That visceral connection, the shared group energy we get from a live performance is very special and cannot be replicated on a digital screen. Be In The Room, and be a part of that powerful personal connection with art.
Creating moments of awe, like tonight’s performance, is what makes the TITAS/DANCE UNBOUND season so very special. It’s hard to put into words, but it’s something you just have to experience in the room, with an audience. Diverse, global, entertaining, all describe the magic of TITAS. Nothing Replaces the Live Experience.
We celebrate and contribute to the international profile of our city. We celebrate the value of serving an adventurous and eager audience, and we celebrate the value of cultural awareness and the enrichment of a community. This is the heart of TITAS and our contribution to the cultural landscape of North Texas. New audience members are always surprised by their experience. “I’m overwhelmed, this was not what I expected,” this is the comment we hear at virtually every performance. With four decades under our belt, we see the power of bringing top-notch artists from around the world to our city.
The 2024:25 season won’t disappoint. Breathtaking artistry, athletic and amazing dancers makes this a very special season of internationally touring companies. We proudly present a season of ten extraordinary companies from the United States, New Zealand and Spain, with four companies making their debuts and three companies performing with live music.
Thank you for being a part of another exciting year of performances, and thank you for engaging in the arts and with TITAS/DANCE UNBOUND and the AT&T Performing Arts Center.
What we do together, truly does make a difference.
Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND
Friday and Saturday | October 04 . 05 2024 | Moody Performance Hall
In association with AT&T Performing Arts Center Presents
Inspired by the works of Francisco Goya
ARTISTIC DIRECTOR
Choreography:
Dancers:
Martín Santangelo
Martín Santangelo, Soledad Barrio, and Company Members
Soledad Barrio, Pablo Fraile, Jesús Helmo, Paula Bolaños, Stella Goldin Garcia, Alexa Ratini, and Alishanee Chafe-Hearmon
Music: Salva De María
Song: Manuel Gago, Emilio Florido, and Salvador Cortés
Lighting and Production Manager: S. Benjamin Farrar
Artistic Consultant: Mark McDonald
Company Manager: Mitchell Dufanal
Booking Agent: Sharon Levy
Production Coordinator and Marketing: Gabriela García
Stage Manager: Jarmah Butler Jr
SEARCHING FOR GOYA
Inspired by the works of Francisco Goya
EL SUEÑO DE LA RAZÓN PRODUCE MONSTRUOS (The Sleep of Reason Produces Monsters)
Performed by THE COMPANY
LOS DESASTRES DE LA GUERRA (Selections) (The Disasters of War)
Performed by THE COMPANY
LLUVIA DE TOROS (Rain of Bulls)
Performed by THE COMPANY
LA TAUROMAQUIA (Tauromaquia Plate 14)
Performed by PABLO FRAILE
EL PERRO (The Dog)
Performed by JESÚS HELMO
Performed by PAULA BOLAÑOS
Performed by THE COMPANY
Performed by SOLEDAD BARRIO
All choreography MARTÍN SANTANGELO, SOLEDAD BARRIO & COMPANY MEMBERS
Music SALVA DE MARÍA, EUGENIO IGLESIAS & MARTÍN SANTANGELO
Vocal arrangements MANUEL GAGO and EMILIO FLORIDO
**THIS PROGRAM IS SUBJECT TO CHANGE**
Noche Flamenca is supported in part by the National Endowment for the Arts, the Howard Gilman Foundation, the Harkness Foundation for Dance, The Fan Fox and Leslie R. Samuels Foundation, The Shubert Foundation, and the New York State Council on the Arts.
TITAS/DANCE UNBOUND 24|25 Season NOW ON SALE
Next Production: New Zealand’s OKAREKA November 01/02
TITAS.ORG ATTPAC.ORG/TITAS
To support TITAS/DANCE UNBOUND
Please Scan, and Thank You.
The use of cameras, camcorders, tape recorders and cell phones is strictly forbidden during the performance.
"In light of recent political and global events I felt drawn to revisit the work of artist Francisco de Goya (1746-1828), whose graphics and paintings reveal the horrors of war, the monsters that live within us, the humiliation of the humble, and the value of the strength and sensibility of animals. The complexity of content and emotion motivated them to reimagine Goya’s works through flamenco. With the help of Goya expert and Metropolitan Museum Curator Mark McDonald, we embarked on the creation of Searching For Goya. The production has been in development since early 2022 at The Joyce Theater, The 62’ Center at Williams College, Jacob’s Pillow Dance Festival, and other prestigious cultural institutions. It made its world premiere in November 2023 at the University of Washington’s Meany Center for the Performing Arts, where The Seattle Times called it “a dance performance you don’t want to miss."
- MARTÍN SANTANGELO
“The timeless themes, emotions, and conditions that emerge are key to Goya’s enduring relevance. Like the world in which Goya lived, our own is rent by ignorance and fear and ripped apart by conflict and suffering that have taken on new dimensions in the face of a pandemic. Now and into the future, Goya’s art will continue to engage those who seek the essence of human being.”
-Excerpt From "Goya's Graphic Imagination" By Mark McDonald, Curator at The Metropolitan Museum of Art
The mission of Noche Flamenca is to create a diverse theatrical body of performance through song, music, and dance that expresses a rigorous, spell-binding aesthetic in the form of flamenco; one that exceeds the highest artistic expectations. The company strives to captivate its audiences through its live performances and to evoke in them the vivid and expansive sea of passion and emotion that is flamenco. Through its educational outreach and residency programs, the company seeks to educate and enlighten persons of all ages, races, and economic backgrounds regarding the authentic form of flamenco –a form born of ancestral cultural repression and racial expulsion.
Under the direction and choreography of Martín Santangelo, the award-winning Noche Flamenca is recognized as one of the world’s premier touring companies. Formed in 1993 by Santangelo and his award-winning wife, Soledad Barrio, the company has toured throughout the globe, including regular seasons in New York City, and performances in North and South America, Europe, and Australia. Hailed by critics everywhere for its transcendent and deeply emotional performances, Noche Flamenca is recognized as the most authentic flamenco touring company in the field today. Santangelo has successfully brought to the stage the essence, purity, and integrity of one of the world's most complex and mysterious art forms. All aspects of flamenco – dance, song, and music – are interrelated and given equal weight, creating a true communal spirit within the company - the very heart and soul of flamenco.
Noche Flamenca has been recognized with awards from the National Dance Project, the National Endowment for the Arts, the New York State Council on the Arts, the MAP Fund, and the Lucille Lortel Award for Special Theatrical Experience, among many others.
Noche Flamenca would like to thank its funders:
The National Endowment for the Arts, the Howard Gilman Foundation, The Harkness Foundation for Dance, The Fan Fox and Leslie R. Samuels Foundation, and The Shubert Foundation.
Noche Flamenca’s New York season is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
The company also extends its special thanks to: Wendy vanden Heuvel, Etta Brandman, Mark McDonald, Aurora Santangelo, Gabriela and Stella (for their patience), Annatina Miescher, Mary Frank, Mark McDonald, The Fundación de Goya en Aragón, Anne Leonard, Lisa Dorin, Frances McDormand, Joel Coen, Eric Cocco, Sharon Levy, Lee Breuer, Martin Weschler, The Joyce Theater, Phil Esparza and Luis Valdez of El Teatro Campesino, Jackie Shue... and our many friends and individual donors.
MARTÍN SANTANGELO (Artistic Director/Choreographer) founded Soledad Barrio and Noche Flamenca in 1993 with his wife, Soledad Barrio. Born in New York City, Santangelo studied dance and theater at NYU, and jazz with "Luigi" before moving to Madrid to study flamenco. His teachers included "Ciro," Paco Romero, "El Güito," and "Manolete." He has performed throughout Spain, Japan, and North and South America with María Benitez’s Teatro Flamenco, at Lincoln Center Festival of the Arts, and with Paco Romero’s Ballet Español. He has appeared in Julie Taymor’s Juan Darien at Lincoln Center, choreographed and performed in Eduardo Machado’s Deep Song directed by Lynne Taylor-Corbett, and a production of Romeo and Juliet at the Denver Theater Center. He has directed and choreographed Bodas de Sangre, The Lower Depths, La Celestina, A Streetcar Named Desire, and Noche Flamenca’s Antígona, amongst other international productions. Santangelo has collaborated with many artists including Lee Breuer, Luis Valdez, and Jerzy Grotowski.
SOLEDAD BARRIO (Choreographer/Principal Dancer) was born in Madrid and founded Soledad Barrio & Noche Flamenca with her husband, Martín Santangelo. She has appeared as a soloist with Manuela Vargas, Blanca del Rey, "Luisillo," "El Gúito," "Manolete," Cristobal Reyes, and "El Toleo," and has worked with Ballet Español de Paco Romero, Festival Flamenco, and many other companies. She has performed throughout Europe, Japan, and North and South America with artists such as Alejandro Granados, "El Torombo," Isabel Bayón, Jesus Torres, Miguel Perez, Manolo Marín, Javier Barón, Merche Esmeralda, Rafael Campallo, and Belén Maya, among others. Barrio was a resident teaching artist at NYU Tisch School of the Arts for many years and a guest teacher at The Juilliard School of Dance. Barrio has won awards from over 15 countries, including two Bessie Awards, for Outstanding Creative Achievement and Outstanding Performer, a 2015 Dance Magazine Exceptional Artist Award, and the 2022 Vilcek Prize in Dance.
SALVA DE MARÍA (Guitarist) was born in Madrid. He is the son of Basilio de Cádiz, and the singer/dancer María Fernandez, and the grandson of legendary singer Antonio "El Chaqueta." He began his career by accompanying singers Carmen Linares, José Merce, Vicente Soto, Chaquetón, and others. He moved to Barcelona to work with Maite Martín, La Chana, Guinesa Ortega, and other mythic figures in flamenco. He went on to work with Carmen Cortés and Gerardo Nuñez in Lorca's Yerma. Since 2001 he has collaborated with guitarist Chicuelo, Miguel Poveda, "La Susi," Maite Martín Chano Lobato, Israel Galván, Isabel Bayón, Javier Latorre, and "Duquende."
MANUEL GAGO (Singer) was born in Cadiz to a family of flamenco singers; he began singing at the age of five. By fourteen, he was singing in flamenco festivals with such well-known singers as Juan Villar, Charo Lobato, and Rancapino. Later, he began singing for dancers, including Joaquín Cortés, Sara Baras, Rafaela Carrasco, Belén Maya, El Güito, Manolete, Javier Barón, and Cristobal Reyes. Manuel has traveled the world, singing in Europe, Asia, South America, and the United States.
EMILIO FLORIDO (Singer) was born in Cádiz, Spain. He began singing at a young age and performed professionally all over Spain as a solo singer. He has accompanied such dancers as Adrian Galia, Domingo Ortega, Luis Ortega, Belén Maya, Yolanda Heredia, and Miguel Angel Espino, among others. He has worked with the companies of Cristina Hoyos, El Ballet de Madrid, and La Raza. He has toured extensively in Japan, South America and Europe. He has been performing with Noche Flamenca for nearly 14 years.
SALVA CORTÉS (Singer) began singing professionally when he was 17 years old. He is the great-grandson of the legendary singer Antonio "El Chaqueta" and the son of singer Carmina Cortés and guitarist Salva de María. He has worked with Rafael Amargo, Carmen Cortés, and flamenco companies in Andalucía, He has also performed in tablaos all over Madrid and Málaga.
PABLO FRAILE (Dancer) was born in Guadalajara, Spain. He began his training as a child at the Conservatorio Profesional de Danza Comandante Fortea, under the tutelage of Juan Manuel "Juanma" Carillo and Javier Palacios. He was chosen by Antonio Canales to perform in his production of La Casa de Bernarda Alba by Garcia Lorca. Pablo has danced alongside Canales as a soloist in Soledades, and Piedra y Cielo; performed alongside the renowned ballet dancer Faruk in Carmen; appeared as First Dancer in the company of Tito Losada; was chosen by Cecilia Gomez to interpret the role of 'Chaman' in the Homage to Chavela Vargas; appeared with the company of El Mistel in Bailando La Vida at the Suma Flamenca 2014; and traveled to Japan with Javier La Torre to dance with the Shoji Kojima company in La Celestina (this production was also presented in the Festival of Jerez and the Bienal of Sevilla).
JESÚS HELMO (Dancer) was born in Cádiz and started dancing at just five years old. He has studied with numerous flamenco dancers, including Pilar and Juan Ogalla, Belén Maya, Alfonso Losa, and Pedro Córdoba. He was given the third Premio Nacional de Baile por Alegrías de la Perla de Cádiz in 2002, he was a finalist in Flamenco Puro Turín de la Frontera at the Jerez Festival in 2019 and obtained a silver medal from Aula de Flamencología de Cádiz. He has also represented Turismo Andaluz in the San Sebastián Festival and the VEO VEO 98 Awards in Morocco, Italy, France, and Portugal. He formed as part of the Artes
de Costa Rica (FIA) festival and the Siete Soles Siete Lunas Festival in 2015. He has worked in Eduardo Guerrero’s company, Manolo Carrasco, Javier Marín’s company, Naomi Piazza’s flamenco school, and in tablaos all throughout Spain. In 2021 he created two flamenco shows titled Aquel Tablao and Artego.
PAULA BOLAÑOS (Dancer) completed her professional studies in Spanish Dance at the EPDCYL in Valladolid, obtaining the extraordinary prize for Professional Dance Education. She continued her training in Madrid, specializing in flamenco dance pedagogy at the María de Ávila Conservatory of Dance. Some of her teachers include Rafaela Carrasco, Óscar Jiménez, Paula Comitre, Florencia Oz, Inmaculada Aranda, and Adrián Santana. She was a dancer for the show OléOlá under the artistic direction of José Carlos Plaza and Cristina Hoyos. She has also worked in the show Amores Flamencos under the artistic direction of Carlos Rodríguez. Paula has participated as a solo dancer in the International Museum Day organized by the Provincial Council of Valladolid in and was in the final of the X Certamen Jóvenes Valores del Flamenco de Nerja, Málaga. She currently works in multiple tablaos throughout Spain and continues her studies in dance.
STELLA GOLDIN GARCÍA (Dancer) was born in Spain and now resides in NYC. She has been blessed to have studied dance in NYC since then. Stella has performed at Lincoln Center Out of Doors and in Montreal with Soledad Barrio & Noche Flamenca, The Jeanette Stoner and Dancers in NYC, and David Thomas’ company, WRT. Stella is thrilled and humbled to work with Soledad Barrio and Noche Flamenca.
ALEXA RATINI (Dancer), originally from Plainfield, IL, trained since the age of two at Inspire School of Dance in Naperville, IL. She received her BFA in Dance along with a minor in Psychology from Marymount Manhattan College in 2023. She has performed across the United States at various theaters including The Joyce Theater, The NYU Skirball, and The Auditorium Theatre in Chicago, where she was a part of the Dance For Life event. Additionally, Alexa has worked with and performed repertoire by David Parsons, Pascal Rioult, and Paul Taylor as well as original works by Darshan Singh Bhuller, Hanna Brictson, Jennifer Freeman, Anthony Morigerato, Katie Langan, and Alberto Del Saz. Alexa joined the Young Dancer Division faculty at Ballet Academy East in 2021, where she remains a faculty member to this day.
ALISHANEE CHAFE-HEARMON (Dancer) is a dancer and artist from New York City. She holds a BA from CUNY Hunter College with a self-designed degree in dance, theology, and psychology. Alishanee was introduced to dancing through her mother, Maya De Silva, who is a flamenco dancer, and Alishanee’s life-long teacher and inspiration. She has studied with Vertigo Dance Company,
Pau Aran, Jiri Pokorny, Darrah Carr, Martha Tornay, Nina Goldman, Alberto Del Salz and at Ballet Hispanico. She has learned repertory by Kidd Pivot/Crystal Pite and Blenard Azizaj. She also has studied the Cuban Contemporary Technique and Cuban Folkloric at Danza Contemporanea De Cuba. She currently attends the Martha Graham School and performs with Soledad Barrio Noche Flamenca and Mark Bankin.
MARK LONDON (Lighting Designer) is proud of his decades-long collaboration with Soledad Barrio and Noche Flamenca. While working primarily in broadcast, Mark has always come back to theatrical lighting, including his long-standing collaboration with Noche as well as Zvi Gotheiner, and dancers and international companies such as Stars of the Bolshoi, Kirov Ballet, and The Chinese Opera of Taipei. Back in the wilds of lower Manhattan, Mark has designed for Jeanette Stoner, Muna Tseng, Amos Pinhasi, and ISO Dance, as well as lighting music and theater at the Joseph Pap Public Theater and the Brooklyn Academy of Music (BAM).
S. BENJAMIN FARRAR (Production Manager) is a freelance designer of scenery, lighting, and projection for live performances. He has worked in many venues in NYC, including The Public Theater, The Joyce Theatre, and The Lortel Theatre. He has designed throughout the U.S. and Canada in venues such as The Majestic Theatre in Boston, White Bird in Portland, The McCarter in Princeton, The Royal Conservatory in Toronto, and The Zellerbach Playhouse in Berkeley. He has also designed for venues in Australia, Mexico, Argentina, Peru, Brazil, England, Scotland, and Switzerland. Benjamin has worked as a guest designer at NYU Gallatin School in New York and Grinnell College in Iowa. He is a graduate of The University of Iowa and Vanderbilt University.
GABRIELA GARCIA (Production Coordinator & Social Medio) was born and raised in Madrid. She graduated from Sarah Lawrence College in 2017 and currently resides in New York City. Gabriela has worked with Noche Flamenca for years, Flamenco Festival in New York as well as theater director Lee Bruer, writer Fernanado Arrabal, and the Consulate General of Spain, among others. She is currently the production coordinator for Noche Flamenca.
JARMAH BUTLER JR (Stage Manager) is a native New Yorker born in Far Rockaway, Queens and raised in Flatbush, Brooklyn. He has been working with production companies in New York and Los Angeles for years and has recently joined Soledad Barrio & Noche Flamenca as a stage manager. He has a background in music, dance and production as well as stage management. His most recent show as stage manager was Searching For Goya at the internationally recognized Jacob’s Pillow Dance Festival. He is currently residing in New York while touring nationally.
MITCHELL DUFANAL (Administration/Operations) was born and raised in New York City and earned his Master of Science degree in Policy, Analysis, and Management at the Milano School of International Affairs at The New School University in New York City. Mitchell has since worked as a grant and program consultant for non-profit organizations, including the La Casita Comunal de Sunset Park and New York Child and Family Support Services, where he currently sits on the board of directors. He has been with Noche Flamenca since 2013.
SHARON LEVY (Production Consultant & Booking Agent) is the president of Dovetail Productions, which was formed in 1997 to develop and produce new work. She was producer with St Ann’s Warehouse, La MaMa, and Mabou Mines, and piece by piece for Lee Breuer’s La Divina Caricatura, Shalom Shanghai for the Shanghai Arts Festival, Baba Brinkman’s The Rap Guide to Evolution, Mabou Mines DollHouse, Lee Breuer and Bob Telson’s The Gospel at Colonus, the jazz opera Lulu Noire, and the Tribute to King Oliver. She was manager to trumpeter Jon Faddis and worked with the British Theatre of the Deaf and the Theatrical Outfit in Atlanta, where throughout the 1980’s she produced more than 40 plays and musicals.
The Sleep of Reason Produces Monsters
drawing 1: https://fundaciongoyaenaragon.es/obra/el-sueno-de-la-razon-producemonstruos-1/1060
drawing 2: https://fundaciongoyaenaragon.es/obra/sueno1o-idioma-universal/1061 final work: https://fundaciongoyaenaragon.es/obra/el-sueno-de-la-razon-producemonstruos/913
drawing: https://fundaciongoyaenaragon.es/obra/estragos-de-la-guerra-1/772 final work: https://fundaciongoyaenaragon.es/obra/estragos-de-la-guerra/771
Nobody can help them/ There is no one to help
drawing: https://fundaciongoyaenaragon.es/obra/no-hay-quien-los-socorra-1/823 final work: https://fundaciongoyaenaragon.es/obra/no-hay-quien-los-socorra/822
Not in this case either
https://fundaciongoyaenaragon.es/obra/tampoco-1/778
And They Are Like Wild Beasts
https://fundaciongoyaenaragon.es/obra/y-son-fieras/725
The Third of May, 1808
https://fundaciongoyaenaragon.es/obra/el-tres-de-mayo-de-1808/181
Little Bulls' Folly
https://fundaciongoyaenaragon.es/obra/disparate-de-toritos/1360
Tauromaquia plate 14
https://www.metmuseum.org/art/collection/search/397893
The Dog
https://www.franciscogoya.com/the-dog.jsp
Foolish Precision (The Horse That Fell From The Sky)
https://artmuseum.princeton.edu/collections/objects/60478
Two People Looking Into A Luminous Room
https://www.museodelprado.es/en/the-collection/art-work/two-people-looking-into-a-luminous-room/6c6c1377-7a6c-469f-9cdd-d39023644724
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Kellie King
Sheilon King
Kristina Kirkenaer-Hart
Anthony Ludlow
Lorn MacDougal
Patricia Magadini
Jeannine Mahoney
Jessica and Dylan Malek
Nancy W. Marcus
Leticia McCray
Maranatha McLean
Rohan Mishra
Robert Moore
Charles Nearburg
Gernelle Nelson
Natalie Newman
Donna Nickels
Chiedozie Okafor
Kimberlie Page
Claudia and Servando Palomeque
David Papson-Adams
Emmanuel Parker
Chris Patterson
Larry Pease
Shawanna Phillips
Karen Pilgrim-King
Iris and Michael Podolsky
Odealya Price
Christopher Progler
Cinde Rawn
Clarence Rice
David Rodriquez
Jane Scholz
Alexandra Schwartz
Jodee Sedalnick
Kathleen Sharp
Michael Simone
Sada Sorrell
Nancy Spence
Michelle Spezio Ferm
Jay Stamper
Camille Stearns Miller
Elizabeth Stewardson
Mary Suhm
Lela Thompson
Veronica Towe
Stormi Truesdell
Martha Turner
Douglas Unger
Herbert Unger
Ana Villanueva
Sadie Wallace
Timothy Ward
James W. Woodall
* in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustee
BOARD OF TRUSTEES
Lee Cobb, President
Sue Benn
Joel Bines
Arthur P. Bollon
Mary Ann Borden-Neary
Michael Crossley
Claire Dewar
Matrice Ellis Kirk
Wanda Gierhart Fearing
Steven Gendler
Bill Graue
Rodger Kobes
Noelle LeVeaux
Lola Lott
Venetia Patout
Tracy Preston
DeMetris Sampson
Charles Santos
Arlene Switzer Steinfield
Estela Tejeda-Moreno
Michael Titens
Chandana Weerasekara
Krista Weinstein
Lily Cabatu Weiss
HONORARY BOARD
Mr. Tom Adams (TITAS Co-Founder)
Penny Atkiss
William Benac
Jeanne Marie Clossey
Lauren Embrey
Bess Enloe
Rebecca Enloe Fletcher
Kathryn D. Greene
Carol Hall
Gayle Ziaks Halperin
Sally Hansen
Zoé deRopp Hart
Alan Lerner
Charlene Marsh
Lynn Nikaidoh
Deedie Rose
CHARLES SANTOS
Executive Director
Artistic Director
JOHN FRAZIER
Director of Operations
JESSICA MALEK
Director of Development/ Education
STEVE HAMILTON
Accountant
TITAS/DANCE UNBOUND CO-FOUNDERS
Tom Adams and Gene Leggett
TITAS/DANCE UNBOUND
700 North Pearl Street, Suite 1800
Dallas TX 75201
214.978.2855
Box Office 214.880.0202
titas.org attpac.org/titas
The Dallas–Fort Worth Lexus dealers are proud to be the O cial Vehicle Sponsors of the AT&T Performing Arts Center and its resident companies. Through this dynamic partnership, Lexus is committed to supporting the Center and its Dallas Arts District neighbors in establishing Dallas as one of the world’s premier destinations to experience the performing and visual arts.
Step into a completely transformed space at the Sheraton Dallas Hotel. Fresh out of a multi-million-dollar hotel-wide renovation, we welcome you with an elevated arrival experience in an exceptional Arts District location. Renovated guest rooms and suites feature new aesthetics and furnishings paired with stunning views. For more information about the Sheraton Dallas Hotel, visit Marriott.com/DALDH.