov komšija lekar. Izgleda da ni Kurtova deca nisu srećna zbog očevog zanimanja. Iako je popularan među svojim kolegama, on daje otkaz, i počinje da se penje na društvenoj lestvici. Želi da postane doktor, da bude bogat, da postane neko. Na kraju, čak i predsednik Vlade. Ali, neuspešan je u svakom svom poduhvatu, tako da vremenom postaje veoma - zao.

2929 May —— 3 3JJune 2012 World Wo FestIval Fe of AnImated of FIlm ANIMAFEST ZAGREB

ort FIlm Short FIlm ItIon EdItIon Zagreb, greb, CroatIa oatIa

PRATEĆI PROGRAMI ADDITIONAL PROGRAMMES

Izložba stripa: NINA BUNJEVAC Exhibition of comics: NINA BUNJEVAC

Promocija knjige: NEVIDLJIVI STRIP Introducing a book: INVISIBLE COMICS

Projekcija: STRIPBURGER U POKRETU Screening: STRIPBURGER IN MOTION

Predavanje: MODERNA BASNA ILI SOCIJALNI BESTIJARIJ Lecture: A MODERN FABLE OR A SOCIAL BESTIARY

Filmovi za decu: PROGRAM SLON Films for children: THE ELEPHANT

Izložba stripa: NINA BUNJEVAC Exhibition of comics: NINA BUNJEVAC

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78 Nina Bunjevac je slikarka, vajarka i autorka stripa iz Kanade. Rođena Kanađanka, detinjstvo i ranu mladost provela je u Srbiji, u Zemunu i u Nišu, a potom se, pred krizni period 90-ih na jugoslovenski prostorima, vratila u Kanadu. Iako se sa uspehom oprobala u više medija, tvrdi da je strip njena trajna opsesija, jer odražava njenu strast ka pričanju priče, a može i lako da bude pretvorena u animaciju, kojom bi takođe želela da se bavi. Po Nininom mišljenu, strip je i krajnje pristupačan medij, ona čvrsto veruje da umetnost treba da dođe do široke publike, umesto da bude namenjena grupicama privilegovanih individua. Ninini radovi zastupljeni su u brojnim izdanjima i antologijama kao što su Komikaze (Hrvatska), Mineshaft (SAD), InguineMah (Italija), Ženski Strip na Balkanu (Hrvatska), Carte Blanche (Kanada), Giuda (Italija) i drugim. Često se bavi problematikom imigranata i nacionalizmom, kao i univerzalnim temama poput usamljenosti i ljubavne čežnje sagledavanim iz rakursa ženskih likova. Na izložbi u okviru festivala ANIMANIMA 2011 Nina će predstaviti jednu zaista posebnu junakinju, ženu-mačku po imenu Zorka. U intervjuu datom našem poznatom autoru Alekasndru Zografu, autorka kaže: “Veoma se radujem novom liku kojeg sam kreirala za strip na kojem trenutno radim - lik se zove Zorka Petrović i ona je žena-mačka, prema klasičnom noir filmu Cat People, kojeg je 1942. režirao Jacques Tourneur. Film predstavlja Balkance (naročito Srbe) kao seksualno devijantne predatore koji prete da unište miran život normalnih Amerikanaca. U mom stripu, Zorka je usamljena devojka opsednuta idejom da pronađe svog muškarca. Ona radi u industriji prerade mesa, i voli da jede brzu hranu gledajući američke TV programe. Na neki način, ona je danas postala žrtva, a ne neprijatelj, američke medijske mašinerije.” U razgovoru sa kanadskim novinarom Dejvom Hauardom vođenom aprila 2010. godine, Nina je upoređujući stanje severnoameričke i evrop-

ske scene sa naglaskom na generacijsku pripadnost njenih aktuelnih aktera, potcrtala kreativnu energiju evropske, naročito balkanske zajednice stripara čija je vitalnost paradigmatična uprkos nepovoljim socio-ekonomskim okolnostima. Radove Nine Bunjevac možete pogledati i na: www.ninabunjevac.com

Nina Bunjevac is a painter, sculptor and autor of comics from Canada. Born in Canada, she spent her childhood and early adolescence in Serbia – in Zemun and Niš, after which she moved back to Canada, just before the beginning of the 1990s crises in Yugoslavia. Although she has been successful in various media, Nina sees comic art as her permanent obsession, since it reflects her passion for story-telling, and can also be easily transformed into animation – an area she is keen to embark on. In Nina’s opinion, comics are a highly accessible medium, and she is strongly in favour of the opinion that art ought to reach wide audiences, instead of being targeted at groups of privileged individuals. Nina’s works have been included in numerous editions and anthologies, such as Komikaze (Croatia), Mineshaft (USA), InguineMah (Italy), Female Comics in the Balkans (Croatia), Carte Blanche (Canada), Giuda (Italy) and others. Among her favourite topics are the issue of immigration and nationalism, as well as universal themes such as loneliness and love desire, viewed from the perspective of female characters. In the exhibition that will be staged at the ANIMANIMA 2011 Festival, Nina will present a truly special heroine, a cat-woman called Zorka. In an interview given to our famous comic author Aleksandar Zograf, Nina said: “I am truly happy with the new character that I have created for the comic I am currently working on – she is Zorka Petrović, a cat-woman, modelled according to the classical Noir film The Cat People, directed by Jacques Tourneur in 1942. My film is about the people from the Balkans

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(especially Serbs) as sexually deviant predators, threatening to destroy the peaceful life of ordinary Americans. In my comic, Zorka is a lonely girl, obsessed with the fixation of finding a man of her life. She works in the meat-processing industry, and loves eating fast food while watching American TV programmes. In a way, she has become a victim of the American media machinery, rather than its opponent.” In her talk with the Canadian journalist Dave Howard in April 2010, comparing the situation in the North-American and European scene, from the generation aspect of their respective authors, Nina emphasised the creative energy of the European, especially the Balkans community of comic artists, with their paradigmatic vitality despite the adverse social and economic circumstances. Works of Nina Bunjevac can be found on: www.ninabunjevac.com

Promocija knjige: Aleksandra Sekulić NEVIDLJIVI STRIP – ALTERNATIVNI STRIPOVI U SRBIJI

Introducing a book: Aleksandra Sekulić INVISIBLE COMICS – ALTERNATIVE COMICS IN SERBIA

“Nevidljivi stripovi – alternativni stripovi u Srbiji” predstavlja početni pokušaj da se sakupi i prikaže produkcija autorskog/nezavisnog/alternativnog stripa, koji koristi distributivne kanale i produkcijkse strategije nezvanične kulture – pokušaj koji je sada dobio oblik arhivskog i izložbenog projekta centralne institucije naše kulturne memorije – Narodne biblioteke Srbije. Na ovaj način, putem izložbe instalacija i pratećeg kataloga, moguće je ne samo steći uvid u postojeću zbirku alternativnih stripova nastalih u Srbiji tokom proteklih nekoliko decenija, već je moguće pratiti i početke njihove kontekstualizacije na širokom planu saradnje sa autorima, inicijativama, kolektivima i organizacijama koji ovu scenu održavaju tako vitalnom, nepredvidljivom i prepoznatljivom. Početno ispitivanje obavljeno je na osnovu osnovnog oblika razvijanja i distribucije alternativnih stripova, strip-fanzina. Nastavljajući tradiciju nezavisnih/samizdat aktivnosti kao jednu od prepoznatljivih odlika kulture mladih i alternativne kulture u Jugoslaviji, alternativni stripovi u Srbiji su dostigli zenit tokom devedesetih godina prošlog veka. Zahvaljujući svojoj inovativnosti, intenzitetu i uzajamnom preplitanju sa kretanjima u različitim drugim oblastima alternativne kulture, alternativni stripovi su, kako se pokazalo, postali najprisutniji kulturni proizvod Srbije na međunarodnoj sceni, uprkos različitim društvenim okolnostima koje su u velikoj meri otežavali linije međunarodne komunikacije. I premda se ova saradnja odvijala izvan okvira institucionalne kulture, ona se pokazala kao efikasna u otvaranju novih platformi koje su služile za produkciju i razmenu, uspevši da stvori ne samo jednu novu generaciju autora, već i porast interesovanja, i kod institucija i kod čitalaca. Zograf, Wostok, Saša Mihajlović, Danijel Savović, Milan Pavlović mr.stocca, Damir Rijowitch i Damir Šmit, Aleksandar Opačić, Radovan Popović, Maja Veselinović, Nikola Vitković, Lazar Bodroža, Nikola Korać, Vuk

“Invisible comics – Alternative comics in Serbia” is an initial attempt to collect and show the production of auctorial/independent/alternative comics which has been using the distribution channels and production strategies of the unofficial culture, now within an archive and exhibition project of the central institution of cultural memory – National library of Serbia. Therefore, in the form of an installation exhibition and the catalogue we can get an overview of the existing collection of alternative comics in Serbia in past decades, and observe the start of their contextualization through a wide collaboration with the authors, initiatives, collectives and organizations who make this scene so vital, unpredictable and recognizable. The initial research was made relying on the basic form of the development and distribution of alternative comics: the comics fanzine. Continuing the tradition of independent/samizdat activity that has characterized youth and alternative culture in Yugoslavia, alternative comics in Serbia were experienced in full swing in the 1990s. Due to its innovativeness, intensity and intertwining with tendencies in various other fields of alternative culture, the alternative comics turned out to be the cultural production from Serbia which was the most present on the international scene, despite the social circumstances that were greatly aggravating the lines of international communication. This cooperation was taking place outside the bounds of institutional culture, but it has nevertheless proved to be effective in opening new platforms for production and exchange, producing a new generation of authors and generating growing interest by both institutions and audience. Zograf, Wostok, Saša Mihajlović, Danijel Savović, Milan Pavlović Stocca, Damir Rijowitch and Damir Šmit, Aleksandar Opačić, Radovan Popović, Maja Veselinović, Nikola Vitković, Lazar Bodroža, Nikola Korać, Vuk Palibrk and a series of other

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authors who have been included in this dynamic development with their creative, educational or organizational activities, enabled us to perceive their work in continuity of an alternative scene tradition and find ways in the new context to develop the discussion about what is an alternative – in both comics and culture. „The Invisible Comics“ collection will also display and preserve digitalized independent/samizdat comics print and fanzine comics production that has not previously been systematically collected and preserved in institutions (including magazines the manner of production and distribution of which makes them equivalent to fanzines, such as Striper, Mutanat, Tit bit and others; self-issued graphic magazines in fanzine form published under labels such as Momci, Phantom works, Morcina, Feathered Friends; comic fanzines by authors and collectives directly stemming from punk fanzine culture, such as Krpelj, Debilana, Titov zabavnik or Zadrugar; products of workshops and collective work such as Kuhinja, Čovek iz bunara and so on; and experimental forms which are the result of the process of osmosis in the new media, which can be found at the Studiostrip platform, e.g. Gorski vijenac, Bolji život, Bizar, Tvrdi strip, Hororretard, Intimna Mašina etc). The levels of visibility of this peculiar production enable us to approximately define it as invisible comics. With its impressive development and emancipation from the existing codes of classical, sequential narrative, and its graphic and drawing standards, it has ensured increasingly

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Palibrk i čitav niz drugih autora koji su učestvovali u ovim dinamičnim dešavanjima svojim kreativnim, obrazovnim ili organizacionim aktivnostima, omogućili su nam da pratimo njihov rad u kontinuitetu tradicije laternativne scene, a isto tako i da nađemo načine da u novom kontekstu razvijemo diskusiju u nastojanju da definišemo šta je to alternativa – kako u stripu, tako i u kulturi. Kolekcija „Nevidljivi stripovi“ će takođe prikazati i sačuvati digitalizovanu produkciju nezavisnih / samizdat stripova i fanzina koji do sada nisu sistematično sakupljeni i sačuvani u institucijama (uključujući i časopise koji se prema načinu produkcije i distribucije mogu svrstati u fanzine, kao što su Striper, Mutanat, Tit bit i ostali; samo-izdati grafičke časopise u obliku fanzina, koji su izdavani pod nazivima kao što su Momci, Phantom Works, Morcina, Feathered Friends; strip-fanzine čiji autori i grupe autora direktno potiču iz pank-fanzin kulture, gde spadaju Krpelj, Debilana, Titov zabavnik ili Zadrugar; proizvode nastale u radionicama i zajedničke radove kao što su Kuhinja, Čovek iz bunara i drugi; i eksperimentalne forme koje nastaju u procesu osmoze u novim medijima, a koji se mogu naći na platformi Studiostripa, kao na primer Gorski vijenac, Bolji život, Bizar, Tvrdi strip, Hororretard, Intimna Mašina i drugi). Postojeći nivoi vidljivosti ovog specifičnog oblika stvaralaštva nam omogućuju da njegov proizvod približno definišemo kao nevidljivi strip. Svojim impresivnim razvojem, emancipacijom postojećih normi klasične, linearne naracije, kao i svojim grafičkim standardima i standardima ostvarenim u oblasti crteža, ovaj

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strip je osigurao svoju sve veću prisutnost u aktuelnim trendovima na međunarodnoj sceni i, pronašavši kanale međunarodne komunikacije, bio je otkriven i prepoznat, prezentovan i glorifikovan izvan granica zemlje, uprkos činjenici da u zvaničnoj kulturi, javnim manifestacijama i javnom medijskom prostoru u Srbiji devedesetih godina prošlog veka gotovo da i nije zabeleženo njegovo postojanje. Nakon dvehiljadite, dolazi do novog zamaha podstaknutog intenzivnijom komunikacijom i većom pokretljivošću, artikulacijom inicijativa koje nude Internet i portali, (www. kosmoplovci.net/studiostrip, www.stripvesti.com) lakšom organizacijom međunarodnih manifestacija (poput festivala GRRR! u Pančevu koji je pokrenuo A. Zograf ili Novog doba, festivala nestvrstanog stripa, kojeg su inicirali Turbo comix and Studiostrip u Beogradu), ali i učestvovanje u dinamičnom polju dešavanja moderne umetnosti i književnosti.

intense involvement in current trends on the international scene, has found channels of international communication and has been recognized and found, presented and glorified across the border, although in official culture, in public events and media public space in Serbia in the 1990s it almost does not exist. After 2000, the new swing was produced by more intensive communication and increased mobility, articulation of Internet initiatives and portals (Studiostrip www.kosmoplovci.net/studiostrip, comics news www.stripvesti.com), easier organization of international events (Such as festivals GRRR! In Pancevo initiated by Aleksandar Zograf or New Era Festival of non-aligned comix initated by Turbo comix and Studiostrip in Belgrade), but also by participating in the dynamic field of contemporary art and literature.

Projekcija: STRIPBURGER U POKRETU Screening: STRIPBURGER IN MOTION 83 In the year 1992 the first issue of Stripburger, now legendary underground comic magazine, was published. What compelled the forefathers of Stripburger to start a magazine was the lack of a comic magazine in Slovenia. Because of the small local production, explorative tendencies of the editors and the inescapable bind between local production and global trends, the magazine was publishing comics by foreign as much as local artists – mélange of styles and narratives that remains one of the most appealing features of Stripburger. The editorial visited numerous festivals, book fares and galleries and succeeded in erousing the attention of the international public. In January 2001 the magazine won an award at the International Festival of Comic Art in Angouleme in the category for the best fanzine. Big attention was also given to special editions of the magazine, namely Stripburek, Comics from the Other Europe, anthology of Eastern European comics and the newest book to come out of the Stripburger kitchen - Honey Talks - comics inspired by painted beehive panels. The film Stripburger in Motion is based on eight comics published in Stripburger comics magazine: Love Train (Sascha Hommer, Germany), Messiah (Vladan Nikolić, Serbia), Judas the Catholic Squirrel (Alberto Vazquez, Spain), Fog (Damijan Sovec, Slovenia), 8th Deadly Sin (Kaja Avberšek, Slovenia), Religions (Matej De Cecco, Slovenia), Summer Breeze (Dunja Janković, Croatia), A Man for Malin (Malin Biller, Sweden). Boris Dolenc is the director charged with taking eight of the stories from the pages of Stripburger and compiling them into this thirty minute animated short. The perfect occasion to put the comics in motion is right now, as Stripburger celebrates its coming of age - the 18th anniversary of its existence.

Stripburger v gibanju / Stripburger u pokretu Boris Dolenc (Forum Ljubljana), Slovenija, 2010, 31'

Stripburger in Motion / Stripburger v gibanju Boris Dolenc (Forum Ljubljana), Slovenia, 2010, 31'

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Prvo izdanje Stripburgera, sada legendarnog andergraund strip časopisa, objavljeno je 1992. godine. Ono što je njegove začetnike navelo na ovaj korak bio je upravo nedostatak strip-časopisa u Sloveniji. Zbog male lokalne produkcije, kao i zahvaljujući istraživačkom usmerenju uredništva i neizbežne povezanosti lokalne produkcije sa svetskim trendovima, u izdanjima časopisa bili su podjednako zastupljeni stripovi stranih i domaćih autora. Ovaj svojevrsni omaž stilova i narativnih pristupa ostaće jedan od najprepoznatljivijih kvaliteta Stripburgera. Uredništvo je nastupalo na mnogobrojnim festivalima, sajmovima knjiga i u galerijama, uspevajući da pobudi interesovanje međunarodne čitalačke publike. U januaru 2001. godine, časopis je osvojio nagradu na međunarodnom Festivalu stripa u Angulemu, u kategoriji najboljih fanzina. Specijalna izdanja časopisa su takođe primljena sa dosta pažnje. Reč je o izdanjima Stripburek, Stripovi iz Druge Evrope, antologija Istočnoevropskog stripa, kao i najnovije izdanje izdanje koje je nastalo u kuhinji Stripburgera - Honey Talks (Govor meda), kao strip inspirisan oslikanim saćima iz košnica. Film Stripburger u pokretu zasniva se na osam stripova objavljenih u strip-časopisu Stripburger: Ljubavni voz (Saša Homer, Nemačka), Mesija (Vladan Nikolić, Srbija), Juda, katolička veverica (Alberto Vaskez, Španija), Magla (Damijan Sovec, Slovenija), Osmi smrtni greh (Kaja Avberšek, Slovenija), Religije (Matej De Ćeko, Slovenija), Letnji povetarac (Dunja Janković, Hrvatska), Čovek za Malina (Malin Biler, Švedska). Zadatak da osam priča sa stranica Stripburgera pretoči u animirani film pripao je režiseru Borisu Dolencu, a sadašnji trenutak predstavlja savršenu priliku da se stavljanjem stripa u pokret obeleži punoletstvo časopisa i na prikladan način proslavi 18. rođendan Stripburgera.

Predavanje: Milen Alempijević MODERNA BASNA ILI SOCIJALNI BESTIJARIJ?

Lecture: Milen Alempijević A MODERN FABLE OR A SOCIAL BESTIARY?

Primeri predstavljanja životinja u savremenom evropskom animiranom filmu

Examples of depicting animals in contemporary European animated film

Koliko čovek zaista razume životinje? Jesu li od pomoći u tome naučna zoologija, umetnost, mediji? Da li je industrija zabave (film, TV, produkcija igračaka) manje eksploatatorska i manipulativna samo zbog toga što danas postoji izražena svest o životinjama kao o bićima sa važnom ulogom na ovoj planeti, pa tako i o njihovim pravima? U svetlu poimanja formi koegzistencije čoveka i životinje, veoma zanimljivo je stanovište da ljudi nisu pre svega racionalne životinje, nego životinje sa dušom koja je lingvistički strukturisana. Posredovanje jezika u čovekovoj kategorizaciji realnog i imaginarnog sveta ispostavlja se važnim i u poimanju životinjskog sveta. Projektujući sopstvene osobine na životinje, što je oduvek bio uobičajeni potupak u basnama i pričama o životinjama, uspostavljaju se čvrste veze i oslobađaju nove mogućnosti čovekove samospoznaje. Na ukrštanjima didaktike i humora ovakve priče konstruišu novu stvarnost ustrojenu na vlastitim zakonitostima. Moguće slike takvog sveta, samosvojnog i punog iznenađenja, vidljive su i u animiranim filmovima. Postavljeni standardi predstavljanja životinja, prevashodno izraženi antropomorfijom i antropocentričkom estetikom i danas su u širokoj upotrebi, ali u animiranim ostvarenjima savremenih majstora animacije, životinja nije samo „glavni junak“, već simbolička i/ili alegorijska nadgradnja svog humanog predloška. Fokusiranjem na kratke autorske filmove, učinjen je pokušaj da se oni grupišu u nekoliko značenjskih celina, polja povišene pažnje, u kojima se prepoznaju međusobne veze. U prvom delu, analiziraće se „socijalni“ odnosi sa akcentom na relaciji „muškarac-žena“, a primeri su Džon i Karen Metjua Vokera (Velika Britanija, 2007) i Nema mesta za Gerolda Danijela Nokea (Nemačka, 2006). Drugi deo opisuje potragu za trenutkom od koga kućni ljubimac postaje sustanar ili partner, kao u Krokodilu Kaspara Jancisa (Estonija, 2009), Crvenom zecu Egmonta Majera (Nemač-

How much does man truly understand animals? Are the scientific zoology, art and media of any help here? Is the entertainment industry (film, TV, toys production) less exploitative and manipulative only because we have today an awareness of animals as of creatures playing a vital role on this planet, and therefore awareness of their rights as well? In the light of understanding the forms of coexistence of humans and animals, there is the interesting approach based on the assumption that humans are not primarily rational animals, but rather animals with a linguistically structured soul. The mediation of the language in man’s categorisation of the real and imaginary worlds is also important in his understanding of the animals’ world. By projecting his own features onto animals, which has always been a standard approach in fables and animal tales, strong bonds are established and new possibilities of self-cognition are released. At the junctions of didactics and humour, stories like these construct a new reality, built on its own laws. Certain possible images of this world, self-contained and full of surprises, can be seen in animated films. The standards that have been set in the representations of animals, mostly characterised by anthropomorphy and anthropocentric aesthetics, are still widely used today, on both sides of the Atlantic. There is a significant number of European authors, however, whose works feature a wide and diverse non-compliance with this standard. In the animated creations of the contemporary animation masters, animals tend to be less of a “hero of the story” and more a symbolic and/or allegoric extension to their human stem. By focusing on short author films, an attempt has been made to classify them into several groups according to their meaning and highlights of action, where certain links can be recognised. The first part will deal with the analysis of the ‘social’ aspects, with an emphasis on the male

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– female relations and examples are John and Karen by Matthew Walker (Great Britain, 2007) and No Place For Gerold by Daniel Nocke (Germany, 2006). The second part will describe the quest for the moment when a pet becomes a flatmate or a partner like in Crocodile by Kaspar Jancis (Estonia, 2009), Red Rabbit by Egmont Mayer (Germany, 2007) and Anniversary by Martinas Dyša (Lithuania, 2006). The complex topic of the third part is the swap of the roles or identities depicted in Dog Days by Geoffroy de Crécy (France, 2007), Sailor, Dogs by Joana Toste (Portugal, 2007) and Hen, His Wife by Igor Kovalyov (Russia, 1989), while the fourth part deals with the extraordinary qualities of an animal-doll as seen in Tyger by Guilherme Marcondes (Brazil, 2006) and Maestro by Geza M. Toth (Hungary, 2005). Finally, the fifth part will present the functions of the mask and the ritual of dance, i.e. the symbolic comprehension of the animal and the example is The Old Lady and the Pigeons by Sylvain Chomet (France, 1996).

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ka, 2007) i u Godišnjici Martinasa Diše (Litvanija, 2006). Složena tema trećeg dela je zamena uloga/identiteta, a primeri su filmovi Pseći dani Nikole DeKresija (Francuska, 2007), Psi, mornar Žoane Tošte (Portugalija, 2007) i Kokoška, njegova žena Igora Kovaljova (Rusija, 1989). Tema četvrtog su nesvakidašnja svojstva životinje-lutke, kao u Tigru Giljermea Markondeša (Brazil, 2006) i Maestru Geze M. Tota (Mađarska, 2005). Peti deo prikazuje forme funkcije maske i rituala igre, odnosno simboličkog poimanja životinje, a primer je Starica i golubovi Silvana Šomea (Francuska, 1996).

Program za decu: OBRAZOVNI ANIMIRANI FILMSKI PROGRAM “SLON”

Programme for children: THE EDUCATIONAL ANIMATED FILM PROGRAMME ELEPHANT

Iako je nastao kao deo Međunarodnog festivala animiranog filma Animateka, Obrazovni animirani flimski program “Slon” živi i diše iz jednog jedinog razloga: radi dece. Svake godine, deca i omladina imaju priliku da vide veliki izbor izvanrednih originalnih animiranih filmova, pažljivo kategorisanih prema uzrastu gledalaca. Između dve projekcije filmova na velikom ekranu, organizuju se debate na kojima su mladi posetioci pozvani da izraze svoje mišljenje o filmovima, njihovom sadržaju, kao i o njihovom estetskom i umetničkom značenju. Organizatori vode računa i o odraslima koji dovode decu na projekcije: za njih se pripremaju odabrani pedagoški materijali koji im pomažu u radu sa decom. Između dva festivala, “Slon” nastavlja da živi sopstvenim životom: organizuju se radionice animiranih filmova za decu, učestvujemo na različitim festivalima i prikazujemo svoje programme u Sloveniji i inostranstvu. U saradnji sa najčitanijim dečjim časopisom u Sloveniji, objavljujemo DVD sa najboljim filmovima sa prošlogodišnjeg festivala, učestvujemo svojim savetima u debatama vezanim za filmove, čime podstičemo decu i odrasle da zajedno gledaju i uživaju u animiranim filmovima.

their aesthetic and artistic significance when they view the films on a big screen and participate in debates which are prepared between separate films. We also take care of the adults who accompany the children: we prepare an assortment of pedagogical materials which help them work with children. The Elephant has a life of its own even between the two festivals: we organize workshops of animated film for children, we participate at various festivals, and present our programme in Slovenia and abroad. In collaboration with the most widely read children's magazine in Slovenia we publish a DVD with the best films from the last year's festival, we add a word of advice for debates to the films, and thus encourage children and adults to watch and enjoy animated films together.

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Izbor filmova: Igor Prassel, Animateka, Ljubljana

The Educational Animated Film Programme Elephant has been created as part of the International Festival of Animated Film Animateka, but it lives and breathes for one purpose: the children. A wide selection of outstanding original animated films, which are carefully sorted into appropriate age categories, is available to children and youth each year. Young visitors are invited to express their thoughts on films, their content, and

Films selected by Igor Prassel, Animateka (Ljubljana, Slovenia)

Indeks: FILMOVI

Index: FILMS

5 MINUTES EACH (Pet minuta svaki) 64 9 71

CHASE, THE (Potera) 39 CHICKEN STEW, THE (Pileći paprikaš) 48 CHICORY 'N' COFFEE (Cikorija i kafa) 58 CHUNKOTHY 63 CITY, THE (Grad) 38 COMPARE THE MARKET “STREETS OF AMBITIOUSNESS” (Uporedi tržište „Ulice ambicioznih“) 38 CONFORMIS 67 COURTYARD, THE (Dvorište) 58 CROSSED SILD (Ukrštena haringa) 25 CURRICULUM VITAE (Tok života) 60

indeks / index

A ABSTRACT DAY (Apstraktni dan) 52 AIDES “SMUTLEY” 41 ÁMÁR 26 AT THE OPERA (U operi) 65 AUTOGENIC TRAINING (Autogeni trenng) 62 B

D BABYLON TOWER (Vavilonska kula) 64 BACKWATER GOSPEL, THE (Bekvoter Gospel) 55 BALLET OF UNHATCHED CHICKS (Balet neizleglih pilića) 63 BEEZES – POETS, THE (Bizgeci – Pesnici) 58 BEK (Kljun) 52 BETWEEN BEARS (Između medveda) 12 BEYOND THE OLD AGE (Iza starosti) 63 BIRTHDAY (Rođendan) 20 BOTTLE (Boca) 32 BRAVEFARTS – LOVE IS IN THE AIR (Prdci – Miris ljubavi) 58

DAISY CUTTER (Beračica cveća) 24 DANCE OF DEATH (Mrtvački ples) 22 DEATH (Smrt) 58 DECEMBER SONG (Decembarska pesma) 42 DÉTENTE, LA (Detant) 28 DIVERS IN THE RAIN (Ronioci na kiši) 22 DOG / RABBIT (Pas / Zec) 64 DOVE SEI, AMOR MIO (Gde si, ljubavi moja) 14 DREAM OF 1ST APRIL 1999 (San o 1. aprilu 1999. godine) 18 DUCK, DEATH AND THE TULIP (Patka, smrt i lala) 63

C E CAPTAIN AWESOME (Kapetan Strašni) 55 CHALK-MAN, THE (Čovek od krede) 60

EAGLEMAN STAG, THE (Iglmenov jelenak) 13

EGARO 33 ESCARGOT (Puž) 24 EX PASSU 58 EXTERNAL WORLD, THE (Spoljnji svet) 37 F FLAP CRASHERS, THE (Flapovi neuspesi) 55 FLOWER OF BATTLE (Cvet bitke) 19 FLY, FLY, IN LISBON'S SKY (Leti, leti u lisabonsko nebo) 48 FRIDA & THE TIME BEFORE ME (Frida & vreme pre mene) 25 G

KATALENA: TA ALDOWSKA 58 KIN (Bližnji) 62 KOYAA – THE EXTRAORDINARY (Koyaa – Izvanredan) 58 KUBLA KHAN (Kublaj kan) 21 KURT TURNS EVIL (Kurt se prozlio) 73 L LADY OF LAPA, THE (Dama iz Lape) 48 LAST FALL (Poslednji pad) 55 LAST TV NEWS (Poslednji TV dnevnik) 60 LAZAROV 19 LITTLE QUENTIN (Mali Kventin) 52 LOOSE THIS CHILD (Oslobodi ovo dete) 44 LOST CARGO (Izgubljeni tovar) 52 LOST IN SPACE (Izgubljen u svemiru) 52 LOST THING, THE (Izgubljena stvar) 5 LOVESICK (Bolesni od ljubavi) 58 LUMINARIS 12 LURE (Mamac) 20 M

HARD BOILED CHICKEN (Tvrdo kuvano pile) 52 HARMONIX “DANCE CENTRAL” INTRO 43 HOLY CHICKEN OF LIFE AND MUSIC, THE (Sveto pile života i muzike) 37 HOW SNJEZHI TSJELOVEK FOUND HIS ANCESTORS (Kako je Snežni Čovek našao svoje pretke) 52

MAKER, THE (Tvorac) 21 MASK, THE (Maska) 32 MATTER FISHER (Pecaroš stvari) 15 MENU 42 MIGHTY ANTLERS (Moćne rogonje) 55 MONSTER OF NIX, THE (Čudovište iz Niksa) 36 MORNING STROLL, A (Jutarnja šetnja) 16 MOUTHS OF SAND (Usta od peska) 68

IDIOTS AND ANGELS (Idioti i anđeli) 72 IGOR 70 IN LOVE WITH THREE CAKES (Zaljubljen u tri kolača) 60 IN OTHER WORDS (Drugim rečima) 48

NIGHT SOUNDS (Noćni zvukovi) 33

O ON SALE (Na prodaju) 67

J P JACK DANIELS 'TENESSEE HONEY' 44 PARDON 60 PARTITION (Deoba) 66 PATHS OF HATE (Staze mržnje) 14

89 indeks / index

GALLERY, THE (Galerija) 30 GIOACHINO ROSSINI. GOURMET’S NOTES. (Đoakino Rosini. Beleške sladokusca.) 65 GIRL EFFECT, THE (Efekat devojčice) 39 GLOAMING, THE (Suton) 15 GOD AND EARTHLINGS (Bog i Zemljani) 67 GORILLAZ “ON MELANCHOLY HILL” 45 GRAFFITIGER (Grafitigar) 34 GRAND-GUIGNOL, LE (Granginjol) 60 GRUB (Hranjenje) 62

PATTY, SHORT FILM IN PERVERSES (Pati, kratki film u perverzijama) 58 PEACOCK EYE, THE (Paunovo oko) 62 PHANTOM OF THE CINEMA, THE (Fantom iz bioskopa) 52 PIGEON’S MILK (Golubije mleko) 27 PIVOT (Preokret) 52 PLANET Z (Planeta Z) 31 PLANTER'S ALEJANDRO 45 PLANTER'S HOLIDAY PARTY 40 PLANTER'S TREE-ATHLON 43 PONTIUS PILATUS SECUNDUS (Poncije Pilat Drugi) 60 PRINCE RAT (Princ pacov) 67 PIU-TOC-NHAM 48

indeks / index

STRIPBURGER IN MOTION (Stripburger u pokretu) 81 SWIMMING POOL (Plivački bazen) 64 SZOFITA LAND (Sofitina zemlja) 36 T TALK TO HIM (Razgovaraj s njim) 65 TATAMP 66 THIS IS NOT REAL (Ovo nije stvarno) 16 THIS UNPREDICTABLE LIFE (Ovaj nepredvidljivi život) 42 TIME FLIES (Vreme leti) 68 TIME OF VAMPIRES (Vreme vampira) 60 TWO STEPS BEHIND (Dva koraka iza) 31

RAIN (Kiša) 52 RAIO-XYZ 48 RENTER, THE (Zakupac) 28 RISE AND FALL OF W.C. (Uspon i pad W.C.-a) 68 RITUAL, THE (Ritual) 34

VARIETE (Varijete) 52 VISIT, THE (Poseta) 13

S SAGA OF BIÔRN, THE (Saga o Bjornu) 35 SAILOR, DOGS (Mornar, psi) 48 SALMA 55 SERGEI PROKOFIEV. THE FOURTH ORANGE. (Sergej Prokofjev. Četvrta pomorandža.) 18 SIEGE, THE (Opsada) 41 SOMETHING LEFT, SOMETHING TAKEN (Ostavljeno, uzeto) 27 SOMETIMES THE STARS (Ponekad zvezde) 40 SOURCE OF LIFE (Izvor života) 60 SPRAYTIME 2002 60

W WALLFLOWER TANGO (Bršljan tango) 65 WALL OF SIGHS (Zid uzdisaja) 58 WATERWALK, THE (Hod po vodi) 66 WHERE DOGS DIE (Tamo gde psi umiru) 30 WHO'S THIS HAT? (Čiji je ovo šešir) 48 WHY DO YOU HAVE A BEARD? (Zašto nosiš bradu?) 68 WILL BE (Biće) 48 WONDER HOSPITAL, THE (Bolnica čuda) 26 WORK (Rad) 58 Y YOU HAVE TO TRY (Moraš da pokušaš) 66

Indeks: AUTORI I REDITELJI

Index: AUTHORS & DIRECTORS

Celyn 63 Cherkasova, Oxana 65 Czapla, Zbigniew 34 Cuijlenborg, Oerd van 52

indeks / index

92 Acker, Shane 71 Againstallodds 41 Aldarondo, Angel 68 Atelier Collectif, L' 62

Čadež, Špela 58

B, David 18 Bergh, Roelof van den 52 Bergs, André 52 Berra, Eleonora 66 Bertrand-Batlle, Thomas 18 Bey, Bertrand 28 Bešir, Jelena 64 Bjerre-Poulsen, Frederik Valentin 55 Bogojević Narath, Simon 19 Bozdogan, Ercan 55 Breznik, Urban 58 Bošnjak, Ivana 25 Braune, Lucette 52 Bruhn, Matthias 63

D Delaunay, Benoît 33 Dolenc, Boris 81 Ducos, Pierre 28 E Engels, Pieter 52 F Fehre, Meike 25 Filippova, Svetlana 30 FX & Mat 41

C G Candeland, Pete 44, 45 Carpenter, Jason 28

García, Enrique 24

Gibson, Ari 40 Goričan, Uroš 58 Gratz, Joan C. 21 Groetzschel, Martin 67 Gustafson, Mark 40, 43, 45

Infuso, Gerlando 62

Nathan, Merav 44 Nathan, Yuval 44 Nenow, Damian 14 Nietov 19 Nishimura, Yuki 68 Nobrain 15 Nomint 37

H Hazebroucq, Julien 18 Herguera, Isabel 26 Hess, Delia 66 Hetmerova, Alexandra 64 Hewlett, Jamie 45 Hilleli, Eran 12 Hooft, Albert’t 52

Kampffmeyer, Wolfram 65 Kastelic, Dušan 58 Kezelos, Christopher 21 Klemet, Martinus 68 Kočevar, Anka 58 Koy, Dirk 38 Kumanović, Dinko 20 Kuipers, Frodo 52 Kuwahata, Ru 27 L Lang-Rinderspacher, Shami 66 Lavrenčič, Matej 58 Lavrič, Tomaž 58 Leben, Vladimir 58 Le Borgne, Maïwenn 33 Leder, Timon 58 Leleu, Emmanuelle 18 Leondis, Anthony 70 Lepore, Kirsten 32 Létoile, Bastien 18

O O'Donoghue, Paul 68 Oprins, Joris 52 Orchard, Grant 16 O'Reilly, David 37 P Pamment, Jason 40 Papillon, Héloïse 18 Pärn, Olga 22 Pärn, Priit 22 Perlis, Efim 52 Perrin, Camille 18 Pixa, Libor 34 Please, Mikey 13 Plympton, Bill 72

93 indeks / index

Majda, Paulina 31 Majdak, Nikola 60 Mallet, John 55 Manček, Mitja 58 Manderbach, Benjamin 67 Martin, Maxence 18 Mastnak, Grega 58 Mataić, Siniša 24 Mathorne, Bo 55 MIE 42 Mighty Nice 39 Mizue, Mirai 66 Monge, Juan Paul 18 Moreau, Anaëlle 33 Moškrič, Živa 58

Popović, Veljko 14 Porter, Max 27 Pretka, Agata 65 Proch, Robert 30 Prodanov, Tijana 67 Prosser, David 15 Provoost, Alexia 33

Sumich, Dan 43 Szofita 36

Quay, Stephen 32 Quay, Timothy 32

Tambour, Conrad 13 Tan, Shaun 5 Taroni Simon 33 Thomsen, Andreas 55 Titova, Julia 18 Tomić, Miloš 27 Toste, Joana 48

indeks / index

Radl, Albert 67 Ražman, Roman 58 Reinhardt, Fogtman Sune 55 Ridder, Johannes 66 Rosto 36 Ruhemann, Andrew 5 S Saje, Nejc 58 Saksida, Kolja 58 Salamone, Bruno 33 Salazar, Rubén 24 Schaaik, Erik van 52 Seong-young Kim, Shaun 63 Sepe, Polona 58 Seto, Momoko 31 Sewnarain, Michael 52 Shim, Beomsik Shimbe 26 Sivertsen, Rasmus 73 Slijepčević, Nebojša 64 Smeriglia, Astutillo 62 Smith & Foulkes 39, 42 Stålhammar, Jacob 33 Steinbacher, Koni 22

Š Šinkovec, Igor 58 Šumberac, Manuel 24

V Vaara, Jari 20 Vallespir, Martin Sand 55 Valley, Rob 43 Vasović, Vojin 64 Vidaković, Lea 25 Vink, Paco 52 Vujčić, Igor 66 W Waclawek, Grzegorz 63 Walsh, Darren 38 Wilschut, Arjan 52 Wimmer, Annalise 62 Wootsch, Gergely 16

Z Zaramella, Juan Pablo 12, 65

PODRŠKA / SUPPORT

FILMSKI CENTAR SRBIJE

podrška / support

CIP - Каталогизација у публикацији Народна библиотека Србије, Београд 791.228.091.4(497.11)"2011"(083.97) МЕЂУНАРОДНИ фестивал анимације Аниманима (2011 ; Чачак) Međunarodni festival animacije Animanima = [International Animation Festival Animanima], od 7. do 10. septembra 2011., Dom kulture Čačak / [urednik, editor Milen Alempijević]. - Čačak : Dom kulture = Cacak : Cultural Center, 2011 (Čačak : Graﬁčki centar). - 92 str. : ilustr. ; 22 x 22 cm Uporedo srp. tekst i engl. prevod. - Tiraž 400. - Str. 4: Pet godina - mali jubilej, veliko zadovoljstvo / Milen Alempijević. Registri. ISBN 978-86-911737-4-6 a) Међународни фестивал анимације Аниманима (2011 ; Чачак) COBISS.SR-ID 185504780

ANIMANIMA 2011 Međunarodni festival animacije od 7. do 10. septembra 2011. Dom kulture Čačak, Srbija ANIMANIMA 2011 International Animation Festival from 7th to 10th September 2011 Cultural Center Cacak, Serbia www.animanima.org