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I N E X ISSUE
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FEBRUARY 2020
Wellbeing and sustainability are two words making waves within all fields of design; whether it be interior design, architecture, graphics and illustration or the fashion industry. Beyond their meaning, these two words are building a generation of designers that not only put the environment first but also the end user’s wellbeing.
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WELCOME TO
The workplace has witnessed the most significant wellbeing- and sustainabilityfocused sea change with regards to interior design; primarily due to a proven increase in productivity and a peak in concentration levels. In this month’s issue, we’ve talked to Interior Designer and Co-Founder of Uncommon, Tania Adir, about how the industry will move forward to provide adequate places of work for the next generation to flood our offices. Tania’s business, Uncommon, is the epitome of next-generation workplaces with its coworking ethos and wellbeing-first interior to support its users. Turn to page 65 to read up on Tania’s forecast on the future of workplace design and how we can meet the needs of Generation Z. Elsewhere in this issue, we’ve listed the latest designs from the high-end interior marketplace to follow Pantone’s ‘Color of the Year’. For an abundance of ‘Classic Blue’ statement accessories for residential and commercial schemes, turn to page 32. I hope you enjoy this edition. Don’t forget, you can also access all of Inex’s features and product inspiration at your fingertips via the magazine’s state-of-the-art app. To download your version free of charge, simply search ‘Inex-online’ on the App Store or Google Play.
Rebecca
Cover: Inex hand-picks its favourite Pantone ‘Classic Blue’ designs currently on the interior marketplace. See page 32.
Editorial: Rebecca Kemp rebecca@crossplatformmedia.co.uk Digital Advertising: Sam Ball sam@crossplatformmedia.co.uk Jim Moore jim@crossplatformmedia.co.uk Print Design Manager: Jack Witcomb jack@crossplatformmedia.co.uk
Rebecca Kemp rebecca@crossplatformmedia.co.uk Follow us on Twitter: @INEXonline Download the INEX app for iPhone, iPad and Android. Search 'Inex-online'.
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Digital Design Manager: Matt Morse matt@crossplatformmedia.co.uk Production Assistant: Philip Coyle philip@crossplatformmedia.co.uk Accounts: Jackie Dearman jackie@crossplatformmedia.co.uk Publisher: Sam Ball sam@crossplatformmedia.co.uk
No responsibility will be taken for drawings, photography or literary contributions during transmission or in the editor’s hands. In the absence of an agreement the copyright of all contributions, literacy, photographics or artistic belongs to Cross Platform Media. The publisher accepts no responsibility in respect of advertisements appearing in the magazine and the opinions expressed in editorial material or otherwise do not necessarily represent the view of the publisher. The publisher does not accept any liability of any loss arising from the late appearence or non publication of any advertisement.
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Publisher: Cross Platform Media Barham Court, Teston, Maidstone, Kent ME18 5BZ Tel: 01622 232 725
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CONTENTS FEBRUARY 2020
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EVENTS
KBB BIRMINGHAM PREVIEW
10 INSPIRE
Inex rounds up this month’s must-visit events, trade shows, seminars and inspirational exhibitions, so you never miss a thing.
kbb Birmingham, Europe’s largest kitchens, bedrooms and bathrooms exhibition, returns from 1st to 4th March.
Hirsch Bedner Associates (HBA) has recently completed the design of the highly-anticipated JW Marriot Marquis Hotel, Shanghai Pudong.
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AUDIO VISUAL
INSIGHT
EXPOSE
CEDIA member, Jools Browning – from BrownHen Solutions – looks at how home technology integration has changed in recent years.
BIID President-Elect and Independent Design Consultant, Lester Bennett, explains how he’s prospered in the face of three recessions.
Following Pantone’s ‘Color of the Year 2020’ announcement at the end of the last year, Inex handpicks its favourite ‘Classic Blue’ designs currently on the interior marketplace.
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IN FOCUS: RESTAURANT DESIGN
STONE
LIVING
GE Space Design has added a brand-new, stylish cocktail bar to Chengdu’s night scene.
In the Scottish borders lies a country house that recently underwent an entire top to bottom renovation – complete with a grand stone staircase.
Boasting a quirky trapeze net, the restoration of a Montrealbased 1978 townhouse has seen the addition of several whimsical design features.
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FURNITURE
PRODUCT SPOTLIGHT
WELLBEING & SUSTAINABILITY
Interior Designer, and CoFounder of Uncommon, Tania Adir, looks at the next generation of workplace design.
A selection of furniture from COVET HOUSE has been specified for a high-end apartment interior for a family in Moscow.
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Inex rounds up the latest innovative products and solutions entering the interior marketplace.
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FEBRUARY EVENTS Inex rounds up this month’s industry must-see events, trade shows, seminars and exciting exhibitions from all over the globe so you never miss a thing.
THE SURFACE DESIGN SHOW Business Design Centre, London 11-13 February
The Surface Design Show is the only event in the UK that focuses solely on interior and exterior surfaces. It returns this month to London’s Business Design Centre to showcase the best in surface material design, development, innovation and manufacturing. Find Inex magazine on stand 344 at this year’s Surface Design Show. surfacedesignshow.com
KBB BIRMINGHAM NEC, Birmingham 1-4 March
kbb Birmingham provides the perfect setting to source and specify the newest and most exciting product launches from over 400 worldrenowned brands, helping you to secure clients and win new business. Read our full preview on page 08 of this month’s issue. kbb.co.uk
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LONDON DESIGN WEEK 2020 Design Centre, Chelsea Harbour, London 8-13 March
Across six days, London Design Week 2020 at Design Centre, Chelsea Harbour, will present new-season launches and share ideas on what it takes to be the best of the best. 120 showrooms and 600 brands will unite to present a compelling vision of interior design excellence. dcch.co.uk/london-design-week-2020
IDEAL HOME SHOW Olympia, London 27 March-13 April
From inspiring ideas to innovative products and on-trend solutions for the home, the Ideal Home Show brings together full-scale show homes, over 600 companies, tonnes of free talks, the latest technology and fresh ideas from a team of experts. idealhomeshow.co.uk
STOCKHOLM DESIGN WEEK
Stockholm, Sweden 3-9 February
During Stockholm Design Week, the city of Stockholm is buzzing with design events; from openings, seminars and exhibitions to workshops, dinner parties and cocktails. The event is a meeting place for buyers, architects, designers and influencers from all over the world. stockholmdesignweek.com
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Bathroom inspiration
KBB BIRMINGHAM 2020 TO OFFER LAYERS OF INSPIRATION FOR DESIGNERS kbb Birmingham, one of Europe’s largest dedicated kitchens, bedrooms and bathrooms exhibitions, returns for 2020 from 1st to 4th March, offering a wide range of design inspiration from KBB suppliers and manufacturers. The show, taking place at the NEC, will feature over 400 exhibitors showcasing the latest products and innovations.
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his year’s theme is ‘Individuality’ – and the show will feature a range of exhibitors ready to inspire visitors with many layers of design inspiration for kitchen, bathroom and bedroom spaces. Some examples of the brands reflecting this theme and highlighting innovative new products at kbb 2020 include:
Kitchen inspiration mood BLANCO UK, which specialises in manufacturing innovative kitchen sinks and taps, will be launching its new Smart Tap Collection, which includes a filter tap, a sensor tap, a volume measurement tap and a hot tap, making it perfect for consumers wanting a convenient yet sustainable choice. I N E X
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Samsung’s BESPOKE line up is a new category of refrigerators that allows users to set up their kitchen in a customised style. They are designed to be either freestanding or recess fit, meaning they can have cabinetry fitted around the fridge, to maintain the built-in look which is a whole new category option in the market. Cambria, a producer of natural stone surfaces, offers a diverse palette of trend-forward, sophisticated designs, colours and tones ranging from traditional to contemporary and bold to eclectic, showcasing timeless beauty inspired by nature and innovated for real life. At kbb, the brand will be displaying innovative designs from its most recent launch: Golden Dragon and Islington. 8
Danish design brand Dansani will be displaying its new YOU bathroom furniture collections as well as its new towel warmers. Dansani produces and supplies modular bathroom furniture as well as shower enclosures and towel warmers. The brand creates solutions that allow consumers to make life – with all aspects involved – easier and more beautiful, also more meaningful. Tilelook is an online marketplace where you can create 3D photorealistic designs with product lists, quantities and pricing. On Tilelook, you will find over 250k tiles from a range of international brands. A must-see for this year, Tilelook will be hosting live demos throughout the show. QA Flooring Solutions is a leading manufacturer of luxury vinyl tiles and other flooring accessories. Its award-winning Luvanto Design Flooring range adds style to any room, and will be exhibiting its latest ranges at this year’s event.
Bedroom inspiration
Blum specialises in Moving Ideas; manufacturing and distributing lift, hinge and pull-out systems for furniture in all living spaces. At this year’s event, Blum will be showing its new SPACE STEP, a plinth solution which takes storage to new levels, AVENTOS HK top, a lift system, though small in size, which inspires with many integrated features, and a pull-out shelf lock, which offers a discreet spacesaving mechanism which securely holds an open pull-out shelf in place. Don’t miss out, register now by visiting the below website. kbb.com
From Ocean Pollution to Noise Solution UK based acoustic solutions manufacturer Soundtect® began 10 years ago when their engineering team launched a pioneering process to recycle the carpets they manufacture for exhibitions into acoustic panels as a third generation product.
Soundtect® has grown into a Worldwide supplier of acoustic solutions with a wide range of products for walls and ceilings which not only reduces noise, but adds positive design features to any indoor space.
Soundtect® Ranges include; 3D Panels, CLASS Ceiling Baffles, CLASS Rafts and Freestyle, a semi-rigid felt used for wall applications, hanging partitions, ceiling rafts... in fact just about anything!
0203 040 2939 Showroom: 3, Albemarle Way, London EC1V 4JB
enquiries@soundtect.com
www.soundtect.com
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LUXURY TAKEN TO NEW HEIGHTS Hirsch Bedner Associates (HBA) has recently completed the design of the highly-anticipated JW Marriot Marquis Hotel Shanghai Pudong.
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eing the fourth JW Marriot property bestowed with the title of ‘Marquis’ in the world after Miami, Dubai and Doha, JW Marriot Marquis Shanghai continues to offer exceptional sophistication across the highest level of technology, comfort and design. Leveraging the hotel’s unique location adjacent to the Huangpu River, HBA infuses the concept of flowing water into the interior design, bringing the guests onto a calming and immersive journey back to nature.
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An awe-inspiring atrium lobby
The guests begin their journeys from the atrium lobby, which is designed as a cosy harbour where vessels dock, mingle and gather. The layout of functional spaces in the curved lobby traces the lines of ripples as though formed by throwing stones into the river at random. The atrium with a 60m-high ceiling is shaped like an ‘A’ and looks like a ship docking at the Huang Pu River from a distance. Each counter is presented 1 2
in the form of a geometric sculpture, and the simple and clean furniture, each with a clean-cut exterior, are like vessels of different sizes gliding on the river. The full-height windows running through the atrium bring in natural light and forms shadow within the interior, with the spectacular scenery of Huangpu River and Shanghai Bund in sight. Following the circulation flow at the atrium’s principal cross axis, the guests can enter the tea lounge on the left or the lift lobby on the right for their next destinations.
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The guests begin t the atrium lobby, as a cosy harbo dock, mingle
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their journeys from which is designed our where vessels e and gather
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Luxurious lift lobby
The double-volume space on the lift lobby is enclosed by a wall-to-wall frame, allowing guests to have the experience of an explorer crossing the river and passing through each threshold at the harbour. The artwork pattern on the backlit glass walls on both sides of the lift lobby are like fleeting skyline silhouettes on two sides of the riverbank. As guests walk into the lift car, the exquisite themed 3D art relief pattern comes into view, and the ingenious design presents the expansive Huangpu river scenery.
Delightful tea lounge
The tea lounge, designed as a garden on the riverbank, serves as a tranquil oasis for the busy guests. The space and layouts are set up based on platforms in different heights to resemble the stretch of a naturally rolling riverbank, creating rich spatial layers while providing an unobstructed view to every guest. The use of flowing water, warm ceramic art and natural wood, the highlights of artworks surrounding tea history specially curated for the space, and the design of the carpet resembling green and a luscious outdoor lawn form a natural space that harmoniously blends with the outdoor terrace, melting away the boundaries of internal and external space.
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Bask in the ballroom
The two ballrooms, Junior Marquis and Grand Marquis, are located on the first and third floor, and both carry on the concept of flowing water. The pre-function of Grand Marquis features an artistic white wall design that is enriched with a myriad of layers. While the design looks simple and sharp from a distance, it gives the guests a deeper sense of visual allure when they look closer. The wall depicts the relief on both sides of riverbanks, exemplifying the stories behind the evolution of Shanghai’s cultural history. The artistic background wall is combined with the vast clear glass curtain wall coupled with the distant view of the Huangpu River. At the same time, it resonates with the water-patterned carpet, bringing the guests an interesting experience of shuttling in the river. The ballroom is another highlight of the guest’s journey. The transparent crystal lightings of different heights are randomly placed alongside the intricate artwork framing elements to form the ceiling design. The overall ceiling design is like a dynamic expression of the river with shimmering aesthetics, complemented by the carpet featuring water patterns that resembles the sunset. The overall ballroom design is unobtrusive, fresh and simple, and the focus is naturally placed on the theme of a joyous gathering, bringing out the star qualities and dazzling brilliance of the guests.
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The epitome of rejuvenation
The hotel also provides a full-serviced spa and an infinity pool that offers full relaxation and rejuvenation to busy guests. The unique design of the infinity pool creates a visual experience of a waterfall pouring down and flowing into the Huangpu River outside. Looking out from the window within the floating pavilion, the guests are delighted by a vividly realised painting of the river view. In addition to extending the concept of the frame, the spa area creates a warm, natural and shimmering lighting effect with the use of transparent water ripple-effect textured and bubble glass.
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Be our guest
As if passing through the river as the sun sets, the guests arrive at the last destination of their journey through the thoughtfully designed guest room corridor. The play of lights and shadows on both sides of the corridor is achieved through the watertextured wall sconce and a carved floral-pattern lattice detail insets on the ceiling, like the architectural depiction of sights on the banks of the Huangpu River at first light. The guest room is elegantly styled with a beige colour and rippling patterned carpet that corresponds to the shimmering waters of the Huangpu River as seen through the windows, perfectly encapsulating the visual extension where the indoor and outdoor becomes one. The accent colours on marble, fabric, wood and glass throughout recreate the comforts found at home. Sitting on the lounge chair against the full-width curtain wall, guests can enjoy the panoramic scenic view and experience the present moment at the fullest. hba.com
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HOW HAS HOME TECHNOLOGY INTEGRATION CHANGED IN RECENT YEARS?
The focus on providing services in residential construction has been increasing for many years. Central heating, once considered a luxury, is now a standard feature in almost all new homes, explains CEDIA member, Jools Browning from BrownHen Solutions.
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he increasing reliance on a good connection to the internet (e.g. for streaming music, watching on-demand TV or working from home) and the increasing numbers of ‘smart’ gadgets that are catching the eye of homeowners means that integrating some level of home technology is increasingly considered for new builds and renovations. Ideally, the infrastructure that supports home technology integration should be included in the same way
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that other services, such as electrics and plumbing are. A combination of more financially accessible solutions and an increase in awareness is helping to change the perception that it is only for the rich and famous. One example is in the area of intelligent lighting where ‘smart’ bulbs available from Amazon has brought awareness, and industry leaders such as Lutron have introduced an affordable professional solution with their RA2 Select product. 2 4
What are the most popular client requests, and how has this changed?
One of the most noticeable trends is the increasing take-up of intelligent shading, e.g. roller blinds, roman blinds, curtains, etc. Every homeowner needs some sort of shading for their windows/doors. The benefits are numerous, such as saving energy by keeping rooms cool in the summer and warm in the winter, improving security by simulating occupancy, and helping safety by not needing window blind cords (which can be a strangle risk to babies and small children). These benefits, along with the wide selection of options available and competitive price points, make a compelling case for many people.
Interior design and technology should not be kept separate and need to be considered together at the earliest possible stage in the project. This really means engaging a CEDIA-certified home technology integrator well before the build starts, as customer home technology choices can influence even the most basic build and design aspects. A good home technology integrator can massively contribute to achieving that perfect interior. For example, by effectively controlling natural and artificial light, by hiding technology – whether that be the TV, speakers, the heating controls, etc. – to make the most of the interior design. The worst possible scenario is for a room to have the perfect interior design ruined by the late addition of technology, including any associated unsightly cables. In the same way that a homeowner would review paint or fabric samples, it is important to review various options for user controls with them to ensure that it will meet both their aesthetic and functional needs. There are many options to choose from, and it is a critical element to allow the homeowner to maximise their enjoyment from their home technology. Voice-controlled smart speakers such as Amazon Echo and Google Home are also enjoying huge growth and are likely to play an increasing role in controlling the technology in our homes, albeit in conjunction with other more traditional user interfaces such as touchscreens, keypads, and even the humble handheld remote control.
To fulfil this request, what products/systems would you recommend people prioritise on a budget?
It is quite possible to install key elements that many homeowners would like in a modest-sized home for around the ÂŁ25,000 mark. For example, reliable high-performing Wi-Fi, multiroom audio in a few key rooms, heating integration, simplifying control of
their home technology, and achieving all of this with a future-ready cable infrastructure and an aesthetically pleasing manner may be possible with this budget. Like in many consumer sectors, as the budget increases, it certainly allows greater scope (more rooms and/ or capability), as well as more advanced and higher quality solutions. With the right design and approach, a homeowner can stage their implementation as their budget allows or as their appetite grows for greater technology integration. 2 5
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What are your top tips for room layout and integrating technology with interior design?
Who can designers turn to for home technology advice?
It is important to get specialist advice, so the most valuable step to take would be to contact a CEDIAcertified integrator to help advise on your project. A key aspect of their advice will be to install the right cable infrastructure, as installation of future cables can cost much more and cause unwelcome disruption to the home. Getting this right, on the other hand, provides the homeowner with the flexibility to help meet both current and future needs, supporting changes to the way they use technology as well as the technology itself. cedia.org I N E X
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R IVE R L I N E A perfect choice for almost every location! 12 Hay Hill, Mayfair, London, W1J 8NR, United Kingdom
T 0162 253 4041 E info@itcnaturalluxuryflooring.com W www.itcnaturalluxuryflooring.com
I N S I G H T
FACING FINANCIAL DOWNTURNS This month, Inex talks to BIID President-Elect and Independent Design Consultant, Lester Bennett, about the difficulties experienced working in the industry and how he’s prospered in the face of three recessions.
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Aside from the obvious job losses and profit drops, in your experience, how have previous recessions influenced the interior industry?
Before I answer, I’d like to preface this discussion by saying that I am no great businessman or entrepreneur. I’ve never made vast amounts of money or been hugely profitable. Still, I have managed to give employment to a few dozen staff over the years, earn a reasonable living and have kept going throughout it all, avoiding bankruptcy and liquidation. I do not have expertise or authority, financially or otherwise, apart from having experience of working through these downturns – both as a principal and partner of a practice – and for several years as a client in large-scale residential development. In answer to the question, I think the initial impact each time has been to heighten awareness of exposure, i.e. practices running with large overheads and allowing clients to run up debt, all seemingly covered on the balance sheet until a client defaults. This awareness helps to create a cautionary approach for a practice principal or partner – something not always evident when times are good. Also, I think suppliers have been made more acutely aware of exposure and, as a result, are now avoid tying up too much capital in holding stock – often manufacturing as required. We now find lead times for fabrics and furniture are usually in the 10- to 16-week zone, which I certainly didn’t experience in the early ‘80s, for example. In the ‘80s and ‘90s, I had been involved in the retail and residential sector, and after the 1989/92 recession, I noticed a sharp decrease in the length of our design programmes. Retail clients didn’t want to commit to designs being worked on prior to leases being signed. Plus, they didn’t want any time to lapse before fit-out after the lease had been signed. Time and money were tight, with all-nighters and weekend working a given! At the time of an economic downturn; pipelines diminish and major clients in development – commercial or retail – may either abandon projects or put them on hold, depending on their financial standing. Furthermore, private clients often take stock, concerned about the impact on their own future income. In such a way, a full order book of commissions can disappear disturbingly fast. I N E X
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Having experienced three economic downturns, what recession would you say hit the hardest, and what strategies did you follow to succeed? By far, the worst was the 1989/92 recession. I had a practice of around eight people involved in several residential projects and two large commercial projects – one, a privately funded school and another, a sports and leisure facility. It was these two large projects which caused me the greatest hardship. At the time, I had received bad advice from my then accountant (beware!), who suggested I use an overdraft facility as the cheapest way of borrowing money. Fine; until things go wrong (banks are often the first to pull the rug from underneath you). As the recession took hold, bank interest rates climbed – alarmingly until they were in the 17% mark – and property values dived as did our clients’ equities in their respective projects. We were running 30-day invoicing, so two months of solid design work could be done before we expected payment, and if payment was late, we were into the third month before realising there might be a problem. When this happens on two large projects that use most of your design team resource, it’s not difficult to visualise the outcome...Exposure. Also, we had placed orders for clients on our trade accounts, and although we traded transparently, in some instances, clients’ orders were only invoiced to them monthly...Exposure. When the inevitable happened, and both clients went into receivership, there was a total of somewhere in the region of six months of fees outstanding. It’s very difficult to withstand the financial impact of that in a small practice, particularly as this all happened in the very same week. So, exposure to creditors, suppliers, lease, bank, tax and VAT. 2 9
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Strategies
To a degree, some of this was flying by the seat of my pants, luck and good advice from my – by this time – new accountant. 1. The advice from my accountant was to act quickly and reduce my overheads. This meant, sadly, letting staff go. All fully paid up, holiday pay, bonuses, redundancy, etc., paying off the overdraft and any VAT to date (I had put some capital away, to do something nice with, but fortunately this was sufficient to deal with most of the above. Tax was deferred). 2. Next came the trade creditors, all but one accepted my proposal to pay them back monthly over a period of time, some amounted to years (in all, it took me three years to pay everyone back). 3. We then ran the practice by bookkeeping on a daily basis until we reached some sort of stability. 4. To reduce further risk, all suppliers’ orders were now on a proforma basis with me acting as the agent and client; either paying direct or into a client account at the time of order.
These are the lessons I learned: 1. Don’t panic! Bounce back and deliver.
If you don’t deliver, you don’t earn, and also you don’t get referrals. It becomes a downward spiral. 2. Make quick decisions to reduce costs, don’t try to hang on to everything as the costs will just build and could end up in the loss of your business. Obviously, keep key, loyal staff if you can and be open with them. If they understand the situation, it’s much more likely they will try to work with you to help in some way. 3. Do deals with creditors as soon as you know there is a problem. Be honest with them; they would rather get their money over a period of time than lose it altogether. I was also successful, and lucky, in re-assigning my office lease; otherwise, that would have been another 10 years of anxiety. 4. Try to maintain a reserve fund for such occasions as this. 5. Get advice from accountants and lawyers as they will typically have experience of this situation. 6. Diversify. A ‘can-do’ mentality will widen your scope for future work, e.g. if you are in retail design, try offices or residential. 7. Finally, be positive. No one owes you a living, be resilient and move forward; we’re all in this together. I N E X
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One other thing that became apparent, and was undoubtedly crucial in helping me survive this recession, was good client relationships. If you have built up strong client relationships, with trust and transparency at the core, then they may well help in finding work for you. I had several clients contact me when they knew I was in trouble and managed to find little jobs that needed doing – enough to keep the wolf from the door and help me build back up again.
Were there any ways in which previous economic downturns made the industry stronger in past years?
As I mentioned before, I think for many of us there was a lesson in what exposure meant and that as a result, being conscious of it, we are much more careful in our business practices to minimise such risk. I’m sure too that suppliers and contractors also revised their T&Cs and other areas of their business to reduce risk. I also think, certainly during the recovery period in the ‘90s, that there was greater restraint with less excess both in terms of design solutions and corporate entertainment. As a result, I believe it increased our ability to create more considered design solutions along with a greater focus on client service – partly as a result of a competition to win commissions. Although we’re not quite there yet, I also believe that at the same time it engendered greater financial transparency in terms of supplying goods to our clients – something the BIID is striving for within our profession. A final thought as to how our industry has strengthened is to take a look at the massive growth of online services to our industry – from suppliers of goods to educational resources. The downturn made suppliers look for other, less expensive ways than showrooms and costly advertising to reach their market. Online was the solution, enabling smaller, less-well-financed businesses to come into the marketplace; giving designers an even greater choice.
If the UK were to head into a recession, what would you say is the biggest hurdle facing today’s interior designers?
To state the obvious, either losing commissions or having them placed on hold and even if that hurdle is crossed, there is the very high chance of a lack of future work. As in any business, not knowing where the next penny is coming from is a tough situation to manage. I think all other issues can be dealt with operationally, but without fee income, these things are meaningless. 3 0
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Are there any tips you’d offer to practices to recession-proof their businesses?
I would say, be resilient and diversify if possible. Ensure you don’t overstretch yourself financially – even in the good times – be prudent and put some capital aside, if possible, to cover any bad debt, VAT, rent, overdraft, etc. should the worst happen. From my experience as a client (Design Director in a development company), the financial crisis of 2008 meant funding was no longer available for most of our projects. As my position suddenly became untenable, I needed to reinvent myself as a consultant once more. Maintaining old contacts, and new, throughout my period as a client was also instrumental in enabling me to find work. So, being flexible and having a positive outlook are attributes I would recommend acquiring.
Amidst rumours of the UK edging towards another recession, how do you predict the interiors industry to perform in the future?
I have talked with several designers and suppliers over the last few months, and everyone seems very busy. That said, things take a while to filter through to our profession, so it is difficult to tell if this will sustain. However, there are a lot of tower cranes around London at the moment – a good indicator that things are moving forward. I was speaking to a developer last week who has a scheme of over a thousand units, completing in 2023. Plus, as I said in Inex’s previous article, I think we have the greatest designers and suppliers in the world, and by being positive, we will succeed regardless. biid.org.uk
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PANTONE’S CLASSIC BLUE Following the announcement of Pantone’s 2020 ‘Color of the Year’ last year, Inex has pulled together a series of the latest Classic Bluethemed design accessories on the marketplace suitable for luxury residential or commercial interior design schemes.
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KEY: 01: Alveare Bar Stool Brass in Ink Blue, MY Furniture, £299.99
02: Atom Blue, NODUS, £POA
03: Paipai Chair in Marine Blue Velvet Portrait, Ligne Roset, £POA
04: Mathy by Bols
Treehouse Single Cabin Bed, Cuckooland, £1795
05: Velvet Hugo Armchair in Classic Blue, Pepper Sq, £789
06: Monochrome Blue Console, Boca do Lobo, £POA
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16 KEY: 07: Lula Silk lamp,
WINDFALL €2434 + VAT
08: Atomic Suspension in Dark Blue, DelightFULL, £POA
09: Tribeca Table Lamp, Boca do Lobo, £POA
10: Mademoiselle Armoire, KOKET, £POA
11: Clockwork,
EXTO, €11,600 + VAT
12: Blue and Gold Scofield Floor Lamp, DelightFULL, £POA
13: Oceana coral sculpture, Sweetpea & Willow, £90
14: Classic Blue BALTIC Rug II,
Brabbu Design Forces, £POA
15: Beres Entertainment Unit, Sweetpea & Willow, £1680
16: One Stroke Blue rug, NODUS, €4600 + VAT
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escribed by the colour authority as “timeless” and “enduring” and “instilling calm, confidence, and connection”, Classic Blue is comparable to a more organic hue seen in the night sky. While using the Classic Blue colour in generous amounts can create a dramatic effect, with colour-on-colour schemes and floor-to-ceiling painted walls, the simple shade also provides a fitting accent colour for more paredback interiors. Whether used as a colourway for upholstered accessories such as loveseats, bar stools and chaise lounges or scattered in the form of smaller accessories, Classic Blue is the ideal colour for both vibrant and energetic briefs and projects requiring a more diluted, calm ambience. pantone.com
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“We are living in a time that requires trust and faith. It is this kind of constancy and confidence that is expressed by PANTONE 19-4052 Classic Blue, a solid and dependable blue hue we can always rely on. Imbued with deep resonance, Classic Blue provides an anchoring foundation. A boundless blue evocative of the vast and infinite evening sky, Classic Blue encourages us to look beyond the obvious to expand our thinking...” – LEATRICE EISEMAN Executive Director, The Pantone Color Institute
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In Chengdu, a capital city in southwestern China known for its laid-back lifestyle, sits Creddie Workshop – a cocktail R&D workshop and bar.
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or Creddie Workshop, the client’s preference and rich experience as a bartender convinced the designer to create an innovative scheme in which the bar is converted from a daytime creative cocktail workshop into a nighttime cosy and styled bar. Creddie Workshop, which aims to test and develop numerous possibilities of making cocktails with different ingredients, is located within the front of house area. Inside, an open bar area with sliding windows breaks barriers for any passersby. Meanwhile, warm yellow lights and comfortable seating encourage people to walk inside, explore the mystery of cocktail making and become tasting volunteers of new drink recipes.
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Creddie Workshop also provides consultancies, drink menu development and personnel training for other bars and staff in the city. The ‘Tasting Room’ is hidden behind the workshop, which is accessible through a back passage and a cabin door. Simple designs with raw materials of bamboo, stones and a wooden floor emphasises the spirit of cocktail making with quality organic ingredients – this enriches customers’ inherent experiences and improves tasting satisfaction. In this workshop and bar, every glass of drink has its own ‘ID card’ that marks the recipe and research and development notes from the bartender. The warm light setting and solid wood textures are well-matched in harmony. Bamboo weaving, a local art format in Chengdu, is delicately set with the chairs’ backrests, wall decoration and lightbox. More surprisingly, bamboo weavings scatter light on the floor and walls, which builds up a magic lighting atmosphere within the space. A transition of space between the public bar area and intimate space is achieved through a curved wall. Elaborate seating areas allow guests to drink and chat with enough space between each table and chair. Unfixed tables and chairs facilitate the extending of open space for social events.
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STAIRWAY OF SIMPLICITY In the Scottish borders lies a country house that recently underwent a complete top to bottom renovation led by Boydell Architecture based in Galashiels, 30 miles south of Edinburgh.
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he client, architects and interior designer contacted specialists at Ian Knapper to create a statement solid stone staircase that was befitting the history and grandeur of the building and to set the tone for the rest of the building as you enter the hallway – yet the project had a twist. The overall design required the bottom section of the staircase to seamlessly float out into the room, spanning a stairwell that leads to the basement below. “The challenge had been set; it was now down to our team of specialist masons to find the solution,� commented a representative at Ian Knapper.
Making stone fly
The first challenge was the floating section which had to be self-supporting over a span of 2.5m from the centre of the room to the far wall, a distance covered by four treads weighing approximately 250kg each. The solution took inspiration from master masons from thousands of years ago with a sweeping curved arch supporting the structure and linking the floating treads to those set into the walls as they continued up the building. The arch was vital in providing the strength needed at the bottom of the stairs. The arched solution also allowed the stair to sweep around to create one continuous curve ascending the building creating a seamless transition between sections.
Made to be strong, yet elegant
As with any statement masonry project, the choice of stone is key. With hundreds of colours, tones, textures, properties and additional features like shell markings adding interest, it is an important consideration. Discussions led to the team sourcing a high-grade Moleanos limestone, a stone that was consistent in colour and as featureless as possible in order to complement both the building and the desired design. I N E X
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“The range of accessible stone available is now huge, even compared to 10 years ago. Moleanos is a Portuguese limestone with light beige coloured background and a slight greyish tonality due to the fossiling,” commented a representative at Ian Knapper.
History, tradition and heritage
It was vital that this project remained faithful to the building. The joint team from Ian Knapper, Boydell Architecture and the client chose a traditional Modillion profile that complemented the building’s history including an elegant-shaped underside only possible on a solid stone stair adding further presence to hall’s centrepiece. As with every project, the team of masons working on the project hand-finished each tread using skills and techniques that stretch back to one of the oldest known professions.
Personalising the project
The client and interior designer also wanted the project to not only be in keeping with the building’s design but also subtly reference the client’s Yorkshire heritage. As a nod to the owner’s roots, Ian Knapper’s masons carved a Yorkshire rose on the underside of the first-floor landing slab – a permanent reminder and reference to the owners, and a fitting symbol of its new lease of life.
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“Every project is personal to the owners and designers we work with; however, I feel it’s even more pertinent when we can include a personal statement – the carved Yorkshire Rose in this case, which enhances the overall design and helps tell the next chapter of the building’s history,” commented a representative at Ian Knapper.
The result
Throughout the project, Ian Knapper worked closely with the project’s clients, architect and interior designer to produce a truly unique feature for the hallway of this grand Scottish Borders country house. The floating arched section added both drama and function as it soars over the entrance to the basement, sweeping around in a curve to ascend to the first floor. “There is no denying the impact and gravity of the finished staircase as you enter the building which stands as a solid stone sculpture rising from the floor drawing your gaze up through the building,” commented a representative at Ian Knapper. The client concluded: “Ian and Amanda could not have been more helpful, knowledgeable or professional – they took our brief and created it, did everything they said they would, on time and without a hitch. I would not hesitate to recommend them to anyone wanting a beautiful staircase that will go on being loved and admired for many, many years.” ianknapper.com
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WELCOME TO THE HOUSE OF FUN... Originally built in 1978, this townhouse required significant renovations, which resulted in a decision to gut the house and largely start over.
Andrew Curtis, Architect at RobitailleCurtis
A net ‘floor’ allows any void space to become a dramatic play surface I N E X
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he clients, a young family, wanted updated modern finishes, unique design features and an open convivial layout with the ability to close off space so their Great Danes and cats could be kept out of the kitchen and living room. The project’s primary material palette needed to be durable and low maintenance. RobitailleCurtis’ design highlights the dramatic vertical and horizontal axis of the home. On the ground floor, the linear hearth and views across the atrium and kitchen terminate at the new garden window wall. The vertical axis is highlighted by the two-storey bookcase and vertical grain Douglas fir slats. The material palette of Douglas fir slats, polished concrete floors and white lacquered millwork achieve brightness, warmth, durability and sleek minimal design. Concealed floorto-ceiling pocket doors and stainless-steel mesh curtains provide flexible separation. A net ‘floor’ replaces the need for guardrails at the top of the expanded atrium and serves as a unique play surface on the third floor where the children’s rooms are located.
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At the main living level, the kitchen has been relocated from the front of the home to the rear where it now enjoys more open space and daylight in its position adjacent a window wall with views to a newly designed garden. A carefully detailed millwork ‘cube’ is a primary organising element of the ground floor plan. It is a nicely proportioned object that orients movement through space as it separates the living room from the atrium and kitchen. The ‘cube’ contains two concealed glass pocket doors that enable the living room to be closed off. It also conceals a coat closet at the main entrance of the home and hides a discreet ‘powder room’. At the ground floor level and up through the atrium and central staircase, vertical grain Douglas fir slats provide screened views through the home and eliminate the necessity for guardrails. Douglas fir, concrete floors and white lacquered millwork combine to create a crisp, clean and warm material palette. At the third floor level, a net ‘floor’ has been installed at the top of the atrium allowing the void space to become a dramatic play surface adjacent to the kids’ bedrooms. The use of a net in this location precludes the need for guardrails and opens the floor plan to unimpeded views to and from the third floor. robitaillecurtis.com
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How will wellbeing and sustainability be implemented in the next generation of workplace schemes? Interior Designer and Co-Founder of Uncommon, Tania Adir, investigates.
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o-working spaces, serviced or managed offices and incubators are all part of a revolution in the traditional property supply chain. These models are less corporate in style and sentiment and are, in part, a response to the proliferation of the tech, online and creative sectors. While small firms are benefiting from the changes, larger firms are also adopting a more flexible approach to space procurement.
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With flexibility, occupiers don’t need to be tied to a workspace that isn’t boosting productivity. As wellness rides up the corporate agenda, more and more occupiers will be switching to wellbeing enabled buildings. The benefits of a healthy and happy workforce are unparalleled, and that is something many employers are investing in. At Uncommon, we believe that a healthy and happy workforce is also a more 6 6
productive one. The office is also evolving into an actively curated environment, managed like a hotel rather than a traditional office, with a high level of service and experience for members, or guests. Wellness is deeply rooted within our space planning and was one of the reasons we decided to delve into the topic in more depth, with the production of a research report. The report, titled ‘Wellbeing Works’,
S U S T A I N A B I L I T Y & W E L L B E I N G
examined how wellbeing needs to be at the heart of workplace planning and the impact this has on our health, happiness and productivity. The report found that 92% of occupiers have a preference for wellness-enabled buildings, 74% of UK employees feel their workplaces do not have sufficient spaces for relaxation, and people working in enriched spaces (decorated with art or plants) are 17% more productive than those in lean spaces.
Humans react positively to surroundings, scent, lighting and physical activity, which is why at Uncommon, we strive to deliver a holistic and mindful experience, which provides a more harmonious space to work in. Everything from lighting and sound, to increased oxygen levels produced by biophilia in the workspace, to the ergonomics of office furniture and accessibility to fitness and wellbeing facilities will contribute to creativity and productivity in the 6 7
working environment. I’ve spent almost a decade researching wellbeing in the workspace through design, scent, lighting, sound and aesthetics, and at Uncommon, I believe we’ve created a model for the workspace of the future. Our members report back to us that being based at Uncommon has a direct impact on the performance of their businesses, and that the design and facilities keep their employees happy and motivated. I N E X
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Our research revealed that high ceilings give people a sense of intimidation and insignificance, provoking a sense of vulnerability, whereas spaces with lower ceilings or exposed details such as hanging lighting, ornaments and beams create a sense of security and importance; thus, productivity levels rise. We use the principles of activity-based working, a method that suggests different activities require different environments. Under this, we have designed a range of spaces suited to the diverse work activities required by our members, including relaxed lounge areas, private desks, bookable meeting rooms, quiet floors and a well studio, where members can relax, unwind or energise. 78% of our members agree that having these separate spaces positively impacts their productivity and wellness, and our research shows that 40% of office workers do not feel their office enables them to work productively. The concepts of lighting, sound and scent are integral to our spaces. Scientists have researched how the smell of a space influences the way we think and behave, and air quality has a significant impact on health, wellbeing and productivity. The relationship between ventilation, temperature and humidity is particularly significant. There is a basic human preference for natural lighting over artificial and a link with improved productivity, and is crucial to supporting our circadian rhythms, and, therefore, every single one of our offices has large windows and natural light. When surveyed, 55% of our members agreed that F E B R U A R Y
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natural light is a leading factor when selecting an office space, and this ranked higher than factors such as flexibility and size of space. In terms of ventilation and air quality, we have installed over 1000 living plants across our spaces, helping to filter the air and set a more relaxed, less corporate environment. As humans, we have a deeprooted desire to connect with nature, so incorporating biophilic design in the office can enhance productivity and performance by promoting calm and relaxation. Whilst these factors all contribute to the mental state of an employee, a space to exert the body physically and release endorphins is just as important to the contribution of wellbeing in the workspace. Our newest workspace, Uncommon in Liverpool Street, has a well studio complete with two Peloton bikes for members to relax, unwind and let off some steam. A roof terrace provides much-needed outdoor space, and we have four meditation pods, providing a quiet environment for meditation or just relaxing with a podcast. We’re currently working on the plans for what will be the largest of our workspaces, a new site in Holborn opening in 2021. This 150,000ft2 building will be Uncommon’s flagship site, providing workspace for over 2000 people and bringing our wellness-focused design to midtown. As with our other locations, the focus will be on wellbeing and biophilic design, and we are aiming to achieve WELL Building ‘Platinum’ certification. This global building standard is designed to enhance people’s health and wellness through the built environment.
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The WELL standard is changing the way the industry thinks about having a positive impact on the people working in office buildings. It’s grounded in evidence-based research exploring the connection between the buildings we spend a lot of our life in, and the health and wellness impacts on us as occupants of these buildings. Key features that will contribute towards this rigorous certification include healthy catering for our members, biophilia, filtered water available throughout the building, low-VOC furniture, fixtures and finishes to maintain healthy indoor air quality levels, a range of spaces to meet the different needs of people, and highquality base build features including fresh air rates and acoustic performance. We’ve already had a lot of interest expressed by large occupiers in pursuit of creating their perfect HQ in order to attract best-in-class talent and elevate their company office experience, which I feel is a sure sign of the shift towards our style of workspace wellbeing.
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Sustainability has also become a major consideration globally, and there is plenty we can do in the workspace to contribute. At Uncommon, our sustainable efforts are systemic, with 0% waste going to landfill, 100% green energy, A+ rated heating and cooling equipment, sun-reflecting glass and blinds, low voltage light fittings and sensor lighting throughout the building. There are also the little touches; for example, our Wi-Fi and cafe loyalty cards are made of recycled cotton t-shirts. Over the years, the workplace agenda has moved from efficiency to effectiveness, attractiveness and now the wellness of workers. The fact that 92% of occupiers now have a preference for wellnessenabled buildings shows the importance of caring for workers’ mental and physical wellbeing. This is a trend we expect to increase dramatically over the next few years, as companies start to mark wellness as an operational priority. uncommon.co.uk
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LUXURY LIVING
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Oksana Salberg-Vachnadze from the prestigious O2 Design Moscow Studio was approached by a married couple, with a teenage daughter, to decorate their apartment in a prestigious residential complex in Moscow, near the Sokolniki Park. Here, Inex takes you on a guided tour of the residence.
he homeowners sought an interior that featured a modern and respectable style with a monochrome palette and a splash of colour. By following this brief, the designer managed to bring this interior – with its striking colour palette, stylish furniture and impressive contemporary artwork – to life. This is where the luxurious and striking furniture, upholstery, lighting and accessories from
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COVET HOUSE – with brands such as BOCA DO LOBO, DELIGHTFULL, BRABBU, KOKET, MAISON VALENTINA, CIRCU, LUXXU, ESSENTIAL HOME, RUG’SOCIETY, PULLCAST and FOOGO – struck gold and perfectly complemented every detail of the overall aesthetic and architecture of the apartment. 7 6
A Neoclassical style and a white colour palette served as the starting point of this interior. White cornice mouldings create a beautiful contrast with the colourful modern furniture and add a particular cultural context. The apartment’s logical and straightforward floorplan consists of three rooms; one large living room and a space that combines the kitchen and dining room, as well as two bedrooms – one master and the child’s room.
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The living area
In the living room, the colour scheme features bright accents against a white background. The stylish rug – with its stone-inspired print – links the apartment’s furniture; the sofa, a bright yellow armchair and the coffee table – with an openwork metal base and tempered smoked glass resting on the polished stainless-steel base. This refined yet straightforward piece from BOCA DO LOBO is evocative of a fine jewellery-like piece and blends a particular delicacy with its strong contrasting character. Also with the retro appeal is the Duke floor lamp from DELIGHTFUL. This standing lamp pays tribute to Jazz Musician Duke Ellington with its retro styling – its brass arms and white shades drape on the sides to shine a light on this refined interior.
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The dining area
Next to the living area, is the equally masterful dining room. A perfect symbiosis of styles and colours, the single space is divided into two areas by a console with Art Deco-themed table lamps. Here, an unusual chandelier, contemporary artwork and velvet curtains create an atmosphere of aristocratic chic. The Botti chandelier is the perfect Mid-Century lighting design, inspired by the American trumpet player as a tribute to jazz music. With a structure handmade in brass and boasting a sophisticated gold-plated finish, this modern ceiling light showcases the highquality craftsmanship – a perfect match for the Art Deco table lamps.
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Wall and ceiling mouldings and herringbone parquet flooring are inspired by the Paris impressions. A Venetian mirror and contemporary console are one of the examples of how effortlessly objects coexist in this interior. The handmade mirror is produced in a rare, almost lost technique of mirror carving. This piece is unique and can be passed down to the next generations. The Sinuous Patina Console from BOCA DO LOBO creates a luxurious environment. Sinuous lines draw the elegant character of this console. With a handcrafted structure in mahogany, a high-gloss black lacquer finish and top coated in polished brass, this is the perfect final touch to the dining room. A convenient ergonomic kitchen with an island is stylistically and colour neutral. It has deliberately been designed as a more discrete, open-plan space with a bright accent yellow colourway.
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Halls and corridors
Within the entrance hall, sloped walls are finished with mirrors, which enhances the light and airy aesthetic of the space. A bespoke Galliano Wall Lamp from DELIGHTFULL acts as a centrepiece within the hall. The minimalist style of the lamps fit seamlessly with the geometric patterns of the artwork. Manufactured in iron, the Galliano lamp produces a unique lighting effect when the light is being cast through its pipes. The corridor separates the private and common rooms of the apartment. The white colour palette and wall mouldings here make the space visually bigger – however, the space is broken up by the Brubeck wall lamp from DELIGHTFULL. This luxurious wall sconce is a statement piece on its own, shining by its own and breaking free from the white walls.
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Bedrooms and bathrooms
In the bedroom, a lightweight hexagonal lamp accentuates the shape of the bay window. Within this window is a tea table with armchairs – the colour of which matches the hue of the walls to make the room appear more spacious. Moving on to the bathroom, the space is designed with a deliberate luxury feel with marble panels, a black freestanding bathtub and a contrasting black and white floor pattern. The unique marble pattern in the bathroom resembles the river current, while copper and gold accessories complete the picture. covethouse.eu
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THE GEBERIT WASHROOM
RESHAPING THE HOTEL GUESTROOM
As the trend for selling experiences and creating an escapism for hotel guests continues, so too does the value of creating a unique, positive guest experience to help build stronger memories and ensure guests keep coming back. In the latest White Paper report from Geberit, we explore the latest trends and the challenges they collectively pose as they shape the way in which designers approach hotel washroom projects. Download the latest White Paper report from Geberit at geberit.co.uk/science
S P O T L I G H T P R O D U C T
Product Spotlight This month’s selection of innovative new products not to be missed. ImageŠ Troldekt
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SOUNDING OUT 1950S DESIGN An intriguing new Milan-styled Italian cafe has opened on Essex Road, Islington, designed by well-known Italian studio Vudafieri-Saverino Partners.
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he 240m2 ‘Latteria’ is inspired by Milanese culture and style with a warm and informal atmosphere in white and red. This is complemented by Troldtekt wood-wool panels on the ceiling painted white to blend in and used to soften the acoustics and reduce background noise. Troldtekt panels are frequently used in this kind of open-plan environment to combat noise generated by the kitchen machinery, staff and customers which is exacerbated by bouncing off the hard surfaces. This is particularly true in this project where the design harks back to the
1950s and features an open-plan kitchen coupled with hard surface lacquers and laminates, polished and satin-finished steel, tiled walls and marble floors. Troldtekt’s acoustic panels absorb both direct and reverberated sound. They help to strike the balance between a lively and welcoming environment and an experience where the venue is uncomfortably loud. This is important because a customer’s comfort and a willingness to spend time and money is decreased in a noisy environment. Specified throughout the UK and Europe, the benefits of 100%
Troldtekt natural wood-wool panels include high sound absorption, high durability, natural breathability, low-cost lifecycle performance and sustainability. This high-performance is recognised by its Cradle to Cradle certification at ‘Silver’ level. Available in various sizes and in four grades, from extreme fine to coarse, the panels can be left untreated or painted in virtually any RAL colour. troldtekt.co.uk 01978 664255 info@troldtekt.co.uk
REVIVE INTERIOR JOINERY WITH OSMO UK DOOR-OIL RAW Osmo UK, the ecofriendly wood and finishes specialist, has introduced a new finish to its Door-Oil range, 3033 Raw Matt, which is designed to protect and enhance light-coloured wood, without leaving behind a wet-look appearance. Developed from natural oils and waxes, Osmo Door-Oil Raw has been specially formulated to protect interior wooden doors and joinery. The finish works by penetrating the wooden surface – which remains microporous – to leave a high-quality, durable finish that does not crack, flake, peel or blister. The long-lasting finish also works to prevent shrinkage and swelling, by stopping the wood’s fibres from becoming dry and brittle. Visit the below website for stockist details.
DINE IN STYLE WITH AFTERNOON TEA ON A KÖNIGSTONE WORKTOP When homeowners have spent money making their house into a home, it makes sense to make the most of it. That’s why Königstone, the champion of engineered quartz and natural stone worktops, has pulled together a recipe to enable homeowners to invite friends over and enjoy afternoon tea at home. Königstone’s worktops are scratch-, stain- and heatresistant and are incredibly easy to clean, creating the perfect surface in the home for baking. Get the recipe and a handy go-to customer care guide on the Königstone website, which explains all about taking care of a KönigQaurtz or König Naturals surface. konigstone.co.uk 0333 577 2903 info@konigstone.co.uk I N E X
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osmouk.com 01296 481220 9 6
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BLANCO UK’S NEW QUATRUS SINK FOR MAXIMUM BOWL AND CABINET SPACE
New to the popular Pescara tap family is the XL pulldown model, combining high functionality with an elegant, modern design. Standing taller than average at 500mm high and with a slim 46mm tap body, Pescara Pull Down XL features a graceful spout that rotates a full 360˚ and includes a pull-out spray with an integrated rocker switch to easily adjust the water flow from a powerful needle spray to a straight aerated stream, offering a convenient way of rinsing and cleaning at the sink space. The Pescara Pull Down XL is available in a highquality, polished chrome finish and is backed by a five-year warranty on working parts and one-year warranty on the finish.
BLANCO’s stunning new stainless steel QUATRUS sink showcases the company’s well-known intelligent design capability. The modern rectangular bowl of the sink offers plenty of space for all the user’s culinary and utility needs while leaving lots of free space within the cabinet. The large sink space is also perfect for today’s clever taps; it can be fitted with boiling-water taps and filter taps to provide an optimal functioning kitchen. Available in two different sizes, BLANCO QUATRUS 550-U and the slightly larger BLANCO QUATRUS 700-U, the sink design is the perfect complement in any kitchen scheme.
0161 436 6280 franke.co.uk info.uk@franke.com
P R O D U C T
FRANKE’S NEW PESCARA XL PULL DOWN TAP
01923 635200 blanco.co.uk info@blanco.co.uk
PHOENIX CONTINUOUS HINGE BY COOKE BROTHERS
The Phoenix Continuous Hinge, produced and supplied by Cooke Brothers for over 100 years, is often referred to as a piano hinge following its use securing the lids of piano keyboards. Continuous hinges provide a visually neat and high-quality hinging solution for any lid, door, cupboard or hatch, compared to the use of several shorter individual butt hinges. Rebating is not required, with the hinges being surface fitted to both door and frame. Able to be cut down to match the full length of the door, continuous hinges provide accurate alignment, a strong and secure installation, and even load distribution over the full length of a door.
TIMELESS DESIGN FROM LYNDON The timeless luxury and craftsmanship for which Lyndon is known can no better be seen than in Maysa, an elegant soft seating and coffee table collection. Its inviting and elegant form has been designed with all the hallmarks of a classic Lyndon product; elegance, detail and tradition. Its upholstery eludes a softness which has been designed to contrast against the angular slimline timber frame. Its generously proportioned arms, combined with panels and seams that flow around the body, accentuate the curvature and overall rotundness of the body of Maysa, creating a form that commands attention in any room.
cookebrothers.co.uk 01922 740001 sales@cookebrothers.co.uk
lyndon.co.uk 01242 584897 sales@bossdesign.com 9 7
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ITC NATURAL LUXURY FLOORING
When quality, style and colour come together
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iverline (as illustrated) – an eco-friendly carpet – is a fine example of craftsmanship by achieving a highdefinition, textured cable rib design. Constructed using six and twoply hard-wearing construction of 100% New Zealand wool
with a VOC-free environmentally responsible backing, Riverline in 5m width, is an ideal choice for residential and general commercial locations. The six clean colours will appeal to those seeking a wool carpet that delivers on performance and good looks.
When high performance and super fine finish are required when specifying a velvet carpet, Richmond ticks all the boxes. Available in two widths – 4 and 5m – as well as 11 contemporary shades, together with a heavy commercial rating, makes this carpet product exceptional. Architects and interior designers have fallen in love with the Richmond range due to its style, good looks and excellent suitability for both residential and commercial applications. Riverline, Richmond and all other broadloom carpets which make up the Campeone and Connoisseur collections by ITC Natural Luxury Flooring, are available in madeto-measure rugs in sizes up to 500cm wide. Additionally, a selection of tape finishes are available, which are exclusive, chic and coordinate with its carpets. itcnaturalluxuryflooring.com info@itcnaturalluxuryflooring.com 01622 534041
THE KITCHEN IN A DAY THAT HELPS YOU SAVE THE WORLD
London-based BLANCO retailer, Moiety Kitchens, specialises in floating islands and Kosher kitchen designs, ensuring cabinetry and appliances are installed so that meat and dairy products are completely separated throughout the kitchen. Moiety Kitchens has been specifying BLANCO appliances for the spectacular designs since the showroom opened in 2015. The Finchley Road showroom features five working kitchens, so customers can imagine how well each kitchen would fit into their own homes and whether it practically suits their requirements – plus, the window display is home to a gravity-defying floating kitchen island.
Remodelling a kitchen is the quick, costeffective alternative to the disruption and inconvenience of a total replacement. Granite & TREND Transformations specialises in kitchen and bathroom makeovers which are carried out in a day as they retain the existing unit and floor layout. This saves on messy and often unnecessary installation of perfectly good units; saving time, money and damage to the environment. Less waste means less mess and debris, and less wood and natural resources heading off to landfill. Even the existing worktops are repurposed as Granite & TREND Transformations has developed a unique quartz and granite worktop that fits over the existing worktops like a glove.
blanco.co.uk 01923 635200
granitetransformations.co.uk 0808 149 5914
MOIETY KITCHENS: A ONE-STOP KITCHEN SHOP
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ECO-CONSCIOUS ACOUSTICS FROM SOUNDTECT Noise pollution is the primary cause of a reduction in productivity and can contribute to stress and illness; which can also play a part in absenteeism and a continuous turnover of staff.
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he typical noise level in an open-plan office is 65 dB and, shockingly, that’s only 30 dB less than a lawnmower. And background noise, even at low levels, has been found to increase stress levels and undermine short-term memory, reading comprehension and willingness to engage with others. Workers have been seen to be 60% less productive in a noisy office – which is a worrying statistic to any business owner. The working world currently seems to have a love-hate relationship with open-plan offices, most of which centres around noise, but the openplan office concept is highly successful for several reasons. It is cost-effective, allows room for expansion and changing team dynamics, creates more working collaboration, reducing the need for separate meetings. It creates a ‘buzzy atmosphere’, enhancing
the office culture and enjoyment at work. Every business wants more happy workers as they influence an organisation’s success and performance. So, here’s the conundrum – the open-plan concept is the right solution for increasing engagement and creating happier, more productive employees, but the noise byproduct affects individuals, driving them to grab their headphones and retreat into their own world, or even work from home. So, considering acoustics at the planning stage is essential when embarking on an office refurbishment. The great news is, acoustic improvement products are no longer boring and hidden, they’re stylish, colourful and are used in a variety of applications; meeting pods, partitions and decorative forms such as wall panels and 9 9
ceiling enhancements. Soundtect specialises in the manufacture and supply of many different solutions which can be tailored to be as funky as you like to complement any office design theme. And while we are about it, let’s not forget the environment. Soundtect is proud of its environmental credentials – its products use over 70% recycled polyester. The products are a thirdgeneration product which began life first as a plastic PET bottle, and then recycled into exhibition carpets before being woven into superior quality, high-performance acoustic felt. Recently, Soundtect launched a new printed wood finish for its Freestyle range. This lightweight, semi-rigid sound-absorbing panel has revolutionised the acoustic market and although there are many other manufacturers with a similar product, Soundtect is the pioneer of all sides being printed, and the results are very believable. No more need for heavy wooden ceiling baffles or the perfect wall surface solution for that rustic, unfinished feel that is popular right now. So, the solution is straightforward; to improve the cognitive performance of your team in an open-plan office environment, more consideration needs to be given to noise dynamics and how you can reduce them with effective acoustic solutions like Freestyle and, as you are also buying into a sustainable solution offered by Soundtect, you are also lessening environmental pollution at the same time. soundtect.com 0845 548 0518 enquiries@soundtect.com
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Nevez Designed by Lyndon
Lyndon 342 Swindon Rd Cheltenham GL51 9JZ +44 (0) 1242 584897
Boss Design Boss Drive Dudley West Midlands DY2 8SZ +44 (0) 1384 455570
sales@lyndon.co.uk lyndon.co.uk
sales@bossdesign.com bossdesign.com
London Showroom 7 Clerkenwell Rd London EC1M 5PA +44 (0) 20 7253 0364
Part of
| Armourcoat Acoustic® Plaster System |
Exceptional Acoustics Armourcoat’s new Acoustic Plaster System offers a seamless mineral finish over large expanses to optimise the acoustics of interior spaces. Applied to ceilings at The Minster Building for architects BuckleyGrayYeoman. • Class ‘A’ NRC • Topcoat incorporates 70% recycled marble • Basecoat incorporates 85% recycled glass • Class ‘O’ fire-rated • Zero VOCs
Photography: © Jonathan Banks
www.armourcoat.com
