Buntypes Original Bunita™ Swash by Buntype

BUMTYPE

�

Natural Thin 75 pt

BUMTYPE

Velvet

Skin |

Semibold 60 pt

Extrabold 150 pt

Hair 340 pt

Buntypes Original Bunita™ Swash Eight styles & more than 1.100 automated alternatives

Contents Introduction

Web Visit us on the web Buntype.com «

page 04 Compilation » page 06

�

Customisation with OpenType® Features » page 12

Quick Guide to OpenType® Features

Social

» page 58 Styles

Issuu.com/buntype « pinterest.com/buntype « behance.net/buntype «

» page 08 Language Support » page 22 Glyphs Overview » page 32 Waterfall » page 38 Text Samples » page 44

Buntypes Original Bunita Swash

Introduction

� 4

Buntypes Original Bunita Swash

Bunita Swash ™

A contemporary script font Based on a contemporary, modern sans typeface, Bunita™ Swash was inspired by traditional calligraphic script and handwritten faces. The result is an outstanding script font with low contrast, a large x-height and open counters but also with a huge variety of ligatures, swashed or ribbonized characters and styles. Bunita™ Swash is always beautyful and friendly. But it can also be cute, formal or elegant. All Depends on your choices from the numerous automated opentype

Designer

Use Due to the high customisability, Bunita™ Swash will fit a wide range of needs in various applications from large ambient displays to complex corporate designs.

Features Bunita™ Swash is available in 8 styles with ranging from Hair to ExtraBold. Each style contains more than 1600 characters for at least 58 languages. 1100 of them are alternate characters for contextual, swash and ligature replacements.

Buntypes Original Bunita Swash

Compilation

Beautifully

Silk

Eight carefully tuned styles from Hairline to Extrabold

Compilation

Over 1.360 Characters per Style

Solutioni

Comes with many ligatures, swash - and bow characters

Decorative Ornaments

Hamburg Valuable

Halftone 6

Buntypes Original Bunita Swash

Calligraphic Cute & Friendly

Alternatives Buntypes Original Bunita Swash 7

Bunita Swash Styles

Specimen

Hamburgefontskovix Hair

Salt

Hamburgefontskovix Thin

Hamburgefontskovix Light

Hamburgefontskovix Semilight

Hamburgefontskovix Regular

Hamburgefontskovix SemiBold

Hamburgefontskovix Bold

Hamburgefontskovix ExtraBold

Buntypes Original Bunita Swash

�

Melted

Energy Releasing |

Light 70 pt

Melting – also called fusion – is a process that results in the phase transition from solid to liquid by increasing the temperature to the melting point. Sometimes this transition releases pure energy.

Buntypes Original Bunita Swash

Extrabold 210 pt

Buntypes Original Bunita Swash

Customisation

1. Hasted sunfloat Contextual glyph replacement and ligatures only

Customisation

2. Hasted sunfloat Additionally with Capital Swashes and discretionary ligatures

3. Hasted sunfloat Additionally with descender swashes and simple end swashes

The customisation options of Bunitaâ&#x201E;˘ Swash are not only very comprehensive, they are all automated. All alternatives, ligatures and swashes can be switched on and off via OpenTypeÂŽ features. The placement of all alternatives will be calculated by the font itself depended on the character context.

4. Hasted sunfloat Additionally with ribbonized ligatures

5. Hasted sunfloat Additionally with end-ribbons

6. Hasted sunfloat Additionally with ribbonized Caps

Buntypes Original Bunita Swash

Buntypes Original Bunita Swash 13

OpenType Features

OpenType Feautures

1. Bunita™ Swash In this version of Bunita™ Swash, we have bundled the most beautiful set of swashes and ribbons in the ‘Contextual Alternate’ feature, which should be on by default in almost every OpenType-savvy application. So you have to do nothing more than choosing Bunita Swash as your desired font.

Features Buntype provide you two different versions of Bunita™ Swash with every purchase: Bunita Swash and Bunita™ Swash Expert. While Bunita™ Swash works perfect with every OpenType-savvy application, Bunita™ Swash Expert shows best results with a professional layout application. The following steps for Bunita™ Swash Expert describe the usage with Adobe® Indesign®. In other applications, even by Adobe®, the steps and the menu names may differ.

2. Bunita™ Swash Expert If you want to have more control, use Bunita™ Swash Expert. ‘Contextual Alternates’ should always be on. This guarantees optimized character combinations in all situations. All other Bunita™ Swash Expert features can be controlled via the OpenType settings: ‘Ligatures’. For f ligatures choose For s ligatures choose ‘Discretionary Ligatures’. For capital swashes choose ‘Set 02’. For alternate uppercase le ers choose ‘Set 03’. For ribboni ed s ligatures choose ‘Set 04’. For ribboni ed ascenders choose ‘Set 05’. For descender swashes choose ‘Set 06’. For numeral swashes choose ‘Set 07’. For simple ending swashes choose ‘Set 08’. For endbows choose ‘Set 09’, For alternate endbows ‘Set 10’. » See Bunita Quick Guide for further instructions, please.

Buntypes Original Bunita Swash

OpenType Features

Other Features

Long Capital Swashes

The capitals with long swashes suppress all descender swashes. But reversely, they might be suppressed by standard descender characters like g or y. Bunita™ Swash Expert only. • For capitals with long ribbons, choose ‘Set 10’, ‘Set 11’, ‘Set 12’ or ‘Set 13’ (from shortest to longest).

Bunita™ Swash Expert only. • For alternate capital swashes, choose ‘Feature 03’. • For alternate capital character A, choose ‘Feature 05’. • For alternate capital character E, choose ‘Feature 06’. • For capital german Eszett, choose ‘Feature 07’. • For alternate characters g and y, choose ‘Feature 08’. • For alternate character z, choose ‘Feature 09’.

Buntypes Original Bunita Swash

Buntypes Original Bunita Swash 17

Sentimenti

ďż˝uid |

Buntypes Original Bunita Swash

Thin 167 pt

Bold 270 pt

Buntypes Original Bunita Swash

Specimen: Letters and Ligatures with Endbows

Specimen: Ribbons and Ribbonized Ligatures

Vocaďż˝ Niellan Slacďż˝ Violial Antia Alaua 20

Buntypes Original Bunita Swash

Language Support

Desktop Editions

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Bunita™ Swash contains the Latin and additionally the Latin+™ glyph sets and support at least 58 latin languages including eastern- (Baltic) central- (CE) and southern European (Turk) as well as many regional languages (e.g. Catalan, Corsian): Afrikaans, Albanian, Alsatian, Arumanian, Asturian, Basque, Bosnian Breton Catalan Cebuano Chichewa Cor nish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (Latin), Galician, German, Greenlandic, Hawaijan, Hungarian, Icelandic, Indonesian, Irish, Irish Gaelic, Italian, Japanese (Rōmaji), Karelian, Ladin, Latin (Lingua Latina), Latvian, Lithuanian, Luba, Maltese, Moldavian (Latin), Norwegian, Occitan, Polish, Portuguese, Rheto-Romance, Romanian, Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turkish, Turkmen (Latin), Vepsian, Wolof, Zulu and others.

Web Editions

Language Support

Sĭ�ĺßi

The Web Standard Edition of Bunita contains an extended Latin character set. The character set may be customizable through Webfont applications depending on your distributor.

Buntypes Original Bunita Swash

Buntypes Original Bunita Swash 23

Mama Bunitaâ&#x20AC;&#x2122;s |

Bold 38 pt

Extrabold 170 pt

Muďż˝ard

Sauce Hair 129 pt

With many delicious organic ingredients like thyme, mint, pepper, garlic, a variety of different mustard seeds and many secret spices.

Buntypes Original Bunita Swash

Variants

monkey Standard

bakery Descender swash

milk

skye

Endswash

whelk

Descender suppresses swash

bokeh

Ascender ribbon and end swash

Ribbon and descender swash

asking

wreak End ribbon version 1

unhook

Ligature

mask

End ribbon version 2

Ligagure with end swash

arabesk

creak

Ascender ribbon and end ribbon version 1

forsook

Ascender ribbon and end ribbon version 2

Ligature with ribbon and end swash

spruik

�

kkk�kkk�k�

��

Ligature with ascender ribbon and end ribbon

holk Ligature with ascender ribbon and end ribbon

ka�aesque

Characters and their variants: k In order to handle all contextual situations and applicated features adequate, Bunita™ Swash contains a huge amount of derivated alternates.

Ligature with ascender ribbon and descender swash

Buntypes Original Bunita Swash

Buntypes Original Bunita Swash 27

Specimen

Slit Volt

Advanced Solutions

The whole true story

Biological innovations made possible: The

Never ending and new every day. About a

worldwide leader in technology and knowledge

man and his inventions:

of biochemical treatments and behaviors.

Alessandro Giuseppe Antonio Anastasio Volta

Buntypes Original Bunita Swash

Buntypes Original Bunita Swash 29

Buntypes Original Bunita Swash

Lowercase Letters

Uppercase Letters

aaaaab�c

AAA A BBCC

Contemporary d d d d d d dLetterforms ddd

Contemporary D D E E F F G Letterforms GHHH

�effgggghhhhh�

IIJJKK KLL

h�iiiijkkkkkkk

MMMNNNOOPP

�k�lllllmmmm

QQR�RSSTTU�U

nnnnnoppqrss

VVWWX X

tttttuuuuvvww

YYZ Z

xxxxxyy��zzz

and more…

and more… …a selection from over 1.600 automated characters

Buntypes Original Bunita Swash

…a selection from over 1.600 automated characters

Buntypes Original Bunita Swash

Ligatures

��

� � � � �

��

and more…

…a selection from over 1.600 automated characters

Buntypes Original Bunita Swash

…a selection from over 1.600 automated characters

Buntypes Original Bunita Swash 35

Specimen: Uppercase Letters with Long Swashes

Mirabell

Holland

Accord

Element

Rosacea Medalliďż˝ 36

Buntypes Original Bunita Swash

Waterfall

Text Samples with all Swashes

Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Waterfall Thin

Hamburgefontskovic

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523, Act 3, Scene 2) Nay, do not think I flatter. For what ad vancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter â&#x20AC;&#x2122;d? No, let the candied tongue lick ab surd pomp, and crook the pregnant hing es of the knee where thrift may follow fawn n Do ho e r S nc m e was mistress of her choice and could of men distinguish, her election hath sealâ&#x20AC;&#x2122;d thee for ersel for ho a bee so i n l ha ers o h n u e sb e s nd rew r s a a eq a h n s nd b e r hos

Waterfall ExtraBold

Buntypes Original Bunita Swash

Text Samples with all Swashes

Elsinore. A platform before the castle

Text Samples with all Swashes

Elsinore. A platform before the castle

Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks.

e u r e s hos w os b oo nd j dg en r s we co m ng e ha he r And b e r hos w os b oo nd j dg en r s we co m ng e ha he r o pip Andorb or finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to -night before the heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to -night before the oho i co es e r h c rc m a c w ic I av o d he o m f t er s in O sce o i co es e r h c rc m a c w ic I av o d he o m f t er s e t I in pri heO wscee ha o ci sel a oo eve wit h ver co en o h sou observ m n nc i is oc see ha c a oo eve wit h ver co en o h sou observ m n nc i is occu ed g see il n e ne i o eec i s am ed g o ha w av see nd m ag n tio s n e ne i o eec i s am ed g o ha w av see nd m ag n tio s r as ou s V lc n s stithy. Give him heedful note; For I mine eyes will rivet to his face, and after we will both our judgments join in stithy. Give him heedful note; For I mine eyes will rivet to his face, and after we will both our judgments join in censure of his seeming. So long? Nay then, let the devil wear black, for censure of his seeming. So long? Nay then, let the devil wear black, for I’ll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there’s hope a greatman’s I’ll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there’s hope a greatman’s a ero otl v is li al ye r bu b r d u bu d c urc es he e or a o tl v is li al ye r bu b r d u bu d c urc es he or e s ae or wit h o b ors w os epi ap s For O for O h o b ors h n in o wit h o b ors w os epi ap s For O for O h o b ors is orgo h n in o

Buntypes Original Bunita Swash

Specimen

Suoluz Auluci Mistric Ylisiuh VÄ&#x192;lerie Vilolio 42

Buntypes Original Bunita Swash

Text Samples without Swashes

Hair 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards

Thin 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and

Light 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buf-

Semilight 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s

Regular 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why ould the poor be a er d No let the candied tongue lick ab rd pomp and crook the pregnant hinges of the knee where thrift may follow fawning Do thou hear Since my dear soul was mi ress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that

Semibold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a

Extrabold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing,

Regular/Bold 16/22,4 pt:

Regular/Bold 10/14 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) A hall in the castle. Hamlet) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick ab rd pomp and crook the

Regular/Bold 14/19,6 pt:

Regular/Bold 8/11,2 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No let the candied tongue lick ab rd pomp and crook the preg nant hinges of the knee where thri may follow fawning Do thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks and ble are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s finger to Regular/Bold 7/9,8 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee.

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what adRegular/Bold 6/8,4 pt: vancement may I hope from thee that no revenue hast but thy The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) good spirits, to feed and clothe thee? Why should the poor be Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, a er d No let the candied tongue lick ab rd pomp and crook let the candied tongue lick ab rd pomp and crook the pregnant hinges of the knee where thri may follow fawning Do thou hear Since my dear soul was mi ress of the pregnant hinges of the knee where thrift may follow fawning. her choice and could of men distinguish, her election hath seal’d thee for herself; for thou Do thou hear Since my dear soul was mi ress of her choice hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards ha ta en with equal thanks and ble are those whose blood and judgment and could of men distinguish, her election hath seal’d thee for are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my herself; for thou hast been as one, in suffering all, that suffers heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a nothing, a man that fortune’s buffets and rewards hast ta’en with play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father ’s death: I prithee, when thou seest that act afoot, even with the equal thanks: and blest are those whose blood and judgment are very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel

Buntypes Original Bunita Swash

Text Samples with all Swashes

Hair 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for

Light 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for

Semilight 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick ab surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d

Semibold 8/10 pt: Regular 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from Nay, do not think I flatter. For what advancement may I hope from thee thee that no revenue hast but thy good spirits, to feed and clothe that no revenue hast but thy good spirits, to feed and clothe thee? thee? Why should the poor be flatter ’d? No, let the candied tongue Why should the poor be flatter ’d? No, let the candied tongue lick ab lick absurd pomp, and crook the pregnant hinges of the knee where surd pomp, and crook the pregnant hinges of the knee where thrift a fo o w in Do ho e r S nc m e r sou thrift w may s follow i ress fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath of her choice and could of men distinguish, her election hath seal’d Semibold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath

Regular/Bold 16/22,4 pt:

Regular/Bold 10/14 pt:

The Tragedy of Hamlet; Prince of Den mark (Shakespeare, England 1523; Act Sce A a i h -ca let) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, e h c n ied ong l c

Regular/Bold 14/19,6 pt:

Regular/Bold 8/11,2 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance ment may I hope from thee that no revenue Regular/Bold 7/9,8 pt: hast but thy good spirits, to feed and clothe The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I thee? Why should the poor be flatter ’d? No, hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue e h c n ied ong l c b rd pom lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was misand crook the pregnant hinges of the knee tress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers w er hri a fo o w in Do ho nothing, a man that fortune’s buffets and rewards hast ta’en with equal Regular/Bold 10/14 pt:

thanks: and blest are those whose blood and judgment are so well com mingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what Regular/Bold 6/8,4 pt: advancement may I hope from thee that no revenue hast The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no but thy good spirits, to feed and clothe thee? Why should revenue hast but thy good spirits, to feed and clothe thee? Why should the poor h poor b a er N e h c n ied ong b a l er c N b er h c n ied ong l c b rd pom nd c inges o h ne w er hri a fo o w in Do ho e r pomp, and crook the pregnant hinges of the knee where thrift sou w s i ress o er c o c nd cou d o e i ing i er e ec i er n l ha a fo o w in Do ho e r S nc m ehe r orsouersel w for s ho a bee s o a ha for u e s bu e s nd rew r s a a e wit eq a h n mistress of her choice and could of men distinguish, her elec hos w os b oo nd j dg en r s we co m ng e ha he for fortune’s finger to sound what stop she please. Give me that man that is not pasio at se l he or ersel for ho a bee s o sion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. Something this. There is a play to -night before the king; One i er n l ha ers o h n -a ha for u tooemuchs ofbu scene of it comes near the circumstance which I have told thee of my father ’s death:

Buntypes Original Bunita Swash

Text Samples without Swashes

Book/Bold 12/15 pt:

Book/Bold 8/10 pt:

Medium/Bold 14/17,5 pt:

Medium/Bold 8/10 pt:

Book/Bold 11/13,75 pt:

Book/Bold 7/8,75 pt:

Medium/Bold 12/1525% pt:

Medium/Bold 7/8,75 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning Do thou hear Since my dear soul was mi ress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well commingled that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay,

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s

Book/Bold 10/12,5 pt:

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The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to -night before the king; One scene of it comes near the circumstance which I have told thee of my father ’s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what adlet the candied tongue lick ab rd pomp and crook the pregnant hinges of the knee vancement may I hope from thee that no revenue hast but thy where thri may follow fawning Do thou hear Since my dear soul was mi ress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou good spirits, to feed and clothe thee? Why should the poor be hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards ha ta en with equal thanks and ble are those whose blood and judgment a er d No let the candied tongue lick ab rd pomp and crook are so well commingled, that they are not a pipe for fortune’s finger to sound what stop the pregnant hinges of the knee where thrift may follow fawning. she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a Do thou hear Since my dear soul was mi ress of her choice play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father ’s death: I prithee, when thou seest that act afoot, even with the and could of men distinguish, her election hath seal’d thee for very comment of thy soul observe mine uncle if his occulted guilt do not itself unkennel herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks and ble are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s fin-

Buntypes Original Bunita Swash

Text Samples with all Swashes

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The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng The Tragedy of Hamlet; Prince of Denmark (Shake land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what speare, England 1523; Act 3, Scene 2) Nay, do not advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor think I flatter. For what advancement may I hope b a er N e h c n ied ong l c b rd pom from thee that no revenue hast but thy good spircrook the pregnant hinges of the knee where thrift may follow w in Do ho e r S nc m e r sou w s i ress o its, to feed and clothe thee? Why should the poor her choice and could of men distinguish, her election hath seal’d b a er N e h c n ied ong he l orc ersel b forr ho a bee so i er n l ers o h n a ha for u e s bu e s nd rew r s pomp, and crook the pregnant hinges of the knee a e wit eq a h n s nd b e r hos w os b oo w er hri a fo o w in Do ho e r S nc m e r sou w s i ress o er c o c nd could of men distinguish, her election hath seal’d

Book/Bold 11/13,75 pt:

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The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; The Tragedy of Hamlet; Prince of Denmark (Shake Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I speare, England 1523; Act 3, Scene 2) Nay, do not think I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue flatter. For what advancement may I hope from thee that l c b rd pom nd croo h preg an inges o h ne w hri a fo o w in Do ho e r S nc me r sou no revenue hast but thy good spirits, to feed and clothe tress of her choice and could of men distinguish, her election hath seal’d thee? Why should the poor be flatter ’d? No, let the can he or ersel for ho a bee so i er n l h n a ha for u e s bu e s nd rew r s a a e ied ong l c b rd pom nd croo h opre h n s nd b e r hos w os b oo nd j dg - en r s nant hinges of the knee where thrift may follow fawn m ng e ha he r o pip or or u e s nger so n Do ho e r S nc m e r sou w she s please. i Give ressme that man that is not passion’s slave, and I will wear of her choice and could of men distinguish, her election at se l he or ersel for ho a bee so i er n l ha ers o h n a ha for u e s

Book/Bold 10/12,5 pt:

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The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad nd vancement may I hope from thee that no revenue hast but thy good spirits, to feed ha a and clothe thee? Why should the poor be nd flatter ’d? No, let the candied tongue lick ab surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn Medium/Bold 12/1525% pt:

The Tragedy of Hamlet; Prince of Denmark (Shake speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope er w sm s from thee that no revenue hast but thy good spirha ers to feed and clothe thee? Why should the poor its, wit eq a we cobe flatter ’d? No, let the candied tongue lick absurd n w a o pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d Medium/Bold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene The Tragedy of Hamlet; Prince of Denmark (Shakespeare, The Tragedy of Hamlet; Prince of Denmark (Shakespeare, 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be England 1523; Act 3, Scene 2) Nay, do not think I flatter. England 1523; Act 3, Scene 2) Nay, do not think I flatter. For a er N e h c n ied ong l c b rd pom - nd croo h preg an in For what advancement may I hope from thee that no reve what advancement may I hope from thee that no revenue hast es o h ne w er hri a fo o w in Do ho e r S nc m e r sou was mistress of her choice and could of men distinguish, her election hath seal’d thee nue hast but thy good spirits, to feed and clothe thee? Why but thy good spirits, to feed and clothe thee? Why should or ersel for ho a bee so i er n l ha ers o h n a ha for u e s bu e s nd rew r s a a e wit eq a h n s nd b e r hos should the poor be flatter ’d? No, let the candied tongue lick h poor b a er N e h c n ied ong l c b r w os b oo nd j dg en r s we co m ng e ha he r o pip or or absurd pomp, and crook the pregnant hinges of the knee pomp, and crook the pregnant hinges of the knee where thrift tune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. where thrift may follow fawning. Dost thou hear? Since my a fo o w in Do ho e r S nc m e r sou w s Something too much of this. There is a play to -night before the king; One scene of it comes near the circumstance which I have told thee of my father ’s death: I prithee, dear soul was mistress of her choice and could of men distin mistress of her choice and could of men distinguish, her elec guish, her election hath seal’d thee for herself; for thou hast io at se l he or ersel for ho a bee so been as one, in suffering all, that suffers nothing, a man that i er n l ha ers o h n -a ha for u e s bu fortune’s buffets and rewards hast ta’en with equal thanks: e s nd rew r s a a e wit eq a h n s nd b e

Buntypes Original Bunita Swash

Medium/Bold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her elec tion hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are

Medium/Bold 7/8,75 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s

Medium/Bold 6/7,5 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to -night before the king; One scene of it comes near the circumstance which I have told thee of my fa -

Buntypes Original Bunita Swash

Text Samples without Swashes

Light/SemiBold 16/20 pt:

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The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3,

Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and Light/SemiBold 20/25 pt:

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Buntypes Original Bunita Swash

Text Samples with all Swashes

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The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why ou d h poor b a er N e h c n ied ong and crook the pregnant hinges of the knee where thrift may follow fawning. Do ho e r S nc m e r sou w s i ress o er c o e i ing i er e ec io at se l he or ersel so i er n l ha ers o h n a

3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herLight/SemiBold 20/25 pt:

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Buntypes Original Bunita Swash

Quick Guide to Bunitas OpenType Features

Buntype provide you two different versions of Bunita™ Swash with every purchase.

1. Bunita™ Swash

2. Bunita™ Swash Expert

In this version of Bunita Swash we have bundled the most beautiful set of swashes and ribbons in the Contextual Alternate feature which should be on by default in almost every OpenType savvy application So you have to do nothing more than choosing Bunita Swash as your desired font

The advanced version of Bunita™ Swash gives you full control over swash and ribbon application. Refer to the table below for further details, please.

You want…

You Choose…

You want…

You Choose…

‘Indesign® Character

panel > OpenType >’*

panel > OpenType >’

Contextual alternates

‘Contextual alternates’

(e.g. oe -combination)

Must always be on!

Capital swashes

‘Set 02’

f-ligatures

‘Ligatures’

s-ligatures

‘Discretionary ligatures’

Ribbonized Ligatures

‘Ligatures’+ Discretion-

and s-ligatures

‘Contextual Alternates’

and s-ligatures

ary ligatures’+‘Set 04’

Ribbonized ascenders

‘Set 05’

Descender swashes

‘Set 06’

Numeral swashes

‘Set 07’

Endbows version 1

Ending swashes

‘Set 08’

End bows version 01

‘Set 09’

End bows version 02

‘Set 10’

Alternate capital swashes

‘Set 03’

Alternate capital character A

‘Set 15’

Alternate capital character E

‘Set 16’’

Alternate 'cleaned' uc chars.

‘Set 17’

Alternate character g and y

‘Set 18’

Capital german Eszett

‘Set 20’

Caps w. long Swash short

‘Set 11’

Caps w. long Swash medium

‘Set 12’

Caps w. long Swash long

‘Set 13’

*On by default

Caps w. long Swash extra long ‘Set 14’ This is an Example for Adobe® Indesign®. Other applications may work in a different way.

Buntypes Original Bunita Swash

© Buntype 2015. All rights reserved. Bunita and Bunita Swash are either registered trademarks or trademarks of Buntype, Ralf Sander and Petra Niedernolte. All information in this document is provided ‘as is’ without warranty of any kind, either expressed or implied, and is subject to change without notice. All other trademarks mentioned in this document are the trademarks or registered trademarks of their respective holders. You may reproduce and distribute this document as long as you do not remove Buntypes copyright information, do not make any changes in the document and leave it complete. Dummy text from ‘The Tragedy of Hamlet; Prince of Denmark’ W. Shakespeare, England 1523; Source: wikisource.org