《典藏-今藝術 ARTCO》NO269 2015/02 (試閱版)

FEB/2015

㡣 ₇ ͆ ェ 䡿 ᣏ 㦑 ˠ ₇ 䢀 ᒩ ⑤ ˗ ⅲ 㡣 㦘 ╍

ARTCO

草間彌生

䣀たჍⅲ‫؝‬㕷 䡿໥㤉㪏ᆫॲ䢀ˮⅲ⃜㭕˹⟵ Olafur EliassoO

C OV E R S T O RY

FEA T U R E

₍ ͇Ꮞྀ⼧➭

ARTCO

2015 FEB.269

2015 ໝ 2 ᕕ 1 ᑽֵ֨ No.269 ‫ֵ׾‬ᑞ 1992 ໝ 11 ᕕ 1 ᑽnj www.artouch.com Ⅼ⻍́䢮⍻㟌 ▐⏦ᗉ ᧊ྮ㧣ࠑ ↞ဓ⏲ᇤᧈྫྷ̠‫ؿ‬ᆳ ،ᇣᄜ ४㢄ḛ✼┈؊ 㓮‫ف‬૮ ⛷‫ف‬㧣ࠑ ྮᐵῈǍᕵ༆㐱 Ⅼൢ⊝②ೣ 㓮۞ࢤ ⍻ঋ ‫۾‬٩຋ˬ൴٩㊊ˍᣡ 85 ⴻ 6 ឫ 㣌づ 02-25602220 ҷ⇞ 02-25673297 㣌ಠП╀ artcomonthly@gmail.com Քⳉ͎Ⳕ⻒ ✼⛷㎌ 㭗ಞ⻲ ਋⻍˹⛷ ᗄஒ‫ܟ‬ ͳ؊⛷㎌ ཭ἒ㦆 ኽ〱⛷㎌ ᗄဖ⏦ ⛷㎌ 㭗ღὦ ⛷㎌‫إ‬ώ ಲಪ๼ ṁ☼ኽ〱⛷㎌ ܶះೌ ឳ㧍⠻ㄹ ༧Ɫ⩀ Քⳉ۵⟞⻒ ✼⛷㎌ ༧ਸ਼㣓 ṁ☼˹⓹ 㡡ࠚᢩ ኽ〱˹⛷ ⳅἒᾖ ‫إ‬ώ˹⛷ ،᧲‫ܓ‬ ਋⻍⛷㎌ ᙭ၝそ ⛷㎌ 㓮௭௭䢮ἔဖᐵ ṁ☼ᎏ㏽ ،ᝅෑ䢮ᖋ଩ὅ ⛷㎌‫إ‬ώ 㡡㢿㗌 Քⳉᇹ㇔

⟞⻒⛷㎌ ᰚண ṁ☼˹⓹ 㓮ᄏ⬷䢮ܶ㕷ᙆ ‫܀‬Ფঃ‫ڈ‬ṁ☼ᎏ㏽ ἔᴩ⁣䢮㓮ᐵᾖ䢨٩㒲䢩 䢮ಲಪ๼ 䢨ᙆⒼ⩠䢩،⠾ˬ䢨ˬ㒲䢩 䢮ㇹϭᡸ䢮ϳᒶഗ䢨‫ڗ‬㒲䢩

024

ᩄ૥ঃ‫ڈ‬ṁ☼ᎏ㏽ 㪍Ԫˬ䢮㡡㥪ᓦ䢨♆☺䢩 䢮㒷թ⩷ 䢨⟜⾼䢩 ᖋ⒢㖶䢨ᗫᗄ䢩 䢮βയⱢ ἔ㪊ᚍ䢨ຄ㷑䢩 䢮 ᗄ ᮼ ↜䢨 ⟳ ૭ ‫ ׈‬䢩 ᫙ ෻ 㡡 ᄏ ↜ ㇹ 㫒 ᖢ 㡡‖ೌ䢨єᐚ䢩 ˟࿋⇜䢨ᰎᨓ䢩 㒷ᕈᾰ䢨⫕ⴖ䢩 䢮๾⎂㶬䢨⩀ⴖ䢩 䢮〴⩆ჲ䢨ᑓ 㷊୥୥ 㷊ᾛ㢿䢨ᑻᕲ䢩 ‫؝‬ঞ䢩 ⻍ᐂ┹ώ㒴਋⻍‫⚯✼׺‬ώ ،㤒೛ ⻍㘷̢ᜬ㒴਋⻍‫⚯✼׺‬ώ 㭗˞԰ ⻍㘷̢ᜬ㒴✼↰ ᗄ♖Ὀ ⻍ᐂ㒴✼↰ ᗄ߈‖ ᕒ〚 ワ೛⯫Ǎ㉅ᦃ⭄Ǎྮைῆ ˮ‫ڙ‬㒴ঃ‫ڈ‬ᜬ‫⚯ف‬ώ ،ἒ㚗 ˮ㒴ঃ‫ڈ‬ᜬ‫ف‬പ޻ ἔ♖ᙱ ٫̺ঃ‫ڈ‬ᜬ‫⚯ف‬ώ ್ೌ໚njᆾ៬ 1391-1606221 ٫̺ঃ‫ڈ‬ᜬ‫ف‬പ޻ ⁰❰㈷njᆾ៬ 1391-0223375 ٫̺ঃ‫ڈ‬Ⅼ⻍പ޻ 㷊⪙ ٫̺㏇̢ⴷ ٩̸຋ᕥ㡩‫چ‬ⅬಞᲢ㊊ 32 ⴻ⳺ᗈ⍹‫چ‬٩ ‫ⴻˍچ‬ឫ 2908 ೡ 㓀⛷ :100021 㣌づ 8610-5826-4541nj ҷ⇞ 8610-5826-4542 ˖ᩄ㏇̢ⴷ ˔ᩂ຋ྮ‫چٸ‬૭ᕯៗ㊊ 158 ཌ 20 ⴻ 3101 ೡ പ⛪ 021-64046976䢮021-64046973 ҷ⇞ 021-64046971 ˖ᩄঃ‫ڈ‬ᜬ‫ف‬പ޻ ཭⬷nj ᆾ៬ 1381-8003935 ໙そ㢼 njᆾ៬ 1381-8046365 ˖ᩄঃ‫ڈ‬ᜬ‫إف‬ώ 㒍ᐟᶱnjᆾ៬ 1381-6484445䢮021-64046976 ᜬ‫ ⻢͞ف‬ᖋ⨣ៈǍ㓮ᐉႤǍ㓨⎝ྑ ᜬ‫إف‬ώ ⮀Ѩᑚ പ⛪ 02-25602220䢮04-22857601䢮07-3384104 ҷ⇞ 02-25679295 〖㟼䢴ㅄ⡅ᕚ‫ف‬പ⛪ 02-25602220 Ⅼ⻍˹ͯ 〴㘛ᐵ Ⅼ⻍പ޻ ྮ⎺͸Ǎ཭ಞєǍ،ᓉ㏋ 㣌づ 02-25602220

ˮ४͞ώ ˬ२२㢂९ᕈ㇋ᒠ✺Պ‫˔܅‬ᩂ֯Պ‫܅‬ ঃঋ ˬ२ 200001 ˔ᩂ຋⎺๵㊊ 355 ⴻᐵ٨ࠇ༚ 9 ឫ 㣌づ 8621-6374-7048nj ҷ⇞ 8621-6320-1402 ᆮ‫ ܕ‬ՒⳇⳒ⻐೮༆⢮ͮᕔ㡉Պ‫܅‬ 㓀ᎇ 19848605 २Յኵⴻᣵᕲ۵‫؝‬㒾㇒ᑓ‫ ໍ۾‬20 Ԫ २ૣኵⴻᣵᕲ۵‫؝‬㒾㇒⟜㕷 10 Ԫ ‫ۆˬ הڪ‬㐢Ӎ⢮ͮᕔ㡉Պ‫܅‬ 㣌⥀ᇅದ 㭗Ὲ㣊⤾ኯḙ⢮ͮᕔ㡉Պ‫܅‬ ⻋᐀㡕ᑓ⢂ൎ֦ḙ ൎḙ‫۾‬へತⓥ 9657 ⴻ ˬ⬷㒾᐀٩‫۾‬ತⓥ 4363 ⴻਉᵦⅩ〤᳤ ( 㢴へ ) ̳೶ ε⡃ᇷ␺⇀㠙⮍εᡨ⢍ᒛ ᳤्ᅞ⛆㊊㇒〙ᒿ͜Ϛ⦦۠ઌ‫؝‬ᕲ㢴へՅ೰ⅰ༴᧍ ҵᎊ‫Ⳓ׋‬ᐵ዁༴́೐ᐅ䢬ᕲ㢴へ‫ᢩו‬㐫⻋Ⳓ⻐⛆㊊ ́ཅ᝵䢬͞ᕧ⣳♺܎έ͜⏲ᇤ䢬ᕘ‫ؿ‬ᕅ૦ⅰㅂ⡃ǎ‫ܒ‬ ᒿ᳤Ք㧡ॺᕲֳᇷ␺ⅰε⡃́ᡨ‫׈‬䢬Գ⁣⮍εᡨ́ ☵♑䢬ᕲֳḿᢪೠ㑅䢺‫וګ‬㈭䢬֚۩ᕲֳ㑪␺䢬ᆖ ᑜᕲֳᇷ␺⚭ኻ⁨⡃䢬ᕲֳ㡗ᐵ␺ֳⅩᑜᕲ㢴へ䢨‫ܮ‬ 㣊ಞ㢴へḙ䢩ૣ䢬⮍ε̿˧‫ܒ‬჋ᕲֳധᐵ␺Յ೰㐓 㐿⛆㊊༴᳤ҵᎊ䢬⮍ε̿଩ᕔ˗‫ܒ‬჋⿇⡃䢬ᅞԯ⢍ ᒛᆖЙ₍ǎ ḙᡨᆳᕔ : ᕲֳ९ᐵ㤔⚭ᕲ⍹‫ܒ‬჋˗ྲֳ㍫

〖㟼ӱᙂ⻢䡷ܰ㓀㇔䡸

✼⛷㎌ ᗄ̭Ѩ ㇔᪨⛷㎌ ܶᐚₛǍ㡡჋⬷ ⛷㎌ ᘇ⧇ഒǍᜉᛓ⪱ ṁ☼ኽ〱⛷㎌ ⣞㕯⳺Ǎ㡡㥪ᓦǍ㧎㗌є Քⳉㅄ૰˗䢴͎Ⳕ⻒ ˹⛷ ᗄ̭Ѩ ‫୲ ⛷˹׺‬ᒨྋ ਋⻍⛷㎌ 㡡⩆ἰ ኽ〱⛷㎌ ᖋ♖㈷ ‫إ‬ώ⛷㎌ ཭̭ᄜ

૯㡨ṁ☼ᎏ㏽ ܶ㲽 ᕵՐ ↋‫ ؛㉅ ؛‬ᆲᑚ ᯀ ᓦ䢮ἔ⛁ⲋ䢮̭ܶ⁶䢨٩̸䢩 䢮㉅๴䢨˔ᩂ䢩 䢮ワ↜↜䢮 ᜉ૮ລ䢨㩿᫑䢩

〔㟺ᕧᐨ 〔㟺‫چ‬৴

nj

ˍ໛12 ᕧ ̡໛24 ᕧ

‫۾‬Ტঁ‫چ‬

NT$

1,940

3,670

᫑ᰎ૭㡦ঁ‫چ‬

NT$

3,850

7,500

̭ᨓ૭᧲ᨓঁ‫چ‬

NT$

4,750

9,200

ᢚ⟜㤔ᨓঁ‫چ‬

NT$

5,680

11,000

GLOBAL VISION䢴४㢄⿏㕶

ARTCO䢴269

C O N T E N T S

ART TALK ⇂ェೣ

94

ന〯ᢚሚཚ䢮⨜‫؛‬㠼ᛃŴ₶႗Ǎそ჋ⅰ‫؛‬㕵ŵδറⱤ

98

έ਻Ŵ⽜ᐨⅰ͒⡃nj㡡₅̈́ゥǕᣍ㦏˞₅ǖŵᕍ⩌┊

FORUM Ⳕ⻒ゲબ

102 ̿㟠ഭっ㙺Ŵᐵ٨⁣⁥╊ 4䢺‫⦾̄ٺ‬᥌᰽Ŵ₢͜Ⳓ⻐ ≷ㄤⅰ⁣⁥‫៪ک‬ŏ䢨ᐤύ䢩㭙‫ڋ‬ႦǏ‫ڙ‬ᑜᕠ SPOTLIGHT Ⳕબ᧚↹

106 ᳤⦨ກ؈㟘ˍз➘۲Ŵ㠙ᑜǗ˗ॺ९Ӎˬ⻋‫ػ‬ǘŵ‫ڠڝ‬ 110 ྡྷ㏪ 2D ⦾ 3D䢬ဓ⛢‫ݶ‬ḳㇰ㟠ⅰ㏼॥Ŵ Emmanuelle LainéǗ㑳₅Ṹ̘ⅰᢧჅǘŵぬ⢼ᖤ

EDITORIAL ⛷㎌ᆾ〦

114 ᨺ৪㐿ྕ䢬Ⅼ⧛ឺჵnj㡦ԯ㘛Ǎ㒷⛁२㢱зൠŵ㭙ಠ⻴

30 ᑓᤵㅽŵ㭙ಠ⻴

116 ⦨ⁱⅰ㟠㢁Ŵㄦ㌹ & ឫŵ཯ἔ㦈 118 ᢵᑜ⦨ᴿŴ㉅̈́㍽Ǘᴮ↭ⳇǘзൠŵᖍ♘㈹

COLUMN ͎പᡦ

32 ⦾⍹ᕐ̳ྡྷ́ྭŵ㷌಴ᡪ

OBSERVATION Ⳕ㷠⿭ഌ

34 ㈷㈹㤋ᛃⅰ㤋ᛃ✣⒢⟜⻐㩇ŵ㕶ා‫׫‬

120 80 ྭ₢͜Ⳓ⻐‫׼‬εⅰέ഑⁣ჵŴ૮⟜਌㕷ᕐ㩼ᡷ⧀㏅

NEWS ᴴ㷠ᑕ⢄

122 ⾾ጜ㐼‫ػ‬⡈˗ᒴѵ᨜‫ػ‬Ŵന〯‫۾‬٩຋ᐵ٨ൎ㟊ѓ㕳⬷ŵ

‫۾‬ᲢⳒ⻐೮ᩂૣ〯ۜ〘ₛŵ㭙ಠ⻴

36 २㢂䢮ˬ२䢮‫۾‬Ტ SPECIAL REPORT ṁ‫਺׆‬ര

48 ྕӍ₅㤘ⅰۣ㌨လ⦾‫۽‬㐎လŴ㡡㦖╋ 2012-2014 ໛㟠⽜ ܎ఃᖍεަⅰ㟺ㅂŵ㷌ᩄ㲌

䢨ኻ〯ᐤύ䢩ᗆဘ⏨ 124 ᏿⇴‫۾‬ᲢⳒ⻐຋਻ⅰᕰϚŴന〯ₛ༜‫ږ‬ᕐᑓͭύ̠㟊 ἔῈ⎪ŵ䢨ኻ〯ᐤύ䢩ܸ៉೎ 126 ₢Ⳓ⻐‫܀‬㐫ՄᐨΦᒿ͜Ěന〯⯭ዞН〣˷ຩ James Cuno ŵ㭙ಠ⻴

52 ᒧ③˕ⅰ㡡㦖╋䢺ˍз೮༆ˍзᐃ̠〴૦ᵦḘŵ㡣ᄑ๋

130 ॺ⿈〠⦾ᑻຯ⁣᨜ˬ⇎⿇̿ᤧⅰ‫؛‬㕵Ŵᒭ́₢͜૧Ǘ₢

FEATURE പ㧍ͳ؊

134 ↲⾼ೌ䢮δ᧿͸࿋ŴϚ⦨࿖ύҵ〤ⅰᑓύ⿼ŵ㭙᝟⏒

͜ᐵ٨⦾৪຋ᓡ⿫ǘ☲ּグપŵܸ៉೎ 56 㧧ྕḳ䢺₢͜Ꮳྕ⼼⟂ 58 ѵ᳤Ǘ‫ػ‬さǘⅰ‫۾‬ᲢᏣྕ⼼⟂ŵᖍ⒤㖸 62 ˗ॺ䢨՜䢩䢺⇀Ḙⅰ〤ᅎ⦾㑤࿤ŵ཯ˠі 68 ③㟠ˬⅰྕӍ‫ה‬ი䢺२㢂₢͜Ꮳྕ⼼⟂έ਻ŵᑟᒐάǏ

CROSSOVER ㊆₇⿏㕶

138 ‫ྡྷנ‬㷔ᔂ᭶↜́ঁ䢺Ǖ໣㤇㪍ᆩ॰ǖˬⅰ⃚㭓२㢂˷⟳ŵ 㹮‫ڗ‬㌻ 142 ⧐㋔⦾ᐵತⅰ⇀㐹䢨0䢩ŵ㓘᡺ഔ

㷌̯☸

144 စឺ⇎⿇጖᭵䢨̡‫̍ڇ‬䢩ŵ㧐ී REVIEW ᪨༂けゲ

72 ᪬␯Ǎ̳❌❿❕⦾Ⳓ⻐≷ㄤⅰ⢝㌨٨ŴゥǗ㮢㮧ⅰ㏼㏪ǘ ⅰঁᑚလ⁣⁥ŵ἖⡾㟝 76 ᆑ᳤९ₛ́‫נ‬ŴǗま䢮㐟ǘⅰ᨜̿ₛ⦾९ᓡŵྰᒝᱥ 80 Ꮳྕϓྰⅰ਌∑ᐑ̿㧙ಾnjӒ䢬㠼ⳅⅰᏣྕεަŵᦋΏ˥ COVER STORY ഥ㤚ᐅ̢

026

146 २㢂䢮ˬ२䢮‫۾‬Ტ ART SCENES ൢ⿪㑤͏

172 ˗εₛⅰₛεŴ՜ᐐ㏻njܶဖ⯏зൠŵ㥳̃ᮋ 174 ಭ೴ⅰ⛎᏿Ŵ㕳έᢴ‫܀‬㣂ᵙˬⅰᦘ⡄ŵܸ៉೎ 176 㑪۳⸧͌䢮㕳㏪⓷ઔŵ཯⏙ㆆ

84

६㷞⎣પ

87

ᆒॺ㐛Դ䢬Π̓㷃̏˗ᒴĚ⪿㟠ཻ⁣ⅰⳒ⻐́㊊ŵ᫛෽

90

⪿㟠ཻ⁣໛⻠☶̠ŵ䢨ᐤύ䢩಴ಬ๾

92

ഫᇢ৪຋ᕰϚი䢺㭗㢟຋⒢⟜⻐㩇㩇㟊ワο㣝ゥǗ⪿㟠

CALENDAR ൢ⿪࿳〛

ཻ⁣̭ᨓ๸㏼ൠǘŵϵᒸങ

178 ൠ⿨ᕓਸŵ⛷㎌㒴

Ŵ

⪿㟠ཻ⁣εަˬⅰလ䢮࿤䢮ვŵ཯ἔ㦈

SNG ൢ⿪↿Ꭲ

177 ᒭ૮Ϛ૭ᬰ䢬ഫᇢˍ༁Ǘᆒмⅰǘ‫ژ‬ḳ㩇ŵ㷌ⴘ᷄

ARTCO䢴269

GLOBAL VISION䢴४㢄⿏㕶

FORUM

C O N T E N T S

102 Ğ Dialogues – Materialism 4: Scarcity and Abundance - Contemporary Art Knowledge Ĝ s Production Crisis Ğŏ Kao Chien Hui, Nanfang Shuo SPOTLIGHT

106 Cut Open a Gap for Yourself - About Unlived by What is EDITORIAL

30

Fresh Persective ŵ Kao Tzu-Chin

Seen ŵ Bianca 110 Cycling Between Mind and Matter, To and Fro Between

COLUMN

32

Post Socially-engaged Art ŵ Huang Sun-Quan

34

Beyond Aomori, Aomori Museum of Art ŏ Tsuyoshi Nojima

2D and 3D: Emmanuelle LainéĝTaking Pleasure in the Confusion of Borders Ğŏ marc yuchieh chan 114 Glimpses of Cities, Sundry Persons of Countless Looks - Lu Hsien-Ming, Kuo Wei-Kuo Dual Solo Exhibitions ŵ Kao Tzu-Chin

NEWS

36

International䢮China䢮Taiwan

SPECIAL REPORT

48 52

116 Ğ A Gap in Freedom Tan Jun & Upper FloorĞŏ Chang Yu-Yin 118 Back to Nature: Zhao Ren-Hui Ĝ s Solo ExhibitionĝThe Nature Collector Ğŏ Li Suchao

Visual InterfaceĜ s Reflexivity and Reversibility–Reading Chen Shun-ChuĜ s 2012-2014 Mixed Media Art ŵ Huang Hai-Ming

OBSERVATION

Chen Shun-Chu Under the Starry Sky: A Family, A Story,

120 The Present Situation of Post-80s Artists - The

and Many Photograph ŏ Chen Hui-Chiao

First Overseas Trip for Taiwanese Artists to Visit the

FEATURE

Contemporary Art Events Organized by Tianmei Art

56

Foundation ŵ Kao Tzu-Chin

Developing-out Objects: Contemporary Photographic Installations

58

Taiwanese Photographic Installation as aĝVerbĞŏ Lee Li-Chun

62

Not Around, Not Anymore: Remembering and Forgetting with Photographs ŏ Chang Shih-Lun

68

122 Movements not Activities - Interview with TaipeiĜ s New Cultural Affairs Commissioner Ni Chung-Hua ŏ Lin Yi-Hsiu 124 ĞVision for Taiwan Ĝ s Art Market Future Interview with Taiwan Art Gallery Association New

Visual Tingles in the Space: On the Sites of International Contemporary

Chairperson Rick Wang ŏ Wu Shu-Ann

Photographic Installations ŏ Shih Yun-Yu, Huang Ya-Ji REVIEW

72

126 Pushing Art History into the Digital Age - An Interview with Getty Trust CEO James Cuno ŏ Kao Tzu-Chin

Hybrid, Entangling, and the Embodiment of Artistic Knowledge Regarding the Production of Locality in The

130 Power of the People from Disciplines and Everyday Lives: Spring Project @ MOCA Taipei, Contemporary Culture and

Return of Ghosts ŏ Wang Sheng-Hung 76

of Eternal Fading Words ŏ Hsu Ming-Han 80

COVER STORY

Altar of Dots Ŵ Sex, Forgetting, and Love in Yayoi Kusama Ĝ s Art ŏ Chang Yu-Yin

Understanding ŏ Kao Jung-His CROSSOVER

138 Toward a Land of Overwhelming Darkness : Internationalism of Sickness Bodies in Ghost Circus ŏ Gong Jow-Jiun 142 When Dance and Words Meet ( 0 ) ŏ Tsou Shin-Ning 144 How to See Rockěn ĜRoll (29) ŏ Yan Jun

87

IĜ m Here, but Nothing - Yayoi KusamaĜ s Journey of Art ŵ Yu Wei

90

The Chronicles of Yayoi Kusama ŏ Sun Meng-Ciao

SNG

92

Searching for the City Ĝ s Sense of Future: Director of

146 International䢮China䢮Taiwan

Kaohsiung Museum of Fine Arts Pei-Ni Hsieh onĝYayoi

ART SCENES

Kusama Asia Tour Exhibition Ğŏ Ho Yu-Kuan

172 Paintings Without Painting Reiterate: Solo Exhibition of Wu I Chien

ART TALK

174 Blooming in Solitude – Sadji Over the Course of History

94

Interview with Olafur Eliasson: Confusing yet Poetic

176 Old Meets New, Return to Brush and Ink

Power ŵ Yu Hsiao-Hwei

177 Come to Daxi in the Spring, Search for a Museum of Our Own

On Site–Others Chen Chieh-Jen onĝRealm of

CALENDAR

Reverberations Ğŏ Tseng Chih-Yun

178njExhibition Calendar

98

028

134 Lucian Freud - Psychobiography Induced New

A Photography Apostle Ĝ s Christian Anthropology Photography by Lan, Servant of God ŏ Shen Bo-Cheng

84

the Urban Landscape Seminar Series ŏ Wu Shu-Ann

Before Becoming a Picture: Living Picture and Tableau

e 書購

古今投網路部廣告21x28 ol.indd 1

2014/11/27 上午9:41

ARTCO䢴269

EDITORIAL䢴⛷㎌ᆾ〦

E D I T O R I A L

新氣象 Fresh Persective ᐵŵ㭗ಞ⻲ ᐵ٨㒲‫נ‬㒲㟊㹧ᅞ‫ ۾‬12 ᕓ㢋⻋᐀㡕‫נ‬㡕㟊ᥦ೛ៈ㢹⢑ྭ䢬ᐵ٨㒲㟊ᅾ➘ 㐴ˍз‫ڏ‬ᕓ䢬˔зᕓ໴ⁱ͜ύ㒲㟊ⅰ᐀‫ؿ‬ᡷ㟊ᨋಪࠚ⇜㡗䢬‫׸‬ᆼ↽኿ᇛᢩ䢬 ͞ᥐ᐀‫ؿ‬዁‫ػ‬ᴮ✩኿㌸ǎᨋಪࠚᕋͭᐵཅᕐⓥˍⴵⴵ㟊۠͞ˬ㒲㏅Պೡ‫׸‬ ˷ͭ䢬᳤̜ㅐ໛㍵Ⳓ⻐೮⣳ᕔᕅ૭ⅰⅪዺ③㟠䢬ॺˬ㒲⿊ྲ㟟⟂③㟠ŴŴ ‫ˬ۾‬Ც㌶⒧ж༄䢬ᐤС᳤Ⳓ⻐③㟠䢬̏ൄᒴέॺ᳤̿ᆳ≷ⅰ‫ ˬ۾‬20 ⴻж༄ Ⳓᐵḿ‫ چ‬ǎ ‫ܒ‬ᒿ䢬ᴮグᒴਉኩ㩼㓃ᐵ٨૭ᜪⅰᐵ٨ൎ㟊䢬۠͞ഭᑜⳒᐵ⁥ᜪ₅ྕ㦏᪦ 㑎ⅰˬ⬷ᤧ२ₛ༜‫ږ‬ᕐ䢨͞˕▐␲ₛ‫ږ‬䢩ύ̠㟊䢬̏㓃ॺᑓ໛ༀ́‫⌒־‬೙ ̜ᑓͭⅰ̿㑢䢬‫₍͞۽‬჋ⅰᒴ䢬‫۾‬٩຋ᐵ٨ൎ㟊ѓ㕳⬷⦾ⓥ 12 ൒ₛ‫ږ‬ύ̠ 㟊ἔῈ⎪䢬Շ̿㓃ᕔㅳ೼ⅰᜪ₅⚭㬟䢬ἔῈ⎪ᕋᒴૣࠇՊ‫܅‬ⅰ㭗㡷⚭ύ̿䢬 ⡈ྭྷҫ㨩☃ަǍ‫ࠛހ‬㨴㨡⦾₢͜Ⳓ⻐ⅰՍ‫⚭ܒ‬᷊‫׋‬നᜪⅰⳒ༜③㟠䢬̵ ᕔ 10 ૦໛ⅰ᷊㐼㇒ᢴ䢬⡈Ϛ⦨ᑜㅳ೼ⅰ२㢂⚭㬟䢬ㅐ͒ॺဓ♘ǗⳒ⻐૭㟑ǘ つ଩ή㟘ࠚᒿ䢬‫כ‬ᕔ̜ᜲ᳤⑆ᜲⅰ⿇⿼䢺͒べ᳤२㢂ۜ⦾ᒴ࿘ᴿⅪൠⅰᑚ ‫ܗ‬䢬Ǘᒴ‫۽ܩ‬⣳㐓㐿‫␯܋‬᨜‫ػ‬䢬ۙᏼㅊ‫۾‬Ტ⍹ᕐഭⳒ⻐ⅰ⿫ი䢿᳤ᕰϚ㙢㡡 ิᑓⅰൎ㤘䢬ອ‫ػ‬۵ˍ␯຋਻ⅰ㟘Ⅺⅰ‫ܒ‬ᒿ䢬̏‫͞۽‬㐓㐿ㅐ२㢂̿૆べㄤ ‫۾‬ᲢⅰⳒ⻐䢬㐫⡈ዞ‫ڌ‬२Յⅰᐵ٨Ⓔḇ‫ ؛‬ǎǘ ⡈ⁱ㦆ឝ̿ѓ㕳⬷֦ͭᐵ٨ൎ㟊䢬㢮ᴿॺ⁌㑢́‫־‬ᕋཙⅪ̜ˍ̬ḇㄸ䢬㈨ 㪍˔ͭྭ䢬͒˗デ〓≷㑄⦨ກⅰ˗㉘䢬ᐃ⡈ॺ‫ נ‬100 ૮Յ䢬͞ር〯ᐵ٨₅ ̿૆Ǎ࿉じഭᐤ㭓Ⳓ⻐ᐵ٨ⅰཅㄸ᳤˷⾾๺ε䢬‫־‬᢫૭ᑚ‫ܗ‬㡗̜‫⋘⁨׈‬㭓 ೎ᐤ⁥ᜪ㜣䢬㑮ٛሱഭᑜ⋘㭓ⅰ਌⍓ᐤ᦯⦾⛁ㄺᕅᑓ䢨ϟ଩᳤‫۾‬٩຋⒢̳ 㦏ឝ॰ഫᇢ③㟠䢬ᆖᒴᐤСຂᕔ 30 ໛ᢴ‫܀‬ⅰ‫۾‬٩຋⒢⟜⻐㩇㩇⧄⦾ᏃཅՒ ⳇ③㟠⓺䢩䢬۵ˍз‫⿇۽‬ⅰ㕳㷞‫כ‬ᒴϚ⦨ѓ㕳⬷ഭᑜՐനᜪŴŴ㦆ឝ⁥ᜪㅊ 㤛ⅰ⿫ഊ࿖ྲ䢬ϟ଩ 4G ഗ㧀ᒿ͜ອϚǗ㦆ឝ䢫ྕӍ䢫̥‫ػ‬䢫 Live ǘⅰิ ᑓ⡳⢔㦆ឝᑚཕ䢬ՐˬǗՅ೰⁣⁥ǍՅ೰Ⅺ⻋ǍՅ೰ҵ㎒㐛˓␯⿮⨑ᒴ˧ 㕳ⅰ䢬˧˜ᒴ͞⁣⁥ǍⅪ⻋ՑᕔⒺḇ‫؛‬ⅰԖㇰՅ೰᳤♰ᜲ↷ឱ䢬᐀໺㇒ᬚ ⅰᇷՄ̏♿˗⣳⤕㢹ՑᕔⒺḇ‫؛‬ⅰԖㇰՅ೰㐛з㍫㭓 ǎǘ्⡈኿˕Ϛⅰ㕳 㷞๺εധ⮍㕳ᑜᇮཅ〲ˬⅰⳒᐵ਻㩇Ǘㅊᆑ㭗᠐ⅰᐨΦՅ೰⁣⁥ˬ࿖䢬⡈ ˗۸ᒴঁឱလⅰཅ╋ ǎǘ ˔ͭ́‫־‬䢬ᕲֳഭᑜՇΦⳒᐵਉኩ⧡ᆼⅱ㐫⻋̜ന〯䢬ず९ॺ͒мⅰ㧔ᓡ ٘‫ع‬₢ˬ䢬ႰӍ‫۾‬ᲢᕰϚⅰᐵ٨ⳅ९ ǎ̏ᕧྦϚ⦨ᜪ₅Ǎ཯ゞᬥ㐜᳤˔ⅰ ՇΦ㦦മ⡃䢬⌒഑⣳ˍᑓᑹᕔⅰ៪᝵Ǎ♲❌ᐵ٨ ǎ

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圓點祭壇 ALTAR OF DOTS ⫁ 㟢 ཽ⁥ηިˮⅲသ䢴࿦䢴თ Sex, Forgetting, and Love in Yayoi Kusama’s Art ᐵ䣼཭ἒ㦆 ९ŵ㭗㢟຋⒢⟜⻐㩇

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८㷠౪↍⡃ 䣀 ଝ⎥ສ⧀თ㶦⚘ 我是一個圓點。你也是一個圓點喔。另一個圓 點，則是你那個朋友。地球也是圓點。太陽也長 得像一個圓點。月亮的形狀也是一個圓點。圓點 是沒辦法獨自存在的。唯有在均一的整體主義所 產生的連帶意識裡，每一個個體才能顯揚出臨 接著自己的另一個個體。 ─草間彌生（Yayoi Kusama）， 《曼哈頓自殺未遂慣行犯》( 註 1) 1973 ໛⪿㟠㢹㟘̜ᕋ‫؝‬բଡ᳤౨↋ଛἔⅰ♆ ☺㏪ोᑻᕲ䢬˧ॺ 1978 ໛ഖ˕ଡⅰയゐⴵଛ εǕᕊޭ㦡⦨ᣤᕰ㐷ᄋ⻋Ṯǖ䢬ଡ͞ⓥˍ̿␲ ⅰ⿍㷞⦾⚭㬟䢬᪯Մ᨜⤕ഖ഑Ǎᎇ̘㊎㌏ⅰᕈ ഖ䢬ኁቷᕋ⚭ᆳⴵ♆☺ᒿ͜ⅰ‫ڨ‬ㅽ䢬യゐತ⼿ ⻋㟠ˬ̏˗ᒿ̂ᨊ֦ଡഭ‫׼‬ε⇜഑ⅰỳⅫ Ŵ ٛሱ˞̿ᆳᶔၡⅰǗ६㷞ǘ ǎ‫ګ‬Ͼ६㷞˧㤔⪿㟠 ỳ൰ⅰ‫׼‬εന‫׈‬䢬Π˗‫ܩ۽‬べ​⿍έ˕ᐤзⳒ ⻐˞₅䢬Ǘ६㷞ǘ⦾⪿㟠ᐨ‫ڇ‬໛Ϛ཯ᳮ㢴዗⑆♟ ⅰ㠙⢊လ䢬໤̃ॺ჋⟳˔ຂ؈˔⓺ⴻǎാ Րॺᩓ㇇⍹ᕐࠇަⅰ‫؝‬ቆ˕䢬⪿㟠 ཕⅰ६㷞ᕅΘ⽐˔☖⻜ⅰ㘵߲ Үႌؓ䢬ᴿ‫׫‬㡗Ǘ६㷞ǘ⻠൪ 㐛 ̬ ᴮ ೫Ǎ ⁠ ⟜Ǎ ❱ ♑ ⅰ Ⲉ 㣭䢬Ǘ६㷞ǘᕋᒴ⪿㟠཯ၤⅰ ᢬࣮䢬ॺ౨↋䢨Hippie䢩↨⻋ ⅰ໛͜ǎ 1960-70 ໛͜ⅰǗ౨↋ǘჵༀ䢬ᒴ㖁ഭ ᆨḇ⦾ᤧᑪ˷⟳ⅰሊᇹ⦾᐀᦯⻠ჵ䢬͞˗⟖᏿ ⱱⅰ㢴̳Ǎလ⿼᏿⦾㷂Ⳛ᰽⁨⓺⻋᳤䢬㢑‫̜ܮ‬ ᒴС࿀्ᆨḇǍέ͜٨Ⅺൠᑾຂ₴㢹⡈₠٨ⅰ ̿လ䢬౨↋мೠ␲Ǘળᇳလᄢ㕨ᆑ̜ᆨḇǘ䢬ⳃ ⁱ⿼᏿̿㧙ഭᑜလ‫ۆ‬ୣⅰ᡿ᥐ‫ݶ‬ႰӍ䢬ҵ㑅ۣ ᆨⅰύ࿸ǎ㐛ឺⅰ᤯४❒❕̜₢ᒿ⪿㟠ᆳⴵⅰ ♆☺́လ​੸䢬͞လ᳤‫ܓ‬ⅰ᨟ഭ䢬଩ঁ˕ᐵ٨

⫁㟢ཽ⁥ Yayoi Kusama ŏᕌޯ㦣⦪ᣦᄍṰ̃ᢙ Song of a Manhattan Suicide Addictnj㙺Ӎ䢨1 ֯ 24 ⏳䢩 ൉ഠϭέ਻⡈೙nj2010

⧛䢬⻠㤘ⅰ㢑デǍ㑙ዂ䢬‫ॺڱ‬ຆཌ㟠Ⰵ‫ر‬ᐗ⮀ǎⁱ⪿㟠♲❌ᐨз౨↋㤋 ໛⡈ᆑⅰ⻋᳤⻠ᮉǗ⪿㟠࿱㟓ǘ 䢨Kusama Happening䢩䢬ധ㐛̬ॺ౨↋Ǎ ᐵ٨॥㢑‫څ‬ഭလ㟘᏿ⅰჵༀ䢬ٛ⼼ᆑ‫⦿ګ‬Ǎ㢋៪ⅰ⻋᳤⻠ᮉ䢬㑪㢡⁶ଛ ॺ⮍‫ܓ‬ᓡ㷞⑨Ⅺⅰ⽏⧐䢬˧ॺ⻠ᮉ⡃⦾⿫⇶㌨˔ₛ˕˗‫ܒ‬㧎⨑ⅰ६㷞䢬 Ǘ६㷞ǘ̏ᆑ᳤Ǘ⪿㟠࿱㟓ǘ⻋‫ػ‬ⅰࠇឱǎ ॺˍണ⪿㟠⦾ଡⅰ⻋‫ػ‬॰㭓⟅‫⚋ܓ‬₢ᒿ✺⚕ോԱᛃ䢨Richard Nixon䢩ⅰՊ㟘Нˬ଩ᢪഖ㑄䢺 Ǘঃὺ‫ೌݸ‬೚ˮᐪⅮ⭦ⅲᒩᒩ ˏូ‫ۺ‬ᒶˏйറ㷠䢲ᵁ⡊㉾㐝̮‫ݸ‬ໜ۠೶㤔ⅲ૰㭕⇂᣻䢲ঃ ὺ‫ڳ‬Ԯ᭸̞ᄯ၍‫ݸ‬㮒ḉǐģģㅒᆔо⽑㌪㤘Ꮩ‫ܐ‬⡊᳦ˏ䢲െ ӏ㨑˖㣄Ⓕ㒆ូ䢲ॼ㌪˖̧⇂₝᭸८㷠䢲ॼᴰ୥ᴰ♲ⅲ᥉ဵ⽁ 㤚ᩕ⸩⦪ᆔ䢲㐝ូλᇀᕖ㏇᧊ώ⿾͠ᔙᴰ᧊‫ד‬ᔙⅲ⇞⇂ǐǘ 䢨〺 2 䢩ᇳᆖॺ౨↋㦆ឝ↨ᕐ⣞૆ᇅ䢨Woodstock䢩ⅰ⻋᳤⻠ᮉ䢬ଡṂ⮍ˍ ‫⪿ݶڀ‬㟠㌨˔ⅱ΢᭶६㷞㪍Դ䢬ॺ⦨ᴿ㟠ზ჋⻋㈨䢬଩‫ˍܒ‬Φ६㷞ଛ⎣ ຨ䢨High Priestess of Polka Dots䢩䢬ധ६㷞ⅰ໡⻐㡁⮍ᑜ̿м㌨ ˔䢬଩‫ܒ‬ᑝ̞̿мЙㄺ⨑⧛䢬̿㕳ᑓ⸧Մ˞₅Ǎೊ೘䢬ଡ㐛 㷃ゐǗ⸧Մᑜᴮ㡉‫ܪ‬䢡⸧Մᑜ​੸́ˬ䢡㑤࿤⦨ກ䢡߳ᕔ ⊴ઽ⦨ᆒᆾᒴ⁣ಥ́㑄ǘ䢬ⁱ६㷞ⅰ᫙Ꭰ‫ם‬᪾̜̿㧙⦨᭶ⅰ ỳḿ䢬㕳ᑓ༁ឱ̿လ⦾⭤ḳⅰ≻㡖ǎ ₢ᒿⅰਸ♏ǕTown & Villageǖᕋ㐛ឺዝ㏻⪿㟠䢬Ǘ⫁㟢ཽ⁥ⅲ⌔ ҷ㑇֨ໝ㍷ˏ͞ॼ⿨ྴˠ₇ᕖᗮ̮㒴ֱ૷ዂⅲ‫ܔ‬ᓁ䢲࿘ˮ۠ᕩྨ⣵ᕖᕇ ૨⟞ଦ⼗ቘኵ֨ϜⅲႲ᧊ǐǘ䢨〺 3 䢩ଡ͞౨↋ⅰ☃⎖᳤ᕲ䢬‫⁨׈‬᪬ᆨΘ ⅰ૵໲⻠ᮉૻ㢴ഭᑜ‫ݶ‬໚ऩྡྷⅰ⎂㧔䢬㐛ᒴ₢⿫⡃㞗㇤Րεަᒿ䢬ᴮグ ᒴ㤘ഭ଩‫ܒ‬႗ᒧ⧛䢬সኵॺ③㟠ˬⅫ㷞☻ὸⅰ⼼⟂Ǖ६㷞ਉ࿸ǖǍᇳᆖ⪿ 㟠Ց͜⻠ⅰ⒢㭓㢭੐Ǖ‫ڗ‬‭ǖ䢬۠͞ॺǕ᳤ፙვⅰ㮙㕷㩿᥇ဳ⎂⏙ǖᑜ♊ Ⅻ଩⎂⏙ೡⅰ③㟠⟂Մˍᕸ‫ឺܒ‬ᮼ᪝ⅰ๽়⩅ᕸ䢬՜ᑜ③㟠ˬΩ͞Ն㤘 လ❱♑ⅰ६㷞ǎ㤘ഭ˔㏻㐛̬εަˬ㧮‫ݶ‬ᑻ㶤Ǘ६㷞ǘⅰ‫ܒ‬ᒿ䢬ְ⬃㑤 ࿤⪿㟠‫׼‬㐢६㷞९ឺᒿۣᆨⅰⳒ⻐ೠ〓䢬⪿㟠ᕋゐვ㶤⚖ᒴ౨↋ୣ⎎䢬 ଡ‫כ‬ᒴέ͜ⅰვ㶤⚖䢬ଡ͞Ǘ६㷞ǘ᳤㛹٪㟘ࠚ㐜ྡྷ໡૿⦾⿼᏿ႰӍⅰ

⫁㟢ཽ⁥ Yayoi Kusama ŏґⅬ䢲⿾‫ק‬ⅲ᳤ᷫ Happening, The Anatomic Explosion 1968 ᑜ♆☺ˬ૳Պ५ⅰვ㶤⚖૪㐻͕੸㢭 ੐ᆳॺঁ

૭㟑䢬ଡⅰǗ६㷞ǘᒴ᪦㑭Ց᐀᦯჋ᩯⅰ䢬ᒴᕋ⚭⼕ვǍ⽏ǍလǍ❟ₛ ⦾⟜⓺౨↋ჵༀᆳٛ⽐ⅰǎ

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ᴰ㡋ⅲᴰ㡋 䣀 ࣲ㦈⧀೶㤔 ᴮ↭⦾ᴮ㡉‫ឺܒ‬ᒴ⪿㟠‫׼‬εˬⅰਉ⮍́ˍ䢬㐛 ˍ㒲֯̏Ϛ⦨໢໛໡⿍⦾໡⢔ⅰ⚭㬟䢬‫ݗ‬४ⅰ ​੸⼕६㷞⦾॥ᆳ㐾ຌ⦾ٛ४䢬͞‫׼‬ε⿍᳤ഭ ᑜϷ⾲ଡ☃⎖˞₅໡⿦ⅰሊᇹ䢬ଡധ໡⿍ᆳ⿇ ↽ἐⅰೠᨊॺₛຌ˔䢬㐛ᒴ⪿㟠❟ₛ‫́̿ػ‬ ⴵ䢬〵ノᕲ⣳䢬㈨⓷⛨ᚄԬ᭶‫׼‬ε⡃Յ࿖᪦൪ ᬄ‫ػ‬ⅰ㌸㉾ǎॺՐǗᴮ㡉ⅰ⛆ǘ☲ּεަˬ䢬 㧎ᑁ೚଩❌ަⅰ♺᝵䢬ॺΧ㡉ⅰ໚㤘˔ൠέㅳ ⫁㟢ཽ⁥ Yayoi Kusama ŏ᥉ဵ㟙ਫ਼ⅲྯᗊ Aftermath of Obliteration of Eternity ⼼⟂Ǎ⽜܎ఃᖍnj415x415x287.4cm 2009 Photo by Takao Miyakaku Courtesy Ota Fine Arts, Victoria Miro Gallery, David Zwirner, Yayoi Kusama Studio

࿘ॏ̃⧓ 䣀 ᴰသ̃́ⅲ㤍ᒯ໣૬ 他們會叫我「Sister」，這是修女的意思，非女亦非男，也就是無性。我 是一個無性的人。Ŵ草間彌生，《愛與和平，女王登基─前衛演出的幕 後黑手 1967-1974 》 （註 4 ） ˷മǗ⪿㟠࿱㟓ǘ⻋‫ػ‬ϓ⁶⁶ଛଛ౨↋⽏㌨㈭⧐䢬⪿㟠्̏ᢪ⼕♆☺ⅰ ᑓ⢂ః㭓‫؝‬բ᳤Ǘ౨↋ଛἔǘ䢬⡈्̏ᢪ⼕㇈˔ഭလ̠㢋჋Ǎ㟘᏿ⅰឱ ◀䢬ᴿ⡈ଡ⿼㕱⦨㌨ഭᑜⳚḳǍ‫ܒ‬࿣ᆆႌ⦾လ⻋᳤㓃ᤊᴮ⦿㉋䢬ᆖ૦ᆖ റᘽᬚᑜՐ⒱໛⦾㤋ᒭᕧⅰᆑ㟊​੸⦾⚭㬟ǎ⪿㟠ॺ⦨ҵˬ㐛㷃ዝഖଡ ⅰḋ⿝ Ŵ⢛ᴮ࿚ᄷᆑ᳤⦨ⁱလვⅰ഑㊢⡃䢬ଡⅰᣴ⿝‫כ‬ᒴ㮙ၾǍ২ဝ ⦾ႌ௢☵❿ⅰḋ⿝䢬᳤̜⛁❠௖எ⻋ϓ˗ᑘⅰ࿛⡌䢬ḋᣴ૵⻚ⅰ௖எ㠙 Ёϓଡഭᑜလ⁥⁣ۣი⦾ᄾᄐ䢬̏‫ܒ‬ᒿ‫ے‬Ⴅ⁶လ⦾ଛလⅰလ࿉䢬Շ

೼ⅰᖍㇰ⢠ύ䢬ᣵˍⴵ࿅ହǍᆼ❟ⅰ⛆⇴ⅱԬ ᭶๿₠˧ᇣ㍫ㅳ೼ⅰႌი䢬ₛε̂⇎଩Ⲉ㣭⧛ ⅰ೴㤒₴㢹䢬‫۞ڱ‬Ց཯㏸Ǎࣰ㦆Θⅰ཯㏸ი ೗䢬Ԭ᭶♠╆⦾Ꮓ཭ⅰ̳̥ⅰ⿮‫؛‬ǎ 㐛㧙ᦒᕔ㈭㷞⦾♰㷞Ǎᴮ㡉✾ᣋⅰ჋ㅽ䢬̏‫ܒ‬ ឺᅞ⁨ॺ⪿㟠ˍ⣼͞㜻㤘᳤˷ⅰ⼼⟂☲ּ䢬଩ Ǘᴮ㡉㜻ൗǘ⓺☲ּ䢬ଡ͞Ⳓ⻐೮́ᆼധ໡⿦ອ Ϛⅰ္ᆂ٨᳤ࡘ♊ⅰ⟜იḳㇰ䢬ⳃᢪϚۨྲ☃ ⎖˔ⅰ໚⻚⦾ഭ˞₅ⅰ⢊❠ǎՆ㤘လǍ㕳⽜Ǎ ᴮ 㡉 ⅰ Ⱘ ཁ ⓺ 㠙 㛛 ತ䢬 ഑ ㇰ 㭓 έ ⪿ 㟠 Ⳓ ⻐⁣ᩪⅰೱ‫ݪ‬䢬↽⦮͌ᑻଡ͎⿈ྫྷε ၒ䢬ॺ⁣‫♰ݪ‬ᢨ‫נ‬ᴮ↭ⅰ‫׼‬ε䢬ഭ ᑜᴮ㡉ⅰਉ⮍䢬ୣ♰ᒴଡᕍତ⦾ᕍ ⟜ⅰሊᇹǎ 〺1

⡃ⅱᒴ⪿㟠္ᆂⅰϚᬚ䢬Πଡ‫ڱ‬ᕰ㑢᎞㏼㑩㐛̬⃬᜗ⅰोᅎ䢬⡈ ᒴᱞ⦦ṸⅡཕቁ‫ݪ‬ⅰ⽔㐢ଡᆳ‫ے‬Ⴅ́ḳǎ ॺǕ㕳⽜⿍⿦䢬㡩Ց́⧑ǖଡቁ‫⁥⁣ݪ‬ᆳ‫ے‬ႥǍ೫ဌⅰྉ㭓 Ŵ

㡩Ց䢬ⳃⁱεަ⽔㐢ᐨ͞‫〘ډ‬⁶လⅰလ࿉䢬↷ⅰᒴ᳤̜

Ǘ㈷㈹͒мǘ䢬㒄̬͝ଡ₈ᆂⅰḳͪ䢬ⳃⁱ଩‫׼‬εैྰ⧛ⅰ⁣᨜䢬 ᑻ͞❰૧˗ѷ㕳⽜ⅰεᜪ㟠䢬ᄊᄊቃो⦨ກ࿖㤇ⅰᆳॺ䢬⪿㟠⦨ກ ̏㠝㏻Ǘയသሉቈ⮏ཱᳰⅲ‫۔‬Ⴇ⧀਋⮏䢲ģģ‫͠ۿ‬をᒶᆔ‫׾‬ηⅲᘿᕴ‫ؽ‬

〺2 〺3 〺4 〺5 〺6

⎺ Ψ ༛䢨Ren Fukuzumi䢩䢬Ǔ㕳 ㅂǕᕊ ޭ 㦡 ⦨ᣤᕰ㐷ᄋ⻋Ṯǖ(1978)ǍǕԱ㕲ᑒ૦૰⁶஼⑿ǖ (1984)ǔ䢬Ǖ⟜⻐ᆼຘŴḿ㢡䢺⪿㟠ཻ⁣ˬᐵḙǖ䢬 ‫۾‬٩䢺૭Ⳓ֦ḙ̠ᜪ㒲䢬2014 ໛䢬㦑 62ǎ ⪿㟠ཻ⁣⮍䢬㓮⻌Ѩㄷ䢬 Ǖᴮ㡉ⅰ⛆Ŵ⪿㟠ཻ⁣⦨ҵǖ䢬‫۾‬ ٩䢺ᕯ㪍ᐵ٨̠ᜪ䢬2011 ໛䢬㦑 159ǎ Ǖ⟜⻐ᆼຘŴḿ㢡䢺⪿㟠ཻ⁣ˬᐵḙǖ䢬‫۾‬٩䢺૭Ⳓ֦ḙ̠ ᜪ㒲䢬2014 ໛䢬㦑 57ǎ ‫ܒ‬〺 2䢬㦑 146ǎ ‫ܒ‬〺 2䢬㦑 151ǎ ‫ܒ‬〺 2䢬㦑 150ǎ

९Ḙ֦ⴵ䢺Copyright © Yayoi Kusama Courtesy of Ota Fine Arts, Tokyo / Singapore, Victoria Miro, London, David Zwirner, New York, KUSAMA Enterprise

‫؝‬ǐǘ䢨〺 5 䢩⡈㕳⽜ॺଡεަˬ֦έ⩅ᕸⅰᣴ㧋䢬଩Ǖ⩅ᕸਉ࿸䢭‫ܗ‬ᑻ ⮪ǖǍǕ⩅ᕸਉ࿸䢭૯㡩⩅ǖ䢬̏ᕔ㒲֯‫ឺܒ‬ᬚ⦨ഭᑜလⅰ⃬Ⴅ䢬ഭଡ⡈ 〓Ǘ⩅‴⇎㈭Ϛ✺ᒴӍଛလⅰလ࣮䢬⡈⩅‴ˬ࿖‫כ‬㟊ྲӍ⁶လⅰလ࣮ǘ 䢨〺 6 䢩ǎᕔˍᣡᒿ㟠⒱໛ⅰ⪿㟠ࡈᢧ㐛ឺⅰ㐻ᆩ䢬ᇮ⩅ᕸ‫ˍޠ‬⢍ⅰྷ㦵 ְᑘ䢬՜ധೇмˤ㐫ଡᆳቖⅰᨁ⑝䢬ଡ㕳⽜ⅰְᑘᐨⅬᕸ⩅ⅰ⁣‫ݪ‬䢬՜ ২⮡ೇм䢬Θ̃ͱ९ⳃⁱ㕳⽜ӵཕလⅰ⻋᳤䢬ധ။჋ೠᨊ˧২⮡䢬ॺਉ ⻋ᴮ্⻋᳤ⅰ჋࿣⼿⇄ᕤ⣳㊄㈹Ǎ㑤ᮆ㐛̬ᴮ⿼ⅰ။჋䢬⡈㐛̬ቆ❼ਗ ₯՜዁⠹ⅰ‫׼‬ε䢬✺⣳ॺẼῌⅰ⻠ㅽ⼿䢬⽔㐢ㅵ㶤♿⟜ⅰ࿖ㅽǎാՐॺ ㏧ᕧⅰ☲ּ଩Ǘ᥇ဳⅰვǘǍǗᆒⅰ᥇ဳ㤇㮧ǘ⓺⣳⇎‫׋‬ ⪿㟠͞໣㷙Ǎㅥ㑅㤘ഭ㐛्̬⒱໛࿖्္ᆂ⁥⁣ⅰᣴ 㧋䢬ᕅზ჋ⅰቚ⁨६㷞Ǎ⩅ᕸǍ̿㤘⦾ᕔ៪㭓䢬㐓㣷

086

⫁㟢ཽ⁥ Yayoi Kusama ŏ⫁㟢ཽ⁥⧀‫ ڙ‬Kusama with Pumpkin ⽜܎ఃᖍnj200x250x250cm 1998 Collection: Iwami Art Museum, Shimane, Japan/ Installation view: Matsumoto City Museum of Art

SPOTLIGHT䢴Ⳕબ᧚↹

ARTCO䢴269

浮城過影， 百般樣態 Glimpses of Cities, Sundry Persons of Countless Looks 㡦 ԯ 㘛 Ǎ 㒷 ⛁ २ 㢱зൠ Lu Hsien-Ming, Kuo Wei-Kuo Dual Solo Exhibitions ᐵ䣼㭗ಞ⻲ ९䣼‫۾‬٩₢͜Ⳓ⻐㩇

㒹⛃४ŵᕕԲ˗⎼⎰㢳Оⅲ૓ࡊnj᦭ྎǍₛຌnj200x150cm

114

2013

৪຋ᒴέ̿͜⁣᨜ⅰ③㟠䢬㡗̜ཅ╋Ǎཅ〲⿈ₛ́ૣ䢬Α㢋⮍ㆰ೼‫ݶ‬ᡨ‫؛‬ⅰ㢡

␲ⅰᑚཕ㏻ゐ⦾з̿ႌი〤ᅎ㐥♺ⅰᐃ

ˬ䢬ೇᕅᒴᑓⅰ⍹ᕐǍ⚭ᰳ‫ݶ‬ᐵ٨㠙Ёྉᆑⅰ਻ᆳ䢬्⡈䢬㡗̜ᇣ㍫⮍૪Ⴐ

̠ǎ͞❟ₛ⿇㟊ⅰ㒷⛁२䢬ᑾ⦨ 2006

㐅ഫ⦾ᐵᒛᆑᗈ́ૣ䢬‫ܒ‬ᒿॺ㐛̬⇜഑⁣᨜ᑜՐˬⅰз㭓㌨˔䢬̏ᇣ㍫̜₴

໛‫۾‬٩຋⒢⟜⻐㩇зൠᒿ䢬Ͼຂ㟘ୣ㕊

㢹Ǎળ‫ ⭵૵۠͞؛‬ǎˬ२┆ൠ̿෠᷐​᷐͞⩷२യゐ೮Ṻᕅᑒ䢨Charles Dickens,

㕨㢭੐‫׼‬ε䢬ຒᕤ⣳૩ᕅ૦Ԫঁ݈έՐ

1812-1870䢩ⅰ‫ܓ‬εǕ㢱৪〤ǖ䢨A Tale of Two Cities䢩᳤ൠ⿨́㧋䢬㐓㐿㡦ԯ㘛

εަ⿫࿸⦾㤘㆝䢬ᕲᡷॺ₢͜㩇ⅰˍ☲

⦾㒷⛁२ՇΦⳒ⻐೮㧮ᙀ㏴₠ⅰεަ⿍⿮䢬ㅐྚྡՇ༁⇀₠ⅰз㭓́৪䢬٘‫ع‬

ּ⒢㭓㢭੐䢬Ͼ᳤⦨ᆒ⑨⊴́ず㬟䢬㭗

֦‫۾‬Ტ 30 ໛́㟠⍹ᕐǍ᐀᦯⦾⚭ᰳ​੸ⅰㅊ㑡䢬۠͞ॺ৪຋٨‫ݶ‬έ͜٨ⅰ㐫␗

㑅ॉՊ൉ⅰǕ2015- ⦨੐Ӎǖˍε䢬̿

ˬᆳ㑘㐤́⇆ဓ䢬ᢩ଩‫ॺܒ‬Ǖ㢱৪〤ǖᐃ̠ˬ䢬ྷᙱോḿ㕕⁣䢨Dr. Alexandre

㤘ἂ⡧Ǎ᳛​᳛ᕔ⎖ঁ↽⿍‫נ‬ᑚ䢬෠᷐​᷐

Manette䢩ⅰ⚭ᢴ᳤˷⛨♘䢬͞ᧈ२૭㤛‫ݪ‬ⅰ⚭㬟᳤щ㞘䢬ず९ഭᑜ₢ᒿ⍹ᕐ≰

቉֦䢬቉ᩔ˷㭓ဓ⛁‫ݶ‬зလḿㇰⅰ૭㦵

⇅ᑻ↞‫؝‬᪦ⅰ⩷२ዞ֦ㄯ݉䢬㐫⡈㐥♺̜ຄ㷑⦾єᐚՇ૭৪຋̳❌ⅰᢴ‫ݪ܀‬㐼 ǎ

Ӎ䢬ㅽ࿉Ǘᆒмྷ㐛⼿㟘ୣဓ⡁䢬̏ྷ 㐛⼿㟘ୣ♺ᖘ䢬ೇᒴ໡Ⴐⅰ㈭ᬚ́ঁ䢬

1990 ໛͜‫۾‬Ტⅰ৪຋ཅ〲ᢩ㏝㐡Ⅺൠ䢬㭗ᗖ٨ⅰ㑄㊊☲⚕ྷ㒞ૣᏃൠ‫׋‬㓃ᕐঁ

ᄢᕤⅰ᭏⁣́໮䢬̏ᒴᆳᕔ໡Ⴐ⊴ᭉⅰ

‫چ‬䢬㕵㭓๽૭ⅰ㊊ៗ៶㈹㓃຋ⅰঁ໚㤘䢬㐫⡈㕳੐̜㓃ᕐⅰᓡ⿫䢬㡦ԯ㘛ॺ₢

ͼ⓷ǎǘ

ᒿი۩‫׋‬㐛ឺⅰᒿ͜Ⅺൠ䢬Ͼ͞Ǘ㊊ៗ☲ּǘ⡾ᴲ㐛̬ᒏᴿㅱ⒢ⅰέ͜ཅ╋☶ ࿸⋱䢬ₛ㤘˔̏‫ו‬჋཯٨ཅ〲ⅰ೐Ѩ⦾⿍⿦཯ᳮⅰ཭‫ ؛‬ǎ⡈⇀ഭᑜᑾᕧεަ䢬

ᢪᡷ㢱зൠ۵ૣѠྲˍዞ́ⴵ䢬ॺᑜൠ

˓ື㏧εǕ㢼ྭǖǍǕᢵǖ‫ݶ‬Ǖᯂ㹧ǖ‫ॺכ‬ዝ❟ຂᆑᶔ㟘Ⅺⅰ৪຋䢬˧↽኿ኻ⁨

⿨˧˗͞‫׼‬εᒿ㟠ѵ᳤ൠ⍵ⅰ⛨♘䢬㎠

˗㝐㙲ᖱۨ͜ₛຌ䢬Ⅺൠ֦ḿᣃⅰㇰი⦾԰⨑ᐅᗈ䢬⡈ₛ㤘ˬ㍵㍵ዞ㷞֦ᨢ‫ػ‬

⡈ഭᑜ㩇⧄ˍǍ̡ឫ㈨㑄③㟠㐫⻋̜ḿ

ᑜ৪຋́ˬⅰ̿ḳ䢬्⡈ॺճպᴮႌǍယ㐡ଈ㫼ⅰཅ〲਻ᓡˬ䢬͎㢑ⳇ⮍̿ᐵ

ᣃ⿈ₛ䢬ϟ଩ˍឫ⓺㉻〲⟂̜㜻൛䢬㜻

㠙ᅽⅰᬱༀ ǎ૭⦮৪຋ㅊ㑡䢬㡦ԯ㘛ഭᑜ຋̨യᤧ̵ᕔ♠⥰⿫ഊ䢬ॺ 1998 ໛ⅰ

ಞധᆬૣᓡㅽᒨᵦՄೡՅ䢬۞ᆖᒴ㜻ಞ

ₛεǕˍз㟊૭ⅰ૪ǖˬ䢬㩼ᡷ֦έ㏧Θㅽྉᐵತⅰയ̿ḳ䢬ᢪᡷॺ‫۾‬٩₢͜

́㟠ⅰ⇀̥ᵦᒨ䢬ㅐ⿫⡃഑㢂㭓㬟‫ॺ׋‬

Ⳓ⻐㩇ⅰൠ⿨ˬ䢬Ͼࢰず͞㐛̬Ꮌ̿٨㐢়‫׼‬εㆹ⑦ឫ൪ⅰ㈷૭়⼼⟂Ǖଈǖ䢬

㡦ԯ㘛εަˬ䢬ᆳⴵύ̿⦾৪຋́㟠㠙

ዝ㏻۩‫׋‬৪຋ળᇳǍ˗⣳˷മ⦨ກ࿖੸䢬̿м⼕㏸˗ѷ‫נܗ‬ᆖ˗ᑘ‫˔ܗ‬Ḇ‫ڌ‬ⅰ

Ёⅰ㒄␯̿ྕ໌​໌Ǎᓡḳ̳㚠ⅰ⿍⿦ᐅ

⍹ᕐέ഑ႌ੸ ǎ

ᗈ䢻۞ᆖᒴ̡ឫ⼕ᏼ㐢᳤⸧܎۳Ւ⟜ಾ ‫ݶ‬ӵཕလⅰ♊Ⅻ③㟠ǎՇ⡃ⅱᕔ‫أ‬ᑜ

㒷⛁२ᣵзᒿᕧⅰ⻠έᆼᧈⅱᕔᆳㅊ٨䢬ϟ଩ᑾᕧᆑ᳤з̿ⅰሬḝ㧮ᙀ䢬‫ګ‬ᒴ͞⦨

⿫⡃ྷ㐛̬Ọ଩̿⁣㊊␗Ǎ☃⎖ᑤ␗⓺

ᆒྉㅽՄₛ䢬Π㐛̬⦨ₛӍᕅ૦ⅰᒴഭᑜ⦨ᆒՅॺⅰ⇆⿍䢬۠͞ᨁ⿍̿လˬᴮᆳ˗

㑄䢬㐫ՄⳒ⻐೮㐅ഫ⦨ᆒ⦾˗ᑘႰӍ

ॺⅰᄢᕤ䢻⦨ 2012 ໛́ྭ䢬‫כ‬㟘‫⨑⿮̜͞׼‬ᇔ⼼᳤˷ⅰՆᑓ☲ּₛε䢬Ⳓ⻐೮ᆫ

⦨ᆒⅰᢴ␗́ˬǎ

⮍‫ػ‬ḳ㦵ଊ‫⮍⑦ݶ‬᣾↋ᕘ⼼䢬ྷ⼕⡾ᴲ⿫⇎ⅰഭㅽ㎠٨⦮⚭ⁱᮉ޹⿮⨑䢬͞ⓥ˓̿ 㡨Ա㘝ŵᯄ㹩 nj⽜܎ఃᖍnj222x286cm

2011

115

CALENDAR䢴ൢ⿪࿳〛

ARTCO䢴269

̻௱ ㉼⮍Й⟓䢮Ա‫׈‬ⅰ╆଄䢺̥‫ػ‬ൠ⍵ & ๺ε঑䢯 2014.11.15-04.12 2014 ⦴٩⟜⻐Ỡ䢯 2014.12.27-03.08 ⋊ ൴ – 㡡㦖╋зൠ䢯 01.24-04.26 㨒ḳ╀〓 – ဓႰ⦾㨒ḳ䢯 02.07-05.03 ⇶ହ⁣㙎 – ᖣᑚဓ⛁́ႌპ䢯 01.2905.03 ‫܀‬٫ຍ⒤⟞⻒㩉 ‫۾‬٩຋ˬ൴٩㊊˓ᣡ 181 ⴻ (02)25957656

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CONTEMPORARY BY ANGELA LI 㩿᫑˔​⫕ᖋ᨜㑄 248 ⴻ +852-3571-8200

Ⲍ䢮⭈ – ໛ༀ⟮ൠ䢯 01.09-03.01

㢑ྉ́԰ Invisible Light 䢯 01.1503.07

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〓⦾ḳ䢺൴᥃ε᳤ᐵ٨ⅰ⦨ₛӍ䢯 01.28-02.28

٫̺₤͞ߢ́Ⳕ⻒ˮ࿘ ٩̸຋ᕥ㡩‫چ‬㔏͕ៗ㊊ 2 ⴻ 798 Ⳓ⻐‫چ‬ +8610-59789610

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֖⿍ⅰᕯⳒ – ྒᕲᨶḙₛεަो㧡ൠ 䢯 01.05-02.09

Art Basel Hong Kong 2015 䢯 03.1503.17

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⒩‫܀‬ˮ४ Platform China 㩿᫑ᘌᲢ᥇᧠㊊ 60 ⴻᘌᲢ๺ᜪ૭༚ˍ ༁ 601 +852-97688093

㧮԰ᴮ㡉 – ᖋ࠴ࡘ & ῒ㪊ἰຨ⁣ൠ 䢯 02.01-02.28

OCT ₤͞Ⳕ⻒ˮ࿘䢴˖ᩄ㩉 ˔ᩂ຋㟤٩‫چ‬٩⳷๵㊊ 1016 ⴻ

Ⳕэ₝༞ Alisan Fine Arts 㩿᫑㩿᫑͐⁰ᲢᩂҜ㑄 7 ⴻ⦿Ѩˬ࿖ 2305 ೡ +852-25261091

㶳‫ػ‬₝༞䢴٫̺ ٩̸຋ᕥ㡩‫ঁ਻⪿چ‬ᖎ 104 ⴻ +8610-64333393

㪁᫓₤͞ߢ́Ⳕ⻒ˮ࿘ 㩿᫑˔​⫕ᖋ᨜㑄 233 ⴻ⫕ᖋ᨜ࠇᜪˬ ࿖ঁ༄ +852-25449918

2014 OCAT– ᶧ́⇜⇀䢯 2014.12.2003.01

ἔ๴ᑾᕧεަൠ䢯 01.19-02.18

⣞ᄜ㢜䢺᥇স˗ᕿ䢯 02.07-04.12

Ջ૯₝༞ ˔ᩂ຋ᓠ㠽‫⬃چ‬໙൴㊊ 50 ⴻ M50 Ⳓ⻐ ‫ چ‬4 ⴻឫ A1 ൪ 4-101 +8621-32270361

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180

CALENDAR䢴ൢ⿪࿳〛

㪏֋₝༞ Edouard Malingue Gallery 㩿᫑ˬ​࿋㍴㑄ˬ 33 ⴻ 6 ឫ +852-28100317

ᮗ㢢㌿ 㩿᫑ˬ​ₔᇃ⻓ 12 ⴻₔᇃ⻋ 401 ೡ +852-25269019

ऻ͚ アートフェアᖣ̸ 2015 䢯 03.2003.22 アートフェアᖥ̺ ᖣ̸㓃‫͜ډ‬⁰‫˵چ‬のՅ˓ˎ↷ 5 ₚ 1 ⴻ ( ᖣ̸२㢂グપ૭ឫ ) 䢫 813-5808-1451

㓃⟜セレクション – ᑓ㘱⟜⻐೮䢯 02.19-03.15 ᖥ̺㓅⟞⻒㩉 ᖣ̸㓃‫۾‬ᖣ‫˔چ‬㕴Պ५ 8-36 +813-38236921

㥱२έ͜⟜⻐೮䢺㕷᳞਌ Byungki Kim 䢯 2014.12.02-03.01 २⒢έ͜⟜⻐㩇έ͜᥾㌶☲ּ 2014– ᖋᒪ䢯 2014.09.30-03.01 NATIONAL MUSEUM OF CONTEMPORARY ART 㩾ḓ४⒤₤͞⟞⻒㩉 Gwangmyeong-gil 209 427-701 Seoul, Korea South +82-2-2188-6100

Africa Now - Political Patterns 䢯 2014.12.16-02.15 SeMA䢲Seoul Museum of Art 㥳४㩾ḓຍ⒤⟞⻒㩉 㩼ḑ຋ˬ‫⻐⟜چ‬㩇㊊ 30 ⴻ +82-2-124-8800

BMO Harris Bank Chicago Works: Sarah and Joseph Belknap 䢯 2014.10.11-02.24 Museum of Contemporary Art ⨳‫޿؟‬₤͞⟞⻒㩉 220 East Chicago Avenue, Chicago, IL 60611 1-312-2802660

Killer Heels: The Art of the HighHeeled Shoe 䢯 2014.09.10-02.15 Brooklyn Museum ♈☼ຎ㯈Գᗆ⟞⻒㩉 200 Eastern Parkway Brooklyn, New York 11238-6052 1-718- 6385000

Shine a Light: Canadian Biennial 2014 䢯 2014.10.17-03.08 National Gallery of Canada ‫؟‬ቆ૯४೰Ⳕ༞ 380 Sussex Dr, Ottawa, Ontario K1N 9N4 , Canada 1-613-9901985

Conflict, Time, Photography 䢯 2014.11.26-03.15 Alibis: Sigmar Polke 1963–2010 䢯 2014.10.09-02.08 Tate Modern іᐜ᧢࿍ή͞⟞⻒㩉 Bankside London SE1 9TG, , United Kingdom +44-20-78878888

POST POP: EAST MEETS WEST 䢯 2014.11.26-02.23 Saatchi Gallery іᐜᦚଁⳔ༞ Duke of York's HQ, King's Road, Chelsea, London SW3 4SQ, United Kingdom +44-20-78113091

Stamp Out Photographie 䢯 2014.12.09-03.08 WHITECHAPEL GALLERY іᐜⅭᐓਕⳔ༞ 80-82 Whitechapel High Street, E1 7QX London, United Kingdom +44-20-75227888

Garry Winogrand 䢯 2014.10.1402.08 Musée de Jeu de Paume ᧊४ྗӏⳔ⻒ˮ࿘ 1, Place de la Concorde 75008 Paris, France +33-1-47031250

CHUCK CLOSE- Prints, Process and Collaboration 䢯 2014.11.20-03.15 Museum Of Contemporary Art Sydney Australia 㣀ᚏ₤͞⟞⻒㩉 140 George Street, The Rocks NSW 2000 Sydney, Australia +61-2-92524361

ACTIONS FOR TOMORROW: YANGJIANG GROUP 䢯 01.17-03.07 4A Centre for Contemporary Asian Art 4A ̯ᨕ₤͞Ⳕ⻒ˮ࿘ 181-187 Hay Street, Sydney NSW 2000 Australia +61-2-9212-0380

Future Beauty: 30 Years of Japanese Fashion 䢯 2014.11.01-02.15 Queensland Art Gallery ᒕૈⴘ⟞⻒㩉 Stanley Place, South Bank, Queensland 4101, Australia +61-0-73840 7303

ᨿᲪ㕳⁣䢮ତ㐼૭㟘 – ᖋ࠴ࡘ९㫼⣳ 㕵᦭ₛзൠ䢯 02.01-02.28 ഡ‫ك‬₝༞䢴᣻ζ‫׊‬ 9601 Wilshire Blvd., Suite 125, Beverly Hills, CA 90210, USA +1-3108586545

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