Bunken Tech Sans Wide

BUMTYPE vy a e

H 5 2 2 p

BUMTYPE

t

+

BUMTYPE | Bold 45 pt

+ Book 85 pt |

+

| heavy 190 pt

| heavy 100 pt

1370 Bunken™ Tech Sans wide

OT® / 10 Styles /small caps / OSF+TabFig / Web by

01 // Overview

02 // language support

Bunken Tech Sans Wide: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. Bunken Tech Sans Wide follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style.

OpenType® language support By using the OpenType ® format, a single font can support many languages. But not everyone wants to communicate with the whole world. Therefore, our editions differ not only by the number of supported layout features but also by the number of supported languages. Standard Editions Buntype Standard Edition fonts contain an extended Latin character set and support least the 21 most important latin languages: Afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic, Irish Gaelic, Spanish, Swahili and Swedish.

Designer

Use In particular Bunken Tech Sans Wide stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages.

Professional Editions Buntype Professional Edition fonts contain the Latin and additionally the Latin+TM glyph sets and support at least 58 latin languages including eastern- (Baltic) central(CE)and southern european (Turk) as well as many regional languages (e.g. Catalan, Corsian): Afrikaans, Albanian, Alsatian, Arumanian, Asturian, Basque, Bosnian, Breton, Catalan, Cebuano, Chichewa, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (Latin), Galician, German, Greenlandic, Hawaijan, Hungarian, Icelandic, Indonesian, Irish, Irish Gaelic, Italian, Japanese (Rōmaji), Karelian, Ladin, Latin (Lingua Latina), Latvian, Lithuanian, Luba, Maltese, Moldavian (Latin), Norwegian, Occitan, Polish, Portuguese, Rheto-Romance, Romanian, Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turkish, Turkmen (Latin), Vepsian, Wolof, Zulu Web Editions Buntype Web Edition fonts contain an extended Latin character set and support at least the 21 most important latin languages: Afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic, Irish Gaelic, Spanish, Swahili and Swedish.

Bunken Tech Sans Wide is part of the Bunken Tech superfamily.

Additional Languages are possible.

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

Buntype // Bunken Superfamily //

BTC 1380 Bunken Tech Sans wide

03 // compilation

10.446 glyph

Clean And Straight

spurless

sqUare

carefully drawn */ ExtraBold 39 pt

*/ Light Italic 70 pt

*/ ExtraBold 110 pt

Over 870 characters per style */ Medium 36 pt

very technical appearance

Adjusted */ Light Italic 26 pt

*/ ExtraBold 118 pt

constructed under laws of optical illusions */ Medium Italic 23 pt

architectural */ ExtraBold 61 pt

apparently geometric

Extra Wide */ Medium 33 pt

reduced Letterforms */ Medium 33 pt

*/ SemiBold Italic 52 pt

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BTC 1380 Bunken Tech Sans wide

/ SemiBold 60 pt

part of bunken superfamily / Book 32 pt

*/ ExtraBold 125 pt

tough

Contemporary & Timeless */ Medium 41 pt

*/ Bold 82 pt

194.856 Nodes in the family

straight */ Light Italic 34 pt

*/ ExtraBold 132 pt

at least 58 languages */ Light 26 pt

classical details */ ExtraBold 44 pt

ligatures, small caps, alternate characters */ Book Italic 25 pt

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04 // individualisation

04 // Individualisation

Rounded Capitals

A,E,F and L */ Heavy Italic 45 pt ( Alternate Characters )

Alternate Characters Bunken Tech Sans Wide offers a range of alternate characters for customizing typographic effect such as rounded A E F L, alternative s-forms, or f and t without a left bar, as made popular in geometric fonts.

AA */ No stylistic set â&#x20AC;&#x201C; standard

*/ Stylistic Set 01 - alternate A,E,F,L

Individu */ Book Italic 72 pt ( Alternate Characters )

alisation */ Bold 86 pt ( Alternate Characters )

*/ Light 71 pt ( Alternate Characters )

is possible with

Alternate */ Book Italic 42 pt ( Alternate Characters )

*/ Bold 91 pt ( Alternate Characters )

lowercase f and t with a clean left side

letter */ Light 22 pt ( Alternate Characters )

forms */ Light 100 pt ( Alternate Characters )

*/ Heavy 104 pt ( Alternate Characters )

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Buntype // Bunken Superfamily //

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Buntype // Bunken Superfamily //

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05 // Styles

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Light 16 pt

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Book 16 pt

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Medium 16 pt

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Semibold 16 pt

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Bold 16 pt

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

extrabold 16 pt

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

ultrabold 16 pt

AbcdeFghijklMnQprostUVwxyz 01234567 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

heavy 16 pt

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

Buntype // Bunken Superfamily //

BTC 1380 Bunken Tech Sans wide

06 // Waterfall

07 // text sample

Hamburgefontskovic

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatterâ&#x20AC;&#x2DC;d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath sealâ&#x20AC;&#x2DC;d thee for

Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic

Hamburgefontskovic Waterfall Book

Hamburgefontskovic

Hamburgefontskovic Waterfall Book Italic

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

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BTC 1380 Bunken Tech Sans wide

08 // Glyphs A B C D EF G H I J KLMN O P Q R S TU V W XY Z

08 // Glyphs ÀÁÂÃÄ

AEFLS

ÅÆÇÐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ

ÀÁÂÃÄĀĂÅĄǍ ÆǼÈÉÊĚËĒĔĖĘĹĽĻŁĿŚŠŜŞȘSS

Std / Uppercase characters

Pro / Small Capitals Alternate Characters

ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮĲĴĶĹĽĻĿŃ

00123456789 $€£¢¥ &&

ŇŅŊŌŎŐǾŔŘŖŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ Pro / Uppercase language extension

AEFLS ÀÁÂÃÄĀĂÅĄǍ

?¿!¡

00123456789 $€£¢¥ 00123456789 %‰¼¾½ Std / Proportional Lining Figures

Pro / Tabular Lining Figures

Æ Ǽ È É Ê Ě Ë Ē Ĕ Ė Ę Ĺ Ľ Ļ Ł Ŀ Ś Š Ŝ Ş Ș SS

00123456789 00123456789

Pro / Uppercase alternate characters

Pro / Oldstyle Figures and Tabular oldstyle Figures

abcdefghijklmnopqrstuvwxyz

&&&

àáâãäåæçèéêëıìíîïłñòóôõöøùúûüšžÿýßðþ Std / Lowercase characters

āăąǎȧǽəćĉčċďđðěēĕėęəĝğġģĥħĩīĭįiĳȷĵķĺľļŀńňņŉō ŏőǿœŕŗřśŝşșťţŧțũūŭůűųẁẃẅŵŷźžżŋþ Pro / Lowercase language extension

flsty

‘’“”/"'()[]{}|\

Pro / Small Capitals Additions

Std / Ampersand

Std / Standard Fractions

Pro / Alternate Ampersands

←↓↑→ Std / Arrows

ªPro º /aOrdninals b d e h � land m ⁿ Superior o r s t Characters ₀₁₂₃₄₅₆₇₈₉€$¢+-=₍₎,.<>/

⁰¹²³⁴⁵⁶⁷⁸⁹€$¢⁺⁻⁼⁽⁾,.<>/

Pro / Superiors and Inferiors

fb ff fh fi ffi fj ffj fk fl ffl ft ĺ ľ ļ ł ŀ ś ŝ š ş ș ť ţ ŧ ý ŷ ÿ

0123456789€$¢+-=(),.<>/

Pro / Lowercase alternate characters

Pro / Numerators and Denominators

ABCDEFGHIJKLMNOPQRSTUVWXYZ

 ˇ˘˙˚˝´˜·`˛¸ Std / Accents

0123456789€$¢+-=(),.<>/

ÀÁÂÃÄÅÆÇÐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ Pro / Small cap characters

ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮĲĴĶĹĽĻĿŃŇŅŊŌ ŎŐǾŔŘŖŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ Pro / Small cap language extension

+−±×÷=≠≈<>≤≥¬μ°∞∂∫ƒ√∑∏◊℮Ωπμ∆¤ Std / Mathematical Operators

! ¡ ? ¿ , ; : . . . . - – — ‘ ’ “ ” ‚ „ ‹ › « » / | ¦ \ _ • · ( ) [ ] { } ( ) * † ‡ § ¶^~"'@©℗ ®™¤#№ſ Std / Diverse Characters

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Pro / Uppercase Extensions

Buntype // Bunken Superfamily //

BTC 1380 Bunken Tech Sans wide

09 // OpenType® Features

AERFLOS > AERFLOS – A E F L S À …

Hg 26€ – € 1 2 3 4 5 6 7 8 9

flow styxes > flow styxes – flsty�

ĺļľłŀ…

1629249538€

AEROFLOS > AEROFLOS – A E F L S À Á Â …

1629249538€

fin > fin – ff ﬁ fj fl ﬃ ffj fbo > fbo – fb fh…

HO01 > HO01 – 0 0 � 0 0

Pro / Capital Stylistic Alternates / Features Set 01 and 04

Pro / Lowercase Stylistic Alternates / Feature Sets 02, 03, 05 and 07

Pro / Small Capitals Stylistic Alternates / Features Set 01 and 04

Std / Ligatures Pro / Additional Ligatures / Ligatures are designed to correct awkward combinations where letters may collide. Allthough this font was designed without collisions, ligatures were added for a traditionally outlook.

Anta > Anta – a b c d e f g h i j k l m …

Pro / Proportional Old Style Figures / This feature replaces the standard figures with proportional oldstyle figures and monetary symbols.

Pro / Abular Lining Figures And Tabular Oldstyle Figures / This features replaces proportional figures with figures that are built on a fixed width through all styles to ensure that columns of data align correctly.

Pro / Slashed Zero / Naturaly, the letter O and the figure 0 have very similar shapes. For a better differentiation, a zero with slash has been designed and is available in all sets of figures as an additional feature.

¿ha- > �Ha- – ��- – —

Pro / Small Capitals / Replaces the standard lowercase letters with small capitals which were designed to be visually compatible with the lowercase characters.

Pro / Case Sensitive Forms / This feature mooves various punctuation marks up to a position that look better with all-capital sequences or sets of lining figures.

Fty > Fty – a b c d e f g h i j k l m …

straße > STRAẞE – ẞ

¿(TA 172€)? > ¿(TA 172€)? – 1 2 3 4 5 6 7 …

Esens > Eſens – ſ

Pro / All Small Capitals / This Feature replaces all Characters to Small Capitals, even the first letter of a word.

Pro / Addition To All Small Capitals / The „All Small Capitals“ feature contains also the numbers and the most important punctuation marks adjusted to the Small Capitals.

Std / German Capital Sharp S / Feature Set 06. Replaces german letter sharp s with German capital letter sharp S ( Versales Esszett ).

Pro / Historical Forms/

1st > 1st / 1a > 1a – ao abdehiolmnorst

Pro / Ordinals / Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures.

3/42 > 3/42 – 0123456789€$¢+-=(),.<>/ / 012345…

Pro / Fractions / In addition to the standard diagonal fractions 1/4, 1/2 and 3/4, this feature supports the automatic creation of arbitrary fractions.

m2 > m2 – $1234 567 89...

Pro / Superscript and Inferiors / This features creates sientific formulars with adjusted inferiors.

CO2 > CO2 – $123456789…

Pro / Subscript and Superiors / This features creates sientific formulars with adjusted superiors.

HG 26€ – € 1 2 3 4 5 6 7 8 9

Pro / Proportional Lining Figures / This is the standard setting for figures .

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

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BTC 1380 Bunken Tech Sans wide

10 // text sample

Book 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her

Book Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her

Light/SemiBold 16/20 pt:

Medium 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was

Medium Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was

SemiBold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her

SemiBold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her

Bold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mi-

Bold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mi-

ExtraBold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant

Bold Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant

UltraBold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant

UltraBold Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant

Heavy 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant

Heavy Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) A hall in the castle. Hamlet) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe Light/SemiBold 14/17,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick Light/SemiBold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election

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Buntype // Bunken Superfamily //

Light/SemiBold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hingLight/SemiBold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for

Light/SemiBold 7/8,75 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with

Light/SemiBold 6/7,5 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear

BTC 1380 Bunken Tech Sans wide

10 // text sample

Book/Bold 12/15 pt:

Book/Bold 8/10 pt:

Medium/Bold 14/17,5 pt:

Medium/Bold 8/10 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for

Book/Bold 11/13,75 pt:

Book/Bold 7/8,75 pt:

Medium/Bold 12/1525% pt:

Medium/Bold 7/8,75 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with

Book/Bold 10/12,5 pt:

Book/Bold 6/7,5 pt:

Medium/Bold 10/12,5 pt:

Medium/Bold 6/7,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

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Buntype // Bunken Superfamily //

BTC 1380 Bunken Tech Sans wide

10 // text sample

Light/SemiBold 16/20 pt:

Book/Bold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear

Light/SemiBold 20/25 pt:

Book/Bold 20/25 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied

Light/SemiBold 24/30 pt:

Book/Bold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

Buntype // Bunken Superfamily //

BTC 1380 Bunken Tech Sans wide

10 // text sample

Medium/ExtraBold 16/20 pt:

SemiBold/ExtraBold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Medium/ExtraBold 20/25 pt:

SemiBold/ExtraBold 20/25 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied

Medium/ExtraBold 24/30 pt:

SemiBold/ExtraBold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-

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Buntype / Bunken Superfamily / BTC 1380 Bunken Tech Sans wide

Buntype // Bunken Superfamily //

BTC 1380 Bunken Tech Sans wide

© Buntype 2015. All rights reserved. Bunken and Bunken Tech are either registered trademarks or trademarks of Buntype. All information in this document is provided “AS IS” without warranty of any kind, either expressed or implied, and is subject to change without notice. All other trademarks mentioned in this document are the trademarks or registered trademarks of their respective holders. You may reproduce and distribute this document as long as you do not remove Buntypes copyright information, do not make any changes in the document and leave it complete. Dummy text from “The Tragedy of Hamlet; Prince of Denmark” W. Shakespeare, England 1523; Source: wikisource.org

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