Graduate Works : 2009-2012

Page 1

PORTFOLIO

CHARLIE ABLE GRADUATE WORKS 2009-2012



CONTENTS INTIMATE ROUTINE | URBAN COMMUTE

5

3439 U.

33

STICKY CIRCULATION

53

CURATING LIGHT

65

CLIMATE CELL

77

POLYMORPHIC

83

PUDELMA PAVILJONKI

93

FABRIC-ATION

105

FORMWORKS

115

PIXEL BOARD

121

PROJECT BOOK CELL

125

BUILDING INTELLIGENCE

133

MODEL [T]

145

MAYA ANIMATIONS

157

WHERE’S THE BEEF

163



INTIMATE ROUTINE URBAN COMMUTE 7

A Housing Proposal for Hoboken, New Jersey

6

F.2011 | Prof. Karla Rothstein | Done in Collaboration w/ Jennifer Chang 2 5



Transit Hub and Public Plaza Rendering

|

7


A

A Home Dispersion Community Aggregation

St ar- Trek

S u b u r b ia

Live/ Work

U rb a ni z e d

Dispersion

Commute Aggregation

Work Dispersion

Advance / Extension

Gasket

Event

B

B

standard definition of commute Event

Event

Gasket Extension / Advance

Rail Yard / Holland Tunnel

A

A

Advance / Extension

B

B A

directly affected by Hoboken site

B

Gasket

Intimate Routine | Urban Commute The physical displacement performed by an individual on a reoccurring basis; commute, occupies the blurred territories of home and transportation. A transition of not only body but mind. Each mode of transportation in the urban environment is connected to a specific set of displacement criteria, offering its own unique environment through which one moves. Variability of speed, 8

|

Commute Concept Diagrams and Displacement Model Study

flexibility, and exposure generate different scales of connectivity to these environments and the occupants within. Experiential connectivity calibrates the different moments of motion, pause, and stop in order to expand connection to one another at a multiplicity of scales from the intimate routine to the urban commute.


urban

domestic


DAILY COMMUTE

11

12 AM

1

to Manhattan 2

10 Ridership and Densities of Transportation through Hoboken Terminal

*Data based on MTA NYC Transit Recapitulation 2008 Average Fall Weekday

3

9

Lo

New Jersey-Bound Bus Operation Ends 8

Manhattan-Bound Bus Operation Ends

we

st Ri 9 8 der s hi 2

4

p

Ferry Operation Ends

Bus Operation Begins

7

Vehicular Flow Deflection Ferry Operation Begins

F e r r y D e n s i ty S u r g e

Subway Flow Deflection Begins 6

Avg 38.4 passengers / bus

Fe rry De nsi ty S urg e

5

8

4

Max Vehicular Transport 7,530

Bus Density Threshold

9

3

10

2

11

1 12 PM


To Manhattan

From Manhattan

BUS (NJ TRANSIT) Hudson Place Bus Terminal: 22, 64, 68, 85, 87, 89

SUBWAY (PATH TRAIN) Hoboken-33rd Street Hoboken-World Trade Center Journal Square-33rd Street (via Hoboken)

5

VEHICLES Hoboken Tunnel: Autos, Taxis, Commuter Vans, and Trucks

6

FERRY (NY WATERWAY)

7

Battery Park City (World Financial Center) Pier 11-Wall Street / East River (Lower Mnhtn)

IN A DAY Average Persons per Bus

Average Persons per Vehicle

Average Persons per Subway Car

Daily Passengers by Vehicle

Avg Hourly Passengers on Holland Tunnel

Daily Holland Tunnel Vehicular Traffic

Hi gh es 29,1 tT ot 54 al Rid ers h

ip

21.54

110,113

1.22

2,294

23.35

92,189


DAILY ROUTINE Programmatic Usage Decomposition and Analysis

12 AM

11

1

Mailbox [Personal] Shared Car Depot

10

2

Waste Man

9

agement

Nightlife Ends 3

Bank (ATM)

Late-Night Convenience Store 4

Grocery Bus Depot

8

Personal Bike Storage

P ool

Misc. Services

Farmers Market

Post Office Ferry Port

Restaurants

s

Rush Hour

6

Gym

tation Rail S Light

Dinner

il itie s Fac Sport

S h op Cofe e De li e Offic l a e rcial Comm Te rmin y Rail He av n ti o Sta TH

PA

7

y] munit c] li [Com Park Park [Pub

Shared Bike Lot

l

Laundry [Sel f]

Schoo

5

Commute Begins N rs/ Ba

4

8

i gh i fe tL

Lunch Time

9

3

10

2

11

1 12 PM

Rush Hour


PRIMARY SORT School Commercial Office Heavy Rail Terminal PATH Station Personal Bike Storage Shared Bike Lot Bus Depot Light Rail Station Ferry Port

5

Pre-Morning Routine

6

Morning Activities

Park [Public] Mailbox [Personal] Convenience Store Library Sports Facilities Misc. Services Laundry [Self] Restaurants Gym Bars/Night Life Farmers Market Deli Pool Post Office Cofee Shop Bank (ATM) Shared Car Depot Grocery Newsstand Waste Management Park [Community] Housing Total

1

2

3

4

5

6

7

8

9

10

11

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1

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5

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8

0

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5

5

5

5

5

5

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4

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2

0

0

0

0

0

0

0

0

0

0

0.5

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5

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4

2

1

0.5

0

0

0.5

9

10

11

0

0

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0

0.5

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5

5

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1

1

1

1

1

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2

1

1

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2

1

1

1

1

0.5

0.5

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0.5

0.5

1

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5

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1

0.5

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3

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3

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2

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0.5

0

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0

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4

3

2

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2

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2

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1

0

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2

1

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1

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0.5

0

0

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0

0

0

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3

2

2

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3

2

2

2

2

2

2

1

0.5

0.5

0

0

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

0.5

1

1

0.5

0.5

0.5

0.5

2

2

2

1

1

1

1

2

3

2

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2

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2

2

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0

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0

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2

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5

4

0

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5

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1

0.5

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1

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2

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2

2

0.5

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0.5

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0.5

0.5

0

0.5

0.5

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1

1

1

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1

1

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1

0.5

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0

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9

SECONDARY SORT School Commercial Office

7

12

Heavy Rail Terminal PATH Station Personal Bike Storage Shared Bike Lot Bus Depot Light Rail Station Ferry Port Park [Community] Park [Public] Newsstand Cofee Shop Library Sports Facilities Deli Grocery Restaurants Gym Farmers Market Misc. Services Pool Post Office Convenience Store Bank (ATM) Shared Car Depot Laundry [Self] Mailbox [Personal] Waste Management Housing Total Bars/Night Life

12

1

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1

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0.5

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1

0.5

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5



tions

esion

ticity

ation

4 min

5 min

7 min

10 min

Displacement and Density Logic Analysis

| 15



Surface Circulation and Density Site Plan

| 17


HOUSING CIRCULATION Shared Branch Walk way

Elevator Core

Connection Branch Single Branch Walkway Community Program

Housing

Urban Program Tower Touchdown Node Level 2 Urban Program

Urban Roof Park


UNIT CLUSTER

Bike Rack

Unit A

Shared Stoop

Long Flat - 800sf

Unit B Short Loft - 880sf

Unit C Shor t Flat - 640sf

Housing

Unit D Long Loft - 1200sf

Community Level 3

Walkscape

Level 2

Level 1


Car

Sidewalk

Bike Lane

Bike Parking

Park

Bike Parking

Bike Lane

Sidewalk

6.00

10.00

6.00

50.00

6.00

10.00

6.00

94.00

Bike

Sidewalk

Bike

6.00

Bus

Bike

Sidewalk

Sidewalk

6.00

6.00


Subway

Bus

Sidewalk

6.00

Bike Lane

Bike Lane

10.00

10.00

Sidewalk

TRAVEL LANE

BIKE LANE

SIDEWALK

6.5ft

1.5ft

2ft

6.00

32.00

6ft

10ft

Sidewalk

Bike Parking

Bike Lane

6.00

6.00

10.00

Bike Lane

Bike Parking

Sidewalk

Sidewalk

10.00

6.00

6.00

6.00

44.00

Sidewalk

6.00

Bike Lane

Sidewalk

10.00

6.00

22.00

Bike Lane

10.00

Bike Parking

6.00

Platform

10.00

Train Track

Ferry

10ft

Transportation Typology

10.00

42.00

Subway

Walk Subway

Ciculation Path Typology Site Axon

| 21


22 |

Base Retail and Housing Cluster Rendering




Planar Cut Sectional Housing Site Plan

| 25


6

5

7 4

2

1

3

1 2 3 4 5 6 7

26 |

Stoop-Scape Plan and Residential Unit

Bathroo Bedroo Kitchen Dining Living Walkw Public


UNIT AND INTERIOR SKINS

Skin C¹ Storage Membrane

Bedroom

Skin C²

Porosity Map

Storage Membrane

Porosity Map

Skin B Residential Facade

Living Room

Skin C³ Storage Membrane Restroom

Dining

Kitchen

Skin A Urban Facade



Residential Unit Cluster and ‘Stoop-Scape’ Rendering

| 29


30 |

Site Cluster Sectional Perspective




3439 U.

A New University for New York City

S.2012 | Instructors Laurie Hawkinson & Christian Uhl Done in Collaboration w/ Jake Matatyaou & Luisa Mendez


THE COMMUNITY OF EDUCATION

K-5

MIDDLE

HIGHSCHOOL

UNDERGRAD

GRADUATE

PHD

PRACTITIONER

WHO’S LEARNING FROM WHO?

THE MISSION STATEMENT 3439u is a new piece of the city designed to foster a new community of learning. 3439u integrates students and teachers across academic disciplines and grade levels by articulating the spaces between buildings, that is, the connective tissue that stitches people and places together. 3439u is not a model for every university, but a specific urban intervention that offers an alternative to the dominant mode of spatially and temporally stratifying systems of education that produce and disseminate knowledge through discrete units (i.e. academic departments).

34 |

Community of Learning Concept Diagram

3439u’s public secondary schools seek academically talented students from each of the five boroughs. The schools offer students a rich and rigorous multidisciplinary curriculum designed to stimulate critical, creative, and independent thinking. As a whole, the University cultivates in all members of its community high personal expectations and integrity, respect for others regardless of age, race, religion, and economic background, and an understanding of how diversity enriches us, and why service to others enhances life. Above all, the University nurtures a genuine love of learning.


TO T

ERR

ACE

TO PRE-SCHOO

L TO AUDITORIUM

TO HIGH-S

TO DORMS

CHOOL

TO RESTR

FOOD

TO SCREENS

OOMS

UNIVERSITY ORGANIZATIONAL TYPOLOGIES

D+ RA

M ID D

U N DE R GR

AD

LE

ADJACENCY

INTEGRATION

+ H IGH S C H

S

S

L OO

G

DISCONNECTION

U P

U FE S RO

U P

S ION A LS

P The typical arrangement of components in the U.S. Educational System

S

P Some Universities have tried to establish some relationships across components, most of which are superficial.

3439u’s system prosposes a feedback loop of education bringing together secondary schools, universities and professionals in one site.

Physical Model and Organizational Concept Diagram

| 35


REORGANIZING COLUMBIA UNIVERSITY

15 floors

15 floors

28 floors

55 floors

55 floors

STACKING PROGRAM BLOCKS

CIRCULATION

GRADUATE

UNDERGRAD

HIGH

MIDDLE

Typology

Color Key

30% @ 180 ft2

10,000

6,000

400 (x3)

200 (x3)

900,000 ft2

1,800,000 ft2

1,080,000 ft2

216,000 ft2

108,000 ft2

17,800 students @ 108 ft2 = 3,204,000 ft2 15 floors

36 |

Scale and Program Diagrams

15 floors

28 floors

55 floors

MEGA-PLATES

TOWERS

BRIDGE SCHOOLS

3-4 floors

FINAL BUILDING COMPONENTS

4-9 floors

15-20 floors

70,000 ft2 per floor

12,500 ft2 per floor

25,000 ft2

7 stories x 5 blocks

20 stories x 5 towers

3 stories x 3 schools

2,450,000 ft2

1,250,000 ft2

225,000 ft2

Population Square Footage

Totals

55 floors


7 Train Station

West Side Highway (Exposed) Tower 3739w

West Side Highway (Buried)

Tower 3738e

Library Annex

Tower 3637

River Pier Park

Library Annex

Recreation Center

Tower 3536

Library Annex

Tower 3435

Water Front

7 Train Station Performing Art Center High Line

THE SITE PLAN AND NODES The site plan of 3439U is aptly named because it extends from 34th street on the south to 39th street on the north. This mega site allows for the creation of a fully functional university campus comparable to that of Columbia University in the Upper West Side of Manhattan.

to the street. Because of its proximity to the Hudson River, park space is easily accesable to the student body. A large green hill created by the gymnasium connects the compus with the new park space. This connection is further enhanced through burrying the West Side Highway making pedestrian access safe and seamless.

Five towers are dispersed throughout the five Manhattan blocks. These act as major nodes along the sire, acting as navigational landmarks as well as the main entrances to the educational facilities that do not open

Site Plan Node Diagram

| 37


UNIVERSITY TYPOLOGIES AXON BLOCK 35-36 Detail Location 39th

NEIGHBORING TOWER

38th

37th

CIRCULATION OVERLAP

36th

1

35th

University Path 34th

Highschool Path

HIGHSCHOOL FITNESS-CENTER

Core Typologies

Tower

Highschool

Mega-Plates Storefront Classrooms

MEGA-PLATES


TOWER

CIRCULATION OVERLAP

Level 21 Level 20 Level 19

3

4 STOREFRONTS Highschool Eating Commons

2 University Eating Commons

Highschool

University

CIRCULATION OVERLAP STOREFRONT CLASSROOM


STORE-FRONT CLASSROOM TYPOLOGIES BLOCK 35-36

Elevated Classroom

Seminar Classroom Size Low Work Shop

Low Visibility / Maximum Light Low Visibility / Maximum Light

CLASSROOM

LOFT CLASS


Storage Room Bonus Room in Back

High Visibility High Visibility

INCUBATOR

COMMERCIAL



Storefront Classroom and Library Annex Sectional Perspective

| 43


MEGA-PLATE FLOOR PLAN TYPOLOGIES BLOCK 35-36

LOUNGE STAIRS FLOOR LEVEL 3

AUDITORIUM

CAFE TERRACE FLOOR LEVEL 4


ADMIN OFFICES FLOOR LEVEL 5

ROOF-SCAPE FLOOR LEVEL 6



Library Annex Interior Rendering

| 47


TOWER FLOOR PLAN TYPOLOGIES BLOCK 35-36

FLOOR LEVEL 8

FLOOR LEVEL 9

AUDITORIUM

CAFETERIA

DARK LAB

OPEN LAB

BREAK-OUT


FLOOR LEVEL 11

FLOOR LEVEL 20

DORM ROOMS

CLASSROOM (S)

EXT. LOUNGE OPEN LAB

CLASSROOM (L)



Secondary School - University Connection Cafeteria

| 51



STICKY CIRCULATION Seeds For New Urbanized Growth

F.2011 | Instructors Keith Kaseman, Raul Correa-Smith, and Leigh Salem


!

S! 00

/k

m2

E TIC T H T IS A T S

1,8

’S IT I T AN S TR

165 km2

Barra Da Tijuca [Region]

19

,16

/k

m2

Estacao Central

48 km2

Jardim Oceanico

Barra Da Tijuca [District] km 2

Terra Encantada

,95

0/

KEY:

17

Rail (Ramal) Metro (Linha) BRT (Trans) Bus (Vontade) Stop (All)

44 km2

!

4,7

’S IT I T AN S TR

80

/k

m2

Zona Sul

Rio das Pedras 1,260 km2

To Riocentro

Rio [Total Municipal]

7,2

16

/k

m2

Terra Encantada

To Jardim Oceanico 1,523 km2

KEY:

BRT (Trans) Gondola Ferry automobile Stop (All)

N

Sao Paolo [Total Municipal]


!

E LE S THHIC VE

Ferry / Water Taxi

Trans BRT Bus [8m]

Trans BRT Bus [6m]

Vontade Bus [4m]

Gondola

Site Plan and Transportation Infrastructure Network | 55


I

dispersal barrier secondary mixing primary mixing

origin diffusion path

K!

IT

seed

N ’S I

‘pinch’ vector diverted path


IT

’S disruption node

potential path

deflected vector dispersal barrier

’S H! ITMES A

origin

diffusion path

mesh threshold

disruption threshold origin node

Density and Network Material Studies

| 57



‘Sticky Circulation’ Chunks

| 59



‘Infrastructural Seeds’ and ‘Sticky Growth’ Analysis

| 61


62 |

‘Inside - Outside’ Community Rendering


‘Inside - Outside’ Residential Rendering | 63



CURATING LIGHT A MUSEUM ON THE BOWERY

S.2010 | Prof. Janette Kim


500sf

Entry

150sf 150sf 300sf 300sf 150sf 350sf

Conference Room Storage (2 @ 75) Education Director’s Office Staff Offices (2 @ 150) Public Lavatories (2 @ 75; M/W/UNI/HA) Library

3,000sf 4,000sf

1,500sf 10,850sf

1,150sf

Digital/Interactive Galleries X-Program

Exterior Arrival/Departure/Drop-off Exterior Gallery/ Public Landscape

Publication Library

500sf

4,000sf

Galleries (Small scale works)

Open Office

6,000sf

Galleries (Large scale works)

13,000sf

500sf

Galleries

500sf

Classroom

2,400sf

200sf

Multimedia Gallery

Education Zone

Storage

1,100sf

100sf

Kitchen Storage

1,300sf

150sf

Kitchen

Event Space (75 seats)

150sf

Café Storage

Event Space

500sf

Café Service Bar/ Shop counter

1,200sf

Café Seating

100sf

Coat Room

2,100sf

500sf

Public Lavatories (M/W/UNI/HA)

Museum Café and Shop

200sf

Reception

1,000sf

1,900sf

Lobby

Public passage

4,200sf

Reception


1000sf

incandescent bulbs 600

fluorescent [standard]

Task

4000sf

sulfur lamps

compact fluorescent Accent

2500

moonlight

3000sf

2000

3000

daylight

Ambient

flood lamp 2000sf

1500

4000

Decorative

5000sf

daylight (overcast)

Lighting Usage Catagory

flame 150sf

sodium vapor 620

5500sf

6000

LCD screen

100sf

700

10000

lasers

Square Footage Representation

Kelvin Color Scale

After hours entrance

Material and Freight elevator(s)

Staff Lavatory (M/W/UNI/HA)

Staff Lockers 200sf

Workshop (includingTrash Room)

Delivery/Loading Docks

Conservation Work Area

Gallery Manager Office

Gallery Storage

Gallery Staging Area

Curatorial Workroom Research

Staff Lavatory (M/W/UNI/HA)

Staff Kitchenette/Lounge

Storage

Conference Room

Business Office

Registrar’s Office

Curator's Offices/Meeting Rooms (4 @ 150)

Director's Office/Meeting Room

Staff-curatorial

Staff-admin/development/publications

10000sf

neon

light-emitting diodes

CRT screen

halogen

daylight (horizon)

10000+

250sf

750sf

200sf

200sf

800sf

1,300sf

850sf

150sf

2,600sf

1,000sf

350sf

50sf

200sf

1000sf

200sf

100sf

200sf

600sf

300sf

250sf

500sf


Daylight Node Daylight Node

Path of Transition Gallery [Exterior]

Lobby Cafe Bar

Intensification of LCD Lighting

Gallery [Exterior] Reception

Cafe Seating

Cafe Seating

Gallery [large]

Experiment 1

Gallery [Digital]

Architectural Organization

Entry

Open Office

Cafe Bar

Gallery [Digital]

Reception

Gallery [large] Lobby

After Hours Enterance Freight Elevators

Intensification of Incandescent Light Delivery

Open Office

Sodium Vapor Node

Experiment 3 Typological Organization

Gallery [Exterior]

Classroom

Staff Offices

Education Director’s Office

Gallery Manager’s Office

Gallery [Small]

Cafe Seating

Staff Administration

Gallery [Digital]

Gallery [Multimedia]

Staff Kitchen

Gallery [Large]

Curator’s Office

Workshop Conservation Work Area

Staff Lavatories

Event Space

Lobby

68 |

Organizational Programming Strategies

Gallery Storage Public Lavatories

Storage

Gallery Staging

Exterior Arrival

Experiment 2 Atmospheric Organization


PROJECT DESCRIPTION The project, ‘Curating Light’ is an attempt to juxtapose the inherent qualities of light (both natural and artificial) as a way to re-contextualize the spatial elements of a museum. Lighting is an intrinsic element of all buildings, yet is often neglected as an architectural feature even though the implementation of lighting can both generate and augment the atmospheric conditions of a space. For example, work spaces require a cold, high-contrast light, while large multiuse spaces require much warmer, low-contrast lighting. When separated, these lighting variations may go completely unnoticed. But, by highlight-

ing this juxtaposition, a new contextualization of programmatic function and connotation becomes apparent. However, merely placing two different lights next to one another does not generate the type of juxtaposition necessary to generate any real spacial differentiation. This is because there is a difference between a hard architectural boundary (such as a wall) and a soft atmospheric boundary (such as light spilling out of a doorway). It is therefor necessary to create an element upon which this atmospheric condition may be registered in contrast to the hard architectural boundary.

Longitudinal Building Section

| 69


Projector B

Daylight

Projector A

Public Interface

What the...?

Lobby Light

Storage Light

Help!

70 |

‘Augmented Light’ Diagrams

Hello?

Truck Light


Public Roof Terrace

Storage

Conservation Wing

Public Restroom Chrystie Lobby

Loading Dock

Bowery Lobby UP

Administration Wing

Floor Plan _ 001 Scale : 1/6” = 1’

Private Employee Terrace

Gallery [Digital Media] Gallery [Small Exhibition]

Digital Media Theatre

Floor Plan _ 002

Curatorial Wing

Scale : 1/6” = 1’

Auditorium Gallery [Large Exhibition]

Education Wing

Floor Plan _ 003 Scale : 1/6” = 1’

Kitchen

Café

Café

Auditorium Café Patio

Café Patio

Floor Plan _ 004 Scale : 1/6” = 1’

Gallery [Large Exhibition] Elevator

Eduction Center

Gallery [Small Exhibition]

Multi-Media Theatre

Chrystie Entry

Floor Plan _ 005 Scale : 1/6” = 1’

Employee Lockers

‘Soft Boundry’ Surface

Storage

Storage

Administration Offices

Curatorial Office Open Office

Administration Offices

Conference Room

Curratorial Work Room

Curatorial Office

Floor Plan _ 006 Scale : 1/6” = 1’

Publication Library

Library

Administration Office

Private Employee Terrace

Conservation Work Room

Heavy Loading Dock

Staging / Storage

Bowery Reception

Conservation Offices

Floor Plan _ 007 Scale : 1/6” = 1’

Public Roof Terrace

Recieving / Staging

Floor Plan _ 008 Scale : 1/6” = 1’

Exploded Axon and Museum Floor Plans

| 71


High-res Deformations

Low-res Deformations

Mid-res Deformations

S

Structural Tenstion Lattice_1

Surface _1

Program Cones [S]

72 |

Light-Capturing Surface Exploded Axon


Why not nipples?

Program Cones [N]

Surface _2

Surface Logic

Axonometric why not nipples?!

Basic Structural Configuration

Conceptual Translation

x

x

extension rod

y tension cables

y

Low-res

Mid-res

What the...?

High-res

stabilization rod

Light-Capturing Surface Logic and Components

| 73



Museum Lobby Rendering

| 75



CLIMATE CELL Air Monitoring in the Upper West Side

F.2009 | Instructor Mark Rakatansky


DESCRIPTION

INTAKE

CLEANSING

BROADCAST

In response to New York’s air pollution problems, city officials have deployed a climate pod to monitor, test, and filter the air. The site for the Climate Cell is on the campus of Columbia University. Here, the pod draws air in through a series of gill-like slits, passing it through and internal filtration system. The air is monitored and cleansed before being exhausted on the the surrounding university grounds. The pod is also composed of a flexible internal frame which allows it to conform to programmatic needs as well as the ergonomic proportions of the human body.

CLIMATE CELL

philosophy amsterdam overpass THE SITE kent law

amsterdam ave.

78 |

Component and Site Diagrams


FLEXIBLE FRAME TESTS

CANON OF MOTION RANGE

Kinetic Movement Studies

| 79


COMPONENTS

SECTIONS (lateral)

exhaust porthole

‘SKIN’ intake gill fresh air flexable frame

‘SKELETON’

entry slit ? contacting membrane

‘GUTS’

polluted air

80 |

Cell Components Axon and Laterial Sections


SECTIONS (longitudinal)

RENDERINGS

CAMPUS PORTHOLES

zzz...

INTERNAL CAVITY

INTAKE GILLS

Longitudinal Sections and Component Renderings

| 81



POLYMORPHIC A Kinetic Seating Installation

S.2011 | Instructors Brigette Boarders & Mark Bearak Done in Collaboration w/ Alexis Burson, Ivy Chan, Jennifer Chang, Aaron Harris, Trevor Hollyn-Taub, Brian Lee, Eliza Montgomery, Vernon Roether, and David Zhai.


Project Description Polymorphic is a kinetic and interactive installation utilizing a design and engineering solution inspired by the simple kinetic action of a see-saw and the reverberating motion of a Slinky. With a series of 119 unique and interconnected sections, a simple central pivot and bolt system allows the vertical movement of one section to be picked up by others down the line. Together, this motion allows the installation to transform from a series of leveled sections into an undulating form activated through interaction with its occupants. While the overall form of the bench is realized as a continuous landscape, each seating condition was designed according to existing ergonomic profiles in order to maximize comfort and 84 |

Kinetic Movement Photo-Collage

functionality. This is further realized by allowing the tolerance of its motion to conform to the postures of the occupants simply by using their weight as a point of activation. Through testing and engineering, the developed system has the ability to grow much larger and wider depending on the availability of resources and materials. The form of the design can likewise be readily adjusted to suit the conditions and contextual requirements of various spaces and environments. The scalability of the joint system and design together creates a truly parametric system in which its use is not only for aesthetics, but for construction, functionality, and comfort as well.


Passive State Seating

Active State Seating

State Change and Seating Typology Diagrams

| 85



Elastic Band Connection

Sliding Bolt Connection

Activated State Elevation

Components Two simple connections not only provide the stability of the bench, but moderate the movement of each individual section as it reacts to applied forces. The first is a sliding bolt connection, which acts as a restraint between sections, controlling the displacement allowed to be carried over from adjacent sections. The second is an elastic connection, which is a typical rubber band that gives the bench its “springy� quality while providing lateral stability to the installation as a whole.

Kinetic Movement Components

| 87


+01 Contour +02 Joint: Slot +03 Joint: Dowel +04 Labels +05 Joint: Elastic section 029 /119

Added Section Components

Grasshopper Script a

Sectioned Surface

h

b

g

8 mill-ready pieces

c

d

f

e

Section Outputs

Production The profile design was subdivided into small, linear pieces that maximized the quantity fit on a sheet of plywood. In total, the entire installation only used 18 sheets of plywood, utilized, in many cases, at over 90% efficiency. Unlike the typical adaptation of a scripting as a generative design component, Polymorphic uses scripting mainly as a method of produc-

88 |

Production Workflow Diagram

tion. The 3D model was used as the input to generate the 928 pieces necessary for construction. The Grasshopper script was responsible for printing not only the contour of the pieces, but all of the 3 corresponding types of joints.


Milled Seating Segments

| 89



Completed Seating Installation

| 91



Pudelma Paviljonki ‘Woven Wood Pavilion’ S.2011 | Summer Fabrication Lab Workshop | GSAPP and Olu University Project Coordinators Phillip Anzalone & Rainer Mahlamäki Project Advisors Brigette Borders, Eero Lunden, Ravi Raj, Matti Sanaksenaho, Markus Wikar In Collaboration with Joe Brennan, Therese Diede, Justin Fabrikant, Taneli Heikkila, Taavi Henttonen, Lotta Kindberg, Michaela Metcalfe, Victoria Monjo, Sampo Ojala, Jocelyn Oppenheim, Olli Parviainen, Alli Perttunen, Chris Powers, Roula Salamoun, Tuulikki Tanska, Helena Tasa, Shuning Zhao



Constructed Pavilion on Auragatan

| 95


Description As part of the European Capital of Culture Program, students and faculty from Olu University in Finland and Columbia University in New York collaborated to create a cultural pavilion highlighting the Finnish tradtion of wood-working. Pudelma, a combination of the Finish words puu (wood) and kudelma (web of ), is a wooden structure composed of 490 cnc shaped Kerto-Q beams which range from 2-6 feet in length. The project combines state-of-the-art computer-aided manufacturing methods and as well as traditional wood know-how.

96 |

Full Scale Joint Mock-Up

The basic mortise and tenon joint was utilized for almost everry connection. Each beam either recieves or abuttes to four other beams, creating a ‘woven’ pattern. The cnc farication allowed for extremly high tollerance, allowing the entire structure to work in compression with no glue and minimal screws. The pavilion was erected in the City Hall Park in Turku, Finland as a temporary installation, but has since become a permanant landmark.


tenon S_484

mortise

S_485

shoulder plane

C_290

tenon C_407

mortise C_408 S_016 S_486

S_014

Mortise + Tenon Joint

Shoulder Joint (with mortise + tenon)

Basic Basic connection connection method method used used to to join join each each span span piece piece to to the the next. next. This This basket basket weave weave connection connection type type allowed allowed for for easier easier geometric rationalization. geomeric rationalization.

Connection used for acute angles and leg pieces. The mortise and tenon are used as locators for the less precise shoulder connection.

Joint Typologies

| 97


Joint Typology Mortise + Tenon | mono-directional Mortise + Tenon | bi-directional Shoulder | bi-directional Shoulder | base plate attachment

98 |

Construction Member Characteristics and Leg Detail

Directionality Joint Directionality a | 1 Joint Directionality a | 2 Joint Directionality b | 1 Joint Directionality b | 2




Interior Ceiling Condition

| 101



Final Pavilion Installation

| 103



FABRIC-ATION Flexible Formwork for Concrete Casting

S.2012 | Materials and Methods | Instructor Keith Kaseman Done in Collaboration w/ Alvaro Arias and Eliza Montgomery


PLYWOOD

FABRIC

FORMWORK

FORMWORK

CONCRETE

PLYWOOD

STEEL

FABRIC

CONCRETE

PLYWOOD

STEEL

FABRIC

1277 in

13824 in

50 in

0 in

1277 in

2448 in

0 in

3805 in3

3

3

3

3

3

3

3

100 in3

of material

75%

CO2

less material

15151 in3

3805 in3

UNDERSTANDING FABRIC FORMWORK Fabric formwork is an emerging technology with the capacity to transform both the formal and technical systems of concrete structures. Formally, fabrics respond directly to the wet, plastic nature of uncured concrete, creating natural and organically complex curvature. Unlike rigid plywood formwork, fabrics expand, contract, and deform under the various internal loads, seeking a natural equilibrium (similar to the hanging chain models of Gaudi). This means that through understanding the natural forces, tensioned geometries can produce highly efficient structural forms through very simple formwork systems. 106 |

Formwork Material Consumption Diagram

The argument could be made that these same forms are possible with more traditional formwork systems. However, an increase in complexity produces two effects which are not easily mitigated by rigid formworks. First, as geometry becomes more intricate, so must the formwork – necessitating three, eight, or twenty-plus part molds. Each part adds not only extra material and cost, but higher potential for failure. With fabric however, through simple techniques such as clamping or stitching, a wide range of complexity can be achieved with a single fabric ‘sac’. For example, in our Liquid Column project, a traditional


mold would have required 13,824 cubic inches of plywood and numerous connections, yielding a material consumption of over 15,000 cubic inches. The fabric system however required only 2,448 cubic inches of plywood, and 3,805 cubic inches of fabric, requiring only 3,805 cubic inches of material (75% less material than the traditional method). Secondly, as the complexity increase, the ability for concrete to flow easily through the mold decreases. This inherently necessitates a less viscous, and structurally less stable concrete ratio. In traditional systems, water is trapped within the formwork, producing air bubbles, un-even curing, and poor structural properties. In flexible formwork however, the permeability of fabric improves both surface finish and higher strength concrete by allowing air and excess water to bleed through during the curing process. This means that high-slump mixtures can pass through very complex molds, while still yielding structurally stable forms. While fabric formworks do yield a distinct esthetic result, the universality of the concepts and benefits seem far more promising than any existing technologies. Our experiments were meant to be an exploration in both formal language and technical process, revealing the limitations and benefits of such a system.

Surface Detail Photo of the Liquid Column | 107


THE GINGER ROOT FABRIC TYPE: CORDUROY

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 18HRS

1

A-symettrical pattern sewn into fabric pocket

THE WAVE BAG FABRIC TYPE: LINEN

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 18HRS

4

Pleating patterns sewn into fabric bag

THE ROCK FABRIC TYPE: T-SHIRT

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 18HRS

2

Highly elastic fabric stretched between to rigid forms

THE SACK FABRIC TYPE: WOOL

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 18HRS

5

Overlapping cross-stitch pattern sewn into fabric bag

THE FALLCE FABRIC TYPE: LINEN

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 18HRS

3

Fabric stretched between two rigid forms

THE TWISTED SAC FABRIC TYPE: LINEN

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 18HRS

6

Fabric bag with folds and pinches


THE PILLOW FABRIC TYPE: LINEN

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 24HRS

7

Fabric bag pinched and deformed with threaded rod

THE STRETCHED PILLOW FABRIC TYPE: MUSLIN

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 24HRS

10 Thin cavities sewn into large flat pocket

THE HOLY MONOLITH FABRIC TYPE: LINEN

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 24HRS

8

Fabric pocket clamped with wooden discs on bolts

THE PICKLE FABRIC TYPE: MUSLIN

/ SPANDEX

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 24HRS

11 Elastic fabric placed inside rigid fabric with holed

THE ROCK POCKET FABRIC TYPE: LINEN

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 24HRS

9

Pockets sewn into fabric bag and filled with concrete

THE DIMPLED WINDOW FABRIC TYPE: MUSLIN

/ SPANDEX

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 36HRS

12 Elastic fabric placed inside rigid fabric with laser-cut pattern


THE DIMPLED WINDOW FABRIC TYPE: MUSLIN

/ SPANDEX

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 36HRS

Elastic fabric placed inside rigid

THE PRETZEL FABRIC TYPE: MUSLIN

/ SPANDEX

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 36HRS

Elastic fabric placed inside rigid

THE ALIEN RASH FABRIC TYPE: MUSLIN

/ SPANDEX

CONCRETE MIX: QUICKCRETE5000 CURE TIME: 36HRS

Elastic fabric placed inside rigid

1A fabric with laser-cut pattern

2A fabric with laser-cut pattern

3A fabric with laser-cut pattern

1B Gradient of teardrop holes and square openings

2B Gradient of x-shaped holes and lemon shaped openings

3B

Gradient of teardrop holes following concrete direction


LASER-CUT FABRIC The initial experiments delt with free form or hand sewn patterning. But part-way through the experiments, laser cut fabric was used to add an element of precision patterning to the casts. The intent was to control the expansion and slumping of the concrete by controling the size of the laser cut aperature in hopes of improving structural proformance. Laser-Cut Patterns and Concrete Details

| 111


1.735”

20˚

” 1.614

20˚

3.547”

3.104”

1.45

9”

1”

1.34

3.37

20˚

9”

40˚

1.219 ”

1.069” 20˚

0.99

2”

40˚ 0.815”

A

112 |

B

C

D

E

Fabric Formwork and Liquid Column Photos

F

G

H

I

J

A




Special Topics in Fabrication:

FORMWORKS F.2009 | Prof. Josh Draper | Done In Collaboration w/ Gustavo Bonet & Nicole Seekly


stage.1 | Creation of sign curve to form base geometry

stage.3 | Analysis of endmill geometry and resultant surface geometry

stage.4 | Projection of endmill geometry onto surface

stage.2 | Arraying of sign curve to form base surface

stage.5 | Cross section of resultant surface

116 |

Surface Ornimentation Diagrams and Resultant Texture



wood frame pour holes silicone negative

male Joint

female joint

plaster tile

118 |

Exploded Formwork Axon and Final Plaster Tiles




Introduction to Fabrication

PIXEL BOARD F.2009 | Instructors Josh Draper and Joseph Vidick Done In Collaboration w/ Gustavo Bonet, John Hooper, Vernon Roether, Nicole Seekly Rhino Script from Prof. Joshua Draper


Stages of Image Processing

Pixel Component

Graphic Form | Digitized Avery Hall

02 | Element Assembly

Installation Form | Rematerialized Avery Hall

03 | Final Mill Components

LIGHT>>

01 | Element Logic

LIGHT>>

LIGHT>>

LIGHT>>

Photo Form | Historic Avery Hall


Description

Fabricated Array

The aim of the project was to generate an image through a complex physical system using a single ‘pixel’ element containing all the construction logic. Using RhinoScript, each pixel would be assigned a rotational value, resulting in a varied surface shade, reform a greyscale representation of the initial image.

05 | Fabricated 5x5 Pixel Array

Project Continuation

04 | 5x5 Pixel Array

I was also part of the assembly and installation of a continuation of the Pixel Board project, titled Fabricating Light. The final installation used a modified version of my initial pixel component, designed in the Pixel Board phase. Project design by John Hooper, Morgan Reynolds, Christo Logan, and David Kwon. Assembly by Nicole Seekely, Melissa Goldman, Christian Prasch, Vernon Roether.



PROJECT

BOOK CELLS S.2010 | Instructor David Fano Done in Collaboration w/ Jennifer Chang, Simon McGown, Vernon Roether & John Simons


P RO J E C T WO R K F L OW C O M P L E TE D SOURCE

DATA SET

O N L I N E S T O RE

DEFINITION

GRASSHOPPE R

EXCEL SPREAD SHEET

PE R S O N A L C O LLEC TION

VB.NET SCRI PT ING


Project Book Cells was and attempt to link all stages of the digital design process, beginning with raw numeric data, and resulting in a physical, fabricated object. The scope of the project encompased the mining of Amazon book data to parametricly

generate unique book cells, custom formed to a users unique book collection as well as unique organizational configurations, including color, size, or Amazon Popularity Ranking.

P RO P O S E D GEOMETRY

FABRICATION PREP

FINAL PRODUCT

MA S T ERCAM PATH

Laser Cutter CNC Router WaterJet Cutter

RHI N O G E O M E T RY

D I GI TAL OUTPUT

S OLIDWORKS GEOMETRY


S O RT F U N C T I O N O P T I O N S

AUTH OR

COLOR

W IDTH

AMAZON RANK

SIZ E

TITLE


CELL DIVISION BY WEIGHT

80 LBS

60 LBS

40LBS

25LBS


WA L L C O N S T R A I N T S

BOOK ITEM NO. input 1 40 INCHES

AMAZON.COM API {php}

30 INCHES

USER INPUT DATA MODULE

data flow 20 INCHES


BOOK WIDTH AUTHOR BOOK COLOR RGB PUBLISHING DATE AMAZON RANK

{vb.net}

TITLE

SHELF DEPTH

HEIGHT OF BOOK

SHELF THICKNESS

selection

FILLET RADIUS

SORTING METHOD

input

input

inches

EXCEL DATA

GRASSHOPPER {grasshopper module}

3

WALL WIDTH RHINO GEOMETRY

1-3

LAYERS

lbs

SHELF WEIGHT

VB COMPONENT

input

{vb.net}

2

Data Flow Diagram

| 131



BUILDING INTELLIGENCE Explorations in Catia Software

S.2011 | Columbia-Building Intelligence Program Studio Prof. Laura Kurgan | CATIA Instruction from Adam Modesitt


ARCHIMEDEAN FACADE

BASIC ELEMENT FORMATION

The project, Archimedean Faรงade, was designed as a screen-like system to be attached to an existing parking garage structure. The fundamental underlying geometry of the system was derived from a study of icosahedrons and other Archimedean solids. Utilizing the parametric capabilities of Catia, the faรงade is composed of individual elements grouped into larger components, which are then arrayed across the structure, forming a unified system. Each of the faรงade elements are unique, drawing proportions from individual parametric relationships with a single attractor point. 1

2

ELEMENT ARRAY FORMATION

rotate

rotate

1

134 |

Component Logic Diagrams

2


3

4

5

6

mirror

mirror

3

4

5


COMPONENT ARRAY

COMPONENT VARIATIONS

DEPTH VARIATION (1)

DEPTH VARIATION (2)

CONNECTION VARIATION (1)

ATTRACTOR V


VARIATION (1)

FACADE ELEVATION

ATTRACTOR VARIATION (2)

ATTRACTOR VARIATION (3)

ATTRACTOR VARIATION (4)


CatEcoHopper The CatEcoHopper was meant to act as a workflow piece which allowed user-created geometry to pass from Catia, into Ecotect, and return analysis data for use. The initial aspects of the project included a recursive feedback loop inwhich geometry would be optimized in Catia using this analysis data, but this proved to be outside the scope of the class. Instead, the element became a more user-oriented workflow, where data was kept in a very raw abstract form, maliable to the needs of the user. The diagram to the right depicts the software workflow necessary to complete the process described above. Software included Catia, VB Script, Ecotect, LUA Script, and Excel.

138 |

Project and Data Workflow Diagram



1. Automated point creation using Catia Action Script

2. Output of 3D coordinates to Excel from VB Action in Catia

5. Output of 3D coordinates to Excel from VB Action in Catia

6. 3D point array imported to Rhino

9. The LUA Script file in Ecotect with array size options

10. Automated geometry building in Ecotect


3. The LUA Script file in Ecotect with array size options

4. Analyzed geometry with color view

7. 3D point array imported to Grashopper

8. Data coordinate output to Excel from Grashopper

11. Analyzed geometry with color view

12. Close-up of final data in ecotect Workflow Stills

| 141



DATA MANIPULATION The CatEcoHopper workflow allows a user to import Catia geometry into Ecotect through a series of automated functions. However, it is benifitial to the efficency of the process that the user create simplified analysis geometry for the calculations. This also alllows a user to very precisly calculate just how much data will

be returned from the workflow. For example, the diagram above shows that a nine component panel is tessalated, thereby forming eighteen analysis surfaces. A user can specify weather these are calculated as one panel, or two sperate objects, or can simply aveage the values retuned by the two seperate panels. Final Data Collection | 143



Architectural Technology V

MODEL [T] F.2011 | Advisors Chris Andreacola and Tali Mejicovsky Done in Collaboration w/ Jenn Chang, George Valdes, and Vernon Roether



South Elevation Exterior Rendering

| 147


Mechanical

Accessible Roof

Staircase A

Shared-Use Fab Space Accessible Roof

North Corridor

Office Space

Perforated Aluminum

Perforated Aluminum Shared Balcony

Perforated Aluminum Gallery Space / Semi-Outdoor Cafe

Restrooms Semi-Outdoor Cafe

Gallery Space / Loading Dock

Mechanical

Core

148 |

Sectional Axonometrics and Floor Plans

Offices

Atrium


Floor 1

Cafe / Gallery Level

Floor 2

Floor Layout Typ.

Floor 7

Shared Fab-Space Level


A A301 8'-10"

8'-10"

A A301

B A302 27'-0"

27'-0"

8'-10"

8'-10"

B A302 27'-0"

27'-0"

8'-10"

2'-4 1/16"

ROOF LEVEL Floor Finish +117'-0"

ROOF LEVEL Floor Finish +117'-0"

8'-5 1/4" 8'-5 1/2"

8'-5 1/2"

8'-5 1/2"

8'-5 1/4"

8'-5 1/4"

8'-5 1/4"

Floor Finish +117'-0"

8'-5 1/4"

2'-4 1/16"

ROOF LEVEL

8'-5 1/4"

LEVEL 7 Floor Finish +89'-9"

9'-0"

9'-0"

4'-11 3/4"

4'-11 3/4"

LEVEL 7 Floor Finish +89'-9" 4'-11 3/4"

LEVEL 7 Floor Finish +89'-9"

1B

9'-0"

2'-4 1/16"

4'-0"

27'-0"

4'-0"

B A302 27'-0"

4'-0"

A A301 8'-10"

S201

LEVEL 6

LEVEL 6

Floor Finish +75'-9"

Floor Finish +75'-9"

LEVEL 5

5'-0" 9'-0"

LEVEL 5 Floor Finish +61'-9"

9'-0"

A405

9'-0"

5'-0" 9'-0"

1

LEVEL 4 Floor Finish +47'-9"

9'-0"

9'-0"

5'-0"

5'-0"

LEVEL 4 Floor Finish +47'-9" 5'-0"

LEVEL 4 Floor Finish +47'-9"

9'-0"

LEVEL 3

LEVEL 3

Floor Finish +33'-9"

Floor Finish +33'-9"

9'-0"

9'-0"

9'-0"

5'-0"

5'-0"

LEVEL 3 Floor Finish +33'-9" 5'-0"

5A A403

LEVEL 5 Floor Finish +61'-9" 5'-0"

Floor Finish +61'-9"

5'-0"

9'-0"

9'-0"

5'-0"

5'-0"

LEVEL 6 Floor Finish +75'-9"

1A S201

LEVEL 2 Floor Finish +19'-9"

AA

150 |

Laterial Building Sections

2'-0 7/16" 6'-5"

GROUND LEVEL

GROUND LEVEL

GROUND LEVEL

Floor Finish +0'-0"

Floor Finish +0'-0"

Floor Finish +0'-0"

BB

Lateral Building Section

6'-5"

6'-5"

6'-5"

2'-0 7/16"

4'-6 7/8" 2'-0 7/16" 6'-5" 6'-5"

AA

4'-6 7/8"

LEVEL 2 Floor Finish +19'-9" 4'-6 7/8"

LEVEL 2 Floor Finish +19'-9"

AA

BB

AA

BB

Lateral Building Section

CC

BB

Lateral Building Section


AA A303

BB A303

40'-0"

EE A304

DD A304

40'-0"

40'-0"

40'-0"

40'-0"

38'-0"

4'-0"

38'-0"

CC A303

2'-4 1/16"

ROOF LEVEL

ROOF LEVEL Floor Finish +117'-0"

8'-5 1/2"

8'-5 1/4"

8'-5 1/4"

Floor Finish +117'-0"

LEVEL 7

LEVEL 7

Floor Finish +89'-9"

9'-0"

4'-11 3/4"

Floor Finish +89'-9"

LEVEL 6

LEVEL 6

Floor Finish +75'-9"

9'-0"

5'-0"

Floor Finish +75'-9"

LEVEL 5

LEVEL 5

Floor Finish +61'-9"

9'-0"

5'-0"

Floor Finish +61'-9"

LEVEL 4

LEVEL 4

Floor Finish +47'-9"

9'-0"

5'-0"

Floor Finish +47'-9"

LEVEL 3

LEVEL 3

Floor Finish +33'-9"

9'-0"

5'-0"

Floor Finish +33'-9"

LEVEL 2

LEVEL 2

Floor Finish +19'-9"

6'-5"

6'-5"

2'-0 7/16"

4'-6 7/8"

Floor Finish +19'-9"

GROUND LEVEL

GROUND LEVEL

Floor Finish +0'-0"

Floor Finish +0'-0"

AA

B

BB

CC

DD

EE

Longitudinal Building Section

Longitudinal Building Section

| 151


m

inu

lum

dA

rate

rfe

Pe

75%

ted

era

rf Pe

25%

um

min

Alu

um

min

Alu

75%

l

ne

Pa

ss

25%

Gla

um

min

Alu

l

ne

Pa

75%

ss

Gla

25%

um

min

Alu

l

ne

Pa

50%

ss

Gla

50%

um

min

Alu

l

ne

Pa

40%

ss

Gla

60%

um

min

Alu

l

ne

Pa

25%

ss

Gla

75% ss

100%

Gla

Exploded Axon

Curtain Wall Components

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

D

D

D

D

D

D

D

D

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

B

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

D

D

D

D

D

D

D

D

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

D

D

D

D

D

D

D

D

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

D

D

D

D

D

D

D

D

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

D

D

D

D

D

D

D

D

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

E

E

E

E

E

E

E

E

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

Panel Placement North Facade

Wall Section EE South Wall Section


Spandrel Panel Typ.

Glazing Panel Typ.

Spandrel Panel Typ.

Unitized Spandrel Joint

Unitized Curtain Wall Joint

Plan

Plan

Section

Unitized Curtain Wall Joint Section

Transition Spandrel Typ.

Section

Section

Transition Spandrel Typ.

Section

Plan

Transition Spandrel Typ.

Plan



Top Floor Shared Fabrication Space

| 155



MAYA ANIMATIONS

S.2011 | Stills from a series of animations created for the 2011 CAD show at GSAPP







WHERE’S THE BEEF Live-Stock & Two Smoking Barrels

F.2010 | visualizing.org 24-hour Data Visualization Marathon Done in Collaboration w/ Jennifer Chang, George Valdes, Luisa Mendez, and Danil Nagy


MEAT FACTS 1.5 BILLION GREENHOUSE GASSES 18% METHANE 1 MILLION TONS SHARE OF METHANE PRODUCT. 1/3 1L MILK 990L WATER PLANETARY SURFACE COVER 30% 500 MILLION HECTARES GLOBAL CATTLE

While the contribution of greenhouse gas emissions towards global climate change is widely acknowledged, the role of animal agriculture in this crisis is rarely mentioned. This is surprising, considering the livestock sector is responsible for 18 percent of global emissions, which is higher than the entire transport sector. A portion of this impact comes from the massive amount of land required for raising livestock. The total area occupied by both grazing and feedcrop production accounts for 70 percent of all agricultural land and 30 percent of the land surface of the planet. This has led to deforestation in many parts of the world, which contributes to the net increase of CO2 in the atmosphere.

SOURCES “LIVESTOCK’S LONG SHADOW”

FAO 2006 - UN FOOD AND AGRICULTURAL ORGANIZATION (http://www.fao.org/newsroom/en/news/2006/1000448/index.html)

IPCC Guidelines for National Greenhouse Gas Inventories, V 5 Ch 2. Annex 2A.1 Intergovernmental Panel on Climate Change (IPCC). 2006 (http://www.ipcc-nggip.iges.or.jp/public/2006gl/index.html)

A much larger impact, however, comes straight from the animal, whose gastrointestinal processes of belching and flatulence account for 37% of the world’s emissions of methane (CO4), a greenhouse gas with 23 times the global warming potential (GWP) of CO2. In this factor, cows are the dominant contributors. Where’s the Beef? visualizes the huge impact of the cattle industry by reconfiguring the world map in terms of the impacts of beef production and consumption. Our global affinity for meat has strained the limits of our ecosystem, with impacts that are spread unevenly across the planet. It is time for global leaders to realize the impact of beef on the crisis of climate change, so that appropriate action can finally be taken.

METRIC

CO

2 CARBON DIOXIDE

1 COW 1 FART

CFU

CO

.65 bil hexacres EAST EUROPE & CLS*

.48 bil hexacres NORTH AMERICA

.15 bil hexacres WESTERN EUROPE

N0

4 METHANE (23 X CO2)

2 NITROUS OXIDE

COW FART UNIT CONVERSION FACTOR

.45 bil. hexacres WEST ASIA & NORTH AFRICA

10KG METHANE / YEAR

10KG / 365 DAYS / 18 HRS / 3 FARTS PER HOUR =

0.5G METHANE / FART

1 MEGA FART (mCFU)

METRIC TONS

0.5 METHANE

YEARLY GREENHOUSE GAS EMISSIONS FROM CATTLE PRODUCTION

2,000,000,000,000 COW FARTS

1.02 bil. hexacres SUB-SAHARAN AFRICA

.78 bil. hexacres LATIN AMERICA & CARIBBEAN

LEGEND 1

LEAST

LAND INDEX TOTAL AMOUNT OF LAND TAKEN BY ANIMAL AGRICULTURE 1 BEEF PIECE = 150 MILLION HECTARES

1

LEAST

10 MOST

157

215

242

288

570

706

789

862

1091

Latin Sub-saharan Africa

EMISSIONS INDEX GLOBAL gCFU EMISSIONS FROM ENTERIC FERMENTATION AND MANURE MANAGEMENT BY CATTLE / 2004

Western Europe

Sub-Saharan Africa

EMISSIONS COMPARISON GLOBAL gCFU EMISSIONS BETWEEN CATTLE, TRANSPORTATION, AND WASTE

South Asia

Asia

West Asia & North Africa

CATTLE CONSUMPTION (1,000 calories/capita/day)

Latin America & Carribbean

Eastern Europe &CLS

North America

Oceania

Western Europe

PRODUCT


.15 bil hexacres WESTERN EUROPE

.18 bil. hexacres CHINA

.45 bil. hexacres WEST ASIA & NORTH AFRICA

.31 bil. hexacres ASIA* .55 bil. hexacres INDIA

.04 bil. hexacres OCEANIA

8 bil. hexacres TIN AMERICA CARIBBEAN

n America & Caribbean

Oceania

West Asia & North Africa Asia

Eastern Europe & Cls North America

ION

South Asia

Cattle Population

1.02 bil. hexacres SUB-SAHARAN AFRICA

Latin America & Caribbean Sub-saharan Africa

Oceania

Western Europe

West Asia & North Africa

North America

Asia

South Asia Eastern Europe & Cls

CONSUMPTION Calories Per Capita

WHERE’S THE BEEF? visualizes the huge impact of the cattle industry by reconfiguring the world map in terms of the impacts of beef production and consumption. The poster was created during the 24-hour “VizMarathon” sponsored by Visualizing. org and GE. The competition prompted participants to visualize issues related to the prompt of global impacts of human behavior on ‘Spaceship Earth’.


THANK YOU




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