NeoBo|CREATIV™ # 57 - THE SPRING ISSUE by CREATIV MODERN BOHEMIAN MAGAZINE

FINDING PEACE IN THE QUIET WITH VISUAL ARTIST

THE AFTERMATH AND WHAT THE FUTURE LOOKS LIKE

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CREATORS GALA WHAT HAPPENED AT

Lilim ar HERNANDEZ EXPLORING HER TAKE ON THE MEANING OF TRUE ELEGANCE JAN-FEB 2024

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Tr avel , L ear n , En j oy t h e ar t s Embark on an exceptional journey with us to Lagos, Nigeria, in the vibrant fall of 2024! Partnering with Africa A La Mode and the Wonder Women I nitiative, our trip promises not only the exploration of Lagos' cultural marvels but also a spectacular fashion show that will dazzle and inspire

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Cr eat iv·Tr ibe is a full-service agency designed to cater to the needs of the creative community by offering a comprehensive range of services including digital marketing, interviews, magazine features, and more. Our mission is to empower and promote artists, writers, designers, and other creative professionals by providing them with the tools, exposure, and resources they need to thrive in today's competitive landscape. With a team of experts in marketing, content creation, and networking, we aim to become the go-to platform for creative individuals looking to grow their brand and reach a wider audience.

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EDIT O R'S LET T ER THE SPRING FASHION issue

ello Beautiful People,

I n this edition of CreativMag, we take a moment to reflect on the whirlwind of creativity, innovation, and sheer artistic brilliance that defined Art Basel 2023. This year's fair was not just a showcase but a vibrant testament to the resilience and evolving narratives within the contemporary art world. From groundbreaking installations to thought-provoking paintings, Art Basel provided a global stage for artists to express their visions, challenge perceptions, and engage with audiences in profoundly impactful ways. Among the myriad of talents and stories, we are particularly honored to spotlight Lilimar Hernandez in a feature that delves deep into her interpretation of Elegance and Femininity. Hernandez, known for her multifaceted career and unique aesthetic, shares with us her personal journey towards understanding elegance not just as a style, but as a way of being. Through an intimate conversation, she reveals how elegance influences her creative process, her interactions, and her perspective on the world. This dialogue with Hernandez is not only enlightening but serves as a reminder of the power of individuality within the creative realm. I n our commitment to fostering and highlighting new talent, this issue also features a selection of emerging visual artists who are making waves in the art scene. Each artist brings a fresh perspective, innovative techniques, and a passionate voice to their work, challenging traditional boundaries and offering new insights into the human condition, society, and the natural world. Their stories are a beacon of inspiration, reminding us of the endless possibilities that art holds for change, reflection, and connection. As we move forward, let us carry the spirit of Art Basel 2023 with us ? a spirit of curiosity, openness, and appreciation for the diverse ways in which art can shape our lives and our understanding of the world. We invite you to explore the pages of this issue, immerse yourself in the stories of creativity and elegance, and join us in celebrating the artists who continue to push boundaries, provoke thought, and beautify our world. Thank you for your continued support and passion for the arts. Warmest regards,

CORHINN BRUNOT Founder and Editor in Chief I G@creativmag Email: editor@creativmag.net

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Cont r ibut or s Ton i DOUGLAS Known by most as "Toni". For eleven years, Toni served her community as a high school English teacher and an Instructional Reading Coach for Miami-Dade County Public Schools. Currently, Toni is in pursuit of publishing her first book, Controlling Your Crazy While Dating Your Non-Existent Boyfriend. In her spare time, Toni enjoys shopping, traveling and writing. In addition to writing for CREATIV magazine, she serves as the blogger for The Millionheiress Club and Keva J Swimwear. Toni is a published author and public speaker. Toni published her first book, Controlling Your Crazy While Dating Your Non-Existent Boyfriend.

Lau r a SHI RK Laura is a Toronto based lifestyle writer known for profiling international artists and retail marketing campaigns. When she's not pretending to know lyrics or dancing in public, she likes to hit the gym. (over)eat and spend time with family and friends. Connect with her on Instagram @elleshirk.

M aya AUGUSTE Maya is a philanthropist, community activist, mentor, speaker, sister, law enforcement officer, you name it she wears that crown. Maya now understands that through her pain and pressure GOD was created a precious GEM in her and she stands proudly as she walks in her purpose and impact the lives of both men and women throughout the Treasure Coast. Maya saw the need to connect and empower women in the treasure coast into pushing through the fire to birth their success.

Vict or ia LEE

Victoria is the founder of Uniquely Victoria Media LLC which strives to bridge the gap for minorities in the creative industries. Hailing all the way from the beautiful state of Colorado, she has found a deep seeded passion for anything fashion & arts, cultural learning, travel and of course writing. She is a big foodie and loves to try anything new; especially if it has flava. When not working she loves to spend time with her crazy family, exploring new things, watching TV or being around water. With an avid desire to get to know people and their creative talents, she is always open for a good story. You can follow Victoria on IG: @uniquelyvictoriamedia

Alen dy ALMONOR Aspir ing to become a contr ibutor ? Contact us at inf o@cr eativmag.com 8 | NeoBoCREATIV | Jan - Feb 2024 |www.creativmag.com

Alendy est un passionné de littérature, et un féru d?Histoire; toujours plongé au coeur de la culture et des arts de manière générale. Juriste, psychopédagogue il est cofondateur de Centre Impact (association culturelle et humanitaire) et SAKAPFET OKAP (plateforme multimédia de proximité en ligne et agence de médias sociaux) dont il est le directeur exécutif. Organisateur d?événements, communicateur, analyste de données, il a toujours nourri un amour pour l?écriture; et vogue désormais entre les domaines des arts, de gestion de projet, de production culturelle et de promotion, marketing général. Faites un tour sur la plateforme @sakapfetokap ou @alendyalmonor sur Instagram.

A DV E RT I S E M E N T

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Contents

COVER STORY: The true meaning of Elegance with Lilimar Hernandez

Jan -Feb 2024

COVER CRED I TS: Ph ot ogr ap h er Joe Wesley Su bj ect : Actress Lilimar Hernandez D esi gn er : JTOR KOUTURE by Victoria Jones D esi gn er Assi st an t s: Diane Bartee and Linda Rosetta M ak eu p & H ai r : Rebecca Saint Pierre On Si t e BTS : Content Creators Experience by Evelyne Joachim L ocat i on : Art Spot 403 Cr eat i ve D i r ect or : Corhinn Brunot

12 Nov2024 2023 | www.creativmag.com 0 ||NeoBoCREATIV NeoBoCREATIV | OctJan - Feb |www.creativmag.com

IN THIS ISSUE

16 40 24 16 . THOUGHTS OF WINTER

SPECIAL EVENTS 70 . THE 2023 CREATORS GALA

VISUAL ART 24 . FINDING PEACE IN THE QUIET

FREE EXPRESSION 72. ART WEEK MIAMI

POP- UP PHOTOGRAPHY SOLSTICE Photography by Serg Garkus

, Rachel Tribble Unites Paint, People and Planet by Laura Shirk

THE ART OF FASHION 30 . DESIGNERS WE LIKED AT MIAMI FASHION WEEK Yas Gonzales Kani Agatha Ruiz De La Prada

THE AFTERMATH What was and what's to come

THE ART BASEL PHENOMENON

88 . LOVE AND RELATIONSHIPS Maintaining Individuality in a Relationship

92. PLACES AROUND THE WORLD HALONG BAY, VIETNAM

FEATURED STORIES 38 . WHAT THE ULTRA RICH WEAR AT THE GROCERY STORE This article first appeared in the New York Times by Andrew Zucker

40 . THE COSTUMES OF THE VERY

VERY RICH - PARIS FASHION This article first appeared in the New York Times by Vanessa Friedman

COVER STORY 46 . THE TRUE MEANING OF

ELEGANCE The Evolution of Self-Expression and Femininity: Insights from a star?s Journey Lilimar Hernandez

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E d i t o r i al D i r ec t o r Cor h i n n B r u n ot

STOP TRYING TO FIGURE IT OUT!

EXECUTIVE MARKETING Jimmy Moise DIRECTOR/ INTERNATIONAL LIAISON MANAGING EDITOR Victoria T Lee HEAD PHOTOGRAPHER Sean Simpson

DISTRIBUTED ON

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ARTICLE Toni Douglas CONTRIBUTORS Maya Auguste Laura Shirk Alendy Almonor

PHOTOGRAPHER CONTRIBUTIONS Joe Wesley

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Finally, weight loss advice that really works!

Favor After Failure and Fear is a self-reflection thirty day journal, that will help you eliminate the fears, overcome your failures, all while reminding you that even when you feel like you?re being buried, you?re really being planted. This journal is a journey into finding deliverance from the fears that hold you back from reaching your full potential. This is about breaking down negative self-talks and embracing the favors that God has for you. I t?s filled with thought provoking quotes, questions and activities, which will cause you to self-reflect on where you are in life. My goal is to inspire every reader into believing the Favor of God is upon them, if they just believe and trust the process.

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Pop-upPhotography | Serg Garkus

THOUGHTS OF WINTER SOLSTICE PH OTOGRAPH Y BY SERG CARK U S

Photography Serg Gargus Model Mariia Zinchenko Designer Alicja Górczy?ska Styling and Decorating Tatiana Kruszenycka

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Photography Serg Gargus Model Mariia Zinchenko Designer Alicja Górczy?ska Styling and Decorating Tatiana Kruszenycka

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Pop-upPhotography | Serg Garkus

Photography Serg Gargus Model Mariia Zinchenko Designer Alicja Górczy?ska Styling and Decorating Tatiana Kruszenycka

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Photography Serg Gargus Model Mariia Zinchenko Designer Alicja Górczy?ska Styling and Decorating Tatiana Kruszenycka

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Pop-upPhotography | Serg Garkus

Photography Serg Gargus Model Mariia Zinchenko Designer Alicja Górczy?ska Styling and Decorating Tatiana Kruszenycka

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Photography Serg Gargus Model Mariia Zinchenko Designer Alicja Górczy?ska Styling and Decorating Tatiana Kruszenycka

When the golden yarn ball of the sun barely appears in the sky, it's time to sum up. This is the time of many holidays and weekends, when you suddenly, after a race lasting almost a year, find yourself alone with free time and yourself. This is the time of winter solstice thoughts. You look back at the giant yarn balls of last year's plans, from which you did not even try to create something worthwhile. There was no time for something, priorities changed somewhere. And the plans remained in the embryo of yarn balls. And then you see this colorful sweater with a bunch of knots. "How did I do that?" you ask yourself and laugh. "I t was impossible!" you say to yourself and laugh again. Everything went wrong. Reliable connections and your ideas about the universe were torn. There was a lack of resources, knowledge... Everything was missing! But here it is - another dream come true. Created from bare nerves and troubleshooting. I t is a part of you as you are a part of it. I n every knot, in every color. Something on the contrary. Went perfectly. Clearly. According to the plan. I t was fanatically clean, thoughtful, and beautiful work. Not ashamed. No decorations. I deal. Warm? You smile to yourself again. Now from the understanding that many people will not accept and appreciate such work properly. They will say "too simple" "nothing special" or "even a child can do it." Easiness and apparent simplicity are the ideals of professionalism, but only a fanatic can understand them. Let it hang in the closet until it becomes a trend. The Thoughts of Winter Solstice. Summing up. Unrolling new yarn balls.

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U S I V

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L A

W E L O V E A RT

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Visual Art | Rachel Tribble

Finding Peace in the Quiet,

Rachel Tr ibble Unites Paint, People and Planet

escribed as

dreamscapes based on natural elements, American contemporary artist Rachel Tribble says her work acts as a gateway for viewers to connect not only with natural reality but also with other possible dimensions. Showing meditative qualities and a serene use of color, Tribble?s watercolor and oil paintings support reconnecting to the Earth as a way of healing. ?The imagery itself offers small pockets of individual meditation points, sort of like finding mandalas hidden in the patterns embedded in the work. The colors also tend to be quiet and serene, which enhances the viewer's ability to drift away into a peaceful place,? she explains.

A Glim pse from the past Hit rewind and Tribble?s story takes a slightly different turn. Originally from New York City, the artist introduced her multi-media installations and performance work into the alternative venues of rock nightclubs in the 1990s during the rise of the EDM movement. Tribble shares that inside this arena she created works that brought the viewer?s attention to the natural world and sparked esoteric and social questions. When asked about her favorite memory from that period Tribble lands on a performance piece called Serpent Rising. ?I t was a story about Earth and her relationship with humans, taking place in a time after humans had destroyed the Earth with chemicals and wars. The stage was stark. We directed lights into a lot of fog and then used strobe lights everywhere. I t was like being inside the birth of a galaxy,? says Tribble.

WHERE THE AI R SMELLS LI KE SWEET GRASS

GROVE ON THE OTHER SI DE 24 | NeoBoCREATIV | Jan - Feb 2024 |www.creativmag.com

RACHEL TRI BBLE

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Visual Art | Rachel Tribble

The state of being and the world around us A champion for the environment, Tribble pressed pause on her creative process and decided to live and work within the Native American community. Compared to the Western world, she says among the traditional communities of the Lakota and Anishinaabe people, individuals practice a natural way of being and their connection to the Earth is profound. ?I spent a lot of time being quiet and listening. I listened to the forest, the wind in the winter, the sounds of water in streams and rivers, and to the stories being told. These stories were actually deep teachings, reflecting on the choices we all make in relation to our individual connection to our planet,? says Tribble. According to the artist, this experience started to show up in her paintings and completely inform her process. ?While my work has always reflected on esoteric environmental questions about humanity, the paintings that emerged from this period were different from my earlier work. They told, and still tell, a story I had not known before I had been invited into the ceremonies. Stories of worlds we live within and the other worlds that surround us,? she continues. UNTI TLED ORB

DREAMI NG TREE

GUARDI ANS OF THE GARDEN GATE

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Sense of escapism Today, Tribble?s greatest hope is to inspire a sense of peace and place within people. Tribble hopes that by experiencing the worlds depicted in her artwork, viewers feel the magic of the natural world and it inspires them to seek a deeper connection to the planet. The artist believes it is this connection that offers a sense of healing and inner peace. ?Through my work, I am offering a small world to escape into, a place to slow down for a few minutes and take a breath. I believe that it is in moments of silence we get the clarity to see and new visions arise,? she says. Tribble points out that finding ways to support a healthier lifestyle and a healthier planet for the future is a consistent thread in her life. I n addition to using recycled materials as much as possible, Tribble has started using handmade paints created by an Anishinabe paintmaker from the First Nations in Canada. She has also started to develop a workshop that combines color theory, art-making, and meditation to help people understand how the subtle use of color and art-making in our everyday lives can provide stress relief.

ATLANTI S

LI GHT

HOUSE WI TH FOREST

Speaking about how she finds serenity and practices wellness, Tribble says she wakes up very early and spends time meditating during sunrise. ?I paint. I love to draw, age paper, and hand-bind journals and books. Finding time to be in silence is really important to me, even if it?s just for five minutes.?

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S A FH

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S N W E LO V E FAS HI O N

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Artistic Fashion| Miami Fashion Week D ES IG N ERS W E LO VE A T

MIAMI FASHION WEEK

PHOTOGRAPHY BY SEAN SI MPSON 30 | NeoBoCREATIV | Jan - Feb 2024 |www.creativmag.com

YAS GONZALES Photographed by Sean Simpson

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Artistic Fashion| Miami Fashion Week

2 0 2 4

KANI

Photographed by Sean Simpson

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Artistic Fashion| Miami Fashion Week

Ag a th a Ru iz d e la Pra d a Photographed by Sean Simpson

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PHOTOGRAPHY BY SEAN SI MPSON

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U T A E F TOR

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D E R U T S S T O RI ES W O RT H REA DI N G

WRITTEN BY

Victoria Lee

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FeaturedStories | Andrew Zucker

What the Ultra r ich Wear to the Grocer y Store by Andrew Zucker

s a personal assistant to a well-to-do retiree, Nora Szigeti is tasked with much of the usual fare: managing a calendar, booking travel, and running errands. But after her 70-year-old boss recently came across an I nstagram post shared by the account Class of Palm Beach, which documents outfits people have worn around that wealthy town, she took on another duty: publicist. ?My boss would be a perfect person for your site,? Szigeti, 50, recalled writing in a message to the account in November. Soon after, her employer, Oblio Wish, appeared in a video shared by Class of Palm Beach, in which she showed off her wardrobe full of items from Dior, Gucci, and Chanel. She is one of the hundreds of Palm Beach residents and visitors ? whose ages have ranged from 20-something to 80-something ? who has been featured on Class of Palm Beach?s I nstagram, TikTok, and Facebook accounts since they were started last March. I ts accounts on those three platforms now have a combined audience of more than 1 million followers. On the 14-mile-long island, Class of Palm Beach functions for some as a sort of social-media-age Shiny Sheet, a nickname for the Palm Beach Daily News, a paper that fills its pages with photographs from society galas and luncheons. For others, like Szigeti, its accounts offer a near-daily glimpse into how the ultrarich dress. (A report from the U.S. Census Bureau listed the 38 | NeoBoCREATIV | Jan - Feb 2024 |www.creativmag.com

median household income in Palm Beach between 2018 and 2022 as $190,824.) Brunello Cucinelli, Zimmermann, and Hermès are names often uttered by people featured on the Class of Palm Beach accounts, many of whom can be seen clutching Chanel bags. ?For them, it?s so ordinary: ?Oh, today I ?m wearing a Rolex, and it?s just a Birkin,?? Szigeti said of how casually some of the accounts? subjects can refer to watches and bags most people only dream of owning. ?I have to save up two years to buy even half the Birkin.? Devorah Ezagui, 28, who lived in Palm Beach for part of her childhood, started the Class of Palm Beach accounts after moving back to the area last year. She had previously been living in New York, where she had been juggling personal training and marketing gigs, and where she would often ask people on the street about their outfits, she said. The fashion in Palm Beach involves the same labels worn in other wealthy enclaves, but the way people wear them evokes a certain lifestyle, Ezagui said. The accounts, she added, were meant to showcase that lifestyle and offer an escape, as well as fashion inspiration. Alanna Strei, a real estate agent in San Diego who discovered Class of Palm Beach on I nstagram, said she appreciated its aesthetic of ?old money glam? and its aspirational tone. Strei added that she also likes how the account features a breadth of people, not just ?Real Housewives of Miami? types, as she put it.

Ezagui?s videos for Class of Palm Beach are mostly man-on-the-street interviews in which she probes subjects about their clothes, accessories and fragrances while filming them on her iPhone. The approach is similar to that of other social media accounts that have started documenting outfits in well-heeled locations like Madison Avenue in New York and Greenwich, Connecticut.

population. A recent Census Bureau report found that about 94% of the town?s residents were white and zero percent were Black.

Ezagui, whose wardrobe includes Celine flats and Maison Margiela denim shorts, is also a personal stylist to clients in the Palm Beach and New York areas. She said she spent at least four hours a day managing the Class of Palm Beach accounts, which have shared sponsored posts paid for by brands.

Some followers have also asked that she focus on a younger crowd. But Ezagui said that videos of older subjects reliably got more attention. ?I know what will do well,? she said.

The accounts have also featured a few of the clients Ezagui has styled, she said, but most subjects are strangers she has encountered while out and about, whether shopping at a local Publix grocery store or at stores on Worth Avenue, a ritzy retail strip. Though she has been to Mar-a-Lago, the residence of former President Donald Trump, she has yet to document any outfits there. ?I t was actually something I wanted to look into,? she said. But there are ?strict rules? about ?going over to other people?s tables? at the private club, she added. The types of people she looks for have effervescent personalities and appear to have ?really put intention into their outfit,? she said. Ezagui added that about 70% of those she has asked to feature have agreed. Most of those people are white women, a trend some followers of the accounts have pointed out in comments. Ezagui said the demographics of those featured was less reflective of her choices than it was of Palm Beach?s

?There?s not everybody in this area,? Ezagui said.

On a rainy Saturday in January, as she was walking along Worth Avenue, Ezagui stopped to praise the outfit of a passerby, Carolina Paulino, who was wearing Zimmermann separates, Loro Piana shoes, an Hermès handbag, and Cartier bracelets. Then came the question: Would she want to be filmed for a video? Paulino, 28, who had come to have lunch in Palm Beach from Miami, agreed. She later said the outfit she was wearing was meant to evoke a ?vibe of luxury, but beach.? Ezagui said that some people had asked her to feature fewer subjects in designer clothes and more in stylish items from affordable retailers like TJ Maxx. But to her, luxurious labels are a key element to Class of Palm Beach?s success. ?People are trying to look for inspiration,? she said.

This article originally appeared in Th e N ew Yor k Ti m es

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FeaturedStories | Vanessa Friedman

The Costum es of the Ver y, Ver y Rich PARI S FASH I ON REVI EW by Vanessa Friedman

PARI S ? The night of the wolf moon ? the first full moon of the new year ? also happened to be the last night of the couture, when John Galliano re-created a decaying Paris nightclub in the vaulted caverns beneath Paris?Pont Alexandre I I I bridge across the Seine.

Crepe paper streamers the color of Madeira wine were draped across walls and dangled from the ceiling amid banged-up wooden bistro chairs and scratched-up tables. Then a shirtless chanteur with a Freddie Mercury mustache rose to croon a love song, a grainy black and white film was reflected in the mirrors, and the Maison Margiela show began: a fashion fantasy built on extreme corsetry in which bodies became hourglasses; flesh became a fabric unto itself (and no actual fabric was quite as it seemed); and historical allusions ran in and out like time. I n the end, the audience members were so overwrought they didn?t just clap, they stamped their feet hard enough to make the floorboards shake. I t has been a while since anyone had experienced a world-building show quite like it. I t looked tortured, in a way that is rarely considered acceptable anymore, and extraordinary at the same time. Once upon a time, such fashion theater was Galliano?s signature. But between the transformation of houses into global brands and his own drug- and alcohol-fueled antisemitic self-immolation, exile, and penitent return at Margiela, it had begun to seem like a thing of the past. A relic of an earlier age of histrionic self-indulgence of which he was the cautionary tale. I s it time for reconsideration? Vintage Galliano 40 | NeoBoCREATIV | Jan - Feb 2024 |www.creativmag.com

is having a moment ? and this was exactly that. Certainly, it was a riposte to the whole idea of comfort clothing, stealth wealth, and playing it safe; a masterful demonstration of the couturier?s ability to reshape nature in service of a dream and re-create the body modification and control that have become the province of the very rich. (I t was striking that Kim Kardashian and Kylie Jenner, multimillionaires, and famous physiques both, were in the front row.) Fashion at this level is its own reality-distortion field. That?s something to which the .00001% can relate. For everyone else, it?s an anthropology lesson.

The Wealthy Condition Couture, with its celebrities and its entrance-making evening wear, has become such a key element of brand marketing ? such an eye-catching content generator ? that it?s easy to forget that these clothes don?t just speak to I nstagram and TikTok, they also speak to customers, albeit the select few who can afford five- and even six-figure dresses. And for that, the clothes need to have something to say about the wealthy condition. At least something beyond just ?look at me.? Yet that is exactly what seems to be missing in the work of the new crop of couturiers, names such as Gaurav Gupta and Robert Wun. They

have the showmanship down pat: Gupta with his signature cosmic swirls spiraling up to the Milky Way, Wun with his crystal-rain-drenched film noir vibes. But it?s hard to tell if there?s anything behind the very elaborate curtain. I ndeed Wun?s decision to splatter a draped white cocktail dress and veil in jeweled blood (or blood-red beading) seemed particularly jarring, even if he was telling a Gothic tale, given what else is going on in the world.

And the red-skinned alien crawling out of the corseted back of a red ballgown looked ? after the bedazzled robot baby at Schiaparelli, not to mention Rick Owens?human backpack collection of 2015 ? unfortunately like a gimmick. And a familiar one.

embracing the elegance of refusal. See, for example, a perfect black column dress; fur that actually wasn?t fur, but rather silk fringe with the swish of mink; and trompe l?oeil silhouettes picked out in silver against a backdrop of jersey, like shadow puppets at a party.

At least Simone Rocha, dipping into couture for the first time as the guest designer for Jean Paul Gaultier, brought her understanding of the power and frustrations of femininity, as well as her subversion of stereotype, to her dialogue with the house, giving the vintage Gaultier-isms gorgeous relevance for the current day.

And it?s emerging at Alaïa, where Pieter Mulier finally left behind the dutiful imitations of house style in favor of an original idea: one that spoke to the values of the brand?s founder without simply repeating them.

I n her hands the trademark corset lacings were loosened, as if Marie Antoinette had come undone, the bondage straps less BDSM than bedazzled. Perhaps most striking, however, given the current debate over the female body, was Rocha?s decision to remake the famous cone bra in the shape of rose thorns. Touch those puppies if you dare.

The Value of the Original Rocha has what Galliano demonstrated: a singular creative voice. I f part of the value of couture is uniqueness ? the one-off, the made-just-for-you ? that?s the crux of the matter. I t?s starting to become apparent at Fendi, where Kim Jones is coming into his own,

I n his best collection yet, Mulier worked with one yarn (a special wool) and one shape (the circle) and then spun them into a host of smart ideas starting with blouson skirts and tops made from hundreds of strands that swayed and shimmied with the body, as if a skein had come undone. Wrist pompoms of curly wool decorated skinny knits and trapeze puffer coats. A tour de force of a dress looked like a snap bracelet, but one engineered to encircle the torso, climbing from the waist to the ribs and the breasts with no visible fastenings. At Valentino, Pierpaolo Piccioli summed it up with: ?The magic is in all the effort you don?t see.? His sumptuous feast of a show simply proved the point. He has the ability to make seemingly simple clothing ? an anorak, a blazer, a New Look skirt ? seem ineffably luxurious thanks to the saturated combination of the colors, the generosity of the cut.

So he mixed sea foam green with chartreuse and pine, juxtaposed tangerine against silver and petal pink. He tossed a tunic of crushed red roses with its own train over a pair of celadon trousers instead of defaulting to black tie, sliced one wide trouser leg up the front to the thigh (and the other leg up the back) to suggest the swishy attitude of an evening gown without the work. The result reconciles the seemingly irreconcilable. That?s rich.

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H WH

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S ' O H T H E N A M ES T HAT M AT T E R

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Cover Story | Lilimar Hernandez

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Thetruemeaningof

Elegance The Evolution of Self-Expression and Femininity I n an era where the contours of femininity and self-expression are constantly being redrawn, actress Lilimar's insights stand as a testament to the nuanced dance of navigating these shifts. Her recent conversation with us not only peels back the layers of her personal journey but also mirrors the broader societal evolution of womanhood and artistic freedom. Lilimar's narrative weaves through the elegance of the 1920s based on the theme of our photoshoot, the pressures of Hollywood, the quest for authenticity, and the empowerment of future generations, offering a rich tapestry of reflections on identity, culture, and self-expression.

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Cover Story | Lilimar Hernandez

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Lilimar's reflection on the 1920's theme serves as a poignant entry point into her musings on femininity. This era, known for its sartorial elegance and the beginning stirrings of modern feminist movements, encapsulates the complex interplay between societal norms and personal expression. Lilimar draws parallels between the past and present, noting how the constraints and liberties of the 1920's echo in today's world. Her observations underscore a critical insight: the journey of self-expression and femininity is perennial, with each era contributing its unique brushstrokes to the ongoing narrative of womanhood. This era was the beginning of liberalism in a sense, because back then, in the 1800s, it was all about the woman's waist, these poor women were in 13-inch-waist corsets and all this crazy stuff. So it was beautiful to see them expressing themselves saying: "No, you're not going to see a waist. And whatever that above-the-knee business, scrap it, whatever. I want a bunch of movement. I want to dance. I want to drink, and I don't want to hear no man tell me what to do." And it was nice.

The Hollywood Cr ucible: Navigating Fam e and Identit y Lilimar's recounting of her experiences in Hollywood offers a candid look at the industry's dualistic portrayal of young women. Transitioning from child roles to more mature portrayals, she grapples with the industry's rigid dichotomies and the pressure to conform to predefined molds of purity or sensuality. This part of her journey highlights a broader societal challenge: the struggle to define one's identity amidst external pressures and expectations. Lilimar's narrative is a beacon for young actresses and women everywhere, illustrating the courage it takes to forge one's path in an industry often resistant to nuanced portrayals of femininity. Being part of Nickelodeon and Disney, she found herself navigating the vast spectrum of industry expectations and personal growth. I nitially immersed in the world of children's entertainment, she grappled with the remnants of purity culture that once heavily influenced these networks. This era, reminiscent of the early 2000s, saw icons like Miley Cyrus and Selena Gomez embracing symbols like purity rings? a trend that, in hindsight, feels overwhelming and almost surreal. During her tenure at Nickelodeon, the guidelines were stringent, dictating the extent of skin exposure and other aspects of personal presentation. These measures, though primarily aimed at safeguarding minors and preserving a family-oriented image, were understandable and, in many respects, commendable. However, the challenge arose in reconciling these external mandates with her inner drive for self-expression and individuality. The network's commitment to a specific aesthetic and brand image occasionally clashed with her desire to explore and express her evolving personal style. The restrictions on behavior, attire, and overall expression, while under contract, often left her pondering the implications of stepping beyond these boundaries. I t wasn't that such acts of self-expression were inherently wrong or indicative of moral failure; rather, they were simply incongruent with the prescribed image of the brand. This dynamic instilled a sense of constraint, limiting her ability to experiment and evolve freely during a formative period of her life. I n retrospect, this journey has been a profound learning experience, teaching her about the delicate balance between adhering to professional expectations and nurturing her authentic self. The process of navigating these waters has been complex, but it has ultimately contributed to her growth as an individual and an artist.

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Cover Story | Lilimar Hernandez

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Cover Story | Lilimar Hernandez

She has experienced femininity coaching twice in her life, and she could extensively discuss its problematic aspects. When she was younger, around the ages of 10 and 13, she participated in Karine Melissa's fashion shows during the years of FDE (Fashion Designers Expo), guided by her mother's enthusiastic support. Her mother recognized her passion for performance, fashion, and the allure of dressing up, and she was deeply involved in modeling and pageants. Her mother's philosophy was clear: they would pursue these interests as far as she desired, and at the first sign of stress or loss of benefit, they would step back and explore other avenues. However, during her time in the pageant circuit, she encountered coaches who served not only as pageant mentors but also as femininity coaches. Their teachings emphasized regal behavior and elegance, yet their interpretation of elegance was narrowly defined and sometimes absurd. She was advised on how to speak in a certain tone, to avoid being loud, and to present herself in a specific manner? criticisms that extended to her choice of casual clothing like hoodies and sneakers, which were deemed inelegant. She often felt frustrated by these rigid standards, not wanting to attribute them to a simple lack of education, despite that being the term often used. She understands the broader implications of such a viewpoint, recognizing that the lack of education, normalization of diverse topics, and a deeper societal understanding are hindered by numerous factors including religion, culture, and geography. Many are unable to transcend these barriers. I n her view, she was privileged to see the world without such constraints, thanks to her parents who emphasized the importance of understanding and empathy. They taught her that empathy is one of the most beautiful qualities one can possess, encouraging her to never heed future claims that might diminish its value. Central to Lilimar's narrative is the celebration of multifaceted femininity. She challenges the monolithic portrayals of womanhood, advocating for a personal journey that embraces complexity and contradiction. Her reflections on cultural expectations, particularly against the backdrop of her Latin American heritage, add depth to the discussion on identity. Lilimar's story is a powerful reminder that femininity cannot be boxed into singular narratives; it is a mosaic of experiences, choices, and expressions that defy simple categorization. Lilimar champions authentic self-expression as a form of empowerment. She delves into the liberating potential of fashion, personal style, and artistic expression, advocating for these as avenues for individuality and self-discovery. Lilimar's journey underscores a vital message: the act of defining oneself on one's terms is both a personal victory and a societal contribution. By embracing and showcasing our unique identities, we challenge prevailing norms and pave the way for more inclusive understandings of femininity and self-expression.

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Cover Story | Lilimar Hernandez

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Lilimar's parting message to young girls is a poignant critique of perfectionism. She advocates for embracing imperfections and the beauty of the journey, emphasizing action over fear. This wisdom speaks volumes about the pressures young women face in striving for unattainable standards. Lilimar's advice is a clarion call for authenticity and courage, urging future generations to find strength in their stories and imperfections. Lilimar's conversation with us transcends the personal, touching on universal themes of identity, culture, and empowerment. Her insights into the evolving landscape of femininity and self-expression offer valuable lessons on navigating societal expectations and embracing one's true self. As we move forward, Lilimar's reflections serve as a reminder of the power of individuality and the importance of crafting spaces where diverse expressions of womanhood can flourish. I n a world where the definitions of femininity and self-expression are ever-changing, Lilimar's narrative stands as a beacon of hope and empowerment. Her journey underscores the importance of authenticity, resilience, and the courage to define oneself beyond societal constraints. As society continues to grapple with these themes, Lilimar's voice offers a powerful testament to the beauty of embracing one's multifaceted nature and the endless possibilities that unfold when we dare to live authentically. For me, there are so many things that I did not do or say or that I don't need to do, or all of these things because I 'm such a perfectionist. At the end of the day, it was a fear of it never amounting to a standard I upheld for myself that was impossible to reach, and I had an absolute fear of being seen trying. I wanted to impress. I wanted to compete. I wanted to be the golden child instead of just doing it and learning on the way and accepting the beauty in mistakes and imperfections. So I think for her it's like, "D on't be pr oud of being a

per fectionist. Just fa ce the fea r ."

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Cover Story | Lilimar Hernandez

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Cover Story | Lilimar Hernandez

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B ehind perfectionism is a fear of doing

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You Host We Post Focu s on you r bu sin ess w h ile w e cr eat e you r con t en t

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THE LIVELY KEYYZ AND THE HULLABADULA BY VI CTORI A LEE The Lively Keyyz and the Hullabadula will take you on a journey of discovery. All the while, evoking emotions of what lies within or what lurks beneath those secret walls. The Lively Keyyz is a great book for kids and parents that will create a bonding moment with one another.

Styled by Sherie Renell

ABOUT THE AUTHOR Victoria T Lee originally started her career off in finance, and quickly realized something more creative was in store for her. Whether she is being a Creative Director of her own fashion line or a Managing Editor for a magazine, storytelling has always played a huge role in her life and success. From early childhood and into adulthood Victoria loved listening to stories. Those stories could be anything from imaginative or a real-life story. On a whim and in an effort to make a special little girl feel beautiful this world class series was born. Victoria is on a mission to uplift minority children by highlighting issues they may endure in a creative, fun, and adventurous way. Letting them know anything is possible that they desire or dream of.

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THIS IS YOUR DIGITAL BILLBOARD 57 ISSUES AND COUNTING WITH AN INTERNATIONAL REACH OF OVER 600K. WITH EMAIL MARKETING AND SOCIAL MEDIA COMBINED. THIS IS YOUR CHANCE TO GET SEEN.

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C E P S VE

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L A I C E TS EX PERI EN C E T H E A RT S

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THE 2023 CREATORS GAL A THE AFTERMATH

On the evening of December 20th, 2023, the creative world in South Florida came in big numbers to celebrate the end of the year at the much-anticipated Creator's Gala, a prestigious event celebrating innovation, creativity, and community among digital content creators. The gala not only marked a significant milestone for the creative community but also set the stage for an evening of inspiration, collaboration, and recognition. I n the weeks leading up to the gala, organizers and creators alike were immersed in preparations, ensuring that the event would not only meet but surpass expectations. The anticipation within the creator community was palpable, with participants eagerly discussing their plans, projects, and aspirations for the night on various social media platforms. This buzz of excitement set the tone for what was to become a memorable evening.

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BThe Gala Experience As attendees stepped into the venue on December 20th, they were greeted by an atmosphere brimming with creativity and innovation. The space welcomed our attendees with a Cocktail Hour with Performances by Salam The Poet and T.Rose, art exhibits by Kate Gedz, a 6-foot photo box by Creativ Magazine I nc., and a creative presentation by Head Pieces by Fatima The entrance hall buzzed with energy as creators from diverse backgrounds mingled, shared stories, and celebrated each other's achievements. The gala's schedule was packed with activities designed to engage and inspire. Upon entering the main hall, on one corner was taking place a live podcast by Rich. Sean Simpson?s art decorated the room as they were spread on 2 walls, so fascinating that attendees were taking pictures right in front of the art. Aside from a wonderful dinner being served Fusion Fashion Events coordinated a great fashion show for the crowd?s viewing pleasure showcasing designs from 4 talented designers: Zam or Cr eat i on s, Vi ct or i a Jon es, Ju st E& V, and W h i t e H ou se At el i er . I ntermissions kept the crowd engaged with a Musical performance by Aradhika Raturi accompanied by her Piano , followed by signer Marchella, spoken word by Salam, and another music performance by The singing DJ, meanwhile, the guests were entertained by a 360 Photo Booth and even a supercars showcase on the lawn by First Car rentals &. FLL Exotic Rentals. There was so much creativity around us that I lost count. Networking was a key component of the gala experience. Spaces were specifically designed to foster connections, from cozy lounges for intimate conversations to larger meeting areas for collaborative brainstorming. This environment enabled creators to form new partnerships, expand their networks, and find potential collaborators for future projects. One of the gala's most anticipated moments was the awards ceremony, which recognized outstanding contributions to the creator community. Awards were given in 4 categories, including Modeling, Fashion Design, Photography and Styling. The ceremony was a heartfelt celebration of creativity and dedication, with recipients sharing inspiring stories of their journeys in the creative space. www.creativmag.com |Jan - Feb 2024 | NeoBoCREATIV | 67

Eve, You have such an amazing heart, You deserve all the accolades.

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The Creator's Gala of 2023 had a profound impact on those who attended and the wider creative community. I t underscored the importance of collaboration, innovation, and community in driving the creative industry forward. For many, the gala was a reminder of the power of creativity to inspire change and make a meaningful impact in the world. Participants left the event with a happy heart, new connections, and a renewed sense of purpose in their creative endeavors. The discussions and collaborations that began at the gala are expected to lead to groundbreaking projects and innovations in the months to come. Looking Ahead As the night came to a close, there was already speculation and excitement about the next Creator's Gala. The organizers CONTENT CREATORS EXPERI ENCE, CREATI V MAGAZI NE I NC and FUSI ON FASHI ON EVENTS hinted at even bigger plans for the future, aiming to incorporate more in 2024. The future of creator events like the Gala looks bright, with a growing recognition of their role in fostering innovation and community within the creative industries. With the introduction of CREATI V TRI BE the organizers wish to continue this tradition and celebrate those who make life colorful. The Creator's Gala of December 20th, 2023, was more than just an event; it was a celebration of creativity and community. I t provided a unique space for creators to come together, share their experiences, and envision a future where creativity continues to break boundaries and inspire the world.

Ph ot ogr ap h y con t r i bu t or s Draculax Productions Frantzy Saintvil Oceanic Photography Lifestyle Branding Media

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Lux Private prides itself in providing a door-to-door luxury concierge service for high-end travelers, offering a personalized service that caters to the unique needs and preferences of discerning individuals during their travels. This service goes beyond traditional concierge offerings and focuses on providing an unparalleled level of comfort, convenience, and customization. Lux Private is committed to transforming your travel into a bespoke and indulgent experience, ensuring every detail is meticulously curated for your ultimate satisfaction. Welcome to a world where luxury knows no bounds.

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PHOTOGRAPHY COURTESY OF ART BASEL

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A RT W EEK M IA M I TH E A RT B A SEL PH EN O M EN O N

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P.P.O.W PHOTOGRAPHY COURTESY OF ART BASEL

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303 Gallery PHOTOGRAPHY COURTESY OF ART BASEL

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KARMA PHOTOGRAPHY COURTESY OF ART BASEL

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Susan Sheehan Gallery PHOTOGRAPHY COURTESY OF ART BASEL

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Gavlak PHOTOGRAPHY COURTESY OF ART BASEL

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Petzel PHOTOGRAPHY COURTESY OF ART BASEL

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E E R P FX E

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E E ER W E LO V E PO S I T I V E V I BES

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FreeExpression| Relationship Advice

M aintaining

Individualit y in a Relationship

n the dance of romance and companionship, where two individuals come together to share their lives, it's crucial not to lose sight of one's melody? the unique traits and passions that make each person who they are. Maintaining individuality in a relationship is not just beneficial; it's essential for the health and longevity of the partnership. This article delves into the importance of preserving personal identity and independence while in a relationship, providing practical advice on finding the right balance between shared interests and personal pursuits, understanding the significance of personal space, and employing strategies to support each other's growth and ambitions.

The Importance of Individuality Relationships thrive on the interdependence of two individuals who appreciate and celebrate their differences as much as their commonalities. I ndividuality is the backbone of this dynamic, offering each partner the strength and confidence to be their authentic selves. When people maintain their sense of self, they bring more to the relationship: more ideas, more energy, and more passion. This diversity fosters a deeper connection and mutual respect, as each partner values what the other uniquely brings to the table.

Balancing Personal Interests with Shared Activities Finding the right balance between personal interests and shared activities is akin to creating a harmonious symphony. I t involves: - Resp ect i n g Bou n d ar i es: Acknowledge and respect each other?s boundaries. Have open discussions about your interests and how you can support one another in pursuing them.

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- Al l ocat i n g Ti m e W i sel y: Dedicate time for individual pursuits as well as joint activities. This can be achieved by setting aside specific days or hours for personal hobbies and others for couple time. - Exp l or i n g N ew I n t er est s Toget h er : While maintaining your interests, be open to exploring new activities together. This can strengthen your bond and create new shared memories.

The Significance of Personal Space and Alone Time Personal space and alone time are not just beneficial; they are necessary for individual growth and self-reflection. They allow each person to recharge, pursue personal interests, and maintain friendships outside of the relationship. Encouraging and respecting this alone time:

- Fost er s I n d ep en d en ce: I t allows each person to maintain their independence and prevents the relationship from becoming the sole focus of their lives. - Red u ces Resen t m en t : Time apart can help prevent feelings of resentment that arise from feeling too enmeshed or losing one's identity. - En h an ces Ap p r eci at i on : Absence, in healthy doses, can indeed make the heart grow fonder. Time spent apart can enhance the appreciation for the time spent together. A relationship should be a launching pad for personal growth and the achievement of individual ambitions. To support each other in these endeavors: - Com m u n i cat e Op en l y: Discuss your goals and dreams. Understanding what each partner aspires to achieve can help you find ways to support each other.

that you are each other?s cheerleader. - Pr ovi d e Con st r u ct i ve Feed back : Offer constructive feedback and encouragement. Being each other?s sounding board for ideas and plans can strengthen your partnership. Maintaining individuality within a relationship is about finding the right equilibrium? where both partners feel free to pursue their interests and ambitions, enjoy personal space, and yet come together to share in the joys and challenges of life. This balance is not always easy to achieve and requires ongoing communication, respect, and understanding. However, the effort to maintain individuality not only enriches each partner's life but also enriches the relationship, making it more vibrant, resilient, and fulfilling.

- Cel ebr at e Ach i evem en t s: Celebrate each other?s successes, no matter how small. This reinforces the idea www.creativmag.com |Jan - Feb 2024 | NeoBoCREATIV | 89

CreativTravels | Rwanda Africa

m a n t e i V , y a B g n o l Ha

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Beautiful landscape of the Halong Bay view from above the Bo Hon I sland. Halong Bay is the UNESCO World Heritage Site, it is a beautiful natural wonder in northern Vietnam

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