Martial Arts Magazine Budo International 508 – December – 2024
In a street fight the confrontation almost always takes place at close range, Trapping, the most dangerous and effective distance in combat, where we fight body to body and there is constant contact between our arms and those of our opponent. In the OLIVA Combat System (O.C.S.), the movements are fluid, not prescribed and the position of the legs is constantly changing freely. The objective is to confront and overcome all the difficulties and obstacles that we may encounter in our line of attack by combining elements such as LapSao, Pak-Sao, Gunting, Hubad, chain punches, elbow strikes, knee strikes, headbutts, eye strikes and the development of Chi-Sao and Lap-Sao sensitivity exercises.... Combat Trapping is an effective combat system, aimed at law enforcement officers, but also adapted to civilian use. The techniques, based on simplicity and logic, result in a simple and effective defense strategy. O.C.S. is a professional system in constant development, focused on pure and hard street combat. This system teaches us to deal with stress, to learn to control situations under great psychological pressure. Never forget that self-defense must be functional, simple and effective. The goal is survival, so be direct, attack with vigor and be as effective as possible, and always remember rule number 1: “In the street there are no rules”.
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L'Okichitaw est un art martial indigène basé sur les méthodes de combat des guerriers des nations indiennes Assiniboine et Cri des Plaines. Dans cette compilation, le chef George J. Lépine nous initie à l'utilisation de trois des armes les plus redoutées des guerriers indiens : la massue Gunstock, le Tomahawk et le couteau. Le Gunstock Warclub était l'une des armes d'impact les plus puissantes, car en plus de frapper avec une force incroyable, il pouvait aussi couper ou poignarder. En raison de sa ressemblance avec un fusil, le Gunstock Warclub était également utilisé pour faire croire à l'ennemi qu'il était en possession d'armes à feu. Le Tomahawk de combat était l'une des armes les plus prisées des guerriers, un instrument que l'histoire a inscrit dans nos esprits comme étant agressif et impitoyable. Le chef Lépine explique en détail les concepts de base du Tomahawk, l'entraînement, le lancer, les 20 mouvements, les applications de défense et d'attaque, et les contre-techniques. Enfin, nous découvrirons la méthode traditionnelle d'entraînement au maniement du couteau « Mokiman », seul, en profitant de ce que la nature nous offre, les arbres, le sol, l'eau, ... afin de développer une mécanique corporelle optimale pour offrir le maximum d'impact à l'adversaire. Avec ce travail, Okichitaw continue d'honorer les traditions indigènes pour s'assurer non seulement que ces connaissances demeurent, mais aussi que nous continuons à nous déplacer de la même manière que nos ancêtres.
All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.
Join the greats! Join the greats!
Dates: May 16, 17 and 18, 2025 Dates: May 16, 17 and 18, 2025
Join the greats! Join the greats!
Dates: May 16, 17 and 18, 2025 Dates: May 16, 17 and 18, 2025
BUDO MASTERS 2025
The event:
As usual, (only stopped by the pandemic) Budo International magazine has the honor to gather periodically its friends in a big international event.
The objective is to meet again, make new friends, exchange experiences, contacts, learn from each other, always in an atmosphere of camaraderie, honor and respect.
The event consists of a great seminar on Saturday held together, where attendees will rotate to learn with all the Masters.
That same night will take place the Grand Gala Dinner, with traditional Canarian food and special performances, culminating with the presentation of diplomas to the Masters, photographs, etc ....
Being in this event means belonging (or entering) to an exclusive club governed by honor and good manners, directed by our director Mr. Alfredo Tucci. It also implies, as it is logical, to appear in the special magazine that will be made about the event, as it is customary.
A video will also be made about all the activities.
This time we have chosen the privileged environment of the Canary Islands, between Europe and America, with an extraordinary climate and spectacular beauty, in front of the beach of Las Canteras.
The Canary Islands are a tourist destination with a wide service and magnificent international connections that undoubtedly facilitate the meeting.
Price:
The price for participating in the event is 210 euros; this fee includes attendance to the Gala Dinner and participation as a teacher together with the international Grand Masters in the Saturday seminar.
Attendees are requested to observe proper etiquette at the dinner: Women: long dress; men: tuxedo, tie, traditional formal attire (kimono etc...) or Guayabera.
To appear on the poster of the event must confirm their attendance, and new participants must have paid their fee. To do so contact Alfredo Tucci via email at: budo@budointernational.com
Extra activities:
The team of the friends of the Federation of Garrote Canario, is preparing a whole series of special parallel activities for the attendees, provided and facilitated by the local authorities, which can be consulted later. (Surfing, local Martial Arts exhibitions, garrote Canario, lucha Canaria, excursions, beach events, etc... etc...).
Methods of payment:
Transfer of 210 euros to the account of La Caixa
BUDO MASTER CANARIAS 2025
IBAN ES34 2100 6769 7202 0044 7308
There are two hotels to choose to attend the event. The NH Imperial Playa **** and the NH Playa Las Canteras *** offering a wide range of conditions and prices to our participants.
To make your reservations with special prices for the BUDO MASTERS in one or the other hotel and to confirm prices of stay, days, etc... use this link:
The Gala dinner will take place at the NH Imperial Playa. Companion price: €75
N.B. (The registration in the hotel does not mean the registration in the event. This must be done separately by bank transfer, as indicated on the previous page).
Dates: May 16, 17 and 18, 2025
Dates: May 16, 17 and 18, 2025
The Tao of the leader The Tao of the leader
There are as many ways of exercising leadership as there are people willing to do so. It is essential to simplify in order to delimit the right arguments that allow us to shed some light on this matter and there is no more succinct way to simplify than to consider any issue from the duality itself; we can therefore say that there are good leaders and bad leaders, capable and incapable, and beyond any value judgment or qualifiers, installed in the very essence of duality, we find Yin leaders and Yang leaders.
The archetypal Yang leaders are the military; they exercise their leadership in order and command; this is a chain essentially based on fear, because as my dear friend Colonel Ramos Alcaraz said: “Everything in the exercise of the command of an army is summarized in one thing: that the soldiers fear their sergeant more than the bullets of the enemy; only then will they be able to leave from the safety of their own trenches, when the enemy rains bullets”.
Yang leaderships are based on force, imposed under hierarchy, working from the top down and using the line of command; these leaderships are effective in war situations, but fail in peace, where they are only maintained under the form of dictatorships, and these, as they say about sex, last what lasts, lasts....
Leader Yang takes for granted the unwavering adherence of his soldiers, his often grim management results in the betrayal that haunts them; the soldiers obey because they basically have no other choice. The average general spreads his peacock feathers and thinks that everything is as it SHOULD be, obviating that his officers and soldiers far from loving him fear him.
However, the greatest generals, those who went down in history for their epic victories, on the contrary, knew how to inflame their troops and knew the importance of holding the banner of justice, or the supposed nobility of their cause and above all to transmit it to their soldiers in magnificent sophlamies. They exemplified their role by going into battle first. Busting their butts for a common cause made them great, but to manage death is not to promote life.
Yin leaderships are idealistic; they seek to connect with the sentiment of the group and rely on it to achieve their goals; once achieved they often build an ideological architecture capable of perpetuating their status to achieve their objectives. They start with a bottomup movement and then switch to its opposite. There are also those who, perverse to their origins, end up in dictatorships. Man easily gives in to his baser instincts....
Both forms of leadership are extreme and have their weaknesses, so a good leader, like a good bullfighter, is the one who adapts to the times he lives in, the one who is able to deal with whatever comes out of the bullpen door.
The best leader, like the Tao, is the one who leads without directing, is the one who knows how to channel the forces, fill the sails with the winds that blow, to take everyone to a good port, instead of putting everyone to the galleys and to the beat of the drum to break their souls.
The Tao of the leader The Tao of the leader
He must have firmness, yes, but use his forces in a considered way and instead of exhausting his troops, be clever and crafty, instead of overbearing and tyrannical. To lead wisely, rather than obtusely, he must be fluid, rather than harsh and consequently show his firmness but always wrapped in the greatest of gentleness and this, rather than formal, must be honest and sincere.
Extremist leaders, whether yin or yang, end up looking alike because the extremes touch. While the Yang leader goes forward first in the hubbub, the Yin leader goes forward in the midst of it.
In times of peace the Yang leader will be left alone, because the people can choose and will never choose against themselves (neither would the leader), for the first loyalty we owe as individuals is to our vision of truth, that is, to ourselves. That is why asking for efforts from the troops in peacetime is more an art of charm, of seduction; getting others to do with pleasure what they do not feel like doing, is achieved more with love than with punishment; as the saying goes “you catch more flies with honey than with vinegar”.
The Yang leader loves traditions, scales of command, forms; the Yin leader loves poetry and the mystique of the common endeavor, succumbing to ideologies, to something always bigger than himself. While the Yang leader sacrifices himself in battle, the Yin leader does so by offering his own life to his dream.
That said... we cannot fall into the “anything goes”, there must be a purpose and an order. If you go too much Yang you are alone, but if you go too much Yin you are alone too, because you are going nowhere. Achieving objectives means establishing the keys to a common purpose, agreeing on rules and drawing up plans, and as SunTsu said “if there is anything better than having plans, it is being able to change them”, which is why flexibility, a virtue absent in the Yang leaders' way of commanding, is nevertheless essential in the scenarios of free societies. In these cases, justice, meritocracy is the most effective system of dealing with the troops, “To each according to his need and to each according to his effort” better than the Marxist phrase: “From each according to his abilities, to each according to his needs”.
The extremes must learn from each other to reach the center, the right measure of action and thought; firmness and gentleness combined structure the versatile leader.
Paradoxically, the best leader is often the one who does not want the job. He is driven by the needs of the many, he abides by the common needs, without imposing his own; having fulfilled the purposes of his assignment, and at a fixed date, since nothing lasts forever, he retires in a silent mutism, giving up his post, delighted to be free from a yoke accepted by responsibility, instead of being maintained by desire.
The best leader channels the waters of his group using the meadows and meanders that the environment gives him, giving nature to the lake, when it arrives, to the waterfalls and rapids, when they touch, knowing that unfailingly we will all arrive, either in a delta, or through an estuary, to the sea, which is our common destiny.
Extremist leaders, when stubborn and devoted to their essence, if they do not put effort and wisdom, are inevitably swept away by the winds of history, since nature always abhors what is pure.
To ask for pears from the elm tree is idiotic and not to pick the pears from the tree when you are hungry, even if you, by God, are in the mood for guavas.
A leader must therefore be someone centered, because to lead another, one must first necessarily be able to lead oneself beyond the extremes.
Enrique de Vicente interview to
Shidoshi Alfredo Tucci on his youtube channel about Ebunto Japanese Shamanism of the indigenous people of Japan
Enrique de Vicente interview to Shidoshi Alfredo Tucci on his youtube channel about Ebunto Japanese Shamanism of the indigenous people of Japan
The art of karate or karate do ( or karate jutsu) as it is commonly referred to is usually associated with Japan and often mistakenly believed to have been created and developed by the Japanese. It is true that Japan has greatly contributed to the evolution and organization of karate, however, its origins are found in Okinawa an island where many Chinese newcomers brought their knowledge of various martial arts.
Instituto de Shuri, 1937.
It is often the case that certain knowledge possessed by individuals from a certain martial art affects the development of some others in the nearby regions of a particular country or a neighboring country. The first Asian fighting arts are believed to have been created during China's Warring States Period (403 - 221 B.C.). Chinese martial arts evolved further after 520 A.D. when the fighting applications of internal energy were discovered and added to the existing martial styles. These new methods were developed at the Shaolin temple in Honan province.
do you know about karate?
What do you know about karate?
What do you know about karate? What do you know about karate?
Many Chinese who were not satisfited with life in China for various reasons went to Okinawa. The closest to them were the Ryukyu islands,of which Okinawa is the largest island. Native Okinawan fighting methods date back to before 616 A.D. The first fighting methods and weapons in Okinawa were without a doubt primitive and lacking in the sophistication of Chinese arts. It was after 616 A.D. that Okinawa entered the Iron Age and began producing metal tools and weapons. In that period,the influence of various Chinese martial arts had a great role on the general development of martial arts in Okinawa. Chinese martial arts that merged with the previous Japanese original martial arts (dance called mekata) and combined with the previous techniques (sumo, ju jutsu,yawara,) created a new martial art that the Okinawans simply called –Te. Te in Okinawa means "hand" and refers to boxing methods.
Hironori Ohtsuka como alumno de Ju Jitsu de Tatsusaburo Nakayama.
During Okinawa's Three Kingdoms Period 11871429 armed and unarmed techniques were tested and perfected in combat. In 1392, 36 families emigrated from China for cultural exchange and settled in Kume village (Naha city). Among these families were experts in the Chinese art of Chuan Fa (pronounced Kempo in Okinawa). During the subsequent reign of King Sho Shin 1477-1526, to establish his control and insure peace the first restrictions on weapons began. First the wearing of swords was banned and a stockpiling of confiscated weapons followed. The private ownership of any weapon was banned outright in 1609 when the Satsuma clan from Japan invaded Okinawa. 3,000 samurai warriors occupied Okinawa and controlled all aspects of policy. The inhabitants of Okinawa were forced to adapt to the newly created situation,so they also adapted their practice of martial arts to that times and the situation in which they found themselves.
Anko Itosu, Okubo Shuhachi y Takehiro Ikeda, en Agosto de 1908.
Su Shi Wa, del estilo Nampa Shorin Ken (futuro Uechi Ryu).
Gichin Funakoshi y su grupo de demostración ante Hiro Hito el 6 de Marzo de 1921.
As a result of continued disarmament Okinawan commoners began converting farming implements into weapons and continued the serious practice of unarmed fighting arts from China. Many trainees who practiced the Okinawan martial art –Te, left Okinawa and went to China to perfect their knowledge of martial arts. This covert activity was practiced in absolute secrecy due to the fact that possession of any weapon and the practice of Te was absolutely illegal. The Okinawan government and Japanese invaders knew skilled fighters were the only people who could challenge their authority. During the 1700's the study of fighting arts from China was heavy and Okinawan commoners trained with a severe determination knowing that their existence depended upon their ability to defeat a heavily armed and armored Japanese samurai with nothing but bare hands or improvised weapons.
Gichin Funakoshi en sus tiempos de maestro de escuela.
During that Chinese influence on japanese martial arts- Te, came to be known as Tode and a little later known as Kara Te meaning "China Hand". Practitioners of martial arts Kara Te are very quickly realized that they also need the knowledge of practicing with different weapons or other handy tools that will serve them for self-defense. The use of improvised weapons developed into a martial art of its own known as Ko Bu Jutsu, meaning "Ancient Martial Techniques". This japanese martial art of fighting with different types of weapons is known today as – Ko budo. It is known that the following weapons have been traditionally used in karate since ancient times: Bo-stick, sai-dagger, kama –sickle, nunchaku –connected sticks, tonfa - handled, katana – saber, tanto – small knife, naginata (polearm) as well as occasionally some other lesser-known weapons (tanbo, hanbo,tekko, eku, etc.) .
Izquierda: Taro Azama, Choki Motobu y Kamesuke Higaonna.
In Japan 1890. each major village had its own version of Kara Te art and prominent masters. Three villages had become famous for the practice of martial art Kara Te, they were Shuri, Tomari and Naha. The existing Kara Te styles were known as Shuri Te, Tomari Te and Naha Te. Famous Okinawan Karate masters include ; Higashionna Kanryo born March 10, 1853 in Naha village who traveled to China in 1873 and studied Chinese martial arts before returning to Okinawa in 1882. Itosu Anko was born in 1832 and practiced the arts of Shuri village. Uechi Kanbun born in 1877 went to China in 1897 to study and founded the style known today as Uechi Ryu. Considered "The great grandfather of - Kara Te" Matsumura Sokon or "Bushi" Matsumura (1860 -1930) was the instructor of many famous Okinawan masters.Some historians belive that he is the reason for today's name Budo (Bu shi – Bu do), for Japanese martial arts. One of Matsumura's students went on to become probably the most famous karate master to date Funakoshi Gichin (1868- 1957).
Gichin Funakoshi, Yasuhiro Konishi y Kenei Mabuni entre otros, rodean a Kenwa Mabuni (sentado). Universidad de Keio, en Mita, en 1933.
Gichin Funakoshi con su hijo Giei y su nieto Kichiro en el dojo Kenkojuku, en Noviembre de 1955.
Funakoshi is considered "The father of karate" and is the Okinawan master responsible for introducing karate to Japan. Funakoshi was born in 1868 in the Okinawan capitol of Shuri. Funakoshi studied with karate masters Matsumura, Itosu, Azato, Kiyuna, Toonno and Niigaki.Funakoshi maybe not have been the best martial arts master of his time but he was educated and very intelligent and knew how to use his current position and show off his knowledge. In 1901 Funakoshi gave a demonstration of karate in Okinawa the led to karate being included into the physical education curriculum of Okinawan schools. By 1906 public karate demonstrations were common in Okinawa. In 1912 personnel from the Imperial Navy were sent to Okinawa to study karate. In 1917 Funakoshi traveled to Kyoto, Japan to demonstrate karate at the Grand Martial Art Hall. Funakoshi continued to demonstrate his art to the Japanese and in the 1920's many Okinawan masters traveled to Japan to bring awareness of their arts. It was during the 1920's and 30's that efforts were made to organize and classify the various styles. Up to this point karate had been referred to as Kara Te Jutsu or To Te Jutsu. This name paid tribute to three countries that contributed to its development. Kara Te Jutsu meant "China Hand Techniques", Kara from China, Te from Okinawa and Jutsu from Japan. In the early 1930's many karate masters decided to formally change the spelling in Japanese, and the meaning, of Kara Te to a homonym pronounced Kara Te but meaning "Empty Hand".
Many reasons were offered for this name change including the emphasis on defeating ego and perfecting character, this being the "empty" of empty hand. Other claim it was named empty hand due to its emphasis on unarmed combat. The more accurate reasons are unfortunately political. During the early 1930's Japan was conducting military conquests in Manchuria and China and did not want a popular activity such as karate to have Chinese overtones or undue influence. Many people even refused to believe that Japanese karate had its roots in ancient China.
Gichin Funakoshi realizando una caligrafía en 1952.
The meaning of the word Kara Te and in translation empty hand, as much as it was for the japanese the easiest achievable desire for change, it is fundamentally far from the real truth. The main reason for this lies in the fact that the martial art of karate has never stopped using techniques in working with different weapons,which does not correspond to the name of the skill „empty hand“. While many variations and minor styles exist there are four main styles of Okinawan Karate. Shorin Ryu is the Japanese translation of Shaolin style and has its roots in styles of the Shuri and Tomari villages. Okinawan Goju Ryu means hard/soft style and is a combination of the styles of Naha and Tomari villages. Uechi Ryu is a Naha style named after its founder Uechi Kanbun. Isshin Ryu means "One Heart Style" and was based on all existing Okinawan styles especially Shorin Ryu.
There are four main styles of Japanese Karate. The original form brought to Japan by Funakoshi was simply referred to as Kara te jutsu or to Te jutsu and was a compilation of virtually every known Okinawan karate style unified into one. This form is often considered an encyclopedia of karate. Later Funakoshi's students named this style Shoto Kan Karate. Shoto was Funakoshi's pen name when he wrote and kan means house or home in Japanese. Shoto Kan Karate then translates as "karate practiced at Shoto's house". What do you know about
Masatoshi Nakayama, Emilio Bruno, Gichin Funakoshi e Isao Obata, durante las clases al SAC en el Kodokan de Tokio, a mediados de los 50.
Yamaguchi Gogen.
Japanese Goju Ryu style is Okinawan. Goju Ryu synthesis between go-strong and jusoft or gentle, that was renovated and given a stronger Japanese emphasis.Shito Ryu is a blend of the karate taught by masters Higashionna and Itosu to Kenwa Mabuni (18891952) who combined characters from his teachers names and ended up with Shi Ito Ryu. Wado Ryu meaning "Way of Peace Style" was the creation of one of Funakoshi's students- Hironori Ocuka (1892-1982). Very quickly, in just a few years,from the four basic styles of karate, about 20 styles, let's say,better-known styles were created.
So today there are many styles of karate exist such as ; Shotokan (Shoto kan), Shito ryu, Goju ryu (Shorei ryu), Wado ryu, Chito ryu, Budokan (Budokai), Shuri ryu, Uechi ryu (Pangai nun), Ryobu kai, Kenpo (Kempo), Yoshu kai, Kyokushin, Ryuci ryu, Seido juku, Gosoku ryu, Isshin ryu,Sankukai (Nanbudo), Fudo kan with many more sub-styles. You can't even imagine how chaotic the situation in Karate is.
Teruo Chinen y Eiichi Miyazato.
Masatoshi Nakayama
Kenwa Mabuni y Gichin Funakoshi. Detrás Ryusho Sakagami, Isao Obata y Masatoshi Nakayama. Osaka, 1948.
This is best shown by the fact that only in the Shoto kan style of karate in the world today there are as many as 15 more famous Shotokan karate directions and organizations they exist. And those are; JKA, ITKF, ISKF, SKIF, WSI, SRKHA, TSKF, JKF-WF, SKA, JSKA, IJSK, JKS, KWF, TKIC and Shotokan Asai. Each of these organizations claims that it is the only true follower of the Funakoshi Shotokan karate style. "Pure Shotokan does not exist. The JKA practices a type of Shotokan - but it is the Shotokan of the JKA. Each master has a different brain, a different comprehension of things."Master Hirokazu Kanazawa (1931-2019).The situation is not much better in other karate styles either, as an example we can single out the fact that today in the world there are about 15 kyokushin karate directions and the same number of organizations exist.
Shito-Ryu was introduced by Kenwa Mabuni. Kenwa Mabuni was the 17th descendant of the famous warrior Oni Ufugusuku Kenyu. Perhaps because of his weak condition, he began training at the Shuri-Te Dojo at the age of 13. He trained there under the guidance of Anko Itosu. He trained hard for several years, learning many Katas from this Great Master. Anko Itosu was the person who first developed kata and the word Pinan. One of his close friends, Chojun Miyagi introduced Kenwa Mabuni to Kanryo Higaonna. Then Kenwa Mabuni started practicing Naha-Te. Goju-Ryu Karate has its roots in Naha-Te, an Okinawan fighting style developed by Kanryo Higaonna (1853-1915). Higaonna traveled to China and studied the Chinese martial art known as Fujian White Crane, which significantly influenced the development of his own style. Development by Chojun Miyagi. Chojun Miyagi (1888-1953): One of Kanryo Higaonna's most prominent students, Chojun Miyagi, continued to develop and refine Naha-Te.
Masutatsu Oyama en uno de sus famosos combates con toros.
In 1930, Miyagi gave the name "Goju-Ryu" to his style, which means "school of hard and soft", reflecting the balance between hard and soft techniques. Miyagi developed several kata (forms) to convey the principles of Goju-Ryu, including Sanchin (Three Battles) and Tensho (Spinning Hands). These katas are fundamental in GojuRyu training and emphasize the combination of strength, flexibility and control.We can say that the famous kyokushin style of karate originated from the Goju ryu style.
His creator is Sosai Masutatsu Oyama (1923-1994), he was born in Korea and at birth was named Choi Yeong-eui,but in the history of martial arts came under the world famous name Masutatsu Oyama. Oyama was a student of the famous master of Goju ryu karate style Gogen (The Cat) Yamaguchi (1909-1989). He himself said the best about his style of karate. "The heart of our karate is real fighting. There can be no proof without real fighting. Without proof there is no trust. Without trust there is no respect. This is a definition in the world of Martial Arts. One becomes a beginner after 1000 days of training and one becomes a master after 10,000 days of training...” M.Oyama
Karate was primarily confined to Okinawa and Japan until the end of World War II. When the United States Occupational Forces arrived in Japan they banned the practice of Japanese martial arts such as ju jucu, ken jucu and kendo (Japanese fencing), but not judo, sumo, karate and aikido. The first karate school outside Japan was opened by Robert Trias (1923 -1989) in Phoenix, Arizona in 1946. Robert was a boxer who practiced karate for about a year during World War II, in the Solomon Islands. He learnd the Shito ryu ? (or Goyu ryu ?) style and he himself developed the shuri ryu style.
Robert Trias
Intangibles del Karate en Shuri Jo en 1992: Shuguro Nakazato, Katsuya Miyahira, Seikichi Uehara, Meitoku Yagi, Shoshin Nagamine y Yuchoku Higa.
After the war and during the 1950's karate spread to Europe and the rest of the world. In 1954, in Europe, Henry Plee (1923-2014) opened the first karate club in France (Paris). In his youth, Henry practiced wrestling, boxing, fencing and French boxing (savate), later he practiced judo and aikido, later the style of karate he learned was shotokan. Karate has been passed down from generation to generation with its secrecy and should be taught to anyone who seeks knowledge with honesty and integrity.
Today, any true practitioner of karate should be familiar with the Katas (forms) of their style. It is however a sad fact that many contemporary yudansha (black belts) have never even heard of, let alone learned or mastered, any of the traditional katas. Most of the forms (katas) practiced by modern martial artists are only ten or twenty years old and created by men whose only understanding of karate is the "sport" applications. Of the true kata the last one created was Pinan in 1907 by Itosu Anko (1831-1915), the instructor of Funakoshi Gichin. Kenwa Mabuni was considered an important and influential figure in the knowledge of Karate katas and their application of Bunkai (basic technique in kata). The majority of traditional katas are hundreds of years old. Shitō-ryū style places greater emphasis on katas, as evidenced by the large number of katas taught. Miyagi developed several katas (forms) to convey the principles of Goju-Ryu, including Sanchin (Three Battles) and Tensho (Spinning Hands). These katas are fundamental in Goju-Ryu training and emphasize the combination of strength, flexibility and control. Importance of katas in training, which transmit the principles and techniques of GojuRyu. Focus on breathing, deep and controlled breathing techniques, especially in the Sanchin and Tensho kata.
“Nowadays, karate is mostly considered a martial sport and most people practice karate precisely for sporting reasons.”
What do you know about karate? What do you know about karate?
Nowadays, karate is mostly considered a martial sport,and most people practice karate precisely for sporting reasons. Karate sport, like any other sport, has its own rules, there are permitted and prohibited techniques that may or may not be performed. Of course, there are also judges who score and judge what is performed correctly and what is not, which techniques are allowed and which are not, and more.
The style of karate is completely unimportant here, so many karate techniques are not perfomed at all. Also, the protective equipment used in karate sport makes it impossible to perform certain karate techniques. In today's karate sport, some kick techniques from taekwon–do or savate as well as some techniques from kick boxing are used. The athlete in karate sport wears gloves on his hands, and the term karate- empty hand is no longer mentioned, so it loses its meaning. The term karate-do (karate jutsu) is completely neglected today, especially among athletes, so today's karate, even what some people call traditional karate, can hardly be calledKARA TE DO. After all, that is why it is used in a general, simplified and abbreviated name simply – KARATE. Although there are those individual karate masters who try to preserve the tradition of karate as a martial art nowadays, they are unfortunately in large minority and cannot compete with large and richer sports organizations.
Introduction to Kyusho Jitsu
What
is Kyusho?
The vision of this Kyusho-Jitsu article is a general reflection on the basic theory and application of Kyusho as an introduction to this Art, a discipline that is not new, but one that has re-emerged and is thriving around the world. Evan Pantazi, Black Belt, has traveled the world teaching this Art and elucidating the mysterious nebula that surrounds it.
The term “Pressure Points” is becoming more and more widespread, not only in the martial arts but as a phrase coined in hundreds of advertisements, and even in mattress sales departments. Numerous unskilled instructors promote themselves and claim to know pressure points. In any magazine you can read that certain instructors practice pressure points and I do not doubt that they know, but surely what they know is not Kyusho Jitsu.
Kyusho is far from pressing certain points, rather it is a system to systematically weaken the opponent through the weakest anatomical structures of the body, which can be understood as a simple topic in a heated debate. However, martial artists are more and more convinced of its Authenticity, its Value and its Potential. Along these lines we will answer some of the most frequent questions raised in the seminars, either by new practitioners, or by people interested in this Art.
Kyusho literally translates as “First Second”, which means that already in the first second of the conflict, the control is in the hands of the practitioner. For this purpose, the weakest anatomical structures are used, causing dysfunctions in the human body. The aim is not to hit the opponent, but rather to annul the aggressor without causing any physical injury.
Is it dangerous?
It really can be and in fact its original conception is that it would be. However, it can be molded to meet current legal parameters and is certainly much safer than conventional methods. What is dangerous is the fact that it teaches how to cause physical injury without transgressing the established legal framework. For example, if you attack someone in the eyes, you will cause a permanent and appreciable physical disfigurement and this is not only unethical, but before a Court the responsibility derived is double, to answer for your own acts, as well as for the injuries caused.
The correct application of Kyusho prevents the observation of any external physical injury, so the only possible proof is based on conjecture and speculation, as there is no judicial precedent. Therefore, legally before a Court it is very difficult to prove, which is a further argument for the defense.
Will it work in a real situation?
Not only does it work, it has been used for centuries. This is not a NEW ART, it has reemerged after much secrecy and misguided campaigning in a clear attempt to extinguish it. While most self-defense methods rely on speed and strength-qualities that diminish with age-Kyusho relies on a change of focus and rhythm-timing, qualities that age improves.
We are not talking about a martial art per se, but rather a series of weakened anatomical areas that anyone, regardless of the style practiced and even without any training in Martial Arts, allows a quick and effective application. Kyusho will provide you with a method to make you effective and safe!
How does it work?
If you are just starting out, or are struggling to make your way into Kyusho studies, you must study three essential areas in depth:
- Relaxation: in an interview with George Dillman he stated that the necessary punching power should not exceed that of a seven year old child. So powerful strokes executed by a beginner will not develop adequate power.
- Angle and direction: Many beginners have difficulty understanding the correct angle to properly drive energy. Hitting too far sideways or missing the target seem to be the most common beginner mistakes.
- Aim: This is the fundamental principle of advanced study in Kyusho. It is possible to gain new levels of skill by assimilating this key concept.
How many beginners strike without believing in what they are doing? They think: “Will it really work?” or “I hope this works”, instead of feeling and visualizing the defeat of the opponent.
“Healing is one of the most important aspects of Kyusho study. Too often we martial artists focus too much on Yang or those aspects that cause injury instead of developing all those concepts that define Budo.”
Relaxation, angle and direction and aim are three essential elements for Kyusho to work. Focus on each point and be consistent until you gradually assimilate these concepts so that you can develop them in practice. The process requires mastering the first one to move on to the next. Do not forget that most of those who conclude - after a brief study of Kyusho - that this art does not work have not grasped the importance of these concepts.
Reanimation and energetic recovery
The starting point of the study of Kyusho focuses on a fundamental aspect: resuscitation and energetic recovery.
Healing is one of the most important aspects of Kyusho study. Too often we martial artists focus too much on Yang or those aspects that cause injury instead of developing all those concepts that define Budo. On rare occasions, we find ourselves in life-threatening situations, but we always fight against nature itself: the natural aging process, the constant risk of disease and bodily degeneration are our real enemies.
In these times we live in, they are the main threat of our life cycle, but there are so many others... Learning to alleviate and remedy Family, Friends and Students is an important effort intrinsic to the true spirit of Budo. In any case, the most remarkable thing is that the study of these healing processes entails a true
understanding of anatomy, energy and weakness which, on the other hand, are tremendously useful for the sense of self-protection developed in this Art. Kyusho points stimulated in a certain way can be used to heal and increase the energetic flow or on the contraryby inverting their application - they can cause anatomical dysfunctions.
The way to a more advanced and serious application passes through the need to understand three types of resuscitation. The assimilation of their application by the beginner is not only essential, but it is also the preliminary phase to the beginning of any other study. The three basic types are as follows:
- Lung resuscitation: with it we achieve the recovery of energy in a single point... In fact, the basis of all Kyusho studies consists of stopping, starting, stimulating or reversing the direction of the flow of the body's energy system. It also allows to correctly transfer the energy into a closed fist, with the right angle and direction, as well as with the right power. It can stimulate the diaphragm to restore lost energy or conversely it can eliminate excess energy, restoring calm after suffocating actions. This is linked to the study of advanced Kyusho through a view of the advanced peripheral system.
- Reanimation of the head: this requires a deeper analysis of the energy flow relative to the body as a whole. Following the principles of Ying and Yang facilitates a correct energetic transfer to the open hand, as well as acting on the central nervous system.
- Heart resuscitation: it has been successfully applied on numerous occasions to resuscitate heart attack victims. And this will reveal the use of twisting in energetic transfer to begin to unblock the methods for energetically acting on the internal organs.
Methods of attack
Body pressure points are the easiest areas to manipulate the energetic systems of the body. There are three fundamental methods of attack:
- Strikes: these should be executed penetratingly and not superficially. They should also penetrate at the correct angle and direction, advancing along the energetic pathway and not at an angle that intercepts it - unless your goal is to stop the flow of energy, in which case, the execution of the strikes should pursue that objective.
- Grips: should be performed at specific points to increase efficiency, pain and the submission factor.
The location of these points, located between muscles, bones, ligaments and tendons, favors a more secure grip. For example, gripping someone's forearm will be much safer if you insert your fingers between the above structures, making it impossible for the grip to slip.
“Many legal institutions as well as medical professionals are deeply involved in the study and use of Kyusho, having saved many lives.”
- The kicks: they will be executed following the guidelines indicated for the blows, taking into account the existing difference between the anatomical structures. In this case we will focus on the opponent's legs.
In any of the methods it is necessary that you feel the energy of your weapons flowing from inside the opponent towards your own core -Dan Tien, HARA-, from the ground, from the atmosphere or according to the combination of these three energy fields.
And also...
To be exact, we must not overlook an aspect that, although not considered characteristic of the Martial Arts per se, is imperative when making a complete study of human nature. It is the study of these pressure points during sexual intercourse.
To stimulate this type of response many advanced level pressure points can be used before, during and after such encounters and in strict accordance with the energetic cycles of the human body.
Conclusion
Many legal institutions as well as medical professionals are deeply involved in the study and use of Kyusho, having saved many lives. Its effectiveness, control and “non-injurious” nature relates to the application environment of these professions. Military organizations are also considering it, but from a much more severe method (than originally proposed) for hand-to-hand and training situations.
We have participated in numerous medical studies to fix the current knowledge and although some progress has been made, research continues, and the approach of western medicine to the full understanding of this Art is not yet complete.
The study of Kyusho will broaden your horizons in whatever martial art you practice, as well as in many facets of your daily life, as it brings you closer to a deeper study of the human anatomy. If you integrate it as a part of whatever you are already doing, you will greatly increase your healing potential, your ability to injure, and other aspects of your daily life. No doubt, it's not easy, but it's worth the effort!
The Octopus Combatives system represents the culmination of decades of work, effectively distilling and consolidating the sum total of Master Avi Nardia’s training and conceptualization of combat. Together with the expertise from leaders around the world in martial arts and other domains, the Octopus Combatives system synthesizes many different perspectives and feedback from experts worldwide into a holistic, effective and easy to learn program. The eight fundamental principles combined with a structural approach to tailor the program to the needs of the practitioner, the Octopus Combatives system is a groundbreaking approach to self-defense, encompassing both tactical effectiveness and ethical responsibility. Octopus Combatives provides practitioners with a versatile toolkit for navigating threatening situations with confidence and clarity. Moreover, by emphasizing the importance of fearless determination and a nuanced understanding of the legal and ethical implications of self-defense actions, Octopus Combatives fosters not only physical preparedness but also mental resilience and ethical maturity. As the realm of self-defense continues to evolve, the Octopus Combatives system stands out as an innovative and compact program, empowering individuals to protect themselves and others while upholding the highest standards of professionalism and ethical conduct.
All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.
The Academy of Martial Movement, fusion of the knowledge of Kyusho Jitsu and Tuite Jitsu of M° Frisan Gianluca together with the knowledge of the Art of Movement of M° Pascut Fulvio, continues the technical progression in the training of high level martial instructors and makes available to all the universal principles hidden in the movements of internal and external martial arts, unifying them and focusing them on precision, to bring Kyusho to a new level. In this 3rd volume, we will continue with a detailed study of the pressure points of the head, exercises and technical efficiency, ways to make the force penetrate the opponent's body ... but not only that, we will understand that really “stun” an attacker can be simple and effective. Before the analysis of the pressure points, their location, the best angle to strike, rub, manipulate ... we continue with the principles of martial movement, a unique feature of our academy. The next step is to understand how the transmission of this force occurs, how to charge the “potential” blow and unload it on the opponent. Block by block, internal and external work on our body will make our body structure and alignment a sharp tool to utilize 'force multipliers' at the Kyusho points. The devastating effectiveness of Kyusho is now further amplified, with aspects that can be concretely enhanced and trained, regardless of external and immutable aspects such as our opponent's 'sensitivity' to Kyusho attacks!
All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.
The fighting techniques of Siam’s Special Forces
The Kingdom of Siam’s second capital of in order of time, Ayutthaya, has indelibly marked the history of Siam. For 417 years the Kingdom of Ayutthaya was the dominant power in the basin of the Chao Phraya River. At the time, Muay was already a battle proved fighting technique; however, it further developed into a formidable close combat system during these centuries, in the course of several violent confrontations with Burma. Defeated by the Burmese in 1569, the people of Ayutthaya were able to recapture their capital, led by one of the sovereigns who most influenced the history of the country and the Siamese Martial Arts, as well: we are talking about the warrior King Naresuan the Great. Naresuan (known as the Black Prince of Siam) reigned from 1569. Held hostage in Burma since the age of 9, he learned the fighting techniques directly from the traditional enemies of the Thais; such fighting techniques date back to the traditions of Khmer warriors, and Naresuan was able to use them against his own captors, once he returned to his homeland. He was also a strong supporter of the martial training or Pahuyuth which became an integral part of the practice for all the different military units, separating for the first time the techniques with bare hands from those with weapons. During the centuries when Ayutthaya was the capital, experienced teachers, with a long military background taught in a stable manner in the city or in the neighbouring areas, to help to defend the community. At the same time, Muay continued to
information about IMBA Lert Rit: http://www.muaythai.it/imba-lert-rit/?lang=it
• General Secretary: Marika Vallone (IMBA Italia) imbageneralsecretary@gmail.com
be considered a fundamental element in the moral education and self defense training of nobles, of the members of the military elite, and even the members of the royal family. Siamese Kings’ safety in Ayuddhaya Era was guaranteed by selected groups of soldiers with a sound Muay background. Those strong combatants were commonly called Thanai Luak or Elite Servants and were specifically trained by senior soldiers belonging to the Royal Guard. Their role in defending the King and the Ayuddhaya throne was crucial for the safety of the ancient Siamese Kingdom. In order to accomplish their important task, Thanai Luak soldiers had to be trained specifically in hand to hand combat: in fact, a strict rule prohibited to carry any weapon inside the Royal Palace. Therefore, a Royal guard had to be highly skilled in subduing and often dispatching a would-be aggressor in a blink of an eye. Every elite guardian had to be skilled in specific techniques that, if properly applied, ensured a quick and definitive victory. Modern Muay Lert Rit stylists consider ancient Siamese Elite Soldiers as their “ancestors”: the aggressive defense strategies employed by those close combat specialists are still today a splendid example of fighting efficiency. However, today’s practitioners’ needs are drastically different from those of Ayuddhaya’s Thanai Luak. A modern martial artist may not be interested in protecting a Royal family’s member; nevertheless, being skilled in a few simple and extremely effective barehanded techniques is very useful for today’s Muay Thai practitioners as it was in ancient times. IMBA Muay Lert Rit syllabus is very rich in fighting principles and techniques: among the many combat strategies that a Lert Rit stylist ought to learn and practice on a regular basis, 3 powerful techniques represent a quick way to building a strong close combat background in a relatively short time. These 3 techniques are named in ancient thai jargon: Kamae Kham Sao, Tang Naka and Fad Son Kaen. Each one of these techniques applies one of the fundamental Energy Principles upon which the whole fighting Art of IMBA Lert Rit is built. Each one of these techniques employs a naturally strong body weapon that can be used to unleash powerful blows without any risks for the safety of the fighter (i.e., broken bones, sprained joints). Each one of these techniques is structured to be applied according to the ancient precepts of Muay, against the opponent’s vital points. Even if these three fatal attacks can be learned and used by anyone, it is clear that rigorous training according to Muay Lert Rit’s general guidelines for a daily practice will drastically boost the effectiveness of the 3 maneuvers. Transforming one’ body into a weapon is the duty of every the Nak Muay Lert Rit (Lert Rit practitioner) worthy of this name: the execution of these attacks supported by a solid body structure and an explosive “battle energy” will make them extremely dangerous, even is the opponent is bigger and heavier. Let’s analyse the 3 Muay Lert Rit fatal attacks in detail.
1. Kamae Kham Sao
Thrust the heel of your hand upward along the opponent's chest to strike him under the chin from below. This will result in a devastating strike, simple and, when executed from a very close distance, almost impossible for the opponent to see or parry. The hard heel of the hand is used for the initial strike, while the fingers will be used immediately after to gouge the eyes as a follow-up technique. Twisting the hips into the strike, add your weight to the impact of the blow. This uppercut palm strike drives the opponent's head backward causing a whiplash type injury to the back of the neck. If the blow is very powerful it may also dislocate the opponent's jaw. Because of the shock to the Medulla Oblongata (a long stem-like structure which makes up the lower part of the brainstem) by the action of the head being snapped back, this blow can render an opponent unconscious.
• Technical features of the heel of the hand blow to the chin
Body weapon: the heel of the hand. Flex the wrist by pulling the back of the hand towards the forearm: this will expose the base of the palm creating an extremely solid and compact impact surface.
Energy principle: the Volcano. Explosive upward surge aiming at the opponent, like an erupting volcano.
Point of attack: the opponent's chin.
Alternative targets: base of the nose, eye sockets.
Extreme conditioning system (optional): the most suitable tool for extreme conditioning of the heel of the hand is the Iron Pole .
2. Tang Naka
When your opponent has managed to close the gap and forces you to fight from a very short distance (grappling range), you can swing your knee forcefully up aiming to strike the enemy's groin from below. A blow to the testicles is extremely painful and cause immediate loss of strength. Common consequences of a penetrating blow to the testicles are difficulty in breathing and a strong inclination to vomit. Otherwise, from medium range you can thrust your hips powerfully forward and hit with the knee the opponent’s bladder or the pubic arch of the pelvis. in both cases pain and internal bleeding are the most common result. A strong knee blow to pelvis may damage the pubic symphysis (cartilage) causing a diastasis (separation) of the two halves of the pelvis , crippling the opponent .
• Technical features of the knee strike to the groin.
Body weapon: front part of the knee joint. By flexing the leg on the thigh, the front part of the knee joint becomes a sort of mace that can impact the target with devastating effectiveness.
Energy principle: Thrust the Spear. The forward thrust of the hips is comparable to a lunge with a sharp spear that penetrates the target deeply.
Point of attack: t he opponent's groin. Possible targets: testicles, bladder, pubic symphysis.
Extreme conditioning system (optional): the best tool for extreme knee conditioning is the Heavy Bag.
3. Fad Son Kaen.
The side of the neck includes (among others) the carotid artery, the jugular vein and the vagus nerve, all of these are excellent practical selfdefence targets. In particular, the vagus nerve is the best choice for diagonal downward blows by the ulnar bone (external forearm bone) or the outer edge of the hand. Accurate strikes to the carotid sinus area in the side of neck can cause the neck muscles to contract and stop the blood flow to the brain. A vagal faint (sudden loss of consciousness as a consequence of a blood pressure drop) is a common result of this kind of attack. In fact, the carotid sinus is a baroreceptor point, that is a blood pressure regulator, which, through the Vagus Nerve, controls the heartbeat. The reflection of the stroke on the carotid sinus is a reaction that immediately slows the heart-beat, following the perceived increase in pressure on the carotid artery. The consequence is a loss of consciousness with possible convulsions and in extremely serious cases even death.
• Technical features of the forearm blow to the side of the neck
Body weapon: ulnar side of the for earm. Alternatively, outside edge of the open hand or closed fist or point of the elbow.
Energy principle: the Sledgehammer. Strike diagonally downward using the forearm as if hitting with a large hammer.
Point of attack: sides of the neck. Possible targets: the vagus nerve, the carotid artery, the jugular vein.
Extreme conditioning system (optional): the best tool for extreme conditioning of the ulnar bone is the Iron Pole.
Self-defense programs are very important nowadays due to the increase of crimes around the world and are more comprehensive than martial arts sports training.
The PFS program has been developed by military experts in the field of combat and high-level martial arts instructors under the supervision of its founder, Master Ahmed Al-Houli, and is now considered one of the most important combat programs in the face of real confrontations. Its practice has spread to several countries. An important program for both military and civilian personnel to protect society.
Achieving Your dreams
Hwa Rang Do: “The Dream Maker”
Recently, I received an unexpected email from a parent of a former student I had taught over two decades ago. This student began his training with me as a shy, timid little boy, only around four years old. When he started, he was reserved and uncertain, but over time, he grew into a strong, confident boy. With unwavering dedication and support from his parents, he attended class regularly for many years, and together, we worked on building his discipline, resilience, and inner strength.
Pictures by: Claire Davey
The letter from his father came as a heartwarming surprise. He thanked me for instilling in his son the discipline and perseverance that ultimately enabled him to fulfill his dream of becoming an Air Force fighter pilot. The timing of this message was serendipitous, as I was struggling with challenges of my own—facing what felt like insurmountable obstacles in the realization of my lifelong vision: building a Hwa Rang Do Sanctuary. Every conceivable setback seemed to emerge, and the path was strewn with complications. Each day brought new complications with the work, further escalating dramas with the workers, and at times, I found myself completely overwhelmed. Negative thoughts crept in, and I occasionally flirted with the notion of abandoning my dream, just for a moment of relief. However, deep down, I knew I could not afford to give up; forward was the only direction I could go.
That letter was more than just words on a page; it was a powerful reminder of why I do what I do. It rekindled my belief that achieving one’s dreams is indeed possible and that this pursuit—this dedication to something greater—is the essence of life. For nearly half a century, I have taught the principles of the Hwarang warrior, imparting the values of resilience, courage, loyalty and unyielding fortitude. To never relent, to stand tall against the greatest adversities, and to press on even when it feels impossible. Though I have dedicated myself to teaching others to live by this warrior ethos, I now find myself facing the most challenging endeavor of my life. And here I am, in midlife, forced to test my own limits and embody the principles I've long championed.
I have always believed that true achievement lies not in the realm of the possible, but in the daring pursuit of the impossible. To accomplish what others consider feasible is valuable, yes, but to break beyond those boundaries—to reach for what seems out of grasp—this is where the essence of true accomplishment resides. This conviction has guided my journey, a principle I’ve lived by and passed on to my students. But it was my father, my teacher, who deepened this perspective, offering wisdom that has stayed with me throughout my life. He would often say, “It’s no great feat to make something from something; the real test of one’s spirit is in creating something from nothing.”
These words were more than just a philosophy; they were a challenge, a call to rise above circumstances and limitations. They remind me that true creation requires resilience, innovation, and the courage to confront the unknown with an open heart. And now, more than ever, life is asking me to put these beliefs to the test, to embody these principles in ways I never anticipated. Today, I am being called to demonstrate the power of these words—to live them out, not merely as ideals, but as unshakable truths.
In the face of obstacles that seem relentless, I am being forced to confront my own limits, to wrestle with doubt and frustration, and to find within myself the strength to turn a daunting vision into a tangible reality. Each setback urges me to reach deeper, to innovate and adapt, to transform adversity into the foundation of something enduring and profound. As I walk this path, I am learning that living by these words means continually choosing hope over despair, action over retreat, and creation over resignation.
This journey is challenging me to my core, demanding that I craft from the raw and sometimes unyielding material of my own struggles a solution, the way forward. But I know that to give life to this vision—to bring something beautiful, powerful, and lasting into existence from the emptiness of an uncharted dream—is the greatest testament to these principles my father and I hold so dear. It is here, in this crucible of trial and transformation, that I am discovering the profound truths of Hwa Rang Do and its teachings, and proving, through my own journey, that what once seemed impossible is, in fact, within reach.
Since my earliest years, I have carried within me a vision—a dream of establishing a live-in training center, a sanctuary akin to the storied academies of the ancient Silla Kingdom. In that distant time, young Hwarang warriors gathered in these revered spaces to live, learn, and train together, preparing not just to defend their people, but to embody the highest ideals of honor, courage, and service. They were more than warriors; they were stewards of a noble legacy, guardians of a tradition that reached far beyond the battlefield.
My journey toward this vision began humbly, almost quietly, in the confines of my family's garage. With the guidance and support of my father, we transformed that modest space into my first "Dojang"—a Martial Arts Training Hall. It was a simple, makeshift sanctuary, yet it felt sacred, a place where something greater was unfolding. At just thirteen years old, I began to teach other children, sharing the principles and practices that had already become deeply ingrained in me. That small garage Dojang may have been unremarkable to an outsider, but for me, it was the birthplace of a dream. There, the first sparks of a lifelong mission were ignited, fueled by a desire to create a space where young people could experience the transformative power of martial arts, not only in their bodies but in their spirits.
By the time I was sixteen, I had accomplished something that felt monumental—I opened my first official Hwa Rang Do school. It was nearly 280 square meters, making it the largest martial arts school in South Orange County, California at the time. Alongside the responsibilities of high school, I took on the challenge of managing this dojang, teaching classes, and even running the Hwa Rang Do club I had founded at my high school. Each day was a balancing act, and my life was a constant rhythm of study, teaching, and training. But every moment felt like I was building something larger than myself, creating a legacy one class at a time.
These were the days before technology could lend a helping hand. There was no internet, no social media to spread the word about my school. Computers weren’t a staple, and online advertising didn’t exist. If I wanted to attract new students, I had to rely on traditional methods— purchasing ad space in the local newspaper or, more often than not, hand-delivering flyers. With a tight budget, large newspaper ads were out of reach, so I turned to the old-fashioned way: guerrilla marketing through sheer physical effort.
Every weekend, I’d load my pickup truck with thousands of flyers, somewhere between 5,000 to 10,000 at a time. My younger brother, only nine years old, was my right-hand man. He’d sit in the flatbed at the back of the truck, jumping out to deliver flyers to doorsteps as I drove from neighborhood to neighborhood. House by house, block by block, we blanketed our community, spreading the word about the school with nothing but our determination and grit.
Those weekends weren’t without their challenges—or mishaps. Sometimes, as I drove slowly through the neighborhoods, my little brother would misjudge a jump and tumble out of the back cargo bed. In those moments, I was grateful that we’d both practiced "nakbop," or falling techniques, so he’d land safely, often springing back up, laughing at our latest adventure before diving back into the task. Looking back, it amazes me to think how fearless we were, driven by the singular belief that this was what we had to do to achieve our dreams.
Failure was never a part of our vocabulary; there was only the question of how hard we were willing to work. Each flyer we delivered was a testament to that resolve, a small but tangible piece of our commitment to bring the vision of Hwa Rang Do to life. We didn’t think about the odds or the obstacles—we simply did what needed to be done, one flyer at a time, one house at a time, believing with every step that we were building something worthwhile.
In those years, I learned invaluable lessons about sacrifice, resilience, and the power of relentless effort. I learned that to succeed, you have to put everything on the line, to embrace the journey even when it’s grueling, and to keep moving forward with the belief that every small action brings you closer to your goal. Those long weekends of folding and delivering flyers, the sweat and the sore muscles from training, the late nights spent balancing school and teaching—it was all part of a relentless pursuit of something greater. And now, as I look back, I see those days not as struggles, but as foundational moments that shaped my character, instilled an unbreakable work ethic, and prepared me for the many challenges that would lie ahead.
During my decade-long journey through college, I found an unexpected opportunity to further my dream. With access to the physical training halls on university campuses, I turned my focus toward building a community of Hwa Rang Do practitioners within the academic environment. I began establishing Hwa Rang Do clubs at several universities, each one a new beacon for our discipline, attracting students eager to learn the art of physical mastery, mental resilience, and the warrior ethos. This endeavor eventually culminated in the creation of the *Intercollegiate Hwa Rang Do Society*, a network that connected seven universities and brought together students from across campuses who shared a passion for martial arts and self-betterment.
These college years became what I now look back on as the "Golden Years" of my life. At the height of this journey, I had over 500 students directly under my guidance—each one learning not only the techniques of Hwa Rang Do, but also the values that would serve them in all areas of life. My days were filled with teaching, mentoring, and watching these students transform before my eyes, growing stronger and more confident, finding their own sense of purpose. There was a unique energy to those years, an electric sense of possibility as we built something powerful together, a network of individuals united by a shared commitment to the Hwarang Way.
After those formative collegiate years, I set my sights on a new, ambitious goal: establishing the first official Hwa Rang Do school in the vibrant, bustling metropolis of Los Angeles. I knew that Los Angeles, with its international reach and diverse population, would be the ideal place to build a sanctuary for martial arts—a place where students from all walks of life could come to train, to grow, and to be part of a lineage that dated back centuries.
Thus, the West Los Angeles Hwa Rang Do Academy was born. I was incredibly fortunate to secure an historic building, a grand structure of over 650 square meters that had originally been the first farmers’ market in Los Angeles, more than a century ago. The building itself had character, standing as a testament to the endurance of time and transformation—a fitting home for a martial art that valued tradition while embracing the challenges of the modern world.
Securing and preparing the building, however, was nothing short of a miracle. We faced a mountain of obstacles, both logistical and financial, in transforming the space into a martial arts academy. There were countless setbacks, times when it felt as though we would never be able to finish, when it seemed that all the hard work and dreams might come crashing down before we’d even begun. In that first year, we teetered on the edge of closure more than once, and there were moments when we had exhausted every resource, every ounce of energy, with little hope of continuing.
But as with every great endeavor, there came an unexpected stroke of fortune—a real miracle—that allowed us to keep the doors open and push forward. Through sheer determination, unwavering support from my loyal students, and a touch of destiny, we were able to keep the academy alive. We held on through those turbulent early days, and what began as a fragile dream soon took root, growing into a thriving center of learning, training, and community.
The West Los Angeles Hwa Rang Do Academy had stood for over two decades. It has become more than just a school; it is a living testament to resilience and perseverance, a place where countless students have trained, bled, and grown, finding in themselves a warrior spirit they might never have known existed. Through the academy, I’ve had the honor of watching generation after generation walk through those doors, one of them the student who’s now the Air Force fighter pilot, each bringing new energy, each adding to the legacy of Hwa Rang Do in their own way.
“In my experience, achieving our dreams is a paradox of simplicity and difficulty. The task is straightforward, yet infinitely demanding: to stay on the path, no matter what.”
Now, decades later, that dream I had is closer than ever to becoming a reality. I stand on the cusp of bringing to life a training sanctuary inspired by the Hwarang of old—a place where future generations can live, train, and cultivate the warrior spirit in an environment dedicated to growth, resilience, and self-mastery. This is not just a training center; it is a place where young men and women can learn to face their own fears, test their limits, and discover the strength that lies within. It is a space meant to instill in them the virtues of discipline, respect, and an unyielding commitment to something larger than themselves.
The path to realizing this dream has been anything but smooth. Every step has been marked by trials and setbacks, as though the journey itself is testing my resolve. There have been moments of doubt, days when the weight of challenges seemed overwhelming. But time and again, I am reminded of stories like that of my former student—the boy who grew from a shy child to an Air Force fighter pilot. These stories reinforce for me the profound impact that perseverance, once rooted, can have over time. They remind me that even the smallest seeds, when nurtured with care, can grow into something truly extraordinary.
The journey to fulfill one’s purpose is rarely easy, and perhaps that is by design, NO, it’s absolutely by design! The struggles and hardships we encounter shape us, refining our character and teaching us lessons that cannot be learned in comfort. But for those who are willing to stay the course, to meet each challenge with courage and tenacity, the reward is immeasurable. As I draw closer to bringing my vision to life, I am reminded that every obstacle, every hardship, and every triumph along the way has been part of a much larger story—a story not just about achieving a dream, but about embodying the spirit of the Hwarang and passing on a legacy that will inspire generations to come.
And now, here I stand, in Luxembourg—a place I once knew nothing about and certainly never imagined I would call home. In ways I can only describe as divine intervention, I find myself here, realizing the very dream I have held close to my heart for so long: building the Hwa Rang Do Sanctuary. While I could easily credit my own vision, tenacity, and perseverance for reaching this point, claiming that my “steps to success” were the key, that would be only a fraction of the truth. The real story is much simpler, and yet infinitely more profound. My dream came to life not when I tried to control it or force it, but when I surrendered to God and committed myself to following His will, wherever it might lead.
In my experience, achieving our dreams is a paradox of simplicity and difficulty. The task is straightforward, yet infinitely demanding: to stay on the path, no matter what. I believe each of us is born with a purpose—a calling given to us by God, a reason for our existence, set before we even take our first breath. During childhood, there is often a moment when we glimpse this purpose, like a flash of pure insight, appearing to us in the form of a dream, unclouded by doubt or fear, seen through the eyes of innocence. This is the seed of our life’s purpose, our unique mission.
From that moment forward, however, life becomes a test—a relentless proving ground where we are challenged again and again, as if God Himself is asking, “How committed are you? How much are you willing to endure?” The path is seldom easy, and as we progress, the weight of our challenges only increases. With each step, the burden grows heavier, the obstacles more daunting, testing the depth of our conviction. And yet, throughout it all, we are given a choice: to stay the course, to deviate or to turn back. It is through these trials that God refines us. He grants us free will, allowing us to make our own decisions, even to stray from the path if we so choose. But if we hold fast, if we remain unwavering in our purpose, we will reach the destination. It may not look exactly as we envisioned it. In fact, it almost never does. Yet, in the end, we will arrive where we are meant to be, in a way that surpasses even our wildest expectations. Just as Moses led his people through the wilderness for forty years, guided by God’s promise of a “Promised Land,” so too are we led. God kept His word to Moses, even though Moses himself never lived to see or set foot in that land. He fulfilled his purpose, not in the way he might have imagined, but in the way God intended.
Recently, I heard a priest compare our relationship with God to a game of chess, one in which God is infinitely ahead of us—at least 400 for tangible referential purpose but in the intangible reality ten to the infinite power of moves in advance, anticipating every possibility, every twist of fate. To us, His plan may seem mysterious, even baffling at times. We cannot see the full board, the intricate web of moves that stretch far beyond our limited perspective. But God sees it all. Each step, each trial, and each triumph fits into a grand design, one that we will never be able to understand.
In the end, my journey to Luxembourg, my ability to build the Hwa Rang Do Sanctuary, and the realization of my lifelong dream came not through sheer force of will, but through a willingness to follow God’s plan. By surrendering control, I found freedom. By trusting His purpose, I found direction. I was led to this unfamiliar land, far from where I thought I’d be, but exactly where I am meant to build, to teach, and to continue on the path I first glimpsed as a child.
Life has taught me that faith, not force, is the true measure of strength. Our dreams are gifts, but they are also responsibilities—a call to remain steadfast and faithful. When we surrender to the journey, trusting that God has already laid out our steps, then even the most daunting dreams become possible. And perhaps that is the greatest lesson of all: to understand that we are guided by a hand far wiser and more loving than our own, leading us to a destination more beautiful than we could ever imagine.
I always tell my students, “Move forward. No matter how small the step, just keep moving forward. Stay on the path, and trust in the journey.” This simple mantra has been the cornerstone of my teachings, a reminder that progress doesn’t need to be grand or immediate; it only needs to be steady and resolute. This philosophy embodies the essence of Hwa Rang Do. It has been my guide and my anchor, helping both myself and countless others remain true to their paths, even when the road is difficult and the destination seems distant.
For me, Hwa Rang Do is more than a martial art; it is a pathway to perseverance, a discipline that instills resilience, and ultimately, a tool for turning dreams into reality. I often call Hwa Rang Do the "Dream Maker," because it provides the strength and endurance necessary to see dreams through to fulfillment. It teaches us that dreams aren’t accomplished through sudden leaps or easy victories, but rather through small, consistent steps, each one taken with intention and unwavering belief.
God plants the spark of a dream within each of us—a vision, a purpose that resonates in the deepest part of our souls. But the journey from vision to reality is often long and challenging, fraught with trials that can extinguish even the brightest of dreams. This is where Hwa Rang Do becomes invaluable. It is not just a practice of physical skill but a training of the mind and spirit, helping to keep the flame of our dreams alive through every storm, every hardship, and every moment of doubt.
Through Hwa Rang Do, we learn to nurture that spark, to shield it from the winds of adversity, and to let it grow into a steady fire that lights our way forward. Each lesson, each training session, and each hard-won insight is like adding fuel to the fire, sustaining us even when the road is hard and the goal seems out of reach. Hwa Rang Do teaches us to find strength in humility, to recognize progress in even the smallest steps, and to understand that as long as we keep moving forward, we are fulfilling our purpose.
So, when I tell my students, “Just move forward,” I am reminding them that success is not measured by speed or ease, but by steadfastness. As long as they continue on their path, with faith in themselves and in their purpose, they are already living the dream. And in this way, Hwa Rang Do truly becomes the Dream Maker—helping each of us hold fast to the dreams that define us, guiding us as we turn them into reality, one step at a time.
“Life has taught me that faith, not force, is the true measure of strength.”
“If you know fencing, you know blood and no one brags of that.”
The fact that honor is linked to the body , is also manifested by the valorization of the white weapon, as a dueling weapon (knife, stick....) with which prowess and physical dexterity, firearms being tradicionally considered “infamous.”
Knife fencing in the Ionian area Knife fencing in the Ionian area
Knife fencing in the Ionian area
I was born in Calabria, lived in Milan and now write from Lucca where I have lived for over 10 years. With knife fencing I have the classic love-hate relationship.
Why?
Like all children my age who grew up in Catanzaro in the 1960s, I learned from elementary school how to “fight,” how to beat each other up (we used to say “undermine”) furthermore, we all knew what fencing was and, the most daring, from an early age, with pieces of wood were trained in the deadly art. Few movements, unrefined, much repeated. This activity, as much as it may evoke romantic feelings today by linking to honor and even to the famous “swashbuckling” movies, for us was not a pleasure but something to be afraid of.
“The difficulty in finding information and documentation related to fencing schools is related to the troubled history of southern Italy. The south was for years forgotten by the central power. Government that made its presence felt at ceremonies, political elections and of course to collect taxes. Philosophers and intellectuals have debated “the southern question” for decades without arriving at meaningful solutions.”
Knife fencing in the Ionian area Knife fencing in the Ionian area
Adults stabbed each other for real, cut each other, some of them left their skins behind. As easily and as quickly as you wanted to start carrying a cigarette to your mouth at age ten you wanted to have a knife in your pocket. Some of us, even if we could not witness the duel however witnessed the aftermath of the confrontation. The adults in the neighborhood who had settled their scores bore the marks of surviving a gun fight. Even today my mother says, “We came to Milan for you, to give you a better future, not to look for work, because your father had customers.” The family's emigration was not caused by labor needs, my parents were tailors and, in Catanzaro, there was no shortage of customers, but they “had gone up north” to give my brother and me a better future. We moved to Sesto San Giovanni, a working-class city in Milan, the Stalingrad of Italy. Unfortunately for my parents, from a certain point of view, we fell from the frying pan into the fire, the 1970s in Milan were the years of lead. One of the most violent periods from the point of view of urban guerrilla warfare. Bars and wrenches opened the heads of opponents and broke the helmets of poor policemen. Soon knives (initially forbidden by unwritten rules) also appeared, and soon afterwards guns, the famous P38s. On a personal level the practice of judo in those years satisfied me in all respects, physical education, self-defense (I can confirm that it works and works well) and also as a philosophy.
At some point in the 1980s, in the city of Sesto San Giovanni, where I was residing, studying, working and practicing martial arts (Judo and Viet Vo Dao) the former bodyguard of Marcos, the leader of the Philippines, appeared. Jun Ibanez Matagay was an anomalous Filipino, his size was imposing even for a Westerner. An excellent and eclectic fighter with both bare hands and weapons. The martial art, which he propagated, was all new and was called Arnis De Mano. I dove headlong into the study of the discipline and not only that, I worked hard to promote it domestically and even outside. This martial art was different from the Japanese and Chinese ones, not only because blades, and knives in particular, occupied an important role in the program but also because their use, according to the style, was reminiscent of Western fencing. It was the art that renewed my interest in blades and restarted my curiosity, which turned this time into organized research. But let us come to the present day.
Today, so-called short fencing has found its place in the martial arts landscape. Many experts in this ancient art have died, yet the heirs are still very reluctant to popularize it, why?
“If you know fencing, you know blood, and no one brags about it.”
This answer I think is the most comprehensive.
Today, however, as I have already said, it is in fashion.
Those who know even the rudiments of the ancient art find a space in our landscape because for “classical martialists” it is an absolutely unknown subject.
As I have already said elsewhere : “In a world of the blind the blind man is a king.”
<< ... the land that appears close to those who sail in the Ionian Sea Bathed by the Crati, which colors with a fiery blond the hair of those who plunge into its waves and with its sacred waters nourishes and makes prosperous the region inhabited by a strong people >>.
Euripides, The Trojan Women
The fencing of the Ionian area is a complete and secret ancient art
We will discover from what is written below that the people of the Ionian area have a very ancient cultural and warrior tradition. For centuries customs and traditions have been passed down in absolute secrecy, reserve and love of preservation are the fundamental characteristics of the said populations, especially those of Calabria (a region in southern Italy). Suffice it to say that in the so-called Grecanica area Greek is still spoken, which was used in the Magna Graecia period. As for the completeness of the art in question, it cannot be otherwise, first because in several millennia of continuous activity, inevitably an art is perfected in the field. Second because the aforementioned populations came into contact with the schools of arms of the most skilled warrior classes of the ancient and modern world. Suffice it to say that the lands of present-day Calabria alone were inhabited by Aschenazi, Ausoni, Enotri (Italians, Morgeti, Siculi), Lucanians, Bruzi, Greeks and Romans; in the Middle Ages by Byzantines and Normans; then, they had close contacts with the Kingdom of Naples, Angevins and Aragonese. Clashes with Ottomans and later with the Piedmontese. Battle in hand-to-hand combat, skill in ambushes and individual and group confrontations was perfected in recent times with the phenomenon of brigandage. The brigand was a rebel who, living in the bush, fought injustices committed by the rich against the poor, by governments against the people. Soon the phenomenon became so widespread that the Piedmontese had to deploy substantial resources and mobilize several army divisions to fight what could be hotbeds of endless revolt. But war is not won by arms alone. Thus began a smear campaign against the brigand by associating him with the criminal organizations (Ndrangheta) that had spread in the Reggio Calabria, an area of southern Calabria, (in Italy) around Reggio Calabria. This association was also liked by the criminals themselves who, always seeking popular consent, falsely set themselves up as champions of the people. Today this confusion of roles between brigands and camorrists (or if you prefer ndanghetists) is perpetuated even among the people, who will answer that the man of honor is the one who helps them in times of trouble. So if that bandit was a thug then so was the Robin Hood character who stole from the rich to give to the poor.
Who redeemed the last from the oppression of the foreigner and who imposed unjust oppressive laws and also passed as the one who brought “civilization.” Returning to what we are most interested in namely the local martial art, it goes without saying that with such activities described above knowing “fencing” was a basic necessity for survival itself. If we think back to the historical period of the '800 when firearms were of relative importance, the assault with the white weapon, knife in primis, was the strong point of any warrior. To fight in hand-to-hand combat required training and thus a master and a school. In the dense and impenetrable forests of the Calabrian Serre, very secret schools flourished to which not even the nearest local people could have access unless expressly invited. Underworld schools copied, when and where they could, the “modus operandi” of the brigands. Often without succeeding.
After all, the seed of rebellion was in the DNA of the peoples of the South demonstrated this by reacting against the Romans and supporting the mythical Spartacus in his well-known rebellion.
While the phenomenon of brigandage, with an inexorable decline, slowly died out, on the contrary, criminal organizations soon became part of power. Power that always knew how to take advantage of the organizational network that secret societies could offer. They did so with Garibaldi and then with the landing of the Americans in the last war. Armed with new and powerful support, criminal societies have made a career out of going beyond local borders to have the entire planet as their theater of action. Among the brigands we find the sense of honor, of sharing with the people the recovered wealth, of the true art of fighting with pride, stubbornness and incredible skill in fencing. In the organizations of the Ndrangheta as soon as it was possible they went from knives, to guns, to the kalaniskov, to bombs arriving slowly, to pilot the great international finance.
Why is there talk of Ionian fencing and not Calabrian fencing?
Easy answer, because regions so organized are quite recent and culture does not stop at the regional boundary line. In fact, Ionian culture also invests a slice of present-day Apulia and Sicily.
Let us look closely if briefly at the (neglected) history of this geographical area.
The people of the Ionian area. A leap in history
When one speaks of southern Italy, one must think of a melting pot of history, traditions and cultures that over the centuries have intersected with each other and resulted in complex and culturally highly advanced civilizations.
The current administrative subdivision into regional contexts has not meant a sharp differentiation between cultures, ethnicities, customs: on the contrary, often, common historical origins have meant that, even within separate regional contexts, the same customs have recurred, perhaps with subtle different nuances.
Different peoples, all of Indo-European origin, inhabited from pre-Roman times the peninsular and insular areas of the South, facing the Ionian Sea: Lucanians and Bruzi occupied today's Calabria and Basilicata, the Iapigi people held the part roughly corresponding to Apulia. Before that it was the Mycenaeans who brought civilization and culture to our South: to the 8th century BC. dates the real Greek colonization, especially on the Ionian and then on the Tyrrhenian coasts, so much so that Ischia became one of the most dynamic Greek commercial emporiums in the Mediterranean; many cities, which have come down to us today, were founded in Sicily as well as in Calabria and Campania, from Cumae to Messina, from Sybaris to Crotone. This was the territory of the so-called Magna Graecia.
Subsequent Romanization, which was already in prospect from the 3rd century B.C. onward, actually occurred only as a result of the internal conflicts that often opposed individual communities, eager to prevail over one another. The Romans operated a kind of homogenization of customs, traditions, and economy, building, for example, roads such as the Popilia that joined Capua to Reggio, promoting land investments by senatorial families in these very areas, and assigning abandoned and uncultivated lands to veterans.
The Oenotrian inhabitants of present-day Calabria
The political organization of the Oenotrians was predominantly oligarchic-monarchic and, above all, federative. Several villages, related to each other by vital interests, formed and founded “cities,” in which resided the highest political and religious institutions: the “chief” and the “priest.”
Hecataeus of Miletus describes them as a people of mountaineers, devoted to pastoralism, who made inhabited every district of the fertile land of Ausonia.
Polybius tells them a people possessed of “every virtue, for honesty of morals, benignity of nature, hospitality to all, and different from the other Greeks in guilt and cruelty; remarkable for religious respect to the gods.”
Virgil decries Oenotria as “an ancient land, mighty in arms and fruitful, the Oenotrians cultivated it, now it is reputed that posterity called it Italy, after the name of their lord.”
As a shepherd people they must have enjoyed great esteem and respect, for in antiquity the figure of the shepherd carried extraordinary attributes of power and wisdom. Indeed, shepherd was the great king of Crete Minos; shepherds were the first chiefs of villages and cities; shepherd was thought to be Zaleucus, the great lawgiver of Locri; the shepherd's garments, in the Homeric songs, were worn by the heroes and gods.
(Wikipedia)
will discover from what is written below that the people of the Ionian area have a very ancient cultural and warrior tradition.”
Adults stabbed each other for real, cut each other, some of them left their skins behind. As easily and as quickly as you wanted to start carrying a cigarette to your mouth at age ten you wanted to have a knife in your pocket.”
Knife fencing in the Ionian area Knife fencing in the Ionian area
The “full immersion” method
All so-called folk systems have the virtue of genuineness, adaptability to the man (or community) who adopts and practices them, but also the great defect of absolute lack of organization. Learning was like the game of five-a-side football: one played every night and learned by “full immersion” a little from one's own experience and a little from that of someone, older, who occasionally explained some winning action. Even more rarely, a figure vaguely resembling a master as we imagine him would bestow, sparingly, jealously and circumspectly, his knowledge.
This way of doing things also served for the selection of students. The most deserving had to demonstrate will, perseverance, skill. Qualities that were needed not only to learn the art but, above all, to enter secret societies from which one would never leave.
“These things are not talked about!”
The difficulty in finding information and documentation related to fencing schools is related to the troubled history of southern Italy. The south was for years forgotten by the central power. Government that made its presence felt at ceremonies, political elections and of course to collect taxes. Philosophers and intellectuals debated “the southern question” for decades without arriving at meaningful solutions.
In order to prevent southern society from becoming prey to infighting, endless feuds, vendettas, and injustices in which the fittest had the upper hand, the people of the south gave space to secret organizations that liked to call themselves “honored society.” Depending on the geographical area they took different forms and names but, in any case, they all needed soldiers, a private militia. The picciotti or “young men of honor” had to not only have a weapon but also learn how to use it. Carrying the sword was dangerous and anachronistic, the rifle too conspicuous and noisy, the choice obviously fell on the knife. Everyone carried it as an indispensable tool in rural life. Some had learned to use it, others made do as they could by learning from experience. Slowly, prep schools sprang up. Just as nations set up an army, selecting candidates, then arming and training them, secret societies also followed the same rigmarole. The larger, more organized societies were divided into two parts, usually known by the names major and minor camorra (elsewhere they had other names). A sort of drill sergeant was chosen who spent time training recruits in the two main weapons: the knife and the stick. Often there were environmental simulations in which they learned to defend themselves with what was lying around: the bar chair, wine bottles, rocks, belt, jacket, etc..
It is easily deduced that showing knowledge of the local martial art consequently meant having had close contacts with these underworld-related secret societies even though they called themselves “men of life.”
The other channel of training was within the family: transmission was from father to son. However, the latter way of transmitting art, although it had strong romantic overtones, was actually quite rare.
Involving children from the “wrinkle” (street) in games of skill knowingly instituted by teenagers in training served to eye the most deserving and offer them candidacy in due course.
Clearly we are talking about a long time ago; today everything is different. Such organizations have made a quantum leap from knife and stick to machine guns and hand grenades. Just think how firearms were once considered which we can easily deduce from The Reasons for the Mafia studies and research of the Calabrian Nicola Zagnoli notebooks:
-The fact that honor is linked to the body, is also manifested by the valorization of the white weapon, as a dueling weapon (knife, stick....) with which prowess and physical dexterity are demonstrated, firearms being traditionally considered “infamous.”-
Ionian Highway 106
The towns distributed along the 106 state highway known as the Ionian run international business with staggering revenues. The Ionian highway ideally reaches the world's major metropolises establishing unthinkable connections between the entire world and the Calabrian coast.
It is enough to read the presentation of the book “statale 106” that I enclose below to get an idea of what lies beneath villages that seem at first glance to be harmless rural and run-down hamlets.
“A 104-kilometer journey on a two-way road, squeezed between the waters of the Ionian Sea and the slopes of Aspromonte: the route from Reggio to Siderno takes only an hour and a half by car, but from Calabria it branches out across five continents and more than 40 years of crime. From the murder of the extremely powerful Ferrovie dello Stato CEO Lodovico Ligato to money-laundering maxioperations in Hong Kong; from privileged relations with Colombian narcos to the brutal murder of journalist Ján Kuciak and Martina Kusnírová in Slovakia; from the largest ecstasy shipment of all time hidden in the port of Melbourne to the wars that are blooding the suburbs of Montréal and Toronto: To drive on State Highway 106 is to trace back to the source of the global 'ndrangheta phenomenon, an organization capable of celebrating the ancestral rituals of a weeping Madonna while pulling off reckless multi-million-euro international financial operations. “Statale 106” is a journey inside history and psychogeography, and its end point can only be to decipher the minds of the affiliates. With the unerring instinct of the investigative journalist, the passion of the novelist, and the emotion of one who tells the story of his homeland, Antonio Talia has constructed a lucid and rage-filled reportage, an immersion in evil that has the sour taste of truth.
Returning to our attempt to recover the ancient arts developed in this area of the world we must first have a precise conceptual guide. To serve as our guiding star will be a saying that was uttered in whispers in these fencing schools. A lapidary and concise phrase that allows us to understand that what is shown is not always what is really known:
“The dance is for country, the duel is for honor, the battle is for life.”
Knife
fencing in the Ionian area Knife fencing in the Ionian area
The Tao of Learning and Self-Defense
The Tao of Learning and Self-Defense
“There are deeper mysteries in the art of learning than in the art of teaching. First, you have to learn how to learn, then recognize from whom you can learn, and finally, what you should learn.”
The Tao of Learning and Self-Defense
The Tao of Learning and Self-Defense
The Tao of Learning in the OLIVA Combat System (O.C.S.) is based on the idea that what we sow today, we reap tomorrow. For this reason, the O.C.S. program is structured and practice-oriented, designed to teach students and instructors the principles and concepts of a comprehensive methodology. At the same time, it remains firmly rooted in the basic techniques.
The keys of learning include theoretical knowledge, technical skills, dexterity, and the harmonious connection between agonists and antagonists. In addition, there are energetic movements, looseness, and proper alignment of the body.
“The goal of self-defense is to form the clever into instructors and to teach the wise as Sifu.”
The Tao of self-defense is directly related to the challenges we face in an increasingly violent world. Every day, people are confronted with crime and aggression. The increasing number of assaults, robberies and rapes is creating fear and a need for protection in many people.
The O.C.S. self-defense training program focuses on teaching students realistic and effective self-defense techniques. It is clear that effective self-protection requires more than just physical strength – it also involves mental attitude and spiritual strength. Holistic, comprehensive self-defense covers various aspects that must all be trained and understood.
The essential components of a 360° selfdefense system include, among other things:
• Preventive measures
• Tactical understanding
• Realistic training scenarios
• Protection and safety strategies
• Mental resilience
• Effective use of your own body weight
• Assessment of the attacker and the danger situation
• Understanding the escalation levels
• Defense against chokeholds
• The 15 basic principles of combat defense
• Three key factors: surprise, fear, doubt
• Mental and physical reaction strategies
• Three levels of danger (latent, increased, serious)
• Three basic elements of self-defense (distance, observation, recognition)
• Proper breathing under stress and in conflict situations
The OLIVA Combat System offers a clear path to reacting with the necessary know-how in any situation through specific training scenarios. This careful and professional preparation maximizes the chances of successfully surviving a threat.
“Self-defense must be functional, simple and effective in all areas.”
The Tao of Learning and Self-Defense
The Tao of Learning and Self-Defense
In the OLIVA Combat System, learning is the key to mastery. Those who train in the principles of combat, self-defense and mental strength not only develop physical skills, but also grow spiritually. Self-defense is more than just a physical act – it is preparing for the unexpected, the ability to react smartly and effectively when it matters most. The combination of theoretical knowledge and practical skills creates a comprehensive protection system that enables you to act calmly, precisely and decisively in any situation. Self-defense is not just a fight for survival, but an art that shapes the body, mind and will.
“Ultimately, martial arts teach us responsibility and awareness –of our feelings, our body and our mind. When we combine these three elements, we become a whole, fitting harmoniously into the greater whole of the universe.”
The Tao of Learning and Self-Defense The Tao of Learning and Self-Defense
Plastic Arts and Martial Arts
With the left hand
Many years ago I saw a movie called: “My Left Foot” in which a man with motion impairment, achieved - before the impossibility of using his hands to write, eat and grab any object - the development of his left foot, being able to write and even take a bite of food to his mouth using a spoon or a fork held with the fingers of his foot.
Then I thought to myself: if this man with a great willpower managed to overcome himself and become so important that he even had a movie made of his life; isn't it possible then to make so many alienated people become aware, wake up, develop their intelligence and THINK?
Some time later I saw an advertisement in one of the New York subway cars, where some zombies in the style of Jorge Romero's movie “The Night of the Living Dead” told us: Call us if you are ready to return from the world of the living dead; undoubtedly this advertisement was within the same energetic line that I was thinking about.
“This is a world devised and designed for those of us who use the right hand, a world for right-handers, where left-handers, those who use the left hand, have a very hard time.”
After a while I saw again the films of Jorge Romero, where the dead came back to life but as zombies, living dead out of their graves in the cemeteries, to feed on human flesh; I also saw in the cinema another film parodying those of Romero, where the zombies fed only on fresh brains, alive, freshly torn directly from the skulls of the frightened humans and begged; give me more brains ... more brains.
What can we do then to AWAKE UP, to NOT be part of that army of living dead, of that population of walking corpses, to meditate, pray, practice yoga, read self-help books, make spiritual retreats, repeat mantras, be vegetarian or macrobiotic, practice Tai Chi Chuan or other martial arts, belong to hermetic and secret sects?
Day by day are walking those masses of alienated people who go day after day to their offices, factories and jobs; hoping to stay in their secure jobs after 40, waiting for retirement as a liberating act, putting their faith in luck, in horse races, lotteries, lotuses and pools and without realizing, as the singer Willy Colon says: “that life is something more than giving everything for food. “That life is something more...”
Then it happened that while I was waiting my turn in the dentist's anteroom, and I was looking through the magazines one by one; I read an article in a scientific newspaper that made me reflect, because it warned us that we humans only use 10% of our brain. Only 10%?, I exclaimed scared, and I thought we used more than 200%; this is really worrying.
It was in a talk given at an esoteric fair that I attended years later where the presence of extraterrestrial beings on planet Earth was clearly demonstrated, the lecturer at the end of his presentation gave the attendees a system that he was taught by some visitors from other worlds, and that would allow us earthlings, the development of our intelligence, to stimulate the right side of our brain; this was what he was looking for since reading the newspaper at the dentist's office.
As I listened to him, I paid close attention to the exercise he was teaching us to do at home or at our desk. Using the fingers of the left hand so that we could then have access to develop the great potential of the right side of our brain (thedarksideofthemoon?). With the thumb of the left hand touch the tip of the index finger, then the middle finger, the ring finger and finally the little finger, while with the thumb of the right hand we do it in the opposite way touching at the same
time: the little finger, the ring finger, the middle finger and the index finger... while the left thumb goes down, the right thumb goes up, in unison, while the right thumb goes down, the left thumb goes up... What a tangled, difficult and complicated exercise; as complicated as pretending to do Mudras with our fingers using the references of photographs published in a book. Since then I practice this exercise to see what happens, to see if it changes the chemistry of my brain.
This is a world devised and designed for those of us who use the right hand, a world for right-handed people, where left-handed people, those who use the left hand, have a very bad time.
The masters say by revelation, that those who are left-handed, were of the opposite sex in their previous life; a lefthanded man then according to that theory was a woman in his previous life.
Since this world is for right-handed people and everyone develops one hand more than the other, I started to make a list of the things I can do with my left hand.
I discovered then that with my left hand I can do certain things that are usually done only with my right hand; because I am in fact both right-handed and righthanded.
With my left hand I stimulate the right part of my brain and this in itself is important, since it is thought that this part corresponds to CREATIVITY and I am particularly interested in being very creative.
With the act of using my left hand I can then awaken certain sleeping areas, which are in a dormant state like seeds waiting to awaken = to live.
With my left hand I use the nunchakus with the same skill, speed and effectiveness as with my right hand.
Also with my left hand I can handle the sharp combat knife, made of stainless steel, with great ease.
I use it when I box and it is, in fact, very powerful and good my left jab and hook as my SenseiEugenOssott says when we practice KickBoxing and I crush his nose.
With my left hand I can write, but my handwriting then comes out without fluency, nervous and shaky.
With it I also draw, but the drawing is clumsy, which I then take advantage of to do it slowly, calmly, very carefully so as not to lose control of the stroke.
That is why my “left-handed” drawings are nervous, clumsy from the beginning, but meticulous in every detail. I also use my left hand as a diplomat when dealing with some delicate individuals, with whom it is necessary to have, by force, a very, very left hand.
To shake hands (left or right) with a walking corpse is a serious thing and it is necessary to do so even if we move forward towards him, open the right palm of the hand, then we will also have the closed fist of the left hand like a Samurai (this is undoubtedly a preventive and guard attitude, clearly martial).
The Venezuelan philosopher Ludovico Silba said, shortly before his death, in an interview he was given for the newspaper El Nacional, that: “the left hand was what the right hand needed to hang the proletariat”.
This thought even with ideological pretensions - center-left and communistoid gangs - is one of the most honest and true thoughts I have heard in the world of politics, especially to be applied in these times in which we live, wrongly called: “revolutionary”.
"... Fifty canarians of the best swimmers to be found, each equipped with a cabarco and a dragon tree tablachina". In this way, indigenous Canary Islanders were used as elite troops in the assault on Tenochtitlan, Mexico, early 16th century. This new work of the Federación de Lucha del Garrote Canario, focuses on the traditional Tolete, its characteristic grip with one hand in the center, the guards (right, troquiada, ...) and the basic techniques (correderas, vueltas, lazos, molinetes...), as well as its application in combat combinations. In the traditional Tolete canario the objective is to break the armed hand of the attacker and to finish off in a forceful way with a definitive blow. There are no controls or reductions. The opposite happens with its police application, where the proportionality to the aggression and even the aggressor's own integrity is protected by law. The military application does not have these limitations, but its use as defense by the military police does. The characteristics of the Tactical Operational Tolete for the operations of civilian and military police forces favor these aspects as it is an extremely versatile implement. Its dimensions and central grip with effective wrist turns facilitate rapid and repeated striking movements to the armed hand, enabling both its cancellation and the consequent control for an effective reduction, thus preserving the life of the agent and eliminating the threat with the minimum of injury.
All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.
A Shurikenjutsu: Stealth in Tsuka ni Kakureta (柄に隠れた)
“Vision without action is a daydream. Action without vision is a nightmare” (Japanese proverb) (実行力なき洞察力は白日夢である。洞察力なき実行力は悪夢である。)
The above expression emphasizes the necessary balance between the ability to perceive or have insight (洞察力) and the ability to put into practice or act (実行力 ). Without the ability to act, insight becomes a distant dream. On the other hand, acting without perception or understanding can lead to disastrous situations, like a nightmare.
Shurikenjutsu is a traditional Japanese martial art that arose in a context where the ability to throw small, concealed weapons was essential for survival and success in combat. Much more than a simple throwing technique, shurikenjutsu incorporates elements of strategy, precision and stealth, reflecting the philosophy of the warriors who practiced it. Originating during the feudal period, this art was widely used by different groups who adapted the use of the shuriken according to their needs. In this way, the shuriken could be used in a martial context as an extension of a person's skills with the katana or other weapon. However, there was also the strategic use of the shuriken, when it was used to create distractions and quick attacks in espionage missions, for example. In this context, considering the different ways of throwing the shuriken, such as Jiki Dahō (直打法 ) or Hanten Dah ō ( 反転打法 ), the practitioner could choose the best way to throw it according to the objective of the combat and its strategic possibilities, which required training on both a mental and
physical level on the part of the practitioner, since precision in the throw and choosing the exact moment to use it were essential to surprise and disorient the enemy.
Among his many approaches, one particularly intriguing technique is the practice of hiding the shuriken in the handle (tsuka) of the katana. This strategy, known as “Tsuka ni Kakureta” (柄に隠れた ), not only enhances the practitioner's stealth, but also adds a layer of complexity and refinement to the throwing technique.
In the study of shurikenjutsu, this method of hiding the shuriken na tsuka, from a traditional point of view, is employed to surprise the opponent and maximize the efficiency of the attack. Thus, during this practice, the correct positioning of the shuriken is fundamental, as it determines both the ease of access and the fluidity of the throw.
“In the study of shurikenjutsu, this method of hiding the shuriken in the tsuka, from a traditional point of view, is employed to surprise the opponent and maximize the efficiency of the attack.”
The Three Main Ways of Concealing the Shuriken in tsuka ni kakureta
In the “tsuka ni kakureta” technique, there are three main methods of concealing the shuriken, the Outer Side (外側 ), the Lower Side (下側 ) and the Inner Side (内側 ) of the tsuka: each adapted to the type of throw and the practitioner's posture:
- Outer Side (外側 ): The shuriken is positioned on the outer side of the tsuka, where the dominant hand holds it firmly while handling the katana. The biomechanics of the hand play a crucial role, as grip strength is essential for maintaining the stability of the grip and preventing the shuriken from slipping during sword movements.
Control of the flexor muscles of the fingers and forearm ensures a secure grip, while the natural oscillation of the hand needs to be minimized to ensure the accuracy of the throw.
When the shuriken is positioned on the outer side of the tsuka, pressure is predominantly exerted by the middle and ring fingers, while the index finger and thumb maintain firm control of the katana's grip.
This positioning requires adjusted pressure on the fingertips in order to hold the shuriken firmly against the side of the tsuka, preventing it from slipping during the draw or attack movements.
The proximal and middle phalanges of the fingers work together to create a stable fulcrum, while the distal phalanges (fingertips) make fine adjustments to maintain the shuriken's stability.
In this context, the importance of the deep flexor muscles of the fingers stands out, as they provide the necessary resistance to support the weight of the shuriken during fast movements.
- Lower part (下側 ): The shuriken is hidden in the lower part of the tsuka, close to the edge, allowing for a quick and discreet draw. In this method, the wrist joint takes on special importance, as the inclination of the hand and wrist must be adjusted to prevent the shuriken from falling before the appropriate moment.
The position requires a delicate balance between flexibility and stability, as rapid changes in the hand's posture can generate instability, making it difficult to throw accurately.
Control of the extensor muscles of the forearm and coordination of the thumb are essential for a fluid serve.
The little finger and ring finger play an essential role in maintaining the position of the shuriken.
The pressure applied by the distal phalanges of these fingers is delicate, as they need to keep the shuriken hidden without squeezing it excessively, allowing for a quick and fluid serve.
At the same time, the thumb and forefinger work to stabilize the katana's grip, ensuring that the pressure is evenly distributed between the sword and the shuriken.
Here, the intrinsic muscles of the hand, such as the interosseous and lumbrical muscles, help coordinate the release movements of the shuriken, preventing any oscillation during the transition to the throw.
Precise pressure control and synergy between the different phalanges are crucial to ensuring that the shuriken remains in position until the exact moment of the throw.
- Inner Side (内側 ): The shuriken is hidden on the inner side of the tsuka, requiring a slight turn to see it before the throw. Here, the rotation of the wrist and the mobility of the small muscles of the hand, such as the interosseous and lumbrical muscles, are fundamental.
The rotational movement needs to be firm and controlled to avoid oscillations that could misalign the shuriken before the throw. The accuracy of this rotation depends on the correct alignment between the hand and forearm, ensuring that the trajectory of the shuriken is maintained throughout the movement.
When the shuriken is hidden on the inside of the tsuka, the challenge lies in controlling the rotation of the wrist and fingers to expose the shuriken before the throw.
Pressure is applied differently, with light pressure from the tips of the middle and index fingers to keep the shuriken firmly held against the tsuka while the katana is sheathed.
When throwing, the rotation of the handle and the sliding action of the shuriken are facilitated by the movements of the proximal and middle phalanges, which adjust the grip to release the shuriken at a favorable angle.
The precision of this movement depends on the control of the extensor muscles of the forearm, which regulate the tension in the fingers during rotation, and the flexors, which allow fine-tuning of the grip to release the shuriken smoothly and quickly.
Each of these postures reflects the importance of harmony between the structures of the hand and the tsuka, where the pressure applied by the fingertips and the correct positioning of the phalanges determine the stability of the shuriken and the effectiveness of the throw. The ability to adjust this pressure, maintaining control of the shuriken without losing the firm grip of the katana, is the result of continuous training that strengthens the hands and improves fine motor coordination. In addition, anatomical awareness of the structures of the hands and an understanding of the behavior of the fingers and phalanges in each posture allows the practitioner to develop greater precision and confidence in the execution of the technique, ensuring that the shuriken is released at the ideal moment, with the desired trajectory.
Thus, in the “tsuka ni kakureta” technique, each of the shuriken concealment variations requires an adjustment of fine motor coordination for a correct grip of the shuriken and the tsuka of the katana, which involves different levels of pressure on the fingertips and specific control of the hand joints. These variations allow the practitioner to choose the
“Thus, in the “tsuka ni kakureta” technique, each of the variations of concealing the shuriken requires an adjustment of fine motor coordination for a correct grip of the shuriken and the tsuka of the katana, which involves different levels of pressure on the fingertips and specific control of the joints of the hands.”
most appropriate approach depending on the opponent's position and the strategy to be adopted.
These anatomical aspects are essential for mastering shurikenjutsu, as the combination of technique, muscle control and bone structure defines the effectiveness of each movement. By practicing “tsuka ni kakureta”, the warrior not only learns to conceal and throw the shuriken, but also to integrate body and weapon in perfect synchrony, where every detailfrom the tension of the tendons to the pressure on the fingertips - contributes to combat efficiency.
Strategies Based on the Opponent's Position
The concealment of the shuriken is fundamental to ensuring that the element of surprise is maintained during combat. The opponent's position in relation to the practitioner determines which concealment technique should be used, in order to reduce the visibility of the shuriken and enhance surprise at the moment of attack. Each strategy exploits the opponent's limited viewing angles and blind spots, making it difficult to see the shuriken.
- From the front (正面):
- When the opponent is directly in front of the practitioner, the shuriken is hidden in the lower part of the tsuka.
- This positioning takes advantage of the fact that, when looking directly at the practitioner, the opponent does not have a clear angle of the lower part of the handle, especially if the katana is positioned in such a way as to hide this area.
- The sheathed position of the katana on the obi (belt) further contributes to this concealment, making the shuriken invisible until it is released.
- From this perception, the opponent has little chance of anticipating the attack.
- Right side ( 右側 ): If the opponent is positioned to the practitioner's right, the shuriken is best hidden on the opposite side of the tsuka (left side). Choosing this position uses the practitioner's body as a visual barrier, blocking the opponent's direct line of sight.
- From this perspective, the opponent only sees the right side of the practitioner and the grip, while the shuriken remains safe on the other side.
- Even if the practitioner makes rapid movements or changes their stance, the opponent will hardly notice the presence of the shuriken, maintaining the surprise factor.
- Left Side (左側): When the opponent is on the practitioner's left, the
shuriken is hidden on the opposite side of the grip (right side). This positioning also benefits from the opponent's limited line of sight, using the practitioner's own body as a natural shield to hide the shuriken.
- In this case, any movement to release the shuriken can be done more subtly, as the opponent does not have a clear view of the inside of the tsuka.
- In addition, the fluidity of the release movement, combined with the change of angle, makes it even more difficult for the opponent to perceive what is happening.
Each concealment technique - whether from the front, right or left - takes advantage of the opponent's limited viewing angles, using the practitioner's body and the position of the katana as natural camouflage tools. This ability to adapt the technique to the context of combat, while maintaining the element of surprise, not only highlights the stealth characteristic of this martial art, but also reinforces the importance of precision and planning in every movement. By mastering these strategies, the shurikenjutsu practitioner maximizes their advantage over their opponent, turning the shuriken into a powerful and effective weapon, even in hand-to-hand combat.
The concealment of the shuriken is fundamental to ensuring that the element of surprise is maintained during combat.”
Tsuka ni Kakureta: Variants and Technical Considerations
The “tsuka ni kakureta” technique, which involves concealing the shuriken in the handle of the katana, is not only a demonstration of stealth skills, but also an exercise in precision and control over the movements of the hands and fingers. Mastery of this technique varies according to the amount of shuriken used and the demands of combat. In more advanced styles, it is possible to use two or three shuriken simultaneously, which requires in-depth anatomical and physiological knowledge of the hands, as well as precise control of the pressure applied by the fingers in each concealment position.
The variation in the number of shuriken used directly influences the choice of concealment method and the practitioner's behavior during combat. The use of multiple shuriken requires complete mastery of the balance and coordination between drawing the katana and throwing the shuriken. Maintaining the stability of the fingers and phalanges when holding the shuriken against the tsuka is essential to ensure that the movement is fluid and precise, preventing the projectiles from escaping before the right moment. The behavior of the flexor and extensor muscles of the hands and the appropriate pressure exerted by the fingertips are factors that determine the effectiveness of the throw and the maintenance of the element of surprise.
Use in Combat and Distraction Strategies
In situations where the practitioner faces multiple opponents, the technique of throwing the shuriken before drawing the katana can be a crucial differentiator. By firing the shuriken first, the practitioner creates a distraction that forces the opponent to react to the projectile, opening up an opportunity for the katana to be drawn more safely and strategically. This approach not only increases the opponent's margin for error, but also allows the practitioner to adjust their positioning and angle of attack during combat.
In certain styles of shurikenjutsu, the shuriken is tied to the sage - the rope that holds the sheath of the katana - which prevents the projectile from being lost after launch. This technique ensures that the shuriken remains close to the practitioner and can be quickly retrieved for a new throw. However, this approach also requires even more refined technical control, since the tension and movement of the sageo must be coordinated so as not to interfere with the natural movement of the serve or the handling of the katana. The use of the sageo adds an extra layer of complexity to the technique, making it a specialized resource for advanced-level practitioners.
Challenges and Benefits of Concealment Techniques
The practice of tsuka ni kakureta presents a number of challenges, such as the need to balance strength and subtlety in hand movements. In addition, the ability to keep the shuriken hidden during movement depends on precise muscle and nerve control, which must be constantly improved during training. This technique offers a significant benefit in terms of surprising the opponent, but it also requires a high level of concentration to adjust the strategy according to the opponent's position and the circumstances of the fight.
Practitioners who master this technique gain a strategic advantage, being able to use the combination of the katana draw and the shuriken throw in a harmonious and surprising way. The possibility of disguising movements and keeping the shuriken invisible until the last moment reflects the essence of shurikenjutsu: the art of manipulating space and time on the battlefield, turning every gesture into a calculated move to ensure victory.
Conclusion
The practice of shurikenjutsu, in particular the “Tsuka ni Kakureta” technique, reveals a fusion of tradition and technical complexity that goes beyond the simple throwing of a projectile. This method of concealing the shuriken in the katana's handle stands out for the precision and control required of the practitioner, who needs to integrate anatomical knowledge
The concealment of the shuriken is fundamental to ensuring that the element of surprise is maintained during combat.”
of the hands with combat strategy, as well as developing the ability to adapt their techniques according to the opponent's position.
The art of concealing and releasing the shuriken from the tsuka turns combat into a game of anticipation and surprise, where each move is carefully calculated to create strategic advantages and exploit the opponent's vulnerabilities. The different methods of concealment - whether on the inside, outside or underside of the tsuka - require continuous adaptation of pressure and motor coordination, ensuring that the element of surprise is maintained until the exact moment of attack. By mastering these techniques, the practitioner not only refines their skill in using the shuriken, but also learns to harmonize body and weapon in such a way as to become unpredictable on the battlefield. The result is a symbiosis between agility and control, where the shuriken and katana become extensions of the warrior's own body. Thus, the practice of “Tsuka ni Kakureta” not only preserves the traditional teachings of shurikenjutsu, but also contributes to the perpetuation of a martial art that values both physical dexterity and strategic depth, always in search of balance and efficiency in combat.
Grand Master Martin Sewer presents in this work a complete course of Bak Hok Pai, the style of the white crane. The crane is an elegant animal. With its white feathered robe, one moment it stands like a ruler, guarding its territory. The next moment, it flaps its wings and moves forward at lightning speed. Although everyone has a clear picture of this graceful creature in their mind, most find it difficult to imagine this great bird in a fight. How does a crane actually fight when threatened? Like all animal styles, the crane style was created by studying the animal's strategies and tactics during a fight and transferring them to humans. This also gave rise to the five animal styles that have stood the test of time and are taught in my school today: Tiger, Crane, Snake, Leopard and Dragon. Mastering all these animal styles and the elements that go with them makes one a perfect human being, say the legends of Kung Fu, and it is naturally part of the philosophy of a true warrior to want to constantly improve and achieve perfection. Although the knowledge/skill of the five animals belongs to advanced levels, four of the mentioned styles are even accessible to beginners in the form of seminars. In them, eager students not only get a deeper insight into our Hung Gar, but also learn the first fighting techniques of the respective animal style, and the most common comment is: "I would not have thought that these techniques could be so efficient...!".
All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.
More than a century ago, in our cities, men of different social classes still resorted to sword and saber duels to settle their disputes and in the streets one could meet thugs and muggers ready to use a knife. Times when it was common for a gentleman to leave the house with his cane, often animated, i.e. equipped with a hidden blade. Starting from the treatise of Master G. Martinelli (1908) "Trattato di scherma con bastone da passeggio" interpreted and integrated according to the methodology of the Nova Scrimia, masters Chiaramonte, Galvani, Girlanda and Proietti present a complete work on the use of the cane, which even today can be extremely valid and effective. For cane fencing, Martinelli draws inspiration from the Italian school of saber, with a classical approach, as well as boxing as a means of selfdefense: guard, strikes, parries, feints, spinning and circling steps, jumps, strong blows to the hand, arm, groin and terrifying jabs to the face. The stick placed in good hands is as good as a saber. Of course, it does not cut or pierce, it does not kill, but it brings to reason and, if necessary, brings even the fiercest offender to his knees.
All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.
“
Muay Thai provides instruction in the assessment of distance and engagement at a distance, as well as the utilization of footwork to maneuver opponents in a manner that is advantageous to the practitioner.”
The Story behind the Name CROSS-FIGHTING – Part 2
The Business of Fear…
The prevailing sentiment in our country is one of security and stability, despite the growing tensions and unrest that are becoming increasingly evident on a global scale. Nevertheless, Switzerland's reputation as a neutral nation has been demonstrated to possess resilience and stability, at least according to the available evidence. Switzerland is a country with a great deal to recommend it, not only during the winter months for skiing and snowboarding. Despite my occasional longing for the Spanish beach – in particular Valencia where we host also our annual Jiu-Jitsu Camp every year, I am gratified to be able to appreciate the beauty of this small country.
We may now turn our attention to the following question: If the country is indeed as safe as its residents believe, why is there a growing demand for firearms and self-defense courses? Indeed, this phenomenon has also been observed in Switzerland. Moreover, most new customers are not male; rather, they are female! During my research, I have engaged in numerous conversations with friends, members, and other individuals. In these discussions, I have inquired about their experiences with self-defense courses and martial arts training, as well as their attitudes towards gun ownership. It is noteworthy that a considerable number of respondents indicated that they had previously participated in self-defense courses and/or gun training. Moreover, a considerable number of individuals indicated a desire to obtain a firearm for personal protection. In Switzerland, all military personnel are equipped with firearms, which may contribute to the perception that there is no need to procure additional weapons. Another rationale for this decision may be the concern that having a firearm in the home could pose a risk to children.
“Our members are encouraged to engage in training in our proven martial arts program in a manner that is optimal for them.”
The prevailing view is that the onus of ensuring public safety lies with the government. It is of the utmost importance that our health and lives be placed in the hands of trained professionals, rather than individuals who may lack the necessary qualifications or experience. Nevertheless, it is within our rights to ensure that we possess the necessary knowledge and experience.
“Our fears do not prevent death; they prevent life”.
-Master Rickson Gracie
The Direct Way to a Solution…
All individuals engaged in martial arts training, regardless of style or system, are required to develop the capacity to adapt rapidly to a range of situations. It is a verifiable fact that genuine peril can emerge without any prior indication. Such occurrences can manifest unexpectedly and present a challenge in the immediate moment. It is of the utmost importance that we utilize our intrinsic human faculties to navigate the complexities of the modern world. In the contemporary era, there is a tendency to espouse a multitude of theoretical perspectives while neglecting the accumulation of empirical evidence. In a relatively short period of time, you will be required to utilize your skills and attributes to ensure your survival. The capacity to survive is the determining factor in the attainment of success.
“Our fears do not prevent death; they prevent life”.
“The objective of martial arts is not to inflict harm upon an adversary, but rather to facilitate personal growth and self-perfection. The practice of martial arts should be a practice of love, encompassing the preservation of life, the preservation of the body, and the preservation of family and friends.”
To survive is to exert one's full potential and fulfill one's obligations. This leads to the question of whether the individual in question possesses the necessary “killer instinct” to prevail in the face of adversity. The most common reason for a lack of the “killer instinct” (i.e., the willingness to perform one's duties) is, in fact, fear and failure. It is important to note that the possession of ten black belts in any martial arts and being an MMA fighter does not necessarily guarantee success. The mindset of being “ready to do your job” must be cultivated through experience in diverse environments.
Our members are encouraged to engage in training in our proven martial arts program in a manner that is optimal for them. Our “Cross-Fighting program” provides individualized training in an array of martial arts and combat sports styles. A multitude of movement patterns can be employed in unarmed and armed combat. It is of the utmost importance to maintain both physical and mental fitness. To achieve this, a diverse array of training methodologies and exercises are employed, which effectively enhance mobility, flexibility, strength, endurance, and mental fortitude. This establishes the optimal conditions for engaging in combat in both standing and ground situations.
PHASE ONE: The core stand-up training regime is based on Muay Thai and other traditional “southeastAsian” empty-handed styles. This approach aligns well with our teaching and training (Vacirca Brothers) methodology, which has been in place for over 35 years. It is also known to those who have followed and worked with me for years that in addition to Gracie Jiu-Jitsu at my school in Zurich, I have been offering also others martial arts.
The concept of Cross-Fighting was first conceived 25+ years ago, coinciding with a renewed interest in training in hand-to-hand and weapon-based combat. The incorporation of “martial arts cross-training” provides an opportunity to offer members a comprehensive and multifaceted self-defense program. It is also important to understand that our institution is not primarily focused on MMA (Mixed Martial Arts) training. However, members have the autonomy to design a Cross-Fighting program that aligns with their individual needs and preferences.
It is noteworthy that in recent years, I have been approached with increasing frequency by other schools regarding Cross-Fighting. This is a significant recognition for our program, as it demonstrates our ability to anticipate and respond to trends in our industry. Our insights and actions align with the Vacirca Brothers' core values of staying ahead of the curve and adapting to evolving market demands.
“I engage in martial arts not to vanquish others, but to conquer my own heart”.
-Tony Jaa
It is about Functionality, but we never forget our Roots…
Muay Thai, the way it is taught to us by Ajarn Chai Sirisute, provides a quick and efficient solution to most stand-up streets’ confrontations. The knowledge of Muay Thai boxing is a fundamental aspect of human understanding that should be accessible to all. Muay Thai is typically regarded as a self-defense discipline due to its evident efficacy. Muay Thai (or Thai Boxing) is known as “the Art of Eight Limbs,” and it offers a variety of techniques utilizing the fists, elbows, knees, and shins. By mastering a variety of punching and kicking techniques, an individual (men and women) can become proficient in defending themselves against multiple attackers. This is one of the primary reasons why Muay Thai is an effective method of self-defense.
In addition to the fundamental kicking and punching techniques, one may also learn how to execute elbows and knees from a clinching situation. It is recommended that students diversify their offensive repertoire to gain the ability to end the conflict quickly and efficiently. Muay Thai is an excellent option for those seeking a self-defense martial art.
This is way we consider Muay Thai to be in our primary (stand-up) course known as PHASE ONE in our Cross-Fighting program. Muay Thai provides instruction in the assessment of distance and engagement at a distance, as well as the utilization of footwork to maneuver opponents in a manner that is advantageous to the practitioner. In this manner, through the strategic control (of the ring or street surrounding), it is possible to confront multiple assailants by engaging with them individually. Naturally, the optimal course of action in a confrontation where one is outnumbered is to seek safety by retreating. Muay Thai training provides the necessary tools to ensure the safest possible exit from any conflict.
Cross-Fighting training is proven to be highly “addictive”, which will ensure that students are motivated to continue training. In addition to learning the art of self-defense, practitioners will also experience the benefits of training, including but not limited to focus, physical conditioning, enhanced confidence, stronger personal relationships, and many other advantages. Cross-Fighting training is not, as one might expect in a conventional martial art school. A basic description of the methodology employed in the Cross-Fighting program for the instruction of Muay Thai:
TRAINING: The objective of the Muay Thai training program is to develop proficiency in technique and effectiveness. It is not the objective of our program to train individuals exclusively for Muay Thai competitions. It is also important to note that the techniques must be functional in a street setting. The style we teach is based on the teachings of Grandmaster Surachai (Chai) Sirisute, though it is not limited to that alone. I have also trained with other Muay Thai and Muay Boran masters, including Ajarn Deng and Ajarn Chiwin, both of whom are highly respected experts in modern and traditional Thai martial arts.
As a practitioner of Gracie Jiu-Jitsu, I have also adapted certain strategies and techniques to my “grappling background.” Consequently, many of our members engage in Muay Thai training despite their primary interest remaining in Gracie Jiu-Jitsu. It is a fallacy to believe that one has mastered the art of throwing a punch until one has done so in a real-world setting. It is a common misconception that one can easily block or evade a low kick. This is a challenging maneuver that requires precise technique and timing.
Our training regime is designed to facilitate constant assessment and refinement of skills and strategies. This approach ensures that our training is consistently functional and effective. If a method is ineffective, it will not be taught. My pedagogical approach is to instruct students in the most effective and expedient means of engaging in combat, with the objective of ensuring their survival in a street fight.
I endeavor to provide a diverse training program that encompasses both physical fitness and technical proficiency. My objective is not merely to induce fatigue. While the use of Thai pads and Punching mats is encouraged to facilitate the refinement of skills, it is imperative to prioritize the development of proper form, the formulation of effective strategies, and the attainment of optimal execution. Similarly to Gracie Jiu-Jitsu, Muay Thai encompasses a multitude of techniques and strategies beyond the mere execution of kickboxing maneuvers.
All training programs are based on a 60-minute workout. A typical Muay Thai group training session typically comprises a brief warm-up, shadow boxing, partner-based technique training, bag work and/or pad work; light controlled sparring (for more advanced students) under the guidance of a trainer. The specific content of the training may vary depending on the practitioner's level of proficiency, the number of students enrolled in the program, and the demands of the group. In each session, I endeavor to highlight a different aspect. The seminar participants had the opportunity to observe the grandmaster's teaching method. It became clear that the focus is on precise and clean
“Ajarn Chai do you encourage your students to train in other arts?” - Yes, …I do -
“I engage in martial arts not to vanquish others, but to conquer my own heart”.
Tony Jaa
execution of the techniques. This approach can be said to be characteristic of Ajarn Chai's teaching.
Private lessons are approximately 45 to 60 minutes in duration and comprise a brief warm-up, technique training with an emphasis on form and execution, and corrective exercises. In private training sessions, the instructor dedicates a greater portion of time to elucidating techniques and strategies than is typical in group classes. Subsequently, the practitioners engage in pad and/or bag work. It is this author's recommendation that students engage in private lessons, whether at the beginner or advanced level.
“The objective of martial arts is not to inflict harm upon an adversary, but rather to facilitate personal growth and self-perfection. The practice of martial arts should be a practice of love, encompassing the preservation of life, the preservation of the body, and the preservation of family and friends.”
-Dan Inosanto
Two more things that you should also know about Ajarn Chai, when you ask him about other martial arts and Boxing: “Yes, … I have also trained in Karate. I wanted to understand Karate so that when training students in the ring, we could work counters with them. It is also because I respect every martial art, that is why I learn.
…and Ajarn Chai do you encourage your students to train in other arts? Yes, … I do. I always tell my students to study other martial arts which is not a common thing in Thai Boxing. Look at Guro Dan (Inosanto), he has been cross-training in other arts for years and encouraging others also. You just don’t see a lot of Thai Boxing instructors tell their students to seek out other arts. Just as well, you typically don’t see a lot of Karate people telling their students to seek out other martial arts as well.
I have a different position because I want my students to be the best; that’s why I always encourage them to go and learn something else. Right now, I steer people towards grappling to become a well-rounded martial artist, but it is up to the individual student. Learn anything.”
Finally, it should be noted that anyone who makes grandiose claims under my guidance will swiftly be dismissed. I find this arrogance in martial arts to be unproductive and unwelcome. It is irrelevant how long an individual has been a member of this organization; anyone who is unable to control their ego and makes fun of others should seek an alternative activity, but not with us. The overarching objective is to cultivate an environment of unwavering respect, tolerance, and acceptance. Discussions pertaining to religion, politics, and the question of skin color (origin) are not permitted on the tatami. I have derived immense benefit from the insight imparted by all my teachers, which all asserts that one can derive insight from anyone and anywhere. This openness enriches us in ways that mere financial gain cannot.
Keep it real!
www.graciejiujitsu.eu
What comes after you have mastered the fundamentals and intermediates? What is the next step in your journey of learning Gracie Jiu-Jitsu? The Vacirca Brothers' Gracie Concepts program structure defines three main levels of student development: GC Fundamentals, GC Intermediate, and finally (in two separate parts), GC Advanced Gracie Jiu-Jitsu. These levels indicate different levels of maturity for Gracie Jiu-Jitsu students to eventually achieve the Faixa Preta (Black Belt). By this stage, most Gracie Jiu-Jitsu practitioners have spent several years practicing with us and can demonstrate a high level of experience, a deep understanding of the Gracie Concepts philosophy, and a strong bond and passion to train and share Jiu-Jitsu with other training partners, regardless of their belt level or physical attributes. Welcome to the GC Advanced Gracie Jiu-Jitsu program to take you to the next level of flow. Remember, Gracie Jiu-Jitsu is much more than just self-defense, it is a positive way of life. 47 min.
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Welcome to the second issue of the 'KYUSHO LIVE' series, with which you will be able to advance in our Instructor training reserved for black belts of any art, style or method. The 2nd DVD will provide you with all the information of the first level of learning. Students at this level will focus on these 3 guiding principles of the PinPoint™ method: body movement, center control, Kyusho: arm, head and leg points. These elements however, create only the "basic box" capable of containing the more advanced connecting principles, which represent the true effectiveness of the martial arts: root, center, wave, spiral, which together with the study of the axes, lead to a level of effectiveness where the saying "maximum effect with minimum effort" can finally find its concrete expression. The knowledge of the weak parts of the opponent's body combined with the awareness of the correct alignment and structure of our body merge into one. Kyusho becomes real, it ceases to be mystical, there are no secrets in Kyusho! Master Gianluca Frisan and Master Pascut Fulvio will make available to everyone the information learned in over 30 years of experience... information often kept secret, principles perhaps shown but not explained, now they are explained in detail so that you too can learn them and make them yours!
All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.
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Bojitsu: Four Key Concepts
Historically speaking, local villages needed to take steps to ensure their populace had basic skills for fighting with available tools and weapons.1 This allowed the community to maintain its own security, fend off attacks by outlaw gangs, call up a posse for the apprehension of criminals, and provide supplemental troops as augment for professional forces when the local daimyo demanded. So, it was necessary for commoners to receive some form of combat training. For the non-martial artist, the time tested way to accomplish this has been the wardance — bu-no-mai.
Members of a community would learn the dances, which, though accompanied with music, were composed of genuine techniques. These war dances, could be performed at festival times, serving as both refresher training and as a warning to outsiders that the village was not defenseless.
Today, bu-no-mai are included in annual festivals and demonstrated in cultural (i.e. “folk”) presentations in Okinawa. Frequently dances are performed using pole-arms (mainly bo, and/or chogama), during which dancers leap dramatically over low level “attacks,” or loudly clash their weapons together in furious patterns of block/ parry/counter, repeat (all in time to the music).
There is something deeply satisfying about the rhythmic sound of sticks smashing together during weapons training.2 And so, it is unremarkable that this is part and parcel of the bu-no-mai. It is equally unremarkable that it is present in modern dojos during the practice of bo vs bo kumite. Working in this fashion – block/parry/counter – students can safely practice their movements with a low likelihood of injury. However, as a combative strategy, this is not very realistic.
Genuine weapons fighting is always about rapidly gaining the advantage in order to delivering a finishing blow (on the assumption that there are other combatants in the field, and time was of the essence). But, if an opponent attacks, and the defender blocks the attack, it becomes a race to see who can deliver the next effective blow. In other words, the typical usage of bo presented in dojo, books or videos does not (for the most part) represent effective (and, I would therefore argue, “authentic”) bo fighting methods.
When the attacker advances with a blow to the head (jodan uchi or jodan-uchi-otoshi) the defender steps into the attack, using body movement (tai-sabaaki) to shift slightly off-line. The defender drives his bo forward so that he smashes the attacker’s lead hand. (Note: the leading end of the bo also strikes the attacker’s lead leg.)
There is a trend in modern karate which could be described as a “bunkai project” – a movement to reclaim the value of traditional methods by (re)interpreting them in combatively useful ways. This occurred because, the given explanations for the classical movements of karate have been woefully lacking in practicality, and over time, traditional practitioners found it increasingly difficult to find valid reasons to practice karate as they had received it.
I was among the first generation of karate practitioners to engage in this bunkai project (as well as being one of its major spoke-persons). Happily, today many people have re-examined their kata and discovered excellent bunkai and understandings (to the extent that they have no idea that they are doing realistic bunkai because of the efforts of my teacher, George Dillman, and of his students – that is, of my colleagues and myself).
In typical kobudo practice, the defender blocks several strikes, bo clacking against bo, before countering with a strike to the head.
When the attacker strikes, the defender stops the blow with his own weapon (bo against bo). Without hesitation, the defender slides along the opponent’s weapon to rake across his hand. NOTE: Even though uke is wearing hand protection, and the technique was performed with due care, the grimace on his face attests to how painful this can be.
However, while this is bunkai project has been successfully applied to empty-hand kata, this is not so much the case with kobudo kata.4 This might be explained by the fact that, despite a growing interest in Okinawan weapons, kobudo practitioners have not struggled with the cognitive dissonance that arises from performing an application while thinking, “This would never work.” It is simply a far too satisfying experience to practice patterns of block/parry/counter, repeat. So where would one start in order to (re)discover a genuinely combative approach to the bo, a meaningful bojitsu methodology?
When the attacker adopts a middle guard, the defender immediately strikes downward onto the opponent’s hand. Then continuing the movement, the defender applies forward pressure to deliver a thrust to the midsection.
When the opponent takes a middle guard position the defender presses his bo against the opponent’s bo. The defender slides his bo down the opponent’s bo to rake across his fingers. The movement continues smoothly into a forward thrust to the midsection.
When the attacker advances with a blow to the head (jodan uchi or jodan-uchi-otoshi) the defender strikes the forward end of his weapon into the V formed by the attacker’s arm and weapon, stripping the attacker’s hand from his weapon. In a continuation of movement, the defender circles the attacker’s bo to the outside, then strikes into the ribs (and simultaneously, the attacker’s rear hand).
To meaningfully engage a bunkai project with respect to kobudo in general and use of the bo in particular, it is necessary to have some keys or hints to use as a starting point.5
In Filipino knife fighting, one does not block a knife attack. Rather, one cuts the attacker’s knife-wielding hand. Similarly, in taiji-jian-fa (太極劍法 )6 the method of dealing with an attack is to cut the opponent’s sword hand or wrist. In kendo, one of the most important attacks is to the wrist (kote).7 In sojutsu (spear fighting), the enemy’s spear is deflected with a sliding strike to the lead hand before a thrust is delivered (and often, the act of withdrawing the spear is done so the spear head cuts again across the opponent’s lead hand). An apocryphal story about Taika Oyata describes him winning a bo fighting competition by striking to and breaking the thumbs of his opponents.
All of these examples reveal a similar approach. The initial action against an armed opponent is directed at the weaponwielding hand. Using that as a key for interpreting the techniques preserved in bo kata, it follows that attacking the opponent’s lead
hand is the first tactic for the bo. And when classical bo techniques are approached from this perspective, four foundational concepts arise: Strike, Rake, Strip, and Entangle.
Kesa Entangle Detail Kesa Entangle Detail
Strike, the first method for fighting with the bo against another bo, is simply to hit the opponent’s lead hand. So, when receiving an attack, one does not try to block. Instead, one aims for the hand. If you miss the hand, you will still connect with the bo (and thereby “block” the attack). Any part of the your bo can be used for this purpose, but, many classical techniques allow you to hit the opponent’s hand while simultaneously counter striking.
This method can also be used to enter the opponent’s guard. When the opponent adopts kamae, striking forcefully at their lead hand can take their weapon out of use, while positioning your bo for a finishing technique.
Rake
Rake means to grind your bo across the opponent’s fingers or knuckles. When receiving an attack, the method is to connect bo to bo, and then push or pull strongly, using the attacker’s weapon to guide your weapon to their hand. This can also be used to defeat an opponent’s kamae. The method is to strike their bo, knocking it out of position. Then, maintaining weapon-to-weapon contact, slide forcefully down to their hand. When moving forward, this movement can transition effortlessly into a straight thrust.
Strip
Strip means to pull or knock an attacker’s hand from their weapon. When receiving an attack, avoid the blow using body movement (tai-sabaaki) while inserting the leading end of your bo into the V formed by the opponent’s arm and bo. The strip itself should feel like a blow aimed through the opponent’s gripping hand – not a tug of war.
When attacking the opponent’s kamae, insert the “back end” of your bo the space between the opponent’s hands. Then, while striking with the forward part of your bo, the pulling action of your rear hand can pull the opponent’s hand free.
Entangle
To entangle, means to manipulate your weapon and the opponent’s weapon so that their hand becomes entrapped. In some versions of an entanglement, the opponent’s hand is pinched between your weapon and theirs. In other versions, their joints are manipulated by using your bo as a lever.
When receiving an attack, avoid the blow using body movement (tai-sabaaki) while inserting your bo into the V formed by the opponent’s arm and bo. This action is the same as the entry used to applying a strip. However, instead striking into their hand, you rotate your bo to lever the opponent’s hand into a joint manipulation.
When attacking the opponent’s kamae, the “back end” of your bo is inserted into the space between the opponent’s hands. Then, while delivering a strike with the “front end”, pull and turn your rear hand so the opponent’s hand becomes pinched painfully against your side.
Traditional-minded martial artists are often resistant to the ideas and applications that flow from those of us who take a classical (i.e. bunkai-based) approach. But, it is hard to argue that disabling an attacker’s hand is much more practical than blocking their attack and racing them to the counter-blow. As an argument in favor of the methods I have described, consider this experience.
Only a few of my students express interest in learning kobujitsu. However, one day, my daughter (a nidan) asked me to teach her bojitsu. So, we put on hand protection and head gear (I also wore chest and leg protection) and grabbed rattan bo.
Then I told her, “When I try to hit you in the head, you hit my hand. Are you ready.” She nodded yes, and I hit her in the head. That was the only time in the next hour that I hit her. As I guided her through the four methods, always attacking with the intent to actually hit her, she unerringly smashed my hand, raked across my fingers, stripped my hand from my weapon and executed entanglements.
One of the things that I found surprising and revealing that day was this: I had not taught her kata, or even kihon-waza for the bo. And yet, she was using kata techniques (including a kata movement that had always puzzled me)!
I have practiced these methods, used them in bo sparring, applied them to breaking down kata movements, and taught them to others. All of this has only increased my certainty that it is a vastly superior way of thinking about and using the bo. Or, you could simply block/parry/counter.
But you can only determine this for yourself by donning protective gear (minimally HEMA style-gauntlets or kendo kote) and trying them for yourself.
NOTES
1. In a farming or fishing village, fighting implements could be categorized as: A. “black weapons” (purpose built weapons); B. “white weapons” (tools such as shovels, rakes, oars used for fighting); C. “gray weapons” (common implements intentionally modified into weapons, such as a carrying stick with sharpened end, or a kitchen knife affixed to the end of pole to make a spear).
2. Those who practice Filipino martial arts are certainly aware of the wonderful, multi-sensory experience of complex stick drills (such as siniwali). There is the sound of the sticks hitting, the feel of the impact vibrating into the hand, and the surprisingly pleasant smell of burning rattan.
3. “Deconstruct” is a very good translation of the word bunkai (分解).
4. See Black Belt Magazine, Oct/Nov 2020; Oct/Nov 2022 and Bugeisha Magazine, No. 9 (June, 2021); No. 10 (Septembr, 2021) to see some of the work I have been pursuing in this field.
5. In empty hand kata, the hints came from George Dillman (who attributed them to Hohan Soken and Taika Oyata), namely: “There are no blocks in kata. The moves of kata map out the angle and direction for attacking the pressure points of the human body.”
6. Taiji-jianfa (太極劍法 ), or tai chi sword is the use of the double-edged blade (jian 劍 ). A single edged sword is called a knife (dao 刀 ). This is similar to German, where the word “schwert” (sword) refers to the double edged variety. While a single-edged sword is called a “messer” (knife).
7. It is interesting to note that the wrist strike in kendo, kote-uchi, is to the top of the wrist. This follows the kendo practice of only allowing scoring strikes to the most heavily protected targets (both in terms of the design of kendo-bogu and in terms of the design of traditional samurai armor. In contrast, kenjutsu aims for places where armor is weak. So, the wrist cut is more often aimed the underside.
Author Information: Chris Thomas is a frequent contributor to martial arts magazine world-wide, a renowned instructor of kyusho-jitsu (pressure point fighting methods) who has taught worldwide, the co-author with George Dillman of the definitive books on that subject, and a student of martial arts since 1970.
Website: kjk-karate.com
Appearing in the photographs:
Chris Martingilio
8th dan – Ryukyu kempo
Jeff Burhop
9th dan – Isshin-ryu
Jerry Holt
7th dan – Isshin-ryu; 4th dan – Ryukyu kobudo
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Price Inc. Tax......20,00 EUR
DVD Kung Fu Weapons Ref. DVD/KFW
Price Inc. Tax......20,00 EUR
DVD Weng Chun Kung Fu Ref. DVD/WENG
Price Inc. Tax......20,00 EUR
DVD Kung Fu Choy Li Fut Forms Ref. DVD/LIFUT1
Price Inc. Tax......20,00 EUR
DVD Hung Gar Kung Fu Gong Gee Fook Fu Kune Form Ref. DVD/HUNG1
Price Inc. Tax......20,00 EUR
DVD Ling Gar Kung Fu Chin Na Ref. DVD/LYN4
Price Inc. Tax......20,00 EUR
DVD Hung Gar Gung Gee Fook Fu Kuen Form Ref. DVD/SEWER4
Price Inc. Tax......20,00 EUR
DVD Weng Chun Kung Fu Fa Kuen Ref. DVD/WENG3
Price Inc. Tax......20,00 EUR
DVD Hung Gar Gong Gee Fook Fu Kune Form Vol 2
Ref. DVD/HUNG2
Price Inc. Tax......20,00 EUR
DVD Kung Fu Splashing Hands Ref. DVD/NEIL1
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DVD Kung Fu
DVD Hung Gar Kung Fu Ref. DVD/PA1
Price Inc. Tax......20,00 EUR
DVD Shaolin Xiao Hong Quan Form Tao Lu Ref. DVD/MIAOZHI1
Price Inc. Tax......20,00 EUR
DVD Shaolin Kung Fu Essential Ref. DVD/TOMBOLATO1
Price Inc. Tax......20,00 EUR
DVD Shaolin Kung-Fu Shi De Yang Interview
Ref. DVD/DEYANG
Price Inc. Tax......20,00 EUR
DVD Kung Fu Pa Kua Ref. DVD/PC1
Price Inc. Tax......20,00 EUR
DVD The 18 movements of Shaolin Kung Fu Ref. DVD/HONG
Price Inc. Tax......20,00 EUR
DVD Shaolin Luohan Shi Ba Shou Form Taolu Ref. DVD/YANTI1
Price Inc. Tax......20,00 EUR
DVD Shaolin Secret Techniques Jin Gang Ba Shi Ref. DVD/TOMBOLATO2
Price Inc. Tax......20,00 EUR
DVD Kung Fu Choy Li Fut Tiger & Dragon Forms Ref. DVD/PR2
Price Inc. Tax......20,00 EUR
DVD Shaolin Kung Fu Boxing Ref. DVD/SHAOLIN1
Price Inc. Tax......20,00 EUR
DVD Shaolin Qin Na Ref. DVD/YANTI2
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DVD Tai Chi
DVD Tai Chi
DVD Tai Chi Yang Style Vol 3 Ref. DVD/FUSE3
Price Inc. Tax......20,00 EUR
DVD Tai Chi Chen Style Pao Chui Er Lu Form Ref. DVD/YU2
Price Inc. Tax......20,00 EUR
DVD Tai Chi Chen Xia Jia Pao Chuie Form Ref. DVD/CHEN1
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style Kung Chia Form & Applications Ref. DVD/TCC
Price Inc. Tax......20,00 EUR
DVD Tai Chi Chen Style Tui Shou Ref. DVD/YU3
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style Vol 2 Ref. DVD/FUSE2
Price Inc. Tax......20,00 EUR
DVD Tai Chi Chen Style Ref. DVD/YU Price Inc. Tax......20,00 EUR
DVD Tai Chi Beijing Jen The Straight Sword Ref. DVD/TCE
Price Inc. Tax......20,00 EUR
DVD Tai-Chi and Qi-Gong Forms Ref. DVD/LYN7
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style Vol 1 Ref. DVD/FUSE
Price Inc. Tax......20,00 EUR
DVD Tai Chi Chuan for Seniors Ref. DVD/TAI4
Price Inc. Tax......20,00 EUR
DVD Ling Gar, Tai Chi & Qi Gong Ref. DVD/LYN Price Inc. Tax......20,00 EUR
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DVD Tai Chi
DVD Mongolian Tai Chi Chi Kung Ref. DVD/MONGO1
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style & Chi Kung Vol 1 Ref. DVD/TAI1
Price Inc. Tax......20,00 EUR
DVD Tai Chi Chuan Yang Style Ref. DVD/PR1
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style & Chi Kung Vol 2 Ref. DVD/TAI2
Price Inc. Tax......20,00 EUR
DVD Tai Chi Wind Chasing Fan Ref. DVD/PR3
Price Inc. Tax......20,00 EUR
DVD Tai Chi Che Sword Ref. DVD/TAI3
Price Inc. Tax......20,00 EUR
DVD Shaolin Kung Fu
DVD Shaolin Kung Fu
DVD Shaolin Xiao Hong Quan Form Tao Lu Ref. DVD/MIAOZHI1
Price Inc. Tax......20,00 EUR
DVD Shaolin Kung Fu Boxing Ref. DVD/SHAOLIN1
Price Inc. Tax......20,00 EUR
DVD Shaolin Qin Na Ref. DVD/YANTI2
Price Inc. Tax......20,00 EUR
DVD Shaolin Secret Techniques Jin Gang Ba Shi Ref. DVD/TOMBOLATO2
Price Inc. Tax......20,00 EUR
DVD Shaolin Kung Fu Essential Ref. DVD/TOMBOLATO1
Price Inc. Tax......20,00 EUR
DVD Shaolin Kung-Fu Shi De Yang Interview Ref. DVD/DEYANG
Price Inc. Tax......20,00 EUR
DVD The 18 movements of Shaolin Kung Fu Ref. DVD/HONG
Price Inc. Tax......20,00 EUR
DVD Shaolin Luohan Shi Ba Shou Form Taolu Ref. DVD/YANTI1
Price Inc. Tax......20,00 EUR
DVD Wu Shu
DVD Olympic Wu Shu Ref. DVD/WUSHU1
Price Inc. Tax......20,00 EUR
Ref. DVD/FAN2
Price Inc. Tax......20,00 EUR
DVD
Ref. DVD/FAN1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is
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DVD Wu Shu
DVD Wu Shu San Jie Gun The 3 Section Staff
Wu Shu Hou Kun The Monkey Staff
DVD Wing Chun
DVD Wing Chun
DVD Wing Chun International WCI Ref. DVD/Cameron1
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Lat Sao Advanced. TAOWS Academy
Ref. DVD/TAOWS4
Price Inc. Tax......20,00 EUR
DVD Wing Chun Wooden Dummy Form Part 2
Ref. DVD/MUKRAN2
Price Inc. Tax......20,00 EUR
DVD Wing Chun Wooden Dummy Form Basic Drills
Ref. DVD/MUKRAN5
Price Inc. Tax......20,00 EUR
DVD Ip Man Wing Chun Kung Fu Ref. DVD/IMWC1
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu in Forms Siu Nim Tao Ref. DVD/KYUSHO12
Price Inc. Tax......20,00 EUR
DVD Wing Chun Wooden Dummy Form Part 3
Ref. DVD/MUKRAN3
Price Inc. Tax......20,00 EUR
DVD Wing Chun Wooden Dummy Form Advanced Drills
Ref. DVD/MUKRAN6
Price Inc. Tax......20,00 EUR
DVD Kyusho & Tegumi in Wing Chun Siu Nim Tao Ref. DVD/KYUSHO28
Price Inc. Tax......20,00 EUR
DVD Wing Chun Wooden Dummy Form Part 1
Ref. DVD/MUKRAN1
Price Inc. Tax......20,00 EUR
DVD Wing Chun Wooden Dummy Form Part 4
Ref. DVD/MUKRAN4
Price Inc. Tax......20,00 EUR
DVD Wing Chun Kung Fu Siu Lim Tao Ref. DVD/RANDY1
Price Inc. Tax......20,00 EUR
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DVD Wing Chun
DVD Wing Chun Kung Fu Chum Kiu Ref. DVD/RANDY2
Price Inc. Tax......20,00 EUR
DVD Wing Chun Traditional vol 1 Ref. DVD/WCH1
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Universe. Siu Nim Tao Form & Applications Ref. DVD/WTU1
Price Inc. Tax......20,00 EUR
DVD Chi Sao Wing Tsun TAOWS Academy Ref. DVD/TAOWS3
Price Inc. Tax......20,00 EUR
DVD Wing Chun Kung Fu Biu Jee Ref. DVD/RANDY3
Price Inc. Tax......20,00 EUR
DVD Wing Chun Traditional vol 2 Ref. DVD/WCH2
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Self Defense Ref. DVD/WTINCE1
Price Inc. Tax......20,00 EUR
DVD Weng Chun Kung Fu Ref. DVD/WENG
Price Inc. Tax......20,00 EUR
DVD Wing Chun Kung Fu Concepts and priciples Ref. DVD/RANDY4
Price Inc. Tax......20,00 EUR
DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2
Price Inc. Tax......20,00 EUR
DVD Kyusho Gock'Ng 'Sing Ref. DVD/KYUSHO14
Price Inc. Tax......20,00 EUR
DVD Weng Chun Kung Fu Vol2 Ref. DVD/WENG2
Price Inc. Tax......20,00 EUR
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DVD Wing Chun
DVD Weng Chun Kung Fu Fa Kuen
Ref. DVD/WENG3
Price Inc. Tax......20,00 EUR
DVD Wing Tsun
DVD Wing Tsun
DVD Wing Tsun Lat Sao Advanced. TAOWS Academy Ref. DVD/TAOWS4
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Universe. Siu Nim Tao Form & Applications Ref. DVD/WTU1
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Right or Wrong? Ref. DVD/LT
Price Inc. Tax......20,00 EUR
DVD Chi Sao Wing Tsun TAOWS Academy Ref. DVD/TAOWS3
Price Inc. Tax......20,00 EUR
DVD WTU Chum Kiu Form & Applications Ref. DVD/WTU2
Price Inc. Tax......20,00 EUR
DVD Wing Revolution Combat Fundamentals Ref. DVD/WR1
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Taows Academy Ref. DVD/TAOWS1
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Alliance and Escrima Ref. DVD/WTAL
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Self Defense Ref. DVD/WTINCE1
Price Inc. Tax......20,00 EUR
DVD WingTsun The Mith of the Wooden Dummy Ref. DVD/WTK
Price Inc. Tax......20,00 EUR
DVD Wing Tsun Advanced TAOWS Academy Ref. DVD/TAOWS2
Price Inc. Tax......20,00 EUR
DVD WingTsun Combat Techniques Ref. DVD/WTS1
Price Inc. Tax......20,00 EUR
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DVD Wing Tsun
DVD WingTsun Wooden Dummy Street Aplications Ref. DVD/WTS10
Price Inc. Tax......20,00 EUR
DVD WingTsun Combat Program Ref. DVD/WTS13
Price Inc. Tax......20,00 EUR
DVD WingTsun Street Shock Vol 2 Ref. DVD/WTS4
Price Inc. Tax......20,00 EUR
DVD WingTsun Chi Sao Vol2 Ref. DVD/WTS7
Price Inc. Tax......20,00 EUR
DVD WingTsun Re-Evolution Ref. DVD/WTS11
Price Inc. Tax......20,00 EUR
DVD WingTsun Anti-grappling Ref. DVD/WTS2
Price Inc. Tax......20,00 EUR
DVD WingTsun Lat Sao Ref. DVD/WTS5
Price Inc. Tax......20,00 EUR
DVD WingTsun Advanced Combat Ref. DVD/WTS8
Price Inc. Tax......20,00 EUR
DVD WT Re-Evolution 2 Ref. DVD/WTS12
Price Inc. Tax......20,00 EUR
DVD WingTsun Street Shock Vol 1 Ref. DVD/WTS3
Price Inc. Tax......20,00 EUR
DVD WingTsun Chi Sao Vol1 Ref. DVD/WTS6
Price Inc. Tax......20,00 EUR
DVD WingTsun AntiGrappling & Chi Gerk Ref. DVD/WTS9
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is
DVD Wing Tsun
DVD Wing Chun International WCI
Ref. DVD/Cameron1 Price Inc. Tax......20,00 EUR TITLES ARE AVAILABLE IN
DVD Other Styles China
DVD Other Styles China
DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1
Price Inc. Tax......20,00 EUR
DVD Bao-Din Shuai Chiao Combat Ref. DVD/CHIAO2
Price Inc. Tax......20,00 EUR
DVD Fu Shih Kenpo Vol.2 Tiger Forms & Self Defense Ref. DVD/FUSHIH2
Price Inc. Tax......20,00 EUR
DVD Bao-Din Shuai Chiao Ref. DVD/CHANG Price Inc. Tax......20,00 EUR
DVD Shuai Chiao Black Belt Program Ref. DVD/CHIAO1
Price Inc. Tax......20,00 EUR
DVD Sanda Ming Chuan Kung Fu Ref. DVD/SANDA Price Inc. Tax......20,00 EUR
DVD Bao-Din Shuai Chiao Advanced Program Ref. DVD/CHIAO3
Price Inc. Tax......20,00 EUR
DVD Chinese Kempo Karate Ref. DVD/HAYEN1 Price Inc. Tax......20,00 EUR
DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1
Price Inc. Tax......20,00 EUR
DVD Judo and Ju-Jitsu
DVD Judo and Ju-Jitsu
DVD Unlimited Ju Jitsu Ref. DVD/LOU2
Price Inc. Tax......20,00 EUR
DVD Jiu Jitsu Kyoo Soku Seishin Ryu Ref. DVD/NUNES
Price Inc. Tax......20,00 EUR
DVD Kodokan Judo Mifune Ref. DVD/BC24
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Te Waza Hand Techniques Ref. DVD/JUDO2
Price Inc. Tax......20,00 EUR
DVD Ju-Jutsu Torite Ref. DVD/JTORITE
Price Inc. Tax......20,00 EUR
DVD Judo Atemi Ref. DVD/JUDOIT
Price Inc. Tax......20,00 EUR
DVD Kapap Israeli Jiu Jitsu & Martial Arts Ref. DVD/KAPAP9
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Koshi Waza Hip Techniques Ref. DVD/JUDO3
Price Inc. Tax......20,00 EUR
DVD Jukoshin Ryu Jiu Jitsu Ref. DVD/EDSAN1
Price Inc. Tax......20,00 EUR
DVD Power Jiu Jitsu Juko Ryu Jiu Jitsu Vol 2 Ref. DVD/JUKO2
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Introduction Ref. DVD/JUDO1
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Ashi Waza Foot & Leg Techniques Ref. DVD/JUDO4
Price Inc. Tax......20,00 EUR
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DVD Judo and Ju-Jitsu
DVD Mastering Judo Sutemi Waza Sacrifice Techniques Ref. DVD/JUDO5
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Kensetsu Waza Joint Locking Ref. DVD/JUDO8
Price Inc. Tax......20,00 EUR
DVD Loubet Jiu-jitsu Ref. DVD/LOU1
Price Inc. Tax......20,00 EUR
DVD Traditional Ju Jitsu Vol 4 Ground Combat Ref. DVD/DAB4
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Katami Waza Ground Work Ref. DVD/JUDO6
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Ne Waza Clinic Ref. DVD/JUDO9
Price Inc. Tax......20,00 EUR
DVD Judo Classics Jigoro Kano Ref. DVD/BC16
Price Inc. Tax......20,00 EUR
DVD Jiu Jitsu Ryu SDA Vol 2 Ref. DVD/JJRYU2
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Shime Waza Strangulation Techniques Ref. DVD/JUDO7
Price Inc. Tax......20,00 EUR
DVD Mastering Judo Master Okada Interview Ref. DVD/JUDO10
Price Inc. Tax......20,00 EUR
DVD Budo Goshin Jutsu Ryu Ref. DVD/DAB5
Price Inc. Tax......20,00 EUR
DVD Jiu Jitsu Ryu SDA Vol 1 Ref. DVD/JJRYU
Price Inc. Tax......20,00 EUR
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DVD
Judo and Ju-Jitsu
DVD Traditional Ju Jitsu Vol 3 Upright Techniques Ref. DVD/DAB3
Price Inc. Tax......20,00 EUR
DVD Juko Ryu Jiu Jitsu Vol 1 Ref. DVD/JUKO
Price Inc. Tax......20,00 EUR
DVD Traditional Jujitsu Vol 1 Ref. DVD/JUJ
Price Inc. Tax......20,00 EUR
DVD Kapap Israeli Jiu Jitsu Vol.2 Ref. DVD/KAPAP10
Price Inc. Tax......20,00 EUR
DVD Ju Jutsu Do Combat Ref. DVD/SAN3 Price Inc. Tax......20,00 EUR
DVD Iaido
DVD Iaido
DVD Toyama Ryu Iaido Ref. DVD/TOYAMA2
Price Inc. Tax......20,00 EUR
DVD Iaido Shinai Ref. DVD/IAIDO5
Price Inc. Tax......20,00 EUR
DVD Iaido Vol 2 Sen No Sen, Go No Sen Ref. DVD/IAIDO2
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.1 Ref. DVD/TENSHIN1
Price Inc. Tax......20,00 EUR
DVD Toyama Ryu Batto Jutsu Ref. DVD/TOYAMA1
Price Inc. Tax......20,00 EUR
DVD Advanced Iaido Mugen Kai System Ref. DVD/IAIDO4
Price Inc. Tax......20,00 EUR
DVD Iaido Vol 1 Ref. DVD/IAIDO
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.2 Ref. DVD/TENSHIN2
Price Inc. Tax......20,00 EUR
DVD Iaido Kihon Waza Ref. DVD/IAIDO7
Price Inc. Tax......20,00 EUR
DVD Iaido Vol 3 Mugenkai Ref. DVD/IAIDO3
Price Inc. Tax......20,00 EUR
DVD Yari and Shinai Ref. DVD/IAIDO6
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.3 Ref. DVD/TENSHIN3
Price Inc. Tax......20,00 EUR
DVD Karate
DVD Karate
DVD Shoryn Ryu Karate Kyudokan Ref. DVD/SHORIN1
Price Inc. Tax......20,00 EUR
DVD Okinawa Shima-Ha Shorin-Ryu Karate Jutsu Ref. DVD/OSHIRO1
Price Inc. Tax......20,00 EUR
DVD Kyokushinkai Karate Ref. DVD/KYOKU1
Price Inc. Tax......20,00 EUR
DVD Sport Karate Kumite Ref. DVD/BENE1
Price Inc. Tax......20,00 EUR
DVD Okinawa Bujutsu Motobu Udunti Ref. DVD/SU
Price Inc. Tax......20,00 EUR
DVD Mastering Karate Kumite Ref. DVD/KANA7
Price Inc. Tax......20,00 EUR
DVD Karate Shito-Ryu Hayashi-Ha Kata & Bunkai Ref. DVD/SHITO3
Price Inc. Tax......20,00 EUR
DVD Shotokan Karate International Ref. DVD/KANA
Price Inc. Tax......20,00 EUR
DVD Okinawa KenpoOdo Ref. DVD/ODO1
Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate Vol 7 Interview Ref. DVD/CHINEN7
Price Inc. Tax......20,00 EUR
DVD Best Karate Kumite Ref. DVD/BIERMAN3
Price Inc. Tax......20,00 EUR
DVD Okinawa Goju Ryu Seibukai Karate Ref. DVD/NAKA
Price Inc. Tax......20,00 EUR
AVAILABLE
DVD Karate
DVD Goshin Jutsu Kata Ref. DVD/BIERMAN2
Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate Yamashita Ref. DVD/YOSU
Price Inc. Tax......20,00 EUR
DVD TY-GA Karate Stretching & Kicking Ref. DVD/TYGA
Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate Vol 4 Bunkai-2 Ref. DVD/CHINEN4
Price Inc. Tax......20,00 EUR
DVD Shito Ryu Karate Pinan Kata and Bunkai Vol 2
Ref. DVD/SHITO2
Price Inc. Tax......20,00 EUR
DVD Uechi Ryu Karate Ref. DVD/UECHI1
Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate Vol 6 Self Defense Ref. DVD/CHINEN6
Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate Vol 3 Bunkai-1 Ref. DVD/CHINEN3
Price Inc. Tax......20,00 EUR
DVD Shito Ryu Karate Pinan Kata & Bunkai Vol 1
Ref. DVD/SHITO1
Price Inc. Tax......20,00 EUR
DVD To-De Karate The hand of the infinite Ref. DVD/TODE Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate Vol 5 Kumite Ref. DVD/CHINEN5
Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate Vol 2 The Meaning Ref. DVD/CHINEN2
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DVD Karate
DVD Goju Ryu Karate Vol 1 Kihon Waza Ref. DVD/CHINEN
Price Inc. Tax......20,00 EUR
DVD Mastering Karate Kihon Ido Ref. DVD/KANA4
Price Inc. Tax......20,00 EUR
DVD Karate-do Shotokan Kata & Bunkai Vol3 Ref. DVD/SHJ3
Price Inc. Tax......20,00 EUR
DVD Karate JKA Masters 70's Ref. DVD/BC6
Price Inc. Tax......20,00 EUR
DVD Mastering Karate Dan Kata Ref. DVD/KANA6
Price Inc. Tax......20,00 EUR
DVD Mastering Karate Ashi Waza Ref. DVD/KANA3
Price Inc. Tax......20,00 EUR
DVD Karate-do Shotokan Kata & Bunkai Vol2 Ref. DVD/SHJ2
Price Inc. Tax......20,00 EUR
DVD Ishin Ryu Karate Ref. DVD/BC23
Price Inc. Tax......20,00 EUR
DVD Mastering Karate Kyu Kata Ref. DVD/KANA5
Price Inc. Tax......20,00 EUR
DVD Mastering Karate Te Waza Ref. DVD/KANA2
Price Inc. Tax......20,00 EUR
DVD Shotokan Karate Kata Bunkai Vol1 Ref. DVD/SHJ1
Price Inc. Tax......20,00 EUR
DVD Karate JKA Masters 50's Ref. DVD/BC14
Price Inc. Tax......20,00 EUR
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DVD Karate
DVD Karate 1924 Kata & Vintage Footage Funakoshi Ref. DVD/BC13
Price Inc. Tax......20,00 EUR
DVD Karate JKA Masters 60's Ref. DVD/BC3
Price Inc. Tax......20,00 EUR
DVD Okinawa Isshin Ryu Karate Kata Ref. DVD/CAN2
Price Inc. Tax......20,00 EUR
DVD Wado-Ryu Karate Ref. DVD/BC15
Price Inc. Tax......20,00 EUR
DVD Okinawa Shorin-Ryu Karate Chibana
Ref. DVD/BC20
Price Inc. Tax......20,00 EUR
DVD Karate-Do The early years Funakoshi Ref. DVD/BC1
Price Inc. Tax......20,00 EUR
DVD Shotokan Karate Nakayama, the last interview Ref. DVD/NAKENT
Price Inc. Tax......20,00 EUR
DVD World Karate Championships 2004 Pack
Ref. DVD/WKF2
Price Inc. Tax......20,00 EUR
DVD Goju Ryu Karate GYamaguchi Ref. DVD/BC9
Price Inc. Tax......20,00 EUR
DVD Kyokushin Karate Mas Oyama Ref. DVD/BC5
Price Inc. Tax......20,00 EUR
DVD Uechi Ryu Karate K.Uechi Ref. DVD/BC21
Price Inc. Tax......20,00 EUR
DVD Karate-do Shinshinkan Okinawa Kata Ref. DVD/CAN1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is
DVD Karate
DVD Karate Wado Ryu - I Dori, Tanto Dori, Shitei Kata
DVD Very Strong Aikido Kobayashi Ryu Ref. DVD/JACEK
Price Inc. Tax......20,00 EUR
DVD Aikido Osaka Aikikai vol3 Keiko Ref. DVD/NOMURA3
Price Inc. Tax......20,00 EUR
DVD Aikido Tanto Dori Ref. DVD/FUR4
Price Inc. Tax......20,00 EUR
DVD Aikido Tenshin Dojo Vol 1 Ref. DVD/MIYA1
Price Inc. Tax......20,00 EUR
DVD Tomiki Aikido Ref. DVD/TOMI1
Price Inc. Tax......20,00 EUR
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DVD Shinno Aikido Aikido & Bokken Ref. DVD/SHINNO
Price Inc. Tax......20,00 EUR
DVD Advanced Aikido Longueira Ryu Ref. DVD/LONG4
Price Inc. Tax......20,00 EUR
DVD Aikido Longueira Ryu Ref. DVD/LONG
Price Inc. Tax......20,00 EUR
DVD Aikido Furuya VOL1 Ref. DVD/FUR1
Price Inc. Tax......20,00 EUR
DVD Aikido Kisei Dojo Basic, intermediate & advanced Ref. DVD/KISEI
Price Inc. Tax......20,00 EUR
DVD Aikido Defense Longueira Ryu Ref. DVD/LONG3
Price Inc. Tax......20,00 EUR
DVD Aikido Furuya VOL3 Ref. DVD/FUR3 Price Inc. Tax......20,00 EUR
DVD Aikido Moriteru Ueshiba Interview & Seminar Ref. DVD/DOSHU Price Inc. Tax......20,00 EUR
DVD Aikido Evolution Ref. DVD/LONG5
Price Inc. Tax......20,00 EUR
DVD Old & Rare Aikido Ref. DVD/LONG2
Price Inc. Tax......20,00 EUR
DVD Aikido Furuya VOL2 Ref. DVD/FUR2
Price Inc. Tax......20,00 EUR
DVD Aikido Yamada Seminar Barcelona Ref. DVD/YAMA2
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE
DVD Aikido
DVD Aikido Yamada Seminar Peru Ref. DVD/YAMA1
Price Inc. Tax......20,00 EUR
DVD Takemusu Aikido Empty hands Ref. DVD/BC11
Price Inc. Tax......20,00 EUR
DVD Aikido 100% Uchi Kaiten Ref. DVD/AKIS5
Price Inc. Tax......20,00 EUR
DVD Aikido 100% Kokkyu Nage Ref. DVD/AKIS1
Price Inc. Tax......20,00 EUR
DVD Aikido Kisshomaru Ueshiba Interview & Technique Ref. DVD/KISHO
Price Inc. Tax......20,00 EUR
DVD Takemusu Aikido Jo Technique Ref. DVD/BC10
Price Inc. Tax......20,00 EUR
DVD Kobudo & Aikido Bo-Jutsu Ref. DVD/AKIS6
Price Inc. Tax......20,00 EUR
DVD Police Aikido Ref. DVD/AKIS2
Price Inc. Tax......20,00 EUR
DVD Aikido Classics MUeshiba Ref. DVD/BC2
Price Inc. Tax......20,00 EUR
DVD Takemusu Aikido Bokken Ref. DVD/BC7
Price Inc. Tax......20,00 EUR
DVD Basic Bokken Aikido Ref. DVD/AKIS10
Price Inc. Tax......20,00 EUR
DVD Aikido Kumi-Tachi Ref. DVD/AKIS3
Price Inc. Tax......20,00 EUR
DVD Aikido
DVD Classic Martial Arts Masters of Budo Japan & Okinawa Ref. DVD/BC8
Price Inc. Tax......20,00 EUR
DVD Aikido Ni-To Ichi Ref. DVD/AKIS8 Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Classic Martial Arts Masters of Budo Japan & Okinawa Ref. DVD/BC8
Price Inc. Tax......20,00 EUR
DVD Shuguro Nakazato Shorin Kan Shorin Ryu. Okinawa Karate Kob... Ref. DVD/RS609
Price Inc. Tax......0,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Yoshimatsu Matsuda Shorin Ryu. Okinawa Karate Kobudo Vol.12
Ref. DVD/RS618
Price Inc. Tax......0,00 EUR
DVD Yoshitsune Senega Uechi Ryu. Okinawa Karate Kobudo Vol.20
Ref. DVD/RS626
Price Inc. Tax......0,00 EUR
DVD Kobudo
DVD Ninjutsu
DVD Ninjutsu
DVD Bujinkan Budo Tai Jitsu Ref. DVD/FLE1
Price Inc. Tax......20,00 EUR
DVD Bujinkan Dojo Taijitsu Taikai Vol 2 Ref. DVD/HATSU2
Price Inc. Tax......20,00 EUR
DVD Koga Ryu Ninjutsu Empty Hands Ref. DVD/JH2
Price Inc. Tax......20,00 EUR
DVD Japan Ninjutsu Shinobiken Ref. DVD/JH5
Price Inc. Tax......20,00 EUR
DVD Iga Ryu Ninjutsu Empty Hands Techniques Ref. DVD/JH4
Price Inc. Tax......20,00 EUR
DVD Bujinkan Dojo Taijitsu Taikai Vol 1 Ref. DVD/HATSU1
Price Inc. Tax......20,00 EUR
DVD Koga Ryu Ninjutsu Weapons Ref. DVD/JH3
Price Inc. Tax......20,00 EUR
DVD Other Styles Japan
DVD Other Styles Japan
DVD Toyama Ryu Batto Jutsu Ref. DVD/TOYAMA1
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.1 Ref. DVD/TENSHIN1
Price Inc. Tax......20,00 EUR
DVD Yoseikan Budo complete course Ref. DVD/HIRO3
Price Inc. Tax......20,00 EUR
DVD Bugei Kusari-Jutsu Ref. DVD/EBUGEI1
Price Inc. Tax......20,00 EUR
DVD Ju-Jutsu Torite Ref. DVD/JTORITE
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.2 Ref. DVD/TENSHIN2
Price Inc. Tax......20,00 EUR
DVD Aiki Yoseikan Budo Ref. DVD/HIRO2
Price Inc. Tax......20,00 EUR
DVD Fuji Ryu Tai Jutsu Ref. DVD/TAIJ
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.3 Ref. DVD/TENSHIN3
Price Inc. Tax......20,00 EUR
DVD Advanced Kendo Ref. DVD/KENDO2
Price Inc. Tax......20,00 EUR
DVD Yoseikan Budo Ref. DVD/HIRO
Price Inc. Tax......20,00 EUR
DVD Bugei Koppo-Jutsu Ref. DVD/EBUGEI5
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE
DVD Other Styles Japan
DVD Bugei Shuriken-Jutsu Ref. DVD/EBUGEI4
Price Inc. Tax......20,00 EUR
DVD Kyudo Kyu-Jitsu Ref. DVD/KYUDO1
Price Inc. Tax......20,00 EUR
DVD Nihon Taijitsu Vol 2 Defense against Front Attacks Ref. DVD/NT2
Price Inc. Tax......20,00 EUR
DVD Kempo Jutsu Ref. DVD/KIMO
Price Inc. Tax......20,00 EUR
DVD Bugei Aiki Jujutsu Vol2 Ref. DVD/EBUGEI6
Price Inc. Tax......20,00 EUR
DVD Yari and Shinai Ref. DVD/IAIDO6
Price Inc. Tax......20,00 EUR
DVD Yawara Jitsu Ref. DVD/YAW
Price Inc. Tax......20,00 EUR
DVD Shugendo Ref. DVD/SASHU
Price Inc. Tax......20,00 EUR
DVD Kendo Ref. DVD/KENDO
Price Inc. Tax......20,00 EUR
DVD Nihon Taijitsu Vol 1 Defense against Front Grabs Ref. DVD/NT1
Price Inc. Tax......20,00 EUR
DVD Yawara Kubotan Ref. DVD/YAW2
Price Inc. Tax......20,00 EUR
DVD Bugei Aiki-Jujutsu Ref. DVD/EBUGEI2
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN
DVD Other Styles Japan
DVD Bugei Ogawa Ryu Ref. DVD/BUGEI1
Price Inc. Tax......20,00 EUR
DVD Genbukan Ninpo Bugei Ref. DVD/VERME1
Price Inc. Tax......20,00 EUR
DVD Jukoshin Ryu Jiu Jitsu Ref. DVD/EDSAN1
Price Inc. Tax......20,00 EUR
DVD Classic Martial Arts Masters of Budo Japan & Okinawa Ref. DVD/BC8
Price Inc. Tax......20,00 EUR
DVD Naginata & Kumidashi Kihon Ref. DVD/NAGI1
Price Inc. Tax......20,00 EUR
DVD Jo Jutsu Ref. DVD/JO
Price Inc. Tax......20,00 EUR
DVD Kubotan Ref. DVD/KUBOT1
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu
DVD Kyusho Jitsu
DVD Kyusho Vitality. 5 Pressure Points for Self Defense and He... Ref. DVD/KLINE4
Price Inc. Tax......20,00 EUR
DVD Kyusho and Boxing Connection Ref. DVD/KLINE3
Price Inc. Tax......20,00 EUR
DVD Kyusho Pyramid Vol.2 Ref. DVD/KLINE2
Price Inc. Tax......20,00 EUR
DVD Kyusho, First Encounter Ref. DVD/KFRISAN1
Price Inc. Tax......20,00 EUR
DVD Kyusho & Tegumi in Wing Chun Siu Nim Tao Ref. DVD/KYUSHO28
Price Inc. Tax......20,00 EUR
DVD Kyusho 2, Close Encounter Ref. DVD/KFRISAN2
Price Inc. Tax......20,00 EUR
DVD Kyusho Pyramid Vol.1 Ref. DVD/KLINE1
Price Inc. Tax......20,00 EUR
DVD Kyusho Handicap Ref. DVD/KYUSHO27
Price Inc. Tax......20,00 EUR
DVD Kyusho & Pencak Silat Ref. DVD/KFRISAN3
Price Inc. Tax......20,00 EUR
DVD Kyusho Tactical Control Program Module 1 Ref. DVD/KYUSHO22
Price Inc. Tax......20,00 EUR
DVD Kyusho Sanchin Kata Vol.2 Ref. DVD/KYUSHO26
Price Inc. Tax......20,00 EUR
DVD Kyusho and Kali. Empty Hands Vol.2 Ref. DVD/KYUSHO25
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE
Publ. Co.
DVD Kyusho Jitsu
DVD Kyusho and Kali. Empty Hands Vol.1
Ref. DVD/KYUSHO24
Price Inc. Tax......20,00 EUR
DVD Kyusho First Aide Ref. DVD/KYUSHO19
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Seizing Ref. DVD/KYUSHO18
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Kyusho Top 10 Points Ref. DVD/KYUSHO15
Price Inc. Tax......20,00 EUR
DVD Kyusho Sanchin Kata Vol.1 Ref. DVD/KYUSHO23
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu in Forms Siu Nim Tao Ref. DVD/KYUSHO12
Price Inc. Tax......20,00 EUR
DVD Kyusho The 6 Ji Hands Ref. DVD/KYUSHO17
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Tuite Joint Locking Ref. DVD/KYUSHO8
Price Inc. Tax......20,00 EUR
DVD Kyusho Self Protection for Women Ref. DVD/KYUSHO21
Price Inc. Tax......20,00 EUR
DVD Kyusho Gock'Ng 'Sing Ref. DVD/KYUSHO14
Price Inc. Tax......20,00 EUR
DVD Kyusho Compressions Ref. DVD/KYUSHO16
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu The Iron Shirt Ref. DVD/KYUSHO13
Price Inc. Tax......20,00 EUR
TITLES
AVAILABLE
DVD Kyusho Jitsu
DVD Kyusho Jitsu Takedowns & Controls Ref. DVD/KYUSHO6
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Points on the Body Ref. DVD/KYUSHO4
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu KO Energetic Transfer Ref. DVD/KYUSHO11
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Knife Attacks Ref. DVD/KYUSHO9
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Points on the Legs Ref. DVD/KYUSHO5
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Points on the Arms Ref. DVD/KYUSHO2
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Vol 1 Ref. DVD/KYUSHO
Price Inc. Tax......20,00 EUR
DVD Kyusho in Taekwon Do Ref. DVD/KYUSHO20
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Points on the Head Ref. DVD/KYUSHO3
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Points for Sex Enhancement Ref. DVD/KYUSHO10
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Grappling Methods Ref. DVD/KYUSHO7
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Capoeira
DVD Capoeira
DVD Capoeira Brasil Ref. DVD/CAP4
Price Inc. Tax......20,00 EUR
DVD Capoeira Ref. DVD/CAP1
Price Inc. Tax......20,00 EUR
DVD Capoeira Banzo de Senzala Ref. DVD/CAP3
Price Inc. Tax......20,00 EUR
DVD Capoeira Gerais Ref. DVD/CAP2
Price Inc. Tax......20,00 EUR
DVD BJJ Brazilian Jiu-Jitsu
DVD BJJ Brazilian Jiu-Jitsu
DVD Gracie Jiu Jitsu Fundamentals Ref. DVD/VACIR6
Price Inc. Tax......20,00 EUR
DVD Kapap Israeli Jiu Jitsu & Martial Arts
Ref. DVD/KAPAP9
Price Inc. Tax......20,00 EUR
DVD The Brazilian Jiu-Jitsu Bible Vol 2 Ref. DVD/MANSUR6
DVD Kapap Israeli Jiu Jitsu Vol.2 Ref. DVD/KAPAP10
Price Inc. Tax......20,00 EUR
DVD Advanced Grappling Vol.1 Ref. DVD/TBELTRAN-1
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu-Jitsu, Poker Of Aces Ref. DVD/GSBJJ1
Price Inc. Tax......20,00 EUR
DVD Gracie Jiu Jitsu Submissions, escapes and Self Defense Ref. DVD/GRACIE2
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Ultimate Competition Techniques 1 Ref. DVD/FABRI1
Price Inc. Tax......20,00 EUR
DVD Advanced Grappling Vol.2 Ref. DVD/TBELTRAN-2
Price Inc. Tax......20,00 EUR
DVD Vacirca Jiu Jitsu Self Defense Ref. DVD/VACIR5
Price Inc. Tax......20,00 EUR
DVD BJJ Kioto Jiu-Jitsu Self Defense Vol 2 Ref. DVD/MANSUR5
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD BJJ Brazilian Jiu-Jitsu
DVD BJJ Kioto Jiu-Jitsu Self Defense Vol 1
Ref. DVD/MANSUR4
Price Inc. Tax......20,00 EUR
DVD BJJ Brasilian Jiu Jitsu Kioto System
Ref. DVD/MANSUR
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Vol 2 Blue Belt Program
Ref. DVD/VACIR2
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Advanced Techniques Vol 1
Ref. DVD/REGO4
Price Inc. Tax......20,00 EUR
DVD BJJ Kioto Jiu Jitsu Defenses against submissions Ref. DVD/MANSUR3
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu White to Blue Belt Program
Ref. DVD/VACIR4
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Vol 1 Ref. DVD/VACIR1
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu The Guard position Ref. DVD/REGO3
Price Inc. Tax......20,00 EUR
DVD BJJ Kioto Jiu Jitsu Submissions Ref. DVD/MANSUR2
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Conditioning Ref. DVD/VACIR3
Price Inc. Tax......20,00 EUR
DVD Gracie Jiu Jitsu Throws & Selfdefense
Ref. DVD/GRACIE1
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Cross & Side Mount Ref. DVD/REGO2
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD BJJ Brazilian Jiu-Jitsu
DVD Brazilian Jiu Jitsu The Mount position
Ref. DVD/REGO1
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Black Belt Grand Prix
Ref. DVD/BRA1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Staff and Cane
DVD Staff and Cane
DVD La Canne de Combat Combat Cane Ref. DVD/CANNE1
Price Inc. Tax......20,00 EUR
DVD O Jogo Do Pau The Portuguese Staff Ref. DVD/NUNO1
Price Inc. Tax......20,00 EUR
DVD Viet Vo Dao Long staff Vol 2. Quyen Tu Tuong Con Phap Form... Ref. DVD/VIET8
Price Inc. Tax......20,00 EUR
DVD Jo Jutsu Ref. DVD/JO
Price Inc. Tax......20,00 EUR
DVD Cane & Staff Defense Ref. DVD/LEVI6
Price Inc. Tax......20,00 EUR
DVD Palo Canario Canarian Stick Ref. DVD/ACOSTA
Price Inc. Tax......20,00 EUR
DVD Viet Vo Dao Con Phap. Long staff Vol.1 Ref. DVD/VIET7
Price Inc. Tax......20,00 EUR
DVD Latosa Escrima Hand Sticks Ref. DVD/LAT4
Price Inc. Tax......20,00 EUR
DVD Tolete Canario Traditional & Police Weapon Ref. DVD/TOLE1
Price Inc. Tax......20,00 EUR
DVD Garrote Canario Canarian Staff Ref. DVD/GARRO
Price Inc. Tax......20,00 EUR
DVD American Cane System Ref. DVD/CANE
Price Inc. Tax......20,00 EUR
DVD Kali Arnis Eskrima
DVD Latosa Escrima Hand Sticks Ref. DVD/LAT4
Price Inc. Tax......20,00 EUR
DVD Kyusho and Kali. Empty Hands Vol.1
Ref. DVD/KYUSHO24
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Backyard Sulite Original Group Ref. DVD/FLORES1
Price Inc. Tax......20,00 EUR
DVD Dog Brothers Kali & Krabi Krabong Ref. DVD/DOG2
Price Inc. Tax......20,00 EUR
DVD Kali Ilustrisimo Laban Laro Drills Ref. DVD/FLORES3
Price Inc. Tax......20,00 EUR
DVD Latosa Escrima Edge Weapons Training Ref. DVD/LAT3
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Doble Baston Ref. DVD/GOULD6
Price Inc. Tax......20,00 EUR
DVD Warriors Eskrima Ref. DVD/GURO Price Inc. Tax......20,00 EUR
DVD Kyusho and Kali. Empty Hands Vol.2
Ref. DVD/KYUSHO25
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Single Sword Ref. DVD/FLORES2
Price Inc. Tax......20,00 EUR
DVD Doce Pares Eskrima Ref. DVD/STROEV1
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Essential Knife Vol4 Pakawalan Ref. DVD/GOULD5
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Kali Arnis Eskrima
DVD Kali Arnis Eskrima
DVD Lameco Eskrima Solo-Baston Single Stick Ref. DVD/GOULD4
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Essential Knife 1 Ref. DVD/GOULD1
Price Inc. Tax......20,00 EUR
DVD Arnis Tapado Double Stick Ref. DVD/ARN2
Price Inc. Tax......20,00 EUR
DVD Arnis Koredas Obra Mano Ref. DVD/OLIV1
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Essential Knife 3 Ref. DVD/GOULD3
Price Inc. Tax......20,00 EUR
DVD Filipino Martial Arts Inosanto System Ref. DVD/ALM4
Price Inc. Tax......20,00 EUR
DVD Dog Brothers Power Development Ref. DVD/DOG3
Price Inc. Tax......20,00 EUR
DVD Latosa Escrima Vol 1 Ref. DVD/LAT1
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Essential Knife 2 Ref. DVD/GOULD2
Price Inc. Tax......20,00 EUR
DVD Arnis Tapado Single Stick Ref. DVD/ARN1
Price Inc. Tax......20,00 EUR
DVD The Dog Brother's Way Ref. DVD/DOG1
Price Inc. Tax......20,00 EUR
DVD Latosa Escrima Vol 2 Ref. DVD/LAT2
Price Inc. Tax......20,00 EUR TITLES ARE AVAILABLE IN
DVD Filipino Kali Eskrima Ref. DVD/SILAT2
Price Inc. Tax......20,00 EUR
DVD Filipino Olisi Balaraw Sword & Dagger Ref. DVD/SILAT4
Price Inc. Tax......20,00 EUR
DVD Kalavera Eskrima - Largo Mano Ref. DVD/BRU1
Price Inc. Tax......20,00 EUR
DVD Creole Fencing Ref. DVD/ECRIOLLA1
Price Inc. Tax......20,00 EUR
DVD Kali, Arnis, Eskrima Ref. DVD/MALTE1
Price Inc. Tax......20,00 EUR
DVD Kali Arnis Eskrima
DVD Nunchaku
DVD Nunchaku
DVD Nunchaku Advanced Method Ref. DVD/TMNUN2
Price Inc. Tax......20,00 EUR
DVD Artistic & Combat Nunchaku Ref. DVD/SCHM
Price Inc. Tax......20,00 EUR
DVD Nunchaku The Method from 0 to 100% Ref. DVD/TMNUN
Price Inc. Tax......20,00 EUR
DVD Nunchaku Ref. DVD/RGNUN
Price Inc. Tax......20,00 EUR
DVD Combat Nunchaku Ref. DVD/GLNUN Price Inc. Tax......20,00 EUR
DVD Other Weapons
DVD Other Weapons
DVD Lameco Eskrima Single Sword Ref. DVD/FLORES2
Price Inc. Tax......20,00 EUR
DVD Nova Scrimia Vol 1 Ref. DVD/NOVA
Price Inc. Tax......20,00 EUR
DVD Toyama Ryu Iaido Ref. DVD/TOYAMA2
Price Inc. Tax......20,00 EUR
DVD Filipino Olisi Balaraw Sword & Dagger
Ref. DVD/SILAT4
Price Inc. Tax......20,00 EUR
DVD Verdadera Destreza Española, Spanish Fencing Ref. DVD/DESTREZA1
Price Inc. Tax......20,00 EUR
DVD Creole Fencing Ref. DVD/ECRIOLLA1
Price Inc. Tax......20,00 EUR
DVD Kali Ilustrisimo Laban Laro Drills Ref. DVD/FLORES3
Price Inc. Tax......20,00 EUR
DVD Kerambit Ref. DVD/KERAM1
Price Inc. Tax......20,00 EUR
DVD Toyama Ryu Batto Jutsu Ref. DVD/TOYAMA1
Price Inc. Tax......20,00 EUR
DVD Yari and Shinai Ref. DVD/IAIDO6
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Gumtoogi Sword Fighting Ref. DVD/HWA3
Price Inc. Tax......20,00 EUR
DVD Kapap Shooting Firearms Ref. DVD/KAPAP7
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Other Weapons
DVD Bugei Shuriken-Jutsu Ref. DVD/EBUGEI4
Price Inc. Tax......20,00 EUR
DVD Jo Jutsu Ref. DVD/JO
Price Inc. Tax......20,00 EUR
DVD Novascrimia Bastone The Cane Ref. DVD/NOVA2
Price Inc. Tax......20,00 EUR
DVD Naginata & Kumidashi Kihon Ref. DVD/NAGI1
Price Inc. Tax......20,00 EUR
DVD Kyudo Kyu-Jitsu Ref. DVD/KYUDO1
Price Inc. Tax......20,00 EUR
DVD Extreme Katana Ref. DVD/KATA1
Price Inc. Tax......20,00 EUR
DVD Nova Scrimia The Sword Ref. DVD/NOVA3
Price Inc. Tax......20,00 EUR
DVD Kubotan Ref. DVD/KUBOT1
Price Inc. Tax......20,00 EUR
DVD American Cane System Ref. DVD/CANE Price Inc. Tax......20,00 EUR
DVD Police Kobudo Ref. DVD/MONTES2
Price Inc. Tax......20,00 EUR
DVD Tai Chi Che Sword Ref. DVD/TAI3
Price Inc. Tax......20,00 EUR
DVD Kendo Ref. DVD/KENDO
Price Inc. Tax......20,00 EUR
DVD Other Weapons
DVD Advanced Kendo Ref. DVD/KENDO2
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Hoshinsul Vol.3 Joint Manipulation
Ref. DVD/HWA6
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.2 Ref. DVD/TENSHIN2
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Hoshinsul Vol.1 Joint Manipulation
Ref. DVD/HWA4
Price Inc. Tax......20,00 EUR
DVD Latosa Escrima Hand Sticks Ref. DVD/LAT4
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.3 Ref. DVD/TENSHIN3
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Hoshinsul Vol.2 Joint Manipulation
Ref. DVD/HWA5
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.1 Ref. DVD/TENSHIN1
Price Inc. Tax......20,00 EUR
DVD DSDWS Dulas Self Defense Whistle Stick Ref. DVD/DULAS1
Price Inc. Tax......20,00 EUR
DVD Pro, Military, Police
DVD Paul Vunak PFS Asymmetrical Violence Ref. DVD/VUNAK1
Price Inc. Tax......20,00 EUR
DVD Russian Martial Art Systema SV Training Program Vol2
Ref. DVD/SKOGOREV-2
Price Inc. Tax......20,00 EUR
DVD Krav Maga Israeli Survival System. Hand to Hand Combat Ref. DVD/KMISS1
Price Inc. Tax......20,00 EUR
DVD SOG Close Combat Vol 1 Ref. DVD/SOG
Price Inc. Tax......20,00 EUR
DVD SOG Real Close Combat Vol-7 Ref. DVD/SOG7
Price Inc. Tax......20,00 EUR
DVD DSDWS Dulas Self Defense Whistle Stick Ref. DVD/DULAS1
Price Inc. Tax......20,00 EUR
DVD Self Pro Krav Evolution Ref. DVD/LEVI8
Price Inc. Tax......20,00 EUR
DVD SOG Close-Combat DAS Techniques Ref. DVD/SOG2
Price Inc. Tax......20,00 EUR
DVD Keysi Risk Situations Fighting Technique Ref. DVD/KEYSI2
Price Inc. Tax......20,00 EUR
DVD Keysi Original Ref. DVD/KEYSI1
Price Inc. Tax......20,00 EUR
DVD Russian Martial Art Systema SV Training Program Vol1 Ref. DVD/SKOGOREV-1
Price Inc. Tax......20,00 EUR
DVD Military SOG for civilians Ref. DVD/SOG3
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Pro, Military, Police
DVD SOG Extreme Close-Combat Ref. DVD/SOG4
Price Inc. Tax......20,00 EUR
DVD Bodyguard Dynamic Training Ref. DVD/BODY1
Price Inc. Tax......20,00 EUR
DVD Bodyguard The Canadian Way Double Impact Protection Ref. DVD/DIP1
Price Inc. Tax......20,00 EUR
DVD Police Self Defense Ref. DVD/DPOL1
Price Inc. Tax......20,00 EUR
DVD SOG How to be your own Bodyguard Ref. DVD/SOG5
Price Inc. Tax......20,00 EUR
DVD Police Grappling Ref. DVD/PGRAP1
Price Inc. Tax......20,00 EUR
DVD Canadian Bodyguard Defensive Tactics Ref. DVD/BODY2
Price Inc. Tax......20,00 EUR
DVD Kokkar Handgun Defensive Tactics Ref. DVD/OMAR5
Price Inc. Tax......20,00 EUR
DVD SOG Close Combat Vol 6 Ref. DVD/SOG6
Price Inc. Tax......20,00 EUR
DVD Russian Systema, Disarm techniques Ref. DVD/SYSTEMA2
Price Inc. Tax......20,00 EUR
DVD Operational Tonfa Ref. DVD/LEVI7
Price Inc. Tax......20,00 EUR
DVD Europol Intervention Techniques Ref. DVD/CARTER3
Price Inc. Tax......20,00 EUR
DVD Pro, Military, Police
DVD Metric Leg Strikes & Blocks System Ref. DVD/SARG11
Price Inc. Tax......20,00 EUR
DVD Metric Arm Strikes & Blocks System Ref. DVD/SARG10
Price Inc. Tax......20,00 EUR
DVD Kaisendo Police Control Ref. DVD/KAISEN2
Price Inc. Tax......20,00 EUR
DVD Reality Based Multiple Attackers Ref. DVD/SARG14
Price Inc. Tax......20,00 EUR
DVD Reality Based Conflict Exercises Ref. DVD/SARG12
Price Inc. Tax......20,00 EUR
DVD Advanced Police Jukaikido Ref. DVD/SAN4
Price Inc. Tax......20,00 EUR
DVD Police Kaisendo Dim Mak Pressure Points Ref. DVD/KAISEN3
Price Inc. Tax......20,00 EUR
DVD Reality Based Protecting the Others Ref. DVD/SARG15
Price Inc. Tax......20,00 EUR
DVD Police Jukaikido Ref. DVD/SAN2
Price Inc. Tax......20,00 EUR
DVD Systema, Fighting Basics Ref. DVD/SYSWEITZEL1
Price Inc. Tax......20,00 EUR
DVD Police Tonfa Ref. DVD/TON1
Price Inc. Tax......20,00 EUR
DVD Self Pro Krav Knife Defense Ref. DVD/LEVI5
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Pro, Military, Police
DVD Operational Locks Self Defense Pro Ref. DVD/LEVI4
Price Inc. Tax......20,00 EUR
DVD Police Weapons Ref. DVD/LEVI
Price Inc. Tax......20,00 EUR
DVD Hidden Weapons Professional Self defense Ref. DVD/DEL3
Price Inc. Tax......20,00 EUR
DVD Police Kaisendo Handcuff Defense Ref. DVD/KAISEN4
Price Inc. Tax......20,00 EUR
DVD ROS Real Operational System Ref. DVD/LEVI3
Price Inc. Tax......20,00 EUR
DVD Professional Self Defense Ref. DVD/DEL1
Price Inc. Tax......20,00 EUR
DVD Reality Based Ground attacks Ref. DVD/SARG16
Price Inc. Tax......20,00 EUR
DVD Kokkar Anti-Terrorism Advanced Tactics Ref. DVD/OMAR4
Price Inc. Tax......20,00 EUR
DVD Self Pro Krav Ref. DVD/LEVI2
Price Inc. Tax......20,00 EUR
DVD Advanced Professional Tonfa Ref. DVD/DEL2
Price Inc. Tax......20,00 EUR
DVD SWAT International Weapon Retention Ref. DVD/DAVID1
Price Inc. Tax......20,00 EUR
DVD Kokkar Kenpo Ref. DVD/OMAR1
Price Inc. Tax......20,00 EUR
DVD Pro, Military, Police
DVD kokkar Special Combat Black Cobra II Vol 2 Ref. DVD/OMAR3
Price Inc. Tax......20,00 EUR
DVD Reality Based Police & Security Arrest & Control Ref. DVD/SARG5
Price Inc. Tax......20,00 EUR
DVD Reality Based Knife Attacks from around the World Ref. DVD/SARG9
Price Inc. Tax......20,00 EUR
DVD Reality Based Police & Military Knife Offense Ref. DVD/SARG2
Price Inc. Tax......20,00 EUR
DVD Kokkar Especial Combat Black Cobra II Vol 1
Ref. DVD/OMAR2
Price Inc. Tax......20,00 EUR
DVD Reality Based Defensive Tactics Ref. DVD/SARG6
Price Inc. Tax......20,00 EUR
DVD Reality Based American Baton Police Tactics Ref. DVD/SARG8
Price Inc. Tax......20,00 EUR
DVD Reality Based Police & Military Knife Defense Ref. DVD/SARG1
Price Inc. Tax......20,00 EUR
DVD Reality Based Self Defense Ref. DVD/SARG4
Price Inc. Tax......20,00 EUR
DVD Reality Based Training with Air Guns Ref. DVD/SARG7
Price Inc. Tax......20,00 EUR
DVD Reality Based Police Ground Tactics Ref. DVD/SARG3
Price Inc. Tax......20,00 EUR
DVD Commando Combat Knife Assault Ref. DVD/JH1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Pro, Military, Police
DVD Scuba Fighting Ref. DVD/CARTER2
Price Inc. Tax......20,00 EUR
DVD Police Commando Ref. DVD/AKIS7
Price Inc. Tax......20,00 EUR
DVD Krav Maga Israeli Survival System. Disarming Techniques Ref. DVD/KMISS2
Price Inc. Tax......20,00 EUR
DVD Combat Knife Commando Ref. DVD/AKIS9
Price Inc. Tax......20,00 EUR
DVD Police Telescopic Baton Ref. DVD/TELE1
Price Inc. Tax......20,00 EUR
DVD Enigma 2 Vol.1 Paul Vunak Contemporary JKD Ref. DVD/VUNAK7
Price Inc. Tax......20,00 EUR
DVD Professional Bodyguard Ref. DVD/AKIS4
Price Inc. Tax......20,00 EUR
DVD Professional Tonfa Ref. DVD/TONFA2
Price Inc. Tax......20,00 EUR
DVD KMRED VOL.4. R.E.D. Training Ref. DVD/KMRED4
Price Inc. Tax......20,00 EUR
DVD Krav Maga
DVD Krav Maga
DVD KMRED VOL.4. R.E.D. Training Ref. DVD/KMRED4
Price Inc. Tax......20,00 EUR
DVD Krav Maga RED Vol.3. Knife Defense Ref. DVD/KMRED3
Price Inc. Tax......20,00 EUR
DVD Protect Krav Maga Ref. DVD/GIL1
Price Inc. Tax......20,00 EUR
DVD Krav Maga RED Vol.2. Concept & Pedagogy Ref. DVD/KMRED2 Price Inc. Tax......20,00 EUR
DVD Kapap Israeli Jiu Jitsu Vol.2 Ref. DVD/KAPAP10
Price Inc. Tax......20,00 EUR
DVD Kapap Israeli Jiu Jitsu & Martial Arts Ref. DVD/KAPAP9
Price Inc. Tax......20,00 EUR
DVD Krav Maga Vicious attacks Ref. DVD/IDS6
Price Inc. Tax......20,00 EUR
DVD Krav Maga Kobi Lichtenstein Ref. DVD/KOBI1
Price Inc. Tax......20,00 EUR
DVD Krav Maga I.M.A.D.S. Ref. DVD/KDENIS1
Price Inc. Tax......20,00 EUR
DVD Best of Commando Krav Maga Ref. DVD/AIZIK5
Price Inc. Tax......20,00 EUR
DVD Kapap Lotar Krav Maga Gun Disarming Keys Ref. DVD/KAPAP4
Price Inc. Tax......20,00 EUR
DVD Commando Krav Maga Urban Survival Ref. DVD/AIZIK4
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Krav Maga
DVD Original Krav Maga Blue Belt program Vol3 Ref. DVD/YARON4
Price Inc. Tax......20,00 EUR
DVD Self Pro Krav Evolution Ref. DVD/LEVI8
Price Inc. Tax......20,00 EUR
DVD Authentic Krav Maga Ref. DVD/IDS5
Price Inc. Tax......20,00 EUR
DVD Combat Survival Krav Maga Ref. DVD/AIZIK
Price Inc. Tax......20,00 EUR
DVD Krav Maga Israeli Survival System. Hand to Hand Combat Ref. DVD/KMISS1
Price Inc. Tax......20,00 EUR
DVD Krav Maga RED Research, Evolution, Development Ref. DVD/KMRED1
Price Inc. Tax......20,00 EUR
DVD Kapap Shooting Firearms Ref. DVD/KAPAP7
Price Inc. Tax......20,00 EUR
DVD Commando Krav Maga Street Survival Ref. DVD/AIZIK2
Price Inc. Tax......20,00 EUR
DVD Krav Maga Israeli Survival System. Disarming Techniques Ref. DVD/KMISS2
Price Inc. Tax......20,00 EUR
DVD Original Krav Maga Blue Belt program Vol4 Ref. DVD/YARON5
Price Inc. Tax......20,00 EUR
DVD IDS Krav Maga Airplane Security Ref. DVD/IDS4
Price Inc. Tax......20,00 EUR
DVD Commando Krav Maga Knife Attacks Ref. DVD/AIZIK3
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Krav Maga
DVD IDS Krav Maga Ref. DVD/IDS1
Price Inc. Tax......20,00 EUR
DVD Kapap Empty Hands Self Defense Ref. DVD/KAPAP8
Price Inc. Tax......20,00 EUR
DVD Kapap Lotar Krav Maga Ref. DVD/KAPAP
Price Inc. Tax......20,00 EUR
DVD Original Krav Maga Blue Belt program Vol1 Ref. DVD/YARON2
Price Inc. Tax......20,00 EUR
DVD IDS Krav Maga The Will to Survive Ref. DVD/IDS2
Price Inc. Tax......20,00 EUR
DVD Kapap Lotar Krav Maga Panim el Panim Ref. DVD/KAPAP3
Price Inc. Tax......20,00 EUR
DVD Original Krav Maga Bukan School Ref. DVD/YARON1
Price Inc. Tax......20,00 EUR
DVD Self Pro Krav Ref. DVD/LEVI2
Price Inc. Tax......20,00 EUR
DVD Krav Maga for Security Professionals Ref. DVD/IDS3
Price Inc. Tax......20,00 EUR
DVD Kapap Lotar Krav Maga Gun Disarming Ref. DVD/KAPAP2
Price Inc. Tax......20,00 EUR
DVD Original Krav Maga Blue Belt program Vol2 Ref. DVD/YARON3
Price Inc. Tax......20,00 EUR
DVD Self Pro Krav Knife Defense Ref. DVD/LEVI5
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright
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DVD Krav Maga
DVD Kapap Lotar Krav Maga The Kapap Academy Experience Ref. DVD/KAPAP5
Price Inc. Tax......20,00 EUR
DVD Kapap MMA Ref. DVD/KAPAP6 Price Inc. Tax......20,00 EUR
DVD Kapap Combatives Muay Thai Self Defense Ref. DVD/MUAYKAP
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT
Publ. Co. All content of this catalog is owned or controlled by Budo
Price Inc. Tax......20,00 EUR TITLES ARE AVAILABLE
DVD Russian Martial Art Systema SV Training Program Vol1
Ref. DVD/SKOGOREV-1
Price Inc. Tax......20,00 EUR
DVD Russian Martial Arts Systema Ref. DVD/SYSTEMA1
Price Inc. Tax......20,00 EUR
DVD Russian Martial Art Systema SV Training Program Vol2
Ref. DVD/SKOGOREV-2
Price Inc. Tax......20,00 EUR
DVD Russian Systema Ref. DVD/KADI1
Price Inc. Tax......20,00 EUR
DVD Knife Fighting
DVD Knife Fighting
DVD Lameco Eskrima Essential Knife Vol4 Pakawalan Ref. DVD/GOULD5
Price Inc. Tax......20,00 EUR
DVD Close Quarter Combat Knife & Counter Combatives Ref. DVD/HOCH1
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Essential Knife 1 Ref. DVD/GOULD1
Price Inc. Tax......20,00 EUR
DVD Seal Program Knife Combat Ref. DVD/FAR2
Price Inc. Tax......20,00 EUR
DVD Knife Tactical Response CSSD Ref. DVD/FRANK1
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Essential Knife 3 Ref. DVD/GOULD3
Price Inc. Tax......20,00 EUR
DVD Ultimate Knife Training Ref. DVD/SARG13
Price Inc. Tax......20,00 EUR
DVD JKD Knife Fighting Survival Ref. DVD/SALVA2
Price Inc. Tax......20,00 EUR TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON
DVD Novascrimia Defense against Knife Ref. DVD/NOVA4
Price Inc. Tax......20,00 EUR
DVD Lameco Eskrima Essential Knife 2 Ref. DVD/GOULD2
Price Inc. Tax......20,00 EUR
DVD Knife Survival Evolution Fighting Systems Ref. DVD/EFS
Price Inc. Tax......20,00 EUR
DVD Women´s Self Defense
DVD Women´s Self Defense
DVD Kyusho Self Protection for Women Ref. DVD/KYUSHO21
Price Inc. Tax......20,00 EUR
DVD Female Self Defense Kenpo Ref. DVD/DPF
Price Inc. Tax......20,00 EUR
DVD Kids Self Defense: Dealing with strangers Ref. DVD/TRUST1
Price Inc. Tax......20,00 EUR
DVD Women's Self Defense Ref. DVD/CYNTHI2
Price Inc. Tax......20,00 EUR
DVD Other Self Defense Styles
DVD Other Self Defense Styles
DVD Keysi Risk Situations Fighting Technique Ref. DVD/KEYSI2
Price Inc. Tax......20,00 EUR
DVD Keysi Original Ref. DVD/KEYSI1
Price Inc. Tax......20,00 EUR
DVD KMRED VOL.4. R.E.D. Training Ref. DVD/KMRED4
Price Inc. Tax......20,00 EUR
DVD Russian Martial Art Systema SV Training Program Vol1
Ref. DVD/SKOGOREV-1
Price Inc. Tax......20,00 EUR
DVD SOG Real Close Combat Vol-7 Ref. DVD/SOG7
Price Inc. Tax......20,00 EUR
DVD SDS Concept Ref. DVD/SDS1
Price Inc. Tax......20,00 EUR
DVD Krav Maga RED Vol.3. Knife Defense Ref. DVD/KMRED3
Price Inc. Tax......20,00 EUR
DVD Russian Martial Arts Systema Ref. DVD/SYSTEMA1
Price Inc. Tax......20,00 EUR
DVD Paul Vunak PFS Asymmetrical Violence Ref. DVD/VUNAK1
Price Inc. Tax......20,00 EUR
DVD Russian Martial Art Systema SV Training Program Vol2
Ref. DVD/SKOGOREV-2
Price Inc. Tax......20,00 EUR
DVD Kids Self Defense: Dealing with strangers Ref. DVD/TRUST1
Price Inc. Tax......20,00 EUR
DVD Russian Systema, Disarm techniques Ref. DVD/SYSTEMA2
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Other Self Defense Styles
DVD SOG Close Combat Vol 6 Ref. DVD/SOG6
Price Inc. Tax......20,00 EUR
DVD Self Defense with everyday objects Ref. DVD/MONTES3
Price Inc. Tax......20,00 EUR
DVD Self Defense 5 Experts x 5 Street Attacks Ref. DVD/DP1
Price Inc. Tax......20,00 EUR
DVD Military SOG for civilians Ref. DVD/SOG3
Price Inc. Tax......20,00 EUR
DVD SOG How to be your own Bodyguard Ref. DVD/SOG5
Price Inc. Tax......20,00 EUR
DVD Kaisendo Self Defense Ref. DVD/KAISEN5
Price Inc. Tax......20,00 EUR
DVD Verbal Self Defense Ref. DVD/VERBAL1
Price Inc. Tax......20,00 EUR
DVD SOG Close-Combat DAS Techniques Ref. DVD/SOG2
Price Inc. Tax......20,00 EUR
DVD Close Quarter Combat Pistol Disarming Ref. DVD/HOCH2
Price Inc. Tax......20,00 EUR
DVD Jukoshin Ryu Jiu Jitsu Ref. DVD/EDSAN1
Price Inc. Tax......20,00 EUR
DVD SOG Extreme Close-Combat Ref. DVD/SOG4
Price Inc. Tax......20,00 EUR
DVD SOG Close Combat Vol 1 Ref. DVD/SOG
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Other Self Defense Styles
DVD Russian Systema Ref. DVD/KADI1
Price Inc. Tax......20,00 EUR
DVD The Street Fighters Toolbox Vol 1 Ref. DVD/HUBAR
Price Inc. Tax......20,00 EUR
DVD Kansen Ryu Self Defense Ref. DVD/KANSEN1
Price Inc. Tax......20,00 EUR
DVD Elite Combat Program Hand to Hand Combat Ref. DVD/ECPO1
Price Inc. Tax......20,00 EUR
DVD Realistic Self Defense Vol 2 One step ahead Ref. DVD/PAYNE2
Price Inc. Tax......20,00 EUR
DVD Kasen Ryu - Operative SelfDefense vol 2 Ref. DVD/KANSEN2
Price Inc. Tax......20,00 EUR
DVD Close Combat Vol 2 Ref. DVD/MALTE4
Price Inc. Tax......20,00 EUR
DVD Jukaikido Ref. DVD/SAN Price Inc. Tax......20,00 EUR
DVD Realistic Self Defense Vol 1 Ref. DVD/PAYNE
Price Inc. Tax......20,00 EUR
DVD Progressive Street Fighting Ref. DVD/PSF1
Price Inc. Tax......20,00 EUR
DVD Close Combat Vol 1 Ref. DVD/MALTE2
Price Inc. Tax......20,00 EUR
DVD Airplane Security Ref. DVD/AKIS11
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright
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DVD Other Self Defense Styles
DVD Kaisen Do Ref. DVD/KAISEN1
Price Inc. Tax......20,00 EUR
DVD DSDWS Dulas Self Defense Whistle Stick Ref. DVD/DULAS1
Price Inc. Tax......20,00 EUR
DVD Enigma 2 Vol.1 Paul Vunak Contemporary JKD Ref. DVD/VUNAK7
Price Inc. Tax......20,00 EUR TITLES
DVD Jeet Kune Do
DVD JKD Elements of Attack Ref. DVD/JKDTIM4
Price Inc. Tax......20,00 EUR
DVD Bruce Lee in Memoriam Documentary Ref. DVD/BL
Price Inc. Tax......20,00 EUR
DVD Jun Fan Jeet Kune Do Vol 2 Ref. DVD/JKDTIM2
Price Inc. Tax......20,00 EUR
DVD Jun Fan Gung Fu Ref. DVD/DELJKD1
Price Inc. Tax......20,00 EUR
DVD Jeet Kune Do Sparring Ref. DVD/JKDTIM3 Price Inc. Tax......20,00 EUR
DVD Bruce Lee The Man & his Legacy Documentary Ref. DVD/TV2
Price Inc. Tax......20,00 EUR
DVD Jun Fan Jeet Kune Do Vol 1 Ref. DVD/JKDTIM Price Inc. Tax......20,00 EUR
DVD JKD Streetfighting Ref. DVD/ALM5 Price Inc. Tax......20,00 EUR
DVD Jeet Kune Do Self Defense Ref. DVD/DELJKD2
Price Inc. Tax......20,00 EUR
DVD Jeet Kune Do Unlimited Ground Fighting Ref. DVD/BURTON2
Price Inc. Tax......20,00 EUR
DVD Jeet Kune Do Unlimited Ref. DVD/BURTON
Price Inc. Tax......20,00 EUR
DVD Wooden Dummy Jeet Kune Do Sets Ref. DVD/ALM3 Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Jeet Kune Do
DVD Wooden Dummy JKD Jun Fan Sets Ref. DVD/ALM2
Price Inc. Tax......20,00 EUR
DVD Explosive Dumog Filipino Grappling Ref. DVD/SALVA6
Price Inc. Tax......20,00 EUR
DVD JKD Profesional Fighting System Ref. DVD/SALVA3
Price Inc. Tax......20,00 EUR
DVD JKD Seal Program Hand to Hand combat Ref. DVD/FAR1
Price Inc. Tax......20,00 EUR
DVD Jeet Kune Do Trapping to Grappling Ref. DVD/ALM1
Price Inc. Tax......20,00 EUR
DVD JKD Street Defense Tactics Ref. DVD/SALVA5
Price Inc. Tax......20,00 EUR
DVD JKD Knife Fighting Survival Ref. DVD/SALVA2
Price Inc. Tax......20,00 EUR
DVD Enigma 2 Vol.1 Paul Vunak Contemporary JKD Ref. DVD/VUNAK7
Price Inc. Tax......20,00 EUR
DVD JKD Street Trapping Ref. DVD/SALVA7
Price Inc. Tax......20,00 EUR
DVD Filipino Kino Mutai PFS Ref. DVD/SALVA4
Price Inc. Tax......20,00 EUR
DVD JKD Street Safe Ref. DVD/SALVA
Price Inc. Tax......20,00 EUR
DVD Paul Vunak PFS Asymmetrical Violence Ref. DVD/VUNAK1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Jeet Kune Do
DVD Kenpo
DVD Kenpo
DVD Kenpo, My Favorite Techniques Ref. DVD/LARRY4
Price Inc. Tax......20,00 EUR
DVD Kenpo Ed Parker's System Ref. DVD/LARRY
Price Inc. Tax......20,00 EUR
DVD Ed Parker's Kenpo Rules and Principles Ref. DVD/PLANAS2
Price Inc. Tax......20,00 EUR
DVD Blended Kenpo Ref. DVD/KOVAR1
Price Inc. Tax......20,00 EUR
DVD Free Style Kenpo Ref. DVD/LARRY3
Price Inc. Tax......20,00 EUR
DVD Fu Shih Kenpo Vol.2 Tiger Forms & Self Defense Ref. DVD/FUSHIH2
Price Inc. Tax......20,00 EUR
DVD Ed Parker's Kenpo Planas Lineage Ref. DVD/PLANAS1
Price Inc. Tax......20,00 EUR
DVD Kosho Ryu Kempo Ref. DVD/KOSHO1
Price Inc. Tax......20,00 EUR
DVD Extreme Kenpo Ref. DVD/LARRY2
Price Inc. Tax......20,00 EUR
DVD Kenpo Golden Rules Ref. DVD/PLANAS3
Price Inc. Tax......20,00 EUR
DVD Ed Parker's Kenpo Trejo Lineage Ref. DVD/TREJO1
Price Inc. Tax......20,00 EUR
DVD Fu Shih Kenpo Ref. DVD/FUSHIH1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Kenpo
DVD Kara-Ho Kempo Karate Ref. DVD/KARA1
Price Inc. Tax......20,00 EUR
DVD American Kenpo Karate Ref. DVD/NEGRE
Price Inc. Tax......20,00 EUR
DVD Kenpo Knife Defense Ref. DVD/NEGRE2
Price Inc. Tax......20,00 EUR
DVD Wolf Extreme Defense Ref. DVD/WOLF1
Price Inc. Tax......20,00 EUR
DVD Ed Parker's Kenpo IKKA Ref. DVD/PARKER1
Price Inc. Tax......20,00 EUR
DVD American Kenpo Karate Police Instruction Ref. DVD/KENPOL
Price Inc. Tax......20,00 EUR
DVD Kajukenbo
DVD Kajukenbo
DVD Kajukenbo Emperado Ref. DVD/KAJ4
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Gaylord's Method Ref. DVD/GAYLORD
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Modern Concepts Ref. DVD/KAJ7
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Vol 3 Ref. DVD/KAJ3
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Essential Ref. DVD/LPRIETO1
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Dirty fighting Ref. DVD/NEW1
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Weapons Ref. DVD/KAJ6
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Vol 2 The Training Method Ref. DVD/KAJ2
Price Inc. Tax......20,00 EUR
DVD Kajukenbo WHKD Forms & Techniques Ref. DVD/WHKD3
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Wun Hop Kuen Do Ref. DVD/WHKD2
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Evolution Ref. DVD/KAJ5
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Martial Arts Vietnam
DVD Martial Arts Vietnam
DVD Viet Vo Dao Long staff Vol 2. Quyen Tu Tuong Con Phap Form... Ref. DVD/VIET8
Price Inc. Tax......20,00 EUR
DVD Vovinam Viet Vo Dao saber and Halberd Ref. DVD/VIET5
Price Inc. Tax......20,00 EUR
DVD Vovinam Viet Vo Dao Moc Ban Phap & Vat Ref. DVD/VIET3
Price Inc. Tax......20,00 EUR
DVD Viet Vo Dao Con Phap. Long staff Vol.1
Ref. DVD/VIET7
Price Inc. Tax......20,00 EUR
DVD Vo Co Truyen Vietnamese Martial Arts
Ref. DVD/VOC
Price Inc. Tax......20,00 EUR
DVD Vovinam Viet Vo Dao Vol 2 Ref. DVD/VIET2
Price Inc. Tax......20,00 EUR
DVD Integral Vovinam Ref. DVD/VIET6
Price Inc. Tax......20,00 EUR
Viet Vo Dao Phan Don Counter Techniques Ref. DVD/VIET4
Price Inc. Tax......20,00 EUR
DVD Vovinam Viet Vo Dao Vol 1 Ref. DVD/VIET1
Price Inc. Tax......20,00 EUR TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright
DVD
DVD Other Martial Styles
DVD Other Martial Styles
DVD Self Defense for Everybody Ref. DVD/DON
Price Inc. Tax......20,00 EUR
DVD Creole Fencing Ref. DVD/ECRIOLLA1
Price Inc. Tax......20,00 EUR
DVD Chin Na Catching & Locking Ref. DVD/HARFOU2
Price Inc. Tax......20,00 EUR
DVD Psi Power for Martial Artists Ref. DVD/LILLA
Price Inc. Tax......20,00 EUR
DVD Verdadera Destreza Española, Spanish Fencing Ref. DVD/DESTREZA1
Price Inc. Tax......20,00 EUR
DVD Kaisendo Self Defense Ref. DVD/KAISEN5
Price Inc. Tax......20,00 EUR
DVD Chokes & Strangulations Shorite Ryu Tai Jutsu Ref. DVD/HARFOU3
Price Inc. Tax......20,00 EUR
DVD Aloe Lima Lama Samoa Ref. DVD/LIMA
Price Inc. Tax......20,00 EUR
DVD Filipino Kino Mutai PFS Ref. DVD/SALVA4
Price Inc. Tax......20,00 EUR
DVD The Tai Karate Way Ref. DVD/GERMAN1
Price Inc. Tax......20,00 EUR
DVD Kaisen Do Ref. DVD/KAISEN1
Price Inc. Tax......20,00 EUR
DVD Hawaian Lua Ref. DVD/LUA1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Other Martial Styles
DVD Martial Arts Night Gala Italy 2005 Ref. DVD/MAN1
Price Inc. Tax......20,00 EUR
DVD Vital Points Atemi & Kuatsu Ref. DVD/PV
Price Inc. Tax......20,00 EUR
DVD How to Martials Arts Show Ref. DVD/TEO1
Price Inc. Tax......20,00 EUR
DVD Lan Do Chen Siue Pay Vol2 Ref. DVD/YANIS2
Price Inc. Tax......20,00 EUR
DVD Novascrimia Abraçar Ref. DVD/NOVA5
Price Inc. Tax......20,00 EUR
DVD Wind Warriors XXI Ref. DVD/RIBEIRO1
Price Inc. Tax......20,00 EUR
DVD Martial Arts The Way of the Warrior Documentary Ref. DVD/TV1
Price Inc. Tax......20,00 EUR
DVD Martial Science Ref. DVD/RONDY1
Price Inc. Tax......20,00 EUR
DVD Filipino Panantukan Ref. DVD/PANAN1
Price Inc. Tax......20,00 EUR
DVD Indonesian Sarong Ref. DVD/SARONG
Price Inc. Tax......20,00 EUR
DVD Lan Do Chen Siue Pay Vol 1 Ref. DVD/VIL1
Price Inc. Tax......20,00 EUR
DVD Explosive Dumog Filipino Grappling Ref. DVD/SALVA6
Price Inc. Tax......20,00 EUR
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DVD Other Martial Styles
DVD JKD Knife Fighting Survival Ref. DVD/SALVA2
Price Inc. Tax......20,00 EUR
DVD Budo Martial Arts International Festival 2007
Ref. DVD/FESTI3
Price Inc. Tax......20,00 EUR
DVD Martials Arts Night Gala Italy 2006 Ref. DVD/MAN2
DVD Budo Martial Arts International Festival 2002
Ref. DVD/FESTI1
Price Inc. Tax......20,00 EUR
DVD International Grand Prix 2000 Martial Arts Festival
Ref. DVD/GPX
Price Inc. Tax......20,00 EUR
Price Inc. Tax......20,00 EUR TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON
DVD Budo Martial Arts International Festival 2003
Ref. DVD/FESTI2
Price Inc. Tax......20,00 EUR
DVD Hall Of Fame ISMA 2006
Ref. DVD/HALL1
Price Inc. Tax......20,00 EUR
DVD Pencak Silat
DVD Pencak Silat
DVD Pukulan Pencak Silat Serak. Weapons Ref. DVD/SERAK2
Price Inc. Tax......20,00 EUR
DVD Warrior Silat Ref. DVD/WSILAT
Price Inc. Tax......20,00 EUR
DVD Pencak Silat Ref. DVD/MALTE3
Price Inc. Tax......20,00 EUR
DVD Kyusho & Pencak Silat Ref. DVD/KFRISAN3
Price Inc. Tax......20,00 EUR
DVD Buka Jalan Pencak Silat Ref. DVD/SILAT3
Price Inc. Tax......20,00 EUR
DVD Pukulan Pencak Silat Serak. Empty Hands Ref. DVD/SERAK1
Price Inc. Tax......20,00 EUR
DVD Pencak Silat Java & Sumatra Ref. DVD/SILAT
Price Inc. Tax......20,00 EUR
DVD Tae Kwon Do
DVD Tae Kwon Do
DVD Traditional Taekwondo Hyeong Ref. DVD/TKDOWINT1
Price Inc. Tax......20,00 EUR
DVD Taekwondo WTF Basic Poomsae Ref. DVD/TKDE2
Price Inc. Tax......20,00 EUR
DVD Taekwondo Superior Poomsae & Applications Ref. DVD/PUM2
Price Inc. Tax......20,00 EUR
DVD Taekwondo ITF Leg Techniques Ref. DVD/TPT
Price Inc. Tax......20,00 EUR
DVD Martial Science Ref. DVD/RONDY1
Price Inc. Tax......20,00 EUR
DVD Taekwondo WTF Superior Poomsae Ref. DVD/TKDE1
Price Inc. Tax......20,00 EUR
DVD Taekwondo Basic Poomsae Ref. DVD/PUM1
Price Inc. Tax......20,00 EUR
DVD The Power of Combat Taekwondo Ref. DVD/MAURI
Price Inc. Tax......20,00 EUR
DVD Super Taekwondo Ref. DVD/TEAM
Price Inc. Tax......20,00 EUR
DVD Kyusho in Taekwon Do Ref. DVD/KYUSHO20
Price Inc. Tax......20,00 EUR
DVD Taekwondo ITF Tul Vol 1 Ref. DVD/TUL
Price Inc. Tax......20,00 EUR
DVD Taekwondo Fighting Secrets Ref. DVD/MAURI2
Price Inc. Tax......20,00 EUR
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DVD Hapkido
DVD Hapkido
DVD Hapkido WHF Ref. DVD/KWANG
Price Inc. Tax......20,00 EUR
DVD Combat Hapkido Self Defense Ref. DVD/COMH3
Price Inc. Tax......20,00 EUR
DVD Combat Hapkido Ground Survival Ref. DVD/COMH4
Price Inc. Tax......20,00 EUR
DVD Sin Moo Hapkido Ref. DVD/SMH
Price Inc. Tax......20,00 EUR
DVD Hapkido Technique WHF Ref. DVD/FEH1
Price Inc. Tax......20,00 EUR
DVD Combat Hapkido Ref. DVD/COMH2
Price Inc. Tax......20,00 EUR
DVD Hapkido Hoi Jeon Moo Sool Vol 1 Ref. DVD/KIM1
Price Inc. Tax......20,00 EUR
DVD Hapkido Official Program Ref. DVD/HAPFET1
Price Inc. Tax......20,00 EUR
DVD Combat Hapkido Tactical Pressure Points Program Vol1 Ref. DVD/COMHTTP1
Price Inc. Tax......20,00 EUR
DVD Hapkido Hoi Jeon Moo Sool Vol 2 Ref. DVD/KIM2
Price Inc. Tax......20,00 EUR
DVD Other Styles Korea
DVD Other Styles Korea
DVD Hwa Rang Do Gumtoogi Sword Fighting Ref. DVD/HWA3
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Hoshinsul Vol.3 Joint Manipulation
Ref. DVD/HWA6
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Knife Fighting Ref. DVD/HWA1
Price Inc. Tax......20,00 EUR
DVD Sib Pal Ki Ref. DVD/PALKI
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Hoshinsul Vol.1 Joint Manipulation
Ref. DVD/HWA4
Price Inc. Tax......20,00 EUR
DVD Modern Farang Mu Sul How to develop Speed and Reaction
Ref. DVD/FARANG1
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Extreme Takedowns Vol1
Ref. DVD/HWA2
Price Inc. Tax......20,00 EUR
DVD Sun Mu Do Ref. DVD/SUN1
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Hoshinsul Vol.2 Joint Manipulation
Ref. DVD/HWA5
Price Inc. Tax......20,00 EUR
DVD Haidong Gum Do Ref. DVD/GUMDO
Price Inc. Tax......20,00 EUR
DVD Kuk Sool Won Ref. DVD/KUK1
Price Inc. Tax......20,00 EUR
DVD Tang Su Do Ref. DVD/TANGSU1
Price Inc. Tax......20,00 EUR
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DVD Muay Thai
DVD Muay Thai
DVD Muay Thai & Kick Boxing Punching Bag Ref. DVD/CESAR8
Price Inc. Tax......20,00 EUR
DVD Muay Thai Boran Mae Mai Vol 1 Ref. DVD/CESAR11
DVD Muay Thai Boran Elbow Techniques Ref. DVD/CESAR9
Price Inc. Tax......20,00 EUR
DVD Phasom Muay Thai Ref. DVD/CESAR1
Price Inc. Tax......20,00 EUR
DVD Muay Thai Boran Chap Ko Ref. DVD/CESAR2
Price Inc. Tax......20,00 EUR
DVD Muay Thai Kick Boxing Sparring Ref. DVD/CESAR5
Price Inc. Tax......20,00 EUR
DVD Muay Boran Mae Mai Vol2 Ref. DVD/CESAR12
Price Inc. Tax......20,00 EUR
DVD Muay Thai Boran Flying Techniques Ref. DVD/CESAR10
Price Inc. Tax......20,00 EUR
DVD Muay Thai Boran Kon Muay Kee Ref. DVD/CESAR3
Price Inc. Tax......20,00 EUR
DVD Muay Thai Boran Muay Kaard Chiek Ref. DVD/CESAR6
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Muay Thai
DVD Mae Mai & Look Mai Muay Thai Ref. DVD/CESAR7
Price Inc. Tax......20,00 EUR
DVD Modern Muay Thai Ref. DVD/EC3
Price Inc. Tax......20,00 EUR
DVD Kapap Combatives Muay Thai Self Defense Ref. DVD/MUAYKAP
Price Inc. Tax......20,00 EUR
DVD Muay Thai Program 1st to 4th Khan Ref. DVD/EC1
Price Inc. Tax......20,00 EUR
DVD Muay Thai Cheng Muay Ref. DVD/LEK1
Price Inc. Tax......20,00 EUR
DVD Kung Fu & Muay Thai Dragon & Tiger Ref. DVD/MUAYKUN1 Price Inc. Tax......20,00 EUR
DVD Muay Thai Competition Training Ref. DVD/EC2 Price Inc. Tax......20,00 EUR
DVD Sillapa Muay Thai Ref. DVD/LEK2
Price Inc. Tax......20,00 EUR
DVD Muay Thai Master Woody Ref. DVD/WOODY Price Inc. Tax......20,00 EUR
DVD Kick Boxing
DVD Kick Boxing
DVD Kick Boxing Defense & Counter Ref. DVD/EGUZ
Price Inc. Tax......20,00 EUR
DVD Kick Boxing Training with Equipment Ref. DVD/KARIM2
Price Inc. Tax......20,00 EUR
DVD Kick Boxing Explosive Low Kicks Ref. DVD/KARIM1
Price Inc. Tax......20,00 EUR
DVD Semi Contact Ref. DVD/SEMI
Price Inc. Tax......20,00 EUR
DVD WKA Kick Boxing Ref. DVD/WKA1
Price Inc. Tax......20,00 EUR
DVD The training of Kick boxing and Full Contact Ref. DVD/CONDE1
Price Inc. Tax......20,00 EUR
DVD Full Contact & Kick Boxing On the Ring Ref. DVD/FULL3
Price Inc. Tax......20,00 EUR
DVD Super Sparring! Full Contact & Taekwondo Ref. DVD/BARADA1
Price Inc. Tax......20,00 EUR
DVD Full Contact & Kick Boxing Ref. DVD/DON2 Price Inc. Tax......20,00 EUR
DVD Sport Karate, Full & Kick-Boxing Ref. DVD/MIKE1
Price Inc. Tax......20,00 EUR
DVD Kick Boxing Joe Lewis Seminar Germany Ref. DVD/LEWS
Price Inc. Tax......20,00 EUR
DVD Police Defense Kick Boxing Ref. DVD/KIKPOL Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Kick Boxing
DVD Boxing for Martial Artists Ref. DVD/JEPSON1
Price Inc. Tax......20,00 EUR
DVD Grappling Wrestling
DVD Grappling Wrestling
DVD Advanced Grappling Vol.1 Ref. DVD/TBELTRAN-1
Price Inc. Tax......20,00 EUR
DVD Combat Submission Wrestling Vol 2 Ref. DVD/ERIC2
Price Inc. Tax......20,00 EUR
DVD MMA Brazilian Grappling Ref. DVD/ALEXP
Price Inc. Tax......20,00 EUR
DVD Sambo Techniques Ref. DVD/SAMB1
Price Inc. Tax......20,00 EUR
DVD Advanced Grappling Vol.2 Ref. DVD/TBELTRAN-2
Price Inc. Tax......20,00 EUR
DVD Olympic Wrestling Ref. DVD/LUCHA1
Price Inc. Tax......20,00 EUR
DVD Police Grappling Ref. DVD/PGRAP1
Price Inc. Tax......20,00 EUR
DVD Combat Submission Wrestling Vol 1 Ref. DVD/ERIC1
Price Inc. Tax......20,00 EUR
DVD Pancrase Ref. DVD/PANCRA
Price Inc. Tax......20,00 EUR
DVD Police Grappling Techniques Ref. DVD/PGRAP2
Price Inc. Tax......20,00 EUR
DVD MMA - Vale Tudo
DVD MMA Brazilian Grappling Ref. DVD/ALEXP
Price Inc. Tax......20,00 EUR
DVD Ultimate Fighting X-Treme2 Upright fight Ref. DVD/HUB2
Price Inc. Tax......20,00 EUR
DVD Shoot System Ref. DVD/SHOOT1
Price Inc. Tax......20,00 EUR
DVD Professional Vale Tudo Ref. DVD/TG3
Price Inc. Tax......20,00 EUR
DVD Brazilian Thai Boxing Ref. DVD/FEITO1
Price Inc. Tax......20,00 EUR
DVD Ultimate Fighting X-Treme1 Takedowns Ref. DVD/HUB1
Price Inc. Tax......20,00 EUR
DVD Shoot Mix Fight Ref. DVD/SHOOT
Price Inc. Tax......20,00 EUR
DVD Total Grappling & Vale Tudo Vol 2 Evolution Ref. DVD/TG2
Price Inc. Tax......20,00 EUR
DVD Ultimate Fighting X-Treme3 Ground fighting Ref. DVD/HUB3
Price Inc. Tax......20,00 EUR
DVD Shoot Vol3 Fighting Techniques Ref. DVD/SHOOT3
Price Inc. Tax......20,00 EUR
DVD Total Grappling & Vale Tudo Escapes & Submissions Ref. DVD/TG4
Price Inc. Tax......20,00 EUR
DVD Total Grappling & Vale Tudo Vol 1 Ref. DVD/TG1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD MMA - Vale Tudo
DVD Kapap MMA Ref. DVD/KAPAP6
Price Inc. Tax......20,00 EUR
DVD Bugei Total Combat Ref. DVD/BTC1
Price Inc. Tax......20,00 EUR
DVD Meca World Vale Tudo The Very Best Ref. DVD/MECA1
Price Inc. Tax......20,00 EUR
DVD K-1 Gladiators Tournament 2007 Spain Ref. DVD/GLA1
Price Inc. Tax......20,00 EUR
DVD MMA Free Fight Strategies Ref. DVD/NICO
Price Inc. Tax......20,00 EUR
DVD Knock-Out Cup MMA Ref. DVD/BRA3
Price Inc. Tax......20,00 EUR
DVD Storm Samurai Brazil MMA & Muay Thai Ref. DVD/BRA4
Price Inc. Tax......20,00 EUR
DVD Ruas Vale-Tudo Ref. DVD/FERRE2
Price Inc. Tax......20,00 EUR
DVD Vale Tudo The Very Best of IVC 6 & 9 Ref. DVD/BRA2
DVD Kick Boxing How to be an efficient counter fighter Ref. DVD/GRAD2
Price Inc. Tax......20,00 EUR
DVD Mastering Boxing Basics Ref. DVD/MERCER2
Price Inc. Tax......20,00 EUR
DVD Mastering Boxing Ring Smarts Ref. DVD/MERCER5
Price Inc. Tax......20,00 EUR
DVD Olympic Wrestling Ref. DVD/LUCHA1
Price Inc. Tax......20,00 EUR
DVD Savate French Boxing Ref. DVD/SAVAT
Price Inc. Tax......20,00 EUR
DVD Mastering Boxing Combinations Ref. DVD/MERCER3
Price Inc. Tax......20,00 EUR
DVD Mastering Boxing My Story Ref. DVD/MERCER6
Price Inc. Tax......20,00 EUR
DVD Sparring! Ref. DVD/GRAD1
Price Inc. Tax......20,00 EUR
DVD Total sparring Semi, light & Full Contact Ref. DVD/MUGEN1
Price Inc. Tax......20,00 EUR
DVD Mastering Boxing Bag Work & Footwork Ref. DVD/MERCER4
Price Inc. Tax......20,00 EUR
DVD Mastering Boxing MMA & Boxing Fit Ref. DVD/MERCER1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Other Contact Sports
DVD Kyusho Vitality. 5 Pressure Points for Self Defense and He... Ref. DVD/KLINE4
Price Inc. Tax......20,00 EUR
DVD
Health - Wellness
DVD
Health - Wellness
DVD Kyusho Vitality. 5 Pressure Points for Self Defense and He... Ref. DVD/KLINE4
Price Inc. Tax......20,00 EUR
DVD Tai-Chi and Qi-Gong Forms Ref. DVD/LYN7
Price Inc. Tax......20,00 EUR
DVD Weights Training for Martial Arts Ref. DVD/SIMAC1
Price Inc. Tax......20,00 EUR
DVD Facial Yoga Natural rejuvenation exercises Ref. DVD/FY1
Price Inc. Tax......20,00 EUR
DVD Kyusho First Aide Ref. DVD/KYUSHO19
Price Inc. Tax......20,00 EUR
DVD Brazilian Jiu Jitsu Conditioning Ref. DVD/VACIR3
Price Inc. Tax......20,00 EUR
DVD Sport-Psy for competition Ref. DVD/MARCE
Price Inc. Tax......20,00 EUR
DVD Kids Self Defense: Dealing with strangers Ref. DVD/TRUST1
Price Inc. Tax......20,00 EUR
DVD Martial Arts Extreme Stretching Ref. DVD/CYNTHI
Price Inc. Tax......20,00 EUR
DVD Kyusho Jitsu Points for Sex Enhancement Ref. DVD/KYUSHO10
Price Inc. Tax......20,00 EUR
DVD Psi Power for Martial Artists Ref. DVD/LILLA
Price Inc. Tax......20,00 EUR
DVD Tai Chi Chuan for Seniors Ref. DVD/TAI4
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
DVD Health - Wellness
DVD Tai Chi Chen Style Ref. DVD/YU
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style Kung Chia Form & Applications
Ref. DVD/TCC
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style & Chi Kung Vol 2 Ref. DVD/TAI2
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style Vol 1 Ref. DVD/FUSE
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style Vol 2 Ref. DVD/FUSE2
Price Inc. Tax......20,00 EUR
DVD Tai Chi Che Sword Ref. DVD/TAI3
Price Inc. Tax......20,00 EUR
DVD Mastering Boxing MMA & Boxing Fit Ref. DVD/MERCER1
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style Vol 3 Ref. DVD/FUSE3
Price Inc. Tax......20,00 EUR
DVD Tai Chi Yang Style & Chi Kung Vol 1
Ref. DVD/TAI1
Price Inc. Tax......20,00 EUR
NEW DVDs!
DVD KMRED VOL.4. R.E.D. Training Ref. DVD/KMRED4
Price Inc. Tax......20,00 EUR
DVD Kapap Israeli Jiu Jitsu Vol.2 Ref. DVD/KAPAP10
Price Inc. Tax......20,00 EUR
DVD Shaolin Secret Techniques Jin Gang Ba Shi Ref. DVD/TOMBOLATO2
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.2 Ref. DVD/TENSHIN2
Price Inc. Tax......20,00 EUR
DVD Enigma 2 Vol.1 Paul Vunak Contemporary JKD Ref. DVD/VUNAK7
Price Inc. Tax......20,00 EUR
DVD Kyusho Vitality. 5 Pressure Points for Self Defense and He... Ref. DVD/KLINE4
Price Inc. Tax......20,00 EUR
DVD Kyusho & Pencak Silat Ref. DVD/KFRISAN3
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.3 Ref. DVD/TENSHIN3
Price Inc. Tax......20,00 EUR
DVD DSDWS Dulas Self Defense Whistle Stick Ref. DVD/DULAS1
Price Inc. Tax......20,00 EUR
DVD Ju-Jutsu Torite Ref. DVD/JTORITE
Price Inc. Tax......20,00 EUR
DVD Tenshin-Ryu Hyoho Vol.1 Ref. DVD/TENSHIN1
Price Inc. Tax......20,00 EUR
DVD Latosa Escrima Hand Sticks Ref. DVD/LAT4
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
NEW DVDs!
DVD Krav Maga I.M.A.D.S. Ref. DVD/KDENIS1
Price Inc. Tax......20,00 EUR
DVD Gracie Jiu Jitsu Fundamentals Ref. DVD/VACIR6
Price Inc. Tax......20,00 EUR
DVD Kyusho & Tegumi in Wing Chun Siu Nim Tao Ref. DVD/KYUSHO28
Price Inc. Tax......20,00 EUR
DVD Kyusho 2, Close Encounter Ref. DVD/KFRISAN2
Price Inc. Tax......20,00 EUR
DVD Wing Chun International WCI Ref. DVD/Cameron1
Price Inc. Tax......20,00 EUR
DVD Jukoshin Ryu Jiu Jitsu Ref. DVD/EDSAN1
Price Inc. Tax......20,00 EUR
DVD Keysi Risk Situations Fighting Technique Ref. DVD/KEYSI2
Price Inc. Tax......20,00 EUR
DVD Verdadera Destreza Española, Spanish Fencing Ref. DVD/DESTREZA1
Price Inc. Tax......20,00 EUR
DVD Jeet Kune Do Self Defense Ref. DVD/DELJKD2
Price Inc. Tax......20,00 EUR
DVD SOG Real Close Combat Vol-7 Ref. DVD/SOG7
Price Inc. Tax......20,00 EUR
DVD Hwa Rang Do Hoshinsul Vol.3 Joint Manipulation Ref. DVD/HWA6
Price Inc. Tax......20,00 EUR
DVD Tong Long Pai. Southern Praying Mantis Ref. DVD/SAPIR1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
NEW DVDs!
DVD Creole Fencing Ref. DVD/ECRIOLLA1
Price Inc. Tax......20,00 EUR
DVD Gham Long Pai Kung Fu Ref. DVD/VDSPEK1
Price Inc. Tax......20,00 EUR
DVD Pukulan Pencak Silat Serak. Weapons Ref. DVD/SERAK2
Price Inc. Tax......20,00 EUR
DVD Advanced Grappling Vol.2 Ref. DVD/TBELTRAN-2
Price Inc. Tax......20,00 EUR
DVD RMA Systema SV Empty Hands & Knife Ref. DVD/SKOGOREV-11 Price Inc. Tax......20,00 EUR
DVD Shaolin Kung Fu Essential Ref. DVD/TOMBOLATO1
Price Inc. Tax......20,00 EUR
DVD Kenpo, My Favorite Techniques Ref. DVD/LARRY4
Price Inc. Tax......20,00 EUR
DVD Kali Ilustrisimo Laban Laro Drills Ref. DVD/FLORES3 Price Inc. Tax......20,00 EUR
DVD Tai-Chi and Qi-Gong Forms Ref. DVD/LYN7
Price Inc. Tax......20,00 EUR
DVD Kajukenbo Essential Ref. DVD/LPRIETO1
Price Inc. Tax......20,00 EUR
DVD Best of Commando Krav Maga Ref. DVD/AIZIK5
Price Inc. Tax......20,00 EUR
DVD Systema, Fighting Basics Ref. DVD/SYSWEITZEL1
Price Inc. Tax......20,00 EUR
TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info
NEW DVDs!
DVD Shaolin Luohan Shi Ba Shou Form Taolu
Ref. DVD/YANTI1
Price Inc. Tax......20,00 EUR
DVD Shuguro Nakazato Shorin Kan Shorin Ryu. Okinawa Karate Kob... Ref. DVD/RS609
Price Inc. Tax......0,00 EUR
DVD Yoshimatsu Matsuda Shorin Ryu. Okinawa Karate Kobudo Vol.12
Ref. DVD/RS618
Price Inc. Tax......0,00 EUR
DVD Yoshitsune Senega Uechi Ryu. Okinawa Karate Kobudo Vol.20
Ref. DVD/RS626
Price Inc. Tax......0,00 EUR
DVD Meitoku Yagi Meibukan Goju Ryu. Okinawa Karate Kobudo Vol.1
Ref. DVD/RS607
Price Inc. Tax......0,00 EUR
DVD Eiichi Miyazato Jundokan Goju Ryu. Okinawa Karate Kobudo V...
