October 2014 ISSUE 14 inex-online.com
in[sight]
A profile of the influential individuals, companies and partnerships driving the interior design industry forward
ex[rated]
Inex showcases striking exterior installations and products that blend cutting-edge design with practicality
in[spire]
Helping professionals to keep abreast of trends, this focus highlights styles in texture, pattern and tone
ex[pose]
Inex unveils the greatest iconic furniture pieces still prevalent in today’s contemporary design world with a modern twist
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03 EDITORIAL
Editor Emily Smith emily@mixedmediainfo.com Managing Director Sam Ball sam@mixedmediainfo.com Account Executive Stephanie Ayling stephanie@mixedmediainfo.com Senior Editor Hannah Frackiewicz hannah@mixedmediainfo.com Studio Manager Chris Lilly chris@mixedmediainfo.com Artworker Ben Bridgeman ben@mixedmediainfo.com Artworker/Sub-editor David Perry david@mixedmediainfo.com Accounts Simone Jones simone@mixedmediainfo.com Publisher Mixed Media Information Pear Platt, Woodfalls Farm, Gravelly Way, Laddingford, Kent. ME18 6DA Tel: 01622 873229 Fax: 01622 320020 inex-online.com Terms and Conditions No responsibility will be taken for drawings, photography or literary contributions during transmission or in the editors hands. In the absence of an agreement the copyright of all contributions, literary, photographics or artistic belongs to Mixed Media Information Ltd. The publisher accepts no responsibility in respect of advertisements appearing in the magazine and the opinions expressed in editorial material or otherwise do not necessarily represent the view of the publisher. The publisher does not accept any liability of any loss arising from the late appearence or non publication of any advertisement.
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ast month’s London Design Festival was a huge success, with over 250 partners and 300 events celebrating the best in design and encouraging more than 350,000 members of the international design community to flock to the city. For me, a particular highlight of the season was watching the collection of live interactive installations at Decorex. I watched in fascination as Front London had their master weaver demonstrate intricate weaving techniques and Watts of Westminster hand block painted wallpaper. This made me think, with manufacturing increasingly outsourced abroad for cheap mass production, what does the future hold for British craftsmanship? This month’s Expose discusses the resurgence of interest in craftsmanship. Bespoke furniture specialist Rupert Bevan presents his belief that the design industry needs to take responsibility to ensure the continuation of British craftsmanship by promoting its value. Rupert explains: “The ties between design and production need to be strengthened rather than them becoming detached. To me it is the time, skill and attention to detail going into a piece that gives it charm and character.” Read the full article on page 22. Other issue highlights include The Boss Design Group’s Philip Duggan discussing the growing popularity of office pod systems on page 8, and on page 27 Karen Warner from Interface demonstrates how flooring solutions can help to improve acoustics and in turn, wellbeing, within the workplace. As always, I hope you’ve found this issue both inspirational and useful. For this resource on the move, you can download Inex’s free of charge app for specification and inspiration at your fingertips. Simply search ‘Inex’ in App Store and Google Play.
Top left: Two new beach houses have been built on the East Sussex coastline with stunning wood cladding. For more information go to page 18 Cover: Interface carpet provides impressive noise absorption, especially in commercial interiors Above: The Orange Evolution kitchen by Snaidero explored the possible stylist
Emily Smith emily@mixedmediainfo.com
definition of colours and materials
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05 CONTENTS
07
OCTOBER DIARY
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INSIGHT The Boss Design Group’s Philip Duggan demonstrates how pod systems are the perfect solution for office privacy.
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INSPIRE Frieze London returns to The Regent’s Park this month, presenting artwork by over 1000 artists.
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EXRATED Kebony wood adds to the statement impact of two new beach houses on the East Sussex coastline.
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EXPOSE Bespoke furniture specialist, Rupert Bevan discusses the resurge in British craftsmanship.
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ACOUSTICS Interface’s Karen Warner unveils the importance of acoustics within modern office spaces.
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KITCHEN Changes in lifestyle and greater access to open plan living have led kitchen manufacturers to rethink concepts.
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RETAIL Fossil’s new Oxford Street store is adorned with Italian lighting and vintage-inspired accessories.
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Top left: Blanco’s Blancoronis sink is the largest round
OFFICE The Interiors Group have recently designed and built a trendy new UK office for Entertainment One.
bowl available on the market in the UK Middle: The last few years have seen a resurgence of interest in craftsmanship
ELECTRICAL A luxury new-build in Cambridgeshire required the latest in high-end electrical accessories.
– this month’s Inspire explains why Left: Sound absorbing flooring is crucial in open-plan office environments –
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07 DIARY
Biennale Interieur Kortrijk, Belgium 17-26 October In 1968, the founders of the Biennale Interieur launched an innovative model that introduced design as a cultural and commercial entity. Today, the Interieur format stands out from other trade events as its two-yearly rhythm allows for time to digest evolutions within the industry. interieur.be Frieze Art Fair Regent’s Park, London 15-18 October Frieze London is the contemporary art event of the year where visitors will see and buy art by over 1000 of the world’s leading artists, the fair features Frieze Projects, a unique and critically acclaimed programme of artist commissions and Frieze Talks, a prestigious programme of debates, panel discussions and keynote lectures. friezelondon.com
Orgatec Cologne 21-25 October More than 600 companies from 40 countries will present their new office products and services on 105,000m2 of exhibition space. Leading national and international manufacturers will present their product innovations from the areas of furnishing, flooring, acoustics, lighting and media technology. The exhibitors list of this year’s Orgatec reads like a “Who’s Who” of the industry, including numerous national and international market leaders and important industry players, among them Actiu, Bentley, Haworth, Interface and Interstuhl. orgatec.com Independent Hotel Show Olympia, London 21-22 October Here to inspire the UK’s burgeoning luxury and boutique hotel sector for a third year, this annual event returns for anyone within the hotel and hospitality sector. With over 250 handpicked products and services, business seminars and advice clinics, the event presents the hottest topics of the sector. independenthotelshow.co.uk
Anarchy & Beauty National Portrait Gallery 16 October – 11 January Anarchy & Beauty explores the life and ideas of the great Victorian artist, writer and visionary thinker William Morris. Through portraits, personal items and fascinating objects, many of which will be on public display for the first time, this major exhibition illustrates Morris’ concept of ‘art for the people’ and highlights the achievements of those that he inspired. npg.org.uk
Alvar Aalto – Second Nature Vitra Design Museum, Weil am Rhein Until 1 March The Vitra Design Museum presents a major retrospective exhibition on the legendary architect and chief proponent of a human-centred modernism, Alvar Aalto. His Paimio Chair and Stool 60 were milestones in the development of modern furniture, with his Savoy Vase becoming the symbol of Finnish Design. The exhibition explores how Aalto’s affinity for organic form was mediated through a close dialogue with many artists of his time. Works of other artists are juxtaposed with Aalto’s designs, illustrating his significance as a figurehead of the international art and architecture Avant-Garde. design-museum.de INEX-ONLINE.COM
08 INSIGHT
Privacy without walls As office spaces continue to evolve, Philip Duggan, Director at The Boss Design Group, considers the growing popularity of office pod systems that help create privacy without walls.
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s the evolution in office furniture and design continues, distinct trends are emerging that channel improved communication and collaboration. Open plan offices lined with cubicles, desks and computers are becoming a thing of the past, whilst less formal environments that incorporate break-out spaces, idea walls, chill-out zones, phone booths and touchdown space – to name but a few – continue to gain ground. Agile or flexible working takes on the view that work is wherever you go, and this translates into a wider range of locations and settings within the office from which to get the job done. In this holistic approach to office design, some of the real heroes of today’s new office designs are flexible meeting systems, or acoustic office pods as they are commonly known. Serving to promote flexibility and nomadic working patterns, these freestanding pieces are great for breaking up large, open plan office spaces, helping create touchdown spaces and informal meeting areas, and they come fully equipped to meet every technological need. In many cases, they provide a cost effective alternative to hiring meeting and conference rooms off-site. Essentially, office pods are designed to give the user a sense INEX-ONLINE.COM
09 INSIGHT
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10 INSIGHT
of their own private space in the workplace and combined with high acoustic performance, they are ideal for modern offices where personal touchdown spaces and informal collaborative areas are the norm. Glass constructed and fully modular, they offer a room within a room that provides users with complete privacy. A contemporary and flexible alternative to fixed partitioning, they help continue the flow of work space and modern working patterns. Acoustically engineered, these pods also offer the ultimate in flexibility. Avoiding the need for planning permission and dilapidation, they can literally be sited almost anywhere in the office. Self-supporting and non floor-fixed, they can also be fully deconstructed and relocated to INEX-ONLINE.COM
other parts of the office, if required. As with all emerging trends, the degree of product sophistication matures over time and the same is true of office pods, with LED lighting, PIR motion sensors to reduce the amount of energy consumed when vacated, and high performance acoustic ceiling panels for enhanced sound insulation, often coming as standard. Many are also able to incorporate individual corporate identities and cultures, with the Vista range from Unifi going one step further and offering a fully bespoke solution. With options to specify accompanying audio visual screen brackets, through to power and data capability, the Vista pod uses a combination of manifestations and customised graphics, and an extensive palette of fabrics, to offer a truly bespoke
Above: Office pods are designed specifically to offer privacy within the workplace
solution. As soft seating becomes a realistic and ergonomically sound alternative for meeting and collaborative areas, upholstered furniture in either fabric or leather, also works well in such systems and is in stark contrast to the high degree of technology that prevails. It is also yet further evidence that furniture designers can no longer rely on functionality alone. Of course, there will always be the need for traditional boardrooms and meeting rooms within the office arena, however the emergence of office pods now offers interior designers the option to sustain the collaborative work movement and to create rooms within rooms - and all without the need for walls. boss-design.co.uk ÂŤ
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12 INSPIRE
A meeting of minds
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The 12th edition of Frieze London will present artwork by over 1000 of the world’s leading contemporary artists in Regent’s Park between 15-18 October.
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ncorporating a programme of artist commissions and talks alongside the fair itself, Frieze London is housed in a bespoke structure in The Regent’s Park. “The fair’s location in Regent’s Park has been a defining feature since its launch in 2003,” explains Show Director’s Matthew Stotover and Amanda Sharp. “One of the many benefits of the temporary structure has been the ability to use architecture to enhance the environment of the fair, for galleries, visitors and artists alike, and following a distinguished line of collaborators, we are excited this year to work with Universal Design Studio.” Frieze brings an international art audience to the UK capital every October. The 2014 event sees a restructuring of the sections for participating galleries, introducing ‘Live’ and the Frieze Artist Award. For the third year, Frieze London will coincide with Frieze Masters, a fair that gives a contemporary perspective on historical art, which also takes place in Regent’s Park, London. Together the two fairs bring together an unrivalled range of art with an international art audience, benefitting from a crossover of visitors.
INSPIRE
theatre have emerged as significant threads running through this year’s Frieze Projects, reflecting current interest in the dynamics of staging and theatricality, which increasingly impact on human interactions, especially at public events such as Frieze London.” New elements New to the fair in 2014 is the inaugural Frieze Artist Award, established to enable an emerging artist to present a site-specific work at Frieze London. The winner of this year’s award is Melanie Matranga, who is creating a series of short online videos, co-directed by Valentin Boure, that follow a young artistic couple as they Left: Lutz-Kinoy & Freedman Fritzpatrick ‘Floral Harmony and Floral Romance’ Right: Bainbridge ‘Workplace Occurence on an Endless Column Below: Kia Henfa Fonti ‘Rusty Mirage’
Frieze Projects Frieze projects brings together nine new commissions, realised both at the fair and in a number of off-site locations around the city. This year the programme has a focus on artists whose practices intersect with other disciplines. More than ever before, collaboration with institutions across London and the UK – from the National Trust to the Northern Ballet – draw attention to the ways in which art criss-crosses the fabric of the UK’s cultural ecology. Frieze Project Curator, Nicola Lees explains: “Frieze London is an exciting and ambitious context for the commissioning of works that engage with the live dynamics of the fair. Dance, choreography and INEX-ONLINE.COM
14 INSPIRE
negotiate ‘freedom, success and the proper functioning of a couple’. The episodes will be filmed during the construction of the fair itself, within a purpose-built café that Matranga has designed for use by Frieze visitors. ‘Live’ is another new initiative at Frieze London 2014 that will provide a platform for ambitious, active or performance-based installations. Demonstrating Frieze’s commitment to placing INEX-ONLINE.COM
the most experimental art practice at the heart of the fair, ‘Live’ 2014 will feature six selected galleries who will show works specially conceived for Frieze alongside the restaging of a number of significant historical pieces. These works will be integrated with the architecture of Frieze London; staged both on gallery stands and in public spaces throughout the fair. Joanna Stella-Sawicka, Deputy Director, says: “Live is a major new initiative that shows Frieze’s commitment to featuring the most ambitious and experimental art being made today. We’ve always helped galleries to realise works that capture visitors’ imaginations and allow people to participate. With Live we will be integrating an
important part of Frieze’s history into the fabric of the fair, seeing where galleries are breaking new ground and supporting them in that venture.” Frieze Talks Frieze Talks is a programme of panel discussions, conversations and keynote lectures by leading artists, writers, curators, filmmakers and cultural commentators. Complementing
15 INSPIRE
Left: Frieze London 2013 Below: Reyes Stina ‘Colloquium (Conversation)
Masters. Selected by Clare Lilley, Director of Programme at Yorkshire Sculpture Park, this year it will provide a showcase for significant modern works alongside some of the newest sculptural practice. With free public access, Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to see an important selection of public art in the open air. Clare explains: “Unique in the world’s art fairs, this year’s Frieze Sculpture Park is an intriguing and delightful breath of fresh air featuring artists from across three generations. We see explorations of the natural world that include a remaking of a 1967 action by Roelof Louw and fencing by Caroline Achaintre, alongside analyses of the human form and its condition in works by Thomas Schütte and Reza Aramesh. Carefully sited across the English Gardens, the
sculptures – made from a range of materials including bronze, concrete and helium balloons – are a striking pageant of contemporary practice.” Visiting information This year both Frieze London and Frieze Masters have new opening hours, Frieze London is open to the public from Wednesday 15 October to Saturday 18 October. New sponsors of Frieze London this year include Selfridges, who join existing supporters of the fair Deutsche Bank and Alexander McQueen alongside BMW, Champagne Pommery and The Art Fund. For the 12th year, the Outset/ Frieze Art Fair Fund will benefit the Tate Collection, making an impressive contribution to the national collection. friezelondon.com «
Frieze Talks at the fair, frieze video is a strand of arts films and documentaries produced by frieze magazine in association with Pundersons Gardens. The fair’s selection includes recent videos of interviews, essays and reports from art events around the world. Sculpture park For the second year, the Frieze Sculpture Park will include works from both Frieze London and Frieze INEX-ONLINE.COM
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17 PREVIEW
The Independent Hotel Show 2014 The Independent Hotel Show returns to Olympia this October with the promise of even more insight, advice and inspiration for the UK’s burgeoning luxury and boutique hotel sector. Now in its third year the show has become a must-attend event for anyone connected to the hotel and hospitality sector.
F
eaturing a range of handpicked, premium essentials to equip your hotel, exhibitors at the Independent Hotel Show represent the cream of the industry, helping your boutique or luxury hotel stand out from the crowd. With categories including interior design, technology & software, audio & entertainment and health & wellness the show is home to a wealth of products and services to help boost the profile and profitability of your business. Gain insight and inspiration from the hotel industry heavyweights across a range of subjects as the Independent Hotel Show 2014 tackles and presents the hottest topics of the sector. Design, technology, marketing and business experts are scheduled to present a range of free to attend business seminars and panel discussions to help streamline the running of a profitable hospitality business and boost revenues.
Above: Seminars and panel discussions will run throughout the event across two theatres Left: The Independent Hotel Show is at London’s Olympia between 2122 October
Sessions run throughout the two-day show across two theatres - the Business Theatre, sponsored by Towergate Insurance, and the Innovation Stage, sponsored by MICROS. Highlights include a Q&A session with leading General Managers, Philip Newman-Hall from Le Manoir aux Quat’Saisons and South Place Hotel’s Bruce Robertson; along with an in-depth discussion about the importance of brand and personality, led by James Lohan from Mr & Mrs Smith. Robert Nadler from Nadler Hotels and Julian Troup from Colliers International Hotels will also be looking at the ‘big picture’, reviewing the current state of the UK hotel market and offering insights into the opportunities and risks for hoteliers of all shapes and sizes. Let the freshest creative talent in the hospitality industry inspire you to meet, talk and share ideas with your peers as The Independent Hotel Show showcases the rising design stars of the sector. An innovative and inspirational central networking point, The Hub 2014 was designed by Nina&Co in collaboration with Anya Fennet. Their winning concept is built on the very idea of finding inspiration within the Independent Hotel Show and having that light bulb moment. The design was selected by a panel of leading judges, including architect, Mike Stiff, product designer, Afroditi Krassa and design journalist, Guy Dittrich, as a creative focal point to help draw businesses together at the show. independenthotelshow.co.uk « INEX-ONLINE.COM
18 EXRATED
Amidst the sand dunes On the East Sussex waterfront surrounded by sand dunes, sits two new beach houses clad in Kebony wood.
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he contemporary beach houses, with floating foundations, stainless steel frames and wood cladding are situated next to the county’s only sand dunes. The four-bedroom luxury abodes are the ideal summer bolthole with spectacular views of the sea and unparalleled access to the beach. Architects Walker and Martin were commissioned by a private client to build two beach houses right on the seafront on the site of an old bungalow positioned in front
of the sand dunes. Just metres from the beach, the houses are in fact almost embedded into the dunes. The material selected for this ambitious project had to be durable and visually complementary to its seaside location. The architect wanted to create a seamless continuity in the building’s structure, to echo the natural smoothness of the dunes, and the interior’s wooden beams accordingly have an uninterrupted appearance, regardless of vantage
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point. The building was designed to have minimum impact on the environment and recycled and sustainable materials were used throughout. The structural challenges of the location became apparent during the construction phase and were a good indicator of the forces that the buildings will be exposed to in their future. Without roads, the constructors had to create makeshift pathways through the sand to transport the materials. The site was battered by the severe INEX-ONLINE.COM
20 EXRATED
storms and tidal surges that hit the country during the winter of 2013/14 and gales swept up the beach, blasting the building with sand as it began to take form. Consequently, the huts have been built with the requisite resilience and ability to fend off the elements in their exposed position on the coast, providing ample protection for their owners to enjoy the calm, warm summer days. Architects Walker & Martin commented: “We have been thoroughly impressed with the quality and durability of the Kebony wood and are absolutely thrilled with the end result. It has been a long – cold and windy – process to get this project to completion and we are very proud of the achievement by all!”
Above: The huts are built to withstand natural coastal forces Left: Glazing breaks up the wooden exterior Below: The new residential structures make the most of the surrounding vistas
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The pioneering ‘Kebonization’ process transforms sustainable wood species into those with comparable, and often superior, attributes to tropical hardwood. Kebony is resistant to decay, able to withstand harsh climates and, ultimately, cost effective. Kebony’s ‘new wood’ has myriad outdoor and indoor applications including decking, cladding and flooring. Adrian Pye from Kebony added: “The beach houses look fantastic and are perfectly in-keeping with their surroundings, the Kebony wood will over time evolve to become a beautiful silver patina that will not only stand the test of time due to the materials durability but will also blend naturally into its surroundings.” kebony.com «
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22 EXPOSE
Celebrating craftsmanship Each issue Inex unveils the iconic interior elements still prevalent in contemporary design. This month, bespoke furniture specialist Rupert Bevan discusses the resurge in British craftsmanship.
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he subject of British craftsmanship is an important one, especially to the design industries today. Only a few decades ago it might have been seen as something antiquated, and irrelevant to discussion, but these last few years it has increasingly regained significance. Britain has a rich legacy of craftsmanship, dating back centuries. This extended to all
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levels of society and was essential for basic needs to be met. It was demand from the stately homes that encouraged the development of cabinet making and finishing into fine arts; particularly during and after the 17th century. Craftsmanship is a dynamic process that changes and evolves; the 18th and 19th centuries saw the emergence of different styles and skills as well as the loss of some.
Below: Bespoke kitchen designed and made for a church converted to a private residence, London Opposite: Rupert Bevan’s studio workshop
Following European industrialisation in the 19th and early 20th centuries, social structures changed and a new economic class emerged with more ‘modern’ ideals. Designs for furniture became more contemporary in style, but the hardship of the wartime era and loss of skilled craftspeople meant the industry suffered. As things began to stabilise postwar and quality of life improved, modern aspirations began to take precedence - the novelty of factorymade furnishings and appliances made them more desirable; they epitomised the new and exciting technological age that was beginning to take shape. In the latter part of the 20th century manufacturing was increasingly outsourced abroad,
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where both labour and resources were cheaper allowing for bigger profit margins. The British economy gradually became more ‘service’ based, and traditional skills of woodwork, metalwork and stonemasonry became unfashionable and out of date. Apprenticeships and the passing down of knowledge and technique diminished. I trained as a restorer specialising in gilding; one of the few craft based professions in demand by the 1980’s, which arose from the need to maintain existing furnishings in stately homes and to restore antiques being sold. This was perhaps an early sign of people beginning to re-acknowledge the value of well-designed things made by skilled makers, as one couldn’t purchase anything of such quality that had been mass produced abroad. From the 80’s through to the 90’s antique replicas became popular, so I used my knowledge as a restorer to begin making them. I then realised one didn’t have to be restricted to this, and more contemporary pieces could be commissioned instead - which is when the bespoke furniture industry in Britain really started to take off. What I saw was the incredible potential for creativity in design, and a means for preserving and carrying on traditional craft skills from the past which were becoming increasingly rare and sought after. Timetested techniques in making and finishing which had evolved over centuries could be reinterpreted in contemporary ways, and bring a different approach to the design industry. In my own work I sought to create pieces which were inspired by aspects of classic design but in a contemporary context, and were individual in their own right – functional as well as aesthetically pleasing, and made well enough to become the antiques of the future. Today we have seen a resurgence of interest in
craftsmanship, and in value of having things produced by skilled makers in Britain. ‘Made in Britain’ is for many people an assurance of quality and longevity. Not only does it show support for our domestic economy but it also ties in to a growing environmental awareness that the mass importing of resources and products from overseas is having a detrimental and unsustainable effect on the ecology of the planet. In terms of my own work, I feel more localised scales of production have numerous benefits. Communication and involvement in the process is critical to making a bespoke piece, and could not be achieved working with makers abroad in the same way. In Britain there is already a greater cultural understanding of client expectations, and working with them directly allows one to inform and advise throughout the process. In my opinion it adds value to the piece if the client is able to engage
Above: Rupert and his team work closely with clients and designers to transform concepts into reality. Opposite: Another design by Rupert Bevan, this contemporary cabinet was commissioned to house a 60’’ television.
with its design and production each step of the way. To ensure the continuation of British craftsmanship, I think the industry has to take responsibility for promoting its value. There has to be integrity, for example getting factories overseas to copy the work of prestigious British designers for a lower cost undermines the trade. The ties between design and production need to be strengthened rather than becoming detached, and apprenticeships should be respected not seen as inferior to the academic route. To me it is the time, skill and attention to detail that goes into making pieces that creates their charm, character and depth of meaning. This gives them a presence that cannot be replicated using technology and mass production, and is why we need to encourage craftsmanship and pass the skills down for future generations. rupertbevan.com «
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27 ACOUSTICS
Acoustic solutions that make the right noises in the workplace As the modern office space evolves and we learn more about how workplace interiors can affect users, effective design is more important now than ever. Karen Warner, Marketing Director, UK and Ireland at global modular flooring manufacturer, Interface, discusses how flooring solutions can help improve the acoustics of a space.
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n many of today’s business environments where office units can often come at a premium, open plan, multifunctional workspaces are emerging to optimise space, promote collaboration and stimulate creativity among workers. While these new layouts can be a breath of fresh air, compared to sterile booths and closed off areas, they also lead to unwanted acoustical issues, as
background noise can reverberate around open plan spaces. A number of factors can contribute to these noise levels in an office environment – from airconditioning units and computer systems, to telephones and outside traffic. Substantial noise is also generated from general chatter. Many studies have shown that buildings without appropriate sound absorption can cause occupants headaches and other
Above: Good workplace acoustics are vital for clear communication and general wellbeing Right: Once you understand the noise levels in a space, the right sound absorption system can be installed
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29 ACOUSTICS Left: Carpet absorbs up to ten times more airborne noise than any other flooring material Below right: Interface offer a number of carpet solutions to improve acoustic performance
is another important factor and is mostly relevant when you want to assess the sound that is transmitted from an adjacent room. Generally the structure of a building and the insulation of walls play a critical role in reducing disturbances and preventing sounds from being overheard outside the room. Placing sound impact reducing materials, such as carpet and underlay in the room, can dramatically reduce the intensity of sound from both impact noise and background noise. Making the right noises If you understand where improvements can be made then noise levels can be lowered quickly and efficiently by installing the
right sound absorption system. Tackling excess noise reverberation, noise transfer through floors and poor all-round room acoustics means not only reducing hard, reflective surfaces, but also adding effective sound insulation to produce a healthier and more comfortable work environment. With this in mind, using an underlay can provide an added buffer to help reduce noise even further and significantly improve acoustic performance in any room by absorbing sound and dampening impact noise. Interface, for example, offer a product called Interlay, which is a loose-lay resilient underlay, designed specifically for the Interface modular flooring range. The modern workplace is a nucleus of activity and in order to get the best out of its occupants, an effective interior is key, not only on an aesthetic level but also on an acoustic one. Utilising flooring solutions that significantly improve acoustic performance in open plan office spaces can help businesses achieve a flexible and healthier working environment and ensure a space performs at its best when it is in use. interfaceflor.co.uk «
stress related symptoms. From an end-users’ perspective, good acoustics in commercial spaces are vital for clear communication and general wellbeing. Buildings with poor acoustics can leave people distracted and affect their mood. Absorbing the sound Flooring plays a key role in the acoustic performance of a space. There are two key considerations when choosing a flooring material to meet acoustic needs. Firstly, sound absorption – the transmission of airborne sound within a room – which is important to facilitating good acoustics in modern buildings. A sound remains present in a room after it is made because it is reflected off surfaces, particularly harder surfaces. Carpet can play an important role in reducing sound reverberation because it absorbs up to ten times more airborne noise than any other flooring material due to its fibres, thickness and density, making noise levels easier to control and creating a more pleasant environment to work in. Secondly, impact noise, which is related to the control of sound from one space to another. This INEX-ONLINE.COM
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Evolution and revolution
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he notion of the fixed unit kitchen as was developed by Margarete Schütte-Lihotzky in 1926 with her so-called Frankfurt kitchen had the benefit of making housekeeping far more economically efficient. The need for an optimized kitchen system today no longer hinges on superficial issues of home economics, but on the contextual function of the kitchen space in an often fast changing living environment. What do we expect of kitchens as a place and in term of furnishings; indeed, what do kitchens say about us and our lives? Today, kitchens have the connotations of individuality and are informed by a specific definition of needs and uses. That said, the kitchen is often construed as a social space in terms of the relationship of space, kitchen system and user. It serves not only as a place for sustenance, but opens up the kitchen as terrain for a choreography of life that identifies its own special niches and is forever fleshing these out. The idea of an essentially open plan kitchen was what drove designer Kilian Schindler when he started elaborating his notion of the Concept Kitchen, a project initiated by Naber GmbH. Schindler focused on a kitchen structured by modules, but co-defined by
Left: Orange Evolution by Italian kitchen specialist Snaidero
Changes in lifestyle and greater access to open plan living have led kitchen manufacturers to think outside the box and revolutionise traditional kitchen concepts. the users, who decide through how they live in the kitchen how best to engage its space. This kitchen’s shape derives from the opportunities for its use, and the methods involved, meaning the kitchen space evolves depending on the users’ mindset, preferences and needs. This is a kitchen system that can be expanded by adding modules, or one’s own kitchen appliances, household items and food, and it is a form of furniture that can be categorised as storage shelf, living room furniture and sculpture, depending on one’s particular whim at the time. This modular and flexible approach to furniture highlights above all the idea of transferring the kitchen as a space. Schindler’s design accords priority to freedom of use: It takes on form wherever the user’s life take place The research development behind Italian kitchen specialist Snaidero’s Orange Evolution was to create a fluid and free design that explores the possible stylistic definition of colours and materials. The contemporary collection uses primary volumes and gentle chromatic combinations to soften the visual impact. Instead of simply supporting the table, Orange Evolution by Snaidero outlines the surface. Here the kitchen is modular and designed specifically to be integrated into a wider living space. Units hang suspended to appear more like a living room cabinet than a home for kitchen storage. The range offers flexibility and the opportunity of an informal atmosphere. The modern boxes are fluid in form and link together at different levels. The oven sits inconspicuously behind the INEX-ONLINE.COM
32 KITCHEN
television and a bookcase links the floating cabinets. Another interesting kitchen concept can be found in the B2 addition to the Bulthaup range by Kitchen Architecture. Launched for the first time at last month’s 100% Design, this extension of the well-known Baulthaup range presents a complete freestanding kitchen. Established in 1949, and inspired by the bauhaus movement, the Bulthaup brand reflects timeless style. The bauhaus tradition brought together art and technology, form and function, and the rediscovery of true craftmanship. It became the biggest design influence of the modern movement and led Bulthaup to develop concepts based on bauhaus principles of looks, function and value. The B2 concept originated by rethinking how we use the kitchen. All key functions are concentrated in three elements: kitchen workbench with work area, cooktop and water point. The workbench features a stainless steel frame, with worktops available in stainless steel, stone, oak and walnut. The range also boasts two cabinets that complement the worktop as a location for appliances and supplies. The idea is that the important items were separated from the unimportant ones, and the concentration on the essentials was achieved through order and closeness to hand. This means that technology is always present, but deliberately hidden behind closed doors. n-by-naber.com snaidero.com kitchenarchitecture.co.uk 
Above: Baulthaup B2 by Kitchen Architecture Left: Kilian Schindler’s Concept Kitchen
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Drawing from many years of vinyl flooring expertise, the Camaro Loc collection features interlocking planks and tiles that eliminate the need for adhesion, reducing installation time by half. Camaro Loc includes a range of popular wood and stone designs influenced by today’s home interior trends, all accurately reproduced to create flooring that is both beautiful and practical for a wide range of internal spaces.
0161 767 2551
POLYFLOR LTD. PO BOX 3 RADCLIFFE NEW RD WHITEFIELD MANCHESTER M45 7NR TEL: 0161 767 1122 FAX: 0161 767 1128 E-MAIL: INFO@POLYFLOR.COM WWW.POLYFLOR.COM
34 RETAIL
Below: Lighting is a crucial to drawing attention to important features within the retail interior
Atrium light the way for retail revamp Luxury lighting specialist Atrium have utilised Italian style and vintage-inspired accessories for Fossil’s new Oxford Street store.
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enowned for vintage-inspired watches, handbags, jewellery, wallets and accessories, Fossil’s new shop required an inviting environment. Atrium, the sole UK distributor for iconic Italian lighting brand Flos as well as German-based LTS and the Belgian lighting
35 RETAIL
brand Modular worked closely with Fossil’s in-house team to piece together the perfect retail environment for the well-known brand. Together, they developed custom made products from the Flos Architectural Lighting range to work with Fossil’s store concept, which reflected the
brand’s vintage authentic style mixed with a creative spirit and a sense of humour. A clear focus on spotlighting and track lighting complements the sleek design of the new Oxford Street shop. The new Fossil interior is inspired by mid-century residential design where inviting domestic furniture presents the brand’s
Above: Domesticlooking tables and cabinets create an inviting, homely aesthetic
collections. Whilst combining white lacquered wood, steel and glass, the retail space’s lighting adds to a homely vibe. The use of clean lines was important to showcase Fossil’s extensive product portfolio whilst also highlighting the different merchandise areas. This polished and sophisticated INEX-ONLINE.COM
36 RETAIL
appearance to the retail space was created by using Flos Pure Spot products within a recessed trim-less battery housing. Pure Spot, designed by Knud Holscher for Flos Architectural Lighting is a family of indoor spotlights for accent lighting. Offering a variety of light source possibilities, this group of products within the Flos Architectural Lighting range are particularly suitable for any type of application. Different beam angles have also been achieved to highlight focal points of the space. Atrium regularly works closely with Flos to produce precise custom made products. Specifically for Fossil’s Oxford Street store, Flos developed and manufactured a tailor-made Pure track spot system to complete the overall appearance of the space, emphasising Fossil’s beliefs in design innovations. Atrium have been involved in supplying high-end lighting solutions for a large number of London retail and hospitality stores, including Krispy Kreme and Oakley Covent Garden. atrium.ltd.uk «
Above: White lacquered wood, steel and glass add to a homely vibe Left: Tailor-made products enhance the retail project
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38 OFFICE
Show-stopping refurbishment Below: Different office zones are separated by differing palettes and textures Opposite: Tom Dixon lighting and Bolon flooring have been specified
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ntertainment One, also known as eOne, a world leading independent entertainment company, and operates across the globe creating and distributing films, music and television programmes. The company’s portfolio includes everything from major box office hits such as The Twilight Saga and 12 Years a Slave, to popular children’s series such as Peppa Pig, as well as awardwinning television series The Walking Dead. Following years of significant growth, eOne sought to relocate their UK headquarters in London
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Office refurbishment specialist The Interiors Group have recently designed and built a trendy new UK headquarters for Entertainment One in Warren Street, London.
to accommodate the expansion. The Interiors Group, working with project manager Knight Frank were given the brief to create a forward thinking office space to reflect the company brand. Being one of the world’s leading entertainment companies, the client wanted a reception area to reflect the business going into the future. Adam Hurst, Finance Director, Entertainment One UK Films comments: “The Interiors Group completed our rapid 20,000ft2 fit out on time and on budget. They listened to us, took our design to reality and created clean and
contemporary spaces which have transformed our working environment. The team were excellent to work with and we’re delighted with the end product.” Oversized Tom Dixon copper mirror ball lights have been placed as feature lighting in the reception area. Aqua grout has been used universally throughout the project to pick out the client’s branding, creating a futuristic look. The Interiors Group specified Bolon flooring in a Wing design where two colours from the range were used and laid in varying directions so that the grain picked up the light in a different way. The wing design was used with the accent blue taken from the corporate colour. These Wings were set-out to act a form of wayfinding to guide visitors through the space right from the entrance of the reception through to the meeting suite. Kathryn O’Callaghan was appointed as Head of Design when she joined The Interiors Group last year. She has vast experience in both traditional interior architecture and design and build within the corporate, commercial and retail sectors. Kathryn comments on this project: “Working with the client on this arrangement was a wonderful experience. Shortly after we completed this design, Bolon Wings won an award for the ‘Surface of the year’ which really cemented how great the flooring design looks in reality. “Flooring plays a huge part in creating the atmosphere of a space. By using different textures and colours we can donate varying zones and atmospheres. The new innovative materials that
39 OFFICE
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40 OFFICE
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41 OFFICE
Left: Breakout areas offer employees a change of scenery from their desk Below: The refurbishment is fully branded
are making waves in the flooring industry are giving designers more variety and scope than ever. I’m also a great admirer of Bolon, they are pushing the boundaries with regards to variety and design. It’s such an unusual yet versatile product.” The breakout area is situated at the heart of the three floors which leads onto an external terrace in the centre of the building creating a relaxed feel with high wooden benches and farmhouse chairs. Pendant lights hang from the embossed ceiling rafts framing each of the high benches and creating a focus to the seating areas. The boardroom is an expansive, stylish and modern space with a feature fabric wrapped bulkhead light with LED lighting surround. The Interiors Group partnered with Spacecraft and specified all the furniture together with the client. The Interiors Group have 25 years’ experience delivering commercial environments. They are widely proven and trusted by both clients and professional project managers to deliver business environments on time and on budget. Since joining The Interiors Group, Kathryn has completed a number of projects, including Instinctif Partners, Athletes Lab, Brigham Young University and Sloane Robinson. interiorsgroup.co.uk «
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43 ELECTRICAL
Powerful specification Electrical contractor Tradelink Services sought expert advice for fitting a luxury new-build residence in Cambridgeshire with state-of-the-art electrical accessories.
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t’s often the small details that turn a great interior into a stunning one. Traditional in style, this high-end new build needed to be fitted throughout with the latest in electrical accessories. The overall brief was to incorporate all the convenience of modern electrical accessories in a clean, simple and unobtrusive style. Electrical contractor Tradelink Services contacted their wholesaler Edmundson Electrical to source specification advice for the private client’s complex requirements. The two companies arranged for electrical accessories
expert Focus SB’s Product Consultant Paul Genoe to visit the property and talk with the client. Paul explains: “These companies arranged a site meeting with the client to discuss the project, which I was delighted to attend, I explained to the client how bespoke plates could be created specifically for the property to minimise repetition, I also helped plan the extensive data outlet requirements. Getting involved early in the process means we can advise and help implement the most efficient and aesthetically pleasing electrical accessory solutions.”
Above: Bathroom electrical points have been used Right: The kitchen offers plenty of accessible plug sockets
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44 ELECTRICAL
This consultation resulted in Focus SB’s Ambassador Flat Plate Range being selected with a gloss white finish with white inserts. Together, they decided to use 2amp and 5amp lamp sockets with standard 13amp switched outlets on bespoke plates. Extensive Cat6 shielded data outlets were also required throughout the property and these were manufactured to match the other plates. Contemporary electrical plates INEX-ONLINE.COM
45 ELECTRICAL
Far left: Focus SB’s Ambassador Flat Plate Range has been used Left: The plates blend into the neutral interior design Above: Pale walls reflect make the most of natural sunlight Right: The modern electrical accessories are unobtrusive
come with a diverse range of options. High-end projects often benefit from the bespoke service offered by UK manufacturers, where plates can be designed and made from scratch, or catalogued ranges manipulated. Along with variations in plate size, switches available vary from dimmers to rockers. Electrical accessories can be extended to including audio visual elements and custom wallboxes for both residential and commercial projects. The level of control required is crucial to specifying the right product. In a sea of endless options and advancing technology, talking the project through with the manufacturer is key to forming the desired finish.
Paul explains: “I am part of a UKwide team of dedicated consultants who are available to assist designers, specifers and electrical contractors. Making the right decisions early on in a project will help meet customer expectations and make the installation as painless as possible. Sample finishes and plates are a great resource for specifiers requiring bespoke elements. “Working together with the
electrical contractor and the wholesaler on more challenging projects enables us to design and manufacture plates that insure easy installation and in turn achieve a high level of customer satisfaction. In this case, all non-standard plates were supplied grid fixed for part installation enabling full testing before the final fix.” focus-sb.co.uk «
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46 INDEPENDENT HOTEL SHOW PREVIEW
Independent hotel show preview Product highlights from the upcoming industry-leading show.
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C.P. Hart Stand 92
1. C.P. Hart, one of the UK’s leading bathroom suppliers, will be presenting the best in classic and contemporary bathroom design at this year’s Independent Hotel Show with the launch of two new innovative basin concepts that offer an interesting classic meets contemporary juxtaposition. Forming a striking centrepiece on C.P. Hart’s stand will be the new Eleganza basin from Gessi. A strong example of the emerging trend for modern interpretations of classic styles in the bathroom, Eleganza plays with traditional configurations and details to deliver an elegantly modern aesthetic. The basin will be displayed with new brassware from the Eleganza collection, which is available in on-trend metallic finishes. www.cphart.co.uk 0845 873 1121
47 INDEPENDENT HOTEL SHOW PREVIEW
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Hypnos Stand 20
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Cubbins Stand 148
2. Royal warrant holder Hypnos, who specialise in the design, manufacture and installation of hospitality beds, will this year be exhibiting at stand number 20, showcasing highlights from its contract offering. Hypnos offer a flexible choice of ‘zip and link’, underbed and sofabed sleeping solutions. This collection of beautiful, practical and above all quality comfortable designer beds, are made lovingly hand-crafted to offer the highest levels of safety, comfort, hygiene and durability and quality expected of a Hypnos bed. As the only carbon-neutral bed maker, using only natural, sustainable and FSC materials, Hypnos also offer a disposal and recycling service for old beds contributing to 100% landfill avoidance. www.hypnoscontractbeds.com 01159 732180
3. Cubbins has been a leading supplier of luxury interior accessories to the hospitality industry since 1999. Designing and developing quality handcrafted accessories for interior designers, FF&E purchasing, hotels and yachts. Products are available in six wood finishes or painted a colour of choice and finished with client’s logos. Bathroom accessories such as hand towel boxes, amenities tray, tissue box, soap dish and cotton wool pot complete the bathroom amenities set. Additional collections include desk accessories, walnut magazine holders, sapelle umbrella bins and oak amenities boxes. Fabric covered accessories include waste paper bins and tissue boxes covered in client’s own fabrics. www.cubbins.co.uk 01434 604 181
48 INDEPENDENT HOTEL SHOW PREVIEW
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Geberit Stand 175
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Hansgrohe Stand 187
4. Already very popular in the Far East and Japan, the shower toilet offers guests the chance to experience spa-like cleanliness and, with the increase in tourism, this is a trend that is catching on around the world. In the UK too, some of London’s five-star hotels are choosing shower toilets to create the perfect atmosphere for wellness. Not only does it offer simple, hygienic cleaning, which is easy to operate and control, but it also eradicates the need for a separate bidet and its compact format ensures it will fit seamlessly into any hotel bathroom. On display at the Independent Hotel Show will be several models from Geberit’s market-leading AquaClean shower toilet range. www.geberit-aquaclean.co.uk 0800 032 9629
5. Hansgrohe will make its debut at the specialist Independent Hotel Show on Stand 187. Visitors will be able to experience firsthand Hansgrohe’s innovative Select technology which offers userfriendly push-button controls. Examples of Hansgrohe’s EcoSmart products will be demonstrated on the stand, along with some project examples of boutique hotel installations, including the Sands Hotel in Margate and the Belgraves London. From the Axor designer brand, the Axor LampShower will demonstrate the magic of light and water fusing together to create a dramatic highlight in the hotel bathroom. www.hansgrohe.co.uk 01372 465655
49 INDEPENDENT HOTEL SHOW PREVIEW
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Draks Stand 12
6. With one of the most creative, innovative ranges of wardrobe and room divider solutions in the UK today, Draks embraces the use of a variety of materials. A star in the portfolio for the boutique hotel industry is the luxurious Woodstock leather door which can be hinged or sliding and comes in black, brown and grey. The bespoke Woodstock door combines quality engineering with chic style; the door’s contrast between the leather and the chrome creates a style statement for any bedroom scheme. In addition and new to the collection are beautiful Italian-inspired interior fabric-finished carcasses which emulate earthy hues in linen. www.draksonline.co.uk 01869 232 989
50 MATERIALS, SURFACING & ACCESSORIES
Product Spotlight This month’s selection of innovative new products not to be missed.
1. Polyflor is pleased to announce the launch of its exciting new product range – Camaro Loc. Launched under the highly regarded Camaro LVT brand, the Camaro Loc collection features a range of interlocking planks and tiles that eliminate the need for adhesion due to their unique locking system, significantly reducing installation time. Influenced by today’s home interior trends the collection of 15 popular wood and stone designs create a collection that is both practical and beautiful for a wide range of internal spaces in the home including kitchens, bathrooms and living spaces. Camaro Loc is guaranteed for 10 years against normal wear and tear in the recommended environments. www.polyflor.com 0161 767 2551
51 MATERIALS, SURFACING & ACCESSORIES
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2. Altfield is a leading resource for beautiful textiles, wallcoverings and leather, distributing a number of high end lines from around the world. They also produce their own collections of wallcovering, Fabric and Faux leathers which blend perfectly with the brands they represent. Altfield’s products and brands are the perfect complement for high-end residential and commercial interiors. Altfield recently exhibited at this year’s Decorex, where it showcased nine of its brands, including Brochier, Brentano, Glant, Innovations, Moore & Giles, Pollack Thesign, Weitzner and Westbury Textiles. www.altfield.com 020 7351 5893
3. Focus SB have launched a new and exciting electrical accessory wall mounting system that gives a truly flush-mounted electrical plate, developed in collaboration with architects and designers SHH. All existing UK electrical accessories which are flat or raised plates have the edge of the plate above the plaster. The precision engineered system of the Focus SB Smoothie allows the plate to fit flush with the plaster making it seamless with the wall. The plate can then be painted or wallpapered to match the surrounding decor. Perfect for modern interiors where a minimal, discreet solution is required. www.focus-sb.co.uk 01424 858060
48 52 KBB
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4. Ideal for washing and soaking large pots and pans, the BLANCORONIS-IF sink is the largest, round bowl available on the market in the UK. There is a number of optional custom-made accessories including a black safety glass food board which also fits over the bowl as a cover to create additional preparation space. Additionally, there is an accessory bridge which houses two stainless steel bowls for preparing food. With a diameter of 530mm, the inset satin polished stainless steel sink is spacious and versatile. The 1mm IF edging means that the sink sits flush on the worktop creating attractive and practical smooth lines. The BLANCORONIS-IF requires a 65cm deep worktop. www.blanco.co.uk 01923 635 200
5. The latest Bauhaus collection of beautifully formed countertop basins has been created to offer pioneering ceramic design with stunning visual appeal. The Gallery collection features a comprehensive and creative mix of shapes, from organic and elegantly refined forms to slender architectural designs and geometric styles with softened angles. For luxury residential and hotel style coupled with statement design, the on-trend and elaborate metallic finish exudes a touch of opulence and sophistication. Made in Italy by master craftsman and designed for the UK market, the extensive Gallery basin range is also a leap forward in state-of-the-art ceramic technology. Produced from fine fire clay, which allows for more complex designs and a super-slim wall profile. www.crosswater.co.uk 0845 873 8840
53 FURNITURE
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6. Following the unprecedented demand for its luxurious collection of Mr & Mrs wing chairs, Lyndon Design has unveiled a new sofa option to complement this handcrafted duo. Designed in-house, the new Mr & Mrs sofa provides the perfect complement to the wing chairs, and whilst designed to sit amiably alongside these and other furnishings, the sofa may be used as a standalone piece to make a bold design statement. Combining a stately grandeur with contemporary touches, the sofa is suitable for today’s hospitality and boutique hotel environment, and even the corporate arena. www.lyndon.co.uk 01242 584897
7. The Interiors Group have designed and fitted out offices for Sloane Robinson. The company are an international investment management corporation founded in 1993. Sloane Robinson appointed The Interiors Group as the lease in their existing building had come to an end and they sought out a new look to complement a recent brand refresh. Working closely with the client The Interiors Group were briefed to create a comfortable yet stylish atmosphere. The design concept is based around the theme of natural and timeless elegance. A minimalist interior with a neutral colour palette and bright lighting opens up the space making it feel airy and spacious. www.interiorsgroup.co.uk 020 7495 1885
54 COMPETITION
Finding the industry’s bright sparks Asking you to put pen to paper, archetypal British brand J. Rotherham invites you to design a concept for its new range of cutting edge contemporary fireplace surrounds.
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Rotherham has built a brand that promotes British craftsmanship at the very highest value proposition and it looks to the industry’s young and upcoming British designers. Truly a rare breed, J. Rotherham gives you the chance to design a luxury fireplace surround to launch its new Contemporary Collection, as well as your own design aspirations. The company looks to the industry’s young and upcoming British designers, asking you to put pen to paper and design a concept for its new range of cutting edge J. Rotherham contemporary fireplace surrounds. The winner will be chosen to develop a range of 12 designs that will become part of J. Rotherham’s Contemporary Fireplace Collection. Plus, to ensure your creative juices keep INEX-ONLINE.COM
flowing, J. Rotherham is willing to commission £1,000 per future qualifying design! The company’s story is one of heritage, innovation, and an uncompromising commitment to quality. Now enjoying its fourth generation, it is the goal of J. Rotherham to turn the tide of decline in British stonemasonry and continue the tradition of manufacturing the highest quality stone products through its synergy of state-of-the-art technology and traditional craftsmanship. By virtue of its continued investment in the most efficient production methods and focus regarding the quality of each finished product, J. Rotherham continues to grow its own product demand; re-shoring projects that have been lost to far-eastern competitors for many years. jrotherham.co.uk «
Terms & Conditions « Each design submitted needs to be set against a wall or blank backdrop and not freestanding to meet competition judging criteria « Concept designs can be configured to frame any type of fireplace appliance. For example, hole in the wall, gas fire, bio-ethanol burner, etc. « Opportunity to utilise J. Rotherham’s extensive collection of natural materials, such as Granite, Marble, Quartz and indigenous British Limestones « Limitless resources to hand, allowing the benefit of highly creative and precision production methods via a ‘UK first’, state-of-the art CNC machine « For material and technical guideline parameters please visit www.jrotherham.co.uk/competition How to Enter: « You can email your design entry with supportive workings and illustration to competition@jrotherham. co.uk « Entries open 1st September 2014, closing 30th November 2014 « Multiple designs can be entered by the same individual Judges: « Matthew Rotherham, Commercial Director, J. Rotherham « Vanessa Brady OBE, President, Society of British Interior Design
BE A U T Y IS ONLY H A L F T HE S T ORY. It’s said people buy with their eyes. But we know you also buy with your head and heart. Our floorcoverings all come with a story. And provide the perfect stage on which to write yours.
Floorcovering shown: Audrey Sunrise, one of many beautiful, tactile designs within our extensive Wool range. crucial-trading.com
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