Sankofa 2024 Playbill

FRIDAYS & SATURDAYS

APRIL 19, 20, 26, & 27, 2024 AT 7:00 PM

SUNDAYS

APRIL 21 & 28, 2024 AT 2:00 PM

ATTENTION AUDIENCE MEMBERS

In order to convey the story, theme, and mood, this production includes loud sound effects and realistic-looking, non-functional firearms.

We included a caution about this prior to the ticket purchase and want to remind our audience about these theatrical effects before the performance begins.

For the comfort and safety of our audience, performers and facility, there is no smoking, eating, drinking, flash photography, or cell phone use permitted in the auditorium. Bishop McNamara is a non-smoking campus. Smoking is not permitted on school grounds.

Please read the program before the start of proceedings this evening. This is a theatrical dance production designed with that in mind.

Video taping of this production is strictly prohibited.

Please be courteous to those around you. Thank you for your cooperation.

Enjoy the show.

SPECIAL DEDICATION & THANK YOU

This production is dedicated to the class of 2020. They were six weeks away from premiering the production in that year before the deadly virus forced the closure of everything. Thank you for your hardwork and dedication to this program.

&

Dr. Tom Donahue & Mrs. Mary Mitchell-Donahue

Lasting gratitude for everything you have done for me and this program You will be terribly missed.

BISHOP McNAMARA HIGH SCHOOL

Fine Arts Department, Traditional African Music & Dance

presents

Director: VICTOR BAH

Assistant Director: MIAN HAIRSTON

MAYA ANGELOU (1928-2014)

Maya was an American poet, memoirist, and actress whose several volumes of autobiography explore the themes of economic, racial, and sexual oppression. Although born in St. Louis, Angelou spent much of her childhood in the care of her paternal grandmother in rural Stamps, Arkansas. When she was not yet eight years old, she was raped by her mother’s boyfriend and told of it, after which he was murdered; the traumatic sequence of events left her almost completely mute for several years. This early life is the focus of her first autobiographical work, I Know Why the Caged Bird Sings (1969), which gained critical acclaim and a National Book Award nomination. Subsequent volumes of autobiography include Gather Together in My Name (1974), Singin’ and Swingin’ and Gettin’ Merry Like Christmas (1976), The Heart of a Woman (1981), All God’s Children Need Traveling Shoes (1986), A Song Flung Up to Heaven (2002), and Mom & Me & Mom (2013).

In 1940 Angelou moved with her mother to San Francisco and worked intermittently as a cocktail waitress, a prostitute and madam, a cook, and a dancer. It was as a dancer that she assumed her professional name. Moving to New York City in the late 1950s, Angelou found encouragement for her literary talents at the Harlem Writers’ Guild. About the same time, Angelou landed a featured role in a State Department-sponsored production of George Gershwin’s folk opera Porgy and Bess; with this troupe she toured 22 countries in Europe and Africa. She also studied dance with Martha Graham and Pearl Primus. In 1961 she performed in Jean Genet’s play The Blacks. That same year she was persuaded by a South African dissident to whom she was briefly married to move to Cairo, where she worked for the Arab Observer. She later moved to Ghana and worked on The African Review.

Angelou’s poetry, collected in such volumes as Just Give Me a Cool Drink of Water ’fore I Diiie (1971), And Still I Rise (1978), Now Sheba Sings the Song (1987), and I Shall Not Be Moved (1990), drew heavily on her personal history but employed the points of view of various personae. She also wrote a book of meditations, Wouldn’t Take Nothing for My Journey Now (1993), and children’s books that include My Painted House, My Friendly Chicken and Me (1994), Life Doesn’t Frighten Me (1998), and the Maya’s World Series, which was published in 2004–05 and featured stories of children from various parts of the world. Angelou dispensed anecdote-laden advice to women in Letter to My Daughter (2008); her only biological child was male.

In 1981 Angelou, who was often referred to as “Dr. Angelou” despite her lack of a college education, became a professor of American studies at Wake Forest University, Winston-Salem, North Carolina. Among numerous honors was her invitation to compose and deliver a poem, “On the Pulse of Morning,” for the inauguration of U.S. Pres. Bill Clinton in 1993. She celebrated the 50th anniversary of the United Nations in the poem “A Brave and Startling Truth” (1995) and elegized Nelson Mandela in the poem “His Day Is Done” (2013), which was commissioned by the U.S. State Department and released in the wake of the South African leader’s death. In 2011 Angelou was awarded the Presidential Medal of Freedom. She died in 2014 at the age of 86.

Britannica

Director’s Note

For over twenty years, the African Music/Dance and Sankofa programs have adapted many stories for the stage. These stories often begin with remote ideas and foreign settings, fraught with a myriad of challenges that require a huge commitment and absolute dedication from my students. I am left in awe by their tenacity and relentless embrace of these challenges. Mounting an original dance drama within a period of months can only be possible with the powerhouse of artistic prowess you see on the stage tonight. They are the cornerstone. I salute the courage and hard work of our students. Maya Angelou has been an inspiration to many who have met her in person or through her work. I am one of them. Since reading her first book I Know Why The Caged Bird Sings, I have longed to adapt her story on stage in a dance drama. The process started some five years ago with the class of 2020, but could not premiere because of COVID-19. I am thrilled finally to be able to stage this production in honor of the great Maya Angelou.

In doing so, I have taken several artistic liberties in creating the world of Maya. She lived most of her life in the United States, yet she traveled the world and left us a rich legacy. Mounting a worthy production within the constraints of space and time warrants brevity and simplicity. Thus our imageries are intentional and narrow; reimagining the emotional state and psychological impact of her encounters and experiences. To achieve these goals, music and dance traditions have been borrowed from across myriad destinations and salient points in her journey. The Narration, mostly her own words, is employed to close gaps and spur on the story. In this effort, so many are owed thanks. I am forever indebted to all the guests and student choreographers who have added so much value with vibrant and engaging pieces. The boosters for their help in all things behind the scenes (and on stage), the designers, the faculty, staff, the administration, the board of directors, and the entire community for their unflinching support of this unique program.Finally, to Mrs. Hairston, who has been a supportive and loyal collaborator of so much of the brilliance tonight. She is a gifted creator who just makes things happen. I look forward to the next years of working together.

Victor Bah & Mian Hairston

MAYA, Phenomenal Woman

Act 1: I KNOW WHY THE CAGED BIRD SINGS

Scene I: TUMULT I (WHEN GIANT TREES FALL)

Scene II: CAGED BIRD

Scene III: MUTED

Act 2: GATHER TOGETHER IN MY NAME

Scene I: YOU'VE BEEN RAISED, JUST DO RIGHT

Scene II: GATHER TOGETHER

Scene III: WHEN I THINK OF MYSELF

Act 3: SINGIN & SWINGIN & GETTIN MERRY LIKE IT’S CHRISTMAS

Scene I: MAKING MERRY & DEEPLY ROOTED

Scene II: SINGIN & SWINGIN

Act 4: THE HEART OF A WOMAN

Scene I: A WOMAN’S HEART

Scene II: HARLEM GATHERS

INTERMISSION

Act 5: ALL GOD'S CHILDREN NEEDS TRAVELING SHOES

Scene I: MAYA IN GHANA

Scene II: DUAL TRAGEDIES

Scene III: TRAVELING SHOES

Act 6: A SONG FLUNG UP IN HEAVEN

Scene I: TUMULT II (FALLOUT)

Scene II: RISE, ICONS & LEGENDS STRONG

Scene III: PULSE OF THE MORNING

Act 7: MOTHER & ME & MOM

Scene I: ME & MOM / MOS / PHENOMENAL WOMAN

Scene II: FREED BIRD

Scene III: RAINBOW IN THE CLOUD

Act 8: LEGACY

Scene I: HUMAN

CAST

PHENOMENAL WOMAN

Maya Angelou Riyan Ware Ғ◊

Marguerite Johnson (Young Maya) ............................................................................................... Amari Mack Ғ◊

FAMILY

Grandma Annie (Paternal Grandmother) bell hooks

Granda Baxter (Maternal Grandmother & Ida B Wells)

Vivian Baxter Johnson (Mother) & Phyllis Wheatley

Mrs. Bertha Flowers (Mentor) & Harriet Jacobs

Fatima Mosley ◊

Jada Robinson Ғ◊

Precious Simmons ◊

Amanda Cole Ғ◊

Young Bailey (Brother) ............................................................................................................................Taj Johnson

Clyde (Guy) Johnson (Son) ..................................................................................................... Wayne Cummings

Tosh Angelos (First Husband) Freeman, Narrator 1

Malcolm X/Bailey (Brother)

Joe Baxter (Uncle

Billy Baxter (Uncle)

Ira Baxter (Uncle

Jakei Cobb ♫Ғ

Aaron Carter

Mileon Merritt

Cameron Harris

Nicholas Steed

Efua Sutherland (Friend in Ghana) ...............................................................................................

Tutti Baxter (Uncle) /Vusumzi Make (Lover)

Tom Baxter (Uncle) /Dr. Martin Luther King

Mr. Freeman (Maya’s Rapist

LEGENDS & CONTEMPORARIES

Billie Holiday

Amaris Parker

Rocco Gilbert

Joshua Young

Mason Samuels (Understudy Jakei Cobb)

Amber Wimbish ◊

Daisy Bates .............................................................................................................................................

Gwendolyn Brooks

Lorraine Hansberry

Toni Morrison

Audre Lorde

Nikki Giovanni

Jaylyn Adams

Khadijatou Beverly-Diallo ◊

Nia Wilson Ғ◊

Carliah Trowell Ғ◊

Kayla Daniel Ғ

McKenzie Tatem Ғ◊

Angela Davis ...................................................................................................................................... Amina Garland ◊

Alice Walker ...............................................................................................................................Chinelotam Nwobi Ғ◊

Ntozake Shange Daneya Celestin

ICONS

Old Elizabeth

Mary Ann Shad Cury

Francis Ellen Watkins Harper ..................................................................................................

Kennedy Bowen Ғ◊

Madison Hebron Ғ

McKenzie Clifton ◊

Alice Dunbar Nelson .................................................................................................... Chayse Herndon-Smith Ғ◊

Angelina Grimke

Georgia Douglas Johnson

Jessie Redmon Fauset

Zora Neale Hurston

Jamelah Edwards Ғ

London Forrest Ғ

Brianna Reynolds Ғ◊

Journey Gardner

Shirley Graham DuBois Amira Wilson Ғ

Marita Bonner ................................................................................................................................... Amaiya Baptiste

Regina Anderson ..................................................................................................................... MaKenzie McClam ◊

VOCALISTS

Narrator/Singer 1

Narrator/Singer 2

Narrator/Singer 3

Jakei Cobb ♫Ғ

Gabrielle McRae-Phelps Ғ

Narrator/Singer 4 ..........................................................................................................................

Narrator/Singer 5

Cameron King ♫

Sydney Robinson

Taelor Bridges ♫

ENSEMBLES

I. Dancers

Trinity Brantley, Kiara Brown, Brittney Cox, Eleisha Craig, Sterling Harriott, McKenzie Jones, Akilah Kynard, Chloe Littlejohn, Ashley Nkongchu, Alana North, Zoe Scurlock, Madison M. Taylor Ғ, Lauren Thezard, & Carrington Wren

Drummers

Adam Amare, Nathan Donkor, Jacob Gregory, Andre Jackson, Taj Johnson, Christian Littlejohn, & Julian Vaughn

II. Dancers

Nina Allen, Amaiya Baptiste, Gabrielle Blake Ғ, Asia Crosby Ғ, London Forrest Ғ, Journey Gardner, Makayla Hamilton Ғ, Hadassah Ofori-Ansah, Kendall Petty Ғ, Jordan Ray, Gabrielle Rhone Ғ, Jada Robinson Ғ◊, Taylor Thomas Ғ, & Keira Wise

Drummers

Joseph Davis, Riley Green, Noah Hamilton, Markell McFadden, Jerrin Poyner, Janjay Reeves, & Wesley Robinson

III. Dancers

Jaylyn Adams, Khadijatou Beverly-Diallo ◊, Daneya Celestin, Amanda Cole Ғ◊, Kayla Daniel Ғ, Javon Davis Ғ, Jamelah Edwards Ғ, Amina Garland ◊, Mya Hayes, Madison Hebron Ғ, Sierra Koroma, Imade Oriyomi, Sanaa Rainer, McKenzie Tatem Ғ◊, Riyan Ware Ғ◊, & Amira Wilson Ғ

Drummers

Jason Adams, Malik Carter, Kidus Chanyalew, Joshua Griffin, Nathaniel Hairston, Jahfari Joseph, Mohamed Kabia, Peter Luster §♫, Jelani McNair, Mileon Merritt, & Arabia Roberts

IV. Dancers

Kai Brown, Olivia Clemons, McKenzie Clifton ◊, Dasia Heath, Anaya James-Grier, Merilyn Morfaw, Fatima Mosley ◊, Nkenje Neither ◊, Chinelotam Nwobi Ғ◊, Amaris Parker, Brianna Reynolds Ғ◊, Janiya Taylor, Simone Telford, Carliah Trowell Ғ◊, Nia Wilson Ғ◊, & Amber Wimbish ◊

Drummers

Charlie Berluche Jr., Wayne Cummings, Omar Dixon, Amare Fields, Rocco Gilbert, Cameron Harris, Isaiah Inman, Mason Samuels, Nicholas Steed, & Joshua Young

International Thespian Honor Society = §

Tri-M Music Honor Society = ♫

Fine Arts Diploma Endorsement = Ғ

National Honor Society for Dance Arts = ◊

Production Team

Artistic Director

Victor Bah

Assistant Artistic Director/Choreographer

Mian Hairston

Stage & House Managers

Zayna Gilgeous §Ғ, Brianna Hardy, Jordyn Johnson, Akira Smith, Hannah Swann & Phoebe Walker

Guest Choreographers

Jelani Butler, Patrick Casimir, Aliyah Etheridge, Ava Garland, Faith Harrison & Jaday Myers

Honors Sankofa Choreography

Javon Davis Ғ, Fatima Mosley ◊, Chinelotam Nwobi Ғ◊, Carliah Trowell Ғ◊ And Nia Wilson Ғ◊

Honors Sankofa Costume Collaborators

Khadijatou Beverly-Diallo ◊, Amari Mack Ғ◊, Mckenzie Tatem Ғ◊ & Riyan Ware Ғ◊

Honors Sankofa Lighting & Set Collaborators

Jaylyn Adams, Daneya Celestin, Kayla Daniel Ғ, & Amina Garland ◊

Costume Design, Construction & Alterations

Kim Collins

Contributing Costume Design Construction

Michael Murray, Miguelina Jones, Ousmane Seck & Adama Goree Shop, Chicago, Karen Farnum

Set Design, Construction & Painting

Dominic Traino & Sankofa Boosters

Technical Direction & Production Management

Dominic Traino

Stagehands, Sound & Lighting Board Operation

Bmhs Technical Crew

Image & Graphic Design

Lisa Lansing

Vocal Coaching

Mian Hairston

Video Production

Creative Legacy Films

Student Guest Performer

Emmanuel Awoseye ♫Ғ

Alumni Volunteers

Michael Johnson, Sydney Savoy & Ron Williams

Guest Artists

Assane Mbaye

Act 1: I KNOW WHY THE CAGED BIRD SINGS

Scene I: TUMULT I (WHEN GIANT TREES FALL)

Synopsis: Tumultuous years of the civil rights in America culminates in the tragic death of two giants of the struggle in Malcolm X and Dr. King Jr. in 1965 & 1968. Maya is depressed after Dr. King is murdered. Her friend and mentor Jimmy (James Baldwin) shrugged Maya from the malaise and introduce her to book publishers.

Characters: Aaron Carter, Gabrielle McRae-Phelps, Riyan Ware & Joshua Young

Ensemble: Jaylyn Adams, Amaiya Baptiste, Khadijatou Beverly-Diallo, Kennedy Bowen, Daneya Celestin, McKenzie Clifton, Amanda Cole, Kayla Daniel, Jamelah Edwards, London Forrest, Journey Gardner, Amina Garland, Madison Hebron, Chayse Herndon-Smith, Amari Mack, MaKenzie McClam, Fatima Mosley, Chinelotam Nwobi, Brianna Reynolds, Precious Simmons, McKenzie Tatem, Carliah Trowell, Amira Wilson, & Nia Wilson

Music: String Quartet No. 5 (Music For The Lodger) By: Ezio Bosso

Costume: Assorted From Goodwill (Sankofa Boosters)

Choreography: Mian Hairston

Scene II: CAGED BIRD

Synopsis: Maya is assaulted, the perpetrator is apprehended but escapes jail time. He is found beaten to death a few days - It is believed the uncles got Maya some justice.

Characters: Jakei Cobb, Taj Johnson, Amari Mack, Mason Samuels & Riyan Ware

Ensemble: TAMD III & IV

Music: Nature Of Man By Victor Bah

Costume: Kim Collins

Choreography: Mian Hairston & Victor Bah

Scene III: MUTED

Synopsis: Maya learns of the death and takes the blame because she divulged the name to her family. She stops talking for five years. She starts to talk again after she meets and befriend Mrs. Flowers who introduces her to poetry.

Characters: Amanda Cole, Madison Hebron, Taj Johnson, Amari Mack, Precious Simmons & Riyan Ware

Ensemble: Jaylyn Adams, Khadijatou Beverly-Diallo, Daneya Celestin, Kayla Daniel, Amina Garland, Fatima Mosley, Chinelotam Nwobi, Jada Robinson, McKenzie Tatem, Carliah Trowell & Nia Wilson

Music: Who They Wish I Was By: Christian Scott Atunde Adjuah

Costume: Kim Collins

Choreography: Patrick Casimir

Act 2: GATHER TOGETHER IN MY NAME

Scene I: YOU'VE BEEN RAISED, JUST DO RIGHT

Synopsis: Maya becomes pregnant at sixteen and gave birth to her son Clyde at seventeen. Living with her mother at that time, Maya craved her independence. She seeks Grandma Annie’s advice. She said, “Sister, you know what’s right, just do right.”

Characters: Madison Hebron, Amari Mack, Precious Simmons, & Riyan Ware

Ensemble: TAMD I & II

Music: Yankadi Makru Traditional Music

Costume: Kim Collins

Choreography: Mian Hairston & Victor Bah

Scene II: GATHER TOGETHER

Synopsis: Gather Together chronicles the years of Maya hustling and bustling to find her way in the world and to be a good mother to her son. She moves from job to job, recording a few good days and a whole lot of bad ones. She moves back to her grandmother’s in Stamp Arkansas to avoid a stint with the law.

Characters: Amanda Cole, Chinelotam Nwobi, & Riyan Ware

Dancers: Jaylyn Adams, Amaiya Baptiste, Khadijatou Beverly-Diallo, Kennedy Bowen, Daneya Celestin, McKenzie Clifton, Amanda Cole, Kayla Daniel, Jamelah Edwards, London

Forrest, Journey Gardner, Amina Garland, Madison Hebron, Chayse Herndon-Smith, Amari

Mack, McKenzie McClam, Fatima Mosley, Brianna Reynolds, Jada Robinson, McKenzie Tatem, Carliah Trowell, Amira Wilson, & Nia Wilson

Music: Ole’ By John Coltrane

Costume: New York

Choreography: Jelani Butler & Jaday Myers

Scene III: WHEN I THINK OF MYSELF

Synopsis: Maya disagrees with Grandma’s approach of turning the other cheek when dealing with racists. Now back to the west coast, she reflects on her place as a young unwed black woman in America.

Character: Riyan Ware

Music: Sometimes I Feel Like A Motherless Child By: Odetta

Piano: Emmanuel Awoseye

Costume: Kim Collins

Choreography: Victor Bah

Act 3: SINGIN & SWINGIN & GETTIN MERRY LIKE IT’S CHRISTMAS

Scene I: DEEPLY ROOTED

Synopsis: Maya begins to formulate her liberalized ideas. She learns and teaches her son Clyde about his roots through black history and culture.

Characters: Carl Cummings & Riyan Ware

Ensemble: TAMD I II III IV

Music: Mandjani Traditional Music

Costume: Adama Goree Shop, Chicago

Choreography: Mian Hairston & Victor Bah

Scene II: SINGIN & SWINGIN

Synopsis: Maya marries Tosh Angelos in 1951 in MAKING MERRY. The marriage dissolves in a few years and Maya returns to business. She leaves Clyde behind in that pursuit but regrets it in the end. She makes a promise to Clyde to never leave him ever again. She becomes a full time touring artist.

Characters: Jakei Cobb, Wayne Cummings, Riyan Ware

Ensemble: Jaylyn Adams, Khadijatou Beverly-Diallo, Daneya Celestin, Amanda Cole, Kayla Daniel, Amina Garland, Madison Hebron, Amari Mack, Fatima Mosley, Chinelotam

Nwobi, McKenzie Tatem, Carliah Trowell & Nia Wilson

Music: Round About Midnight & Coro By: Kerri Chandler & Anthony Braxton

Costume: Michael Murray

Choreography: Patrick Casimir

Act 4: THE HEART OF A WOMAN

Scene I: A WOMAN’S HEART

Synopsis: Maya moves to New York in 1959 where she finds herself amongst black excellence. She attends gatherings by civil rights leaders. She is moved by Malcolm X & Dr. King’s advocacy through non violence. She helps the course through several initiativeschief amongst them - A Cabaret For Freedom. She is attracted to a South African Vusumzi Make and decides to travel with him as his wife to Europe & Africa.

Characters: Amber Wimbish, Rocco Gilbert, Wayne Cummings & Riyan Ware

Ensemble: Jaylyn Adams, Khadijatou Beverly-Diallo, Daneya Celestin, Amanda Cole, Kayla Daniel, Amina Garland, Madison Hebron, Amari Mack, Fatima Mosley, Chinelotam Nwobi, Jada Robinson, Precious Simmons, McKenzie Tatem, Carliah Trowell & Nia Wilson

Music: Bewitched/It's a Man’s World/Ladyfingers By: Bill Synder/James Brown/Herb Alpert

Tijuana Brass

Costume: Kim Collins

Choreography: Ava Garland ‘23

Scene II: HARLEM GATHERS

Synopsis: Maya joins Harlem Writers Guild. She met and befriended James Baldwin and others who are voicing their opposition through their literary works. Some are angry and it reflects in their lectures and resistant activities.

Characters: Riyan Ware

Ensemble: TAMD III

Cameo: TAMD IV

Music: Harbor Of Hades & Freedom By: Victor Bah

Pianist: Emmanuel Awoseye

Costume: Ousmane Seck

Choreography: Mian Hairston & Victor Bah

Act 5: ALL GOD'S CHILDREN NEEDS TRAVELING SHOES

Scene I: DUAL TRAGEDIES

Synopsis: Maya and Clyde travel to Ghana for Clyde to attend the University in Accra. Three days in Accra, Clyde gets into a near fatal accident on his way to Cape Coast. He is paralyzed. Maya is depressed again.

Characters: Wayne Cummings & Riyan Ware

Ensemble: Jaylyn Adams, Khadijatou Beverly-Diallo, Daneya Celestin, Amanda Cole, Kayla Daniel, Amina Garland, Madison Hebron, Amari Mack, Fatima Mosley, Chinelotam Nwobi, Jada Robinson, Precious Simmons, McKenzie Tatem, Carliah Trowell & Nia Wilson

Music: Trinity By: Ludwig Göransson

Costume: Victor Bah

Choreography: Fatima Mosley & Nia Wilson (Sankofa Honors)

Scene II: MAYA IN GHANA

Synopsis: Maya befriends Efua Sutherland, a fellow writer in Accra, who shows her the country and its amazing cultures and traditions. She encourages Maya to “release” herself of her depression prepares to be a rainbow in Clyde’s cloud.

Characters: Joshua Griffin, Wayne Cummings & Riyan Ware

Ensemble: TAMD I, II, III, IV

Music: Adowa Kete & Sorsornet Traditional Music

Costume: Victor Bah & Kim Collins

Choreography: Mian Hairston & Victor Bah

Scene III: TRAVELING SHOES (REVOLUTIONARY RETURNEES)

Synopsis: Between 1963-1964, Maya becomes very active in expatriates politics in Ghana. She organizes a replica March on Washington in Accra and meets Malcolm X who request her return to the US to help the formation of his new organization. Maya departs Ghana in 1964.

Characters: Riyan Ware & Aaron Carter

Ensemble: Sankofa Company

Music: The Groove You Like By: Savanj

Costume: Marguerita Jones & Kim Collins

Choreography: Aliyah Etheridge & Victor Bah

Act 6: A SONG FLUNG UP IN HEAVEN

Scene I: TUMULT II (FALLOUT)

Synopsis: It’s the morning of April 14, 1968. Maya is preparing to celebrate her 40th birthday with friends. She learns about Dr. King's assasination in Memphis, Tennessee. In horror, she witnesses the brown fifth of countries reaction. A day that will live in infamy in Maya’s remaining life.

Characters: Amina Garland & Riyan Ware

Ensemble: TAMD III & IV

Music: Tumult By: Victor Bah

Costume: Assorted From Goodwill (Sankofa Boosters)

Choreography: Mian Hairston & Victor Bah

Scene II: RISE, ICONS & LEGENDS STRONG

Synopsis: You may write me down in history, with your bitter, twisted lies, You may trod me in the very dirt, but still I rise. A tribute to all who have contributed to the dismantling of slavery and racism in the history of America, especially the women writers.

Characters: Riyan Ware

Ensemble: Jaylyn Adams, Amaiya Baptiste, Khadijatou Beverly-Diallo, Kennedy Bowen, Daneya Celestin, McKenzie Clifton, Amanda Cole, Kayla Daniel, Jamelah Edwards, London Forrest, Journey Gardner, Amina Garland, Madison Hebron, Chayse Herndon-Smith, Amari Mack, MaKenzie McClam, Fatima Mosley, Chinelotam Nwobi, Brianna Reynolds, Jada Robinson, Precious Simmons, McKenzie Tatem, Carliah Trowell, Amira Wilson, Nia Wilson Aaron Carter, Wayne Cummings, Rocco Gilbert, Cameron Harris, Mileon Merritt & Nicholas Steed

Music: Something Inside So Strong (Feat. Annatoria & Che’Kirah)

By: (Original)The Spirituals

Costume: Kim Collins

Choreography: Aliyah Etheridge, Mian Hairston & Victor Bah

Scene III: PULSE OF THE MORNING

Synopsis: Fast forward to 1992. Bill Clinton is President elect. He invites Maya to recite her uniting words about tolerance.

Characters: Riyan Ware

Ensemble: Fatima Mosley, Chinelotam Nwobi, Carliah Trowell, Nia Wilson & Amber Wimbish

Music: Music For 18 Musicians: IX Section VII By: Steve Reich

Words: By Maya Angelou

Delivered By: Riyan Ware

Costume: Victor Bah

Choreography: Chinelotam Nwobi & Carliah Trowell (Honors)

Act 7: MOTHER & ME & MOM

Scene I: ME & MOM / WOS / PHENOMENAL

WOMAN

Synopsis: Maya reconciles with her mother and brings all the contemporaries with her in Phenomenal Woman.

Characters: Precious Simmons & Riyan Ware

Ensemble (Mom & Me): Jaylyn Adams, Khadijatou Beverly-Diallo, Daneya Celestin, Kayla Daniel, Amina Garland, Amari Mack, McKenzie Tatem & Amber Wimbish

Ensemble (WOS & Phenomenal Woman): All in Mom & Me, Fatima Mosley, Chinelotam Nwobi, McKenzie Tatem, Carliah Trowell, Nia Wilson & Amber Wimbish

Music: To Build a Home By Cinematic Orchestra, Feat. Patrick Watson

Costume: Miguelina Jones

Choreography: Ava Garland ‘23 / Emma Pressing / Faith Harrison ‘23

Scene II: FREED BIRD

Synopsis: Our destinies are intertwined. The CAGED and the FREED

Characters: Riyan Ware

Ensemble: TAMD I & II

Music: Wolosodon Traditional Music

Costume: Adama Goree Shop, Chicago

Choreography: Mian Hairston & Victor Bah

Scene III: RAINBOW IN THE CLOUD

Synopsis: “When it looks like the shine will not shine anymore God put a rainbow in the cloud.” Maya teaches us to be a rainbow in someone else's cloud

Characters: Riyan Ware

Ensemble: TAMD IV (Cameo appearance by TAMD III)

Music: Wula Traditional Song

Costume: Adama Goree Shop, Chicago

Choreography: Mian Hairston & Victor Bah

Act 8: LEGACY

Scene I: HUMAN

Synopsis: Maya leaves us a great legacy - of how we all survive as a Human Family "Homo sum, humani nihil a me alienum puto," or "I am human, and I think nothing human is alien to me.”

Ensemble: Jaylyn Adams, Khadijatou Beverly-Diallo, Daneya Celestin, Jakei Cobb, Amanda Cole, Kayla Daniel, Amina Garland, Madison Hebron, Amari Mack, Fatima Mosley, Chinelotam Nwobi, Jada Robinson, Precious Simmons, McKenzie Tatem, Carliah Trowell, Riyan Ware, Nia Wilson & Amber Wimbish

Voice: Maya Angelou

From: OWN Master Class Series

Music: The Heat of the Day

By: Pat Metheny Group

Costume: Kim Collins

Choreography: Mian Hairston

CAST, In Order Of Appearance

RIYAN RADIANCE WARE’S ‘25 (Maya Angelou), acting, singing and dancing training began at the age of six. She is a Classical Dance scholarship recipient who joined the Traditional African Music & Dance during her junior year to expand her horizon and her experience so far has been nothing short of great. Riyan has participated in all three Fine Arts Christmas festivals, two fall musicals, and three spring Classical Dance productions, Dance All About It, What Moves Us! and BMHS Spirit Of Dance. She was the voice of Nina Simone in Sankofa’s dance drama of Voices In Exile, a dissenting voice and character dancer in Yaa Asantewaa & The Battle for the Golden Stool and Maya in MAYA, Phenomenal Woman. Riyan has also performed with Youth Councils for Congress and Performing Arts Theater in Washington DC. She is a member of Dance Team, Fine Arts Diploma Endorsement (F.A.D.E.), Pre Health Careers Club, National Honors Society for Dance & Arts, Social Justice Club, We Are All Educators (WAAE), mentoring and Student Ambassadors programs. Riyan has an interest in the medical field, however, she plans to hone her craft, passion and dreams of performing on broadway, touring the world, sharing her art and making a positive impact on others. Her philosophy is “Step off the road. Build yourself a brand new path” Maya Angelou.

AMARI MACK ‘25 (Young Maya) has been dancing since the age of three. She enrolled in the Classical Dance program her freshman year and joined the Sankofa Company the following year. Amari has participated in the Classical Dance productions, Dance ALL About It, What Moves Us!, and BMHS Spirit of Dance. Amari is a proud member of National Honor Society of Dance Arts (NHSDA), Fine Arts Diploma Endorsing program (F.A.D.E.), and the dance team where she is the co-captain. Amari hopes to pursue a career in dance in the future. She is very excited to play the role of “Young Maya” in MAYA, Phenomenal Woman, her first Sankofa Night Production!

FATIMA MOSLEY ‘24 (Annie "Momma" Henderson & bell hooks) started dancing at the age of two. She is a Classical Dance scholarship awardee, having been enrolled in the program since her freshman year. She has performed in Fine Arts productions including: What Moves Us!, Dance All About It, Yaa Asantewaa & The Battle for the Golden Stool and MAYA, Phenomenal Woman. She is a proud member of Honors Dance, Honors Sankofa Company, National Honor Society, Rho Kappa Social Studies Honor Society-Service Coordinator, National English Honor Society, Science National Honor Society, National American Sign Language Honor Society, National Honor Society for Dance Arts - service coordinator, ASL (American Sign Language) Club - president, and a class cabinet member. Fatima is also a proud captain of the dance team. She is on course to graduate with honors and plans to major in chemistry in college. She aspires to become a dentist and own her own practice. Fatima is proud to dance the roles of Grandma Annie and bell hooks.

PRECIOUS SIMMONS ‘25 (Vivian Baxter Johnson & Phyllis Wheatley), has been dancing since age four. She enrolled in the Classical Dance program her freshman year as a scholarship recipient and joined the Sankofa Company her junior year. She has participated in all Classical Dance productions and she is also a member of the dance team. Precious is also very active in sports where she competes with the track and field team. She is a member of the National Honor Society for Dance Arts (NHSDA) and has been involved with Women’s Empowerment Club, and My Hair My Crown Club. Precious will like to attend Howard University where she hopes to major in biology and pursue a career in dermatology.

AMANDA COLE ‘25 (Mrs. Bertha Flowers, Harriet Jacobs & Prostitute) started dancing at a young age. She enrolled in the Classical Dance program her freshman year, auditioned for Sankofa Company in her sophomore year, and joined the Traditional African Music & Dance program her junior year. She performed in the Sankofa Production of Yaa Asantewaa & The Battle for the Golden Stool and the fall musical production of Little Women. She has been involved in student council and swim team. She is also a proud member of the National Honors Society of Dance Arts, Fine Arts Diploma Endorsement (F.A.D.E.), and the National Honors Society. Amanda has interest in pursuing a degree in forensics science and hopes one day she can work for the FBI. She is proud to play the role of Mrs. Flowers in MAYA, Phenomenal Woman.

TAJ JOHNSON‘ 26 (Young Bailey), joined the Traditional African Music & Dance program this year. He loves to drum and the program provides an outlet for him to hone his talent and learn about the culture and traditions of African music. He plays the dundun and he is excited to play the role of Young Bailey MAYA, Phenomenal Woman.

WAYNE CUMMINGS ‘24 (Clyde “Guy” Johnson), shadowed an enrolled student who spoke highly of the class prompting him to join the program his freshman year. He has been a member of the program for all four years and loves the family atmosphere the class brings. He hopes to continue playing African drums beyond high school. Wayne will attend college this fall pursuing studies in computer engineering with a minor in psychology. He is excited to play the role of Clyde in the story of Maya Angelou in MAYA, Phenomenal Woman.

JADA ROBINSON ‘26 (Grandmother Baxter & Ida B Wells - Barnett) has been dancing since the age of six. She enrolled in the Classical and Traditional African Music & Dance program in her freshman year and joined the Sankofa company in her sophomore year. She has participated in the Classical Dance productions, WHAT MOVES US! And BMHS Spirit of Dance. She was also featured in the Sankofa production of Yaa Asantewaa & The Battle for the Golden Stool, and she is excited to play the role Grandma Baxter and Ida B Wells in MAYA, Phenomenal Woman.

AARON CARTER ‘24 (Malcolm X & Uncle Ira Baxter) has been drumming since he was eight years old. He joined the Traditional African Music and Dance program his sophomore year and enrolled in the Sankofa program this year. He has performed in the Sankofa productions of Voices In Exile and Yaa Asantewaa & The Battle for the Golden Stool. Aaron has been the cameraman for the football team and a member of Entrepreneur, Best Buddies, and Mental Health Clubs. He is also a member of the National Honor Society and Peer Ministry. Aaron hasn’t decided which college he will attend, but he wants to pursue a career in acting and film. His philosophy in life is to embrace the journey. He is anxious to play Uncle Ira Baxter in MAYA, Phenomenal Woman.

MILEON MERRITT ‘24 (Uncle Joe Baxter) has been involved in Traditional African Music and Dance since his junior year, performing in the Sankofa production of Yaa Asantewaa, & The Battle for the Golden Stool. He enjoys learning about the African culture through music and dance. He has been part of the Bishop McNamara varsity football team for three years and wrestled in states for two years on the Bishop McNamara wrestling team. Mileon is currently undecided on college but is leaning towards North Carolina Central University or Georgia State University. His philosophy in life is to always enjoy your time and smile. He is ready and excited to play Uncle Joe Baxter in MAYA, Phenomenal Woman.

CAMERON HARRIS ‘24 (Billy Baxter Uncle) had very limited experience in drumming or percussion before he joined Bishop McNamara, but he has grown to love the culture and drumming since joining the program his sophomore year. He has since performed in Voices In Exile and Yaa Asantewaa & The Battle for the Golden Stool. Cameron has been involved in National Honor Society (NHS), We Are All Educators (The WAAE), Chess Club, Science and Ecology Club, Sankofa and Black Cultural Alliance (BCA). After graduation Cameron plans on either attending Hawaii Pacific University, Hampton University or North Carolina Agricultural and Technical State University. He wants to pursue a career in marine biology and minor in business. One of his favorite bible quotes is “There is profit in hard work but mere talk leads to poverty” (Proverbs 14:23).

ROCCO GILBERT '24 (Uncle Tutti Baxter & Vusumzi Make), has been drumming since he was seven years old. He joined the Traditional African Music and Dance in his sophomore year. He appeared in Voices In Exile as a sophomore and Yaa Asantewaa & The Battle for the Golden Stool his junior year. He hopes to introduce fine arts to the school of his future if it does not already have the program because of the value arts bring to the community. He has been a member of the baseball and football teams, winning numerous WCAC All-Conference awards in both disciplines. He has also taken part in the Fellowship of Christian Athletes club. He has committed to playing baseball at the University of Alabama and plans on majoring in social work, public relations, or sports management. He plans on being able to give back and mentor other inner-city kids. He is looking forward to the roles of Uncle Tutti Baxter & Make in MAYA, Phenomenal Woman.

MASON SAMUEL ‘24 (Mr. Freeman), has embraced African music and dance for two rewarding years, finding joy in every step. Despite joining for fine arts credit, it has become a highlight of his high school journey. With participation in multiple performances, he's created lasting memories. Mason is considering University of Maryland College Park, Hampton University, or Louisiana State University. He plans to study entrepreneurship, business/marketing, or cyber security while continuing his athletic pursuits. Overall, African Music and Dance has been a transformative experience for him.

AMBER WIMBISH ‘24 (Billie Holiday), began her dancing career when she was seven years old. She is a Classical Dance scholarship recipient and has enrolled in the program since freshman year. She enrolled in African Dance IV and is starring as Billie Holiday in the Sankofa Production of MAYA, Phenomenal Woman. She has performed in the Fine Arts Christmas festivals, and the spring dance productions of Dance All About IT, What Moves Us!, and Spirit of Dance. In addition to dance, Amber is a proud member of the track and field team. She is a member of the National Honor Society, Rho Kappa Social Studies Honor Society, National English Honor Society, National Honor Society for Dance Arts (vice president 2022-23 and president 2023-24), Pre-Health Careers Club and Black Culture Alliance (BCA). She will graduate with the honor summa cum laude. After high school, Amber plans to major in biology on a Pre-Medicine track as she aspires to become a dermatologist and plans on running track on an athletic scholarship. She hopes that at the university she will have a local dance company or other dance classes that she can engage in during her free time because although she is a track athlete, her love and participation in dance will never fade.

JAYLYN ADAMS ‘25 (Daisy Bates), has been dancing since the age of four. She has technical training in the genres of ballet, tap, lyrical, jazz, contemporary and hip hop. Jaylyn has showcased her talent in local, regional and national competitions, along with a myriad of dance conventions. Jaylyn enrolled in Classical Dance during her freshman and sophomore year. She joined the Honors Sankofa’s program and performed in Yaa Asantewaa & The Battle for the Golden Stool. Jaylyn has visited Hampton University, Spellman University, Clark Atlanta University as well as Georgia State University for college choices next year. She hopes to pursue a career in business management.

KHADIJATOU BEVERLY-DIALLO ‘25 (Gwendolyn Brooks), is an enthusiastic dancer in the Classical Dance & African Music & Dance programs. Khadijatou has been in dance training since age three and loves to entertain and enlighten her audience through her artistic expression. In addition to dancing, Khadijatou is an advanced figure skater, teaching young skaters. When she isn’t teaching or performing, she serves as the President of the Black Cultural Alliance where she strives to help her fellow students celebrate their shared rich history. Khadijatou is a proud member of the National Honor Society, the National Honor Society for Dance Arts, and the Rho Kappa National Honor Society for Social Studies. Khadijatou is grateful for the support of her village including her Mac family and is proud to be a Mustang!

NIA WILSON ‘24 (Lorraine Hansberry), began dance classes at seven years old. She is a Classical Dance scholarship recipient and has been enrolled in the program since freshman year. She has performed in Fine Arts Christmas festivals and the Classical Dance spring productions including All About Dance and What Moves Us!, and the Sankofa production of Yaa Asantewaa, & The Battle For The Golden Stool. She loves to share her talent as a member of the varsity dance team and choreograph for the Honors Dance Lab and Honors Sankofa. In addition to Classical Dance, Nia is enrolled in the Traditional African Music and Dance and Honors Sankofa programs. She is a member of the National Honor Society, Vice President of the Rho Kappa Social Studies Honor Society, National English Honor Society, Science National Honor Society, National Honor Society for Dance Arts, Fine Arts Diploma Endorsement program (F.A.D.E.), and Step Club. Nia plans to major in biochemistry and either pursue a doctoral degree or work for NASA. She hopes to join her university’s dance team and minor in dance. She aspires to become a role model for young black women in STEM and promote inclusivity for all dancers. She believes that life is too short, so make it count.

CARLIAH TROWELL ‘24 (Toni Morrison), began dancing at the age of eight. She has been a member ZD Dance Academy since 2015 and has participated in around the United States and Europe. She is a recipient of the Classical Dance scholarship. She performed in Fine Arts Christmas festivals, spring productions, black history month performances, and open house performances. Some of them include Dance All About It (2022), What Moves Us! (2023), BMHS Spirit of Dance (2024), and MAYA, Phenomenal Woman (2024). She is a member of the varsity dance team, True Crime and Pre-Med Clubs. She is a member of many honor societies such as National Honor Society, National English Honor Society, National Honor Society for Dance Arts (secretary), Fine Arts Diploma Endorsement program (F.A.D.E.), and a Peer Minister. She aspires to major in biology and become a Physician Associate in the near future. She will graduate with the honor summa cum laude and continue her dance journey throughout college by taking classes and being part of a dance team.

KAYLA DANIEL ‘25 (Audre Lorde), began her journey in dance at the age of three. Currently, she is an active participant in the Traditional African Music & Dance program, Honors Sankofa, and varsity cheerleading. Additionally, Kayla is enrolled in our Fine Arts Diploma Endorsement (F.A.D.E.) program and is a member of the National Honor Society. Over the past year, she has also contributed as a member of the Top Teens of America, embracing the values of education, leadership, and volunteering. Upon graduation, Kayla aims to pursue a degree in nursing, driven by her passion for helping others. Her favorite quote, "Don’t even trip, everything is falling into place for you," serves as a guiding mantra, reminding her to trust in the journey ahead.

MCKENZIE TATEM '25 (Nikki Giovanni), has been dancing since she was four years old. She enrolled in the two dance programs when she came to Bishop McNamara in order to have the full dance experience. She participated in the Classical Dance production of Spirit Of Dance, and the Sankofa productions Voices In Exile and Yaa Asantewaa & the Battle for the Golden Stool. She is very excited to represent the role of Nikki Giovanni in MAYA, Phenomenal Woman. McKenzie is a member of the junior class cabinet, the National Honor Society for Dance Arts, and Fine Arts Diploma Endorsement (F.A.D.E.) program. Her experience in the arts outside of Bishop McNamara includes her participation in We are Pearls - The Lioness, where she danced as a hyena and a giselle. She has been a member of the Junior Washington Football Team Cheerleaders where she was promoted to Allstars Competitive Dance Team which won Nationals titles in 2018 and 2019. In 2017 McKenzie was chosen out of fifty dancers to perform at the Christmas Eve halftime show with the Professional Washington Football Team Cheerleaders. She performed at the opening of the televised National Cherry Blossom Parade with the dance company CMI (Capital Movement Incorporated) and mayoral inaugurations. In her future she hopes to become a delivery nurse and continue her passion of dancing.

AMINA GARLAND ‘25 (Angela Davis & Friend), is in her junior year, and has been dancing since age two. She is enrolled in Honors Dance IV, Traditional African Music and Dance III, and Honors Sankofa. Amina has participated in the annual Fine Arts Christmas festival, the spring Classical Dance production, and the spring Sankofa production since freshman year. She has choreographed for both Sankofa and Classical Dance, and has contributed to the recruitment efforts for Fine Arts. She also takes part in National Honor Society, National Honor Society for Dance Arts, and is a member of two clubs. In addition, she has been dancing competitively since age four, and currently dances and competes with Outlet Dance Complex. She is excited to play the role of Angela Davis in MAYA, Phenomenal Woman.

CHINELOTAM NWOBI ‘24 (Alice Walker & Prostitute), has been dancing since she was three years old. She joined Dance Dynamix Dance Studio where she began her training in dance genres of ballet, tap, jazz, hip hop, contemporary and African dance. She has competed and won awards in all these styles of dance. In her freshman year, she enrolled in the Traditional African Music and Dance program and has participated in the following Sankofa Productions: Voices in Exile, Yaa Asantewaa, & the Battle for the Golden Stool and MAYA, Phenomenal Woman. She has been involved in the Pre-Med Club, True Crime Club, Entrepreneurship Club, Fine Arts Diploma Endorsement, National Honor Society, National Honor Society for Dance Arts, The World Hub Club, and ASL Club. She is also on the varsity women’s lacrosse team and swam with the coed varsity swim team. Her experience in her dance company has trained her for any style of dance thrown her way, specifically African Dance. She thanks her family, friends and teachers for their infinite guidance and support. Nikky will attend the University of Maryland, College Park in the fall, and will major in biology. Nikky is excited to play the dance character role of Alice Walker.

DANEYA CELESTIN ‘25 (Ntozake Shange), is a scholarship recipient for Classical Dance. She enrolled in African Dance her junior year where she participated in Sankofa’s Yaa Asantewaa & The Battle for the Golden Stool Additionally, she was on the dance team her sophomore and junior year. She is very busy with other dance activities outside of school as well. She is involved within her school community through student ambassador leadership (sophomore year) and was accepted into peer ministry for senior year. After high school, she hopes to attend an HBCU majoring in criminal justice and minoring in dance with the goal of entering both career fields. She is excited for the role of Ntozake in MAYA, Phenomenal Woman.

KENNEDY BOWEN ‘26 (Old Elizabeth), is a sophomore and has been dancing since she was five. She has been involved with the Classical Dance program at Bishop McNamara since her freshman year. This is her first Sankofa production as a member of the Sankofa Company. Since being at Bishop McNamara, Kennedy has been a student ambassador, a member of the sophomore class cabinet, Fine Arts Diploma Endorsement program (F.A.D.E.), and the National Honor Society for Dance Arts.

MADISON HEBRON ‘25 (Mary Ann Shad Cury), has been dancing since she was five years old. She enrolled in the Classical Dance program during her freshman year and Traditional African Dance in her sophomore year. She performed in the Sankofa Night Productions of Voices In Exile, Yaa Asantewaa & the Battle for the Golden Stool and is excited to play Mary Ann in MAYA, Phenomenal Woman. She has been involved in the My Hair My Crown, International Food Club, National Honor society, National honor society of science, F.A.D.E (Fine Arts Diploma Endorsement program), Sankofa and Leadership Initiatives which is an internship for high school students across the globe. Madison is interested in many universities but hasn't decided where she wants to attend college. When she does decide where she’s going to attend college she will be majoring in nursing and minoring in psychology.

MCKENZIE CLIFTON ‘24 (Francis Ellen Watkins Harper), began dancing at age six in Washington, DC. Now in her fourth year in the Traditional African Dance program, where she has performed in all Sankofa productions since her freshman year. McKenzie excels in cheerleading, lacrosse, and various clubs. With eleven years of cheerleading experience, including captaining the McNamara team, she's also performed with Step Afrika and led the step club. Accepted to Texas Southern University and considering Spelman, Howard, or Hampton, she plans to major in business or cinema/film, guided by the motto: "The journey of a thousand miles begins with one step." She is looking forward to the role of Francis Ellen in MAYA, Phenomenal Woman.

CHAYSE HERNDON-SMITH ‘26 (Alice Dunbar Nelson), has been part of the Classical Dance program since freshman year. She joined the Sankofa Company in the fall and College Prep Company her sophomore year. Chayse has performed in the musical production Little Women and Guys and Dolls, as well as What MOVES Us! and BMHS Spirit of Dance productions. As a student, she is a member of Fine Arts Diploma Endorsement program (F.A.D.E.) and wants to pursue a career in the performing arts in the future.

JAMILAH EDWARDS ‘25 (Angelina Grimke), started dancing with her participation in liturgical dance at First Baptist Church Of Glenarden and community dance companies. Jamelah was accepted into the Traditional African Music and Dance program and she instantly fell in love with the style of dance. During freshman year, Jamelah performed in Sankofa's Voices of Exile. It was then that her spark for African dance came alive. Jamelah went on to perform in Sankofa's Yaa Asantewaa & the Battle of the Golden Stool. During her sophomore year, Jamelah served as a student ambassador and had involvement with the Student Class Cabinet, My Hair My Crown, and the True Crime Club. She is also a member of the National Honors Society, the American Sign Language National Honors Society, and the Fine Arts Diploma Endorsement program (F.A.D.E.). Jamelah is taking advantage of every opportunity to explore and create new memories.

LONDON FORREST ‘26 (Georgia Douglas Johnson), has been dancing since she was five. She enrolled in the African Dance program her freshman year and stayed in it throughout her sophomore year. She performed in the Sankofa production Yaa Asantewaa & the Battle of the Golden Stool. She has been a member of the Bishop McNamara cheerleading team and Fine Arts Diploma Endorsement program (F.A.D.E.). Her philosophy on life islive life until you can’t anymore.

BRIANNA REYNOLDS ‘24 (Jessie Redmon Fauset), began dancing at the age of two. She has been in the Traditional African Music and Dance program at McNamara for four years and Sankofa Company for two years. She has performed in the Fine Arts Christmas festivals and Black History Month assemblies. She also enjoys being a student in the Classical Dance program since junior year, a member of National Honor Society for Dance Arts (NHSDA), and a company member at B. Funk Dance Company. Along with participation in fine arts at Bishop McNamara she enjoys being a member of National Honor Society (NHS), National Honor Society for American Sign Language (NHSASL), and the Fine Arts Diploma Endorsement (F.A.D.E.) program. Throughout her four years at Bishop McNamara she has also participated in Mock Trial, Black Student Union, and the Mental Health Club. Brianna has enjoyed being a student under the leadership of Mr. Bah and Mrs. Hairston, learning the traditions behind West African dancing, and learning valuable life skills. She plans to continuously grow her love for dance by double majoring in dance and elementary education at Alabama State University.

JOURNEY GARDNER ‘26 (Zora Neale Hurston), has had a passion for dancing her whole life. She has participated in competition dance, competing in styles such as tap, jazz, hiphop, contemporary, and ballet. Entering into McNamara as a freshman, she received a scholarship for the Traditional African Music and Dance program. She performed in the Sankofa production Yaa Asantewaa & The Battle for the Golden Stool. So far, during her time at McNamara she has participated in the class cabinet, Pre-Health Club, Birds of a Feather Club, and is a member of Sankofa Company. She plans to major in animal science in college. Her life motto is “trust in God and He will give you peace.”

AMIRA WILSON ‘25 (Shirley Graham DuBois), has been passionate about dance since she was five years old. Since her freshman year, she has actively participated in the Traditional African Music and Dance program, and the esteemed Sankofa Company. Her academic prowess is evident as a member of the National American Sign Language Honor Society and Rho Kappa Social Studies Honor Society, consistently earning summa cum laude honors each year. Amira is also enrolled in the Fine Arts Diploma Endorsement (F.A.D.E.) program, showcasing her commitment to the arts. Beyond the classroom, she has showcased her talent in various prestigious events, including the Cherry Blossom Festival, Emancipation Day celebrations, Fourth of July, and numerous other parades over the last two years.

AMAIYA BAPTISTE ‘26 (Marita Bonner), started dancing at a young age. She enrolled in the Fine Arts Department dance programs in her freshman year and has loved every bit of it since then. She has had training in ballet and jazz. She has participated in the black history month program and the Sankofa production of Yaa Asantewaa & The Battle for the Golden Stool She is looking forward dancing the character Marita Bonner in MAYA, Phenomenal Woman.

MCKENZIE MCCLAM ‘24 (Regina Anderson), has been part of the Classical Dance program for all four years. She has been dancing and performing for 11 years and is currently a member of the Sankofa company. She has performed in all four Spring Dance Productions; Virtual Dance Showcase in 2021, Dance All About It in 2022, What Moves Us! in 2023, and BMHS Spirit of Dance in 2024. She was in the 2023 Fine Arts Christmas festival, where she performed a Sankofa company piece and presented sign language for several fine arts showcases and assemblies. She is also a member of the National Honor Society, the National Honor Society for Dance Arts, and the American Sign Language Honor Society. She tutors students at St. Francis Xavier Catholic Academy in math and english while still giving back to her community through various volunteering and charities. Makenzie will be graduating in May with high honors. She will attend Norfolk State University in the fall, majoring in business intelligence and data analytics, while also continuing her passion for dance by being on the university's dance team and other dance affiliate organizations.

JAKEI COBB ‘25 (Narrator/Singer/ Mr. Freeman, Tosh Angelos, Concierge, & Club Owner), has a passion for the arts. He plays trumpet, guitar, bass and sings professionally. Jakei created and leads an R&B and jazz band titled, 1 AM, who perform regularly in the DMV. He also writes and produces his own music such as, “My Cherry Blossom,” that has gained attention and support from thousands as far as the United Kingdom. This year, Jakei led McNamara’s fall musical as Sky Masterson in Guys and Dolls, he has recently been background talent for local commercial shoots and has also played David Herold in the Silver Spring Stage’s production of Assassins, building his independent theater resume through his membership with The Actors’ Center. Jakei has also started training in dance. At Bishop McNamara, he is a part of the Jazz Ensemble, Vocal Jazz Ensemble, Wind Ensemble, Chamber Choir, and Pep Band. Jakei is a member of the Tri-M Music Honor Society and the Fine Arts Diploma Endorsement (F.A.D.E.) program while taking AP and Honors classes and maintaining summa cum laude

GABRIELLE MCRAE-PHELPS ‘24 (Narrator/Singer & Betty Shabazz), has been involved with technical theater since she was ten years old. She has been involved with the theater program since sophomore year and joined the Sankofa Company as a vocalist this year. She has narrated many plays and skits outside of McNamara. She is currently a senior in the Fine Arts Diploma Endorsement (F.A.D.E.) program. She was a member of the tech crew for the past two fall musicals and spring plays. Her final show will be the upcoming spring play The Learned Ladies. Throughout her years at McNamara, she has been involved in My Hair My Crown Club, True Crime Club, Mental Health Buddies, and the ACE Club. She is a member of the National Honor Society, the National French Honor Society. After graduating, she plans to attend Hampton University majoring in psychology and minoring in forensic science to move towards her goals as a international forensic psychologist. Her philosophy is “Our struggles are created by focusing on our limitations; Our hopes are created by focusing on our possibilities.”

CAMERON KING ’24 (Narrator/Singer 3, Concierge, Clyde, Club Owner), has been singing and performing for eight years. He is very active within the Fine Arts community at Bishop McNamara. He has been a member of the choir program since his freshman year, is enrolled in the Honors Chamber Choir and participated in the fall musical as Nicely Nicely Johnson in Guys and Dolls. However, this is his first time working with the Sankofa production. Throughout his time at Bishop McNamara, he has joined several clubs such as True Crime, The WAAE, BCA and Fashion Club. He holds the position as the Vice President for the National Honor Society and he is a member of the Rho Kappa Honor Society, English Honor Society, and the Tri-M Music Honor Society. Cameron intends on pursuing a career in broadcast journalism. He believes in putting in your best effort in whatever art form you choose to pursue.

SYDNEY ROBINSON ‘24 (Narrator/Singer 4), has been singing and acting since she was little. She enjoyed it so much, her parents made sure she was enrolled in drama classes. Sydney was involved in choir in elementary and middle school and enrolled in the Bishop McNamara’s chamber choir, performing in all the Fine Arts Christmas and spring choir concerts. Outside of the arts, Sydney has been a member of the swimming and diving team, varsity lacrosse team, track and field team, and managed the JV/varsity football team. She is also a member of the Science and National Honor Society. Sydney has managed to maintain magna cum laude and summa cum laude while participating in all of her extracurriculars. She is considering Temple University, St. John’s University, or UNC and majoring in pharmacy. Her philosophy on life is staying true to herself and staying true to her goals.

TAELOR BRIDGES ‘24 (Narrator/Singer 5), always had a love for fine arts ever since she was four years old. She started out in Spirit of Faith Christian Center Children’s Choir, advanced to the Youth Praise team, then ultimately matriculated to the Chamber Choir at Bishop McNamara. Although this is her first year participating in the Sankofa production, she has been a part of all levels of the choir at McNamara including Honors Chorale and even Show Choir. She is currently an active member in the step team (co-captain), National English Honor Society, National Honor Society, Tri-M Music Honor Society, Peer Ministry and a manager for the women’s lacrosse team. Taelor plans to attend North Carolina Central.

ARTISTIC STAFF BIO

VICTOR BAH (ARTISTIC DIRECTOR), is a dance and theater educator. A native of Ghana, West Africa, he began acting and dancing at an early age in the Ashanti city of Kumasi. He majored in Dance (BA) at the renowned School of the Performing Arts at the University of Ghana. During his college years, he was recruited to join with Abibigromma - the National Dance Theatre Company resident at the University, with which he traveled extensively to local and international venues, dazzling audiences with traditional music and dance from West Africa. Highlights of his performance years include his participation in the ceremonial welcoming performance for President Bill Clinton in Ghana, the first Emancipation Day Celebration that brought together people in the African diaspora to Ghana, and the welcoming ceremony for African Heads of State in Tripoli, Libya. After college, Victor Bah traveled through Europe and Australia where he taught African dance and theater. He joined the Bishop McNamara community in 2001 and has since written, choreographed and directed sixteen dance drama productions: Africa, Spirit, Passion, Generations, Hamile, King, Agoni, Mambo, Kleopata, Romjuliata, Maafa, Cristo, MO The Deliverer, Harriet & The Underground, Violet, Madiba, Driven To Madness, Voices In Exile - Makeba & Simone, Yaa Asantewaa & the Battle for the Golden Stool and Maya, Phenomenal Woman. He has worked with renowned performing artists, choreographers and designers in the Washington DC area; chief amongst them was with composer and conductor Marvin Hamlisch at the Opera House (Kennedy Center). He directed and co-produced dance drama productions of Shakespeare’s Hamlet (Hamile) and Harriet and The Underground at the Lincoln Theater and Warner Theater in Washington DC respectively, under the auspices of Bishop McNamara High School. He lives in Virginia.

MIAN HAIRSTON (ASSISTANT ARTISTIC DIRECTOR & CHOREOGRAPHER), a DC/Maryland based artist, graduated from the University of the Arts in Philadelphia, PA where she got her BFA in dance performance. Mian has had the pleasure of working with artists such as Milton Myers, Kim Bears - Bailey, TommieWaheed Evans, Juel D. Lane, Kyle & Dinita Clark, and so many more. Mian completed her third season with SoundXpressed Dance Company in Washington, D.C under the direction of Amanda F. Standard. Mian is currently in her 4th year at Bishop McNamara High School as a teacher for the African Music and Dance program as well as the Assistant Director of the Sankofa Company. She has choreographed numerous works for the following productions, Driven To Madness, Voices In Exile - Makeba & Simone, Yaa Asantewaa & the Battle for the Golden Stool and Maya, Phenomenal Woman. She began her training at Divine Dance Institute in Capitol Heights, Maryland. She has studied various styles such as horton, jazz, African, ballet, tap, AfroCaribbean, and house. Along with being a performing artist, Mian is a choreographer. Her movement stems from the four elements earth, wind, fire, and water. The process is to find the fluidity through water, the urgency and soul through fire, the spirit and euphoria through wind, and the grounding of the earth. Within her style, imagination and faith are key parts of her research. Her overall goal is for the viewers to experience an unexplainable feeling and to know that with God anything is possible.

JELANI BUTLER (GUEST CHOREOGRAPHER - GATHER TOGETHER), is a twenty year old dancer and choreographer from Prince George’s County, Maryland. He has trained in various dance styles including ballet, modern, jazz, tap, African, and hip-hop. He began his training in 2013 at Divine Dance Institute in Capitol Heights, Maryland, where he continues to train and now teaches on occasion. He graduated from Duke Ellington School of the Arts in 2021 as a dance major and in the top 20 of his graduating class academically. Butler is currently a junior Film & TV major at the historic Howard University. He is also a member of SoundXpressed Dance Company, founded by Dr. Amanda Standard; he originally debuted with the company as an apprentice at the Kennedy Center in 2021. He also currently embarking in various choreographic endeavors, including performed works at theatres such as the Publick Playhouse and an upcoming student film anthology series. Butler strives to promote messages of joy, freedom, vulnerability, and acceptance of all through his work.

ARTISTIC STAFF BIO (CONTINUED)

PATRICK CASIMIR (GUEST CHOREOGRAPHER: MUTED & SINGIN & SWINGIN), is a Boston native, who began to hone in on his love and appreciation of the performing arts in his early years of junior high. While finishing a degree in Business at Florida State University, Patrick directed a Tallahassee dance company that created evening length productions and toured throughout Florida. Patrick moved to Orlando where he earned an M.A. in Business Administration, as well as a B.A. in Dance, which brought him to perform throughout the United States and abroad. Patrick augmented his training with faculty and choreographers including Michael Foley, Andee Scott, Jeanne Travers, Kevin Iega Jeff, Gary Abbott, and Jennifer Archibald. Recent performance credits include On the Brink, which debuted at The Kennedy Center’s Millennium Stage with Maverick Lemons Dance Project, In The Company of Men with VT Dance and the Marvin Gaye Project, and What’s Going On with Vincent Thomas, Ralph Glenmore, and Sylvia Souma.McNamara High School. He lives in Virginia.

JADAY MYERS (GUEST CHOREOGRAPHER: GATHER TOGETHER), As a native of Washington, DC, Jaday Myers began her dance training at the age of four at Divine Dance Institute in Capitol Heights, MD under the direction of Amanda F. Standard. The organization provided Myers a strong foundation in ballet, modern, jazz, and African techniques. After graduating high school, Myers decided to continue her pre-professional training at Towson University and graduated with a B.F.A in Dance Performance and Choreography as well as a B.S in General Psychology in Spring 2021. There she received superb training from Linda Denise Fisher-Harrell, Catherine Horta-Hayden, Vincent Thomas, Erin Du, and others who have helped to cultivate her into a well-rounded and proficient dancer. Outside of school, Myers has trained at various summer intensives such as Earl Moseley Institute of the Arts, Pneuma Dance Project, and The Dance Institute of Washington where she attended on full scholarship. She has performed works by Will B. Bell, Vincent Thomas, Earl Mosley, Troy Powell, Fabian Barnes, Ray Mercer, along with many others. In connection with dance, Myers has a passion for teaching and feels this is the best way for her to give back to the next generation of young dancers. She currently is a full time dance educator in the Anne Arundel County Public School System and is on faculty at Divine Dance Institute.

AVA GARLAND ‘23 ( GUEST CHOREOGRAPHER - A WOMAN’S HEART & MOM & ME), is a Bishop McNamara alum, Class of 2023 and is a student at the University of Michigan Stephen M. Ross School of Business and the School of Music, Theatre, and Dance. Ava has been dancing since the age of two, training in various styles of dance such as ballet, jazz, lyrical, contemporary, hip hop, and more for seventeen years. At Bishop McNamara, she was a part of the Classical Dance program from freshman to senior year and the Traditional African Music and Dance program for two years. Ava was also an Honors Sankofa Company member, choreographer, and lead role of Yaa Asantewaa in the 2023 Sankofa production during her time at Bishop McNamara. Ava is currently pursuing her passions outside of school, being a part of Dance 2XS Michigan, a Coed Hip-Hop Team based in Ann Arbor, Michigan. Ava plans to continue pursuing dance through her studies, performing, and choreography in hopes of being a professional in the near future.

FAITH HARRISON ‘23 (GUEST CHOREOGRAPHER - PHENOMENAL WOMAN), Faith Harrison is a freshman at Hood College and a proud Bishop McNamara alum, where she graduated as the “Woman of the Year”' and recipient of the Fine Arts Department Award. She began dancing at the age of three and choreographing dances in her family room at age ten. While Faith will always love to dance, her true passion lies in choreography. Faith served as a student choreographer for two years, contributing to multiple McNamara productions within both the Honors Classical Dance program and the African Dance program. Faith not only choreographs pieces for upper levels at McNamara, but she also teaches ballet to ages two through eight at Dance Dimensions in Forestville, Maryland. She joined Dance Dimensions in 2014 and has since participated in several dance conventions, competitions, community performances, and more. Faith thoroughly loves giving back to the studio that poured unconditional love, investment, and confidence into her. She aspires to instill those same qualities in every dancer she teaches, regardless of age, environment, or skill level. Faith hopes to continue choreographing while she’s in college and possibly in the future. While dance has her heart, Faith also shares a deep passion for entrepreneurship. She is currently the CEO of F.O.B, aka Faith’s Organization Business, where she organizes fridges, pantries, rooms, and more. Faith hopes to continue pursuing entrepreneurship as she studies business administration. Her life mantra: “You cannot have a million-dollar dream with a minimum wage work ethic.”

ARTISTIC STAFF BIO (CONTINUED)

DOMINIC TRAINO (TECHNICAL DIRECTOR) is the technical theatre director for the Fine Arts Department. He teaches Theatre Technology, Topics A & B, as well as Musical Theatre Repertory. He has also served as the vocal director for all of the Theatre program fall musicals since 2007. Mr. Traino holds a BM Degree in Musical Theatre from The Catholic University of America, and he graduated in February, 2009 as the first graduate of the CUA Drama Department’s MATE (Master of Arts in Theatre Education) program. Mr. Traino has performed regionally in many productions, including Jesus Christ Superstar, Evita, Shenandoah, and Guys and Dolls. Mr. Traino acted as the production manager for the Benjamin T. Rome School of Music at the Catholic University of America from 2008 to 2015, designing more than ten sets for Opera and Musical Theatre productions. He wrote and directed his first CUA production Songs of Old CUA, a nostalgic musical revue celebrating the 125th anniversary of The Catholic University of America, in February of 2012. He served as an adjunct vocal instructor and adjudicator for the Musical Theatre division at CUA from 2006 to the spring of 2017. From 2002-2011, Dominic acted as assistant director for the School of Music’s Music Theatre Research Project, directed by Ellwood Annaheim. In the fall of 2008, Mr. Traino wrote and directed his first musical, The Golden Door, a theme theatrical piece on immigration, Ellis Island and the Statue of Liberty, which premiered at Bishop McNamara.

JAMES HAIRSTON IV (VIDEO SERVICES) is a Stellar Award

Winning Creative who has a strong background in production and content creation. James has had the pleasure of working with many talents in the gospel industry. He is advanced in cinematography, camera operations,video-taping, photography, and editing and a fellow graduate of the illustrious Bowie State University. During the three years of working at the Icho Group, James has trained a team of video editors, managed creative projects and won a Stellar Award in 2020 for directing and editing the music video of "Something has to Break" by Kierra Sheard. James's duration at the Icho group has awarded him opportunities of working with the industries greatest gospel artists such as JJ Hairston, Tye Tribbett, Travis Greene, Tim Bowman, and many more. Alongside the music industry, James has had a numerous amount of opportunities by working with TVOne, Lifetime, and the 2019 BET Awards on their press conferences, pre-recorded sessions, and on-air features. Furthermore, James's experience at Bowie State University and The Icho Group has prepared him for his position with All Nations Worship Assembly as Video Director. With his Sunday responsibilities, he has assisted the All Nations Worship Assembly with rebranding the church's experience through marketing approaches, impactful moments, and training Creative Teams. In all organizations and opportunities, James has strived to bring a new level of excellence, creativity, and collaboration to any team. Every opportunity James has had allowed him the chance to grow and adapt in every aspect of marketing. He is a Stellar Award Winning Videographer, husband to his amazing, talented wife Mian Hairston, and a proud founder and CEO of Creative Legacy Films.

KIM COLLINS (COSTUME DESIGNER) started sewing at thirteen years old when her mom gifted a sewing machine on her birthday. She discovered her passion for design and sewing so she took a class in Home Economics at Fairmont Heights High, Capitol Heights, where she continued to hone her talents. She went to Howard University for college where she graduated with a degree in fashion and design. Family came along and compelled a brief hiatus from commissioned work, but she soon refocused after her children grew into adulthood. She has designed and sewed for prom, weddings, theatrical and dance productions, clergy and choir gowns, and plenty more. Her affiliation with Bishop McNamara began when her grand-daughter Korie Gwynn enrolled in the Dance programs. Director Bah asked her to be the associate costume designer for MO

The Deliverer and since then she been the main costume designer for Sankofa’s Harriet & The Underground, to Violet, The Story of Love, Madiba, A Life Of Courage, Voices In Exile, Makeba & Simone and Yaa Asantewaa & The Battle for the Golden Stool and Maya, Phenomenal Woman. Her interest in designing for full length theatrical dance production has come to full circle with her annual contribution to this unique program in this special school. She will continue to volunteer and be part of Sankofa productions as long as she has breath and is needed. She lives by the philosophy of “No tolerance for foolishness because she’s got stuff to do.”

Class Of 2024

CHARLIE “CJ” BERLUCHE JR.

TAELOR BRIDGES ♫

KAI BROWN

AARON CARTER

MALIK CARTER

KIDUS CHANYELOW

OLIVIA CLEMONS

MCKENZIE CLIFTON ◊

WAYNE “Carl” CUMMINGS

OMAR DIXON

AMARE FIELDS

ROCCO GILBERT

JOSHUA GRIFFIN

NATHANIEL HAIRSTON

CAMERON HARRIS

DASIA HEATH

ISAIAH INMAN

ANAYA JAMES-GRIER

CAMERON KING ♫

PETER LUSTER ♫§

MARKELL MCFADDEN

MCKENZIE MCCLAM ◊

JELANI MCNAIR

GABRIELLE McRAE-PHELPS Ғ

MILEON MERRITT

MERILYN MORFAW

FATIMA MOSLEY

NKENJE NEITHER

CHINELOTAM NWOBI

AMARIS PARKER

SYDNEY ROBINSON

BRIANNA REYNOLDS Ғ◊

MASON SAMUELS

NICHOLAS STEED

JANIYA TAYLOR

SIMONE TELFORD

CARLIAH TROWELL Ғ◊

NIA WILSON Ғ◊

AMBER WIMBISH ◊

KIERA WISE

JOSHUA YOUNG

Tri-M Music Honor Society = ♫

Fine Arts Diploma Endorsement = Ғ

International Thespian Society = §

National Honor Society for Dance Arts = ◊

We invite you to attend our Sankofa Senior Farewell and Awards Night (SSFAN) on Sunday, May 5 @ 2pm at Bishop McNamara Fine Arts Theatre

Aaron, We can’t wait to see how far your talent, passion, and hard work will take you.

Never stop dreaming and continue to keep God first.

Love Your Biggest Fans, Mom & Dad Kenny, Granny, Uncle Mike, and Aunt Lee

Dear Riyan Radiance, Whats in a name?

Radiance

/rey-dee-uhns/

Radiance is a type of glowing: either from a light source like the sun or a healthy, beaming person.

Like the golden rays of the sun on a beautifully crisp spring day, may your beaming RADIANCE, continue to glow and brighten all the world! Keep shining!

Love you always, Your FAMILY

Carl, you are my greatest achievement and I love you with all my heart and soul. I cannot wait to see how you take the world by storm and grow into the man you are destined to be.

Love Always, Mom

Carl Cummings

GRATITUDE GOES TO

All designers, guest choreographers & artists, student volunteers, parent volunteers, Sankofa boosters, and the following for their unique help:

Kathleen Troyner (Bookstore Manager), For her work on our “T” shirts and uniforms

Dominic Traino (Set Designer), for his set design

Kim Collins (Costumer), for all the wonderful costumes on stage

Mary Mitchell-Donahue (Theatre Director), for her relentless advocacy and mentorship - Wish You Happy & restful retirement!!!

Dana Shieh (Fine Arts Director), for her leadership

Celena Wienand (Fine Arts Assistant), for making us look good with your invaluable behind the scenes work Board of Directors, faculty, staff and administration for their continued support of this unique program.

DONORS

Dr. Christopher Williams

If you are enjoying this production, please consider making a donation to the Traditional African Music/Dance & Sankofa programs

To further support these talented young artists. Simply scan the QR code below and you will be brought to the Bishop McNamara High School Fine Arts Contribution Site.

https://www.givecampus.com/campaigns/29681/donations/new

The Bishop McNamara HS Fine Arts Department would like to express our appreciation for the support of our BMHS community.

Francine Amos Hardy

John Barnhardt

Ellen Perry-Cooper Kendall Isadore

Richard Mills Jr. Dana Shieh

Charles Shryock Celena Wienand

Shamelle Yemofio

UPCOMING EVENTS 2024

APRIL 24 Jazz Concert

MAY 2

Concert Band, Symphonic Band, & Percussion Ensemble Concert

MAY 3 Choir Program

MAY 4

St. Genesius Awards Night

MAY 5

Sankofa/TAMD Senior Recognition

MAY 6

String Orchestra & Wind Ensemble Concert

MAY 8

NHSDA Induction Ceremony

We hope you will join us for these wonderful events!

Tickets go on sale to the public two and a half weeks before the first performance of each production. Please continue to check the website and our social media channels for ticket updates!

THE ADMINISTRATION

Dr. John Barnhardt President & CEO

Dian Carter Principal

Patrick Flynn ..................................................................................................... Assistant Principal

Charles M. Shryock IV ..................................................................................... Assistant Principal

Herman Gloster ............................................................... Dean of Students - Grades 9 and 10

Laura Keller....................................................................... Dean of Students - Grades 11 and 12

Brian Brower ................................................................................ Director of Student Activities

THE FINE ARTS DEPARTMENT

Dana Shieh Director of Fine Arts

Celena Wienand Assistant to Fine Arts

Francine Amos Hardy Band

Victor Bah Traditional African Music & Dance

Tiara Butler Visual Arts

Leigh Elliott String Orchestra

Zuri Foreman Classical Dance

Mian Hairston Traditional African Music & Dance

Cindy King Classical Dance

Janay Middelton Digital Arts

Mary Mitchell-Donahue Theatre

Stephen Riley Media Arts

Phillip San Gabriel Band

Rhoda Sutton Choir

Dominic Traino Theatre