FEB/2015
㡣 ₇ ͆ ェ 䡿 ᣏ 㦑 ˠ ₇ 䢀 ᒩ ⑤ ˗ ⅲ 㡣 㦘 ╍
ARTCO
草間彌生
䣀たჍⅲ؝㕷 䡿㤉㪏ᆫॲ䢀ˮⅲ⃜㭕˹⟵ Olafur EliassoO
C OV E R S T O RY
FEA T U R E
₍ ͇Ꮞྀ⼧➭
ARTCO
2015 FEB.269
2015 ໝ 2 ᕕ 1 ᑽֵ֨ No.269 ֵᑞ 1992 ໝ 11 ᕕ 1 ᑽnj www.artouch.com Ⅼ⻍́䢮⍻㟌 ▐⏦ᗉ ྮ㧣ࠑ ↞ဓ⏲ᇤᧈྫྷ̠ؿᆳ ،ᇣᄜ ४㢄ḛ✼┈؊ 㓮ف૮ ⛷ف㧣ࠑ ྮᐵῈǍᕵ༆㐱 Ⅼൢ⊝②ೣ 㓮۞ࢤ ⍻ঋ ۾٩ˬ൴٩㊊ˍᣡ 85 ⴻ 6 ឫ 㣌づ 02-25602220 ҷ⇞ 02-25673297 㣌ಠП╀ artcomonthly@gmail.com Քⳉ͎Ⳕ⻒ ✼⛷㎌ 㭗ಞ⻲ ⻍˹⛷ ᗄஒܟ ͳ؊⛷㎌ ἒ㦆 ኽ〱⛷㎌ ᗄဖ⏦ ⛷㎌ 㭗ღὦ ⛷㎌إώ ಲಪ ṁ☼ኽ〱⛷㎌ ܶះೌ ឳ㧍⠻ㄹ ༧Ɫ⩀ Քⳉ۵⟞⻒ ✼⛷㎌ ༧ਸ਼㣓 ṁ☼˹⓹ 㡡ࠚᢩ ኽ〱˹⛷ ⳅἒᾖ إώ˹⛷ ،᧲ܓ ⻍⛷㎌ ᙭ၝそ ⛷㎌ 㓮௭௭䢮ἔဖᐵ ṁ☼ᎏ㏽ ،ᝅෑ䢮ᖋὅ ⛷㎌إώ 㡡㢿㗌 Քⳉᇹ㇔
⟞⻒⛷㎌ ᰚண ṁ☼˹⓹ 㓮ᄏ⬷䢮ܶ㕷ᙆ ܀Ფঃڈṁ☼ᎏ㏽ ἔᴩ䢮㓮ᐵᾖ䢨٩㒲䢩 䢮ಲಪ 䢨ᙆⒼ⩠䢩،⠾ˬ䢨ˬ㒲䢩 䢮ㇹϭᡸ䢮ϳᒶഗ䢨ڗ㒲䢩
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ᩄঃڈṁ☼ᎏ㏽ 㪍Ԫˬ䢮㡡㥪ᓦ䢨♆☺䢩 䢮㒷թ⩷ 䢨⟜⾼䢩 ᖋ⒢㖶䢨ᗫᗄ䢩 䢮βയⱢ ἔ㪊ᚍ䢨ຄ㷑䢩 䢮 ᗄ ᮼ ↜䢨 ⟳ ૭ 䢩 㡡 ᄏ ↜ ㇹ 㫒 ᖢ 㡡‖ೌ䢨єᐚ䢩 ˟࿋⇜䢨ᰎᨓ䢩 㒷ᕈᾰ䢨⫕ⴖ䢩 䢮⎂㶬䢨⩀ⴖ䢩 䢮〴⩆ჲ䢨ᑓ 㷊 㷊ᾛ㢿䢨ᑻᕲ䢩 ؝ঞ䢩 ⻍ᐂ┹ώ㒴⻍⚯✼ώ ،㤒 ⻍㘷̢ᜬ㒴⻍⚯✼ώ 㭗˞ ⻍㘷̢ᜬ㒴✼↰ ᗄ♖Ὀ ⻍ᐂ㒴✼↰ ᗄ߈‖ ᕒ〚 ワ⯫Ǎ㉅ᦃ⭄Ǎྮைῆ ˮڙ㒴ঃڈᜬ⚯فώ ،ἒ㚗 ˮ㒴ঃڈᜬفപ ἔ♖ᙱ ٫̺ঃڈᜬ⚯فώ ್ೌnjᆾ 1391-1606221 ٫̺ঃڈᜬفപ ⁰❰㈷njᆾ 1391-0223375 ٫̺ঃڈⅬ⻍പ 㷊⪙ ٫̺㏇̢ⴷ ٩̸ᕥ㡩چⅬಞᲢ㊊ 32 ⴻ⳺ᗈ⍹چ٩ ⴻˍچឫ 2908 ೡ 㓀⛷ :100021 㣌づ 8610-5826-4541nj ҷ⇞ 8610-5826-4542 ˖ᩄ㏇̢ⴷ ˔ᩂྮچٸ૭ᕯៗ㊊ 158 ཌ 20 ⴻ 3101 ೡ പ⛪ 021-64046976䢮021-64046973 ҷ⇞ 021-64046971 ˖ᩄঃڈᜬفപ ⬷nj ᆾ 1381-8003935 ໙そ㢼 njᆾ 1381-8046365 ˖ᩄঃڈᜬإفώ 㒍ᐟᶱnjᆾ 1381-6484445䢮021-64046976 ᜬ ⻢͞فᖋ⨣ៈǍ㓮ᐉႤǍ㓨⎝ྑ ᜬإفώ ⮀Ѩᑚ പ⛪ 02-25602220䢮04-22857601䢮07-3384104 ҷ⇞ 02-25679295 〖㟼䢴ㅄ⡅ᕚفപ⛪ 02-25602220 Ⅼ⻍˹ͯ 〴㘛ᐵ Ⅼ⻍പ ྮ⎺ǍಞєǍ،ᓉ㏋ 㣌づ 02-25602220
ˮ४͞ώ ˬ२२㢂९ᕈ㇋ᒠ✺Պ˔܅ᩂ֯Պ܅ ঃঋ ˬ२ 200001 ˔ᩂ⎺㊊ 355 ⴻᐵ٨ࠇ༚ 9 ឫ 㣌づ 8621-6374-7048nj ҷ⇞ 8621-6320-1402 ᆮ ܕՒⳇⳒ⻐೮༆⢮ͮᕔ㡉Պ܅ 㓀ᎇ 19848605 २Յኵⴻᣵᕲ۵؝㒾㇒ᑓ ໍ۾20 Ԫ २ૣኵⴻᣵᕲ۵؝㒾㇒⟜㕷 10 Ԫ ۆˬ הڪ㐢Ӎ⢮ͮᕔ㡉Պ܅ 㣌⥀ᇅದ 㭗Ὲ㣊⤾ኯḙ⢮ͮᕔ㡉Պ܅ ⻋᐀㡕ᑓ⢂ൎ֦ḙ ൎḙ۾へತⓥ 9657 ⴻ ˬ⬷㒾᐀٩۾ತⓥ 4363 ⴻਉᵦⅩ〤᳤ ( 㢴へ ) ̳ ε⡃ᇷ⇀㠙⮍εᡨ⢍ᒛ ᳤्ᅞ⛆㊊㇒〙ᒿ͜Ϛ⦦۠ઌ؝ᕲ㢴へՅⅰ༴ ҵᎊⳒᐵ༴́ᐅ䢬ᕲ㢴へᢩו㐫⻋Ⳓ⻐⛆㊊ ́ཅ䢬͞ᕧ⣳♺έ͜⏲ᇤ䢬ᕘؿᕅ૦ⅰㅂ⡃ǎܒ ᒿ᳤Ք㧡ॺᕲֳᇷⅰε⡃́ᡨ䢬Գ⮍εᡨ́ ☵♑䢬ᕲֳḿᢪೠ㑅䢺וګ㈭䢬֚۩ᕲֳ㑪䢬ᆖ ᑜᕲֳᇷ⚭ኻ⡃䢬ᕲֳ㡗ᐵֳⅩᑜᕲ㢴へ䢨ܮ 㣊ಞ㢴へḙ䢩ૣ䢬⮍ε̿˧ܒᕲֳധᐵՅ㐓 㐿⛆㊊༴᳤ҵᎊ䢬⮍ε̿ᕔ˗ܒ⿇⡃䢬ᅞԯ⢍ ᒛᆖЙ₍ǎ ḙᡨᆳᕔ : ᕲֳ९ᐵ㤔⚭ᕲ⍹ܒ˗ྲֳ㍫
〖㟼ӱᙂ⻢䡷ܰ㓀㇔䡸
✼⛷㎌ ᗄ̭Ѩ ㇔᪨⛷㎌ ܶᐚₛǍ㡡⬷ ⛷㎌ ᘇ⧇ഒǍᜉᛓ⪱ ṁ☼ኽ〱⛷㎌ ⣞㕯⳺Ǎ㡡㥪ᓦǍ㧎㗌є Քⳉㅄ૰˗䢴͎Ⳕ⻒ ˹⛷ ᗄ̭Ѩ ୲ ⛷˹ᒨྋ ⻍⛷㎌ 㡡⩆ἰ ኽ〱⛷㎌ ᖋ♖㈷ إώ⛷㎌ ̭ᄜ
૯㡨ṁ☼ᎏ㏽ ܶ㲽 ᕵՐ ↋ ؛㉅ ؛ᆲᑚ ᯀ ᓦ䢮ἔ⛁ⲋ䢮̭ܶ⁶䢨٩̸䢩 䢮㉅䢨˔ᩂ䢩 䢮ワ↜↜䢮 ᜉ૮ລ䢨㩿䢩
〔㟺ᕧᐨ 〔㟺چ৴
nj
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۾Ტঁچ
NT$
1,940
3,670
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3,850
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4,750
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5,680
11,000
GLOBAL VISION䢴४㢄⿏㕶
ARTCO䢴269
C O N T E N T S
ART TALK ⇂ェೣ
94
ന〯ᢚሚཚ䢮⨜؛㠼ᛃŴ₶႗Ǎそⅰ؛㕵ŵδറⱤ
98
έŴ⽜ᐨⅰ͒⡃nj㡡₅̈́ゥǕᣍ㦏˞₅ǖŵᕍ⩌┊
FORUM Ⳕ⻒ゲબ
102 ̿㟠ഭっ㙺Ŵᐵ٨╊ 4䢺⦾̄ٺ᥌᰽Ŵ₢͜Ⳓ⻐ ≷ㄤⅰکŏ䢨ᐤύ䢩㭙ڋႦǏڙᑜᕠ SPOTLIGHT Ⳕબ᧚↹
106 ᳤⦨ກ؈㟘ˍз➘۲Ŵ㠙ᑜǗ˗ॺ९Ӎˬ⻋ػǘŵڠڝ 110 ྡྷ㏪ 2D ⦾ 3D䢬ဓ⛢ݶḳㇰ㟠ⅰ㏼॥Ŵ Emmanuelle LainéǗ㑳₅Ṹ̘ⅰᢧჅǘŵぬ⢼ᖤ
EDITORIAL ⛷㎌ᆾ〦
114 ᨺ৪㐿ྕ䢬Ⅼ⧛ឺჵnj㡦ԯ㘛Ǎ㒷⛁२㢱зൠŵ㭙ಠ
30 ᑓᤵㅽŵ㭙ಠ
116 ⦨ⁱⅰ㟠㢁Ŵㄦ㌹ & ឫŵἔ㦈 118 ᢵᑜ⦨ᴿŴ㉅̈́㍽Ǘᴮ↭ⳇǘзൠŵᖍ♘㈹
COLUMN ͎പᡦ
32 ⦾⍹ᕐ̳ྡྷ́ྭŵ㷌ᡪ
OBSERVATION Ⳕ㷠ഌ
34 ㈷㈹㤋ᛃⅰ㤋ᛃ✣⒢⟜⻐㩇ŵ㕶ා
120 80 ྭ₢͜Ⳓ⻐εⅰέჵŴ૮⟜㕷ᕐ㩼ᡷ⧀㏅
NEWS ᴴ㷠ᑕ⢄
122 ⾾ጜ㐼ػ⡈˗ᒴѵػŴന〯۾٩ᐵ٨ൎ㟊ѓ㕳⬷ŵ
۾ᲢⳒ⻐೮ᩂૣ〯ۜ〘ₛŵ㭙ಠ
36 २㢂䢮ˬ२䢮۾Ტ SPECIAL REPORT ṁ׆ര
48 ྕӍ₅㤘ⅰۣ㌨လ⦾۽㐎လŴ㡡㦖╋ 2012-2014 㟠⽜ ఃᖍεަⅰ㟺ㅂŵ㷌ᩄ㲌
䢨ኻ〯ᐤύ䢩ᗆဘ⏨ 124 ⇴۾ᲢⳒ⻐ⅰᕰϚŴന〯ₛ༜ږᕐᑓͭύ̠㟊 ἔῈ⎪ŵ䢨ኻ〯ᐤύ䢩ܸ៉ 126 ₢Ⳓ⻐܀㐫ՄᐨΦᒿ͜Ěന〯⯭ዞН〣˷ຩ James Cuno ŵ㭙ಠ
52 ᒧ③˕ⅰ㡡㦖╋䢺ˍз೮༆ˍзᐃ̠〴૦ᵦḘŵ㡣ᄑ๋
130 ॺ⿈〠⦾ᑻຯˬ⇎⿇̿ᤧⅰ؛㕵Ŵᒭ́₢͜૧Ǘ₢
FEATURE പ㧍ͳ؊
134 ↲⾼ೌ䢮δ᧿࿋ŴϚ⦨࿖ύҵ〤ⅰᑓύŵ㭙⏒
͜ᐵ٨⦾৪ᓡǘ☲ּグપŵܸ៉ 56 㧧ྕḳ䢺₢͜Ꮳྕ⼼⟂ 58 ѵ᳤Ǘػさǘⅰ۾ᲢᏣྕ⼼⟂ŵᖍ⒤㖸 62 ˗ॺ䢨՜䢩䢺⇀Ḙⅰ〤ᅎ⦾㑤ŵˠі 68 ③㟠ˬⅰྕӍהი䢺२㢂₢͜Ꮳྕ⼼⟂έŵᑟᒐάǏ
CROSSOVER ㊆₇⿏㕶
138 ྡྷנ㷔ᔂ᭶↜́ঁ䢺Ǖ㤇㪍ᆩ॰ǖˬⅰ⃚㭓२㢂˷⟳ŵ 㹮ڗ㌻ 142 ⧐㋔⦾ᐵತⅰ⇀㐹䢨0䢩ŵ㓘ഔ
㷌̯☸
144 စឺ⇎⿇᭵䢨̡̍ڇ䢩ŵ㧐ී REVIEW ᪨༂けゲ
72 ᪬Ǎ̳❌❿❕⦾Ⳓ⻐≷ㄤⅰ⢝㌨٨ŴゥǗ㮢㮧ⅰ㏼㏪ǘ ⅰঁᑚလŵ⡾㟝 76 ᆑ᳤९ₛ́נŴǗま䢮㐟ǘⅰ̿ₛ⦾९ᓡŵྰᒝᱥ 80 Ꮳྕϓྰⅰ∑ᐑ̿㧙ಾnjӒ䢬㠼ⳅⅰᏣྕεަŵᦋΏ˥ COVER STORY ഥ㤚ᐅ̢
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146 २㢂䢮ˬ२䢮۾Ტ ART SCENES ൢ㑤͏
172 ˗εₛⅰₛεŴ՜ᐐ㏻njܶဖ⯏зൠŵ㥳̃ᮋ 174 ಭⅰ⛎Ŵ㕳έᢴ܀㣂ᵙˬⅰᦘ⡄ŵܸ៉ 176 㑪۳⸧͌䢮㕳㏪⓷ઔŵ⏙ㆆ
84
६㷞⎣પ
87
ᆒॺ㐛Դ䢬Π̓㷃̏˗ᒴĚ⪿㟠ཻⅰⳒ⻐́㊊ŵ
90
⪿㟠ཻ⻠☶̠ŵ䢨ᐤύ䢩ಬ
92
ഫᇢ৪ᕰϚი䢺㭗㢟⒢⟜⻐㩇㩇㟊ワο㣝ゥǗ⪿㟠
CALENDAR ൢ〛
ཻ̭ᨓ㏼ൠǘŵϵᒸങ
178 ൠᕓਸŵ⛷㎌㒴
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⪿㟠ཻεަˬⅰလ䢮䢮ვŵἔ㦈
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177 ᒭ૮Ϛ૭ᬰ䢬ഫᇢˍ༁Ǘᆒмⅰǘژḳ㩇ŵ㷌ⴘ᷄
ARTCO䢴269
GLOBAL VISION䢴४㢄⿏㕶
FORUM
C O N T E N T S
102 Ğ Dialogues – Materialism 4: Scarcity and Abundance - Contemporary Art Knowledge Ĝ s Production Crisis Ğŏ Kao Chien Hui, Nanfang Shuo SPOTLIGHT
106 Cut Open a Gap for Yourself - About Unlived by What is EDITORIAL
30
Fresh Persective ŵ Kao Tzu-Chin
Seen ŵ Bianca 110 Cycling Between Mind and Matter, To and Fro Between
COLUMN
32
Post Socially-engaged Art ŵ Huang Sun-Quan
34
Beyond Aomori, Aomori Museum of Art ŏ Tsuyoshi Nojima
2D and 3D: Emmanuelle LainéĝTaking Pleasure in the Confusion of Borders Ğŏ marc yuchieh chan 114 Glimpses of Cities, Sundry Persons of Countless Looks - Lu Hsien-Ming, Kuo Wei-Kuo Dual Solo Exhibitions ŵ Kao Tzu-Chin
NEWS
36
International䢮China䢮Taiwan
SPECIAL REPORT
48 52
116 Ğ A Gap in Freedom Tan Jun & Upper FloorĞŏ Chang Yu-Yin 118 Back to Nature: Zhao Ren-Hui Ĝ s Solo ExhibitionĝThe Nature Collector Ğŏ Li Suchao
Visual InterfaceĜ s Reflexivity and Reversibility–Reading Chen Shun-ChuĜ s 2012-2014 Mixed Media Art ŵ Huang Hai-Ming
OBSERVATION
Chen Shun-Chu Under the Starry Sky: A Family, A Story,
120 The Present Situation of Post-80s Artists - The
and Many Photograph ŏ Chen Hui-Chiao
First Overseas Trip for Taiwanese Artists to Visit the
FEATURE
Contemporary Art Events Organized by Tianmei Art
56
Foundation ŵ Kao Tzu-Chin
Developing-out Objects: Contemporary Photographic Installations
58
Taiwanese Photographic Installation as aĝVerbĞŏ Lee Li-Chun
62
Not Around, Not Anymore: Remembering and Forgetting with Photographs ŏ Chang Shih-Lun
68
122 Movements not Activities - Interview with TaipeiĜ s New Cultural Affairs Commissioner Ni Chung-Hua ŏ Lin Yi-Hsiu 124 ĞVision for Taiwan Ĝ s Art Market Future Interview with Taiwan Art Gallery Association New
Visual Tingles in the Space: On the Sites of International Contemporary
Chairperson Rick Wang ŏ Wu Shu-Ann
Photographic Installations ŏ Shih Yun-Yu, Huang Ya-Ji REVIEW
72
126 Pushing Art History into the Digital Age - An Interview with Getty Trust CEO James Cuno ŏ Kao Tzu-Chin
Hybrid, Entangling, and the Embodiment of Artistic Knowledge Regarding the Production of Locality in The
130 Power of the People from Disciplines and Everyday Lives: Spring Project @ MOCA Taipei, Contemporary Culture and
Return of Ghosts ŏ Wang Sheng-Hung 76
of Eternal Fading Words ŏ Hsu Ming-Han 80
COVER STORY
Altar of Dots Ŵ Sex, Forgetting, and Love in Yayoi Kusama Ĝ s Art ŏ Chang Yu-Yin
Understanding ŏ Kao Jung-His CROSSOVER
138 Toward a Land of Overwhelming Darkness : Internationalism of Sickness Bodies in Ghost Circus ŏ Gong Jow-Jiun 142 When Dance and Words Meet ( 0 ) ŏ Tsou Shin-Ning 144 How to See Rockěn ĜRoll (29) ŏ Yan Jun
87
IĜ m Here, but Nothing - Yayoi KusamaĜ s Journey of Art ŵ Yu Wei
90
The Chronicles of Yayoi Kusama ŏ Sun Meng-Ciao
SNG
92
Searching for the City Ĝ s Sense of Future: Director of
146 International䢮China䢮Taiwan
Kaohsiung Museum of Fine Arts Pei-Ni Hsieh onĝYayoi
ART SCENES
Kusama Asia Tour Exhibition Ğŏ Ho Yu-Kuan
172 Paintings Without Painting Reiterate: Solo Exhibition of Wu I Chien
ART TALK
174 Blooming in Solitude – Sadji Over the Course of History
94
Interview with Olafur Eliasson: Confusing yet Poetic
176 Old Meets New, Return to Brush and Ink
Power ŵ Yu Hsiao-Hwei
177 Come to Daxi in the Spring, Search for a Museum of Our Own
On Site–Others Chen Chieh-Jen onĝRealm of
CALENDAR
Reverberations Ğŏ Tseng Chih-Yun
178njExhibition Calendar
98
028
134 Lucian Freud - Psychobiography Induced New
A Photography Apostle Ĝ s Christian Anthropology Photography by Lan, Servant of God ŏ Shen Bo-Cheng
84
the Urban Landscape Seminar Series ŏ Wu Shu-Ann
Before Becoming a Picture: Living Picture and Tableau
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ARTCO䢴269
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新氣象 Fresh Persective ᐵŵ㭗ಞ⻲ ᐵ٨㒲נ㒲㟊㹧ᅞ ۾12 ᕓ㢋⻋᐀㡕נ㡕㟊ᥦៈ㢹⢑ྭ䢬ᐵ٨㒲㟊ᅾ➘ 㐴ˍзڏᕓ䢬˔зᕓⁱ͜ύ㒲㟊ⅰ᐀ؿᡷ㟊ᨋಪࠚ⇜㡗䢬ᆼ↽ᇛᢩ䢬 ͞ᥐ᐀ؿػᴮ✩㌸ǎᨋಪࠚᕋͭᐵཅᕐⓥˍⴵⴵ㟊۠͞ˬ㒲㏅Պೡ ˷ͭ䢬᳤̜ㅐ㍵Ⳓ⻐೮⣳ᕔᕅ૭ⅰⅪዺ③㟠䢬ॺˬ㒲⿊ྲ㟟⟂③㟠ŴŴ ˬ۾Ც㌶⒧ж༄䢬ᐤС᳤Ⳓ⻐③㟠䢬̏ൄᒴέॺ᳤̿ᆳ≷ⅰ ˬ۾20 ⴻж༄ Ⳓᐵḿ چǎ ܒᒿ䢬ᴮグᒴਉኩ㩼㓃ᐵ٨૭ᜪⅰᐵ٨ൎ㟊䢬۠͞ഭᑜⳒᐵᜪ₅ྕ㦏᪦ 㑎ⅰˬ⬷ᤧ२ₛ༜ږᕐ䢨͞˕▐ₛږ䢩ύ̠㟊䢬̏㓃ॺᑓༀ́⌒־ ̜ᑓͭⅰ̿㑢䢬₍͞۽ⅰᒴ䢬۾٩ᐵ٨ൎ㟊ѓ㕳⬷⦾ⓥ 12 ₛږύ̠ 㟊ἔῈ⎪䢬Շ̿㓃ᕔㅳⅰᜪ₅⚭㬟䢬ἔῈ⎪ᕋᒴૣࠇՊ܅ⅰ㭗㡷⚭ύ̿䢬 ⡈ྭྷҫ㨩☃ަǍࠛހ㨴㨡⦾₢͜Ⳓ⻐ⅰՍ⚭ܒ᷊നᜪⅰⳒ༜③㟠䢬̵ ᕔ 10 ૦ⅰ᷊㐼㇒ᢴ䢬⡈Ϛ⦨ᑜㅳⅰ२㢂⚭㬟䢬ㅐ͒ॺဓ♘ǗⳒ⻐૭㟑ǘ つή㟘ࠚᒿ䢬כᕔ̜ᜲ᳤⑆ᜲⅰ⿇䢺͒べ᳤२㢂ۜ⦾ᒴ࿘ᴿⅪൠⅰᑚ ܗ䢬Ǘᒴ۽ܩ⣳㐓㐿܋ػ䢬ۙᏼㅊ۾Ტ⍹ᕐഭⳒ⻐ⅰი䢿᳤ᕰϚ㙢㡡 ิᑓⅰൎ㤘䢬ອػ۵ˍⅰ㟘Ⅺⅰܒᒿ䢬̏͞۽㐓㐿ㅐ२㢂̿べㄤ ۾ᲢⅰⳒ⻐䢬㐫⡈ዞڌ२Յⅰᐵ٨Ⓔḇ ؛ǎǘ ⡈ⁱ㦆ឝ̿ѓ㕳⬷֦ͭᐵ٨ൎ㟊䢬㢮ᴿॺ⁌㑢́־ᕋཙⅪ̜ˍ̬ḇㄸ䢬㈨ 㪍˔ͭྭ䢬͒˗デ〓≷㑄⦨ກⅰ˗㉘䢬ᐃ⡈ॺ נ100 ૮Յ䢬͞ር〯ᐵ٨₅ ̿Ǎ࿉じഭᐤ㭓Ⳓ⻐ᐵ٨ⅰཅㄸ᳤˷⾾ε䢬־૭ᑚܗ㡗̜⋘㭓 ᐤᜪ㜣䢬㑮ٛሱഭᑜ⋘㭓ⅰ⍓ᐤ⦾⛁ㄺᕅᑓ䢨ϟ᳤۾٩⒢̳ 㦏ឝ॰ഫᇢ③㟠䢬ᆖᒴᐤСຂᕔ 30 ᢴ܀ⅰ۾٩⒢⟜⻐㩇㩇⧄⦾ᏃཅՒ ⳇ③㟠⓺䢩䢬۵ˍз⿇۽ⅰ㕳㷞כᒴϚ⦨ѓ㕳⬷ഭᑜՐനᜪŴŴ㦆ឝᜪㅊ 㤛ⅰഊ࿖ྲ䢬ϟ 4G ഗ㧀ᒿ͜ອϚǗ㦆ឝ䢫ྕӍ䢫̥ػ䢫 Live ǘⅰิ ᑓ⡳⢔㦆ឝᑚཕ䢬ՐˬǗՅǍՅⅪ⻋ǍՅҵ㎒㐛˓⨑ᒴ˧ 㕳ⅰ䢬˧˜ᒴ͞ǍⅪ⻋ՑᕔⒺḇ؛ⅰԖㇰՅ᳤♰ᜲ↷ឱ䢬᐀㇒ᬚ ⅰᇷՄ̏♿˗⣳⤕㢹ՑᕔⒺḇ؛ⅰԖㇰՅ㐛з㍫㭓 ǎǘ्⡈˕Ϛⅰ㕳 㷞εധ⮍㕳ᑜᇮཅ〲ˬⅰⳒᐵ㩇Ǘㅊᆑ㭗᠐ⅰᐨΦՅˬ࿖䢬⡈ ˗۸ᒴঁឱလⅰཅ╋ ǎǘ ˔ͭ́־䢬ᕲֳഭᑜՇΦⳒᐵਉኩ⧡ᆼⅱ㐫⻋̜ന〯䢬ず९ॺ͒мⅰ㧔ᓡ ٘ع₢ˬ䢬ႰӍ۾ᲢᕰϚⅰᐵ٨ⳅ९ ǎ̏ᕧྦϚ⦨ᜪ₅Ǎゞᬥ㐜᳤˔ⅰ ՇΦ㦦മ⡃䢬⌒⣳ˍᑓᑹᕔⅰǍ♲❌ᐵ٨ ǎ
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圓點祭壇 ALTAR OF DOTS ⫁ 㟢 ཽηިˮⅲသ䢴䢴თ Sex, Forgetting, and Love in Yayoi Kusama’s Art ᐵ䣼ἒ㦆 ९ŵ㭗㢟⒢⟜⻐㩇
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८㷠౪⡃ 䣀 ଝ⎥ສ⧀თ㶦⚘ 我是一個圓點。你也是一個圓點喔。另一個圓 點,則是你那個朋友。地球也是圓點。太陽也長 得像一個圓點。月亮的形狀也是一個圓點。圓點 是沒辦法獨自存在的。唯有在均一的整體主義所 產生的連帶意識裡,每一個個體才能顯揚出臨 接著自己的另一個個體。 ─草間彌生(Yayoi Kusama), 《曼哈頓自殺未遂慣行犯》( 註 1) 1973 ⪿㟠㢹㟘̜ᕋ؝բଡ᳤౨↋ଛἔⅰ♆ ☺㏪ोᑻᕲ䢬˧ॺ 1978 ഖ˕ଡⅰയゐⴵଛ εǕᕊޭ㦡⦨ᣤᕰ㐷ᄋ⻋Ṯǖ䢬ଡ͞ⓥˍ̿ ⅰ⿍㷞⦾⚭㬟䢬Մ⤕ഖǍᎇ̘㊎㌏ⅰᕈ ഖ䢬ኁቷᕋ⚭ᆳⴵ♆☺ᒿ͜ⅰڨㅽ䢬യゐತ⼿ ⻋㟠ˬ̏˗ᒿ̂ᨊ֦ଡഭε⇜ⅰỳⅫ Ŵ ٛሱ˞̿ᆳᶔၡⅰǗ६㷞ǘ ǎګϾ६㷞˧㤔⪿㟠 ỳ൰ⅰεന䢬Π˗ܩ۽べ⿍έ˕ᐤзⳒ ⻐˞₅䢬Ǘ६㷞ǘ⦾⪿㟠ᐨڇϚᳮ㢴⑆♟ ⅰ㠙⢊လ䢬̃ॺ⟳˔ຂ؈˔⓺ⴻǎാ Րॺᩓ㇇⍹ᕐࠇަⅰ؝ቆ˕䢬⪿㟠 ཕⅰ६㷞ᕅΘ⽐˔☖⻜ⅰ㘵߲ Үႌؓ䢬ᴿ㡗Ǘ६㷞ǘ⻠൪ 㐛 ̬ ᴮ ೫Ǎ ⟜Ǎ ❱ ♑ ⅰ Ⲉ 㣭䢬Ǘ६㷞ǘᕋᒴ⪿㟠ၤⅰ ࣮䢬ॺ౨↋䢨Hippie䢩↨⻋ ⅰ͜ǎ 1960-70 ͜ⅰǗ౨↋ǘჵༀ䢬ᒴ㖁ഭ ᆨḇ⦾ᤧᑪ˷⟳ⅰሊᇹ⦾᐀⻠ჵ䢬͞˗⟖ ⱱⅰ㢴̳Ǎလ⦾㷂Ⳛ᰽⓺⻋᳤䢬㢑̜ܮ ᒴС࿀्ᆨḇǍέ͜٨Ⅺൠᑾຂ₴㢹⡈₠٨ⅰ ̿လ䢬౨↋мೠǗળᇳလᄢ㕨ᆑ̜ᆨḇǘ䢬ⳃ ⁱ̿㧙ഭᑜလۆୣⅰᥐݶႰӍ䢬ҵ㑅ۣ ᆨⅰύǎ㐛ឺⅰ४❒❕̜₢ᒿ⪿㟠ᆳⴵⅰ ♆☺́လ䢬͞လ᳤ܓⅰ᨟ഭ䢬ঁ˕ᐵ٨
⫁㟢ཽ Yayoi Kusama ŏᕌޯ㦣⦪ᣦᄍṰ̃ᢙ Song of a Manhattan Suicide Addictnj㙺Ӎ䢨1 ֯ 24 ⏳䢩 ഠϭέ⡈nj2010
⧛䢬⻠㤘ⅰ㢑デǍ㑙ዂ䢬ॺڱຆཌ㟠Ⰵرᐗ⮀ǎⁱ⪿㟠♲❌ᐨз౨↋㤋 ⡈ᆑⅰ⻋᳤⻠ᮉǗ⪿㟠㟓ǘ 䢨Kusama Happening䢩䢬ധ㐛̬ॺ౨↋Ǎ ᐵ٨॥㢑څഭလ㟘ⅰჵༀ䢬ٛ⼼ᆑ⦿ګǍ㢋ⅰ⻋᳤⻠ᮉ䢬㑪㢡⁶ଛ ॺ⮍ܓᓡ㷞⑨Ⅺⅰ⽏⧐䢬˧ॺ⻠ᮉ⡃⦾⇶㌨˔ₛ˕˗ܒ㧎⨑ⅰ६㷞䢬 Ǘ६㷞ǘ̏ᆑ᳤Ǘ⪿㟠㟓ǘ⻋ػⅰࠇឱǎ ॺˍണ⪿㟠⦾ଡⅰ⻋ػ॰㭓⟅⚋ܓ₢ᒿ✺⚕ോԱᛃ䢨Richard Nixon䢩ⅰՊ㟘Нˬᢪഖ㑄䢺 ǗঃὺೌݸˮᐪⅮ⭦ⅲᒩᒩ ˏូۺᒶˏйറ㷠䢲ᵁ⡊㉾㐝̮ݸໜ۠㤔ⅲ૰㭕⇂䢲ঃ ὺڳԮ᭸̞ᄯ၍ݸ㮒ḉǐģģㅒᆔо⽑㌪㤘Ꮩܐ⡊᳦ˏ䢲െ ӏ㨑˖㣄Ⓕ㒆ូ䢲ॼ㌪˖̧⇂᭸८㷠䢲ॼᴰᴰ♲ⅲ᥉ဵ⽁ 㤚ᩕ⸩⦪ᆔ䢲㐝ូλᇀᕖ㏇ώ͠ᔙᴰדᔙⅲ⇞⇂ǐǘ 䢨〺 2 䢩ᇳᆖॺ౨↋㦆ឝ↨ᕐ⣞ᇅ䢨Woodstock䢩ⅰ⻋᳤⻠ᮉ䢬ଡṂ⮍ˍ ⪿ݶڀ㟠㌨˔ⅱ᭶६㷞㪍Դ䢬ॺ⦨ᴿ㟠ზ⻋㈨䢬ˍܒΦ६㷞ଛ⎣ ຨ䢨High Priestess of Polka Dots䢩䢬ധ६㷞ⅰ⻐㡁⮍ᑜ̿м㌨ ˔䢬ܒᑝ̞̿мЙㄺ⨑⧛䢬̿㕳ᑓ⸧Մ˞₅Ǎೊ䢬ଡ㐛 㷃ゐǗ⸧Մᑜᴮ㡉ܪ䢡⸧Մᑜ́ˬ䢡㑤⦨ກ䢡߳ᕔ ⊴ઽ⦨ᆒᆾᒴಥ́㑄ǘ䢬ⁱ६㷞ⅰᎠם᪾̜̿㧙⦨᭶ⅰ ỳḿ䢬㕳ᑓ༁ឱ̿လ⦾⭤ḳⅰ≻㡖ǎ ₢ᒿⅰਸ♏ǕTown & Villageǖᕋ㐛ឺዝ㏻⪿㟠䢬Ǘ⫁㟢ཽⅲ⌔ ҷ㑇֨ໝ㍷ˏ͞ॼྴˠ₇ᕖᗮ̮㒴ֱዂⅲܔᓁ䢲࿘ˮ۠ᕩྨ⣵ᕖᕇ ૨⟞ଦ⼗ቘኵ֨ϜⅲႲǐǘ䢨〺 3 䢩ଡ͞౨↋ⅰ☃⎖᳤ᕲ䢬᪬ᆨΘ ⅰ⻠ᮉૻ㢴ഭᑜݶऩྡྷⅰ⎂㧔䢬㐛ᒴ₢⡃㞗Րεަᒿ䢬ᴮグ ᒴ㤘ഭܒ႗ᒧ⧛䢬সኵॺ③㟠ˬⅫ㷞☻ὸⅰ⼼⟂Ǖ६㷞ਉǖǍᇳᆖ⪿ 㟠Ց͜⻠ⅰ⒢㭓㢭Ǖڗǖ䢬۠͞ॺǕ᳤ፙვⅰ㮙㕷㩿᥇ဳ⎂⏙ǖᑜ♊ Ⅻ⎂⏙ೡⅰ③㟠⟂Մˍᕸឺܒᮼⅰ়⩅ᕸ䢬՜ᑜ③㟠ˬΩ͞Ն㤘 လ❱♑ⅰ६㷞ǎ㤘ഭ˔㏻㐛̬εަˬ㧮ݶᑻ㶤Ǘ६㷞ǘⅰܒᒿ䢬ְ⬃㑤 ⪿㟠㐢६㷞९ឺᒿۣᆨⅰⳒ⻐ೠ〓䢬⪿㟠ᕋゐვ㶤⚖ᒴ౨↋ୣ⎎䢬 ଡכᒴέ͜ⅰვ㶤⚖䢬ଡ͞Ǘ६㷞ǘ᳤㛹٪㟘ࠚ㐜ྡྷ૿⦾ႰӍⅰ
⫁㟢ཽ Yayoi Kusama ŏґⅬ䢲קⅲ᳤ᷫ Happening, The Anatomic Explosion 1968 ᑜ♆☺ˬՊ५ⅰვ㶤⚖૪㐻͕㢭 ᆳॺঁ
૭㟑䢬ଡⅰǗ६㷞ǘᒴ᪦㑭Ց᐀ᩯⅰ䢬ᒴᕋ⚭⼕ვǍ⽏ǍလǍ❟ₛ ⦾⟜⓺౨↋ჵༀᆳٛ⽐ⅰǎ
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ᴰ㡋ⅲᴰ㡋 䣀 ࣲ㦈⧀㤔 ᴮ↭⦾ᴮ㡉ឺܒᒴ⪿㟠εˬⅰਉ⮍́ˍ䢬㐛 ˍ㒲֯̏Ϛ⦨⿍⦾⢔ⅰ⚭㬟䢬ݗ४ⅰ ⼕६㷞⦾॥ᆳ㐾ຌ⦾ٛ४䢬͞ε⿍᳤ഭ ᑜϷ⾲ଡ☃⎖˞₅ⅰሊᇹ䢬ଡധ⿍ᆳ⿇ ↽ἐⅰೠᨊॺₛຌ˔䢬㐛ᒴ⪿㟠❟ₛ́̿ػ ⴵ䢬〵ノᕲ⣳䢬㈨⓷⛨ᚄԬ᭶ε⡃Յ࿖᪦൪ ᬄػⅰ㌸㉾ǎॺՐǗᴮ㡉ⅰ⛆ǘ☲ּεަˬ䢬 㧎ᑁ❌ަⅰ♺䢬ॺΧ㡉ⅰ㤘˔ൠέㅳ ⫁㟢ཽ Yayoi Kusama ŏ᥉ဵ㟙ਫ਼ⅲྯᗊ Aftermath of Obliteration of Eternity ⼼⟂Ǎ⽜ఃᖍnj415x415x287.4cm 2009 Photo by Takao Miyakaku Courtesy Ota Fine Arts, Victoria Miro Gallery, David Zwirner, Yayoi Kusama Studio
࿘ॏ̃⧓ 䣀 ᴰသ̃́ⅲ㤍ᒯ૬ 他們會叫我「Sister」,這是修女的意思,非女亦非男,也就是無性。我 是一個無性的人。Ŵ草間彌生,《愛與和平,女王登基─前衛演出的幕 後黑手 1967-1974 》 (註 4 ) ˷മǗ⪿㟠㟓ǘ⻋ػϓ⁶⁶ଛଛ౨↋⽏㌨㈭⧐䢬⪿㟠्̏ᢪ⼕♆☺ⅰ ᑓ⢂ః㭓؝բ᳤Ǘ౨↋ଛἔǘ䢬⡈्̏ᢪ⼕㇈˔ഭလ̠㢋Ǎ㟘ⅰឱ ◀䢬ᴿ⡈ଡ㕱⦨㌨ഭᑜⳚḳǍܒᆆႌ⦾လ⻋᳤㓃ᤊᴮ⦿㉋䢬ᆖ૦ᆖ റᘽᬚᑜՐ⒱⦾㤋ᒭᕧⅰᆑ㟊⦾⚭㬟ǎ⪿㟠ॺ⦨ҵˬ㐛㷃ዝഖଡ ⅰḋ Ŵ⢛ᴮ࿚ᄷᆑ᳤⦨ⁱလვⅰ㊢⡃䢬ଡⅰᣴכᒴ㮙ၾǍ২ဝ ⦾ႌ☵❿ⅰḋ䢬᳤̜⛁❠எ⻋ϓ˗ᑘⅰ⡌䢬ḋᣴ⻚ⅰஎ㠙 Ёϓଡഭᑜလۣი⦾ᄾᄐ䢬̏ܒᒿےႥ⁶လ⦾ଛလⅰလ࿉䢬Շ
ⅰᖍㇰ⢠ύ䢬ᣵˍⴵ࿅ହǍᆼ❟ⅰ⛆⇴ⅱԬ ᭶₠˧ᇣ㍫ㅳⅰႌი䢬ₛε̂⇎Ⲉ㣭⧛ ⅰ㤒₴㢹䢬۞ڱՑ㏸Ǎࣰ㦆Θⅰ㏸ი 䢬Ԭ᭶♠╆⦾Ꮓⅰ̳̥ⅰ؛ǎ 㐛㧙ᦒᕔ㈭㷞⦾♰㷞Ǎᴮ㡉✾ᣋⅰㅽ䢬̏ܒ ឺᅞॺ⪿㟠ˍ⣼͞㜻㤘᳤˷ⅰ⼼⟂☲ּ䢬 Ǘᴮ㡉㜻ൗǘ⓺☲ּ䢬ଡ͞Ⳓ⻐೮́ᆼധອ Ϛⅰ္ᆂ٨᳤ࡘ♊ⅰ⟜იḳㇰ䢬ⳃᢪϚۨྲ☃ ⎖˔ⅰ⻚⦾ഭ˞₅ⅰ⢊❠ǎՆ㤘လǍ㕳⽜Ǎ ᴮ 㡉 ⅰ Ⱘ ཁ ⓺ 㠙 㛛 ತ䢬 ㇰ 㭓 έ ⪿ 㟠 Ⳓ ⻐ᩪⅰೱݪ䢬↽⦮͌ᑻଡ͎⿈ྫྷε ၒ䢬ॺ♰ݪᢨנᴮ↭ⅰε䢬ഭ ᑜᴮ㡉ⅰਉ⮍䢬ୣ♰ᒴଡᕍତ⦾ᕍ ⟜ⅰሊᇹǎ 〺1
⡃ⅱᒴ⪿㟠္ᆂⅰϚᬚ䢬Πଡڱᕰ㑢㏼㑩㐛̬⃬ⅰोᅎ䢬⡈ ᒴᱞ⦦ṸⅡཕቁݪⅰ⽔㐢ଡᆳےႥ́ḳǎ ॺǕ㕳⽜⿍䢬㡩Ց́⧑ǖଡቁݪᆳےႥǍ೫ဌⅰྉ㭓 Ŵ
㡩Ց䢬ⳃⁱεަ⽔㐢ᐨ͞〘ډ⁶လⅰလ࿉䢬↷ⅰᒴ᳤̜
Ǘ㈷㈹͒мǘ䢬㒄̬͝ଡ₈ᆂⅰḳͪ䢬ⳃⁱεैྰ⧛ⅰ䢬 ᑻ͞❰૧˗ѷ㕳⽜ⅰεᜪ㟠䢬ᄊᄊቃो⦨ກ࿖㤇ⅰᆳॺ䢬⪿㟠⦨ກ ̏㠝㏻Ǘയသሉቈ⮏ཱᳰⅲ۔Ⴇ⧀⮏䢲ģģ͠ۿをᒶᆔηⅲᘿᕴؽ
〺2 〺3 〺4 〺5 〺6
⎺ Ψ ༛䢨Ren Fukuzumi䢩䢬Ǔ㕳 ㅂǕᕊ ޭ 㦡 ⦨ᣤᕰ㐷ᄋ⻋Ṯǖ(1978)ǍǕԱ㕲ᑒ૦૰⁶⑿ǖ (1984)ǔ䢬Ǖ⟜⻐ᆼຘŴḿ㢡䢺⪿㟠ཻˬᐵḙǖ䢬 ۾٩䢺૭Ⳓ֦ḙ̠ᜪ㒲䢬2014 䢬㦑 62ǎ ⪿㟠ཻ⮍䢬㓮⻌Ѩㄷ䢬 Ǖᴮ㡉ⅰ⛆Ŵ⪿㟠ཻ⦨ҵǖ䢬۾ ٩䢺ᕯ㪍ᐵ٨̠ᜪ䢬2011 䢬㦑 159ǎ Ǖ⟜⻐ᆼຘŴḿ㢡䢺⪿㟠ཻˬᐵḙǖ䢬۾٩䢺૭Ⳓ֦ḙ̠ ᜪ㒲䢬2014 䢬㦑 57ǎ ܒ〺 2䢬㦑 146ǎ ܒ〺 2䢬㦑 151ǎ ܒ〺 2䢬㦑 150ǎ
९Ḙ֦ⴵ䢺Copyright © Yayoi Kusama Courtesy of Ota Fine Arts, Tokyo / Singapore, Victoria Miro, London, David Zwirner, New York, KUSAMA Enterprise
؝ǐǘ䢨〺 5 䢩⡈㕳⽜ॺଡεަˬ֦έ⩅ᕸⅰᣴ㧋䢬Ǖ⩅ᕸਉ䢭ܗᑻ ⮪ǖǍǕ⩅ᕸਉ䢭૯㡩⩅ǖ䢬̏ᕔ㒲֯ឺܒᬚ⦨ഭᑜလⅰ⃬Ⴅ䢬ഭଡ⡈ 〓Ǘ⩅‴⇎㈭Ϛ✺ᒴӍଛလⅰလ࣮䢬⡈⩅‴ˬ࿖כ㟊ྲӍ⁶လⅰလ࣮ǘ 䢨〺 6 䢩ǎᕔˍᣡᒿ㟠⒱ⅰ⪿㟠ࡈᢧ㐛ឺⅰ㐻ᆩ䢬ᇮ⩅ᕸˍޠ⢍ⅰྷ㦵 ְᑘ䢬՜ധೇмˤ㐫ଡᆳቖⅰᨁ䢬ଡ㕳⽜ⅰְᑘᐨⅬᕸ⩅ⅰݪ䢬՜ ২⮡ೇм䢬Θ̃ͱ९ⳃⁱ㕳⽜ӵཕလⅰ⻋᳤䢬ധ။ೠᨊ˧২⮡䢬ॺਉ ⻋ᴮ্⻋᳤ⅰ⼿⇄ᕤ⣳㊄㈹Ǎ㑤ᮆ㐛̬ᴮⅰ။䢬⡈㐛̬ቆ❼ਗ ₯՜⠹ⅰε䢬✺⣳ॺẼῌⅰ⻠ㅽ⼿䢬⽔㐢ㅵ㶤♿⟜ⅰ࿖ㅽǎാՐॺ ㏧ᕧⅰ☲ּǗ᥇ဳⅰვǘǍǗᆒⅰ᥇ဳ㤇㮧ǘ⓺⣳⇎ ⪿㟠͞㷙Ǎㅥ㑅㤘ഭ㐛्̬⒱࿖्္ᆂⅰᣴ 㧋䢬ᕅზⅰቚ६㷞Ǎ⩅ᕸǍ̿㤘⦾ᕔ㭓䢬㐓㣷
086
⫁㟢ཽ Yayoi Kusama ŏ⫁㟢ཽ⧀ ڙKusama with Pumpkin ⽜ఃᖍnj200x250x250cm 1998 Collection: Iwami Art Museum, Shimane, Japan/ Installation view: Matsumoto City Museum of Art
SPOTLIGHT䢴Ⳕબ᧚↹
ARTCO䢴269
浮城過影, 百般樣態 Glimpses of Cities, Sundry Persons of Countless Looks 㡦 ԯ 㘛 Ǎ 㒷 ⛁ २ 㢱зൠ Lu Hsien-Ming, Kuo Wei-Kuo Dual Solo Exhibitions ᐵ䣼㭗ಞ⻲ ९䣼۾٩₢͜Ⳓ⻐㩇
㒹⛃४ŵᕕԲ˗⎼⎰㢳ОⅲࡊnjྎǍₛຌnj200x150cm
114
2013
৪ᒴέ̿͜ⅰ③㟠䢬㡗̜ཅ╋Ǎཅ〲⿈ₛ́ૣ䢬Α㢋⮍ㆰݶᡨ؛ⅰ㢡
ⅰᑚཕ㏻ゐ⦾з̿ႌი〤ᅎ㐥♺ⅰᐃ
ˬ䢬ೇᕅᒴᑓⅰ⍹ᕐǍ⚭ᰳݶᐵ٨㠙Ёྉᆑⅰᆳ䢬्⡈䢬㡗̜ᇣ㍫⮍૪Ⴐ
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㐅ഫ⦾ᐵᒛᆑᗈ́ૣ䢬ܒᒿॺ㐛̬⇜ᑜՐˬⅰз㭓㌨˔䢬̏ᇣ㍫̜₴
۾٩⒢⟜⻐㩇зൠᒿ䢬Ͼຂ㟘ୣ㕊
㢹Ǎળ ۠͞؛ǎˬ२┆ൠ᷐᷐̿͞⩷२യゐ೮Ṻᕅᑒ䢨Charles Dickens,
㕨㢭ε䢬ຒᕤ⣳૩ᕅ૦Ԫঁ݈έՐ
1812-1870䢩ⅰܓεǕ㢱৪〤ǖ䢨A Tale of Two Cities䢩᳤ൠ́㧋䢬㐓㐿㡦ԯ㘛
εަ⦾㤘㆝䢬ᕲᡷॺ₢͜㩇ⅰˍ☲
⦾㒷⛁२ՇΦⳒ⻐೮㧮ᙀ㏴₠ⅰεަ⿍䢬ㅐྚྡՇ༁⇀₠ⅰз㭓́৪䢬٘ع
ּ⒢㭓㢭䢬Ͼ᳤⦨ᆒ⑨⊴́ず㬟䢬㭗
֦۾Ტ 30 ́㟠⍹ᕐǍ᐀⦾⚭ᰳⅰㅊ㑡䢬۠͞ॺ৪٨ݶέ͜٨ⅰ㐫␗
㑅ॉՊⅰǕ2015- ⦨Ӎǖˍε䢬̿
ˬᆳ㑘㐤́⇆ဓ䢬ᢩॺܒǕ㢱৪〤ǖᐃ̠ˬ䢬ྷᙱോḿ㕕䢨Dr. Alexandre
㤘ἂ⡧Ǎ᳛᳛ᕔ⎖ঁ↽⿍נᑚ䢬᷐᷐
Manette䢩ⅰ⚭ᢴ᳤˷⛨♘䢬͞ᧈ२૭㤛ݪⅰ⚭㬟᳤щ㞘䢬ず९ഭᑜ₢ᒿ⍹ᕐ≰
֦䢬ᩔ˷㭓ဓ⛁ݶзလḿㇰⅰ૭㦵
⇅ᑻ↞؝᪦ⅰ⩷२ዞ֦ㄯ݉䢬㐫⡈㐥♺̜ຄ㷑⦾єᐚՇ૭৪̳❌ⅰᢴݪ܀㐼 ǎ
Ӎ䢬ㅽ࿉Ǘᆒмྷ㐛⼿㟘ୣဓ⡁䢬̏ྷ 㐛⼿㟘ୣ♺ᖘ䢬ೇᒴႰⅰ㈭ᬚ́ঁ䢬
1990 ͜۾Ტⅰ৪ཅ〲ᢩ㏝㐡Ⅺൠ䢬㭗ᗖ٨ⅰ㑄㊊☲⚕ྷ㒞ૣᏃൠ㓃ᕐঁ
ᄢᕤⅰ́䢬̏ᒴᆳᕔႰ⊴ᭉⅰ
چ䢬㕵㭓૭ⅰ㊊ៗ៶㈹㓃ⅰঁ㤘䢬㐫⡈㕳̜㓃ᕐⅰᓡ䢬㡦ԯ㘛ॺ₢
ͼ⓷ǎǘ
ᒿი۩㐛ឺⅰᒿ͜Ⅺൠ䢬Ͼ͞Ǘ㊊ៗ☲ּǘ⡾ᴲ㐛̬ᒏᴿㅱ⒢ⅰέ͜ཅ╋☶ ⋱䢬ₛ㤘˔̏ו٨ཅ〲ⅰѨ⦾⿍ᳮⅰ ؛ǎ⡈⇀ഭᑜᑾᕧεަ䢬
ᢪᡷ㢱зൠ۵ૣѠྲˍዞ́ⴵ䢬ॺᑜൠ
˓ື㏧εǕ㢼ྭǖǍǕᢵǖݶǕᯂ㹧ǖॺכዝ❟ຂᆑᶔ㟘Ⅺⅰ৪䢬˧↽ኻ
˧˗͞εᒿ㟠ѵ᳤ൠ⍵ⅰ⛨♘䢬㎠
˗㝐㙲ᖱۨ͜ₛຌ䢬Ⅺൠ֦ḿᣃⅰㇰი⦾⨑ᐅᗈ䢬⡈ₛ㤘ˬ㍵㍵ዞ㷞֦ᨢػ
⡈ഭᑜ㩇⧄ˍǍ̡ឫ㈨㑄③㟠㐫⻋̜ḿ
ᑜ৪́ˬⅰ̿ḳ䢬्⡈ॺճպᴮႌǍယ㐡ଈ㫼ⅰཅ〲ᓡˬ䢬͎㢑ⳇ⮍̿ᐵ
ᣃ⿈ₛ䢬ϟˍឫ⓺㉻〲⟂̜㜻൛䢬㜻
㠙ᅽⅰᬱༀ ǎ૭⦮৪ㅊ㑡䢬㡦ԯ㘛ഭᑜ̨യᤧ̵ᕔ♠⥰ഊ䢬ॺ 1998 ⅰ
ಞധᆬૣᓡㅽᒨᵦՄೡՅ䢬۞ᆖᒴ㜻ಞ
ₛεǕˍз㟊૭ⅰ૪ǖˬ䢬㩼ᡷ֦έ㏧Θㅽྉᐵತⅰയ̿ḳ䢬ᢪᡷॺ۾٩₢͜
́㟠ⅰ⇀̥ᵦᒨ䢬ㅐ⡃㢂㭓㬟ॺ
Ⳓ⻐㩇ⅰൠˬ䢬Ͼࢰず͞㐛̬Ꮌ̿٨㐢়εㆹ⑦ឫ൪ⅰ㈷૭়⼼⟂Ǖଈǖ䢬
㡦ԯ㘛εަˬ䢬ᆳⴵύ̿⦾৪́㟠㠙
ዝ㏻۩৪ળᇳǍ˗⣳˷മ⦨ກ࿖䢬̿м⼕㏸˗ѷנܗᆖ˗ᑘ˔ܗḆڌⅰ
Ёⅰ㒄̿ྕ໌໌Ǎᓡḳ̳㚠ⅰ⿍ᐅ
⍹ᕐέႌ ǎ
ᗈ䢻۞ᆖᒴ̡ឫ⼕ᏼ㐢᳤⸧۳Ւ⟜ಾ ݶӵཕလⅰ♊Ⅻ③㟠ǎՇ⡃ⅱᕔأᑜ
㒷⛁२ᣵзᒿᕧⅰ⻠έᆼᧈⅱᕔᆳㅊ٨䢬ϟᑾᕧᆑ᳤з̿ⅰሬḝ㧮ᙀ䢬ګᒴ͞⦨
⡃ྷ㐛̬Ọ̿㊊␗Ǎ☃⎖ᑤ␗⓺
ᆒྉㅽՄₛ䢬Π㐛̬⦨ₛӍᕅ૦ⅰᒴഭᑜ⦨ᆒՅॺⅰ⇆⿍䢬۠͞ᨁ⿍̿လˬᴮᆳ˗
㑄䢬㐫ՄⳒ⻐೮㐅ഫ⦨ᆒ⦾˗ᑘႰӍ
ॺⅰᄢᕤ䢻⦨ 2012 ́ྭ䢬כ㟘⨑̜͞ᇔ⼼᳤˷ⅰՆᑓ☲ּₛε䢬Ⳓ⻐೮ᆫ
⦨ᆒⅰᢴ␗́ˬǎ
⮍ػḳ㦵ଊ⮍⑦ݶ↋ᕘ⼼䢬ྷ⼕⡾ᴲ⇎ⅰഭㅽ㎠٨⦮⚭ⁱᮉ⨑䢬͞ⓥ˓̿ 㡨Ա㘝ŵᯄ㹩 nj⽜ఃᖍnj222x286cm
2011
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⒩܀ˮ४ Platform China 㩿ᘌᲢ᥇᧠㊊ 60 ⴻᘌᲢᜪ૭༚ˍ ༁ 601 +852-97688093
㧮ᴮ㡉 – ᖋ࠴ࡘ & ῒ㪊ἰຨൠ 䢯 02.01-02.28
OCT ₤͞Ⳕ⻒ˮ࿘䢴˖ᩄ㩉 ˔ᩂ㟤٩چ٩㊊ 1016 ⴻ
Ⳕэ༞ Alisan Fine Arts 㩿㩿͐⁰ᲢᩂҜ㑄 7 ⴻ⦿Ѩˬ࿖ 2305 ೡ +852-25261091
㶳ػ༞䢴٫̺ ٩̸ᕥ㡩ঁ⪿چᖎ 104 ⴻ +8610-64333393
㪁₤͞ߢ́Ⳕ⻒ˮ࿘ 㩿˔⫕ᖋ㑄 233 ⴻ⫕ᖋࠇᜪˬ ࿖ঁ༄ +852-25449918
2014 OCAT– ᶧ́⇜⇀䢯 2014.12.2003.01
ἔᑾᕧεަൠ䢯 01.19-02.18
⣞ᄜ㢜䢺᥇স˗ᕿ䢯 02.07-04.12
Ջ૯༞ ˔ᩂᓠ㠽⬃چ໙൴㊊ 50 ⴻ M50 Ⳓ⻐ چ4 ⴻឫ A1 ൪ 4-101 +8621-32270361
ഡك༞䢴˖ᩄ ˔ᩂ⬃໙൴㊊ 50 ⴻ Ⳓ⻐ چ13 ⴻឫ 1 ឫ +8621-63283399
180
CALENDAR䢴ൢ〛
㪏༞ Edouard Malingue Gallery 㩿ˬ࿋㍴㑄ˬ 33 ⴻ 6 ឫ +852-28100317
ᮗ㢢㌿ 㩿ˬₔᇃ⻓ 12 ⴻₔᇃ⻋ 401 ೡ +852-25269019
ऻ͚ アートフェアᖣ̸ 2015 䢯 03.2003.22 アートフェアᖥ̺ ᖣ̸㓃͜ډ⁰˵چのՅ˓ˎ↷ 5 ₚ 1 ⴻ ( ᖣ̸२㢂グપ૭ឫ ) 䢫 813-5808-1451
㓃⟜セレクション – ᑓ㘱⟜⻐೮䢯 02.19-03.15 ᖥ̺㓅⟞⻒㩉 ᖣ̸㓃۾ᖣ˔چ㕴Պ५ 8-36 +813-38236921
㥱२έ͜⟜⻐೮䢺㕷᳞ Byungki Kim 䢯 2014.12.02-03.01 २⒢έ͜⟜⻐㩇έ͜㌶☲ּ 2014– ᖋᒪ䢯 2014.09.30-03.01 NATIONAL MUSEUM OF CONTEMPORARY ART 㩾ḓ४⒤₤͞⟞⻒㩉 Gwangmyeong-gil 209 427-701 Seoul, Korea South +82-2-2188-6100
Africa Now - Political Patterns 䢯 2014.12.16-02.15 SeMA䢲Seoul Museum of Art 㥳४㩾ḓຍ⒤⟞⻒㩉 㩼ḑˬ⻐⟜چ㩇㊊ 30 ⴻ +82-2-124-8800
BMO Harris Bank Chicago Works: Sarah and Joseph Belknap 䢯 2014.10.11-02.24 Museum of Contemporary Art ⨳؟₤͞⟞⻒㩉 220 East Chicago Avenue, Chicago, IL 60611 1-312-2802660
Killer Heels: The Art of the HighHeeled Shoe 䢯 2014.09.10-02.15 Brooklyn Museum ♈☼ຎ㯈Գᗆ⟞⻒㩉 200 Eastern Parkway Brooklyn, New York 11238-6052 1-718- 6385000
Shine a Light: Canadian Biennial 2014 䢯 2014.10.17-03.08 National Gallery of Canada ؟ቆ૯४Ⳕ༞ 380 Sussex Dr, Ottawa, Ontario K1N 9N4 , Canada 1-613-9901985
Conflict, Time, Photography 䢯 2014.11.26-03.15 Alibis: Sigmar Polke 1963–2010 䢯 2014.10.09-02.08 Tate Modern іᐜ᧢ή͞⟞⻒㩉 Bankside London SE1 9TG, , United Kingdom +44-20-78878888
POST POP: EAST MEETS WEST 䢯 2014.11.26-02.23 Saatchi Gallery іᐜᦚଁⳔ༞ Duke of York's HQ, King's Road, Chelsea, London SW3 4SQ, United Kingdom +44-20-78113091
Stamp Out Photographie 䢯 2014.12.09-03.08 WHITECHAPEL GALLERY іᐜⅭᐓਕⳔ༞ 80-82 Whitechapel High Street, E1 7QX London, United Kingdom +44-20-75227888
Garry Winogrand 䢯 2014.10.1402.08 Musée de Jeu de Paume ४ྗӏⳔ⻒ˮ࿘ 1, Place de la Concorde 75008 Paris, France +33-1-47031250
CHUCK CLOSE- Prints, Process and Collaboration 䢯 2014.11.20-03.15 Museum Of Contemporary Art Sydney Australia 㣀ᚏ₤͞⟞⻒㩉 140 George Street, The Rocks NSW 2000 Sydney, Australia +61-2-92524361
ACTIONS FOR TOMORROW: YANGJIANG GROUP 䢯 01.17-03.07 4A Centre for Contemporary Asian Art 4A ̯ᨕ₤͞Ⳕ⻒ˮ࿘ 181-187 Hay Street, Sydney NSW 2000 Australia +61-2-9212-0380
Future Beauty: 30 Years of Japanese Fashion 䢯 2014.11.01-02.15 Queensland Art Gallery ᒕૈⴘ⟞⻒㩉 Stanley Place, South Bank, Queensland 4101, Australia +61-0-73840 7303
ᨿᲪ㕳䢮ତ㐼૭㟘 – ᖋ࠴ࡘ९㫼⣳ 㕵ₛзൠ䢯 02.01-02.28 ഡك༞䢴ζ 9601 Wilshire Blvd., Suite 125, Beverly Hills, CA 90210, USA +1-3108586545
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2014/11/27 上午9:41