D i sc o ve r the star s a nd t he fligh ts.
Dear Patrons,
SURPRISING | CAPTIVATING | GRATEFUL
These words speak to what sets TITAS/DANCE UNBOUND apart, and to the state we find ourselves in as we emerge from the Covid Fog. They speak to who we are and how we enter our new season.
Dance is such a distinct art form. Luminous, arduous, meaningful and inspiring. Time and time again, “I’m overwhelmed, this was not what I expected,” are the reactions I hear from first-time audiences, something our longtime subscribers have always known. Reaching our 40th anniversary affords TITAS the unique perspective of looking back and exploring the impact high quality, curatorial arts presentation has on a city and on a community. For 40 years, TITAS/DANCE UNBOUND has presented the most innovative, the most remarkable artists touring the world today. We look forward to another 40 years of innovation.
The 2022:23 season won’t disappoint. Bold, beguiling and breathtaking imagery makes this a very special set of internationally touring companies. We proudly present a season of ten extraordinary companies from the United States, Canada and South Africa. Five of these companies are making their debuts with TITAS.
Thank you for being a part of another year of breathtaking performances, and thank you for actively engaging in the arts and for being a part of the TITAS/DANCE UNBOUND and AT&T Performing Arts Center family.
All that remains of communities and civilizations, all that remains of their worth and dignity exists in the art they leave.
William Carlos Williams Sincerely, Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUNDPRESENTS
Āhuti
NRITYAGRAM DANCE ENSEMBLE
In Collaboration with CHITRASENA DANCE COMPANY
Artistic Director / Choreographer / Sound Design Surupa Sen
Music Composer Rhythm Composers
Pandit Raghunath Panigrahi Dhaneswar Swain (India) Presanna Singakkara (Sri Lanka) Surupa Sen
Dancers (Nrityagram)
Pavithra Reddy, Abhinaya Rohan, Anoushka Rahman, Rohini Banerjee, Daquil Miriyala
Dancers (Chitrasena)
Thaji Dias, Amandi Gomez, Kushan Dharmarathna, Geeth Premachandra
Musicians (India)
Jateen Sahu lead vocal & harmonium Rohan Dahale chants & mardala (percussion)
Parshuram Das bamboo flute Siba Nayak (violin)
Musician (Sri Lanka)
Koshan Mapatuna Kandyan drum
TITAS/DANCE UNBOUND SEASON SPONSORS
The use of cameras,
tape recorders and cell phones is strictly forbidden during the performance.
Āhuti
{Sanskrit: Invoking | Pali: Offering}
NRITYAGRAM DANCE ENSEMBLE In Collaboration with CHITRASENA DANCE COMPANY
Artistic Director / Choreographer / Sound Design Surupa Sen
Music Composer Rhythm Composers
Pandit Raghunath Panigrahi Dhaneswar Swain (India) Presanna Singakkara (Sri Lanka) Surupa Sen
Dancers (Nrityagram)
Pavithra Reddy, Abhinaya Rohan, Anoushka Rahman, Rohini Banerjee, Daquil Miriyala
Dancers (Chitrasena)
Thaji Dias, Amandi Gomez, Kushan Dharmarathna, Geeth Premachandra
Musicians (India)
Musician (Sri Lanka)
Assistant Choreographer Master Tailor
Jateen Sahu lead vocal & harmonium Rohan Dahale chants & mardala (percussion) Parshuram Das bamboo flute Siba Nayak (violin) Koshan Mapatuna Kandyan drum
Heshma Wignaraja (Chitrasena) Ghulam Rasool
Executive Producer / Technical Director / Lighting Designer
Lynne Fernandez
Nrityagram - The Dance Village www.nrityagram.org lynne@nrityagram.org sandyg@pentacle.org www.pentacle.org
Exclusive USA Tour Representation
Pentacle
Sandy Garcia
The performance runs for 100 minutes including a 20 minute intermission.
SANKIRTANAM
(a prayer)
Wandering minstrels sing and dance in praise of Lord Krishna… The lotus-eyed lord with the flute in his hands and a peacock feather in his hair. The eternal lover, the yogi, the last refuge. Protector of the universe, he is the purest of all beings. The only truth.
Dancers
Abhinaya Rohan, Anoushka Rahman, Rohini Banerjee, Pavithra Reddy, Daquil Miriyala
POORNĀRATĪ
In most South Asian traditions, the arts serve as a medium to attain the highest state of being. Temple rituals integrate dance as an essential medium of worship to invoke and propitiate the powers that govern the natural order of the universe.
Poornāratī, which means complete offering, seeks to invoke the principles of the Universe, both male and female, that we may dance in their Presence.
Odissi Dancers
Pavithra Reddy, Abhinaya Rohan, Anoushka Rahman, Rohini Banerjee
Kandyan Dancers
Thaji Dias, Amandi Gomez, Kushan Dharmarathna, Geeth Premachandra
INTERMISSION
INVOKING SHIVA
Attributed to Ravana, Sri Lanka’s great warrior king, who was a devotee of Shiva, the God of dance and destruction.
Shiva!
From the forest of your matted locks descends the celestial river Ganga.
A mighty serpent garlands you lovingly, the glittering gem in his magical hood radiates brilliance, that anoints the faces of the four-directions with a delicate hue.
Adorned only by the sky, a new-born moon jewels your locks and your forehead smoulders with the fire of your third eye. Your ceaseless drum song pervades the universe, as you dance your fearsome Tandava.
Perfect consort to Himalaya’s daughter, you are the ever-compassionate destroyer of evil.
Opening your third eye you burnt to ashes the God of Love The five-arrowed Kamadeva, disrupter of your meditation. You are the Universe. Invincible. Infinite. Eternal. On you I meditate.
Dancers
Thaji Dias, Pavithra Reddy ĀLĀP
The Kandyan and Odissi dance traditions meet in space, to challenge, combine and embrace each other through musical conversation and rhythmic dialogue.
Dancers
Pavithra Reddy, Rohini Banerjee, Thaji Dias, Amandi Gomez, Anoushka Rahman, Abhinaya Rohan, Daquil Miriyala, Kushan Dharmarathna, Geeth Premachandra
Dance on the funeral pyres in my heart and release me from this universe.
ABOUT THE DANCE FORMS
Kandyan Dance comes from Kandy, an area in the central hills region in Sri Lanka. According to legend, the origins of the dance lie in an exorcism ritual known as the Kohomba Kankariya, which was performed by shamans from India, who came to the island on the request of a king suffering from a mysterious illness. After the performance of the ritual, the illness vanished and the local people adopted the dance. Originally performed by dancers who were identified as a separate caste and aligned to the Temple of the Tooth, the dance declined when support from the Kandyan kings ended in the colonial period. Kandyan Dance was adapted for the stage in the 1940s, by Chitrasena. His wife and dance partner, Vajira, was the first professional female Kandyan dancer, and together they established Kandyan dance as a performance art. Their popularity helped to reduce the caste barriers surrounding the dance and made it accessible to an urban, contemporary audience.
Odissi for centuries, a temple has looked out at a turbulent sea, its walls dancing a prayer to the rising sun. Magnificent ruins like these, in Odisha in Eastern India, confirm that Odissi was performed as far back as 200 BCE. Originally a sacred ritual dedicated to the gods, Odissi is one of the oldest dance traditions in the world. Its sinuous forms, languorous limbs and rapt expressions frozen in stone tell of a past rich in dance, music, myth and legend. Odissi speaks of love and union, between human and divine, transporting viewers to enchanted worlds of magic and spirituality. Its sensuousness and lyricism reflect both the motifs of Odisha temple sculpture as well as the poetry from the deep wellsprings of Oriya music.
ABOUT THE COMPANIES
THE CHITRASENA DANCE COMPANY
Founded by Guru Chitrasena with a vision to inspire and exhilarate through the traditional dances and drums of Sri Lanka, the Chitrasena Dance Company has always been at the forefront of transforming the traditional arts landscape of the island. Chitrasena is recognized for rescuing the traditional dances that were confined to village settings and presenting it to audiences in Sri Lanka and across the world. The Company was founded in 1943 and initially nurtured under the creative
genius Chitrasena, and later together with his wife Vajira. They worked tirelessly for decades to carefully distill ancient rhythmic rituals, by reviving and refining elements of it while staying firmly rooted in the old, and developed an authentic dance language.
For over seven decades the Chitrasena Dance Company has given life to compelling performances ranging from a rich repertoire of dance and drumming pieces, to acclaimed original ballets and productions inspired by ancient rituals and contemporary culture. Karadiya (1961), Nala Damayanthi (1963), Nrithanjali (1965), Kinkini Kolama (1978), Shiva Ranga (1984), Chandalika (1996) and Bera-Handa (2001) are some of the mostrenowned productions. More recently, the Chitrasena Dance Company has brought to the stage The Art of Chitrasena (2006), Kumbi Kathawa (2007), Dancing for the Gods (2010), Devanjali (2015) and Guru Gedara Festival (2018). The creative partnership and the first collaborative production, based on an invitation extended to the Chitrasena Dance Company by Nrityagram led to the much-acclaimed production Samhāra (2012).
The Chitrasena Dance Company celebrated its 75th year in 2018,and the third generation is led by Heshma Wignaraja, Artistic Director and eldest granddaughter of Chitrasena and Vajira, who continues to take forward the legacy of her grandparents. Experimenting without compromise and using traditional dance language and form to push boundaries, the new work offers a fresh perspective, while upholding Guru Chitrasena’s philosophy that “the new is but an extension of the old”.
ABOUT THE COMPANIES
NRITYAGRAM (which means dance village) is located outside Bangalore, India. It was founded in 1990 by Odissi dancer Protima Gauri, who converted ten acres of farmland into a setting for the study, practice and teaching of dance.
Nrityagram is dedicated to creating excellence in Odissi through the traditional method of learning, the Guru-Shishya Parampara, a unique and sacred relationship between mentor and disciple, referred to as mentorship in modern times.
Our dance pedagogy is inspired by the Gurukula, an ancient Indian residential teaching paradigm where students and teachers live together in an integrated environment of practice, theory and discipline. Learning is a way of life and students have a rare opportunity to imbibe the spirit of the Guru by living with them and observing them at work.
Conceived this way, for almost 30 years, Nrityagram imparts not only technique in dance but nurtures a philosophy of being that embraces holistic practice, mindful living and the pursuit of excellence. The daily schedule includes a unique, scientific body-conditioning and training programme that is sourced from Yoga, Natyashastra, Kalaripayattu, Western fitness methods and Odissi body-conditioning exercises. This training method is designed to increase the performance lifespan of a dancer and is sought-after by accomplished dance and movement professionals from different disciplines.
With a student strength of over 200, we provide an environment that fosters the artistic, intellectual and personal growth of our dancers and prepares them for successful and productive lives as artists and citizens, as well as to become leaders in their professions.
The aim is to prepare dancers for careers that combine performance with teaching, community outreach, and leadership. To enrich their practice, dancers are taught yoga, meditation, and martial arts along with Sanskrit and ancient dance scriptures. Choreographers, musicians, writers, and theatre practitioners from all over the world visit, to perform and conduct workshops and seminars in their area of practice.
This unique blend of traditional knowledge with contemporary understanding and application makes Nrityagram the only institution of its kind in the world and strengthens its position as a groundbreaking institution.
The Nrityagram Dance Ensemble, is regarded as one of the foremost dance companies of India. Led by Artistic Director Surupa Sen, the company has achieved worldwide critical acclaim. performing across the globe including an annual tour to the United States.
The company is devoted to bringing Odissi - one of the oldest dance traditions in the world - to audiences worldwide. Performed as far back as 200 BC as a sacred ritual dedicated to the gods, Odissi speaks of love and union, between human and divine, transporting viewers to enchanting worlds of magic and spirituality. Its lush lyricism reflects both the motifs of Odisha temple sculpture as well as the poetry from the deep wellsprings of Oriya music.
Although steeped in and dedicated to ancient practice, the Ensemble is also committed to carrying Indian dance into the twenty-first century. Enabled by grants from International Arts Funding organizations, Nrityagram’s dancers not only explore creative expansions of tradition but are also able to commission fresh compositions from leading Indian classical musicians.
Nrityagram has presented seven full-length ensemble shows Śrī: In Search of the Goddess (2001), Ansh (2005), Sacred Space (2005), Pratimā: Reflection (2008), Śriyah (2010), Samhāra (2012) and Āhuti (2019); two full-length duet shows Samyoga (2012) and Songs of Love and Longing (2013) and two solo shows Yadunandana (2017) and Vinati: Songs from the Gita Govinda (2021). All choreographed by Surupa Sen.
WHO’S WHO IN THE COMPANY
SURUPA SEN (Artistic Director, choreographer) was the first student to graduate from Nrityagram. She began her Odissi training with the architect of Odissi, Guru Kelucharan Mahapatra. She also studied Odissi with Guru Protima Gauri, and Abhinaya (expressional dance) with Guru Kalanidhi Narayanan. For over two decades, Surupa has researched and expanded the dance vocabulary of Odissi, and developed an aesthetic style that distinguishes the dancers from the Nrityagram Gurukula (School). Attracted to choreography from childhood, Surupa has focused on making new dances using an expanded Odissi language, rooted in traditional Odissi and the Natyashastra. She has a keen interest in music and rhythm composition and has worked closely with Pt. Raghunath Panigrahi since 1999. Surupa has choreographed seven full-length ensemble shows for Nrityagram, which are Śrī: In Search of the Goddess (2000), Ansh (2004), Sacred Space (2006), Pratimā: Reflection (2008), Śriyah (2010),
Samhāra (2012) and Āhuti (2019); two full-length duet shows Samyoga (2012) and Songs of Love and Longing (2013) and two full-length solo shows Yadunandana (2017) and Vinati: Songs from the Gita Govinda (2021). She has also created two virtual shows - Vinati, a solo for World Music Institute’s Dancing the Gods Festival and Upadāna: An Offering for the Jacob’s Pillow Dance Festival. Surupa received the Raza Foundation Award in 2006, the Yagnaraman Award from Sri Krishna Gana Sabha, Chennai in 2008, the prestigious Nritya Choodamani from Sri Krishna Gana Sabha, Chennai in 2011 and the Sangeet Natak Akademi Award 2018 - the highest honour for the Performing Arts in India. Surupa is Artistic Director and choreographer at Nrityagram.
PAVITHRA REDDY (Odissi dancer) belongs to a neighbouring farm and started her Odissi training in Nrityagram’s rural outreach programme in 1990. She was the first student to graduate from Nrityagram’s rural outreach programme. She learned Odissi under the tutelage of Surupa Sen and has worked with dancers and movement specialists from across the globe. Pavithra joined the Nrityagram Dance Ensemble 1993 and has performed solo and with the Ensemble at some of the most prestigious venues across India and the world. In addition to being a full-time performer, Pavithra is also one of the primary teachers at Nrityagram.
ABHINAYA ROHAN (Odissi dancer) initially trained in Bharatnatyam before enrolling at Nrityagram to learn Odissi. She has been part of the Day Scholar programme and has studied under the tutelage of Surupa Sen. Abhinaya has performed with the Ensemble since 2018.
ANOUSHKA RAHMAN (Odissi dancer) initially learnt Odissi in Kolkata where she also completed a post graduate degree in Odissi Dance. She joined Nrityagram 2018 and has studied under the tutelage of Surupa Sen. This is her first International Tour with Nrityagram.
ROHINI BANERJEE (Odissi dancer) is a senior disciple of Guru Sharmila Biswas, who trained her from the age of twelve. She has toured extensively in India and abroad as a part of her Guru’s company and recently started her journey as a soloist. Rohini was selected to be part of Nrityagram’s Āhuti in 2021. This is her first Tour with Nrityagram.
DAQUIL MIRIYALA (Odissi dancer) joined Nrityagram’s Village Outreach Programme in 2010 and became a residential student in 2011, where she trained in dance while continuing her academic studies. She has learned Odissi under the tutelage of Gurus Surupa Sen and Pavithra Reddy. In 2021 she was selected to be a part of the Nrityagram Dance Ensemble and included in Āhuti. This is her first Tour with Nrityagram.
THAJI DIAS (Kandyan dancer) is the principal dancer of the Chitrasena Dance Company and youngest grand-daughter of Sri Lanka’s eminent dance duo, Chitrasena and Vajira. At 7 she started learning Kandyan dance from her aunt Guru Upeka Chitrasena and began touring with the Dance Company at 12 when she received the opportunity to perform along with Upeka Chitrasena at the prestigious Theatre Du Soleil, Paris as a guest of Ariane Mnouchkine. Since then, she has performed with the Chitrasena Dance Company in Sri Lanka, India, the Far-east, United States, Europe and Australia. She also teaches at the Chitrasena Kalayathanaya (School).
KUSHAN DHARMARATHNA (Kandyan dancer) joined the Chitrasena Kalayathanaya in 2000 as a scholar in Guru Vajira’s “Preserve the Dance” program. He has been a part of the Chitrasena Dance Company since 2002 and has performed in most of the Company’s productions locally and internationally. Kushan holds a Bachelor of Fine Arts from the University of Visual and Performing Arts, Sri Lanka and is currently doing a Masters in Performing Arts at the University of Sri Jayewardenepura, Sri Lanka.
GEETH PREMACHANDRA (Kandyan dancer) joined the Chitrasena Dance Company in 2000 and has been with the Company ever since, performing extensively in productions both locally and internationally. He has a Bachelor of Arts degree from the University of Kelaniya and a Master’s in Performing Arts from the University of Visual and Performing Arts in Sri Lanka. He also completed Diplomas in Education as well as Education Management at the National Institute of Management, which enabled him to pursue his passion of teaching dance as a lecturer. This is his first Tour with Nrityagram.
AMANDI GOMEZ (Kandyan dancer) has learned Kandyan dancing at the Chitrasena Kalayathanaya since she was 7 years old and has performed in numerous productions of the Chitrasena Dance Company since 2013,
including a lead character in the acclaimed children’s ballet, Kumbi Kathawa in 2015. Amandi holds a Bachelor of Law degree from the University of London. This is her first Tour with Nrityagram.
JATEEN SAHU (lead vocal, harmonium) learned Odissi singing under the tutelage of Guru Ramahari Das at The Music College, Odisha. He lives in Mumbai and has worked with Nrityagram since 2008. He is also a concert singer.
ROHAN DAHALE (mardala - percussion) began his training with Guru Kelucharan Mahapatra and has continued to learn from Guru Banamali Maharana for the past twelve years. He lives in Mumbai and accompanies Odissi dancers from the region. At present, he is percussionist at the dance village and travels and performs with the Ensemble.
PARSHURAM DAS (bamboo flute) is a disciple of Pt. Mohini Mohan Pattnaik. He graduated from the Music College, Odisha and in addition to freelancing as a music accompanist, he teaches at Utkal University of Culture, Bhubaneswar. He has been with the Nrityagram Dance Ensemble since 2002.
SIBA NAYAK (violin) has a postgraduate degree in Hindustani Violin from the Utkal University of Culture, Bhubaneswar. He freelances as a music accompanist and has worked with the Nrityagram Dance Ensemble since 2018.
KOSHAN MAPATUNA (Kandyan drum) has been a part of the Chitrasena Dance Company since 2019. He has performed with his drumming guru, Prasanna Rupatillaka as a member of the Prasanna Ru Dancing Academy since 2014. Koshan has a Bachelor of Performing Arts degree from the University of Visual and Performing Arts, Sri Lanka and is currently a guest lecturer at the same university in the Percussion and Music department. This is his first Tour with Nrityagram.
LYNNE FERNANDEZ (lighting designer, technical director, Executive Producer) has worked as an actress and light designer with many notable directors including Barry John, Joy Michael, Ranjit Kapoor, and Lillete Dubey, and was one of the first professional lighting designers in India. Her theatre work has been presented at the Edinburgh Festival Fringe,
in the West End and off-Broadway. She came to Nrityagram in 1993 as Production and Technical consultant to the newly founded Ensemble. She stayed on as Technical Director and in 1997 was appointed Executive Director of the Nrityagram Village, School and Ensemble. As Executive Director, she is responsible for administration, fund-raising and project development. Her recent projects include Kula, a residence where arts practitioners can live and create new work, and a Performing Arts Centre comprising a theatre, an exhibition space and rehearsal studios. She has also overseen the emergence of the Ensemble on to the international arena.
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Julie Blackwell James Bolton Kimberly Booras Kimberly Bowdry
Sharon Bradford Monica Bragle Alana and Ronald Brame Jean Ann Brock
Shelby Brown Tony Burks Terry Burns and Ron Kristy Jane Burruss Sophie Burton Lakecha Butler Julia Callaway Kathleen Campbell Alekzeta Cantu-Hensley Stan Carpenter and Jerry Baden Maria Carter Holly Castora Carlos Castro Jeaneen Chappell Patricia and James Chatt Carrie and Brandon Chenault William Chipman Susan Chizeck David Chong Chip Clint Jan Collett Sean Cooper Nancy and Barry Crossman Carol Croy Carolyn Cruse Joe Czyz Christine Daudelin Jane Davis Jillian Davis Patty Delaney Larned Louise Delano Arcelia Delphin Ian Derrer and Daniel James Pam and Rubi Deslorieux Anthony Dinh Mary Lee Dixon Alissa Doll Leasa Donovan Bryan Douglas Stefania Dragomir Nancy DuBois Monica and Christopher Ducic Janis Dworkis Karen Eaves
Jodie Elder Elizabeth el-Effen April Ellis
Debra Engstrom Rola Fakhoury
Michelle Spezio Ferm
Robin Fiddes
Leigh Files
Karla Finnell
Sharon Fisher
Avrim Fishkind
Melissa Fleming Evelyn Fox
Nancy Franks John Frazier Rita Garza
James Garza
Elizabeth Gillaspy and Randy Clements
Howard Gottlieb Gregory Graham Shannon Green
Debra Haddock
Jill and Dan Haerle Laura Hagan
Andrea Hagar
Jeanet Dreskin-Haig and Donald Haig
Patricia Halpern
Cheryti Hames
Tracy Hargis
Amanda Hart Lucy Hart Mark Hefner
Wendy Helker Kenneth Heimlich Chris Heinbaugh Angela Herron
Suzzane Henry Dorina Hertner
Ed Hill
Katy and Selwyn Hill
Jan Holeywell-Smith
Sharon Holland Andrew Hopkins
Becki Howard Sarah Hubach
Suzie Jary and Eric Pratt Elizabeth Jeffett
Lyssa Jenkens
Jennifer and Russell Jennings Guillaume Jimenez
Josie Johnson
Taylor and Patrick Johnson
Renea Jones
Conway Jordan Melissa Jordan
Darlene Judy Nakizito Kazigo Jean and Don Kennerly Kathryn Kessler
Gregory Kilhoffer
Sheilon King
Jonas Klabin
Jason Klein Vince Kordsmeier Dennis Kniery Charmaine Lampert Lori Lawrenz Kenneth Leathers Nicole LeBlance and Bill Zeeble Dorothea Lee
Sally Lefevre G&J Maria Lowery M Lubinus Lorn MacDougal Patricia Magadini Glenn E Manuel Douglas Martin Joan Martin Nina Martin Susan Mattsen Diana Mausolf Sally McCurdy Hunter McGrath Sarah McGuire Chris Mcintyre Alison Medinis Mitchell Menezes Donnice and Jordan Michel Paul Miller Muriel E. McGuire Bridget L. Moore Barry Moore Claudia Morgana Ben Morris Chet Morrison Courtney Mulcahy Alice Murray Pamela Navarro Natalie Newman Shannon Norris Cynthia Ockleberry Linda Owen Kimberlie Page Christina Parker Michael Parker Riana Pellicane-Hart Néstor Leonardo Pérez Karla Pettigrew Shawanna Phillips Claudia and Scott Pingsterhaus Ellen Presby Jim Price
Chad Priest Terri Provencal Gerald Ragan Cinde Rawn Cat Reynolds Stephanie Riggall
Amy Ripley
Matt Rivera
Sharon Roberts
Dan Rockwell
Karen Rodrigue
Rochelle Rubin
Dr. Scott Rudes
Susan Rumsey
Lisa Ryan Savannah Saxton
Ninon Schalk
Bernard Schmidt
Jane Scholz
Tanya Scott
Maris Segal
Clark Senders
Scooter Settle
Manisha Shah
Sonya Sheard
Regina and Joel Shields
Joanne Silverman
Allen Simmons
Jennifer Simpson Lauren Singer
Shelley Snyder
Lori Soderbergh Stephanie Spaulding
Nancy S Spence
Athena Spencer
TW Spilker
Leishawn Spotted Bear
Felicia Stacks
Patricia Stella Jeanette Stevens
Janis Stillings
Debbie and Jay Storey
Deidre Strand
Sally Strong
Eric Sweeney
Bradley Swiger
Peggy Tapp
Monica L. Tenhunen
Myrna Ventura Thibault
Meagan Thompson
Keely Tidrow
Fred Toothman
Walker Trigg
Pat Tuzer
Michael van Enter
Christopher Vo
Gordon Walker
Katherine and Brian Walker
Sadie Wallace
Liz Wally Karen Walter Barbara Walton
Kortney Ward Olivier Weavers Scott Weinert
B Weinstein
Joel Weinthal Paula Wenstrom Amanda and Michael West Olivier Wevers
Dawn Maddux White Joy and Delwin Williams Marc Williams Linda and Ralph Williams Rickey "Rick" Williams Mary Williford-Shade Sunny Wood James William Woodall Diane Woodend Jones Donna Wurster Susan Yanofsky Melissa Young JoEllen Zabel Meredith and Ian Zapata
* in Memoriam
~ denotes TITAS/DANCE UNBOUND Board of Trustee
Feeding people real food for 25years. Bakery | Cafe | Catered Lunch | Gourmet Marketplace empirebaking.com
BOARD OF TRUSTEES
Lee Cobb, President
Sue Benn
Joel Bines Arthur P. Bollon
Kitty Carter
Michael Crossley Claire Dewar
Lenore Diamond
Wanda Gierhart Fearing Steven Gendler
Bill Graue
Gail Griswold Matrice Ellis-Kirk
Lola Lott
Rodger Kobes Fred Margolin
Tracy Preston
DeMetris Sampson Charles Santos
Saundra Steinberg
Arlene Switzer Steinfield Michael Titens
Katherine Walker Chandana Weerasekara Krista Weinstein
Lily Cabatu Weiss
HONORARY BOARD
Tom Adams (TITAS Co-Founder)
Penny Atkiss
William Benac
Jeanne Marie Clossey
Lauren Embrey
Bess Enloe
Rebecca Enloe Fletcher Kathryn D. Greene Carol Hall
Sally Hansen
Charles Santos
Executive Director/Artistic Director
Alan Lerner
Charlene Marsh Lynn Nikaidoh Deedie Rose
Frazier
of Operations
Elkins
of Finance
Jessica Malek
Director of Development and Education
Tom Adams and Gene Leggett
TITAS Co-Founders
700 N. Pearl Street, Suite 1800, Dallas, TX 75201 Administrative Office: 214.978.2855 · Box Office: 214.880.0202
Dare to Discover Our Dallas
Comprehensively transformed and perfectly situated the Sheraton Dallas Hotel is connecting guests to all Dallas has to offer. You’ll be stepping into a stylish hotel with stunning spaces, connecting you with redesigned guest rooms and public areas, including restaurants and bars and our Sheraton Club Lounge.
A stay at the Sheraton Dallas is a stay at the center of the city and an invitation to explore. Steps from our front door you can discover the city’s leading attractions, culture, restaurants, shopping and more.
Embrace the excitement and culture downtown Dallas has to offer with a stay at the Sheraton Dallas.