Welcome to the Summer ‘24 issue of BLEU! As we step into this pivotal season, we’re thrilled to have Boston Richey on the cover. His journey from Tallahassee’s underground to the national stage is one of resilience, reinvention, and raw talent, and it’s a perfect story to lead us into the heart of summer.
This summer is not just about style or sound. It’s an election year, a crucial time where our voices carry more weight than ever. As we cover Boston Richey’s journey, we also explore how culture is driving change, from hip-hop's political influence to fashion’s response to the times.
As we navigate through the rest of the year, let this issue serve as both inspiration and motivation. Whether you’re soaking up the sun or engaging in the important dialogues shaping our future, know that culture, politics, and fashion are all parts of the same movement. It’s about pushing boundaries, standing up for what you believe in, and amplifying the voices that matter.
Here’s to a powerful summer and to using our influence for a brighter tomorrow. Let this issue inspire you—whether you’re hitting the streets or the polls. Here’s to a bold summer and shaping the future together.
Stay BLEU, stay inspired.
DéVon Christopher Johnson Founder & Group Publisher
DYLAN ATILANO
Based in Whittier, California, Dylan has fostered a love for the arts at a young age. Whether it’s photography, collage, or videography, he strives to express his creativity through different media. He graduated from Loyola Marymount University majoring in Film and Television Studies with a minor in Studio Art in spring of 2023. Since then, Dylan has done freelance work on multiple short films, a feature film, and music videos. In his free time, he enjoys exploring SoCal with friends, playing board games, and discovering new music to listen to.
RACHAEL HANMER
Rachael Hanmer is a journalist for Bleu Magazine from the UK. Beginning her career as an intern at Bleu, she discovered her passion for sparking inspiring conversations with Black musicians, sporting stars, artists, and cultural icons. Additionally, she explores hot spots for food, travel, and cultural news, offering readers engaging and insightful content.
DJ CHALANT
Deonte Keitt, aka DJ Chalant, is a DJ, writer, and radio personality based in Washington D.C. As a writer, he specializes in music and entertainment with articles featured in Bleu Magazine and True-Magazine. As a DJ, he often spins events with reputable companies such as WPGC 95.5 and Monumental Sports & Entertainment. Additionally, Deonte runs his own media brand called BoxCutters Media, where he produces and hosts The BoxCutters Podcast.
NINO REYES
Nino Reyes is a journalist and a marketer with a heavy focus on media operations. She has worked with many major international brands like American Express, MusicXclusives, The Walt Disney Company, Lincoln Center for the Performing Arts, No7 Beauty, MediaCom, and Universal McCann. She has captured many iconic journalistic moments in her career like her interviews with Bobby Brown, Dapper Dan, Ja Rule, Patientce Foster, Pop Smoke, and her iconic story on the God Father of Black Cinema, Melvin Van Peebles.
SERENA CARTER
Serena Carter, DMV, The Pennsylvania State University Serena Carter is a writer who enjoys all things Hip-Hop and Black Culture. Still in the early stages of her media career, she looks to make an impact with writing, production, and social media management.
HASSAN WIGGINS
I’m a part time student and writer with a passion for journalism. I take pride in my work and put forth my best effort when writing. As a hobby, I enjoy fighting games; Sometimes even competing in local tournaments in the city.
ABFF BLACK EXCELLENCE BRUNCH X THE DELIVERANCE
Netflix and Black Excellence Brunch presented a special preview of Lee Daniels’ THE DELIVERANCE at Chotto Matte in Miami during the American Black Film Festival, which releases on Netflix August 30th.
THREE CHORDS & THE ACTUAL TRUTH
BMAC and Mickey Guyton Kick Off Stagecoach Weekend with Act II: A Conversation Around “Three Chords & the Actual Truth” in LA.
IMPORTANT FACTS FOR BIKTARVY®
This is only a brief summary of important information about BIKTARVY® and does not replace talking to your healthcare provider about your condition and your treatment.
MOST IMPORTANT INFORMATION ABOUT BIKTARVY
BIKTARVY may cause serious side e ects, including:
Worsening of hepatitis B (HBV) infection. Your healthcare provider will test you for HBV. If you have both HIV-1 and HBV, your HBV may suddenly get worse if you stop taking BIKTARVY. Do not stop taking BIKTARVY without first talking to your healthcare provider, as they will need to check your health regularly for several months, and may give you HBV medicine.
ABOUT BIKTARVY
BIKTARVY is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in adults and children who weigh at least 55 pounds. It can either be used in people who have never taken HIV-1 medicines before, or people who are replacing their current HIV-1 medicines and whose healthcare provider determines they meet certain requirements.
BIKTARVY does not cure HIV-1 or AIDS. HIV-1 is the virus that causes AIDS.
Do NOT take BIKTARVY if you also take a medicine that contains:
dofetilide
rifampin
any other medicines to treat HIV-1
BEFORE TAKING BIKTARVY
Tell your healthcare provider if you:
Have or have had any kidney or liver problems, including hepatitis infection.
Have any other health problems.
Are pregnant or plan to become pregnant. Tell your healthcare provider if you become pregnant while taking BIKTARVY.
Are breastfeeding (nursing) or plan to breastfeed. Talk to your healthcare provider about the risks of breastfeeding during treatment with BIKTARVY. Tell your healthcare provider about all the medicines you take:
Keep a list that includes all prescription and over-thecounter medicines, antacids, laxatives, vitamins, and herbal supplements, and show it to your healthcare provider and pharmacist.
BIKTARVY and other medicines may a ect each other. Ask your healthcare provider and pharmacist about medicines that interact with BIKTARVY, and ask if it is safe to take BIKTARVY with all your other medicines.
POSSIBLE SIDE EFFECTS OF BIKTARVY
BIKTARVY may cause serious side e ects, including:
Those in the “Most Important Information About BIKTARVY” section.
Changes in your immune system. Your immune system may get stronger and begin to fight infections that may have been hidden in your body. Tell your healthcare provider if you have any new symptoms after you start taking BIKTARVY.
Kidney problems, including kidney failure. Your healthcare provider should do blood and urine tests to check your kidneys. If you develop new or worse kidney problems, they may tell you to stop taking BIKTARVY.
Too much lactic acid in your blood (lactic acidosis), which is a serious but rare medical emergency that can lead to death. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual muscle pain, being short of breath or fast breathing, stomach pain with nausea and vomiting, cold or blue hands and feet, feel dizzy or lightheaded, or a fast or abnormal heartbeat.
Severe liver problems, which in rare cases can lead to death. Tell your healthcare provider right away if you get these symptoms: skin or the white part of your eyes turns yellow, dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain.
The most common side e ects of BIKTARVY in clinical studies were diarrhea (6%), nausea (6%), and headache (5%).
These are not all the possible side e ects of BIKTARVY. Tell your healthcare provider right away if you have any new symptoms while taking BIKTARVY.
You are encouraged to report negative side e ects of prescription drugs to the FDA. Visit www.FDA.gov/medwatch or call 1-800-FDA-1088.
Your healthcare provider will need to do tests to monitor your health before and during treatment with BIKTARVY.
HOW TO TAKE BIKTARVY
Take BIKTARVY 1 time each day with or without food.
GET MORE INFORMATION
This is only a brief summary of important information about BIKTARVY. Talk to your healthcare provider or pharmacist to learn more.
Go to BIKTARVY.com or call 1-800-GILEAD-5.
If you need help paying for your medicine, visit BIKTARVY.com for program information.
People featured take BIKTARVY and are compensated by Gilead.
*Source: , 04/19/2019 through 05/19/2023. IQVIA NPA Weekly #1 PRESCRIBED HIV TREATMENT*
IS
Ask your healthcare provider if BIKTARVY is right for you.
MORE TO LOVE.
BIKTARVY® is approved for more people than ever before.
BIKTARVY is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in certain adults. BIKTARVY does not cure HIV-1 or AIDS.
*This information is an estimate derived from the use of information under license from the following IQVIA information service: IQVIA NPA Weekly, for the period week ending 04/19/2019 through week ending 05/19/2023. IQVIA expressly reserves all rights, including rights of copying, distribution, and republication.
Scan to learn more about BIKTARVY.
Please see Important Facts about BIKTARVY, including important warnings, on the previous page and at BIKTARVY.com.
ACURA ZDX 2024
A BOLD electric REVIVAL
By Rachael Hanmer
ACURA IS REINTRODUCING the ZDX, now as an all-electric SUV for 2024. The original ZDX, known for its distinctive fastback design, makes a comeback with a more traditional SUV shape but still sports unique styling features like a floating roof and a light-up faux grille. Developed in collaboration with GM, the ZDX uses the Ultium battery platform and shares its assembly line with the Cadillac Lyriq.
PERFORMANCE AND RANGE
The base ZDX A-Spec model boasts a 358-hp electric motor driving the rear wheels, with an optional second motor for all-wheel drive and 490 hp. This dual-motor setup offers a range of 304 miles, while the single-motor variant achieves 313 miles. The high-performance Type S model delivers 499 hp with all-wheel drive but sacrifices some range, offering 278 miles per charge.
The ZDX stands out for its impressive power figures and refined balance of performance and efficiency. The singlemotor A-Spec is ideal for those prioritizing range, while the dual-motor variant caters to enthusiasts who crave additional power without significantly compromising on range. The engineering collaboration between Acura and GM ensures that the ZDX benefits from advanced battery management and efficient power delivery.
DRIVING DYNAMICS
Driving Dynamics The ZDX Type S is equipped with adaptive dampers, air suspension, Brembo brakes, and 22-inch wheels. It delivers a composed ride and swift acceleration, estimated to hit 60 mph in 4.0 seconds. Despite these features, the handling could benefit from more steering feedback. This model is designed for those who seek a sportier drive, and while it may not match the agility of some performance-focused competitors, it provides a satisfying blend of comfort and dynamic capability.
ON THE ROAD
On the road, the ZDX Type S offers a quiet and serene cabin experience, even at high speeds. The advanced suspension setup smooths out road imperfections, ensuring a comfortable ride for all occupants. The larger Brembo brakes provide confident stopping power, essential for a vehicle with such potent acceleration capabilities. This makes the ZDX not just a powerful SUV but also a practical choice for daily driving.
BATTERY AND CHARGING
Utilizing a 102.0-kWh battery pack, the ZDX supports DC fast charging at rates up to 190 kW, adding 81 miles of range in just 10 minutes for the single-motor A-Spec. This fast-charging capability is crucial for long-distance travel and minimizes downtime, making the ZDX a convenient option for those who frequently undertake long journeys.
INTERIOR AND TECHNOLOGY
The ZDX’s cabin is luxurious, with leather upholstery, power-adjustable seats, dual-zone climate control, and a panoramic sunroof. Tech features include an 11.3-inch infotainment display, Google-based navigation, and a Bang & Olufsen sound system. The interior design combines high-quality materials with a modern aesthetic.
SAFETY AND WARRANTY
Standard safety features include automated emergency braking, lane-keeping assist, and adaptive cruise control. The ZDX also offers AcuraWatch 360+ for handsfree driving. The vehicle comes with a competitive warranty package, including complimentary maintenance for two years or 24,000 miles.
PRICING
The 2024 ZDX starts at $65,850, with the Type S model priced at $74,850. The dual-motor A-Spec model is a recommended choice for those seeking a balance of performance and range.
Acura’s ZDX marks a significant step into the electric future, blending performance, luxury, and advanced technology.
SUMMER GADGETS
By: Catherine McGrath
While summer may only have officially begun, the blistering heat has been raging for weeks. This season is a time for outdoor grilling, pool days, and travel, but with such high temperatures, it is hard to do anything besides staying inside near the ice machine and AC unit. If you want to make the most of the warm weather, investing in innovative tech might make the summer heat bearable. Here are some inventive gadgets that will help you stay cool and enjoy the season.
BEATBOX AQUASENSE PRO POOL CLEANER ROBOT
Most people wish they had a pool, a cool blue oasis just outside their backdoor waiting for them to enjoy whenever they want. In reality, pool owners are often forced to deal with dead leaves, pine needles, and sludge floating atop the water and caking the pool floor. Until recently, pool owners had two options: pay exorbitant fees to have the pool cleaned or break their back doing it themselves. This summer, you have the option to invest in an efficient, wireless robotic pool cleaner that operates on AI algorithms to keep your pool sparkling clean. The 24-pound robot has 20 sensors, nine motors, four brushes, and two filters. Operating on 9.5 hours of battery life, it will clean the surface, waterline, walls, and floors while clarifying the pool water. The bot moves in two patterns and has three different cleaning modes: quick, pro, and ECO. The bot connects to an app on your phone to seamlessly control the cleaning process. The product comes with the robot, a charging dock, a hook, and the instruction manual. It can be purchased at beatbox. com for $1,799.
WEBER IGRILL MINI
For all the grillmasters out there, Weber offers a gadget that will optimize the summer barbeque experience, ensuring that every dish is cooked to perfection. The Weber iGrill Mini pairs with the iGrill app on your phone to notify you when your food has reached your ideal temperature, so you can watch the game without having to check on your dish periodically. Using Smart LED technology, the magnetic thermometer guides you through the cooking process without having to lift the lid off the grill. Just insert the probe into your food and select your desired temperature. When the iGrill Mini turns green, it’s ready to go. Yellow means you're 15 degrees from your target temperature, and orange means you’re 5 degrees out. The iGrill Mini will turn red when your food is done. The thermometer operates on 150 hours of battery life and can be purchased for $60.49 from weber.com.
TORRAS COOLIFY AIR
Handheld fans are great for outdoor concerts, traversing the city, or camping during the summer. Even more convenient for these summer activities is a portable fan that operates hands-free. Neck fans have become popular in recent years for their wrap-around design and long battery life. There are tons of neck fans on the market, but which offers the best cooling efficiency? The TORRAS Coolify Air may be more expensive than other portable neck fans, but offers multiple features that make it stand out, including the ability to cool by up to 10 degrees. It utilizes a Ku Peltier radiator that rests on the back of your neck, cooling within three seconds. Instead of spinning blades, the neck fan offers 3D airflow that blasts through 36 vents at three different speeds, optimizing the cooling experience. It is whisper-quiet and has a battery life of between 4 and 24 hours across various modes. It can be purchased at torraslife.com for $149.99.
SCOOPTHAT! RADII ICE CREAM SCOOPER
Alongside cleaning the pool, another frustrating yet rewarding part of the summer is scooping ice cream that is frozen solid. After a long day in the heat, the last thing you or the kids want to do is wait for a tub of ice cream to thaw. THAT! Inventions, a company that makes sustainable kitchenware, has solved this problem. ScoopTHAT! Radii is an innovative ice cream scooper that uses heat transfer technology to slice through tough ice cream and create perfect scoops. Inside the sealed handle is a self-replenishing, biodegradable liquid reservoir that requires no electricity to transfer heat from the handle to the scooping head within seconds. The revolutionary product comes in pink, blue, and black and costs $29.95.
PHOTOGRAPHER:@_BECCAHONG
HAIR: @NATALIEJ_HAIR_LLC
MAKEUP: @JPATRICKSTUDIO STYLING: @LADYC0MPUTER
The Passion Project
HOW PIKA TRANSFORMED HIS LOVE FOR NAIL ART INTO A SUCCESSFUL BUSINESS
By Dylan Atilano
Known as TheGuyThatDoesNails on Instagram, Pika is a Harlem-based creative who turned his love for nail art into a successful business. Pika’s story showcases that you can overcome any hurdle life throws at you by staying dedicated to your craft, being true to yourself, and remaining kind no matter what.
His path into nail art began at a point of uncertainty in his life. After being laid off from a marketing job in April of 2022, Pika felt lost in his career path. One night at a bar, two of his friends encouraged him to pursue his dream of nail art. The next day, he found a nail program and started classes the following week. Despite having minimal experience in the arts, he was determined to succeed and practiced relentlessly. Five months later, Pika graduated from the class, ready to put his skills to use.
In November of 2022, Pika ran out of unemployment benefits and faced a choice: either get a job or become so good at nail art that he could start his own business within a few months. At this point in his life, Pika was broke and tired of working for others. Determined to hustle, he decided to launch his nail art business, TheGuyThatDoesNails, and become his own boss. Pika began working with clients out of his house, spending countless hours practicing his craft.
Some of Pika’s first clients were those closest to him, including his mother. After moving out, he didn’t see her often, but that changed as Pika regularly visited her to do her nails. Looking back, Pika explains how “nails brought us together” and became a way for the two to spend quality time together.
Four months into Pika’s new career, tragedy struck when his mother suddenly passed away in March of 2023. Pika was driven to make a name for himself and was hungry to succeed. However, losing his mother “Was the most tragic moment of my life; I wasn’t ready for it.” Despite being filled with grief, Pika held on to his mother’s words of encouragement and ultimately pushed past this difficult time to continue pursuing his dream. Instagram became a major factor in growing Pika’s business. He began sharing his journey through nail school, showcasing both the highs and the lows of his experience. “I wanted to show the good, the bad, and the ugly,” he explains. He wasn't afraid to post about his mistakes and knew he wasn't perfect. While most profiles on social media try to display an image of perfection, Pika’s approach grounded himself and presented authenticity. Once he started his nail business, Pika continued to see steady growth. That all changed after posting his nail work for Teyana Taylor. This not only boomed Pika’s business but also brought a whole new following.
Pika’s unique nail art designs draw inspiration from both his hometown and the fashion trends of his youth. Growing up in Harlem instilled a sense of swagger in him from a young age. It was here that he saw long nails and became drawn to them. Drawing inspiration from the fashion trends of the ‘90s and
PHOTOGRAPHER: @MIZARKAS
ART DIRECTOR: @WAVERIELA
Y2K, Pika puts his own twist on them by blending those trends with modern looks. Textures also play a major role in Pika’s design choices, as he strives to build structure on the nails he works with. To him, the nails become a canvas. Pika lives by the philosophy of “being kind to myself and giving grace to others.” One of the most difficult lessons he had to learn was not to be so harsh with his self-critiques. By taking the time to step away from the work, he’d have a clearer sense of how to solve design issues and arrive at a solution.
Pika’s advice to his younger self resonates with his own philosophy: “Be kind to yourself because it all comes together in the end.” Early in his career path, Pika felt lost but found his true calling with nail art. He believes in the importance of listening to the signs the universe gives and keeping faith not only in himself but also in his craft.
Today, Pika’s nail art business continues to grow and attract A-list clients such as Rihanna, Lil Yachty, and brands like Lanvin. His work is also showcased in Vogue Hong Kong, Document Journal, and Issue Magazine. He hopes to work with Bad Bunny, citing his love for the artist’s style and unwavering confidence to be himself. Pika’s journey is a true inspiration to all who feel lost in their own path. He proves that by staying
Be kind to yourself because it all comes together in the end.
One of Toronto’s Most Anticipated Restaurant Launches of 2024
World-Famous Chinese Cuisine at MOTT 32
By Anna Kim
DUCKS REIGN
AT Mott 32, a renowned upscale Chinese restaurant in Toronto, Canada, and the signature Peking duck, which first flew into the international spotlight at the brand’s original 2014 location in Hong Kong, outshines the rest.
This dish sells out nightly in each of the brand’s nine restaurants across the globe—and the newest outlet is no exception. The restaurant uses its local farm in Newmarket, Ontario, to select birds with the desired skin, fat, and heritage breed flavor profile. After going through a top-secret delivery process, the ducks are plucked and dry-aged for 42 days before being marinated, roasted in clay ovens, and smoked with applewood. A street-style cutting technique preserves the skin, which is often discarded by high-end restaurants, and seals moisture into the scarlet-colored meat.
The ducks are carved tableside, topped with thinly sliced scallions and cucumbers, and then served over freshly steamed Chinese pancakes. But don’t expect the usual hoisin sauce, as Mott 32 serves this legendary dish with a house-made paste of fermented sweet flowers drizzled with roasted sesame purée. Chefs reserve some of the crispy, salty skin for diners to savor solo or dip in demerara (raw large-grained cane sugar). Just make sure to plan ahead, as the restaurant only prepares 25 ducks daily, and customers must place a pre-order ($180 to $480 with caviar, which feeds three to four people).
BEYOND THE MIGHTY DUCKS
Executive Chef Kin Ming Yeung’s team nails the precise slicing and timing demands of Mott 32’s superstar specialty as staff settle into the ShangriLa Toronto space formerly occupied by Momofuku. The innovative menu reflects how Cantonese cuisine emigrated from Hong Kong and evolved, mingling with influences from Beijing, Sichuan, and cultures all over the globe. It also showcases premium organic and sustainably sourced ingredients.
For example, the kitchen uses pluma—the heavily marbled shoulder loin cuts of black Ibérico pigs, who roam freely in southern Spain’s forests—in its barbecued pork. Double-glazed in Yellow Mountain honey, the crimson meat shines after being roasted twice in a dedicated oven. Other standouts include chilled geoduck, wok-fried lobster over soft mapo tofu, and delicately pleated Shanghainese hot-and-sour soup served inside carrot-dyed dumplings.
Turn to the wok-fried broccoli for a virtuoso display of culinary precision. Chefs use only the middle section of the vegetable’s stems, delivering a consistent crunch. This contrasts beautifully with the bean curds, ginkgo nuts, and sweet red dates, making this side dish a true star. Meanwhile, fish aficionados should opt for the black Pacific cod. The crisp exterior, enveloped in a house-made smoke sauce, gives way
“As we embark on this exciting journey, we celebrate not just a restaurant but a culmination of craftsmanship, culture, and community.”
to lingering hints of bittersweet osmanthus flowers.
The drinks menu also ranges far afield with sakes, French wines, and modern, fruitforward, Asian-influenced cocktails. From a duck fat-washed Old Fashioned to a salted plum margarita, the bar happily colors outside the lines. Don’t miss the Hong Kong ice tea, which is a tequila-based twist on the classic cocktail that glows fuchsia thanks to crème de cassis and Lillet Blanc blended with jasmine tisane. This bold take on boozy bubble tea includes mildly gelatinous basil seeds instead of tapioca pearls. Its color and texture evoke dragon fruit, making this drink eye-candy and a palate pleaser.
Mocktail fans gravitate to the Mango Paradise, a sweet, tangy, tropical juice mixed with guava and yuzu citrus. Meanwhile, the Jasmine Cooler leans into more delicate floral notes as herbal tea meets the subtle sweetness of lychee, complemented by a splash of soda water and a rose petal garnish.
Finish with a dessert embodying Mott 32’s role as a pan-cultural ambassador: the matcha red bean jelly. The mellow grassy notes and slight nuttiness of the fine-powdered Japanese tea balance the sweetness of adzuki beans boiled with sugar. Or finish strong with the
imperial bird’s nest soup, double-boiled until silky soft. Traditional Chinese medicine prizes this dish, thought to boost the immune system and nourish internal organs. Here, apricot seed juice tempers the nest’s slight brininess, making it an ideal capstone for a playful yet luxurious meal.
“THE PERFECT HOME”
The most-awarded Mott 32 chain draws its name from New York City’s first Chinese grocery store, which opened on Mott Street in 1891 and eventually anchored Chinatown. Globally, the brand has established itself in major cities from Seoul to Singapore, Dubai, and Las Vegas—with London, Los Angeles, and Scottsdale, Arizona, in development. The Toronto outpost is Canada’s second, following the success of the Vancouver location.
Co-founder and Managing Director Xuan Mu notes: “As we embark on this exciting journey, we celebrate not just a restaurant but a culmination of craftsmanship, culture, and community. Toronto’s dynamic energy and global outlook make it the perfect home for Mott 32. We look forward to creating unforgettable moments and becoming an integral part of this vibrant cityscape.”
The restaurant’s decor reflects the
contemporary flair of the menu. The space features a chic lounge with an antique brass bar on the first floor with lofty ceilings accented with emerald-colored glass blocks and four private dining areas located on the second floor available for up to 40 seated guests— each respectively themed with textiles, metals, ceramics and Hong Kong cinema, which can transform into a single event area.
In the grand dining room, up to 90 guests can bask under floor-to-ceiling windows that flood in natural light by day and provide spectacular views at night. The Octagon Room lies at its heart, where patrons dine under a gazebo-like structure. Its eight corners, a traditional symbol of luck, add a touch of auspiciousness. Prefer a moodier vibe? Try the Boom Boom Room towards the back, a softerlit space draped in greenery and suspended calligraphy brushes for a more private setting.
All three levels seamlessly blend modern sophistication with Big Apple industrial notes and the rich heritage of traditional Chinese design. Think exposed ceilings and concrete floors with ceramic tiling, woven bamboo details, and hand-polished copper walls. It’s the perfect pairing of place and tastes, making Mott 32 a much-anticipated addition to Toronto’s dining scene.
TEE DEE GEE
Known as The Real Rell, the Retro Kid with a deep passion for fashion. Every piece of clothing and pair of shoes he wears tells a story—whether it’s a memory from his life or paying homage to significant people who inspired him. Attending 24 different schools across 5 states pushed him to stay fresh and innovative.
IG:teedeegee_fashionfree Tik Tok: tee.dee.gee
Jeffrey Melo
DIVE INTO JEFFREY’S WORLD: A CULTURAL ODYSSEY THROUGH HIS ARTISTIC EXPLORATIONS By Rachael
Hanmer
“The making of the painting is more about the process than the finished product,”
IN THE HEART of the Bronx, nestled within one of his old homes, Jeffrey has transformed a small, unassuming room into a vibrant studio. It is here that Jeffrey illuminates the stories of individuals, whereby his artistic journey unfolds. In this intimate space, art comes to life, deeply rooted in Jeffrey’s Dominican heritage, personal growth, and profound connection to his community in the Bronx.
Jeffrey describes his latest exhibition, "The Universal Gentry," as a manifestation of empathy, compassion, and humanity. He explains this characterization aligns seamlessly with his overarching message as an artist. Jeffrey states, ‘I work a lot with faces and figures, and most of it is trying to evoke a certain connection’. He persists that this connection is achieved with people who have directly related experiences, but also lends the hand to individuals who don’t or have not had the chance to discover that connection yet. Jeffrey continues to say, ‘I think all of my art, at the core of it, just comes from lived or witnessed experiences’.
Through our discussion, Jeffrey articulated, "I think my unintentional but natural goal with all of this is just to have my little contribution to the conversation of art history, or history in general.”
By celebrating, mourning, and illuminating untold stories, he seeks to add his unique voice to the broader narrative of history. This approach suggests that Jeffrey views his work not just as individual expressions but as part of a larger dialogue that spans time and cultures. His contributions aim to enrich this ongoing conversation, providing new perspectives and insights that help shape and expand the collective understanding of art and history. Jeffrey illustrated the absence of recorded history and representation for his subjects, “people experiencing my life.”
Although Jeffrey has gauged an improvement in exposure within the last 10 years, this still does not account for the past 30,000 years of art history. By broadening representation, Jeffrey encapsulates, “I want people to be able to see themselves forever, even if it’s not them directly.”
This captured iconography can hopefully revolutionize how all people of all cultures have their history correctly documented for the education of future generations; Jeffrey attends to the historical cultivation of his heritage in order to “give people their sense of immortality”. Best expressed through his work on canvas, the medium of oil paint fosters an ‘instinctual’ practice, providing viewers a glimpse into diverse realms.
“The making of the painting is more about the process than
the finished product,” he says. Drawing inspiration from a deep connection with nature, Jeffrey finds beauty in the ordinary, like sunsets, skies, and the bustling streets of New York. “Rather than just recreating a picture, I want to recreate a moment.”
When confronted with how his emotions and mood can influence the nature and journey of a piece, Jeffrey candidly says, ‘I think the identity in my paintings come from my habits or lack of discipline in the beginning, where originally my intention was to be as perfect as possible with my technique.”
He continues to explore how his internal conflict translates externally into the physicality of his brushstrokes, “I can be very rough, but I can be very gentle at the same time. I never had the patience to be tedious and repetitive with my motions.”
Jeffrey's artistic process encompasses “making a mess and then cleaning it up.” His ever-evolving practice parallels his personal growth, “As my practice grew I started to use that as a way to channel natural instincts.”
Delving into his influences, Jeffrey leans into the introspection of his childhood. With his siblings' ages cascading across decades, his most prominent influences are from the overlapping 80’s and 90’s culture, stating, “I grew up in the Bronx, so like hip hop, R&B. Being Dominican, all Spanish music has been very influential.” Exploring how the art disciplines intersect, Jeffrey says, “I think just energy, movement, culture, the way music swings, I think a lot of it impacts the way that I do my work”.
PHOTOS : RANDY LOPEZ
Reciting where his entrepreneurial spirit derived from, Jeffrey attributes his success to being brought up in the Bronx. Jeffrey recollects being the kid who “drew tags for other people in first grade for a dollar” to afford a Cinnabon after school, that being the introductory entry into treating art like a hustle. Recounting incidents of fights and deviant behavior, Jeffrey assures that by ‘keeping yourself busy with the good things” such as his selftaught guitar and piano practice, meant that he didn’t partake in delinquency.
However, still privy to his surroundings, Jeffrey states, “My experience here taught me how to see the world as it is. Know when to face the dangers but not to be afraid”. Reflecting on his time studying Illustration at the University of the Arts in Philadelphia, Jeffrey mastered the art of hustling. With his artistic talent already well-honed, Jeffrey credits "Philly," as he affectionately calls it, with teaching him about the crucial interplay between creating art and navigating the business side of the artistic world.
“Philly taught me to grind and see art as both creative expression and business”. When questioned about whether he likes being his own boss, Jeffrey simply replies, “Yeah, I’ve always been argumentative. I love my mother, but she’ll tell you”. Knowing his worth, Jeffrey establishes, “I’m not going to let anyone else in the world treat me less than”.
“I like to focus on truth and what’s right. I hope people are more curious about learning rather than teaching,” he says.
Without a specific sculptor or artist in mind, Jeffrey derives ranging inspiration from musical projects to shows and noir films, where the composition of this genre of art can be admired as a still photograph. He states, “I’m drawn to creators who create an experience and make you feel like the main character in their world”. Referencing Miles Davis’ album for the French film “Elevator to the Gallows”, Jeffrey reminisces about the impetus of how evocative storytelling is enhanced with music.
Aiming to curate a holistic experience for individuals, Jeffrey documents, “My work invites people to experience a world, especially for those from my community or culture”.
Conscious or subconscious artistic process? Jeffrey categorizes his method as ‘intuitive and natural’, conducting subliminal practices of art throughout his entire life. Growing up with immigrant parents, the emphasis on education, career stability, and success took precedence. Attending his inaugural formal art class at 18, Jeffrey's first foray into academic art instruction came during his college years. Honing his discipline, Jeffrey credits his time in a band after college as pivotal for cultivating the mindset and commitment essential for a successful art career, encapsulating, “I didn’t really care about having a career, I thought ‘I’m going to be a rockstar!’”
Catalyzing this shift in mentality, Jeffrey directed his attention to martial arts, kickboxing, Muay Thai, and Jiu Jitsu to hone the principle absent from his work; discipline. “It gives you a trajectory to keep going. If I didn’t have that experience
" My whole life is a risk. If you don’t take risks, you’ll live with regrets."
of practicing the sport time and time again, I don’t know if I would have had the same level of work ethic to get me where I am right now”. Discussing the relationship between order and chaos, Jeffrey depicted attaining a balance between the two artistically proves to be a ‘lifelong challenge’. Being “addicted to process and routine”, yet also “addicted to the performance of art”, Jeffrey fights to discover the “fine line” that exists between work and play. Forgiving of his past attitudes, Jeffrey’s learned wisdom accredits, “there’s no real blueprint” or one path to success. This is just his route.
When prompted to share any upcoming projects or themes that Jeffrey is currently exploring in his art practice, Jeffrey signals a painting titled “Cleo”, adjacent to our stools, based on the statue of a woman, curator of time and observer of history. She is omniscient of everything that has historically occurred in time. Jeffrey’s interpretation of “Cleo” is his ‘modern take’ on exposing what has gone unforeseen for several generations and thousands of years. In accordance with this project, Jeffrey offers another project for the end of the all, reflective on borders and particularly the relationship between the Dominican Republic and Haiti. Jeffrey expands, “It’s an invitation to have a conversation about history and culture, and to challenge colonial indoctrination that has created unnecessary animosity”.
To depart, here are some wise words from Jeffrey himself: “My whole life is a risk. If you don’t take risks, you’ll live with regrets.”
SUMMER READS
By Serena Carter
GET HONEST OR DIE LYING WHY SMALL TALK SUCKS
By Charlamagne tha God
Charlamagne tha God released his new book “Get Honest or Die Lying: Why Small Talk Sucks” in which he delves into how small talk from small minds has taken over, and it’s time to bring back the big conversations. He gives his thoughts on growth, empowerment, and evolution in today's world. Fame, money, social media, and politics are a few topics Charlamagne covers. His new book will prompt readers to think about the type of conversations they are having in their lives and how to open their minds to more meaningful and fulfilling discussions. Charlemagne hosts The Breakfast Club, is the founder of the Black Effect Podcast Network on iHeartRadio, and is an influential cultural figure known for his unapologetic approach and fearlessness when it comes to speaking his mind.
POWER MOVES IGNITE YOUR CONFIDENCE AND BECOME A FORCE
By Sarah Jakes Roberts
Sarah Jakes Roberts, author, speaker, entrepreneur, and philanthropist known for her self-help book “Women Evolve: Break Up with Your Fears and Revolutionize Your Life” recently released her new book, “Power Moves: Ignite Your Confidence and Become a Force”. This book dives into how readers can elevate their lives just by speaking more intentionally. It suggests that by embracing where we currently are in our lives, God will guide us to become the best version of ourselves. “Power Moves” helps readers determine if they are living an authentic life or merely keeping up with trends. This book provides the language to address changing needs, helps acknowledgment and applause of personal growth, and guides releasing one’s power.
COMING HOME
By Brittney Griner
rittney Griner gets personal about her experience being detained in a Russian prison in her book “Coming Home”. When Brittney arrived in Moscow, she thought she would enjoy her WNBA offseason playing with the Russian women’s basketball team, but instead, it turned into a nightmare. She was mistakenly arrested at a Moscow airport after authorities found a vape that contained cannabis oil.
Brittney finally shares details of her 10-month confinement in Russia. Her arrest happened days before Russia invaded Ukraine. Griner was finally released after being traded for Russian arms dealer Viktor Bout. Brittney Griner is a two-time Olympic gold medalist and a six-time WNBA All-Star. This book will be the first time she goes into deep detail about her experience and its impact on her body and mental health.
SUPREME SIRENS ICONIC BLACK WOMEN WHO REVOLUTIONIZED MUSIC
By Marcellas Reynolds
“Supreme Sirens: Iconic Black Women Who Revolutionized Music” by Marcellas Reynolds gives readers a look into all the Black female singers and musicians who have made significant impacts in the music industry. Artists such as Beyonce, Janet Jackson, Aretha Franklin, Billie Holiday, and The Supremes are highlighted through photos, short biographies, personal interviews, and career milestones. Marcellas Reynolds, an entertainment journalist, fashion stylist, and author of “Supreme Models” and “Supreme Actresses”, presents this newest addition to his series. “Supreme Sirens” is the first ever art book to highlight and honor the Black women who dominated the music industry and how their careers and music have influenced our lives.
I M A G IN E B E I N G
GOO D T O G O W ITHOU T HI V P ILL S
CABENUVA is the only complete long-acting HIV treatment you can get every other month to replace daily HIV pills in people who meet cer tain requirements. It’s 2 injections from a healthcare provider–– as few as 6 times a year.*
ASK YOUR DOCTOR ABOUT CABENUVA
Important
Facts About CABENUVA (KAB-en-ew-vah)
This is only a brief summary of important information about CABENUVA and does not replace talking to your healthcare provider about your condition and treatment.
ABOUT CABENUVA
CA BENUVA is a complete prescription regimen used to treat HIV-1 infection in people 12 years and older who weigh at least 77 lbs (35 kg), to replace their current HIV-1 medicines when their healthc are provider determines that they meet cer tain requirements HIV-1 is the virus that c auses Acquired Immune Deficiency Syndrome (AIDS) CA BENUVA contains 2 dif ferent medicines:
• c abotegravir
• rilpivirine
It is not known if CA BENUVA is safe and ef fective in children younger than 12 years of age or weighing less than 77 lbs (3 5 kg)
DO NO T RECEI V E C A BENU VA IF YOU
• have ever had an allergic reaction to c abotegravir or rilpivirine
• a r e t a k in g th e follo w in g m e dicin e s:
zepine arbama c
zepine arba oxc al phenobarbit toin pheny rifabutin
Ashton
On CABENUVA
rifampin rifapentine
dose- single a than (more dexamethasone treatment)
( t wor John’s St Hypericum perforatum)
BEFORE RECEI V ING C A BENU VA
Tell your heal t h c ar e pr ov ider abou t all your medic al c ondi tion s, in cluding if you: that medicines to actionre allergic an or rash skin a had ever have • contain c abotegravir or rilpivirine infection C or B hepatitis including problems, liver had ever have
•
• have or ever had kidney problems
• have ever had mental health problems
BENUVACA if known not is It pregnant become to plan or pregnant are • will harm your unborn baby CA BENUVA c an remain in your body for up to 12 months or longer af ter the last injection
Please see additional Impor tant Facts About CABENUVA on the following page.
*Your every-other-month regimen begins after 2 once-monthly starter doses It’s important to receive CABENUVA as scheduled and attend all treatment appointments
Important
Facts About CABENUVA (cont’d)
BEFORE RECEIVING CA BENUVA (cont’d)
Tell your healthcare provider about all your medical conditions, including if you: (cont’d)
• are breast feeding or plan to breast feed
CA B E N U VA .
Tell your healthcare provider about all the medicines you take, including prescription and over-the-counter medicines, vitamins, and herbal supplements Some medicines interact with CABENUVA Keep a list of your medicines and show it to your healthcare provider and pharmacist when you get a new medicine You can ask your healthcare provider or pharmacist for a list of medicines that interact with CABENUVA
Do not s tar t taking a new medicine without telling your healthcare provider. Your healthc are provider c an tell you if it is safe to t ake CA BENUVA with other medicines
POSSIBLE
SIDE EFFEC T S OF CA BENUVA
CA BENUVA may cause serious side ef fect s, including:
• Allergic reac tions. Call your healthc are provider right away if you develop a rash with CA BENUVA Stop receiving CA BENUVA and get medical help right away if you develop a r ash with any of the following signs or symptoms: fever generally ill feeling tiredness muscle or joint aches trouble breathing blisters or sores in mouth blisters redness or swelling of the eyes swelling of the mouth, face, lips, or tongue
POSSIBLE SIDE EFFEC T S OF CA BENUVA (cont’d)
CABENUVA may cause serious side effects, including: (cont’d)
• Liver problems. Liver problems have happened in people with or without histor y of liver problems or other risk factors Your healthcare provider may do blood tests to check your liver function People with a histor y of liver problems or people who have cer tain liver function test changes may have an increased risk of developing new or worsening changes in cer tain liver tests during treatment with CA BENUVA Call your healthcare provider right away if you develop any of the following signs or symptoms of liver problems: your skin or the white part of your eyes turns yellow (jaundice) dark or “tea-colored” urine light-colored stools (bowel movements) nausea or vomiting loss of appetite pain, aching, or tenderness on the right side of your stomach area itching
• Depression or mood changes. Call your healthcare provider or get emergency medical help right away if you develop any of the following symptoms: feeling sad or hopeless restless or anxious feeling have thoughts of hurting yourself (suicide) or have tried to hurt yourself
The most common side effects of CABENUVA include:
• pain, tenderness, hardened mass or lump, swelling, redness, itching, bruising, and warmth at the injection site
• fever
• headache
• muscle or bone pain
• nausea
• sleep problems
• diz ziness
• tiredness
feeling light-headed or feeling like you are going to pass out (faint) blood pressure changes
• Pos t-injec tion reac tions have happened within minutes in some people af ter receiving their rilpivirine injection Most symptoms resolved within minutes af ter the injection Symptoms may include: trouble breathing narrowing of airways stomach cramps sweating numbness of your mouth pain (e.g., back and chest) feeling anxious feeling warm rash
• rash
These are not all the possible side effects of CABENUVA Call your doctor for medic al advice about side ef fects You may repor t side ef fects to FDA at 1-8 0 0 -FDA-10 8 8
GE T MORE INFORM ATION
• Talk to your healthc are provider or pharmacist
• Go to CABENUVA com or call 1-877-8 4 4-8872, where you can also get FDA-approved labeling December 2023 CBN:6PIL
Tr a d e m a r k s a r e pro p e rt y of th
HOW TO SPEND A luxurious weekend in MONTE CARLO without breaking the bank.
ONCE A PLAYGROUND OF THE WEALTHY, MONTE CARLO IS NOW WITHIN REACH FOR MANY, SO MORE AMERICANS TAKE A DETOUR FROM PARIS TO THIS EURO-MEDITERRANEAN JEWEL. By Lina Zeldovich
by Marcel Ravine
“These aren’t flowers, but rather crispy chocolate florets,”
Marcel Ravine, a chef of twostar Michelin restaurant Blue Bay in Monte Carlo, places his signature dessert in front of me. The elegant dish looks like a heap of spring blossoms in a bowl, some ebony-colored and others of amber hues. “These aren’t flowers, but rather crispy chocolate florets,” he explains. And, for an extra dash of color and flavor, he sprinkles the treat with the real pink flowers from his garden. Growing up on the Island of Martinique, Ravine picked fruits and vegetables with his grandmother in her orchard, as well as cocoa beans that she turned into a rich, delicious drink. Ravine draws his culinary vision from his Caribbean heritage and his grandmother’s cooking. “I use a lot of Caribbean influences,” he tells me. “That chocolate-flowering dessert is inspired by her.”
Chocolate florets desert
A part of Monaco, which is a little kingdom on the French Riviera, Monte Carlo is a tiny municipality of only 4000 residents but has a lot going for it. From its five Michelin-star restaurants to its five-star hotels to its high-end designer boutiques, Monte Carlo will please even the most discerning travelers. And yet, until recently, it wasn’t high on the list for many American travelers who were typically too focused on Paris. That, however, is changing. Post-pandemic, more Americans take a detour from the French capital to see this EuroMediterranean jewel.
One reason travelers used to skip Monte Carlo was its reputation as one of the most expensive spots on the planet. Yet, a quick getaway here doesn’t have to break the bank. Of course, if the legendary five-star Hôtel de Paris fits your budget, you are in for an unforgettable treat. Located in the Casino Square, it overlooks the beautiful Casino Monte Carlo where several James Bond movies were filmed. But an Airbnb can cost under $200 a night and even less off-season, September-March, so you can spend more on Monte Carlo’s superb gastronomy. Come hungry because several new places have opened just in the past year.
In addition to Caribbean-inspired Blue Bay that reopened post-renovation, the iconic 150-year-old Café de Paris Monte-Carlo underwent a major revamp, serving French-Mediterranean fare. Last fall, Taera welcomed guests with bright Venezuelan colors and cuisine. The long-awaited Amazonico began serving Latin
American favorites in a rainforest ambiance this spring. Meanwhile, Le Grill offers the best views in town: You can see France, Italy, and Monaco as you savor their world-famous souffles (thank Maria Callas for that; it was her wish to dine overlooking all three countries at once.)
The Michelin-starred places are pricey, but not all food in Monte Carlo is. Charming local places like Saint Nicolas Pizzeria, Arrow Burger, and Crêperie du Rocher offer very affordable menus with dishes averaging $20. Meanwhile, Monte Carlo’s museums and art galleries are surprisingly inexpensive. A ticket to the Museum of Oceanography, which hosts the world's oldest aquarium, built by Prince Alfred I, a marine explorer, costs under €20. Visiting Prince's Palace Grand Apartments and the Royal Collection of Cars is only €17. The entrance to the Princess Grace Japanese Garden, named after actress Grace Kelly, who married Prince Rainier III of Monaco, is €6. To save even more, buy a Three-Day Activity Leisure Pass for €45, which gets you into over 60 hotspots across the French Riviera.
Some things don’t require spending any money. Take a walk in Saint-Martin Gardens located between the Museum of Oceanography, and Monaco Cathedral, or have a picnic underneath its lush trees. Viewing the changing guards’ ceremony in front of the Prince’s Palace is free, as are the breathtaking Mediterranean views from its hilltop location. Overall, you’ll be surprised by how affordable this luxury destination is.
TRAVEL GUIDE
PUERTO RICO
WHY THIS CARIBBEAN ISLAND IS AN IDEAL VACATION DESTINATION
By Becca Blond
Whether you are seeking a fly-and-flop getaway or want to kayak under a new moon through one of the few bioluminescent bays in the world, Puerto Rico delivers. This Caribbean Island is an explorer’s paradise, home to hundreds of beaches, offshore islands, and the only tropical rainforest in the U.S. National Forest Service system. It also has accommodations for all budgets and a culturally diverse culinary scene. With direct flights from Fort Lauderdale and Miami and no passport required for U.S. citizens, it is also an accessible tropical paradise.
WHAT TO DO
You won’t run out of things to do in Puerto Rico. Exploring the island on your own or joining a tour is easy (Viator is an excellent place to start). To explore on your own, you’ll need to rent a car. This is easy to do at the San Juan airport. Ubers are available, but only in the capital of San Juan.
KAYAK THROUGH A BIOLUMINESCENT BAY
Puerto Rico is home to three of the world’s five bioluminescent bays. On a moonless night, kayaking through these waters reveals a spectacle of neon greenish-blue sparkles created by microscopic organisms called dinoflagellates.
Mosquito Bay on Vieques Island is the brightest but requires a flight or ferry trip from the mainland and an overnight stay. Laguna Grande in Fajardo, just an hour’s drive from San Juan, is more accessible and near many hotels. La Parguera in Lajas, a two-hour drive from San Juan, offers another enchanting experience.
EXPLORE EL YUNQUE NATIONAL FOREST
El Yunque, the only tropical rainforest in the U.S. National Forest System, is sacred to Puerto Rican culture. It offers lush greenery and numerous hiking trails leading to natural pools and waterfalls. Guided tours available through hotel concierges or Viator include activities like natural rock waterslides, rope swings, and cliff jumps.
BEACH DAY ON PUERTO RICO’S STUNNING COASTLINE
With nearly 300 beaches, Puerto Rico’s coastline offers something for everyone. Flamenco Beach on Culebra Island, accessible by a 10-minute flight or 30-minute ferry from San Juan, is one of the Caribbean’s most beautiful beaches. Crash Boat Beach in Aguadilla on the northwest shore offers snorkeling, fishing, seasonal surfing, and stunning sunsets.
It is also well worth doing a day tour to Culebrita. The uninhabited island is home to breathtaking white sand, meets turquoise-hued beaches and is accessible only by boat. You can book a group or private tour from the mainland or charter a yacht in Culebra.
STROLL THROUGH OLD SAN JUAN
Viejo San Juan, the oldest city in America, is a historical and cultural hub. You’ll want to spend an afternoon strolling its cobblestone streets past the pastel-hued colonial architecture and military forts. The old city is filled with all kinds of shops, innovative restaurants, and bars and clubs.
WHERE TO EAT AND DRINK
Puerto Rican cuisine is a flavorful fusion of Spanish, African, and Taino influences. Some must-try dishes include mofongo (mashed plantains with garlic and pork cracklings), asopao (a hearty chicken and rice stew), and lechón (slow-roasted pork).
CARIBAR
Inside the Caribe Hilton, Caribar is where you can sip a piña colada at the bar that invented it. Bartender Ramón “Monchito” Marrero created the tasty rum, coconut, and pineapple concoction here in 1954, and the bar still serves his original recipe and contemporary rips on it. There is live music on weekends and a delicious tapas menu.
SANTAELLA
Santaella serves traditional Puerto Rican flavors with contemporary flair in the heart of San Juan. The ambiance is chic and inviting, perfect for casual dinners and special occasions. Signature dishes include tuna tartare, fried cheese with guava sauce, and the decadent mofongo. Don’t skip the extensive cocktail menu featuring innovative drinks like the passion fruit mojito.
LA CASITA BLANCA
This restaurant in San Juan also offers an authentic Puerto Rican dining experience. The ambiance is rustic and inviting, with colorful décor. The menu features an array
of famous local dishes from mofongo to arroz con gandules, all made with fresh, locally sourced ingredients and generoussized portions.
LA FACTORÍA
Located in Old San Juan, La Factoría is a world-renowned bar featured on the World’s 50 Best Bars list. Known for its eclectic vibe and expertly crafted cocktails, it features multiple rooms, each offering a unique atmosphere and music style.
EL BATEY
For a more laid-back experience, visit El Batey, one of the oldest bars in San Juan. With graffiti-covered walls and a jukebox, this dive bar is a casual spot where locals and tourists mingle over affordable drinks.
CLUB BRAVA
Club Brava is the go-to spot for those looking to dance the night away in the El San Juan Hotel. The club attracts top DJs and a stylish crowd, making it one of the hottest nightlife destinations in San Juan.
Previous Page: Viejo Old San Juan
This Page: El Yunque Waterfall Fajardo Bio Bay Food: Cayo Caribe
WHERE TO STAY
In the trendy Condado Beach district, the San Juan Marriott Resort and Stellaris Casino has a great location right on a pretty stretch of beach. Rooms and suites here are contemporary and comfortable. The corner junior suites have double balconies and a wall of windows on two sides. There are multiple dining options onsite and plenty of affordable restaurants within walking distance (try Xolo Taco just across the street). Besides a beach, the hotel has a pool with a waterslide.
The Caribe Hilton is another excellent choice. It is also on the beach and just a 10-minute drive to Old San Juan. It recently underwent a $150 million renovation, making the rooms modern and comfortable. The resort, which has hosted its share of celebrities and world leaders since opening in 1949, has multiple restaurants, a spa, and a sprawling pool complex.
This Page: Flamenco Beach Old San Juan
BREAKOUT STAR
Real Boston Richey Real Boston Richey
Is the Rap Game’s Next Big Thing
In an exclusive interview with Bleu Magazine, viral rapper Real Boston Richey opens up about his highly anticipated sophomore album, his unique creative process, and how he juggles a skyrocketing career while maintaining balance in his personal life. By Pretty Honore
PHOTOGRAPHY BY JASON GOODRICH FASHION BY DALLAS CRUMBLE
“ This [album], it’s all on me. I picked all the songs I wanted to do.”
IF YOU HAVEN’T heard of Tallahassee, Fla.-born rapper Real Boston Richey by now, your vibe check has officially bounced.
2024 marks the Freebandz rapper’s junior year in the music industry, and he’s quickly rising to the top of his class.
Richey’s debut album, Welcome to Bubba Land, dropped in 2023 and gained widespread popularity among fans. His hit single, “Help Me,” blew up online, and he has since amassed more than one million followers across his social media platforms.
The viral moment marked a turning point in the musician’s career, and as Richey’s career gains momentum, he has no plans of slowing down. Bleu Magazine spoke to the rapper, who is set to drop an album in November 2024.
“I know that this album will be different,” Richey explained. “[On] my last album, I let the label kind of pick—my A&Rs kind of picked over it. But now, this [album], it’s all on me. I picked all the songs I wanted to do.”
With TikTok at large, it’s easy for up-and-coming artists to get lost in the sauce. According to Richey, it’s his work ethic that sets him apart.
“I've been rapping for like three years now, so in the next five years, I know—like if I stay focused and stay out of trouble and I just keep doing what I'm supposed to do— I just see myself being one of the biggest artists,” the rapper told Bleu Magazine.
JACKET/PANTS COÛT DE LA LIBERTÉ SNEAKERS NIKE AIR FORCE 1 SUNGLASSES GUCCI WATCH ROLEX
SWEATER/PANTS MARNI SUNGLASSES JACQUES MARIE MAGE WATCH ROLEX
“ If I stay focused and stay out of trouble and I just keep doing what I'm supposed to do — I just see myself being one of the biggest artists,”
Featuring rappers like Lil Yachty and a sample from Ne-Yo’s charttopping hit, “So Sick,” Richey isn’t scared to step out of the box— and his upcoming album is proof of his ingenuity.
“I'm always coming turned up, but I got a lot of, like, real-life songs on there too,” he said of his sophomore album. “I talk about some of the things [I’ve] been doing, some of the stuff I endured these last few months, in this last year.”
He added: “I know this [album] is gonna be one of the ones this time.”
Richey also broke down his creative process and what goes into making a hit. The rapper said that a single studio session can produce more than ten songs. Similarly to artists like Jay-Z, Lil Wayne, and Styles P, Richey doesn’t use a pen and paper when he gets in that mode—all he needs is a mic and a booth.
“I've never really wrote a song before. I record, and I punch in,” Richey explained. “When I find the right beat that's catchy to me, I just vibe to it for 10-15 minutes, and then I just go in.”
When Richey isn’t on the road, his focus is on family. According to him, it was actually his cousin who inspired him to start a career in music.
“He passed away, though,” Richey told us. “He was one of my favorite artists—he inspired my swag, the way I do things.”
“If I go home, I have my whole family in the studio with me.”
“He always talked about just never being tied to a certain thing. You know what I'm saying? Always be able to explore [and] just always be open to trying new things. So I got that from him,” the rapper shared.
Today, Richey still maintains the same close-knit relationship he had with his family before the fame.
He shared: “If I go home, I have my whole family in the studio with me—my sisters, my mama, my son. Anything we do when I get back home, we're gonna be doing it together. So that's how I can spend all my time with them and still work at the same time.”
So, what’s next for Real Boston Richey? Fans might be surprised to learn that Richey has big plans for his career outside of music.
“I low-key want to be a fashion model,” the rapper revealed.
“I want to get into the fashion world. That's one of my biggest goals,” he added.
J.
BERNARD ON BREAKING BARRIERS AND BEING
THE ULTIMATE TV DAD
A CONVERSATION ABOUT FATHERHOOD AND " THE MS. PAT SHOW"
By Truth Hawkins
AS THE MS. PAT SHOW heads into its fourth season, it continues to break new ground by tackling real-life, relatable issues with boldness and nuance. This Emmy-nominated sitcom is not only redefining what it means to portray a Black father on television, thanks to J. Bernard’s compelling performance as Terry Carson, but it also explores a range of complex themes with depth and sensitivity.
From addressing abortion within marriage and generational trauma to confronting prescription drug addiction and the impact of absentee fathers, the show dives into topics that resonate with many viewers. Alongside Patricia Williams (Ms. Pat) and Tami Roman (Denise), J. Bernard’s role contributes to a new breed of TV dads, offering a fresh perspective on fatherhood while navigating the intricate dynamics of family life. The show’s ability to discuss challenging subjects head-on makes it a standout in today's television landscape, offering powerful narratives that reflect real-life experiences. Recently, Bleu Mag had the pleasure of speaking to J. Bernard, who shared his thoughts on breaking new ground as a modern TV dad. Further, he discussed how his own experiences as a father have shaped his portrayal of Terry Carson on The Ms. Pat Show and offered an inspiring message for fathers far and wide.
BLEU: Let's talk about your work on The Ms. Pat Show. It's Emmynominated, marking a historic first for BET. Bernard: Yes, yes, yes.
BLEU: You've redefined what it means to be a TV dad. The portrayal of fathers on TV has evolved significantly since the 1980s and 1990s. How do you feel your role is breaking down barriers, and how do you incorporate your real-life experiences as a father into your character?
Bernard: It's always good to be able to represent your culture in the best way and best fashion. You always remember that you're playing a role, telling a story, and bringing life into it. It's a job, no matter if you're playing a villain or a good guy. I just happen to be playing a TV dad. The baton is being passed to me from all the great ones, and I take it full on. It means so much to me as a man to be able to represent that. Fans often tell me, "What is Terry going to do next?" or "I saw things differently and had a conversation with my son because of what I saw." This is storytelling at its finest. Bringing honesty and authenticity to this role because I am a father and a husband makes the character and the story complete. I'm able to pull from my experiences as Jeffrey Bernard Calloway to Terry Carson, which makes the entire character complete.
BLEU: You mentioned that the torch has been passed to you. Who are some TV dads you admired or studied growing up that epitomize the perfect TV dad? How have they influenced your approach?
Bernard: The person I look up to the most—Ossie Davis. He and Ruby Dee represent who my wife and I are as artists. They had longevity and success in this business. As an activist, he stood up for the people, telling our stories as African Americans and bringing them to light. He was about all people, much like Fred Hampton said, "All power to all people."
Of course, Bill Cosby was one of the greatest TV dads ever. Then there's Damon Wayans in My Wife and Kids, George Jefferson, and James Evans from Good Times. Red Foxx and Sanford from Sanford and Son also stand out. I’m standing on such broad shoulders, and it's my responsibility as a storyteller to understand what I am doing and, as I do that, to be able to just be a part of greatness. Just to be
" THE BATON IS BEING PASSED TO ME FROM ALL THE GREAT ONES, AND I TAKE IT FULL ON."
tied to that. If I can do that, to me, that would be a whole career fulfilled—just to work with great people, great stories, people like yourself, being able to expose who I am as an artist and us being able to vibe together and see each other two years down the road, be like, girl, you remember that?
BLEU: You've mentioned the great stories in The Ms. Pat Show. For viewers who haven't seen it yet, what are some of the most impactful stories the show has highlighted to date?
Bernard: Two storylines really stuck with me. In one episode, my eldest daughter, coming out of the quote, unquote closet and letting us know she’s gay. The way we handled my daughter coming out—her fear of her mother's reaction and my role in counseling her through it—why her mom did what she did and how she receives who she is. Another powerful episode dealt with abortion—talk about current events—women's rights over their own bodies. Our show tackles issues everyone can sit down around the table and speak about— chew upon as Shakespeare would say.
We have great writers. Shoutout to Jordan Cooper, who is our showrunner. He’s the youngest African American showrunner in Hollywood history—as far as Black folks are concerned. We've made history with our Emmy nominations. Our director has been nominated again for her work this season, particularly for the episode titled "I'm the Pappy."
BLEU: Offering an example of both the perspective of a Black father and fatherhood in general, what advice would you give to fathers about finding balance while fostering healthy relationships with their children?
Bernard: Patience is key. We’re often quick to impose our upbringing on our kids without allowing them to be who they are and find out for themselves. And if we set rules, and kids go outside them because they're reacting instinctively, we’re not giving them a chance to grow mentally. So, patience and coming down to that child's eye level and having a conversation rather than yelling at them.
I've come very far to where I am now. I have a lot of faults. I’m
dealing with those faults and still growing. So, I am not perfect. I don't want to put that out there to some people that I've come to this place a long time ago.
I'm still working on myself as a father, but what I do know and what I've learned is with patience and getting down to that child's eye level and speaking with them, they have a better understanding of what you're trying to relate to them and teach and learn. For them versus you yelling at them.
Balancing work, spirituality, family, and personal time is a lifetime process. It's about making choices and being accountable for them. Being in control of your life and responsible for your actions ultimately leads to a better balance.
BLEU: You've mentioned you're workshopping one project. Is there anything else on the horizon for you that fans should keep a lookout for?
Bernard: This is an exciting time with a lot of projects I can't speak about just yet. I have a voiceover for an animation project that's under NDA. I’m trying to do a crossfire in the industry through voiceover, film, television, musical theater, straight plays, and screenplays. I'm grateful to speak about "Purple Rain" because Prince is one of my favorite artists. We're adapting the piece, making it into something great, and got the green light from his estate to make it so we can freely sing his music. It's going to be a unique and original experience.
BLEU: Anything else you'd like to share about The Ms. Pat Show?
Bernard: Continue to watch it or start from the beginning and ride with us through to the end of the fourth season. The fifth season is coming soon. It's going to be another great season of storytelling, fun, and comedy. What everybody is waiting for it’s going to be some more of it and some. As my country friends from Mississippi say, “on steroids.”
Catch The Ms. Pat Show streaming now on BET+!
Jay Swishes
The Brooklyn Native Shaping Music with AUTHENTICITY and Versatility
SHOWCASING A UNIQUE BLEND OF HIP-HOP, R&B, POP, TRAP, AND CARIBBEAN INFLUENCES IN HIS MUSIC, JAY SWISHES IS CONNECTING WITH LISTENERS WORLDWIDE.
By Rachael Hanmer
JAY SWISHES IS a name that resonates with authenticity, versatility, and a deep-rooted connection to his cultural background. Growing up in Brownsville, Brooklyn, Swishes has seen the harsh realities of life firsthand, and he channels these experiences into his music. His unique sound is a seamless blend of hip-hop, R&B, pop, and Caribbean influences, making him stand out in the crowded music industry. In a recent interview with BLEU, the Brooklyn native opened up about his journey, influences, inspirations, upcoming projects, and what drives his passion for music.
BLEU: Your musical journey began in a household filled with reggae and gospel music. How did your parents’ musical backgrounds influence your unique blend of genres?
JAY: Just from listening to all those types of music like reggae and gospel and stuff like that, it unconsciously inspired me to create my own sound. When you listen to something over and over, especially when you get into music, you’re bound to be influenced by what you hear. I get a lot of inspiration from my culture and my roots because my family is from the West Indies. It’s a part of me, and it’s going to be reflected in my music.
BLEU: Growing up in Brownsville, Brooklyn, how did the environment and your experiences shape your music and your approach to songwriting?
JAY: Brownsville is a very rough neighborhood. So, you know, we hear a lot of pain. I’m just narrating what I’ve been through and what I’ve seen. I’m not glorifying the negativity. I’m just telling you what it is. I talk about mental health issues, violence, you know, so you can understand what the environment does to a person. Some people don’t have a voice; some people can tell their story or put words together on a beat for the world to hear, and I can do that. It’s not a selfish thing. I want to also speak for other people that can’t speak for themselves.
BLEU: I also read that basketball was a significant part of your youth. What lessons did you learn from the sport, and have you carried any into your music career?
JAY: Basketball is a sport that you can’t take time off from. Basketball taught me dedication and laser focus. It also taught me that you need to surround yourself with the right people to succeed. It’s like crabs in a bucket, so you have to go above and beyond to be above those people. Teamwork makes the dream work; no man is an island. I apply those lessons to my music career by staying focused, consistent, and keeping the right people around me.
BLEU: You’ve mentioned the challenges of growing up in an area with constant violence and limited resources. How do you channel those experiences into your music, and what message do you hope to convey to listeners?
JAY: I’ll give you the relevant music of either experiences that I’ve been through or what the people that are around me have experienced. My message is not only in the music but also what I am doing, what people can see me doing. If there’s another way, there’s a way out; there’s a way not to get sucked into generational curses. It takes a lot of looking into who you are and honing into a craft, whatever that craft may be. I want people to see that I’m from the same place they are, and I’m making it by staying authentic.
BLEU: Your music seamlessly blends hip-hop, R&B, pop, trap, and Caribbean influences. How do you approach creating such a diverse sound, and what inspires you to keep experimenting with different genres?
JAY: I try not to overthink when creating music. You know, it has to come naturally. I produce my records in terms of structure and
sound, even if I’m not making the beat myself. Right now, I feel like I’ve found my sound, and I’ve almost perfected it. You know what I’m saying? You’ll see more of that in my upcoming projects.
BLEU: As a young artist navigating the music industry, what have been some of the largest challenges you’ve faced, and how have you overcome them?
JAY: One of the biggest challenges is navigating the politics of the industry. It’s not just about music anymore; it’s also about clout and social media presence. I’m more of a private person, so I’ve had to adjust to being more open and sharing more of my life with my fans. Another challenge is dealing with the pressures of life while trying to make it in the music industry. But having a good team around me keeps me grounded and focused.
BLEU: You’ve been described as having insane versatility and work ethic. Can you give us a glimpse into your creative process and how you maintain such high levels of productivity?
JAY: Most of my songs are recorded at home, where I can be alone and focus. I start by recording on my phone or laptop, and then I take it to the studio to record a high-quality version. I like to have a certain vibe in the studio—Hennessy, Taylor Port, good company. It’s all about creating an environment where I can produce my best work.
BLEU: Looking ahead, what are your goals and aspirations for your music career, and what impact do you hope to make on the music industry?
JAY: I’m not about making microwave music. I want to create timeless music that people can listen to years from now, and it still resonates. My music is global, and I want to touch people all over the world, not just in the United States. I’m on that trajectory— tours overseas, touching different cultures. I want my music to be a universal language.
BLEU: What song have you written that you hold closest to your heart, and why?
JAY: The song “I Remember” is very close to my heart. It talks about my childhood, losing my mother at a young age, and other personal experiences. It’s a record that gives listeners a glimpse into my personal life, and it’s very emotional for me.
BLEU: Can you tease us about any upcoming projects?
JAY: I’m dropping an EP soon called Toxic Hero. The music is done, you know; we’re just adding the final touches on it. I’m very excited about it because it’s some of the best music I’ve made. Every record on that project can stand by itself. You’re gonna understand the direction that I’ll be going forward with.
Departing our interview with some words of wisdom for the reading audience, Jay advises, “Blank all the noise out, focus on what you want to do. What’s your passion; what’s your genius? Go forward and just be consistent,” Jay Swishes is a rising star with a unique sound and an authentic voice. His journey from the streets of Brownsville to the global stage is just beginning, and with his passion, dedication, and talent, he is poised to make a lasting impact on the music industry. Keep an eye out for his upcoming projects—Jay Swishes is an artist you don’t want to miss.
PHOTO: THIRD PUPIL
elijah blake
A JOURNEY THROUGH MUSIC, CULTURE, AND SELF-DISCOVERY
By Nino Reyes
ELIJAH BLAKE IS more than just a name in the music industry—he's a multihyphenate whose talents span singing, songwriting, and producing. With two Grammy Awards to his name, Blake is celebrated as one of the industry's most prolific songwriters. His pen has crafted hits for some of the world's most iconic artists, including Usher, Rihanna, Alicia Keys, Justin Bieber, DIPLO, Mary J. Blige, Britney Spears, and many more. But behind the accolades and the music lies a story rich in culture, faith, and self-discovery.
Blake’s journey began long before he became a household name. Born in Santo Domingo, Dominican Republic, to Dominican and Haitian parents, Blake moved to Palm Beach County, Florida, at age five. His upbringing was deeply rooted in his Caribbean heritage, though it wasn't until later that he realized how much this background influenced his love for music. Growing up, Blake was surrounded by the sounds of Caribbean rhythms, the taste of platanos, griot, legumes, and the vibrant culture of his community. It was all he knew, and it became the foundation of his musical identity.
The name "Elijah" was given to him by his grandfather, a man of deep faith who believed that names held power. Coming from a super religious background, his grandfather saw a unique calling in Elijah that would draw people back to God. The biblical prophet Elijah, known for his unwavering faith and miraculous deeds, was a symbolic figure for Blake's journey. His grandfather's belief that Elijah had a different calling in life has guided his career, shaping his approach to music and storytelling.
Blake’s path to becoming a celebrated songwriter began with his love for poetry. He was always drawn to stories —both telling and hearing them. Whether it was observing conversations at a restaurant and imagining the dialogue or creating narratives in his mind, Blake's imagination was always at work. This passion for storytelling naturally translated into songwriting, where he discovered his ability to craft songs that resonated with listeners on a deep emotional level.
At just 15 years old, Blake’s songwriting talent caught the attention of Atlantic Records, leading to a production development deal. During this time, he moved to Atlanta and began working under the mentorship of Trey Songz, who was one of the first to recognize Blake’s potential within the music industry. The song "Jupiter Love," which Blake wrote for Trey Songz, became a turning point in his career. At a time when he was struggling financially, the opportunity to work with Songz was life-changing. This experience cemented his belief in his craft and opened the door to writing for other major artists.
One of Blake's most notable achievements was writing "No Love Allowed" for Rihanna. The process of writing for a global superstar like Rihanna felt like competing in the music Olympics, with high stakes and intense pressure. But Blake’s unique approach to songwriting, influenced by his Caribbean roots, set him apart. His timing, cadences, and sense of rhythm —often described by peers like Snoh Aalegra as distinctly Caribbean — became his signature style. It wasn’t until Aalegra pointed it out that Blake began to fully appreciate how his heritage shaped his musical instincts.
Blake believes that we are in the "Age of the Songwriter," a time when songwriters like Eric Bellinger, Victoria Monét, and Muni Long are stepping into the spotlight as rising stars. Having an all-access pass to the inner workings of the music industry has given Blake the insight needed to navigate both the creative and strategic aspects of his career. He no longer sees a separation between being an artist and a songwriter. Instead, he views them as interconnected, drawing inspiration from legends like Stevie Wonder, Lauryn Hill, and Bob Marley—artists who seamlessly blend storytelling and music.
His latest album, Elijah., is a deeply personal project that focuses on themes of pain, personal shame, and accountability. Blake describes the process of creating the album as a journey of self-discovery, where he spent eight months isolating himself to peel back the layers of his pain. The album reflects his commitment to making art with integrity, delving into his childhood struggles while his mother worked tirelessly to provide for him and his siblings.
For Elijah Blake, music transcends the boundaries of a mere career; it’s an expression of his soul, a conduit for his heritage, and a testament to his unwavering faith. Influenced by legendary artists like Mariah Carey, Prince, Stevie Wonder, Marvin Gaye, and Donny Hathaway, Blake channels their profound impact into his unique brand of storytelling. His songs are not just melodies—they are narratives that echo his experiences, struggles, and triumphs. Blake's journey from a young, imaginative poet in Florida to a Grammy-winning artist is a testament to the power of staying true to oneself.
His music reflects a deep connection to his Dominican and Haitian roots, an awareness of his spiritual purpose, and a commitment to creating art with integrity. As he continues to evolve as an artist, Blake remains dedicated to pushing the boundaries of his craft, inspiring others with his honesty and vulnerability. In a world where the music industry often prioritizes commercial success over authenticity, Elijah Blake stands as a beacon of what it means to create from the heart, proving that true artistry is not about following trends but about forging one's path with courage and conviction.
MEET THE BLACK DENTISTS MAKING THE WORLD A BRIGHTER PLACE ONE SMILE AT A TIME
By Nicholas Hernandez
Brandon Mack is a distinguished figure in dentistry, renowned for his innovative approach and passionate advocacy. A graduate of Xavier University of Louisiana and Louisiana State University School of Dentistry, Dr. Mack is a pioneer in integrating digital technology to enhance patient experience and treatment outcomes. His patients can even test out their new smile through the “Tooth Test Drive” before they decide to proceed with treatment.
Numerous negative experiences with veneer techs have sparked a national conversation on social media. Dr. Mack highlights how these issues disproportionately affect underrepresented communities.
“I think that the future of dentistry is bright,” Dr. Mack said. “Right now, we are in the midst of a revolution where the demand for dentistry is outrunning our technological advances and ability to provide solutions to the demand."
Rather than dwelling on these challenges, Dr. Mack draws motivation from them to address healthcare disparities, particularly in dental care. He is driven to develop innovative approaches that can bridge these gaps and provide effective and equitable solutions.
“I think in the next 10 years, we'll have the solution and we'll be pumping on it,” he says. “People's lives will be changed.”
DR. ERIK LIGANS
The cost of dental care in the U.S. is a growing concern for many. A 2024 study analyzed the cost of dental care among the G7 countries, which include Canada, the United Kingdom, France, Japan, Germany, and Italy. Unsurprisingly, the findings showed that dental care in the U.S. ranked as the most expensive, averaging $518 for treatments.
A graduate of Herman Ostrow School of Dentistry of USC, Dr. Erik Ligans balanced his studies with his passion for alleviating health disparities by providing healthcare to underserved communities through several volunteer opportunities with nonprofits, according to his website.
For the California native — who was born in Inglewood and raised in Chino Hills — that passion continued long after graduation. The skilled cosmetic and general dentist opened Playa District
Dental in the Westchester neighborhood of Los Angeles three years ago. Shortly after opening his facility in March 2021, he partnered with Physicians for a Healthy California, which provides patients universal health care to ensure low-income communities have access to quality care, especially in his facility that defies societal norms.
“I am paving the way for future dentists like myself,” Ligans said in a 2021 interview. “It’s important to me that I lead by example, which is why I’m so dedicated to giving back and serving the underserved.”
With basketball posters hung up, R&B music playing, and a neon sign that reads “Pulled up on Dr. E,” Dr. Ligans, often decked out in Jordan or stylish Nike shoes, prides himself on creating an environment that looks to break the stigma of routinely visiting a dentist.
DR. DE'QUINCY BINGHAM
Dr. De'Quincy Bingham, 33, recently shared his first implant surgery on Instagram and credited another Black dentist for the opportunity. This milestone came nearly two months after Dr. Bingham fulfilled a three-decade-long dream of becoming a dentist. In May, Dr. Bingham posted on social media, highlighting his accomplishment of graduating from Meharry Medical College’s School of Dentistry in Nashville, Tennessee.
In one social video posted to Instagram in May, Dr. Bingham, a member of Alpha Phi Alpha Fraternity Inc., the first intercollegiate Greek fraternity established for African-American men in 1906, highlighted several clips along his journey towards graduation. One clip featured a list of goals he set in 2017, with the final achievement being his education at Meharry Medical College School of Dentistry.
Now completed, the proud father joins the ranks of the 4% of Black Americans who have become dentists. With his passion and dedication, Dr. Bingham is poised to make a significant impact in dentistry and beyond, hopefully inspiring the next generation of Black dentists.
DR. JUSTIN NWOSU
Dr. Justin Nwosu has truly redefined what it means to be a dentist in the digital age. A recent graduate from Tufts University School of Dental Medicine, he has successfully built a significant online presence as a content creator across multiple social media platforms. With nearly 30,000 followers across his platforms and an impressive 300,000 video likes on TikTok alone, Dr. Nwosu has captured the attention of a broad audience interested in dental health and lifestyle. Candid posts allowed followers to peek behind the curtains of the life of a dental student and his journey towards graduation. One comment on a recent post reads, “I feel like I graduated with you.”
After graduation, Dr. Nwosu took to Instagram writing: “Graduation day was truly magical, a dream realized before my very eyes. Walking across that stage marked the culmination of years of relentless hard work and sacrifice. Leaving behind my role as a student and stepping into my new journey as a clinician filled me with immense pride and excitement. This new chapter holds endless possibilities, and I can’t wait to embrace them all.”
By Rafael Peña
There IS Church in the Wild
IN A WORLD where social circles aren’t as accepting of conversations on religion and faith, heaven and earth have nurtured and cultivated a warrior of God. For Lecrae Moore, 44, his sword is his pen, and his skill set has been battle-tested, earning him the accolades of “platinum-selling recording artist” and “multiple Grammy winner.” These are no small feats, especially considering that most artists we deem part of hip-hop’s elite have never even garnered that level of distinction.
Moore’s relevance in an industry where the lifespan of a music artist is often cut short is remarkable. It’s a wonder to witness how he continues to push forward when many artists with similar credentials
would have simply thrown in the towel. Yet, Moore continues to build an entertainment empire through praise and worship.
However, you don’t become a disciple without testimony. The past few years have been filled with lessons—balancing the pressures of fame and faith within the Christian community, coupled with the responsibilities of being a Black husband and father in America. Like many of us during hardship, he has questioned his faith and purpose, seeking comfort in all the wrong places. But by grace, along with acknowledgment of his mental health, he has persevered. Once again, the warrior has returned, and he’s ready to tell us why, like his single, he’s “Still Here.”
BLEU: You have a lot on your plate at the moment, and you’re still eating. How do you get yourself pumped and motivated to be on go time every morning, especially during press runs?
LECRAE: Man, I realize that if I don’t cultivate a habit of refreshing my mind and restoring my body, then I’m no good. So, typically, it’s like, let me listen to a podcast or a song or something that puts me in the right frame of mind before I start my day. And that’s what I did today—just to awaken the senses and be prepared to endure the day.
BLEU: And just what are you listening to these days? Who’s putting you in the right frame of mind?
LECRAE: Some younger artists … this guy named Jay Monty. I’ve been enjoying his music. I also like the sound of classic funk music. And then podcast-wise, I’ll save the stuff that is enjoyable or juicy for me, like a hip-hop podcast, for later in the day. Joe Budden or something similar. But in the morning, I may listen to something more spiritual, anything from Tony Evans to John Mark Comer.
BLEU: You have a little of everything in there, much like your life. You’re signed to your own label, Reach Records. You have your podcast, The Deep End with Lecrae, you’re co-owner of the B Side App, and then you have three beautiful children, your wife, and you have the nerve to drop a single, “Still Here.” How are you balancing it all?
LECRAE: [Laughs heartily] I don’t, that’s the thing. I think balance is ideal, but I strive for tension, healthy tension. Balance is the idea that you have it all [and are] juggling it well. I seek the stress and the tension; like, I may be stretched a little too far over here, so let me come back here. I will always find ways to incorporate valuable things. [For example] I want to be a visible voice and presence in the city. I want to entertain, and I want to work with other organizations, and I want to be connected with my family. Then let’s do something with the Atlanta Hawks or the Atlanta Dream, where I bring my family to the game. I may be doing some business to work out how to collaborate on merchandise or do a performance, but we all get to enjoy the game together. So, I try to incorporate all the worlds as best as possible, just to ensure I have a healthy tension.
BLEU: I hear you, but that time spent sounds a little Lecrae-centered … LECRAE: Ha!
BLEU: Coming from someone who has a wife, how do you balance being a present husband? I’m sure she loves going to the games and your shows, but what do you guys find to do together that doesn’t incorporate all your worlds?
LECRAE: Yeah. So, that’s the thing I learned is, you gotta prioritize, right? So, when it comes to life, if I’m talking to a newly married man, I’ll say the first thing you need to prioritize is yourself. That sounds selfish, but if you just stick with me, I’ll make it make sense. I’ll say if you’re not emotionally, spiritually, or mentally healthy, you’re no good for anybody else around you. So, prioritize your emotional, mental, and spiritual health so that you can be a good husband; then you can prioritize taking care of your wife right because she’s a part of you. So, making sure that y’all are on the same page.
Then, I was just blessed and fortunate that my wife happened to be an
avid sports fan—so we love sports together. It’s our thing. We went to the Olympics together; we go to our kids’ games together. We do sporting events in the city together. I just was extremely fortunate to have a wife like that. But then, if she was really into ballet, I would become a ballet fan for the sake of getting quality time with her.
BLEU: Now, back to the spiritual part of who you are as a man. I’ve recently given my life to Christ, and in learning more about God, it has made me want to change some of the content I was consuming, especially when it came to music, which is how I ended up finding your podcast, The Deep End with Lecrae. What made you get into an oversaturated space and be so vulnerable with your content?
LECRAE: I would agree the podcast space can be very over saturated; however, I realize that I’m a hybrid. [Due to] the different worlds that I live in, I did not feel like there was a voice that was speaking to me. I felt like I had to compartmentalize myself to receive information. I’m a big hip-hop fan, so I can get adult contemporary perspectives on hiphop from Joe Budden or Charlamagne Tha God. I’m a thinker. I’m a thought leader. There may be some podcasts that stimulate my mind. I am a very faith-oriented person. It’s essential to my being. There may be podcasts that talk about that. I wasn’t finding that collective that could speak to all of those elements and speak to my faith. Me being a thinker who wants to process information and then being a product of hip-hop culture as an adult. So, I wanted to make something that spoke to all those versions of me. What does marriage look like, and how does my faith inform that? What does music look like? Does my faith inform that? What does business or finances look like? Let’s have a conversation in the dialogue in terms of what real life looks like when you’re navigating your faith. I just wanted to create something I didn’t have.
BLEU: I’m really glad you brought that up. At some point, the whole world knew exactly who Lecrae was. It seemed as if you and Drake were riding the same trajectory but in two different universes. How competitive are you, and was there a window where you could have gone fully secular?
LECRAE: To the competitive aspect of it, I think when I was younger, I had a chip on my shoulder, and I had something to prove. I think in this season of my life, a lot of my secret sauce is not my competitive edge. It’s my experience. So when I’m creating, experience becomes my weapon. I ask myself, how can I articulate my experience in music? I have nothing to prove at this point. Technically, yes, I always want to challenge myself to be as technically sharp as I can be as an artist. We’ve all heard of some of our favorite artists that just lose a step as they get older. I don’t wanna be that person.
As far as becoming a mainstream or secular artist, you know, I never saw a delineation. I didn’t see, like, I’m gonna go the gospel route, or I’m gonna go the mainstream route. I was just creating music. There were no lanes in my mind as I was recreating. I just kind of landed somewhere and was like, oh, okay, well, whatever. And then I broke some of those rules, and they said, ‘Hey, you can’t do that over here.’ And I was like, I never knew I was in this box. So, that was never really a thought for me. I never wished I could go secular. It was more so, I wanna talk about my faith, or maybe I’m gonna do a song with E-40 or Ty Dolla Sign. I’m just gonna do the music I wanna do, and it lands where it lands.
BLEU: What inspired the song “Still Here?”
LECRAE: I have a lot of content to draw from, from pretty much 2018 through 2021. Some of the darkest moments in my life are in that span of time. As far as writing, I can now write from the outside looking in. During that time period, I didn’t think I had the energy to even express the pain that I was going through, and I would journal a little bit. And what I [realized I] was dealing with was, I mean, some would say, a mid-life crisis. Others would say a nervous breakdown; some would say a faith crisis. I think all of them fit into that category. You know, my wife and I were having some very tough times, and it was like, man, do I even wanna still be in this relationship? God, do I still even believe that you’re real? I’m dealing with church hurt, relational issues, and I’m challenged to stay focused and still be present and be an executive and be a father. And I was like, I don’t have it. I just don’t have it. Thank God for therapy. Thank God for good friends. I had to get through some very tough times.
BLEU: So, does “Still Here” have a double meaning?
LECRAE: Yes, it absolutely does. On one end of the spectrum, it is very much, God, are you still here in the midst of all the trials and tribulations that I’m enduring? Then, on the other end of the spectrum, it’s saying, in light of the trials and tribulations that I have endured, I am still here, still pushing forward. And then there’s a bleed over of, why am I still here? Because God is.
When I’m writing music, I always wanna do what I call doublespeak, and that is, oftentimes, there’s a meaning within the meaning. There’s a surface level for one audience; they understand it. Then there’s another perspective that other people may understand, you know; in politics, they would say it’s “dog whistling.” You know what I mean? It’s kind of like, ‘Hey, what did he just say?’ Only the people who know know, but other people heard a completely different thing. But both of them are relevant and matter.
BLEU: Going back to that dark time/place in your life. At what moment did you hit rock bottom? What made you say, ‘Yo, I need to get help right now.’
LECRAE: I think there were a few moments. The way I would articulate it is like a glass of water with the napkin on top and someone putting a rubber band on that napkin. And over the course of my life, there have been little drops of water on top of that napkin. And I would ignore it, you know, ohh, man, I’m stressed out, some business situation—drop the water. Man, I’m getting persecuted and belittled—a drop of water. Man, I felt some microaggressions or racial tension—drop of water. Man, me and my wife are at odds, drop of water. And then I think I was masking it, or I was escaping this flimsy paper towel on top of my glass by drinking all the time. So alcohol became like a crutch. I don’t feel like dealing with this right now, so let me just drink. And so, the drinking became overwhelming till one day, I woke up, and that wet paper towel had just busted. And I woke up, hung over, [telling myself] let me shake this off—but I couldn’t shake it off. I was like, ‘What the heck is going on?’
I found out I was clinically depressed by the weight of everything. So many ruminating thoughts of, ‘Am I kinda dead? Have I done too much? What if this happens? What if I get divorced?’ I’m just constantly thinking of all these things. And I just broke, like, I’m at the worst. I can’t fix myself at this juncture. I’m grateful now because if I wouldn’t have been in that place, I would have just tried to keep pushing. But I couldn’t fix my brain, and I knew I needed help.
BLEU: Props to you for sharing that. There are a lot of
men who are going through the exact same thing but don’t know how to express it. At our age, we’ve been conditioned to believe that these kinds of emotions are weak. You’ve talked about your father’s absence on your podcast. How did that play out in your healing?
LECRAE: The funny thing about it was I had all these coping mechanisms from my dad not being there until I went to therapy. So, as a kid, I didn’t know I was sad or that I was hurt. I felt it, but I could not pinpoint my actions to that hurt. I wanted to be loved and accepted because I felt like he rejected me. And so, a lot of times, I found myself in the arms of a woman to show me how valuable I am, that I’m worth something. I became addicted to just that feeling of someone saying you’re valuable. But we’ve all been in relationships where, after a while, that enchantment stage goes away, and then I’ll jump into another one, and I became a serial monogamist. Chasing that feeling of enchantment of somebody saying you matter. I was just an objectifier. I’m not gonna wanna stay with you long term cause I just want you for your body and for you to tell me I’m the most amazing person in the world. That takes a toll on you, and then you just start living a lifestyle that is out of control because you don’t know what it means to be a stable man. That’s where a lot of the drugs and the drinking and the chaos came into play.
After meeting the Lord and just finding a sense of peace and wholeness, I had a sense of purpose. I also had a reason to live other than objectifying women and getting high and so on and so forth. I just had to grow in that process. I probably became hyper-vigilant in trying to be the father that I never had. To the degree where I may be smothering my kids, I may be overbearing because I’m so fearful of them feeling the feelings I felt. ‘Hey, where you going? Did you call? Did you do this? What’s going on? What’s up? Are we hanging out? Hey, we need to do dinner at the same time every night.’ I had to tell myself, ‘Yo, chill bro,’ they’re not going to be you. Your lives are way different. So, the good part is I’m very intentional. I’m always trying to create moments of family time. We do regularly scheduled things. We watch movies together, and we have heavy conversations. I share my life with them. The tough part is I’m not perfect, so I’m gonna overcompensate for my struggles and my fears. I have to fight the fear that rises up in me that my kids will have the same issues. I had to not be overbearing.
BLEU: Yeah, our generation had to learn to forgive the previous generation to get ourselves right. I’d like to end on a hypothetical. Let’s say there was a Lecrae’s State of the Union address, and you have the ability to be on everyone’s TVs and phones all at once for one minute—what do you say specifically to Black men in that minute?
LECRAE: I would say it’s a misnomer that we’re not trying, and we’re not present. That we are pushing back on that stigma, but in pushing back on that, we have to remind ourselves that we’re fighting an uphill battle. We’ve got to recognize that we’re part of the 1%. You talk about black Africans being taken from the continent, the diaspora, being tortured, beaten, and emasculated—and we’re still here. We are still here. You gotta give yourself some credit for enduring that diasporic journey. We’re doing therapy; we’re doing counseling; we’re pouring into our kids and trying to be present fathers and husbands. And we must continue doing this so that our ceiling is someone else’s floor. We’re not gonna get all the credit for the hard work or all the labor. But to thrive right now, be gracious with yourself because it is going to be a battle, but it’s a battle worth fighting. So keep on pushing.
" THE FIRST THING YOU NEED TO PRIORITIZE IS YOURSELF. "
THE RISING TIDE OF FEAR AND CONTAMINATION
ON A SCORCHING summer day in New York City, the sight of children frolicking in the spray of a city fire hydrant brings back a flood of memories as a Queens, NY-born kid. This impromptu urban water park has been a quintessential part of the city's tapestry for decades. Yet, as temperatures soar across the United States, the oncereliable gush of hydrant water feels like a mirage in a desert of growing water insecurity.
Water has always symbolized life, purity, and refreshment. It's no wonder that in sports, "water breaks" are sacrosanct, moments when athletes can replenish and recharge. Water should be the drink of champions, a trusted companion in our daily lives. However, the very resource that is supposed to sustain us is becoming increasingly unreliable and unsafe.
Consider Flint, Michigan, where the water crisis has become a haunting symbol of neglect and betrayal. In 2014, residents discovered that their tap water was contaminated with lead, a hazardous substance that poses severe health risks, particularly to children. The Flint water crisis exposed the cracks in our nation's infrastructure, highlighting a painful reality: safe drinking water is not guaranteed, even in one of the world's most developed countries.
By Evan Majors
The crisis in Flint is not an isolated incident. Across the United States, tap water in many major cities and states fails to meet health standards. Millions of Americans are at risk, from the rusty pipes of Pittsburgh to the corroded infrastructure of Newark, New Jersey.
The Environmental Working Group (EWG) found that contaminants linked to cancer, brain damage, and other serious health problems are present in the water supplies of all 50 states.
Water woes extend beyond health concerns to environmental ramifications. Contaminated water threatens human lives, disrupts ecosystems, poisons wildlife, and diminishes biodiversity. The degradation of our water resources is a silent assault on our environment, demanding urgent attention.
In 2024, the U.S. Food & Drug Administration (FDA) recalled 1.9 million Fiji Natural Artesian Water bottles due to bacterial contamination. The irony is palpable. Fiji Water, marketed as the epitome of pristine hydration, became a symbol of how even the most trusted brands are not immune to the vulnerabilities of our water systems. This recall is a stark reminder that water, the elixir of life, is under siege.
Pop culture has long celebrated water's significance. From the iconic scene in "The Shape of Water" to the underwater adventures in "Aquaman," water has been depicted as a source of mystery, beauty, and life. Yet, the reality we face is far less glamorous. As climate change accelerates, the challenges to our water supply become more acute. Droughts are becoming more frequent and severe, reservoirs are drying up, and water scarcity is a growing threat.
The summer of 2024 shattered temperature records across the United States, turning the quest for hydration into a daily struggle. In the sweltering heat, quenching one's thirst becomes a fundamental right, not just a privilege. Our bodies, composed of seventy percent water, cry out for this basic necessity. Yet, access to clean, safe water is becoming a luxury many cannot afford.
The battle for water security is multifaceted. Infrastructure investments are required to replace aging pipes and ensure safe delivery systems. Stringent regulations are needed to protect our water sources from industrial pollution and agricultural runoff. A collective effort to mitigate climate change, which exacerbates water scarcity and threatens the stability of our ecosystems, is also called for.
As we reflect on the past and future, we must recognize that water is not just a commodity but a lifeline. The imagery of neighborhood kids playing in the hydrant's spray is a nostalgic reminder of a time when water was abundant and safe. Today, that image is clouded by uncertainty and distrust.
We must act with urgency to safeguard this precious resource. Water is the world's most essential resource for life and health. Ensuring its purity and availability is a public health priority and a moral imperative. Use stainless steel or glass containers to avoid chemicals from plastics. Install water filters in your homes and educate yourself about the contaminants in your local water supply. Most importantly, hold your elected officials accountable. Call or write your local senators and demand action for safer water regulations and investments in infrastructure.
Let us not take for granted the water we once knew. Instead, let us fight for a future where every drop is as pure and reliable as it should be, preserving this vital resource for generations to come because, at this rate, the resource that is supposed to purify our bodies is causing significant harm.
HOW THIS INTROVERTED ARTIST BECAME AN LGBT NIGHTLIFE ICON
By Kirby Carroll
Brandon Anthony
BRANDON ANTHONY HAS made a name for himself in Los Angeles and beyond as a respected producer, event curator, and networking guru. As owner of BBE Group LA (Bash LA) and Executive Director of LA Black Pride, he’s curated events with some of the culture’s biggest stars and played a key role in fostering a nightlife community. Despite his role as the life of the party, Brandon is actually an introvert raised by his grandmother, who feels very blessed to do what he does—yet he realizes it’s still work. Check out Bleu Magazine’s exclusive conversation with the multi-hyphenated creative below to learn more.
BLEU: Let’s start off with introductions. For people who aren’t familiar with you, tell me a little bit about yourself.
Anthony: Well, I graduated from Columbia with a BFA in acting. Then, I decided to move to Los Angeles. From there, I spent several years auditioning and realized I needed to find a way to make money (laughs). So, as a hobby, I started throwing parties, which eventually evolved into a business due to the success I was bringing to both the city and myself. This led to the creation of Bash LA, a live production and event company based in Los Angeles. Also, about ten years ago, I became the Executive Director of Los Angeles Black Pride. Since then, I’ve been curating some of the hottest and most significant Black queer parties on the West Coast and in other partner cities.
BLEU: That’s amazing. Have you always been a dotconnector? Talk to me about your networking style.
Anthony: No, I was never really that. I describe myself as an extroverted introvert. I've always been the one to showcase my personality on stage. But I was never the person who wanted to be hospitable until I moved to LA and realized I had built a network through my involvement in various subcultures and communities— from ballroom to my experiences living in Atlanta. It all just happened organically because of the many different people I knew and the diverse spaces I was part of.
BLEU: But when did the idea actually spark? Was there an experience or conversation that made you realize there was a need for Bash LA?
Anthony: Absolutely. When I moved to LA, there were no events specifically for Black queer people. They had a few clubs that played some hip-hop music, but as I looked around, there were no people like me. Coming from New Orleans and having lived in Atlanta for a couple of years, it was a cultural shock. In my first year here, back in 2009, I noticed there were no spaces playing hip-hop music
where the crowd and attendees looked like me. There were plenty of Latino and white communities dancing and listening to hiphop, but it felt odd that we were partying in spaces that didn’t cater to us. That realization gave me the encouragement to try creating something new. I thought, "You know what? I’m going to give this a shot because at least I’ll be doing something that's not being done." So, I decided to go for it and see how it goes.
BLEU: That’s interesting. So, out of curiosity, what do you enjoy more, being on camera or behind the scenes?
Anthony: Being on camera. It allows me to live other people's lives and take a break from my own personal business and issues. When it comes to being hospitable, I prefer to stay behind the scenes. As an extroverted introvert, it takes a lot of my energy to be the go-to person who always has to smile and be present for everyone. I like being on camera because it creates a fourth wall that keeps me from being too involved with too many people. So, it's a mix of both, but I do enjoy being in front of the camera more.
BLEU: Some people love being in the limelight and growing their social presence, but I’ve also met others who are like, “I just do it for the art.” Can you talk to those people? What’s a networking tip you’d share?
Anthony: I think that oftentimes, we are always in our heads, making sure that we are saying the right things, looking the right way, and doing the right things. I think it's very important that we just show up as ourselves. That's important consistently because that's the only way you'll be able to really gauge your audience and the people who really respect you and see you based on being yourself authentically. I always say sometimes stuff doesn't stick on the wall. You know what I mean? You're not for everybody. And once you realize that and accept that, you are able to kind of move in this world freely.
BLEU: Tell me about the moment when you knew you were following your dreams and had made the right decision.
Anthony: I'm still juggling the intersection of nightlife and acting. I am still passionate about acting, but I think what made me realize I was entering my calling was when I started receiving so many DMs and messages from people. They were seeking me out to create spaces where they could truly be themselves, realize it was okay to be gay, meet their lovers, and things like that. It made me realize that my calling was bigger than me. It was at that moment I thought, "Wow, okay, this is something I am clearly gifted at," you know? Providing spaces, being personable with people, and making them feel welcome and appreciated. When I realized how important it was for the smaller voices to be heard, that's when I knew I was stepping into my calling.
BLEU: Okay, let’s switch gears a bit. How did LA Black Pride happen? What’s that experience been like?
Anthony: What happened was I was throwing all the parties around the city, and the board realized that I had significant reach and attention in the city. So, it started as a partnership where I handled the nightlife aspects—parties, events, hosting, and booking celebrities— while the organization focused more on community engagement. Over time, as the board members started to step back, I gradually took on more responsibility. This is our 37th year, and I’ve been able to give it a bit of a facelift.
BLEU: It sounds like you’re living for your purpose. But was there ever a time you questioned this path? Can you walk me through that thought process?
Anthony: Yeah, yeah. There have been a few times in the nightlife space where I've felt challenged because, one, I am truly an introvert. When people see me at my events, they don’t understand that. It’s like I’m a battery, and once I drain that battery, I have to go back into my corner and regroup. I always tell my friends that I never asked to be in this position; I was given it by the grace of God. But I always wanted to make sure that I remained myself.
Sometimes, people have this perception of me because of what I do and how I am on stage and at my events. They don't realize that’s more of a character. When I am myself, people get taken aback, thinking I'm rude or standoffish. It's not that; it's just that this is work for me at this point. I love my work, but I'm getting older now. I can't even muster the energy I had back in my 20s. Many people who started with me have become successful in their craft, and I don’t see them as often. Now, there's a new group of young people at my parties who don’t know me, which has been a challenge for me.
And lastly, I love hip-hop music, but it’s not my go-to. My favorite genres are neo-soul and R&B. When I hear all these new artists, I feel out of touch. So, I've been asking myself if it’s time to transition into something else because I don’t have the bandwidth to stay on top of what’s new in the hip-hop world or on social media. As you get older,
you don’t want to be keeping up with the latest hip-hop artists when you don’t care outside of work.
That's been the most challenging part for me, and maybe it’s time to pass the torch. I now have a team of seven young, energetic individuals who love being there, and I’m putting them in positions to pass the torch. But I don’t want to be 40 years old at the club.
BLEU: I love having these elite conversations. But I also like hearing about the “wow moments.” When did you know your career was moving in the right direction? Anthony: Yeah, I had two experiences that come to mind. One is I had the opportunity to curate an installation for Cardi B's Whipshots two years ago. And I didn’t have to pay for her, so that was an even bigger moment for me. I've always been a Cardi B fan since her little hip-hop days, and I remember getting the phone call saying that she was interested in hosting an event and they wanted us to curate it for her. I've always been a supporter of her on social media, and I’ve wanted to know if she was that way in person. When I met her, she was super sweet. I was kind of starstruck, but because of her personality, she eased me a little bit. I thought, “Okay, she's a human being, it's fine.”
The second time was when I was hosting my event, Legacy, which is the longest-running Black queer party on the West Coast in West Hollywood. We've been doing it for 11 years now. I had a friend of mine say, "Hey, I'm bringing Megan Thee Stallion with me." She had some friends with her, and this was when we closed the club at 2 a.m. He called me at 1 a.m., and I was like, "Okay, when are you going to get here?" He was like, "We're on the way. We're trying to get her together." I said, "Okay, cool." Anyway, I had no idea that Megan Thee Stallion was bringing Jasmine Sullivan and JT. At 1:30, when we were closing the doors, I begged the owners, "Please, this is going to be a moment." And yes, it went fully viral. It was just so amazing to see three amazing acts in one space and to see the crowd's response. It was one of those things where I had to pat myself on the back because I was really connected in the scene, curating three huge artists and having this moment that went viral. It was amazing.
BLEU: That’s a nice way to tie things up! So, what’s next on your journey?
Anthony: What's next on my journey is to step more into a producer role, focusing on events as well as television and film. Just as it was important for me to create spaces for Black queer people, I also believe it's crucial as a Black queer actor to tell the stories of Black queer people through film and television. So the next step for me is to really hyper-focus on producing Black queer content, whether it's for TV, music, or movies. My goal is to start telling the stories of Black, queer, and trans people from a media lens. What made me really think about this was when I watched Noah's Ark and saw Black queer people telling their stories. As I got older, I realized, "Oh, this is my life." I saw myself reflected in that show, and it made me understand how important it was. Now, as I’ve gotten older, I feel like it's a natural progression to merge my two professions—acting and entertainment with nightlife. It feels like it's the obvious next step for me.
AFROPUNK and BRIC
A CELEBRATION OF THE BLACK DIASPORA IN NYC FEATURING
ERYKAH BADU.
By Nino Reyes
PROSPECT PARK WAS revitalized by AFROPUNK and BRIC Celebrate Brooklyn! into a thriving center of the arts, culture, and community. People from all walks of life came together to honor Black artistry, independence, and unity as a collective. The park was a hive of activity as soon as the gates opened, with people enjoying the unique programming and captivating acts that characterized the two days of this remarkable event.
Amari Marshall started the celebration with a contagious energy that instantly set the tone for the day's events. She immediately got the audience excited about the amazing events in store for them with her captivating demeanor.
A standout highlight of the day was the "Big Ass Kids" showcase, which was a part of AFROPUNK's famed Battle of the Bands. On the main stage, this platform gave up-and-coming performers a chance to shine, as demonstrated by the incredible performances of Student 1, Ose, Lara, Ferrari$moke, Pilot Jonezz, The Arti$t, My Friend Shawn, and Trust Nobody. All of these performers put on incredible performances, showcasing their potential as rising stars in the future.
Bold self-expression has always been encouraged at AFROPUNK, and this year's event was no different. The attendees turned attention to their bold, imaginative ensembles that honored uniqueness, showcasing some truly amazing fashion.
A pop-up ballroom fight featuring the illustrious House of Juicy Couture, presented in collaboration with FightClubNYC, took the evening's activities in an unexpected direction as the sun started to drop. This dynamic display was a component of AFROPUNK's "Black People Do" series, which celebrates the variety of ways that Black identity is expressed. The ballroom combat embodied the inclusive
ethos that AFROPUNK promotes and was a lively show that drew enormous numbers.
When Brazilian powerhouse Larissa Luz took the stage, the live music kept the area ablaze. Her performance embodied the spirit of AFROPUNK's aim to honor and elevate the voices of the African diaspora with a captivating fusion of rhythm, energy, and emotion.
The excitement for the evening's main attraction grew as the night came to an end. During the first night of her Ba-Deux set, Erykah Badu, one of the most recognizable voices in soul music, took the stage. Badu captivated the crowd with her soulful presence and classic tunes like "On & On" during her astounding performance that concluded the first day with a lasting impression.
Day two of AFROPUNK was equally amazing as the event carried on its celebration of Black music, culture, and community. The legendary DJ Moma of New York City maintained the excitement level with a performance that was a perfect fit for the wide variety of music offered that day.
Durand Bernarr's victorious comeback to the AFROPUNK main stage was easily the highlight of the day. The audience was left in amazement and ecstatic by his electric set, which was a masterclass in stage presence and vocal talent.
Erykah Badu made her way back to the stage for her second night of the Ba-Deux set as the weekend was coming to an end. She enthralled the audience once more with her ageless songs and unparalleled stage presence. When Badu brought Durand Bernarr back to the stage to sing backup vocals for her hit songs, the event took a lovely turn. It was an appropriate way to cap off a weekend that honored the diversity of Black creativity, culture, union, and community.
Special guests like Nick Arrington, Shameik Moore, Thundercat, and Tierra Whack made appearances throughout the weekend, each bringing their own flair to the celebrations. AFROPUNK 2024 was an unforgettable tribute to Black expression, creativity, and unity, leaving an indelible mark on all who experienced it. It was more than just an event; it was a movement!
MARQUELLE TURNER-GILCHRIST
THE ARTISTIC JOURNEY OF THE NEW STEREOTYPE: STORIES
By Dr. Dominique M. Carson
GLOBAL FASHION INFLUENCER
Marquelle Turner-Gilchrist calls himself a "goal digger" because he is highly motivated and ambitious. He pursues his dreams with hard work and determination, and his diligence and drive have made his success relentless. The New Stereotype: STORIES is a year-long story-telling journey that celebrates the lives of Black men and women in their truest and most authentic form. The result: an engaging coffee table book featuring more than 50 people across 26 original fashion editorials shot in New York City, Chicago, and Los Angeles.
"Using photography and fashion to tell stories has been one of the greatest privileges of my life, and I am grateful for the platform and the ability to share it with others," said Turner-Gilchrist. The North Carolina native says fashion and style have allowed him to escape his shell without saying much to others. Turner-Gilchrist grew up in a single-parent household in an impoverished rural town but discovered the importance of earning a dollar and masking his poverty at fourteen.
Turner-Gilchrist was also influenced by the tragic events surrounding Mike Brown. The New Stereotypes was used as a response and declaration for the media overlooking Brown's humanity and avoidance of justice. The reporters were only talking about his background, how he behaved at school and what he did in a grocery store. Turner-Gilchrist pondered on what these things had to do with his murder, and he didn't understand why they were being conflated, but from the news segment, he had an opportunity to be an activist. "I never really thought of myself as an activist, but there are so many different forms of resistance. Music, dance, and fashion can all be forms of resistance, so I wanted to combine two things I know well: being a Black man in the United States and fashion. That’s how we created the digital photo series,” said Turner-Gilchrist. For the series, Turner-Gilchrist and seven other men completed a photo shoot on
Wall Street and wanted to find a unique place where people don't think about black people. They decided to name it "The New Stereotype" because it's essentially a play on words, and in his eyes, stereotypes should not exist. "Stereotypes shouldn’t exist because they limit people, preventing them from having individual expressions and identities; we all should be allowed to have our own story,” said Turner-Gilchrist. “That’s how the project started. We launched it in NYC, and then people reached out to me and created their own versions in London, Dallas, Charlotte, Atlanta, Birmingham, and DC.”
While living abroad, he paused the project, but upon his return, Turner-Gilchrist was ready to take The New Stereotype to another level. He collaborated with Olushola Bashorun, Wendy Oduor, and Fred Sands IV to complete The New Stereotype: STORIES in 2021, transforming TNS from a digital photo series into a 447-page coffee table book.
“In the book, people are shown in monochromatic themes with two purposes. The first is to play on the term ‘colored’ because, as you know, there was a time when Black people were referred to as ‘colored’ in the US. This approach reclaims the power of color, emphasizing that all shades of our skin are beautiful. The contrast and originality of each editorial create visually impactful images and storytelling moments,” said Turner-Gilchrist. “The second idea is that some people share the same or similar color-theme within their editorial. This highlights how, even with the same skin tone, we should be allowed to express ourselves in unique, nuanced ways. I believe Black people should be allowed to do anything they want.”
Overall, Turner-Gilchrist empowers people to share their stories because their truth is valid, and everyone should be allowed their individual experience and identity. He says the two worst things you can do to someone are to take away their voice—their ability to express themselves—and to take away the pen they use to become the author
" Whatever your identity is, it should be allowed in the room."
of their life journey. He says there are two worst things you can do to someone: remove their voice and the pen so they can’t write their own story. Turner-Gilchrist also believes people should narrate their stories or have their voices at a volume that makes sense daily because everyone's voice is different. “Every truth comes from a source that deserves to be heard, you know, and I want to make sure that within my power, my creativity, my community, and anyone who engages with the book, they continue to believe in that message,” said Turner-Gilchrist. “But also, I want them to have the strength to tell their story, even when their voice shakes”. Turner-Gilchrist and his business partners officially launched the book in November of last year in Manhattan, gathering a community of over 200 friends, supporters, and family members. Now an LA resident, Turner- Gilchrist brought the launch to the City of Angels this February. He says that everything is on the table, from film and television adaptations to exploring a second volume of the book. For the fashion influencer, it’s imperative that people have a book they can touch and feel 20 to 30 years from now,
one that highlights and honors Black beauty. “There will always be an audience, a need, and a desire to put this kind of work into the world,” said Turner-Gilchrist. Turner-Gilchrist continues to spread the mission for The New Stereotype by completing a launch event in Manhattan last fall and embracing the sense of community, although he has been living in Los Angeles for two years. He also had the opportunity to connect with people who helped propel the project. Turner-Gilchrist also introduced the project to an LA audience in February, but he says everything is on the table; everything is an option, including film and television or exploring the book's second volume. It's imperative for the fashion influencer that people have a book they can touch and feel 20-30 years from now while highlighting and honoring black beauty. Turner-Gilchrist says all topics are ever-present and will continue to explore them.
"There will always be an audience, a need and a desire to put this kind of work into the world, despite the format we ultimately decided to use," said Turner-Gilchrist.
Asante Blackk
Jalen Suggs
Latimore
Jordan Fisher
NLE Choppa
Vince Carter
Tank
Nelly
Omari Hardwick
Idris Elba
Johnson
Method Man
Shemar Moore
Will Smith
LL Cool J
Gary Dourdan
Hill Harper
Dr. Dre
Kravitz
DJ MISTER CEE s synonymous with helping to shape the sound of East Coast hip-hop during one of its most pivotal periods. In the 1990s, before music streaming services and social media, radio was king as far as how listeners consumed music, and Mister Cee was one of the premier DJs on the airwaves. Nicknamed “The Finisher,” Mister Cee built up his reputation and his following by being a force on the turntables and fondness for introducing his audience to new music. Throughout his career, he is credited for being influential in the careers of many of the big names in hip-hop, including 50 Cent, Fetty Wap, Alicia Keys, and Jay Z.
EARLY LIFE AND CAREER
DJ Mister Cee was born Calvin Lebrun on August 17, 1966, in Brooklyn, New York, a place with deep roots in the fabric of hiphop culture. Growing up in the infamous Bed-Stuy neighborhood
WORKING WITH BIGGIE
Mister Cee's most significant contribution to the hip-hop world was discovering The Notorious B.I.G., aka Biggie. After being introduced to Biggie by a friend and fellow D.J. named 50 Grand, Cee soon became an early advocate and producer for the upcoming rhyme slinger. Mister Cee helped Biggie produce his first demo tape, which ultimately led to his signing with Bad Boy Records. Cee became the associate executive producer for Biggie’s debut album “Ready to Die” in 1994. The classic album was a turning point in hip-hop, and Mister Cee’s influence is embedded in its creation.
RADIO CAREER
DJ Mister Cee’s influence also extends into the airwaves, where he has had a decorated career as a radio D.J. for decades. In the 1990s, he joined Hot 97, one of the most influential hip-hop stations in the
RECORDING STUDIOS
F i r e h o u s e Sdutsoi •CYN •dnuoSediStsaE dnomaiD eniM soidutS •soidutSyawbuD• Nlo a Roce r d i n g S tudios
etelpmoC cisuM soidutS soidutSydaLcirtcelE• • Atavra S t du i o s
soidutS
First 1/2 of 2024 in #'s
GOLD
Women’s Basketball
Women’s Cycling Track (Omnium)
Women’s Track & Field (100m Hurdles)
Women’s Track & Field (4x400m Relay)
Men’s Track & Field (4x400m Relay)
Men’s Basketball
Women’s Soccer
Women’s Weightlifing (71kg/156 lbs)
Men’s Track & Field (400m Hurdles)
Women’s Track & Field (4x100m Relay)
Men’s Track & Field (110m Hurdles)
Women’s Track & Field (400m Hurdles)
Women’s Track & Field (Long Jump)
Women’s Wrestling (50kg Freestyle)
Men’s Track & Field (400m)
Women’s Cycling (Team Pursuit)
Women’s Wrestling (68kg Freestyle)
Men’s Track & Field (1500m)
Women’s Track & Field (200m)
Women’s Surfing
Women’s Track & Field (Discuss Throw)
Men’s Track & Field (100m)
Women’s Swimming (4x100m Medley Relay)
Men’s Swimming (1500m Freestyle)
Men’s Golf (Individual)
Women’s Cycling (Road Race)
Mixed Swimming (4x100m Relay)
Women’s Swimming (800m Freestyle)
Men’s Track & Field (Shotput)
Men’s Shooting (Skeet)
Women’s Gymnastics (Vault)
Women’s Fencing (Team Foil)
Women’s Swimming (200M Breaststroke)
Women’s Gymnastics (All-Around)
Men’s Rowing (Four)
Women’s Swimming (1500m)
Women’s Gymnastics (Team)
Women’s Fencing (Individual Foil)
Women’s Swimming (100m Butterfly)
Men’s Swimming (4x100m Freestyle)
SILVER
Women’s Wrestling (76kg Freestyle)
Women’s Volleyball
Women’s Sport Climbing (Boulder & Lead)
Men’s Track & Field (High Jump)
Women’s Canoe Sprint (Canoe Single 200m)
Men’s Wrestling (57kg)
Men’s Track & Field (200m)
Men’s Track & Field (110m Hurdles)
Women’s Track & Field (400m Hurdles)
Women’s Track & Field (Pole Vault)
Men’s Track & Field (3000m Steeplechase)
Men’s Skateboarding (Park)
Mixed Swimming (Artistic)
Women’s Track & Field (Hammer Throw)
Men’s Track & Field (Pole Vault)
Mixed Triathlon (Relay)
Mixed Shooting (Team Skeet)
Women’s Gymnastics (Floor Exercise)
Men’s Swimming (4x100m Medley Relay)
Men’s Archery (Individual)
Women’s Track & Field (100m)
Mixed Track & Field (4x400m Relay)
Men’s Track & Field (Shotput)
Women’s Swimming (200m Individual Medley)
Men’s Shooting (Skeet)
Men’s Tennis (Doubles)
Women’s Swimming (200m Backstroke)
Women’s Shooting (50m Rifle)
Mixed Equestrian (Team Jumping)
Women’s Swimming (4x200m Freestyle Relay)
Women’s Swimming (200m Butterfly)
Women’s Swimming (100m Freestyle)
Women’s Cycling (BMX Freestyle)
Men’s Swimming (800m Freestyle)
Men’s Swimming (4x200m Freestyle Relay)
Women’s Swimming (100m Backstroke)
Women’s Swimming (400m Individual Relay)
Men’s Skateboarding (Street)
Men’s Swimming (100m Breaststroke)
Women’s Fencing (Individual Foil)
Women’s Swimming (100m Butterfly)
Women’s Cycling (Mountain Biking)
Women’s Swimming (4x100m Freestyle)
Women’s Diving (Springboard 3m Synchronized)
BRONZE
Men’s Water Polo
Men’s Wrestling (74kg Freestyle)
Men’s Breaking (B-Boys)
Men’s Track & Field (5000m)
Women’s Wrestling (57kg Freestyle)
Men’s Wrestling (86kg/189 lbs)
Men’s Track & Field (5000m)
Women’s Wrestling (57kg Freestyle)
Men’s Wrestling (86kg/189 lbs)
Men’s Volleyball
Women’s Taekwondo (67kg/148 lbs)
Men’s Track & Field (200m)
Women’s Track & Field (Long Jump)
Men’s Sports Climbing (Speed)
Men’s Weightli f ing (61kg)
Men’s Boxing (Welterweight 71kg)
Men’s Track & Field (1500m)
Women’s Track & Field (200m)
Women’s Basketball (3x3)
Men’s Track & Field (100m)
Women’s Shooting (Skeet)
Women’s Gymnastics (Uneven Bars)
Women’s Track & Field (Triple Jump)
Women’s Track & Field (100m)
Women’s Swimming (800m Freestyle)
Men’s Gymnastics (Pommel Horse)
Women’s Gymnastics (Vault)
Men’s Tennis (Doubles)
Men’s Rowing (Eight)
Men’s Track & Field (10,000m)
Men’s Sailing (Skiff)
Mixed Archery (Team)
Women’s Gymnastics (All-Around)
Women’s Canoeing (Slalom)
Women’s Swimming (100m Backstroke)
Women’s Rugby
Men’s Fencing (Individual Foil)
Men’s Swimming (100 Backstroke)
Men’s Swimming (200m Freestyle)
Women’s Swimming (400m Individual Medley)
Men’s Gymnastics (Team)
Men’s Skateboarding (Street)
Men’s Swimming (400m Individual Medley)
Women’s Swimming (400m Freestyle)
Women’s Cycling (Individual Time Trial)
Congratulations to all our athletes who participated in the Olympic Games. Your dedication and achievements inspire us all. We can’t wait to see you in LA 2028!
