BI KER M OVI E REVI EW
The iconic 1966 film featuring Peter Fonda, Nancy Sinatra, and a cast of hundreds, is one of the most well-known biker exploitation films ever produced. In this classic film the “Angels” a California Motorcycle Club, travel across the state to retrieve a stolen motorcycle belonging to one of the clubs members “the Loser.” Heavenly Blues (Fonda) is the charismatic club president. At times he seems to have to ‘baby-sit’ his troop of fun-loving boozers and druggies. This one is a favorite of mine, because the producers actually used real Harley-Davidson ‘choppers’ and actually cast some of the real members of the Hell’s Angels. In short, it is one of those films that give bikers in general a ‘bad’ name, but those of us who really know the true way of the biker lifestyle will find it entertaining, and at times hilarious. The Angels ride through the desert to Mecca, California to look for the Loser’s stolen motorcycle. They accuse a group of Mexicans in a repair shop of stealing the motorcycle when the Loser finds his brake pedal on a workbench. After some mild insults and accusations naturally, a fight breaks out in the shop and the ‘taco benders’ as Fonda calls them wind up on the losing end. The police arrive, chasing the Angels on foot, and the Loser escapes
on a parked police motorcycle. After a chase on mountain roads, one of the officers shoots the Loser in the back, and he later ends in a local hospital. Blues leads a small group of Angels to rescue the Loser and they subsequently “bust him out” of the hospital. In the melee a nurse is accosted by one of the Angels who knocks her out to keep the cops from discovering their presence in the hospital. The nurse later identifies Blues as one of the men she saw however; the audience knows that it was thanks to Blues’ intervention the assault stopped short of rape. Blues rebukes the member just before the cops notice their ‘suspect’ is gone. Later, the Loser dies at the Angels’ local watering hole from his injuries. The Angels move his body to an undertaker’s office-he demands cash “plus tax.” Using a forged death certificate the Angels arrange a funeral at a tiny church in the Loser’s rural hometown. During the service, Blues steps up to the minister and says those famous words “We just want to be free. Free to ride our machines without a hassle from the man. …” But when Blues says they just want to have fun, the Angels turn the service into a major party. The Angels remove the Loser from his Nazi flag-draped casket, sit him up and place a joint in his mouth. Meanwhile they also knock out the minister, tie him up and place him in the casket. Later, the Angels proceed to the Sequoia Grove cemetery to bury the Loser. The procession of noisy bikers gets the attention of the locals, who all gather to see the spectacle. One of the local kids throws a rock at the Angels and naturally yet another fight breaks out. This interruption prevents burying the Loser, and as police sirens wail in the background everyone scatters. One of the members begs Blues to go, but he refuses and tells his girl to leave with another member of the gang. This is where the other most remembered phrase comes in, as Blues sighs “there’s nowhere to go.” The last of the group leaves and Blues picks up a shovel and returns to the grave to bury the Loser. Just as I was going to call all my boozing buddies over to watch this flick once again, a knock came at the door. I opened it to see a mailman with an overnight package. I signed for it and opened it up, expecting something good. It was just a DVD and a note from the editor of this magazine demanding an immediate review of The Twilight Zone Episode #138 from 1964. This was disappointing news. In this short film a group of ‘bikers’ if you want to call them that are actually aliens from another planet sent to earth to infiltrate a small town. The local folks actually become fond of this odd cast, and befriend them. Little did they know the space-bikers were there to poison their water supply! I dunno … I suppose that it was getting late and I drifted off to sleep somewhere after the giant eyeball in the 1950s TV screen requested them to continue with the plan of destruction. This particular episode albeit cute, doesn’t really rate very high up there in the ‘biker exploitation’ world. I guess that’s just because it only exists in The Twilight Zone.
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THE PHANTOM MOVIE REVIEW
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