Bleu Magazine Issue #78 Stonebwoy by Bleu Magazine

Adapt to Your Environment. www.tombogo.com

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Table of

Contents

C OV E R S TO R Y: S TO N E B W OY: THE REIGNING KING O F A F RO - DA N C E H A L L

s Photography by Twins Dnt Beg

m i s e m i m

photography by Isha Shah

TA B L E O F

CONTENTS 14 Access by Bleu

62 Feature Key Glock

16 Gadgets

20 Soled Up

68 Op-ed

70 Feature Derrick A. King

26 Cars 2022 Hyundai IONIQ 5

74 Feature Thuy

28 Grooming Kelvin Truitt

78 Spotlight The Dream Café NYC

30 Fuel

34 Feature Rini

38 The Creatives DAKARAI AKIL

42 Travel Finland

46 Fashion No One

60 Books

82 Icon Mario Van Peebles

MASTHEAD

On the Cover STONEBWOY Photography By TWINS DNT BEG

Publisher/Editorial Direction

Contributing Writers

DéVon Christopher Johnson

Sara Orhin, Ryan Kwon, Jamie Rollo, Nino Reyes,

East Coast Partnerships & Ecommerce

Heather Grant, Kirby Wright, Sable Tempest

Justin Wallace

Head of Content EIC Bombshell by Bleu

Contributing Photographers

Ebony Allison

Twins Dnt Beg, Karli Evans, Ithinkethan, Colleen

West Coast Partnerships & Special Projects

Chrzanowski, Franco Zulueta

Antheny Raiy

Contributing Editors

Ecommerce Partnerships

Chevy Wolf

Justin Wallace

Art Direction & Design Vee Banionis, Agnes Mazeikaite

Managing Editor Taylor Edwards

Interns

Licenses & Joint Ventures

Madison Allison, Ryan Kwon, Rayelle Lennard,

David DeGraff,Oaklins | DeSilva+Phillips

West Coast Fashion Editor

Francoise Lino, Natalie Sheehan, Sekou Cherif,

Apuje Kalu

Spencer Southwell, Brianna Brand

Brand Ambassadors Rannon Harris (Chicago-Midwest)

UK Fashion Editor

LeRoy Williams (New York- Northeast)

Sean Azeez

THE BLEULIFE MEDIA GROUP

Copy Editor

Chairman, CEO & President

TNG

Trevoy Ross, William Flores

DéVon Christopher Johnson

1955 Lake Park Drive, Ste 400

Staff Writer

AD Sales:

Elysia Tanswell

Todd Evans, Rivendell Media 908.232.2021

Newsstand Distribution

Smyrna, GA 30080

Submissions Bleu Magazine

Cover Story Design

Web Design

26 Broadway 3rd Floor

Francoise Lino

Muhammad Azeem

New York, NY 10004

Bleulife Media & Entertainment Inc. | 26 Broadway 3rd Floor New York, NY 10004 | E-Mail: info@bleulife.com | Online: bleulife.com Printed in Canada. Opinions expressed by advertisers, columnists, feature writers or other contributors are not necessarily the opinions of Bleu Magazine or its staff. All advertisements, photographs, text or illustrations are published with the understanding that the advertisers are fully authorized to have secured proper consent for the use thereof. Bleu Magazine shall not be held responsible for any errors, loss, expense or liabilities on advertisements accepted after the deadline. Publication of the name or photograph of any person or advertisement in Bleu Magazine is not to be constructed as an indication of sexual orientation of such persons, advertiser or organization. Partial or complete reproduction of an advertisement, news article, feature or photograph from Bleu Magazine is strictly prohibited as Bleu Magazine is a registered trademark. A $25 or 1.5% (whichever is greater) fee will be charged for all NSF checks. All rights reserved.

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PUBLISHER’S LETTER

Sustainability. Can we as a society keep this up? The concept of sustainability is approached as an external, tangible goal in plain sight. But somehow it is unreachable. It’s like running a marathon with no start or finish line. Consequently, with no start or finish, there’s no winner. And that my friends is the point. There should be no winner or loser when it comes to sustainability. Our existence on this planet requires a collective approach to even have a viable future. Nature has made it that we actually can’t live alone. We are pre-wired to need each other. Whether that be for procreation or simply having a conversation with a coherent being on the other side of the table.

Come gather ‘round people Wherever you roam And admit that the waters Above you have grown

Unfortunately capitalism and democracy have dilapidated what should be a collective approach to an abundant future to that of obscene self indulgence.

And accept it that soon

We work remotely. We buy real estate in the metaverse. I don’t believe

You’ll be drenched to the bone.

that is why we are here. We need each other in real life. Individualism is

If your time to you

unsustainable.

Is worth savin’ Then you better start swimmin’ Or you’ll sink like a stone For the times they are a-changin’, changin’.

DéVon Christopher Johnson Founder & Group Publisher

Come writers and critics Who prophesize with your pen And keep your eyes wide The chance won’t come again And don’t speak too soon For the wheel’s still in spin And there’s no tellin’ who That will be namin’. For the loser now Will be later to win For the times they are a-changin’, changin’. NINA SIMONE “THE TIMES THEY ARE A-CHANGIN’” (Originally by Bob Dylan)

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C O N T R I B U TO R S

Sara

ORHIN

Lavanya

SUNKARA

Heather GRANT

Nino

RE YES

Sable

TEMPEST SWEEPER

Dakota

JACKSON

Jamie ROLLO

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Sara Orhin is a noted music, social culture and wellbeing writer; featured in Nation of Billions, The Voice Online & Demur Magazine. A campaign manager by day, presenter and writer by night, she received her bachelor of arts in Marketing which encouraged the beginnings of her wellbeing website, LoveJanexo, to share experiences and give advice to others. Born and raised in London, she is a lover of fashion, music, apple crumble, and beach holidays, currently residing in the borough she loves, most likely multitasking. You can visit her online at www. lovejanexo.com.

Lavanya is a New York City-based writer covering sustainable travel, off-thebeaten-path escapes, adventure, and wildlife conservation. Her work has appeared in the New York Times, Architectural Digest, Fodor’s, Forbes, Reader’s Digest, and USA Today among others.

Heather is a Sagittarius working for the integrity and love of music; whether it’s through writing, curating playlists, or showcases.

Nino Reyes is a New York City-based journalist who covers stories on biographies, politics, entertainment and lifestyle.

Sable Tempest Sweeper is an author, freelance writer, and practicing limited permit psychotherapist (MHC-LP). Sable incorporates normalization and brings awareness to mental health issues. Focusing on person-centered, narrative, and family therapy, Sable provides a comfortable, non-judgmental, and empathetic environment that allows clients to be vulnerable while working towards wellness through psychotherapy.

Dakota is from Decatur, Georgia now residing in New York, New York. He is a creative director and creative connector. He uses his unorthodox writing style to highlight artists, events, and extraordinary individuals deemed as interestingly invigoratingly innovative.

Jamie is a public relations executive and a former Bleu staff writer and editor based in Portland, Maine. She attended Hofstra University on Long Island graduating with a BA in Journalism. Currently, she works in B2B public relations while continuing to contribute to Bleu Magazine, covering up-and-coming artists, businesses, and more.

IT’S NOT JUST A MAGAZINE

BLEUMAG.COM @BLEUMAGAZINE

it’s a lifestyle. Issue 78

AC C E S S BY B L E U

HARLEM WORLD

[L to R] Tyler Lepley, Jerrie Johnson, Grace Byers, Tracy Oliver, Meagan Good, Shoniqua Shandai

Prime Video series Harlem is a tale of four women in New York CIty’s favorite neighborhood. Prime Video celebrates the all-new series, Harlem, with a red carpet premiere at AMC Magic Johnson Theatre in New York City (NYC). Written, created, and executive produced by Tracy Oliver (Girls Trip), Harlem is a new comedy following fourstylish and ambitious best girlfriends in Harlem NYC, the mecca of Black culture in America.

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Shoniqua Shandai

Juani Feliz

Bevy Smith

Dapper Dan

Jasmine Guy & Trai Byers

Robert Ri’chard & Meagan Good

Tyler Lepley & Miracle Watts

Starring Meagan Good, Grace Byers, Shoniqua Shandai, and Jerrie Johnson, the who’s who of Harlem and more gathered for the series’ sneak-peek in Manhattan. The vibrant, colorful after-party included appearances from Dapper Dan, Bevy Smith, Tyler Lepley, Jasmine Guy, and Robert Ri’chard, among others. . Exclusively on Prime Video, Harlem is available now.

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GADGETS

SMART IN THE CITY

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GADGETS

Smart city development areas are the new “hot spots” for health, happiness, and high-functionality. As digital times continue to take over everyday matters, smart cities are the new way of life. Your hometown, favorite vacation spot, or next work destination could be a smart city – if not already. Smart cities transform traditional elements of city life – like streetlights – with wireless connectivity and the internet of things, also known as IoT Technology. A smart city goes beyond the basic practice of digital technologies for better resource use. It means smarter transportation networks, upgraded water supply and waste disposal facilities, and more efficient ways to lighting and heat. It also means a more interactive and responsive city administration, and safer public spaces, meeting the needs of an ageing population. As smart cities thrive and rise in popularity they have two missions; increase economic growth and the standard of living. These special cities – domestic and international – have smarter energy infrastructure and use data to create efficiencies. Over 20 cities [worldwide] use technology to improve sustainability, create development, and enhance quality of life factors for the people living and working in the town. Intelligent communities depend on smart devices to enhance the environment. The conveniences of smartphones, smart TVs, and tablets are multiplied in smart cities. Conveniences are life-sized with the use of artificial intelligence, the internet, and modern technology. Errands are easier, more efficient, and effortless. To live, work, or play in a smart city development the possibilities are endless. Time is saved, energy is preserved, and your quality of life is upgraded and lengthened.

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GADGETS

BENEFITS OF SMART CITIES

Better Transportation – Smart cities can improve the levels of transportation and traffic management throughout the city, saving time and money for its commuters. Less Crime – With the help of technology authorities can monitor areas in real time and first responders can act quicker to reduce crime. Digital Equity – Because smart cities rely on IoT its residents must have access to affordable high-speed internet and devices, widening equal opportunities. Reduced Environmental Footprint – Smart cities decrease the dependence of non-renewable energy resources. Energy-efficient buildings, improved air quality and more decrease the ecological impact.

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GADGETS

SMART CITIES IN THE WORLD

Singapore, Asia London, England Barcelona, Spain Toronto, Canada Tokyo, Japan Dubai, UAE Gothenburg, Sweden Amsterdam, Netherlands Oslo, Norway Zurich, Switzerland

SMART CITIES IN THE U.S.

Austin, Texas New York City, New York Columbus, Ohio San Francisco, California Louisville, Kentucky Washington D.C. Seattle, Washington Boston, Massachusetts Denver, Colorado Chicago, Illinois

Issue 78

SOLED UP

Photography by SEKOU CHERIF & RAVI STERMAN

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SOLED UP

AIR JORDAN 4 RETRO OG ‘WHITE CEMENT’

NEW BALANCE 990V3 JOE FRESHGOODS OUTSIDE CLOTHES

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SOLED UP

ZOOM KOBE 5 PROTRO ‘BRUCE LEE’

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check out

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Issue 78

CARS

Words by RYAN KWON

2022 Hyundai IONIQ 5: The First Fully Electric Car The new and innovative 2022 Hyundai IONIQ 5 model is a breakthrough vehicle in the automotive industry as well as modern day. This SUV is electric and thanks to the extraordinary battery platform, adjustments can be made to satisfy its users. Customers have an option between two battery sizes. The smaller size has a 77.4 kilowatt hour battery and weighs about 4,500 pounds. This battery size can drive up to 269 miles and can accelerate from 0 miles per hour to 60 miles per hour in just 5 seconds. In context, an average battery has around 58.4 kilowatt hour, can drive up to around 193 miles, and can accelerate in 8 seconds. And that’s just the smaller battery pack! From the smaller size, there are two wheel drive options: a single motor rear-wheel drive and a dual motor all-wheel drive. The single motor rear wheel drive has around 225 horsepower and a 258 pound-feet of torque. However, if you prefer a car with more power, you have the dual motor all-wheel drive that gives about 320 horsepower and 446 pound-feet torque. If you’re concerned with originality, don’t be! This style and form is completely new. The grill of the car is reflective to give a sleek look and the headlights are not in the traditional circular shape but an interesting square pixel style.

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To match the front, the tail lights also have a pixel look. The bodywork, including the wheels, is highly geometric giving a new modern look. Compared to other electric cars this model definitely stands out. Exterior colors include atlas white, phantom black, digital teal, lucid blue, gravity gold (matte), and cyber gray. All of which have a sleek and powerful feel yet unique in their own way. The 2022 Hyundai IONIQ 5 may appear small but it is a guarantee that you’ll have an aromatic and free wind feeling within the interior of this vehicle. The interior of the vehicle is simplistic. It’s relaxing and serene and you can’t help but feel like you’re living in the future! Interior colors include Obsidian black, Dove gray

CARS

and dark pebble gray two-tone. Throughout the cabin you can find that the material is comprised of plant and recycled-based materials. Hyundai proudly partners with Electrifying America to supply its users with “two years of complimentary access to the fast-charging network in the U.S.” With all of these amazing benefits and pros, you can expect this work of art to come to $44,000. This car is unique, family-friendly and welcoming to all drivers. You might even get a peak at how it works in the upcoming film, Spider-Man No Way Home. • • •

First ever fully electric vehicle (100% battery-driven) 300 miles of range Storage space in the hood of the car

Issue 78

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Issue 78

FUEL

Words by JAMIE ROLLO

Let me see your Lucky Charms - Cereal Collectors Cash In KAWS X REESE’S PUFFS

The world of limited edition cereals is far more lucrative than one might imagine. From vintage brands and boxes to celebrities and athletes creating their own collectible cereals, the potential for profit is beyond shocking.

Similar to their more well known counterparts, the NFT aficionado, collectors of limited edition cereal boxes hope to cash in on their niche hobby, and have had some success doing so. What is estimated to be just a dozen passionate breakfast fanatics, the world of limited edition cereals is serendipitously odd with some unopened product releases selling for upwards of $1,500. One of the top selling boxes being a pair of Nabisco cereal boxes featuring designs of the Beatles’ Yellow Submarine animation, which sold for a whopping $11,000 on eBay according to Eater. With the potential for increased value over time, it’s no wonder that athletes, rappers, shows and brands alike are hopping on the bandwagon. And with the saturation of clothing and fast food collaborations limited edition cereals create more room for imagination and creativity. Below are some of the more recently released, limited edition cereals.

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Following in the footsteps of Lil’ Yachty, artist and designer Brian Donnelly - a.k.a “KAWS” - teamed up with Reese’s to release two limited edition boxes of Reese’s Puffs. The first released box mirrors the classic Reese’s Puffs design with one of Donnelly’s signature “Companion” characters resting in the bowl. Announced in early November 2021, the first design was released in grocery stores nationwide, retailing for $3.99. Both boxes include a QR code to an AR (augmented reality) game, replacing the classic backof-the-box games and puzzles with something much more contemporary. The second and more costly design retails for $49.99 in a limited release. The second box of KAWS x Reese’s Puffs is a bright royal blue, a far cry from Reese’s traditional orange branding. The limited release box contains an entirely separate AR experience, and the highest scorers of the corresponding game will be selected to receive a rare box signed by the artist himself.

FUEL

HERRO’S FRUIT HOOPS CEREAL Miami Heat point guard Tyler Herro released his own limited edition cereal in early 2021 dubbed HerrO’s Fruit Hoops. The NBA star delved into the world of cereal to help support the T. Herro Foundation, which focuses on initiatives that promote wellness, physical play and creativity to inspire tomorrow’s athletes by providing resources and opportunities. The cereal itself is seemingly similar to Fruit Loops, the product description being “multi-colored, fruit-flavored frosted rolls.” The box, which Herro told the Sun Sentinel he had a large hand in designing, features a few action shots of the athlete mixed in with palm trees to represent the Miami Heat. The cereal originally retailed at $24.99 and is being resold for anywhere from $35 to $75 on several resale websites.

DURKIO’S In partnership with SoFlo Snacks, a Miami-based e-commerce brand specializing in limited edition snacks and beverages, artist Lil Durk released his limited edition cereal in 2019 becoming the first ever rapper to do so. Though Cam’Ron released his own box - “Killa Crunch” - in 2015, the boxes distributed across local NYC corner stores only contained t-shirts. DurkiO’s boxes contain french vanilla protein cereal. According to cereal heads on YouTube, the main complaint from these collectors and fans is that it tastes like a protein shake and isn’t sweet enough, similar to Cheerios. It was difficult to find people conserving the boxes, which I’m sure they regret considering some unopened DurkiO’s are selling for almost $100 on StockX, a substantial increase from the original $24.99 price tag. The coolest part of DurkiO’s has to be the word search on the back, which features the names of OTF signees including Booka, JusBlow and the late King Von.

LUCKY KITHMAS In collaboration with the beloved cereal brand Lucky Charms, Kith and its in-store cereal-inspired snack bar, Kith Treats, released a limited edition pack of Lucky Charms in part of their Lucky Kithmas collaboration, which was released alongside a slew of new apparel for the 2020 holiday season. The cereal looks and tastes just like the original Lucky Charms, only this release features red and green marshmallows and obviously, a uniquely designed box. The original boxes were sold at a pop-up shop and as such the original price is not well known. Lucky Kithmas cereal is currently selling for $25 on StockX and upwards of $48 on Grailed.

Issue 78

this is for the kings

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www.CYCLEDstudios.com Issue 78

F E AT U R E

Words by JUSTIN WALLACE

Photo Credit THE FOREFRONT GROUP

RINI: OVER THE APOLLO BAY

The Melbourne-raised R&B singer gives fans a rare introspective of himself, pouring everything into his music. Being completely himself, RINI has resonated with millions of listeners, giving the 24-year-old a unique reach. Over the past two years, the rising musician has applied his work ethic into his debut album Constellations. The album tells the story of his relationship with a childhood friend; an album he describes as “the beginning of something new”.

As a child, music played a massive part in RINI’s life. Born in the Philippines, he remembers his father playing classic rock jams over his enormous sound system. Moving to Melbourne at the age of 13, he started playing in his church’s band. Making the big move to the City of Angels [Los Angeles] RINI is ready to show the world his growth as a songwriter and musician in the upcoming years. We had the chance to sit down with the up-and-coming R&B singer to discuss his latest album Constellations, new music, and more.

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F E AT U R E

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F E AT U R E

Bleu: Born in the Philippines, can you tell us about life back home? Rini: I was born in the Philippines but moved to Melbourne when I was about 13 years old. I could call Melbourne my home too though because I’ve spent one of the most significant times of my life there growing up as a teenager. Melbourne to me is a unique city, it’s very diverse and kind of a simple place but at the same time also has so much to it, the places you can visit, the art, the culture, the food. It’s an amazing place to live. What made you start taking music seriously? I started taking music seriously when people started to show some love to the stuff I’ve been making. It’s just such a rewarding feeling

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F E AT U R E

and also to be able to connect to somebody with music is such a vibe. Like how I connect with the music made by people I look up to, I wanna be able to do that. How important is it to take your time when creating music? It’s very important to take your time when you create. For me, I try not to set a time limit or anything when I’m making something, but also I try not to be too much of a perfectionist and keep changing things. As an artist, I think you have to dive into your own world and explore you know, try new things and experiment. Some songs take a lot longer to finish than others but once you feel it’s done then it’s done. What challenges did you face, moving from Melbourne to Los Angeles? A lot of challenges actually, firstly I had to adjust to the way things are in Los Angeles. It’s not like Melbourne at all but in a good way. It’s the place to be to create and collaborate but sometimes it can feel very fast-paced in my experience and I wasn’t used to that. I love taking some time off everything and just living sometimes. Secondly, I had to adjust to being so far away from my loved ones and lastly just the growing up part of it is a challenge, I’ve had to deal with things I’ve never dealt with before and you know it’s all a learning process, just part of me being an adult I guess.

On YouTube, you have covered multiple R&B favorites; who’s your favorite cover? My favorite cover would probably be “Self Control”, I made that with my friend Aldwin, straight after Frank [Ocean] released “Blonde”. I love that album so much and I think we did decent on the cover. *laughs* Just last year, you released Constellations, take us through the moments of creating your debut album. Constellations was really me writing a storybook about my relationship. I started writing the first song of that album when I reconnected with an old friend and finished the album while I was in Los Angeles and so far away from her. It’s funny because many things happened within that time frame and if you listened to the album in a particular order it would make sense. I worked with a lot of producers for the first time in my musical career and it was just a whole vibe, like a roller coaster experience. Constellations will always be special to me because it was all real. Do you have any special announcements you want your fans to know for the new year? I’m finally back in LA and I’m ready to put out new music that I’ve been working on. I’m also planning to do a tour this year and maybe drop another project sometime later this year.

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C R E AT I V E S

Words by DAKOTA JACKSON

Photography by KARLI EVANS

Art by DAKARAI

Trans-Temporal Exchanges with collage artist DAKARAI AKIL + Transcending BlackCreative Excellence through third release art book CAVEYEARS It’s 5:45am, there’s heavy snow coming down in the still seeming nocturnal early morning heading to Cleveland’s Hopkins airport. Surely I’ve missed my flight to Atlanta. Though, that missed flight turned into a detour of a great visual discovery in Long Beach, California. That visual discovery was the release of DAKARAI AKIL’s third art book CAVEYEARS or as he calls it, “his baby”. My new itinerary was destined to LAX that required a five-hour layover. It was inevitable I would catch up and check in on my creative crony. We had a conversation about a month prior to his new project. I told him the next time I’m in LA I’ll pick up my copy of the book personally myself. So I did just that. I played YG’s “My Word is Bond” on repeat along with Earl Sweatshirt’s “2010”. It has been almost two years since I’ve seen the exact-o-knife virtuoso. The last time was right when Kobe Bryant passed and the city of LA was in a disarray of sadness. During that time I met DAKARAI at his then mission on Skid Row or as the natives call it, “the SKIDS”. He was working there as a community art program assistant. Here he would encourage the SKIDS’ community through art therapy partnering with a local art studio, Studio 526. DAKARAI expressed, “the SKIDS are like the ying-yang symbol. You have the light with a little bit of darkness and you have the darkness with a little bit of light. The SKIDS are the darkness with a little bit of light.” Here he saw people with absolutely nothing, but not deterred from happiness.

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C R E AT I V E S

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C R E AT I V E S

DAKARAI’s work has always expressed reflections of himself being a Black man in America and the traumas and anxiety that come with it. DAKARAI used to travel the world uneasy. He later expressed, “My anxiety dealt with immortality and not doing what I was brought here to do.” He’s reminded back in his hometown of Cleveland, Ohio that his demise could have ended abruptly like Tamir Rice. He’s also reminded while in his new home of Los Angeles, that police brutality at the hands of LAPD is alive and present. When describing the theme of his work the word “purgatory” seems to emerge. When I looked up the word purgatory it means to be made pure through suffering. I would like to think that’s appropriate to describe DAKARAI’s art. Lately DAKARAI has turned off all distractions to the world and channeled an inner peace he calls his CAVEYEARS. Here, he’s at a place of peace and able to create, heal, and love himself. This metaphoric place has served him well with works all over in an array of publications and big brands such as Netflix, Google Pixel, NY Times Magazine, and more. DAKARAI has taken his trademark collages to a new trajectory invigorating his peers and supporters across the world. He greeted me with much cheer as we made our way to his home to be re-unionized. He had a cheerful grin on his face with not a sign of anxiety. He was truly happy. Throughout his space were unfinished paintings, art work, and obscure art publications he loves such as

C R E AT I V E S

Toilet Paper Magazine. After making sure I was comfortable, DAKARAI dove back into his work. He was working on a Nicholas Cage collage commissioned by Harper Magazine. That’s DAKARAI…an artist that’s constantly working. You can tell he has his ego in check because he does amazing features then moves on to the next as if it never happened. DAKARAI is such an afrofuturistic he’s always moving forward to the future like his brand THISBRANDUSA (THIS BRAND WAS MADE IN THE FUTURE). Though in this conversation we did partake in some time traveling back into the future, he discussed pivotal moments in Cleveland when he collaborated with artists at LAKE AFFECT Studios located downtown Cleveland. “LABCABCLE, we were the next generation of the Cleveland art scene.” We also dove into his 3rd release art book CAVEYEARS. He calls this project, “My baby.” After soaking in all the visuals and reading honest self reflections, DAKARAI has raised a fine scion. He invested his money and time with his baby like any other parent. He nurtured his baby and stamped its consciousness with beautiful yet candid imagery and spoke words-of self reflection and accountability to truly heal. He’s expressed he is nervous to send his baby off into the world to be dissected and judged. If it’s not perceived well he said, “It’s like someone telling me I have an ugly baby”. After experiencing the mind of DAKARAI and spending some time with his baby I think it will grow up into a fine expression that transcends far beyond physical and visual attributes.

T R AV E L

Words by LAVANYA SUNKARA Images courtesy of LAVANYA SUNKARA

Finding Happiness Through Pure Nature in Finland

The stress and fatigue of a pandemic-induced staycation for a year and a half became a distant memory as I ran from the steamy sauna tent of Revontuli Resort to jump into the freezing Lake Iso-Virmas. As I emerged from the water, refreshed and invigorated, I realized why I chose Finland for my first international vacation in almost two years. It is this raw connection to nature that makes the Finnish people joyful and the country named the Happiest Place on Earth four times in a row in an annual UN-sponsored report. After the year that I’ve had, I was ready for a taste of happiness.

Photo by SaiKrishna Saketh Yellapragada

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Living in the most forested country in Europe, the Finns have access to the great outdoors within just 15 minutes of wherever they reside. Finland is also home to the Lakeland region in the province of Central Finland, which boasts the two largest lakes in the country: Lake Saimaa and Lake Päijänne. Jyväskylä Region, located in the western part of the Finnish Lakeland, is considered the Sauna Region of the World. Traveling from the charming capital city of Helsinki, I made my way to Lahti, the gateway to the lakes. Here, on Lake Vesijärvi, which connects to Lake Päijänne, I started my happiness tour on MS Happy Days with a boat sauna with a traditional healer.

Photo by Taneli Lahtinen

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But first, the significance of sauna in Finland. There are over three million saunas serving the 5.5 million population of Finland, the birthplace of sauna. In 2020, the Finnish sauna culture was added to UNESCO’s List of the Intangible Cultural Heritage of Humanity. Most private homes, lakeside cabins, apartments, and even office and government buildings have a natural wood-burning or electric sauna. Saunas are also added to boats and buses. Ask any Finn how often they sauna, and they will say anywhere from two to three times a week; they look forward to it on weekends and holiday breaks. In the past, the sauna was considered a sacred temple; women gave birth in the sauna and named their children in these holy places. Today, the sauna is a gathering spot for families and friends, providing an escape for relaxation and mental and physical healing. As the boat engine gently vibrated and rocked the tiny vessel of MS Happy Days, folk healer Maaria Alén led me to the sauna situated at the bow. The quaint, clean wooden space overlooked the calm waters and autumnal view of yellowing birch trees along the shore. Maaria closed the door and poured water over the heated stones to let the steam rise. She then sang a blessing in Finnish. Soon, tiny beads of perspiration began to appear on my face. Maaria handed me a sauna whisk, made up of fresh birch leaves. The activity of whisking -- gently patting the skin with birch leaves -- helps with the flow of energy and clears the skin. The minty scent of birch, combined with the humid embrace of the rising steam, instantly calmed me. A gentle foot bath, composed of herbs and flowers, cooled my feet while the honey herbal face mask Maaria gently massaged into my skin began to melt its goodness into me. Stepping out of the sauna and onto the deck, a gust of cool wind enlivened my body. I felt relaxed, both in body and mind, and invigorated. Sauna isn’t the only thing keeping Finns happy. Access to untouched natural beauty means regular hiking, biking, canoeing, snowshoeing and skiing. Finland features 40 national parks and the country’s “Everyman’s rights” mean that people can venture just about anywhere. Adventure seekers can enjoy a host of activities, including ice

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swimming, nordic skating over frozen lakes and snow-kiting. While outdoor activities are abundant, the Finnish people often combine being in nature with another popular pastime -- wild berry picking and mushroom foraging. Both berries and mushrooms, along with other fresh and local ingredients, are the basis of the Finnish diet. Most Finns, regardless of socioeconomic status, go into the forests in the summer and fall to forage. Cloudberries, lingonberries, bilberries, and raspberries grow in the boreal forests, while mushrooms of all kinds (from pine cep to chanterelle) can be found sprouting from the thick ground moss. As someone who adores the great outdoors but never went foraging, it seemed fortuitous that my vacation rental at Halla Nature & Design Villas in the Lake Saimaa region was surrounded by woodland and pine forests. Within minutes of wandering away from the road connecting the villas, I found myself in a magical realm, one where thick green moss made each step lighter and the colorful canopy of trees filtered the evening light to provide a soft glow; everything around me seemed more vibrant and like a fairytale. While I didn’t spot angels flitting about, I did find varied mushrooms dotting the lush ground. I picked a few edible milkcap mushrooms before heading back. Although I couldn’t use the fungi I picked for dinner that night, the memory of foraging would stay with me for a long time to come. Finland and its stunning natural beauty would forever bring me feelings of pure happiness.

T R AV E L

W H E R E T O S TAY

W H E R E T O E AT

W H AT T O D O

LEHMONKÄRKI RESORT

HARMOONI

MUSHROOM PICKING

Lehmonkärjentie 180 17320 Asikkala, Finland Phone: +358 3 7666330

Väinönkatu 1 Hannikaisenkatu 39 40100 Jyväskylä, Finland

Halla Nature & Design Villas Hovintie 224 52100 Anttola, Finland Phone: +358 44 4301100

REVONTULI RESORT

BOWLING DINER, REVONTULI RESORT

Revontulentie 1 41500 Hankasalmi, Finland Phone: +358 14 8448200

HALLA NATURE & DESIGN VILLAS

TERTTI MANOR HOUSE

BOAT CRUISE ON LAKE SAIMAA

Hovintie 224 52100 Anttola, Finland Phone: +358 44 4301100

Kuopiontie 68 50350 Norola, Finland Phone: +358 15 176012

Kallioniemi (M/S Aino)

BOAT SAUNA ON LAKE PÄIJÄNNE /MS HAPPY DAYS

Issue 78

FA S H I O N

Words by CHEVY WOLF

Photography by TIM GRASINT

No One Clothing Meshes Streetwear and Bespoke with ‘Respite’ Collection 46

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No one is the culmination of over two decades of creative endeavors born out of Baltimore and founded by two friends who met in high school, Lenard Grier and Jameel Saleem.

Now based in Los Angeles, Lenard and Jameel have always had a tendency to delve deeply into their pursuits. With Jameel’s interest in films leading him to a successful career in Hollywood and Lenard’s passions for hip-hop and fashion driving him to create his first streetwear line in 2012, the momentum was built up for what now is considered a contemporary streetwear label, No One. Designed for those who are comfortable with ambiguities, oxymorons, and contradictions. Taking the approach of refining American workwear by maintaining the quality construction, and pairing luxury fabrics with gender-neutral silhouettes. No One is intended to embody the youthfulness of streetwear and the sophistication of bespoke suiting. The “Respite” capsule collection is an introduction and a body of work that Lenard and Jameel dedicated to No One. It’s a breath of fresh air in today’s industry with garments designed for today’s innovators and tastemakers. An accumulation of time was put into these thoughtful and timeless pieces,

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“ We hope this collection can instill a humble sense of confidence in our supporters and that, over time they experience the same joy wearing it as we did designing it.” – Lenard Grier.

which shows through the details. Putting together some of the finest fabrics with details on the pieces, pairing applique with embroidery for floral imagery, and subtle No One branding on the buttons, it’s safe to say Lenard and Jameel are taking the appropriate steps to become masters of their craft. “We hope this collection can instill a humble sense of confidence in our supporters and that, over time they experience the same joy wearing it as we did designing it.” – Lenard Grier. The collection features pieces such as an overshirt in purple and green pastel tones, caps and beanies, trousers and t-shirts. The collection will be released March 14th, with online pre-orders available February 28th. Place your order today!

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FA S H I O N

Issue 78

C O V E R S TO R Y

Stonebwoy:

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Words by SARA ORHIN

Photography by TWINS DNT BEG

The Reigning King of Afro-Dancehall From the main stage of Afrochella to international airwaves, Stonebwoy represents Africa first, Ghana second, and AfroDancehall everywhere in between. In recent times, the Afrobeat scene has become somewhat of a melting pot. A base for artists to infuse the authentic sound with R&B, Dancehall, Swing & Amapiano; giving birth to sub-genres and concord through creative expression amongst the diaspora. Following this difficult year, we have been reminded of the importance of unity and philanthropy. This feeling is one that the self-appointed ‘King of Afro-Dancehall’, Stonebwoy, is in tune with. I caught up with him during his UK tour, Anloga Junction, to discuss philanthropy, his musical legacy and his latest single, “Greedy Men”. Livingstone Satekla, also known as Stonebwoy, acquired the stage name from a juxtaposition of his first name and the Jamaican spelling of “BWOY”, representing the influence of reggae and dancehall in his music. He was born in Ashaiman but would venture to the town of his parents called Anloga - a district in the Volta Region of Ghana - for inspiration. At the age of 12, he identified a love of the church choir and formed a rap group with friends to take on local competitors every weekend. The humble beginnings of a rap phenomenon. “Growing up in that city was so much fun. It really shaped and sharpened my character as everyone is from a different walk of life. I was always the leader of our rap group. It’s how I learned to shape my personal sound and versatility.”

“Music is life to me and it means life to me.”

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for every and any African style of music so this leaves me with a wide range of sources to tap in from. With Dancehall, I enjoy its disruptive style and delivery so through infusing these sounds I have made some fresh unique melodies.” The powerful album art shows Stonebwoy as a young teen holding a stereo in front of a large road sign bearing ‘ANLOGA JUNCTION’. Ahead lies large conjured clouds and sunlight blocking visual of what lies ahead; a visual metaphor for the anonymous land of artistry, a journey into the unknown. Each track invites listeners to smooth and seamless execution of layered production and into his journey as an artist. His relentless drive and commitment can be heard throughout this album. Intro track “Le Gba Gbe” meaning ‘Alive’ in the Ewe language details his perseverance and drive to be successful. It begins with a classic highlife trumpet crescendos juxtaposed with a hip-hop melody. Another popular track, “African Party”, boasts a pulsating dancehall bassline describing a feel-good time on the club scene. He has also released collaborative tracks this year with artists such as Focalistic, Celina Sharma & Remy Adan to remix the viral hit “Putuu Freestyle”. This being his fifth studio album I wanted to discuss any differences to be expected from his discography. “Music is life to me and it means life to me. This time around fans are getting a more evolved and mature version of Stonebwoy. I take inspiration from every matter in life so this time around I am a better storyteller and can take them on the ride with me of my journey through my music.”

His unique sound is termed as Afro-Dancehall; a blend of Afrobeat, Dancehall & Reggae that has captivated the Ghana music scene and continues to resonate with fans globally due to his infectious energy, strong stage presence and catchy adlibs. The 33-year-old Pan-Africanist has mentioned in previous interviews that he is African before Ghanaian and passionate about the unity of the descendants across the continent. He goes on to describe in detail his inspirations. “My inspiration comes from all the genres that originate from Blackness; where the Afro stands

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Stonebwoy has used his talent to become a modern day activist and philanthropist; dedicated to the betterment of his people. He serves as the Global Ambassador for Sanitation, a brand ambassador for Voltic Natural Mineral Water, and is passionate about Ghana being restored to the haven he once knew. The love of his homeland can be heard on his recent track “Greedy Men”; an authentic laidback reggae record highlighting socio-economic challenges, weak leadership, corruption, and child labor. “There is a need to use my platform to speak to this subject matter instead of just sitting and complaining. Africa has been battling being ripped off from the rest of the world before I was born but the ripple

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“...we are witnessing the magnitude of African music and the growth of Africans globally.” effect is extremely damaging. We will eventually lose our planet and we must stand up now to make it a point to change. I am a proud African and therefore a Ghanaian, everything I’ve ever done through music has been for the benefit of my people and I’ll continue to do so. They say charity begins at home so we have to be the ones to look after one another.” F The music industry can be a difficult world to navigate while achieving mainstream appeal. Having been in the industry for over fifteen years, Stonebwoy is remarkably humble, grounded and driven to achieve his purpose. “My family keeps me grounded and motivated, I’ve learned so much about patience and balance when it comes to creativity and my career. Fatherhood has taught me a lot also. I take both really seriously.” I wanted to know his parting words of advice for upcoming artists who aspire to follow in his footsteps and break through in the music industry. “When I see the newcomers on the rise, I love it. We have

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“I want my name to be mentioned amongst the great artists that impact lives through their music.” to be humble enough to know that we can’t always steer the wheel. Musical fulfillment comes from so many people. However, fame is like a drug. Once you’re hooked on it you feel superhuman, so that’s where you have to stay true to yourself and don’t get too caught up in the industry.” Complimented by a burning passion to keep challenging himself with new musical styles and global collaborations; it is clear Stone’s work ethic, drive and focus for his career will have him on our radar for a long time. His fanbase, BHIM Nation (Bless His Imperial Majesty), shows out for him at every single live show of the Anloga Junction UK Tour to sing along word for word and marvel at the versatility of his lyrics. I wanted to know what his motivations were to keep making creative strides and the legacy he wishes to leave behind. “I want my name to be mentioned amongst the great artists that impact lives through their music. As a generation, we are witnessing the magnitude of African music and the growth of Africans globally. This must-have surely been the dream of our forefathers.”

Issue 78

BOOKS

YOU’LL WANT TO SIT DOWN FOR THIS As Covid-19 rates continue to rise, quarantine is still “a thing”. Here are four powerful reads to keep you occupied,,,

EMPIRE OF PAIN - THE SECRET HISTORY OF THE SACKLER DYNASTY Patrick Radden Keefe

The U.S. has surpassed 100,000 deaths in a single year due to drug overdose--opioid deaths accounting for 75%. Following his 2017 The New Yorker article on the Sacklers, Empire of Pain by Patrick Radden Keefe examines three generations of the family, including the founding of Purdue Pharma, their part in the marketing of pharmaceuticals, and the family’s pivotal role in the opioid epidemic. Famed for their philanthropy, whose fortune was built by Valium and reputation destroyed by OxyContin, ‘Empire of Pain’ covers the Sacklers journey to Oxycodone popularity, its quick abuse, drop in sales and the rise in heroin (arguable caused by the opioid abuse), and the turmoil that followed.

NO ONE IS TALKING ABOUT THIS

A LESSON BEFORE DYING

CONCRETE ROSE

Patricia Lockwood

Ernest J. Gaines

Angie Thomas

The debut novel by American poet Paticia Lockwood, ‘No One Is Talking About This’ is a piece of work that reads like a prose poem and leaves you asking yourself, “is there life after the internet?”. This story focuses on a woman who is perennially online, whose life changes focus after her family experiences an unexpected tragedy. The New York Times named it one of the 10 Best Books of 2021, and it has appeared on more “books of the year” lists than any other novel of 2021.

A winner of the National Book Critics Circle Award and an Oprah’s Book Club select, ‘A Lesson Before Dying’ is the eight release by critically acclaimed author, Ernest J. Gaines.This deep and emotion-filled novel is based on the true story of Willie Francis, a young Black man best known for surviving a failed execution by a malfunctioned electrocution in the state of Louisiana, during the mid 1940’s. The novel outlines the crime he didn’t commit and a bond build that lends to understanding a different perspective of heroism.

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‘Concrete Rose’ is Angie Thomas’ latest young adult novel and a prequel to the smash bestseller ‘The Hate U Give’. Where its predecessor’s plot is centered around teenager Starr Carter, ‘Concrete Rose’ tells the story of her father, Maverick, 17 years earlier. Young Maverick is a 17-year-old high school senior and a member of the King Lords gang in Garden Heights. Thomas’ book holds the underlying message that regardless of mistake or mishap, there is always a way to break through the concrete to bloom wildly with freedom, something unexpected and beautiful.

PLAYBOOKMG.

INDIVIDUALLY WE ARE POWERFUL TOGETHER WE ARE UNSTOPPABLE WELCOME TO PLAYBOOKMG. “PR is a mix of journalism, psychology, and lawyering – it’s an ever-changing and always interesting landscape.” – Ronn Torossian WWW.PLAYBOOKMG.COM TEAMMPLAYBOOKMG.COM MPLAYBOOKMG

Issue 78

F E AT U R E

Words by HEATHER GRANT

Photography by ITHINKETHAN

KEY GLOCK BREAKING THE MOLD Confidence, suave southern swag, and the ability to stand on his own are just a few things that set Memphis rapper Key Glock apart from the rest. There’s something distinct about southern rappers. Whether it’s the vernacular, accent, or just the outright style - there is something that every mainstream artist out of the south has - that IT factor. There have been a few notable artists within the past few years that have emerged out of the southern mud, but it’s clear that Key Glock is one of one and the mold has been broken. Memphis-born Markeyvius Cathey began his journey in the music industry around 2016 after being under the wing of his late cousin Young Dolph. In May of 2016 he released his first mixtape entitled Whole Lot Of Errthang which would be the first and last project released independently. All projects and singles following would be released under Young Dolph’s label, Paper Route Empire, as Glock signed to the label in 2017. By the following year, he was officially on the map with his single “Major” peaking at #47 on the Hot R&B/Hip-Hop

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songs chart. Coming a long way since then due to his loyal fan base and dedication to the work, his second album Yellow Tape 2 is charting at #7 on the Billboard 200 a week following the November 5th release. Glock can say with all confidence that this is only the beginning of his reign. “They feel my presence, but we are not done.” With plans to “spin the block” to even further his run, it’s clear that to Glock, this is a marathon and not a sprint. A free spirit in the rawest sense of the word, this isn’t a man to plan but prefers to go with the natural flow of things. When it comes to recording his music he doesn’t write lyrics down so it’s just Glock and beats speaking. It’s rare that this rapper works with other artists, as both of his most recent albums, Yellow Tape 1 and Yellow Tape 2, were featureless. As open as Glock is for the natural timing of things, he’s not so open when it comes to faces around him. Choosing to

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stay close to those who already held importance to him is part of what keeps the Memphis emcee humble. One of the only other rappers he’s ever had features with is his late cousin and Paper Route Empire CEO, Young Dolph. With two collaborative mixtapes and countless features throughout the years, Glock stated that working with Dolph is way more than the music because he sees Dolph as more than just a rapper. “He’s a coach, teammate, all of that”. The network of community that makes up Glocks inner circle is strong and he gives the credit to God as he has asked him to “keep me away from the weak or anything negative”. This prayer has caused people to fall from the Dum & Dummer rapper’s life, but only making more space for quality relationships.

“As I get older it’s like the more people keep dropping away from me.” Focused on himself, this Memphis rapper cares very little about comparisons and more about staying in his own lane. Attributing his style and drive not only to the city where he was born and raised but also to rappers that have come out of similar spots. Being a fan of Gucci Mane, Lil’ Wayne and Memphis’ own Three Six Mafia has helped to mold his musical style - but not too heavily as Glock has stated that his main influence is himself. Going from a boy growing up in Memphis to a man with albums that have garnered over 50 million streams, one thing is for sure...there is only one Glock and that energy is one that can’t be duplicated.

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As the first U.S. artist to have a 3D billboard in both America and in Canada, it’s clear that there is little to nothing that he can’t make happen. In the spirit of just letting opportunities come naturally, in the future Glock only plans to be bigger and better; although he does have his sights on possibly acting or dabbling in fashion later on. “I don’t compare myself to nobody else, I don’t watch what other people are doing” Self-assured with unique individual talent, Key Glock continues to solidify his spot in hip-hop and it’s only up from here.

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O P- E D

Words by SABLE TEMPEST

New Year, New Me How many times have you established goals and set new year’s resolutions and could not keep up or meet your end goal?

We are all used to the phrase “New Year, New Me.” The saying typically starts to trend as one year closes and individuals start to prepare for the next. To many, a new year symbolizes the start of a new journey, new opportunities, or a new chance to have a clean mindset.

•

Are you in control of your feelings and thoughts?

•

Do you handle life challenges in a healthy way?

But let’s look at the reality and be real, living in this world during a pandemic has been overwhelming. Whether one has had to deal with the anxieties of transitioning back to their office, financial hardships, helping children adjust academically, staying healthy, the loss of a person, place, thing, or daily habits, 2022 is the year of change for many. A plethora of goals, resolutions, and dreams have been set and established.

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Are you self-aware?

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Do you know when to put boundaries in place with others?

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Do you know your boundaries for yourself?

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Are you flexible?

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Do you handle changes well?

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Do you use substances to cope with life events?

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Do you take note when you are triggered?

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Are you able to communicate your thoughts and feelings to others in a healthy way?

Moreover, how many times have you established goals and set new year’s resolutions and could not keep up or meet the end goal?

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Do you know when it is time to relax?

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Do you hold on to failure or negative feelings?

•

How long does it take you to process feelings and bounce back?

The truth is, resolutions and goals are not always the first step to obtain the “New Year, New Me,” result. As humans, we must be realistic with ourselves. Yes, we want to achieve A, B, and C; however, the question is, “are we mentally healthy enough to pursue and accomplish the set plan?” Yes, that question may seem a bit harsh and may offend some, but the cold reality is, we cannot achieve or live up to our full potential, if we are not mentally and emotionally healthy. (Note the use of “we” in the last paragraph,

Here are some questions to see if you are mentally and emotionally healthy:

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because like you, the reader, I too, as a therapist, must check in on my mental and emotional health when setting goals.) As you read the questions, you are forced to do hard self-reflection. Naturally, your answers will vary; however, if you are thinking, “What happens if I am not mentally and emotionally healthy?”, the answer is simple: It is time to work on yourself.

Naturally, as a mental health professional, I will suggest therapy. However, I am also very aware that everyone is not ready to open up to a therapist, some are fearful of what therapy may bring, some do not believe in therapy, and some may have not found a therapist that works for them. Nevertheless, all the above are not reasons that you cannot start to work on your mental and emotional health.

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Below are some daily habits and strategies to start to build healthy mental and emotional health: •

Put yourself first.

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Do not say yes when you want to say no.

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Journal your thoughts at night.

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Normalize telling others how you feel whether it is good or bad feelings (“I feel…”).

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Do one thing that brings you joy at least once a day.

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Know your limits.

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Take rest when needed.

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Acknowledge when you make yourself proud. (Celebrate yourself)

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Remove yourself from people, places, and things that make you feel uncomfortable.

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Normalize self-care. Do not wait for burn out to practice self-care.

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Take note of what makes you feel happy, excited, sad, angry, etc…. and put boundaries in place if needed.

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Establish a healthy support system.

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Ask for help when needed.

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Look in the mirror, smile, and say positive affirmations.

Now that this Op-ed has seemingly turned into a mini therapy session, let’s get back to the New Year resolutions. When you feel that you are mentally and emotionally healthy enough to work towards your resolutions and goals, it is most important to make plans that are realistically attainable. The thing is, when one makes plans and goals in confidence, one becomes more motivated, happy, and joyful. Nevertheless, when goals seem unattainable or the mere thought of “this may seem out of reach, but I am somehow going to do it,” is present, negative anxiety, thoughts of failure, apprehension to start, and sometimes depression if developed. And that is not what we want here! My people, this is a new year. The world has been hard. While it is important to have goals and dreams. The truth is, the idea of “New Year, New Me,” may mean to take a step back and work on your personal and mental health so that you can be present as your best self when it is time to level up. It is time to find yourself and love yourself.

Issue 78

F E AT U R E

Words by KIRBY WRIGHT

Photography by COLLEEN CHRZANOWSKI

Derrick A. King ON

WHAT

DESIRES

THAN

FAME

“It was 2015 or early 2016. I went to an acting class and felt like I was home. I remember the day and location so clearly.”

One thing that stands out about Derrick A. King is his respect for true artistry. From the reverence in his voice when he spoke of artists like Leonardo DiCaprio and J. Cole, to the conviction in his tone when he speaks about his future career plans, it’s clear that he has a vision for his path. Currently, King stars in the CW’s popular drama, 4400 where he plays Rev. Johnston, a natural leader who sometimes battles with his unique influence, a trait King can connect with. Our conversation was inspiring because not only is he a graduate of an HBCU [Clark Atlanta University] but his story speaks to the importance of self-confidence. In this authentic chat, King opens up to us about the excitement of 4400, his career journey, and why it’s important to always trust and know yourself. Bleu:Talk to me about going from CAU [Clark Atlanta University] to the 4400. How are you feeling at this moment? Derrick A. King: It feels amazing. It was definitely filled with quite a few years of

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discovering myself, trying to make it happen. But, as you know as a CAU alumna, “you have to find a way or make one,” and that’s exactly what I did. Now if I remember correctly, you started in the corporate world. So what was it like juggling your professional career while chasing auditions? Well, there was like a six to eight month period that I was working in corporate America, I was working at Nestle in Los Angeles. And my coworkers could attest to this (and it’s fine because I don’t work there anymore). But, I would literally leave work often to go to auditions. I would just tell my boss I have to take an early lunch and go. I never missed an audition! And you’re known for your monologues. When did you realize you had a gift for delivering them? Well, I’ve been in the arts my whole life. Kindergarten through eighth grade I went to performing arts schools. I’ve also had the wherewithal that being on stage is where I loved to be. The corporate job was more of a

sidetrack to me realizing there’s money to get. But I came back to understanding that everything isn’t about money. And monologues, I was trying to find my way. I came up in a time where social media presence was a big deal. There was this time between 2014 to 2018 that everybody thought the more followers you had meant you were gonna be famous. So, there were auditions you literally couldn’t get if you didn’t have 10k or 20k followers. So, a lot of people in LA [Los Angeles] were trying to get their followers up, which created the era of the social media entertainer. I feel like there are top-notch accounts that make great and funny videos, but there’s also a lot of copycats. I kinda dipped into that for a second, but not long, (three months max). It didn’t feel like the trajectory I wanted to be on. I’m not looking for clout, I’m looking for respect in my field. So, I was like how else can I get my name out there, and monologues were the way. I didn’t have to depend on anybody’s time or acting, it’s something you can do for yourself and through you.

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What are some things we can expect from his character? So with Rev. Johnston, you can expect to see a character with many layers. He’s a leader but he doesn’t step into the role with completely clear consciousness and understanding of what his purpose is. So, he uses the church lens and how his father leads. You’ll see him having power and battling with if he’s doing things altruistically or because of ego. And you’ll also see the characters respond to that battle.

You seem like you’ve had quite the journey. Was there ever a moment where you ever questioned yourself or your talent? It was kinda the opposite. It was 2015 or early 2016, I went to an acting class and felt like I was home. I remember the day and location so clearly. Of course, there are turmoil and times in the journey that gets difficult though. In 2017 there was a big opportunity after I left Nestle. ABC had a showcase and I got to the final round. But, I ended up not making it. And it was a long process too, and I was so discouraged. I didn’t know where money was coming from, and I started thinking about that corporate job. I saw people getting houses, getting married, and having kids. It’s like, I gave all of that up to try and do something that might be impossible. But then, I meditated and got back to it! (laughs) Well, it worked out! You seem very in tune with yourself. Do you see any similarities with your character, Rev Johnston? I mean he’s from the 90s, I was born in the 90s. Then there’s his charismatic position as a leader. He wants to know his purpose. Also, I notice it’s always different speaking to people who have advice on something versus the individuals in the driver’s seat. Sometimes people don’t comprehend that and I can understand Rev. Johnston in this position as he tries to find his place.

I have to say, I love that it was pretty much an all Black cast. You really don’t see that in sci-fi projects. Did this resonate with you? How could it not? Of course, it’s important to me, I went to an HBCU and am from PG County. It’s a big deal. And it is a primarily Black cast, but it’s also super diverse in general. From different cultures and communities, everyone is represented. And more so than the color of our skin is the truth of our perspective. The melanin is great, but I also get to see what this type of situation would look like through a Black lens. Yeah, that’s amazing. But let’s backtrack a second. Tell me about that moment when you found out you got the role. Believe it or not, I have the whole moment on video! So basically, I got the call for this two days after I was on TV for the first time. I had a role on Call Your Mother that aired in April. So, I was living on a high. The day after, my agent called me and said ‘How would you feel if the 4400 role came back around?’, and that he was going to make some calls. So that was at about noon and now it’s about 6 or 7 in the evening. So when he called, I put the phone on speaker and had my friend record it just in case. Now, I have that whole nine minutes on video. Sometimes, I refer to it just to stay humble and reflect. Speaking of reflection. Can you share three goals you want to accomplish that we’d be surprised are on your vision board? You know I think it was J. Cole that said, “If they don’t know your dreams, they can’t shoot them.”So I keep important things pretty close. But I will always say that throughout my life I’ve been considered a jack of trades. Acting was just the

thing that I was great at. Still, I want to get into voice acting. It’s also definitely high on my list to win an Oscar. I can say that because I’ve said it a bunch of times on Instagram and too many times to my friends! I’m an actor’s actor. My main goal is to be respected by my peers. More than fame or anything I want other actors to see my skill. And then finally, just to find happiness and love in me, in a way that I can love others and teach them to love as well. And obviously, just with my platform to be able to do that consistently with other people. Speaking of the industry, who are some individuals you look up to? It can be because of their skill or their career path. I’d say Leonardo DiCaprio, for not only his craft but his selection of projects. Will Smith for his demeanor and attitude. That’s where I’m shooting to be in 20 to 30 years (family and commitment to craft), and as far as demeanor I’d say a cross between J. Cole and Dave Chappelle. I never want to get to a point where people feel disconnected from me. I feel like J. Cole could drop the best album today and we still might see him riding a bike in New York later. If I have to become someone else to thrive, I don’t want it. With the glam of Hollywood and all the excitement, how do you stay grounded in who you are? I’m not a child (laughs). Seriously, I do feel like if I had got it [fame] any earlier I would have been swayed left or right. But now, I’ve had experiences, as I’ve been to college. I’ve been popular and I had highs and lows. This is a different level, but my character is the same. I became a man before this happened. Character, real friendship, real love, and fakeness –I know what all of that feels like...and I meditate. Finally, what advice would you give to an aspiring actor? Be yourself. And I’m not trying to sound cliche when I say be yourself. I literally mean be who you are. Even with Rev. Johnston, I could’ve been like ‘how does a preacher act like’, but I found those things when I found that character but what I brought most is myself. We spend so much time trying to please what we think other people want and that’s no way to live. Nina Simone said, “you lose everything you got trying to give everybody everything they want.”

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Words by JUSTIN WALLACE

Photography by FRANCO ZULUETA

THUY’S UNIVERSE With her captivating sound, Vietnamese-American artist Thuy has garnered fans showcasing her angelic voice, skillful songwriting, and modern R&B styling. In 2021, she released her debut EP, i hope u see this. The nine-track project was a melody of love, heartbreak, empowerment, and self-confidence. The project left fans following Thuy’s music journey and in heavy anticipation of what the songstress will do next. We had a chance to catch up with the Bay Area singer to discuss her latest EP, new music for 2022 and more.

Bleu: As an adolescent, you came across pop music at the age of nine, what made you dive into R&B? Thuy: In junior high, YouTube became very popular in my everyday life. Have you ever heard the phrase ‘going down a rabbit hole?’ That rabbit hole was R&B music, I listened to so much Avant, Mia, Brandy, the list could go on. At nighttime, I would always put my headphones on and have one R&B song on repeat. I’d wake up and that same song would be playing. [LOL] But I love Pop music too; Britney Spears was another one of my favorites growing up. You always had a love for music, but you started pursuing a career in medicine first…what led to the switch? School was always embedded in us since we were young. Being the people pleaser I am; I’d always say ‘I want to be a doctor. At a young age, I knew how important it was to

go to college and have a high-paying career to support myself, my family and my elders. When it was time to go off to college, I went to UC Santa Barbara; my goal was to become a doctor. Once I was near graduating, I just didn’t have the passion for it anymore. When did you start taking music seriously? After college, I started to dabble into music more. It got serious once I started going to the studio. It got to a point where I wanted to live for myself not others. Music was the only constant in my life, through all the career changes and other obstacles life has thrown at me, music was the only thing that stayed constant. And I told myself, if I put 120%, it’s going to happen. What obstacles did you face after making the decision to take your music career seriously?

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Moving to Los Angeles was a big challenge for me. In 2019, I betted on myself and moved to a new city to solely focus on music. I just knew this is where I needed to be. Ever since then everything just elevated, my career has gone to a place where I’m very grateful for. Having my parent’s full support means everything to me. You released your debut EP, i hope you see this, this past year. Can you talk about what went on behind the scenes creating the album? It’s funny you asked because two years ago when the pandemic started, I felt like my career was starting to take off, then the lockdown happened. At the time, I was finding ways to keep myself relevant by getting on any social media platform and promoting my music. It was hard for me because music is a form of therapy. When I’m not doing it, I feel stuck. Moving on, a colleague of mine who’s a producer sent a beat pack to me. Immediately I went to the studio and recorded three full songs. Working on the project, I started to see the full impact of what this project can accomplish for me. I hope you see, this is the full epitome of who I want to be as an artist, sonically.

S P OT L I G H T

Words by TAYLOR EDWARDS

Photo Credit: THE DREAM CAFÉ NYC

The Dream

Café NYC Creative dreams come true at The Dream Café NYC in Jamaica Queens

“It was all a dream” for Queens hopeful, Juquille Johnston. The father, clothing designer, entrepreneur, and recording artist – Supercool Q formerly known as Killy – Johnston is the owner of The Dream Café NYC in New York. A product of the borough, Johnston knew Queens had more to offer than JFK International, LaGuardia Airport and the New York Mets. On 117-17 Guy R Brewer Boulevard is Johnston’s contribution, The Dream Café NYC. The lovechild of Johnston and his brothers Jaytaun and Raheem, the Dream Café NYC is the product of their fitness journey to a healthier lifestyle. “Our incorporation, JAKWAD, stands for just a kid with a dream so within the naming process we wanted to keep it along the lines of that.” Nestled in the culture-rich neighborhood of Jamaica Queens, The Dream Café NYC is more than a restaurant. It is a haven for creatives and a hub for the community – and like the owner’s stage name, it is “Supercool”. The bistro marries culinary and creative arts in a cool manner, serving good vibes on a platter to anyone hungry for something different.

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The Dream Café NYC satisfies a craving Queens didn’t know existed. The eatery offers a pescatarian, vegetarian, and vegan-friendly menu. Everything booms with flavor. And every bite has a taste that will make you say “I can’t believe it’s vegan”. From the pop-up hot buffet – with the likes of fish, shrimp, pastas, wild rice, green beans – to the everyday menu all taste buds are covered. Delicious foods are front and center; like the Spicy Buffalo Chick’n spinach wrap (vegan), Caribbean Vibez salad with grilled salmon, mixed greens, and roasted veggies, Spicy Un-tuna Melt with plant-based tuna, vegan cheese, vegan mayo, lettuce and tomatoes, homemade vegetable soup, and the pressed vegetarian BLT sandwich.

creatively, figuratively, and literally is the lay of the land with the Dream Café NYC. Free hot meals for Thanksgiving are merely a token of their appreciation to [Jamaica] Queens.

And desserts take no back seat. The café has a healthy sweet-tooth spread with acai bowls and sea moss, fresh pressed juices and smoothies, and vegan zucchini cupcakes with pineapples and coconut.

“What I want the Dream Café to represent for others is a safe space. When I say safe space I mean being comfortable coming in, building with staff, nourishing the body as well as physically and mentally being the best you can be.”

At the Dream Café NYC the food is good and the vibes are priceless, but the inspiration is sold separately. “The highest human act is to inspire.” Whether you dine or dash you are greeted by the words of the late lyrical Nipsey Hussle. Supercool Q and the Dream Café NYC reach to inspire all with swag, visual arts and community outreach…and successfully so. “We are looking to put a wellness center inside to take things to the next level offering wellness of all sorts like fitness, yoga and recovery.” With a flair for merchandise their hottest item is their signature “Eat, Sleep, Dream, Eat Again” novelty t-shirt. Feeding people

The Dream Café NYC is everything dreams are made of. Follow @thedreamcafenyc

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BLEULIST

WINTER DESTINATIONS Blue Ridge Mountains The Poconos, Pennsylvania Quebec City, Canada Iceland Yellowstone Park, Montana Swiss Alps, Switzerland Beaver Creek, Colorado Lake Tahoe Prague, Czech Republic Finland Norway Vail, Colorado Big Bear Mountains Aspen, Colorado Boston, Massachusetts New Zealand

Mount Hood, Oregon Killington, Vermont Gatlinburg, Tennessee Dubai Canary Islands Bora Bora, Tahiti Oman Western Australia Cape Town, South Africa Kerala, India Bahamas Thai Islands Belize Zihuatanejo, Mexico Panama Yucatan Peninsula, Mexico Bali The Philippines Bahia, Brazil

Senegal Guatemala Hawaii Burma Siwa Oasis, Egypt Laos Cambodia Seychelles Sri Lanka Vietnam Austria Breckenridge, Colorado Snow Valley Mountain Resort, California

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ICON

Words by NINO REYES

Photo Credit RODRIGO VARELA FOR GETTY IMAGES

MELVIN

Van Peebles,

The Legendary Godfather of Black & Independent Cinema

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ICON

The godfather of modern Black cinema, trailblazer in American independent film, and Blaxploitation pioneer, passes away at 89 years old.

Melvin Van Peebles (August 21,1932 - September 21, 2021) is a film and civil rights icon who has paved the way for many Black Americans in the film industry. Melvin Van Peebles went on to create a prolific career in film, theater, and literature. He has been recognized by The New York Times as “a fertile creative force… the godfather of modern Black cinema and a trailblazer in American independent movies.” Mr. Van Peebles is the auteur behind the 1970’s films Sweet Sweetback’s Baadasssss Song and Watermelon Man which were some of the highest-grossing Black-owned independent films of the decade. The film Sweet Sweetback’s Baadasssss Song is also the reason behind the blaxploitation genre - a subgenre of the exploitation film which is a portmanteau of the words “black” and “exploitation”. Blaxploitation genre films are often bold in their statements and they incorporate Black power ideology in order to permit Black actors to be the stars of their own narratives. Blaxploitation films were originally aimed at an urban African-American audience and they often portrayed Black protagonists who overcame white oppression.

Mr. Van Peebles wrote, produced, directed and starred in his best known film, Sweet Sweetback’s Baadasssss Song - considerably one of the most influential films of its time. He was able to fund the film with a $50,000 loan that was given by Bill Cosby. He then starred as Sweetback, who is the antihero and portrays a fierce and radical Black man who flees from white police authorities and battles against a corrupt white establishment in Los Angeles. Mr. Van Peebles made the film in 19 days for a reported $500,000, and went on to gross $15.2 million dollars at

“You have to not let yourself believe you can’t. Do what you can do within the framework you have. And don’t look outside. Look inside.”

the box office. Huey P. Newton (co-founder of the Black Panther Party) celebrated and welcomed the film due its revolutionary message since it highlights Black power and unity. Sweet Sweetback’s Baadasssss Song cultural impact led to the film’s 2020 selection for preservation in the United States

National Film Registry to be considered as culturally and historically significant. Although Mr. Van Peebles is highly recognized for his film Sweet Sweetback’s Baadasssss Song and his many notorious projects like The Story of a Three Day Pass or Don’t Play Us Cheap, he accomplished so many other things within his divine 89 years of life. He was an Air Force officer, a San Francisco cable-car operator, a Tony Award-nominated playwright and composer, a novelist in English and French, an Emmy Award-winning televison writer, and he was the first African-American man to hold a seat on the American Stock Exchange. Mr. Van Peebles, a man who was born on the southside of Chicago, then raised in suburban Phoenix, Illinois, has shown a true example of Black excellence in America - proving that you can accomplish anything, no matter what challenges or obstacles you are faced with. He has inspired and paved the way for many filmmakers and Black leaders within the entertainment business by using his themes of resistance and Black liberation. He has served as an inspiration for leaders like Spike Lee, Franklin Leonard, Barry Jenkins, David Alan Grier, Cheo Hodari Coker and many more. The Oscar-nominated director Ava DuVernay shared an inspirational quote of Mr. Van Peebles’ after his passing - which serves to spark motivation and inspiration to Black creatives, stating: “You have to not let yourself believe you can’t. Do what you can do within the framework you have. And don’t look outside. Look inside.”

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