Bunken Tech Sans

BUMTYPE

ex

BUMTYPE

tr ab ol d 60 pt

BUMTYPE

015

subag fijavanori book italic 62 pt |

bocador +

extrabold 130 pt |

+

| light 75 pt

renak

extrabold 63 pt |

+

BTC1350 Bunken™ Tech Sans

OT® / 12 Styles / small caps / OSF + TabFig / WebFonts By

01 // Overview

02 // Language support

Bunken Tech Sans: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms.

Bunken Tech Sans follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design.

The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style.

OpenType® language support By using the OpenType ® format, a single font can support many languages​​.

But not everyone wants to communicate with the whole world. Therefore, our editions differ not only by the number of supported layout features but also by the number of supported languages.

Designer

Use In particular Bunken Tech Sans stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large xheight make it equally suited for use in shorter texts.

It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon).

Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters!

Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages.

Standard Editions Buntype Standard Edition fonts contain an extended Latin character set and support least the 21 most important latin languages: Afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic, Irish Gaelic, Spanish, Swahili and Swedish.

Professional Editions Buntype Professional Edition fonts contain the Latin and additionally the Latin+TM glyph sets and support at least 58 latin languages including eastern- (Baltic) central- (CE)and southern european (Turk) as well as many regional languages (e.g. Catalan, Corsian): Afrikaans, Albanian, Alsatian, Arumanian, Asturian, Basque, Bosnian, Breton, Catalan, Cebuano, Chichewa, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (Latin), Galician, German, Greenlandic, Hawaijan, Hungarian, Icelandic, Indonesian, Irish, Irish Gaelic, Italian, Japanese (Rōmaji), Karelian, Ladin, Latin (Lingua Latina), Latvian, Lithuanian, Luba, Maltese, Moldavian (Latin), Norwegian, Occitan, Polish, Portuguese, Rheto-Romance, Romanian, Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turkish, Turkmen (Latin), Vepsian, Wolof, Zulu Web Editions Buntype Web Edition fonts contain an extended Latin character set and support at least the 21 most important latin languages: Afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic, Irish Gaelic, Spanish, Swahili and Swedish.

Bunken Tech Sans is part of the Bunken Tech superfamily.

Additional Languages are possible.

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03 // Compilation

03 // compilation

Clean And Straight

10.446 glyphs in family

/ SemiBold 60 pt

part of bunken superfamily

carefully drawn */ ExtraBold 39 pt

sqUare spurless / Book 32 pt

*/ Light Italic 70 pt

*/ ExtraBold 110 pt

*/ ExtraBold 125 pt

Contemporary & Timeless

extra tough 194.856 Nodes in the font family */ Medium 41 pt

straight */ Bold 82 pt

*/ Light Italic 34 pt

Over 870 characters per style */ Medium 36 pt

comes with a very technical appearance

Adjusted */ Light Italic 26 pt

*/ ExtraBold 118 pt

constructed */ Medium Italic 23 pt

under laws of optical illusions

supported

architectural

ligatures, small caps, alternate characters

reduced Letterforms

*/ Light 53 pt

at least 58 languages

with classical details */ Light 26 pt

*/ ExtraBold 44 pt

*/ Book Italic 25 pt

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Buntype / Bunken Superfamily / BTC 1350 Bunken Tech Sans

*/ ExtraBold 61 pt

apparently geometric shapes */ Medium 33 pt

*/ SemiBold Italic 52 pt

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04 // individualisation

04 // Individualisation

Alternate Characters Bunken Tech Sans offers a range of alternate characters for customizing typographic effect such as rounded A E F L, alternative s-forms, or f and t without a left bar, as made popular in geometric fonts.

AA */ No stylistic set – standard

*/ Stylistic Set 01 - alternate A,E,F,L

Rounded Capitals A,E,F and L

Individu */ Book Italic 40 pt ( Alternate Characters )

alisation */ ExtraBold 115 pt ( Alternate Characters )

*/ Light 100 pt ( Alternate Characters )

is possible with

Alternate */ ExtraBold 55 pt ( Alternate Characters )

*/ Bold 115 pt ( Alternate Characters )

lowercase f and t with a clean left side */ Light 29 pt ( Alternate Characters )

letterforms */ ExtraBold 69 pt ( Alternate Characters )

119 alternate characters for all supported languages

*/ Medium 18 pt ( Alternate Characters )

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Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

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Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

Âť

05 // Styles

05 // Styles

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Light 16 pt

Light 16 pt

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Book 16 pt

Book 16 pt

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Medium 16 pt

Medium 16 pt

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Semibold 16 pt

Semibold 16 pt

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Bold 16 pt

Bold 16 pt

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

extrabold 16 pt

extrabold 16 pt

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Buntype / Bunken Superfamily / BTC 1350 Bunken Tech Sans

Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

06 // Waterfall

07 // text sample

Hamburgefontskovic

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee?

Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those

Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic Waterfall Book

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic Waterfall Book Italic

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Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

08 // Glyphs

08 // Glyphs

A B C D EF G H IJKLMNOP Q R S TUV W XY Z ÀÁÂÃÄ ÅÆÇÐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ

AEFLS ÀÁÂÃÄĀĂÅĄǍ ÆǼÈÉÊĚËĒĔĖĘĹĽĻŁĿŚŠŜŞȘSS

ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮIJĴĶĹĽĻĿŃŇ ŅŊŌŎŐǾŔŘŖŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ

00123456789 $€£¢¥ &&

Std / Uppercase characters

Pro / Uppercase language extension

AEFLS À Á Â Ã Ä Ā Ă Å Ą Ǎ Æ Ǽ È É Ê Ě Ë Ē Ĕ Ė Ę Ĺ Ľ Ļ Ł Ŀ Ś Š Ŝ Ş Ș SS

Pro / Small Capitals Alternate Characters

Pro / Small Capitals Additions

Std / Proportional Lining Figures

Pro / Tabular Lining Figures

abcdefghijklmnopqrstuvwxyz àáâãäåæçèéêëıìíîïłñòóôõöøùúûüšžÿýßðþ

Std / Ampersand

&&&

Pro / Alternate Ampersands

←↓↑→

āăąǎȧǽəćĉčċďđðěēĕėęəĝğġģĥħĩīĭįiijȷĵķĺľļŀńňņ ʼnōŏőǿœŕŗřśŝşșťţŧțũūŭůűųẁẃẅŵŷźžżŋþ

Std / Arrows

flsty fb ff fh fi ffi fj ffj fk fl ffl ft ĺ ľ ļ ł ŀ ś ŝ š ş ș ť ţ ŧ ý ŷ ÿ

Pro / Superiors and Inferiors

Pro / Lowercase alternate characters

ABCDEFGHIJKLMNOPQRSTUVWXYZ ÀÁÂÃÄÅÆÇÐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ Pro / Small cap characters

ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮIJĴĶĹĽĻĿŃŇŅŊ ŌŎŐǾŔŘŖŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ Pro / Small cap language extension

ªº abdeh�lmⁿorst ₀₁₂₃₄₅₆₇₈₉€$¢+-=₍₎,.<>/

⁰¹²³⁴⁵⁶⁷⁸⁹€$¢⁺⁻⁼⁽⁾,.<>/

0123456789€$¢+-=(),.<>/

0123456789€$¢+-=(),.<>/

Pro / Ordninals and Superior Characters

Pro / Numerators and Denominators

ˇ˘˙˚˛˝¸´˜·`

Std / Accents

+−±×÷=≠≈<>≤≥¬μ°∞∂∫ƒ√∑∏◊℮Ωπμ∆¤

Std / Mathematical Operators

! ¡ ? ¿ , ; : . . . . ­- – — ‘ ’ “ ” ‚ „ ‹ › « » / | ¦ \ _ • · ( ) [ ] { } ( ) * † ‡ § ¶ ^ ~ "@ ©℗ ®™¤#№ſ

Std / Diverse Characters

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Buntype / Bunken Superfamily / BTC 1350 Bunken Tech Sans

Std / Standard Fractions

00123456789 00123456789

Pro / Oldstyle Figures and Tabular oldstyle Figures

Pro / Lowercase language extension

‘’“”/"'()[]{}|\

00123456789 $€£¢¥ 00123456789%‰¼¾½

Pro / Uppercase alternate characters

Std / Lowercase characters

?¿!¡

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Pro / Uppercase Extensions

Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

09 // OpenType® Features

09 // OpenType® Features

AERO & FLOS > AERO & FLOS – A E F L S

Pro / Capital Stylistic Alternates / Features Set 01 and 04

flow styxes > flow styxes – flsty�

ĺļľłŀśŝš…

Pro / Lowercase Stylistic Alternates / Feature Sets 02, 03, 05 and 07

AEROFLOS > AEROFLOS – A E F L S

Pro / Small Capitals Stylistic Alternates / Features Set 01 and 04

fin > fin – ff fi fj fl ffi ffj

ÀÁÂÃÄ…

ÀÁÂÃÄĀĂÅ…

fbo > fbo – fb fh fk ffl ft

Std / Ligatures Pro / Additional Ligatures / Ligatures are designed to correct awkward combinations where letters may collide.

Allthough this font was designed without collisions, ligatures were added for a traditionally outlook.

Anta > Anta – a b c d e f g h i j k l m …

Hg 26€ – € 1 2 3 4 5 6 7 8 9

Pro / Proportional Old Style Figures / This feature replaces the standard figures with proportional oldstyle figures and monetary symbols.

1629249538€

1629249538€

1629249538€

1629249538€

Pro / Abular Lining Figures And Tabular Oldstyle Figures / This features replaces proportional figures with figures that are built on a fixed width through all styles to ensure that columns of data align correctly.

HO01 > HO01 – 0 0 � 0 0

Pro / Slashed Zero / Naturaly, the letter O and the figure 0 have very similar shapes. For a better differentiation, a zero with slash has been designed and is available in all sets of figures as an additional feature.

¿ha- > �Ha- – ��- – —

Pro / Small Capitals / Replaces the standard lowercase letters with small capitals which were designed to be visually compatible with the lowercase characters.

Pro / Case Sensitive Forms / By default, punctuation marks in a text face are designed to work with lowercase characters. This feature mooves various punctuation marks up to a position that look better with all-capital sequences or sets of lining figures.

Fty > Fty – a b c d e f g h i j k l m …

straße > STRAẞE – ẞ

¿(TA 172€)? > ¿(TA 172€)? – 1 2 3 4 5 6 7 8 9 € ! ¡ ? ¿ ( ) …

Esens > Eſens – ſ

Pro / All Small Capitals / This Feature replaces all Characters to Small Capitals, even the first letter of a word.

Pro / Addition To All Small Capitals / The „All Small Capitals“ feature contains also the numbers and the most important punctuation marks adjusted to the Small Capitals.

Std / German Capital Sharp S / Feature Set 06. Replaces german letter sharp s with German capital letter sharp S ( Versales Esszett ).

Pro / Historical Forms/

1st > 1st / 1a > 1a – ao abdehiolmnorst

Pro / Ordinals / Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures.

3/42 > 3/42 – 0123456789€$¢+-=(),.<>/ / 0123456789…

Pro / Fractions / In addition to the standard diagonal fractions 1/4, 1/2 and 3/4, this feature supports the automatic creation of arbitrary fractions.

m2 > m2 – $123456789...

Pro / Superscript and Inferiors / This features creates sientific formulars with adjusted inferiors.

CO2 > CO2 – $123456789…

Pro / Subscript and Superiors / This features creates sientific formulars with adjusted superiors.

HG 26€ – € 1 2 3 4 5 6 7 8 9

Pro / Proportional Lining Figures / This is the standard setting for figures.

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10 // text sample

10 // text sample

Light 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

Light Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in

Book 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

Book Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in

Medium 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been

Medium Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been

SemiBold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been

SemiBold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been

Bold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou

Bold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou

ExtraBold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress

Bold Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress

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Buntype / Bunken Superfamily / BTC 1350 Bunken Tech Sans

Light/SemiBold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) A hall in the castle. Hamlet) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and Light/SemiBold 14/17,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee?

Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Light/SemiBold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal

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Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

Light/SemiBold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d?

No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her Light/SemiBold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those

Light/SemiBold 7/8,75 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not pas-

Light/SemiBold 6/7,5 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with

10 // text sample

10 // text sample

Book/Bold 12/15 pt:

Book/Bold 8/10 pt:

Medium/Bold 14/17,5 pt:

Medium/Bold 8/10 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter.

For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal

Book/Bold 11/13,75 pt:

Book/Bold 7/8,75 pt:

Medium/Bold 12/1525% pt:

Medium/Bold 7/8,75 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not pas-

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not

Book/Bold 10/12,5 pt:

Book/Bold 6/7,5 pt:

Medium/Bold 10/12,5 pt:

Medium/Bold 6/7,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot,

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act

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Buntype / Bunken Superfamily / BTC 1350 Bunken Tech Sans

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Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

10 // text sample

10 // text sample

Light/SemiBold 16/20 pt:

Book/Bold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

Light/SemiBold 20/25 pt:

Book/Bold 20/25 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow

Light/SemiBold 24/30 pt:

Book/Bold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No,

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No,

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Buntype / Bunken Superfamily / BTC 1350 Bunken Tech Sans

Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

10 // text sample

10 // text sample

Medium/ExtraBold 16/20 pt:

SemiBold/ExtraBold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

Medium/ExtraBold 20/25 pt:

SemiBold/ExtraBold 20/25 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow

Medium/ExtraBold 24/30 pt:

SemiBold/ExtraBold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No,

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be

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Buntype / Bunken Superfamily / BTC 1350 Bunken Tech Sans

Buntype // Bunken Superfamily // BTC 1350 Bunken Tech Sans

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Version 1.1 Dummy text from “The Tragedy of Hamlet; Prince of Denmark” W. Shakespeare, England 1523; Source: wikisource.org www.buntype.com team@buntype.com

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