MUSE Text
UNAPPLIED REALITY ALEX FILIPOWSKI
MUSE
MASTHEAD
EDITOR IN CHIEF GRAPHIC DESIGNER CHRISTINA RIPLEY
CREATIVE DIRECTOR FASHION DIRECTOR ERIN KELLEY
CONTENTS COORDINATOR KYLEIGH THORNTON ART DIRECTION CHRISTINA RIPLEY ERIN KELLEY
FASHION EDITORS SONALI MAYANI ANNASTASHA WILLIS KYLEIGH THORNTON
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MUSE
COLLAGE SHOOT PHOTOGRAPHED BY SARAH GARDNER FA S H I O N : S O N A L I M AYA N I MAIYA WEARS H&M
INDEX
KYLEIGH THORTON MORGAN RICHARDS /WHAT’S YOUR STORY
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ERIN KELLEY JUSTIN ZIELKE / GOLDEN RATIO
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KYLEIGH THORTON JEAN PIERRE VILAFANE / GRAFFITTI
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DRIFTING DISSIDENCE PHOTOGRAPHED BY KATIE GEORGAS FASHION BY ERIN KELLEY & CHRISTINA RIPLEY
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ILLUSORY URBANITE PHOTOGRAPHED BY SARA GARDNER FASHION BY ERIN KELLEY GRAFFITTI BY JEAN-PIERRE VILLAFANE
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FRAGMENTED DESIRE PHOTOGRAPHED BY TJ SNIDER FASHION BY ERIN KELLEY
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DYSTOPIAN RENEGADE PHOTOGRAPHED BY LLOYD SHILLABEER FASHION BY CHRISTINA RIPLEY & ERIN KELLEY
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FABRICATED MEMORY PHOTOGRAOHED BY FINN SCHULT FASHION BY ERIN KELLEY & CHRISTINA RIPLEY
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Front Pages
ART
OSCAR DE LA RENTA: HIS LEGENDARY WORLD OF STYLE FEBRUARY 5 - MAY 3 Andre Leon Talley transformed a space in the SCAD Museum of Art giving us a glimpse into the world of legendary fashion designer Oscar De La Renta. The exhibition is the first posthumous tribute honoring the iconic designer and his work. The space was designed to be walked through like you were walking through the designer’s house, with small intimate rooms featuring 70 garments designed for his closest friends and family. The exhibition an extraordinary tribute as the first posthumous event honoring Oscar De La Renta.
LINEAR ABSTRACTION SCAD MUSEUM OF ART When we think about linear abstraction what’s the first thing that comes to our minds? Lines? Distance between two points? Fun lines? Irregular lines? Linear Abstraction is about a styled set of lines that are manipulated and incorporated into irregular shapes and perception. This presents a diverse group of eleven contemporary, international artists who share a common approach through the use of sharp edged, linear and geometric shapes. The exhibit showcases thirty outstanding pieces of art that work to broaden the context in which line and abstraction is interpreted with focus on the artist’s exploration of the linear. Among the artist includes: Rana Begum, Terry Haggerty, Michelle Grabner and Rebecca Ward. What makes this exhibition a successful one, besides the fact of having a lot of ideas put up together to create unity and harmony, is the idea that it includes a vast amount of mixed medias starting from painting up to photography and sculpture manipulation. Besides, it illustrates the dimensionality of linear and geometric form and portrays it in another point of view in which not only the design is stated but also the feeling it gives to the viewer’s eye. The sense of understanding the story behind each single, unique piece is what makes this exhibition a good one. How a lot of things can
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Front Pages
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IN LIVING COLOR: ANDY WARHOL AND CONTEMPORARY PRINTMAKING JEPSON CENTER MARCH 1-MAY 17, 2015 Andy Warhol (1928-1987) is an American artist that is known for the visual art movement known as pop art. For more than fifty years, his work challenged our perceptions of popular culture, politics, and consumerism. His work was inspired by artistic expression, celebrity culture, and advertisement in the 1960’s. He adopted mechanical means of generating images such as screen printing, which allowed for an endless reproduction of images. This exhibition in the Telfair Jepson Center covers three decades of Warhol’s career. It features some of the artist’s most iconic screen prints, including his portraits of Marilyn Monroe and Moe Zedong. Living in Color is divided into five sections- experimentation, emotion, experience, subversion and attitude.
SCOTT CARTER EXHIBITION: “THE NATURE OF BEING” FEBRUARY 18- JUNE 7 2015 SCAD alumnus Scott Carter transforms the Pinnacle Gallery into an immerse sculptural installation using drywall. His work blurs the distinctions between where artwork begins and gallery space ends by excavating individual sections of the walls and creating new sculptures with the remaining material within the gallery space. Carter’s artistic practice embodies a wide artistic discourse including art, design, architecture and even sound. Carter attempts to assert alternate meaning in a built environment by creating these whimsical spaces that showcase his limitlessness of imagination. This artist explores the form and function of materials through placement, truly utilizing every piece of drywall in this sculpture. This exhibit will be at the Pinnacle Gallery in Savannah, GA.
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Front Pages
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ARTIST: THE SEGMENTED REALITIES December 12 2014 - May 24 2015. EXHIBit presents sculptural painting by Jose Parla that suggest cultural fragments salvaged from urban cityscapes. Told in an expressive and poetic language of the street, Jose illustrates history through abstraction and calligraphy. The 10 pieces work as artifacts of the time that Jose created to give insight on he cultural identity to generations to come. Each painting bears the name of the location or experience from which he draws his source. Josa enjoys embedding stories in his paintings and inviting viewers to explore an environment through his eyes. He is considered a modern novelist, in his story telling through gestures, writing and advertisements reconstructed. Josa Parla: Segmented Realities is on show at the High Museum of Art in Atlanta, Georgia. This exhibit serves as aesthetic introduction to the upcoming exhibition titled Imagining New World.
EARL PARDON FEBRUARY 4 - JUNE 7TH 2015 The Earl Pardon’s Portable Art: Jewelry and Design is an exhibit located at the Hight Museum of Art in Atlanta, Georgia This exhibit showcases more than hundred pieces of art and they are all designed by Earl Pardon. When talking about aesthetics and style, Pardon’s designs and shapes are inspired by his home’s ware patterns and portable elements. The diverse colors, pattern, texture and idea of abstraction are a main source of inspiration in his designs because he feels that colors and abstraction are what makes his designs unique and engaging. Something that really makes his pieces really interesting is his incorporation of different gemstones such as ebony and ivory. It is really impressive to see how as a designer one can still use pieces used previously and play with it to create a statement piece out of it just like he did when he worked at Silversmiths back in the 1950’s. When people wear his design they feel unique because only they understand it and get the sense of it, which is what all jewelry designs should expect, appreciation and personal understanding for the unique.
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Morgan Richards
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WHAT’S YOUR STORY An interview with Morgan Richardson Morgan Richards a former Accessory Design student at the Savannah College of Art and Design, winner of the Independent Handbag Designer Awards, featured in the 2014 September Issue of InStyle magazine, and is now running her own brand, Morgan Rhea.
photography by Michael J. Beals written by Kyleigh Thorton
Morgan Richards a former Accessory Design
talk with her about how she got to where she is
student at the Savannah College of Art and
now, and what’s next.
Design, winner of the Independent Handbag
KT I’m not going to ask you who your
Designer Awards. Eventually, featured in the
inspirations are because it’s cliché and
2014 September Issue of InStyle magazine,is
MR Classic silhouettes have always inspired me and there is not
now running her own brand, Morgan Rhea.
a wide range of men’s accessories. I wanted to change the way
Fortunately I got to sit down with Morgan and
men could express themselves.
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Morgan Richards
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mainly because you’ve already answered
MR I met Michael the first day of orientation at SCAD.
that question for The Independent
We instantly became friends! He is so creative and has
Handbag Designer Awards. But I would
such a vision for things. He did the photography for my
like to know how you became interested
Senior Collection that I believe captured it perfectly.
in menswear accessories? So I created my
Michael is with me every step of the way and we work
current collection “Silently Speaking Gratitude” to do so.
well with each other. He wasn’t able to move to NYC
It is dedicated to those who have inspired and impacted my
for the three months that I was there, because he was
life through their personal journey. By giving gratitude to
working. I learned a lot while being in there. It is such a
those who have struggled and triumphed, this hand made
lively city with so many resources at your fingertips. If you
collection was born. Each accessory is hand made from a
get a chance to move to a larger city, you should defiantly
buffalo hide that is hand patina. Layering different shoe
attempt it! I am forever grateful that I did. Managing a busy
creams to create varying hues on the leather creates the
life is apart of the game, as long as you are humble and are
hand patina process. Each accessory is hand stitched to
learning every step of the way you can accomplish any-
create a timeless piece. My collection is unisex, although it
thing!
is catered to silhouettes of menswear. KT On your website, the photos of your products are KT Describe your experience at Coach.
shown in a very nostalgic way. Could you explain your in-
MR Coach was an awesome experience. I was apprenticing
spiration for the photos and why you and Michael decided
in Women’s Handbags so it was a little bit of a foreign
to shoot your products this way?
land for me. I learned a lot about how the fashion industry
MR Michael was inspired by 16th and 17th century Flem-
works and the process it takes to get a collection into
ish paintings. He wanted to make sure to capture those eras.
production for the next season. I was living in NYC so just
The images he did of my products have been a big hit with
the commute to and from work was an experience because
customers as well and we have sold a few. They look like
there was so much inspiration around me.
real paintings and I think he captured the Collection amazingly!
KT I have to ask you about how you got so lucky to meet
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a man like Michael. In the past year, you’ve graduated
KT How did it feel to see your name in an article for Wom-
college, had your briefcase featured in InStyle, moved to
en’s Wear Daily?
New York for three months, and got engaged. Tell me your
MR It was an awesome feeling to see my name in WWD. I
tricks to managing such a busy life while working with
had just graduated college and only a few months later my
your fiancé.
name was in multiple fashion and accessory articles.
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Morgan Richards
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It was such a surreal experience.
MR I am always inspired by the style of people that I see everyday on the streets and even on social media. Having
KT We had a photo in the back room at Kate Spade of you
such technology to be able to see how people dress all over
and John Legend. Tell me what that experience was like
the world is amazing and inspires me everyday.
and how you came in contact with him? MR I was able to make John Legend a pair of shoes from
KT Who do you see as your target customer?
my collection. I chose to do my kiltie loafers, because they
Morgan Rhea’s target customer is someone who is looking
stood out to me as the most unique in my “Silently Speak-
to tell his or her story through an accessory piece. I was
ing Gratitude” Collection. I was able to make this happen
strictly a menswear brand, but it has expanded since then
through a family friend. It was a life-changing event in my
into unisex. Has this evolved over time, according to who is
life and accessory career.
purchasing your product? MR I have customers of all ages! Some customers are
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KT Other than John Legend, who else have you met that
buying for their partner, grandchild, children, graduation or
inspired or surprised you?
wedding gift.
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Morgan Richards
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KT Your products are custom made but do you plan to
would like to keep it that way for years to com
keep other collections in the future? KT Where do you see Morgan Rhea going in the next ten MR Yes, I will defiantly be expanding in the future.
years? MR I see Morgan Rhea being major brand in the next ten
KT Where do you see Morgan Rhea going in the next ten
years. I would like to have stores all over the world. I want
years?
to bring back the custom aspect into the accessories world.
MR I see Morgan Rhea being major brand in the next ten
My customers will buy their Morgan Rhea product and
years. I would like to have stores all over the world. I want
have it forever. Quality is a key part of our process and I
to bring back the custom aspect into the accessories world.
would like to keep it that way for years to come.
My customers will buy their Morgan Rhea product and have it forever. Quality is a key part of our process and I
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Justin Zielke
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ART
02
GOLDEN RATIO An interview with Justin Zielke An Artist with an innovative way of creating concepts and developing theories, utilizes his logical, analytical process of research creating something from nothing. Justin Zielke focuses on moments in time creating perfect synergistic moments for his viewers.
photography by Justin Zielke written by Erin Kelley
EK Where does the Golden Ratio inspiration
what we find aesthetically pleasing - an IPhone
come from?
is set to the golden ratio. My interest with that
JZ The golden ratio is a mathematical
is the response of the physical form to the
equation that consists of everyday life. There
golden ration, and how you can use the human
is a mathematical equation for everything: to
form to connect with the viewer to some
something in our solar system, to the way that
extent.
a flower is oriented, or even the equation of
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Justin Zielke
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EK Speaking of Connecting to the viewer, what do
next piece to improve upon my current idea or theory.
you want your viewers to take away from your work?
There is one piece of artwork that is in this collection
JZ Something I want people to take away from my art-
that I enjoy particularly. It is almost selfish in a way,
work, is when you look at it, you know it is not about
because the artwork is close to me only. I mean it is
the prettiest thing to look at or the most aesthetically
visually and aesthetically appealing. But I was up in
pleasing, its about them looking at it and getting that
the Eiffel tower, and I took a long exposure image of
emotional response, from a moment in time. Its not
the ground when I was going up there, and whenever
necessarily trying to construct the perfect reality, it’s
I look at this image it reminds me of what was going
trying to perceive an exact moment with everything
on at that particular moment in the Eiffel tower. It’s
blurred in the outside image. There is one painting I
not necessarily what the image I took looks like but
did a while ago, that was based on a kiss. When you
the specific moments of me taking that photo, but it’s
are looking at the kiss, all you can see is the lips of the
more important than taking a video, because I was
two characters, and everything else is clustered and
breaking apart moments in time, and those moments in
nothing is recognizable going on outside the perime-
time were shown in a 2d form
ters. The viewers attention goes into that moment of having a kiss. To me that is the most accurate time
As far as someone else, the most amazing experience
we perceive having an experience like that, because
I had was in Lacoste, France, when one of the guests
everything outside of that moment is completely
that came into my gallery started crying right in front
irreverent, because you are completely present in that
of me. This was something I have never experienced
moment.
before, I think it is because Lacoste was the first place I experienced working outside of commercial work.
EK What is your favorite emotional response from
My Lacoste work was really specific to me and special
your own work?
I suppose, because it was more about its own body of
JZ That I have had from my own work or someone
work within Lacoste, which I think that emotion came
else? EK Can you tell me about both?
through when she started crying. If anything I feel that
JZ Honestly I feel I have a really logical mind when it
is the goal of most artists, its not how they feel about
comes to my work, so in the moment I am in love with
their own artwork, it’s the moment that somebody else
my work. But by the time I get to the end of a project,
sees a glimpse of what you were trying to show them.
I want to finish it, because my mind transitions to the
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Justin Zielke
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EK You have said that when you are near completion
that’s all art is, it’s kind of like the change in percep-
you become focused on the next project or concept…
tion through ones artist career.
what are you focused on now?
EK Who’s journey are you gaining the most inspira-
JZ It is really difficult for me because right now I
tion from now?
am trying to earn my masters in animation, and I am
JZ Lyn Lie is a huge inspiration for me right now,
overwhelming myself with different artist’s theories.
because his body of work is across the board, he is a
I think artwork itself, is the continuation of trying to
kinetic sculptor, director, and much more. He is from
solve where an artist has come from. Every artist takes
New Zealand, which made him not engage in the cur-
their own journey to discover certain knowledge of
rent trends of art within Europe. He has a very organic
some end goal, or try to show their personalized per-
way of problem solving. His work filters down to
spective of looking at art. My true interest is not where
the idea of how one can perceive movement. He sees
they end up, or the final fruition but within the journey
movement as being a sense of time, being able to show
they take to arrive at their thought process, because
life within, by not trying to impose a meaning to the
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Justin Zielke
ART
02
the viewer. Which is typically to Hollywood film
somebody that truly believes in improving the indus-
industry, creating literary drama. According to Lyn it
try, which is not exclusive to art. But everything I
falsifies reality and becomes untrue to us. I think to a
am a part of in my day-to-day life. I enjoy problem
certain extent it’s a great point because within an art
solving and helping people through to find a solution.
form its about creating that reality for people to see
So when it comes down to me in the future, it’s just
it through a different persons eyes, not necessarily
helping improve the industry. I don’t find myself di-
creating a meaning that can be interpreted by anyone.
rectly involved in animation or fine arts, but I am more
He truly tries to perceive something in a moment, and
interested in the evolution of how I will find myself I
not attach meaning to it because as soon as you start
suppose. My thought process is eventually I will be in
putting a meaning to your artwork, you begin to stop
a position where I can problem solve and be a valuable
living because, the focus will be on the meaning rather
part of something.
than the moment. EK You really embody all of your theories in your EK It seams like you keep talking about a moment in
personal outlook on life as well as your body of work;
time, why is movement so prevalent in your work if its
it makes me think that you almost want to become the
all about a single moment?
golden ratio artist? Am I far off?
JZ It’s funny because I started as an illustrator, and as
JZ Actually one of my really good friends brought up a
an illustrator you are always trying to depict a mo-
theory to me about mathematics of how to become the
ment that shows everything, or the whole conceptual
perfect artist, which was sent as a joke, which I knew
meaning needs to be there, so the viewer can glance
so I wasn’t interested…although its definitely some-
at it and know exactly what’s going on. But in anima-
thing that spikes your interest. That’s one thing I think,
tion it’s a build up of time, the story is dependent on
that today is unfortunate, because people say that it is
how the viewer’s emotions are building up to a certain
bad to have more than one talent, and just stick to that
moment. I try to find the in-between that is where my
one talent. But what if your talent is to problem solve,
true interest lies.
work on different project or to jump from project to the next…okay I know what I want to be, a consultant
EK Do you have a vision of how you want to evolve
for film, specifically for conceptual and visual design.
as an artist in the future? JZ I am always trying to apply my artwork. I am
34
EK Your body of work is all black and white, is there
JZ Black hole theory, which I define as, how any
amount of time, if you keep that line of action and
amount of matter can be sucked into a black hole, even
replicate it over and over, and you basically follow the
light cannot escape it. Which got me into the idea of
figure through the space. You get the historical past of
what would happen if a person would capture light or
that form but it’s isolated in a two dimensional form.
sculpt light.
Then I tied that to the idea that I have always been drawn to in my personal work, which I call the sculpt-
EK What do you mean when you say sculpt light?
ing of light. If light were a mass it would be interesting
JZ When I got into animation I got really interested in
to manipulate light within a space as if it was a tangi-
an idea of movement creating a tangible form or space
ble sculpture. So this particular body of work is more
that a person takes up. The way I discovered this was
based on that idea that light is a tangible sculpture.
the line of action a character follows. Within a certain
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Justin Zielke
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EK What was the experience of having a personal gal-
It is the beginning of my creative process, where my
lery space in Lacoste, France like for you as an artist?
best ideas happen. For me the place I found in La-
JZ I have had the privilege of being able to travel to
coste, was considered “the cave�, which to be honest I
Europe a few times, and with each visit I got to learn
enjoyed even more when people started calling it that.
more about myself. One thing that I have noticed per-
I also gathered so much inspiration when traveling
sonally is regardless of where I end up; I always end
Europe, after finding a place that I was able to get it all
up discovering a small isolated little space to work in.
out was what made it feel like a home.
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John Pierre Vilafane
ART
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JEAN PIERRE An interview with Jean-Pierre Villafane Jean-Pierre Villafane is a graffiti artist from Puerto Rico that is currently studying architecture and industrial design at Savannah College of Art and Design. Through his long list of talents, he has collaborated with artists in many different fields. Later in the magazine look out for our Muse X Jean-Pierre editorial collaboration “ “Illusory Urbanite”. written by Kyleigh Thorton
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J O H N - P I E R R E ’ S S T U D I O S PA C E
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John Pierre Vilafane
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KT Who or what inspires your work?
architecture, furniture and of course graffiti? Are there any
JV The people that see my work are my main inspiration
areas that you enjoy more than others?
(I know it sounds cheesy). If you think about the princi-
JV I have to admit I enjoy working on my architecture proj-
ple of graffiti, it is tagging something with your name on
ects as much as I do painting graffiti. I would not imagine
the street so people recognize it, and next time they see it
doing any over the other.
they will remember your name. To the point where people become tired of seeing it everywhere. That’s basically what
KT I’ve looked at your website and it looks like you’ve col-
inspired me to go out and paint graffiti (a long time ago).
laborated with a lot of different artists. Describe a time that
Now there are many graffiti artists and other contemporary
you collaborated with someone and something unexpected
artist that inspire my work. Some of the names are Elseed,
or surprising came out of it?
an Arabic typography artist. Revok, a graffiti artists whose
JV I would definitely say that when I collaborated with
focus has drifted into canvases. When I’m in a big city I try
the fashion student from SCAD that opened a lot of doors
to go to modern art museums and take some ideas, go back
regarding that field. I started collaborating with a lot of
home and work. There’s a Cuban artist that has had a great
fashion designers and students and my graffiti evolved a lot
influence on me lately called: Jose Parla. Last time I was in
after that.
Atlanta, I visited the High Museum of Art and saw his work there for the first time.
KT What projects are you most proud of? JV I am always really excited to see new places where my
KT What inspired you to start doing graffiti artwork?
graffiti can be placed. I usually get clients that ask me to
JV I started doing graffiti when I was in ninth grade. I
paint really nice and expensive pieces of furniture. At first
would see graffiti on the streets, get to school and start
I’m a bit skeptical of the idea, I wouldn’t want to ruin it,
drawing on the back of my notebooks. After that I got into
you know. Doing the work for fashion students at SCAD
graffiti and started studying how it actually worked and de-
has always been very exciting. Collaborating with people
veloped my own name. I was the only person doing graffiti
from other fields is always a challenge. I recently did some
in my school at that time.
prints for a Puerto Rican fashion designer based in NYC and it was really thrilling to see my graffiti on the fashion
KT Your artwork is very well rounded between fashion,
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runway.
KT What made you decide to study Architecture and Industrial
KT What are your goals after you graduate?
Design? Why at Savannah College of Art and Design?
Continue on to grad school. After that, work in an office until
JV What influenced me towards architecture was the idea of
I gain enough experience to open my own architecture studio.
making my ideas concrete and three dimensional. Taking the
I would have never thought about having graffiti as a backup
two-dimensional work I have previously done, and applying
plan, it’s just a hobby.
that to architecture. If you look at the projects I have done in architecture, you will see a lot of influence from my graffiti
KT Describe your dream job?
work. The projects can be characterized as being very fluid
JV Having my own architecture studio.
and moved instead of having hard edged lines that follow an orthogonal matter.
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Driffting Dissidance
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DRIFTING DISSIDENCE P H OT O G R A P H Y K A T I E G E R O G A S FA S H I O N E R I N K E L L E Y & C H R I S T I N A R I P L E Y MAKE UP BRITTANY TALIAFERRO MODEL ALEX FILIPOWSKI
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J A C K E T B C B G M A X A Z R I A , B I K I N B OT T O M S J . C R E W
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Driffting Dissidance
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TOP FOREVER 21, JUMPSUIT ARMANI EXCHANGE, RINGS MODELS OWN
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Driffting Dissidance
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JACKET BCBG MAX AZRIA, TOP H&M, CARDIGAN BRANDY M E LV I L L E
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Driffting Dissidance
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SWEATER BAR III, TURTLENECK FOREVER21
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Driffting Dissidance
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BLANKET SWEATER ALL SAINTS, RING VINTAGE
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SWEATER WOODEN SHIPS
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Illusory Urbanite
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I L LU S O R Y URBANITE MUSE X JEAN PIERRE
P H OT O G R A P H Y S A R A H G A R D N E R FA S H I O N E R I N K E L L E Y MAKE UP MOSI MCKIE M O D E L M A I YA - S I M O N E P L A T H E R G R A F F I T I A R T I S T J E A N P I E R R E V I L L A FA N E
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J E A N P I E R R E V I L A FA N E IN HIS STUDIO
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Illusory Urbanite
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DRESS ERIN KELLEY
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Illusory Urbanite
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S W E A T E R H & M , PA N T S T O P S H O P, NECKLACE J. CREW
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Illusory Urbanite
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S W E A T E R H & M , PA N T S T O P S H O P, NECKLACE J. CREW
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Illusory Urbanite
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SHIRT FOREVER 21, SKIRT TOPSHOP
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Fragmented Desire
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FRAGMENTED DESIRE P H OT O G R A P H Y TJ S N I D E R FA S H I O N E R I N K E L L E Y MAKE UP BRITTANY TALIAFERO MODEL ELEANOR BALL, H A L E Y WA D S W O R T H , N A T H A N S A LU D E Z
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DRESS ERIN KELLEY
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Fragmented Desire
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I N T H I S PA G E A L L C LOT H I N G K A M O N S A T AYA O P P O S I T E PA G E D R E S S E R I N K E L L E Y
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Fragmented Desire
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FASHION
03
I N T H I S PA G E D R E S S E R I N K E L L E Y O P P O S I T E PA G E A L L C LOT H I N G K A M O N S A T AYA
73
Fragmented Desire
74
FASHION
03
I N T H I S PA G E R O M P E R Z A R A , D R E S S LU S H O P P O S I T E PA G E N A T H A N ’ S O U T F I T K A M O N S A T AYA , H AY L E Y ’ S D R E S S E R I N K E L L E Y
75
Fragmented Desire
76
FASHION
03
I N T H I S PA G E A L L C LOT H I N G K A M O N S A T AYA O P P O S I T E PA G E D R E S S E R I N K E L L E Y
77
Fragmented Desire
78
FASHION
03
I N T H I S PA G E A L L C LOT H I N G K A M O N S A T AYA O P P O S I T E PA G E D R E S S E R I N K E L L E Y
79
Dystopian Renegade
FASHION
04
DYSTOPIAN RENEGADE P H OT O G R A P H Y L LO Y D S H I L L A B E E R FA S H I O N E R I N K E L L E Y, C H R I S T I N A R I P L E Y, MAKE UP BRITTANY TALIAFERO M O D E L K H A R LY B I A R O A N E , M O N T A N A A N D E R S O N
80
D R E S S K A T E S PA D E
81
Dystopian Renegade
FASHION
04
I N T H I S PA G E K H A R A LY B I A : T R E N C H C O A T S AYA K A M A T S U S H I T A , M O N T A N A : J A C K E T, PA N T S G A P, S H I R T H & M S E E N I N O P P O S I T E PA G E
82
83
Dystopian Renegade
84
FASHION
04
T R E N C H C O A T S AYA K A M A T S U S H I T A SHIRT ZACHARY CYGANEK
85
Dystopian Renegade
86
FASHION
04
COAT ESTELLE LEMMER
87
Dystopian Renegade
88
FASHION
04
K H A R A LY B I A : B O D Y S U I T F O R E V E R 2 1 , J A C K E T C H R I S T O P H E R JOHN ROGERS, SHOES VINCE M O N T A N A : V E S T C H R I S T Y N G A F FA N Y , S H I R T H & M , PA N T S G A P
89
Dystopian Renegade
90
FASHION
04
J A C K E T S AYA K A M A T S U S H I T A , S H I R T C H R I S T O P H E R J O H N ROGERS, SHORTS URBAN OUTFITTERS, SHOES TOPSHOP
91
Dystopian Renegade
92
FASHION
04
C O A T Z A C H A R Y C Y G A N E K , S H I R T T O P S H O P , PA N T S H & M , SHOES STEVE MADDEN
93
Fabricated Memory
FASHION
05
FA B R I C A T E D MEMORY P H OT O G R A P H Y FA S H I O N E R I N K E L L E Y, C H R I S T I N A R I P L E Y MAKE UP BRITTANY TALIAFERO M O D E L C H A R LOT T E F R I E S
94
S W E A T E R H & M , PA N T S T O P S H O P , PA N T S H & M , S H O E S S T E V E MADDEN, NECKLACE SOFIA DIVITO
95
Fabricated Memory
FASHION
05
S W E A T E R H & M , PA N T S T O P S H O P , PA N T S H & M , S H O E S S T E V E MADDEN, NECKLACE SOFIA DIVITO
96
97
Fabricated Memory
FASHION
05
I N T H I S PA G E D R E S S M A R Y A N N K A FA T I , N E C K L A C E S O F I A D I V I T O O P P O S I T E PA G E R O M P E R F O R E V E R 2 1 , S W E A T E R G A P
98
99
Fabricated Memory
100
FASHION
05
D R E S S M A R Y A N N K A FA T I
101
MUSE
FA S H I O N A D D R E S S E S
KAMON SATAYA MENSWEAR ZACHARY CYGANEK MENSWEAR ESTELLE LEMMER MENSWEAR CHRISTYN GAFFANY MENSWEAR SAYAKA MITSUSHITSU WOMENSWEAR CHRISTOPHER JOHN ROGERS WOMENSWEAR MARY ANN KAFATI WOMENSWEAR
SOFIA DIVITO JEWELRY
102
104