INEX May 2020

ISSUE

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From Ocean Pollution to Noise Solution UK based acoustic solutions manufacturer Soundtect® began 10 years ago when their engineering team launched a pioneering process to recycle the carpets they manufacture for exhibitions into acoustic panels as a third generation product.

Soundtect® has grown into a Worldwide supplier of acoustic solutions with a wide range of products for walls and ceilings which not only reduces noise, but adds positive design features to any indoor space.

Soundtect® Ranges include; 3D Panels, CLASS Ceiling Baffles, CLASS Rafts and Freestyle, a semi-rigid felt used for wall applications, hanging partitions, ceiling rafts... in fact just about anything!

0203 040 2939 Showroom: 3, Albemarle Way, London EC1V 4JB

enquiries@soundtect.com

www.soundtect.com

N O T E

I N E X ISSUE

81 M AY 2020

Suffice to say the Coronavirus pandemic has had unprecedented tremendous repercussions across the globe; impacting everyone from all walks of life – and the design industry is certainly no exception. What is evident as we utilise this time for reflection and analyses is the importance of the way interior spaces make us feel and the impact they have on our wellbeing. While, homeowners have used the time we’ve spent in ‘lockdown’ undertaking DIY and makeover jobs to enhance a focus on wellbeing; the luxury interiors market is no different, with many drawing their attention to previously abandoned thoughts of interior makeovers and filling up new-build blank canvases.

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Of course, economic happenings, global pandemics and political affairs all influence design, and COVID-19 is undoubtedly not exempt in playing an all-important influencer role. In this month’s issue, Inex has talked to Style Library Contract about the emotions displayed by the UK, as a nation, following the outbreak, and how many of the styles and designs we’re witnessing in fabrics and textiles are resonating with the country’s current concerns and desires. Turn to page 10 to learn more about these designs and what’s trending within the fabric and textile industry for spring/summer 2020.

Elsewhere in this issue, we’ve talked to two trusted manufacturers about trends and issues we often encounter in two of the most-used rooms within a household – the kitchen and bathroom. Firstly, AGA Rangemaster talks Inex through the latest trends your clients will be quizzing you on concerning sinks and taps. Find out the reputable company’s tips on page 86. Meanwhile, on page 82, Geberit is lifting the lid on poor acoustics within the bathroom with a brand-new whitepaper, ‘A Sound Solution’. Here, the manufacturer of sanitary parts, shockingly, reveals how far behind other countries – such as Germany – the UK is with regards to acoustic regulations.

Cover: Style Library Contract talks about spring/summer 2020 styles from the fabric and textile industry.

See page 10.

I hope you enjoy this edition. Don’t forget, you can also access all of Inex’s features and product inspiration at your fingertips via the magazine’s state-of-the-art app. To download your version free of charge, simply search ‘Inex-online’ on the App Store or Google Play.

Rebecca

Rebecca Kemp rebecca@crossplatformmedia.co.uk

Download the INEX app for iPhone, iPad and Android. Search 'Inex-online'.

Follow us on Twitter: @INEXonline

Editorial: Rebecca Kemp rebecca@crossplatformmedia.co.uk Digital Advertising: Sam Ball sam@crossplatformmedia.co.uk Jim Moore jim@crossplatformmedia.co.uk Print Design Manager: Jack Witcomb jack@crossplatformmedia.co.uk

Terms and Conditions:

Digital Design Manager: Matt Morse matt@crossplatformmedia.co.uk Production Assistant: Philip Coyle philip@crossplatformmedia.co.uk Accounts: Jackie Dearman jackie@crossplatformmedia.co.uk Publisher: Sam Ball sam@crossplatformmedia.co.uk

No responsibility will be taken for drawings, photography or literary contributions during transmission or in the editor’s hands. In the absence of an agreement the copyright of all contributions, literacy, photographics or artistic belongs to Cross Platform Media. The publisher accepts no responsibility in respect of advertisements appearing in the magazine and the opinions expressed in editorial material or otherwise do not necessarily represent the view of the publisher. The publisher does not accept any liability of any loss arising from the late appearence or non publication of any advertisement.

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Publisher: Cross Platform Media Barham Court, Teston, Maidstone, Kent ME18 5BZ Tel: 01622 232 725

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CONTENTS MAY 2020

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EXRATED

FABRICS & TEXTILES

Richard Dollar, Managing Director at The Sash Window Workshop, looks at how you can improve the kerb appeal of a property with replacement windows.

22 GARDEN

Amidst the Coronavirus pandemic, Style Library Contract takes a step back and reviews how the latest interior trends resonate with what is happening today via fabric and textile trends.

Here, some of the Society of Garden Designers’ leading creators share their predictions for the newest trends in garden design for 2020 and some of the most exciting design ideas gaining momentum.

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IN FOCUS: BAR DESIGN

INSPIRE

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Atelier Zébulon Perron has unveiled the welcoming ambience of Le Boulevardier restaurant and Le Flâneur Bar Lounge in downtown Montreal.

Estudio Vilablanch reveals its interior design involvement in the sympathetic palatial preservation and restoration of Casa Burés in Barcelona.

Sophie Weston at Geberit explores the significance of unwanted noise in the home and explains why a radical rethink of acoustic regulations in residential environments is needed.

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SINKS & TAPS

INSIGHT

PRODUCT SPOTLIGHT

Thanks to emerging trends and changing lifestyles, sinks and taps are increasingly used to set the tone for a kitchen scheme and help define a style. Here, James Cunningham, Sales Director at AGA Rangemaster, explores recent trends stirring in the kitchen.

Here, Inex Editor, Rebecca Kemp, undertakes a brief, 15-minute series of quickfire questions with Hassan Arji, Registered Architect (DPLG) and Engineer (ESTP) at Arjitec, to find out more about his career.

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Inex rounds up the latest innovative products and solutions entering the interior marketplace.

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IMPROVING KERB APPEAL WITH REPLACEMENT WINDOWS When looking to improve the kerb appeal of a property, it is essential to ensure that the windows are in a good condition. Here, Richard Dollar, Managing Director at The Sash Window Workshop, looks at how you can improve the kerb appeal of a property with replacement windows.

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indows are one of the most prominent features on the exterior of a property. This means that ensuring windows are of a high quality and aesthetically pleasing can vastly improve the kerb appeal.

However, before you go ahead and replace the windows, there are some important things to check.

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Do the windows need replacing?

One of the benefits of timber windows is that general wear and tear and minor damage can easily be repaired. If maintained properly and at regular intervals, timber windows can last hundreds of years before requiring replacement.

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If the windows let draughts into the building but are otherwise in a good condition, you may be able to draughtproof and overhaul the existing windows rather than replacing them. This will help improve the energy efficiency of the windows at a fraction of the cost of replacing them.

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Alternatively, it may be that only the sashes require replacement or you may be looking to install double glazing in windows that are still in a good condition. If this is the case, fitting new sashes into the existing window frames can be cheaper and less disruptive than installing completely new windows.

Are the new windows ‘period’-appropriate?

Where the original windows cannot be repaired, any replacements should be as sympathetic as possible to the original design. Installing the wrong windows can drastically reduce the value of your property and make the windows stand out for all the wrong reasons.

If the property is listed or in an article 4 conservation area, planning permission will be required for any new windows, and it will normally be a legal requirement to ensure that any new windows are ‘period’-appropriate.

Ensuring you install periodappropriate windows will involve ensuring that both the material and design style, such as any sash horns and the number of glazing bars, is correct. A specialist, traditional window company should be able to work with you to help design and manufacture period-appropriate windows for your project.

What material should you use?

The material can make a large difference to the aesthetics of a building. Traditional properties often suit timber windows as they are more period-appropriate.

When maintained and painted properly, timber windows can last for over 100 years. High-quality timber windows can offer great durability and energy efficiency.

However, not all timbers offer the same benefits. When looking to replace windows, it is therefore important to check the durability and stability of the timber.

Accoya is a popular choice as it is extremely durable, has high stability and comes with a 50-year anti-rot guarantee.

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What type of glass do you require?

When choosing the type of glass, you will want to consider whether you are looking to achieve anything from the glass. For example, are there any thermal, acoustic and aesthetic requirements?

There are lots of different glass options to choose from, covering a wide range of applications. Don’t be misled into having standard types of glass if there is something specific that needs to be achieved.

For example, simply replacing single glazing for double glazing doesn’t always necessarily reduce noise. But using acoustic glass can help make a difference.

Some of the most common specialist glass choices include patterned glass, acoustic glass, safety/security glass and toughened glass.

Remember too that there are legal requirements with regards to safety glass that will need to be met for windows in certain locations.

Choosing a supplier

Make sure that you leave enough time to order the windows for your project. The best companies can get very busy, especially if their products are made to order, and will often be booked up several months in advance. You don’t want to have to settle for a lower quality product because the best companies are already fully booked.

As all traditional windows are bespoke, not all companies will be able to manufacture traditional windows sympathetically to suit a period property.

This means that it is important to ensure the company has experience working on period homes before ordering any new windows for a renovation.

It is important to check and query their guarantees – they should be able to tell you exactly what is and isn’t covered by each of the guarantees, as no individual guarantee will cover everything.

Finally, it is also important to check a potential supplier’s accreditations. Check whether the company are members of the British Woodworking Federation or the SafeContractor scheme. The SafeContractor scheme shows that the business’ health and safety documentation is up to date and meets recognised industry standards, which will be important if they are working on your project. sashwindow.com 9

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SS20: TRENDS F

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We are living through an unprecedent step away from our daily routines and world. So, we’ve asked Style Library C the latest interior trends reson

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ted time; current events have forced us all to d consider the impact we have on the wider Contract to take a step back and review how nate with what is happening today.

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Celebrating maximalism

March began with London Design Week, an international celebration of pattern and colour. Whilst so much has changed over the last few weeks, our industry’s creative spirit and love of design have not.

Maximalism is all about empowering design. We can mix pattern with pattern, fuse different scales and textures, and meld colour palettes.

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There are no design rules, only design liberation. This is particularly true for Style Library Contract, home to six of the most iconic British interior brands, as we really can max out on design and performance.

Here at Style Library Contract, we can see that the maximalism trend is particularly relevant right now. We may be constrained by social distancing at present, but 1 2

our love for design is incredibly empowering and uplifting. The awe-inspiring use of colour and design in interiors can lift our spirits and make us feel less constrained.

The latest collections from Sanderson, Clarke & Clarke and Morris & Co do just that. At Style Library Contract, we say, unleash your creativity and embrace maximalism.

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We may be constrained by social distancing at present, but our love for design is incredibly empowering and uplifting

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Natural touch

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Product innovation which also fulfils our desire to be connected to nature is more than an aspiration. It’s something that sits at the heart of Clarke & Clarke’s latest collections. Natura, Havana and Nevada each draw inspiration from the natural world to create calming, tranquil interiors whilst delivering the ultimate in contract performance. Explore faux silk effects, delicate slub weaves, textured linen looks alongside metallics, satins, embossed silhouette designs and semi-plain dimout fabrics. Each Clarke & Clarke collection is inherently FR. This trend is fulfilling our need to instil calmness amid the furore. Composed and sophisticated neutrals in matt and metallic effects create interiors with a natural sense of much-needed tranquillity and harmony.

Architectural edge

Inspired by Brutalist architecture, this trend focuses on effortless design whilst delivering exceptional performance. A collection of 10 wide-width wallcoverings, Anthology Volume 07 features cork for the first time, a material selected for its beautiful aesthetic and its environmental and acoustic benefits. Clarke & Clarke’s Puras has the architectural edge with 70 semi-plain fabrics. Inherently FR, these fabrics can be cleaned with water to remove stains.

This trend is as much about innovation as it is about design style.

Unrivalled performance underpins the aesthetic beauty of each fabric and wallcovering, providing designers with the assurance and confidence required for contract interiors.

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Nomadic roots

Influenced by ancient trade routes and iconic destinations, the Nomadic Roots trend honours the beauty of traditional craftsmanship. A celebration of hand-crafted patterns, including tribal ikats, abstract statements and contemporary animal prints, Sanderson Caspian and Harlequin Mirador create a captivating signature style. Caspian epitomises country house style, taking influences from trade routes, in contrast, Mirador embodies the chic sophistication of a boutique hotel.

Every one of us recognises that the world got smaller in 2020 as we all realised that we are one.

The Nomadic roots trend is enriched by the cultural heritage behind many of our most-loved interior designs. The rich archives of Sanderson and Harlequin have inspired a selection of exquisite designs that will adorn hospitality interiors for many years to come. stylelibrarycontract.com

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TOP GARDEN DESIGN TRENDS FOR 2020 FROM THE SOCIETY OF GARDEN DESIGNERS Here, some of the Society of Garden Designers’ leading designers share their predictions for the newest trends in garden design for 2020 and some of the most exciting design ideas gaining momentum.

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Belgian design

Belgian design style, often described as luxurious simplicity, is expected to come to the fore this year.

Mia Witham of Mia Witham Garden Design says: “I am seeing some great garden products coming out of Belgium, which are typically high-end and have great form.

I particularly love the beautiful clay pots by Atelier Vierkant, the woven fibre fencing and screens produced by Forest Avenue and the striking garden lights by Wever & Ducre. I’ll be using a lot more of them in 2020.”

All Gardens on spread by Mia Witham Garden Design

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Less is more

James Smith MSGD, Design Director at Bowles & Wyer, thinks the philosophy of ‘less is more’ will become more prominent, saying: “I really want to focus on creating more pared-back design schemes, but with high attention to detail and finishing.” Tracy McQue MSGD of Tracy McQue Gardens shares this philosophy, saying: “I’m looking forward to planting multiple grasses and a simple palette of perennials to make the lightest of design touches to a very rural project I am working on in Scotland. It’s important that my design ties in with the extended and wild landscape.”

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Edible forests and romantic veg plots

With more people using foraged food for cooking, Mia Witham thinks that edible forests could become the new vegetable garden.

She says: “I’m currently designing an edible forest for a chef in Suffolk. It is a carefully designed, semiwild ecosystem of plants organised in layers with trees making up the canopy layer, shrubs providing a middle layer and perennial plants covering the ground. It’s an exciting concept, and unlike a traditional vegetable plot where annual plants are mainly grown, edible forests require minimum input for maximum output.”

Libby Russell MSGD of Mazzullo + Russell agrees, saying: “Productive gardens are still very much on-trend”.

Libby, with her design partner Emma Mazzullo MSGD, mixes fruit and vegetables together with cut flowers to give a romantic flavour to their productive gardens.

“As long as there is a very clear underlying design in the garden you can overlay so many layers, provided they create beauty and romance,” says Libby, who sees romantic gardens having a revival this year.

Photo: Eva Nemeth, Garden by: Mazzullo + Russell

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Photo: Eva Nemeth, Garden by: Mazzullo + Russell

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Repurpose and recycle

Tracy McQue thinks there will more of a spotlight on the repurposing of existing materials and recycling garden materials where possible. Mark Laurence MSGD, whose consultancy creates an adaptive landscape for a changing world, echoes this saying: “Repurposed items give a garden an individual look.�

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Planting for wildlife

“Creating sustainable, wildlifefriendly and beautiful spaces needs to be at the forefront of everything we do; no matter what size or location of the gardens we are designing,” says Tracy McQue. She believes that the materials and plants we include, where we source them from and how we re-use elements already in the garden are becoming more vital considerations.

Jane Brockbank MSGD of Jane Brockbank Gardens shares this ideal, saying: “People are much more interested in making gardens that are good for wildlife. Awareness of the climate crisis and the loss of biodiversity has grown enormously, even over the last year, and we are all taking our gardens far more seriously in regards to the important part they can play.”

Libby Russell of Mazzullo + Russell echoes this saying: “Our planting is evolving to use many more ‘wild’ plants that are great for bees, birds, pollinators and invertebrates but without losing glamour or impact. Single roses, species plants, seed heads and grasses are all valuable.”

Mandy Buckland MSGD of Greencube says she is incorporating “meadow areas, native hedging, gaps in fences for hedgehog movement and of course nectar-rich planting.”

While Tracy McQue advises that water features are integral to the wildlife-friendly spaces, and ideas such as bee-friendly boundary hedges are simple to incorporate into any garden.

Continuing this theme, Jane Brockbank says: “We are very interested in using shrubs in a more naturalistic way and we will be looking at how shrub communities work in the wild and take those principles to make them work in more designed settings, much like the ‘new perennial movement’ but for shrubs.”

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The patterned garden

Pattern and texture will be creeping back into gardens in 2020. “Cold minimalism is beginning to look pretty tired now,” says Jane Brockbank, “and it also begs the question – ‘how does this contribute to the wildlife locally and in the garden’?”. Jane brings pattern and texture into her designs by creating faceted planting zones and by blurring the line between the hard landscaped and soft planting areas in the garden, using gravel planting to create the transition between the two.

Mandy Buckland of Greencube Landscapes thinks the trend for creating an outdoor room will live on and we will move away from regular formatted paving. She says: “There are lots of outdoor ceramic tiles on the market now. We are installing them as garden ‘rugs’ or design features within landscaped areas to create pattern, contrast and textural changes. It is much the same decorating a dining and living room in the house.”

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Curvilinear forms

After almost a decade of symmetrically ordered urban gardens, Mark Laurence thinks we’ll see “a turning away from the linear, contemporary town garden to something wilder and more curvilinear.”

Mark says: “Curvilinear forms appear more natural in a garden environment, and they connect us back to the flow of natural forms in the landscape.” It’s a distinctive move away from the style of crisp, linear raised beds set against horizontal timber trellis that we have become so familiar with.

Following a similar path, James Smith of Bowles & Wyer has been experimenting with sculptural wall claddings in wood, metals and stone in organic, naturalistic patterns.

He says: “I think wall claddings will gain momentum in 2020. They are perfect for maximising vertical surfaces in tight city gardens.”

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Render revival

“Look out for Monocouche renders in 2020,” says Mark Laurence. These renders are a new application in garden design, having been used predominantly by the housebuilding industry. Mark says: “Monocouche renders are low-maintenance, weatherresistant and hard-wearing; plus, they have great texture.

Unlike paint, the mineral pigments are absorbed into the render and keep the surface breathable. I think the red or yellow ochres tones work very well in a garden setting.”

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Ways with wood

“It’s not a new material, but I think there will be a focus back on using timber next year,” says Tracy McQue. “In the past, it has been viewed as a material to use at ground level or for basic fences, but there are many elements in the garden that clever design can incorporate timber into. We use a local Scottish wood supplier when we can, and I love the possibilities it gives us when we’re creating a new garden.”

Mandy Buckland of Greencube agrees, adding: “There appears to be a continuing rise in popularity of charred timber for decking and the use of Shou Sugi Ban - the ancient Japanese wood-burning technique.”

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Cobbles and contrasts

“Sustainable design will, of course, continue to gain traction and as designers, we will become more accountable for the materials we specify and the decisions we take on projects,” says James Smith of Bowles & Wyer. He says he will be pairing highly engineered materials with rough and textured finishes for a lovely contrast for projects. While, according to Libby Russell of Mazzullo + Russell, we will be seeing “less cut stone in our gardens and more cobbles, pitchers and rough cuts appearing on the market,” particularly with British suppliers.

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Outdoor play

“Young families want to encourage their children to get outdoors, prizing them away from laptops, tablets and TVs,” says Mandy Buckland of Greencube. “We have been asked to integrate outdoor play in many of our gardens in recent months and have been incorporating blackboards, sandpits, hammocks, balance beams, climbing frames and even mini wildlife ponds. We design them so that they are integral to the garden layout, repeating the material and use of colour.” James Smith of Bowles & Wyer agrees, adding: “Gardens will increasingly become important for families, to connect at social gatherings and for mental health – a welcome antidote to technology and screens.” sgd.org.uk

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Nevez Designed by Lyndon

Lyndon 342 Swindon Rd Cheltenham GL51 9JZ +44 (0) 1242 584897

Boss Design Boss Drive Dudley West Midlands DY2 8SZ +44 (0) 1384 455570

sales@lyndon.co.uk lyndon.co.uk

sales@bossdesign.com bossdesign.com

London Showroom 7 Clerkenwell Rd London EC1M 5PA +44 (0) 20 7253 0364

Part of

D E S I G N B A R F O C U S : I N

A RELAXED TAKE ON ELEGANCE Atelier Zébulon Perron, an interior design firm focused on forging connections between people and spaces, is proud to unveil the welcoming ambience of Le Boulevardier restaurant and Le Flâneur Bar Lounge, comprising the food and beverage portion of a major $30m renovation of Germain Hotels’ flagship property, Le Germain Hotel, in downtown Montreal.

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FACT FILE: MATERIALS: Original concrete, marble, walnut, copper,

PROJECT TYPE: Lounge, bar, restaurant

steel, chrome, leather and velvet

DESIGN: Atelier Zébulon Perron

PROJECT NAME: Le Boulevardier Restaurant/Le Flâneur

TEAM: Zébulon Perron (Lead Designer), Catherine Landry,

PROJECT SITE: Le Germain Hotel Montreal, 2050

PHOTOGRAPHERS: David Boyer,

SURFACE AREA: 8000ft (743m )

COMPLETION: December 2019

Bar Lounge

Mansfield St., Montréal, Québec H3A 1Y9 2

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Andréanne Guillemette, Anik Mandalian, Sabrina Camiré Jean Sébastien Senécal

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he firm’s ensemble of work comprises approximately 8000ft2 of symbiotic space, on two separate levels, including a ground-floor bar/ lounge, a first-floor restaurant, and an alluring staircase to connect the vibrant spaces.

“The lead architect of the hotel renovation chose an Expo ‘67 retro theme, in the context of

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Montreal as an international city welcoming the world,” says Zébulon Perron, the firm’s Founder and Creative Director.

“The theme and the building itself provided rich inspirations to draw from, but the challenge was to articulate our interpretation in two separate spaces, and to provide a seamless connection between them.”

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In approaching their second collaboration with Germain Hotels, Atelier Zébulon Perron embarked on a contemporary vision of a historical era, rolling back layers of history to reveal some of the building’s original Brutalist architecture. Exposed concrete and other raw materials served as inspirational canvases for a contrasting purity of forms

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and lines, applied to a minimalist design focused on space planning, modern materials and luminosity.

Intrigue through design

A core element of the planning process focused on creating a physical and emotional connection between the two thematically symbiotic spaces. In order to foster intrigue, Atelier Zébulon Perron repositioned the hotel’s centrally-located staircase closer to the front desk area, inviting patrons to explore beyond the confines of the lobby. Rising up through the ceiling and anchored from 4 9

above, the steel structure and hardwood steps of the new staircase are framed in a transparent wall of steel rods, tactically illuminated to make it as aesthetically pleasing as it is functional.

“Social dynamics and the process of facilitating interaction is an important part of our practice,” explains Perron. “In line with that philosophy, we wanted to create something that would be architecturally engaging, but which would also draw attention to the fact that something was happening upstairs.”

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Le Flâneur

In addressing the design of a welcoming lobby bar/lounge, the firm focused on creating a space where both local patrons and hotel guests can mingle, work, or simply enjoy a drink. With its relaxed retro feel, wrapped in an unpretentious, contemporary decor, Le Flâneur has achieved that goal. Its welcoming blend of I N E X

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conviviality and elegance, with contrasts of raw concrete and noble materials, which creates a balanced warmth designed for people to inhabit, rather than simply admire. Rich, dark woods and marble adorn Le Flâneur’s counters and floors, while strategically-placed dividers provide a contemporary framework for banquettes and chrome cube furnishings that infuse a retro feel into the comfortable setting.

A destination on its own, Le Flâneur’s offering of oysters and champagne bubbles further contributes to the intrigue surrounding the space above – Le Boulevardier, the hotel’s new 110-seat restaurant specialising in classic French cuisine, with a contemporary approach.

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Le Boulevardier restaurant

The staircase leading from the lobby to the first-floor restaurant bridges a balanced decor, ascending into a space illuminated by an abundance of natural light. Exposed concrete beams rise above the restaurant’s contemporary decor, which mirrors Le Flâneur’s abundant

use of dark woods and marble countertops. From the warmth of a retro ambience where time seemingly stands still, patrons will be mesmerised by a window showcasing the world at their feet, courtesy of floor-to-ceiling windows providing magnificent views overlooking the horizons of President Kennedy Avenue and the downtown streets below.

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What’s more, the restaurant’s large-format, floor-to-ceiling windows also serve as an enticing inward portal of intrigue into the restaurant’s interior for curious passersby. This has been specifically designed to complement the restaurant’s patronage of hotel guests with a potential influx of clients.

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While the windows, and the connection that they offer to the downtown streets, expand the horizons exponentially, a strategic gallery of mirrors adorning the ceiling and sidewalls of the restaurant’s interior further provides the illusion of expanding the space well beyond its actual dimensions.

Under the tutelage of Chef David Pellizzari, Le Boulevardier is an extension of the Le Flâneur vibe and theme of social connectivity. Working in close collaboration with a kitchen consultant, Atelier Zébulon Perron achieved continuity through an open kitchen design that seamlessly blends with the space’s decor and ambience, while ensuring maximum operational efficiency for the chef and his staff.

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An enlightened ambience Further illuminating the vision of Atelier Zébulon Perron, the intricate lighting design was integrated into architectural planning from the onset. Working closely with Montreal-based lighting studio Lambert & Fils, the firm designed customised lighting schemes focused on capturing the essence of the spaces through controlled quality,

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temperature and modulation.

Capitalising further on elements paying homage to the original Brutalist architectural language of the building, a concrete grid ceiling with embedded custom copper lights was developed above the ground-level elevators, infusing new life into a dated ambience and further enticing inward exploration of the vibrant new spaces. The night-time

lighting of Le Boulevardier results in a more intimate, inward ambience. Natural daytime light gives way to the luminosity of elaborate, modern ceiling systems, further complemented by ground-level retro fixtures that draw patrons back from the external hustle and bustle in order to frame the city from a more observational perspective.

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“The spaces capture the essence of the international, retro theme of the hotel renovation, with the added notion of contemporary, nonostentatious elegance,” sums up Zébulon Perron. “It’s a very relaxed take on elegance, and we are proud to have succeeded in creating an environment that will draw people together in the heart of this great city.” zebulonperron.com I N E X

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FABRICS FOR LUXURY EXTERIORS EXTEX fabrics combine a luxurious look and feel; designed to complement and enhance even the most exclusive exterior space, they are suitable for use on all outdoor furnishing applications. The co-ordinating ranges offer over 100 contemporary colours, bringing a perfect style conclusion to any design project.

Discover our extensive fabric collection at www.extex.co.uk

AMSTERDAM

ANTIBES

BERLIN

BOLOGNA

JOHANNESBURG

LONDON

MONACO

SYDNEY

ZURICH

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PALATIAL PRESERVATION Casa Burés was built between 1900 and 1905 by the Catalan Architect Francesc Berenguer i Mestres, a close collaborator of Antoni Gaudí.

The building was named after its first owner, Francesc Burés, a businessman with one of Spain’s most successful textile companies.

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FACT FILE: PROJECT: Casa Burés CITY: Barcelona PROJECT SIZE: 7700m2 PROJECT COMPLETION: January 2019

INTERIOR DESIGN: Estudio

Vilablanch and TDB Arquitectura

DEVELOPER: Bonavista Developments

FURNITURE: MINIM KITCHENS: bulthaup, Barcelona BATHROOMS: MAT by MINIM PHOTOGRAPHERS: Jordi Folch and Jose Hevia

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he building has 7700m2 distributed over six floors and has been listed since 1979, enjoying the highest protection category as cultural heritage. The building was nearly abandoned for some years, and some original elements were vandalised.

After three years of careful restoration work by the best artisans, Casa Burés has emerged as one of the most representative Modernist-style buildings in Barcelona. The original Modernist architectural and interior elements were respected and restored because of both regulatory requirements and a high sensibility of all the stakeholders – including the developer, city authorities, project team and the artisans and restoration experts involved in the works.

The interior design project of Casa Burés had been carried out by Estudio Vilablanch and TDB Arquitectura, commissioned by Bonavista Developments.

The challenge was to transform the historical and listed building into 26 exclusive residences with high-quality common areas, while preserving its original rich heritage.

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The interior design project had two goals; to recover and highlight the building’s original decorative elements, and to adapt the housing to contemporary regulatory and functional needs in terms of distribution, technology, safety, accessibility, comfort and community.

All the original architectural and decorative existing elements were restored, while new materials were added where needed. The new materials should not compete nor imitate the original ones.

The team defined three interior design concepts for this residential building matching the intrinsic qualities of each existing space. Three lofts and the common basement areas were recovered to their original industrial character; while two palatial residences were carefully restored respecting the existing modernist elements.

Meanwhile, 21 flats were conceived as contemporary residences.

The conceptualisation included design and definition of materials and finishes (pavements, coatings, colours, kitchens, bathrooms, doors, lighting project, furniture, etc.).

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Lofts and common areas

brick walls left uncovered as well as kitchens and furniture that strengthen the industrial character. The ground floor was transformed into three lofts and the basement into amenity areas for community use (a swimming pool, a spa, a gym, a cellar, an open kitchen, a terrace and spaces for social events), recovering their original industrial aesthetics.

The ground floor and the basement were originally used for BurĂŠs textile industry. They did not have Modernist decoration, but a strong industrial personality. The new interior concept recovered this industrial character, with big open spaces and high ceilings, concrete floors, iron columns and old I N E X

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All the original architectural and decorative existing elements were restored I N E X

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Palatial residences

The original BurĂŠs palacelike residence, located on the main floor, was split into two 500m2 magnificent flats. Being the richest floor in terms of decorative Modernist elements, all of them were carefully restored into the noblest of flats (with mosaics and marquetry in pavements, stainedglass windows, frescoed walls and ceilings, wooden decorative elements and ceilings with reliefs). The original elements were restored, while new materials were added where needed. The new materials and furniture pieces were equally refined but silent, not very ornate, light and with colours in harmony with space to highlight the valuable historical elements yet not compete neither imitate them.

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Apartments and attics

Flats located in the upper floors, initially conceived for rent, were transformed into 16 apartments and five attics. These 21 residences combine strong original Modernist spaces with more contemporary ones. The old elements were found in the spaces located in the crown of the building that faces the facade; these original elements were restored.

In the interior areas of the flats, where the original elements didn’t exist or couldn’t be preserved, the decision was to incorporate new materials that would allow the contrast between old and new ones. Whitecoloured and oak wood was added as main elements in order not to compete, but to highlight and contrast the original decorative elements. estudiovilablanch.com

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A SOUND SOLUTION – ADDRESSING HOME ACOUSTICS New research from Geberit shows that more than half of UK homeowners are affected by unwanted noise in the home and that it’s having a direct impact upon their wellbeing. Here Sophie Weston, Channel Marketing Manager for Specification and Developer at Geberit, looks at the significance of this noise and why, in a new White Paper, ‘A Sound Solution’, the bathroom designer and manufacturer is calling a radical rethink of UK regulations around acoustics in the home.

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oise is everywhere. Yet, consider those less extreme noises that are around us daily. The ones inside our home – those that might not directly relate to volume or pitch. Consider, for example, the emotions that are stirred by a constantly dripping tap, how we feel if our sleep is interrupted by the hum of an extractor fan switching on or the flush of a toilet, even the constant buzz of an electrical appliance on standby in an otherwise silent room.

We surveyed more than 2000 adults across the UK to get greater insight on the impact of these ‘everyday’ noises – and the findings told us that the issue is far bigger than many of us might think.

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What was even more concerning, however, was the impact of this internal noise. More than half of respondents (51%) cited these unwanted noises as having a negative impact upon their wellbeing.

We are letting down homeowners – and existing regulations around the control of noise in buildings are far too vague. In fact, they offer little guidance on the specification of potential sound-optimising products which is why they need a serious rethink.

Regulating the issue

Let’s focus in particular on the issue of bathroom noise, one of the main culprits of unwanted sound in the Noisier than ever? home. One in four of us (28%) is Architects and specifiers are regularly disturbed by bathroom increasingly aware of the need sounds at night or when trying to to mitigate the impact of external relax. And yet, despite the fact that noise such as road, rail and air installation elements in the bathroom traffic. Yet, there is an argument have direct contact with walls that this increased external and floors, there still remains a sound insulation has actually lack of stewardship and specific, amplified noise within the home, clear regulations governing the highlighting internal noises more control of wastewater noise than ever before. inside new buildings. And it’s this Indeed, this seems to be the case, wastewater, in particular, that is according to our survey. More than an issue – our research found that a third of respondents (38%) told us one in five (19%) of homeowners that noises inside the home, such are regularly disturbed by as electrical appliances, bathroom flushing toilets, running taps or noise or central heating systems, pipe and drains. currently affect them more than There are, of course, products traffic from outside. available in the UK market to 8 3

mitigate the impact of such noise.

Sound optimised drainage piping can reduce noise transfer from flushing water, washbasins or showers. Likewise, wall-hung toilets with concealed cisterns and pre-wall frames decouple from the construction, preventing noise from travelling down the wall and through the floor.

However, there is very little clarification within the relevant UK regulations on what products should be used to achieve specific sound pressures, particularly when it comes to water and bathroom noise.

For example, BSI’s British Standard 8233:2014 ‘Guidance for Sound Insulation and Noise Reduction in Buildings’ simply states that water systems including hot and cold water services and waste pipes “are not to cause disturbance in normal use”. This rather vague guideline is the standard’s only reference to reducing sanitary noise in buildings.

The UK Building Regulations are no more specific. Building Regulations (2010) Approved Document E ‘Resistance to the passage of sound’ largely focuses on measures to control external sound. It does stipulate that any wall or floor should reduce the noise transmitted to the next room by 45 dB or more, but then fails to set a maximum noise level. Importantly, too, nor does it mention the use of any acoustically optimised products.

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Meanwhile, the Living with Beauty Report (January 2020) by the Building Better, Building Beautiful Commission also fails to address the issue. The issue of acoustic performance or noise was not referenced to at any point in the 180-page document.

It seems noise is at the bottom of both the environmental and wellbeing agenda.

Addressing the challenge

We can all make better-informed decisions to reduce noise and, subsequently, its impact on our wellbeing in the home. But, without specific UK standards on the noise pressure from water systems inside new buildings, there is no requirement for a building to meet a baseline figure.

There is also no defined approach to testing and, therefore, no incentive for different specifiers across a single project to work together and undertake collaborative testing to ensure that they are achieving the best acoustic rating – just as is the case today for heating or energy loss.

In contrast to the UK’s vague regulations, meanwhile, Germany’s DIN 410 acoustic standard sets maximum limits for acoustics inside a building. As well as this, the German standard VDI 4100 outlines proposals for enhanced sound insulation between rooms.

Whilst some leading manufacturers here in the UK will ensure all products adhere to these standards, there nevertheless remains no baseline figure for the sound pressure of water and drainage passing through pipe systems in UK guidelines – and thus no minimum standard for architects and consultants to meet.

Raising standards

So, what is the solution? We are all aware that buildings need to consider acoustics and, of course, many of those in the sector will undoubtedly have an indepth knowledge of the product solutions needed to overcome the challenge of this unwanted noise in the home.

Yet, without recognised standards to work to, it’s a challenge to specify a wellinformed, collaboratively-tested solution across an entire building. And our research speaks for itself. Noise in the home is affecting the majority of homeowners.

It’s time for the UK to revisit standards and outline maximum sound pressure figures and fair testing – thus enabling the industry to work together to achieve better results for our end-users. geberit.co.uk/acoustics I N E X

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T A P S & S I N K S

JEWELS IN THE KITCHEN’S CROWN Thanks to emerging trends and changing lifestyles, sinks and taps are increasingly used to set the tone for a kitchen scheme and help define a style.

This makes them a key element when designing ‘the heart of a home’, but it’s important to ensure their looks are as impressive as their functionality, explains James Cunningham, Sales Director at AGA Rangemaster.

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or years, the sink was often an afterthought when it came to kitchen design, but now they are specified – along with taps – far earlier in the decision-making process.

Plus, the general ‘value’ of a sink in a kitchen is far wider recognised by consumers and designers alike, so it is no longer an item that is automatically downgraded should the budget be squeezed.

With an abundance of materials, shapes and styles, designers need to consider every last detail. The finishes and colours of sinks and taps are far more refined than they once were, so rather than hiding them away, they are now fully on display in a kitchen – and rightly so.

Material matters

The three main materials used for kitchen sinks – stainless steel, ceramic and granite composite – offer a different aesthetic alongside their own individual features and benefits.

Stainless steel remains the most popular material choice when choosing a kitchen sink due to its hardwearing properties and resistance against heat, scratches and stains. Most inset models are pre-fitted with clips and seals to reduce installation time, while also ensuring a watertight fit with the work surface. However, it’s important to note that not all stainless steel is the same.

To this end, at Rangemaster, all our sinks are manufactured using high-grade 18/10 stainless steel, and we have created specific finishing touches to our stainless steel models, including ground edge trims to beautifully frame the sink, as well as an advanced MicroSheen brushed finish – both of which create a high-quality appearance to the product.

Ceramic sinks are fashioned from clay fired at extremely high temperatures to provide superior strength, with a stunning highgloss finish. These sinks are stain and heat resistant, as well as available in colours such as White and Anthracite Grey. Ceramic sinks are also hygienic, easy to wipe clean and are generally low maintenance, while the glossy finish provides added visual appeal.

Furthermore, recent developments in manufacturing techniques have allowed fire clay sinks to become lighter, stronger and generally more practical, while still providing the same aesthetic benefits.

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When it comes to granite composite sinks, expect incredible durability with models designed to withstand the toughest kitchen environments.

This is combined with a variety of designs, including smooth sculptural sinks, as well as more classic models with grooved drainers and generous bowls. They are also available in different colours, such as black, dove grey or stone, allowing them to be easily matched with different cabinetry and worktops.

Installation nation

Kitchen sinks continue to evolve in line with design trends and consumer demand. Undermount models remain popular, particularly in modern kitchens encompassing clean lines and contemporary styling.

Such models are very discreet, as they sit under a worktop, creating a successful ‘flow’ through a kitchen – which is of paramount importance when designing a large, openplan space. Inset models, on the other hand, tend to have more of a presence in a kitchen and draw the eye more to the food preparation and washing-up area.

From a practical perspective, the configuration of the bowl is an important factor. In smaller kitchens, it is often useful to select a 1.5-bowl model, offering additional space for draining or preparing food, while in larger kitchens, double bowls are a great option to allow extra room all around. However, from a design perspective, the small details can make a big difference – and a great example is the style of the drainer.

This can be either smooth and minimal for a streamlined effect; classical with a bold grooved design; or even eyecatching, thanks to individual design details such as geometric shapes.

Sit on, Belfast sinks are also becoming more prevalent throughout the sector, integrating seamlessly into traditional-style kitchens of all price points. In response to this demand, Rangemaster has launched the new Farmhouse Belfast in a contemporary Anthracite Grey finish, which takes all the elements people love about the Classic Belfast and blends them with superior materials to produce a lighter, stronger and generally more practical model.

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Taps are often left off dream kitchen wish lists – however, that doesn’t mean they are taking a back seat. The latest taps are available in a variety of finishes to suit any design or scheme, including brushed copper, graphite and black, as well as the more traditional polished or brushed chrome. These can be chosen specifically to match other finishes in a kitchen, such as cooker handles, fridge-freezers or even small electrical appliances.

It’s also important to look at what taps can offer modern kitchens in terms of practicality, such as four-in-one models that deliver hot and cold water, plus filtered cold and boiling water. The popularity of these multipurpose taps continues to soar, including models such as Rangemaster’s GEO 4-in-1; these taps safely dispense 98ºC water with a child-safe key fob system and unpressurised system to ensure a fast, consistent stream of water, without the dangers of spitting and splashing to reduce the risk of scalding.

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Top taps

Incoming trends

At Rangemaster Sinks & Taps, we have experienced high demand for contemporary, geometric designs which make a statement in a kitchen.

Modern, metallic kitchens are still very much sought after, so we’re anticipating granite sinks with flecks of silver that add shimmer and sheen to continue setting the pace for the latest designs.

In terms of product development, we’re seeing larger, double-bowl sinks gain in popularity, due to the increased capacity they have to offer. As a result, this makes food preparation and cleaning far easier for family households.

At the more traditional end of the spectrum, fire clay ceramic sinks will continue to be a ‘go-to’ product when creating a traditional shaker-style kitchen, which pairs classic materials alongside modern finishes for a contemporary contrast. Consequently, it’s likely that new fire clay ceramic sink designs will emerge to fill this gap in the market.

One thing is for certain, with kitchens more open and taking more of a starring role, 2020 looks set to be focused on both form and functionality. rangemastersinks.co.uk 8 9

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In the hot seat: HASSAN ARJI The expertise and reputation of the firm Arjitec, based in Marrakech and in Paris, continues to cross borders internationally through the development of several luxury residences, prestigious private projects and high-end hotels.

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fter several years collaborating with the largest international architectural and decoration agencies, the family enterprise has been trusted with incredibly ambitious projects, and now manages projects in their entirety. Comprising architects, decorators and engineers, the multidisciplinary agency is fortunate to have the skills of a variety of master craftsmen.

As a result, the firm is able to successfully combine the abilities within the team to achieve a complete understanding of the project; from the initial design, the eventual construction and most importantly, to deliver the project in the client’s best interests.

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seamlessly adapts to the requirements of its clients through a global approach to projects. It strives to implement the most innovative techniques while respecting budget and sustainable development issues. From the initial design stages, the various architectural and engineering departments work together to offer modern solutions. The collaborative working environment is an indisputable asset for Arjitec, whose portfolio of large, international projects include locations such as Morocco, Uzbekistan, Spain, Kenya, France, Gabon and the United Arab Emirates.

Here, Inex Editor, Rebecca Kemp, undertakes a brief, 15-minute series of quick-fire questions with Hassan Arji, Registered Architect (DPLG) and Engineer (ESTP) at Arjitec, to find out more about his career.

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Please provide us with a description of your professional career.

HA: After obtaining my structural

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engineering diploma, I decided to continue my studies and become an architect.

What inspired you to become an architect?

HA: I wanted to incorporate

my technical knowledge with aesthetics, beauty and harmony.

What inspired the start-up of Arjitec?

HA: It’s a family business created in 1979 by my father. I wanted to expand it internationally.

What has been your greatest source of inspiration throughout your career?

HA: My inspiration comes mainly from the history of the place. Each site has a story, a tale, that I tend to reflect in my designs.

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“My inspiration comes mainly from the history of the place. Each site has a story, a tale, that I tend to reflect in my designs.”

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BANYAN TREE TAMUDA BAY RESORT How do you approach your projects?

HA: It starts with obtaining information from the client and the context of the

project, then defining the urban, environmental, aesthetic and technical needs.

Who is your favourite interior designer and why?

HA: Architect: Santiago Calatrava (Spanish).

Interior designer: Ibrahim Jaya (Indonesian).

Would you say that you have a design style?

HA: I find it difficult to define clearly. I would say it is a mix of many different styles.

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DAR SABRA What do you believe is the biggest challenge for today’s interior designers?

HA: I believe the biggest challenge is finding the right client who is ready to dream with you.

What has been your biggest accomplishment to date?

HA: I have succeeded by satisfying all my clients’ wishes (design, budget, planning etc.) from design phase to final product. That is my biggest accomplishment to date.

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HOTEL PARTICULIER SAINT HONORE

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What has been your most notable project?

HA: Hotel Particulier Saint HonorĂŠ. It is not

our biggest project, but it’s the one that has been thought through and executed intricately with its details, like lace.

Can you talk us through one of your most recent design schemes?

HA: Our ongoing Palace project in Pakistan.

The challenge was to design a super modern, sustainable building, whilst recreating the local atmosphere where the client grew up, before he moved to London.

Have you witnessed any recurring requests from your clients?

HA: That their project should be unique and confidential. That is why, unfortunately, we cannot share most of our prestigious projects.

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Do you have any favourite suppliers for your schemes?

HA: I love to work with

small craft suppliers all around the world for tailormade creations. Maison Fey, Atelier Midavaine, Ulgador, Atelier Gohard, Najean Lighting etc.

What advice would you offer to those that are considering a career in design?

HA: To not neglect the

technical side of design and to not pollute their creativity with design websites – such as Pinterest.

What can we expect to see from you over the next year?

HA: A luxury Ritz Carlton hotel at Dar Essalam and two amazing resorts for GFH Bank. arjitec.com

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UNDERMOUNT SINKS – BLANCO EXPLAINS ALL YOU NEED TO KNOW Here, John Robinson of BLANCO UK explains all that the retailer or installer needs to know about undermount sinks.

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hen deciding what sink type is best for a design scheme, it’s best to start by considering the kitchen style, the worktop material, the profile of the homeowner(s) and any constraints which may demand a certain installation method.

Along with the undermount method, where the sink is attached beneath the worktop, sinks can be installed from above with the edge placed on top of the worktop. With a farmhouse-style sink, it can be fitted in two different ways. The inset option is where the worktop butts up to the outside of the bowl; the undermount option is where the worktop sits over part of the bowl rim on three sides.

An undermount sink is an understated design feature; it can either match the worktop or

create a contrast. With no surface profile, it shows off the choice of solid surface beautifully. It gives the user more space on the worktop as the drainer can be integrated into the work surface or a separate drainer can be added or hidden away as required.

Charley Jones, Showroom Manager at Schmidt Wimbledon, a BLANCO retailer, explains: “We find BLANCO undermount sinks incredibly easy to install making our job hassle-free.

CARING FOR THE PLANET WITH KELLER KITCHENS Keller Kitchens has consistently been at the forefront of environmentallyfriendly developments in the kitchen industry and has a completely carbonneutral production process since April 2017.

Keller Kitchens also takes a circular approach to sustainability and implements environmentallyaware methods into each stage of its manufacturing processes. This starts from the root beginnings with the sourcing of raw materials. Keller is dedicated to selecting materials that are both ethically and environmentally responsible; for example, by using wood that comes from sustainably-governed forests. This careful consideration is mirrored in the product selection for the kitchens. Keller offers the possibility to choose materials with the FSC quality mark, Greenpanel worktops and water-based paints alongside recyclable packaging. kellerkitchens.com +31 (0)164 285 106 I N E X

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info@KellerKitchens.com

As well as the wide range of styles our customers have to choose from, there is also the stunning range of SILGRANIT colours too – we only ever use BLANCO sinks for any project we undertake; they sell themselves.” blanco.co.uk 01923 635200

OSMO MEETS THE DEMANDS FOR WOODEN DECKING Osmo UK offers a range of decking oils to protect and maintain the beauty and quality of exterior decking. The product range provides resistance against water and dirt, while also offering an appealing satin oil-based protective finish. Made from natural plant oils, organic pigments and waterrepellent additives, the micro-porous finish allows the wood to breathe, a factor that is essential for exterior wood. The eco-friendly ingredients help to regulate the wood’s moisture content, reducing swelling or shrinking, whilst enhancing the natural characteristics of the wood. Available in a range of 10 different shades and one clear Teak-Oil, there is a Decking Oil to complement and protect a number of wood species. osmouk.com 01296 481220 info@osmouk.com

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| Armourcoat Acoustic® Plaster System |

Exceptional Acoustics Armourcoat’s new Acoustic Plaster System offers a seamless mineral finish over large expanses to optimise the acoustics of interior spaces.

Applied to ceilings at The Minster Building for architects BuckleyGrayYeoman.

• Class ‘A’ NRC • Topcoat incorporates 70% recycled marble • Basecoat incorporates 85% recycled glass • Class ‘O’ fire-rated • Zero VOCs

Photography: © Jonathan Banks

www.armourcoat.com

S P O T L I G H T P R O D U C T

ECO-CONSCIOUS ACOUSTICS FROM SOUNDTECT Noise pollution is the primary cause of a reduction in productivity and can contribute to stress and illness; which can also play a part in absenteeism and a continuous turnover of staff.

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he typical noise level in an open-plan office is 65 dB and, shockingly, that’s only 30 dB less than a lawnmower.

And background noise, even at low levels, has been found to increase stress levels and undermine short-term memory, reading comprehension and willingness to engage with others.

Workers have been seen to be 60% less productive in a noisy office – which is a worrying statistic to any business owner.

The working world currently seems to have a love-hate relationship with open-plan offices, most of which centres around noise, but the openplan office concept is highly successful for several reasons. It is cost-effective, allows room for expansion and changing team dynamics, creates more working collaboration, reducing the need for separate meetings. It creates a ‘buzzy atmosphere’, enhancing

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the office culture and enjoyment at work. Every business wants more happy workers as they influence an organisation’s success and performance.

So, here’s the conundrum – the open-plan concept is the right solution for increasing engagement and creating happier, more productive employees, but the noise byproduct affects individuals, driving them to grab their headphones and retreat into their own world, or even work from home.

So, considering acoustics at the planning stage is essential when embarking on an office refurbishment.

The great news is, acoustic improvement products are no longer boring and hidden, they’re stylish, colourful and are used in a variety of applications; meeting pods, partitions and decorative forms such as wall panels and 1 1 0

ceiling enhancements. Soundtect specialises in the manufacture and supply of many different solutions which can be tailored to be as funky as you like to complement any office design theme.

And while we are about it, let’s not forget the environment. Soundtect is proud of its environmental credentials – its products use over 70% recycled polyester. The products are a thirdgeneration product which began life first as a plastic PET bottle, and then recycled into exhibition carpets before being woven into superior quality, high-performance acoustic felt.

Recently, Soundtect launched a new printed wood finish for its Freestyle range. This lightweight, semi-rigid sound-absorbing panel has revolutionised the acoustic market and although there are many other manufacturers with a similar product, Soundtect is the pioneer of all sides being printed, and the results are very believable. No more need for heavy wooden ceiling baffles or the perfect wall surface solution for that rustic, unfinished feel that is popular right now.

So, the solution is straightforward; to improve the cognitive performance of your team in an open-plan office environment, more consideration needs to be given to noise dynamics and how you can reduce them with effective acoustic solutions like Freestyle and, as you are also buying into a sustainable solution offered by Soundtect, you are also lessening environmental pollution at the same time. soundtect.com 0845 548 0518 enquiries@soundtect.com

Gordon-Duff & Linton (GD&L) will soon be launching its own uniquely designed wall shelf. Gemma had a desire to create something that was more than simply ‘as shelf’. The edges have all been tapered to emphasise the slim proportions, in addition, where the vertical supports intersect with the horizontal it works to expresses the simplicity of the construction. The shelf proved to be extremely popular, and GD&L began to receive enquiries about where they could be purchased.

It now employs local craftsmen to manufacture small batches of the shelves and will be selling the shelves online. The shelf is available in natural oak or dark Jacobean oak.

S P O T L I G H T

Showerwall has extended its bathroom wall panelling range with 26 new design-led decors reflecting the latest bathroom and interior trends and advances in registered embossed printing technology. The full collection now offers an extensive choice of 84 designs. With a focus on of-the-moment design and texture, highlights of the expansive new Showerwall collection include 14 new HPL designs, including four new Synchronised options, which replicate the look and feel of real marble and stone, as well as three fashionable terrazzo colourways. Showerwall is a 100% waterproof panelling system, guaranteed for up to 15 years and available ex-stock nationwide from IDS, Ideal Bathrooms and Formula 1.

P R O D U C T

SHOWERWALL ADDS 26 NEW DESIGNLED DECORS TO REFLECT THE LATEST INTERIORS

NEW SHELF FROM GORDONDUFF & LINTON

showerwall.co.uk 0845 604 7334 info@showerwall.co.uk

gordondufflinton.com info@gordondufflinton.com

BESPOKE FURNITURE COMPANY GOES WITH ‘THE FLO’ TO SUPPORT NHS

A specialist bespoke furniture firm is making one-ofa-kind desks featuring an inspirational quote from Florence Nightingale – and all the profits from sales will go to the NHS. Alex Adgar, who started his hand-made furniture business, West Bridgford Joinery, more than a decade ago, has been forced to close his doors since Coronavirus struck – but is determined to help the NHS with his new endeavour. The white desk, made from riga and valchromat, has been designed with homeworkers in mind. To keep them positive during the current pandemic, Alex has engraved each desk with a quote from Florence Nightingale: “I attribute my success to this: I never gave or took an excuse.” tormar.co.uk 0333 344 5298 info@tormar.co.uk 1 1 1

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R IVE R L I N E A perfect choice for almost every location!

12 Hay Hill, Mayfair, London, W1J 8NR, United Kingdom

T 0162 253 4041 E info@itcnaturalluxuryflooring.com W www.itcnaturalluxuryflooring.com

FG Library & Learning was invited to design a new library within a refurbished space in the Lower School site at the International School of Havana, Cuba. For this project, FG Library & Learning teamed up with one of the UK’s leading educational supply consolidators, VPJ Solutions, to provide a turn-key package for the customer. As part of the new library, KI provided a selection of its iconic Postura+ chairs in Lime Zest and Parrot Green.

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he colours of the Postura+ chairs were specified to complement the decor of FGLL’s popular Storywall and the bespoke Treehouse – which was an instant hit with staff and students alike, helping to create a ‘wow’ factor that would entice students to use the new space.

The library caters for over 300 pupils in three different age groups (three to six years, seven to 11

years and teens), so each area had to have its own character.

For the younger years, the space needed to be bright and inviting, while offering an area for quiet and group reading. The teenage area needed to include desks for studying as well as

S P O T L I G H T P R O D U C T

KI’S POSTURA+ CHAIRS ADD COLOUR TO THE INTERNATIONAL SCHOOL OF HAVANA

soft and comfortable furniture for more relaxed reading.

Georgie Schofield, Principal of Lower School, commented: “FG supported us every step of the way to ensure we had a modern, bright, bold library, and chose the perfect colours of KI’s Postura+ chairs to complement the colour scheme of the project. It has truly engaged our community and turned our library into a hub of literacy, learning and engagement.” kieurope.com 0207 404 7441 info@kieurope.com

SAFETY FIRST WITH AMTICO FLOORING Amtico has expanded its Signature 36+ collection of premium and safety luxury vinyl tile (LVT) flooring to suit a variety of commercial applications, including healthcare environments. The flooring’s toughened 1mm upper wear layer provides all the resilience and long-lasting properties that Amtico’s Signature collection is known for, while offering enhanced slip resistance for the lifetime of the product. Signature 36+ comprises 24 woods, nine stones and three abstracts to help architects, designers and specifiers create spaces that promote wellbeing and meet safety guidelines.

Signature 36+ also contains an active ingredient which has been shown, under blind independent lab tests, to resist the growth of bacteria such as MRSA and E.coli throughout the useable lifetime of the floor. amtico.com/commercial 0121 745 0800 info@amtico.com

UV-PROTECTION OIL EXTRA Perfectly protected against the sun.

The first clear UV protection for the outdoors!

• UV resistant factor 12 in comparison to untreated wood • For vertically structured exterior surfaces • Very water and dirt resistant • Reduces wood swelling and shrinkage • Resists the growth of algae, mildew and fungal attack • Microporous, breathable finish – doesn’t crack, peel, flake or blister • No sanding necessary for future applications

www.osmouk.com

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S P O T L I G H T P R O D U C T

UPHOLDING MILL TRADITION WHILST IMPROVING THERMAL PERFORMANCE In the 11th century, the Grade II* Listed Blue Mills in Witham, Essex, was recorded in Domesday as the water mill at Benton Hall, a subsidiary manor of Blunts in Witham.

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he original 16th-century cottage is attached to a Georgian house – at the front – a sequence of early Victorian extensions, and a later Victorian house in 1872 – at the rear.

It was important to the owners that an effective resolution would complement the existing architecture of the building. They reached out to Selectaglaze for advice on the best possible treatments for the

primary windows; a mixture of timber sash windows, fixed lights and inward or outward opening casements.

The irregularities around some of the bay windows meant that a considered approach was required.

Once the owners were happy with the bespoke solutions suggested, the install went ahead. Despite

the property being listed, Maldon District Council confirmed that no formal listed building consent was required for the works.

A total of 22 windows have been treated thus far using a number of window styles: fixed light, vertical sliding and sidehung casements. Two windows in the wood-panelled room were treated with Selectaglaze’s heritage Series 47 hinged casement system, which was able to sit tight behind the wooden shutters, allowing its continued operation. The aluminium profiles were coloured in a woodgrain finish which colour matched the existing surrounds perfectly. selectaglaze.co.uk 01727 837271 enquiries@selectaglaze.co.uk

REPLACING KITCHEN DOORS AND DRAWERS? Changing kitchen doors can be a great way to create a new kitchen without the cost and hassle of starting all over again. It is now easy to freshen up doors quickly if they are getting tatty.

Getting exactly the right replacement kitchen doors and drawers is not as difficult as you may think. The range of colours and styles of kitchen doors has grown dramatically over recent years with the quality of manufacturing improving all the time. With replacement doors ranging from vinyl wrap to solid wood; the choice is yours; not to mention there are hundreds of colours and styles to pick from. You will be amazed just how much a kitchen will change with a simple door replacement.

WASH AND CARE Suitable for wooden, varnished, stone, vinyl & tiled flooring!

• Highly effective cleaning of dirt and grime • Maintains protected surfaces without wear of treatment • Easy to use for regular usage • Moisturises the wood’s surface to maintain freshness • Suitable for domestic and commercial use

granitetransformations.co.uk 0808 149 5914

www.osmouk.com

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S P O T L I G H T P R O D U C T

Coloured interlayers can be used to create large panels of coloured glass

THROUGH THE GOODLOOKING GLASS

When creating a unique property, glass is even more versatile than you might imagine, giving a building options for light, privacy, colour and creativity.

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cott Sinden, Managing Director of leading UK glass processor ESG Group, explains: “One of the most common themes we see in modern architecture is the use of light and space to create a feeling of wellbeing and comfort.

No surprise then that glass is still one of the most important construction materials to use, as it allows natural light to flood through a property.”

The first innovation is perhaps the advance in the toughened laminated glass process. Using modern interlayers to sandwich together two or more sheets of toughened glass, ESG has been able to create lighter, stronger glass panels. Critically, this has allowed the company to increase the size of panels, allowing the architect to create taller, wider and more seamless designs which adds more natural light than anyone once thought possible.

However, ESG can now do so much more. Glass can now provide added security, privacy and even sound attenuation

– as well as great looks and protection from the weather.

One of the most popular innovations of the last decade or so is switchable LCD glass, or privacy glass, as it is often known. Privacy glass is created using an interlayer through which an LCD electric current can be passed. When the current is switched off, the glass will form an opaque panel, but when the current is switched on, the glass becomes transparent, letting in light and providing a clear view.

The current which makes it transparent is low on energy consumption and is controlled by a simple button, or even using an app. Privacy glass can be installed anywhere that a current can be applied, and is, therefore, becoming increasingly popular for defining spaces within a more open-plan setting.

In studio apartments, for example, switchable glass is often used to divide the sleeping area from the more free-flowing living, dining and cooking zones.

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ESG Switchable glass shower screens replace walls, cur tains or shut ters

switched off to create a separate room, but during the day it can be switched on to allow light to flood all the way through a property, making the overall footprint feel larger.

In corporate settings, switchable glass is popular for boardrooms, changing meeting areas from private and confidential to open and inclusive at the touch of a button.

There has also been an increase with glass, like ESG Switchable, being used in shower screens and on exterior windows, which replace the use of curtains or shutters.

Scott continues: “You may wish to add colour to glass, and we can also achieve this by using interlayers.

There is a wide range of Vanceva coloured interlayers which we can use to create large panels of coloured glass. These can be used to great effect in both domestic and commercial settings.”

As designers and architects dare to dream even more creatively, glass processing has kept pace, making it possible for all concepts to be realised. esg.glass 01376 520061 sales@esg.glass I N E X

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S P O T L I G H T P R O D U C T

BIID TO SUPPORT MEMBERS WITH ENHANCED ONLINE RESOURCES

The British Institute of Interior Design (BIID) is increasing its online resources and introducing new web-based initiatives to support interior designers during the current global pandemic.

New webinar series

The BIID is launching a new webinar series to discuss some of the challenges interior designers and design businesses may face during this turbulent time. The webinars will explore a range of topics including legal issues, online collaboration tools, financial support and other advice on navigating a design business through this uncertain period.

Online CPDs

The BIID is working closely with its CPD providers and supporting them to bring their CPDs online, and a selection of these are now ready, allowing interior designers

to connect with suppliers and continue to build their knowledge from the comfort and safety of their home.

Designer digital meetups

The BIID has introduced a series of new Designer Digital Meetups. These informal sessions are designed to encourage members to connect with each other online and share their own experiences of trying to run design projects, work from home and plan long-term during these uncertain times.

Knowledge hub

The BIID’s dedicated, online Knowledge Hub is a cloud-based online platform that hosts a diverse range of educational content to help support the development of interior

designers, students and other industry professionals. The flexible platform allows users to record their CPD points and to learn in their own time and at their own pace.

Online resources

To provide interior designers with advice and support during the pandemic, the BIID is regularly publishing industry news, helpful features and useful resources on the news page of the BIID website. biid.org.uk 0207 628 0255 info@BIID.org.uk

GROHE ACHIEVES CARBONNEUTRAL PRODUCTION

As one of the first leading manufacturers for full bathroom solutions and kitchen fittings, GROHE has now achieved carbon-neutral production, a pivotal milestone in its long-term commitment to sustainability. “The initiative ties in seamlessly with the numerous measures in our plants that promote the reduction of the carbon footprint and conserve resources. We are very proud to be a pioneer in our industry with GROHE goes ZERO,” says Thomas Fuhr, COO Fittings LIXIL International and CEO of Grohe AG. “And we are directly aiming for the next step: by the end of 2021 we want to make all our sales offices worldwide climate-neutral.” grohe.com I N E X

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THE GEBERIT WASHROOM

RESHAPING THE HOTEL GUESTROOM

As the trend for selling experiences and creating an escapism for hotel guests continues, so too does the value of creating a unique, positive guest experience to help build stronger memories and ensure guests keep coming back.

In the latest White Paper report from Geberit, we explore the latest trends and the challenges they collectively pose as they shape the way in which designers approach hotel washroom projects.

Download the latest White Paper report from Geberit at geberit.co.uk/science