Inex June 2017

June 2017 ISSUE 46 inex-online.com Download the Inex app for iPhone, iPad and Android. Search ‘Inex-online’

in[sight]

ex[rated]

in[spire]

ex[pose]

Interior Designer, Shaun Clarkson, talks to Inex about his eclectic designs and how he designed his own home

British Sculptress, Laura Ellen Bacon, has been commissioned to produce an eye-catching sculpture for a Cambridge development

Inex profiles Design Haus Liberty’s new innovative scheme for AnalogFolk’s Clerkenwellbased headquarters

Elise Som talks Inex through her recently-launched collection of modular, technologically compatible stools

3 EDITORIAL

26 Editor: Rebecca Kemp rebecca@mixedmediainfo.com Editorial Assistant: Paige Smith paige@mixedmediainfo.com Digital Advertising: Sam Ball sam@mixedmediainfo.com Michael Abrahams michael@mixedmediainfo.com Print Design Manager: Jack Witcomb jack@mixedmediainfo.com Digital Design Manager: David Perry david@mixedmediainfo.com Production Assistant: Sofia Franchi sofia@mixedmediainfo.com Accounts: Simone Jones simone@mixedmediainfo.com Charlie Ivy charlie@mixedmediainfo.com Managing Director: Sam Ball sam@mixedmediainfo.com Publisher: Mixed Media Information Pear Platt, Woodfalls Farm, Gravelly Way, Laddingford, Kent. ME18 6DA Tel: 01622 873229 Fax: 01622 320020

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s we dive head-first into summer, many hoteliers and restaurateurs are contemplating the appearance of their outdoor spaces. In a world full of critiques equipped with readilyavailable criticising platforms (TripAdvisor spearheading the majority), today’s hotel and restaurant visitants are quite possibly the most opinionated of recent generations.

This can be attributed to the tech-savvy millennial found ‘Instagramming’ and dissecting any prospect they deem satisfactory for their fellow followers – which, more than often, has an immeasurable influence over others within this demographic cohort. Furthermore, predecessor generation X is following suit and rapidly switching on to the benefits of the millennial’s frequently switched-on lifestyle.

With this in mind, it is imperative for today’s restaurateurs and hoteliers to cater for all – including guests within both millennial and generation X age groups. Addressing this matter, Liam O’Donnell, Director at Valdivian Furniture, has collated some effective points to consider when planning an outside scheme for a hospitality setting that is sure to satisfy today’s highly critical clientele. Turn to page 40 to find out what Liam has in store.

Elsewhere in this issue, Inex looks at two workplace schemes that cater to the ever-evolving keynote of ‘wellbeing in the workplace’. MCM Architecture’s open-plan design for Londonbased law firm, Bird & Bird, has provided staff with a light and airy environment to enhance workers’ concentration and productivity. Turn to page 36 for MCM’s light-filled scheme.

Whilst on page 14, Design Haus Liberty takes readers on a tour of AnalogFolk’s Clerkenwell-based headquarters.

I hope you enjoy this edition. Don’t forget, you can also access all of Inex’s features and product inspiration at your fingertips via the magazine’s state-of-the-art app. To download your version free of charge, simple search ‘Inex-online’ on the App Store or Google Play.

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Top left: Elise Som talks Inex through her modular, technologically compatible stool range Cover: Design Haus Liberty takes readers on a tour of AnalogFolk’s HQ Top: Laura Ellen Bacon’s CLUSTER sculpture takes pride of place at a housing development in Cambridge Above: Furniture Designer, Michael Northcroft, talks about his recent dining room project in London’s affluent Mayfair district

Terms and Conditions No responsibility will be taken for drawings, photography or literary contributions during transmission or in the editor’s hands. In the absence of an agreement the copyright of all contributions, literacy, photographics or artistic belongs to Mixed Media Information Ltd. The publisher accepts no responsibility in respect of advertisements appearing in the magazine and the opinions expressed in editorial material or otherwise do not necessarily represent the view of the publisher. The publisher does not accept any liability of any loss arising from the late appearence or non publication of any advertisement.

Rebecca Kemp rebecca@mixedmediainfo.com Follow us on Twitter: @INEXonline Download the INEX app for iPhone, iPad and Android. Search 'Inex-online'.

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5 CONTENTS

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JUNE DIARY

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INSIGHT Inex talks to Interior Designer, Shaun Clarkson, about his eclectic designs and what inspires him on a daily basis.

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INSPIRE Inex profiles Design Haus Liberty’s new office scheme for global digital creative agency, AnalogFolk’s Clerkenwell-based headquarters.

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DINING ROOM Michael Northcroft talks to Inex about his recent project in London’s Mayfair and offers his advice on what today’s clients really want from their dining rooms.

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EXRATED Sculptress, Laura Ellen Bacon, has unveiled her CLUSTER sculpture for a housing development in Cambridgeshire.

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EXPOSE Chelsea Design Centre-based Elise Som has responded to today’s tech-savvy customer base with the launch of a technologically compatible, modular stool.

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HEATING Marcus Orchard, Managing Director at The Radiator Company, offers his top five tips for selecting a radiator for your scheme.

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SPA/LEISURE DESIGN Ceramique Internationale has assisted in delivering a sophisticated atmosphere at a £9.5m spa project at an iconic hotel in Harrogate.

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STEEL Italian-based company, CEA, talks about the inherent benefits of steel and why the company uses steel for its designs.

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INTERIOR CONSTRUCTION MCM Architecture has completed the interior fit-out of Bird & Bird’s London-based office, transforming the space into openplan environment.

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EXTERIOR PRODUCTS Liam O’Donnell, Director at Valdivian Furniture, reports on outdoor furniture trends within the hospitality industry.

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RECYCLED/RECLAIMED Nigel Stansfield, President at Interface EMEA, explains how recycling and reclaiming interior furnishings is crucial to help us achieve a more sustainable future.

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NEW DESIGNERS PREVIEW New Designers returns to Islington’s Design Centre this July with over 3000 of the year’s top graduates.

28 36 Top: Liam O’Donnell, Director at Valdivian Furniture, talks exterior furniture hospitality trends Middle: The Radiator Company offers its top five tips for specifying radiators Bottom: MCM Architecture has transformed Bird & Bird’s office into a light-filled, openplan setting

INEX-ONLINE.COM

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7 DIARY

House & Garden Festival Olympia, London 21-24 June Bringing together Grow London, Spirit of Summer Fair and The HOUSE Fair, this four-day event is the ultimate celebration of summer. Visitors to the festival will be met with 550 beautiful gardens, interior and lifestyle brands to explore and shop. The event will be full of ideas and inspiration as well as professional advice. houseandgardenfestival.com Design Miami/Basel Messe Basel, Switzerland 13-18 June Design Miami/ brings together the most influential collectors, gallerists, designers, curators and critics from around the world in celebration of design culture and commerce. The world’s top galleries will gather to present museum-quality exhibitions of 20th and 21st century furniture, lighting and art. basel2017.designmiami.com

NeoCon The Mart, Chicago 12-14 June The 49th edition of NeoCon will draw more than 50,000 design professionals from across the globe.

With nearly one million square feet of exhibition space, three floors of showrooms and one floor of temporary exhibitors, the show launches thousands of new products every year, satisfying a wide range of specification needs including building products, contract accessories, floorcoverings and furniture to name just a few. neocon.com

BBC Gardeners’ World Live NEC, Birmingham 15-18 June This year’s Gardeners’ World Live promises to provide budding gardeners with wall-to-wall garden inspiration, exclusive access to top experts, unbeatable shopping and wonderful gardening moments around every corner. This year’s show will be jam-packed with 50th anniversary celebrations for all the family to enjoy. bbcgardenersworldlive.com Interior Lifestyle Tokyo Tokyo International Exhibition Center 14-16 June Interior Lifestyle Tokyo is the leading trade fair for the Japanese high-end interior market. The international trade fair derives from two trade fairs – Ambiente, one of the largest consumer goods trade fairs in the world, and Heimtextil, an international trade fair for household and commercial textiles, and features numerous products that are classified under high design and lifestyle. interiorlifestyletokyo.com

London Festival of Architecture Citywide, London 1-30 June Europe’s biggest annual architecture festival returns to the capital this year with over 450 events exploring ‘memory’. Celebrating London as a global architectural hub, this year’s programme is the biggest in the festival’s 13-year history and promises to provoke questions about the life of the city and promote positive change to its public realm. londonfestivalofarchitecture.org

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8 INSIGHT

Feast your eyes Shaun Clarkson started life as a Fine Artist, creating sculptures and installations.

His life has been a series of accidents ever since. A chance meeting with Restaurant Owner, Oliver Payton, set him on a career path designing bars, clubs and restaurants.

During the 90s Shaun actually designed every bar in the West End. As inevitably the clocks keeps ticking, his business has developed into designing boutique brands and labels, and consulting for drinks brands on a global level.

What inspired you to become an interior designer?

I was always very aware of my environment and living in a very small family home, with loads of brothers, meant personal space was an important thing. I loved creating an environment I could escape to. This is still my ethos as an interior designer; creating spaces people can disappear into.

Who has been your greatest source of inspiration throughout your career?

My husband.

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How do you approach your projects?

With my fine art training, my approach is always based on the customer experience and how you can transform boring spaces into intriguing, mysterious environments. There are a lot of smoked mirrors involved in our designs!

Top left: Shaun’s design approach is based on the customer experience and how he can transform spaces Top right: Verner Panton is Shaun’s favourite designer for colour Left: Shaun started his

Who is your favourite interior designer and why?

Me, because I am fabulous! It has to be Verner Panton for colour.

career as a Fine Artist Right: Shaun is always inspired by the job he is involved in

9 INSIGHT

Would you say that you have a design style? If so, how would you describe this style?

No, I think we approach every project with an open mind and an eye for detail. However, if you were to describe our style in one word, it would be eclectic.

What do you believe is the biggest challenge for today’s interior designers?

The biggest challenge is to be exceptional and original in a very competitive world ‘where nothing is original’, as well as dealing with the pressure of getting old.

What has been your biggest accomplishment to date?

I am always inspired by the job I am most involved in. If you would ask me today, it would be the completion of my house in Hastings.Because it has been a two-year battle with planning and building control, reaching a result I am very proud of.

What has been your most notable project?

There have been a few game-changing projects. The most notable projects we have completed are, Harvey Nichols’ fifth floor, Oxo Tower, Pigalle Piccadilly, Denim and Pop. And, most recently, the brand homes for Absolut LA and New York.

Can you talk us through your concept for Carrington House?

In the wake of Cliff Barns, then six years old, and its huge success, Carrington House came as a dynasty-inspired interior, whilst Cliff Barns is Dallas inspired. If I was to describe the design, I would say “big and bold with shoulder pads”.

Because Carrington House is a big important Georgian house, I felt the architecture could take the bold use of colour, pattern and eccentric furnishings.

How do you personally feel that you fulfilled the brief for Carrington House?

Perfectly. As the client and designer, I am very pleased with myself! It has also been a huge commercial success. The proof of the pudding is in eating it.

Have you witnessed any recurring requests from your clients?

Yes, unfortunately. Factory lights, reclaimed wood and bulk heads. You know if something is over, when it’s replicated in Nick’s Bistro on Coronation Street.

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10 INSIGHT

Do you have a preferred colour palette that you enjoy working with?

No we don’t, but there are some very clear guidelines as to what colours to use or not to use, i.e. brown is depressing; yellow light makes you look like you are having liver cirrhosis and green light makes your girlfriend look like a witch. However, reds, pinks and mauves are flattering and inviting.

Can you please talk us through the brief that you received for ‘The House in Hastings?’

The house in Hastings is the third of my ‘home-tels’, so I own the business. However, as the house has such a commanding position in Hastings’ old town, you are very aware of the sea and changes in weather.

Consequently, my colour palette was inspired by nature, using blues, greens, stones, pebbles, coral and rock.

The USP for our houses is that they are indulgent, luxurious and decadent. Much more than a home away from home.

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11 INSIGHT

How do you personally feel that you fulfilled this brief?

I think it’s my greatest work to date and having just launched it to the public, the response has been unconditionally positive. So yes, I think I have succeeded.

When it comes to restaurant design, what do you believe is of utmost importance when it comes to the interior design?

When designing any venue, it is important to understand the client’s ambition. Restaurants are primarily about the food. An environment you create has to complement that, as do the staff. There are certain tricks to enhance the experience; avoid funny lighting that makes the food look inedible.

What advice would you offer to those that are considering a career in interior design?

Be prepared for a roller-coaster ride of a career.

You need to be creative, reactive, understand budgets and a highly social human to deal with the challenges of a job like this.

Top left: Reds, pinks and mauves are flattering and inviting Far left: Shaun’s USP for his house designs is the indulgent, luxurious and decadent atmosphere Above: When designing, Shaun uses the clear guidelines within a project to determine a colour palette Right: Shaun has certain tricks to enhance a restaurant scheme, such as avoiding lighting that makes food look inedible

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12 INSIGHT

What do you believe is the biggest challenge for newly-qualified interior designers?

When I started this career, the term ‘interior design’ was applied to fluffy cushions and drapes. I think the biggest challenge today is to remain creative, as well as having to adhere and understand the strict regulations that apply to our industry. You have to have a technical mind to do this job.

Top left: Shaun

Do you have any favourite suppliers for your interior schemes?

No. Suppliers change with every job. I have my regulars, who are reliable and I have worked with for over 20 years. They will, however, remain nameless.

Clarkson has been closely involved with the UK hospitality industry for over 20 years

What can we expect to see from you over the next year?

An exciting new music venue in Dublin, arts-inspired roof garden, outdoor cinema and ethereal space, highend fashion-inspired two-storey bar in Mayfair and cool London-based workspaces. We will also continue to work with Absolut Vodka and a country punk Tudor mansion in Norfolk, to name but a few. shaunclarksonid.com « INEX-ONLINE.COM

Above right: Shaun describes his practice’s style as ‘eclectic’ Right: Shaun’s ethos as an Interior Designer is to create spaces people can dissapear into

14 INSPIRE

Design Haus Liberty completes new HQ in Clerkenwell Award-winning architecture and design firm, Design Haus Liberty, has completed the London headquarters for independent global digital creative agency, AnalogFolk. Located in Clerkenwell, one of London’s most creative and dynamic design hubs, the latest office supports AnalogFolk’s global expansion which, in over eight years, has grown from one room to five offices across four continents.

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nalogFolk’s UK headquarters now comprises 20,000ft2 and is spread over two buildings, one of which is three storeys and wraps around a central atrium. The interior fit-out and FF&E project by Design Haus Liberty includes an impressive reception area, open bar zone, meeting rooms, library with integrated operational telephone booths, open work spaces and social areas with a multifunctional breakout space.

As an agency, AnalogFolk’s working mission is to use digital technology to make the analog world better. The brief given to Design Haus Liberty was to use the business’ ethos to drive the stylistic approach and design of the office, while keeping within the constraints of a challenging budget of £20 per square foot. Design Haus Liberty, which is known for its creativity in delivering engaging and cutting-edge work, also needed to create an environment in which to cultivate employees and to become a place where they could identify with, as well as thrive in.

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15 INSPIRE

The interiors have been thoughtfully created out of the repurposing of materials and objects resulting in eyecatching designs throughout the office. Recycled glass, wood and reclaimed furniture, such as leather chairs, antique trunks and colourful rugs, fill the office along with an abundance of greenery to promote staff wellbeing. Balconies and window boxes adorned with plants replace internal walls to enable colleagues to see across floors, which brings about a sense of openness and connectivity throughout.

Other interesting features include antique French barn doors which are used as a conference table in the large boardroom, while disused scaffolding has been fashioned into a library with integrated operational telephone booths for staff use. Distressed timber, remodelled OSB and glimpses of exposed wood and brick complement the curated spaces that offer a relaxed, stylish membership lounge atmosphere rather than a generic office space. To create a project as unique as possible, Design Haus Liberty explored markets, bazaars and farms in and around London to discover the most interesting and individual pieces to showcase.

Another overriding aim of the project was to architecturally connect the office space to its immediate environment through the element of light. The atrium’s glazed roof fills the room with light that bounces off the interiors. In addition to this, a logo on a frosted glass partition in the entrance creates a glow both day and night. This feature mimics a retail effect that also draws the attention of a passer-by.

Top left: Distressed timber, remodelled OSB and glimpses of exposed wood and brick complement the curated spaces Left:The brief given to Design Haus Liberty was to use the business’ ethos to drive the stylistic approach and design of the office Above: Design Haus Liberty explored markets, bazaars and farms in and around London to discover the most interesting and individual pieces to showcase Right: An overriding aim of the project was to architecturally connect the office space to its immediate environment through the element of light

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16 INSPIRE

Top: The project became an experiment in how to use traditional materials from the past to transform the future of the agency’s working environment Left: The interiors have been thoughtfully created out of the repurposing of materials and objects resulting in eye-catching designs throughout the office

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The office also includes a selection of bespoke glass installations which Design Haus Liberty creates and makes in-house. Located in the reception the, ‘Finding Nemo’ sculpture is made from recycled old glass bottles which have been arranged to resemble a school of fish, symbolic of the teamwork at AnalogFolk. While a chandelier made of martini glasses is suspended in the atrium underneath the glazed roof, reflecting the natural light as well as the carefully placed spotlights within the installation.

The atrium functions as a breakout as well as entertainment and event space for both staff and clients, with fun touches including the martini glass chandelier.

The mix of styles of furniture in the room, such a colourful rug, industrial metal table and a soft upholstered chair facing a large retro leather office chair, lends to the creativity of the company and mix of personalities.

The large internal windows and greenery contrast with the striking black walls of the atrium giving it the feel of a Mediterranean courtyard. Dara Huang, Founder of Design Haus Liberty, comments: “We are delighted with AnalogFolk’s new headquarters. It’s so exciting to bring something completely unique and fresh to office design. The project became an experiment in how to use traditional materials from the past to transform the future of the agency’s working environment.”

18 INSPIRE

Top: The interior fit-out and FF&E project by Design Haus Liberty includes an impressive reception area, open bar zone and meeting rooms Left: AnalogFolk’s UK headquarters now comprises 20,000ft2 and is spread over two buildings

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Bill Brock, Founder and Chief Executive at AnalogFolk, adds: “As a creative company, we strive to deliver an environment for our folks that encourages lateral thinking. The bespoke architecture and design that DHLiberty consistently achieves for us goes beyond standard office fit-outs. It truly creates inspirational spaces which not only make our offices interesting places to spend time, but also inspires our teams and partners to create fantastic experiences for people and brands.”

Design Haus Liberty, founded by Dara Huang, is an award-winning, energetic and forward-thinking architecture and design studio with representation in London, New York and Shanghai. The practice has built a reputation for its creativity in delivering engaging and cutting-edge architecture and interior architecture across all RIBA stages.

Operating across commercial, residential, office, hospitality and leisure sectors, the practice’s international portfolio, teamed with its sophisticated and design-led knowledge, extends to beautiful, light products and installations for unique outcomes.

Design Haus Liberty’s philosophy focuses on drawing from the history, culture and context of each site.

Inspired by nature, art and materiality, it has a raw passion for experimenting and mixing both modern and traditional elements.

Described as an artisan with competitive curiosity focused on creating distinctive form, function and space, the result will always be architecture that is special, bold and unique. dhliberty.com «

19 INSIGHT

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All images: ©Cleve West

DINING ROOM

Come dine with us Here Furniture Designer, Michael Northcroft, talks Inex through the company’s most recent dining room project in London’s affluent Mayfair area and looks at current dining trends within the UK.

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e had a dining room when I was a child, but we ate in the kitchen. My sisters sat on a bench built into the window recess, but couldn’t lean back without going through the glass to the yard one floor below. We didn’t find that strange, we just never leant back!

Dining rooms may seem like an anachronism from a former time. If that is so, I prefer that past where a revered space filled with natural quietness is dedicated to talking, speech, conversation and, of course, food too.

Practically beautiful The L & C Company was commissioned to create a high-end luxury interior. Interior Designer, Michelle Dainty, who is a well-known experienced designer says the client wanted a beautiful space in one of Mayfair’s most exclusive streets. “We INEX-ONLINE.COM

wanted to create a real focal point for the table as this was the feature piece in the room – Michael Northcroft achieved this by recessing a brass metal detail in the form of a diagonal cross in the tabletop. The customer needed a practical finish so Michael’s ‘Grey Oak’ finish was selected which worked beautifully.”

Michael Northcroft accented the table with two sideboards from the Argento collection. Trims and handles are in brass too, however, the finish selected for the sideboards is ‘Dapple Grey’. This finish is bird’s eye maple, grown in California. It is sent to Italy where it is bleached and dyed into a beautiful silver-grey colour.

Here at Michael Northcroft, we apply the veneers and lacquer them with four coats of high-gloss lacquer, and then burnish the finish to a full, glorious lacquered finish.

21 DINING ROOM Opposite: Michelle wanted to create a feature piece for the dining room Below left: Michael accented the table with two sideboards from the Argento collection Left: The customer needed a practical finish so Michael’s ‘Grey Oak’ finish was selected Below: Michael applies the veneers and lacquers them with four coats of high-gloss lacquer, and then burnishes the finish to a full glorious lacquered finish

The sideboards, with their high-gloss finish, reflect light from the two windows giving life and movement to the room. The finish is unique; it has depth and movement from all the subtlety of the living tree.

The captain’s cabin in the Cutty Sark is made using bird’s eye maple. It’s one of the reasons I have sought such timber.

It can only really be used as a veneer. The bird’s eye that I source is the best that has ever been grown. I feel humble that the depth, movement and patterning is a higher quality than the builders of ‘Cutty’ could find when they built her.

It’s hardly traditional in our past in the UK to have a hard marble flooring in a dining room. Yet using such materials sourced from the stone quarries of the world is not so different from using bird’s eye maple.

Visually stimulating dining rooms The great homes of the past sourced marble for flooring as well as exotic timbers for the furniture, so we are not breaking new ground in the concept – it’s in the interpretation. As our climate warms, more cool hard flooring will come into our lives. A central rug of neutral colour calms and softens noise and makes us feel at home.

Having two well-sized windows on adjoining walls is a treat – giving good internal light and reflection in the daytime and summer evenings.

Dining rooms need to be visually stimulating yet calming too. That’s not an oxymoron; it’s quite possible and is the visual goal in my view. Michelle chose Michael Northcroft’s Grey Oak and Grey Dapple finishes with solid polished brass detailing to create a calm place yet with light movement too.

The handles are ‘organ pipes from a church’ visually to me. Verticals of varying height. They complement the trims on the dining table – they ‘talk’ to each other.

We live in a world where we no longer write letters. The black ink of my childhood school days is remembered only in the ink stains on the ancient dining table in my own dining room.

The space of time has vanished for so many of us. I have sat in a large dining room in Prague were Franz Kafka used

to sit drinking coffee and eating (in that order), talking of ideas, politics and art with his friends. It’s what we do if we can find the space and time that existed before the Second World War. That past feeds the present in such a hallowed street of this house. It is a calmness that we need away from the chatter and clatter of our modern existences. If you are lucky enough to have a dining room in your home – then use it! michaelnorthcroft.com « INEX-ONLINE.COM

22 PRODUCT SPOTLIGHT

Aesthetics vs function – which is more important?

When designing an office, the balance between aesthetics and function is a challenging one, as both have similar importance in the design process. When this balance becomes tipped in favour of aesthetics, qualities such as comfort and ergonomics may be compromised.

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n many modern design cases, the balance between aesthetics and function has become so skewed that functionality is becoming irrelevant.

Likely, this is due to the necessity of marketability and how photogenic products and spaces are.

To ensure welfare and productivity, it is vital to incorporate both stylish home interiors and functional ergonomics. For example, a well-designed chair should not only be aesthetically-pleasing, but also have adjustable controls and actions to manipulate the chair to fit every body shape whilst supporting both back and spine.

The right desk is also a necessity.

Extensive surface space is imperative as a great amount of this area can be occupied by essential stationery and technology, hindering movement and thus productivity. Additionally, if you work in an office for more than two days – whether it’s at home or not – INEX-ONLINE.COM

you or your employer should strongly consider investing in a sit-stand to avoid back pain and establish a healthy and active working position.

Research has found that moving from a sitting to standing position helps the user feel more energised, aids improved concentration, increases productivity, reduces back problems and burns up to three times more calories.

While camera-friendly aesthetics may be compromising the ‘comfort factor’ in many designs, it is not to say that aesthetics do not still have a fundamental importance. Aesthetic aspects like the appearance, texture and finish of an object provide important information about its function, quality and the manufacturing method used. Therefore, aesthetic features cannot only be leveraged to allow an object to look appealing, but also to explain what it is and what you can do with it.

Top left: The right desk is a necessity.

Extensive surface space is imperative as a great amount of this area can be occupied by essential stationery and technology, hindering movement and thus productivity.

Right: A well-designed chair should not only be aestheticallypleasing, but also have adjustable controls and actions to manipulate the chair to fit every body shape whilst supporting both back and spine

Consequently, a balance of the two is required for a successful result. The classic design principle ‘form follows function’ suggests that form and function should be balanced whilst communicating its main functionality correctly. Let’s hope future trends consider the practical and emotional needs of the end-user, without negotiating comfort for cool.

Furniturise promotes furniture which reacts to the needs of the human frame whilst incorporating a variety of ergonomically-designed seating available in a variety of sizes, shapes, colours, textures and high-quality materials. The group also offers a range of desk options to suit any space and style, including Autonomy Pro desking which uses the latest in sit-stand technology, to allow for active and productive working.

Furniturise is a sister company of Century Office that has over 40 years of experience and operates under the COE Group. Furniturise provides the perfect solution for professionals working from home, as well as SMEs that operate from a small office space. furniturise.co.uk « sales@furniturise.co.uk « 01206 844541 «

24 EXRATED

Best of British British Artist, Laura Ellen Bacon, is delighted to announce that her sculpture ‘CLUSTER’ is now installed at Ninewells in Cambridge.

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love working on site-specific pieces so this commission was a treat for me,” said Bacon from her studio in Derbyshire. The idea for CLUSTER evolved over the course of several years as, visiting the site, the Sculptress built-up a picture of local land use over the centuries. Cambridge Archaeology had found indications of a centuries-old system of changing enclosures and way-markers in the area. “My imagination was fired by these signs and clues in the landscape,” said Bacon.

Loosely based on the forms of hedge-laying and hand-built enclosures, CLUSTER suggests ancient human technologies working in collaboration with nature’s wilder elements. It is constructed of 15 support posts, laid in formation like a hedge. “Hedge systems can be vast, containing whole landscapes; CLUSTER is like a tiny portion, swept and cut with a ‘slice’ of arranged, raw ends,” said Bacon.

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25 EXRATED

Moulding natural oak and chestnut, Bacon used steam to bow and bend the woods into an armature, which reflects the winds sweeping gently through the site, down from the Gog Magog hills in the distance.

Hedges still shape the landscapes and harbour life of all kinds within them.

“The hedge becomes a living enclosure where life ‘clusters’ and thrives within,” said Bacon. “As spring approaches, hedges across the landscape are beginning to bud. Sap and spring light will make their staked limbs grow.”

Laura Ellen Bacon is known for iconic woven installations that integrate with the natural and built world. She works primarily in willow and coppiced material, weaving largescale abstract structures, which ebb and flow through the landscape like natural creatures. When responding to architectural elements such as the Georgian facade of the Holburne Museum or the Artists’ House at Roche

Court, Bacon seems to bring the force of nature flowing back into man-made environments. Her work has been shown at venues from Chatsworth House to the Saatchi Gallery.

Bacon was approached by Commission Projects on behalf of Hill, the house-builder, together with Sculptor Peter Randall-Page, who has completed a piece in stone, to create an artwork for the new development on the southern fringe of Cambridge.

Ninewells is a collection of 162 contemporary homes and apartments, which won the 2016 Evening Standard ‘Best Out of London Homes’ award. It was envisaged from the outset as ‘a place at one with art’.

CLUSTER will present an intriguing combination. “I dreamt it would look like something built by our forefather’s hands, weathered by Aeolian processes and tempered by the forces of nature,” said Bacon. lauraellenbacon.com «

Above left: Moulding natural oak and chestnut, Bacon used steam to bow and bend the woods into an armature Left: Laura Ellen Bacon is a British Artist Above: It is constructed of 15 support posts, laid in formation like a hedge Right: The idea for CLUSTER evolved over the course of several years as, visiting the site, Laura built-up a picture of local landuse over the centuries

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26 EXPOSE

Integrating technology with aesthetics Located in Design Centre, Chelsea Harbour, Elise Som prides itself on being an ethically-responsible, cruelty-free and eco-conscious practice while still upholding the luxury in its products. Here Interior and Furniture Designer, Elise Som, talks about the inspiration behind the company’s recently-launched technologically compatible, modular stool collection.

Above: Elise Som’s recentlylaunched collection is named Sacred Geo Left: The charging stool is produced from 95% recycled glass and 5% epoxy resin Above right: Using components of water, wine or beer bottles, the furniture is proudly sourced and made locally in the UK Right: Elise has created the stool in one colour, however, 30 various tone options are available

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s an Interior and Furniture Designer, Elise is expanding her brand of furniture with the company’s new Sacred Geo collection. Embracing her belief that “true luxury is to design with a responsible heart”, the new pieces are made of 95% recycled glass and 5% epoxy resin.

Using components of water, wine or beer bottles, broken TV screens, mirrors and seashells, the furniture is proudly sourced and made locally

in the UK. The collection consists of modular stools that transform into side tables and each piece can incorporate a charging device.

A unique addition Elise is passionate about the environment and has embraced a ‘vegan approach’ when it comes to the materials she uses. She celebrates the beauty of nature, incorporating into her designs the shapes that are endlessly found within the universe.

27 EXPOSE

Commenting on her new Sacred Geo collection, Elise said: “I wanted to produce a table made with a new kind of material that hadn’t been used before. The charging table is unique in material composition and also innovative as a smartphone charger.

“It is revolutionary. Of course we have seen charging stations before, but this is avant-garde of being new age. It answers all questions of sustainability.”

Recycling Supporting Elise’s vegan approach when it comes to the materials she uses, she believes it is of utmost importance for interior designers to use recycled elements within their schemes, as she explains: “Everyone has to do their part, including designers, and it is a good way for them to educate their clients. Designers have a major influence to be involved in sustainability.”

Elise’s Sacred Geo collection consists of modular stools that transform into side tables and she has incorporated ‘Sacred Geometry’ shapes into the entire collection.

The table was designed for residential and commercial projects and the receiver to charge smartphones has been built-in below the surface of the table.

“This piece has an advantage over the other pieces as it has a charger built-in, but the whole collection is functional,” comments Elise. “Currently, we have created it as one colour, but 30 colour options are available.”

For more information on Elise Som and her range of modular stools and side tables, please visit the company’s website. elisesom.com « INEX-ONLINE.COM

28 HEATING

If your desired radiator does not produce enough heat output, ask if it is available in greater depths – some radiators have double or triple options that produce higher outputs without increasing the height and width of the radiator. Alternatively, find a similar radiator that produces your desired heat output.

3. Make them a feature of the room Radiators will be a permanent fixture in your room – decide whether your client wants to make a feature of them, or minimise their impact by having them painted to work with a colour scheme. When positioning radiators, create visual balance with its surroundings, for example, radiators located under windows should be of a similar width to the window itself to deliver a more visuallyappealing result, whilst tall, thin radiators can be used to create a columnar effect.

Here: Ovali Bath, 1600 x 315 in Textured Matt Grey Below right: Triarc Radiator, 1150 x 500 in Sparkle Grey

The expert guide to radiators Marcus Orchard, Managing Director at The Radiator Company, offers his top tips and advice on choosing the right heating solution.

1. Where to place radiators Always consult a plumber or merchant early on in a project to discuss the location of radiators and placement of pipework. This will help position radiators to best make use of the space available, whilst avoiding the issue of concealing them behind large objects such as sofas, which will reduce the radiator’s ability to heat a room. Installing multiple radiators will help distribute heat evenly throughout a room. Traditionally, radiators are placed in the coldest parts of the room, such as under windows or against outside walls to counteract the cold convection of air entering the room. Due to the increasing adoption of double-glazing and high-tech insulation, this is not always necessary.

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Give a thought to the design of a room and decide where radiators are best located to improve the use of space – underutilised areas such as chimney breasts and tight corners are ideal for tall, thin radiators.

2. Ensure the design will heat the room Choosing the correct size of radiator has a direct impact upon its ability to heat a room. To calculate the room’s heat output requirement, refer to our free online heat output calculator.

The result of the calculation is represented in BTUs or watts, which are standard measurements of heat output used by all showrooms and merchants to help customers find the correct size of radiator.

4. Colours and finishes Think about the design and finish of a radiator. There is an abundance of styles available to suit all interior designs, most of which can be finished in a choice of colours and special finishes. Whether you want your radiators to blend into your interior design with neutral tones or make them a focal point with vibrant colours and mottled effects, you can opt to have radiators powder coated in one of over 200 colours and special finishes prior to delivery.

5. Accessorise Valves are a necessity with any radiator so pick a set that matches the style and finish of the radiator. Look out for additional accessories such as towel bars, shelving and hanging pegs, which can enhance the look and functionality of your radiator. Valves come in a variety of designs to match all radiators. theradiatorcompany.com «

30 SPA/LEISURE DESIGN

Heaven in Harrogate When one of Harrogate’s most iconic hotels and resorts embarked on a new £9.5m spa project, it turned to Yorkshire companies Enjoy Design, Horsley and Feather and tile specialist Ceramique Internationale to deliver a sophisticated facility, which reflects the spa town’s heritage.

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ocated in the beautiful Yorkshire countryside, Rudding Park is a Grade I Listed Regency-style country house turned luxury hotel, with 90 bedrooms, two restaurants and a kitchen garden, private cinema, two golf courses and conference and events space. Set across 300 acres of landscaped gardens and woodland, the resort has won a number of prestigious industry awards, including Trivago’s ‘Best Hotel Room’ in 2017, as well as being recognised as the only UK hotel in TripAdvisor’s ‘Hall of Fame for Hotels.’

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Now, after more than a decade of planning and development, the new state-of-the-art spa has opened its doors, adding to the already sizeable list of luxurious amenities offered

by Rudding Park and reflecting the beauty of its natural surroundings.

Closely overseen by owners Simon and Judi Mackaness, the spa incorporates an indoor swimming pool, which utilises natural filtered spring waters from Rudding Park’s 300-acre grounds, a juniper log sauna, a rasul, extensive mind and sense zones, beauty facilities as well as an awe-inspiring rooftop spa.

Above: The new state-of-the-art spa has opened its doors, adding to the already sizeable list of luxurious amenities offered by Rudding Park Rght: Ceramique Internationale called upon tile manufacturer, Ragno, to provide its ‘Landscape’ tile for the relaxing indoor pool Top right: The spa incorporates an indoor swimming pool, which utilises natural filtered spring waters from Rudding Park’s 300-acre grounds Bottom right: A panoramic sauna and infinity pool both overlook Rudding Park’s landscaped gardens

31 SPA/LEISURE DESIGN

This is the home to a hydrotherapy infinity pool and a panoramic sauna, which both overlook Rudding Park’s landscaped gardens. The rooftop spa also includes two steam rooms, an ice fountain, a snail shower experience and a first-of-a-kind rooftop spa garden.

Designed by award-winning Gardener and TV Presenter, Matthew Wilson, the rooftop spa garden provides a haven of peace, offering new heights of rejuvenation and relaxation to guests, who can enjoy the garden sauna cabin, sun deck and spa bath amongst the trees, shrubs and plants.

The spa is also the new location to one of Harrogate’s leading modern restaurants – Horto. Under Head Chef and Masterchef runner-up, Murray Wilson, the restaurant has built-up an award-winning reputation as a popup at Rudding Park, and expands on the resort’s lavish offerings.

To create the spa’s look, the Yorkshire hotel enlisted the help of Leeds-based architect practice Enjoy Design and interior design firm Horseley and Feather from Bradford, along with long-time collaborator and tile specialist, Ceramique Internationale.

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32 SPA/LEISURE DESIGN Left: Designed by award-winning Gardener and TV Presenter, Matthew Wilson, the rooftop spa garden provides a haven of peace Below: The rooftop spa also includes two steam rooms, an ice fountain, a snail shower experience and a first-of-a-kind rooftop spa garden

With more than 40 years’ experience and knowledge in luxury tiles, Ceramique Internationale has worked with Rudding Park over a 10-year period, previously supplying tiles for the resort’s bedrooms, bathrooms and holiday lodges, and has also worked with Enjoy Design on a number of projects throughout Yorkshire.

With a design brief in place, Ceramique Internationale set to work liaising with its contacts of Europe’s finest tile manufacturers and put forward a selection of samples. Ultimately it was an Italian manufacturer, with an esteemed history, which piqued the interest of both Enjoy Design and Rudding Park.

Casalgrande Padana has been manufacturing luxury ceramics in the heart of Italy since 1960. Specialising in swimming pools and spa designs and employing more than 1000 people throughout its six factories, all of which are located in the world’s most important ceramic district; the tile manufacturer is constantly innovating and experimenting.

Ceramique Internationale supplied Casalgrande’s stunning Amazzonia tile in Dragon Grey, positioned to provide a striking edge detail. The Amazzonia was specially chosen to blend with the bespoke drainage system, with some of the pieces being made in the UK to provide a bespoke and aesthetically-pleasing finish.

For the resort’s changing and treatment areas, Casalgrande Padana’s Marte range was used extensively on the walls and floors. Using tones of beige and grey to create the tranquil spa effect, the Marte Grigio Egeo and Botticino tiles were used on the walls, with Grigio Maggia and Grigio Egeo on the floors, with these tiles also featuring the manufacturer’s Bocciardato surface for greater anti-slip properties.

Ceramique Internationale also called upon tile INEX-ONLINE.COM

manufacturer, Ragno, to provide its ‘Landscape’ tile in a beautiful ‘Sabbia’ colour for the hydrotherapy infinity pool and the relaxing indoor pool. The Landscape tiles used on the pool surround feature a Bocciardato anti-slip surface to enhance the

safety of guests, while those used within the pool tanks had a natural surface to create an overall seamless finish.

Cameron Fraser, Director of Ceramique Internationale, said: “The Rudding Park Spa is destined to be one of the finest in the country and recaptures Harrogate’s spa heritage, so we are more than delighted to have been able to play a part in its creation.

“We work hard to build relationships with Europe’s finest tile manufacturers, and this enables us to offer the best products on the market and meet design briefs for exciting projects such as this one. We do believe that being able to put forward our personal recommendations and draw on our expertise, in terms of the right sort of tiles for swimming pools and spas, brings huge benefits to our clients.” tilesandmosaics.co.uk «

Style. Quality.

Luxury. Innovation.

With Hudson Reed, you can have it all.

Combination bathroom furniture offers a unique range of space saving storage solutions for the smaller bathroom.

For more information or to request a brochure please visit us online, or call 01422 417099. www.hudsonreed.co.uk

Grey Avola Combination Furniture.

34 STEEL

True as steel Entering the bathroom sector in 1984, as a specialised company in plumbing and installation systems planning, CEA (Centro Energie Alternative) naturally moved into the design sector in 2007 launching the culture of steel, the material that has become synonymous with high-end quality.

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EA works with AISI 316L for all its taps (L represents low carbon), which prevents impurities from penetrating the alloy structure. AISI 316L is very resistant to corrosion, therefore is ideal for use within coastal and spa areas and wherever pollution is high. Stainless steel is an alloy made by combining iron and carbon that becomes resistant to corrosion from external agents and rust, thanks to passivation, which is a protecting film that steel forms when exposed to air.

Steel is an inert material (it does not send out substances that are toxic to mankind and the environment when exposed to air or water), which, unlike brass, does not need any further treatment (such as galvanic treatment or varnishing), thus keeping its purity and being extremely hygienic.

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35 STEEL

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09 01: Stainless steel is universally recognised as an eco-friendly material 02: CEA works with AISI 316L for all its taps, which prevents impurities from penetrating the alloy structure 03: Steel is an inert material which does not need any further treatment 04: Stainless steel is an alloy made by combining iron and carbon that becomes resistant to

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corrosion from external agents and rust 05: CEA adopts cold working methods for stainless steel 06: Not only is steel 100% recyclable, but also almost eternal 07: To keep its qualities, steel needs to be cleaned with a soft cloth or sponge 08: Any possible watercaused limescale or iron deposit can be easily cleaned with specific products 09: In the case of scratches, steel can be restored by polishing and

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sanitising

Stainless steel is universally recognised as an eco-friendly material that needs far lower temperatures to be produced in comparison to other metals. CEA adopts cold working methods for stainless steel, with the exclusive help of highly precise numerical control machines. No hot melt treatment is used, which avoids the resulting thermal overheating.

The long-term life of the products confirms the eco-friendliness of stainless steel and its mechanical resistance determines the durability of steel and its products. Not only is steel 100% recyclable, but also almost eternal.

To keep its qualities, steel needs to be cleaned with a soft cloth or sponge and a regular cleaner mixed with some water then rinsed and wiped dry. Any possible watercaused limescale or iron deposit can be easily cleaned with specific products for stainless steel. These are easy to find on the market. Bleach or hydrochloric acid may damage the natural protecting film of stainless steel. It’s also advisable to never use metal scouring pads, which may leave iron residuals leading to rust on the surface. Furthermore, in the case of scratches, steel can be restored both by polishing and sanitising mechanical treatment. ceadesign.it  INEX-ONLINE.COM

36 INTERIOR CONSTRUCTION

MCM Architecture completes fit-out for Bird & Bird London HQ MCM began working with Bird & Bird in 2012 when it began developing a forwardlooking property strategy for its London accommodation based on the expiry of several lease obligations in 2016. Split across three buildings, Bird & Bird wanted to consolidate into one London base and appointed MCM to undertake due-diligence to help with its building selection process.

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ollowing this initial due-diligence, Bird & Bird decided to take the whole of 12 New Fetter Lane, a 140,000ft2 building overground and 12 floors. MCM worked very closely with Bird & Bird to establish a robust brief that would inform the design of its new workplace. Bird & Bird saw the move as the opportunity

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Right: Bird & Bird decided to take the whole of 12 New Fetter Lane, a 140,000ft2 building overground and 12

to work in a different way, and become far more open and collaborative which it felt better reflected its ethos as a firm. The results are an agile-ready, open-plan work environment that also contains a variety of work settings that support collaboration and concentrated work. The flexibility of space throughout the building has been integral to its design with the intention of bringing clients into the building to work more closely with lawyers, particularly on substantial matters or projects.

Maintaining information security at a high level has also been incorporated into the layout.

floors Below: Split across three buildings, Bird & Bird wanted to consolidate into one London base Below right: The flexibility of space throughout the building has been integral to its design

37 INTERIOR CONSTRUCTION

MCM consulted widely with staff and the Bird & Bird steering group to communicate the designs at the outset to ensure there was buy-in across the organisation. It was important to help reassure staff that the new office would meet their needs in terms of the technology that allowed them to move around easily and in terms of appropriate quiet space for concentrative work.

The agreed layouts addressed these concerns successfully, and the building provides Bird & Bird with all the amenities it requires, including extensive client facilities with a seminar space and client business lounge on the first floor and a further client meeting suite on the 12th floor.

A feature staircase was installed in reception to bring large numbers of visitors easily up to the seminar space and client business lounge on the first floor. The stair itself, designed by MCM and manufactured by EeStairs, is a focal point as you enter the building.

The attractive staircase, finished in a liquid metal antique bronze,

features four landings and elliptical geometry. Created and fabricated from mild steel with a plate steel inner balustrade, it features an illuminated recessed handrail. The staircase includes EeStairs’ luxury EeSoffit finish, a CNC-processed polymer soffit that is incredibly stable and durable.

A complex design Steven Bray, Senior Creative Advisor at EeStairs UK, commented: “The Bird & Bird feature staircase is an extraordinary example of where elliptical geometry, a towering 6.2m floor height and the presence of four large landings contributed to the complexity of the design, manufacture and installation stages.

“The design process focused on delivering specific positions for the first and last treads, flowing inner and outer balustrades alongside multiple landings and balance of proportion with structural performance and build ability.

“With the staircase making a long elliptical journey punctuated by landings, the pursuit for structural performance was a significant challenge requiring the discreet placement of 12 tonnes of mild steel and the development of an incredibly stiff inner balustrade.

EeStairs’ craftsmen rose to the challenges associated with forming the complex elliptical EeSoffit and steel balustrade with integrated handrail whilst the fitting team focused on ensuring that the stair was installed perfectly and prepared for the cold spray antique bronze liquid metal finish.”

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38 INTERIOR CONSTRUCTION

Top: At the heart of the building is the 11th floor, a central hub for staff to grab a coffee or a bite to eat Above: A feature staircase was installed in reception to bring large numbers of visitors easily up to the seminar space

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Due to the high quality of the base building, finishes were selected that respected both its design and finishes. MCM took a great deal of care to ensure that the finishes of the fit-out were of the same high standard and matched or complemented the base building. Feature elements such as the angled fabric panelling on the ground floor picks up on the profile of the facade of the building.

The fit-out maintains the base build BREEAM rating.

At the heart of the building is the 11th floor, a central hub for staff to grab a coffee or a bite to eat, and where they can hold informal meetings throughout the day in a space specifically built to enhance collaboration. The lightness and brightness of the 11th floor and the tremendous views across London from the terrace help to make it a relaxed and dynamic atmosphere for all staff.

Within the working floors, Bird & Bird has moved away from the traditional cellular approach to a 100% open-plan environment.

This has been a big change for the organisation, and the briefing and early consultation was integral for making the change a success.

In the office areas, MCM has taken advantage of the excellent natural light and views by placing desks around the perimeter of the building. Opting to move in to a more open-plan environment also had an impact on fit-out costs. These were substantially reduced, as there were limited modifications to the base build air conditioning on the working floors and a greatly reduced number of partitions were required.

To ensure that the integrity of the design concept was maintained throughout the construction, MCM worked closely and successfully with the contractor, Structuretone, under the design and build contract.

The whole team worked seamlessly together ­and the result is a testament of what a fully integrated team, including client, landlord team, design team and contractor can achieve.

Bird & Bird wanted the new office to reflect its openness to its clients, to provide additional services and to encourage collaboration and communication across all practice areas within the organisation. 12 New Fetter Lane has achieved that, with the new environment being very wellreceived by clients and staff alike. mcm-uk.com «

STYLE LIBRARY CONTRACT REDEFINING CONTRACT INTERIORS EXPLORE CONTRACT SUITABLE FABRICS AND WALLCOVERINGS FROM RENOWNED INTERIORS BRANDS AT STYLELIBRARYCONTRACT.COM

40 EXTERIOR PRODUCTS

Capturing the aesthetics of the outdoors with hospitality furniture trends With the sun starting to show its face and more people taking to the outdoors, hospitality establishments are seeing their outdoor areas busier than ever. So, it is important to provide customers with comfortable, stylish and durable outdoor furniture that captures the aesthetics of the space as well as being practical and functional, says Liam O’Donnell, Director of Valdivian Furniture.

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urniture can define the atmosphere of the outdoors and plays a crucial role in creating an inviting, comfortable setting that complements the entirety of the hospitality backdrop, making a nice addition to the indoor interiors.

However, like with any furniture, outdoor styles and trends are constantly evolving, demonstrating the importance of capturing the perfect balance between luxury and comfort for your outdoor space.

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Through utilising the latest trends in hospitality furniture, you can create a relevant space that will fulfil its function and wow guests. Here are some fundamental trends and aspects to consider for your outdoor space in 2017: The importance of colour Although the colour of furniture may seem like a simple aspect of design, it entails much more than the aesthetics and should not be overlooked. In the hospitality industry, it is crucial to consider the deeper psychological meaning behind the colour and the outcome this might have on guests. Outdoor furniture can often represent a sense of serenity, nature and calmness, so if the goal of your outdoor space is to construct an aura of relaxation and

comfort, it is important that your colour palette mirrors this. Using muted blue and green tones (such as aqua) can cement a feeling of relaxation which can have a positive effect on the guest’s state of mind. Conversely, if your aim is to establish a lively and energetic atmosphere with a theme, use the colour of the furniture to reflect this.

Deep pinks and oranges can create an energetic, Caribbean-style vibe which is particularly suitable for establishments aiming to reinforce an energetic atmosphere.

Natural materials Minimalist metals and man-made materials have dominated the outdoor landscape for years, but 2017 is paving the way for a return of natural furniture and less geometric styles. Clean and modern furniture is subsiding in demand and more establishments are seeking furniture that blends in with nature and has a more rustic ambience. Capturing an organic outside space with raw woods, stone, shrubs and swinging

41 EXTERIOR PRODUCTS

seats can construct a relaxed outdoorsy feel that complements the naturalistic setting. The DIY style can encourage customers to feel comfortable, tranquil and stress-free whilst giving the hospitality setting an ‘at-one-with-nature’ look.

Merging the outdoors and indoors Removing the boundaries between the inside and the outside can be a great way to mix up a space and create a synergy that runs through the establishment.

Bringing cushion-style furniture to an outdoor environment can mirror the comfort of the indoor space and encourage guests to relax. Outdoor furniture can now be purchased with a range of durable upholstery that is both practical and comfy and can be covered with throws and cushions to further mimic an indoor space. Hospitality establishments can tailor this to the needs of guests by getting creative with upholstery materials, choosing from a range of exciting colours and textures.

Mix and match In previous years there has been pressure on hospitality establishments to have matching furniture that conforms to a single theme. However, 2017 is daring to be more creative and a mismatch of materials, textures and styles can establish a truly unique outdoor ambience. If you can’t decide between wicker and aluminium, don’t! Just pick both. This not only gives customers a range of seating options to fit their mood, but it also makes a space look exclusive, stylish and perhaps even a little artistic. However, the styles must still go well together and shouldn’t clash in an unaesthetic way. This can be avoided by commissioning customised outdoor furniture sets that harmonise to create a tasteful outdoor environment.

Top left: Clean and modern furniture is subsiding in demand and more establishments are seeking furniture that blends in with nature Top centre: More customers are paying attention to environmental

Environmentally-friendly furniture With conscious consumerism on the rise, it is important to consider the bigger picture behind furniture design.

More customers are paying attention

initiatives, placing importance on the wider impact of the furniture Top right: Although the colour of furniture may seem like a simple aspect of design, it entails much more than the aesthetics Above: Bringing cushion-style furniture to an outdoor environment can mirror the comfort of the indoor space and encourage guests to relax

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42 EXTERIOR PRODUCTS Right: 2017 is daring to be more creative and a mismatch of materials, textures and styles can establish a truly unique outdoor ambience Below: Furniture can define the atmosphere of the outdoors and plays a crucial role in creating an inviting, comfortable setting

to environmental initiatives, placing importance on the wider impact of the furniture. Hospitality settings can create a mindful USP by using certified woods and materials that lessen the impact on the environment. This represents a great opportunity to develop a unique personality for the space that will hold more meaning for consumers and develop a distinctive importance for the designs.

Embracing rusticity There is no longer a need for outdoor spaces to be perfectly modern and immaculate with rustic trends making their way back into the hospitality sector. Timeworn styles, distressed wood, neutral colours and washed-out effects are all a great way to create a rustic, effortless environment for an outdoor space. This can be further complemented with stone paving to accentuate the natural look or conversely metallic finishes to establish a unique diversity within the space.

Minimising maintenance If you are looking to create a truly remarkable outdoor space but don’t have the time to top-up wood stain, INEX-ONLINE.COM

remedy the weather-worn or apply furniture covers, then opting for low-maintenance materials might be the way forward. Aluminium is a good choice for fuss-free outdoor furniture, as it is weather-resistant, doesn’t rust and is extremely lightweight. This means that the furniture will last longer, making it the perfect solution for those looking to create a sophisticated outdoor setting that isn’t timeconsuming. It can also be moved around easily, so changing the placement of furniture is a relatively quick way to change-up the environment and refresh the outside space.

It is clear that there are a whole host of trends, designs and themes to make outdoor hospitality spaces truly unique whilst establishing a mixture of luxury and comfort for customers.

Whether it is a natural ambience, an environment that accentuates comfort or conscious furniture, there are plenty of ways to ascertain an exclusive outdoor setting for the sunny days ahead. valdivianfurniture.co.uk «

43

in + ex LANDSCAPING

Inex-online.com Interior and exterior design inspiration

The comprehensive online specification portal for interior and exterior design professionals. Inex takes visitors on a virtual journey, inspiring the design community with the latest news, on-trend products and high-profile interviews.

www.inex-online.com

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44 RECYCLED/RECLAIMED

Striving to close the manufacturing loop Nigel Stansfield, President at Interface EMEA, explains how recycling and reclaiming interior furnishings is crucial to help us achieve a more sustainable built environment.

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Top: LCAs are vital to identify exactly where in the supply chain changes can be made to reduce the environmental impact of manufacturing processes Above: Nigel Stansfield is President of Interface EMEA Above right: Partnerships can also help to significantly boost the use of recycled materials and reduce the environmental impact of entire manufacturing operations Right: By working with like-minded partners Interface has been able to achieve a number of breakthrough developments to reduce the reliance on virgin raw materials

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round the world, we’re consuming more raw materials than the planet can produce. In fact, people internationally have begun marking ‘Earth Overshoot Day’ – an annual date when humanity’s resource consumption for the year exceeds earth’s capacity to regenerate those resources that year.

Earth Overshoot Day is taking place earlier and earlier every year, as we consume more and more limited resources – in 2016, it fell on 3rd August, while in 2010 it was marked on 9th August and in 2000 it occurred on September 23rd.

Manufacturers are becoming increasingly concerned about this issue, and the scarcity of resources needed to keep up with the demand for goods. This has led to a surge in such companies adopting sustainable procurement strategies.

For many organisations, the key to creating these kinds of strategies is to increase the use of reclaimed or recycled materials. Doing so is vital to help reduce the reliance of manufacturers on virgin raw materials and minimise their impact on the wider environment.

Positive steps are already being made within our existing manufacturing infrastructure, but without radical change to the supply chains feeding companies’ production lines, the impact of such measures will be limited.

What more can manufacturers do to optimise their use of recycled materials and close the production loop?

Strive for genuine innovation If manufacturers – and, indeed architects and designers – are to become truly sustainable, genuine innovation is crucial. This means striving to implement radical change and transformative thinking across their operations.

45 RECYCLED/RECLAIMED

For Interface, genuine innovation is about spearheading more sustainable ways of working, challenging long-held perceptions and breaking traditions that are held as the norm. This begins with a commitment to measuring the environmental impact of all of our products from the raw materials through to end use, and to using such lifecycle assessments (LCAs) to communicate our flooring’s sustainability to the wider industry.

LCAs are vital to identify exactly where in the supply chain changes can be made to reduce the environmental impact of manufacturing processes. However, such changes cannot be achieved by any one company in isolation. When implementing an idea – regardless of how ambitious it may be – getting support from like-minded partners can make it much more effective.

By collaborating with partners, businesses up and down the supply chain can pool resources and share insight and knowledge to overcome a wide range of manufacturing and supply chain challenges, with minimised risk. Such collaboration can come in many forms, from partnership between research bodies and businesses, to forwardthinking companies cooperating with each other to achieve a common goal.

A great example is when IKEA partnered with design studio, Form Us With Love, to create a new kitchen range – Kungsbacka – made entirely from recycled plastic bottles.

Not only has the partnership helped to create a stylish, yet affordable kitchen collection for the furniture retailer’s customers, it also provides a new, more sustainable source of raw materials for future products.

Partnering to close the loop More than just improving the sustainability of end products, such partnerships can also help to significantly boost the use of recycled materials and reduce the environmental impact of entire manufacturing operations.

Indeed, by working with like-minded partners Interface has been able to achieve a number of breakthrough developments to significantly reduce the reliance on virgin raw materials in the modular flooring supply chain.

PVB (polyvinyl butyral), for example, is a laminate material found in car windscreen glass that prevents it from shattering, and is a common waste element from the automotive industry. Interface worked with Shark Solutions – a company that specialises in recycling the product – to explore potential uses for the substance in the flooring industry. The result was the development of a solution that extracts PVB from glass, refines it into dispersion, and can act as a precoat to fix yarn to the backing compound when manufacturing Interface flooring.

In 2011, the company developed Fotosfera, the first carpet tile made from biobased yarn. Made from 63% biobased content, the collection utilises oil which comes from the seeds of the castor bean plants. Two years ago, Interface piloted a biobased formaldehyde-free glass fleece for backing and is progressively switching its entire European portfolio to incorporate this new material.

These are just a few examples of how collaboration can help significantly reduce manufacturers’ reliance on virgin raw materials. We at Interface have learnt that, by collaborating with others in our sector and beyond, we can share knowledge and encourage others to find ways to maximise the use of recycled and reclaimed materials in their operations as well.

Innovation for a more sustainable future To close the production loop, it is crucial that all companies strive to fundamentally rethink how they source raw materials for their products. By looking beyond their own company and sector, and exploring sometimes radical new opportunities, organisations can find previously untapped sources of recycled materials to harness.

By doing this, businesses can work together to revolutionise the existing industrial landscape, bringing us even closer to our ultimate goal – to build a more sustainable future for everyone. interface.com « INEX-ONLINE.COM

46 NEW DESIGNERS PREVIEW

All images ©Cocksedge

Left: New Designers takes place at the Business Design Centre, Islington, London, from 28th June to 1st July (part one) and 5 to 8th July (part two) Below: Featuring over 3000 of the year’s best graduates, there is no shortage of youthful energy and inspiration at the show

New Designers returns for 2017 There is nothing more invigorating for creative practice than an influx of fresh creative ideas, and no better place to find this than New Designers, the UK’s top exhibition for graduate design.

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eaturing over 3000 of the year’s best graduates, there is no shortage of youthful energy and inspiration at the show – making it a fantastic place to recruit new talent and be inspired.

If you’re looking to work with and commission new makers and designers for interiors, the go-to feature is One Year On – a showcase of the most exciting designers in their first year of business. This year’s One Year On is bigger than ever, with 80 across both parts of the show. Having only recently launched their studios, these designs are unlikely to be seen anywhere else. Selected by a panel of industry experts, and curated by Rheanna Lingham, Owner and Founder of Luna & Curious, quality is guaranteed.

Innovative wall decorations are a particular feature of this year’s selection, from Anita Carnell Studio’s large-scale black leather and hand-stitched gold features, and Cisca Jane’s crystalline-glazed ceramics to Laura Marriot’s beautifully embroidered, travel-inspired sculptural art. There is also an abundance of traditional materials and techniques repurposed for modern interiors, such as Brook Studio’s handmade furniture utilising 5000-year-old bog oak, Winter and Kurth’s seamless graphite marquetry and Beamish Blacksmithing’s hand-forged metal floor lamps.

Space-saving ideas are a big trend, exemplified by Addax Design’s award-winning modular sofas and Studio Perki’s ingenious, elegant fold-flat wooden furniture range, which requires neither screws nor tools to assemble. Industrial INEX-ONLINE.COM

and Brutalist aesthetics are also popular, from New Designer of the Year 2016 Rob Anderson’s metal and ceramic vessels and HAME’s concrete coffee table to Bethany Stafford’s architecturally-inspired, poseable ceramic objects.

Bold colours are prolific, whether in Chloe and Annie’s vibrant, screenprinted illustration wall hangings, Alice Heaton’s exuberant ‘Life Within’ range, which uses colourful hot glass techniques to capture the dynamic movement of sub-aqua currents, or Carmen Machado’s outdoor deckchairs, which upcycle colourful rope fishing nets. Textile and soft furnishing highlights also include

Esther Van Schuylenbergh’s collection of woven upholstery, curtain and wallcovering fabrics, Theo Riviere’s simply tessellated patterns, recently featured on Made.com, and Abby Costello’s bright, refreshing and sophisticated abstract designs.

For further inspiration delve into the main show, which this year features new interiors exhibitors from Coventry University, Southampton Solent University, Ravensbourne and the University of Lincoln, in addition to regular highlights Nottingham Trent, Leeds College of Art and The Glasgow School of Art. On the Wednesday preview of each part of the show, don’t miss the prestigious New Designers Awards, presented in partnership with leading brands such as Harlequin, John Lewis, Kingfisher and Virgin Atlantic. New sponsors this year include Sainsbury’s Home, Joseph Joseph and Zizzi, which has a long history of commissioning designers from the show to decorate its restaurants across the UK. New Designers takes place at the Business Design Centre, Islington, London, from 28th June to 1st July (part one) and 5 to 8th July (part two). newdesigners.com «

DEFINING THE ART OF OUTDOOR STYLING

FABRICS FOR LUXURY EXTERIORS EXTEX fabrics combine a luxurious look and feel, designed to complement and enhance even the most exclusive exterior space, they are suitable for use on all outdoor furnishing applications. The co-ordinating ranges offer over 100 contemporary colours, bringing a perfect style conclusion to any design project.

Discover our extensive fabric collection at www.extex.co.uk

AMSTERDAM

ANTIBES

BERLIN

BOLOGNA

JOHANNESBURG

LONDON

MONACO

SYDNEY

ZURICH

48 PRODUCT SPOTLIGHT

Style Library Contract summer trends 2017 After the successful launch of its brand new Anthology wallcoverings collection ‘Definition’ at Clerkenwell Design Week, Inex caught up with Group Contract Sales Director, Carolyn Mitchell, to discover Style Library Contracts’ trend predictions for summer 2017.

Tell us about Style Library Contract?

Style Library Contract brings together Harlequin, Anthology, Zoffany, Morris & Co., Sanderson, Scion and FR-One – all under one rather inspirational umbrella. We consider ourselves a one-stop resource for interior designers, architects and specifiers around the world.

How important is it for you to be at the forefront of new trends?

Design is at the heart of everything we do and we’re proud to be original. We are constantly delighted and inspired by our in-house designers; arguably one of the most talented teams in the industry. From concept to creation, our collections reflect their unique talents, personalities and handwritings – with stunning results.

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Above: Nomad is an exploration of our world, celebrating its bright hues and natural shades Below: Zen is a confident, composed and enriched colour palette of sophisticated neutrals in matt and metallic effects

What trends are you seeing for summer 2017?

Colour has the power to change an interior ambience, so getting it right is vital in commercial spaces. Our in-house studios are at the forefront of colour and design development, whether it’s energetic brights, sophisticated neutrals or romantic blushes, we place huge emphasis on creating on-trend balanced collections for our contract clients. Having our own manufacturing facilities also allows us to develop bespoke colourations when needed. This summer we have seen four major colour trends alongside Pantone’s Greenery; Zen, Nomad and Bliss.

Moody metropolitan tones in subtle textures and combinations of matt and shine capture the essence of our Anthology brand, a new generation of contract specification fabrics and wallcoverings that are created by state-of-the art technology to achieve groundbreaking, sophisticated finishes that interior designers and hotel groups worldwide can easily access.

The word ‘harlequin’ means ‘varied in colour or decoration’, which sums the in-house studio’s eclectic design ethos perfectly. Driven by their love of colour, collections are inspired from around the world.

The intensity of colour found in nature is evident in

Fauvisimo’s powerful colour palette which ranges from cobalt blues and deep magentas to moody greys, on-trend mustards, highlights of muted greens, blush pinks and honey shades. Sanderson’s classic palette of pinks, fresh greens, teals and lilacs lie at the heart of Waterperry, an impressionistic style of effortless floral designs. The coral colour palette mingles with silvers and greys. Lilacs, indigos, creams and mints sit well in this blissful collection. Designed with easy elegance to provide a calming and serene interior backdrop.

Green comes in many forms and produces varying effects, pure greens such as Pantone’s ‘Greenery’ inherently possesses a tranquil quality. This restorative, transseasonal colour introduces a sense of refreshment to the room and the minds within it. In contrast, organic malachite greens can bring a pop of colour and energy whilst still reflecting a natural essence. stylelibrarycontract.com « info@stylelibrarycontract.com « 0201 399 0500 «

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50 PRODUCT SPOTLIGHT

Moroccan oasis Influences from different cultures and adventurous travels around the world continue to be an exciting interior trend to explore in our homes throughout 2017.

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nspired by the ambience of the Moroccan medina, the Jewel collection from Extex offers a captivating range of opulent chenille furnishing fabrics to transform the inside or outside space of your home into an indulgent oasis. The richly-coloured spice stands, famous in the Moroccan souks, influence the colour palette with vibrant tones of turquoise, royal purple and fuchsia pink amongst the 12 colours available in the range.

Bright tones can be combined together to add an exotic pop of colour to your interior with neutral accompanying tones perfect for softening the look.

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Above left: The textured plain range of chenille fabrics in the Jewel range are complemented by four ‘sparkle-infused’, glamorous designs Above right: The Jewel outdoor fabrics are reassuringly easy to care for and combine outstanding performance capabilities, including being water-repellent, stain-resistant and machine washable

Diverse textures and layers of soft furnishings are essential in creating the laid-back luxury seen in the traditional city riads. The chenille material of Extex’s Jewel collection provides a sumptuous texture that is perfect for upholstery and adding luxury style and comfort to your home. The riads of Marrakech perfect the harmony of inside and outside living with central interior courtyards open to the elements. Equally suited to withstand the weather outdoors or life inside, the subtle surface of Jewel is ideal for introducing the Moroccan trend anywhere in a home. Bring the chenille furnishings outside to make the longer summer evenings and in winter reintroduce the beautifully textured fabrics to your interior scheme to be enjoyed all year round. In each and every one of its designs, Extex focuses on creating stunning ranges of fabrics that are not only visually stunning, but also incredibly practical and easy to look after. Designed to coordinate with all other fabrics in Extex’s diverse ranges, the Jewel outdoor fabrics are reassuringly easy to care for and combine outstanding performance capabilities, including being waterrepellent, stain-resistant and machine washable.

The textured plain range of chenille fabrics in the Jewel range are complemented by four ‘sparkleinfused’, glamorous designs guaranteed to add a twinkle of exotic charm to any indoor or outdoor space. The intricately woven textiles incorporate a shimmering silver thread throughout the fabrics’ fibres, bringing a decorative Moroccan and metallic touch to courtyards, garden terraces or the home.

Diverse textures and layers of soft furnishings are typical to the casual luxury created in a Moroccan-inspired interior. Soft and tactile chenille fabrics are perfect for achieving a sought-after sumptuous lounging style. Jewel looks to the finer details to introduce the luxurious edge; adding tassels, contrasting buttoning and piping as well as hints of pattern, all of which are all great ways to achieve the layered look and really capture the atmosphere of the traditional riads.

Whether you’re hoping to embrace the Moroccan trend in small accents or in entirety, the Jewel collection from Extex is the perfect upholstery material to assist in creating your very own Moroccan oasis. extex.co.uk « info@extex.co.uk « 01634 718871 «

51 PRODUCT SPOTLIGHT

Christopher Hyde continues to develop its range of lighting Christopher Hyde is renowned for its traditional designs and has now started to develop more contemporary ranges. The handmade lights have been installed across the world, from country cottages to Royal palaces. In many of its ranges, Christopher Hyde can offer hand-finished options as standard, allowing the client the finish they require to complement the interior decor in the project.

Many architects and designers approach the company to produce bespoke designs. Using its artisan skills, the company is able to manufacture almost anything its customers request. As an expert in manufacturing cast fixtures including creations of low wax cast decorative details, Christopher Hyde produces exquisite designs. christopherhyde.com 0207 351 0863

Osmo meets the demands for wooden decking Osmo UK offers a range of decking oils to protect and maintain exterior decking. Osmo Decking-Oils provide resistance against water and dirt, while offering an appealing satin finish. Available in 10 different shades and one clear Teak-Oil, there is a product for a number of wood species, including bangkirai, cedar, Douglas fir and oak. Made from natural plant oils, organic pigments and water-repellent additives, the microporous finish allows the wood to breathe, which is essential for exterior wood. The eco-friendly ingredients help to regulate the wood’s moisture content, reducing swelling or shrinking and preventing the wood from cracking, flaking, peeling or blistering. osmouk.co.uk 01296 481220

Polysafe flooring helps primary school welcome new pupils High-performance wood-effect safety flooring from Polyflor was recently selected for an £8m new-build school project, Newton Leys Primary School & Nursery in Milton Keynes. Approximately 1200m² of Polysafe Wood fx PUR safety flooring was installed at the primary school. High clarity timber-effect Polysafe Wood fx PUR safety flooring in the ‘American Oak’ design was used throughout the school, in classrooms and around areas where spillages may occur, such as in kitchenettes and children’s sink areas. As a hardwearing commercial safety floorcovering, the Polysafe Wood fx collection is designed to cope with the demands of busy school environments where there are high levels of foot traffic. polyflor.com 0161 767 1111

New soft seating collection provides a warm welcome A new soft seating collection from Lyndon by Boss Design exemplifies how hospitality designs continue to influence the office environment, helping to create a softer, more relaxed workplace. Ideal for foyers and welcome areas, Manta subtly harmonises handcrafted luxury with a contemporary edge. Featuring a two-seater sofa with matching armchair, this new collection is designed to offer a compact and informal seating solution for corporate receptions and breakout areas, in addition to hotel lobbies. Manta presents the specifier with tremendous scope and choice, and is available in a wide array of fabrics and leathers alongside a choice of leg finishes in polished or painted aluminium as well as European oak. lyndon.co.uk 01242 584897 INEX-ONLINE.COM

52 PRODUCT SPOTLIGHT

This year’s category winners : Employee of the Year – Moray Anderson, ARDEX UK Best Innovation – Saint-Gobain Weber: weberfix pro lite Excellence in Manufacturing – Craven Dunnill Jackfield Best Ancillary Product – FILA: FILANO RUST Trainee of the Year (Non-Fixer) – Craig Benn, Ceramic Tile Merchants Best Environment Initiative – Norcros Adhesives, Minimising Environmental Impact Best E-Commerce Website/App – Tile Mountain Best Renovation Project – Harper & Edwards: The Garrick Club Excellence in Multiple Retailing – Topps Tiles Excellence in Marketing – Instarmac: Website & Product Planner App Excellence in Distribution – Nicholls & Clarke Group Best Retail Showroom – Casa Ceramica Tile Company Best Use of Tile in a Domestic Environment (Bathrooms & Wetrooms) – Casa Ceramica: Storton Bathroom

TTA Awards night – another great success for the industry The TTA Awards 2017 has once again provided a great showcase for the tiling industry. This year the awards, hosted by Emma Jesson, took place at the Radisson Blu Portman Hotel in central London.

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he winners of 22 categories were declared during the course of the evening – six of these being determined by public vote, the rest being adjudicated by the TTA’s panel of expert judges.

“I think this 11th TTA Awards has been our most successful ever,” says TTA Chairman, Ian Kershaw.

“It’s always great to recognise the real achievers in our industry, whether they are tile fixers, manufacturers, retailers, distributors or contractors. It shows the real strength of our industry and that we are able to demonstrate such a wealth of talent, enterprise, hard work and creativity from within our member companies.

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“I would like to thank all those who entered the awards this year, all those who came along to the event itself, our judges who gave freely of their expertise to make the awards possible, those who voted in the public voting categories and this year’s ‘Gold’ sponsors who made it all possible financially.”

The Gold sponsors for the event were ARDEX, BAL, Bellota, Impey Showers, Norcros Adhesives and Tilemaster Adhesives.

As well as the serious business of presenting awards, the event was once again a great networking occasion and an opportunity for the industry to get together and enjoy some top-class entertainment.

Best Use of Tile in a Domestic Environment (Kitchens) – Armatile: private house and Creative Tile & Stone: private house (joint winners) Best Use of Tile in a Commercial Contract – ARDEX: 80-100 Victoria Street Best Use of Tile in the Leisure/Hospitality Industry – Grespania Ceramica: Park Regis Hotel Excellence in Tile Contracting – Arrow Tiling Trainee Tile Fixer of the Year – Gordon Cooke, A De Cecco Tile Fixer of the Year – Sharon Taylor, Viva Tiling Floor Tile of the Year – RAK Ceramics: Circle Wood Wall Tile of the Year – RAK Ceramics: Country Brick.

The evening also raised £2500 for Children Today, the TTA’s nominated charity, for whom the industry has been raising money for the past 11 years. tiles.org.uk « info@tile.org.uk « 0300 365 8453 «

Above left: Ceramic Tile Merchants was a finalist in the ‘Best Use Bathroom Wetroom’ category Above: All the winners at the TTA Awards

53 PRODUCT SPOTLIGHT

OrganoWood makes timber cladding sustainable OrganoWood, a leading sustainable wood protection specialist, is fast becoming known as having the ideal solution to protect and strengthen all types of timber cladding. OrganoWood provides architects, professionals and end-users with an environmentallyfriendly and durable wood protection system that ensures longevity, without using harsh chemicals. Featuring three leading products – OrganoWood 01 Protection, OrganoWood 02 Repellent and OrganoWood 03 Cleaner – the system provides a wood protection treatment that protects and aesthetically enhances external timber cladding from the exterior elements. organowood.co.uk 01296 323770

Double delight for new Maxtop designs Kitchen and bathroom worktop specialist, Maxtop Quartz, has unveiled two brand-new surface designs to complement its existing range of prefinished worktops. Pure White and Pewter Grey will ensure the Maxtop Quartz range offers a modern selection of both sparkling and plain finishes, keeping the product portfolio fresh and on-trend. All Maxtop Quartz surfaces benefit from engineered enhancements, such as a patented polypropylene interior honeycomb core, which provides enhanced impact resistance, lightweight ergonomics and waterproof qualities. Providing all the beauty and strength of a solid quartz surface, without any of the drawbacks of traditional solid stone. maxtopquartz.co.uk 0161 224 0333

New photography reveals diverse styles Created on the classic Bauhaus principles of simplicity and elegance of design, Landmark from Samuel Heath brings together design, craftsmanship and technology in a comprehensive collection of taps, showers and accessories. New photography shows how materials, finishes and textures combined with understated form in the new collection enhance a diverse range of interior styles and settings.‘Industrial Chic’ is about exposing all that lies beneath to achieve a raw, edgy style. By contrast, the Scandi/Nordic chic look is all about keeping things simple and investing in quality. samuel-heath.co.uk 0121 766 4200

New walk-in shower screens from Design Solutions The new Design Solutions range from AQATA includes a line-up of luxury shower screens and walk-ins which are styled specifically to create contemporary wetroom-style shower spaces. Models from AQATA’s latest collection, Design Solutions, have spans of uninterrupted 10mm glass reflecting light and providing the perfect water barrier. Designed by an in-house team of skilled craftsman, the new shower screens can be made to measure to fit exact specifications and customised to create a truly personalised design. The new Design Solutions DS400 and DS405 shower screens are perfect walk-in corner solutions providing stylishly secure water barriers. Suitable for shower trays, wetroom applications and power showers. aqata.co.uk 01455 896500 INEX-ONLINE.COM

54 PRODUCT SPOTLIGHT

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he BLANCO Idento series delights with its extensive lines and aesthetics and appeals with its clearly defined functional areas and generous bowls – with tight radii. The natural ceramic material enhances the strong design and the exceptionally flat rim creates a harmonious transition to the worktop. With an exceptionally flat rim and tight radius, each sink strikes a perfect balance of style and practicality.

BLANCO Idento 6 S comprises a spacious main bowl, practical additional bowl and a slender divider

Striking lines from BLANCO’s Idento sink range BLANCO has introduced its new Idento ceramic sink range, which includes three striking models – Idento 45 S, 6 S and XL 6 S.

BLANCO Idento 45 S is generously proportioned for an extremely large drainer area, which opens up a very large storage and working area

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Stylish integration Each model comes complete with a BLANCO InFino drain system for stylish integration and easy care.

BLANCO InFino is the elegant way to create excitement at the sink. Thanks to the design, BLANCO InFino adapts perfectly to the bowl topography.

The result is a generous, calm overall effect that is pleasing to the eye and enhances the sink centre. Thanks to the simple, contemporary design, the drain concept adapts perfectly to the bowl’s form resulting in a smooth, flat surface; it always remains flush whether opened or closed.

Spoilt for choice Available in three versions, the BLANCO Idento range of designs adds expression to individual requests, and is also available in a flush mount option. BLANCO Idento 45 S is generously proportioned for an extremely large drainer area, which opens up a very large storage and working area, while BLANCO Idento XL 6 S’ extra-large bowl offers a generous capacity and, finally, BLANCO Idento 6 S comprises a spacious main bowl, practical additional bowl and a slender divider that enhances the harmonious overall appearance of the sink centre.

BLANCO’s Indento sink range is available in six colours – magnolia, jasmine, crystal white, black, basalt and alu grey.

Excellent craftsmanship, first-class materials and unbeatable designs all define the BLANCO brand, and the Idento range is no exception. blanco.co.uk « info@blanco.co.uk « 01923 635200 «

55

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History colours design Dramatic wall design at the refurbished Tottenham Court Road Underground Station is reminding the public just how stunning centuries-old terrazzo materials can be when specified for walls and floors. Here, TRI Contracting has used terrazzo to restore the iconic Eduardo Paolozzi mosaic work and it is a stunning example of how the material can brighten everyday life.

PRODUCT SPOTLIGHT

ne of the greatest changes in architectural design in recent years has been the resurgence and use of colour to avoid the drabness of post-war buildings and to exploit the potential of what both traditional and modern materials can offer. For the architect and designer, colour has now become a key component of design rather than a finishing touch.

Colour has become another tool with which to enhance the character and ambience of a building.

For example, changes in metal manufacture have enabled intense panels of colour to brighten facades.

Similarly, a recognition of the qualities and durability of traditional terrazzo craftsmanship has provided designers with yet another choice of material and a palette of colours.

Terrazzo flooring is extremely hardwearing and will outlast almost all other types of floor coupled with the lowest possible cycle costs. It offers pattern and shapes with varying levels of finish from honed to polished or designed with decorative graphics by waterjet cutting.

Leading suppliers of terrazzo, as well as marble and other coloured stones, are all members of the National Federation of Terrazzo Marble and Mosaic Specialists. nftmms.co.uk « 0845 609 0050 « bjames@nftmms.org «

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56 PRODUCT SPOTLIGHT Left: Lighting should not only be selected for its functionality but its sculptural qualities and suitability to location Below: LSE’s philosophy is that good lighting holds the key to creating and capturing atmosphere

LSE Lighting’s bespoke product design and supply service LSE Lighting is a cutting-edge company which specialises in high-end, innovative lighting design solutions for commercial and residential projects. Its expertise encompasses conceptual design and architectural planning.

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SE Lighting’s bespoke product design and supply service blends seamlessly and harmoniously, and is tailored to individual needs. At the heart, LSE’s philosophy is that good lighting holds the key to creating and capturing atmosphere. Lighting is one of the most important elements in design consideration for any interior or exterior project, whether for commercial or residential applications.

Lighting should not only be selected for its functionality but its sculptural qualities and suitability to location. The focus is to ensure lighting design works from the inside out, with serious consideration to architecture, visual appeal and day-to-day practicalities. This includes the importance and impact of light on a space and how that space will be used both in terms of form and function. LSE provides a flexible range of design consultancy services from single room schemes to turn key solutions for entire projects.

Fundamental to its new and existing client relationships is the interpretation of LSE’s clients’ requirements to INEX-ONLINE.COM

produce a successful lighting scheme or solution. LSE thrives on working in a personal way, allowing it to capitalise on its ingenuity and dexterity; a system that has proven to deliver exceptional results time after time. This process ensures LSE’s designs are on-trend but also easily adaptable for global distribution.

Processes such as listening to the client and understanding key deliverables, taking a brief and applying the company’s expertise and knowledge aids the delivery of an effective lighting solution. LSE draws on design, influence, trends, product and market knowledge, as well as perfecting individuality.

LSE prides itself on inspirational lighting design solutions, reflecting quality and a personality that is aesthetically appealing, to enhance the overall look of a lighting scheme.

Working with reputable suppliers and using the latest prototyping technologies, LSE Lighting provides tailored lighting products, uniquely developed for the client’s project.

The company’s designers and technicians are experienced in laser cutting for structural metalwork, as well as using 3D printing.

Concepts can be illustrated based on photographs and architectural plans.

LSE designers use three-dimensional simulations to validate the effectiveness of the overall scheme before even starting production.

With over 20 years of experience, LSE Lighting prides itself on its ability to synergize both technical and decorative lighting, resulting in superlative results.

Lselighting.com « sales@lselighting.com « +44 01905 22243 «

57 PRODUCT SPOTLIGHT

Bette chosen to provide baths at the iconic Principal Edinburgh Glazed steel bathroom specialist, Bette, was chosen to supply its high-quality baths as part of the multimillion-pound refurbishment of the iconic Principal Edinburgh Hotel.

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he luxury hotel, which occupies a heritage building on the famous George Street, in the heart of Edinburgh, and is formed from five listed Georgian town houses, has undergone a complete refurbishment. The design work was undertaken by award-winning interior firm, Goddard Littlefair, which chose BetteSelect baths for the guest bathrooms.

Made of glazed steel, and with a 30-year warranty, the BetteSelect bath offers timeless, contemporary styling.

It has a generous lying area, ergonomic back profile and gently-shaped neck area, which makes it ideal for relaxed bathing, while the steep sides at the foot-end mean the BetteSelect is also ideally suited to being used as a shower/bath, with lots of standing room. It is available in four sizes and offers flexibility on the position of the overflow outlet.

David Lee Hood, Associate Architect at Goddard Littlefair, comments: “With a stellar reputation in the industry, Goddard Littlefair was not only happy to specify Bette, but was very pleased by the quality of the products, as always.”

Bette UK Country Manager, Samantha Wake, comments: “We are delighted that Bette was chosen to supply baths for a building in which the quality of the finishes is so important. Our award-winning glazed steel baths, shower floors and washbasins have a 30-year warranty and are all finished in our BetteGlaze enamel, which is extremely smooth, durable and easy to clean.

This makes our products an excellent choice for hotels, where durability and ease of cleaning are so important, as well as for those looking for quality products for individual homes.” bette.co.uk « 0844 800 0547 « info@bette.co.uk «

‘Quiet please… Eyes down…

You now have 3 hours to complete the paper….’

Selectaglaze proposed an ideal glazing solution for a beautiful Grade II Listed building in Westminster, which was opened in 1913 and designed by James Miller to be the headquarters for the Institution of Civil Engineers.

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he Great Hall is the most impressive space within the building, with marbled columned walls, embellished plaster and gold leaf details. It features a painted ceiling along with two large chandeliers, which are visible when you look up from outside of the building. In 1945 the UNESCO Charter was signed in the Great Hall and recently the grandiose room was in the film; Bridget Jones’ Diary The Edge of Reason.

Noise ingress and heat loss from the single glazed primary windows were an issue in the building.

Selectaglaze proposed secondary glazing, an ideal solution for listed buildings as it is a fully reversible and discreet adaptation.

Selectaglaze treated seven openings in the Great Hall.

The original iron windows had narrow sightlines so the secondary glazing had to reflect this whilst still retaining

functionality. The largest of these openings also featured a full roman curve. 22 units were installed with an off-white powder coat to match the primary windows.

Secondary glazing is the most effective method of noise reduction, when there is a gap of 100mm or more, 45 dB is readily achievable. Each bespoke unit ensures the tightest fit, reducing heat loss by up to 50%.

Established in 1966 and Royal Warrant Holder since 2004, Selectaglaze is a specialist in the design, manufacture and installation of secondary glazing.

selectaglaze.co.uk « 01727 837271 « enquiries@selectaglaze.co.uk « INEX-ONLINE.COM

58 PRODUCT SPOTLIGHT Left: The Combination Furniture range is available in four stylish finishes – gloss white, driftwood, grey avola and the latest on-trend colour, hacienda black Below: Combination Bathroom Furniture lets you make the most of the smallest room in the house Bottom: Where space is limited there is a collection of standalone units where the basin unit and WC unit are separate but can be placed together

The perfect combination Combination Bathroom Furniture from Hudson Reed offers a unique range of space-saving storage solutions for the smaller bathroom.

The range is designed to be flexible, so specifiers can create the look they want that fits any bathroom perfectly.

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he selection of slimline and L–shaped polymarble complement the vanity and WC units, giving specifiers the flexibility to add additional storage in even the smallest of rooms.

If there is space available for a run of units together, Hudson Reed’s 1100, 1200 or 1500mm sets are the perfect combination for added storage, with a choice of straight, left-hand or right-hand configurations. Complete the look with a choice of coordinating mirror cabinets and bath panels.

Where space is limited there is a collection of standalone units where the basin unit and WC unit are separate but can be placed together, which are perfect for confined bathroom space. For standalone vanity units choose from 400, 500 and 600mm basin units in both full-depth and compact size. Complete with coordinating polymarble basins and matching WC tops to finish the look.

The Combination Furniture range is available in four stylish finishes, all with fully colour-coordinating cabinets INEX-ONLINE.COM

and accessories – gloss white, driftwood, grey avola and the latest on-trend colour, hacienda black. You can customise a look with either the standard handle that is supplied or specifiers can purchase an alternative handle to tailor a particular look.

All furniture is supplied preconstructed as standard, making this quicker and easier to install.

All the furniture is supplied with an integrated soft-close system to endure less wear-and-tear and have a smoother, quieter action, which is ideal for en-suites.

Reassurance of quality is essential, so for added peace of mind Hudson Reed offers a five-year guarantee on its Combination Furniture.

Combination Bathroom Furniture lets you make the most of the smallest room in a house, enabling the incorporation of essential storage, and will look stunning in any bathroom with the right styling. hudsonreed.co.uk « news@ultra-finishing.co.uk « 01422 417099 «

60 PRODUCT SPOTLIGHT

Finsbury Business Centre

Workplaces – more than just a place to work Passionate UK-based designer and maker of furniture, Rigg, discusses the importance of design in the workplace.

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orkspaces are increasingly designed to be more than just a place to work.

This is especially the case in certain sectors such as software, games and app development. Staff can often work long hours to meet deadlines and their client or investor expectations. Additionally, the employee demographic profile is at the lower end (or perhaps just young at heart!). Leading employers’ recruitment media often depicts a fun work environment, so it comes as no surprise that others soon follow.

Gram Games’ furniture by Rigg included several characterful items, adding a rugged but enjoyable industrial vibe to the workplace.

By using Rigg’s tall, scaffold-style high table, with dark top, cast-metal joints and tubular framework, a little drama and excitement was added to the office. The use of vivid colour bursts looks great with the wood and metal table aesthetic.

Gram Games

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Of particular interest in this scheme is a large, 20-seater breakout table.

This features a substantial solid wood top mounted on a robust welded and bolted steel frame. Clear lacquering was used on the latter to retain the visibility of the dark steel. The top is in several sections to aid installation.

Also included in a breakout zone is the Rigg pallet coffee table. This is more than just another piece of cafe hardware. Graphic details on the reclaimed-style top, the industrial wheels and the mesh shelf are intriguing and a welcome break from regular coffee table designs.

Another example of furniture insallation by Rigg is at Finsbury Business Centre, Clerkenwell. Longestablished with professional staff, this facility has all the services you’d expect: broadband, copying, postal facilities, IT support, 24-hour access, bike storage, shower facilities etc.

The newly-fitted-out cafe on the third floor, operated by The Social Coffee Co., conveys the right image for businesses and their guests.

Careful selection of materials and interior features creates a convivial atmosphere to meet, discuss and relax. A key achievement of the scheme is the use of interesting, striking furnishings without novelty features. The result is an enjoyable, ‘grown-up’, business-like space.

Rigg has in-house production skills in woodwork and metalwork, making this eclectic interior an ideal match.

For example, in the case of Finsbury Business Centre, pedestal tables and Quad table and bench sets were produced in-house. Robust welded construction and solid wood tops ensures character and longevity.

Numerous colours and finishes are available for Rigg products, including real zinc, copper and brass. rigg.uk « info@rigg.uk « 0800 651 0001 « Top: Careful selection of materials and interior features creates a convivial atmosphere to meet, discuss and relax Left: A 20-seater breakout table features a substantial solid wood top mounted on a robust welded and bolted steel frame

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62 PRODUCT SPOTLIGHT Left: Armourcoat Smooth finish resembles natural stone and consists of a natural mineral material, composed of hydrated lime and crushed marble Below: The final appearance of this finish is dependent on the hand of the individual applicator, making it possible to achieve anything from a plain, lightly polished surface to a more highly burred, marbleised effect

Egyptian style at Greater London House Armourcoat polished plaster has created a stunning entrance for the refurbishment of Greater London House in Camden’s Mornington Crescent.

T

he building, owned by Lazari Investments, is a striking example of Art Deco, Egyptian Revival architecture – formerly the Carreras Cigarette Factory.

The hand-applied Armourcoat wall finish forms part of the interior design by Forme UK, which pays contemporary homage to the style of the facade and befits the scale, importance and heritage of the building. An entrance ‘portico’ creates subtle references to Egyptian-style shapes and motifs, finished in a dark anthracite coloured polished plaster finish.

A silhouette outline of the famous bronze cat sculptures which flank the entrance was incorporated into the surface. The image of a black cat was also a branding device for Carreras, used INEX-ONLINE.COM

on the packets of its Craven ‘A’ cigarettes and is a repeating logo across the front of the building.

The smooth polished plaster finish is similar to the marmorino stucco used extensively in northern Italy during the Renaissance period. Armourcoat Smooth finish resembles natural stone and consists of a natural mineral material composed of hydrated lime and crushed marble combined with special additives to control working characteristics. The final appearance of this finish is dependent on the hand of the individual applicator, making it possible to achieve anything from a plain, lightly polished surface to a more highly burred, marbleised effect. armourcoat.com « marketing@armourcoat.co.uk « 01732 467994 «

LEVATO MONO porcelain paver system The Levato Mono porcelain paver system is the pinnacle of external raised flooring technology; enabling the specification of lightweight, slip resistant and attractive raised flooring solutions, combining incredible technical properties with uncompromising aesthetics; making them the ideal choice for commercial and domestic use alike.

20mm porcelain pavers 40x80 45x90 60x60 75x75 30x120 40x120 60x120 ‘Floating floor’ – installation over single ply membranes Eternal product - zero maintenance required – offering massive over-life savings

Highly abrasion and stain resistant Highly slip resistant ; R11 and achieved up to +65 wet in the BS pendulum test Lightweight – 45kgs per m2 High load bearing and impact resistance Timber & stone effects; 40+ finishes available

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Completely non porous Ideal for balconies, roof terraces and piazzas, for both commercial and residential use Fire & frost proof Height-adjustable supports from 9mm up to 550mm

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