Jesse Barnes 2020 Portfolio
Master of Architecture / BA(Hons) Architecture Liverpool School of Art and Design
ABOUT ME I am an enthusiastic, driven and creative individual with a passion for creating spaces which improve the lives of its users. I only have a growing interest and eagerness for architecture which does not only mean with design, but also the management of a business. I believe that as architects we must attempt to push boundaries and come up with innovative solutions when presented with new challenges. I take inspiration from architects before me and continue to treat everyday with a learning mentality. I am a humble individual who is always open to criticism and constantly trying to learn and improve. Aside from Architecture, my interests include fitness, painting, reading and technology. Keeping up to date with all the latest advancements in technology is something which excites me and helps me stay aware of all the possibilities for new hardware and software.
CONTENTS MArch Year 2 Semester 2: Thesis Project
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MArch Year 2 Semester 1: Group Urban Design Project
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MArch Year 2 Semester 1: Management, Practice & Law Live Project 58 MArch Year 1 Semester 2: Housing Project
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MArch Year 1 Semester 2: Specialist Study
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MArch Year 1 Semester 1: Group Urban Design Project
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MArch Year 1 Semester 1: Individual Urban Design Study
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REHABILITATION THROUGH ART
THESIS PROJECT
The proposed new build rehabilitation centre focuses on unconventional methods of rehabilitation, mainly Art Therapy. The proximity to the naturalistic landscape wetlands and the exclusivity of the site being enclosed between the Chester viaduct, River Dee and Masterplan Wetlands made it the ideal site for a function such as this. Rehabilitation is as much about the setting as it is about the therapy which is why this centre was designed to make patients feel like they were not checking into a hospital. Research into the healing effects of nature and nature inspired art was conducted and used to influence the design of this rehabilitation centre. The scheme hosts a number of different features which were specifically designed to cater to this special type of rehabilitation. The majority of the site is used by the Art Therapy Studios which allow patients to carry out their rehabilitation through a variety of art forms. These studios were layed out together in plan to create a sense of collaboration and inclusivity within its spaces.
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SITE CONTEXT The site for this thesis project was part of the Urban Design Masterplan ‘Resilient Edges’. The masterplan was based in Chester, UK and proposed to develop the existing golf-course into a wetlands in order to tackle the problem of flooding and bring nature back into the city whilst helping the UK’s wetland vision. The thesis site was located on an exclusive part of the masterplan where the only access was a river-side walk way and a pathway which ran alongside the Chester viaduct. The site was essentially enclosed by various site features; the River Dee, Masterplan Wetland and Chester viaduct. To the West the site overlooks the wetlands natural landscape, as well as the proposed promenade and riverside walk. On the East lies the historic Chester viaduct which makes up part of the scheme by being used as an art gallery for the patients to exhibit their art therapy creations. The art gallery was an important pat of the scheme from the beginning as it was seen conceptually as the finishing point of the patients. They begin their healing process by checking into the rehabilitation centre and moving into their rooms; and finish by exhibiting their work at the viaduct gallery which can be seen symbolically as their reintegration into society.
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GROUND FLOOR
FIRST FLOOR
The ground floor of the scheme covers most of the site and is used by a series of different functioning spaces. The therapy building is home to a series of art therapy studios, each providing equipment and facilities for different art forms. These include painting, pottery and print making. These studios are connected as they were designed with collaboration and inclusivity in mind. This building is also has therapist office space and communal lounge areas. Additionally, there is a cafe in the building which caters to the art gallery held in the viaduct where patients exhibit their work following their recovery.
In this scheme, only the residential building has more than one floor. On the first floor of this building is the patients living quarters. These are studio flats which have been design specifically for them to live in during their time in rehabilitation. These flats have private balconies which over look the wetlands and city of Chester.
The residential building located adjacent to the art therapy studios holds a number of communal areas which allow patients to live comfortably during their stay. These spaces include a gym, games room, library, tea room, meditation room and TV lounge rooms.
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SECOND FLOOR The second floor is identical to the first floor. These floors have both been designed with the idea of meeting and community in mind. There are plenty of break out spots which allow the patients to meet and spend time together. One special activity which the patients can carry out on these floors is gardening thanks to the winter gardens. These are located in the centre of the building and make the most of the courtyards natural light which floods into the space.
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FLOOR PLANS
Ground Floor Plan
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First Floor Plan
Second Floor Plan
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ELEVATIONS
West Elevation
East Elevation
North Elevation 8
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LONG SECTION
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ENVIRONMENTAL STRATEGY ENVIRONMENTAL STRATEGY LIGHTING LIGHTING The strategy for lighting in the scheme focused around maximising natural daylight as much as possible by using a substantial amount of glazing and reflective surfaces to boucne direct sunlight into the space. The main part of the scheme is the art therapy studios where patients carry out their rehabilitation exercises using a variety of art forms. Due to this being the primary function of the spaces it was important to maintain an even lighting throughout, and make the studios as light as possible without direct sunlight entering the spaces.
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Direct sunlight would cause the studios to have an uneven lighting which could cause certain parts of the rooms to be too bright or too dark; altering the way things appear and affecting the art badly. Additionally, the uneven lighing could be disturbing to patients eyesight and hinder them from being able to concentrate properly on their therapy. In order to avoid these problems, the studios have a glass roof and louvre system designed to reflect direct south light and allow north light to flood the studios.
To allow the south light to be reflected properly, specially shaped louvres were design to make sure the light bounced in the right way, into the space below. The idea was not to shade the rooms completely, but to use these shaped louvres transform the direct south light into diffused light. These louvres were deisgned to be made out of plywood which could be bent into shape and lacquered white which would maximise the reflection of light into the spaces.
In addition to the therapy studios a amount of exterior patients to gain a view of the wetland order to allow the pa to the natural lands found to reduce st health in recover exterior glazing only the art therapy spa direct sunlight mig clouds, these exteri allow natural daylig spaces.
special roof, the art also contain a large glazing which allows access to panoramic ds. This was done in atients feel connected scape which has been tress and aid mental ry. Futhermore, the y adds to illuminating aces. On days where ght be lacking due to ior glazing panels wil ght to flood into the
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The scheme also block where patient at the rehabilitaiton
The strategy for thi was slightly differen function was comp residential block do roof because of t which are contained building has a vari allow patients to together, such as gardenes, playing working out in the g
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houses a residential ts live during their stay n centre.
is part of the scheme nt to the studio as the pletely different. The oes not have a glass the residential units d in the building. The iety of spaces which carry out activities s gardening winter board games or gym; and many more.
Some of these activities require more sunlight then others, such as thr winter gardens. These were designed with a sense of community in mind which is why they were placed within the centre of the building. The courtyard space allows natural light to enter the centre of the building and the plants to soak up the sun, even during the winter months. Due to the function of these spaces, the walls are made of clear curtain walling. This glazing maxmises the amount of direct sunlight the plants receive and keeps the spaces bright.
Other spaces in the building such as the gym, tea room or library were all layed out with the idea of making the most of the potential views and natural light. The position of the building on the most southern point of the site means that it receives the most daylight and direct sunlight. Adjacent to the block is the river Dee and wetland which means there is no obstructions stopping penetrating the the spaces. Due to its orientation and abundance of glazing, most of the spaces are well-lit naturally during the day.
When it comes to artiďŹ cial lighting, most of the time this will not have to be used because of the design allowing a great deal of natural light into most of its spaces. For those spaces which are unreached, such as the corridors, artiďŹ cial lighting has been implemented. Additionally, Additionall all spaces throughout the scheme have artiďŹ cial lighting installed for the night time, and days where sunlight is lacking.
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HEAT RECOVERY
for the scheme is EThe Nheating V I Rstrategy ONM ENTAL STRATEGY composed of a system which uses the ENVIRONMENTAL ENVIRONMENTAL ENVIRONMENTAL STRATEGY STRATEGY STRATEGY earth to heat up water that is then stored
and pumped into rooms in the HEATINGHEATING AND HEATING HEATING VENTILATION AND ANDVENTILATION VENTILATION AND VENTILATION
buildings.The stored warm water is distributed around the building using the pipes installed. This water can be used to heat up raditors in the residential flats or air for underfloor heating. Undefloor heating is usually better for large rooms which need a constant temperature which is why this system was chosen to be used in the art therapy studios and larger community areas such as the library and tea room. This system was libra chosen for the scheme because there was a great deal of grass covered land which meant large coils could be installed deep underground. In addition to this, GROUND ground SOURCE GROUND GROUND HEAT SOURCE SOURCE PUMP HEAT HEATPUMP PUMP source heat pumps are lower in their energy consumption when compared to other conventional heating compa systems. This was important to ensure he heating strategy The The heating heating for the strategy strategy scheme for foris the the scheme scheme isis the buildingof was as which environmentally omposed of composed composed a system which of aa system system uses the which uses uses the the as possible arth to heatfriendly up earth earth water to to heat heat that up is upthen water water stored that thatisisthen thenstored stored
nd pumpedand andintopumped pumped rooms into into in rooms the rooms in in the the uildings.The buildings.The buildings.The stored warmstored stored water warm warm is water water isis istributed around distributed distributed the building around aroundusing the thebuilding building the using usingthe the ipes installed. pipes pipes Thisinstalled. installed. water canThis This be used water water tocan canbe beused usedto to eat up raditors heat heat in up the upraditors raditors residential in inthe the flats residential residential or flats flatsor or ir for underfloor air air for forheating. underfloor underfloor Undefloor heating. heating. Undefloor Undefloor eating is usually heating heating better isis usually usually for large better better rooms for for large large rooms rooms which need which which a constant need need atemperature a constant constant temperature temperature which is why which this which system isis why why was this thischosen system systemtowas was chosen chosen to to e used in the be beart used used therapy in in the thestudios art art therapy therapy and studios studios and and arger community larger larger areas community community such as areas areas the such such as the the Single-sided ventilation used in as brary and tea library library room. and This tea tea system room. room. was This system system was was bra libra libra theand flats during theThis warm hosen for the chosen chosen scheme for for because the the scheme scheme there because because there there months. was a great deal was was of aa great grass great deal deal covered of of grass grass land covered covered land land which meant large which which coils meant meant could large large be coils installed coilscould couldbe beinstalled installed eep underground. deep deep underground. underground. In addition toIn Inthis, addition addition to to this, this, round sourceground ground heat pumps source sourceare heat heat lower pumps pumps in are are lower lower in in heir energy their theirconsumption energy energy consumption consumption when when when ompared to compared other compared conventional to to other other conventional heating conventional heating heating ompa compa compa ystems. Thissystems. systems. was important This This was was to important ensure important to to ensure ensure he building the the wasbuilding building as environmentally was was as as environmentally environmentally iendly as possible friendly friendlyas aspossible possible
The strategy for ventilation in the scheme is composed of a mixture of systems. The main system being used is mechanical ventilation with heat recovery. This system will be used in the art therapy studios and the communal areas of the residential block. The system works in conjunction with the ground source heat pump which warms up the fresh air before supplying it to the rooms. This air is brought in from the side of the wetlands and extracted from the viaduct side once it has become stale air. During the warmer months, the fresh air will be without being warmed supplied beforehand to keep rooms cool.
MECHANICAL MECHANICAL MECHANICAL VENTILATION VENTILATION VENTILATION WITH WITH WITH HEAT RECOVERY HEAT HEATRECOVERY RECOVERY
Fresh air supplied Fresh Fresh through air airsupplied supplied ceiling through throughceiling ceiling air ducts and extracted air airducts ductsand through andextracted extractedthrough through ceiling air ducts. ceiling ceilingair airducts. ducts.
Single-sided ventilation Single-sided Single-sided used ventilation ventilation in used usedin in the flats during the the the flats flats warm during duringthe thewarm warm months. months. months.
Combined heating cooling and power system. Jesse Barnes 2020 Portfolio
PASSIVE VENTILATION PASSIVE PASSIVEVEN VE
The strategy for The The ventilation strategy strategyfor in forthe ventilation ventilation schemein inthe thescheme scheme The residentialThe The flats, residential residential therapistflats, flats, ofďŹ ce th t is composed of isisacomposed composed mixture ofof of systems. aamixture mixture The of ofsystems. systems.The The some of thesome some communal of of the the areas comm comm main system main main beingsystem system used isbeing being mechanical used used isis mechanical mechanical windows which windows windows are openable. which whichare This areop op m Heating supplied though that single sided ventilation with ventilation ventilation heat recovery. with with heat heatThis recovery. recovery. This This that that ventilation single singlesided sided is availa venti vent system will be system system used will in willthe be beart used used therapy in in the the art art therapy therapy these spaces.these During thesespaces. spaces. warmerDuring During monthw underfloor systems or radiators studios and the studios studios communal and and the the areas communal communal of the areas areas of of the the approach canapproach approach used to can can create used used a on walls. residential block. residential residential The system block. block. works The The system system in works works in in comfortable heating comfortable comfortable and cooling heating heatingsa conjunction with conjunction conjunction the ground with with source the the ground ground heat source source heat heat in the rooms. in inthe therooms. rooms. Fresh air supplied through ceiling which pump pump warms which which up the warms warms freshup up airthe the fresh fresh air air air ductspump and extracted through beforeair supplying before before it tosupplying supplying the rooms. ititto This tothe theair rooms. rooms.This Thisair air ceiling ducts. is brought in isis from brought brought the in inside from from of the the the side side of of the the wetlands and wetlands extracted wetlands and and from extracted extracted the viaduct from from the the viaduct viaduct side once it has side side become once onceititstale has hasbecome air. become During stale staleair. air.During During the warmer months, the the warmer warmer the fresh months, months, air will the thebe fresh fresh air air will will be be without without without warmed being being warmed warmed supplied supplied supplied being beforehand tobeforehand beforehand keep roomsto to cool. keep keeprooms roomscool. cool.
Heating supplied Heating Heating though supplied suppliedthough though underfloor systems underfloor underfloor or radiators systems systemsor orradiators radiators on walls. on onwalls. walls.
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The residentia some of the windows whic that single sid these spaces. approach can comfortable h in the rooms.
al flats, therapist offices and e communal areas have ch are openable. This means ded ventilation is available to During warmer months this n used to create a more heating and cooling setting
ENTILATION PASSIVE PASSIVE VENTILATION VENTILATION
esidential he therapist residential flats, offices flats, therapist and therapist offices offices and and ome munal of the of areas the communal communal have areas areas havehave indows penable. ws which which This are openable. means are openable. ThisThis means means hat ingle tilation single sided is sided available ventilation ventilation to is available is available to to hese spaces. warmer spaces. During months During warmer thiswarmer months months this this pproach ach to can create can used a used more to create to create a more a more ortable omfortable and cooling heating heating setting and and cooling cooling setting setting rooms. the rooms.
This mechanical system is necessary in the art therapy studios because the majority of the glazing is curtain walling which cannot be opened to release warm air or allow fresh air in. This means that a mechanical system was needed with ducts which run down the entire length of the building. These ducts were designed to be hidden, above the louvres and under the glass roof panels. Due to the art therapy studios having a glass roof and louvres, the space in between the glass panels and the louvre could heat up significantly, in turn heating the building too much. This solar gain is being used by extracting the hot stale air and re-using it to heat water in distribution rooms.
SOLAR GAIN SOLAR USAGE SOLAR GAIN GAIN USAGE USAGE
This mechanical This system This mechanical mechanical is necessary system system inis necessary is necessary in in the art therapy the studios the art art therapy because therapy studios studios the because because the the Fresh airglazing intake from majority of themajority glazing majority of is curtain the of the walling glazing is curtain isWetland curtain walling walling side through ducts in release the which cannot be which opened which cannot to cannot release be opened be warm opened to to trusses release warm warm air or allow fresh airair orair in. allow orThis allow fresh means fresh air in. that airThis in. a This means means that that a a mechanical system mechanical mechanical was system needed system was withwas needed needed withwith ducts which run ducts down ducts which thewhich entire run down run length down the ofentire the entire length length of of the building. These the building. the ducts building. were These designed These ducts ducts werewere designed designed to be hidden, above to beto the hidden, belouvres hidden, above and above the under louvres the louvres and and under under the glass roofthe panels. the glass glass roof Due roof panels. to the panels. artDue Due to the to the art art therapy studios therapy having therapy studios a glass studios having roofhaving and a glass a glass roof roof and and louvres, the space louvres, louvres, in between the space the space theinglass between in between the glass the glass panels and the panels louvre panels andcould and the the heat louvre louvre upcould could heatheat up up significantly, insignificantly, turnsignificantly, heatinginthe turn inbuilding turn heating heating the building the building solar much. gain much. This is being This solar used solar gainby gain is being is being usedused by by too much. Thistoo too extracting the hot extracting stale extracting airthe and hot the re-using stale hot stale airit and air and re-using re-using it it to heat water intodistribution heat to heat water water rooms. in distribution in distribution rooms. rooms.
The art therapy studio part of the scheme houses a glass roof which covers a set of louvres designed to reflect Southern light into the spaces and allow direct North light in. This system creates the most even lighting distribution in the studios which is ideal for the function of art.
GLASS ROOF GLASS &GLASS LOUVRE ROOF ROOF SYSTEM & LOUVRE & LOUVRE SYSTEM SYSTEM
The art therapyThe studio The art therapy part art therapy of the studio scheme studio part part of the ofscheme the scheme houses a glasshouses roofhouses which a glass covers a glass roofdown aroof which set which of covers covers a set of setbuildof Gutters run the length ofathe louvres designed louvres tolouvres reflect designed Southern togutters reflect to light reflect Southern lightto ing. designed These are Southern wide light neough into the spaces intoand into theallow the spaces spaces direct andNorth and allow allow direct North North allow people to walk on direct them to clear light in. This system lightlight in. creates This in. This system the system most creates creates the the mostmost them of any debris. even lighting distribution eveneven lighting lighting in distribution the distribution studios in the in studios the studios which is ideal for which the which function is ideal is ideal for of the art. forfunction the function of art. of art.
Fresh air intakeFresh from Fresh air Wetland intake air intake fromfrom Wetland Wetland side through ducts side side in through the through trusses ducts ducts in the intrusses the trusses
Gutters run down Gutters the Gutters length run down run of down the thebuildlength the length of the ofbuildthe building. These gutters ing. are ing. These wide These gutters neough gutters aretowide are wide neough neough to to allow people toallow walk allow people on them people toto walk to clear walk on them on them to clear to clear them of any debris. themthem of any of debris. any debris. Stale air extraction on the opposite end of supply.
Heating supplied though underfloor systems.
Temperature exchange through ground source heat pump.
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STRUCTURAL STRATEGY The structural strategy for the scheme followed a timber post and beam frame with stud walls. The timber chosen as the structural material was glulam. The material palette for this project revolved around the building function and concept. Since the function of this building is a rehabilitation centre, timber was chosen as the primary building material for its aesthetic and structural properties, as well as its link to stress reduction. Additionally, another aim for this project was to keep the carbon-footprint as low as possible so timber was used for its carbon efficiency. The introduction of natural materials was important due to its sites connection to the nearby wetlands and river. Glulam was the chosen type of timber due to its structural strength and fire resistance. When compared to steel beams, glulam loses its strength slowly and only as the material is lost through surface charring. Unprotected metal lose its strength and collapses suddenly, with little to no warning.
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Art Therapy Studio South Elevation Study
Detail Two 1:25 (Cross Section B-B)
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STRUCTURAL STRATEGY The glass roof system was influenced by a couple of precedents but differs in its materiality because these precedents are constructed of steel trusses and supports. In this scheme timber is used for the whole roof structure including the louvres and the truss system. The truss is made of glulam and bolted in its necessary connection points. The louvres are made of bent plywood and lacquered white to allow maximum daylight reflection to take place. The design for the louvres was part influenced by the Minel Collection by Renzo Piano and also the Paimo Chair by Alvar Aalto which he designed for the patients at his Paimo Sanatorium. The whole roof system in this scheme was designed to give the studios the most even lighting distribution possible by allowing North light directly into the space whilst also reflecting South light using the specially shaped louvres. .
Detail One 1:25 (Section A-A)
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FRONT APPROACH The front approach to the building is quite heavily landscaped with plenty of trees leading towards the building. These trees soften the hard landscaped car park and service area whilst linking to the tree line with runs down the wetlands promenade and mimics the spacing pattern of the Chester viaduct. This approach is kept simple which still indicating a clear entrance to the building. Change in public realm materiality helps dictate a path for visitors to follow. One path leads towards the main entrance to the rehabilitation centre, whilst another leads pedestrians down the viaduct pathway. This pathway links with the racecourse pathway on the opposite side, as well as the viaduct gallery which showcases art therapy work produced by the patients. A third pathway leads visitors to the promenade walkway which runs down the edge of the wetlands.
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WETLAND PROMENADE The wetland promenade sits on the West side of the site; in front of the art therapy studios. This promenade is open to the public and is landscaped with greenery and seating for them to enjoy the natural landscape.
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RESIDENTIAL BLOCK The rehabilitation centre contains a block of residential flats which allow patients to stay on site during the course of their rehabilitation programme. The block has views of both the wetlands and the city of Chester on either side.
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ART THERAPY STUDIO The rehabilitation centre focuses on the healing process through art. The majority of the site is taken up by the art therapy studios which cater to different art forms. These studios are utilized by the patients to carry out their therapy in a collaborative way.
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GALLERY CAFE Most of the scheme is kept private as its function is quite sensitive but outside of the therapy studios is the Chester viaduct which has been used as an art gallery for work to be exhibited after the patients feel ready to get back into society. A cafe was designed to be incorporated into the scheme to be bale to cater to the visitors of the art gallery, as well as any visitors which are attending to family or friends who are checked into the rehabilitation centre.
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PRIVATE CAFE The residential block is completely private and designed with the patients in mind. Various communal areas were planned to give those staying a sense of community and present them with opportunities to meet and chat. The private cafe is a free lounge area where patients can sit and chat, relax and observe the views of the internal courtyard and above winter gardens. This is one of many communal areas designed for the patients to be as comfortable as possible.
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PRIVATE LIBRARY Another example of a communal room which was included in the residential block was a library. The ground floor of the residential block was designed to only have communal areas, most of which looked inwards into the courtyard, or outwards onto the wetlands. These spaces were made with the idea of relaxation and well-being in mind.
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RESILIENT EDGES
GROUP URBAN DESIGN PROJECT; CHEST ER, UK The concept for the project is based upon a number of principles. Firstly the theory the site acts as a transition zone between industry and the city. Secondly that Chester thrives as a tourist destination therefore the site provides the opportunity to further enhance this by creating a selfsustaining district whilst connecting to the existing. Alongside both of these principles, the impact of flooding is fundamental to the design and as such has become the basis for the integration of a tourist destination. The ambition for the scheme is to assess and work with the existing alongside the One city plan, creating a scheme that fits in its context and enhances the established.
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Group Work Produced by: Jesse Barnes, Alice Jones and Amy Le Vasseur.
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SITE CONTEXT The site for this group urabn design project was Chester, UK. There were a great deal of considerations to take into account when masterplanning in this area. The city of Chester had many beneficial aspects to it but also various problems which had affected it over the years. As the research discovered flooding was one of the major issues with the site , this has driven a great deal of the analysis in order to explore further how the scheme deals with this. By investigating the current situation, observing how the built form interacts with the rivers edge and exploring precedents, a scheme began to evolve that worked sensitively with the existing
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CONTEXT ANALYSIS
P&R 1
NEWTON BLACON
BLACON
P&R 2
P&R 2
Bus Routes Chester Tour Bus Routes Chester Bus Exchange Roads
Cycle Routes
Park & Ride Locations
Bicycle-friendly Roads
P&R1 Wrexham Road P&R2 Broughton Heath P&R1 Upton (Zoo) P&R2 Sealnd Road
Vehicle Access and Bus Route Map 1:10000
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Train Routes
HANDBRIDGE
P&R 1
Train Station
Cycle and Train Routes Map 1:10000
NEWTON
NEWTON BLACON
P19 P17
P16
HANDBRIDGE
P1 - Saddlery Way Carpark P2 - Watergate Street Carpark P3 - Chester Racecourse Carpark P4- Linenhall Street Carpark P5 - Market Place Carpark P6 - Princess Street Carpark P7 - Hamilton Place Carpark P8 - Cuppin Street Carpark P9 - Little Roodee Carpark P10 - Queen’s Park Highschool Carpark P11 - IN - PARKS Carpark P12 - NCP Carpark Pepper Street P13 - Car Park P14 - Frodsham Street Carpark P!5 - Delamere Street Carpark P!6 - Garden Lane Carpark P17 - Brook Street Carpark P!8 - Car Park P19 - NCP Chester Station Carpark P20 - NCP Carpark Chester Brown’s Yard
Car park map 1:10000
P15
P6 P5 P1
P2
P18
P14
P4
P20
P7 P13
P3
P12
P8
P9
P11
HANDBRIDGE P10
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SITE ANALYSIS
PEDESTRIAN
CYCLE
Figure 7.8 (Proposed diagram - pedestrian routes)
Figure 7.9 (Proposed diagram - cycle routes)
Zebra crossings - pav-
Scenic primary route General access routes
Scenic cycle route
Wetlands walkway
Cycle paths
The pedestrian route has been improved greatly with the new elevated walkways and distinct thresholds. A number of zebra crossings are also suggested to soften the Sealand Road traffic for pedestrains.
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Much like the pedestrian routes, the cycle path although already established was cut off abruptly by the Cop park. The proposed now allows cyclists to experience a full route of the Rivers edge.
VEHICLE Figure 8.0 (Proposed diagram - vehicle routes)
AXIS Bus stop
Figure 8.1 (Proposed diagram - axis)
Bus stop
Train
Train station
Boat Park & ride
Spatial grid
Bus
Destination points
Car
Views
Access to the site via vehicle was limited primarily to car. As with the rest of the Chester city, public transport must be developed therefore the scheme includes a new train station, bus stops along a key route, underground car parking and a bus stop for the park and ride facilities nearby.
The existing views towards the site are blocked by large green buffer zones and a lack of public realm. The proposed therefore opens up the axis towards the wetlands and concentrates the key spaces within this.
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SCHEME ANALYSIS
PUBLIC REALM Figure 8.2 (Proposed diagram - public/private)
LANDSCAPE Figure 8.3 (Proposed diagram - landscaping)
1
1 2
3 2
Public space
4
3
4
Public & Private Private space for public
Hard landscape
Private space
Soft landscape
The existing has huge issues with the defining of public and private space in particular where residential blocks have been placed along the Rivers edge. The proposed will therefore utilise the new train station as a clear route through connected spaces.
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Landscaping is fundamental to the scheme however although the soft landscape is evident with the introduction of the wetlands, the hard landscaping is just as crucial to transition built form to the outdoors and act as flooding infrastructure.
THRESHOLDS Figure 8.4 (Proposed diagram - thresholds)
DISTRICTS
1
Typology 3
Typology 1
Figure 8.5 (Proposed diagram - zoning overview)
2
Typology 2
1 2
3 3 Inner City walls Public realm - wetlands Office - Future phases
Primary thresholds
Tourism
Secondary thresholds
Residential
Threshold - hard-
Industrial
Thresholds within the scheme are fundamental given the location along a primary route. These will be used to clearly define the public and private realm and change the nature of Sealand Road.
Although the zones bleed into each other more than the diagram would suggest, the proposed looks to correct the existing urban sprawl by concentrating the residential to good quality areas alongside commercial and leisure to allow a self-sustainable district.
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‘Teeming with invertebrates, rich in plants and a haven for mammals, wetlands offer an unforgettable experience. These beautiful areas are a vital part of our natural world – the lives of animals, plants and people depend on their health.’
BROCKHO
(The Wetland Trust, 2018)
10.1% wet-
13.5% wet-
Over the years, wetlands have been celebrated through poems, pictures and legends, from the Norfolk Broads to the Somerset Levels. For centuries those that worked and lived in such places have learnt to respect the fruitful environments as a resource of food, fuel and protection.
The RSPB along with the Wetland vision are looking to revive and restore the lost inheritance of wetlands to their former glory. Recent projects include Lakenheath Fen nature reserve in East Anglia, a new waterscape where a carrot field previously stood as well as Ouse Fen in Cambridgeshire where a wetland complex is to replace seven square kilometres of gravel extraction. Wetlands are home to a wide range of species from dragonflies to endangered birds to carnivorous plants. Providing a home for such species will not only tackle their endangered status but also enable the wetland both as a tourist centre and research facility to open up opportunities for employment group roles currently lacking in Chester.
MARTIN
The aim of the scheme is to work closely with the Environmental Agency visions and guidance to tackle flood management, abstraction and pollution control whilst introducing the wetlands as a specialist tourism and scientific location within the United Kingdom.
WETLAND VISION - NORTH WEST
BURTON MERE The proposed wetland in Chester will be salt marshes. Not only does this provide a valuable habitat for wildlife, it also acts as a ‘carbon sink’ removing carbon from the atmosphere and storing it, vital in the fight against climate change. This will also act as a form of flood defence and water purification through its absorption and filtering ‘sponge’ like cycle. This will simultaneously reduce flood risks from storms, maintain river flow particularly during dry weather and provide opportunities for rehousing the existing sewage works as a natural reed bed system within the marshlands. Steps towards water management will include restoring and redirecting the River Dee, encouraging scientific research into the wetland habitat, introducing sustainable technology systems and ultimately utilising the wetland and river as a destination to improve the socio-demographic issues.
PAST
86.5% 9.4% 1.1% 0.2%
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other land peat bogs intermedial flats isna ll at nm d am r sahr es s
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PRESENT
RIPON CITY
A CALDER
OLES
A
B
RIBBLE & ALT
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C
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N MERE
D E E
D
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FUTURE
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F
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HUYTON
WETLANDS
Local wetland visions Future wetland soil type Future landscapes of imporNorth West tourist wetland Local network - species
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CONCEPT DEVELOPMENT PROGRAMME OF USE Figure 5.6 (Primary social objectives)
TEXT
Figure 7.3 (xxx)
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Figure 5.7 (Vision for primary zones)
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SITE SECTIONS
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THE MASTERPLAN As previously mentioned flooding was highlighted as one of the major issues with the site as well as the potential future of Chester therefore the scheme throughout has focused all design principles back to dealing with this. Capitalising on what is already a popular tourist destination opens up opportunities to utilise the flooding as both a new tourist attraction in the form of the wetlands but also provides a specialist field for research and education. Understanding the relationship between each of the key scheme principles is crucial to the overall proposal. Simply put the current and future issue of flooding will be addressed consequently opening up green space within the city. In doing so urban ecology is explored, allowing habitats to develop and endangered bird species to migrate to the area. As a result this opens up the possibility of specialist research into both the habitats and species and allows the area to thrive off the benefits this has in both employment and education.
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FLOOD PHASES
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VISITOR EXPERIENCE
ARRIVAL SQUARE - connection to high street through built form
ENTRY TO CITY - threshold along sealand road betw for
WETLAND EXPERIENCE - walkway routes through marshlands allow both tourists and residents to experience outdoors
PUBLIC SQUARE - establishing public realm alongsi stat
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ween industry and site clearly defined through built rm
ARRIVAL ROUTE - redirected sealand road re-imagined as high street bridging the transition between terrace residential and wetlands
ide the wetlands as a filter zone through from train tion
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THE TURNPIKE GALLERY
M A N A G E M E N T, P R A C T I C E & L A W L I V E P R O J E C T This Live Project was based in Leigh, home to the Turnpike Gallery. The Turnpike Centre is a brutalist beauty of the North-West, and the opportunity to revive it, after many years of poor council funding, was something not to be missed. The proposed development at The Turnpike supported the ambitions for the region’s cultural offer as well as the redevelopment of Leigh Town Centre, and the establishment of a Culture Quarter for Leigh. The project featured a new proposal for the roof of The Turnpike. The ambition for the project was to revive this brutalist icon whilst promoting the gallery’s image and encouraging the community to engage with culture within the city.
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THE CLIENT The client for this project was Helen Stalker, the Director at The Turnpike Gallery. The project began with an initial meeting where Helen introduced herself, spoke about her extensive experience with art galleries and eagerness to transform the image of The Turnpike. She also expressed her vision for the Turnpike and throughout the course of several meetings the design team was able to produce some solutions to problems the gallery was encountering. World renowned artists AL&AL also influenced the project by explaining their vision for The Turnpike which was being used as the catalyst for change in their cultural manifesto The Fire Within. As the creative directors of the manifesto, in collaboration with the Wigan Borough Council, their input was beneficial to progressing the ambition for the roof, and giving us an understanding of the real need for these improvements; and the impact it would have on the community.
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THE PROPOSAL
Communal Office
Private Office
Storage
Exhibition Prep
Print Room/Lobby Meeting Room
First Floor
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Mezzanine
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THE VISION The project had two parts to it. Firstly, the rearrangements of interior layouts to allow the client to have a better functioning gallery. Secondly, to create an artistic vision for the rooftop terrace, based off the advice from AL & AL. The Fire Within manifesto influenced the artistic vision for the rooftop garden greatly by introducing themes for the terrace such as technology and Fibonacci gardens.
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DENSITY & QUALITY
H O U S I N G P R O J E C T, N O R T H L I V E R P O O L This residential project tackled the issue of housing in England by creating a high density scheme. The scheme addressed social housing by rejecting the idea of high rise blocks and adopting a brutalist style to create low-rise, high-density accommodation. The site presented challenges and constraints which had to be addressed from the beginning. The site, located in North Liverpool, adjacent to Vauxhall Road, is a narrow and long piece of green land with the length spanning from the North to the South. The sites dimensions meant that South light and North light were not easy to attain in the design. As South and North light were difficult to obtain, the design takes advantage of the two directions it could; East and West. The buildings are orientated West in order to try maximise the amount of natural daylight during the afternoon and evening with light also being present during the morning on the East side. Orientating all the houses to face West provided view over the canal and also across the river Mersey at higher levels.
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PREVAILING WIND DIRECITON
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SITE BOUNDARY CANAL EXISTING BUILDINGS
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THE SCHEME The scheme was influenced by older housing scheme which followed a lowrise high-density approach such as Alexandra Road Estate, The Branch Hill Estate and Highgate Newtown. The low-rise housing is orientated West, overlooking a canal and tow path. The orientation and shape of the site dictated the layout of the houses. All the houses were two storeys and each had its own private balcony which gave the residents views of the canal, and also the river Mersey for the higher levels. Each floor was also staggered backwards, to ensure natural daylight would reach deeper into the houses. On each end an amenity was designed to cater to the new residents and those who live around also, as the context analysis showed that there was a lack of markets and other amenities in the immediate surroundings. The canalside walkway infront of the terraces was made private but the opposite towpath was still open to the public, allowing them to freely pass by unobstructed.
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B
ALL HOUSES HAVE ON EACH FLOOR W
PRIVATE PARK
CANAL TOWPATH
A PLAY AREA FOR CHILDREN WHICH CAN ONLY BE ACCESSED BY THE RESIDENTS
PUBLIC ACCESS ALONG THE CANAL IS ONLY AVAILABLE ON THIS TOEPATH ON THE WEST
CANAL
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PRIVATE GARDEN THE LOWER HOUSES GET A PRIVATE FRONT GARDEN NEXT TO THE CANAL EDGE
BALCONIES
E A BALCONY WHICH FACES THE CANAL.
STORAGE BEHIND AND IN BETWEEN THE HOUSES ARE SPACES FOR STORAGE OF BIKES AND OTHER EQUIPMENT
PRIVATE TERRACE THE TOP HOUSES HAVE A ROOF-TERRACE INSTEAD OF A FRONT GARDEN
HOUSE ENTRANCE HOUSES ARE ENTERED FROM BEHIND AT AN ELEVATED LEVEL
BIN STORES BIN STORES HAVE A DESIGNATED AREA LOCATED AT THE BACK OF THE HOUSES, NEXT TO THE FRONT ENTRANCE
ROAD LEVEL VAUXHALL ROAD LOCATED ON THE EAST SIDE OF THE HOUSING SCHEME
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HOUSING TYPOLOGY 1:100 HOUSE TYPE 1: 2 STOREY
AREA: 155 m 2
NUMBER IN SCHEME : 20 || LIVING SPACE: 48 m2 || BEDROOM 1: 14m2 || BEDROOM 2: 14m2 3: 13m2 || OUTDOOR SPACE: 41m2 || TOTAL INTERNAL SPACE 114m2
GROUND FLOOR PLAN (CANAL LEVEL)
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FIRST FLOOR PLAN (ROAD LEVEL)
STAGGERED 2-STORY HOUSES STACKED ON-TOP OF EACH OTHER. Jesse Barnes 2020 Portfolio
BEDROOM
SECOND
HOUSE TYPE 2: 2 STOREY
AREA: 200 m 2
NUMBER IN SCHEME : 20 || LIVING SPACE: 43 m2 || BEDROOM 1: 18m2 || OUTDOOR SPACE: 86m2 || TOTAL INTERNAL SPACE 114m2
FLOOR PLAN
THIRD FLOOR PLAN
STORAGE BEHIND AND INBETWEEN
BEDROOM 2: 18m2
ROOF PLAN
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MATERIAL SPECIFICATION
STAINLESS BRUSHED STEEL USED FOR BALUSTRADES. (A)
MAPLE TIMBER USED FOR THE STAIR TREADS. (B)
PORCELAIN TILES USED FOR THE BATHOOMS.
INTERNAL LAYOUTS INTERIORS HAVE ALL BEEN KEPT WHITE OR LIGHT COLOURED TO ALLOW FOR REFLECTION OF LIGHT DEEPER INTO SPACES.
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THE LIVING AREA OF BOTH HOUSES HAVE A SECTION WITH POLISHED CONCRETE FLOORING, ALLOWING AN INTERNAL/ EXTERNAL CONNECTION AND CREATING A SPACE WHEN THE GLASS DOORS ARE OPEN.
FIRST FLOOR
GRANITE TILES USED FOR ITERIOR KITCHEN FLOORING. (C)
ANTIQUE OAK USED FOR TIMBER FLOORBOARDS OF LIVING ROOM. (D)
THE STAIRCASE DOUBLES AS A SHELVING UNIT, WHICH WRAPS AROUND THE STAIR AND COVERS THE WALL. CAN BE SEEN IN VIEW 3.
SECOND FLOOR
POLISHED CONCRETE USED FOR PART OF THE EXTERIOR / INTERIOR BALCONY SPACE. (E)
ADJUSTABLE LOUVRES HAVE BEEN ADDED ON THE FRONT FACING DOORS, TO ALLOW FOR PASSIVE VENTILATION EVEN WHEN THE GLASS DOORS ARE CLOSED.
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VIEW 2 WORK
VIEW 1 SPACE FOR CHILDREN’S PARTY
ARCHITE
GLASS SLID NY. THIS AL AND PASSIV JUSTABLE L STAY VENTI
THESE GLAS OF LIVERPO
VIEW 3 SPENDING TIME WITH FAMILY
INTERIOR DAYLIGHT STUDY B
E D
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A SUMMER SOLSTICE 16:00 80
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WINTER S
VIEW 2 WORKING FROM HOME OR LOUNGING AROUND
ARCHITECTURAL FEATURES GLASS SLIDING DOORS WHICH OPEN OUT ONTO PRIVATE BALCONY. THIS ALLOWS DAYLIGHT TO FLOOD INTO THE LIVING SPACES, AND PASSIVE VENTILATION DURING THE WARMER SEASONS. ADJUSTABLE LOUVRES HAVE BEEN ADDED TO ALLOW THE SPACES TO STAY VENTILATED EVEN WHEN THE GLASS DOORS ARE CLOSED. THESE GLASS DOORS ALSO PROVIDE A VIEW ACROSS THE WEST OF LIVERPOOL, STRECHING OVER THE RIVER MERSEY.
THE STAIRCASE FALLS INTO THE LIVING AREA AND HOUSES A SHELF WHICH WRAPS AROUND THE SIDE AND COVERS THE WALL. THIS SHELF CAN BE USED FOR STORAGE OF BOOKS, TOYS AND ANY OTHER EQUIPMENT.
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ARCHITECTURE AND PRIMARY EDUCAT WITH SPECIFIC REFERENCE TO GIBRAL 82
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TION LTAR
A SPECIALIST STUDY INTO THE INFLUENCE OF ARCHITECTURE ON THE LEARNING ENVIRONMENT IN PRIMARY SCHOOLS The aim of this Specialist Study is to investigate the effect of architecture on teaching and learning and to compare the architecture of schools in two contrasting parts of the world, England and Gibraltar. These two locations have been chosen because they are both British and therefore follow a similar curriculum meaning any differences found in design would possibly be due to variations in climate and culture. Teaching and learning in primary schools is constantly evolving and the design of schools is required to keep up with this progress. There is a great deal of research being conducted into early years education to develop new methods of best practice for primary schools. School buildings must be designed with flexible spaces that provide facilities which can adapt with the times. The inclusion of flexible spaces allow schools to respond to new teaching methods without troublesome construction work. Even with all the extensive research there is on primary education and the effect of school design on academic progress, there still is no clear-cut answer for what architectural features result in a positive learning experience. The question remains, what spatial features are required for successful school design? The purpose of this Specialist Study is to investigate how architecture positively affects the learning experience of primary school students in two different localities. The study will be split into two parts, firstly an exploration of two pedagogies, how they affect school architecture and vice versa. The two chosen teaching methods are The Reggio Emilia Approach and The Montessori Approach. This part of the study will delve into each approach and explain their origins, main principles and how school design changes to accommodate for specific ideals of each teaching method. Secondly, there will be an investigation of one school in Gibraltar with a brief comparison to award-winning schools in the UK. Schools from these two localities were selected due to them both being British but in different geographical locations. Gibraltar is a British overseas territory in Spain and therefore would make an interesting case study to compare to British schools in England because any difference found should be due to climate and culture since they both follow the national curriculum and guidelines by the Education Funding Agency. The reasoning behind the comparison to RIBA award-winning schools is to examine examples of good design and to ascertain what could be done to improve the school design for the case study. An RIBA award is the most prestigious recognition any piece of architecture can receive within the UK which is an incredibly difficult thing to achieve due to its competitive judging panel and large number of entries per category. 2020 Portfolio Jesse Barnes
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GREEN DISTRICT
GROUP URBAN DESIGN PROJECT, EL LESMERE PORT
The strategy for this project was to tackle the issues of housing shortages and overpopulation in UK cities by developing affordable housing schemes in Ellesmere Port. The strategy was developed to suit this site while addressing the issues raised. The proposed residential development provides 2/3 story terraced houses, 4/5 mixed use residential blocks, 13 story high rise apartments and boat moorings. Additionally, 1 story apartments for disabled residents and shared communal spaces. The key demographic ranged from families to young professionals. The idea was for residents to enjoy a car free way of life with the train station being a 10 minute walk from the furthest point of the site. This allowed for people to commute to the surrounding areas and cities such as Liverpool, Chester, Warrington and Manchester. Families would have a safe haven for their children; car free streets would promote play and encourage a community to develop.
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Group Work Produced by: Jesse Barnes, Yasmin Barson and Hannah Walker.
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KEY Exissng Proposed Sun Path Canal Rail & Mo Motorway
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T H E SI T E On the site there was plenty of features to take into consideration. Firstly, the surrounding context and its housing typologies. Most of the area was filled with terraced housing and interesting cul-de-sac housing arrangements. This is something which the group studied and influenced the masterplan. Secondly, the proximity to a canal, rail and motorway was something which can be to considered and used within the masterplan. These site features gave he site some constraints which were used to create the main routes through the site; allowing all points to be connected. Additionally, the train station being on site was a huge benefit to the project by allowing the scheme to become a green, car-free area.
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SITE SECTIONS
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THE MASTERPLAN The scheme was focused around a sense of connectivity by having three key routes which join together three main public squares on the site. These squares surround the residential scheme which is situated in the middle of the site. The squares create movement between the routes and link to surrounding areas. The routes provide pedestrian and cycling paths that connect to existing neighbourhoods and infrastructure such as the train station. The masterplan also has a school situated near the train station with vehicle drop off points that border the site. The school block incorporates the facade of existing buildings such as a station hotel, old pub and three small retail buildings. As well as residential blocks and terraced housing, the masterplan is home to mixed-used office blocks which cater to small businesses and a harbour which contains 80 mooring points for canal boat users.
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CANALSIDE SQUARE
GREEN DISTRICT INDIVIDUAL STUDY Following the group urban design project, each member took an area of the site and developed it further. The chosen site for this project was the canalside square, allocated to the East of the masterplan. The square essentially created itself when the main site routes were being established by following the contour of the canal. This square was important as it sat in between the residential and commercial parts of the scheme. The main uses of this sqaure consisted of restaurants, bars, cafes and small businesses. The idea was to intensify the density of this space in order to create a lively square which could be enjoyed by those who either live in the new residential scheme or those who work nearby.
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Blue Corridor - Canal Green Corridor - Railway Buffer Primary Routes toward the Square Secondary Routes toward the Square 100
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Residential Restaurants & Bars Cafes & Small Businesses
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A:G B: G C: G D: M E: 3 F: G G: 8 H:V J: C K:S M:F N:P O: C P: Pl Q: El R: St S: Ra
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P O B 4 O A K 1
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Proposed Plan 1:200 @ A1
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Ground Floor Cafes & Small Businesses | First Floor Restaurants & Bars Ground & First Floor Restaurants & Bars | Second Floor & Third Floor Residential Flats Ground Floor Markets | First Floor Cafes | Second & Third Floor Residential Flats Mixed Use Offices & Commerical 4 Storys 3 Story Terrace Housing Ground Floor Mixed Use & Residential Above 80 Canal Boat Moorings Viewing Plaform for public & Entrance into top floor residential flats. Canal Steps feature descending into canal. Footbridge to access Square from across the canal Pedestrian Footpaths Cycle Routes lanters & Public Seating Area levated Terrace taircase to Viewing Platform & Residential Flat Entrance amp up to Elevated Terrace Level
G
F
2 M
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