ISSUE
72
Maysa Lyndon 342 Swindon Rd Cheltenham GL51 9JZ
lyndon.co.uk
Showroom 7 Clerkenwell Rd London EC1M 5RN sales@lyndon.co.uk
N O T E
WELCOME TO
ISSUE
72
AUGUST 2019
W E L C O M E
I N E X
The luxury hotel and resort industry is big business, with hoteliers striving for the absolute best to ensure guests keep coming through the doors and part with their well-earned cash. So, what is it that sets these luxury facilities apart from the rest? High end design is of course the first factor that comes to mind. Yet while there is a large percentage of guests that strive for 5* luxury hospitality, there is also a segment of the market who yearn for a rawer experience. This issue of INEX highlights the contrasting landscape of this hugely competitive industry. On page 20 you’ll read how architecture agency AW2 has taken resort experience to another level. In the Costa Rican jungle, the project leaves no scars on the landscape and has been designed to prove architecture and nature can live in symbiosis. Elsewhere on page 58, we unveil Hirsch Bedner Associates’ newly-completed first Mandarin Oriental Hotel in Beijing, China. Conceptualised as a modern-day courtyard mansion, Mandarin Oriental Hotel conveys and reinterprets the rich history of “Wang Fu”. When you look back to the understated presence of Kasiiya Papagayo in Costa Rica, this hotel is a stark contrast. Yet its bold statements enrich the guests’ experience, and provides a visit that is truly unique and highly memorable. For designers in the hospitality industry, they have a duty to ensure the interiors – however large or small – leave a lasting impression. Whether functional or purely aesthetic, every element must inflict the wow factor. In this month’s Architectural Hardware focus, we highlight that even door components are important elements for hotel specifiers. Turn to page 56 to find out why Hafele was the number one choice for The Highdown Hotel in West Sussex.
Cover: Rainlight, an awardwinning design studio, is delighted to introduce Nagare, a new collection of furniture designed with Okamura. See page 42.
Editorial: Hannah Woodger hannah@crossplatformmedia.co.uk Digital Advertising: Sam Ball sam@crossplatformmedia.co.uk Ryan Mitchell ryan@crossplatformmedia.co.uk Print Design Manager: Jack Witcomb jack@crossplatformmedia.co.uk
I hope you enjoy this edition. Don’t forget, you can also access all of Inex’s features and product inspiration at your fingertips via the magazine’s state-of-the-art app. To download your version free of charge, simply search ‘Inex-online’ on the App Store or Google Play.
Hannah
Download the INEX app for iPhone, iPad and Android. Search 'Inex-online'.
Hannah Woodger hannah@crossplatformmedia.co.uk
Terms and Conditions:
Digital Design Manager: David Perry david@crossplatformmedia.co.uk Production Assistant: Philip Coyle philip@crossplatformmedia.co.uk Accounts: Jackie Dearman jackie@crossplatformmedia.co.uk Publisher: Sam Ball sam@crossplatformmedia.co.uk
No responsibility will be taken for drawings, photography or literary contributions during transmission or in the editor’s hands. In the absence of an agreement the copyright of all contributions, literacy, photographics or artistic belongs to Cross Platform Media. The publisher accepts no responsibility in respect of advertisements appearing in the magazine and the opinions expressed in editorial material or otherwise do not necessarily represent the view of the publisher. The publisher does not accept any liability of any loss arising from the late appearence or non publication of any advertisement.
3
Publisher: Cross Platform Media Barham Court, Teston, Maidstone, Kent ME18 5BZ Tel: 01622 232 725
I N E X
A U G U S T
2 0 1 9
C O N T E N T S
CONTENTS AUGUST 2019
I N E X
A U G U S T
2 0 1 9
4
12
15
EXRATED
FABRICS & TEXTILES
BEDROOMS &BATHROOMS
A swimming pool designer who built his first pool aged nine has received enquiries from across the globe after one of his designs went viral.
Drawing inspiration from her travels, UK designer Charlotte England unveils Mkira, a stylish new homewares brand.
The sophisticated touch of Diametro35 renovates the suites of Son Julia Country House & Spa in Majorca, Spain.
20
37
42
RESORT DESIGN
LIGHTING
EXPOSE
Architecture agency AW², founded by Reda Amalou and Stéphanie Ledoux, unveils its latest eco-lodge project, Kasiiya Papagayo in Costa Rica.
The excellent performance of Landa luminaires have led the company to stand out in the industry at national and, especially, international level.
Rainlight collaborates with Okamura to inspire flow in the workplace, with the new Nagare collection.
53
56
58
FLOORS, WALLS & CEILINGS
ARCHITECTURAL HARDWARE
INSPIRE
Steps away from the Forbidden City, the Mandarin Oriental Wanfujing celebrates the landscape and historical site of its namesake location.
Known for its collaborations with key designers and lead creatives, FLOOR_STORY will be exhibiting its latest range designed with well-known design duo 2LG.
The Highdown Hotel chooses Dialock from Häfele for door entrance sophistication.
69
88
101
INSIGHT
WOOD
PRODUCT SPOTLIGHT
INEX speaks to Sabrina Monte-Carlo, the mastermind behind the stunning renovation of Villa Riviera.
12 furniture and product projects have been shortlisted for the Wood Awards 2019 – the UK’s premier competition for excellence in architecture and product design in wood.
5
C O N T E N T S
06
INEX rounds up the latest innovative products and high-performance solutions entering into the interior design market.
I N E X
A U G U S T
2 0 1 9
E X R A T E D
IN AT THE DEEP END A swimming pool designer who built his first pool aged nine has received enquiries from across the globe after one of his designs went viral.
D
esigner Alex Kemsley’s company Compass Pools made headlines around the world recently with its proposals for Infinity London, a 200m high, 360-degree roof-top pool set to tower over the UK capital’s skyline. Since news of his design broke Alex has fielded several new business enquiries from as far afield as the USA and South Africa. Compass Pools specialises in customised, one-piece, ceramic composite swimming pools for both indoors and outdoors, with the average order value touching six figures. The company looks set for a record year ahead after recently completing a move into new premises in West Sussex and Alex has already agreed several new commissions. Previous clients include footballers and TV stars. Building swimming pools has been a life-long passion for Alex who got behind the wheel of an earth mover to build his first pool with his father at the family home aged just nine years old. He joined Compass Pools as the company’s exclusive UK importer, builder and distributor in 2011 and has helped steer the company to a leading position in the bespoke private pool sector. Compass Pools has enjoyed consistent double-digit growth in Britain since Alex effectively launched the European manufactured pool shells into the UK market. This success has allowed the British business to now employ 20 people and bring the whole operation in-house, from imported shell to custom-build, installation and plumbing.
I N E X
A U G U S T
2 0 1 9
6
E X R A T E D
7
I N E X
A U G U S T
2 0 1 9
E X R A T E D I N E X
Compass Pools mad proposals for Infini high, 360-degree ro tower over the UK
A U G U S T
2 0 1 9
8
E X R A T E D
de headlines with its ity London, a 200m oof-top pool set to K capital’s skyline
9
I N E X
A U G U S T
2 0 1 9
E X R A T E D
Alex’s reputation as a leading authority in the industry was underlined two years ago when he was named the youngest president of British Swimming Pool Federation, which promotes quality and safety. Compass was also recently named Pool Retailer of the Year at the UK Pool and Spa Awards. Ongoing Brexit uncertainty has had no impact on the high-end business, with demand continuing to rise after their record-breaking start to the year. Alex Kemsley said: “To go from building a family pool with my dad at my childhood home to designing the world’s most talked about pool has been an incredible journey. “Any nine-year-old boy would enjoy operating an earth mover to dig out a hole big enough for a pool. But I couldn’t have guessed that day that it would become my life’s work. “The business was already flying, with the first quarter of this year proving a recordbreaking period for us. This coincided nicely with moving to the new site in West Sussex, where we’ve built our own offices and warehouse. “We’ve been able to streamline our operations so everything’s on the same site now. That allows us to control the entire process, from importing the shell to turning it into an installable pool and then all the digging, plumbing and electrics on site. “We are so proud to be recognised for our high standards and it was an honour to be named Pool Retailer of the Year at the UK Pool and Spa Awards. “We’re also among the largest home delivery companies by product size and believe a £100,000 product deserves a polished process. That’s something our high-profile customers certainly appreciate. “We’re now planning to expand internationally, after capturing the world’s imagination with our proposals for Infinity London.” www.compass-pools.co.uk
I N E X
A U G U S T
2 0 1 9
1 0
E X R A T E D
1 1
I N E X
A U G U S T
2 0 1 9
T E X T I L E S & F A B R I C S
WONDERS OF THE WORLD
T
UK designer Charlotte England unveils Mkira, a stylish new homewares brand.
his beautiful and unique collection of fabrics and furniture has been inspired by nature’s canvas and crafted using age old traditions. All the materials used within this collection have been sustainably sourced from around the British Isles. The collection includes; daybeds, headboards, cushions, throws, fabrics, lampshades, footstools and shelving. All the pieces are created using raw, natural materials such as British
I N E X
A U G U S T
2 0 1 9
linens and tweed from Donegal; the perfect counterbalance to the modern ‘throwaway’ culture. Charlotte England spent time travelling around the globe, during the early part of her career, which enabled her to try her hand at a wide variety of alternative arts and crafts. These included studying pottery in Japan with a renowned sensei; traditional paper-making in the Japanese mountains; basket weaving among the Tepuis in the Amazonian basin and life-drawing in Miami. These wide ranges of inspiring experiences shaped her personal style and design objectives and led her to create Mkira. As part of the creative process, 1 2
Charlotte teamed up with a number of small, authentic, family-run businesses all using traditional methods to expertly craft these beautiful enduring pieces. Charlotte England, Creator of Mkira, comments: “At Mkira, we design and create homeware with love and care. We are proud to bring you a range of products with permanence, items that are designed and built to last.” www.mkira.co.uk
T E X T I L E S & F A B R I C S
At Mkira, we design and create homeware with love and care
1 3
I N E X
A U G U S T
2 0 1 9
Aesthetically sound acoustic panels
Email: enquiries@soundtect.com Phone: 0203 040 2939
Showroom: 3 Albemarle Way, London EC1V 4JB
B A T H R O O M S B E D R O O M S
&
A TOUCH OF SOPHISTICATION A 15th century restored residence situated in the hinterland of Majorca: it is Son Julia Country House & SPA in Majorca, Spain, the perfect location for a charming, relaxing and quiet stay.
FACT FILE PROJECT NAME:
Son Julia Boutique Hotel
PLACE: Majorca, Spain PROJECT:
Jorge Bibiloni Studio – www.jorgebibilonistudio.com
COMMITTEE:
Son Julia Country House & SPA
PRODUCT/SYSTEM NAME: Diametro 35 black
1 5
I N E X
A U G U S T
2 0 1 9
B A T H R O O M S & B E D R O O M S I N E X
T
he architectural firm Jorge Bibiloni realised the first restyling of the structure by choosing the furniture of 29 rooms and suites with a special focus on details: spaces are characterised by warm and wrapping nuances, which convey to the client a real sense of well-being. These spaces are further enhanced by the contrast created by the finishings’ decisive tones. The most recent renovation concerned the interiors of the eight suites, where the original sandstone arches separate the bathroom from the restroom. The mirrors placed behind the mixers of the bathroom create beautiful light effects which amplify the environments, thus adding a modern detail to the furniture. Moreover, the use of the stone and the wood gives continuity to the rest of the structure.
A U G U S T
2 0 1 9
1 6
1 7
I N E X
A U G U S T
2 0 1 9
B E D R O O M S
&
B A T H R O O M S
B A T H R O O M S B E D R O O M S
&
The innovative s products is perf elegant bou
For the bathroom, the choice of the Ritmonio product Diametro 35, in black finishing, has been a genial one because of its current and sophisticated style. Thanks to its functionality in fact, together with its contemporary design, Diametro 35 offers a genuine wellbeing experience to the customers. The innovative style of Ritmonio products is perfect for all these elegant boutique hotels; the transversal offer and the wide range of available finishings enable anyone to choose how to project and live the bathroom space.
Technical characteristics
The series Diametro 35 belongs to Ritmonio water saving products, characterised by an ECO water flow rate, which is less than 9 l/min, and is planned to drive people towards a more responsible use of the natural resources. www.ritmonio.it I N E X
A U G U S T
2 0 1 9
1 8
B A T H R O O M S B E D R O O M S
&
style of Ritmonio fect for all these utique hotels
1 9
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T
ARCHITECTURE AND NATURE IN SYMBIOSIS Architecture agency AW², founded by Reda Amalou and Stéphanie Ledoux, unveils its latest eco-lodge project, Kasiiya Papagayo in Costa Rica.
I N E X
A U G U S T
2 0 1 9
2 0
D E S I G N R E S O R T
2 1
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T I N E X
A U G U S T
2 0 1 9
2 2
D E S I G N R E S O R T
2 3
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T
K
I N E X
asiiya Papagayo, created by architecture agency AW², pushes the architecture and resort experience towards a new dimension, in a new way of thinking about ecology. Tucked away in the heart of the Costa Rican jungle, Kasiiya Papagayo’s five tents are built on wooden platforms. The project successfully achieves AW²’s goal to leave no scars on the landscape. It demonstrates that luxury can have a new relationship with the world: it can be more stealthy, respectful and authentic. Architecture and nature can live in symbiosis and no longer in opposition, without trying to gain ground on one another. Thus is Kasiiya Papagayo’s concept, whose ambition is to peacefully blend and disappear into nature. It also shows outdoor living in a new spirit: a new concept of chic which moves luxury to other horizons. Kasiiya Papagayo’s tented retreats are stylish, minimalist rafts that float, hidden, in the jungle. Their delicate wooden beams summarise this new philosophy: enjoying the earth without consuming it. Reconnecting with nature and with each other is this new complex’s ambition. Each Kasiiya Papagayo tent is accessed by a private road and is carefully oriented to reconnect with nature. Common spaces acting as relaxation areas allow guests to meet others or spend time with loved ones.
A U G U S T
2 0 1 9
2 4
D E S I G N R E S O R T
2 5
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T I N E X
Architecture and nature can live in symbiosis and no longer in opposition
A U G U S T
2 0 1 9
2 6
D E S I G N R E S O R T
2 7
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T
AW² hoped to find its wild state, enabling Kasiiya Papagayo to enjoy a perfect balance between comfort and wilderness. Each tented retreat has been designed to strengthen your connection with nature and to enhance the well-being of visitors. From the beginning, the conservation of the rainforest has been paramount. The intention throughout the project is not to have a minimal impact on the environment, but rather zero. The lodges are built from mostly natural materials on wood-framed platforms. The new tent suites are located in varying unique positions in the landscape in order to offer guests an individual and special experience. The accommodation, conveniently located on 123 hectares of wilderness, offers unparalleled comfort, privacy and security. I N E X
A U G U S T
2 0 1 9
2 8
D E S I G N R E S O R T
2 9
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T I N E X
A U G U S T
2 0 1 9
3 0
D E S I G N R E S O R T
3 1
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T I N E X
A U G U S T
2 0 1 9
3 2
D E S I G N R E S O R T
3 3
I N E X
A U G U S T
2 0 1 9
D E S I G N R E S O R T
Reda Amalou and Stéphanie Ledoux, AW² explain: ‘‘The design and construction of Kasiiya Papagayo has been completed without cutting down a single tree or using concrete for the buildings. The resort is 100% solar powered, the water is fresh from the well, and all vehicles within the property are electrical. We are delighted to be able to say that we have built the property respectfully, whilst at the same time to the highest standards of comfort and peace.’’ Kasiiya is a unique hotel concept which began with just five luxury safari tents in the heart of the historic Central American rainforest. Respectful of the environment, Kasiiya creates a coherent and altruistic experience. Kasiiya is a discrete brand. Harmonising with the environment, the group is drawn to exceptional places with unique communities. ‘‘The creation of a bespoke brand is crucial for the development of a strong brand identity, and serves to improve the Kasiiya experience.’’ With projects that extend beyond their flagship project in Costa Rica, Kasiiya aims to create a brand that will shine around the world whilst maintaining its core values and philosophy. www.kasiiya.com www.aw2.com
I N E X
A U G U S T
2 0 1 9
3 4
D E S I G N R E S O R T
3 5
I N E X
A U G U S T
2 0 1 9
FABRICS FOR LUXURY EXTERIORS EXTEX fabrics combine a luxurious look and feel; designed to complement and enhance even the most exclusive exterior space, they are suitable for use on all outdoor furnishing applications. The co-ordinating ranges offer over 100 contemporary colours, bringing a perfect style conclusion to any design project. Discover our extensive fabric collection at www.extex.co.uk
AMSTERDAM
ANTIBES
BERLIN
BOLOGNA
JOHANNESBURG
LONDON
MONACO
SYDNEY
ZURICH
L I G H T I N G
IN THE SPOTLIGHT Landa was founded in 1987 in Lumezzane, in the province of Brescia, specialising in outdoor residential and public lighting sector. Attentive research, exemplary quality control and, as a result, an excellent performance of Landa luminaires have led the company to stand out in the industry at national and, especially, international level.
3 7
I N E X
A U G U S T
2 0 1 9
L I G H T I N G I N E X
T
he symbiosis of natural and artificial light gives life to refined aesthetic effects and luminous nuances. By filling and embellishing spaces, at the same time, they interact with the environment. The Landa range of products is available in the widest range of applications: wall or floor recessed, wall or ceiling ones, all capable of drawing ad hoc light accents. Pendant applications, together with bollards and projectors, are perfect for emphasising porches, entrances and walkways, while the compendium of linear and traditional design is achieved in pole lamps, ideal for gardens and public areas. Wide, flood or spot beam effects, or asymmetric ones; for each environment, the most suitable light. The wide range of families, available in different sizes as well as with different optics and finishes: an elegant but customisable design that does not forfeit efficiency.
A U G U S T
2 0 1 9
3 8
L I G H T I N G
3 9
I N E X
A U G U S T
2 0 1 9
L I G H T I N G
Define outdoor architecture and transform it with smart lighting. This is not just a matter of aesthetics: performance that meets design needs has primary importance. Outdoor luminaires by Landa, with IP65/67 protection grade that make it immune to atmospheric agents and impacts caused by external conditions, ensure a high quality of light. A high colour rendering index creates luminous outputs in symbiosis with natural light, and tempered glass guarantees not only resistance but also maximum quality of the emissions, never invasive or disturbing to the human eye. The specific treatments specially developed in the company’s own research laboratories and realised in an eco-sustainable way ensure longevity to the product. Hence, the minimisation of maintenance operations that makes the Landa proposal ideal for lighting projects that deal with the outdoors. Finally, the possibility of providing a light control system able to dialogue with the day, the night and the chromatic changes of natural light, making even the simplest of products optimal. All Landa Lighting products are designed directly within the company, situated in Lumezzane, a territory strongly impacted by entrepreneurial spirit. The entire production takes place inside the company’s establishments, where the competent and expert team monitors the processes in their entirety: from the idea to the final delivery, ensuring a zero defect product. landa.it/en
I N E X
A U G U S T
2 0 1 9
4 0
L I G H T I N G
4 1
I N E X
A U G U S T
2 0 1 9
E X P O S E
A BO STATE
Rainlight, an inte winning design stu introduce Nagare of furniture designe with leading Japane manufacture
I N E X
A U G U S T
2 0 1 9
4 2
E X P O S E
A OLD EMENT
ernational awardudio, is delighted to e, a new collection ed in collaboration nese office furniture er Okamura.
4 3
I N E X
A U G U S T
2 0 1 9
E X P O S E I N E X
T
he collection was debuted at NeoCon 2019 to glowing reviews, as well as winning the HiP award in Workplace: Sofa category. Nagare, which means ‘flow’ in Japanese, responds to the way we work today. The range of seating and tables, inspired by nature, brings a gentle sense of movement and creates a quiet haven in the workplace. The collection consists of two distinct families – Lounge and Platform – with each element possessing a sculptural quality that makes a
A U G U S T
2 0 1 9
bold aesthetic statement, while also being highly functional. The pieces have been carefully designed to help people work more effectively whenever and wherever work might happen. Lounge is intended as a statement piece and takes its cue from rock formations, almost looking as though it might have been hewn from the earth. This visually bold sofa features a power socket and USB ports and is ideal for reception spaces and client lounge areas, where visitors can plug in and recharge with ease.
4 4
E X P O S E
4 5
I N E X
A U G U S T
2 0 1 9
E X P O S E I N E X
A U G U S T
2 0 1 9
4 6
E X P O S E
4 7
I N E X
A U G U S T
2 0 1 9
E X P O S E
Meanwhile Platform has a lighter, more ethereal aesthetic that allows users to perch on its horizontal plane and perform any number of tasks. It is designed to facilitate informal ways of working in the shared areas of the office – such as active receptions and touch down points, break-out spaces, cafes and co-working environments – to support creative thinking. Available with or without a back, it encourages collaborative activities and impromptu meetings, as well as allowing solo workers the opportunity to spread out and have space to think. Yorgo Lykouria, Creative Director at Rainlight, says: “The idea behind Nagare is to create pieces of furniture and accessories that cater for two key requirements – to provide the opportunity for mindfulness and introspection but also to allow meetings to take place spontaneously. The composition appeals to the heart and mind as we blur and merge the boundaries between work and life. I believe its sculptural quality will make a real statement in any environment.” Okamura’s engineering capabilities, attention to detail and desire to achieve Rainlight’s original product concept has enabled Nagare to come to life. Nagare is available with a number of accessories, including an ottoman, occasional table, personal table, and cushions. It also comes in a huge variety of upholstery finishes. www.rainlightstudio.com
I N E X
A U G U S T
2 0 1 9
4 8
E X P O S E
4 9
I N E X
A U G U S T
2 0 1 9
E X P O S E I N E X
A U G U S T
2 0 1 9
5 0
E X P O S E
5 1
I N E X
A U G U S T
2 0 1 9
C E I L I N G S & W A L L S F L O O R S ,
RUGS FOR MODERN LIVING
Known for its collaborations with key designers and lead creatives, FLOOR_STORY will be exhibiting its latest range designed with wellknown design duo 2LG at this years’ LDF 2019.
5 3
I N E X
A U G U S T
2 0 1 9
C E I L I N G S & F L O O R S ,
W A L L S
P
revious collaborations with the 2LG team saw inspiration taken from renovations on their South London home and the wallpapers and fabrics they discovered on the journey. Expanding on the originals, the latest designs draws on the colours, curves and aesthetics of their finished home. Paired with the duo’s design signatures of colour, simplicity and elegance, the collaboration with FLOOR_STORY provided a perfect opportunity to create a range of captivating rugs ideal for the modern home interior. “It was always going to be difficult to up the stakes from our previous collaboration with 2LG but their new designs really made it an exciting opportunity to showcase their home renovation journey. Encapsulating their love of shape, form and colour, we are really looking forward to showcasing the three new additions at this year’s LDF 2019 event,” explained Simon Goff, Founder of FLOOR_STORY. floorstory.co.uk
I N E X
A U G U S T
2 0 1 9
5 4
5 5
I N E X
A U G U S T
2 0 1 9
F L O O R S ,
W A L L S
&
C E I L I N G S
H A R D W A R E A R C H I T E C T U R A L
SMART, SECURE, STYLISH
The Highdown Hotel chooses Dialock from Häfele for door entrance sophistication.
T
he Highdown Hotel occupies a beautiful spot in West Sussex with the South Downs to one side and the coast at Goring-by-Sea to the other. The property was acquired by hospitality company Brunning and Price in 2018 and the site has undergone major renovation in order to meet the owners’ objective of marrying the history of
I N E X
A U G U S T
2 0 1 9
the building with the best in modern hotel technology and convenience. Tom Foster, General Manager at the Highdown, worked alongside colleagues at Brunning and Price and specialist design teams to source the best finishes and solutions. The Highdown has 13 bedrooms, and high on the design priority list was the selection of a secure and stylish door entrance system. Tom comments: “We conducted lots of research into door entrance systems. We were particularly looking for minimal design – subtle solutions that would work well with 5 6
our chosen doors. We also needed the solution to be secure and effortless to use – by staff and guests alike.” The design committee eventually pinpointed the Dialock DT710 door terminal sets, designed and supplied by Häfele. Dialock is an advanced identification and locking system which uses electronic keys, terminals and programming units to allow authorised access.
H A R D W A R E A R C H I T E C T U R A L
Dialock has been fitted on all guestroom doors, as well as on the main entrance door to the building. The main entrance is controlled by the Dialock WT210 wall reader, a mains operated wall terminal for offline operation. The entire setup is controlled via the Dialock Hotel software management tool. Tom continues: “First and foremost we liked the aesthetics of Dialock. We have slim silver door handles with a small disc below showing the wifi symbol. Guests simply hold
their key cards near the disc for access. The look is minimalist and clean. “We also liked the fact that the keycards are slimline but very robust, they don’t have magnetic strips so they can’t get wiped or corrupted. We’ve experienced that issue before, particularly when keycards are in contact with mobile phones, and it can be very disruptive.” Once Dialock was installed, the Häfele team then spent two days training staff at the Highdown in usage – 5 7
including changing keycards and setting up new ones. Select staff were also shown how to set cards to allocate authorisation to certain individuals at certain times. For example, housekeeping staff might be issued with cards which give them room access between the hours of 9am and 3pm. “We found the Hafele team very helpful,” Tom concludes. “They were always on hand to manage any queries and to offer expert advice throughout every stage of the process. “The Dialock system is up and running and it is delivering precisely what we want in terms of look and feel and ease of use. The ultimate aim is guest convenience and satisfaction, and Dialock is helping us to achieve that aim.” www.hafele.co.uk/en/ I N E X
A U G U S T
2 0 1 9
I N S P I R E
A UN AND TIM EXPER
Steps away from the Forbidde Wanfujing celebrates the site of its name I N E X
A U G U S T
2 0 1 9
5 8
I N S P I R E
NIQUE MELESS RIENCE
en City, the Mandarin Oriental e landscape and historical esake location. 5 9
I N E X
A U G U S T
2 0 1 9
I N S P I R E
H
I N E X
irsch Bedner Associates (HBA), the world’s leading hospitality design firm, has completed the first Mandarin Oriental Hotel in Beijing, China this year 2019. Conceptualised as a modern-day courtyard mansion, Mandarin Oriental Hotel conveys and reinterprets the rich history of “Wang Fu”, the aristocratic residences built in the Qing Dynasty, with its distinctively contemporary design. “The language we chose to use is decidedly modern, but underlined with a narrative of the Chinese tradition and craftsmanship,” said HBA Partner, Federico Masin. Ideally located in the busy heart of Beijing, with the iconic Forbidden City just steps away, Mandarin Oriental Hotel delivers a unique and timeless experience for both international travelers and local guests. The guests are brought into a skylight court when they enter the transit lobby from the street or the adjacent mall. Inside, a central water feature surrounded by dark stone facades and soft-lit lampshades pays homage to the historic well. Continuing into the entryway, guests will marvel at the embroidered cobalt and gold panels, accompanied by a welcoming fireplace, timber walls trimmed with dark lacquer shelves, and autumnal colored area rugs. An energetic and richly hued three-fish objet d’art designed especially for the hotel by Frank Gehry hangs in the centre, creating a dynamic focal point.
A U G U S T
2 0 1 9
6 0
I N S P I R E
6 1
I N E X
A U G U S T
2 0 1 9
I N S P I R E I N E X
A U G U S T
2 0 1 9
6 2
I N S P I R E
6 3
I N E X
A U G U S T
2 0 1 9
I N S P I R E I N E X
The fifth floor is home for Café Zi, MO Bar, and The Library, all of which open onto an expansive rooftop garden terrace with spectacular views of the ancient imperial palace. Café Zi, the hotel’s all-day dining restaurant, is envisioned as a Chinese garden blossoming in the morning sun. Laser-cut floral panels half-descended from the ceiling, and ceramic-tiled partitions framed in dark timber create pockets of semi-private dining areas. A decorative screen at one end of the cafe becomes a sliding door to MO Bar, a midnight garden where alchemists create signature drinks. The dark lacquered cabinets and leather paneled pull-out drawers remind the guests of the past Chinese apothecaries who mixed potions to produce efficacious remedies for ailing royalty and aristocrats. The Library, a twostory modern drawing room serving a range of palatable small bites, completes the epicurean journey. The theme of The Library draws inspiration from Australian Sir George Ernest Morrison, a Government adviser known for his extraordinary adventures to China. A fresh palette and understated design create a contemplative place for browsing soughtafter artworks and books, including a 60-volume The Complete Collection of Chinese Arts, covering the nation’s art treasures over a period of 5000 years.
A U G U S T
2 0 1 9
6 4
I N S P I R E
6 5
I N E X
A U G U S T
2 0 1 9
I N S P I R E
Connecting to the sixth floor, the stairwell is designed to create warm glowing linear steps within an enclosed “lantern” gently leading guests up to their rooms, as well as the spa and wellness centre which features a 25m lap pool with sky roof. The four individually-themed spa suites, inspired by Chinese gardens, promise an exceptional relaxation. Wallcoverings featuring sweeping Willows are framed in timber archways, conveying a subtle interpretation of garden pavilions. The Mandarin Oriental Hotel houses 73 spacious rooms which are among the largest in Beijing. The rooms are designed with a contemporary and sophisticated residential style, blended with subtle traditional Chinese elements. The inspirations from the Imperial Era is represented by the fourposter beds, which refer to sleeping chambers of the princes that once lived in the mansions of Wangfujing. Other nods to traditional Chinese design include headboard panels with harmoniously aligned flora and fauna and a marble relief engraved with stylized clouds in the bathroom, resembling the Forbidden City’s stone craved stairway. Based on the room type selected, the hotel guests can either enjoy the spectacular view of the Forbidden City or their own exclusive private garden terrace. www.hba.com
I N E X
A U G U S T
2 0 1 9
6 6
I N S P I R E
6 7
I N E X
A U G U S T
2 0 1 9
www.morganfurniture.co.uk
I N S I G H T
FUN IN THE SUN
SABRINA MONTECARLO
Villa Riviera is a contemporary house on the French Riviera. Using natural materials to blend in with the landscape, the home encapsulates simplicity and elegance with a touch of fun.
6 9
I N E X
A U G U S T
2 0 1 9
I N S I G H T
Over the following pages find a brief interview with Sabrina and a gallery showcase of her stunning villa.
T
he building has an architectural white base, but is injected with colour using strong art pieces, Mediterranean elements and Mexican touches. Here, INEX speaks to the mastermind behind the villa’s stunning concept, Sabrina Monte-Carlo.
INEX: What were your wishes regarding the new interior?
Sabrina: I wanted there to be flow between indoor and outdoor spaces, no clear separation with clean and contemporary lines. I envisaged a lot of natural materials plus a cloud of white with pops of bright colours and strong art pieces.
I N E X
A U G U S T
2 0 1 9
7 0
I N S I G H T
7 1
I N E X
A U G U S T
2 0 1 9
I N S I G H T I N E X
A U G U S T
2 0 1 9
7 2
I N S I G H T
7 3
I N E X
A U G U S T
2 0 1 9
I N S I G H T I N E X
A U G U S T
2 0 1 9
7 4
I N S I G H T
The villa has a typical Mediterranean garden with breathtaking views on the Riviera – Sabrina Monte-Carlo
7 5
I N E X
A U G U S T
2 0 1 9
I N S I G H T
Could you please describe the property regarding architecture and surroundings?
It is two steps away from a very traditional village. It was an old property where only the structure was kept to build something completely new. It has a typical Mediterranean garden that was designed by Jean Mus with breathtaking view on the Riviera.
I N E X
A U G U S T
2 0 1 9
Who lives in this apartment with you?
My husband, my daughters in the summer and my beautiful cat!
What did you change in this apartment (rebuilding, renovation, decoration)? Everything, we only kept the four walls. The project entailed very heavy work on the garden and the outdoor too.
7 6
I N S I G H T
7 7
I N E X
A U G U S T
2 0 1 9
I N S I G H T I N E X
A U G U S T
2 0 1 9
7 8
I N S I G H T
7 9
I N E X
A U G U S T
2 0 1 9
I N S I G H T
The build an archi white ba is injecte colour strong ar
– Sabrina M
I N E X
A U G U S T
2 0 1 9
8 0
I N S I G H T
ding has itectural ase, but ted with r using rt pieces
Monte-Carlo
8 1
I N E X
A U G U S T
2 0 1 9
I N S I G H T
Where did you get the furniture? Did you use existing pieces, too? Is there a story about a ‘special’ piece of furniture – if so, which piece and what’s the story?
A lot of my furniture comes from my stores, I ordered all of it to be customised by brands such as B&B, Paola Lenti, Flexform etc. I also buy a lot of travelling – some pieces from Mykonos, Capri, Indonesia. My favourite piece is my Baccarat Zenith chandelier – I sent them a sample of my Tai Ping green carpet and they did crystal “pampilles” to match it! I can look at it the whole day. Concerning the art, I have bought from galleries around the world but I guess my new favourite one is the Arik Levy structure in our garden.
How would you describe the interior style?
Fresh, contemporary but comfortable.
I N E X
A U G U S T
2 0 1 9
8 2
I N S I G H T
8 3
I N E X
A U G U S T
2 0 1 9
I N S I G H T I N E X
A U G U S T
2 0 1 9
8 4
I N S I G H T
8 5
I N E X
A U G U S T
2 0 1 9
I N S I G H T
Where do you take your inspiration from?
The surrounding Mediterranean landscape, my travels, magazines, galleries.
Regarding the decoration, is there any concept? Maybe seasonal aspects?
I am always changing everything – I have just finished building our outside gym surrounded by roses. I love having fun and switching up during seasons and holidays (Christmas, Easter, Valentine’s day, spring). The best way to do that without permanent changes is buying new flowers, changing placemats, napkin rings etc. I can even decorate my tables with surrounding things such as lemons or roses.
What is your favourite area in this home and why?
The pool area. We can spend entire days there. There is the bar area which is always fun, an in-built sitting area with Dolce leopard fabric, my own beach with sand and Paola Lenti furniture reminding me of Mexico and my husband’s space that looks like a tent from the Beverly Hills Hotel. It’s very eclectic and fun with many things brought back from travels. www.sabrinamontecarlo. com
I N E X
A U G U S T
2 0 1 9
8 6
I N S I G H T
8 7
I N E X
A U G U S T
2 0 1 9
W O O D
THE BE OF W
Twelve furniture and pro shortlisted for the Woo shortlisted projects will be o (Stand B16), 18th-21st Se revealed at the annual Wo Carpenters’ Hall on
I N E X
A U G U S T
2 0 1 9
8 8
W O O D
EAUTY WOOD
oduct projects have been od Awards 2019. All the on display at 100% Design eptember. Winners will be ood Awards ceremony at n 19th November.
8 9
I N E X
A U G U S T
2 0 1 9
W O O D
E
stablished in 1971, the Wood Awards is the UK’s premier competition for excellence in architecture and product design in the world’s only naturally sustainable material. The Awards are free to enter and aim to encourage and promote outstanding design, craftsmanship and installation using wood. Within the Furniture & Product competition there are three subcategories: Bespoke, Production and Student Designer. BESPOKE THE KISSING BENCHES Designer/maker: Alison Crowther Client/owner: Glyndebourne Wood supplier: Neil Humphries Timber conversion: Vasterns Wood species: English oak The Kissing Benches were made for the newly reinvented Figaro Garden at Glyndebourne. The garden required something that would complement and not draw attention away from the Henry Moore sculpture. These benches are a contemporary take on an old style of outdoor seating, designed to enable people to engage in conversation, embrace or kiss. Gigantic beam sections of green English oak have been hand carved to create an ergonomic and attractive seat surface. The benches were hand-carved using traditional gouges and mallets. LITTORAL CHANCES 1&2 Designer/maker: David Gates Vitreous enamel on steel panels: Helen Carnac Wood supplier: Adamson & Low, English Woodland Timber and Timberline Wood species: British European oak, bog oak, ripple sycamore, Cedar of Lebanon and Douglas fir, American bird’s eye maple This unmatched pair of collecting cabinets is based on the beauty of chance composition. Gates is drawn to industrial and agricultural architecture, including jetties and pylons, and the paraphernalia that populates these sites, such as containers and crates. Gates is often struck by the balance and beauty of chance compositions; how stacked and piled objects present themselves sculpturally. The timber has been sawn, scraped, planed, and cleft to emphasise the woods’ varying surfaces.
I N E X
A U G U S T
2 0 1 9
9 0
W O O D
MY SEOUL Designer/maker: Cristina Zani Wood supplier: GS Timber Wood species: British beech, olive and lime Inspired by Italo Calvino’s Invisible Cities, Zani’s work is a reflection on the urban environment. The My Seoul collection is influenced by the contrast between South Korea’s sombre modern architecture and its vibrant ancient wooden temples and painted palaces. Zani has borrowed elements from the city’s landscape to visually describe it and subtly suggest it to the viewer. Like South Korea’s architecture, the pieces show the vulnerability of materials when exposed to time and elements. 9 1
I N E X
A U G U S T
2 0 1 9
W O O D
PRODUCTION IAN MCCHESNEY BENCH Designer: Ian McChesney Manufacturer: Benchmark Wood supplier: PB Hardwoods and English Woodlands Timber Wood species: European oak or American Black Walnut These highly crafted benches are made in two sizes. The gallery bench is designed to sit in the middle of a room and is 900mm deep to allow for sitting on both sides. The foyer bench is designed to sit at the edge of the room and is 600mm deep to allow for sitting on one side only. The gently pillowed top and bottom give the benches a very natural feel. LATIS CHAIR Designer: Samuel Wilkinson Studio Manufacturer: The Conran Shop Wood species: Ash The LATIS range is a collection of three lightweight, versatile chairs that all share the same steam-bent frame made from a single piece of specially selected ash. The elegant Viennese-plaited lattice straw version is refined and super-light. There are also plywood and upholstered versions which are most suitable for commercial environments such as restaurants. All the seat components have been cut into recesses within the ash frames to ensure the chair appears light and modern. MAX TABLE Designer: Max Lamb Manufacturer: Hem Wood supplier: Zamperetti Legnami SpA Wood species: American Douglas fir, white ash At 3m long, Max Table is designed to be a centrepiece in any environment, from conference spaces to dinner parties at home. The table’s simplistic design is deceivingly sophisticated and has been carefully considered with shipping and smart assembly in mind. Douglas fir was selected for its virginal colour tone, characterful grain and ability to withstand usage.
I N E X
A U G U S T
2 0 1 9
9 2
W O O D
9 3
I N E X
A U G U S T
2 0 1 9
W O O D I N E X
SCIENCE MUSEUM LAB STOOL Designer/manufacturer: King and Webbon Client: Science Museum CNC Routing: Fineline Wood supplier: Winwood Products Wood species: European beech ply King and Webbon collaborated with the Science Museum to create a stackable stool that they hope to be the start of a new sustainable approach to flat-pack furniture. The stool is delivered in a robust, reusable cardboard storage case and can be put together in under 15 minutes using just an Allen key. The design is inspired by the classic stacking lab stools we remember from our school days. Made using beech, the stool offers a real solution to small space living.
A U G U S T
2 0 1 9
9 4
W O O D
9 5
I N E X
A U G U S T
2 0 1 9
W O O D
STUDENT DESIGNER Within the Student Designer category there are two cash prizes: £1000 for Winner and £500 for People’s Choice. Voting for the People’s Choice Award will take place at 100% Design. BIO IRIDESCENT SEQUIN Designer/maker: Elissa Brunato University/college: Central Saint Martins Wood supplier: Celluforce Bio-engineering wood/cellulose: Research Institutes of Sweden (RISE) Wood species: Canadian softwood Kraft pulp Bio Iridescent Sequin is a response to the unsustainable shimmering beads and sequins currently used in fashion and textiles. Brunato’s sequin uses bio-technologies to create colourful shimmering sequins from naturally abundant wood. Through extracting the crystalline form of cellulose, the wood imitates the alluring visual aesthetics of shiny plastic while remaining lightweight, strong and compostable. KENT STICK CHAIR Designer: Matthew Hensby University/college: Building Crafts College Wood supplier: South East Forestry and Tyler Hardwoods Wood species: English ash Kent Stick Chair is a contemporary Windsor chair made from green ash selected from a coppiced woodland in Kent. Hensby’s ambition was to develop a contemporary chair from traditional processes. The chair was created using hand tools and embraces the textures made by the tools. The piece was assembled with moisture differential joinery, resulting in a chair that becomes tighter and stronger as the components dry around one another. The timber has been finished with an organic linseed oil paint.
I N E X
A U G U S T
2 0 1 9
9 6
9 7
I N E X
A U G U S T
W O O D
BURNOUT Designer: Francesco Feltrin University/college: Royal College of Art Wood species: spruce, pine, fir, birch and poplar Feltrin was inspired by the Bruder Klaus Chapel by Swiss architect Peter Zumthor. Taking Zumthor’s idea of burning out a wooden mould, Feltrin adapted it to work with low-hazard resin and paper. The paper is rolled andtwisted in different variations to create a mould that is later burnt out. Burnout is about designing the void that will be chiselled by fire. A layer of newspaper pages remains stuck to the final object, transforming a disposable newspaper in something that will last for decades.
2 0 1 9
W O O D
ISO CABINETS Designer: Jack Bibbings University/college: Building Crafts College Wood supplier: Tyler Hardwoods Wood species: English ash and oak These playful cabinets have been inspired by Bridget Riley and the Op-Art movement, which is based on geometric abstraction and illusion. The name Iso refers to the fact that the cabinets’ geometry is based on an isometric drawing that incorporates 30-, 60and 90-degree angles. Iso also points to the Greek word for equal as the carcasses of each cabinet are exactly the same. I N E X
A U G U S T
2 0 1 9
9 8
W O O D
UDON STOOL Designer: Anton Mikkonen University/college: The Sir John Cass School of Art Wood species: ash As a young boy Mikkonen was fascinated by woodgrain and knots. He would look for knots near each other and create faces and other shapes. With the Udon Stool, Mikkonen has matched the uniqueness of woodgrain with a very unique aesthetic. The stool consists of five parts, all CNC routed with a 2D CNC machine. 9 9
I N E X
A U G U S T
2 0 1 9
| Armourcoat Acoustic® Plaster System |
Exceptional Acoustics Armourcoat’s new Acoustic Plaster System offers a seamless mineral finish over large expanses to optimise the acoustics of interior spaces. Applied to ceilings at The Minster Building for architects BuckleyGrayYeoman. • Class ‘A’ NRC • Topcoat incorporates 70% recycled marble • Basecoat incorporates 85% recycled glass • Class ‘O’ fire-rated • Zero VOCs
Photography: © Jonathan Banks
www.armourcoat.com
S P O T L I G H T P R O D U C T
Product Spotlight
This month’s selection of innovative new products not to be missed.
Image ŠHarvey Maria 1 0 1
I N E X
A U G U S T
2 0 1 9
S P O T L I G H T P R O D U C T
INTERFACE BRINGS ITS ETHOS TO LIFE Global flooring manufacturer, Interface is passionate about creating workplaces which are both beautifully designed and positively impact the well-being of the people who use them.
T
he opening of the company’s new UK headquarters in Birmingham was a perfect opportunity to bring this approach to life to create a truly collaborative, living workplace. The Greenhouse, situated on the 10th floor of the Colmore Building, needed to be a space to not only inspire Interface’s talented team, but also to act as a shared hub for customers and stakeholders from across the country. Finding the right location for Interface’s new UK home was crucial to bringing the manufacturer’s vision to life. As the UK’s first Biophilic City and one steeped in manufacturing history, Birmingham provided an ideal setting to represent the company’s commitment to well-being and production expertise. The city’s central location also makes the
I N E X
A U G U S T
2 0 1 9
headquarters easily accessible to customers and colleagues. The Greenhouse is Interface’s first location in Europe to bring its family of carbon neutral products together, from carpet tile to Luxury Vinyl Tile (LVT) and nora rubber flooring. On entering the office, the eye is immediately drawn to a beautiful wisteria tree which sits in the centre of the open plan kitchen area. Its form is also reflected in the flooring through a custom-made 50m2 nora rubber inlay, which clearly demonstrates the versatility of the range. Alternating textures and patterns across the office take people on a journey through shared working areas, breakout zones, more traditional workspaces and meeting rooms. Mandy Leeming, Interface Design & Development Manager, EMEA, said: “The design of our UK headquarters had to be a showstopper. We wanted to get the balance right between creating a beautiful, healthy working space, but one which was also functional, suiting all styles of working at the same time. “The office needed to be explorative and immersive, encouraging colleagues and customers to move fluidly from individual and team working areas, to relaxing social spaces. We couldn’t be happier with the 1 0 2
overall design we’ve achieved which embodies Interface’s commitment to create positive spaces. We’re excited to see colleagues and customers across the country coming together and making use of this incredible new co-working office.” Interface has drawn on its family of products to create the dynamic flooring across the workspace. The manufacturer’s latest carpet tile range, Ice Breaker, is just one way that biophilic design is incorporated into the space. This collection mimics the effect of scratched ice, and the etched lines of the surface create an organic geometry that moves fluidly across the floor. Human Connections, a range which invokes the natural cues we seek in our busy lives, is used in the space to encourage people to come together and reconnect. It takes inspiration from the squares and piazzas found in European cities which are homes to communities and are spaces where people meet to spend time together. Interface’s Luxury Vinyl Tile ranges seamlessly integrate with the carpet tile to create pathways through high traffic areas, while also reconnecting people with nature through the principles of biophilic design. Alongside the new UK headquarters in Birmingham, Interface is opening a new EMEA design centre, called The Mill at Dean Clough and has invested in its Clerkenwell showroom in London to create a more open space for customers to visit and experience its range of products. interface.uk@interface.com 0800 313 4465 www.interface.com
S P O T L I G H T P R O D U C T
HOW TO COOK-UP A STATEMENT WITH COLOUR One of the best ways to create a statement within a kitchen is to introduce colour. But how do you create a wow-effect that will stand the test of time? Mark Findlay, Founder of Harvey Maria, shares some ideas on decorating with flooring.
T
he most obvious way to inject colour into a kitchen is through cabinets, appliances and paint finishes. The problem is that trends change season-onseason and very bold shades, in particular, can quickly date. A fabulous floor, on the other hand, can transform a new space but with a little more subtlety, be it part of a new kitchen design or floor-only refurb. It’s only fairly recently that floors have become ‘less ordinary’. For so many years, they were an after-thought, chosen to complement everything around them. Now, designs like our own ‘Dovetail’ and ‘Lattice’ are a key design element, allowing you to lead with the floor.
The practical features of LVT
Luxury vinyl tiles are an ideal option for the kitchen, because you can access endless designs with great performance benefits. Unlike many other materials, LVT is really easy to maintain, as well as being tough, waterproof and stain-resistant. It’s also very comfortable underfoot and far more forgiving in terms of droppages. Perhaps surprisingly, it can also be installed over underfloor heating, just like timber and tiles, for maximum comfort on chilly days.
Making a statement with pattern
Patterned designs bring real wow-factor to the kitchen. Repeating linear patterns that combine a bold and natural tone work really well, as they draw the eye and introduce symmetry and colour, without being too overwhelming. Patterns can also be framed with plain tiles, or a contrasting decor, like a timber-effect. This creates a fabulous feature and can be used to zone 1 0 3
floor areas, like under a table or around a kitchen island. In terms of colourways, more natural pigments and muted heritage shades offer the greatest longevity. Oxford Blues, opulent greens, slates and merlots are all ‘on-trend’ but they’re also design classics, so they’ll stand the test of time. From the floor up, colours can then be layered; a darker floor tone can be repeated on an island, on cabinets or walls. For a traditional injection of colours, chequer boards are a great option. Black and white LVTs are always a popular choice and create a very smart look – but there are other options too. Our own Heritage Colours range also includes rich-toned Venetian Red and Bay Blue colour-ways, for a more contemporary twist. If you’re looking to incorporate pattern, but prefer a neutral palette, Organics Design is a lovely option. It combines a mellow stone-effect with a cube-in-cube motif. Laid alternately, the geometric design creates an almost 3D illusion, alternating from light to dark – whilst repeating a single colour contrast creates a mini cube effect. Certainly not ‘square’ – in any shape or form. www.harveymaria.com 0330 330 1231 info@harveymaria.com I N E X
A U G U S T
2 0 1 9
S P O T L I G H T P R O D U C T
HARVEY MARIA PRESENTS ‘GEO-CHIC’ ORGANICS DESIGN
Harvey Maria’s new Organics Design Collection combines a mellow stone-effect with a square-in-a-square motif, to create a striking and original floor finish.
O
rganics Design replicates the clean, neutral palette from Harvey Maria’s Organics Stone range – Natural, Portland, Jurassic and Cambrian. It then combines the shades to create eight individual tiles, with a contrasting edge; four with a dark inner square and a light border, and four with light inner square and dark border. Laid alternately, the geometric design creates
an almost 3D illusion, alternating from light to dark. When a single colour contrast is repeated, the tiles create a mini cube effect. Endless other designs can be created by mixing the plain and patterned tiles, and by laying them at different angles. “Organics was inspired by nature and the minimalism of post-modern architecture and furniture. Designed to be reassuringly recognisable but at the same time, contemporary and original. Pattern and colour are carried seamlessly through the collection, allowing multiple combination opportunities. Or perhaps beauty is discovered in the singularity of something quite simple,” explains Andrew Smith, Designer at Harvey Maria.
0330 330 1231 info@harveymaria.com www.harveymaria.com
KAHRS ADDS NEW COLLECTION TO PORTFOLIO
LYNDON DEMONSTRATES EXCELLENT CRAFTSMANSHIP
0239 245 3045 sales@kahrs.com www.kahrsflooring.com
01242 584897 sales@bossdesign.com www.lyndon.co.uk
Kährs has extended its wood flooring portfolio with a new collection of large format herringbone engineered wood designs, in styles described as ‘Modern Classic’. The designs are suitable for both residential and commercial applications. Kährs Herringbone Collection consists of seven engineered wood floor designs, in a range of on-trend colours and calm and lively grades. The board size for each design is 600 x 120 x 11mm, striking the perfect balance between showcasing a classic design, but with a modern aesthetic. Each design utilises an engineered construction with a T&G locking system, and up to 30 years warranty.
I N E X
Each Organics Design tile measures 30.5 x 30.5cm. The larger, single shade Organics Stone tiles measure 30.5 x 45.7cm. All designs have a bevelled edge and can be laid in all settings, including bathrooms and over underfloor heating.
A U G U S T
2 0 1 9
The timeless luxury and craftsmanship for which Lyndon is known can no better be seen than in Maysa, an elegant soft seating and coffee table collection. Its inviting and elegant form has been designed with all the hallmarks of a classic Lyndon product; elegance, detail and tradition. Its upholstery eludes a softness which has been designed to contrast against the angular slim-line timber frame. Its generously proportioned arms, combined with panels and seams that flow around the body, accentuate the curvature and overall rotundness of the body of Maysa, creating a form that commands attention in any room.
1 0 4
THE QUIET FUN SOLUTION The London Gunnnersbury Park Museum is a perfect example of how highperformance acoustic solutions can solve the problem of noise in public and leisure places. As design trends continue towards minimal furniture and hard surfaces, it becomes increasingly important to reconcile aesthetics with personal comfort.
A
s part of its Heritage Lottery Funded redevelopment, London’s once-neglected Gunnersbury Park Museum has been transformed. It now boasts new gallery and learning spaces as well as a brand-new exhibit telling the stories of local people. A new addition to the Regency Mansion is the pavilion, originally designed to house both the catering facilities and horse-drawn carriages that are a large part of the Park’s heritage. When considering its redesign, the architects wanted to create a space that would provide a hub for the Park. It needed to be a space that emotionally connected with visitors to the Museum and regular users of the Park. With this in mind, the designers decided to specify Troldtekt panels. With their natural look and feel and acoustic properties, they were the ideal solution for the ceiling. It allowed them to use harder surface materials elsewhere to suit the architecture of the pavilion. Path Design says: “We needed to ensure that we addressed what could be a relatively hard interior because of the heavy floors we needed for high traffic catering and the predominantly glazed elevations. As such, we looked to soften acoustically the space to reduce the background noise generated by the open kitchen and coffee machines, along with the general noise created by visitors.” 01978 664255 info@troldtekt.co.uk www.troldtekt.co.uk
S P O T L I G H T
Delivering a luxurious and bespoke design, Ark Interiors, was able to create a high-end bar and restaurant setting for staff and customers to enjoy at The Propeller Bar & Grill, Humberside Airport. The objective, to provide a nostalgic 1960s aircraft impression in keeping with the history and location, was enhanced with the installation of Polyflor’s Affinity255 in the shades Dappled Oak, Flamed Chestnut and Seasoned Grey Oak. Affinity was the ideal choice for the project that combines nostalgic features with a contemporary finish. This beautifully engineered collection of high design luxury vinyl tiles is developed for heavy traffic environments and is an eclectic mix of authentically reproduced wood plank designs, incorporating contemporary and recycled timber patterns. The innovative 2mm gauge allows Affinity to be installed alongside 2mm vinyl sheet flooring, providing a seamless flooring solution that flows throughout any commercial installation.
P R O D U C T
AFFINITY255 PROPELS BAR INTO 1960S
0161 767 1111 info@polyflor.com www.polyflor.com
SHOWERWALL’S NEW DECORS CREATE A CLASSIC CONTEMPORARY LOOK
Reflecting current trends in today’s home interiors, four stylish new decors in Showerwall’s Custom Collection bring a timeless yet contemporary aesthetic to the bathroom. The new Navy Herringbone, Scallop Blush, Scallop Coral Reef and Geo Cube decors embrace the current appeal of art deco and geometric designs and bold blues and pink hues in the interior design market. The four new additions also reflect the popularity of existing decors within Showerwall’s Custom range of acrylic bathroom wall panels. Ideal for use in shower enclosures, around baths, behind basins and to create statement feature walls, the lightweight Acrylic Showerwall panels are available in two sizes of 900 x 2440mm and 1220 x 2440mm. 0845 604 7334 info@showerwall.co.uk www.showerwall.co.uk
1 0 5
I N E X
A U G U S T
2 0 1 9
T: + 4 4 ( 0 ) 1 8 9 5 2 2 1 0 5 0 E : I N F O @ S T Y L E L I B R A R YC O N T R AC T. C O M
R E D E F I N I N G C O N T R AC T I N T E R I O R S S T Y L E L I B R A R YC O N T R AC T. C O M