Bunken Tech Sans Condensed

BUMTYPE

pt 5 10 um di

pley FEBRUA +

lightitalic 62 pt |

BUMTYPE

me

sin

BUMTYPE

book 210 pt |

+

+

| medium 36 pt

BTC 1340 Bunken™ Tech Sans Condensed OT® / 10 Styles / small caps / OSF+TabFig / Web by

Other Members of the Bunken Superfamily: Bunken Tech Sans Bunken Tech Sans wide Bunken Tech Slab Condensed Bunken Tech Slab Bunken Tech Slab wide

01 // Overview

02 // Language support

Bunken Tech Sans Condensed: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms.

Bunken Tech Sans Condensed follows in the best tradition of the straightlined and somewhat angular structures of its predecessors while offering a much more open and mild design.

The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style.

OpenType® language support By using the OpenType ® format, a single font can support many languages​​.

But not everyone wants to communicate with the whole world. Therefore, our editions differ not only by the number of supported layout features but also by the number of supported languages.

Designer

Use In particular Bunken Tech Sans Condensed stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts.

It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon).

Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters!

Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages.

Standard Editions Buntype Standard Edition fonts contain an extended Latin character set and support least the 21 most important latin languages: Afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic, Irish Gaelic, Spanish, Swahili and Swedish.

Professional Editions Buntype Professional Edition fonts contain the Latin and additionally the Latin+TM glyph sets and support at least 58 latin languages including eastern- (Baltic) central- (CE)and southern european (Turk) as well as many regional languages (e.g. Catalan, Corsian): Afrikaans, Albanian, Alsatian, Arumanian, Asturian, Basque, Bosnian, Breton, Catalan, Cebuano, Chichewa, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (Latin), Galician, German, Greenlandic, Hawaijan, Hungarian, Icelandic, Indonesian, Irish, Irish Gaelic, Italian, Japanese (Rōmaji), Karelian, Ladin, Latin (Lingua Latina), Latvian, Lithuanian, Luba, Maltese, Moldavian (Latin), Norwegian, Occitan, Polish, Portuguese, Rheto-Romance, Romanian, Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turkish, Turkmen (Latin), Vepsian, Wolof, Zulu Web Editions Buntype Web Edition fonts contain an extended Latin character set and support at least the 21 most important latin languages: Afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, Finnish, French, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish Gaelic, Irish Gaelic, Spanish, Swahili and Swedish. Additional Languages are possible.

Bunken Tech Sans Condensed is part of the Bunken Tech superfamily.

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03 // compilation

03 // compilation

Clean And very Straight

10.446 glyphs in family

/ SemiBold 60 pt

part of the bunken superfamily

carefully drawn */ ExtraBold 39 pt

sqUarish spurless / Book 32 pt

*/ Light Italic 70 pt

*/ ExtraBold 125 pt

Contemporary & Timeless

extra tough 194.856 Nodes in the font family */ Medium 41 pt

*/ Bold 82 pt

really straight */ Light Italic 34 pt

*/ ExtraBold 132 pt

at least 58 languages supported

with classical details */ Light 26 pt

Over 870 characters per style */ ExtraBold 110 pt

comes with a very technical appearance */ Medium 36 pt

architectural */ Light Italic 26 pt

*/ ExtraBold 118 pt

constructed under laws of optical illusions

contemporary */ Medium Italic 23 pt

apparently geometric shapes */ ExtraBold 61 pt

*/ Book Italic 25 pt

reduced Letterforms

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5

*/ ExtraBold 44 pt

ligatures, small caps, alternate characters Buntype / Bunken Superfamily / BTC 1330 Bunken Tech Sans condensed

*/ Medium 33 pt

*/ SemiBold Italic 52 pt

Buntype // Bunken Superfamily // BTC 1330 Bunken Tech condensed

04 // individualisation

04 // individualisation

Rounded Capitals A,E,F and L

Individu */ Book Italic 44 pt ( Alternate Characters )

Alternate Characters Bunken Tech Sans Condensed offers a range of alternate characters for customizing typographic effect such as rounded A E F L, alternative s-forms, or f and t without a left bar, as made popular in geometric fonts.

AA */ No stylistic set – standard

*/ Stylistic Set 01 - alternate A,E,F,L

alisation */ Bold 141 pt ( Alternate Characters )

*/ Light 125 pt ( Alternate Characters )

is possible with

Alternate */ Book 72 pt ( Alternate Characters )

*/ Bold 133 pt ( Alternate Characters )

lowercase f and t with a clean left side

letterforms */ Light 35 pt ( Alternate Characters )

*/ Book 88 pt ( Alternate Characters )

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05 // Styles

05 // Styles

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789 abcdefghijklmnopqrstuvwxyz 0123456789 abcdefghijklmnopqvrstuvwxyz 0123456789

Light 16 pt

Book 16 pt

Medium 16 pt

Semibold 16 pt

Light 16 pt

Book 16 pt

Medium 16 pt

Semibold 16 pt

Bold 16 pt

Bold 16 pt

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06 // Waterfall

07 // text sample

Hamburgefontskovic

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me

Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Waterfall Book

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic

Hamburgefontskovic Waterfall Book Italic

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08 // Glyphs A B CDEFGHIJKLMN O P Q R S TUVWXYZ ÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ

08 // Glyphs ÀÁÂÃÄÅÆÇÐÈÉÊËÌ

Std / Uppercase characters

ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮIJĴĶĹĽĻĿŃŇŅŊŌŎŐǾŔ ŘŖŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ Pro / Uppercase language extension

AEFLS À Á Â Ã Ä Ā Ă Å Ą Ǎ Æ Ǽ È É Ê Ě Ë Ē Ĕ Ė Ę Ĺ Ľ Ļ Ł Ŀ Ś Š Ŝ Ş Ș SS Pro / Uppercase alternate characters

abcdefghijklmnopqrstuvwxyz àáâãäåæçèéêëıìíîïłñòóôõöøùúûüšžÿýßðþ Std / Lowercase characters

āăąǎȧǽəćĉčċďđðěēĕėęəĝğġģĥħĩīĭįiijȷĵķĺľļŀńňņʼnōŏőǿœŕ ŗřśŝşșťţŧțũūŭůűųẁẃẅŵŷźžżŋþ Pro / Lowercase language extension

flsty fb ff fh fi ffi fj ffj fk fl ffl ft ĺ ľ ļ ł ŀ ś ŝ š ş ș ť ţ ŧ ý ŷ ÿ Pro / Lowercase alternate characters

ABCDEFGHIJKLMNOPQRSTUVWXYZ ÀÁÂÃÄÅÆÇÐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ

Pro / Small cap characters

ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦĨĪĬİĮIJĴĶĹĽĻĿŃŇŅŊŌŎŐǾŔŘŖ ŚŜŞȘẞŤŢŦȚŨŪŬŮŰŲẀẂẄŴŶŹ

Pro / Small cap language extension

AEFLS ÀÁÂÃÄĀĂÅĄǍ ÆǼÈÉÊĚËĒĔĖĘĹĽĻŁĿŚŠŜŞȘSS Pro / Small Capitals Alternate Characters

00123456789 $€£¢¥ && ?¿!¡ ‘’“”/"'()[]{}|\ Pro / Small Capitals Additions

00123456789 $€£¢¥ 00123456789%‰¼¾½ Std / Proportional Lining Figures

Buntype / Bunken Superfamily / BTC 1330 Bunken Tech Sans condensed

Std / Standard Fractions

00123456789 00123456789 Pro / Oldstyle Figures and Tabular oldstyle Figures

&&&

Std / Ampersand

Pro / Alternate Ampersands

←↓↑→ Std / Arrows

ªº abdeh�lmⁿorst ₀₁₂₃₄₅₆₇₈₉€$¢+-=₍₎,.<>/ ⁰¹²³⁴⁵⁶⁷⁸⁹€$¢⁺⁻⁼⁽⁾,.<>/ Pro / Ordninals and Superior Characters

Pro / Superiors and Inferiors

0123456789€$¢+-=(),.<>/ 0123456789€$¢+-=(),.<>/ Pro / Numerators and Denominators

ˇ˘˙˚˛˝¸´˜·` Std / Accents

+−±×÷=≠≈<>≤≥¬μ°∞∂∫ƒ√∑∏◊℮Ωπμ∆¤ Std / Mathematical Operators

! ¡ ? ¿ , ; : . . . . ­- – — ‘ ’ “ ” ‚ „ ‹ › « » / | ¦ \ _ • · ( ) [ ] { } ( ) * † ‡ § ¶ ^ ~ " ' @ ©℗ ®™¤#№ſ Std / Diverse Characters

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Pro / Tabular Lining Figures

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Pro / Uppercase Extensions

Buntype // Bunken Superfamily // BTC 1330 Bunken Tech Sans condensed

09 // OpenType® Features

09 // OpenType® Features

AERO & FLOS > AERO & FLOS – A EFLS

Pro / Capital Stylistic Alternates / Features Set 01 and 04

ÀÁÂÃÄ…

flow styxes > flow styxes – flsty� ĺ ļ ľ ł ŀ ś ŝ š …

Pro / Lowercase Stylistic Alternates / Feature Sets 02, 03, 05 and 07

AEROFLOS > AEROFLOS – A E F L S

Pro / Small Capitals Stylistic Alternates / Features Set 01 and 04

fin > fin – ff fi fj fl ffi ffj

ÀÁÂÃÄĀĂÅ…

fbo > fbo – fb fh fk ffl ft

Std / Ligatures Std / Additional Ligatures / Ligatures are designed to correct awkward combinations where letters may collide. Allthough this font was designed without collisions, ligatures were added for a traditionally outlook.

Anta > Anta – a b c d e f g h i j k l m …

Pro / Small Capitals / Replaces the standard lowercase letters with small capitals which were designed to be visually compatible with the lowercase characters.

Fty > Fty – a b c d e f g h i j k l m …

Pro / All Small Capitals / This Feature replaces all Characters to Small Capitals, even the first letter of a word.

¿(TA 172€)? > ¿(TA 172€)? – 1 2 3 4 5 6 7 8 9 € ! ¡ ? ¿ ( ) …

Pro / Addition To All Small Capitals / The „All Small Capitals“ feature contains also the numbers and the most important punctuation marks adjusted to the Small Capitals.

Hg 26€ – € 1 2 3 4 5 6 7 8 9

Pro / Proportional Old Style Figures / This feature replaces the standard figures with proportional oldstyle figures and monetary symbols.

1629249538€

1629249538€

1629249538€

1629249538€

Pro / Abular Lining Figures And Tabular Oldstyle Figures / This features replaces proportional figures with figures that are built on a fixed width through all styles to ensure that columns of data align correctly.

HO01 > HO01 – 0 0 � 0 0

Pro / Slashed Zero / Naturaly, the letter O and the figure 0 have very similar shapes. For a better differentiation, a zero with slash has been designed and is available in all sets of figures as an additional feature.

¿ha- > �Ha- – ��- – —

Pro / Case Sensitive Forms / By default, punctuation marks in a text face are designed to work with lowercase characters. This feature mooves various punctuation marks up to a position that look better with all-capital sequences or sets of lining figures.

straße > STRAẞE – ẞ

Std / German Capital Sharp S / Feature Set 06. Replaces german letter sharp s with German capital letter sharp S ( Versales Esszett ).

Esens > Eſens – ſ

Pro / Historical Forms

1st > 1st / 1a > 1a – ao abdehiolmnorst

Pro / Ordinals / Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures.

3/42 > 3/42 – 0123456789€$¢+-=(),.<>/ / 0123456789…

Pro / Fractions / In addition to the standard diagonal fractions 1/4, 1/2 and 3/4, this feature supports the automatic creation of arbitrary fractions.

m2 > m2 – $123456789...

Pro / Superscript and Inferiors / This features creates sientific formulars with adjusted inferiors.

CO2 > CO2 – $123456789…

Pro / Subscript and Superiors / This features creates sientific formulars with adjusted superiors.

HG 26€ – € 1 2 3 4 5 6 7 8 9

Pro / Proportional Lining Figures / This is the standard setting for figures.

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10 // text sample

10 // text sample

Light 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal

Light Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal

Book 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with

Book Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en

Medium 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards

Medium Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards

SemiBold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and

SemiBold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buf-

Bold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that

Bold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that

Light/SemiBold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) A hall in the castle. Hamlet) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may folLight/SemiBold 14/17,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men Light/SemiBold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d?

No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she

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Light/SemiBold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been Light/SemiBold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man

Light/SemiBold 7/8,75 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes

Light/SemiBold 6/7,5 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one speech, it is a damned ghost that we have seen, and my imaginations are as foul as Vulcan‘s stithy. Give him heedful

10 // text sample

10 // text sample

Book/Bold 12/15 pt:

Book/Bold 8/10 pt:

Medium/Bold 14/17,5 pt:

Medium/Bold 8/10 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d?

No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please.

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger

Book/Bold 11/13,75 pt:

Book/Bold 7/8,75 pt:

Medium/Bold 12/1525% pt:

Medium/Bold 7/8,75 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter.

For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judg-

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee.

Something too much of this. There is a play to-night before the king; One

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night

Book/Bold 10/12,5 pt:

Book/Bold 6/7,5 pt:

Medium/Bold 10/12,5 pt:

Medium/Bold 6/7,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not pas-

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one speech, it is a damned ghost that we have seen, and my imaginations are as foul as Vulcan‘s stithy. Give

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d?

No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one speech, it is a damned ghost that we have seen, and my imaginations are as foul as

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Buntype / Bunken Superfamily / BTC 1330 Bunken Tech Sans condensed

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Buntype // Bunken Superfamily // BTC 1330 Bunken Tech Sans condensed

10 // text sample

10 // text sample

Light/SemiBold 16/20 pt:

Book/Bold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks:

Light/SemiBold 20/25 pt:

Book/Bold 20/25 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d?

No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice

Light/SemiBold 24/30 pt:

Book/Bold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the

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Buntype / Bunken Superfamily / BTC 1330 Bunken Tech Sans condensed

Buntype // Bunken Superfamily // BTC 1330 Bunken Tech Sans condensed

10 // text sample

10 // text sample

Medium/ExtraBold 16/20 pt:

SemiBold/ExtraBold 16/20 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear?

Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with

Medium/ExtraBold 20/25 pt:

SemiBold/ExtraBold 20/25 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.

Dost thou hear? Since my dear soul was mistress of her choice

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress

Medium/ExtraBold 24/30 pt:

SemiBold/ExtraBold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd

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Buntype / Bunken Superfamily / BTC 1330 Bunken Tech Sans condensed

Buntype // Bunken Superfamily // BTC 1330 Bunken Tech Sans condensed

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Dummy text from “The Tragedy of Hamlet; Prince of Denmark” W. Shakespeare, England 1523; Source: wikisource.org Version 1.0 www.buntype.com team@buntype.com

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