ವೀಜ್ ಕೊಂಕಣಿ 383 & Veez Illustrated Weekly

ಸಂ

Àsu

ಸಚಿತ್ರ್ ಹಫ್ತ್ಯಾಳ ೊಂ

ಅೊಂಕ : 8 ಸಂಖ ೊ: 13 ಜನ ರ್ 23 2025

1 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸಂಪಾದಕೀಯ್: ಯಮ್ಕ ಂಡಂತ್ಲೊ ಉಜೊ ಆನಿ ಮ್ರ್ನಂ! ಭೀಕರ್ ವಾರ‍್ಾ ಕ್ ಸಭಾರ್ ತೀೇಂಪ್ ಝಳೊನ್ ರ‍್ವ್‍ಲ್​್ಯ ಾ ್ಸ್ ಏೇಂಜಲಿಸೇಂತ್ಲಯ ಉಜೊ ಸ ಹಜಾರ‍್ೇಂ ವಯ್ರ ಚ್ಚ್ ಘರ‍್ೇಂ ನಾಶ್ ಕನ್​್ ಪೇಂಚ್ವ ೀಸ್ ಜಣೇಂಚೆ ಜೀವ್‍ಲ್ ಬಲಿದಾನ್ ಕರೇಂಕ್ ಪಾವ್ಲಯ . ಹೊ ಸೇಂಖೊ ಆನಿಕೀ ಚಡೀತ್ ಆಸೇಂಕ್ ಪುರೊ. ಕೀಣ್ ಹ್ಯಾ ಭಯೇಂಕರ್ ಉಜಾ​ಾ ಕ್ ಬಲಿ ಜಾ್ಾ ೇಂತ್ ತೇಂ ಪಳೇಂವ್‍ಲ್​್ ಆನಿಕೀ ಸಭಾರ್ ಹಫ್ತೆ ್ಗೇಂಕ್ ಪುರೊ ಮ್ಹ ಳೊ​ೊ ಅೇಂದಾಜ್ ಆಸ. ವ್ಲರ‍್ಕ್ ಶೇಂಬೊರ್ ಮೈ್ೇಂ ಪರ್​್ೇಂತ್ ಉಬೊನ್ ಯೇಂವಾ್ ಾ ವಾರ‍್ಾ ನ್ ಚಡ್ಟಾ ವ್‍ಲ್ ನಷ್ಟಾ ಕ್ ಪಾಟೇಂಬೊ ದಿಲೊ. ವಿಕಾ ರ್ ಶಾ ಆಪ್ಯ ೇಂ ಘರ್ ಸೇಂಬಾಳ್ನ್ ಉರೇಂವಾ್ ಾ ಕ್ ್ಗನ್ ಆಪ್ಲಯ ಚ್ಚ್ ಜೀವ್‍ಲ್ ಹೊಗ್ಡಾ ರ್ಯ ಗಯ . ೬೬ ವಸ್ೇಂ ಪಾರ ಯಚ್ಯಾ ವಿಕಾ ರ‍್ಚ್ ನಿಜೀ್ವ್‍ಲ್ ಕೂಡ್ ತಾಚ್ಯಾ ಘರ‍್ ್ಗ್ಶಿ ್ಾ ರಸೆ ಾ ರ್ ಹ್ಯತೇಂ ಫು್ೇಂ ತ್ಲೀಟಾಕ್ ಘಾ್​್ ಾ ಉದಾ್ ಪ್ೈಪಾಸೇಂಗ್ಡತಾ ಪಳೇಂವ್‍ಲ್​್ ಮಳ್ಳೊ . ತಾಚ್ಯಾ ಧಾಕ್ಟ್ಾ ಾ ಭಯ್ಣಿ ನ್ ತಾಕ್ಟ್ ಉಜಾ​ಾ ಥಾವ್‍ಲ್​್ ಪಯ್​್ ಹ್ಯಡ್​್ ೇಂ ಪರ ಯತ್​್ ಕೆಲೇಂ ತರೀ ತ್ಲ ಆರ್​್ ನಾಸೆ ೇಂ ಧೃಡ್ ರ‍್ವ್‍ಲ್ಲೊಯ ೫೫ ವಸ್ೇಂಚೊ ರ‍್ಾ ೇಂಡ ಆಪ್ಯ ೇಂ ಘರ್ ಸೇಂಬಾಳ್ಚ್​್ ಾ ್ಗ್ಡಯ್ೆ ಉಜಾ​ಾ ವಿರೊೀಧ್ ಝುಜೊನ್ ಆಪ್ಲಯ ಜೀವ್‍ಲ್ ಸೇಂಡುನ್ ಗೆಲೊ. ಆಪ್ಯ ೇಂ ಮ್ಹಹ ಲ್ಘ ಡ್ಟ್ ಾ ೇಂಚೆೇಂ ಘರ್ ತ್ಲ ಸಡ್​್ ವಚೊೇಂಕ್ ತರ್ರ್ ನಾಸಯ ಮ್ಹ ಣಲಿ ತಾಚ್ ಆವಯ್ ಟವಿಕತಾ್ೇಂ್ಗ್ಶೇಂ ಉಲ್ವ್‍ಲ್​್ . ಉಜಾ​ಾ ಥಾವ್‍ಲ್​್ ಪಯ್​್ ರ‍್ವ್ಲೇಂಕ್ ಧಾೇಂವ್ಲನ್ ಆಸ್​್ಯ ಾ ಆೇಂತ್ಲನಿ ಮಿಶಲ್ ಆನಿ ಪೂತ್ ಜಸ್ಟಾ ನ್ ದೀಗ್ಶೀ ಮ್ರಣ್ ಪಾವ್ಲಯ ಉಜಾ​ಾ ಕ್ ಬಲಿ ಜಾವ್‍ಲ್​್ . ಬಾಪಾಯ್​್ ೬೭ ವಸ್ೇಂ ಆನಿ ಜಸ್ಟಾ ನಾಕ್ ಫಕತ್ ೨೦. ಮಿಶ್ಕ್ ಚ್ಯಾ ರ್ ಭುಗ್ಶ್ೇಂ ಇಕ್ಟ್ರ ನಾತಾರ ೇಂ ಆನಿ ೧೦ ಪ್ಲಣ್ತೆ ರ‍್ೇಂ ಆಸ್ಟಯ ೇಂ. ೮೩ ವಸ್ೇಂಚೊ ರೊೀಡ್ ನಿಕ್ ರ್ಸನ್ ಉಜೊ ವ್ಲಗ್ಶೇಂಚ್ಚ ಪಾಶಾರ್ ಜಾವ್‍ಲ್​್ ವ್ಲತಲೊ ಮ್ಹ ಣ್ ಪಾತಾ ಣಿನ್ ರ‍್ವ್ಲನ್ ಉಜಾ​ಾ ಕ್ ಬಲಿ ಜಾಲೊ. ೧೯೬೮ ವಸ್ ಥಾವ್‍ಲ್​್ ರೊೀಡ್​್ ತಾ​ಾ ಘರ‍್ೇಂತ್ ವಸ್ಟೆ ಕರನ್ ಆಸ್ಲೊಯ . ೮೫ ವಸ್ೇಂಚ್ ಆನ್ನ್ ಟ್ಟಾ ರೊಸ್ಟ್ ಲಿಯ ಚ್ ನಿಜೀ್ವ್‍ಲ್ ಕೂಡ್ ಉಜಾ​ಾ ಶಾಮ್ಕ್ ದಳ್ಚ್ಚ್ಯಾ ೇಂಕ್

ಪಳೇಂವ್‍ಲ್​್ ಮಳ್ಳೊ ಉಜೊ ಪಾಲ್ವ ೇಂವಾ್ ಾ ರ‍್ಟಾವಳರ್ ಆಸೆ ನಾ. ಘರ‍್ ಯೀವ್‍ಲ್​್ ತಚ್ ಚ್ಯಕರ ಕರನ್ ಆಸ್ಲಿಯ ೇಂ. ತಚ್ ಕೂಡ್ ತಚ್ಯಾ ಕ್ಟ್ರ‍್ೇಂತ್ ಮಳ್ಳೊ . ಅಸಲಿೇಂಚ್ಚ ಕರ‍್ಳ್ನ ಘಡತಾೇಂ ್ಸ್ ಏೇಂಜಲಿಸೇಂತ್ ಘಡಯ ೇಂ. ಸಭಾರ‍್ೇಂಚ್ ಘರ‍್ೇಂ, ಜಾನಾವ ರ‍್ೇಂ, ಉಜಾ​ಾ ನ್ ್ಸುನ್ ಕ್ಟ್ಡಯ ೇಂ. ಜೇಂ ಕೀಣ್ ಉಜಾ​ಾ ಕ್ ಝಗಾ ನ್ ಪಾಟೇಂ ಆಪ್ಲಯ ಆಸ್ೆ ಉರೇಂವ್‍ಲ್​್ ಪ್ಚ್ಯಡಯ ೇಂ ತೇಂ ಸವಾ್ೇಂ ತಾ​ಾ ಮ್ಹರೆಕ್ಟ್ರ್ ಉಜಾ​ಾ ಕ್ ಬಲಿ ಜಾಲಿೇಂ. ಹ್ಯೇಂಗ್ಡ ಅಸೇಂ ತರ್ ಗ್ಡಝೇಂತ್, ಇಸರ ಯ್ೇಂತ್, ಯುಕೆರ ೀನಾೇಂತ್, ಇರ‍್ನಾೇಂತ್, ಲಬನಾನಾೇಂತ್, ಸ್ಟೀರರ್ೇಂತ್, ಇತಾ​ಾ ದಿ ಲೊೀಕ್ ಮ್ರಣ್ ಪಾವ್ಲಯ , ಘರ‍್ೇಂ, ಕಟ್ಾ ೀಣೇಂ ನಿಸ್ ೇಂತಾನ್ ಜಾವ್‍ಲ್​್ ಧಣಿ್ ಸಮ್ಹ ಜಾಲಿೇಂ ಥೇಂಯ್ ರ್ ಜಾೇಂವಾ್ ಾ ಝುಜಾೇಂಕ್ ್ಗನ್. ಏಕ್ಟ್ಮಕ್ಟ್ಚೆರ್ ಮಿಸ್ ರ್ಯ ೇಂ, ಡ್ರ ೀನ್​್ , ಬಾೇಂಬ್ಸ್ ಇತಾ​ಾ ದಿ ಫುಟಾ​ಾ ನಾ ಪಾಪ್ ಲೊೀಕ್ ಆಪ್ಲಯ ಜೀವ್‍ಲ್ ಬಲಿದಾನ್ ಕರೇಂಕ್ ಪಾವ್ಲಯ . ಹೊ ಕೂರ ರ್ ಸೇಂಸರ್, ಹೊ ದಳ್ಚ್ಾ ೇಂತ್ ರಗ್ಡತ್ ನಾಸ್ ಸೇಂಸರ್ ಕಣಕೀ ಸುಶಗ್ಡಯನ್ ಜಯೇಂವ್‍ಲ್​್ ಸಡನಾ. ಲೊೀಕ್ಟ್ನ್ ಕಚೆ್ೇಂ ಕರ್ಮ್ ಏಕ್ಟ್ಮಕ್ಟ್ಕ್ ಮ್ಹರೆಕ್ಟ್ರ್ ಜಾೇಂವ್‍ಲ್​್ ಪಾವಾೆ . ಫಾ್ಾ ೇಂ ಥಾವ್‍ಲ್​್ ಅಮೀರಕ್ಟ್ಕ್ ನವ್ಲ ಅಧಾ ಕ್ಷ್ ರ‍್ಜವ ಟ್ಟ ಕರೇಂಕ್ ಯತಾ. ತಾಣೇಂ ಹ್ಯೇಂಗ್ಡಚ್ಯಾ ಲೊೀಕ್ಟ್ಕ್ ಸಭಾರ್ ಸೇಂಗ್ಶೆ ಭಾಸಯ್ಣಲೊಯ ಾ ಆಸತ್. ಪಳೇಂವ್‍ಲ್​್ ಜಾಯ್ ಆತಾೇಂ ತ್ಲ ಕತಯ ಬದಾಯ ವಣ್ ಅಮೀರಕ್ಟ್ೇಂತ್ ತಸೇಂ ತುಟಾಫುಟ್ಟ ಜಾ್ಯ ಾ ಹ್ಯಾ ಸೇಂಸರ‍್ೇಂತ್ ಹ್ಯಡ್ಟಾ ತೇಂ. ಪಾಟಾಯ ಾ ಚ್ಯಾ ರ್ ವಸ್ೇಂನಿ ಡ್ಮೊಕ್ಟ್ರ ಟಕ್ ಪಾಡೆ ನ್ ವಹ ಡ್ಯ ೇಂ ವಹ ಡ್ಯ ೇಂ ಭಾಸವ್‍ಲ್​್ ನಿಮ್ಹಣೇಂ ಶಣ್ ಘಾಲೇಂ; ವ್ಲವ್ಲ್ಚ್ೇಂ ಮೊ್ೇಂ ವಾಡ್ಟತ್ೆ ಗೆಲಿೇಂ, ದುಬೊ​ೊ ಲೊೀಕ್ ಕೇಂಗ್ಡಾ ಲ್ ಜಾಲೊ ಆನಿ ಕಮ್​್ ಹ್ಯಾ ರಸ್ ಸಲೊವ ನ್ ಗೆಲಿ.

-ಡ್ಟ. ಆ. ಪರ , ಚ್ಕ್ಟ್ಗ, ಸೇಂಪಾದಕ್

2 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆಶಿಯಯನಯಚ್ಯಾ ನೊಂದನಯವನಯೊಂತ್ರ ಸೊಂಭ್​್ಮ್ಲೊಂ 19-ವ ೊಂ ಕವತಯ ಫ್ತ್ ಸ್ತ್

ಕ್ಟ್ನಾಮ್ನಾೇಂಕ್ ಕ್ಟ್ವಾ​ಾ ಳ್ನ ಜಾಲಯ ೇಂ ಕವಿತಾ ಫ್ತಸ್ೆ 2025 .ವಿಶಿಶ್ಾ ಶೈಲರ್ ಉಗ್ಡೆ ವಿ​ಿ , ದಿೀಸ್ ಭರ್ ಕ್ಟ್ವಾ​ಾ ಳ್ನ ಸಜೊವಿ​ಿ , ಜೈತವೇಂತ್ ಸೇಂಪ್ಲಿ .ಕವಿ ಸಯಾ ದ್ ಸಮಿೀವು್ಯ ಬಮ್ಹ್ವರ್ ಹ್ಯಕ್ಟ್ ಮ್ಥಾಯಸ್ ಕುಟರ್ಮ ಕವಿತಾ ಪುರಸ್ ರ್ ಹ್ಯತಾೇಂತರ್ .ಕವಿೇಂಸವ್ಲೇಂ ಭಾಸಭಾಸ್ , ಉಗ್ಶೆ ಕವಿತಾ ಮ್ಹೇಂಚ್, ’ಸವ ಗ್ಡ್ಚ್ ಪಕಿ ’ ಪುಸೆ ಕ್ ಲೊೀಕ್ಟ್ಪ್ಣ್, ಯುವ ಸಹಿತೇಂಚೆೇಂ ಕವಿತಾ ಸದರೀಕರಣ್ ಕೇಂಕಿ ಕ್ಟ್ವಾ​ಾ ಕ್ ಗಜ್ಚೊ ಭೇಂವಾರ್ ಆನಿ ಅೇಂತರ‍್ಷ್ಟಾ ರೀಯ್

ಪಾೇಂವ್ಲಾ ಜೊಡುನ್ ದಿೇಂವಾ್ ಾ ಶವ್ಲಟಾಖಾಲ್ ವಾವುರ‍್​್ ಾ ಕವಿತಾ ಟರ ಸಾ ಚೆೇಂ 19-ವ್ಲೇಂ ಕವಿತಾ ಫ್ತಸ್ೆ 12-012025 ವ್ಲರ್ ಉಡುಪ್ಲ ಜ್ಯ ಾ ಚ್ಯಾ ಸಸೆ ನ್ ಪಾೇಂಡ್ೀಶ್ವ ರ್ ಆಸ್ ಾ ಸುಜಾತಾ–ಆಲಿವ ನ್ ಆೇಂದಾರ ದೆ ಜೊಡ್ಟಾ ಚ್ಯಾ ಆಶಿರ್ನಾ ಘರ‍್​್ ಾ ಆೇಂಗ್ಡಿ ೇಂತ್, `ದಿ ಎಕ್​್ ’ಪ್ರ ಶ್ನ್​್ ’ ಪೇಂಗ್ಡಾ ಚ್ಯಾ ಸಹಕ್ಟ್ರ‍್ನ್ ದಿೀಸ್ಭರ್ ವಹ ಡ್ಟ ಸೇಂಭರ ಮ್ಹನ್ ಮ್ನಾಯಯ ೇಂ. ಸಂಭ್ರ ಮಿಕ್

ಉಗ್ತಾ ವ್ಣಿ :

ಮ್ೇಂಗ್ಳೊ ರ್, ಉಡುಪ್ಲ, ಗೇಂಯ್, ಕೆೀರಳ ಅಶೇಂ ಕೇಂಕಣಚ್ಯಾ ವಿವಿಧ್ ವಠಾರ‍್ೇಂ ಥಾವ್‍ಲ್​್ ಆಯ್ಣ್ಯ ಾ ಕ್ಟ್ವಾ ರಸ್ಟಕ್ಟ್ೇಂನಿ ಇಡ್ಯ ಾ ಆನಿ ಮ್ಣಿ​ಿ ಚೊ ರಚ್ಕ್ ಫಳ್ಚ್ರ್ ಘೆತಚ್ಚ, ಬೇಂಡ್ಟ-

3 ವೀಜ್ ಕ ೊಂಕಣಿ

ತ್ಲೇಂಬೊರ‍್ಚ್ಯಾ ನಾದಾನ್ ಕವಿತಾ ಫ್ತಸೆಚೊ ಪುಶಾ್ೇಂವ್‍ಲ್ ಸುವಾ್ತ್ಲಯ . ಬಳ್ಚ್ೊ ರಚೊ ಬಿಸ್​್ ಅ.ಮ್ಹ.ದ. ಹೆನಿರ ಸಜ್ ಹ್ಯಣಿೇಂ ಬಾ​ಾ ೇಂಡ್ ಬಡ್ವ್‍ಲ್​್ ಪುಶಾ್ೇಂವಾಕ್ ಚ್ಯಲ್ನ್ ದಿಲೇಂ.

ಉಪಾರ ೇಂತ್ ಕವಿತಾ ಫ್ತಸೆಚ್ಯಾ ಸೇಂಪರ ದಾರ್ ಪಮ್ಹ್ಣೇಂ ಕ್ಟ್ವಾ​ಾ ಳ್ನ ಪಮ್​್ಳ್ನ ಸಗ್ಡೊ ಾ ಜಗ್ಡಕ್ ಪಾಚ್ಯರೆ್ ಸೇಂಕೆೀತಕತ ಸವ್ಲೇಂ ಫು್ೇಂ ಪಾಕೊ ಾ 4 ವೀಜ್ ಕ ೊಂಕಣಿ

ಬಾವ್ಲೊ ದಿ್ಯ ಾ ೇಂನಿ ಫು್ೇಂ ಪಾಕೊ ಾ ಸುೇಂಗ್ಡ್ರ‍್ಯ್ಣಲಯ ಕಡ್ಟಯಚ್ಯಾ ಉದಾ್ ೇಂತ್ ಸಡುನ್ ಕ್ಟ್ವಾ​ಾ ಳ್ನ ಭೇಂವಾರ್ ನಿಮ್ಹ್ಣೇಂತ್ ಆಪ್ಲಯ ಸೇಂಗ್ಡತ್ ಭಾಸಯ್ಲಯ . ಹ್ಯಾ ಚ್ಚ ಸೇಂದಭಾ್ರ್ ಪಾಟಾಯ ಾ ದಿಸೇಂನಿ ಸೇಂಸರ‍್ಕ್ ಆದೆೀವ್‍ಲ್​್ ಮ್ಹಗಲಯ ಕವಿ ಎರ್ಮ. ಪ್ಲ. ರೊಡರ ಗಸ್, ಪೇಂಚು ಬೇಂಟಾವ ಳ್ನ, ಅನೇಂತ್ ಭಟ್ಟ ಕಚ್​್ ಆನಿ ಸ್ಟಕೆರ‍್ರ್ಮ ಸುರತ್ ಲ್ ಹ್ಯೇಂಚ್ಯಾ ಆತಾಯ ಾ ಕ್ ಶಾೇಂತ ್ಭಾ್ ಾ ಕ್ ಜಮ್​್ಯ ಾ ೇಂನಿ ಎಕ್ಟ್ ಮಿನುಟಾೇಂಚೆೇಂ ಮ್ಹಗೆಿ ೇಂ ಭೆಟಯಯ ೇಂ.

ವಾರ‍್ಾ ರ್ ಉಬೊವ್‍ಲ್​್ , ವ್ಲದಿ ವರ್ಯ ಾ ಸರ್ರ ಾ ೇಂನಿ ಕವಿತಾ ಫ್ತಸ್ೆ 2025 ಉಗ್ಡೆ ಯಯ ೇಂ. ಸೇಂಗ್ಡತಾ ಟರ ಸ್ಟಾ ೇಂನಿ, ಕವಿತಾ ಟರ ಸಾ ಕ್ ಆನಿ ಫ್ತಸೆ ಕ್ ಮ್ಜತಚೆ

ಆಪುಣ್ ಬರೊ ಕೇಂಕಿ ಉಲೊವಿ್ ನಹ ಯ್ ಮ್ಹ ಣ್ ಉತಾರ ೇಂ ಸುವಾ್ತಯ ್ಾ ಫ್ತಸೆಚೊ ಉಗ್ಡೆ ವಿ್ ಡ್ಲಿಯ ಚ್ಯಾ ಫೊರ್ಚ್ನ್ ಲೈಫ್ ವ್ಲಲ್ೆ ಪ್ರ ೈ.ಲಿ. ಕೇಂಪ್ಿ ಚೊ ದಿರೆಕೆ ರ್ ಆನಿ ದಾನಿ ಜೊೀಸಫ್ ಎಲಿರ್ಸ್ ಮಿನ್ನೀಜಸ್ ಹ್ಯಣ ಭುಗೆ್ಪಣರ್ ಪದಾ ಉಗ್ಡಾ ಸ್ ದವುರ ೇಂಕ್ ಕಷ್ಾ ೇಂಚ್ ಗಜಾಲ್ ಭೀವ್‍ಲ್ ಗಮ್ಯ ತಾಯನ್ ವಣಿ್ಲಿ. ಕವಿೇಂಚೆ

5 ವೀಜ್ ಕ ೊಂಕಣಿ

ತಕೆಯ ೇಂತ್ ಕೆನಾ್ ೇಂಯ್ ಏಕ್ ಪ್ಲಜಟವ್‍ಲ್ ಚ್ೇಂತಪ್ ಆಸೆ . ಕವಿತಾ ಕಶಿ ಬರೊೇಂವಿ್ , ಧಾ ಜಣೇಂಚೊ ಸೇಂತ್ಲಸ್ ಕಸ ವಾಡ್ೇಂವ್ಲ್ , ಕಶೇಂ ಹೆರ‍್ೇಂಕ್ ಪ್ರ ೀರಣೇಂನಿ ಭರೆ್ ೇಂ ಮ್ಹ ಣ್ ಚ್ೇಂತಾೆ ತ್. ಸೇಂಗ್ಡತಾ ಖೇಂಯ್ಣ್ ೀಯ್ ಗಜಾಲ್ ಸಕ್ಟ್ರ‍್ತಯ ಕ್ ರತನ್ ಘೆಜ. ಖೊಡ ಕ್ಟ್ಡ್ೆ ಲ ಕೆನಾ್ ಯ್ ಆಸತ್. ಆಪಾಯ ಾ ಜವಿತಾೇಂತ್ ಮ್ನಿಸ್ ಕುಟಾಯ ಖಾತರ್, ಸಮ್ಹಜಾ ಖಾತರ್ ಆನಿ ದೆೀಶಾ ಖಾತರ್ ಕತೇಂ ಕರ್​್ ದಾಕರ್ೆ ತೇಂ ಗಜ್ಚೆೇಂ ಮ್ಹ ಣ್ ಉಗ್ಡೆ ವ್ಲಿ ಚೊ ಸೇಂದೆೀಶ್ ದಿಲೊ.

ಆೇಂದಾರ ದೆ

ಮುಖೆಲ್ ಸಯ್ಲರ ಬಿಸ್​್ ಹೆನಿರ ಡಸೀಜಾನ್ ಹ್ಯಾ ಗ್ಡೇಂವ್ಲ್ ಆಪ್ಯ ಉಗ್ಡಾ ಸ್ ಜವಾಳ್ನ ಜಾತಾತ್ ಮ್ಹ ಣ್ ಸೇಂಗ್ಳನ್ ಕವಿತಕ್ ಪ್ರ ೀರಣ್ ದಿೇಂವಿ್ , ಅಭಪಾರ ಯ್ ಆಸ ಕರ್ , ಮ್ನೀರೇಂಜನ್ ದಿೇಂವಿ್ ಸಕತ್ ಆಸ. ಮ್ನಾಿ ಸೇಂಬೇಂಧ್ ವಾಡ್ೇಂವ್‍ಲ್​್ , ಭಾಸ್ ಜಾತ ಕ್ಟ್ತಚೆ ದರೆ ಕಸೊ ೇಂವ್‍ಲ್​್ ಕ್ಟ್ವಾ​ಾ ಮ್ಹರಫಾತ್ ಸಧ್ಾ ಆಸ. ಅಸಲೊ ವಾವ್‍ಲ್ರ ಕರೀತ್ ಆಸ್ ಾ ಕವಿತಾ ಟರ ಸಾ ಚ್ ತ್ಲಕ್ಟ್ಿ ಯ್ ಕರ್​್ ಬರೆೇಂ ಮ್ಹಗೆಯ ೇಂ. ದಿ ಎಕ್​್ ಪ್ರ ಶ್ನ್​್ ಅಧಾ ಕ್ಷ್ ಪರ ವಿೀಣ್ ಕ್ಟ್ವಾ್ಲೊಯ ನ್ ಆಪಾಯ ಾ ಗ್ಡೇಂವಾೇಂತ್ ಹೊ ಸೇಂಭರ ರ್ಮ ಘಡ್ಟೆ ನಾ ಆಮಿೇಂಯ್ ಹ್ಯಾ ವಾವಾರ ಚೆ ವಾೇಂಟೆಲಿ ಮ್ಹ ಣ್ ಅಭಮ್ಹನ್ ಭಗ್ಡೆ ಮ್ಹ ಣ್ ಸೇಂಗೆಯ ೇಂ. ಕವಿತಾ ಟರ ಸ್ಾ ಅಧಾ ಕ್ಷ್ ಕಶೂ ಬಾಕೂ್ರ್ ಹ್ಯಣೇಂ ಟರ ಸಾ ಚೊ ಜಲ್ಯ ಆನಿ ವಾಡ್ಟವಳ್ನ ಹ್ಯಚ್ ಮ್ಹಹೆತ್ ದಿೀವ್‍ಲ್​್ ಸವಾ್ೇಂಚೊ ಮ್ಹರ್​್ ಶಿ ಯವಾ್ ರ್ ಮ್ಹಗಯ . ವ್ಲದಿರ್ ಕ್ಟ್ಯ್ದಶಿ್ ಎವ್ಲರ ಲ್ ರೊಡರ ಗಸ್, ಘರ್ ೇಂ ಯಜಾಯ ನ್ಯಜಾಯ ನಿ ಸುಜಾತಾ ಆನಿ ಆಲಿವ ನ್ 6 ವೀಜ್ ಕ ೊಂಕಣಿ

ಹ್ಯಜರ್

ಆಸ್ಲಿಯ ೇಂ.

ಪ್ರ ೀರಣೇಂ, ಸ್ಟೆ ೀ ಸೇಂವ್ಲೀದನಾೇಂ ಆನಿ ಸ್ಟೆ ರೀಯಕ್ ಬಪಾ್ೇಂತ್ ನಿರೇಂತರತಾ ಸೇಂಬಾಳೇಂಕ್ ್ಗ್ ಾ ೀ ಆಡ್​್ ಳೊಾ ಹ್ಯೇಂಚೆರ್ ಕ್ಟ್ೇಂಯ್ ಗಜಾಲಿ ಚಲ್ಯ್ಲಯ ಾ .

ದೀಸ್ ಭ್ರ್ ಕಾವ್ಯಾ ಳ್ ಸಜೊವ್ಣಿ : ಉಪಾರ ೇಂತ್ ಡ್ಲಿ್ ಮ್ಸ್ ರೆೀನಹ ಸ್ ಆನಿ ಪೇಂಗ್ಡಾ ಥಾವ್‍ಲ್​್ ಪಾಳ್ಚ್ಿ ಾ ಗ್ಶತಾೇಂ ಆನಿ ವ್ಲವಿಯ್ಲ ವ್ಲಸ್ೇಂಚೆೇಂ ಸದಪ್ಣ್ ಚಲಯ ೇಂ. ’ಮ್ಹ ಜ ಜೀಣ್, ಮ್ಹ ಜ ಕವಿತಾ’ ಕ್ಟ್ರ್​್ೇಂತ್ ಪುರಸ್ ೃತ್ ಸಮಿೀವು್ಯ ಬಮ್ಹ್ವರ್ ಹ್ಯಚೆಸವ್ಲೇಂ ಡ್. ರ‍್ಜಯ್ ಪವಾರ್ ಹ್ಯಣೇಂ ಕೆಲಿಯ ಭಾಸಭಾಸ್ ಆಯ್ಲ್ ವಾ್ ಾ ೇಂಕ್ ನವಾಯತ ಕ್ಟ್ವಾ​ಾ ಶತಾಚ್ ವಳಖ್ ಕರನ್ ದಿೀೇಂವ್‍ಲ್​್ ಪಾವಿಯ . ಆಪಾಯ ಾ ಸಹಿತಕ್ ಪರ್ಿ ಚ್ ಮ್ಹಹೆತ್ ಸಮಿೀವು್ಯ ನ್ ದಿಲಿ. ಆನಿ ಫುಡ್ಟರ‍್ೇಂತ್ ಕೇಂಕೆಿ ೇಂತ್ ಬರೊೇಂವಿ್ ಆಪ್ಲಯ ಬದಧ ತಾ ಜಾಯ್ರ ಕೆಲಿ. ಟರ ಸ್ಟಾ ವಿಲಿಯರ್ಮ ಪಾರ್​್ ನ್ ವಳಖ್ ಕರನ್ ದಿಲಿ. ಮ್ಹಗ್ಶರ್ ಕವಿ ಆನಿ ವಾಚ್ಯ್ ಾ ಮ್ದಯ ಸೇಂವಾದ್ ಚಲೊಯ . ವಾಚ್​್ ಅನ್ನವ ೀಶಾ ಸ್ಟೇಂಗಬಾಳ್ನ ಹಿಣೇಂ ಕವಿ ಸ್ಟಯ ತಾ ಶಣೈ ಹಿಚ್ಯಾ ಕ್ಟ್ವಾ​ಾ ೇಂತ್ ಬರೊೇಂವಿ್ ೇಂ

ಕವಿತಾ ಫ್ತಸೆ ೇಂತ್ ಫಕತ್ ವ್ಲದಿ ವರ್ಯ ಾ ೇಂಕ್ ಮ್ಹತ್ರ ನಹ ಯ್ ವ್ಲದಿ ಸಕರ್ಯ ಾ ೇಂಕ್ಯ್ಣ ಆವಾ್ ಸ್ ಕರನ್ ದಿೇಂವಿ್ ಉಗ್ಶೆ ಕವಿತಾ ಮ್ಹೇಂಚ್ 14 ಕವಿೇಂನಿ ಚಲೊವ್‍ಲ್​್ ವ್ಲಲಿ. ಪ್ಲಯುಸ್ ಜೀರ್ಮ್ ಕರಗಳ್ ಡ್, ಫಾಯ ವಿರ್ ಆಲ್ಬು ಕಕ್​್, ಜುಲಿಯಟ್ಟ ಮೊರ‍್ಸ್, ಮ್ರರ್ ಪ್ಲೇಂಟ್, ನವಿೀನ್ ಕುಲಿ ೀಕರ್, ಸಲೊಮಿ ಮಿರ್ಪದವ್‍ಲ್, ವನಿತಾ ಮ್ಹಟ್ಸ್, ಜೊಯ್​್ ಪ್ಲೇಂಟ್, ಜತಾ ಗನಾ್ ಲಿವ ಸ್, ಶ್ಬಿು ೀರ್ ಆಜಾಯ್ವ , ಸದಿಕ್ ಅಸಮ್​್ಠ್, ನೌಫಿಲ್ ದಾಮುದಿ, ಪರ ಮಿಳ್ಚ್ ರೆೇಂಜಾಲ್, ಕಯ ಡ ಬರ ಹ್ಯಯ ವರ್ ಹ್ಯಣಿೇಂ ಚಲ್ಯ್ಣಯ . ಪ್ಲರ‍್​್ ಾ ತಶೇಂ ತರ‍್​್ ಾ ಕವಿ ಕವಯ್ಣತರ ೇಂನಿ ಹ್ಯಾ ಸುವಾಳ್ಚ್ಾ ಚೊ ಫಾಯ್ಲೊ ಜೊಡ್ಯ . ನವಾಯತ ಕವಿತೇಂನಿ ಮ್ನಾೇಂ ವ್ಲಡಯ ೇಂ.

ವಿಶೀಸ್ ಜಾವ್‍ಲ್​್ ಕೆಲಯ ಪತಾರ ಡ್, ಕುೇಂಕಡ್ ಸುಕೆೇಂ, ವ್ಲೀನ್​್ ಆನಿ ಪುರಣ್-ಪ್ಲಳ್ಳ ಮ್ಹ ಣೆ ನಾ ದನಾ್ ರ‍್ೇಂಚೆೇಂ

7 ವೀಜ್ ಕ ೊಂಕಣಿ

ರಚ್ಕ್,ಫ್ತಸೆ ಶೈಲಚೆೇಂ ಜವಣ್ ಗಡ್ೊ ಆಸಲಯ ೇಂ.

8 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮ್ನಾೇಂ ಖುಶಾ್ೇಂವಿ್ ೇಂ ಪದಾೇಂ ಸದರ್ ಜಾಲಿೇಂ. ಚ್ಯ ಪ್ಲಯತಚ್ಚ ಸೇಂಪ್ಿ ೇಂ ಕ್ಟ್ಯ್ೇಂ ಸುವಾ್ತಯ ೇಂ. ಜೈತೆವಂತ್

ದನಾ್ ರ‍್ೇಂ ಉಪಾರ ೇಂತ್ ಸಹಿತ್ಾ ಅಕ್ಟ್ಡ್ಮಿಚ್ಯಾ ಜೊೀಡ್ ಪಾ್ವ ನ್ ಯುವ ಕವಿೇಂ ಥಾವ್‍ಲ್​್ ಕವಿತಾ ಸದರೀಕರಣ್ ಚಲಯ ೇಂ. ಆೇಂಡ್ರ್ರ ಾ ಎಲ್ ಡಕುನಾಹ ಚ್ಯಾ ಅಧಾ ಕ್ಷ್ಪಣರ್ ಚಲಯ ್ಾ ಹ್ಯಾ ಸದರೀಕರಣೇಂತ್ ಅೇಂತರ‍್ ಭಡ್, ವ್ಲೇಂಕಟೆೀಶ್ ನಾಯಕ್, ಸುಪ್ಲರ ರ್ ಕ್ಟ್ಣ್ಕೀಣ್ಕ್ಟ್ರ್ ಆನಿ ಅಮೀಯ್ ನಾಯ್​್ ಹ್ಯೇಂಣಿ ಆಪಾಪ್ಲಯ ಾ ಸಮ್ಕ್ಟ್ಳ್ಳನ್ ಗಜಾಲಿೇಂಕ್ ಸ್ ೇಂದನ್ ಕರೊ್ ಾ ಕವಿತಾ ಸದರ್ ಕೆಲೊಾ . ಕೇಂಕಿ ಭಾಶಾ ಸ್ಯ ಗ್ಡರ್ ಮ್ೇಂಡ್ಳ್ಚ್ಚೊ ನಿಮ್ೇಂತರ ಕ್ ಮಲಿವ ನ್ ರೊಡರ ಗಸನ್ ಕ್ಟ್ರ್​್ವಿಶಿೇಂ ಮ್ಹಹೆತ್ ದಿಲಿ ತರ್, ಸೇಂದ ಸಾ ಾ ನಿ ಬೀಳ್ಚ್ನ್ ಆಭಾರ್ ಮ್ಹೇಂದಯ . ಫ್ತಲಿ್ ಲೊೀಬೊನ್ ಕವಿೇಂಚ್ ವಳಖ್ ಕರನ್ ದಿಲಿ. ಫಾರ ೇಂಕಯ ನ್ ಪೇಂಗ್ಡಾ ಚ್ಯಾ

ಫ್ತನಾ್ೇಂಡಸ್ ಆನಿ ಯುವ ಗ್ಡವಾ್ ಾ ೇಂ ಥಾವ್‍ಲ್​್

ಸಂಪ್ಣಿ :

ಮುಖೆಲ್ ಸಯ್ಲರ ಸಹಿತ್ಾ ಅಕ್ಟ್ಡ್ಮಿಚ್ಯಾ ಸಭಾರ್ ಮ್ೇಂಡ್ಳ್ಚ್ಚೊ ವಾೇಂಗ್ಶಾ ಡ್ ಪೂಣ್ನೇಂದಾ ಚ್ಯರ, ಕ್ಟ್ಣಕಣೇಂತಾಯ ಾ ಶಿರ ೀ ಮ್ಲಿಯ ಕ್ಟ್ಜು್ನ್ ಆನಿ ಶಿರ ೀ ಚೆೀತನ್ ಮ್ೇಂಜು ದೆೀಸಯ್ಣ ಕಲಜಚ್ಯಾ ಹಿೇಂದಿ ವಿಭಾಗ್ಡಚ್ ಮುಖೆಲಿ, ಡ್ ರೂಪಾ ಚ್ಯರ, ಸಸೆ ನ್ ಸೇಂತ್ ಆೇಂತ್ಲನಿ ಫಿಗ್ಜಚೊ ವಿಗ್ಡರ್ ಮ್ಹ.ಬಾ. ಸುನಿೀಲ್ ಡಸ್ಟ್ವ , ಪುರಸ್ ೃತ್ ಸಯಾ ದ್ ಸಮಿೀವು್ಯ ಬಮ್ಹ್ವರ್, ಲೀಖಕ ಸ್ಟಯ ತಾ ಶಣೈ ಹ್ಯೇಂಣಿ ಅಧಾ ಕ್ಷ್ ಕಶೂ ಬಾಕೂ್ರ್ ಆನಿ ಕ್ಟ್ಯ್ದಶಿ್ ಎವ್ಲರ ಲ್ ರೊಡರ ಗಸ್ ಹ್ಯೇಂಚೆ ಸವ್ಲೇಂ ವ್ಲದಿ ಸಭಯೆ ಚ್ಚ ಸೇಂಪ್ಿ ಕ್ಟ್ಯ್ೇಂ ಸುವಾ್ತಯ ೇಂ. ಪಯಯ ೇಂ ಸ್ಟಯ ತಪರ ಜ್ಞ ಹಿಣೇಂ ಲಿಖುನ್ ಕವಿತಾ ಟರ ಸಾ ನ್ ಪಗ್ಟಯ ಲೊ ’ಸವ ಗ್ಡ್ಚ್ ಪಕಿ ’ ಕವಿತಾ ಪುೇಂಜೊ ಲೊಕ್ಟ್ಪ್ಣ್ ಜಾಲೊ. ಟರ ಸ್ಟಾ ವಿತ್ಲರ ಕ್ಟ್ಕ್ಳ್ಚ್ನ್ ಬುಕ್ಟ್ಚ್ ವಳಖ್ ಕರನ್ ದಿಲಿ. ಕವಯ್ಣತರ ಸ್ಟಯ ತಾ ಶಣೈನ್ ಆಪಾಯ ಾ ಪ್ರ ೀರಣೇಂಚೊ ಕವಿತಾ ಟರ ಸಾ ಚೊ ಪಾಟೇಂಬೊ ಉಲಯ ೀಕ್ ಕರನ್, ಆವಾ್ ಸ ಖಾತರ್ ಆಭಾರ್ ಮ್ಹೇಂದಯ . ಮ್ಥಾಯಸ್ ಕುಟರ್ಮ ಕವಿತಾ ಪುರಸ್ ರ್ ನವಾಯತ ಕವಿ ಸಯಾ ದ್ ಸಮಿವು್ಯ ಬಮ್ಹ್ವರ್ ಹ್ಯಕ್ಟ್ ವ್ಲದಿ ವರ್ಯ ಾ ಸರ್ರ ಾ ೇಂನಿ ಹ್ಯತಾೇಂತರ್ ಕೆಲೊ. ಸಾ ಾ ನಿ ಬೀಳ್ಚ್ನ್

9 ವೀಜ್ ಕ ೊಂಕಣಿ

ಪುರಸ್ ರ‍್ವಿಶಿೇಂ ಮ್ಹಹೆತ್ ದಿಲಿ ತರ್, ಟರ ಸ್ಟಾ ಆೇಂಡ್ರ್ರ ಾ ಎಲ್ ಡಕುನಾಹ ನ್ ಮ್ಹನ್ ಪತ್ರ ವಾಚೆಯ ೇಂ. ಶಹ ಲೊ, ಮೊಗ್ಡರ ಾ ೇಂ ಝೆಲೊ, ಮ್ಹನ್-ಪತ್ರ , ರ್ದಿಸ್ಟೆ ಕ್ಟ್ ಆನಿ ರ 25,000/- ಆಟಾಪ್ಲ್ ಹೊ ಪುರಸ್ ರ್ ಕುಪ್​್ ಪದವುಚ್ಯಾ ಜೊಸಫ್ ಮ್ಥಾಯಸ್ ಆನಿ ಕುಟಾಯ ಚ್ಯಾ ನಾೇಂವಾನ್ ದಿೇಂವ್ಲ್ . ಪರ ಶ್ಸ್ಟೆ ಸ್ಟವ ೀಕ್ಟ್ರ್ ಕರ್​್ ಸಮಿೀವು್ಯ ನ್ ಆಪ್ಲಯ ೇಂ ಭಗ್ಡಿ ೇಂ ಉಚ್ಯರಯ ೇಂ. ತುಮ್ಹ್ ೇಂ ಮ್ಹ ಜ ನವಾಯತ ಶಾಯರ ಆೇಂವಡಯ , ಮ್ಹ ಜಾ​ಾ ಕವಿತಚ್ಯಾ ಉತಾರ ೇಂಚ್, ಭಗ್ಡಿ ೇಂಚ್ ಏಕ್ ವಳಖ್ ತುಮ್ಹ್ ೇಂ ಜಾಲಿ ದೆಕುನ್ ಹೊ ಮ್ಹನ್ ಫಾವ್ಲ ಜಾಲೊ. ಹಿ ಫಕತ್ ಏಕ್ ಪರ ಶ್ಸ್ಟೆ ನಹ ಯ್, ಮ್ಹ ಜಾ ಕವಿತಕ್ ಮಳೊ ಲಿ ಮ್ರ್​್ದ್. ನವಾಯತ ಶಾಯರ ಕರೆ ್ಾ , ಕವಿತಾ ಬರಯೆ ್ಾ ಸವಾ್ೇಂಕ್ ಮಳೊ ಲೊ ಮ್ಹನ್. ಸವಾ್ೇಂಚೊ ಆಭಾರ್ ಮ್ಹೇಂದಾೆ ೇಂ ಆನಿ ಫುಡ್ೇಂಯ್ ಕೇಂಕೆಿ ೇಂತ್ ಚಡ್ ಆನಿ ಚಡ್ ಬರರ್ೆ ೇಂ ಮ್ಹ ಣ್ ಉಜಾರ್ ಕರ‍್ೆ ೇಂ. ಡ್ ಪೂಣ್ನೇಂದ ಚ್ಯರ ಮುಖೆಲ್ ಸರ್ರ ಾ ಚ್ಯಾ ನಾತಾ​ಾ ನ್ ಉಲ್ಯ್ಲಯ . ಆಜ್ ಹ್ಯೇಂಗ್ಡ ವ್ಲವ್ಲಗ್ಡೊ ಾ ಧಮ್ಹ್ಚೊ ಕೇಂಕಿ ಲೊೀಕ್ ಆಸ. ಪೂಣ್ ಹ್ಯೇಂಗ್ಡ ಬೀಧ್ಭಾವ್‍ಲ್ ನಾ. ಸವ್‍ಲ್​್ ಧಮ್ಹ್ೇಂಚೆೇಂ ತೀಲ್ ಎಕ್ಟ್ಚ್ಚ ದಿವಾ​ಾ ನ್ ಪ್ಟಾ​ಾ . ಕೇಂಕಿ ದಿವಾ​ಾ ನ್ ಪ್ಟಾ​ಾ . ಹ್ಯೇಂವ್‍ಲ್ ಮ್ಹ ಜಾ ಕವಿತೇಂತ್ ಸೇಂಗ್ಡೆ ೇಂ ಕನಾ್ಟಕ್ಟ್ೇಂತಾಯ ಾ ನ್ ಪೇಂಟ ಮಳೇಂ, ಗೇಂರ್​್ ಾ ನ್ ವಾತ್ ಮಳೇಂ, ಕೆೀರಳ್ಚ್ಚ್ಯಾ ನ್ ತೀಲ್ ಮಳೇಂ ಆನಿ ಮುೇಂಬರ್​್ ಾ ನ್ ಜಾವ ್ ಮಳನ್ ಪ್ಟೇಂ ಆಮ್ಹ್ ಾ ಕೇಂಕೆಿ ಚೊ ದಿವ್ಲ. ಹೊ ಆಸ ಎಕವ ಟ್ಟ, ಕೇಂಕೆಿ ಚ್ಯಾ ಎಕವ ಟಾ

ಖಾತರ್ ಸದಾೇಂಚ್ಚ ಆಮೊ್ ವಾವ್‍ಲ್ರ ಚ್ೆ ಆನಿ ಕಣಿ ಜರ್ ಮ್ಹಹ ಕ್ಟ್ ಮ್ಹ ಣತ್, ತುಮ್ಹ್ ಾ ಎಕವ ಟಾಚ್ಯಾ ವಾವಾರ ಚೆೇಂ ಏಕ್ ಸ್ಟೇಂಬಲ್ ಮ್ಹಹ ಕ್ಟ್ ದಾಕರ್, ಹ್ಯೇಂವ್‍ಲ್ ಬೊೀಟ್ಟ ದಾಕಯೆ ಲೊೇಂ ಕವಿತಾ ಟರ ಸಾ ಕಡ್. ಹೆೇಂ ಕವಿತಾ ಟರ ಸಾ ಚೆೇಂ ಫ್ತಸ್ೆ ನಹ ಯ್, ಹೆೇಂ ಕೇಂಕಿ ಮ್ನಾಿ ೇಂಚೆ ಅಸ್ಟಯ ತಾಯಚೆೇಂ ಆನಿ ಎಕವ ಟಾಚೆೇಂ ಫ್ತಸ್ೆ . ಆನಿ ಗ್ಡೇಂವಾೇಂ ಗ್ಡೇಂವಾೇಂನಿ ಕವಿತಾ ಫ್ತಸ್ೆ ಘಡ್ವ್‍ಲ್​್ ಹ್ಯಡ್​್ , ಕೇಂಕಿ ಮ್ನಾಿ ೇಂಚೊ, ಕೇಂಕಿ ಭಾಶಚೊ ಆನಿ ಕೇಂಕಿ ಆವಯ್ಲ್ ಸನಾಯ ನ್ ಕರ‍್ೆ ತ್. ಆಜ್ ಭಾರತೀಯ್ ಸಮ್ಕ್ಟ್ಳ್ಳೀನ್ ಸಹಿತಾ​ಾ ೇಂತ್ ಕೇಂಕಿ ಕ್ಟ್ವ್ಲಾ ೇಂ ಖೇಂಯ್ ರ‍್ವಾೆ ? ಮ್ಹ ಳೊ ೇಂ ಸವಾಲ್ ವಿಚ್ಯರ‍್ೆ ನಾ ಕವಿತಾ ಟರ ಸಾ ಚೊ ವಾವ್‍ಲ್ರ ರ್ದ್ ಕರೇಂಕ್ ಫಾವ್ಲ. ಭಾರತೀಯ್ ಸಹಿತಾ​ಾ ೇಂತಯ ಕ್ಟ್ವ್ಲಾ ೇಂ ಆಜ್ ಮ್ಹತಿ ೇಂ ಜಾಗೆೇಂ ಆಸ. ಸೇಂವ್ಲೀದನ್ ಶಿೀಲ್ ಆಸ. ಕವಿತಾ ಲೊಕ್ಟ್ಕ್ ಜಾಗರ್ೆ . ಸಮ್ಕ್ಟ್ಳ್ಳೀನ್ ಜವಿತಾಚೆೇಂ ಪಡ್ ಬಿೇಂಬ್ಸ ಆಸ. ಆಯ್ ಕೇಂಕಿ ಯುವಕವಿ ಭಾರತೀಯ್ ಸಹಿತಾ​ಾ ೇಂತ್ ಕೇಂಕಿ ಕ್ಟ್ವಾ​ಾ ಕ್ ಪರ ತನಿಧಿತ್ವ ಕರ‍್ೆ ತ್. ಆಜ್ ಕವಿತಾ ಫಕತ್ ಮ್ನೀರೇಂಜನಾಚೆೇಂ ಸಧನ್ ನಹ ಯ್, ಮ್ನೀಬಳ್ಚ್ಚೆೇಂ ಸಧನ್ ಜಾ್ೇಂ. ಎೇಂಟಟೆೀ್ಯ್ ಮೇಂಟ್ಟ ಭೂಮಿಕ್ಟ್ ಥಾವ್‍ಲ್​್ ಅಕ್ಟ್ಡ್ಮಿಕ್ ಹೇಂತಾಕ್ ಕೇಂಕಿ ಕ್ಟ್ವ್ಲಾ ೇಂ ಚಡ್ಟಯ ೇಂ ತರ್ ಕವಿತಾ ಟರ ಸಾ ಚೊ ಮೊಟ್ ವಾವ್‍ಲ್ರ ಆಸ. ಆಮಿೇಂಯ್ ಸೇಂಗ್ಡತ್ ದಿಲೊ ತರ್, ಅಸ್ಟಯ ತಾಯಚೊ ಉಮ್ಹಳೊ ರತಾ ಜಾತಾ, ಕ್ಟ್ವಾ​ಾ ಳ್ನ

10 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸೇಂಸ್ ೃತ ರತಾ ಜಾತಾ. ತಶೇಂಚ್ಚ ಜಾೇಂವ್‍ಲ್ ಮ್ಹ ಣ್ ತಾಣೇಂ ಬರೆೇಂ ಮ್ಹಗೆಯ ೇಂ. ಫಾದರ್ ಸುನಿೀಲ್ ಡಸ್ಟ್ವ ಆನಿ ಡ್ ರೂಪಾ ಚ್ಯರ ಹ್ಯಣಿೇಂ ಆಪ್ಲಯ ಸೇಂದೆೀಶ್ ದಿೀವ್‍ಲ್​್ ಕವಿತಾ ಫ್ತಸೆ ಕ್ ಆನಿ ಟರ ಸಾ ಕ್ ಬರೆೇಂ ಮ್ಹಗೆಯ ೇಂ. ದಿ ಎಕ್​್ ಪ್ರ ಶ್ನ್​್ ಉಪಾಧಾ ಕ್ಷ್ ಶವ ೀತಾ ಪ್ಲೇಂಟ್ ಹಿಣೇಂ ಕವಿತಾ ಫ್ತಸ್ೆ ಗದಾೊ ಳ್ಚ್ಯನ್ ಆಚರೇಂಕ್ ಕ್ಟ್ರಣ್ ಜಾ್ಯ ಾ ಸವಾ್ೇಂಚೊ ಉಪಾ್ ರ್

ಸಗ್ಡೊ ಾ ದಿಸಚೆೇಂ ಕ್ಟ್ಯ್ೇಂ ವ್ಲಳ್ಚ್ಮಿತ ಭತರ್, ಶಿಸೆ ನ್ ಆನಿ ಆಪುಬಾ್ಯನ್ ಆನಿ ಸಭತ್ ರತನ್ ಸ್ಟಾ ೀವನ್ ಲ್ಬವಿಸ್ ಮ್ಟಾ್ ಡ ಹ್ಯಣೇಂ ಚಲೊವ್‍ಲ್​್ ವ್ಲಲೇಂ. ಭಾತ್ಮಿ : ವ್ಣತ್ಲರಿ ತಸ್ವಿ ರ‍್ಾ : ಆಲ್ಫ ೀನ್ಸ್ / ಕಶೂ ಎಂಟರ್ಪ್ರ ೈಸಸ್

ಕಾರ್ನಳ್ ಪಾಂಗ್ತಾ

ಆಧಾರ್: ರ್ವ್ಣತಾ ಡಟ್.ಕಾಮ್

ಭಾವುಡ್ಯ .

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ಭ್ಲಾಯ್ಕಕ ಕ್ ಸೂತಾರ ಂ: 25 ಖೊಟಂತ್ ದೂಕ್

: ಡೊ. ಎಡ್ಿ ರ್ಡನ ನಜರ ತ್

ದಾದಯ ಆನಿ ಸ್ಟೆ ರೀ ಮ್ಹ ಳೊ​ೊ ಬೀಧ್ ನಾಸೆ ೇಂ ಜಾಯ್ಣತಾೆ ಾ ೇಂ ಥೇಂಯ್ ಪಾೇಂರ್ೇಂಚ್ಯಾ ಖೊಟೆೇಂನಿ ದೂಕ್ ಯೇಂವಿ್ ಆಸೆ . ಥೊಡ್ಟಾ ೇಂ ಥೇಂಯ್ ದೀನ್ಯ್ಣ ಪಾೇಂರ್ೇಂಚ್ಯಾ ಖೊಟೆೇಂನಿ

ದೂಕ್ ಆಸಯ ಾ ರ್ ಚಡ್ಟೆ ವ್‍ಲ್ ಜಣೇಂ ಥೇಂಯ್ ಏಕ್ಟ್ ಖೊಟೆೇಂತ್ ಮ್ಹತ್ರ ದುಕ್ಟ್ೆ . ಉಭೆ ರ‍್ವ್ಲನ್ ಕ್ಟ್ರ್ಮ ಕತ್​್ಾ ೇಂ ಥೇಂಯ್, ಚಡ್ ಚಲೆ ್ಾ ೇಂ ಥೇಂಯ್ ಖೊಟೆೇಂನಿ ದೂಕ್ ಹೆರ‍್ೇಂ ಪಾರ ಸ್ ಚಡ್ ಯತಾ. ಡ್ರ್ಬಟಸ್ ಸಮ್ಸ್ , ಗ್ಡವ್‍ಲ್ಾ ಆನಿ ರಮ್ಹಾ ಟ್ೀಯ್ಾ ಗ್ಡೇಂಟೇಂಚ್ ಪ್ಲಡ್ಟ ಆಸ್​್ಯ ಾ ೇಂ ಥೇಂಯ್ಯ್ಣ ಖೊಟೆೇಂನಿ ದೂಕ್ ಏಕ್ ಪರ ಮುಕ್ ಧೊಸ್ ಜಾವಾ್ ಸೆ . ಪಾೇಂರ್ೇಂಚ್ಯಾ ಖೊಟೆಚ್ಯಾ ಹ್ಯಡ್ಟಕ್ ಕ್ಟ್ಾ ಲ್ ೀನಿಯರ್ಮ ಮ್ಹ ಣೆ ತ್. ಹ್ಯಾ ಹ್ಯಡ್ಟ ಥಾವ್‍ಲ್​್ ನಾರಕುಟ್ಟ ಪಡ್ಟೊ ಾ ತಸಲೊ ಭಾಗ ಪಾೇಂರ್ೇಂಚ್ಯಾ

11 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮುಕ್ಟ್ರ್ ವಿಸೆ ರೊನ್ ಆಸೆ . ಹ್ಯಾ ಪಡ್ಟೊ ಾ ತಸ್ಾ ಭಾಗ್ಡಕ್ plantar fascia ಮ್ಹ ಣ್ ನಾೇಂವ್‍ಲ್ ಆಸ. ಖೊಟೆೇಂತ್ ದೂಕ್ ಆಸ್​್ಯ ಾ ಥೊಡ್ಟಾ ೇಂ ಥೇಂಯ್ ಏಕ್​್ -ರೆೇಂತ್ ಕ್ಟ್ಾ ಲಿ್ ೀನಿಯರ್ಮ ಹ್ಯಡ್ಟ ಥಾವ್‍ಲ್​್ ಕ್ಟ್ೇಂಟಾ​ಾ ತಸಲೊ ಭಾಗ ದೆೇಂವ್ಲನ್ ಆಯ್ಣಲೊಯ ದಿಸೆ . ಹ್ಯಾ ಕ್ಟ್ೇಂಟಾ​ಾ ತಸ್ಾ ಭಾಗ್ಡಕ್ Calcaneal spur ನಾೇಂವ್‍ಲ್ ಆಸ. ಖೊಟೆೇಂತ್ ದೂಕ್ ಆಸ್​್ಯ ಾ ಥೊಡ್ಟಾ ೇಂಕ್ ಕ್ಟ್ಾ ಲ್ ೀನಿಯರ್ಮ ಸ್ ರ್ ಆಸ ಮ್ಹ ಣ್ ಆನಿ ಹೆರ‍್ೇಂ ದ್​್ ಪಾಯ ೇಂಟರ್ ಫ್ತೀಶಿರ್ಯ್ಣಾ ೀಸ್ ಮ್ಹ ಳೊ​ೊ ಸಮ್ಸ್ ಏಕ್ಟ್ಚ್ಚ ಥರ‍್ಚೆ ಆನಿ ಚ್ಕತಾ್ ಯ್ ಚಡುಣ್ ಎಕ್ಟ್ಚ್ಚ ರತಚ್ ಮ್ಹ ಣಾ ತ್. ಖೊಟಚ್ಯಾ ದುಕಕ್ ಚಿಕತಾ್ : * ವ್ಯಾ ಣೊ ಆನಿ ಮ್ಚ್ಯ: ಪಾೇಂರ್ೇಂಕ್ ಘಾ್​್ ಾ ಆನಿ ಮೊಚ್ಯಾ ೇಂವಿಶಿೇಂ ಥೊಡ ಚತಾರ ಯ್ ದೂಕ್ ಉಣಿ ಜಾೇಂವ್‍ಲ್​್ ಆಧಾರ್ ಜಾತಾ. ಪಾೇಂರ್ೇಂಚ್ ಖೊಟ್ಟ ಆನಿ ಥಳ್ನ ್ಗೆ್ ವಾಹ ಣೇಂಚೆ ವಾ ಮೊಚ್ಯಾ ೇಂಚೆ ಭಾಗ ಮೊೀವ್‍ಲ್ ಆಸಜ. ತ ಘಾಲ್​್ ಚ್ೆ ನಾ ಪಾೇಂರ್ೇಂಚ್ೇಂ ಬೊಟಾೇಂ ವಾ ಕುಶಿ ದಾೇಂಬುನ್ ಧರ್ಲಯ ಪರೇಂ ಆಸನಾಯ. ಖೊಟೆೇಂತ್ ದೂಕ್ ಆಸ್​್ಯ ಾ ೇಂನಿ ಘರ‍್ ಭತರ್ಯ್ಣೀ ಮೊೀವ್‍ಲ್ ವಾಹ ಣೊ ವಾಪಾಚೆ್ೇಂ ಬರೆೇಂ. * ಮ್ೀವ್ ಖೊಟೊ ಚಿಡಕ ಯಿಲ್ೊ ಾ ವ್ಯಾ ಣೊ: ಜಾಯ್ಣತೆ ಪಾವಿಾ ೇಂ ಮೊೀವ್‍ಲ್ ಥಳ್ನ ಆಸ್ಲಯ ವಾಹ ಣೊ/ಮೊಚೆ ಮಳ್ಚ್ನಾೇಂತ್. ಭಾೇಂದಯ್ಣಲೊಯ ಾ ತಸಲೊಾ ವಾಹ ಣೊೀ ವಾಪಾರೇಂಕ್ಯ್ಣ ಥೊಡ್ಟಾ ೇಂಕ್ ಜಾರ್​್ . ಅಸ್ಾ ೇಂನಿ ಆಪಾಯ ಾ ಪಸೇಂದೆಚೊಾ ಪೂಣ್ ಸಡಳ್ನ ಆಸ್ ಾ ವಾಹ ಣೊ/ಮೊಚೆ ಘೆವ್‍ಲ್​್ ,

ಖೊಟೆಚೆಾ ಸುವಾತರ್ ಮೊೀವ್‍ಲ್ ರಬು ರ್ ಬಸವ್ಲಾ ತ್. MCR ವಾ Micro Cellular Rubber ಮ್ಹ ಳೊ ೇಂ ರಬು ರ್ ಮಳ್ಚ್ೆ . ಅಸ್ಾ ರಬು ರ‍್ಚೆ ಕುಡ್​್ ಜಾಯ್ ತಾ​ಾ ಆಕ್ಟ್ರ‍್ಚೆರ್ ಕ್ಟ್ತುರ ನ್ ವಾಹ ಣೇಂತ್ ವಾ ಮೊಚ್ಯಾ ೇಂಕ್ ಚ್ಡ್ಟ್ ವ್‍ಲ್​್ ವಾಪಾಯ್ತಾ. ಅಸಲಿ ಸವಯ ತಾಯ್ ಚಡ್ಟೆ ವ್‍ಲ್ ್ಹ ನ್ವಹ ಡ್ ಶರ‍್ೇಂನಿ ಆಸ. ರಬು ರ್ ನಾಕ್ಟ್ ಆಸ್​್ಯ ಾ ೇಂಕ್ ರೇಂಗ್ಡಳ್ನ ಮೊೀವ್‍ಲ್ ಪಾಯ ಸ್ಟಾ ಕ್ ಆನಿ ಸ್ಟಲಿಕೀನ್ ತಸ್ಾ ವಸುೆ ೇಂ ಥಾವ್‍ಲ್​್ ಕೆ್ಯ ಾ , ವಾಹ ಣೇಂತ್ ಬಸವ್ಲಾ ತ್ ಜಾಲೊಯ ಾ ಆನಿ ಮೊಚ್ಯಾ ೇಂಚೆ ಭತರ್ ದವಯ್ತ್ ತಸಲೊಾ ವಸುೆ ಮಳ್ಚ್ೆ ತ್. ಹ್ಯಕ್ಟ್ ರಬು ರ‍್ಪಾರ ಸ್ ಚಡ್ ಮೊೀಲ್ ಆಸೆ . ಹ್ಯಡ್ಟೇಂಲ್ ಪ್ಲಡ್ೇಂಚೆ ದಾಕೆ​ೆ ರ್ ಹ್ಯಾ ವಿಶಿೇಂ ಸಲ್ಹ್ಯ ದಿತತ್. * ಹುನ್ಸ ಉದ್ಕಕ ಚೊ ಶೆಕ್ ವ್ಯ ಫಿಸ್ವಯೀಥೆರಪ್ಣ: ದೂಕ್ ಸುರ ಜಾ್ಯ ಾ ಆನಿ ವಿಶೀಷ್ ಆಸ್​್ಯ ಾ ವ್ಲಳ್ಚ್ರ್ ಬರಫ್ ಘಾ್ಯ ಾ ಥೇಂಡ್ ಉದಾ್ ೇಂತ್ ಪಾೇಂರ್ಚ್ ಖೊಟ್ಟ ಬುಡ್ವ್‍ಲ್​್ ಧರ್​್ಯ ಾ ನ್ ಸುಶಗ ಜಾವ್ಲಾ ತಾ. ದೂಕ್ ಪನಿ್ ಜಾ್ಯ ಾ ಉಪಾರ ೇಂತ್ ಹುನ್-ಶಳ್ಚ್ಾ ಉದಾ್ ಚೊ ಶಕ್ ಬರೊ. ಬಪಾ್ಚೆಾ ಥೇಂಡ್ಟಯೇಂತ್ ದೂಕ್ ಚಡ್ ಜಾವ್ಲಾ ತಾ. ಎಕ್ಟ್ ತಸೆ ರೇಂತ್ ಪಾೇಂರ್ಚ್ ಖೊಟ್ಟ ಬುಡ್ಟೆ ತತಯ ೇಂ ಉದಕ್ ಘೆವ್‍ಲ್​್ ತಾ​ಾ ಉದಾ್ ಕ್ ಪ್ಲಸಭರ್ ಮಿೀಟ್ಟ ಘಾಲಿಜ. ಉದಕ್ ಹುನ್ ಕತಾ್ನಾೇಂಚ್ಚ ಮಿೀಟ್ಟ ಭಸ್ಟ್ಯತಾ. ಮಿೀಟ್ಟ ಭಸ್ಟ್ಲಯ ೇಂ ಉದಕ್ ಚಡ್ ವ್ಲೀಳ್ನ ಹುತ್ ಉರೊೇಂಕ್ ಸಕ್ಟ್ೆ . ್ಗ್ ರ್ ಆನ್ನಾ ೀಕ್ಟ್ ತಸೆ ೇಂತ್ ಶಳೇಂ ಉದಕ್ ಘೆಜ. ಶಳೇಂ ಉದಕ್ ಬಫಾ್ಚೆೇಂ ನಹ ಯ್. ದೂಕ್ ಆಸ್ಲಿಯ ಖೊಟ್ಟ ಪಾೇಂಚ್ಚ ಮಿನುಟಾೇಂ ತತ್ಲಯ ವ್ಲೀಳ್ನ ಶಳ್ಚ್ಾ ಉದಾ್ ೇಂತ್ ದವನ್​್, ಉಪಾರ ೇಂತ್

12 ವೀಜ್ ಕ ೊಂಕಣಿ

ದೀನ್ ಮಿನುಟಾೇಂ ತತ್ಲಯ ವ್ಲೀಳ್ನ ಶಳ್ಚ್ಾ ಉದಾ್ ೇಂತ್ ದವಯ್ತಾ. ಹುನ್ ಉದಕ್ ನಿೇಂವಾೆ ಪರ್​್ೇಂತ್ ಪೇಂದಾರ ವಿೀಸ್ ಮಿನುಟಾೇಂ ತತ್ಲಯ ವ್ಲೀಳ್ನ ದಿಸಕ್ ಏಕ್ ಪಾವಿಾ ೇಂ ಅಶೇಂ ಕೆ್ಯ ಾ ನ್ ದೂಕ್ ವ್ಲಗ್ಶಾ ೇಂ ಉಣಿ ಜಾವ್ಲಾ ತಾ. ಫಿಸ್ಟಯ್ಲೀಥೆರಪ್ಲ ಕರೇಂಕ್ ಸವಾಯ ತ್ಲಾ ಆಸ್​್ಯ ಾ ೇಂನಿ ಹೆರ್ ಥರ‍್ಚ್ ಫಿಸ್ಟಯ್ಲೀಥೆರಪ್ಲ ಕಯ್ತ್.

ಉದಾ್ ಚೊ ಶಕ್ ವಾ ಫಿಸ್ಟಯ್ಲೀಥೆರಪ್ಲ ಥಾವ್‍ಲ್​್ ಕತೇಂಯ್ ಬರೆೇಂಪಣ್ ಜಾರ್​್ , ದೂಕ್ ವಿಶೀಸ್ ಧೊಸ್ ದಿತಾ ತರ್, ದೂಕ್ ಆಸ್ಲಯ ಾ ಖೊಟೆಕ್ ಕಟ್ಸೀನ್ ಇೇಂಜಕ್ಷನ್ ದಿವ್ಲಾ ತಾ. ಹೆೇಂ ಇೇಂಜಕ್ಷನ್ ಹ್ಯಡ್ಟಸಶಿ್ೇಂ ದಿೇಂವ್ಲ್ ೇಂ ಶಿವಾಯ್ ಹ್ಯಡ್ಟಕ್ ತ್ಲಪ್​್ ೇಂ ನಹ ಯ್. ಪರಣತ್ ಆಸ್ಲಯ ದಾಕೆ​ೆ ರ್ ಜೊಕೆ ಚತಾರ ಯ್ ಘೆವ್‍ಲ್​್ ಕಟ್ಸೀನ್ ಇೇಂಜಕ್ಷನ್ ದಿತಾತ್. ಇೇಂಜಕ್ಷನ್ ದುಕಚೆೇಂ ನಹ ಯ್. ಇೇಂಜಕ್ಷನ್ ದಿ್ಯ ಾ ತಕ್ಷಣ್ ಉಟ್ನ್ ಚಲೊೇಂಕ್ ಜಾತಾ. ಆಸ್ ತರ ೇಂತ್ ದಾಕಲ್ ಜಾೇಂವಿ್ ಗಜ್​್ ಆಶಾನಾ. ಜೊಕ್ಟ್ೆ ಾ ಥರ‍್ನ್ ಸಕೆ್ೇಂ ಇೇಂಜಕ್ಷನ್ ದಿ್ಾ ರ್ ಚಡ್ಟೆ ವ್‍ಲ್ ಎಕ್ಟ್ಚ್ಚ ಇೇಂಜಕ್ಷನಾೇಂತ್ ದೂಕ್ ಉಣಿ ಜಾತಾ. ಹೆರ‍್ೇಂಕ್ ಚಡತ್ ಏಕ್-ದೀನ್ ಇೇಂಜಕ್ಷನಾೇಂ ಜಾಯ್ ಪಡೆ ತ್. * ಒಪ್ರ ೀಶನ್ಸ: ಖೊಟೆಚ್ಯಾ ಹ್ಯಡ್ಟೇಂತ್ ಕ್ಟ್ೇಂಟ್ಚ್ಚ ದುಕಕ್ ಕ್ಟ್ರಣ್ ಜಾ್ಯ ಾ ನ್ ತ್ಲ ಒಪ್ರ ೀಶ್ನಾೇಂತ್ ಕ್ಟ್ಡ್ಾ ತ್ ಮ್ಹ ಣ್ ಪಾತಾ ಣಿ ಆಸ್ಲಿಯ . ಅಸಲೇಂ ಒಪ್ರ ೀಶ್ನ್ ಪ್ರ ೀಜನಾಕ್ ಪಡ್ನಾ ಮ್ಹತ್ರ ನಹ ಯ್ ಭಾದಕ್ ಜಾವ್ಲಾ ತಾ. ಖೊಟೆೇಂತ್ ಆಸ್ ಾ ದುಕಕ್ ಕಸಲೇಂಯ್ ಒಪ್ರ ೀಶ್ನ್ ಕರೇಂವ್‍ಲ್​್ ನಜೊ. ಖೇಂಚ್ಯಾ ಯ್ ಪರಣತ್ ದಾಕೆ​ೆ ರ‍್ ಥಾವ್‍ಲ್​್ ಜೊಕೆ ಚ್ಕತಾ್ ಘೆತಾಯ ಾ ರ್ ಸವಾ್ ಸ್ ದೂಕ್ ಉಣಿ ಜಾವ್ಲಾ ತಾ. ಖೊಟೆಚ್ ದೂಕ್ ಉಣಿ ಜಾೇಂವ್‍ಲ್​್ ಚಡ್ ಕ್ಟ್ಳ್ನ ವ್ಲತಾ.

ದೂಕ್ ನಿವ್ಯಚಿನಂ ಒಕಾ​ಾ ಂ: ಹ್ಯಡ್ಟೇಂತ್ ಕ್ಟ್ೇಂಟ್ ದೆೇಂವ್ಲನ್ ಆಸೇಂ ವಾ ನಾ ಆಸೇಂ ದುಕಕ್ ಖೊಟೆಕ್ ್ಗನ್ ಆಸ್ ಾ ನಾಕು್ಟ್ಟ ಪಡ್ಟೊ ಾ ೇಂತ್ ಹುಲೊಪ್ (Inflammation)ಚ್ಚ ದುಕಕ್ ಕ್ಟ್ರಣ್. ವಿಶೀಸ್ ದೂಕ್ ಆಸ್​್ಯ ಾ ೇಂನಿ ಥೊಡ್ ಕ್ಟ್ಳ್ನ ಭತಲಿ್ ಹುಲೊಪ್ ಉಣಿ ಕಚ್​್ೇಂ ಒಕ್ಟ್ೆ ೇಂ, ದಾಕೆ​ೆ ರ‍್ೇಂಚ್ಯಾ ಸಲ್ಹ್ಯ ಪರ ಮ್ಹಣ ಘೆವ್ಲಾ ತಾ. ಹಿೇಂ ಒಕ್ಟ್ೆ ೇಂ ಸವ್‍ಲ್​್ಯ ಾ ನ್ ಅನಾಹುತ್ ಜಾವ್ಲಾ ತಾ. ಥೊಡ್ಟಾ ೇಂಕ್ ಅಸ್ಾ ಒಕ್ಟ್ೆ ೇಂನಿ ಕತೇಂಯ್ ಪ್ರ ೀಜನ್ ಜಾರ್​್ . ತಸ್ಾ ೇಂನಿ ಒಕ್ಟ್ೆ ೇಂ ಸೇಂವಿ್ ೇಂ ರ‍್ವ್ಲವ್‍ಲ್​್ ಹೆರ್ ಥರ‍್ಚ್ ಚ್ಕತಾ್ ಘೆಜ. * ಕೊರ್ೀನಸೀನ್ಸ ಇಂಜಕ್ಷನ್ಸ: ಆಪೂರ ಪ್ ಥೊಡ್ಟಾ ೇಂಕ್ ಮೊೀವ್‍ಲ್ ಖೊಟ್ಟ ಆಸ್ಲೊಯ ಾ ವಾಹ ಣೊೀ, ಹುನ್-ಶಳ್ಚ್ಾ ------------------------------------------------------------------------------------------

13 ವೀಜ್ ಕ ೊಂಕಣಿ

14 ವೀಜ್ ಕ ೊಂಕಣಿ

ಅವಸಿ ರ್-35 “.......” ಜಾಪ್ ದಿೀನಾಸೆ ೇಂ ದು​ುಃಖಾೇಂ ಭರ್​್ಯ ಾ ದಳ್ಚ್ಾ ೇಂನಿ ಡ್ನಿ​ಿ ಲ್ ಪರ ತಭಾಕ್ ಪಳ್ಗಯ . “ಆತಾೇಂ ಸಗೆೊ ೇಂ ಪಾಟೆಯ ೇಂ ವಿಸರ್ ಆನಿ ವ್ಲಚ್ಚ ಜೊಯ್ ಕಡ್ನ್. ಪಳ ತ್ಲ ಕತ್ಲಯ ಖುಶಿ ಜಾೇಂವ್‍ಲ್​್ ಆಸ ತುಕ್ಟ್ ಪಳವ್‍ಲ್​್ . ಆನಿ ಹ್ಯೇಂ, ಮ್ಹ ಜಾ​ಾ ಭಯ್ಣಿ ಕ್ ವಿಸರ್. ತುಜ ಥಾವ್‍ಲ್​್ ಘಾತ್ ನಹಿೇಂ, ಫರ‍್ಮ್ಸ್ ಜಾಲಿಯ . ತಾ​ಾ ಫರ‍್ಮ್ಸಕ್ ತೇಂ ಭಗ್ಳ್ ೇಂಕ್ ತರ್ರ್ ನಾ ಜಾ್ಾ ರ್, ತೇಂಚ್ಚ ನಿಭಾ್ಗ್ಶ ಮ್ಹ ಣ್ ಚ್ೀೇಂತ್. ಶಿವಾಯ್ ತಾಣೇಂ ಕ್ಟ್ರ್ಮಯ್ಣ ಸಡ್ಟಯ ೇಂ ಖೇಂಯ್. ತತಯ ೇಂಚ್ಚ ನಹಿೇಂ, ತಾಣ ತಾಚ್ಯಾ

ಭುಗ್ಡಾ ್ಕ್ ಇಸ್ ್ೇಂತಯ ೇಂ ಕ್ಟ್ಡುನ್, ತೇಂ ಗ್ಡೇಂವ್‍ಲ್ ಸಡುನ್ ಖೇಂಯ್ ಗೆ್ೇಂ ಮ್ಹ ಣ್ಯ್ಣ ಕಣಿೀ ನ್ನಣೇಂತ್.” “ಹೆೇಂ ಕಣೇಂ ತುಮ್ಹ್ ೇಂ ಸೇಂಗ್ಡಯ ೇಂ ಬಾಯ...?” ಕಷ್ಟಾ ೇಂನಿ ಡ್ನಿ​ಿ ಲ್ ವಿಚ್ಯರ್ಗಯ . “ರೇಂಜನ್ ಲ್ೇಂಡ್ನ್ ಗೆ್ಯ ಾ ವ್ಲಳ್ಚ್ರ್, ನಿಲಿೀಮ್ಹನ್ ಕ್ಟ್ರ್ಮ ಸಡ್ಲಯ ೇಂ. ತಾ​ಾ ವಿಶಿೇಂ ಖಬಾರ್ ಕ್ಟ್ಡುೇಂಕ್, ರೇಂಜನಾನ್ ಜೊಯ್ಕ್ ನಿಲಿೀಮ್ಹಚ್ಯಾ ಘರ‍್ ಧಾಡ್ಲಯ ೇಂ. ಕತಾ​ಾ ಕ್ ನಿಲಿೀಮ್ಹನ್ ಕ್ಟ್ರ್ಮ ಸಡ್ಟೆ ನಾ, ತಾಣೇಂ ಜೊಯ್ಕ್ ಆಪಾಯ ಾ ಘರ‍್ ವ್ಲರನ್ ಆಪ್ಯ ವಿಶಿೇಂ ಥೊಡ್ಾ ಜಾಲೊಯ ಾ ಗಜಾಲಿ ಸೇಂಗಲೊಯ ಾ ಖೇಂಯ್.” “ಪಳ ಬಾಯ, ಹ್ಯೇಂಗ್ಡಸರ್ ಮ್ಹಹ ಕ್ಟ್ ಕಸಲೊಗ್ಶ ಗ್ಳಟಯ ಳ್ನ ಜಾಲೊಯ ದಿಸೆ . ಕತಾ​ಾ ಕ್ ಮ್ಹ ಜೊ ಚೆಕ್ ರೊೀಶ್ನ್ ಆಜೂನ್ ತಾ​ಾ ಚ್ಚ ಇಸ್ ್ೇಂತ್ ಶಿಕನ್ ಆಸ. ಹ್ಯೇಂವ್ಲೇಂ ತಾಕ್ಟ್ ಕ್ಟ್ಲ್ಚ್ಚ ಪಳ್ೇಂ. ನಿಲಿೀಮ್ಹಕ್ಯ್ಣ ಪಳ್ೇಂ....” “ಹೆೇಂ ಕತೇಂ ಉಲೈತಾಯ್ ತುೇಂ ಡ್ನಿ​ಿ ಲ್?” ರೇಂಜನ್ ವಿರ‍್ರ್ ಜಾವ್‍ಲ್​್ ಮ್ಹ ಣಲೊ. “ತರ್ ಕತೇಂ ಜೊಯ್ನ್ ಫಟ್ಟ ಮ್ಹರ್ಲಿಯ ಮ್ಹ ಜ ಕಡ್ನ್, ನಿಲಿೀಮ್ಹ ಘರ್ ಸಡುನ್ ಗೆ್ೇಂ ಮ್ಹ ಣ್?” “ಸಧ್ಾ ಆಸ. ಬಹುಷ್ಟ ನಿಲಿೀಮ್ಹನ್ ತಾಚೆ ಥಾವ್‍ಲ್​್ ತ್ಲಾ ಫಟ ಮ್ಹರೆೈ್ಾ ತ್.” ಡ್ನಿ​ಿ ಲ್ ಮ್ಹ ಣಲೊ. “ವಹ ಯ್, ಮ್ಹಹ ಕ್ಟ್ ಪಯ್ಲಯ ಚ್ಚ ದುಭಾವ್‍ಲ್ ಜಾಲೊಯ . ಜೊಯಲ್ ಮ್ಹ ಜ

15 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕಡ್ನ್ ಕತೇಂಗ್ಶ ಲಿಪ್ೈತಾ ಮ್ಹ ಣ್.” ರೇಂಜನ್ ಮ್ಹ ಣಲೊ. “ಖೇಂಚ್ಯಯ್ಣ್ ಹ್ಯೇಂವ್‍ಲ್ ವ್ಲಗ್ಶಾ ೇಂಚ್ಚ ಜೊಯ್ಕ್ ಭೆಟಾೆ ೇಂ.” “ಆಸ್ ತರ ೇಂತ್ ಮೊಸುೆ ದಿೀಸ್ ಕೀಮ್ಹೇಂತ್ ಪಡ್ನ್ ಆಸ್​್ಯ ಾ ನ್ ಕ್ಟ್ರ್ಮ ಸಡುೇಂಕ್ ಪಡ್ಯ ೇಂಗ್ಶ ತುಕ್ಟ್ ಡ್ನಿ​ಿ ಲ್? ವ ತುೇಂ ಆತಾೇಂ ರ‍್ೇಂವಾ್ ಾ ಮ್ನಾಿ ೇಂಚ್ಯಾ ಆಫಿಸೇಂತ್ ಕ್ಟ್ರ್ಮ ಕರ‍್ೆ ಯ್?” ರೇಂಜನ್ ವಿಚ್ಯರ್ಗಯ . “ಕ್ಟ್ರ್ಮ ಸಡುೇಂಕ್ ನಾತ್ಲಯ ೇಂ ರೇಂಜನ್ ಹ್ಯೇಂವ್ಲೇಂ. ಪುಣ್ ಮ್ಹ ಜರ್ ಆಯ್ಣ್ಯ ಾ ಅನಾವ ರ‍್ೇಂತ್, ಹ್ಯೇಂವ್‍ಲ್ ಸ ಹಫ್ತೆ ಕೀಮ್ಹೇಂತ್ ಆಸ್​್ಯ ಾ ನ್ ತೇಂ ಘಡ್ಟಯ ೇಂ. ಆಸ್ ತರ ಥಾವ್‍ಲ್​್ ಡಶಾ್ ಜ್​್ ಜಾತಾನಾ, ಸ್ಟಲವ ಸಾ ರ್ ಮ್ಹಥಾಯಸ್ ಆೇಂಕ್ನ್ ಮ್ಹಹ ಕ್ಟ್ ತಾಚ್ಯಾ ಘರ‍್ ಯೀವ್‍ಲ್​್ ರ‍್ವ್‍ಲ್ ಮ್ಹ ಣ್ ಸೇಂಗ್ಡೆ ನಾ, ಸದಾೊ ಾ ಕ್ ಮ್ಹ ಜಾ​ಾ ಮ್ತಚ್ಯಾ ಸಮ್ಹಧಾನ್ನ ಖಾತರ್ ಹ್ಯೇಂವ್‍ಲ್ ತಾೇಂಗೆರ್ ವಚೊನ್ ರ‍್ವ್‍ಲ್ಲೊಯ ೇಂ.... “ಆೇಂಕ್ಚ್ ಧುವ್‍ಲ್ ಸ್ಟಲಿವ ಮ್ಹ ಜ ಮೊಸುೆ ಜತನ್ ಘೆತಾಲಿ. ಹ್ಯಾ ಸಗ್ಡೊ ಾ ವಾತಾವರಣೇಂತ್ ಹ್ಯೇಂವ್‍ಲ್ ಮ್ಹಹ ಕ್ಟ್ಚ್ಚ ವಿಸುರ ನ್ ಬಸ್ಲೊಯ ೇಂ. ತಾೇಂಗೆರ್ ಬಾಪಯ್ ಧುವ್‍ಲ್ ದಗ್ಡೇಂಚ್ಚ ಆಸತ್. ಸ್ಟಲಿವ ಸೇಂಗ್ಡತಾ ಹ್ಯೇಂವ್‍ಲ್ ತಾೇಂಚ್ಯ ಆಫಿಸಕ್ ವ್ಲತಾಲೊೇಂ ಜಾ್ಯ ಾ ನ್, ಡ್ರ ಗ್ ಎೇಂಡ್ ಕೆಮಿಕಲ್​್ ಕೇಂಪ್ನಿಕ್ ಹ್ಯೇಂವ್ಲೇಂ ಸವಾ್ ಸ್ ಸೇಂಗೆಾ ತ್ ಮ್ಹ ಣೊನ್ ಫೊನ್ ಕರೇಂಕ್ನಾ. ಸುಮ್ಹರ್ ದಿಸೇಂ ಉಪಾರ ೇಂತ್ ಹ್ಯೇಂವ್ಲೇಂ ಜನ್ನರಲ್ ಮನ್ನಜರ್, ದರ್ನೇಂದ್ ಕೃಷ್ಟಿ ರ‍್ಜ್ ಹ್ಯಕ್ಟ್ ಫೊನ್ ಕರನ್ ಖಬಾರ್ ದಿ್ಾ .” ಡ್ನಿ​ಿ ್ನ್ ಸೇಂಗಲಯ ೇಂ ಆಯ್ಲ್ ನ್ ರೇಂಜನ್ ಆನಿ ಪರ ತಭಾ ತಾ​ಾ ವಿಶಿೇಂ ಚಡೆ ಕ್

ಕ್ಟ್ೇಂಯ್ ಮ್ಹ ಣನಾ ಜಾಲಿೇಂ. ಡ್ನಿ​ಿ ಲ್ ರೇಂಜನಾಗೆರ್ ಜವಾಣ್ ಜಾವ್‍ಲ್​್ ವ್ಲತಚ್ಚ, ರೇಂಜನ್ ಪರ ತಭಾಕ್ ಸೇಂಗ್ಡ್ಗಯ “ಪರ ತಭಾ ಹ್ಯೇಂವ್ಲೇಂ ತುಕ್ಟ್, ನಿಲಿೀಮ್ಹಕ್ ತುೇಂವ್ಲೇಂ ಭೆಟಾ್ ಾ ಸೇಂಗ್ಶೆ ಥಾವ್‍ಲ್​್ ಪಯ್​್ ದವರ್ಲಯ ೇಂ. ಪುಣ್ ಆತಾೇಂ ವ್ಲೀಳ್ನ ಆರ್ಯ , ತುೇಂವ್ಲೇಂ ನಿಲಿೀಮ್ಹಕ್ ಭೆಟೇಂಕ್ ಜಾಯ್. ಡ್ನಿ​ಿ ಲ್ ಸವಾ್ೇಂಯ್ ವಾಟೆೇಂನಿ ಸ್ವ ್. ಆನಿ ಆಮಿೇಂ ಘಳ್ಚ್ಯ್ ಕರನ್ ಫಾಯ್ಲೊ ನಾ.” “ಪುಣ್ ನಿಲಿೀಮ್ಹ ಬೇಂಗ್ಳೊ ರ್ಚ್ಚ ಆಸ ಮ್ಹ ಳೊ ೇಂ ಸತ್ಗ್ಶ ರೇಂಜನ್?” “ಕತಾ​ಾ ಕ್ ದುಭಾವಾೆ ಯ್ ಪರ ತಭಾ...? ಜರೆ ರ್ ಡ್ನಿ​ಿ ್ನ್ ನಿಲಿೀಮ್ಹಕ್ ಆನಿ ತಾಚ್ಯಾ ಚೆಕ್ಟ್ಾ ್ಕ್ ಕ್ಟ್ಲ್ಚ್ಚ ಇಸ್ ್ ಕಡ್ನ್ ಪಳ್ೇಂ ತರ್, ಜೊಯ್ನ್ ಮ್ಹ ಜ ಕಡ್ನ್ ಫಟ ಮ್ಹರ‍್ಯ ಾ ತ್ ಮ್ಹ ಳೊ ೇಂ ಸತ್ ನಹಿೇಂಗ್ಶ?” “ವಹ ಯ್. ಪುಣ್ ತುೇಂ ಜೊಯ್ಕ್ ತಾ​ಾ ವಿಶಿೇಂ ವಿಚ್ಯರೇಂಕ್ ವ್ಲಚ್ಯನಾಕ್ಟ್. ಡ್ನಿ​ಿ ್ನ್ ಸೇಂಗ್ಯ ಾ ಪಮ್ಹ್ಣ, ನಿಲಿೀಮ್ಹನ್ ಸೇಂಗಲಯ ೇಂಚ್ಚ ಜೊಯ್ನ್ ಕೆ್ೇಂ.” ಪರ ತಭಾ ಜಾಗರ್ಯ ಗ್ಶಯ . “ಜಾಣೇಂ ಹ್ಯೇಂವ್‍ಲ್. ಪುಣ್ ಡ್ನಿ​ಿ ಲ್ ತಾ​ಾ ವಿಶಿೇಂ ಜೊಯ್ಕ್ ವಿಚ್ಯರ‍್ಯ ಾ ಶಿವಾಯ್ ರ‍್ೇಂವ್ಲ್ ನಾ.” “ಮ್ಹಹ ಕ್ಟ್ ನಿಲಿೀಮ್ಹನ್ ರ‍್ೇಂವ್ಲ್ ಎಡ್ರ ಸ್ ದಿೀ. ವ್ಲಗ್ಶಾ ೇಂಚ್ಚ ಹ್ಯೇಂವ್‍ಲ್ ತಾಕ್ಟ್ ವ್ಲಚುನ್ ಭೆಟಾೆ ೇಂ.” “ತೇಂ ದೂರ‍್ವಣಿ ನಗರ್ ರ‍್ವಾೆ . ಪುಣ್ ತುೇಂವ್ಲೇಂ ತಾಚ್ಯಾ ಘರ‍್ ವ್ಲಚೆೇಂ ನಾಕ್ಟ್. ತೇಂ ಖೇಂಚ್ಯ ವ್ಲಳ್ಚ್ ಘರ‍್ ಆಸೆ ಮ್ಹ ಣ್ ಆಮ್ಹ್ ೇಂ ಕ್ಟ್ೇಂಯ್ ಕಳ್ಳತ್ ನಾ. ದೆಕುನ್ ಇಸ್ ್ಕ್....”

16 ವೀಜ್ ಕ ೊಂಕಣಿ

“ವಹ ಯ್, ಹ್ಯೇಂವ್‍ಲ್ ಪಯಯ ೇಂ ಇಸ್ ್ಕ್ಚ್ಚ ವ್ಲಚುನ್ ಪಳತಾೇಂ....” ಪರ ತಭಾ ಮ್ಧೇಂಚ್ಚ ಮ್ಹ ಣಲಿ. ಡ್ನಿ​ಿ ್ಕ್ ಘರ‍್ ಪಾವಾೆ ನಾ ರ‍್ತ್ ಉತಾರ ಲಿಯ . ಸ್ಟಲವ ಸಾ ರ್ ಮ್ಹಥಾಯಸ್ ನಿದ್ಲೊಯ . ಪುಣ್ ಸ್ಟಲಿವ ರ‍್ಕನ್ ಆಸ್ಲಯ ೇಂ. “ಸರರ ಸ್ಟಲಿವ ಮ್ಹಹ ಕ್ಟ್ ವ್ಲೀಳ್ನ ಜಾಲೊ....” ಡ್ನಿ​ಿ ಲ್ ರ‍್ಕನ್ ಆಸ್​್ಯ ಾ ಸ್ಟಲಿವ ಕ್ ಪಳವ್‍ಲ್​್ ಸೇಂಗ್ಡ್ಗಯ . “ಕ್ಟ್ೇಂಯ್ ನಜೊ ಡ್ನಿ​ಿ ಲ್. ತುೇಂ ವಸ್ತೆ ರ್ ಬದಿಯ ಕರ್. ಹ್ಯೇಂವ್‍ಲ್ ತುಜೇಂ ಜವಾಣ್....” “ಜವಾಣ್ ಜಾವ್‍ಲ್​್ ಆರ್ಯ ೇಂ ಸ್ಟಲಿವ . ತುೇಂ ಜವಾಯ ೇಂಯ್ ಮೂ...?” “ನಾ. ತುಕ್ಟ್ ರ‍್ಕನ್ ಆಸ್ಲಿಯ ೇಂ. ವಹ ಡ್ ನಾ. ಮ್ಹಹ ಕ್ಟ್ಯ್ಣ ನಾಕ್ಟ್ ಜೀೇಂವ್‍ಲ್​್ ...” ಡ್ನಿ​ಿ ್ನ್ ಕ್ಟ್ೇಂಯ್ ಮ್ಹ ಳೇಂ ನಾ. ಸ್ಟಲಿವ ಕ್ ಬರ ರ‍್ತ್ ಮ್ಹಗನ್ ನಿದೇಂಕ್ ಗೆಲೊ. ನಿದ್ಲಯ ಥೇಂಯ್ ತಾಕ್ಟ್ ಆಜ್ ರೇಂಜನಾಚ್ಯಾ ಘರ‍್ ಜಾ್ಯ ಾ ಸೇಂಭಾಷಣೇಂಚೊ ನಿರ್ಳ್ನ ಆಯ್ಲಯ . ನಿಲಿೀಮ್ಹಕ್ ದಿೀಸ್ ರ‍್ತ್ ಚ್ೇಂತುನ್, ಕಗ್ಳ್ನ್, ರಡ್ನ್, ಲಿಪ್ಲನ್ ರ‍್ವ್ಲನ್ ಪಳವ್‍ಲ್​್ ಆಪ್ಲಯ ಆಶಾ ಬಾಗರ್ೆ ಲೊ. ಏಕ್ ಪಾವಿಾ ೇಂ ತಾಚ್ಯಾ ಮ್ತೇಂತ್ಲಯ ಧವ ೀಷ್ ನಿತ್ಲೊ ನ್ ತೇಂ ಆಪಾಿ ಥೇಂಯ್ ಪಾಟೇಂ ಪತು್ೇಂದಿ ದೆವಾ ಮ್ಹ ಣ್ ಮ್ಹಗ್ಡೆ ಲೊ. ಪುಣ್ ನಿಲಿೀಮ್ಹನ್ ತಾಚೆೇಂ ಅವಘ ಡ್ ಆಪಾಯ ಾ ದಳ್ಚ್ಾ ೇಂನಿ ಪಳವ್‍ಲ್​್ ಯ್ಣ, ತಾಕ್ಟ್ ರಸೆ ಾ ರ್ ಮೊರೊೇಂಕ್ ಸಡುನ್ ಗೆಲಯ ೇಂ ಜಾಣೇಂ ಜಾ್ಾ ಉಪಾರ ೇಂತ್ ತ್ಲ ಮೊಸುೆ ವಿರ‍್ರ್ ಜಾಲೊಯ . ನಿಲಿೀಮ್ಹನ್ ತಸೇಂ ಕೆಲೇಂಚ್ಚ ಕಸೇಂ? ರಸೆ ಾ ರ್ ಅವಘ ಡ್ಟಕ್ ಸೇಂಪಾ​ಾ ್ಯ ಾ ೇಂಕ್

ವಾಟ್ ರಯ್ಣ ಮ್ಜತ್ ಕರ‍್ೆ . ದುಸಯ ನ್ಯ್ಣ ಸಗೆೊ ೇಂ ವಿಸುರ ನ್ ಫುಡ್ೇಂ ಸತಾ್. ತರ್ ಹೆೇಂ ನಿಲಿೀಮ್ಹ ಮ್ೇಂಜಾತ ಪಾರ ಸ್ ಕಠೀರ್ಗ್ಶ? ಚ್ೇಂತಾೇಂ, ಚ್ೇಂತಾೇಂ ಡ್ನಿ​ಿ ಲ್ ದೆದೆಸ್ ರರ್ ಜಾಲೊ. ನಿಲಿೀಮ್ಹಕ್ ಪಾಡ್ ಆನಿ ತೇಂ ಡ್ನಿ​ಿ ್ಚ್ಯಾ ್ಯಕ್ನಾ ಮ್ಹ ಣೊನ್, ಜೊಯ್ನ್ ಕತಾ​ಾ ಕ್ ಸೇಂಗಲಯ ೇಂ ಮ್ಹ ಳೊ ೇಂ ತಾಕ್ಟ್ ಆಜ್ ಕಳ್ನಲಯ ೇಂ. ಪುಣ್ ಮೊಗ್ಡಚ್ಯಾ ಕುಡ್ಟಾ ್ಪಣನ್ ಪ್ಲಸ ಜಾವಾ್ ಸ್​್ಯ ಾ ತಾಣೇಂ, ಜೊಯ್ಚೆರ್ ಹ್ಯತ್ ಉಭಾರನ್ ನಿಜಾಯ್ಣ್ ವಹ ಡಯ ರ್ಚಕ್ ಕೆಲಿಯ . ತಾ​ಾ ರ್ಚಕಚ್ ಶಿಕ್ಟ್ಿ ತಾಕ್ಟ್ ತಾ​ಾ ಚ್ಚ ದಿೀಸ್ ಮಳೊನ್, ಪರತ್ ತ್ಲ ಆಸ್ ತರ ೇಂತ್ ಪಡ್ಲೊಯ . ‘ನಾಕ್ಟ್ ಮ್ಹಹ ಕ್ಟ್ ಆನಿ ತೇಂ ನಿಲಿೀಮ್ಹ...’ ಡ್ನಿ​ಿ ಲ್ ಆಪಾಿ ಯ್ಣತಾಯ ಾ ಕ್ ಕಳವ ಳೊ​ೊ . ‘ಕಣ್ೇಂಚ್ಚ ನಹಿೇಂ ಜಾವಾ್ ಸ್​್ಯ ಾ ಮ್ಹಹ ಕ್ಟ್, ಹ್ಯಾ ಘರ‍್​್ ಾ ಮ್ನಾಿ ಾ ೇಂನಿ ಆಧಾರ್ ದಿೀವ್‍ಲ್​್ ತಾೇಂಚ್ಯಾ ಘರ‍್ ದವರ‍್ಯ ಆನಿ ಮ್ಹ ಜ ಚ್ಯಕರ ತೇಂ ಭಮೊ್ತ್ ಸ್ಟಲಿವ ಆಜೂನ್ ಕರನ್ ಆಸ. ಹ್ಯೇಂವ್‍ಲ್ ಉಲೈತಾೇಂ ಸ್ಟಲಿವ ಕಡ್ನ್. ಜರೆ ರ್ ತೇಂ ಮ್ಹ ಜೊ ಹ್ಯತ್ ಧರೇಂಕ್ ತರ್ರ್ ಆಸ ತರ್, ಹ್ಯೇಂವ್‍ಲ್ ಮ್ಹ ಜ ಜಣಿೇಂಚ್ಚ ಬದಿಯ ಕರೆ ಲೊೇಂ. ಜಯತ್ಲಲೊೇಂ ಮ್ಹ ಜಾ​ಾ ಪಾಟಾಯ ಾ ಜಣಿಯಕ್ ವಿಸುರ ನ್. ಆನಿ ಕಸಲೇಂ ಪಾರ ಜತ್ ಕರೇಂ, ಮ್ಹ ಜಾ​ಾ ರ್ಚಕನ್ ಕೆ್ಯ ಾ ತಾ​ಾ ರ‍್ತಚ್ಯಾ ಪಾತಾ್ ಕ್? ತಾ​ಾ ಪಾತಾ್ ೇಂತ್ ಹ್ಯೇಂವ್‍ಲ್ ಎಕಯ ೇಂ ಮ್ಹತ್ರ ಕಸೇಂ ಗ್ಳನಾ​ಾ ೇಂವಾ್ ರ್ ಜಾತಾೇಂ? ಹ್ಯೇಂವ್ಲೇಂ ಘಾತ್ ಕರೇಂಕ್ ಚ್ೇಂತುೇಂಕ್ಚ್ಚ ನಾ ಆಸೆ ೇಂ, ತೇಂ ಮ್ಹಹ ಕ್ಟ್ ಭಗ್ಳ್ ೇಂಕ್ ಕತಾ​ಾ ಕ್ ತರ್ರ್ನಾ?’ ಸಗ್ಶೊ

17 ವೀಜ್ ಕ ೊಂಕಣಿ

ರ‍್ತ್ ಡ್ನಿ​ಿ ಲ್ ಆಪಾಯ ಾ “ತುೇಂವ್ಲೇಂ ಕೆಲೊಯ ನಾಸಾ ಅೇಂತಸ್ ನಾ್​್ಗ್ಶಾ ೇಂ ಝುಜೊಯ . ಸ್ಟಲಿವ ....?” ಪ್ಯ ೀಟ್ಟ ಘೆತಾನಾ ಡ್ನಿ​ಿ ಲ್ ಸಕ್ಟ್ಳ್ಳೇಂ ಡ್ನಿ​ಿ ಲ್ ಉಟಾೆ ನಾ, ಚ್ಕೆ್ ವಿಚ್ಯರ್ಗಯ . “ಕ್ಟ್ಲ್ಯ್ಣ ಮ್ಹ ಜ ವ್ಲೀಳ್ನ ಜಾಲೊಯ . ಸ್ಟಲವ ಸಾ ರ್ ಧಮ್ಹ್ನ್ ತುೇಂ ಉಪಾವ ಶಿೇಂ ಮ್ಹಥಾಯಸ್ ಆಫಿಸಕ್ ವಚೊನ್ ನಿದ್ಲಯ ೇಂಯ್.” ಜಾಲೊಯ . ಸ್ಟಲಿವ ಡ್ನಿ​ಿ ್ಕ್ ನಾಸಾ ಾ ಚ್ಯಾ “ಕ್ಟ್ಲಿ್ ಗಜಾಲ್ ಸಡ್. ಆತಾೇಂ ಮಜಾರ್ ರ‍್ಕನ್ ಆಸ್ಲಯ ೇಂ. ನಾಸಾ ಕರ‍್ೆ ೇಂ ತುಜಸೇಂಗ್ಶೇಂ.” ಸ್ಟಲಿವ “ಗ್ಳಡ್ಮೊನಿ್ೇಂಗ ಸ್ಟಲಿವ ...” ಡ್ನಿ​ಿ ಲ್ ಮ್ಹ ಣಲೇಂ. “ತುೇಂ ಟ್ಪ್ಲಕ್ ಬದಿಯ ಸ್ಟಲಿವ ಚ್ಯಾ ಮುಕ್ಟ್ರ್ ಬಸಯ . ಕರನ್ ಕತಾ​ಾ ಕ್ ಉಲೈತಾಯ್ “ಗ್ಳಡ್ಮೊನಿ್ೇಂಗ. ರ‍್ತೇಂ ಡ್ನಿ​ಿ ಲ್...? ತುಜಾ​ಾ ಬಜಾರ‍್ಯಚೆೇಂ ನಿದೇಂಕ್ನಾೇಂಯ್ ಆನಿ ಫಾೇಂತಾ​ಾ ರ್ ಕ್ಟ್ರಣ್ ಕ್ಟ್ಲ್ ತುೇಂ ನಿಲಿೀಮ್ಹಚ್ಯಾ ನಿೀದ್ ಪಡ್​್ಯ ಾ ನ್ ಉಟಾೆ ನಾ ವ್ಲೀಳ್ನ ಭಯ್ಣಿ ಚ್ಯಾ ಘರ‍್ ಥಾವ್‍ಲ್​್ ಪಾಟೇಂ ಜಾಲೊ ತುಕ್ಟ್...?” ಸ್ಟಲಿವ ನ್ ತ್ಲೇಂಡ್ಟರ್ ಯತಚ್ಚ ಪರತ್ ಉಚ್ಯೇಂಬಳ್ನ ಜಾ್ೇಂ. ಸಭೀತ್ ಹ್ಯಸ ಹ್ಯಡುನ್ ಸೇಂಗೆಯ ೇಂ. ಕತೇಂ ಜಾಲಯ ೇಂ ಮ್ಹ ಣ್ ಸೇಂಗ್ಡನಾೇಂಯ್ಣಾ “ವಹ ಯ್ ಸ್ಟಲಿವ . ಸರರ ತುಕ್ಟ್ ಮ್ಹಕ್ಟ್...?” ರ‍್ಕೇಂಕ್ ಪಡ್ಯ ೇಂ. ಆೇಂಕಲ್ ಗೆ್ “ಕ್ಟ್ೇಂಯ್ ವಿಶೀಷ್ ನಾ ಸ್ಟಲಿವ . ಹ್ಯೇಂವ್‍ಲ್ ಮ್ಹ ಣ್ ದಿಸೆ .” ಥೊಡ್ಟಾ ಟೆನ್ನಿ ನಾೇಂತ್ ಆಸೇಂ “ವಹ ಯ್. ಕ್ಟ್ಲ್ ತುೇಂ ಮೊಸುೆ ವಿರ‍್ರ್ ಜಾ್ಯ ಾ ನ್, ತುಕ್ಟ್ ತಸೇಂ ದಿಸಯ ೇಂ ದಿಸೆ ಲೊಯ್. ತುಕ್ಟ್ ಪಾಪಾ್ ನ್ ಜಾೇಂವ್‍ಲ್​್ ಪುರೊ.” ಸೇಂಗಲಯ ೇಂ, ತುಜಾ​ಾ ಪಾಟಾಯ ಾ ಜಣಿಯಕ್ “ನಿಲಿೀಮ್ಹನ್ ತುಜೇಂ ರಸೆ ಾ ರ್ ಪಾಟ್ಟ ಕರ್ ಮ್ಹ ಣ್. ಪುಣ್ ತುೇಂ ಆಜೂನ್ ಜಾಲಯ ೇಂ ಅವಘ ಡ್ ಪಳವ್‍ಲ್​್ ಯ್ಣ ಕೆೀರ್ ತಾ​ಾ ಚ್ಚ ಖೇಂವಠಾತಚ್ಯಾ ವಾಠಾರ‍್ೇಂತ್ ಕರೇಂಕ್ ನಾತ್ಲಯ ೇಂ, ತುಕ್ಟ್ ಮೊಸುೆ ಭೇಂವ್ಲನ್ ಆಸಯ್...” ಧಾೇಂಪ್ಲನ್ ಬಜಾರ‍್ಯಕ್ ಕ್ಟ್ರಣ್ ಜಾ್ೇಂ ದವರ್​್ಯ ಾ ನಾಸಾ ಾ ವಯ್ಣಯ ಪ್ಯ ೀಟ್ಟ ನಹಿೇಂಗ್ಶ...?” ಕ್ಟ್ಡುನ್, ಸ್ಟಲಿವ ನ್ ಮಂದರ‍್ ಂಕ್ ಆಸಾ ಡ್ನಿ​ಿ ್ಕ್ ಸೇಂಗೆಯ ೇಂ.

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18 ವೀಜ್ ಕ ೊಂಕಣಿ

ಓಕ್ ರ‍ಕಾಚ್ಯ ಬೂಟ್​್ (ಮ್ಚ್ಯ) ಡ್ನಾಯ ಕ್​್ ದೆೀಶಾಚ್ ಜಾಣಪದ್ ಕ್ಟ್ಣಿ ಕೊಕಿ ಕ್ : ಲಿಲಿೊ ಮಿರಂದ್ಕ - ಜಪ್ಪು (ಬಂಗ್ಳಾ ರ್) ಮೂಳ್ನ : ಪರ‍್ಶ್ರ ಓಕ್ಟ್ರಯ್ಲ ಮ್ಹ ಳೊ​ೊ ಎಕಯ ಆಚ್ಯರ ಆಸ್ಲೊಯ . ರಕ್ಟ್ಡ್ಟಚ್ಯ ಕ್ಟ್ಮ್ಹೇಂತ್ ಪರ ವಿೀಣ್ ಜಾವಾ್ ಸ್​್ಯ ಾ ತಾಚೊಾ ವಸುೆ ಸಭತ್ ಸುೇಂದರ್ ಆಸ್​್ಯ ಾ ನ್ ಲೊೀಕ್ ತಾಣೇಂ ಸೇಂಗಲಯ ೇಂ ಮೊೀಲ್ ದಿೀೇಂವ್‍ಲ್​್ ಪಡ್ಯ . ಆಚ್ಯರನ್ ತರ್ರ್ ಕೆ್ಯ ಾ ವಸುೆ ೇಂಕ್ ಗ್ಶರಯ್ಣ್ ನಾ ಜಾಲೊ. ಉಪಾಸ್ಟೇಂ ಪಡ್​್ ದಿೀಸ್ ಆಯಯ . ತಾಣೇಂ ಬಾಯಯ ್ಗ್ಶ, ಪ್ಲಟಾಕ್ ಖಾಣ್ ನಾಸೆ ನಾ ರ‍್ವ್ಲೇಂಕ್ ಮ್ಹ ಜಾ​ಾ ನ್ ಸಧ್ಾ ನಾ. ಯ ಆಮಿೇಂ ರ‍್ನಾಕ್ ರ್ ಎಕ್ಟ್ ವಹ ಡ್ಟಯ ಾ ರಕ್ಟ್ರ್ ಚಡ್ನ್ ಥೇಂಯ್ ಥಾವ್‍ಲ್​್ ಸಕಯ್ಯ ಉಡ್ನ್ ಮೊರ‍್ಾ ೇಂ ಮ್ಹ ಣ್ ಸೇಂಗನ್ ತಕ್ಟ್ ರ‍್ನಾಕ್

ಆಪವ್‍ಲ್​್ ವಹ ನ್​್ ಗೆಲೊ. ಏಕ್ ವ್ಲಡ್ಟಯ ಾ ಓಕ್ ರಕ್ಟ್ರ್ ಚಡ್ನ್ ದಗ್ಡೇಂಯ್ಣೀ ಜಣೇಂ ಸಕಯ್ಯ ಉಡ್ೇಂಕ್ ತರ್ರ್ ಜಾಲಿೇಂ. ತವಳ್ನ ರೂಕ್ ಮ್ನಾಿ ಾ ಪರೇಂ ಅಶೇಂ ಮೊರೆ್ ೇಂ ಮ್ಹ ಳ್ಚ್ಾ ರ್ ಭೇಂವು್ ರ‍್ಾ ೇಂಚೆೇಂ ಕ್ಟ್ರ್ಮ. ದೆವಾನ್ ದಿಲಯ ೇಂ ಜವಿತ್ ತುಮಿೇಂಚ್ಚ ಆಖೆೀರ್ ಕರೇಂಕ್ ನಜೊ. ಧೈರ್ ಸೇಂಡನಾಕ್ಟ್ತ್, ಸಕಯ್ಯ ಮ್ಹ ಜಾ​ಾ ರಕ್ಟ್ಚೊ ಏಕ್ ಸುಕ ಫಾೇಂಟ್ ಪಡ್ಟಯ ತ್ಲ ವಹ ರ್​್ ದೀನ್ ಸಭತ್ ಬೂಟ್ಟ್ (ಮೊಚೆ ತರ್ರ್ ಕರ‍್. ಹ್ಯಾ ಗ್ಡೇಂವಾ್ ಾ ರ‍್ರ್ಕ್ ತ ವಹ ನ್​್ ದಿರ್. ತಾಣೇಂ ಖುಶನ್ ದಿಲಿಯ ಭಾೇಂಗ್ಡರ‍್ಚ್ೇಂ ನಾಣಿೇಂ ಘೆವ್‍ಲ್​್ ಸು​ುಃಖಾನ್ ಜಯರ್ ಮ್ಹ ಣ್ ಮ್ಹ ಣಲೊ. ಆಚ್ಯರ ಬಾಯಯ ಸವ್ಲೇಂ ಸಕಯ್ಯ ದೆೇಂವ್ಲಯ . ರಕ್ಟ್ಚೊ ಫಾೇಂಟ್ ಘೆವ್‍ಲ್​್ ಘರ‍್ ಆಯ್ಲಯ . ತಾಣಿೇಂ ದಗ್ಡೇಂಯ್ಣ್ ೀ ಸೇಂಗ್ಡತಾ ಮಳೊನ್ ದೀನ್ ಮೊಚೆ ತರ್ರ್ ಕೆಲ. ರ‍್ರ್ಕ್ ವಹ ನ್​್ ದಿತಾನಾ ತಾಕ್ಟ್ಯ್ಣೀ ತ ಭಾರ ಮಚ್ಯ್ ಲ. ಎಕ್ಟ್ ಬಗ್ಡೇಂತ್ ಭರ್​್ ಭಾೇಂಗ್ಡರ‍್ಚ್ೇಂ

19 ವೀಜ್ ಕ ೊಂಕಣಿ

ನಾಣಿೇಂ ತಾೇಂಕ್ಟ್ೇಂ ದಿಲಿೇಂ. ರ‍್ತೇಂ ರ‍್ಯ್ ಬೂಟ್ಟ್ (ಮೊಚೆ) ಘಾಲ್​್ ೇಂಚ್ಚ ಬಡ್ಟಾ ರ್ ನಿದಯ . ಮ್ಧಾ​ಾ ನ್ ರ‍್ತೇಂ ದಾವಾ​ಾ ಪಾೇಂರ್ಚೊ ಮೊಚೊ ಉಜಾ್ ಾ ಪಾೇಂರ್ಚ್ಯ ಮೊಚ್ಯಾ ್ಗ್ಶೇಂ ಉಲ್​್ಗಯ ಬಾಯ, ರ‍್ರ್ಕ್ ನಿೀದ್ ಆರ್ಯ ಾ ಮ್ಹ ಣ್ ದಿಸೆ . ಹ್ಯೇಂವ್‍ಲ್ ಲೊೀವ್‍ಲ್ ಭಾಯ್ರ ವಚೊನ್ ಗ್ಡೇಂವ್‍ಲ್ ಭೇಂವ್ಲನ್ ವ್ಲಗ್ಶಾ ೇಂ ಪಾಟೇಂ ಯತಾೇಂ. ಮ್ಹ ಣ್ ಸೇಂಗನ್ ಭಾಯ್ರ ಗೆಲೊ; ಥೊಡ್ಟಾ ವ್ಲಳ್ಚ್ನ್ ಪಾಟೇಂ ಆಯ್ಲಯ . ಥೇಂಯ್ ರ್ಚ್ಚ ಆಸ್​್ಯ ಾ ಉಜಾವ ಾ ಪಾೇಂರ್ಚ್ಯಾ ಮೊಚ್ಯಾ ನ್ ಗ್ಡೇಂವ್‍ಲ್ ಭೇಂವ್ಲನ್ ಆಯ್ಣ್ಯ ಾ ಮೊಚ್ಯಾ ್ಗ್ಶೇಂ ಭೇಂಲ್ಪೇಂಕ್ ಗೆಲೊಯ ಯ್ ನೇಂಯ್ಣಾ ಕತೇಂ ಪಳವ್‍ಲ್​್ ಆಯ್ಲಯ ಯ್? ಮ್ಹ ಣ್ ಸವಾಲ್ ಕೆಲೇಂ. ಪಳೇಂವ್‍ಲ್​್ ಕ್ಟ್ೇಂಯ್ ಜಾೇಂವ್‍ಲ್​್ ನಾ ಬಾಯ, ಆಮ್ಹ್ ಾ ರ‍್ರ್ಕ್ ಜವಿ​ಿ ೇಂ ಮ್ಹರ್​್ ಮ್ೇಂತರ ಚ್ಚ ರ‍್ಯ್ ಜಾೇಂವ್‍ಲ್​್ ಪ್ಯ ೀನ್ ಕರ‍್ೆ ತೇಂ ಪಳಲೇಂ. ಫಾ್ಾ ೇಂ ಏಕ್ ಶಿೇಂತಾರ ಾ ಳೊ ಏಕ್ ಸಭತ್ ಘೊಡ್ಟಾ ಸೇಂಗ್ಡತಾ ಆಸಾ ನಾಕ್ ಯತಾ ತ್ಲ ಮ್ಹೇಂತರ ಕ್ಟ್ೇಂಚೊ ಘೊಡ್. ಘೊಡ್ ಪಳವ್‍ಲ್​್ ರ‍್ಯ್ ತಾಚೆರ್ ಚಡ್ಟೆ ಘೊಡ್ ಪಾಟೇಂ ಯೀನಾ ತಾಕ್ಟ್ ವಾಹ ವ್ಲವ್‍ಲ್​್ ವಹ ರ್​್ ದರ್​್ೇಂತ್ ಉಡ್ರ್ೆ . ಉಪಾರ ೇಂತ್ ಧೂತ್​್ ಮ್ೇಂತರ ರ‍್ಯ್ ಜಾೇಂವ್‍ಲ್​್ ಚ್ೇಂತುನ್ ಆಸ ಮ್ಹ ಳೊ ೇಂ ಕಳ್ಳತ್ ಜಾಲೇಂ. ಬಜಾರ‍್ಯನ್ ಪಾಟೇಂ ಆಯ್ಲಯ . ಮ್ಹ ಳೇಂ ಭೇಂವ್ಲಾ ಕ್ ಗೆ್ಯ ಾ ಮೊಚ್ಯಾ ನ್. ಓಹೊ! ತಶೇಂಗ್ಶ? ಹ್ಯೇಂವ್‍ಲ್ಯ್ಣೀ ಏಕ್ ಪಾವಿಾ ೇಂ ಗ್ಡೇಂವ್‍ಲ್ ಭೇಂವ್ಲನ್ ಯತಾೇಂ ಮ್ಹ ಣ್ ಸೇಂಗನ್ ಉಜಾವ ಾ ಪಾೇಂರ್ಚೊ ಮೊಚೊ ಭೇಂವ್ಲಾ ಕ್ ವ್ಲಚೊನಾಯ್ಲಯ . ಕತೇಂ ಪಳವ್‍ಲ್​್

ಆಯಯ ೇಂಯ್ ಬಾಯ? ವಿಚ್ಯಲ್ೇಂ ದಾವಾ​ಾ ಪಾೇಂರ್ಚ್ಯ ಮೊಚ್ಯಾ ನ್. ಬರೆೇಂಚ್ಚ ಪಳಲೇಂ; ಸಡ್, ಸಗೊ ದೆೀಶ್ ದುಕಳ್ಚ್ೇಂತ್ ಬುಡ್ಟಯ ಾ ರೀ, ರ‍್ರ್ಕ್ ತಾಚ್ ಖೇಂತ್ ನಾ ಶಹ ರ‍್ಚ್ಯ ಮ್ಧಗ್ಡತ್ ಏಕ್ ಪಾಜ ಫಾತರ್ ಆಸ. ತಾಜಾ​ಾ ಥಳ್ಚ್ ಥಾವ್‍ಲ್​್ ಉದಾ್ ಚೊ ಸಬ್ಸೊ ಆರ್​್ ತಾ ತ್ಲ ಉಟರ್ಯ ಾ ರ್ ಧಾರ‍್ಳ್ನ ಉದಾಕ್ ವಾಹ ಳ್ಚ್ೆ ನೇಂಯ್ಣಾ ಮ್ಹ ಣ್ ಭಗೆಯ ೇಂ. ಮ್ಹ ಣಲೊ ಉಜಾ್ ಾ ಪಾೇಂರ್ಚೊ ಮೊಚೊ. ದಿೀಸ್ ಉಜಾವ ಡ್ಯ . ರ‍್ಯ್ ಆಸಾ ನಾಕ್ ಗೆಲೊ. ಥೊಡ್ಟಾ ವ್ಲಳ್ಚ್ನ್ ಘೊಡ್ ವಿಕೆ ಲೊ ಆಸಾ ನಾಕ್ ಆಯ್ಲಯ . ಮ್ೇಂತರ ನ್, ಬರ‍್ಾ ಲ್ಕ್ಷಣೇಂಚೊ ಘೊಡ್. ರ‍್ಜ್ ಮ್ಹ್ಯರ‍್ಜಾೇಂನಿ ಸವಾರ ಕಚ್ಯಾ ್ ತಸಲೊ. ತುಮಿೇಂಯ್ಣೀ ಏಕ್ ಪಾವಿ್ ೇಂ ಸವಾರ ಕೆ್ಾ ರ್ ತುಮ್ಹ್ ೇಂ ಖುಶಿ ಜಾೇಂವ್‍ಲ್​್ ಪುರೊ ಮ್ಹ ಣ್ ರ‍್ರ್​್ಗ್ಶೇಂ ಮ್ಹ ಳೇಂ. ರ‍್ರ್ನ್ ಖರೆೇಂ ತುಜೇಂ ಉತಾರ್. ಹೊ ಸಭತ್ ಸುೇಂದರ್ ಘೊಡ್ ಹ್ಯೇಂವ್ಲೇಂ ಮಚೊವ ೇಂಚ್ಯೇಂತ್ ದುಭಾವ್‍ಲ್ ನಾ ಪೂಣ್ ಹ್ಯೇಂವ್‍ಲ್ ಉಪ್ೀಗ ಕರೊ್ ಾ ಪುರ‍್ ವಸುೆ ಪಯಯ ೇಂ ತುೇಂಚ್ಚ ಉಪ್ೀಗ ಕರ್​್ ಪಳೇಂವಿ್ ಸವಯ್ ಆಸ ನೇಂಯವ ? ಆತಾೇಂ ಹ್ಯಚೆರ್ ಏಕ್ ಪಾವಿ್ ೇಂ ಸವಾರ ಕರ್​್ ಯ ಮ್ಹ ಣ್ ಮ್ಹ ಣಲೊ ಮ್ೇಂತರ ಘಾಬರ ವ್‍ಲ್​್ ಅಯ್ಲಾ ೀ ನಾಕ್ಟ್. ಮ್ಹಹ ಕ್ಟ್ ಪಾರ ಯ್ ಜಾ್ಾ ; ಘೊಡ್ಟಾ ರ್ ಚಡ್ೇಂಕ್ ಜಾರ್​್ ೇಂ ಮ್ಹಹ ಕ್ಟ್ ಮ್ಹ ಳ್ಚ್ಾ ರೀ ರ‍್ರ್ನ್ ಸಡುೇಂಕ್ ನಾ. ಬ್ತಾ್ ರ‍್ನ್ ಮ್ೇಂತರ ಕ್ ಆನಿ ಘೊಡ್ ಹ್ಯಡ್ಯ ್ಾ ಕ್ ತಾಚೆರ್ ಬಸವ್‍ಲ್​್ ಧಾೇಂವಾ​ಾ ೇಂವ್‍ಲ್​್ ಸವಕ್ಟ್ೇಂಕ್ ತಾಣೇಂ ಫಮ್ಹ್ಯಯ ೇಂ. ಮ್ಹರ್ವಿ ಘೊಡ್

20 ವೀಜ್ ಕ ೊಂಕಣಿ

ವಾರ‍್ಾ ವ್ಲಗ್ಡನ್ ಧಾೇಂವ್ಲನ್ ರ‍್ರ್ನ್ ಅಜಾಪ್ ಪಾವ್ಲನ್ ಕೀಣ್ ದಗ್ಡೇಂಯ್ಣ್ ೀ ದರ್​್ೇಂತ್ ತುಮಿೇಂ? ಮೊಟೆ ಜಾವಾ್ ಸ್​್ಯ ಾ ತ್ ಉಡ್ಯ್​್ಗಯ . ಆತಾೇಂ ಕಸೇಂ ಭಾರಕ್ ಜಾ್ಾ ತ್? ದಾವಾ​ಾ ಪಾೇಂರ್ಚ್ಯ ಮೊಚ್ಯಾ ಚ್ೇಂ ಮ್ಹ ಣ್ ಸವಾಲ್ ಕೆಲೇಂ. ಉತಾರ ೇಂ ಸತ್ ಜಾಲಿೇಂ ಉಜಾ್ ಾ ಪಾೇಂರ್ಚ್ಯಾ ಮೊಚ್ಯಾ ಚ್ೇಂ ಉತಾರ ೇಂ ತಾಣೇಂ ಆಮಿೇಂ ಭಾವ್‍ಲ್ ಭಯ್ಣಿ ೇಂ ಪಾಕು್ೇಂಕ್ ರ‍್ರ್ನ್ ಸವಕ್ಟ್ೇಂ ರ‍್ರ್ಳ್ನ ಕುಟಾಯ ೇಂತಯ ೇಂ ತುಜೊ ಮುಕ್ಟ್ೇಂತ್ರ ಶಹ ರ‍್ಚ್ಯ ಮ್ಧೇಂ ಆಸ್ಲೊಯ ಮ್ೇಂತರ ಚ್ಚ ಆಮ್ಹ್ ಾ ರ‍್ಜಾ​ಾ ೇಂತೀ ಮ್ೇಂತರ ಪಾಜ ಫಾತರ್ ಉಕಯ ಯ್ಲಯ ತದಳ್ಚ್ ನಿತಳ್ನ ಜಾವಾ್ ಸ್ಲೊಯ . ಮ್ಹೇಂತರ ಕ್ಟ್ೇಂ ಉದಾ್ ಚ್ ಝರ್ ವಾಹ ಳೊನ್ ನೇಂಯ್ ಮುಕ್ಟ್ೇಂತ್ರ ಆಮ್ಹ್ ೇಂ ಓಕ್ ರಕ್ಟ್ಚೆ ಜಾಲಿ. ದುಕಳ್ನ ಪಯ್​್ ಸರೊಯ ಪಜ್ನ್ ಫಾೇಂಟೆ ಕೆಲಯ . ತಾಣೇಂ ರೂಕ್ ಜಾ್ಾ ರೀ ಉಗ್ಡೆ ಾ ಕ್ಟ್ಳ್ಚ್ಿ ನ್ ರ‍್ರ್ಚ್ ಪರ ಶ್ೇಂಸ ಆಮ್ಹ್ ೇಂ ಉಲೊವ್ಲಿ ೇಂ ಆನಿ ಉಡ್ಟಸಚ್ ಕೆಲಿ. ಪೂಣ್ ರ‍್ರ್ನ್ ತಾೇಂಚ್ ಸಕತ್ ಆಸ್ಲಿಯ . ತುಕ್ಟ್ ತಾಣೇಂ ಕತೇಂಯ್ಣೀ ಪರ ಶ್ೇಂಸ ಸ್ಟವ ೀಕ್ಟ್ರ್ ಕೆಲಿನಾ. ಆಪಾಿ ಚೊ ವಾಯ್ಾ ಕರ‍್​್ ಾ ಕ್ಟ್ಮ್ಹ ವವಿ್ೇಂ ಜೀವ್‍ಲ್ ವಾೇಂಚೊೇಂಕ್ ಆನಿ ದುಕಳ್ನ ಮ್ೇಂತರ ಚೊ ನಾಶ್ ಜಾಲೊಯ ಚ್ಚ ಆಮ್ಹ್ ೇಂ ಪಯ್​್ ಸರೊೇಂಕ್ ಆಪಾಯ ಾ ಮ್ನಾಿ ಾ ರೂಪ್ ಆಯಯ ೇಂ. ಮ್ಹ ಳೇಂ ತಾಣಿೇಂ ಪಾೇಂರ್ೇಂತಯ ಮೊಚೆಚ್ಚ್ ಕ್ಟ್ರಣ್ ರ‍್ಯ್ ತಾ​ಾ ಸುೇಂದರ್ ಚಲಿಯಸೇಂಗ್ಶೇಂ ಮ್ಹ ಣ್, ತ ನಿಕ್ಟ್ೊ ವ್‍ಲ್​್ , ಫು್ೇಂನಿ ಸಜವ್‍ಲ್​್ ಕ್ಟ್ಜಾರ್ ಜಾಲೊ. ತಚ್ಯಾ ಭಾವಾಕ್ ತಾೇಂಚ್ ಪೂಜಾ ಕೆಲಿ. ತಕ್ಷಣೇಂಚ್ಚ ಮೊಚೆ ಗೌರವಾನ್ ಆಪಾಯ ಾ ಸವ ೇಂತ್ ದೆೀಶಾಕ್ ಮ್ಹರ್ಕ್ ಜಾಲ. ತಾೇಂಚ್ಯ ಜಾಗ್ಡಾ ರ್ ಧಾಡ್ಯ . ಮೊಚೆ ತರ್ರ್ ಕರ್​್ ದಿ್ಯ ಾ ರ‍್ರ್ಳ್ನ ಕುಟಾಯ ಕ್ ಸವಾ್ಲಿಯ ಏಕ್ ಆಚ್ಯರಕ್ ಆಪವ್‍ಲ್​್ ರ‍್ರ್ಳ್ನ ಸಭತ್ ಸುೇಂದರ್ ಚಲಿ ಆನಿ ಏಕ್ ಮ್ರ್​್ದಿನ್ ಸನಾಯ ನ್ ಕೆಲೊ. ರ‍್ರ್ಳ್ನ ತನಾ್ಟ್ ಪರ ತಾ ಕ್ಷ್ ಜಾಲಿೇಂ.

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ಮೂಳ್ ಕಾದಂಬರಿ – ರಂಗಣ್ಿ ನ ರ್ನಸ್ವನ ದನಗಳು (ರ್ನನ ಡ್ ಮೂಳ್ – ಎಮ್ ಆರ್ ಶ್ರ ೀ)

ಕೇಂಕಿ ೇಂತ್ – ರೇಂಗಣಿ ಚೆ ಸಪಾಿ ೇಂತಯ ದಿೀಸ್ (ಸ್ವಟ ೀವನ್ಸ ಕಾಿ ಡ್ರ ಸ್ ಪ್ರ‍ಿ ದೆ

ಪ್ರ ರ್ರಣ್– 17 ಪ್ಲಾ​ಾ ಸಕ್ತಾ ಚಿ ವಳಕ್ ರೇಂಗಣಿ ಘರ್ ರಗ್ಡೆ ನಾ ಸಡ್ ಇಕ್ಟ್ರ , ತಾ​ಾ ವ್ಲತಾಕ್ ಆೇಂಗ ಘಾಮ್ಹನ್ ಥಾಪ್ಲ ಜಾಲಯ ೇಂ. ಸಕ್ಟ್ಳ್ಳೇಂ ನಾಹ ವ್‍ಲ್​್ ಸುಟ್ಟಲೊಯ ತರ ಪರ‍್ೆ ಾ ನ್ ನಾಹ ೇಂವಿ್ ಆಶಾ ವ್ಲಡ್ಟೆ ಲಿ. ವಸುೆ ರ್ ನಿಕ್ಟ್ೊ ವ್‍ಲ್​್ ಪುಡ್ವ ೇಂ ನ್ನಹ ಸುನ್ ತುವಾಲೊ ಘೆವ್‍ಲ್​್ ನಾಹ ೇಂವ್‍ಲ್​್ ವಚ್ಯಜ ಮ್ಹ ಣೆ ನಾ ಬಾಯ್ಯ ಕುಡ್ಟೇಂತ್ ರಗ್ಶಯ . ಬಾರೀಕ್ ಗರೆೇಂಚ್ಚ ಸಭೆ್ ೇಂ ಬಾಯ್ಯ ಆಜ್ ತಾೇಂಬಿ ಲಯ ೇಂ. ರ‍್ೇಂದೆ್ ಾ

ಕುಡ್ಟ ಥಾವ್‍ಲ್​್ ಆಯ್ಣ್ಯ ಾ ನ್ ಧಗ್ಶಕ್ ತಾೇಂಬಿ ್ೇಂ ಮ್ಹ ಳ್ಚ್ಾ ರ್ ಆಜ್ ಏಕ್ ಗ್ಶೀಟ್ಟ ತಾೇಂಬಾ್ ಣ್ ಚಡ್ಚ್ಚ ಆಸ. “ತ್ಲ ತುವಾಲೊ ಸಕಯ್ಯ ದವರ‍್. ಪಯಯ ೇಂ ಮ್ಹ ಜಾ​ಾ ಸವಾ್ೇಂಕ್ ಜಾಪ್ ದಿರ್, ತುಮಿ್ ಇನ್​್ ಪ್ಕಾ ರ್ಗ್ಶರ ಗೆಲಿ ಡ್ಬಾು ಾ ೇಂತ್” ತಣೇಂ ರ‍್ಗ ದಾಕಯ್ಲಯ . ರೇಂಗಣಿ ಕ್ ಬಾಯಯ ಚೆೇಂ ವರೆ ನ್ ಕಳೊ ೇಂ ನಾ. ‘ಸದಾರ್ಿ ತಕ್ಟ್ ರ‍್ಗ ಆಯ್ಣಲೊಯ ಚ್ಚ ನಾ. ರಪಾ್ ಸ್ ಉಲ್ಯ್ಣಲಯ ೇಂಚ್ಚ ನಾ. ಆಜ್ ಹ್ಯೇಂವ್‍ಲ್ ವ್ಲತಾೇಂತ್ ತಾಪುನ್ ಘರ‍್

22 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆರ್ಯ ಾ ರ್ ಹ್ಯಚೊ ಕತೇಂ ಹೊ ಅವಾೆ ರ್? ಝಗ್ಡಾ ಾ ಕ್ ದೆೇಂವಾಯ ೇಂ ತರ ಕತಾ​ಾ ?’ ಸವಾ್ಕ್ ಜಾಪ್ ಮಳೊೇಂಕ್ಟ್​್ . “ಅಶೇಂ ಕತಾ​ಾ ಸುೇಂಯ್ಣ್ ತಾಯ್ ಸಯ್ಣು ಣಿ? ಜಾಲೇಂ ತರೀ ಕತೇಂ?” ವಿಚ್ಯರೆಯ ೇಂ ತಾಣೇಂ. “ಜಾ್ೇಂಗ್ಶೀ ಜಾ್ೇಂ ಬೀಸ್ ಜಾ್ೇಂ, ಹ್ಯತಾೇಂತ್ ಅಧಿಕ್ಟ್ರ್ ಆಸ ಮ್ಹ ಣ್ ಬಾಯ್ಯ ಮ್ನಾಿ ೇಂಚೆರ್, ಮಸ್ಟೆ ರಣೇಂಚೆರ್ ದೇಂಡ್ ಘಾಲೊ್ ಗ್ಶ ತರ್?” ರೇಂಗಣಿ ಕ್ ಆತಾೇಂ ಕ್ಟ್ಣಿ ಸಗ್ಶೊ ಸಮ್ಹಿ ಲಿ. “ಸ್ಟೀತಮ್ಹಯ ನ್ ಯೀವ್‍ಲ್​್ ಸಗೆೊ ೇಂ ತುಜ್ಗ್ಶೇಂ ಸೇಂಗ್ಡಯ ೇಂ ಆಸೆ ೆ ಲೇಂ” ತಾಣ ದುಬಾವ್‍ಲ್ ಉಚ್ಯರೊಯ . “ಕತಾ​ಾ ಕ್ ಸೇಂಗ್ಶನಾೇಂಯ? ತುಮಿ ಬೂದ್ ನಾಸೆ ೇಂ ಕರೆ್ ೇಂ ಪೂರ‍್ ಕರೆಾ ತ್, ತಣೇಂ ಸೇಂಗ್ಳೇಂಕ್ನಜೊಗ್ಶ? ತಣ ಕೆಲಿಯ ರ್ಚಕ್ ತರ ಕತೇಂ? ಸ್ಟೆ ರೀ, ಅನಾಥ್, ವಿಧಿವ ದಿಕ್​್ ದಿಶಾ ನಾತಯ ಲಿ. ತುಮ್ಹ್ ಾ ಇ್ಖಾ​ಾ ೇಂತ್ ರಗ್ಳನ್ ಕ್ಟ್ೇಂಯ್ ಆಧಾರ್ ಜೊಡ್ಟಾ ೇಂ ಮ್ಹ ಳ್ಚ್ಾ ರ್ ಅಶೇಂ ಕರೆ್ ೇಂಗ್ಶ ತುಮಿ? ತಣ ಸೇಂಗ್ಳನ್ ಘೆವ್‍ಲ್​್ ರಡ್ಟೆ ನಾ ಮ್ಹಹ ಕ್ಟ್ಚ್ಚ ಪಾತಾ ೇಂವ್‍ಲ್​್ ಜಾೇಂವ್‍ಲ್​್ ನಾ. ತುಮಿ ತಸಯ ನಹ ೇಂಯ್ನ್ನ ಕಣಯ್ಣ್ ಜು್ಯ ನ್ ಘಾಲ್ ಮ್ನಿಸ್ ನಹ ೇಂಯ್, ಪೂಣ್ ತಣೇಂ ತುಮಿೇಂಚ್ಚ ರಜು ಕೆಲಯ ೇಂ ಆದೆೀಶ್ ಪತ್ರ ದಾಕಯಯ ೇಂ. ಪಯಯ ೇಂ ತ್ಲ ಜು್ಯ ನ್ ಮ್ಹಫ್ ಕರ‍್. ಮ್ಹಗ್ಶರ್ ತುವಾಲೊ ಕ್ಟ್ಣಘ ರ್”. “ಕಛೀರಚ್ಯಾ ಗಜಾಲಿೇಂನಿ ಘರ‍್​್ ಾ ಬಾರ್ಯ ೇಂನಿ ನಾಕ್ ರಗರ್​್ ೇಂಯ” ರೇಂಗಣಿ ಘುಸ್ ಡುನ್ ಮ್ಹ ಣಲೊ. “ದೆಕುನ್ೇಂಚ್ಚ ತುಮಿ ಹೆೇಂ ಅವಿವ್ಲೀಕ್ ಣ್ ದಾಕಯ್ಣಲಯ ೇಂ, ತುಮ್ ೇಂ ಅವಿವ್ಲೀಕ್ ಣ್ ತದುವ ೇಂಕ್ ಹ್ಯೇಂವ್ಲೇಂ ಯೀನಾಶೇಂ ಗ್ಡೇಂವಾ್ ಾ ೇಂನಿ ಯೇಂವ್ಲ್ ೇಂಗ್ಶ ತರ್? ಸ್ಟೆ ರೀರ್ೇಂಕ್ ಆಸ್ ೇಂ ಸಯರ ಣ್,

ಸಸ್ಟಿ ಕ್ಟ್ಯ್ ದಾದಾಯ ಾ ೇಂಕ್ ಯೀತ್ಗ್ಶೀ? ಕಛೀರ ವಾವಾರ ೇಂತ್ ಮ್ಹ ಜ ಸಲ್ಹ್ಯ ಮ್ಹಗಲಿಯ ಜಾ್ಾ ರ್ ಹ್ಯೇಂವ್‍ಲ್ ಖೇಂಡತ್ ಬರಚ್ಚ ಸಲ್ಹ್ಯ ದಿತೇಂ. ಸ್ಟೆ ರೀರ್ೇಂನಿ ಹ್ಯತ್ ಘಾಲಿನಾೇಂಯ ಖೇಂಯ್. ತುಮ್ಹ್ ಾ ಭುರ‍್ಾ ಾ ೇಂಕ್ ದೀನ್ ದಿೀಸ್ ಸುಧಾರ್ ೇಂಕ್ ತಾೇಂಕ್ಟ್ೆ ಗ್ಶ ತುಮ್ಹ್ ೇಂ. ಹ್ಯೇಂವ್ಲೇಂ ದಳ ಧಾೇಂಪ್ಯ ಉಪಾರ ೇಂತ್ ತುಮ್ಹ್ ೇಂ ಕಳ್ಚ್ೆ ತೇಂ”. ತಪ್​್ ೀನಹಳೊ ೇಂತಯ ೇಂ ದೃಶ್ಾ ದಳ್ಚ್ಾ ೇಂ ಮುಕ್ಟ್ರ್ ಯೀವ್‍ಲ್​್ ರೇಂಗಣಿ ಚೆೇಂ ಕ್ಟ್ಳ್ಳಜ್ ಆೇಂಕುಡ್ಯ ೇಂ. “ಅನಾಪತ್ೆ ಉಲ್ರ್​್ ಕ್ಟ್. ವಾಟೆರ್ ವ್ಲಚ್ಯಾ ವಾಗ್ಡ ಮ್ಹಹ ಕ್ಟ್ ಯೀವ್‍ಲ್​್ ಖಾಗ್ಡ ಮ್ಹ ಳೊ ಪರೇಂ ಜಾಯ್ೆ , ಮ್ಹಹ ಕ್ಟ್ಯ್ ತುಕ್ಟ್ಯ್ ಫಾರ್ೊ ಾ ಕ್ ನಾತ್​್ಯ ಾ ಉಲೊವಾಿ ಾ ಥಾವ್‍ಲ್​್ ವಾದ್ವಿವಾದ್ ಚಡ್ೆ ಆಸ” ವಿಕ್ಟ್ಳ್ನ ಘಡ್ಾ ೇಂಚೆರ್ ಕಸಯ ೇಂ ಉಲೊವ್ಲಿ ೇಂ ಚರೆಯ ೇಂ ಮ್ಹ ಣ್ ತ್ಲ ವಿರ‍್ರ್ ಜಾಲೊ. “ಪಳ ಜು್ಯ ನ್ ಘಾಲೊಯ ಹ್ಯೇಂವ್ಲೇಂ ನಹ ೇಂಯ್, ಸರ್ು ನ್, ತಾಚೆೇಂ ಆರಾ ರ್ ತಕ್ಟ್ ಹ್ಯೇಂವ್ಲೇಂ ಧಾಡ್ಟಯ ೇಂ ತತಯ ೇಂಚ್ಚ. ತ ದಿೀಸ್ ಸರ್ು ಸವ್ಲೇಂ ಸರ್ ಟ್ಟ ಗೆಲಯ ೇಂ, ಹ್ಯೇಂವ್ಲೇಂ ಸರೆ್ ೇಂ ಜವಿನಾತ್​್ಯ ಾ ಕ್ ತುವ್ಲೇಂ ವಿಚ್ಯರ್ಲಯ ೇಂ ಉಗ್ಡಾ ಸ್ ಆಸನ್ನ? ಸಯ್ು ಜು್ಯ ನ್ ಘಾಲೊ್ ನಾ ಮ್ಹ ಣ್ ಹ್ಯೇಂವ್‍ಲ್ ಪಾತಾ ಲೊಯ ೇಂ. ಪೂಣ್ ಅಶೇಂ ಜಾ್ೇಂ, ಎಕೆೀಕ್ ಪಾವಿಾ ೇಂ ‘ಬೊರ್ಯ ಕ್ ಯಣೊ ಯತಾತ್ ಮ್ಹ ಳೊ ಕೂಡ್ಯ ಘೊಟಾ​ಾ ೇಂತ್ ಬಾೇಂದ್’ ಮ್ಹ ಣ್ ದರವ ಡ ಪಾಟಾರ್ ಚಡ್ಟೆ ತ್, ಥೊಡ್ ತೀೇಂಪ್ ತಸಯ ಾ ೇಂ ಖಾಲ್ ವದಾ​ಾ ಡ್​್ ೇಂ ಪಡ್ಟೆ ”. “ತುಮಿ ಜು್ಯ ನ್ ಘಾಲೊಯ ನಹ ೇಂಯ್ಗ್ಶೀ? ಆತಾೇಂ ಮ್ಹ ಜ ಮ್ತಕ್ ಸಮ್ಹಧಾನ್ ಜಾಲೇಂ. ತುಮಿ ತಸಯ ನಹ ೇಂಯ್ ಮ್ಹ ಣ್ ಪರ‍್ಯ ಣ್ ಕರೆ್ ೇಂ ಧಯ್ರ ಮ್ಹಹ ಕ್ಟ್ ಆಸ

23 ವೀಜ್ ಕ ೊಂಕಣಿ

ತರ ತಣೇಂ ತುಮಿ ರಜು ಕೆಲಯ ೇಂ ಪತ್ರ ದಾಕರ್ೆ ನಾ ದುಬಾವ್‍ಲ್ ಜಾಲೊ. ದೀನ್ ಥರ್ ಆಸ್ ಾ ೇಂ ಸವ್ಲೇಂ ದಿೀಸ್ ಕ್ಟ್ಡ್​್ ಕಶ ಕಳೊ ೇಂ ನಾ. ಆತಾೇಂ ಸಮ್ಹಧಾನ್ ಜಾಲೇಂ. ತೇಂ ಆಸುೇಂ, ಇತಯ ೇಂ ಬೂದ್ ನಾತ್ಲೊಯ ತುಮೊ್ ಸಯ್ು ಕೀಣ್ ತ್ಲ? ಹ್ಯೇಂವ್‍ಲ್ ಡ್ಟಯರ ಕಾ ರ್ ಜಾ್ಾ ರ್ ಪಯ್ಣಲಯ ೇಂ ತಾಕ್ಟ್ ಕ್ಟ್ಮ್ಹೇಂತಯ ೇಂ ಕ್ಟ್ಡ್ಟೆ ೇಂ” “ತಾ​ಾ ಸರ್ು ೇಂಚೆೇಂ ಲಕ್ ಆಮ್ಹ್ ೇಂ ಕತಾ​ಾ ಕ್? ಫಾವ್ಲನಾತ್​್ಯ ಾ ಕ್ ಗೆರ ೀಸ್ೆ ಕ್ಟ್ಯ್ ಆರ್ಯ ಾ ರ್ ಮ್ಧಾ​ಾ ನ್ ರ‍್ತೇಂ ಸತರ ಧರ‍್ೆ ಖೇಂಯ್. ದೀನ್ ದಿೀಸ್ ಅಧಿಕ್ಟ್ರ‍್ರ್ ಉಸಳ್ಚ್ೆ ತ್. ಹ್ಯತಾ ಖಾಲ್ ಆಸಯ ್ಾ ೇಂಚೆ ಕಷ್ಾ ಸಮುಿ ನ್ ಘೆನಾೇಂತ್”. “ತಸಯ ಾ ದರವ ಡ್ಟಾ ೇಂಕ್ ಜವಾಬಾಧ ರೆಚೆೇಂ ಕ್ಟ್ರ್ಮ ದಿೇಂವ್ಲ್ ೇಂ ತರ ಕತಾ​ಾ ? ಸರ‍್​್ ರ‍್ನ್ ಚ್ೇಂತನಾಕ್ಟ್ಗ್ಶ? ಎಕ್ಟ್ ಚ್ೀತ್ ನಾತಯ ್ಾ ನಿಮಿೆ ೇಂ ಕತಾಯ ಾ ಜಣೇಂಕ್ ತೇಂಟೆ ತ್ಲೇಂದೆರ ”. “ತಶೇಂ ಸಕ್ ಡ್ ಸರ‍್​್ ರ‍್ೇಂತಾಯ ಾ ೇಂಕ್ ದುರ್ ೇಂಕ್ ವಚ್ಯನಾಕ್ಟ್ ಆಮ್ ೇಂ ಉಲೊವ್ಲಿ ೇಂ ಕಣಯ್ ಾ ಕ್ಟ್ನಾೇಂತ್ ಪಡ್ಟಯ ಾ ರ್ ಭೇಂಗ ಜಾತಲ. ಆಜ್ ತುಕ್ಟ್ ಇತ್ಲಯ ಕೀಪ್ ತರ ಕಸ ಚಡ್ಟಯ , ಹೊ ರ‍್ಗ ತುಜ ಥೇಂಯ್ ಆಸ್ಲೊಯ ಹ್ಯೇಂವ್ಲೇಂ ಪಳೇಂವ್‍ಲ್​್ ಚ್ಚ ನಾ” “ತುಮ್ಹ್ ೇಂ ಕತೇಂ ಭೇಂಗ ಜಾತಲ ತೇಂ ಪಯಯ ೇಂ ಸೇಂಗ್ಡ, ಕ್ಟ್ಮ್ಹೇಂತಯ ೇಂ ಕ್ಟ್ಡ್ೆ ಲಗ್ಶ? ಕ್ಟ್ಡುೇಂದಿತ್. ಬೂದ್ ಘಟ್ಟ ಆಸಯ ಲ ಕಶೇಂಯ್ ದಿೀಸ್ ಕ್ಟ್ಡ್ಟೆ ತ್. ತುಮ್ಹ್ ಾ ಬುದಿಕ್ ಹ್ಯೇಂತಯ ಚ್ಯರ್ ವಾೇಂಟೆ ಸೇಂಪಾದನ್ ಕರೇಂಯತಾ. ಸರ‍್​್ ರ್ ಮ್ಹ ಳ್ಚ್ಾ ರ್ ಫಕತ್ೆ

ದಾದಾಯ ಾ ೇಂಚೆೇಂ ದರ‍್ು ರ್ ಜಾವ್‍ಲ್​್ ಗೆ್ೇಂ. ಉಣಾ ರ್ ಏಕ್ ಸ್ಟೆ ರೀ ಥೇಂಯ್ ರ್ ಆಸ್ಲಿಯ ಜಾ್ಾ ರ ಅಶೇಂ ಸಕ್ ಡ್ ಜಾತೇಂ ನಾ. ಸರ‍್​್ ರ್ ಬುದವ ೇಂತಾ್ ಯನ್ ಚಲೊೆ ಆಸ್ಲೊಯ ” “ಬಾರ್ಯ ೇಂಚ್ ಬೂದ್ ಧೊೇಂಪಾರ ಸಕಯ್ಯ , ಬಾರ್ಯ ೇಂನಿ ರ‍್ಜ್-ಆಡ್ಳೆೇಂ ಚಲ್ಯ್ಣಲಯ ಪರೇಂ ಆಸಗ್ಶೀ?” ರೇಂಗಣಿ ಮ್ಸ್ ರ ಕರ್​್ ಉಲ್ಯ್ಲಯ . “ಬಾರ್ಯ ೇಂ ಮ್ಹ ಳೊ ಕೂಡ್ಯ ಧೊೇಂಪಾರ ಸಕಯ್ಯ ಆನಿ ಖೇಂಚ್ಯಾ ವಯ್ರ ಮ್ಹ ಣ್ ಸುರ‍್ವ ತಾೆ ತ್. ಹ್ಯತ್ ಧರ್​್ಯ ಾ ಬಾಯಯ ಭುರ‍್ಾ ಾ ೇಂಕ್ಚ್ಚ ಖೆಳ್ಚ್ೇಂತ್ ಆಡ್ವ್‍ಲ್ ದವರೆ್ , ಸತ್ ಮ್ಹ ಯ್ ಭರ್​್ಯ ಾ ಗ್ಳರ‍್ವ ರಕ್ ರ‍್ನಾಕ್ ಧಾಡ್​್ ಮ್ನಿಸ್ ತುಮಿ, ವಹ ಡ್ಯ ವಹ ಡ್ಯ ಪೇಂಡತ್ ಮ್ಹ ಣ್ ಪ್ಲೀಸ್ ಮ್ಹರ‍್ೆ ತ್. ದಾದಾಯ ಾ ನ್ ದಾಕೇಂವ್ಲ್ ೇಂ ಮೂರ್​್ ಪಣ್ ಸಕ್ ಡ್ ಸಸುನ್ ಬಾಯಯ ನ್ ಘರ್ ಚಲ್ಯಿ . ಆಮ್ ತಸ್ಾ ಬಾರ್ಯ ೇಂ ನಿಮಿೆ ೇಂ ಪಾವ್‍ಲ್​್ ವ್ಲೀತ್ ಶಿಸೆ ನ್ ಯತಾತ್. ತಾಚೆ ವಯ್ರ ಬಾರ್ಯ ೇಂ ಬಾರ್ಯ ೇಂ ಮ್ಹ ಣ್ ಕ್ರ್ೆ ತ್. ಖರ‍್ಾ ನ್ ತುಮಿ್ ತಕಯ ಚ್ಚ ಆಡ್ ಭೇಂವಾೆ . ದೆಕುನ್ೇಂಚ್ಚ ್ಹ ನ್ ಣರ್ ಆವಯ್ ಜಾಯಿ , ಪಾರ ಯಕ್ ಯತಾನಾ ಬಾಯ್ಯ ಆನಿ ಮ್ಹತಾರ್ ಣರ್ ಸುನ್ ಜಾಯ್, ನಾ ತರ್ ತುಮ್ ೇಂ ಚಲ್ ೇಂ ನಾ. ತೇಂ ಮೊರೇಂದಿ, ಹ್ಯೇಂವ್‍ಲ್ ಏಕ್ ಸವಾಲ್ ವಿಚ್ಯರ‍್ೆ ೇಂ ಜವಾಬ್ಸ ದಿರ್. ತುಮ್ ಅಧಿಕ್ಟ್ರ ಸಕ್ ಡ್ ದಾದೆಯ ಚ್ಚ ಕತಾ​ಾ ಕ್ ಆಸಜ?” “ಇಲಯ ಶೇಂ ಸಮ್ಹಧಾನ್ ಘೆ ಸಯ್ಣು ಣಿ. ತಾ​ಾ ಸವಾ್ೇಂಕ್ ಪೂರ‍್ ಜಾಪ್ಲ ದಿೀೇಂವ್‍ಲ್​್ ಮ್ಹಹ ಕ್ಟ್ ತಾೇಂಕ್ ನಾ. ಸ್ಟೆ ರೀಯ್ಲ ವಹ ಡ್ ಸೇಂಕ್ಟ್ಾ ೇಂತ್ ಸುಶಿಕಿ ತಾೇಂ ಜಾವ್‍ಲ್​್

24 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮುಕ್ಟ್ರ್ ಯತತ್ ತರ್ ತ ದಿೀಸ್ಯ್ಣೀ ಪಯ್​್ ನಾೇಂತ್” ಸಮ್ಿ ಯಯ ೇಂ ರೇಂಗಣಿ ನ್. “ಮುಖಾ ಕ್ಟ್ರಣ್ ಹ್ಯೇಂವ್‍ಲ್ ಸೇಂಗ್ಡೆ ೇಂ. ತುಮ್ಹ್ ೇಂ ದಾದಾಯ ಾ ೇಂಕ್ ಸ್ಟೆ ರೀರ್ೇಂಕ್ ಗವರ ವಾನ್ ಪಳಯಿ ಮ್ಹ ಳ್ಳೊ ದಿೀಷ್ಾ ಚ್ಚ ನಾ. ಬಿಎ, ಎೇಂಎ, ಡಗ್ಶರ ಕೆಲಯ ಕೂಡ್ಯ ಜಾಲೇಂಗ್ಶ?” ತಚೊ ವಾದ್ ತ್ಲಚ್ಚ. “ಯೀ ದೆವಾ ಆಜ್ ಧಾವಾ​ಾ ನ್ ಉಟ್ಯ ೇಂಗ್ಶೀ ಕತೇಂ? ಮ್ಹ ಜ ಗ್ಡರ ಚ್ಯಾ ರ್ ಸುಟೇಂವ್‍ಲ್​್ ಬಸಯ ೇಂಯ್ ತುೇಂ. ಆತಾೇಂ ಹ್ಯೇಂವ್‍ಲ್ ನಾಹ ವ್‍ಲ್​್ ಯತಾೇಂ ಸಯ್ಣು ಣಿ. ಪ್ಲೀಟ್ಟ ಭುಕೆ್ೇಂ. ವಾಡ್ಟೆ ಯ್ ಪುಣಿೇಂಗ್ಶ?” ರೇಂಗಣಿ ಮೊವಾಳೊ​ೊ . “ತೇಂ ಬಾವ್ಲಾ ೇಂ ಬಾಯ್ಯ ಕ್ಟ್ಲ್ ಥಾವ್‍ಲ್​್ ಶಿತ್ನಾಸೆ ನಾ ವದಾೊ ಡ್ಟೆ ಮೂ? ಹ್ಯೇಂಗ್ಡ ಪರ‍್ಾ ೇಂತ್ ಬಾರ‍್ ಮ್ರ್ಯ ೇಂ ಚಲ್ಬನ್ ಆರ್ಯ ೇಂ. ತಾಚ್ಯಾ ಕಷ್ಟಾ ೇಂಕ್ ಪರಹ್ಯರ್ ಪಯಯ ೇಂ ದಿರ್. ಮ್ಹಗ್ಶರ್ ತುಮ್ ೇಂ ನಾಹ ಣ್, ಜವಣ್”. “ಆತಾೇಂ ತೇಂ ಖೇಂಯ್ ಆಸ?” ಕ್ಟ್ಲ್ಬಬುಲೊ ಜಾವ್‍ಲ್​್ ರೇಂಗಣಿ ನ್ ವಿಚ್ಯರೆಯ ೇಂ. “ರ‍್ೇಂದಾ್ ಾ ಕುಡ್ಟೇಂತ್ ಆಸ” ತಣ ಜಾಪ್ ದಿಲಿ. “ಹೆೇಂ ಕತೇಂ ಕೆಲೇಂಯ್ ತುವ್ಲೇಂ? ಆಮಿ್ ೇಂ ಉತಾರ ೇಂ ತಾಕ್ಟ್ ಆರ್​್ ಲಿೇಂಮೂ? ಮ್ಹ ಜ ಮ್ರ‍್ಾ ದ್ ಕ್ಟ್ಡಯ ಯ್ ಪಯಯ ೇಂಚ್ಚ ಸೇಂಗ್ಳೇಂಕ್ ನಜೊಗ್ಶ?” “ಆರ್​್ ್ಯ ಾ ೇಂತ್ ಕತೇಂ ರ್ಚಕ್ ಆಸ? ಹೆೇಂ ಕ್ಟ್ೇಂಯ್ ಘುಟಾಚೆೇಂಗ್ಶೀ?” “ಆತಾೇಂ ತಚೆರ್ ಘಾಲೊಯ ಜು್ಯ ನ್ ಹ್ಯೇಂವ್ಲೇಂ ಕ್ಟ್ಡ್​್ ಪರೇಂ ನಾ. ತ್ಲ ಸರ್ು ನ್ ಘಾಲೊಯ . ತಾಕ್ಟ್ ಶಿಫಾರಸ್ ಕರೆಾ ತ್. ಸರ್ು ಕ್ ಬಿರೊಯ ತ್ ಯೀವ್‍ಲ್​್ ಜು್ಯ ನ್ ರದ್ಧ ಕೆ್ಾ ರ ಕೆಲೊ. ಖೇಂಚ್ಯಾ ಕ ಅರಿ ದಿೀೇಂವಿೊ . ತಾ​ಾ ದಿೀಸ್ ತಾ​ಾ

ಬಾಯಯ ಚ್ಯಾ ಪಕೆಿ ನ್ ಉಲ್ಯ್ಣ್ಯ ಾ ಕ್ ಮ್ಹಹ ಕ್ಟ್ಚ್ಚ ಗ್ಡಳ್ಳ ಮಳ್ಚ್ೊ ಾ ತ್. ತೇಂ ಸಕ್ ಡ್ ತುಕ್ಟ್ ಕಳ್ಚ್ನಾ”. “ತುಮಿೇಂಚ್ಚ ತಕ್ಟ್ ಧಯ್ರ ಸೇಂಗ್ಡ, ಬಾವ್ಲಾ ೇಂ ಭಯ್ೇಂ. ಜಣಾ ೇಂತ್ ಸಭಾರ್ ಭೇಂಗಸಾ ಳ್ನ ಫುಡ್ ಕೆ್ಾ ತ್. ತಚೆೇಂ ವಾಕೂಯ ಲ್ ಆಯು್ ನ್ ಮ್ಹಹ ಕ್ಟ್ ಎಕೊ ರ್ಮ ಬಜಾರ್ ಜಾಲೇಂ. ಸೇಂಸರ‍್ೇಂತ್ ಅಶೇಂಯ್ ಅನಾ​ಾ ಯ್ ಆಸಗ್ಶ? ಹಿಚ್ ರಜು ಕ್ಟ್ಣಘ ವ್‍ಲ್​್ ಘೊವಾಚ್ ಆಸ್ೆ ಸಕ್ ಡ್ ಗ್ಶೀಳ್ನ್ ಘಾ್ಾ ಮ್ಹ ಳ್ಚ್ಾ ರ್. ಸೇಂಸರ‍್ೇಂತ್ ಸಲ್ವ ್ಾ ರ್ ಇಷ್ಾ ನಾೇಂತ್. ಸ್ಟೆ ರೀರ್ೇಂಕ್ ಸೇಂಬೇಂಧಿ ನಾೇಂತ್. ತೇಂ ಎಕ್ಚ್ಚ ಗ್ಳ್ರ್ಮ ರ್ ಚೆಡ” “ಕಣೇಂಗ್ಶೀ ಥೊಡ್ಟಾ ೇಂನಿ ಕರ‍್​್ ಾ ಅನಾ​ಾ ರ್ಕ್ ಸಗ್ಡೊ ಾ ದಾದಾಯ ಾ ಸೇಂತತಕ್ ವ್ಲ್ರ್​್ ಕ್ಟ್ ತುೇಂ. ಆತಾೇಂ ತಕ್ಟ್ ಆಪಯ್, ಹ್ಯೇಂಗ್ಡಚ್ಚ ಜೀೇಂವಿೊ , ಖೇಂಯ್ ರ‍್ವಾೆ ಖೇಂಯ್ ತ? ಸಯ್ಣರ ೇಂ ಕಣಿ ಆಸತ್ಗ್ಶೀ?” ರೇಂಗಣಿ ನ್ ಹುಸ್ ದಾಕಯ್ಲಯ . “ಪರ‍್ೆ ಾ ನ್ ಪರ‍್ೆ ಾ ನ್ ಸರ್ರ ಾ ೇಂಚೊ ವಿಷಯ್ ಕ್ಟ್ಡ್ಟೆ ತ್! ತಾ​ಾ ದುಷ್ಟಾ ಾ ೇಂಚ್ಯಾ ಬಾಗ್ಡಯ ರ್ ವಚುನ್ ಮ್ಹಹ ಕ್ಟ್ ಜು್ಯ ನ್ ಪಡ್ಟಯ ಮ್ಹ ಣ್ ರಡ್​್ ಪರೇಂ ಆಸಗ್ಶ? ಹ್ಯೇಂವ್ಲೇಂಚ್ಚ ತಕ್ಟ್ ಸಮ್ಹಧಾನ್ ಕೆಲೇಂ. ನಾಹ ವ್‍ಲ್​್ ಬರೆೇಂ ಜೀವ್‍ಲ್​್ ವಿಶಾರ ೇಂತ್ ಕ್ಟ್ಣಘ ಮ್ಹ ಳ್ಚ್ಾ ರ್ ವಹ ಡ್​್ ಣ್ ದಾಕೇಂವ್‍ಲ್​್ ಆಯ್ಣಯ , ತಶೇಂ ಜವಿನಾಶೇಂ ರ‍್ವಿ​ಿ ತರ್ ಹ್ಯೇಂವ್‍ಲ್ ಜು್ಯ ನ್ ವಜಾ ಕರೇಂಕ್ ಶಿಫಾರಸ್ ಕರ್ ನಾ ಮ್ಹ ಳೇಂ. ಪಾರ್ೇಂಕ್ ಪಡಯ . ‘ಬಾರ‍್ ಮ್ರ್ಯ ೇಂ ಚಲ್ಬನ್ ಆರ್ಯ ಾ ೇಂ ಮ್ಹ ಜರ್ ಬಿರೊಯ ತ್ ಪಾವ್‍ಲ್’ ಮ್ಹ ಣ್ ನಾಹ ೇಂವ್‍ಲ್​್ ಫಳ್ಚ್ಹ ರ್ ಕರ್​್ ಬಸಯ ಾ ”. ರೇಂಗಣಿ ಚ್ಯಾ ಬಾಯಯ ನ್ ಭತರ್ ವಚುನ್ ಸ್ಟೀತಮ್ಹಯ ಕ್ ಆಪವ್‍ಲ್​್ ಹ್ಯಡ್ಯ ೇಂ.

25 ವೀಜ್ ಕ ೊಂಕಣಿ

“ಇನ್​್ ಪ್ಕಾ ರ‍್ ಮುಕ್ಟ್ರ್ ವಿನವಿ​ಿ ಕರ್. ಕರೇಂಕ್ಟ್​್ ತರ್ ಮ್ಹ ಜ ರ್ಚಕ್ ನಾ” ರಡ್​್ ೇಂ, ಪ್ಲೇಂರೊಾ ೇಂಚೆೇಂ ನಾಕ್ಟ್, ‘ಅರಿ ಕಳಯಯ ೇಂ ರೇಂಗಣಿ ನ್ ಬರವ್‍ಲ್​್ ದಿ’ ಮ್ಹ ಣತ್. ಜಾಯ್ೆ ದಿತಾೇಂ “ತುವ್ಲೇಂ ಶಿಫಾರಸ್ ಕೆ್ಾ ರ್ ಖೇಂಡತ್ ಜು್ಯ ನ್ ಕ್ಟ್ಡ್ಯಿ ಮ್ಹ ಣ್ ಸೇಂಗ ಮ್ಹಫಿ ಜಾತಾ. ತುಜರ್ಚ್ಚ ಪಾತಾ ವ್‍ಲ್​್ ತತಯ ೇಂಚ್ಚ” ತಚೆೇಂ ಆಯ್ಲ್ ನ್ ಸ್ಟೀತಮ್ಹಯ ಆರ್ಯ ಾ ೇಂ” ರಡಯ ತ. “ಅರೆಿ ಚೆೇಂ ಒಕ್ ಣ ರೇಂಗಣಿ ಮುಕ್ಟ್ರ್ ಯೀವ್‍ಲ್​್ ನಮ್ಸ್ ರ್ ತೇಂ ಸೇಂಗ್ಳನ್ ದಿತಾ. ಪಯ್​್ ಥಾವ್‍ಲ್​್ ಘಾಲ್​್ ರ‍್ವಿಯ . “ಜು್ಯ ನ್ ಹ್ಯೇಂವ್ಲೇಂ ಆರ್ಯ ಾ ಯ್ ಆತಾೇಂ ಸಮ್ಹಧಾನ್ ಕರ್​್ ಘಾಲೊಯ ನಹ ೇಂಯ್. ಸರ್ು ನ್ ಘಾಲೊಯ . ಜೀವ್‍ಲ್​್ ವಿಶಾರ ೇಂತ್ ಘೆ” ಮ್ಹ ಣಲೊ ತುಮಿೇಂಯ್ಣ ತಶೇಂಚ್ಚ ಸರೆ್ ೇಂ ವಾಚುನ್ ರೇಂಗಣಿ . ಇಸ್ ್ಕ್ ವಚ್ಯನಾೇಂತ್”. “ಪುರ‍್ಸಣ್ ಜಾ್ಾ ರ್ ಕರೆ್ ೇಂ ಕತೇಂ? ಧಾ “ಆನಿ ಮುಕ್ಟ್ರ್ ಸರೆ್ ೇಂ ವಾಚುನ್ ಜಣ ಮುಕ್ಟ್ರ್ ಅಕ್ಟ್ಯ ನಾೇಂತ್ ಇಸ್ ್ಕ್ ವ್ಲತಾೇಂ ಹ್ಯಾ ಪಾವಿಾ ೇಂ ಪಡ್​್ ಪರೇಂ ಜಾಲೇಂ ನ್ನ ಮ್ಹ ಣ್ತನ್ ಖೇಂತ್ ಭಗ್ಳ್ ನ್ ಜು್ಯ ನ್ ಮ್ಹಫಿ ಕರಯಿ ” ಜಾಲಿಯ . ಮ್ಹ ಜೇಂ ಸುಖ್ದೂಕ್ ಸಗೆೊ ೇಂ ಮ್ಹ ಣ್ ತಣೇಂ ಆಡ್ೊ ಸ್ ಮ್ಹಗಯ . ತುಮ್ ಮುಕ್ಟ್ರ್ಚ್ಚ ಸೇಂಗ್ಡಾ ೇಂ ಮ್ಹ ಣ್ “ಜಾೇಂವಿೊ ತುೇಂ ಏಕ್ ಅರಿ ಬರವ್‍ಲ್​್ ದಿ. ದಡ್ು ಡುನ್ ಆಯ್ಣಯ ೇಂ”. ಶಿಫಾರಸ್ ಕರ್​್ ಧಾಡ್​್ ದಿತಾೇಂ. “ಬರೆೇಂ ತರ್ ಭತರ್ ವಚ್ಚ” ಎಕ್ಟ್ದವ್ಲಳ್ಚ್ ಸರ್ು ನ್ ಜು್ಯ ನ್ ರದ್ೊ -----------------------------------------------------------------------------------------ಸಂಗರ ಹ್ – ಗ್ತೊ ಾ ಡಿಸ್ ಕಾಿ ಡ್ರ ಸ್ ಪ್ರ‍ಿ ದೆ

11. ಟೊಮೆಟೊ ಸೂಪ್ ಜಾಯ್ಪಡ್​್ ಾ ವಸುೆ : 6 ಪ್ಲಕೆ ಟ್ಮಟ್ ಮಿೀಟ್ಟ ರಚ್ ತಕದ್ ಏಕ್ ಚ್ಯಹ ಚೆೇಂ ಕುಲರ್ ಮ್ರ್ೊ ಪ್ಲೀಟ್ಟ, ಕ್ಟ್ಲೊ ೇಂ ಕಪ್ ದೂದ್ ಪ್ಲಟ್ ಕರೇಂಕ್ : ಏಕ್ ಚ್ಯಹ ಚೆೇಂ ಕುಲರ್ ಕನಿ್ ರ್ ಕ್ಟ್ಲೊ ೇಂ ಚ್ಯಹ ಚೆೇಂ ಕುಲರ್ ಜರೆೇಂ 26 ವೀಜ್ ಕ ೊಂಕಣಿ

ಅರೆೊ ೇಂ ಚ್ಯಹ ಚೆೇಂ ಕುಲರ್ ಮಿರೇಂ ಏಕ್ ತಕೆ ಸಲಿಚೊ ಕುಡ್​್ 3-4ಲ್ೇಂವಾ​ಾ ೇಂ. ಸಕ್ ಡ್ ತ್ಲವಾ​ಾ ರ್ ಭಾಜುನ್, ಕ್ಟ್ಲೊ ೇಂ ಚ್ಯಹ ಚೆೇಂ ಕುಲರ್ ಹಳ್ಳೊ ಪ್ಲಟ್ ಘಾಲ್​್ ಪ್ಲಟ್ ಕರ್. ಫೊಣಿ ಕ್ : ಏಕ್ ಕುಲರ್ ತೂಪ್, ಏಕ್ ಶಿೇಂದ್ಲೊಯ ಪ್ಲರ್ವ್‍ಲ್ ಕರ್

ರೀತ್ : ಟ್ಮಟ್ ಧುೇಂವ್‍ಲ್​್ ಖತ್ ತಾ​ಾ ಉದಾ್ ೇಂತ್ ಘಾಲ್​್ ದೀನ್ ಮಿನುಟಾೇಂ

ದವರ್​್ ಸಲ್ ಕ್ಟ್ಡ್​್ ಮುರಾ . ಮುರಾ ್ಯ ಾ ಟ್ಮಟಾ​ಾ ಕ್ ಚ್ಯಾ ರ್ ಕಪಾೇಂ ಉದಕ್, ಪ್ಲಟ್, ಮಿೀಟ್ಟ ಘಾಲ್​್ ಅರೆೊ ೇಂ ವ್ಲರ್ ಉಕಡ್ಟಯ ಾ ಉಪಾರ ೇಂತ್ ಮ್ರ್ೊ ಪ್ಲೀಟ್ಟ ದುದಾೇಂತ್ ಖಿರೊವ್‍ಲ್​್ ಏಕ್ ಖತ್ ತ್ಲ ಕ್ಟ್ಡ್. ಆಕೆೀರಕ್ ತೂಪ್ ತಾಪವ್‍ಲ್​್ ಪ್ಲರ್ವಾಚೆೇಂ ಫೊಣ್ಿ ದಿ.

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ಅರ್ಿ ರಚಿಂ ಕಾರಣಂ-24 ಎಚ್. ಜ. ಗೀವ್ಣಯಸ್

ಮ್ಬಾಯ್ೊ ಲಿಪ್ಯ್ಲ್ೊ ಾ ಕ್...

ಮ್ಧಾ ಪರ ದೆೀಶಾೇಂತಾಯ ಾ ಜಬಲ್ಪೂರ್ ಮ್ಹ ಳ್ಚ್ೊ ಾ ಗ್ಡೇಂವಾೇಂತ್, ಸೇಂಜಯ್ ವಿೀರ್ ಪರ ಸದ್, ಡಗೆರ ಚೆೇಂ ಶಿಕ್ಟ್ಪ್ ಸೇಂಪೆ ಚ್ಚ, ಬಾಪಾಯ್ ಾ ಖುಶಪರ ಕ್ಟ್ರ್, ಇೇಂಡಯನ್ ಆಮಿ್ೇಂತ್ ಭತ್ ಜಾೇಂವ್‍ಲ್​್ ಗೆಲೊ. ಶಿಕ್ಟ್ಪ್ ಆಸ್ ಸೇಂಗ್ಶೇಂ ಕುಡನ್ ್ೇಂಬ್ಸದಿೀಗ ಆಸನ್, ಕಸರ ತ ತ್ಲ ಜಾವಾ್ ಸ್​್ಯ ಾ ನ್, ಕೂಡ್ಯ ಚ್ಚ ತಾಚೆೇಂ

ಸಲಕ್ಷನ್ ಜಾವ್‍ಲ್​್ ತಾಕ್ಟ್, CDS (Combined Defense Services Exam)-ಕ್ ಧಾಡ್ಯ ೇಂ. ಪರಕೆಿ ೇಂತ್ ಉತೆ ೀಣ್​್ ಜಾ್ಯ ಾ ಸೇಂಜರ್ಕ್ ಫುಡ್ಟಯ ಾ ಟೆರ ೈನಿೇಂಗ್ಡಕ್ಯ್ಣ ಧಾಡ್ಯ ೇಂ. ಟೆರ ೈನಿೇಂಗ ಮುಗೊ ನ್ ಆಯ್ಣಲೊಯ ಸೇಂಜಯ್, ಲಫಿಾ ನ್ನೇಂಟ್ಟ ಆಫಿಸರ್ ಜಾವ್‍ಲ್​್ ಆಮಿ್ೇಂತ್ ಕ್ಟ್ರ್ಮ ಕರೇಂಕ್ ್ಗಯ .

27 ವೀಜ್ ಕ ೊಂಕಣಿ

ಫುಡ್ಟಯ ಾ ಚ್ಯರ್ ವರ‍್​್ ೇಂನಿ ಸೇಂಜಯ್​್ ಕೆಪಾ ನಾಚ್ಯಾ ಹುದಾಧ ಾ ಕ್ ನ್ನೀಮ್ಕ್ ಕೆಲೊ. ೨೮ ವರ‍್​್ ೇಂಚೆ ಪಾರ ಯರ್, ೨೦೦೪-ೇಂತ್ ಸೇಂಜಯ್ ವಿೀರ್ ಪರ ಸದ್, ಪರ ಮಿೀಳ್ಚ್ ಶಿರ ೀವಾತ್ ವ್‍ಲ್ ಮ್ಹ ಳೊ ಾ , ೨೧ ವರ‍್​್ ೇಂಚೆ ಬರ‍್ಾ ಕುಟಾಯ ೇಂತಯ ಾ ಚಲಿಯಸೇಂಗ್ಶೇಂ ಲ್ಗ್ಡ್ ೇಂತ್ ಎಕವ ಟ್ಯ . ಪರ ಮಿೀಳ್ಚ್ ಪಳೇಂವ್‍ಲ್​್ ಭೀವ್‍ಲ್ ಆಕಶಿ್ತ್ ಆನಿ ಸಭಾಯಚ್ ಇಮ್ಹಜ್ ಜಾವಾ್ ಸ್ಲಯ ೇಂ. ತೇಂಯ್ಣ ಆಪ್ಯ ೇಂ ಗ್ಡರ ಾ ಜೂವ್ಲೀಶ್ನ್ ಸೇಂಪವ್‍ಲ್​್ , ಘರ‍್ಚ್ಚ ಆಸ್ಲಯ ೇಂ ಆನಿ ತಾಕ್ಟ್ ಸೇಂಜಯ್ಣ್ ಸೈರಕ್ ಆಯ್ಣಲಿಯ . ಕ್ಟ್ಜಾರ‍್ಕ್ ದೀನ್ ಮ್ಹಿನಾ​ಾ ೇಂಚ್ ರಜಾ ಘೆವ್‍ಲ್​್ ಆಯ್ಣಲೊಯ ಸೇಂಜಯ್, ಆಪಾಯ ಾ ಹೊಕೆಯ ಕ್ ಘೆವ್‍ಲ್​್ ಸಭಾರ್ ಸುೇಂದರ್ ಜಾಗ್ಡಾ ೇಂನಿ ಹನಿಮೂನಾಕ್ ಗೆಲೊಯ . ಏಕ್ ಘಡಯ್ಣ ಹೊಕೆಯ ಕ್ ತಾಣೇಂ ಆಪಾಿ ಥಾವ್‍ಲ್​್ ಪಯ್​್ ಸಡುೇಂಕ್ ನಾತ್ಲಯ ೇಂ. ರಜಾ ಮುಗೊ ನ್ ಪಾಟೇಂ ಕ್ಟ್ಮ್ಹಕ್ ಗೆ್ಯ ಾ ಸೇಂಜಯ್​್ , ಥೊಡ್ಟಾ ಚ್ಚ ದಿಸೇಂನಿ, ಪರ ಮಿೀಳ್ಚ್ ಆವಯ್ ಜಾೇಂವ್‍ಲ್​್ ಆಸ್ ಾ ಸೇಂತ್ಲೀಸಚ್ ಖಬಾರ್ ಮಳ್ಳೊ . ಸೇಂಜಯ್ ಭೀವ್‍ಲ್ ಸೇಂತ್ಲಸಯ . ಪರ ಮಿೀಳ್ಚ್ಕ್ ಏಕ್ ದಿೀಸ್ಯ್ಣ ಫೊನ್ ಕರೇಂಕ್ ಚುಕ್ಟ್ನಾತ್ಲೊಯ . ಕ್ಟ್ೇಂಯ್ ಕ್ಟ್ಮ್ಹನ್ ತಾಕ್ಟ್ ಪುಸ್ತ್ ್ಭಯ ನಾ ತರ್, ರ‍್ತಾ್ ಾ ಮೊಧಾ​ಾ ಹೆ್ ರ್ಯ್ಣ ಹೊಕೆಯ ಕ್ ಫೊನ್ ಕರನ್ ತಚ್ ಭ್ಯ್ಣ್ ವಿಚ್ಯರೂನ್ ಧೊಸೆ ಲೊ. ಅಶೇಂ ಜಾವಾ್ ಸ್ಲಯ ೇಂ ಹ್ಯೇಂಚೆೇಂ ಮೊೀಗ ಭರ್ಲಯ ೇಂ ಕ್ಟ್ಜಾರ ಜೀವನ್. ಪಯ್​್ ಆಸನ್ಯ್ಣ ಎಕ್ಟ್ಮಕ್ಟ್ಚ್ಯಾ ಕ್ಟ್ಳ್ಚ್ಿ ೇಂತ್ ಹಿೇಂ ಜಯತಾಲಿೇಂ.

2005-ೇಂತ್ ಜೂ್ರ್​್ ಾ 8ತಾರಕೆರ್,

ಪರ ಮಿೀಳ್ಚ್ನ್ ಎಕ್ಟ್ ಚೆಕ್ಟ್ಾ ್ ಭುಗ್ಡಾ ್ಕ್ ಜನರ್ಮ ದಿಲೊ. ಪರ ಮಿೀಳ್ಚ್ಚ್ಯಾ ಸೇಂತ್ಲೀಸಕ್ ಗಡ್ ನಾತ್ಲಿಯ . ತಶೇಂ ಸೇಂಜರ್​್ ಾ ಸೇಂತ್ಲೀಸಕ್ ಅೇಂತ್ಾ ನಾತ್ಲಿಯ ಊೇಂಚ್ಯಯ್, ಅೇಂತರ ಳ್ನ ಚಡ್ೇಂಕ್ ಸಕ್ಲಿಯ . ತ್ಲ ರಜಾ ಘೆವ್‍ಲ್​್ ಕೂಡ್ಯ ಚ್ಚ ಗ್ಡೇಂವಾಕ್ ಪಾವ್ಲಯ . ಆಪಾಯ ಾ ಸಭೀತ್ ಆನಿ ಮುಗಧ ಚೆಕ್ಟ್ಾ ್ಕ್ ಪಳವ್‍ಲ್​್ , ಸೇಂಜಯ್ ದಡ್ಟಾ ಸೇಂತ್ಲೀಸನ್ ಭರ‍್ೆ ನಾ, ತಣೇಂ ಪರ ಮಿೀಳ್ಚ್ಯ್ಣ ಸೇಂತ್ಲೀಸನ್ ಫುಮ್ಹರ್ ಜಾಲಿಯ . ಚೆಕ್ಟ್ಾ ್ಕ್ ಪರ ವಿೀಣ್ ಮ್ಹ ಳ್ಚ್ೊ ಾ ನಾೇಂವಾನ್ ತಾಣಿೇಂ ವ್ಲ್ಯಯ ೇಂ. ಭುಗ್ ಪರ ವಿೀಣ್ ಭೀವ್‍ಲ್ ಕೇಂಡ್ಟಟಾ​ಾ ೇಂನಿ ವಾಡ್ನ್ ಆಯ್ಲಯ . ಸೇಂಜಯ್ ಹರೆಾ ೀಕ್ಟ್ ವರ‍್​್ ರಜರ್ ಯತಾಲೊ. ಪರ ವಿೀಣಕ್ ಚ್ಯರ್ ವರ‍್​್ ೇಂ ಭತಾ್ನಾ, ಪರ ಮಿೀಳ್ಚ್ನ್ ಆನ್ನಾ ೀಕ್ಟ್ ಚೆಡ್ಟವ ಭುಗ್ಡಾ ್ಕ್ ಜನರ್ಮ ದಿಲೊ. ತಾಕ್ಟ್ ತಾಣಿೇಂ ಪ್ಲರ ೀರ್ೇಂಕ್ಟ್ ಮ್ಹ ಳೊ ೇಂ ನಾೇಂವ್‍ಲ್ ದಿಲೇಂ. ಸೇಂಜಯ್ ಜದಾ್ ೇಂಯ್ ರಜರ್ ಯತಾಲೊ, ತದಾ್ ೇಂ ಭುಗ್ ಪರ ವಿೀಣ್ ಬಾಪಾರ್​್ ಾ ಪ್ಲಸುೆ ಲಸೇಂಗ್ಶೇಂ ಖೆಳ್ಚ್ೆ ಲೊ. “ತುೇಂ ಆಯ್ಣ್ಯ ಾ ವ್ಲಳ್ಚ್, ತುಜ ಸವಿ್ಸ್ ರವ್ಲಲ್ವ ರ್ ಲಿಪವ್‍ಲ್​್ ದವರ್ ಸೇಂಜಯ್. ತ ಖೆಳ್ಳ್ ಟ್ೀಯ್ ನಹಿೇಂ. ಪರ‍್ಮ್ಶನ್ ಟರ ಗಾ ರ್ ದಾೇಂಬೂನ್ ಗೆ್ಾ ರ್, ಅನಾಹುತ್ ಘಡ್ೇಂಕ್ ಆಸ...” ಪರ ಮಿೀಳ್ಚ್ ಘೊವಾಕ್ ಸೇಂಗ್ಡ್ಗ್ಶಯ . “ಮಿಲಿಟರ ಆಫಿಸರ‍್ಚೊ ಪೂತ್ ಮ್ಹ ಜೊ ಭುಗ್. ರವ್ಲಲ್ವ ರ್ ತ್ಲ ಪರಮ್ಶನ್ ನಹಿೇಂ, ನಿಜಾಯ್ಣ್ ಚಲ್ಯ್ಲೆ ಲೊ ದುಸಯ ನಾೇಂಚೆರ್. ಹ್ಯೇಂವ್‍ಲ್ ಶಿಕಯ್ಲೆ ಲೊೇಂ ತಾಕ್ಟ್ ಪ್ಲಸುೆ ಲ್

28 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕಶಿ ಚಲ್ೇಂವಿ್ ಗ್ಶ ಮ್ಹ ಣ್.” ಸೇಂಜಯ್ ಬಾಯಯ ್ಗ್ಶಾ ೇಂ ಪುತಾಚ್ ಬಾಡ್ಟಯ್ ಉಲ್ಯ್ಲಯ ಆನಿ ಉಪಾರ ೇಂತ್ ತ್ಲ ನ್ನೇಂಟಾ​ಾ ಚೆಕ್ಟ್ಾ ್ಕ್ ಪ್ಲಸುೆ ಲ್ ದಾಖವ್‍ಲ್​್ ಸೇಂಗ್ಡ್ಗಯ “ಪುತಾ ಹೆಾ ಪ್ಲಸುೆ ಲೇಂತಯ ೇಂ ಸ ಬುಲಟ್ಟ್ , ಹ್ಯಾ ರೇಂಡ್ ಸ ಬರೆ್ೇಂನಿ (ಸ್ಟಲಿೇಂಡ್ರ‍್ೇಂನಿ) ಭರೊನ್ ಆಸೆ ತ್. ಹೆೇಂ ಅಶೇಂ ಘುೇಂವಾ​ಾ ವ್‍ಲ್​್ , ಹೆೇಂ ಟರ ಗಾ ರ್ ಪಾಟೇಂ ವ್ಲಡ್​್ ೇಂ ಆನಿ ತೇಂ ದಾೇಂಬೂನ್ ತುಜಾ​ಾ ದುಸಯ ನಾಚೆರ್ ಫಾರ್ ಸಡ್​್ . ಪುಣ್ ಉಗ್ಡಾ ಸ್ ದವರ್, ತುೇಂವ್ಲೇಂ ಗ್ಳಳೊ ಸಡ್​್ , ಫಕತ್ೆ ತುಜಾ​ಾ ಆತಯ ರಕ್ಷಣಕ್ ಮ್ಹತ್ರ ಶಿವಾಯ್, ರ‍್ಗ್ಡಚ್ಯಾ ಆವ್ಲೀಶಾರ್ ಕಣಯ್ಲ್ ಜೀವ್‍ಲ್ ಕ್ಟ್ಡುೇಂಕ್ ನಹಿೇಂ.” “ಪಯಯ ೇಂ ತ್ಲ ವಹ ಡ್ ಜಾೇಂವಿೊ . ಬರೆೇಂ ಶಿಕನ್ ತುಜಪರೇಂ ವಹ ಡ್ಯ ಆಫಿಸರ್ ಜಾೇಂವಿೊ . ದೆೀಶಾಚ್ಯಾ ರಕ್ಷಣಕ್ ಲ್ಡ್ಟಯಕ್ ವ್ಲಚೊೇಂದಿ ಆನಿ ಥೇಂಯ್ ರ್ ದೆೀಶಾಚ್ಯಾ ದುಸಯ ನಾೇಂಕ್ ಗ್ಳಳೊ ಸಡುೇಂದಿ. ತುೇಂ ಆತಾೇಂಚ್ಚ ತಾಕ್ಟ್ ಪ್ಲಸೆ ಲಚ್ ತಬ್ತ ದಿೀನಾಕ್ಟ್.” ಪರ ಮಿೀಳ್ಚ್ ಘೊವಾಕ್ ಹ್ಯಸನ್ ಮ್ಹ ಣಲಿ ಆನಿ ಆಪಾಯ ಾ ಕ್ಟ್ಮ್ಹರ್ ಪಡಯ . ವ್ಲೀಳ್ನ ಪಾಶಾರ್ ಜಾಲಯ ಪರೇಂ, ವರ‍್​್ ೇಂಯ್ಣ ಧಾೇಂವ್ಲನ್ ಗೆಲಿೇಂ. ಚೆಕ್ ಪರ ವಿೀಣ್ ಪೇಂದಾರ ಸೇಂಪ್ಲನ್ ಧಾವ್ಲ ಕ್ಟ್ಯ ಸ್ಟಕ್ ಪಾವ್‍ಲ್ಲೊಯ . ಆಪಾಯ ಾ ಪುತಾನ್ ಬರೆೇಂ ಶಿಕನ್, ಬಾಪಾಯ್ಪರೇಂ ಮಿಲಿಟರೇಂತ್ ರಗನ್, ತಾಚ್ಯಾ ಕ್ಯ್ಣ ವಹ ಡ್ಟಯ ಾ ಹುದಾಧ ಾ ಕ್ ಪಾವ್ಲೇಂಕ್ ಜಾಯ್ ಮ್ಹ ಳ್ಳೊ ೇಂ ಚ್ೇಂತಾ್ ೇಂ, ಆಟವ್‍ಲ್​್ ತಾಚೆೇಂ ಶಿಕ್ಟ್ಪ್ ಘೆತಾಲಿ. ಪಾರ ಯಯ ರೇಂತ್ ಶಿಕನ್ ಆಸೆ ನಾ ಹುಶಾ​ಾ ರ್ ಆಸ್ಲೊಯ ಪರ ವಿೀಣ್, ಸಕೆೇಂಡ್ರಕ್ ಪಾವ್‍ಲ್ಲೊಯ ಚ್ಚ, ಶಿಕ್ಟ್​್ ೇಂತ್

ಅಸ್ ತ್ ದಿಸೇಂಕ್ ಸುರ ಜಾಲೊಯ . ಹ್ಯಚೆೇಂ ಕ್ಟ್ರಣ್, ಆವಯ್ ಬಾಪಾಯ್​್ ಕೆಲೊಯ ಲಖಾ ವಹ ರೊೆ ಕೇಂಡ್ಟಟ್ ವ ಪುತಾನ್ ವಿಚ್ಯರ್ಲಯ ೇಂ ಕತೇಂಯ್ಣ ತೇಂ ಜಾೇಂವ್‍ಲ್, ಹ್ಯಡುನ್ ದಿಲೊಯ ಪರಣರ್ಮ? “ಹ್ಯಾ ಪಾವಿಾ ೇಂ ರಜರ್ ಯತಾನಾ, ಕತೇಂ ಹ್ಯಡುೇಂಕ್ ಜಾಯ್....” ಸೇಂಜಯ್​್ ಬಾಯಯ ಕ್ ಫೊನಾರ್ ವಿಚ್ಯರ್ಲಯ ೇಂ. “ಮ್ಹಹ ಕ್ಟ್ ಕ್ಟ್ೇಂಯ್ ನಾಕ್ಟ್. ಪರ ವಿೀಣಚೊ ‘ಬಥ್​್ ಡ್ೀ’ ಯತಾ. ತಾಕ್ಟ್ ಜಾ್ಾ ರ್ ಕ್ಟ್ೇಂಯ್ ಹ್ಯಡುನ್ ಯೀ” ಮ್ಹ ಣ್ ಪರ ಮಿೀಳ್ಚ್ನ್ ಜಾಪ್ ದಿಲಿಯ . ಎಕ್ಟ್ ಮ್ಹಿನಾ​ಾ ಕ್ ರಜರ್ ಆಯ್ಣ್ಯ ಾ ಬಾಪಾಯ್​್ , ಪುತಾಕ್ ನವ್ಲೇಂ ಮೊಬಾಯ್ಯ ಗ್ಶಫ್ಾ ಕೆಲೇಂ. ಪರ ವಿೀಣಚೊ ಸೇಂತ್ಲೀಸ್ ಸೇಂಗ್ ನಹಿೇಂ. ನವ್ಲೇಂ ಮೊಬಾಯ್ಯ ಆಪಾಿ ಯ್ಣಲೊಯ ಪರ ವಿೀಣ್, ಸಗೊ ದಿೀಸ್ ಮೊಬಾರ್ಯ ಚೆರ್ಚ್ಚ ಆಸೆ ಲೊ. ಇಸ್ ್ಕ್ಯ್ಣ ವಹ ರ‍್ೆ ಲೊ. ಮಿತಾರ ೇಂ ಸಗ್ಶೇಂ ಮಳನ್, ಮೊಬಾರ್ಯ ೇಂತ್ ಆಸ್ ನವ್ಲ ನವ್ಲ ಗೆೀರ್ಮ್ ಶಿಕಯ . ಇಸ್ ್ ಥಾವ್‍ಲ್​್ ಘರ‍್ ಯತಚ್ಚ, ಪರ ವಿೀಣ್ ಮೊಬಾರ್ಯ ಚೆರ್ಚ್ಚ ಆಸೆ ಲೊ. ಹೆೇಂ ಆವಯ್​್ ಬರೆೇಂ ದಿಸನಾತ್ಲಯ ೇಂ. ತ ತಾಕ್ಟ್ ಪುಪು್ರ‍್ೆ ಲಿ ಆನಿ ಬೂದ್ ಸೇಂಗ್ಡೆ ಲಿ. ಪುಣ್ ಪರ ವಿೀಣ್ ಆವಯ್​್ ಕೆೀರ್ ಕರನಾ ಜಾಲೊ. “ತುೇಂ ರಜರ್ ಯೀವ್‍ಲ್​್ ತೀನ್ ಹಫ್ತೆ ಜಾಲ ಸೇಂಜಯ್. ಪುಣ್ ತುಕ್ಟ್ ತುಜಾ​ಾ ಪುತಾವಿಶಿೇಂ ಕತೇಂಚ್ಚ ಕಳ್ಳತ್ ನಾ. ತ್ಲ ಮ್ಹ ಜೇಂ ಏಕ್ಯ್ಣ ಆರ್​್ ನಾ. ಫಕತ್ೆ ಮೊಬಾರ್ಯ ರ್ ಆಸೆ . ಶಿಕ್ಟ್​್ ೇಂತ್ ತಾಕ್ಟ್ ಇೇಂಟೆರ ಸ್ಾ ಚ್ಚ ನಾ. ್ಹ ನ್ ಆಸೆ ನಾ ಇತ್ಲಯ ಹುಶಾ​ಾ ರ್ ಆಸ್ಲೊಯ ತ್ಲ, ವಹ ಡ್ ಜಾತಾನಾ ಶಿಕ್ಟ್​್ ೇಂತ್ ಅಸ್ ತ್ ಜಾ್.”

29 ವೀಜ್ ಕ ೊಂಕಣಿ

“ಹ್ಯೇಂವ್‍ಲ್ ಸಮ್ಿ ರ್ೆ ೇಂ ಪರ ಮಿೀಳ್ಚ್ “ತಶೇಂ ನಹಿೇಂ. ರ‍್ಗ್ಡನ್ ಸಮ್ಹಿ ವ್‍ಲ್​್ ಪರ ವಿೀಣಕ್. ತುೇಂ ಖೇಂತ್ ಕರನಾಕ್ಟ್. ತ್ಲ ತಾೇಂಕ್ಟ್ೇಂ ಹಟಾ​ಾ ಕ್ ಪಡ್ೇಂವಾ್ ಾ ಪಾರ ಸ್, ವಾಡ್ಲೊಯ ಭುಗ್. ತನ್ನ್ೇಂ ರಗ್ಡತ್ ಮೊಗ್ಡನ್ ಸಮ್ಹಿ ೇಂವ್‍ಲ್​್ ಜಾಯ್.” ವಾಡ್​್ಯ ಾ ಭುಗ್ಡಾ ್ೇಂಚೆೇಂ. ತಾೇಂಕ್ಟ್ೇಂ “ತೇಂ ತುೇಂ ಕರ್. ಮ್ಹ ಜಾ​ಾ ನ್ ಸಧ್ಾ ನಾ. ಮೊಗ್ಡನ್ ಸಮ್ಹಿ ೇಂವ್‍ಲ್​್ ಜಾಯ್. ತ್ಲ ಹ್ಯಾ ದಿಸೇಂನಿ ಖೇಂಚೆೇಂಚ್ಚ ನಾೇಂತರ್ ಗಜಾಲ್ ವಾರ್ಾ ಕ್ ಆರ್​್ ನಾ. ಫಕತ್ೆ ಮೊಬಾರ್ಯ ಚೆರ್ ಪಡ್ೇಂಕ್ ಸಧ್ಾ ಆಸ.” ಸೇಂಜಯ್ ಕಸಲಗ್ಶ ಗೆೀರ್ಮ್ ಖೆಳೊನ್ ಆಸೆ .” ಬಾಯಯ ಕ್ ಸಮ್ಿ ಯ್​್ಗಯ . ಹ್ಯಾ ಲೀಖರ್ಚೊ ಫುಡೊ​ೊ “ತುಜೊ ಮ್ತಯ ಬ್ಸ, ತನ್ನ್ೇಂ ರ‍್ಗ್ಡತ್ ವ್ಯಂಟೊ ಯ್ಕಂವ್ಯಯ ಾ ಅಂಕಾ​ಾ ಂತ್ ಮ್ಹ ಣೊನ್, ತಾೇಂಚೊಾ ರ್ಚಕಯ್ಣ ವ್ಯಚಾಮ್ಬಾಯ್ೊ ತದುವ ೇಂಕ್ ನಜೊಗ್ಶ?” ಲಿಪ್ಯಿಲಾೊ ಾ ಕ್... -ಸಂ -----------------------------------------------------------------------------------------

30 ವೀಜ್ ಕ ೊಂಕಣಿ

ವ್ಣಶಿ ಕೊಂರ್ಣಿ ಕ್ತೀಂದರ

ಸ್ಟ.ಎ. ಪವರ್ 25 - ಸ್ಟ.ಎ ಅೇಂತಮ್ ಪರೀಕ್ಟ್ಿ ಪೂವ್

ಸ್ಟೀಸನ್ -1 ತರಬೀತ ಶಿಬಿರ ಉಗ್ಡೆ ವಣ ಸುವಾಳೊ ಸ್ಟ.ಎ. ಅೇಂತಮ್ ಪರೀಕ್ಟ್ಿ ಪೂವ್ ತರಬೀತ ಆತಯ ವಿಶಾವ ಸ ವಾಡ್ವಚೆ, ಆನಿ ಆಸಕ್ಟ್ೆ ೇಂಕ ಸ್ಟೀಮಿತ ಜಾವನು ಆಸುಚೆ, ವಿಶೀಷ ತರಬೀತ ಶಿಬಿರ. "ಸ್ಟ.ಎ. ಪವರ್ 25. ಸ್ಟ.ಎ. ಅೇಂತಮ್ ಪರೀಕ್ಟ್ಿ ಪೂವ್ ಸ್ಟೀಸನ್ 1 ತರಬೀತ ಶಿಬಿರ‍್ಚೆ ಉಗ್ಡೆ ವಣ ಸುವಾಳೊ 17-012025 ತಾಕೆ್ರ ವಿಶ್ವ ಕೇಂಕಣಿ ಕೆೀೇಂದರ ಹ್ಯೇಂಗ್ಡ ಚಲಯ ೇಂ.

ವಿಶ್ವ ಕೇಂಕಣಿ ಕೆೀೇಂದರ ಅಧಾ ಕ್ಷ ಸ್ಟ.ಎ. ನೇಂದಗೀಪಾಲ್ ಶಣೈ ಹ್ಯನಿ ಉಗ್ಡೆ ವಣ ಕರನು ತಾೇಂಗೆಲ ಉತಾರ ೇಂನಿ ಸೇಂಗತಚ್ ”ಹೆೇಂ ಶಿಬಿರ ಸ್ಟ.ಎ. ಅೇಂತಮ್ ಪರೀಕ್ಟ್ಿ ಛಾತಾರ ೇಂಕ ಮ್ಸೆ ಮ್ಹತಾವ ಚೆ ಜಾವನು ಆಸ, ಹ್ಯಜ ಸದುಪಯ್ಲೀಗ ಘೆವನು ಯಶ್ ಪಾವಕ್ಟ್ ಅಶಿೇಂ ಶುಭ ಸೇಂಗಲೇಂ. ತರ ಶಾ ಕ್ಟ್ಯ ಸಸ್ ಸೇಂಸಾ ಸಾ ಪಕ ಸ್ಟಎ. ಗೀಪಾಲ್ಕೃಷಿ ಭಟ್ಟ ಹ್ಯನಿ ಪರೀಕ್ಟ್ಿ ರ್​್ೇಂಕ ಪರೀಕ್ಟ್ಿ ಎದುರಸುಚ್ಯಕ ಅಗತಾ ಆಶಿಲ ಆನಿ,

ಜೀವನಾೇಂತ ಆಪಣವನ ಘೆವಕ್ಟ್ ಜಾಲಲ ಮ್ಹಹಿತ ಬದೊ ಲ್ ಸಲ್ಹ್ಯ ದಿಲೇಂ.

ಮುಖೆೀಲ್ ಸಯರೆ ಜಾವನು ಸ್ಟ.ಎ. ಪವರ್ -25 ಸ್ಟ.ಎ ಅೇಂತಮ್ ಪರೀಕ್ಷ ಶಿಬಿರ ಕ್ಟ್ಯ್ಕರ ಮ್ಹಚೆ ಪಾರ ಯ್ಲೀಜಕ ಜಾವನು ವಿದಾ​ಾ ಕಲ್​್ ಕ ಸೇಂಸಾ ಮುಖೆೀಲ್ ಉಷ್ಟ ನೇಂದಗೀಪಾಲ್ ಶಣೈ, ತರ ಶಾ ಗ್ಳರ ಪ್ ಆಫ್ ಇನಿ್ ಾ ಟಾ ಶ್ನ ಹ್ಯಜ ಡ್ಟ. ನಾರ‍್ಯಣ್ ಕ್ಟ್ಯರ ಕಟೆಾ , ವಿಶ್ವ ಕೇಂಕಣಿ ಕೆೀೇಂದರ ಕ್ಟ್ಯ್ದಶಿ್ ಡ್ಟ ಕೆ. ಮೊೀಹನ ಪ್ೈ, ಉಪಾಧಾ ಕ್ಷ ಶಿರ ೀ ರಮೀಶ್ ಡ ನಾಯಕ, ಮ್ೇಂಗಳೂರ ತರ ಶಾ ಕ್ಟ್ಯ ಸಸ್ ಮುಖೆೀಲ್ ಯಶ್ಸ್ಟವ ನಿ ಯಶ್ಪಾಲ್, ಉಪನಾ​ಾ ಸಕ ಸ್ಟ.ಎ. ಕರಣ್ ಮ್ನ್ಸ್ ಖಾನಿ ಮುೇಂಬಯ್ಣ, ಮ್ೇಂಗಳೂರ ಲೀಕ ತಪಾಸಣ ಸೇಂಸಾ ಸದಸಾ ಜಾವನು ಆಸುಚೆ ಸ್ಟಎ ಗೌತಮ್ ನಾಯಕ್, ಸ್ಟಎ ಪರ ಸನಾ್ ಶಣೈ ಆನಿ ಸ್ಟಎ ಜಯೇಂತ ಶಣೈ ನಗರ್, ವಿ.ಕ.ಕೆೀ ಆಡ್ಳ್ಳತ ಅಧಿಕ್ಟ್ರ ಡ್ಟ. ಬಿ. ದೆೀವದಾಸ್ ಪ್ೈ ಮ್ಹನ್ನಸೆ ಲೊೀಕ ಸಮ್ಹರೇಂಭಾೇಂತ ಉಪಸ್ಟಾ ತ ಆಶಿಲಿೇಂಚ್.

31 ವೀಜ್ ಕ ೊಂಕಣಿ

51 ದಿವಸಭರ ಕ್ಟ್ಳ ಮುಫತ್ ಜಾವನು ಆಸುಚೆ ಹೆೇಂ ರೆಸ್ಟಡ್ನಿ್ ಯಲ್ ತರಬೀತ ಶಿಬಿರ, ಸ್ಟ.ಎ. ಅೇಂತಮ್ ಪರೀಕ್ಟ್ಿ ರ್​್ೇಂಕ ಉತೆ ಮ್ ನವಿೀನ ಮ್ಹದರೇಂತ ಸೇಂಪೂಣ್ ಅಭಾ​ಾ ಸ ಕರನು, ಅಣಕ ಪರೀಕ್ಟ್ಿ ದಿವಚೆ ಆಸತಾ. ಸ್ಟ.ಎ. ಉ್ಯ ಸ್ ಕ್ಟ್ಮ್ತ್ ಹ್ಯೇಂಗೆಲ ಯು.ಕೆ. ಆೇಂಡ್ ಕ ಆನಿ ವಿದಾ​ಾ ಕಲ್​್ ಕ ಸೇಂಸಾ , ತರ ಶಾ ಕ್ಟ್ಯ ಸಸ್ ಸೇಂಸಾ ವಿಶ್ವ ಕೇಂಕಣಿ ಸೇಂಗ್ಡತಾಕ ಹೆೇಂ ತರಬೀತ ಯ್ಲೀಜನಾಚೆ ಪಾಟೇಂಬ ಜಾವನು ಆಸತ. ಶಾನ್ನಲ್ ಡಸೀಜಾ ಹ್ಯನಿ ಕ್ಟ್ಯ್ಕರ ಮ್ ನಿರೂಪಣ ಕರನು ದೆವು ಬರೆೇಂ ಕರೊ ಸೇಂಗಲೇಂ.

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ವ್ಣಲಿಯ

ಅಲಿಯ ಪಾದೆ

ನಾೇಂವಾೇಂಖಾಲ್ ಕವಿತಾ, ಬರೊೇಂವಾ್

ಕೇಂಕಿ

ಲಿಖೆಿ ಪತಾರ ೇಂನಿ

ಬಪಾ್ೇಂ, ಕ್ಟ್ಣಿಯ್ಲ ವಿಲಿಯೇಂ ಡ್ನಿಸ್

ಮ್ಹಡ್ಟೆ ನ್ ಆಪಾಯ ಾ ಪುತಾಚ್ಯ ಪರ್ಯ ಾ ಕುಮ್ಹಾ ರ‍್ಚ್ಯ ಸುವಾಳ್ಚ್ಾ ರ್ ಸೇಂಗ್ಶೀತ್ ಶತಾೇಂತ್ ಯ್ಣೀ ಆಪ್ಲಯ

ವಳಕ್ ಛಾಪ್ಲಯ .

ವಿಲ್​್ ಾ ನ್ ಗೆಯ ನ್ ವಿಲಿಯೇಂ ಮ್ಹಡ್ಟೆ ಆನಿೇಂ ಗೆರ ೀಸ್ಟ ಕ್ಟ್ರ ಸೆ ಹ್ಯೇಂಚೊ ಪೂತ್. ಜನ್ನರ‍್ಚ್ಯ ಇಕ್ಟ್ರ ತಾರಕೆರ್ ಬಾಳೊಕ್ ಜಜುಚ್ ಫಿಗ್ಜ್ ಬೇಂಟಾವ ಳ್ನ 32 ವೀಜ್ ಕ ೊಂಕಣಿ

ಹ್ಯೇಂಗ್ಡಸರ್ ಚಲ್​್ಯ ಾ

ಕುಮ್ಹಾ ರ‍್ಚ್ಯ

ವಿಲ್​್ ಾ ನ್

ಗೆಯ ನ್

ಏಕ್

ತಾಲೇಂತಾೇಂನಿ

ಉ್ಯ ಸ್ ಕ್ಟ್ರ್​್ ವ್ಲಳ್ಚ್ರ್ ವಿಲಿಯ ಅಲಿಯ ಪಾದೆನ್ ಲಿಖುನ್ ತಾಳೊ

ಭಲ್​್ಲೊ ಪರ ತಭಾವೇಂತ್ ಮ್ಹ ಣ್ ೇಂತ್ ದುಬಾವ್‍ಲ್

ಸಜಯಯ ಲಿೇಂ ದೀನ್ ಕೇಂತಾರ‍್ೇಂ ಮೊಕೊ ಕ್ ಜಾಲಿೇಂ. ದನಿೀ ಕೇಂತಾರ‍್ೇಂ

ಕಥೊೀಲಿಕ್ ಹ್ಯಡ್ಯ ್ಾ

ಸಭೆನ್ ಭಾಷಣ್

ಮ್ಹೇಂಡುನ್ ಸ್ ಧಾ​ಾ ್ೇಂತ್,

ಕರ‍್ಟೆ

ಸ್ ಧಾ​ಾ ್ೇಂತ್

ಇಸ್ ್ೇಂತ್ ತಶೇಂಚ್ಚ

ಭುಗ್ ನಾೇಂ.

ಇತರ್

ಚಟವಟಕೆೇಂತ್

ಫಾದರ್ ಜಯಪರ ಕ್ಟ್ಶ್ ಡಸಜಾನ್ ಸೇಂಗ್ಶೀತ್ ಸಜವ್‍ಲ್​್ , ಬಾಬ್ಸ ಜೊೀಯಲ್ ಪ್ಲರೆೀರ‍್ನ್ ಮಿಕ್ ೇಂಗ ಕೆಲಯ ೇಂ . ಸ್ತರಜ್ ಮ್ಚ್ಯದ ಶ್ಕೆ ನಗರ್ ಹ್ಯಣೇಂ ಚ್ತರ ೀಕರಣ್

ಕೆಲಯ ೇಂ

ತಶೇಂಚ್ಚ

ಆಸ್ಟಸ್ಟ

ಸುಾ ಡಯ್ಲೀ ಮ್ೇಂಗ್ಳೊ ರ್ ಹ್ಯೇಂಗ್ಡಸರ್ ರೆಕೀಡೇಂಗ ಕೆಲಿಯ ೇಂ ಜಾವಾ್ ಸತ್. ಪಯಯ ೇಂ ಯತಾ

ಕೇಂತಾರ್

ಕುಮ್ಹಾ ರ‍್ಚ್ಯ

ಕ್ಟ್ಳ್ಚ್ಿ ೇಂತ್ ಜಜು ಪರ್ಯ ಾ

ಸುವಾಳ್ಚ್ಾ ರ್ ಗ್ಡೇಂವ್ಲ್ ೇಂ

ಜಾವಾ್ ಸನ್ ಕವಿ ವಿಲಿಯ ಅಲಿಯ ಪಾದೆಚ್ಯ ಪುತಾನ್ ವಿಲ್​್ ಾ ನ್ ಗೆಯ ನ್ ಹ್ಯಣೇಂ ಗ್ಡಯ್ಲಯ ಲೇಂ ಜಾವಾ್ ಸ. ದುಸರ ೇಂ ಕೇಂತಾರ್ ಕುಡ್​್ೇಂ ರಧಾನ್ ಪಾರ ಚ್ತ್

ಇನಾಮ್ಹೇಂ ಆಪಾಿ ರ್ಯ ಾ ೇಂತ್. ಫಕತ್ ನೀವ್‍ಲ್ ವಸ್ೇಂಚ್ಯ ಪಾರ ಯರ್ ವಿವಿಧ್ ತಾಲೇಂತಾೇಂನಿ ಭಲ್​್ಲೊ ವಿಲ್​್ ಾ ನ್ ಗೆಯ ನ್ ಫುಡ್ಟಯ ಾ

ದಿಸೇಂನಿ ಕೇಂಕಿ

ಸಮ್ಹಜಕ್

ಏಕ್ ದಿವ್ಲ್ೇಂ ಆಶತಾೇಂವ್‍ಲ್.

ಜಾೇಂವ್‍ಲ್

ಮ್ಹ ಣ್

ಗೇಂಟಾಲ್ ಕಟೆಾ

ಫಿಗ್ಜಚೆೇಂ ಬಾಯ್

ಕ್ಟ್ಳ್ಚ್ಚೆೇಂ ಭಕೆ ಕ್ ಗ್ಶೀತ್ ಜಾವಾ್ ಸನ್ ಉದೆವ್‍ಲ್​್ ಯೇಂವ್ಲ್ ೇಂ ಕ್ಕ್ಟ್ರ್ ಬಾಯ್ ಅಲಿಶಾ ಸೇಂತುಮ್ಹಯರ್ ಹ್ಯಣೇಂ ಗ್ಡಯ್ಲಯ ಲೇಂ ಕವಿ ವಿಲಿಯ

ಜಾವಾ್ ಸ. ಅಲಿಯ ಪಾದೆಚೊ ಪೂತ್

ಅಲಿೀಶಾ ಸೇಂತುಮ್ಹಯರ್ ಆಪಾಯ ಾ ತರ‍್ ವಸ್ೇಂ ಪಾರ ಯರ್ ಚ್ಚ ಸೇಂಗ್ಶೀತ್, ನಾಚ್ಚ, ಕ್ಟ್ಯ್ ನಿವಾ್ಹಣ್ ಅಸ್ಾ

33 ವೀಜ್ ಕ ೊಂಕಣಿ

ಜಾರ್ೆ ಾ

ತಾಲೇಂತಾೇಂನಿ

ಫಾಮ್ಹದ್

ಕೇಂಕಿ

ಸಮ್ಹಜೇಂತ್ ಏಕ್ ಉೇಂಚೆಯ ೇಂ

ಜಾ್ೇಂ. ಆಶೀಕ್ ಆನಿೇಂ ಪರ ಮಿೀಳ್ಚ್ ಸೇಂತುಮ್ಹಯರ‍್ಚ್ ಧುವ್‍ಲ್ ಅಲಿೀಶಾ

ನಾೇಂವ್‍ಲ್ ಬಾಯ್ ಅಲಿೀಶಾ ಸೇಂತುಮ್ಹಯರ‍್ಕ್ ಫುಡ್ಟಯ ಾ ದಿಸೇಂನಿ

ಆಪಾಯ ಾ ಸುಮ್ಧುರ್ ತಾಳ್ಚ್ಾ ನ್ ಸೇಂಗ್ಶೀತ್ ಪ್ರ ೀಮಿೇಂಚ್ೇಂ ಕ್ಟ್ಳ್ಚ್ಿ ೇಂ, ಮ್ನಾೇಂ ಜಕ್ಟ್ಯ ೇಂ.

ಫಾವ್ಲ ಜಾೇಂವ್‍ಲ್ ಮ್ಹ ಣ್ ಆಶತಾೇಂವ್‍ಲ್.

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https://youtube.com/watch?v=4K8oWx7e2hA&feature=shared ಮ್ಹ ಜಾ​ಾ ಚ್ಚ

ಉತಾರ ೇಂ

ಆನಿೇಂ

ತಾಳ್ಚ್ಾ ನ್

ಸಜಯ್ಣಲಯ ೇಂ,



ಫಾದರ್

ಜಯಪರ ಕ್ಟ್ಶ್ ಡಸಜಾ ಹ್ಯಣೇಂ ಸೇಂಗ್ಶೀತ್ ಸಜಯ್ಣಲಯ ೇಂ ಪರ್ಯ ಾ ಕುಮ್ಹಾ ರ‍್ಚ್ಯ ಸುವಾಳ್ಚ್ಾ ರ್ ಮೊಕೊ ಕ್ ಜಾಲಯ ೇಂ , ಮ್ಹ ಜಾ​ಾ ಗ್ಡಯಯ ಲೇಂ ಕೇಂಕಿ ಕೇಂತಾರ್ ಕ್ಟ್ಳ್ಚ್ಿ ೇಂತ್ ಜಜು ಯತಾ.

ಪುತಾನ್

https://youtube.com/watch?v=nGSMVRCjTvA&feature=shared ಮ್ಹ ಜಾ​ಾ ಉತಾರ ೇಂ ಆನಿೇಂ ತಾಳ್ಚ್ಾ ನ್ ಸಜಯ್ಣಲಯ ೇಂ, ಫಾದರ್ ಜಯಪರ ಕ್ಟ್ಶ್ ಡಸಜಾ

ಹ್ಯಣೇಂ

ಸೇಂಗ್ಶೀತ್

ಸಜಯ್ಣಲಯ ೇಂ,

ಬಾಯ್

ಆಲಿೀಶಾ

ಸೇಂತುಮ್ಹಯರ್ ಹ್ಯಣೇಂ ಗ್ಡಯ್ಲಯ ಲೇಂ ಪಾರ ಚ್ತ್ ಕ್ಟ್ಳ್ಚ್ಚೆೇಂ ಸುಮ್ಧುರ್ ಗ್ಶೀತ್ ಕುಡ್​್ೇಂ ರಧನ್. ಪಳರ್, ಹೆರ‍್ೇಂಕೀ ಧಾಡ್ಟ, ಚ್ಯನ್ನಲ್ subscribe ಕರ‍್.

34 ವೀಜ್ ಕ ೊಂಕಣಿ

ಶೆಂಬೊರ್ ರ್ವ್ಣತಾ ಮ್ೀಲ್ ಫರ್ತ್ - 150/- ಪ್ರ ತ್ಮಯ್ಕ ಖಾತ್ಮರ್ ಸಂಪ್ಕ್ನ ರ್ರ: WhatsApp: 971557378202 35 ವೀಜ್ ಕ ೊಂಕಣಿ

36 ವೀಜ್ ಕ ೊಂಕಣಿ

ಹ್ಯಾ ಚ್ಚ ವ್ಲಳ್ಚ್ರ್ ಕವಿ ವಿಲಿಯ ಅಲಿಯ ಪಾದೆಚೊ ಶೇಂಬೊರ್ ಕವಿತೇಂಚೊ ಪುೇಂಜೊ *ಕಣ್ತ್ ಳ* ಪುಸೆ ಕ್ ಕೇಂಕಿ ಸಹಿತ್ಾ ಅಕ್ಟ್ಡ್ಮಿಚೊ ಅಧಾ ಕ್ಷ್ ಮ್ಹನ್ನಸ್ೆ ಸಾ ಾ ನಿ ಅ್ವ ರಸ್ ಹ್ಯಣೇಂ 37 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮೊಕೊ ಕ್ ಕೆಲೊ. ಪ್ಲಯಟಕ್ಟ್ ಕವಿತಾ ಪೇಂಗ್ಡಾ ಚೆ ಸೇಂದೆ ಹ್ಯಜರ್ ಆಸಲಯ .ಕವಿ ತಶೇಂಚ್ಚ ಬರರ್ಿ ರ್ ವಿಲಿಯ ಅಲಿಯ ಪಾದೆಚ್ಯ ಫುಡ್ಟಯ ಾ ವಾವಾರ ಕ್ ಸವ್‍ಲ್​್ ಬರೆೇಂ ಮ್ಹಗ್ಡೆ ೇಂ.

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ಬಹು ಭಾಷಾ ಕವಿಗೋಷ್ಟಿ

ಜನೆರಾಚಾ 12 ತಾರಿಕೆರ ಸಾಂಜೆಚಾ 6

ಆನಿ “ಚಿಣ್ಣ ರ ಲೋಕ ಸೋವಾ ಬೆಂಧು”

ವೊರಾರ ಬಾಂಟ್ವಾ ಳ ಬಿ.ಸಿ.ರೋಡಾಂತಾಯ ಾ ಗೋಲ್ಡ ನ ಪಾರ್​್‌

ಹಾಂಚಾ​ಾ ಜೋಡ ಆಸಯ ಾ ಖಾಲ ಚಲಲ್ಲ್ಯ ಾ ಬಹು ಸೆಂಸಕ ೃತಿ ಸೆಂಭ್ರ ಮ

ಎಸೋಸಿಯೋಟ್ಸ ಮೈದಾನಾರ “ಬೆಂಗಳೂರ ಕನ್ನ ಡ ಆನಿ ಸೆಂಸಕ ೃತಿ

ಆನಿ ಬಹುಭಾಷಾ ಕವಿ ಸೆಂಗಮ ಕಾಯ್‌ಾಂ ವತಾ​ಾ ್‌ ದಬಾಜೆನ ಚಲ್ಯ ಾಂ.

ಇಲಾಖೊ, ಕೆಂಕಣಿ, ತುಳು,ಬ್ಯಾ ರಿ,

ತಹಶಿಲ್ಲ್ಾ ರ ಅರ್ಚನಾ ಡಿ ಭ್ಟ ಹಿಣಾಂ

ಅರೆ ಭಾಷೆ, ಕಡವ ಆನಿ ಯಕ್ಷಗಾನ್ ಅಕಾಡೆಮಿ” ಹಾಂಚಾ​ಾ ಸಹಯೋಗಾನ

ಕಾಯ್‌ಾಂ ಉದಾ​ಾ ಟನ ಕನ್‌, “ಆಮ್ಚ್ಯ ಾ ಭಾರತ ದೋಶಾಂತ ಶಾಂಭರಾನಿಾಂ ಭಾಷಾ

ಬಾಂಟ್ವಾ ಳಾಂತಾಯ ಾ “ಚಿಣ್ಣ ರ ಲೋಕ ಮೋಕೆದ ಕಲಾವಿದೆರ ಸೋವಾ ಟ್ರ ಸ್ಟಿ ”

ವೈವಿಧ್ಾ ತಾ ಆಸನ ತಾಂ ಎಕಾಚ ವದಿರ ಹಡ್ಯ ಾಂ ಆಯ್ಚಯ ಅನಿವಾರ್​್‌ತಾ

38 ವೀಜ್ ಕ ೊಂಕಣಿ

ಜಾವಾ​ಾ ಸ.ಅಶಾಂ

ಕೆಲ್ಲ್ಯ ಾ ನ

ಆಮಯ

ಭಿತರ ಭೋದ ಭಾವ ವಿಸಯ ನ ಏರ್

39 ವೀಜ್ ಕ ೊಂಕಣಿ

ಖರ ಭಾರತೋಯ ಜಾ​ಾಂವಕ ಸಧ್ಾ

ಅಸ” – ಮ್ಹ ಳ್ಳೊ 40 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸಾಂದೋಶ ದಿಲೊ.

ಕರಾವಳಿ

ಕಲೊೋತಸ ವಾಚೊ

ಸುದರ್ಚನ ಕಾರ್ಯ್‌ಚಾಂ

ಜೈನ ಅಧ್ಾ ಕ್ಷ್ಪ ಣ

ಅಧ್ಾ ಕ್ಷ ಹಣಾಂ ಘೆತಯ ಾಂ.

ಕಾಂಕಣಿ ಸಹಿತಾ ಅಕಾಡ್ಮಿ ಅಧ್ಾ ಕ್ಷ 41 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸಹಿತಾ

ಅಕಾಡ್ಮಿ

ಅಧ್ಾ ಕ್ಷ

ತಾರನಾಥ ಗಟ್ಟಿ , ಕಾಪಿಕಾಡ, ಬಾ​ಾ ರಿ ಸಹಿತಾ ಅಕಾಡ್ಮಿ ಅಧ್ಾ ಕ್ಷ ಉಮರ ಯು .ಎಚ್., ಅರೆ ಭಾಷೆ ಸಹಿತಾ ಅಕಾಡ್ಮಿ ಅಧ್ಾ ಕ್ಷ ಸದಾನ್ೆಂದ ಮಾವಜಿ ಹಣಿಾಂ ಆಪ್ಲಯ ಉತತ ೋಮ ಸಾಂದೋಶ ದಿಲೊ. ಚಿಣ್ಣ ರ ದಿಯಾ

ಲೊೋಕ ಅಧ್ಾ ಕ್ಷಿ ಣ ಕು. ರಾವ, ಬಾಂಟ್ವಾ ಳ

ಲೊೋಕೋಪಯೋಗಿ

ಇಲ್ಲ್ಖೊ

ಗುತತ ಗೆದಾರ ಸಾಂಘಚೊ ಅಧ್ಾ ಕ್ಷ ಶ್ರ ೋ ಶೈಲೋಶ ಕುಚಿ​ಿ ಗುಡೆ​ೆ , ಬೋಳೆಂತೂರು ಇಸಕ ಲ್ಲ್ಚಾ ಎಸ್.ಡಿ.ಎಮ.ಸಿ. ಅಧ್ಾ ಕ್ಷಿ ಣ ಶ್ರ ೋಮತಿ ಪುಷಾ​ಾ ವತಿ ವದಿರ ಆಸ್ ಲ್ಯ ಾಂ. ವದಿರ ಆಸ್ ಲ್ಲ್ಯ ಾ ಗಣಾ ವಕ್ಷತ ನಿಾಂ ತಹಶಿಲ್ಲ್ಾ ರ ರ್ ಸನಾ​ಾ ನ ಕೆಲೊ. ಚಿಣ್ಣ ರ ಲೊೋಕ ಸೋವಾ ಬಾಂಧು ಅಧ್ಾ ಕ್ಷ ಶ್ರ ೋ ಮೋಹನ್ದಾಸ ಕಟ್ಟಿ ರಿ ಮುನ್ನನ ರ ಹಚಾ​ಾ ಅಧ್ಾ ಕ್ಷ್ಪ ಣಾಖಾಲ ಚಲ ಲ್ಲ್ಯ ಾ ಕವಿಗೋಷ್ಟ ಾಂತ ಸಲೋಮಿ ಡಿ ಸೋಜಾ, ಮಗನಾಚಡ, ವಿಜಯ ಬಿ. ಶಟ್ಟಿ , ಸ್ಟ್ಲತೂ​ೂ ರು, ಜಯಾನ್ೆಂದ ಪೆರಾಜ, ಅರ್ರ ಫ ಕಲ್ಲ ಡಕ , ಉದಯ ಭ್ಸಕ ರ ಸುಳಾ ಆನಿ ಕಾ​ಾ ಪ್ಿ ನ ಬಿದದ ೆಂಡ ನಾಣಿ ದೆೋವಯಾ ಹಣಿಾಂ ಅಪಾಪಾಯ ಾ ಮ್ಚ್ಾಂಯ ಭಾಶನಿಾಂ ಕವಿತಾ ವಾಚನ ಕೆಲ್ಾಂ. ಜೊಕಿಮ ಸ್ಟ್ಿ ಾ ನಿ ಅಲಾ​ಾ ರಿಸ್ಟ, ತುಳು

ಬಹು ಭಾಷಾ ಕವಿಗೋಷ್ಟ ಉಪಾಯ ಾಂತ

42 ವೀಜ್ ಕ ೊಂಕಣಿ

ವಿವಿಧ್

ಭಾಷಾ

ಅಕಾಡ್ಮಿ

ಥಾವಾ

ಸಾಂದೊ

ಮಾಲಿಕ

ಕಳಕೆನ

ಥರಾವಳ ಸಾಂಸಕ ೃತರ್ ಕಾಯ್‌ಾಂ ಆನಿ ರ್ಕ್ಷ್ಗಾನ ಆಕರ್​್‌ಣ ಹಡಾಂರ್

ಧ್ನಾ ವಾದ ಸಮ್ರ್ಪ್‌ಲ್ಾಂ. ಪ್ರ ಜಾ ಲ ಸಿದಧ ಕಟ್ಟಿ ಆನಿ ಎಚ್ ಕೆ ನ್ಯನಾಡು

ಪಾವಯ ಾಂ.

ಹಣಿಾಂ ಕೆಲ್ಾಂ.

ಜೋತಷ್ ಅನಿಲ ಪ್ೆಂಡಿತಾನ ಸಾ ಗತ ಕೆಲೊ. ಸಾ ಗತ ಸಮಿತ

ಕಾರ್​್‌ಕಯ ಮ

ನಿರೂಪಣ

-ಸಲ್ೀಮಿ, ಮ್ಗ್ತರ್ನರ್ಡ

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43 ವೀಜ್ ಕ ೊಂಕಣಿ

44 ವೀಜ್ ಕ ೊಂಕಣಿ

45 ವೀಜ್ ಕ ೊಂಕಣಿ

ಚಿಟ... ಚುಟ... ಚುಟುಕಾೆಂ...75

-ಮಾಚಾಯ , ಮಿಲಾರ್.

1. ಉಜ್ಯಾ ರ್ಚ್ ಲ್ಸ್ ಏಂಜಲಿೀಸಾಂತ್ ಉಜ್ಯಾ ಜೀಬ್ ಲಾಂಬ್ ಜ್ಯವ್ನ ತಾಂಬ್ಡಿ ಜ್ಯಲಿ..... ವ್ಯಯ್ಲ್ನನ್ಸ ಜಬಕ್ ಸಾಂಗ್ತತ್ ದಲ್ ಘಚಾ​ಾ ನ ಆಂಗ್ತಿ ಂನಿ ಉಜೊ ರ್ಚೊ​ೊ !

46 ವೀಜ್ ಕ ೊಂಕಣಿ

ಗಲಿೀಜ್ ವಾ ಯ್, ತರಿ ಹಂ ಸತ್..!!

ಮೆೀಟ್... ಸಲ್ಿ ಣಿ ಜಯ್ ಾ ಮ್ಾ ಳ್ಾ ಂ ಮೆಟಂ ಚಡೊನ್ಸ ದೆಂವೊನ್ಸ ಜವ್ಣತ್ ಮ್ಾ ಳ್ಾ ಂ ಹೊಡಂ ವೊಚಿಯ ಜ್ಯಯ್ ಹ್ಯಾ ಸಂಸಾರಚಾ​ಾ ಸಾಗರಂತ್..!! ಜಣ್ಯಾ ಚ್ಯಂ ಹಯ್ಕೀನಕ್ ಹಂತ್ ಎಕ್ತೀಕ್ ಮೆೀಟ್ ತಾಂಚ್ಯ ವಯ್ರ ಶ್ಕಾೊ ಾ ರ್ ಹ್ಯಸನ್ಸ ಖೆಳೊನ್ಸ ಉಪ್ಾ ಂವ್ಕ ಜ್ಯತೆಲಂ ಜವ್ಣತ್ ಸಾರ್ನಕ್..! ಮೆಟಂ ವಯ್ರ ಸದ್ಕಂ ಆಂಗ್ ಸಡೊವ್ನ ನಿದ್ಚಯ ಪಾಂಯ್ ಪ್ಪಸಯ ಕುಡೊಕ ಆಪ್ೊ ಂ ಆವ್ಕ ಮಗ್ತಾ ತಚ್ ಮಾತೆಾ ಂತ್ ಮೆಳೊನ್ಸ ವ್ಯಳಾಯ್ಕ ಖಾಣ್ ಜ್ಯತಾ..! ತ್ಮಚ್ ತಾಚಿ ಸಾರ್ನರ್ತಾ..!! ಹಳಾ​ಾ ಾ ನಿಂ ಮೆಟಂ ಆನಿ ಕುಂಕಾಿ ಂ ರ್ತ್ಲಿೊ ಂ ಘರಂ ರ್ಂತ್ ದೆಕುನ್ಸ ಕುಂಕಾಿ ನಿಂ ಹ್ಯಗ್ತರ್ತ್ಲಿೊ ಂ ಮೆಟಂಯ್ ರ್ಂತ್..!

-ಜನೆಟ್ ವ್ಯಸ್ 47 ವೀಜ್ ಕ ೊಂಕಣಿ

ತೆೈಮೂರ್ "ಹೀರ‍್ ರ್ಚೊನ ಉದೆಾ ೀಶ್ ಜರ್ ಚಿೀತ್ ದೀಂವ್ನ ಆಯ್ಲ್ಕ ವ್ಣಾ ಲನ್ಸ ಜ್ಯಂವ್ಣಕ ೀ ಹ್ಯಂಗ್ತ ತಾಕಾ ಅವ್ಯಕ ಸ್ ಲಾಬೊಯ ರ್ ದೆೀಶಾ ವಯ್ರ ಆರ್ರ ಮ್ಣ್ ಕ್ತಲಾೊ ಾ ಚಾ ರ್ಂವ್ಯನ್ಸ ವೊಲಾಂವ್ಯ ಂ ಆಮಾಯ ಾ ನ್ಸ ತೆಂ ದ್ಕಕ್ತೆ ಣ್ಯಕ್ ಸುಧಾಂ ಜರಂವ್ಕ ಜ್ಯಂವ್ಯ ಂರ್" ವ್ಯಖ್ಮಿ ಲ್ ದಲಾಂ ರ್ಮೆಿ ಚಾ​ಾ ರ್ವ್ಣ ಫುಡರಿನ್ಸ ವ್ೀದರ್ ರವುನ್ಸ!! ರ್ಂವ್ಯಂತ್ ಆಸಾ ಕತೆಂ ವ್ಣಶೆೀಷ್...? ಫರ್ತ್ ತ್ಮ ಏಕ್ ನಿಶಾನಿ ಆನಿ ವೊಳಕ್ ಹರಂಕ್ ಸಾಂಗ್ತಾ ಆಪ್ಣೊ ಪ್ರಿಚಯ್ ಮ್ನಿಸ್ ಸಂವ್ಯದ್ ಚಲಂವ್ಕ , ಸಂಪ್ಕ್ನ ರ್ರ‍ಂಕ್ ರ್ಂವ್ಂಚ್ ನಾ ಂಯ್ಕಿ ಖರ‍್ ಹಶಾರ‍್ ಆನಿ ಸಂಕ್ತೀತ್?! ರ್ಂವ್ ಘೆವ್ನ ಯ್ಕೀರ್ ತ್ಲ ಜಲ್ಿ ನ್ಸ ದ್ಕತಾರಂ ಥಾಪಾ​ಾ ತ್ ತಾಚ್ಯರ್ ಖುಷೀನ್ಸ ಆಪಾೊ ಾ ಫಳಾಕ್ ಆಪ್ೊ ಾ ಇಚ್ಯಯ ಚ್ಯಂ ತ್ಮಮಾನನ್ಸ ಸವ್ಯನಂ ಮ್ಧಂ ಆಪ್ೊ ಪ್ಣ್ ಉಜ್ಯರ್ ರ್ರ‍ಂಕ್ ಗ್ತಜಯ್ಲ್ಾ ತ್ ತ್ಮಂ ಧಾ ಶ್ರ‍್ತಾ​ಾ ಂರ್ ವ್ಯಡುನ್ಸ ಜವಣ್ ! ಆಟ್ ವಸಾನಂಚೊ ಭುಗನ "ತೆೈಮೂರ್" ಸೈಫ್ - ರ್ರಿೀರ್ಚೊ ಫುಡೊ​ೊ ದ್ ಮಾಸುಮ್ ಕುಂವರ್ ಆಜೂನ್ಸ ಸಂಸಾರ್ ಕತೆಂ ನೆಣಸೊ ಬಾಳ್

48 ವೀಜ್ ಕ ೊಂಕಣಿ

ಫರ್ತ್ ರ್ಂವ್ಯಕ್ ಲಾಗ್ಳನ್ಸ ಠಿಕ್ತೊ ತಾಚ್ಯರ್ ಅಂಧ್ ಭ್ಕಾ​ಾ ಂ ದ್ಚಳ್ ಫುಡರ್ ವ್ಣಭಾಡುಂಕ್ ವ್ಯಚ್ಯೊ ಂ ಫಮಾನಣ್ ಫಿಂಜುನ್ಸ ವ್ಣಕಾರ್ ತಾಳ್ ! ಶ್ಕು ಸಂಸಾರಂತ್ ಆಶೆೀಂಯ್ ಘಡಾ ಡಿಗ್ರರ ಜೊಡ್ೊ ಲ್ ಲಗೂನ್ಸ ಮೂರ್ಖನ ಲಾಗ್ತಾ ಮಾಸುಮ್ ಬಾಳಾಕ ಕ್ ಪಾಸೂನ್ಸ ದೆೀಶ್ ಧ್ರ ೀಹ ಮ್ಾ ಣಾ ತರ್ ಜ್ಯಾ ನ್ಸ ಜೊಡುನ್ಸ ಕತೆಂ ತ್ಲ ಶ್ಕಾ​ಾ ?! ಹರಂ ಲಾಗ್ರಂ ಆಪ್ಣೊ ವೊಳಕ್ ರ್ಶ್ ತ್ಲ ಸಡಾ ?! ಚರಿತೆರ ಚಾ​ಾ ಕೃತಾ​ಾ ಂಕ್ ಹ್ಯಾ ಬಾಳಾಕ ಚೊ ಕತೆಂ ಸಂಬಂಧ್? ರ್ಂವ್ ದವಲಾ ನ ಖಿಣ ಯ್ಕತಾತ್ ಕಾಂಯ್ ತಾಚ್ಯ ಗೂಣ್? ಹಂ ಬಾಳ್ ಫುಡಂ ಕತೆಂ ಜ್ಯಯ್ ಾ ರ್ಸ ಲಾಂವೊಯ ಅನುಮಾನ್ಸ ರ್ಂವ್ಯಕ್ ಲಾಗ್ಳನ್ಸ ಜರ್ ವ್ಯಚಾ​ಾ ತ್ ಹ್ಯಂಗ್ತ ಫಮಾನಣ್ ಉಲನಂ ಕತೆಂ ಹಾ ಸಮಾಜಂತ್ ಜೊಡುಂಕ್ ಸಮಾಧಾನ್ಸ?!

-ಸಾಟ ಾ ನಿಸೊ ವ್​್ ಸೀಜ್ ಕರಂ.

49 ವೀಜ್ ಕ ೊಂಕಣಿ

ತುಜ್ಯಾ ಂತ್ ಮ್ಾ ಜಂ ಆನಿ ಮ್ಾ ಜ್ಯಾ ಂತ್ ತುಜಂ ಕೊಂಕಿ ಕ್ : ಸ್ವಟ ೀವನ್ಸ ಕಾಿ ಡ್ರ ಸ್ ಪ್ರ‍ಿ ದೆ

ತುಜಲಾಗ್ರಂ ತಲಾಿ ರ್ ಆಸಾ ಮಾ​ಾ ಕಾ ಮಾರ‍ಂಕ್ ಮ್ಾ ಣ್ ದುಬಾವ್ ಮ್ಾ ಜೊ ಹ್ಯಂವ್ ಧಾಂವ್ಾ ಆಸಾಂ, ಆನಿ ತುಂ ಮ್ಾ ಜ್ಯಾ ಧಾಂವ್ಿ ಕ್ ದುಬಾವುನ್ಸ ಮಾ​ಾ ಕಾ ತಾಂಡುನ್ಸ ಧರ‍ಂಕ್ ಮ್ಾ ಜಪಾರ ಸ್ ವ್ಗ್ತನ್ಸ ಧಾಂವುಂಕ್ ಪ್ಡೊ ಯ್... ತುಂ ಬುಧಿ ಂತ್ ದೆಕುನ್ಸ ತುಜಥಾವ್ನ ಜ್ಯಣಿ ಯ್ಚ್ ವ್ಯಾ ಳುನ್ಸ ಯ್ಕತಾರ್ಂ ಹ್ಯಂವ್ಂ ಮ್ನೊ ಜ್ಯವುನ್ಸ ತುಜ ಜ್ಯಣಿ ಯ್ ವೊೀರ್ಡನ ಘೆಂವ್ಕ ವೊಗಂ ಪ್ಡಾ ರ್ಂ ಮ್ಾ ಜಂ ಮ್ನೆಂಪ್ಣ್ಂಚ್ ಮ್ಾ ಜ ಬುಧಿ ಂತಾಕ ಯ್ ಮ್ಾ ಣುನ್ಸ ತುಂ ವೊಗ ಜ್ಯಲ್ಯ್... ತುಂ ಜವ್ಣತಾಂತ್ ವಾ ರಾ ಾ ನ್ಸ ಯಶಸ್ವಿ ಜ್ಯಲಾಯ್ ತೆಂ ಪ್ಳವ್ನ ವಾ ರ್ಡ ಸಂತುಷ್ಟಟ ತ್ ಜ್ಯವ್ನ ಮ್ರ್ಂತ್ ಮ್ಾ ಜ್ಯಾ ಭ್ರಿಾ ಯ್ಕೀವ್ನ ತ್ಮ ಭ್ರಿಾ ದ್ಚಳಾ​ಾ ಂತಾೊ ಾ ನ್ಸ ದುಕಾಂ ಜ್ಯವ್ನ ದೆಂವ್ಯಾ ರ್ಂ 50 ವೀಜ್ ಕ ೊಂಕಣಿ

ಹ್ಯಂವ್ ದುಕ್ತೀಸ್ ಾ ಜ್ಯಲಾಂ ಅಶೆಂ ಚಿಂತುನ್ಸ ತುಂ ಖಂತ್ಮಂತ್ ಬುಡೊ​ೊ ಯ್... ಹ್ಯಂವ್ ತುಜ್ಯಾ ಂತ್ ಆನಿ ತುಂ ಮ್ಾ ಜ್ಯಾ ಂತ್ ಬೊಶ್ಯ್ಕಂತ್ ಎಕಾಚ್ ಮಿಸುಾ ನ್ಸ ರಂಗ್ ಸರ್ಿ ಸಂಗ್ರಂ ಭ್ರ‍್ ನ್ಸ ಕತೆಂಗ್ರೀ ಜಕ್ಲೊ ಪ್ರಿಂ, ಕತೆಂಗ್ರೀ ಸಲಿ ಲೊ ಪ್ರಿಂ ಮಾಗ್ರರ್ಯ್ ತಾಳೊ ಎಕ್ಚ್ ಜ್ಯವುನ್ಸ...

ಕೊಂಕಿ ಕ್ : ಸ್ವಟ ೀವನ್ಸ ಕಾಿ ಡ್ರ ಸ್ ಪ್ರ‍ಿ ದೆ 51 ವೀಜ್ ಕ ೊಂಕಣಿ

ಉದಕ್ -ಸುನಂದ್

ಪ್ಳ್ಂವ್ಕ ದಸಾ​ಾ , ಧರ‍ಂಕ್ ಮೆಳಾ​ಾ ಪ್ಮ್ನಳ್ ರ್, ಆಕಾರ್ ರ್, ವ್ಯಾ ಳೊಂಕೀ ವ್ಯಾ ಳಾ​ಾ . ತಾನ್ಸ ಭಾಗಯ್ಲ್ಾ , ಧಗ್ ನಿವಯ್ಲ್ಾ ಆಯ್ಲ್ಾ ರ್ಂತ್ ಘಾಲಂ ತರ್, ಆಯ್ಲ್ಾ ರ್ಚೊಚ್ಯ ಆಕಾರ್ ಘೆತಾ. ಮ್ನಸಾ​ಾ ಪ್ ರ್, ಬಜ್ಯರಯ್ ರ್ ಖಂಯ್ ರ್ಶೆಂ ದವಲಾ​ಾ ನರಿೀ ಆಕ್ತೆ ೀಪ್ ರ್. ಜ್ಯವ್ಾ ತ್ಮಗ ೀ ಮ್ರ್ಯ ಾ ನ್ಸ ಹ್ಯಾ ಪ್ರಿಂ, ಪ್ರ ಥ್ಿ ಂತಾೊ ಾ ರ್ಂರ್ಡ ಉದ್ಕಕ ಬರಿ? ಉದ್ಕಕ ವ್ಣಣ್ಯಂ ಜಯ್ಕಂವ್ಕ ಸಕಾ​ಾ ತರಿ ಕತೆಂ? ರ್ರಂ ಸಹತ್ ವ್ಯಾ ವಯ್ಲ್ಾ ಉದ್ಕಕ ಚ್ಯಂ ಪೊತೆಂ ಸುಕಿ -ಸಾವ್ಯಜ ಂಕ್ ಮಾತ್ ನಾ ಂಯ್, ರ‍ಕಾ-ಝಡಂಕೀ ಜ್ಯಯ್. ಫರ್ತ್ ಪ್ಣಯ್ಕಂವ್ಕ ಮಾತ್ ನಾ ಂಯ್, ಧಂವ್ಣಕ ೀ ಉದ್ಕಕ್ ಜ್ಯಯ್. ಚಿಕೊಲ್ ಕಾಡುಂಕ್ ಮ್ನಿಸ್ ಉದ್ಕಕ ಂತ್ ಬರ‍್ಚ್ಯ ರ್ಾ ತಾ, ಪ್ಪಣ್ ಭುಶೆನಂ ಜ್ಯಲೊ ಂ ಉದ್ಕಕ್ ಪ್ರತ್ ನಿತಳ್ ರ್ಶೆಂ ಜ್ಯತಾ? ಚಿಂತುನ್ಸ ವರಯ್ಲ್ೊ ಾ ರ್ ಮ್ರ್ಯ ಾ ಕ್ ಜಣಿ ಬದುೊ ಂಕ್ ರ್ಷ್ಟ ರ್ ಪಾರ್ೊ ಫೊರ್ಕ ರಿ ಜಣಿ ಆಟವ್ನ ನಿರಸ್ ಜ್ಯಂವ್ಣಯ ಗಜ್ನ ರ್. ಮ್ನಸಾ​ಾ ಪ್ ರ್, ಬಜ್ಯರಯ್ ರ್ ಖಂಯ್ ರ್ಶೆಂ ದವಲಾ​ಾ ನರಿೀ ಆಕ್ತೆ ೀಪ್ ರ್. ಜ್ಯವ್ಾ ತ್ಮಗ ೀ ಮ್ರ್ಯ ಾ ನ್ಸ ಹ್ಯಾ ಪ್ರಿಂ, ಪ್ರ ಥ್ಿ ಂತಾೊ ಾ ರ್ಂರ್ಡ ಉದ್ಕಕ ಬರಿ? ಉದ್ಕಕ ಖಾತ್ಮರ್ ಜ್ಯತಾತ್ ಝಗ್ರಿ ಂ ಮ್ಾ ಣೊನ್ಸ ತುಜಂ ಆನಿ ಮ್ಾ ಜಂ, ಉದಕ್ ಕೊಣಚ್ಯಂ ರ್ಶೆಂ ಜ್ಯಂವ್ಯ ಂ, ನಾ ಯ್ಗ್ರೀ ತೆಂ ಸಕಾಿ ಂಚ್ಯಂ? ಉದ್ಕಕ ಚ್ಯರ್ ಪ್ಪಣಿ ಸುಂಕ್ ಘಾಲ್ೊ ತರ್, ದೆೀವ್ ಬರ‍್ಚ್ಯ ಗರ ೀಸ್ ಾ ಜ್ಯತ್ಲ.

52 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸುಂಕ್ ದೀಂವ್ಕ ತಾಂಕ್ ರ್ತ್ಲ್ೊ ಬಾವೊಿ ರಯ್ ಾ , ಆಪಾೊ ಾ ಬಳಾ​ಾ ಸಂಗ್ರಂಚ್ ಮ್ತ್ಲನ. ಮ್ನಸಾ​ಾ ಪ್ ರ್, ಬಜ್ಯರಯ್ ರ್ ಖಂಯ್ ರ್ಶೆಂ ದವಲಾ​ಾ ನರಿೀ ಆಕ್ತೆ ೀಪ್ ರ್. ಜ್ಯವ್ಾ ತ್ಮಗ ೀ ಮ್ರ್ಯ ಾ ನ್ಸ ಹ್ಯಾ ಪ್ರಿಂ, ಪ್ರ ಥ್ಿ ಂತಾೊ ಾ ರ್ಂರ್ಡ ಉದ್ಕಕ ಬರಿ? ಪಾವ್​್ ಜ್ಯಂವ್ನ ಶ್ಂಪ್ಡಯ ಂ ಉದಕ್, ಸಕಾಿ ಂಚ್ಯರ್ ಪ್ಡಾ , ಜ್ಯತ್, ಧಮ್ನ,ಕಾತ್, ಭಾಷಚೊ ಭೆದ್ ರ್ಸಾ​ಾ ಂ, ಎಕಾಚ್ಯ ಮಾಪಾನ್ಸ ದತಾ. ಆಮಿಂ ಕತಾ​ಾ ಕ್ ದೆವ್ಯನ್ಸ ದಲಿೊ ಂ ದೆಣಿಂ ಆಮೆಯ ಯಿತಾೊ ಾ ಕ್ ದವಚಿನಂ? ವ್ಯಂಟ್ಲಾೊ ಾ ಂತ್ ನಾ ಂಯಿಗ ೀ ಮೆಳಾ​ಾ ಮ್ರ್ಯ ಾ , ಮ್ರ್ಕ್ ತುಜ್ಯ ತೃಪ್ಣಾ ? ಝರಿಚ್ಯಂ ಉದಕ್, ಮಿಟಚ್ಯಂ ಉದಕ್, ಫರಕ್ ಬರ್ಪನರ್ ಆಸಾ, ಮಿೀಟ್ ಪ್ಪಣಿ ರ್ ತರ್ ನಿಸಾ ಂ ಚಾಪ್ು ಜ್ಯತಾ! ಝರಿ ಉದಕ್ ವ್ಯಾ ಳೊನ್ಸ ದಯ್ಲ್ನಚಾ ಮಿಟ ಉದ್ಕಕ ಕ್ ಮೆಳಾ​ಾ , ವ್ಣಚಿತ್ರ ಕತೆಂಗ್ರೀ ಮ್ಾ ಳಾ​ಾ ರ್, ತೆಂಚ್ ಮಿಟ ಉದಕ್ ನಿತಳ್ ರ್ರ‍ನ್ಸ, ಪ್ರ ಥ್ಿ , ಝರಿಕ್ ಪಾರ್ಂ ದತಾ! ಮ್ನಸಾ​ಾ ಪ್ ರ್, ಬಜ್ಯರಯ್ ರ್ ಖಂಯ್ ರ್ಶೆಂ ದವಲಾ​ಾ ನರಿೀ ಆಕ್ತೆ ೀಪ್ ರ್. ಜ್ಯವ್ಾ ತ್ಮಗ ೀ ಮ್ರ್ಯ ಾ ನ್ಸ ಹ್ಯಾ ಪ್ರಿಂ, ಪ್ರ ಥ್ಿ ಂತಾೊ ಾ ರ್ಂರ್ಡ ಉದ್ಕಕ ಬರಿ? ಉದಕ್ ಶ್ರ್ಯ್ಲ್ಾ ಲಿಸಾಂವ್, ಜ್ಯಂವ್ಕ ಆಪಾಯ್ಲ್ಂತ್ಲೊ ಬಚಾವ್, ಉದ್ಕಕ ಂತ್ ಉಪ್ಾ ಂವ್ಕ ಶ್ಕ್ಲಾೊ ಾ ಕ್, ರ್ ರ್ಸಲ್ಚ್ಯ ದುಬಾವ್. ಜಣಿಯ್ಕಂತ್ಮೊ ಂ ಸಮ್ಸ್ವಾ ಂ ಉದ್ಕಕ ಲ್ಟಕ್ ಸರಿ ರ್ಯ್ಕನತ್, ಲ್ಟಂತ್ ಉಪ್ಾ ಂವ್ಕ ಶ್ಕೊ​ೊ ಯ್ ತರ್, ಸಮ್ಸ್ವಾ ಂ ಖಂಡಿತ್ ನಿವ್ಯಯ್ಕನತ್. ಪ್ಪಣ್ ಮ್ರ್ಯ ಾ ರ್ಂಯ್ ಆಸಾ ಏಕ್ ಮ್ಹ್ಯ ಅವುಗ ಣ್, ’ಅಹಂ’ ಮ್ಾ ಳೊಾ ಅವುಗ ಣ್ ಹೊ ಧತಾನ ತಾಕಾ ದ್ಕಂಬುನ್ಸ. ’ಅಹಂ’ ಸಡುನ್ಸ ಜಣಿ ಜಯ್ಕಂವ್ಕ ಉಪಾವ್ ರ್ಸೊ ಆನಿ ಕತೆಂ? ಉದ್ಕಕ ಬರಿ ನಿತಳ್ ಮ್ನ್ಸ ರ್ತ್ಲೊ ಂ ಜೀವನ್ಸ, ಸಗಾ ಂ ರಿತೆಂ-ರಿತೆಂ ಸಗಾ ಂ ರಿತೆಂ-ರಿತೆಂ.

53 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮ್ಹಜ ೊಂ ಜ ೀಯ್ಸ್ ಸಂಪಾದಕೀಯ್: ಶ್ಯ್ಲ್ಳಾಚಾ​ಾ ಉದ್ಕಕ ಚೊ ಜ್ಯದೂ ಆೇಂಗ್ಡಿ ೇಂತ್ ಪಾಯ್ ನಿಸರ ನ್ ಉಸೊ ಲೊಯ ಮ್ನಿೀಸ್ ಶಿೀದಾ ವಚೊನ್ ಜೊೀರ್​್ ಚ್ಯಾ ಕ್ಟ್ಳ್ಚ್ಿ ಕಬಾಯ ಾ ಕ್ ಶಿಕ್ಜಾಯ್ ಕ್ಟ್ೇಂಯ್? ಹೊ ಖೇಂರ್​್ ಾ ಶಿರ್ಳ್ಚ್ಚ್ಯಾ ಉದಾ್ ಚೊ ಜಾದು? ಗ್ಡೇಂವಾ್ ಾ ಬೊೇಂಡ್ಟಾ ೇಂನಿ ಹಿೇಂ ಕಸಲಿೇಂ ಆಜಾ​ಾ ಪಾಚ್ೇಂ ಉದಾ್ ೇಂ ದಿಪ್ ್ಾ ೇಂತ್? ಪಾಟಾಯ ವ್‍ಲ್ ಕರ್​್ ಗೆಲೊಯ ಮ್ನಿೀಸ್ ಪಾಟೇಂ ಯೀನಾಸೆ ೇಂ ಜೊೀರ್​್ ಚ್ಯಾ ಕ್ಟ್ಳ್ಚ್ಿ ್ಹ ರ‍್ೇಂಕ್ ಕಸ ಸೇಂಪಾ​ಾ ಲೊ? ಮೊಗ್ಡಚೊ ಹೊ ಕಸಲೊ ಏಕ್ ಚಮ್ತಾ್ ರ್! ಆಸ್ಟಾ ನ್ ಪರ ಭುಚ್ ಕವಿತಾ ಮ್ಹ ಳ್ಚ್ಾ ರ್ ಶಿರ್ಳ್ಚ್ಚ್ಯಾ ಉದಾ್ ಬರ. ತಾನ್ ಭಾಗರ್ೆ ! ಶಿರ್ಳ್ಚ್ೇಂತಯ ೇಂ ಉದಾ್ ೇಂ ತಾಳ್ಚ್ಾ ೇಂತ್ ದೆೇಂವ್‍ಲ್​್ಯ ಾ ಬರ, ತಾಚೆ ಕವಿತೇಂತಯ ೇಂ ಉತಾರ ೇಂ ಸರ‍್ಗ ವಾಹ ಳ್ಚ್ೆ ತ್. ಪೇಂಚ್ವ ೀಸ್ ವಸ್ೇಂ ಆದಾಯ ಾ ಮೊಗ್ಡಳ್ನ ಘಡತಾಚ್ ಕ್ಟ್ಣಿ, ಸಲಿೀಸಯನ್, ಸೇಂಪಾ​ಾ ಉತಾರ ೇಂನಿ ತಾಣ ವಿಣಯ ಾ . 'ಕಾಣಿಯ್ಕ-ರ್ವ್ಣತೆ'ಚೆೇಂ ರೂಪ್ ಹೆೇಂ. ಕವಿತಚ್ಯಾ ಹ್ಯಾ ರಪಾಚೊ ಆಸ್ಟಾ ನಾನ್ಚ್ಚ ಕೇಂಕಣಿೇಂತ್ ಚಡತ್ ಪರ ಯ್ಲೀಗ ಕೆಲೊಯ ಝಳ್ ತಾ. ಮ್ಹಗ್ಶೀರ್ ಎಕೆಕ್ಟ್ಯ ಾ ಕವಿೇಂನಿ ಕವಿತಚ್ಯಾ ಎಕೆಕ್ಟ್ ರಪಾೇಂನಿ ತಾೇಂಚ್ ಶಾ​ಾ ರ್ ದಾಕಯ್ಣಯ ತರ್ ಕೇಂಕಣಿ ಕವಿತಚ್ಯಾ ರ‍್ವ್ಲೊ ರ‍್ಚ್ ಸಭಾಯ್ ದಡೆ ಜಾತಲಿ.

-ಮೆಲಿ​ಿ ನ್ಸ ರ‍್ಡಿರ ಗಸ್ ರ್ವ್ಣತಾ:

ಮ್ಾ ಜಂ ಜೊೀಯ್​್ ತಾಂಬಿ ಂ ತಾಂಬಿ ಂ ಆಂಗೊ ಂ ಘಾಲುನ್ಸ ರ್ಕಾ ರ್ಕಾ ಚಲಾ​ಾ ಯಗ ಪಾಟೊ ಾ ನ್ಸ ತುಜ್ಯಾ ಚಲಾ​ಾ ಸಾ​ಾ ರ್ ತುಂ ಬಾವ್ೊ ಪ್ರಿಂ ದಸಾ​ಾ ಯಗ ಹ್ಯಲಯ ತುಜ ತೆ ಕುಲ ಪ್ಳ್ವ್ನ ಉಡೊನ್ಸ ಪ್ಡೊ ಂ ಹ್ಯಂವ್ ತೆ ಮಾಸಾ ಮದೆ ಪ್ಳ್ವ್ನ ಬಾಯ್ಕ ಪ್ಣಸಚ್ ಜ್ಯಲಾಂ ಹ್ಯಂವ್!

54 ವೀಜ್ ಕ ೊಂಕಣಿ

ರವೊಗ ಬಾಯ್ಕ ಚಿಕ್ತಕ ವಾ ಳೂ ಚಲ್ಂಕ್ ತುಕಾ ಜ್ಯಲಾಂ ಕತೆಂ? ತುಕಾ ವ್ಂಗಂಕ್ ಕಾಳ್ೀಜ್ ಮ್ಾ ಜಂ ಕ್ತರ್ನ ಂ ಥಾವ್ನ ರವ್ಯೊ ಂ ರಿತೆಂ ತಾಂಬಿ ತುಜ ಪೊಲ ಚಿಂತುನ್ಸ ಮ್ಗ್ತರ್ ಪ್ಡೊ ಂ ಹ್ಯಂವ್ ಭಂಡನಂ ಸಾಕೊನ ರಂಗ್ ಪ್ಳ್ವ್ನ ಪ್ಣಸಚ್ ಜ್ಯಲಾಂ ಹ್ಯಂವ್! ಸದ್ಕಂನಿೀತ್ ರಸಾ​ಾ ಾ ರ್ ತುಂ ಚಲ್ನ್ಸ ವ್ಚ್ಯಂ ಪ್ಳ್ವ್ನ ರವ್ಯಾ ಂ ದಸಾಕ್ ತುಜೊ ನಿಯ್ಲ್ಳ್ ರ್ರ‍ನ್ಸ ಸಪಾಿ ಂತ್ ತುಕಾ ವ್ಂಗನ್ಸ ಧರಾ ಂ ರ್ಂವ್ ತುಜಂ ಜೊೀಯ್​್ ಮ್ಾ ಣೊನ್ಸ ಜ್ಯಣಂ ಜ್ಯಲಾಂ ಹ್ಯಂವ್ ಮಖಾಮಖಿಂ ಉಲಂವ್ಯ ಘಡಾ ಕ್ ರಕೊನ್ಸ ರವ್ಯೊ ಂ ಹ್ಯಂವ್ ತುಂ ರ್ಕಾ ರ್ಕಾ ಚಲಾ​ಾ ಸಾ​ಾ ರ್ ತ್ಮ ಪಾಂತ್ಮ ಸುಂಯ್ ಸುಂಯ್ ಹ್ಯಲಾ​ಾ ಪ್ಳ್ ತೆ ಪಾಂತ್ಮಯ್ಕ ಮ್ಧಂ ಬಾಂದ್ಕೊ ಾ ಯ್ ತುಂವ್ಂ ಉರ‍ಟ್ ದ್ಚೀನ್ಸ ತಾಂಬಿ ಗ್ಳಳ್ ಕ್ತೀಸ್ ತುಜ ಪ್ಳ್ವ್ನ ಸಗಾ ಚ್ ಪ್ಣಸಚ್ ಜ್ಯಲಾಂ ಹ್ಯಂವ್ ತಾ​ಾ ಕ್ತಸಾಂ ಮ್ಧಂ ಬೊಟಂ ಚರಂವ್ಕ ರಕೊನ್ಸ ರವ್ಯೊ ಂ ಹ್ಯಂವ್! ಪಾಂತ್ಮ ತುಜ ಸಡ್ವ್ನ ಹ್ಯಂವ್ ತ್ಲೀಂರ್ಡ ಮ್ಾ ಜಂ ಪ್ಪಸಾ ಲ್ಂ ಸಗ್ತಾ ಾ ಕ್ತಸಾಂಕ್ ತೆೀಲ್ ಮಾಖುನ್ಸ ಶೆಂಡೊ ತುಕಾ ಬಾಂದಾ ಲ್ಂ ತುಕಾ ಮ್ಾ ಜ್ಯಾ ಹ್ಯತ್ಮಂ ಘೆವುಂಕ್ ರಕೊನ್ಸ ರವ್ಯೊ ಂ ಹ್ಯಂವ್ ಮಖಾಮಖಿಂ ಭೆಟ್ ರ್ರ‍ಂಕ್ ತಯ್ಲ್ರ್ ಆಸಾಂ ಹ್ಯಂವ್ ಚಲಾ​ಾ ಂ ಚಲಾ​ಾ ಂ ದೆವ್ಯನ್ಸಚ್ ರಸಾ​ಾ ಾ ದವೊ ತಾಂಬೊಿ ಕ್ತಲ್ ಆಮಾಕ ಂ ಎಕಾಮೆಕಾಕ್ ಮೆಳೊಂಕ್ ಉಗಾ ಏಕ್ ಆವ್ಯಕ ಸ್ ದಲ್ ಗ್ಳಲ್ಬಾಸಾಕ್ತನ ವೊೀಂಟ್ ತುಜ ಪ್ಳ್ಂವ್ಕ ಆಸಾಂ ಹ್ಯಂವ್ ಚಂಬನ್ಸ ದವುನ್ಸ ಪೊಟ್ಲೊ ನ್ಸ ಧರ‍ನ್ಸ ಮ್ಾ ಜಂಚ್ ರ್ರಾ ಂ ಹ್ಯಂವ್ ಧವ್ ಕುಡಿಕ್ ತಾಂಬಿ ಂ ಆಂಗೊ ಂ ಭಾರಿಚ್ ತುಕಾ ಸಭಾ​ಾ ಗ ಚಂದ್ಕರ ಭಂವ್ಯರಿಂ ಸುಯ್ಲ್ನ ಕಣನಂ ಪ್ರ ಕಾಶ್ ರ್ಶೆಂ ದಸಾ​ಾ ಯಗ ಭಾರಿಚ್ ಲಾಗ್ರಂ ಪಾವ್ಯೊ ಂ ತುಜೊ ಪ್ಮ್ನಳ್ ಹುಂಗ್ತಾ ಂ ಹ್ಯಂವ್ ಭುಗ್ತಾ ನಪ್ರಿಂ ಉಸಾಕ ಾ ರ್ ಬಸವ್ನ ಕಾಣಿ ಸಾಂಗ್ತಾ ಂ ಹ್ಯಂವ್ ಮ್ಳಾ​ಾ ವಯ್ಕೊ ಂ ನೆಕ್ತತ್ರ ಹ್ಯಂವ್ ವ್ಂಗನ್ಸ ತುಕಾ ಧರಾ ಲ್ಂ ಉಲಯಾ ಲಾ​ಾ ಂಕ್ ಭಂಡಿನ ಸಲಾಂ ಖಾವವ್ನ ಆಂಬೊಟ್ ರ್ರಾ ಲ್ಂ ವಾ ರ್ಲ್ ಮ್ಾ ಜ ರ್ರ‍ಂಕ್ ತುಕಾ ರಕೊನ್ಸ ರವ್ಯೊ ಂ ಹ್ಯಂವ್ ಸಾಂಗ್ಗ ಬಾಯ್ಕ ಕೊಣ್ಗ ತ್ಲ ಮಕೊ​ೊ ಮ್ಾ ಜೊ ಮಾಂವ್ ಭಾಂಗರಚಿ ವಜ್ಯರ ಮದ ಬೊಟಂತ್ ತುಜ್ಯಾ ಲರ್ಯ್ಲ್ಾ ಂ 55 ವೀಜ್ ಕ ೊಂಕಣಿ

ಲಗ್ತನ ಉಪಾರ ಂತ್ ಹನಿಮರ್ಕ್ ಆಮೆೀರಿಕಾ ಸಗಾ ಂ ದ್ಕರ್ಯ್ಲ್ಾ ಂ ಘರ ಪಾವಾ ಚ್ ಆಮಾಯ ಾ ಘಚಿನ ರಣಿ ರ್ರಾ ಂ ಹ್ಯಂವ್ ಲಾಸ್ ವ್ೀಗಸ್, ಡಿಸ್ವನ ವರ್ೊ ಿ ಆಪ್ವ್ನ ವಾ ರಾ ಂ ಹ್ಯಂವ್ ಖಟೊ ಾ ರ್ ಆಮಾಯ ಾ ರಣ್ಯಾ -ಪಾಟ್ ಹ್ಯಂವ್ ತುಕಾ ಸಭ್ಯ್ಲ್ಾ ಂ ಸಗ್ತಾ ಾ ಆಂಗ್ತರ್ ಉಮೆ ದವುನ್ಸ ಚೊಕ್ತೊ ಟ್ ತುಕಾ ಖಾವಯ್ಲ್ಾ ಂ ಇತೆೊ ದೀಸ್ ಚಿಂತುನ್ಸ ತುಕಾ ಸಸುನ್ಸ ರವ್ಯೊ ಂ ಹ್ಯಂವ್ ವ್ೀಳ್ ವ್ಣಭಾರ್ಡ ರ್ಸಾ​ಾ ಂ ತುಜೊ ಹ್ಯತ್ ಧರಾ ಂ ಹ್ಯಂವ್ ಚ್ಯಡುಂ ಜ್ಯಂವ್, ಚ್ಯಡೊ ಜ್ಯಂವ್ ಜೊಯ್​್ ಲಿನ್ಸ ತಾಕಾ ಆಪ್ವ್ಯಾ ಂ ಘಟ್ಮೂಟ್ ರ್ರ‍ಂಕ್ ಸದ್ಕಂ ತಾಕಾ ತೆಲಾತುಪಾನ್ಸ ರ್ಾ ಣ್ವ್ಯಾ ಂ ತುಜಚ್ ಸಂಗ್ರಂ ಆಪ್ಪಬಾನಯ್ಕಚ್ಯಂ ಕುಟಮ್ ಬಾಂದ್ಕಾ ಂ ಹ್ಯಂವ್ ಧರ್ಾ ದೆವ್ಯಕ್ ಅಗ್ತನಂ ದವುನ್ಸ ರ‍ಂಬಾ ರ್ಚಾ​ಾ ಂ ಹ್ಯಂವ್ ಇತೆೊ ಸಭಾರ್ ದೀಸ್ ಜ್ಯಲ ಮಖಮ್ಳ್ ತುಜಂ ಪ್ಳ್ಂವ್ಕ ರ್ ದಷ್ಟಟ ಕ್ ದೀಷ್ಟ ದೀವ್ನ ಯ್ಕದ್ಚಳ್ ತುಜಲಾಗ್ರಂ ಉಲಂವ್ಕ ರ್ ಸಂದರ್ಭನ ಆತಾಂ ಮೆಳೊಾ ಮಾ​ಾ ಕಾ ಸಡೊಯ ರ್ ಭಲುಕ ಲ್ ಹ್ಯಂವ್ ಖಬರ್ ಆಮಾಯ ಾ ಮ್ಗ್ತಚಿ ಆತಾಂ ಗ್ತಜೊಂ ಗ್ತಂವ್ಯನ್ಸ ಗ್ತಂವ್ ಇತಾೊ ಾ ರ್ ತಾಕಾ ದೆಖೆೊ ಂ ಹ್ಯಂವ್ಂ ಮ್ಾ ಜ್ಯಾ ಜವ್ಯಾ ದ್ಚಳಾ​ಾ ಂನಿ ಪ್ಳ್ವ್ನ ಸಗಾ ಚ್ ಶೆಮೆನವ್ನ ಗಲ್ಂ ಸಾ ಬ್ಾ ಜ್ಯಲ್ಂ ಮ್ನಿಂ ಪಾಟೊ ಾ ನ್ಸ ಇತೆೊ ಂ ಸಭತ್ ದಸೊ ಂ ಪ್ಣಸಚ್ ಜ್ಯಲ್ಂ ಹ್ಯಂವ್ ಮಖಮ್ಳ್ ತೆಂ ಪ್ಳ್ವ್ನ ತಾಚ್ಯಂ ಚಿಂತೆೊ ಂ ಸಡಾ ಂ ಹೊ ಗ್ತಂವ್ ಹ್ಯಯ್ ಜೊೀಯ್​್ ರ್ಶೆಂ ಆಸಾಯ್? ಕೊಂಕ್ತಿ ಂತ್ ಹ್ಯಂವ್ ಉಲಯೊ ಂ ಕುಡಿಭತರ್ ಸಂರ್ಪಣ್ನ ಶೆಮೆನವ್ನ ರ್ಂರ್ಡ ಜ್ಯವ್ನ ಘಾಮೆಲ್ಂ ಭಾಯೊ ಶಂಗ್ತರ್ ಜ್ಯಯ್ಗ್ರ ಮಾ​ಾ ಕಾ ಚಿಂತುಂಕ್ ಪ್ಡೊ​ೊ ಂ ಹ್ಯಂವ್ ವಾ ಳು ವಾ ಳು ಉತಾರ ಂ ವ್ಯಾ ಳವ್ನ ಉಲವ್ನ ರವೊ​ೊ ಂ ಹ್ಯಂವ್ ಹ್ಯಯ್ ಮ್ಾ ಣೊನ್ಸ ಲಜೊ ಂ ಜೊೀಯ್​್ ಲಜಾ ಕಾಂರ್ಯ್ಕ ಪಾರ್ಪ್ರಿಂ ರಸಾ​ಾ ಾ ದವೊ ಪಾಚೊಿ ಜ್ಯತಚ್ ತೆಂ ಚಲ್ಂಕ್ ಲಾಗೊ ಂ ಸರಸರಿ ಪಾಟೊ ಾ ನ್ಸ ತಾಚಾ​ಾ ಚಾ​ಾ ರ್ ನಂಬರ್ ಬಸಾ್ ರ್ ಚಡೊ​ೊ ಂ ಹ್ಯಂವ್ ಅಧಾ​ಾ ನ ಘಂಟಾ ನ್ಸ ಕುಲಯ ೀರ್ರ್ ಭ್ರನ್ಸ ಪಾವೊ​ೊ ಂ ಹ್ಯಂವ್ ರ್ಕಾ ರ್ಕಾ ಚಲ್ನ್ಸ ಜೊೀಯ್​್ ಬಾವ್ಿ ಂ ಆತಾಂ ಧಾಂವೊಂಕ್ ಲಾಗೊ ಂ ಇಗಜನ ಹತಾೊ ಂತ್ ಮ್ಧಂ ರಿಗನ್ಸ ಗ್ಳಡೊ ದೆಂವೊನ್ಸ ಘರ ಪಾವ್ೊ ಂ 56 ವೀಜ್ ಕ ೊಂಕಣಿ

ಪಾಟೊ ಾ ನ್ಸ ವಚೊನ್ಸ ಹ್ಯಂವ್ಯ್ ತಾಚಾ​ಾ ಘರ ಪಾವೊ​ೊ ಂ ಹ್ಯಂವ್ ಆವಯ್ಕ ದೆಖಾ ಚ್ ಹ್ಯತ್ ಜೊಡುನ್ಸ ಉಬೊ ರವೊ​ೊ ಂ ಹ್ಯಂವ್ 'ಅರ, ಹೊ ಕೊೀಣ್ - ದೆವ್ಯಚ್ಯಂ ಬಸಾಂವ್' ಮ್ಾ ಣೊನ್ಸ ಮಾಂಯ್ ಹ್ಯಸಾ​ಾ ಲಿ 'ಬಸ್-ರ ಪ್ಪತಾ, ಕತೆಂ ಜ್ಯಯ್ ತುಕಾ?' ಮ್ಾ ಣೊನ್ಸ ತ್ಮ ಮ್ಾ ಣ್ಯ್ಕರ್ ಬಸಾ​ಾ ಲಿ ಜೊೀಯ್ಲ್​್ ಚಾ​ಾ ಹ್ಯಂವ್ ಮ್ಗ್ತರ್ ಪ್ಡೊ ಂ ಸಾಂಗಂಗ್ರ ಆತಾಂ ಹ್ಯಂವ್? ಚಿಂತುಂಕ್ ಹಂ ಸವ್ನ ಸರ್ರ್ಸಾ​ಾ ಂ ಮ್ನೊಂಚ್ ಜ್ಯಲ್ಂ ಹ್ಯಂವ್ ಬಾಬಾನ್ಸ ಹ್ಯಡ್ೊ ಲಂ ಬೊಂಡಾ ಉದಕ್ ವಾ ಳು ಪ್ಣಯ್ಕವ್ನ ರವ್ಯಾ ರ್ ಕಾಳ್ೀಜ್ ಮ್ಾ ಜಂ ಗ್ಳಡು-ಗ್ಳಡು ಆವ್ಯಜ್ ರ್ರ‍ಣ್ ಧಾಂವ್ಯಾ ರ್ ಲಜ್-ಮ್ಯ್ಲ್ನದ್ ಸವ್ನ ಸಾಂಡುನ್ಸ ಜ್ಯಗ ಜ್ಯಲ್ಂ ಹ್ಯಂವ್ ಜೊೀಯ್ಲ್​್ ಚಾ​ಾ ಹ್ಯಂವ್ ಮ್ಗ್ತರ್ ಪ್ಡೊ ಂ ಸಾಂಗಂಕ್ ಲಾಗೊ ಂ ಹ್ಯಂವ್ ಉಪಾರ ಂತ್ ಕತೆಂ ಜ್ಯಲಂ ತೆಂ ಗ್ಳಮಾರ್ಕ್ ಮ್ಾ ಜ್ಯಾ ಭಲುಕ ಲ್ ರ್ ಜ್ಯಗ ಫಾದರ್ ಮಲೊ ರ್ ಆಸು ತೆರ ಂತ್ ನಸ್ನ ಮಕಾರ್ ರವ್ಯಾ ರ್ ಹ್ಯಂಗ್ತ ರ್ಸ ಪಾವೊ​ೊ ಂ ದೆವ್ಯ ಶೆಮೆನವ್ನ ಗಲ್ಂ ಹ್ಯಂವ್ ಜೊೀಯ್​್ ವಾ ಳು ಭತರ್ ರಿಗ್ತಾ ಂ, ಗ್ಳಸು ಡೊನ್ಸ ಗಲ್ಂ ಹ್ಯಂವ್ ಕೊಂಬಾ​ಾ ಪ್ರಿಂ ರಿಗೊ ಯ್ ತುಂ ಪೊೀಯ್ರ ಆಮಾಯ ಾ ಘರಂತ್ ಮ್ತ್ ಚಕೊನ್ಸ ಪ್ಡೊ​ೊ ಯ್ ಉಪಾರ ಂತ್ ಆಮಾಯ ಾ ತಾ​ಾ ಜ್ಯಲಾಂತ್ ಜೊೀಯ್ಲ್​್ ನ್ಸ ಸಾಂಗಾ ಚ್ ಸಗಾ ಚ್ ಅಬಾ ಲಜನ್ಸ ಬುಡೊ​ೊ ಂ ಹ್ಯಂವ್ ಅಶೆಂ ರ್ಶೆಂ ಜ್ಯಲಂ ಚಿಂತುನ್ಸ ಚಿಂತೆೀಸ್ ಾ ಜ್ಯಲ್ಂ ಹ್ಯಂವ್ 'ದೂಕ್ ಆತಾಂ ರ್ಶ್ ಆಸಾ?' ನಸಾನನ್ಸ ಮಾ​ಾ ಕಾ ವ್ಣಚಾರೊ ಂ ಜೊೀಯ್​್ ಅಬಾ ತುಕ್ಕ ರ್ರ‍ನ್ಸ ಹ್ಯಸನ್ಸ ಕುಡಭಾಯ್ರ ಗಲಂ ಬೊಂಡೊ ಪ್ಣಯ್ಕವ್ನ ಮಕಾರ್ ವ್ತಾಂ ಜ್ಯಲಾಂತ್ ಪ್ಡೊ​ೊ ಂ ಹ್ಯಂವ್ ದ್ಕಂತ್ ಝಡೊನ್ಸ, ವೊೀಂಟ್ ಫುಟೊನ್ಸ ಖಟೊ ಾ ರ್ ನಿದ್ಕೊ ಂ ಹ್ಯಂವ್ ಜೊೀಯ್ಲ್​್ ಚ್ಯ ತೆ ಕುಲ ಪ್ಳ್ವ್ನ ಪ್ಣಸ ಜ್ಯಲ್ೊ ಂ ಹ್ಯಂವ್ ತ್ಲೀಂರ್ಡ ಪ್ಳ್ವ್ನ ರ್ಂಗ್ತಲ್ ಜ್ಯವ್ನ ಶೆಮೆನವ್ನ ಗಲ್ೊ ಂ ಹ್ಯಂವ್ ನಿದ್ಕೊ ಂ ಖಾಟಾ ರ್ ರ್ರಯ ಂ ಕತೆಂ ರ್ಂಗ್ತಲ್ ಜ್ಯಲಾಂ ಹ್ಯಂವ್ 'ಮಾಂಯ್-ಬಾಬಾನ್ಸ ತುಕಾ ಖಾಯ್​್ ಕ್ತಲಾ' -ಉಡೊನ್ಸ ಪ್ಡೊ​ೊ ಂ ಹ್ಯಂವ್ ಜೊೀಯ್​್ ಮಕಾರ್ ರವ್ಯೊ ಂ ಉಬಂ ಆಪ್ಪಬಾನಯ್ಕಚಾ​ಾ ಆಂಜ್ಯಾ ಪ್ರಿಂ ನಸ್ನ ಮ್ಾ ಣಾ ಉಲಯ್ ಆತಾಂ ತರ್ಾ ನ ತರ್ಾ ನ ಕೊಂಬಾ​ಾ ಪ್ರಿಂ ವಾ ಳು ವಾ ಳು ಜೊೀಯ್ಲ್​್ ಚೊ ತ್ಲ ಹ್ಯತ್ ಧರಿ ಹ್ಯಂವ್ 57 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮ್ಗ್ತ ಮ್ಾ ಜ್ಯಾ ತುಂಚ್_ಗ ಮ್ಾ ಜಂ ಫುಳಕತ್ ಜ್ಯಲ್ಂ ಹ್ಯಂವ್ ಪ್ಂಚಿ​ಿ ೀಸ್ ವಸಾನಂ ಆದೆೊ ಂ ಘಡಿತ್ ಚಿಂತುನ್ಸ ಹ್ಯಂವ್ ಆಸೊ ಂ ಜೊೀಯ್ಲ್​್ ನ್ಸ ಜವ್ಯಿ ಕ್ ಆಪ್ಯ್ಲ್ಾ ರ್ ಕುಜ್ಯನ ಕುಶ್ನ್ಸ ಘುಸೊ ಂ ಲಗ್ತನ ಉಪಾರ ಂತ್ ಚಾ​ಾ ರ್ ಭುಗ್ತಾ ನಂಚೊ ಬಾಪ್ಯ್ ಜ್ಯಲಾಂ ಹ್ಯಂವ್ ಆಮ್ಯ ಮ್ೀಗ್ ಹೊ ಸದ್ಕಂಚ್ ಬಾಳೊಿ ಂ ದೆವ್ಯಲಾಗ್ರಂ ಮಾಗ್ತಾ ಂ ಹ್ಯಂವ್ ಆಸ್ವಟ ನ್ಸ ಪ್ರ ಭು, ಚಿಕಾಗ (ರ್ವ್ಣತಾ.ಕಾಮ್ ಥಾವ್ನ ) -----------------------------------------------------------------------------------------

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ದೆೀ.ಲ್ಬವಿಸ್ ಆಲಯ ೀಡ್ಟಕ್ ಶೃಧಾಧ ೇಂಜಲಿ 58 ವೀಜ್ ಕ ೊಂಕಣಿ

ಹ್ಯಣಿೇಂ ಕಕು್ ೇಂಜ –ಗವಿೊ ಕ್ ಕೆೇಂದಾರ ೇಂತ್ ಮ್ಹೇಂಡ್ರ್ನ್ ಹ್ಯಡುಲಯ ೇಂ. ಮ್ಹನ್ನೀಸ್ೆ ಆಲೊ್ ೀನ್​್ ಡ ಕೀಸೆ ನ್ ಶೃಧಾಧ ೇಂಜಲಿ ಅಪ್ಲ್ಲಿ. ಸುರೆವ ರ್ ಕೇಂಕಿ ಸೇಂಘಟನ್ ಅದಾ ಕ್ಷ್ ಡ್ಟ. ಫಾಯ ವಿರ್ ಕ್ಟ್ಸೆ ಲಿನೀನ್ ಬರೊ ಯವಾ್ ರ್ ಮ್ಹಗಯ , ಡ್ಟ. ಜರ‍್ಲ್ಾ ಪ್ಲೇಂಟ್ನ್ ಧನಾ ವಾದ್ ದಿಲ. ರತಶ್ ಡ ಸೀಜಾನ್ ಕ್ಟ್ಯ್ೇಂ ಚಲ್ಯಯ ೇಂ. ದೆೀ.ಲ್ಬವಿಸ್ ಆಲಯ ೀಡ್ಟಚ್ಯಾ ಜಾಗ್ಡಾ ರ್ ಕೊಂಕಿ ಬರವಿ್ , ಆಮೊ್ ಸೇಂಧೀಶ್ ರತೀಶ್ ಡ ಸೀಜಾ, ಉದಾ​ಾ ವರ್ ಹ್ಯಕ್ಟ್ ಮ್ಹ ರ್​್ ಳ್ಚ್ಾ ಚೊ ಪಯ್ಲಯ ಸೇಂಪಾದಕ್, ಕೇಂಕಿ ಸೇಂಘಟನಾಚೊ ಕ್ಟ್ಯ್ದಶಿ್ ಸೇಂಘಟಕ್ ಅನಿ ಸಮ್ಹಜ್ ಸೀವಕ್ ಜಾವ್‍ಲ್​್ ಸವಾ್ನುಮ್ತನ್ ವಿೇಂಚುನ್ ಹ್ಯಾ ಚ್ಚ ಜನ್ನರ‍್ಚ್ಯಾ 10 ತಾರಕೆರ್ ಕ್ಟ್ಡ್ಯ . ಅೇಂತರೊಯ . ತಾಕ್ಟ್ ಶೃಧಾಧ ೇಂಜಲಿ ಕಥೊಲಿಕ್ ಸಭಾ ಕೆೇಂದಿರ ೀಯ್ ಅದಾ ಕ್ಷ್ ಪಾಠೇಂವ್ಲ್ ೇಂ ಕ್ಟ್ಯ್ೇಂ 14-1-2025 ವ್ಲರ್, ಮ್ಹನ್ನೀಸ್ೆ ಸೇಂತ್ಲೀಷ್ ಕನ್ನ್ಲಿಯ್ಲ, ಕೇಂಕಿ ಸೇಂಘಟನ್ ಉಡ್ ಜಲೊಯ ಆನಿ ದೆೀ.ಲ್ಬವಿಸಚ್ಯಾ ಕುಟಾಯ ಚೆ ಸೇಂದೆ ಕಥೊಲಿಕ್ ಸಭಾ ಉಡ್ ಪರ ದೆೀಶ್ (ರ) ಹ್ಯಜರ್ ಆಸುಲಯ .

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ಕ್ಾ ಣ್ತ್ ರ್ ವಾರ‍್ಡ್ ಸವ ಉದಾ ಮಿೇಂಚೆೇಂ ಸಹಮಿಲ್ನ್

ಕ್ಾ ಣ್ ರ್ ವಾರ‍್ಡ್ ಸವ ಉದಾ ಮಿೇಂಚೆೇಂ ಸಹಮಿಲ್ನ್ ೧೪.೧.೨೦೨೫ ವ್ಲರ್, ಕಕು್ ೇಂಜ ಅನುಗೃಹ ಗವಿೊ ಕ್ ಕೆೀೇಂದಾರ ೇಂತ್, ಕಥೊಲಿಕ್ ಸಭಾ ಕ್ಾ ಣ್ತ್ ರ್ ವಾರ‍್ಡ್ ಸಮಿತಚ್ಯಾ ಅಧಾ ಕ್ಷ್ಪಣರ್ ಮ್ಹೇಂಡ್ರ್ನ್ ಹ್ಯಡುಲಯ ೇಂ. ಯಶ್ಸ್ಟವ

ಉದಾ ಮಿ, ಡ್ರ್ಾ ರೊೀಟ್ೀಪ್ ಮ್ಹಹ ಲ್ಕ್ ಮ್ಹನ್ನೀಸ್ೆ ಆಲಿವ ನ್ ಕ್ಟ್ವ ಡ್ರ ಸನ್ ಸೇಂಪನ್ಸಯ ಳ್ನ ವ್ಲಕೆ ಜಾವ್‍ಲ್​್ ಆಸುನ್, ಉದಾ ಮ್ಹೇಂತ್ ಜಯ್ೆ ಜೊಡ್ಟ್ ಾ ವಿಶಿೇಂ ಆಪ್ಲಯ ಅನಭ ೀಗ ವಾೇಂಟೂನ್ ಘೆತ್ಲಯ . ಆತಯ ಕ್ ನಿಧ್ಶ್ಕ್ ಮೊನಿ್ ೇಂಞೊರ್ ಫಡ್ನಾೇಂಡ್ ಗನಾ್ ಲಿವ ಸನ್ ಬರೆೇಂ ಮ್ಹಗೆಯ ೇಂ. ಕೆೀೇಂದಿರ ೀಯ್ ಅದಾ ಕ್ಷ್ ಮುಖೆಲ್ ಸೈರೊ ಜಾವ್‍ಲ್​್ ಹ್ಯಜರ್ ಆಸುಲೊಯ . ಉಪಾರ ೇಂತ್ ಉದಾ ಮಿೇಂಚ್ ಸಮಿತ ರಚ್ಯ . ಸುರೆವ ರ್ ಅದಾ ಕ್ಷ್ ಮ್ಹನ್ನೀಸ್ಟೆ ಣ್ ರೊೀಸ್ಟ ಕ್ಟ್ವ ಡ್ರ ಸನ್ ಬರೊ ಯವಾ್ ರ್ ಮ್ಹಗಯ . ಕ್ಟ್ರ್​್ಚೊ ಸೇಂಯ್ಲೀಜಕ್ ಮ್ಹನ್ನೀಸ್ೆ ಎ್ಾ ಸ್ ಡ ಸೀಜಾನ್ ಸಹಮಿಲ್ನಾಚೊ ಉದೆೊ ೀಶ್ ಸೇಂಗಯ .

59 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕ್ಟ್ಯ್ದಶಿ್ ಧನಾ ವಾದ್

ಮ್ರನಾ ಲ್ಬವಿಸನ್ ದಿಲ. ಆಚ್​್ಬಾಲ್ಾ

ಫುಡ್ಟೆ ದನ್ ಕೆಲೇಂ.

60 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕ್ಟ್ಯ್ೇಂ

ನಿರವ ಹಣ್

61 ವೀಜ್ ಕ ೊಂಕಣಿ

62 ವೀಜ್ ಕ ೊಂಕಣಿ

Veez English Weekly

Vol:

4

No: 11 January 23 2025

Barkur's Rising Star Risha Tanya Pinto Clinches Miss South India First Runner-Up 2024 Title 63 ವೀಜ್ ಕ ೊಂಕಣಿ

Barkur's Rising Star Risha Tanya Pinto Clinches Miss South India First RunnerUp 2024 Title Kishoo Barkur- Dec 30, 2024

In a dazzling showcase of grace and talent, 19-year-old Risha Tanya Pinto from Barkur, Karnataka, has added another prestigious accolade to her growing collection by securing the Miss South India First Runner-Up 2024 title. The grand finale of the "Mr., Miss, Mrs., and Kids South India Fashion Show 2024" was held on December 29th

at the Poornima Regency Hotel in Bangalore, where Risha's commanding stage presence and exceptional performance caught the judges' attention.

The event, organized by the renowned Celebrity Modelling Agency and Academy (CLM), brought together talented contestants from across South India, making Risha's achievement even more noteworthy.

This latest triumph caps off an extraordinary year for the young pageant sensation, who has been making waves in the fashion and modeling circuit throughout 2024.

Risha, daughter of Maxie Pinto and Reshma Rodrigues from the Hanehalli ward of Barkur parish, has demonstrated remarkable consistency in pageantry this year.

In November, she claimed the coveted Miss Coastalwood 2024 title, along with special recognition

64 Veez Illustrated Weekly

for Best Ramp Walk and Most Talented at the Miss/Teen/Mr. and Mrs. Coastalwood 2024 competition. Earlier in September, she was crowned Miss Karavali 2024 at a prestigious event organized by UPS Model Management in Mangaluru.

What sets Risha apart is not just her success on the runway but her deep-rooted commitment to community service. As an active member of the Indian Catholic Youth Movement (ICYM) Barkur unit, she has maintained a strong connection with her community while pursuing her dreams in the modeling world. Her journey began with winning the "Miss Teen Grand Mangaluru 2024" title, organized by the South Canara district administration, which proved to be a steppingstone for her subsequent achievements.

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The Barkur parish community has rallied behind their homegrown talent, expressing immense pride in Risha's accomplishments.

Her success story serves as an inspiration to young aspirants, demonstrating that with dedication and grace, it's possible to excel both in personal pursuits and community engagement.

This latest achievement at the South India Fashion Show not only adds to Risha's impressive portfolio but also puts Barkur on the map in the world of fashion and modeling. Her journey from a small-town contestant to winning multiple

regional titles and now securing a prestigious position at the South Indian level showcases her remarkable growth and potential in the industry.

As Risha continues to make her mark in the fashion world, her success story remains deeply rooted in her values and community ties, making her a role model for aspiring young talents from small towns across India. Her achievement as Miss South India First Runner-Up 2024 marks another significant milestone in what promises to be a bright and inspiring career ahead.

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New Year...& Elderly Hopes....

New Year is over with some Nostalgia, skepticism and fear for the aged and sick, Emotions and practicalities are uncertain. Unlike when younger, real and imagined fears, uncertainties and life's impending end are a cause for all kinds of sadness deep down. Most aspects are difficult for younger folks to gauge, absorb and tackle until you reach that time in life.

Mangalore is one place where the Catholic population is favoured with many institutions of different types for the aged and ailing. Many of the older folk who spent their working life in large cities like Mumbai and many other places like to live life in their native areas which have old memories it seems. To start with, festivities like "Monti Fest “, Christmas, New Year, and Catholic religious observances and customs, food and so on have deep seated attractions. But with time and sickness making it difficult to move and endure causes remote feelings to isolate is understandable.

Humans are of varied choices as there are grains of sand.

There are many organisations to care for different aspects of service to the aged and sick efficiently, elders’ helplines, geriatric medical facilities, homes and so on and so forth must work closely with a very high motivation and regulation, but is it so?

Suitable regular interaction/feedback systems, balanced quality Food suited to aged sick folk. Medical attention arrangements, adequate communication and information with kin, need comfort, physical activity, Safety and security, Infrastructure, Finance cover, Mental & Spiritual Support are some of the essentials. Payment and services need to match and must be regulated with transparency. The aged need Nutrition, Hygiene, Pain relief, body care, allow the person to be active and

67 Veez Illustrated Weekly

comfortable. Authorities running homes need to follow fixed prescribed rules and regulations and interact adequately providing agreed services without partiality and with due attention and clarity. It is now common to hire individual caregivers from agencies in institutions, it is essential that these personnel are safe, reliable, trained, motivated, have a fixed tenure and possess proper credentials, the management of institutions must responsibly ensure all requirements and records.

There are well defined processes of aging that are practically experienced and visible - Be aware and be prepared : (1) Age 60 to 70 years : The workplace moves away from you.

No matter how successful or powerful you become during your career, you will be called an ordinary person. So, don't stick to the mindset and superiority complex of your previous job or

business. (2) 70 to 75 years: At this age, society slowly moves away from you. Your frequent friends and colleagues will reduce and hardly anyone will recognize you at your previous workplace. Don't say "I was..." or "I was once..." because the younger generation will not recognize you, and you shouldn't feel bad about it! (3) 75 to 80 years: At this stage, the family will slowly

move away from you. Even though you may have many children and grandchildren, most of the time you will be living with your partner or alone.

When your children visit occasionally, it is an expression of affection, so don't blame them for visiting less, because they are busy with their lives! (4) Finally, after 80: Maturity may dominate. At this time, don't be sad or grieve, because this is the last stage of life, and everyone will eventually follow this path! A group of friends keep

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meeting occasionally. Keep in telephonic contact. Recall and share old life experiences with each other openly and comfortably.

Dr. Abdul Kalam, at a meeting with young people very clearly pointed out, "Let us treat the elderly as you would wish to be treated in your old age. They are the memories of the family, the memory of humanity, the memory of the country, the world. A community where young people do not dialogue with aged folk is a community sterile, without a future. Regular conversation with the elderly is not a waste of time but will give a larger and clearer vision of real and experienced practical life. Do not avoid reality for you will face it sooner than you can calculate. Vital needs for older sick people to get their rights and care, for this there should be a properly empowered watchdog body and redress mechanism covering the

aged in all locations and circumstances; this is basic and such essential machinery must exist in the establishments. Remember, it is health that is real wealth and not pieces of gold, silver or printed Notes or property - health is born from a peaceful atmosphere and comfortable mind. Modernism has deprived old age of its status and value generally, specific institutions (particularly religious) for, by and of the aged must uphold the value and respect for age.

We see older people through the years, and we think that those older people are years away and that we have a lot of time ahead; Yet it hits us so fast!! Our friends are retired and getting grey, they are moving slower and older now. Some are in better and some worse shape, but

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great change is visible. They’re not like the ones that we remember who were young and vibrant. Their age is beginning to show, and we are now those older folks that we used to see in say 2020 and never thought we'd become in 2024. So, the Bang of the -By: Ivan Saldanha-Shet.

NEW YEAR 2025, with all its uncertainties, we hope may bring the Best that GOD wills for all.

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-

Celebrate Diversity

*Fr. Cedric Prakash SJ It is late evening, the day after Uttarayan (15 January), traditionally called ‘vasi uttarayan’. It has been a dull, cloudy day; the wind has been good though. Since yesterday thousands have been on building – tops, flying their kites and many

others running on the streets to catch the ‘cut’ kites. At this moment, the skies are pocked with thousands of kites, music of every possible strand blares loud from rap songs to the latest Hindi filmi ones, the yells

70 Veez Illustrated Weekly

and the screams continue to pierce the air. No match however, for the loud crackers. It is a great day indeed – as people from across the board, bond together to celebrate diversity!

‘Makar Sankranti’ (traditionally on 14 January) is one of the great Festivals of India. It essentially marks the transition of the sun from the zodiac of Sagittarius (dhanu) to

The Festival is known by different names across the country: Uttarayana in Gujarat and Uttar Pradesh, Sankranthi or Peddha Panduga in Andhra Pradesh and Telangana, Khichari in Bhojpuri region, Magh Bihu in Assam, Maghi Saaji in Himachal Pradesh, Makaravilakku in Kerala,

Makara Capricorn (makara). As this transition coincides with the sun's movement from south to north, the festival is dedicated to ‘Surya’, the Sun God. It marks a new beginning as in several places it is also observed as a ‘harvest festival’.

Across the country, this festival is spread over a period of days – a true celebration of diversity.

sankranti Sangrand in

in Karnataka, Maghi Punjab, Pongal in Tamil Nadu, Maghi Sangrand in Jammu, Sakrat in Haryana, Sakraat in Rajasthan, Sukarat in central India, Ghughuti in Uttarakhand, Dahi Chura in Bihar, Makar Sankranti in Odisha, Jharkhand, Maharashtra, Goa, West Bengal (also called Poush Sankranti or Mokor Sonkranti), Besides these, there are other variations and

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names given in other States to this great festival which highlight the celebration of diversity.

In Gujarat, particularly in the city of Ahmedabad the high point is ‘kiteflying’! There are thousands of kites which dot the skies: all kinds of shapes and sizes, colours and now even texture. It is common belief that a kite is an offering to God, to propitiate ‘Surya’ and thank him for the winter just gone by. The fact is that today ‘kite-flying’ is mainly a source of entertainment (sometimes an obsession), but also one of competition. It is common knowledge that most of the kites and even the manja(kite-string) is made by the Muslim community (they come to States like Gujarat as seasonal migrants from UP and Bihar).

In January 2003, the first Uttarayan

after the Gujarat Carnage 2002, the Hindutva elements made an all –out campaign to prevent the people of Gujarat from buying kites made by Muslims. They did plenty of propaganda for ‘kites made by Hindus’! Unfortunately, all their efforts went flat! The people still bought kites they desired too; the ‘Hindutva’ kites had practically no sale – even those sold, were not ‘flyable’! A pathetic commentary on exclusiveness. The average Indian believes in and celebrates diversity.

What Gujaratis love to eat on this festival is a traditional dish called ‘undhiyu’- it is a mixed vegetable dish. The name of this dish comes from the Gujarati word ‘undhu’, which translates to upside down, since the dish is traditionally cooked upside down underground in earthen pots, termed ‘matlu’, which are fired from above. There are a whole variety of vegetables which are needed to make undhiyu; some are a must like baby potatoes, eggplant (brinjal), purple yam (ratalu), sweet potato, surti papdi, green bean, unripe banana and

72 Veez Illustrated Weekly

methi muthia. There cannot be undhiyu if some of these base vegetables are missing. The tasty dish is a veritable celebration of diversity.

fly into oblivion into the night skies!

But the kite is free! One is reminded of the poem ‘Untethered Kite’ written by Squid the Russel; some verses go thus:

The most popular sweet item (dessert) during this festival season is the jalebi! People simply love this deep-fried snack which is dipped into a sugar-syrup before being walloped. Its roots are in Arabia; thanks to Mughals who gave us a whole variety of delicious ‘mithai’ (which we call ‘Indian Sweets’ today!). The all –time favourite snack ( the ones fried in pure ghee cost a mind-boggling Rs. 700/- a kilo this year) not only tickle the taste buds of those celebrating the festival, but it has also been able to demonstrate the fact that we need each other: the best way we can do so, is to celebrate diversity!

I wish I had arms To reach down With a pair Of gleaming scissors To cut my tether I wish I had a voice To tell them what I want What I think Because they won’t listen Won’t pay attention To my relentless fight To my constant struggle Against the confines of my rope Won’t someone set me free?

Can’t somebody help me?

To become an untethered kite

It is nearing the end of ‘vasi uttarayan’. The dark skies have phantom kites flying high into it; but all along there are lanterns all lit, deftly tied to the string, which makes one just say “WOW!”. Soon the string will be cut and the kite will

The plain truth is that if we truly want to Celebrate Diversity, to embrace differences, to enhance pluralism -we will all have to become untethered kites – free, to go where the wind blows and to ensure change! Above all, to have the courage not to allow anyone else to enslave us or to attempt to

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chain us down! Let us celebrate diversity- it is our right to do so!

*(Fr. Cedric Prakash SJ is a human rights, reconciliation & peace activist/writer.

15 January 2025 Contact: cedricprakash@gmail.com ) ------------------------------------------------------------------------------------

A Year of Milestones:

Daijiworld.com Steps Into 25th Year •

Tue, Jan 14, 2025, 12:02:43 AM

Walter Nandalike

Founder,

Editor-in-Chief

Daijiworld.com On January 14, 2001, on the auspicious occasion of Makara Sankranti, Daijiworld.com went live as a humble local-language website, originally named 'daiji.bigstep.com', during the second anniversary of the Daiji Dubai Konkani Writers’ Forum.

Inaugurated by NRI entrepreneur and philanthropist Ronald Colaco, this was the

beginning of a journey filled with aspirations and challenges. Today, as we complete 24 glorious years, we reflect on our humble beginnings and remarkable growth.

What started as a small initiative to promote mother tongue, Konkani, soon evolved into a platform catering to the news and information needs of coastal Karnataka’s diaspora. Within two years, the website transitioned from a Konkani literature portal to a fullfledged news and information site, rebranded as Daijiworld.com in 2003. By 2007, the growing popularity and demand for quality news led to its establishment as a private limited company.

Today, Daijiworld.com proudly serves nearly 2 million unique visitors from across the globe,

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offering local, regional, national, and international news.

Our audience transcends barriers of caste, creed, language, and geography, embodying the spirit of Vasudhaiva Kutumbakam—the world as one family.

On this auspicious occasion of Makara Sankranti, the Daijiworld team, including management and staff, extends heartfelt gratitude to all who have supported us through our journey. Your encouragement during both triumphant and challenging times has been our strength. While it is impossible to name every individual or institution, we are deeply indebted to all our patrons, readers, advertisers, sponsors, and supporters who have been part of this journey.

A Year of Milestones and Initiatives Charity Beyond Dreams What began as a simple idea has grown into a charitable movement beyond imagination. Over the years, we have facilitated over Rs 30 crore in charitable contributions, connecting donors directly to beneficiaries through our reliable and verified appeal system. Without maintaining any trust or account, this platform has become a beacon of hope for those in need. The generosity of our readers, who contributed selflessly without questioning backgrounds, is our proudest achievement. This mission of compassion continues to inspire us every day.

Social Impact Through Journalism Our news reports, articles, and investigative stories have reached government officials, departments, and political leaders, holding up a mirror to their work and reminding them of their responsibilities to the public. Impact journalism remains at the heart of Daijiworld, and we are proud of the hard work and dedication of our team in driving social change.

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New Initiatives for Aspiring Journalists, Music Producers, and Sound Engineers To nurture the next generation of journalists, Daijiworld Media is launching a four-month training program for graduates and aspiring journalists. The course will offer practical training in web media, TV journalism, audio-visual content, and social media, guided by our experienced team and guest professionals. We will also cater to enthusiasts in photography and video production.

Certificate courses in music production and sound engineering are also being offered. Interested candidates can reach us at hrdaijiworld@gmail.com or WhatsApp/call us at +91 8147479876.

Introducing Daijiworld’s Movie Production House We are thrilled to announce the launch of Daijiworld’s movie production house, officially registered with the Karnataka Film Chamber. Our first Konkani movie is in post-production, and on this special day, we reveal its title as part of our milestone celebration.

Daijiworld Films’ debut Konkani movie, Bapachem Putache Navim, is produced by NRI entrepreneur and philanthropist Michael D'Souza, under his vision for the Konkani project. Written and directed by Stany Bela, a well-known figure in Konkani serials and stage shows, the movie marks an exciting chapter in our journey. Further details will

follow soon.

Looking ahead, we plan to produce Kannada, Tulu, and Konkani films that resonate with our audience.

Words of Gratitude To our dearest readers, you have been our greatest strength and inspiration. While our journey has had its share of challenges, every step has been a learning experience.

Your guidance, appreciation, and

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constructive feedback have driven For inquiries or to contact us, us to continually improve. please message us on WhatsApp We are also deeply grateful to our at +91 6362321633. advertisers, sponsors, marketing Thank you for being part of us partners, and the entire editorial remarkable journey. Together, we and support team, you are the will continue to grow, innovate, and backbone of Daijiworld’s success. serve as a bridge connecting As we step into this milestone 25th people, communities, and hearts year, we look forward to unveiling across the globe. many new initiatives and Let’s step into the 25th year with celebrating our silver jubilee with a renewed energy, unwavering grand event next year. This journey commitment, and a promise to is not merely a story of success but bring you the best! one of progress, perseverance, and shared vision.

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Points to Ponder, February 2025 Arunanjali Securities Poonam Anand Nikethan, Ground Floor, 8th cross, Gandhinagar,Urwa Mangalore - 575003

commence, the annual budget is a

PHONE : +918243552437 MOBILE :9019787658, 8095275933

corporates and capital markets on

ritual that keeps 10 crore plus tax payers,

house-wives

along with

their toes. The ruling dispensation, in the meantime, brags about the “handsome”

outlays

for various

purposes like capital expenditure and a plethora welfare scheme dressed

in

politically

appealing

What Ails Our Budgets?

narrative. But what really ails budget

Like the faithful waiting eagerly for

making is that the emphasis is

some recurrent hallowed ritual to

almost entirely on spending and not

77 Veez Illustrated Weekly

on outcomes. Some of the areas of

in less than six months after their

concern

opening, the much-publicized Atal

regarding

budget

outcomes are the following.

Setu bridge developed large cracks

1. Infrastructure: Although we have a separate ministry with an army of bureaucrats, the data from the Ministry

Statistics

collapsed in June 2024.

2. Competitive

Populism:

A

and

functioning democracy, despite its

Implementation

many challenges, is a precious gift

(MOSPI) come with considerable

that India has rightly come to

time lag. The latest data from

cherish.

MOSPI paint a somber picture. As of

Canterbury brought charges against

March 2024, out of 1873 ongoing

King Edward II in 1327 with the now

Union Government projects, each

famous Latin phrase, Vox populi Vox

with an outlay of Rs 150 crores or

Dei, the same has been deftly

more,

perverted by politicians of all hues,

Programme

of

and terminal-1 of Delhi airport

779 are running

behind

Ever since Archbishop of

schedule. While these delays, per se,

including

are disturbing in that they hide huge

Perversion has taken many forms

opportunity costs, the magnitude of

including

cost overruns is equally alarming.

stifles diversity or, pandering to the

The aggregate cost overrun in the

minority

above 779 projects exceeds Rs 5 lac

insidious perversion of this doctrine

crores. It is estimated that cost

is competitive populism.

overruns in the infrastructure sector

quest to seize power at any cost,

account for 1.6 per cent of the GDP.

political parties across the spectrum

The performance gets murkier if the

have resorted to a race to the

shoddy execution of projects is

bottom of mindless giveaways to

comprehensively accounted for. To

garner votes, unmindful of the

cite only a few examples; in Bihar 13

eventual

bridges collapsed in June-July 2024,

consequences. With fiscal deficit to

78 Veez Illustrated Weekly

aspiring

dictators.

majoritarianism vote

banks.

deleterious

A

that more In their

economic

GDP ratio at 4.9%, Finance Minister

populism, budgets have failed to

says that the budget is fiscally

differentiate

prudent. But even at this level of

freebies and welfarism that boost

deficit, the 2024-25 budget, thanks

economic and social empowerment.

to burgeoning subsidies, seems to

3. Demand Deficit: The last budget

be fast hitting the

ceiling for

between

wasteful

had some meaningful outlays and

productive expenditure, since debt

policy

servicing

of

unemployment, both naked and

Government Debt) is the single

invisible. One umbrella that has

largest expenditure at 19% of the

been hiding both open and invisible

total expenditure (excluding States’

unemployment

share of taxes and duties). The

amorphous

situation is far worse when deficits

employed. Successive budgets have

by

For

made concerted efforts to raise

instance, the CAG report of May 24

outlays for capital formation to

on Maharashtra, one of the most

generate jobs.

resource rich States, warns of rising

current elevated level of capital

debt burden. Over 60% of the

outlay,

State’s expenditure is committed to

outlays by States) accounts for only

debt service, salaries and pensions.

about 17% of the total investment in

The Majhi Ladli Bahin scheme alone

the economy, with corporate and

is expected to cost the exchequer Rs

household sectors accounting for

63000 crore! With unproductive

83%. It is in this context, erstwhile

giveaways such as free electricity,

Finance Secretary Mr. Somanathan’s

water, travel, etc., outlays for capital

statement

formation and public merit goods

investment by the private sector,

like health and education, etc., are

which acquires significance. Over

bound

the

the last few years, the aggregate

competitive

level of investment in the economy

(interest

States

to

compulsions

are

costs

considered.

suffer. of

Given

79 Veez Illustrated Weekly

initiatives

tackle

has

been

the

category

of

self-

public

is

to

But even at the sector

no

(including

substitute

for

as a percentage of GDP has come

informal sector because of loss of

down and at present it is at 30% of

employment

GDP. If we aspire to shift from

accentuated by inflation. This has

current GDP growth of around 6.5%

adversely

to 7.5%, we need to increase

goods

investment level from 30 to 35%

consumption

given that the incremental capital

down capacity expansion in the

output ratio is 5. This certainly is a

corporate

tall task given the twin challenges

sections of society are able and

posed by the prevailing interest

willing to spend on domestic and

burden and the demand constraint

imported luxury goods. This can be

that the household sector is facing.

seen in the spike in demand for

The investment by the household

luxury

sector is estimated on a residual

affordable

basis after accounting for gross

sluggish

fixed capital formation in the public

incentives, or in sales of luxury cars

and corporate sectors. Investment

taking off, even as demand for entry

in the household sector in 2013-14,

level two wheelers remaining flat or

which was at 42.6% of the total, was

declining.

down to 39.5% in 2021-22. It is

demand constraints will emerge as

important

to

household

sector

note

informal

sector

unregistered

small

and

affected

and

demand

services

of

mass

sector.

The

while

housing despite

So,

affluent

it

that

government

appears

the

a

comprises

an

management going forward.

and

micro

for

remaining

that

covering

for

which has slowed

houses

major

income

challenge

in

that

budget

4. Tax Inequity: Since FY 23, personal income

tax

collections

have

enterprises (SMEs) and proprietary

exceeded corporate tax collections,

firms. So even as officials keep

with the former being 13.5% higher

claiming an uptick in investment

than the latter in FY 24 and

activity in the listed corporate space,

accounting for about 54% (Rs 10.45

there is pain, albeit hidden, in the

crores) of the direct tax collections

80 Veez Illustrated Weekly

of Rs 19.6 lac crores. The skew has

Another disturbing development is

worsened in the first half of this

the sharp fall in the number of

fiscal year with 25% growth in

income tax return filers with an

personal income tax collections,

income beyond Rs 1 crore, which

against 2.3% growth in corporate

suggests

taxes. The corporates which now

taxpayers between FY 15 and FY 24

enjoy lower tax rates have been

has happened at the lower end.

generous with dividend distribution

Apart from raising the tax slabs at

and buybacks

the

but have hardly

that the doubling

lower

end,

this

calls

of

for

stepped up their investments, many

measures to increase the tax base

of them being content with trading

(about

in imported goods. This anomaly in

population) at the higher end.

the

the

Any taxation regime that seeks,

corporates and individuals needs to

among other things, to support

be addressed, if only to give a boost

long-term economic growth, needs

to demand in the economy.

to incentivize harnessing of ‘high

The recent data released by the

powered capital as opposed to

Central

Taxes

bonds or other forms of investment.

indicate that the tax burden of those

In the last budget under the guise of

in the Rs 5.5 to 9.5 lac annual

rationalization,

income bracket is high, as the total

between capital gains derived from

tax payable by those in this category

risk capital and other assets is

exceeds that of those in the higher

almost eliminated. While it may be

income

worth

beneficial to disincentivize trading

this

in capital assets, patient long term

incidence

Board

of

of

brackets.

considering

tax

quintessentially

tax

on

Direct

It

is

reliefs

for

middle-class

risk

10%

of

capital needs

the

working

differentiation

to be duly

bracket as well as those below it,

rewarded. The next budget could

given

higher

consider increasing the holding

marginal propensity to consume.

period for equity capital to say 3

their

relatively

81 Veez Illustrated Weekly

years, during which any realization

transactions to book profits are

of capital gains could be taxed at

likely to take place within three

20% and thereafter make the gains

years, given the prevailing trading

tax free. This may even prove to be

intensity on the recognized bourses.

revenue neutral, since bulk of the

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Children Of The Dark

There's nothing you can do about, the children you brought into the light Who choose to let evil rule, and destroy their very lives We can blame the drug lords, we can blame the friends The worst is when you start seeking within to blame it on yourself Words oftentimes speak of mother's, and there's a reason for that Father's who go that extra mile, are far and too few, while others hide Father's that retreat into denials, are Ill-equipped and afraid It's story of life, even in the story of Christ, who stood by Him to the end 83 Veez Illustrated Weekly

A mother has pulled their child from the mouth of a crocodile She won't give up, beseeching the heavens day and night, to come to her aide No doubt her child has troubles well beyond her understanding But his every fall is like daggers twisted in her aching heart Dear mothers everywhere, your pain cannot be put in words Your struggles and that of your child, will stay with you to the other side It may be his journey to suffer this much, if only he could see his mother's heart Tied to his every move, weeps and prays a mother, for his return By: Molly Pinto.

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The Power of a Kind Word One gentle word, so soft, so true, You can lift the gray and bring the blue.

It warms a heart, ignites a flame, And wipes away the ache of blame.

It costs us little, yet gives so much, A healing balm, a tender touch.

Through storms of life, it lights the way, A bright beacon, a hope to stay.

So, speak with kindness, let love flow, For one kind word can make hearts glow.

By: Stany Jovin Menezes – Muscat / Pangla

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How an ocean of literature could be produced during the Vedic Period.

Dinkarray Mandaliya DDM 2025-1-16 During the Vedic period, starting around 1900 BCE, civilization progressed over the Ganga River on the east side of the Saraswati River.

Enormous fertile land was available.

There was no invasion from outside, as the north was protected by the mighty Himalayas. The east and south sides were open for civilization's progress. Initially, for food, they depended on the milk of cows, fruits and animals like deer in the forest.

People became hierarchical social groups based on birth and occupation as time passed. Because it was easier for a son to learn what his father was doing. As the son grows, he helps his father in his work. Over time,

there became four main groups Brahmins, Kshatriya, Vaishya and Shudra.

Later, the Brahmins, while reciting the Rig Veda, entered in “Purusha Sukta” the four varnas as arising from different parts of the primordial being Purusha, with the mouth representing Brahmins, arms as Kshatriyas, thighs as Vaishyas, and feet as Shudras. By this time, Brahmins had become more powerful and would not have considered objections from Shudras. (The Manu Smriti, also known as the Laws of Manu, was written later between 200 BCE and 300 CE when the written script was available.)

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As time went on, the Rig Veda and other Vedas had profound and permanent implications for social organization, leading to a rigid class structure that influenced various aspects of life, including occupation, marriage, and social interactions.

With this Verna system, Brahmins created more and more rituals for every occasion, such as marriage and death, and various other rituals that continue to this day.

As the population of the society increased, Vaishya and Shudra did most of the production work and Brahmins and Kshatriya had less to do. Brahmins had more time to develop and recite Vedas.

The Yagna ritual was easy in old times as plenty of wood was available, and the fire was always on for cooking food. Since there was no script for writing, they had to recite Vedas every day so as not to forget. the Vedas were primarily transmitted orally between generations and groups. Brahmins were dedicated to memorizing and reciting the hymns with precision.

The list below is from the Internet.

The link (CTRL+ Click) provides more information on each piece of literature. It is a mine of information that can take a whole life if one wants to go through it. Not all are from the Vedic period. Some are from a later period when a script for writing was available.

Vedas Rigveda, Samaveda, Atharvaveda Divisions Samhita, Brahmana, Upanishads

Yajurveda,

Aranyaka,

Upanishads Rig Vedic, Aitareya, Kaushitaki Sama vedic, Chandogya, Kena Yajur vedic, Brihadaranyaka, Isha, Taittiriya, Katha Shvetashvatara, Maitri

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Atharva vedic Mundaka, Mandukya, Prashna Other scriptures Agamas, Bhagavad Gita, Tantras Related Hindu texts Vedangas Shiksha, Chandas, Vyakarana, Nirukta, Kalpa, Jyotisha Puranas Brahma puranas Brahma, Brahmānda, Brahmavaivarta, Markandeya, Bhavishya Vaishnava puranas Vishnu, Bhagavata, Naradiya, Garuda, Padma Vamana, Varaha Purana, Kurma, Matsya Shaiva puranas Shiva, Linga, Skanda, Vayu, Agni Shakta puranas Devi Bhagavata Itihasa Ramayana, Historicity, Mahabharata , Historicity

Manusmriti Shastras and sutras Dharma Shastra, Artha Shastra, Kamasutra Brahma Sutras, Samkhya Sutras, Mimamsa Sutras

Nyāya Sūtras, Vaiśeṣika Sūtra, Yoga Sutras Pramana Sutras Charaka Samhita, Sushruta Samhita Natya Shastra, Vastu Shastra Panchatantra, Divya Prabandha, Tirumurai Ramcharitmanas, Yoga Vasistha, Swara yoga Shiva Samhita, Gheranda Samhita, Panchadasi Vedantasara, Stotra The approximate period of composition is as follows: Rigveda, 1500 – 1100 BCE Samaveda, 1200 – 800 BCE Yajurveda, 1100 – 800 BCE Atharvaveda, 1000 – 800 BCE The early Upanishads were composed over 900 – 300 BCE. Others Mahabharata, 400 BCE (Origins likely in the 8th or 9th century BCE) Bhagavad Gita, 400 BCE Ramayana, 400 BCE

Samkhya Sutra Mimamsa Sutra, 300 – 200 BCE Arthashastra, 400 BCE – 200 CE Nyāya Sūtras, 2nd century BCE Vaiśeṣika Sūtra, 2nd century BCE Yoga Sutras of Patanjali, 100 BCE – 500 CE

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Brahma Sutra, 500 BCE Puranas, 250 – 1000 CE Shiva Sutras, 120 BCE Abhinavabharati, 950 – 1020 CE Yoga Vasistha, 750 CE Rig Veda: It contains hymns that discuss cosmology, rituals, and the nature of the universe.

Sama Veda: It is primarily a collection of melodies meant to be sung during sacrifices, largely drawing verses from the Rig Veda.

Yajur Veda: Focused on sacrificial rituals and procedures, with two main versions: the "White Yajur Veda" (mainly hymns) and "Black Yajur Veda" (including prose commentary).

Atharva Veda: Contains spells, incantations, and practices related to everyday life like healing and protection from evil, often considered more "practical" than the other Vedas.

Each Veda has its own collection of hymns called "Samhita".

Later Vedic texts, like Brahmanas and Aranyakas, are commentaries and interpretations of the Vedas,

often discussing philosophical concepts.

During the later Vedic period, they created three Vedas (mainly ritual texts), the Brahmanas (manuals on ritual), the Upanishads, and the Aranyakas (collections of philosophical and metaphysical discourses).

Puranas cover a wide range of topics, including cosmology, genealogy, folk tales, geography, medicine, astronomy, and philosophy. Many Puranas emphasize devotion to specific deities like Vishnu, Shiva, and Devi, contributing to the Bhakti movement.

Vedic Sanskrit was first found in the Rigveda, a collection of 1028 hymns composed between 1500 BCE and 1200 BCE. Classical Sanskrit, a refined and standardized grammatical form, emerged in the mid-1st millennium BCE and was codified in the most comprehensive of ancient grammars, the Astadhyayi (eight chapters) of Palini.

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Send your articles, poems, stories, news items to: veezkonkani@gmail.com A global e-Weekly.

Send your articles, poems, stories, news items to: veezkonkani@gmail.com A global e-Weekly.

Colonial History in a Nutshell

Philomena Lawrence Gilbert Lawrence Authors: Insights into Colonial Goa (5th Edition) Published by Amazon/ Kindle For details about the book and authors see: https://www.amazon.com/dp/B0DQPYSL1F?ref_=pe_93986420_774957520 90 Veez Illustrated Weekly

------------------------------------------------------------Send your articles, poems, stories, news items to: veezkonkani@gmail.com A global e-Weekly.

To read old and new Veez issues in English & Konkani, click: https://issuu.com/austinprabhu clients and also for several financial, commercial and educational institutions. In recognition of his relentless service and vast experience in the legal field Karnataka State Government has bestowed on him the Honor of being appointed as the Principal Sri. M. P. NORONHA, B.A (Law), District Government Pleader with LLB, Advocate appointed as immediate effect for a tenure of Principal DISTRICT GOVERNMENT three years henceforth. During his PLEADER OF DAKSHINA KANNADA. tenure as the Principal the District A top-rank holder from Mangalore Government Pleader, Sri university, Sri M.P.Noronha is an M.P.Noronha is entitled to conduct eminent legal luminary and a private practice well as cases on trusted Advocate for thousands of behalf of the Government.

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Sandesha Foundation Unveils Sandesha Awards 2025 Media Release Sandesha Foundation for Culture and Education®, an institution renowned for its steadfast commitment to fostering a valuebased society, is proud to announce the much-anticipated Sandesha Awards 2025. Established in 1989 and registered as a charitable institution in 1991, Sandesha has been a trailblazer in promoting harmony and excellence through active support for art, culture, education, and folklore.

The foundation continues to shape lives through its comprehensive training programs in music, dance, art, painting, journalism, media education, public speaking, and related fields. Additionally, it has created dynamic platforms by organizing workshops on drama, poetry, media, and other subjects that unite talents across diverse walks of life. Recently, Sandesha took a leap forward by signing a Memorandum of Understanding (MOU) with Karnataka Gangubhai

Hanagal Music and Performing Arts University, paving the way for certificate and diploma programs that further enhance its educational offerings. Adding to its legacy, Sandesha was honoured for its contributions to Kannada literature at the 87th Kannada Sahitya Sammelana held in Mandya on December 22, 2024.

About Sandesha Awards The Sandesha Awards is a flagship initiative of the foundation, celebrating exceptional contributions in Literature, Journalism, Arts, Education, Music, Media, Social Service, and more.

This prestigious annual event not only honors outstanding achievements but also underscores the importance of value-driven

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contributions, promoting a culture of excellence and societal impact.

Sandesha Awards 2025 Details

The Sandesha Awards 2025 ceremony will be held on Monday, February 10, 2025, at 5:30 PM, at the Sandesha Institute Grounds, Mangalore. The event will be presided over by Most Rev. Dr. Henry D’Souza, Bishop of Bellary and Chairman of the Institute. The Chief Guest for the evening will be Shri Dinesh Gundu, Honourable Minister for Health and Family Welfare, Government of Karnataka Other distinguished dignitaries include Most Rev. Dr. Francis Serrao, Bishop of Shimoga, Most Rev. Dr. Lawrence Mukkuzhy, Bishop of Belthangady, Dr. Sudeep Paul, MSFS, Director of Sandesha, Mr. Roy Castelino and Rev. Fr. Ivan Pinto, Trustees of the Institute, Shri Damodar Shetty, Chairperson, Sandesha Awards Jury.

Sandesha Awardees 2025 This year’s awardees have been selected for their exemplary contributions across various fields:

Sandesha Literature Award (Kannada): B. R. Laxman Rao Sandesha Literature Award (Konkani): Iriene Pinto Sandesha Literature Award (Tulu): Ganesh Amin Sankamar Sandesha Esteem Award: Michael D’Souza Sandesha Media Award: D. V. Rajashekar Sandesha Konkani Music Award: Roshan D’Souza Sandesha Art Award: Girish Kasaravalli Sandesha Education Award: Dr. Yenepoya Abdulla Kunhi Sandesha Special Recognition Award: K. V. Rao Sandesha Talent Award: Remona Evette Pereira Sandesha Special Honorary Awards 2025 Sandesha Esteem Award: Mr. Michael D’Souza (for Humanitarian Service and Philanthropy) Sandesha Talent Award: Miss

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Remona Yvette Pereira (for Outstanding Talent in Bharatanatyam) The Sandesha Awards 2025 is set to be a memorable celebration of talent, dedication, and values. We look forward to an evening of inspiration and recognition as we honour these exceptional individuals who continue to make a positive impact on society.

tutorial center in Chintamani, Kolar district, before settling in Bengaluru post-retirement. His literary journey began with the publication of his first poetry collection, Gopi Mattu Gandaleena (1971). Over the years, he has authored eight additional collections, culminating in Navonmesha. His work also includes anthologies of short poems and lyrical compositions.

Details of the Awardees

Lakshman Rao’s versatility extends beyond poetry into almost every literary genre, including short stories, novels, plays, critiques, translations, biographies, and essays. He has represented Kannada literature on international platforms, visiting England, the United States, Singapore, and the Middle East at the invitation of Kannada associations to promote Kannada culture and literature. Many of his works are part of school and college curricula, and his poems have been translated into English and several Indian languages.

Sandesha Literature Award (Kannada): B. R. Lakshman Rao

B. R. Lakshman Rao, affectionately known as the “Poet of Love,” was born on September 9, 1946, in Cheemangala village, Chikkaballapur district, to B. R. Rajarao and Smt. Venkata Lakshmamma. With a B.A. and M.Ed. to his name, he managed his own

Some of his popular lyrical compositions include Amma, Ninna Edeyaalada, Nimbegida, Jaalibaarinalli, and Helihogu

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Kaarana. He is also well-known for his movie songs, such as Baa Maleye Baa, Baare Rajakumari, and Devare, Agadha Ninna Karuneya Kadalu.

Lakshman Rao’s contributions have been widely recognized, earning him prestigious awards such as the Karnataka Sahitya Academy Award, Dr. Puthina Poetry Award, Karnataka Rajyotsava Award, Masti Award, and the Filmfare Award for Best Lyrics in Cinema, among others.

In recognition of his exceptional contributions to Kannada literature, the Sandesha Foundation for Culture and Education is honored to present Shri B. R. Lakshman Rao with the Sandesha Kannada Literature Award 2025.

Sandesha Konkani Literary Award 2025: Irene Pinto

Mrs.

Irene

Pinto,

an

eminent

Konkani novelist and a cherished literary figure, hails from Bejai, Mangalore.

Known for her exceptional contribution to Konkani literature, she embarked on her literary journey at a young age under the pen name Sharath. With a deep passion for storytelling and a profound command of the Konkani language, Mrs. Pinto has enriched the literary world with her prolific writing.

While her creative endeavors span multiple genres, her mastery of novel writing has made her a standout voice in Konkani literature.

Her first novel, Balidan, which began as a serialized story in the Konkani bi-monthly magazine Jhelo in 1963, received immense appreciation from readers and was later published as a book. This marked the beginning of an illustrious literary career. Over the years, she continued to captivate audiences with her engaging narratives and thought-provoking themes. Some of her notable works include Stree, Moje Antaskarṇ Visorchenam, Palleli Bhas, Hav Chukon Podonk Na, Tuvennegar Kelen, Mog ani Bharvaso, and Asha ani Nirasha. Her

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stories delve into the depths of human emotions, societal issues, and the complexities of life, making her works relatable and timeless. In addition to her novels, Mrs. Pinto has written over 25 short stories, each a gem, showcasing her versatility and creativity as a writer.

Mrs. Irene Pinto’s literary brilliance has been widely recognized and celebrated over the decades. She was honored with the Mithr Award in 1964 for her groundbreaking novel Stree, which highlighted the struggles and resilience of women.

Her novel Mog ani Bharvaso earned her the Konkani Bhasha MandalGoa Award in 1974. Further accolades include the prestigious Karnataka Konkani Sahitya Academy Award in 2003 and the Louis Mascarenhas Konkani Nalanda Literary Award in 2010, conferred by the Mangalore Konkani Study Centre. These awards stand as a testament to her enduring legacy and significant contributions to the Konkani literary world.

Recognizing her unwavering dedication to promoting Konkani

literature and her monumental impact on the literary community, the Sandesha Foundation for Culture and Education is honored to present Mrs. Irene Pinto with the Sandesha Konkani Literary Award 2025. Her work continues to inspire and illuminate the path for future generations of Konkani writers and readers alike.

Sandesha Tulu Literary Award 2025: Dr. Ganesh Amin Sankamar

Dr. Ganesh Amin Sankamar, a distinguished Tulu poet and folklorist, was born in 1960 in Sankamar, Dakshina Kannada district. As a scholar of excellence, he holds a Ph.D. in Folklore and Semantic Power. Over the years, his academic journey has spanned diverse roles, including two years as a lecturer at SNS College, Sunkadakatte; 13 years as the principal of Narayana Guru College,

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Katipalla; and two decades as a Kannada professor at St. Aloysius PU College, Mangaluru.

A luminary in Tulu folklore, Dr. Sankamar has authored approximately 18 works in Tulu and Kannada. With an unwavering dedication to cultural preservation, he has delivered over 5,000 lectures, presented numerous research papers, and conducted several workshops on Tulu folklore. In 1996, he founded the Agoḷi Manjanna Folklore Center in Pavanje, which remains a cornerstone for promoting and preserving Tulu heritage.

Dr. Sankamar’s influence extends beyond academia. He has served on the Academic Council of Mangalore University and the Tulu Sahitya Academy.

His popular radio programs, Gaampanna Naadirgatta on All India Radio, Mangaluru, and Genada Nade on Radio Sarang, have earned widespread recognition. He has also taken Tulu culture to international platforms, conducting programs in Bahrain, Dubai, and Muscat. Furthermore, his leadership roles include serving as

the director of the Narayana Guru Chair and the Rani Abbakka Study Chair at Mangalore University.

Among his many accolades is the prestigious Sadhaka Puraskara from Mangalore University.

Dr. Sankamar’s literary contributions include notable works such as Dolu, Maaya Da Kaayi, Maaya Mattu Joga, Sante Dulayi Onte, Genada Nade, and Genada Bolpu.

In recognition of his lifelong dedication to promoting Tulu literature and culture, the Sandesha Foundation for Culture and Education is proud to present Dr. Ganesh Amin Sankamar with the Sandesha Tulu Literary Award 2025.

His tireless efforts continue to enrich and preserve the cultural fabric of the Tulu-speaking community.

Sandesha Media Award – 2025: D.V. Rajasekhar

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D.V. Rajasekhar was born in 1951 in Manchappanahalli, Bengaluru Urban District. He is the son of C.H. Veera Nanjachar and Kalamma.

After completing his B.A. (Honors) and M.A. from Central College, Bengaluru, he served as a Kannada lecturer at Christ College, Bengaluru, for four years.

With a career span of over four decades, D.V. Rajasekhar has worked in various capacities at the prestigious daily newspaper Prajavani. He has conducted interviews with renowned personalities such as filmmaker Satyajit Ray, Mahabharata fame director Peter Brook, Hindustani classical vocalist Gangubai Hangal, and astronaut Charles Conrad, who traveled to the moon. He continues to write a column titled “Videsha Vihara” for the Andolana newspaper in Mysuru.

As a member of India’s journalist delegation, he visited Israel and Palestine. He also reported directly from the European Union Summit held in Luxembourg. Known for his independent thinking, he has earned a reputation as a prominent

columnist.

Post-retirement, he contributed as a columnist for Vijaya Karnataka and Kannada Prabha newspapers and served as an editorial advisor to The State, Kannada’s first multimedia website.

Rajasekhar has authored notable works such as Shabdadolagana Nishabda, Hattu Dikku, and Suddiyinda Hinde. He has received several accolades, including the Karnataka Rajyotsava Award, the Press Academy Award, and the Press Club Media Award.

Recognizing his outstanding contributions to journalism, the Sandesha Foundation for Culture and Education is proud to honour D.V. Rajasekhar with the 2025 Sandesha Media Award.

Sandesha Konkani Music Award 2025: Roshan John D’Souza

Roshan John D’Souza, a celebrated

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Musician and composer from Bondel, Mangalore, was born on March 4, 1977. With a career spanning over three decades, he has become a prominent figure in Konkani music, earning acclaim as a composer and a passionate advocate for preserving and promoting the art form.

Roshan’s musical journey began under the mentorship of Joel Pereira, a renowned expert in Konkani music, who inspired him to refine his craft and pursue his passion with unwavering dedication. Further enhancing his skills, Roshan worked as a sound engineer at Sandesha Recording Studio before establishing R.D. Studio and Strummers Music School. Through these ventures, he seamlessly fused modern technology with traditional Konkani music, making it more accessible and appealing to younger generations.

As a prolific composer, Roshan has lent his talent to over 300 albums in Konkani, English, Kannada, and Tamil. He has also co-produced several albums, demonstrating his

versatility and collaborative spirit.

During the COVID-19 pandemic, his groundbreaking project, The Earth Song, united 17 singers across 9 languages, 6 poets, and 5 musicians, exemplifying his ability to bring together diverse talents to create something extraordinary.

Roshan’s contributions extend to Konkani cinema, with notable work in films such as Payan and Noxibacho Khell, where his compositions have added depth and richness to the storytelling.

Recognized for his exceptional achievements, Roshan John D’Souza has been honored with several accolades, including the Kalakar Puraskar by Mandd Sobhann, the Global Konkani Music Award, and recognition in the Limca Book of World Records.

In recognition of his remarkable contributions to Konkani music and his efforts to preserve and innovate within this rich tradition, the Sandesha Foundation for Culture and Education is proud to present Roshan John D’Souza with the Sandesha Konkani Music Award

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2025. His work continues to inspire and uplift the Konkani-speaking community.

Sandesha Art Award 2025: Girish Kasaravalli

Internationally acclaimed Kannada filmmaker and Padma Shri awardee Girish Kasaravalli was born on December 3, 1950, in Kesalur, Thirthahalli, Shivamogga district, to Ganesh Rao and Lakshmidevi. A gold medalist from the Film and Television Institute of India, Pune, Kasaravalli made a lasting mark in the field of film direction, carving out a legacy in parallel cinema.

Following in the footsteps of stalwarts like Satyajit Ray, Adoor Gopalakrishnan, and Aravindan, he pioneered a unique path rooted in realism and social consciousness.

Kasaravalli’s cinematic journey began with his debut film Ghatashraddha, which set a benchmark for value-driven

storytelling. Over the past two decades, he has remained steadfast in his commitment to meaningful cinema, directing 14 critically acclaimed films. Each of his works has received accolades at the international, national, and state levels, earning him a revered place in Indian cinema.

As a director, producer, and screenplay writer, Kasaravalli’s profound understanding of global cinema and his creative vision have made him a sought-after mentor at film workshops and an inspiration in the industry. Iconic films such as Ghatashraddha, Tabarana Kathe, Thaayi Saheba, and Dweepa have all won the prestigious National Film Awards Golden Lotus, while many others have garnered numerous awards, showcasing his extraordinary talent and dedication to his craft.

In recognition of his exceptional contributions to art and cinema, the Sandesha Foundation for Culture and Education is proud to honor Girish Kasaravalli with the Sandesha Art Award 2025.

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Sandesha Education Award 2025: Dr. Yenepoya Abdulla Kunhi

Dr. Yenepoya Abdulla Kunhi, born in 1947 in Kasaragod, is a visionary leader whose remarkable contributions have left an indelible mark on the field of education.

Though he began his academic journey with an arts degree from Mysore University and explored diverse sectors such as transportation, industry, medicine, sports, and social service, his unparalleled dedication to education has become his defining legacy.

As a trustee of the Islamic Academy of Education, Dr. Abdulla Kunhi has played a pivotal role in founding and nurturing institutions like Yenepoya Nursing College, Yenepoya Engineering College, and Yenepoya Civil Services Academy.

Serving as the Chancellor of Yenepoya (Deemed-to-be) University, he has been the driving force behind numerous prestigious establishments, including the Medical College, Dental College, Nursing College, Physiotherapy College, Pharmacy College, and schools of Arts, Science, Commerce, and Management.

His commitment extends beyond higher education.

Under his charitable trust, Dr. Abdulla Kunhi supports the Yenepoya Center for Development Studies, Yenepoya School, and Yenepoya PU College.

He also manages institutions such as Malja-ul-Islam English Medium School, Badria Educational Institution, Thaqwa Open University, and the P.A. Education Trust, further broadening his impact on communities.

Dr. Yenepoya Abdulla Kunhi’s tireless dedication to advancing education has inspired countless individuals and transformed lives. In recognition of his extraordinary contributions, the Sandesha Foundation for Culture and Education is proud to present him

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with the Sandesha Education Award 2025.

Sandesha Special Recognition Award: Dr. K.V. Rao

Dr. Kote Venkatachala Rao (K.V. Rao) was born in 1944 in Kote village near Katapadi in Udupi district. After completing his undergraduate studies at MGM College, Udupi, he pursued a postgraduate degree in Physics from the University of Mysore. He further obtained a Ph.D. from the Raman Research Institute, Bengaluru.

Dr. Rao dedicated over three decades of his career as a professor at St. Aloysius College, Mangaluru, earning the prestigious Theo

Mathias Award for being an exceptional Physics professor.

Beyond teaching, he served as the Director of the College Development Council and the Director of the Student Welfare Department at Mangalore University.

Dr. Rao also held significant roles as the President of the Mangalore University College Teachers’ Association, a member of the Senate and Academic Council, the founding secretary of the Physics Society, the Honorary Secretary of the Dakshina Kannada Science and Technology Committee, and the Vice President of the State Teachers’ Federation.

He diligently contributed to these organizations and played a pivotal role in their growth.

Post-retirement, Dr. Rao personally oversaw the establishment of the Regional Science Centre at Pilikula and the construction of India’s first 3D planetarium, transforming Pilikula into a major tourist destination. His efforts brought national recognition to both the district and the state. He has also

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been the recipient of numerous awards for his outstanding contributions.

Recognizing his remarkable contributions to the field of science, the Sandesha Foundation for Culture and Education is delighted to honor Dr. K.V. Rao with the 2025 Sandesha Special Award.

Sandesha Esteem Award 2025: Michael D’Souza

Michael D’Souza, a distinguished philanthropist from Puttur, has earned widespread admiration for his unwavering dedication to the betterment of society. A man of humility and purpose, Michael prefers to remain away from the limelight, letting his actions speak louder than words. His lifelong mission has been to transform lives, particularly by empowering

underprivileged students through education and healthcare, and by extending support to the destitute and marginalized.

Currently, the Managing Director of the Ivory Grand Group of Hotels in Dubai, Michael D’Souza has left an indelible mark on his hometown of Mangaluru by establishing the transformative ‘Educare’ Trust. With an initial investment of Rs. 25 crores, the trust has become a beacon of hope for thousands of students from diverse socio-economic backgrounds. Each year, the trust provides scholarships and financial assistance to hundreds of aspiring students, enabling them to pursue higher education and achieve their dreams.

Michael’s philanthropic endeavors extend beyond education. He has been a passionate supporter of Kannada, Tulu, and Konkani languages and culture, promoting their preservation and growth. His generosity has enabled numerous cultural programs across the Gulf region, India, and beyond, fostering a sense of pride and unity among communities.

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As a visionary leader, Michael has inspired and mentored countless young entrepreneurs, guiding them in launching new ventures and navigating challenges in their professional journeys. His charitable spirit extends to supporting community institutions and leaders, empowering them to foster development and create a community-friendly environment.

Despite his remarkable achievements, Michael remains soft-spoken and grounded, dedicating much of his time to nurturing young talent and contributing to the growth of society. His vision, kindness, and commitment continue to shape a brighter future for many. Michael D’Souza resides in Dubai with his wife, Flavia D’Souza, and their three children, two daughters and a son.

In recognition of his extraordinary contributions to education, culture, and community development, the Sandesha Foundation is honored to present Michael D’Souza with the Sandesha Esteem Award 2025.

Sandesha Talent Award: Remona

Evette Pereira

Remona Evette Pereira, daughter of Gladis Pereira and sister of Ronaldo Rockson Pereira, is an extraordinary dancer and a promising talent from Mangaluru.

She is currently pursuing her studies at St. Aloysius Deemed to be University. A passionate dancer since the age of three, Remona has been training in Bharatanatyam for the past 17 years under the esteemed guidance of Dr. Shrividya Muralidhar. She achieved her Rangapravesha in 2019 and is renowned for her ability to combine classical, folk, and contemporary dance forms in her performances.

In addition to her Bharatanatyam training, Remona is known for her unique use of props, including fire, glass, nail stands, bamboo sticks, mud pots, and more, which add an extraordinary element to her

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performances. Her creativity and dedication to the art form have earned her numerous accolades and widespread recognition. Remona has performed across 17 states in India, captivating audiences and promoting Indian culture. She has also performed at prestigious platforms, including TEDx, where she showcased her semi-classical dance and spoke about her passion for art.

Remona’s list of achievements is truly impressive. She was honored with the Pradhan Mantri Rashtriya Bal Puraskar by Prime Minister Shri Narendra Modi in 2022, a recognition that highlights her exceptional talent and contribution to the cultural domain. Additionally, she has received awards such as the Asadharana Bala Puraskar from the District Government, Bala Gourav Puraskar from the State Government, and recognition from the India Book of Records, Bharat Book of World Records, and Golden Book of World Records – London.

Her performances have earned her many other prestigious awards from various regions, including Kala

Ratna Rashtriya Prashasthi Natya Mayuri Awards.

and

Remona is not only an accomplished dancer but also an NSS Cadet with a deep sense of social responsibility.

She is dedicated to using her dance to teach and inspire underprivileged communities, including orphans, differently abled individuals, and the transgender community. She aspires to pursue a PhD in Bharatanatyam and continue spreading the beauty of Indian classical dance.

Apart from her recognition as a performer, Remona has contributed to the promotion of Indian dance through various workshops and performances in India and abroad.

Her versatility includes several dance forms such as semi-classical, folk, hip-hop, Latin, Bollywood, and ballroom. Additionally, her unique dance talents—like dancing on broken glass, fire props, and balancing mud pots—set her apart as an artist who constantly seeks to push the boundaries of performance art.

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The Sandesha Foundation for heritage of India. Her passion, Culture and Education is proud to creativity, and commitment to both honor Remona Evette Pereira with her art and her community make the Sandesha Talent Award 2025 in her a beacon of inspiration for recognition of her exceptional young dancers and cultural contributions to dance and her role enthusiasts alike. in promoting the rich cultural ------------------------------------------------------------------------------------

Three-day intl. conference on sustainable development comes to close at Aloysius Mangaluru Jan 17: The curtains came down on the ICSSR sponsored international

conference

titled

"Sustainable Development Goals: Confluence of Local, National and Global

Actions"

organized

by

School of Arts and Humanities, St Aloysius (Deemed to be University) on Friday, January 17.

from Sophia University, Japan, who has

travelled

to 118

countries

The valedictory event began with an

including India. His main motive is

interactive session with Dr.Jeremy

to

achieve

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the

Sustainable

Development Goals (SDG).

Prabhu

The conference was supported by

conference also got major support

numerous

from

national

and

of

Chicago,

entrepreneur

international well-wishers, including

D’Souza.

the

USA.

Mr.

The

Michael

the

online

Speaking on the occasion chief

e-magazine

"VEEZ

guest Dr Jeremy Jimenez said that

Weekly", Lion Dr. Austin D’Souza

humans and humans' relationship in

brains

illustrated

behind

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due to heavy use of technology.

The

international

guests

and

participants who had attended the conference shared a few words on the conference theme - sustainable development. They also shared their experiences of three days. They lauded the efforts of the organizers for conducting the event in a smooth manner and shared their experience in India.

Fr. Dr Melwin D’Cunha SJ, Pro Chancellor,

delivered

the

presidential address. He highlighted the

international

candidates'

experience and their "sustainable damaging the mother earth. He explained about his experience in the

Aloysius

campus

and

appreciated the companionship of staff. He compared India with the USA in terms of technology and said that the USA has become isolated

development goals" research and concluded international

by

thanking sponsors

the and

organizers.

Austin Rodrigues, student convenor gave his concluding remarks.

Dr Sajimon PP, Associate Dean,

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school of arts and humanities gave

the vote of thanks.

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My heartiest

congratulations to Shri Armando Colaco on being

conferred with the prestigious Dronacharya Award in the Lifetime Achievement category! This is a moment of immense pride for Goa as Shri Armando Colaco becomes the first Goan to receive this esteemed recognition for excellence in sports coaching.

His contributions to Indian football, both as a coach and a mentor, have inspired young athletes to dream big, work hard and achieve their goals.

We salute his achievements and wish him continued success in his endeavours to guide the future of Indian football.

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Melvyn Rodrigues, H M Pernal, Devadas Pai, Venkatesh Nayak among Goa Konkani Akademi awardees selfless contributions for enriching Konkani literature and uniting various Konkani communities across the Konkan region. Rodrigues received the award for 2023, while Pai was honored for 2024. The award consists of Rs 50,000, shawl, citation and certificate.

Panaji, Jan 17: The Goa Konkani Akademi has announced its esteemed awards for 2022, 2023, and 2024. Renowned Konkani stalwarts from Karnataka, Melvyn Rodrigues and Devadas Pai, have been conferred with the Madhav Manjunath Shanbhag Konkani Seva Puraskar.

The announcement was made by Goa Konkani Akademi on Wednesday, January 17.

The award committee recognized Rodrigues and Pai for their

Additionally, noted critic and writer HM Pernal won the award for his book 'Konknni Kavyem: Rupam ani Rupakam' (for the year 2023), while young poet Venkatesh Nayak received the award for his book 'Vatte Voilem Ragat' (for the year 2022). Both are celebrated Konkani writers from Karnataka. The award consists of Rs 25,000, shawl, citation and certificate.

The awards will be conferred on the writers on tuesday, February 4, 2025, at Darbar Hall, Raj Bhavan, Dona Paula, Panaji, Goa.

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St Aloysius University holds National Level НАСКАТHON ‘CODESPRINT’ & Aloysian Food Fest The Inauguration of the 24 Hours

Rev Dr Kiran Cotha in his address

National

said

Level

CODESPRINT

HACKATHON

organised

by

that

human

learning

is

the

inevitable, and we get hundreds of

School of Information Science and

opportunities every day. He spoke

Technology, St Aloysius (Deemed to

about the Red Car theory and urged

be University), Mangaluru was held

the participants to unleash their

on 10th January 2025 in L. F.

skills into actions with openness. He

Rasquinha, L.C.R.I. of the University.

also briefed about the opportunities

As part of the Hackathon, Aloysian

they get through Hackathon.

Food Fest was also inaugurated.

Rev. Dr Kiran Cotha, Director of AIMIT, was the Chief Guest. Rev. Dr Praveen Martis SJ Vice Chancellor of the University presided over the programme.

Mr

Jagadish

Bhat,

Country Manager, Indian Software Services,

IBM

and

Ms

Salomi

DSouza, South Indian Actress and Model were the guests of honour.

Dr Charles Furtado, Director of Admin Block, Dr Ravindra Swami, Associate

Dean

of

Information

Science and Technology and Mr Royal Praveen DSouza, Coordinator

Mr. Jagadish Bhat, in his speech

of the programme were on the dais.

spoke

about

something 111 Veez Illustrated Weekly

skills

more

which than

are

formal

such as Data analysis, coding, Al, industry related software and so on.

Technology is such an important tool for us to manage industry, health care sector and many more.

Algorithms and coding are required to get the basic knowledge of Artificial Intelligence to do many things in our day to day life.

During the inauguration, St Aloysius (Deemed to be University) signed an MoU with IBM. Dr Roshan Fredrick Dsouza,

Chair

of

International

Relations, briefed me about the oppurtunities of MOU signed with IBM. Rev Dr Praveen Martis SJ in his presidential remarks said that the academics gives knowledge, but skills education. The industry is looking for students having various skills

give

opportunities.

He

requested the participants to take part in this brainstorming event,

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CODESPRINT,

with

utmost

enthusiasm.

Ms

Ashly

52 teams are taking part in the hackathon event, having a total of

compeered

the

177 participants.

programme. Reema Krishna Jalihal,

Melrick

Assistant

Jasper Fernandes, Sheik Shakeer Ali

professor

of

BCA

proposed the vote of thanks.

Ujwal

Dsouza,

Sheldon

are the Student Coordinators for this event.

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St Aloysius University organised French Fest, Éclosion 2025 Mangaluru, Jan 8: The Department of French, School of Languages and Cultural Studies, St Aloysius (Deemed to be University), hosted the highly anticipated French Fest, Éclosion 2025, celebrating linguistic diversity on January 8 at the LCRI Hall.

Mr. Roshan Patrao, the chief guest, inaugurated the event. Dr. Melwyn D’Cunha SJ, Pro-Vice Chancellor of

St Aloysius (Deemed to University), presided over

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be the

programme.

Dr. Alwyn D’Sa, Registrar of St Aloysius College

(Autonomous); Mr. Mark Pereira, staff coordinator and Head of the

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French Department; and student coordinators Mr. Royston D’Souza and Ms. Vandan were also present on the dais.

In his address, Mr. Roshan Patrao fondly reflected on his time at his alma mater, urging students to "wonder like a child."

He emphasized that curiosity is the key to learning and discovering more about the world.

Dr. Melwyn D’Cunha SJ, in his presidential address, shared personal experiences from his time in France. He encouraged students to broaden their horizons by learning new languages and building relationships, stating, "A renaissance is possible when we

start thinking about where we come from and where our destiny lies."

Following the inaugural programme, a series of engaging events unfolded throughout the day, including a quiz, treasure hunt, art competitions, a mock press, and a fashion show.

At the valedictory programme, chief guest, Dr. Charles V. Furtado, Director of the Administrative Block at St Aloysius (Deemed to be University), congratulated the participants and winners of the various competitions. He also commended the staff and students of the French Department for successfully organizing the fest.

Dr. Ronald Nazareth, Registrar of St Aloysius (Deemed to be University), and others were also present during the programme.

The event witnessed enthusiastic participation from over 150 students from eight schools and colleges across Mangaluru, showcasing the spirit of collaboration and a shared love for the French language and culture.

-----------------------------------------------------------------------------------115 Veez Illustrated Weekly

Carmelite fraternity on the 9th Day of Infant Jesus Novena

The ninth day of the Infant Jesus

Novena was marked by immense

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devotion, a sense of unity, and a celebration of service. The day was dedicated to all social workers, honoring their tireless efforts and dedication to the well-being of society.

The day began early, with nine Holy Masses celebrated throughout the day in various languages, accommodating the diverse community of devotees. Each Mass resonated with the central theme of the day, "Heart and Soul, United in Mission," emphasizing the importance of unity and service in fulfilling God’s mission on earth.

A special adoration service was conducted to offer prayers and gratitude for all social workers. Their invaluable service to humanity was highlighted as an extension of Christ’s mission. Adoration allowed participants to reflect on their roles in bringing love, care, and hope to the less fortunate.

To nurture the sense of community, lunch was served to all devotees presents. The act of sharing a meal further strengthened the bonds of fellowship among the faithful.

The evening held special significance with a Mass celebrated

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by Carmelite Definitor Counselor, *Rev. Fr. Pius James*, commemorating the Carmelite fraternity. Numerous priests joined in this celebration, underscoring the spirit of unity within the clergy.

After the Mass, a significant literary event took place with the release of 118 Veez Illustrated Weekly

Fr. Rudolph D’Souza’s book, "WHEN I CANNOT PRAY" (Mhaka Magonk Zainatlya Vellar). The book, focusing on moments of spiritual struggle and perseverance, was released by the main celebrant, Fr. Pius James, along with Fr. Rudolph D’Souza and Fr. Silvestre D’Souza. This release was a highlight, adding a contemplative dimension to the day's celebrations.

The day concluded with the solemn recitation of the Infant Jesus Rosary, followed by a blessing ceremony.

The rosary brought the community together in deep prayer, invoking

the intercession of Infant Jesus for peace, unity, and guidance.

Throughout the day, the ambiance was filled with spiritual energy and a collective sense of devotion. The theme, "Heart and Soul, United in Mission," resonated in every aspect of the day’s events, inspiring all present to emulate the dedication and selflessness of social workers in their own lives.

The ninth day of the Novena was a profound reminder of the power of service, prayer, and unity in achieving God’s mission, leaving an indelible impression on the hearts of all attendees.

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Bishop Henry D'Souza released "Moggu," the Shimoga Diocesan Youth Magazine, at the 29th ICYM Regional Council meeting in Mangalore.

Mangalore, January 14, 2025: The Most Rev. Dr. Henry D'Souza, Chairman of the Karnataka Regional Youth Commission and Bishop of

the Diocese of Bellary, officially released the second edition of the diocesan youth magazine, "Moggu," at the 29th ICYM Council held at the diocesan pastoral centre in Bajjodi, Mangalore. This edition, published by the Yuvamitra Diocese of Shimoga, features articles and testimonials from young people, along with details of the Year of

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to inspire parish youth groups by showcasing successful youth activities.

Book was released in the presence of Regional Youth Director Rev. Fr. Lourduraj, Pastoral Centre Director Rev. Fr. Santhosh Rodrigues, Diocesan Youth Director of the Diocese of Mangalore Rev. Fr. Ashwin Cardoza, Regional Youth Lady Animator Sr. Molly, ICYM President Ms. Vileena Gonsalves, and ICYM President of the Diocese of Mangalore Mr. Winston Sequeira.

Diocesan Youth Director Rev. Fr Franklin D'Souza, Diocesan Youth Lady Animator Rev. Sr. Treesa Lidiya, Diocesan Youth President Mr. Suhas Martin and Diocesan Youth Secretary Ms. Lenny D'Sa Most Rev. Dr. Francis Serrao, S.J., Bishop of the Diocese of Shimoga, declared 2024 the "Year of Youth".

Under the leadership of the thendirector, Rev. Fr. Pius D'Souza, specific plans were drawn for each month. In June 2024, Rev. Fr. Franklin D'Souza took over as Youth Director. He continued the Year of Youth plan together with DEXCO. Youth 2024 programs. Its purpose is 120 Veez Illustrated Weekly

On December 15, 2024, at 2:30 p.m., Eucharist celebration at Sacred Bishop Francis Serrao, S.J., formally Heart Cathedral, Shivamogga. closed the Year of Youth with a Holy ------------------------------------------------------------------------------------

Visit of the Speaker of Vidhana Sabha, Sri U T Khader to the Infant Jesus Shrine on the Feast Day of the Infant Jesus

On the feast day of the Infant Jesus, Sri U T Khader, the Speaker of the Karnataka Legislative Assembly, made a visit to the shrine to commemorate this special occasion.

His presence added a touch of honor to the celebrations, which

were attended by many devotees.

During his visit, Sri Khader engaged warmly with the local community, highlighting the importance of faith, unity, and the cultural significance of such gatherings. He took time to

121 Veez Illustrated Weekly

appreciate the traditions observed commitment to region. at the shrine and acknowledged their pivotal role in promoting Overall, Sri U T Khader's visit not communal harmony. The attendees only celebrated the feast day but expressed their gratitude for the also reinforced values of Speaker's involvement, as it togetherness and devotion within supported religious and cultural the community. events in the showcased his -----------------------------------------------------------------------------------122 Veez Illustrated Weekly

St Aloysius student donates Blood Stem Cells to a needy Cancer Patient Cherish

John

Pinto

(Reg.

No.

224816), a student of III BCA, and a Cadet of NCC Army Wing of St Aloysius (Deemed to be University) underwent a procedure to donate blood stem cells to a needy cancer patient through the DKMS BMST Foundation India - NGO based at Bengaluru.

received a call from BMST, and he was informed that he was a match Cherish had registered himself for

for a cancer patient. This is an

this type of donation 2 years ago by

incredibly rare occurrence, often

doing

Leukocyte

referred to as a "one-in-a- million"

Antigen) test. The whole process of

chance. The team at DKMS BMST

donation took 6 days and later one

explained the process in detail and

week

asked if he was willing to proceed.

HLA

of

(Human

recovery

from

the

procedure.

In

November

After consulting family doctors and 2024,

Cherish

cancer specialists, who assured him

123 Veez Illustrated Weekly

of the safety of the procedure and he wholeheartedly agreed for the same.

In December 2024, he underwent a medical examination to confirm his eligibility to Donate blood stem cells. A few days later, his reports showed that he was fit for the donation. In January 2025, he traveled to DKMS BMST Donation Center in Bengaluru for the final procedure.

The entire process took six days. For the first four days, he received G-CSF injections to increase the stem cells in his bloodstream. On the fifth day, the donation was carried out with a safe and straightforward procedure that lasted about 3.5 hours. During the procedure, the team took utmost care of Cherish and prioritized his overall health.

During the process, he experienced minor, short-term side effects such as back pain and fever, which he was informed

well

in

advance; the

overwhelming joy on his face was unimaginable.

124 Veez Illustrated Weekly

Cherish says that he is deeply grateful

Quadros

to Almighty God for the blessings for

Mangaluru.

the rare opportunity for him and

It is a proud and gratifying moment

making the procedure successful. He extends his heartfelt thanks to the Hon’ble Vice-Chancellor, Rev. Dr. Praveen Martis, SJ, Capt. ANO Shakin Raj, St Aloysius NCC Army Wing of the University, his lecturers, his family and friends for the support and guidance

extended

to

him

throughout this process. He urges and

encourages

the

student

community to register for an HLA test, which is a small step that could mean the world to someone in need.

Cherish John Pinto is a proud son of Ronald Pinto and Juana Gretta

from

Ashoknagar,

to know that a student makes an inspirational mark by going beyond his self and offers himself for the good of others, who are in dire need in sync with the institutional vision and mission of forming men and women for and with others ensuring that this spark will enkindle many more fires enabling persons in need.

The

University

appreciates

applauds,

and recognizes

this

inspirational gesture of the Cadet responding positively to the Call for donation

and

successfully

completing it. This is love in action.

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LAMP LIGHTING & OATH TAKING CEREMONY – JANUARY 2025 The lamp lighting and oath taking ceremony of the 31th batch of B.Sc Nursing students and 22nd batch of GNM students of SCS College & Institute of Nursing Sciences was held on 17th January

2025 at KAMC Auditorium, Ashoknagar, Mangalore.

The programme was inaugurated by Chief Guest Dr. Padma Priya S, Principal, Dr. M.V Shetty College of Nursing, Mangalore.

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Dr. Abhinay Sorake, Secretary, Karnataka Educational & Charitable Trust presided over the function. A heartwarming welcome speech was given by Ms. Ashwitha.

The novice nurses received the light from the Chief

Guest of the programme. Mrs. Ashwini.U, Associate Professor highlighted the significance of the day.

The Chief Guest Dr. Padma Priya S, in her address congratulated the students for

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selecting this noble profession and stressed on the importance of touch in patient care and nurses’ responsibilities in patient care.

All the novice nursing students were rendered into the profession by taking the nurses oath delivered by the Principal, Prof. (Mrs.) Lolita S.M D’Souza. The program was compered by Ms. Clesiy. Vote of thanks was delivered by Mrs. Supreetha.

Mr U.K Khalid Administrative officer and Mr. Anil Kumar, Vice Principal, and Coordinator Mrs. Rajashree was present for the programme.

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*SAD DEMISE* *Lilly D Souza* (78) W/O Lawrence D Souza. M/O Wilfred D Souza. Manager Konkan Bhavan Expired today at Madikeri.

Funeral Mass tomorrow 18-01-25 at 11am at St. Michael's Church Madikeri. *May her soul rest in Peace* Joyce Sequeira. Secretary.

KCA Mysuru.

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Thousands Unite for Faith: Infant Jesus Feast Mass Lights Up Mangalore

The celebration of Infant Jesus Feast Day 1 was a spiritually enriching

experience, marked by vibrant liturgical activities and deep

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reflections on the theme: “Love in every step, Hope in every journey.”

The day was dedicated to children, emphasizing their significance in the spiritual and communal life of the faithful. Six Holy Masses were

celebrated in Konkani, English, and Kannada, bringing together devotees from diverse linguistic and cultural backgrounds.

The day began with the 6:00 AM Mass celebrated by Most Rev. Dr

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Henry D’Souza, Bishop of Bellary.

His homily emphasized the theme of love and hope, setting a reflective tone for the day.

At 10:30am, Most Rev. Dr Aloysius Paul D’Souza, Bishop Emeritus of

the Mangalore Diocese, celebrated the Mass, drawing attention to the blessings of unity and family life.

The 1:00pm Mass was presided over

by Rev. Fr. Roman Pinto from Shivamogga, adding to the day's

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spiritual fervour. Devotees were served a communal lunch in the afternoon, fostering a spirit of fellowship and sharing.

The evening was marked by a solemn Konkani Mass, presided over by Most Rev. Dr Wilfred Moras, Bishop of the Diocese of Jhansi.

Liturgy was a profound experience, uniting the congregation in prayer and worship. Following the Mass, Bishop Wilfred Moras laid the foundation stone for a Housing Project undertaken by the Infant Jesus Shrine and its devotees, a testament to the shrine’s commitment to community service.

Overall, the day was imbued with spiritual energy and a sense of unity.

The faithful departed with renewed hope and love, reflecting on the meaningful celebrations and the shrine’s efforts to uplift the community.

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Faithful Depart with Blessings as the Infant Jesus Feast Ends in Mangaluru

The second day of the Infant Jesus Feast was a memorable and

spiritually enriching experience for all attendees, with a special

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emphasis on the sick and suffering, under the theme “Love in Every Step, Hope in Every Journey.” The entire day was dedicated to prayers, masses, and acts of compassion for those in need.

The day began with the 6:00am mass, celebrated by Rev. Fr. Archibald Gonsalves, Provincial Councilor, who set a prayerful tone for the day. This was followed by a 7:30am mass celebrated by Fr. Joachim Rodrigues, ensuring a

139 Veez Illustrated Weekly

continuous blessings.

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flow

of

grace

and

At 9:00am, Fr. Joseph Martis led the mass and at 10:30am, the

celebrations reached their peak with the presence of His Excellency Most

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Rev. Dr. Elias Frank, Bishop of Asanol, who celebrated the mass with great reverence. The morning services were conducted in Konkani and Malayalam, reflecting the diversity of the community present.

A special highlight of the day came after the 10:30am mass when Fr. John Pinto, OCD, conducted a touching adoration service dedicated to all the sick and suffering. This moment of quiet reflection and prayer was deeply appreciated by all who attended.

In the afternoon, devotees were served a nourishing lunch, fostering a sense of community and fellowship. The Malayalam masses continued in the afternoon, providing an opportunity for more worshippers to take part in the day’s solemnities.

------------------------------------

The evening saw the grand conclusion of the festal day with the solemn last mass, celebrated by Fr. Rudolph D’Souza, OCD. Many priests were present to lead the faithful in this final Eucharistic celebration, creating an atmosphere of deep devotion.

Following the mass, a small but meaningful Eucharistic procession took place, winding through the roads and streets, where the faithful joined in prayer and praise. The procession concluded with a beautiful benediction, imparting blessings to all participants.

The closing ceremony of the Infant Jesus Annual Feast 2025 was a moment of great significance. The Infant Jesus flag was lowered by Dr Ruksana, child psychologist, and Geeta Kulkarni, ACP Cyber Crime, symbolizing the end of a spiritually fulfilling day.

Overall, the day was filled with vibrant energy, devotion, and a deep sense of community spirit, making it an unforgettable experience for everyone involved.

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