2016 03 21 The Texas Telegraph

International Newspaper of Texas. Bi-weekly

Monday, March 21, 2016

Åñëè âû èëè âàø áèçíåñ õîòèòå ïîçäðàâèòü âàøèõ êëèåíòîâ, ïàðòíåðîâ è äðóçåé ñ ïðàçäíèêîì, ãîäîâùèíîé, þáèëååì, ïîæàëóéñòà, ñâÿæèòåñü ñ íàìè ïî òåëåôîíó: (469) 2000-660.

2À

ÎÁÐÀÇÎÂÀÍÈÅ

Monday, March 21, 2016

www.DallasTelegraph.com

 øêîëå Russian4Children-DFW óñòðîèëè ïðàçäíèê äëÿ ìàì è áàáóøåê Îòìåòèòü ïåðâûé æåíñêèé âåñåííèé ïðàçäíèê – ïðàçäíèê äîáðà, ñâåòà è ëþáâè – ñîáðàëèñü ó÷èòåëÿ, ó÷åíèêè è ðîäèòåëè Ðóññêîé øêîëû â Àëëåíå Russian4Children-DFW.

ó÷èòåëåé, äåòè – ìàì, áàáóøåê è íàñòàâíèêîâ. Äåâî÷êè êðóæèëèñü â òàíöå, ïîñâÿùàÿ åãî ðîäèòåëÿì. Ìàëü÷èêè äåêëàìèðîâàëè öåëûå ïîýìû:

Òåêñò Ëþäìèëû Òàðàí. Ôîòî èç àðõèâà Russian4Children-DFW

Ìàìà – ýòî çíà÷èò íåæíîñòü, ýòî ëàñêà, äîáðîòà. Ìàìà – ýòî áåçìÿòåæíîñòü, ýòî ðàäîñòü, êðàñîòà. Ìàìà – ýòî íà íî÷ü ñêàçêà, ýòî óòðåííèé ñâåò. Ìàìà – â òðóäíûé ÷àñ ýòî ïîäñêàçêà, ýòî ìóäðîñòü è ñîâåò. Ìàìà – ýòî ëó÷èê ñâåòà, ìàìà – ýòî çíà÷èò æèçíü...

«Íà ñâåòå äîáðûõ ñëîâ íåìàëî Íî âñåõ äîáðåå è íåæíåé Îäíî – èç äâóõ ñëîãîâ ïðîñòîå ñëîâî ìàìà È íåòó ñëîâ ðîäíåå, ÷åì îíî!»  ïåðâûå ìèíóòû òîðæåñòâà ïîä ïåñíþ èç îïåðåòòû «Ñèëüâà» – «Áåç æåíùèí æèòü íåëüçÿ íà ñâåòå, íåò» íà ñöåíó âûøëè þíûå äæåíòëüìåíû, ÷òîáû ïðî÷èòàòü ïîýìû è ïîäàðèòü áóìàæíûå ñåðäöà ñâîèì ó÷èòåëÿì. Òàêèì îáðàçîì, â øêîëå ñ ñàìûõ ðàííèõ ëåò ïðèâèâàþò óâàæåíèå íå òîëüêî ê ñòàðøèì, íî ê íàñòàâíèêàì, ê æåíùèíàì – ê ìàìàì è áàáóøêàì. Ñòèõè è ïåñíè-ïîñâÿùåíèÿ íà ðóññêîì ÿçûêå ïðåêðàñíîé ïîëîâèíå ÷åëîâå÷åñòâà çâó÷àëè èç óñò ó÷àùèõñÿ øêîëû, â òîì ÷èñëå, ìàëûøåé, êîòîðûå òîëüêî-òîëüêî íàó÷èëèñü ãîâîðèòü. Áûëî óäèâèòåëüíî ñëóøàòü, ñêîëüêî â ýòèõ ñòèõàõ ëþáâè, ïîíèìàíèÿ òîãî, î ÷åì îíè ãîâîðèëè ìàìàì, è ñòàðàíèÿ ïðàâèëüíî âûãîâàðèâàòü ðóññêèå ñëîâà. Ìàìèí äåíü, ìàìèí äåíü – ïëàòüå ëó÷øåå íàäåíü, Óòðîì âñòàíü ïîðàíüøå – â äîìå ïðèáåðè... Âñå õîðîøåå – ìàìå ïîäàðè.

èëè Ìàìà ñïèò, îíà óñòàëà… Íó, è ÿ èãðàòü íå ñòàëà! ß âîë÷êà íå çàâîæó, À óñåëàñü è ñèæó. À âîò åùå îäíè ñëîâà ïðèçíàíèé äåòñêîé ëþáâè: Èç öâåòíîé áóìàãè ÿ âûðåæó êóñî÷åê, Èç íåãî ÿ ñäåëàþ ìàëåíüêèé öâåòî÷åê, Ìàìî÷êå ïîäàðîê ïîäãîòîâëþ ÿ – Ñàìàÿ ëþáèìàÿ ìàìà ó ìåíÿ. Êñòàòè, ó÷èòåëÿ ïîñòàðàëèñü, ÷òîáû ó÷åíèêè íàêàíóíå â êëàññå ñâîèìè ðóêàìè ñäåëàëè ïîäàðî÷êè äëÿ ìàì, à ïîòîì èõ êðàñèâî âðó÷èëè âî âðåìÿ òîðæåñòâà. Ïîä ÷óòêèì ðóêîâîäñòâîì íàñòàâíèêîâ âûó÷èëè òàêæå äåòêè è íåñêîëüêî ïåñåíîê è ïåëè èõ, êñòàòè, ñ îñîáûì óäîâîëüñòâèåì. «Ìàìî÷êà ìèëàÿ, ìàìà ìîÿ, êàê õîðîøî, ÷òî òû åñòü ó ìåíÿ!» ñìåíèëàñü ïåñåíêîé «Ìàìà, áóäü âñåãäà ñî ìíîþ ðÿäîì!», íó, à ïîòîì ó÷àùèåñÿ øêîëû âñïîìíèëè ïðî ïàï, èñïîëíèâ èçâåñòíóþ äåòñêóþ ïåñåíêó Âëàäèìèðà Øàèíñêîãî «Ïàïà ìîæåò, ïàïà ìîæåò âñå, ÷òî óãîäíî». Ñòîèò îòìåòèòü ïîäáîð ïîýòè÷åñêîãî ðåïåðòóàðà, êîòîðûé ÷èòàëè ó÷åíèêè øêîëû. Ó÷èòå-

èëè ëÿ ïîñòàðàëèñü, ÷òîáû êàæäîå èç ñòèõîòâîðåíèé îòðàæàëî ëþáîâü è ëàñêó ðåáåíêà ê ìàòåðè, ÷òîáû íàñòàâëÿëî â óìíîæåíèè òàêèõ êà÷åñòâ õàðàêòåðà, êàê äîáðî, óìåíèå âèäåòü ïðåêðàñíîå â íàøåì ìèðå. Òîëüêî ïîñëóøàéòå ýòè ñòðîêè, ñòàðàòåëüíî äåêëàìèðóåìûå äåòüìè! «Íàáåðó ÿ çâåçä ëóêîøêî ìàìî÷êå ìîåé!», «Öâåòèê-ñåìèöâåòèê ìàìå ïîäàðþ, ïîòîìó ÷òî î÷åíü ÿ åå ëþáëþ», «Ðÿäîì ñ ìàìîé ÿ óñíó, ê íåé ðåñíèöàìè ïðèëüíó. Âû, ðåñíèöû, íå ìîðãíèòå – ìàìî÷êó íå ðàçáóäèòå», «Ìàìà ïðèëàñêàåò, ìàìà ïîäáîäðèò, åñëè ïîðóãàåò, òî âñåãäà ïðîñòèò», «Â ñàìûé ëó÷øèé äåíü â ãîäó òèõî ê ìàìå ïîäîéäó, ïîöåëóþ, îáíèìó, íåæíî çà ðóêó âîçüìó...», «Âñåãäà îáåðåãàëà ëó÷øàÿ íà ñâåòå ìàìà», «Äàæå åñëè ÿ óïðÿìà, çíàþ, ëþáèò ìåíÿ ìàìà...» è ò. ä. Ïîíèìàÿ ñåìåéíûå êîðíè è çíà÷åíèå áàáóøåê â æèçíè

äåòåé, øêîëà ïîñòàðàëàñü óñòàìè ñâîèõ ó÷åíèêîâ ïîçäðàâèòü è èõ ñ Ìåæäóíàðîäíûì æåíñêèì äíåì, âñïîìèíàÿ áàáóøêèíû ðóêè è îäàðèâàÿ áàáóøåê ïîäñíåæíèêàìè: «Ìèëàÿ áàáóëåíüêà, äîáðàÿ è íåæíàÿ, ïîäàðþ òåáÿ ÿ ñâåæèå ïîäñíåæíèêè» è áóêåòàìè äðóãèõ öâåòîâ – «ïîòîìó ÷òî äëÿ áàáóëè íàðèñóþ ÿ áóêåò». Âîîáùå òåìà öâåòîâ, îäíî èç ãëàâíûõ ïðåäíàçíà÷åíèé êîòîðûõ – ðàäîâàòü ïðåêðàñíóþ ïîëîâèíó ÷åëîâå÷åñòâà, òàêæå çâó÷àëà â ñòèõàõ, êîòîðûå ÷èòàëè è ó÷åíèêè, è ó÷èòåëÿ: Ñ äíåì 8 ìàðòà, ñ ïðàçäíèêîì âåñåííèì. Ïóñòü ïðîãîíÿò çèìó âåòî÷êè ìèìîçû.

Åñëè ìàìû äîìà íåò, î÷åíüî÷åíü ãðóñòíî. Åñëè ìàìû äîìà íåò, òî îáåä íåâêóñíûé. Åñëè ìàìû ðÿäîì íåò – õîëîäíî â êâàðòèðå, Åñëè ìàìû áëèçêî íåò – ïëîõî â öåëîì ìèðå. ß ñêàæó âàì ïðÿìî – áåðåãèòå ìàìó. Î áåðåæíîì îòíîøåíèè ñèëüíîé ïîëîâèíû ÷åëîâå÷åñòâà ê æåíñêîé ìíîãî ãîâîðèëè âçðîñëûå, íî ýòîìó â øêîëå áûëè îáó÷åíû è äåòêè. À èíà÷å, êàê ìîæíî áûëî îáúÿñíèòü òî, ñ êàêèì âîñõèùåíèåì, ìàíåðàìè è óâàæåíèåì îíè äàðèëè öâåòû ñâîèìè

ìàìàì è áàáóøêàì. Îêàçûâàåòñÿ, â Ðóññêîé øêîëå â Àëëåíå ó÷àò íå òîëüêî ðóññêîìó ÿçûêó, íî è ÿçûêó ëþáâè. Î ëþáâè ìåæäó ïîêîëåíèÿìè áûëà ïåñíÿ íà ðóññêîì ÿçûêå àêòèâíîé ðîäèòåëüíèöû øêîëû Àëèè Àáçàëåòäèíîâîé. Ïðåïîäàâàòåëü Russian4Children-DFW Îêñàíà Á¸ðð ïðåêðàñíî èñïîëíèëà êîìïîçèöèþ íà õîðîøåì ôðàíöóçñêîì ÿçûêå – ÿçûêå ëþáâè. Íó, à â ïîñëåäíèå ìãíîâåíèÿ ïðàçäíèêà äåòêè âñïîìíèëè óðîê áëàãîäàðíîñòè, êîòîðûé îíè èçó÷àëè â øêîëå åùå â ïðîøëîì ãîäó íàêàíóíå Ïðàçäíèêà Áëàãîäàðåíèÿ è âñå âìåñòå, õîðîì, ïîáëàãîäàðèëè ìàì è áàáóøåê çà òî, ÷òî îíè åñòü è ÷òî îíè òàêèå çàáîòëèâûå: Äåâî÷êè è ìàëü÷èêè, äàâàéòå âìåñòå ñ âàìè ñïàñèáî ñêàæåì áàáóøêàì, Cïàñèáî ñêàæåì ìàìàì: Çà ïåñåíêè è ñêàçêè, çà õëîïîòû è ëàñêè, Çà âêóñíûå âàòðóøêè, çà íîâûå èãðóøêè, Çà êíèãè è ñ÷èòàëêè, çà èãðû è ñêàêàëêè, Çà ñëàäêîå âàðåíüå, çà äîëãîå òåðïåíèå! www.DallasTelegraph.com/60757 Russian www.DallasTelegraph.com/en/60757 English

èëè Ìàìà, äîðîãàÿ, ÿ òåáÿ ëþáëþ, Âñå öâåòû âåñåííèå ÿ òåáå äàðþ. Ñîëíöå óëûáàåòñÿ – ãëÿäÿ ñ âûñîòû, Êàê æå ýòî çäîðîâî – ó ìåíÿ åñòü òû. È åùå âîò ñòðîêè: Ïóñòü âñåãäà ñîëíöå ñâåòèò, Öâåòû ïîä íîãè ïàäàþò êîâðîì. Æåëàåì âàì çäîðîâüÿ, ñ÷àñòüÿ, ñâåòà – Âñåãî òîãî, ÷òî íàçûâàåòñÿ äîáðîì.  ýòîò ïðàçäíè÷íûé äåíü â Ðóññêîé øêîëå âñå ïîçäðàâëÿëè äðóã äðóãà: ó÷èòåëÿ – ðîäèòåëåé è âîëîíòåðîâ, ðîäèòåëè –

International Newspaper of Texas.

Bi-weekly

Published by Genesis Press Serge Taran, President and Publisher Ludmila Kachkar-Taran, Editor-in-Chief Alexey Levitin, Designer Zoryana Popovich, Proofreader

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3À

Î Ä ÓÕ Î Â Í Î Ì

Monday, March 21, 2016

www.DallasTelegraph.com

Ìèòðîïîëèò Àíòîíèé Ñóðîæñêèé î Ïàñõå Ìû ïîåì Õðèñòîâî Âîñêðåñåíèå, è âîò òîëüêî ÷òî ñëîâàìè ñâÿòîãî Èîàííà Çëàòîóñòîãî ìû ïðîâîçãëàøàëè ïîáåäó æèçíè íàä ñìåðòüþ: «Ãäå, àä, òâîå æàëî, ãäå, ñìåðòü, òâîÿ ïîáåäà? Âîñêðåñ Õðèñòîñ – è íè îäèí ìåðòâåö íå îñòàëñÿ â ãðîáå...» À âìåñòå ñ ýòèì ìû âèäèì ñîáñòâåííûìè î÷àìè, ìû ñëûøèì ñòðàøíûå âåñòè î òîì, ÷òî ñìåðòü âñå åùå êîñèò âîêðóã íàñ, ÷òî óìèðàþò áëèæíèå, óìèðàþò ìîëîäûå, óìèðàþò äîðîãèå – ãäå æå ýòî áëàãîâåñòèå î ïîáåäå æèçíè? Ñìåðòü áûâàåò ðàçíàÿ. Áûâàåò òåëåñíàÿ ñìåðòü, íî áûâàåò ñìåðòü åùå áîëåå ñòðàøíàÿ: ðàçëóêà, ðàçëóêà îêîí÷àòåëüíàÿ, ðàçëóêà âå÷íàÿ, íåïðåîäîëèìàÿ ðàçëóêà. È ýòà ñìåðòü, â òå÷åíèå òûñÿ÷åëåòèé äî ïðèõîäà Õðèñòîâà, áûëà îïûòîì âñåãî ÷åëîâå÷åñòâà. Îòîðâàâøèñü îò Áîãà, ïîòåðÿâ Áîãà êàê èñòî÷íèê ñâîåé æèçíè, ÷åëîâå÷åñòâî ñòàëî íå òîëüêî óìèðàòü òåëîì, íî ñòàëî óõîäèòü îêîí÷àòåëüíî, íàâñåãäà îò îáùåíèÿ ñ Íèì. Óìåðåâ áåç Íåãî, ëþäè îñòàâàëèñü ìåðòâûìè áåç Íåãî. È âîò Õðèñòîñ, Ñûí Áîæèé, Áîã Æèâîé ïðèøåë íà çåìëþ, Îí æèë ÷åëîâå÷åñêîé æèçíüþ. Áóäó÷è Áîãîì Æèâûì, ñàìîé Æèçíüþ, Îí ïðèîáùèëñÿ êî âñåìó, ÷òî ñîñòàâëÿëî ñóäüáó ÷åëîâåêà: Îí æàæäàë, áûë ãîëîäåí, óñòàâàë; íî ñòðàøíåå âñåãî – â êîíå÷íîì èòîãå Îí ïðèîá-

Ìèòðîïîëèò Àíòîíèé Ñóðîæñêèé: «È åñëè ìû òàê íàó÷èìñÿ ëþáèòü, òî ìèð íàø ñòàíåò íîâûì, äðóãèì ìèðîì...»

ùèëñÿ ê óìèðàíèþ è ñìåðòè. Êàê Áîã Îí óìåðåòü íå ìîã; íî ïî ëþáâè ê íàì Îí ðàçäåëèë ñ íàìè íàøó ñóäüáó. Ñ Áîãîì îñòàëñÿ è áûë îòâåðæåí ëþäüìè; ñ ëþäüìè íå ðàçëó÷èëñÿ è íà Êðåñòå – î, íà Êðåñòå Îí ñêàçàë ñàìûå ñòðàøíûå ñëîâà èñòîðèè: «Áîæå Ìîé, Áîæå Ìîé, çà÷åì Òû Ìåíÿ îñòàâèë?..» È óìåð, óìåð: ñàìà Æèçíü óìåðëà, ïîòóõ ñâåò, êîòîðûé Ñâåò ïî ñóùåñòâó... È âîò ñîøåë Õðèñòîñ Ñâîåé äóøîé â òó áåçäíó Áîãîîñòàâëåííîñòè, ãäå íåò Áîãà. Êîãäà Îí âîøåë â ýòó ñòðàøíóþ îáëàñòü, Îí Ñîáîé, Ñâîèì Áîæåñòâîì, Æèçíüþ âå÷íîé, Ñâåòîì íåóìèðàþùèì çàïîëíèë âñå. È ýòà ñìåðòü íàâñåãäà óïðàçäíåíà; òåïåðü ñìåðòü ìû íàçûâàåì óñïåíèåì, âðåìåííûì ñíîì. È êîãäà óìèðàåì, ìû óõîäèì íå â áåçäíó îò÷àÿíèÿ è Áîãîîñòàâëåííîñòè, à ê Áîãó, âîçëþáèâøåìó íàñ òàê, ÷òî Îí Ñûíà Ñâîåãî åäèíîðîäíîãî, åäèíñòâåííîãî, âîçëþáëåííîãî äàë, ÷òîáû ìû ïîâåðèëè â Åãî ëþáîâü! Ìîæåì ëè ìû â ýòîé ëþáâè ñîìíåâàòüñÿ, êîãäà ìû âèäèì, çíàåì, ÷åãî ýòà ëþáîâü Áîãó ñòîèëà:

æèçíü Õðèñòà, ñìåðòü Õðèñòà, îòâåðæåííîñòü ëþäüìè, îòâåðæåííîñòü Áîãîì, óæàñ Ãåôñèìàíñêîãî ñàäà, êîãäà Îí æäàë ñìåðòè, çíàÿ, ÷òî Åãî ïðåäàë áëèçêèé ó÷åíèê, çíàÿ, ÷òî ÷åðåç íåñêîëüêî ÷àñîâ Ïåòð, äðóãîé Åãî ó÷åíèê, îò Íåãî îòðå÷åòñÿ è ÷òî âñå Åãî îñòàâÿò óìèðàòü â îäèíî÷åñòâå... È ýòèì Îí íàì ãîâîðèò: ñìîòðèòå, è ýòî ß íà Ñåáÿ ïðèíÿë. ß óìåð, ÷òîáû âû âåðèëè, ÷òî âû ëþáèìû Áîãîì, è ïîòîìó ÷òî âû Áîãîì ëþáèìû, âû ñïàñåíû... Ïîòîìó ÷òî ñïàñåíèå íàøå íå îò íàñ çàâèñèò, à îò ýòîãî ÷óäà ëþáâè... À ìû ÷åì ìîæåì îòîçâàòüñÿ íà ýòó ëþáîâü? Ìû ìîæåì ýòó ëþáîâü ïðèíÿòü áëàãîãîâåéíî, òðåïåòíî â ñåðäöà íàøè, ìû ìîæåì ñ èçóìëåíèåì ïðåäñòîÿòü ïåðåä ýòèì ÷óäîì íåïîáåäèìîé Áîæåñòâåííîé ëþáâè. È åñëè ìû ýòî ïîíÿëè, òî ìîæåì âñþ æèçíü áëàãîäàðèòü, ïðåâðàòèòü âñþ æèçíü â áëàãîäàðåíèå. Íå ïî äîëãó ïîêëîíÿòüñÿ Áîãó, íå ïî íåîáõîäèìîñòè èñïîëíÿòü Åãî çàïîâåäè, à ñêàçàòü: «Ãîñïîäè! Åñëè Òû íàñ òàê ëþáèøü, òî ìîæíî Òåáÿ ïî÷èòàòü, ëþáèòü,

ñëóøàòüñÿ, ïîòîìó ÷òî Òâîé ïóòü – ïóòü æèçíè...» È âñþ æèçíü, âñþ áåç îñòàòêà ñäåëàòü íå ñëîâîì áëàãîäàðíîñòè, íå ïåñíüþ áëàãîäàðíîñòè, à æèâîé áëàãîäàðíîñòüþ: òàê ëþáèòü êàæäîãî ÷åëîâåêà, êàê åãî âîçëþáèë Áîã – ëþáîé öåíîé è äî êîíöà. È åñëè ìû òàê íàó÷èìñÿ ëþáèòü, òî ìèð íàø ñòàíåò íîâûì, äðóãèì ìèðîì; òîãäà ïðèäåò ê íàì Öàðñòâî Áîæèå, Âîñêðåñåíèå, íîâàÿ æèçíü. Íî äëÿ ýòîãî êàæäûé èç íàñ äîëæåí óìåðåòü – íå òåëåñíîé ñìåðòüþ è íå óæàñíîé ñìåðòüþ ðàçëóêè, à îòêàçîì îò âñåãî ñåáÿëþáèÿ, îò èñêàíèÿ ñâîåãî îòêðûòüñÿ Áîãó, îòêðûòüñÿ äðóãèì, æèòü äëÿ äðóãèõ. Ïîòîìó ÷òî âîñêðåñíóòü âå÷íîé æèçíüþ ìîæåò òîëüêî òî, ÷òî ñáðîñèëî ñ ïëå÷, êàê ñòàðóþ, íåíóæíóþ îäåæäó, âñå âðåìåííîå è òëåííîå... Òàê áóäåì æèòü è òàêîé ìèð ñîçäàâàòü, è òîãäà âîçðàäóåòñÿ î íàñ Ãîñïîäü, è ìû ñ ðàäîñòüþ âçãëÿíåì Åìó è êàæäîìó ÷åëîâåêó â ëèöî... Õèñòîñ Âîñêðåñå! www.DallasTelegraph.com/60722 Russian www.DallasTelegraph.com/en/60722 English

ÒÅÕÀÑ

Ôîòîîõîòà çà áëþáîíåòàìè! Âû, ÷èòàòåëü, íàâåðíîå, çàìåòèëè, ÷òî ñèìâîë øòàòà Òåõàñ – áëþáîíåò – â ýòîì ãîäó ðàñöâåë ÷óòü ëè íå â ïåðâîé ïîëîâèíå ìàðòà. Òåïëàÿ âåñíà ïðîáóäèëà æèçíü íå òîëüêî íà áëþáîíåòíûõ ïîëÿõ – âñå â íàøåì øòàòå áëàãîóõàåò, íà÷èíàÿ îò ôðóêòîâûõ äåðåâüåâ, çàêàí÷èâàÿ òþëüïàíîâûìè ïîëÿìè è êëóìáàìè èç àðîìàòíûõ è ðàçíîöâåòíûõ èðèñîâ. Òåêñò è ôîòî Ñåðãåÿ Òàðàí Íî ñåãîäíÿ ìû ïîãîâîðèì î áëþáîíåòàõ, êîòîðûå íå òîëüêî ðàñòÿíóëèñü âäîëü îáî÷èí äîðîã, íî áóêâàëüíî êîëîñÿòñÿ ïîäîáíî ïøåíèöå, çàíèìàÿ öåëûå ïîëÿ, óêðàøàÿ õîëìû è äîëèíû ãîëóáûìè è êðàñíîâàòûìè îòòåíêàìè. Êðàñíîâàòûìè – ïîòîìó ÷òî ïëå÷îì ê ïëå÷ó ðÿäîì ñ áëþáîíåòàìè ëþáÿò ñåëèòüñÿ öâåòû ïîä íàçâàíèåì Indian paint brush. Èíîãäà, ïðàâäà, â ïðèðîäå âñòðå÷àþòñÿ è áëþáîíåòûàëüáèíîñû – ýòî ìóòèðîâàííûé âèä öâåòîâ. È ÷åì þæíåå, òåì êîëè÷åñòâî áëþáîíåòîâ áîëüøå íà êàæäûé êâàäðàòíûé ñàíòèìåòð. Áëþáîíåò – íå òîëüêî ñèìâîë Òåõàñà, îí åùå è ñâÿùåííûé öâåòîê äëÿ ìíîãèõ èíäåéñêèõ ïëåìåí, êîòîðûå â ñâîå âðåìÿ ñî÷èíÿëè î íåì ëåãåíäû è ñêàçêè. Ãîâîðÿò òàêæå, ÷òî ïåðâûå èñïàíñêèå ñâÿùåííèêè íà òåððèòîðèè Òåõàñà ñîáèðàëè ñåìåíà áëþáîíåòîâ è çàñåèâàëè èìè òåððèòîðèè âîêðóã ñâîèõ ìèññèé. Íî ñëîæèâøèéñÿ â ýòîé ñâÿçè ìèô, ÷òî ÿêîáû áëþáîíåò ïðèåõàë â Òåõàñ èç Èñïàíèè,

ÏÓÍÊÒÛ ÐÀÑÏÐÎÑÒÐÀÍÅÍÈß THE DALLAS TELEGRAPH

áèëüíûõ äîðîã ïî âñåé òåððèòîðèè øòàòà. È òåïåðü êàæäóþ âåñíó áëþáîíåòû âäîëü äîðîã íàïîìèíàþò íàì Ïåðâóþ Ëåäè. Êñòàòè, â Òåõàñå ðàñòåò íåñêîëüêî âèäîâ áëþáîíåòà è, íàïðèìåð, âèä Lupinus subcarnosus («ïåñ÷àíûé áëþáîíåò») èçâåñòåí, êàê «áóéâîëèíûé êëåâåð» ïî ïðè÷èíå òîãî,

íå èìååò ïîä ñîáîé îñíîëîíèàëüíûõ Äàì Àìåðèêè, âàíèÿ, ïîòîìó ÷òî ýòîò ñîñòîÿùåãî èç ïîòîìêîâ öâåòîê ðàñòåò òîëüêî â óñïåðåñåëåíöåâ â àìåðèêàíëîâèÿõ Øòàòà Îäèíîêîé ñêóþ êîëîíèþ äî 1750-ãî çâåçäû. Êîãäà â 1901 ãîäó çàêîíîäàòåëüíûé îðãàí íàøåãî øòàòà íà÷àë ñåðüåçíî âûáèðàòü öâåòî÷íûé ñèìâîë Òåõàñà, äåáàòû ðàçãîðåëèñü íåøóòî÷íûå. Îäèí èç äåïóòàòîâ ðàòîâàë çà êîðîáî÷êó õëîïêà, èáî â òî âðåìÿ íà õëîïêå âî ìíîãîì äåðæàëàñü ýêîíîìèêà øòàòà. Äðóãîé çàêîíîäàòåëü êðàñíîðå÷èâî âîñõâàëÿë ïðåëåñòè êàêòóñà, êàê ðàñòåíèÿ âûíîñëèâîãî è ñêðîìíîêðàñèâîãî. Ïðè÷åì, îí ýòî äåëàë òàê ñòðàñòíî, ÷òî â íàðîäå åãî ïðîçâàëè «Êàêòóñîì Äæåêîì». È ýòà êëè÷êà åãî ñîïðîâîæäàëà äàæå êîãäà Äæîí Ãàðíåð (òàê çâàëè ýòîãî äåïóòàòà) ñòàë âèöåïðåçèäåíòîì ÑØÀ â ïðàâèòåëüñòâå ïðåçèäåíòà Ôðàíêëèíà Ðóçâåëüòà. Íî ïîáåäà Íèêîëÿ Áàðòêîñêè – þíûé îõîòíèê çà áëþáîíåòàìè â òîì ñïîðå î ñèìâî÷òî îí ÿâëÿåòñÿ èçëþáëåíëå Òåõàñà äîñòàëàñü æåíãîäà, ïðåäëîæèëè â êà÷åíûì ëàêîìñòâîì òåõàññêèõ ùèíàì. Ïðåäñòàâèòåëè Íàñòâå ñèìâîëà öâåòîê áëþáóéâîëîâ. Ëþáèìåö òóðèöèîíàëüíîãî îáùåñòâà Êîáîíåòà è âûèãðàëè. Ýòî ñòîâ è õóäîæíèêîâ ñëó÷èëîñü 7 ìàðòà 1901 Lupinus Texensis îòâå÷àåò ãîäà. çà ñèíèé âåñåííèé êîâåð Òðàäèöèåé äëÿ Òåõàñà öåíòðàëüíîé ÷àñòè øòàòà. ñòàëà èíèöèàòèâà ëåäè Èçâåñòíûé êàê ëþïèí ïàðÁ¸ðä Äæîíñîí (Bird êà «Áèã Áåíä» Lupinus Johnson) – ñóïðóãè ïðåçèHavardii ÿâëÿåòñÿ ñàìûì äåíòà ÑØÀ Ëèíäîíà âåëè÷åñòâåííûì èç òåõàñÄæîíñîíà. Ïîñëå òîãî, êàê ñêèõ áëþáîíåòîâ ñ öâåòóÏåðâàÿ Ëåäè âåðíóëàñü â ùèìè êîëîñüÿìè äî ìåòðà Òåõàñ ïî îêîí÷àíèè ïðåçèâ âûñîòó. Îí ïðàêòè÷åñêè äåíòñòâà ñâîåãî ìóæà, îíà íå ïîääàåòñÿ êóëüòèâèðîñìîãëà óáåäèòü òåõàññêîå âàíèþ âíå åãî åñòåñòâåíïðàâèòåëüñòâî â òîì, ÷òî íîé ñðåäû îáèòàíèÿ. «Íåñåìåíàìè áëþáîíåòà ñòîèò çàìåòíûé» ëþïèí Lupinus çàñåèâàòü îáî÷èíû àâòîìî-

ALLEN Kids R Kids of East Allen, 611 E. Bethany Drive, Allen, TX 75002. Phone: (817) 991-0137.

ARLINGTON Taste of Europe, 1901 W. Pioneer Prkwy, Arlington, Texas 76013. Phone: (817) 275-5530.

CARROLLTON Russian Banya, 2515 E. Rosemeade Parkway # 401, Carrollton, TX 75007. Phone: (214) 483-5050.

DALLAS Midpark Towers Apartment, 8550 Midpark Rd., Dallas, TX 75240. Phone: (972) 231-7834.

St Seraphim Orthodox Church, 4112 Throckmorton St., Dallas, TX 75219. Phone: (214) 528-3741.

Capelli Salon, 19177 Preston Rd., Suite 155, Dallas, TX 75252. Pnone: (972) 250-4565.

Russian School of Dallas, 6039 Churchill Way, Dallas, TX 75230. Phone: (214) 354-7674.

DENTON Denton Ballet Academy, 637 Londonderry Ln., Denton, TX 76205. Phone: (940) 891-0830.

GARLAND Dallas Omni Care, 2222 Deer Meadow Dr., Garland, 75044. Phone: (972) 495-6000.

PLANO CCCP Market, 2304 Coit Rd., Suite #660, Plano, TX 75075. Phone: (972) 758-1200.

Sunshine International Learning Center, 5940 Alma Dr., Plano, TX 75023.

Phone: (469) 467-992.

Euro Deli Too, 6832, Coit Rd., # 300, Plano, TX 75023. Phone: (972) 312-0244.

River of Life – Dallas Church, 4001 Custer Rd., 4001 Custer Rd, 75023. Phone: (817) 773-1097.

concinnus ñ öâåòêàìè îò 5 äî 12 ñàíòèìåòðîâ ñî÷åòàåò â ñåáå ýëåìåíòû áåëîãî, ðîçîâîãî, ôèîëåòîâîãî áëþáîíåòà è ëàâàíäû. Îí õàðàêòåðåí äëÿ ñàìîé çàïàäíîé ÷àñòè Òåõàñà – Òðàíñ-Ïåêîñ. Íàêîíåö, Lupinus plattensis èçâåñòåí êàê «äþííûé» áëþáîíåò è ðàñïðîñòðàíåí íà ñåâåðå øòàòà.

Êîãäà-òî èñòîðèê Äæåê Ìàãóàéð òîíêî ïîäìåòèë, ÷òî áëþáîíåò – ýòî íå òîëüêî ñèìâîë Òåõàñà, íî è ñâîåãî ðîäà öâåòî÷íûé òîâàðíûé çíàê, ïî÷òè òàê æå õîðîøî èçâåñòíûé, êàê è êîâáîéñêèå ñàïîãè èëè øëÿïû Ñòåòñîíà. «Ýòîò öâåòîê ÿâëÿåòñÿ äëÿ Òåõàñà òåì æå, ÷òî è òðèëèñòíèê äëÿ Èðëàíäèè, âèøíè – äëÿ ßïîíèè, ëèëèè – äëÿ Ôðàíöèè, ðîçû – äëÿ Àíãëèè è òþëüïàíû – äëÿ Ãîëëàíäèè». È, ïîñëåäíåå – â íàðîäå ïîãîâàðèâàþò, ÷òî ñðû-

âàòü áëþáîíåòû ïðîòèâîçàêîííî. Îäíàêî ýòî íå òàê. Çàêîí íè÷åãî íå ãîâîðèò íà ýòîò ñ÷åò, à îïðåäåëÿåò ìåñòà ñðûâàíèÿ áëþáîíåòîâ. Åñëè ýòî ÷àñòíàÿ òåððèòîðèÿ, òî ýòî óæå èäåò âðàçðåç ñ çàêîíîì è íàçûâàåòñÿ òàêîå ïðàâîíàðóøåíèå "criminal trespass". Ó÷èòûâàÿ òîò ôàêò, ÷òî â Òåõàñå âñÿ çåìëÿ êîìó-òî ïðèíàäëåæèò – ãîñóäàðñòâó èëè ÷àñòíîìó ëèöó, òî, ÷èòàòåëü, áóäüòå îñòîðîæíû ïðè âûáîðå ìåñòà äëÿ ôîòîãðàôèðîâàíèÿ. Íåêîòîðûå òåõàñöû ñïåöèàëüíî âûðàùèâàþò áëþáîíåòû, ÷òîáû ïðîåçæàþùèå ëþáîâàëèñü öâåòóùèìè ïîëÿìè. Äà, êñòàòè, æèçíü ñîðâàííûõ áëþáîíåòîâ î÷åíü êîðîòêà, ïîýòîìó òðóäíî ïðèäóìàòü ëó÷øèé ñïîñîá ëþáîâàòüñÿ ãîëóáûìè öâåòàìè êðóãëûé ãîä, êàê çàïå÷àòëåòü èõ íà ôîòî. Îáû÷íî áëþáîíåòû öâåòóò äî òðåõ íåäåëü, èç íèõ ïðèìåðíî ïîëîâèíà ïîðû öâåòåíèÿ ýòîé âåñ íû óæå ìèíóëà. Ïîýòîìó, åñëè âû, ÷èòàòåëü, õîòèòå ôîòîãðàôèþ íà ïàìÿòü òåïëîé, àðîìàòíîé, áëþáîíåòíîé âåñíû 2016 ãîäà – íå îòêëàäûâàéòå íà çàâòðà ôîòîñåññèþ ñâîåé ñåìüè èëè ñâîèõ æèâîòíûõ â áëþáîíåòíûõ ïîëÿõ. The Dallas Telegrpah ãîòîâ âàì â ýòîì ïîìî÷ü – óñòðîèòü «ôîòîîõîòó» çà áëþáîíåòàìè / ôîòîñåññèþ ñ áëþáîíåòàìè. Íîìåð òåëåôîíà äëÿ òîãî, ÷òîáû íàçíà÷èòü ôîòîñåññèþ – (469) 68222-68. www.DallasTelegraph.com/60720 Russian www.DallasTelegraph.com/en/60720 English

Natalie Bakery & Pastry, 2001 Coit Rd., Suite 142, Plano, TX 75075.

Phone: (972) 964-4044.

The Villas of Mission Bend, 1201 Medical Av., Plano, TX 75075. Phone: (972) 867-2700.

Plano Community Homes West Campus, 3905-3925 American Dr., Plano, TX 75075.

Phone: (972) 867-1905.

Central Market, 320 Coit Rd. Plano, TX 75075. Phone: 469-241-8300.

Smiles By Morel, 5501 Independence Pkwy., Suite # 205, Plano, TX 75023.

Texas Rhythmic Academy, 2621 Summit Ave#300, Plano, TX 75074. Phone: (469) 583-2894.

RICHARDSON Family Discount Pharmacy, 970 N.Coit Rd., #2403, Richardson, TX 75080.

Phone: (972) 235-0444.

Euro Deli, 670 N. Coit # 2360, Richardson, TX 75080. Phone: (972) 234-8052.

A-Care Medical, 870 N. Coit Rd., #2660, Richardson, TX 75080. Òåë.: (972) 235-2459.

A-Care Chiropractic & Acupuncture Center, 870 N. Coit Rd., Ste. # 2651, Richardson, TX 75080. Òåë.: (972) 664-9089.

SOUTHLAKE Central Market, 1425 E Southlake Blvd., Southlake, TX 76092. Phone: (817) 310-5600.

THE COLONY St. Sophia Ukrainian Greek-Catholic Church, 5600 North Colony Boulevard, The Colony, TX 75056. Phone: (972) 370-4700

4À

ÒÐÀÃÅÄÈß

Monday, March 21, 2016

www.DallasTelegraph.com

Âñÿ çåìëÿ ìîëèòñÿ î Âàäèìå Õîëîäåíêî The Dallas Telegraph âûðàæàåò èñêðåííåå ñîáîëåçíîâàíèå âñåìèðíî èçâåñòíîìó ïèàíèñòó Âàäèìó Õîëîäåíêî â ñâÿçè ñî ñìåðòüþ äâóõ åãî äî÷åðåé – Íèêè è Ìèêåëû.  ýòè äíè âñÿ çåìëÿ ìîëèòñÿ î òîì, ÷òîáû Ãîñïîäü óòåøèë è Âàäèìà Õîëîäåíêî, è âñþ åãî ñåìüþ. Ðåäàêöèÿ ðàíåå ñîîáùàëà íà ñâîåì ñàéòå www.DallasTelegrpaph.com, ÷òî äåâî÷êè áûëè íàéäåíû îòöîì ìåðòâûìè â ñâîåì äîìå â ïðèãîðîäå òåõàññêîãî ãîðîäà Ôîðò-Óýðò. Òåêñò Ñåðãåÿ Òàðàí. Ôîòî Star-Telegram

 ÷åòâåðã óòðîì, 17 ìàðòà 2016 ãîäà, Âàäèì Õîëîäåíêî ïðèåõàë â äîì

Âàäèì Õîëîäåíêî ñîòðóäíè÷àåò ñî ñëåäñòâèåì è ÷òî íèêòî íå áûë àðåñòîâàí ïî äåëó îá óáèéñòâå 5-ëåòíåé Íèêè è ãîäîâàëîé Ìèêåëû. Ó äåâî÷åê

êîå ñîñòîÿíèå óëó÷øèòñÿ ïîñëå ïðîâåäåííîé â ãîñïèòàëå John Peter Smith îïåðàöèè, ïðåäñòîèò ïðîéòè ïñèõîëîãè÷åñêóþ ýêñïåðòèçó.

öåéñêèå ãîâîðèòü îòêàçàëèñü. Ñîñåäè ðàññêàçàëè, ÷òî Ñîôèÿ Öûãàíêîâà òàêæå áûëà ïðîôåññèîíàëüíîé ïèàíèñòêîé è ÷òî ýòà «î÷àðîâàòåëüíàÿ ðóññêàÿ» ïðîâîäèëà ìíîãî âðåìåíè ñî ñâîèìè äåòüìè, â îñíîâíîì, â îäèíî÷åñòâå, ïîñêîëüêó «åå ìóæ ìíîãî åçäèë». Öûãàíêîâà îêîí÷èëà Ìîñêîâñêóþ êîíñåðâàòîðèþ, ãäå îíà è âñòðåòèëà ñâîåãî áóäóùåãî ìóæà åùå â ñòóäåí÷åñêèå ãîäû.  2013 ãîäó îíà çàíÿëà âòîðîå ìåñòî íà êîíêóðñå Mauro Paolo Monopoli â èòàëüÿíñêîì Áàðëåòòå. Ñàìà Ñîôèÿ ïðèçíàëàñü, ÷òî ñîðåâíîâàíèÿ – ýòî íå äëÿ íåå, ïîñêîëüêó îíè ñîçäàþò «òàê ìíîãî íàïðÿæåíèÿ». Ñîñåäêà ñåìüè, Òåððè Ìýññåð, âñïîìíèëà òðîãàòåëüíóþ èñòîðèþ, êàê äî÷êè Âàäèìà Õîëîäåíêî

íàêàíóíå òðàãåäèè íàðèñîâàëè íà àñôàëüòå ïåðåä åå äîìîì ñåðäöà è ñâîè èìåíà âíóòðè ñåðäåö. Ñåðäöà íà àñôàëüòå îñòàâàëèñü äî òåõ ïîð, ïîêà äîæäü âî âòîðíèê íå ñìûë èõ...  ïÿòíèöó, 18 ìàðòà 2016 ãîäà, ïèàíèñò ñäåëàë çàÿâëåíèå ÷åðåç Cliburn Foundation.  ÷àñòíîñòè, îí ñêàçàë: «Ñìåðòü ìîèõ äåòåé áóäåò ñîïðîâîæäàòü ìåíÿ âñþ æèçíü». Îí ïîáëàãîäàðèë æèòåëåé ÔîðòÓýðòà è âñåõ ëþäåé ïî âñåìó ìèðó, êòî â ýòî òðàãè÷åñêîå âðåìÿ åãî ïîääåðæèâàåò, ïîñûëàÿ åìó ñîîáùåíèÿ. «Ãäå áû ÿ íè îêàçàëñÿ ïîñëå ýòîé òðàãåäèè, ìîå ñåðäöå íàâñåãäà îñòàíåòñÿ â Ôîðò-Óýðòå – çåìëå, ãäå áóäóò ïîêîèòüñÿ òåëà ìîèõ äî÷åðåé».  2014 ãîäó Âàäèì Õîëîäåíêî ïåðåâåç ñâîþ ñåìüþ â Ôîðò-Óýðò è íà÷àë

ïðîöåññ ïî ïîëó÷åíèþ âèäà íà æèòåëüñòâî («ãðèí êàðòû»). Õîëîäåíêî òîãäà ïðèçíàëñÿ, ÷òî «ó ìåíÿ ñòîëüêî äðóçåé â ÔîðòÓýðòå è ìåñòíûå æèòåëè òàê äîáðû êî ìíå, ÷òî ÿ ïðèíÿë ðåøåíèå ïåðååõàòü èìåííî ñþäà», – îá ýòîì â èíòåðâüþ StarTelegram çàÿâèë ïèàíèíñò. «Ìíå õî÷åòñÿ ñòàòü ÷àñòüþ ýòîé ñòðàíû», – ñêàçàë îí. Êàêîå-òî âðåìÿ ñåìüÿ æèëà â äîìå ó Èìåëäè Êàñòðî (Imelda Castro), êîòîðàÿ ïðèíèìàëà Âàäèìà åùå âî âðåìÿ Êîíêóðñà Âàíà Êëèáåðíà. Êàñòðî – èììèãðàíòêà èç Ôèëèïïèí, ïðèåõàâøàÿ â ÑØÀ â 1960-å ãîäû, ïðîäîëæàëà ïîìîãàòü ñåìüå ìóçûêàíòà.  àâãóñòå 2014 ãîäà – ìåñÿö ñï ó ñ ò ÿ ï î ñ ë å ðîæäåíèÿ âòîðîé äî÷åðè

Ôîòîñåññèÿ ñåìüè îò ãàçåòû Star-Telegram

ñâîåé æåíû, ÷òîáû çàáðàòü äî÷åðåé è òî, ÷òî îí îáíàðóæèë, ïðèâåëî åãî â óæàñ: îí íàøåë äâóõ ñâîèõ äî÷åê â êðîâàòêàõ ìåðòâûìè. Ïðåäñòàâèòåëü ïîëèöèè Áåíáðóêà (Benbrook – ãîðîäîê, ãäå ïðîæèâàëè äî÷åðè Õîëîäåíêî) Äýâèä Áýáêîê (David Babcock) ðàññêàçàë, ÷òî ìóçûêàíò òàêæå îáíàðóæèë, ÷òî ó åãî æåíû, 31-ëåòíåé Ñîôèè Öûãàíêîâîé, íå òîëüêî ìíîæåñòâåííûå íîæåâûå ðàíåíèÿ, íî òàêæå, ÷òî îíà íàõîäèòñÿ «â êðàéíå òÿæåëîì ñòðåññîâîì ñîñòîÿíèè». Õîëîäåíêî òóò æå – â 9.27 óòðà – ïîçâîíèë â «911». Òàêæå ïîëèöèÿ ïîäòâåðäèëà, ÷òî ñàì Õîëîäåíêî íå ÿâëÿåòñÿ ïîäîçðåâàåìûì. Íà÷àëüíèê ïîëèöèè Áýáêîê â ïÿòíèöó, 18 ìàðòà 2016 ãîäà, ñäåëàë çàÿâëåíèå, ÷òî

íå áûëî âèäèìûõ òåëåñíûõ ïîâðåæäåíèé, ïîýòîìó î ïðè÷èíàõ èõ ñìåðòè ìîæíî áóäåò ãîâîðèòü òîëüêî ïîñëå çàêëþ÷åíèÿ ñóäìåäýêñïåðòà. Ïîëèöèÿ ñíà÷àëà îòêàçàëàñü êîììåíòèðîâàòü, êàê èìåííî íà òåëå Öûãàíêîâîé ïîÿâèëèñü íîæåâûå ðàíåíèÿ. Ïðè ýòîì ïîëèöèÿ ñ ñàìîãî íà÷àëà íå âåëà ðîçûñê ïîäîçðåâàåìîãî â íàíåñåíèè íîæåâûõ ðàíåíèé æåíå è â ñìåðòè äâóõ äî÷åðåé Âàäèìà Õîëîäåíêî. Áîëåå òîãî, ïîëèöèÿ óñïîêîèëà ãðàæäàí ãîðîäêà – «ìû íå ñ÷èòàåì, ÷òî ñóùåñòâóåò êàêàÿòî óãðîçà æèçíÿì æèòåëåé ãîðîäà». Ïîëèöèÿ íå íàøëà ïðèçíàêîâ íåçàêîííîãî ïðîíèêíîâåíèÿ â äîì, è ïðè ýòîì âåäåòñÿ ðàññëåäîâàíèå äâîéíîãî óáèéñòâà. Ñîôèè Öûãàíêîâîé ïîñëå òîãî, êàê åå ôèçè÷åñ-

Ñóäåáíûå çàïèñè ñâèäåòåëüñòâóþò, ÷òî Âàäèì Õîëîäåíêî è Ñîôèÿ Öûãàíêîâà ïîæåíèëèñü â 2010 ãîäó, à â íîÿáðå 2015 ãîäà ïîäàëè íà ðàçâîä è íàõîäèëèñü êàê ðàç ïîñåðåäèíå áðàêîðàçâîäíîãî ïðîöåññà. Ïîëèöåéñêèå ïîäòâåðäèëè, ÷òî îíè è ðàíåå ïîñåùàëè äîì ÷åòû Õîëîäåíêî-Öûãàíêîâîé. Òàê, â 2014 ãîäó ïîëèöåéñêèå ïî êðàéíåé ìåðå äâàæäû ïðèåçæàëè â äîì ìóçûêàíòà ïî âûçîâó. Î ïðè÷èíàõ âûçîâîâ ïîëè-

Âàäèì Õîëîäåíêî çàíèìàëñÿ ôîðòåïèàíî ñî ñòàðøåé äî÷åðüþ Íèêîé

– Âàäèì Õîëîäåíêî ñ ñåìüåé ïåðååõàë â äóïëåêñ. Âàäèì ìíîãî ãàñòðîëèðîâàë è âûñòóïàë. Î÷åðåäíûå åãî âûñòóïëåíèÿ áûëè çàïëàíèðîâàíû ñ Ñèìôîíè÷åñêèì îðêåñòðîì Ôîðò-Óýðòà íà 18-20 ìàðòà.  ñâÿçè ñî ñëó÷èâøèìñÿ âìåñòî Õîëîäåíêî ôîðòåïèàííóþ ïàðòèþ ñûãðàë Àëåññèî Áàêñ (Alessio Bax) Ïðåçèäåíò Ñèìôîíè÷åñêîãî îðêåñòðà ÔîðòÓýðòà Ýìè Àäêèíñ (Amy Adkins) îò èìåíè âñåé îðãàíèçàöèè âûðàçèëà ãëóáîêèå ñîáîëåçíîâàíèÿ Âàäèìó è åãî ñåìüå. Ïðåäñòàâèòåëü Ôîíäà èìåíè Êëèáóðíà Ìýããè Ýñòåñ (Maggie Estes) òàêæå îáíàðîäîâàëà ñâîè ñîáîëåçíîâàíèÿ: «Ñåìüÿ âñåãî Ôîíäà Êëèáóðíà ñêîðáèò â ñâÿçè ñî ñìåðòüþ äðàãîöåííûõ äî÷åê Âàäèìà Õîëîäåíêî».

Ñîôèÿ Öûãàíêîâà è Âàäèì Õîëîäåíêî ñî ñâîèìè äåòüìè Íèêîé è Ìèêýëîé

www.DallasTelegraph.com/60645 Russian www.DallasTelegraph.com/en/60645 English

Äîñòóïíàÿ ðîñêîøü ñ Dallas Luxury Realty

Ëàðèñà Äîñòàëü – Âàø ðèýëòîð â Äàëëàñå è ïðèãîðîäàõ Ïîêóïêà, ïðîäàæà, àðåíäà è ñòðîèòåëüñòâî â ëþáîé öåíîâîé êàòåãîðèè! ÁÅÑÏËÀÒÍÀß ÊÎÍÑÓËÜÒÀÖÈß

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ÏÎÌÎÙÜ Â ÏÎËÓ×ÅÍÈÈ ÊÐÅÄÈÒÀ

5À

ÒÐÀÃÅÄÈß

Monday, March 21, 2016

www.DallasTelegraph.com

Ðóññêîÿçû÷íûé àäâîêàò èç Òåõàñà

Æåðàðä Êàðäîíñêèé î ñìåðòè äåòåé ïèàíèñòà Âàäèìà Õîëîäåíêî  ïîíåäåëüíèê, 21 ìàðòà 2016 ãîäà, ñóïðóãå âñåìèðíî èçâåñòíîãî ïèàíèñòà Âàäèìà Õîëîäåíêî, Ñîôèè Öûãàíêîâîé áûëè ïðåäúÿâëåíû îáâèíåíèÿ â îñîáî òÿæêîì óáèéñòâå äâóõ ìàëîëåòíèõ äî÷åðåé. Ñëåäñòâèå ïîñ÷èòàëî, ÷òî ñîáðàíî äîñòàòî÷íî óëèê, ïîäòâåðæäàþùèõ âèíó ìàòåðè. Ìîëîäàÿ æåíùèíà áóäåò íàõîäèòüñÿ â ãîñïèòàëå ïîñëå îïåðàöèè äî òåõ ïîð, ïîêà îíà íå áóäåò ÷óâñòâîâàòü ñåáÿ äîñòàòî÷íî õîðîøî, ÷òîáû áûòü ïåðåâåäåííîé â òþðüìó ãðàôñòâà Òàððàíò. Òàêæå îôèöèàëüíûå îðãàíû â ëèöå íà÷àëüíèêà ïîëèöèè Áåíáðóêà Äýâèäà Áýíêîêà ïîäòâåðäèëè, ÷òî íîæåâûå ðàíåíèÿ æåíùèíà íàíåñëà ñåáå ñàìà è, ÷òî ñ ìåñòà ïðåñòóïëåíèÿ ñîáðàíî äîñòàòî÷íî äîêàçàòåëüñòâ ñîâåðøåííîãî ïðåñòóïëåíèÿ. Ñóäüåé áûë íàçíà÷åí çàëîã çà îñâîáîæäåíèå Ñ. Öûãàíêîâîé â 2 ìèëëèîíà äîëëàðîâ. Òåêñò Ëþäìèëû Òàðàí.

Photo by Star-Telegram Åäèíñòâåííûé â Ñåâåðíîì Òåõàñå ðóññêîÿçû÷íûé àäâîêàò ïî óãîëîâíûì äåëàì Æåðàðä Êàðäîíñêèé èç àäâîêàòñêîé êîíòîðû Robinson & Kardonsky, P.C. ïî ïðîñüáå ãàçåòû The Dallas

òÿæêèõ, ïîñêîëüêó, âî-ïåðâûõ, äâà ÷åëîâåêà ëèøèëèñü ñâîèõ æèçíåé è, âî-âòîðûõ, âîçðàñò îáîèõ æåðòâ áûë ìåíüøå, ÷åì 10 ëåò.  ýòîì äåëå äâà ðåáåíêà áûëè óáèòû, íî äàæå, åñëè áû ýòî áûë îäèí ðåáåíîê – òîò, êòî ñîâåðøèë òàêîãî ðîäà ïðåñòóïëåíèå ñòîèò ïåðåä âîçìîæíîñòüþ

äåëî áûâøåé ìåäñåñòðû Àíäðåà Éåòñ (Andrea Yates), êîòîðàÿ, ñòðàäàÿ ïîñòðîäîâîé äåïðåññèåé, â èþíå 2001 ãîäà óòîïèëà â âàííîé ñâîèõ ïÿòåðûõ äåòåé. Îíà áûëà îïðàâäàíà, êàê ðàç ïî ïðè÷èíå åå íåâìåíÿåìîñòè è âñþ çàùèòó àäâîêàò âûñòðîèë íà ýòîì ôàêòå.

Íà÷àëüíèê ïîëèöèè ãîðîäêà Áåíáðóê Äýâèä Áýíêîê ñîîáùèë, ÷òî Ñîôèè Öûãàíêîâîé áûëè ïðåäúÿâëåíû îáâèíåíèÿ â îñîáî òÿæêîì ïðåñòóïëåíèè – óáèéñòâå äâóõ ìàëîëåòíèõ äî÷åðåé Telegraph êîììåíòèðóåò ôàêòû î òðàãè÷åñêîé ñìåðòè äåòåé.

íàêàçàíèÿ â âèäå ñìåðòíîé êàçíè.

– Æåðàðä, êàê âû óçíàëè î ñëó÷èâøåìñÿ?

– Îò ìîåãî êîëëåãè-àäâîêàòà èç Áýíáðóêà (ãîðîäîê, ãäå æèëè äåòè Â. Õîëîäåíêî: ðåä.). Îí óçíàë î ñëó÷èâøåìñÿ åùå äî òîãî, êàê ýòó èíôîðìàöèþ î÷åíü áûñòðî ðàñïðîñòðàíèëè ìåäèà. Îí ñïðîñèë ìåíÿ, çíàþ ëè ÿ «ýòîãî èçâåñòíîãî ðóññêîÿçû÷íîãî ïèàíèñòà, êîòîðûé òîëüêî ÷òî ïîòåðÿë ñâîèõ äâóõ äåòåé».

– Ïîâëèÿåò ëè íà èñõîä äåëà è íà òÿæåñòü íàêàçàíèÿ ãðàæäàíñòâî äåòåé?

– Ãðàæäàíñòâî æåðòâ íå èìååò íèêàêîãî çíà÷åíèÿ. Ëþáîå óáèéñòâî äåòåé â Òåõàñå íåñåò çà ñîáîé î÷åíü ñóðîâîå íàêàçàíèå, âêëþ÷àÿ ñìåðòíóþ êàçíü.

– ×òî îæèäàåò îáâèíÿåìîãî â ýòîì ñòðàøíîì ïðåñòóïëåíèè?

–  óãîëîâíîì çàêîíîäàòåëüñòâå øòàòà Òåõàñ ñóùåñòâóåò ïîíÿòèå îñîáî òÿæêèõ ïðåñòóïëåíèé (capital offenses), êîòîðîå âêëþ÷àåò â ñåáÿ ïÿòü ðàçëè÷íûõ êàòåãîðèé. Íàêàçàíèåì çà îñîáî òÿæêèå ïðåñòóïëåíèÿ â Òåõàñå ìîæåò áûòü íàçíà÷åíà ñìåðòíàÿ êàçíü. Ê îñîáî òÿæêèì ïðåñòóïëåíèÿì îòíîñÿò – ïðåñòóïëåíèå â îòíîøåíèè ïîëèöåéñêîãî èëè ëþáîãî äðóãîãî îôèöåðà; çàêàçíîå óáèéñòâî; óáèéñòâî, ñîâåðøåííîå âî âðåìÿ äðóãîãî òÿæêîãî ïðåñòóïëåíèÿ, òàêîãî, êàê ïîõèùåíèå, íàñèëüñòâåííûå äåéñòâèÿ ñåêñóàëüíîãî õàðàêòåðà, îãðàáëåíèå, óìûøëåííûé ïîäæîã. Äåëî äåòåé Âàäèìà Õîëîäåíêî ïîïàäàåò ïîä ðàçðÿä îñîáî

– Íà ÷åì îáâèíÿåìûé ìîæåò ïîñòðîèòü ñâîþ çàùèòó (defense)?

– Ñàìîå ïåðâîå, ÷òî ïðèõîäèò â ãîëîâó áîëüøèíñòâó ëþäåé – ýòî íåâìåíÿåìîñòü (insanity defence) ïîäîçðåâàåìîãî âî âðåìÿ ñîâåðøåíèÿ ïðåñòóïëåíèÿ. Òàêîãî ðîäà çàùèòó èñïîëüçóþò, êàê çàùèòó äëÿ «ñåìåéíûõ ïðåñòóïëåíèé», êîãäà ìàòü, îòåö èëè ðîäñòâåííèêè ëèøàþò æèçíè äåòåé. Íî òî, ÷åãî ëþäè íå çíàþò – ýòî ñòàòèñòèêà, êîòîðàÿ ãîâîðèò, ÷òî òîëüêî 0,5 ïðîöåíòà âñåõ óãîëîâíûõ äåë â ÑØÀ çàêàí÷èâàþòñÿ ñíÿòèåì îáâèíåíèé â ñóäå ïðè èñïîëüçîâàíèè çàùèòîé ôàêòà íåâìåíÿåìîñòè îáâèíÿåìîãî âî âðåìÿ ñîâåðøåíèÿ ïðåñòóïëåíèÿ. Äóìàþ, ÷òî â Òåõàñå ýòîò ïðîöåíò äàæå ìåíüøå. Òàê ÷òî äëÿ àäâîêàòà ñòðîèòü ñâîþ çàùèòó íà íåâìåíÿåìîñòè ïîäñóäèìîãî – î÷åíü ñëîæíî. Íî ýòî íå íåâîçìîæíî. Ìû âñå ïîìíèì

Íåêîòîðûå ñ÷èòàþò, ÷òî åñëè áóäåò äîêàçàíà íåâìåíÿåìîñòü îáâèíÿåìîãî â ñóäå, òî åãî/ å¸ òóò æå âûïóñòÿò íà ñâîáîäó. Ýòî íå òàê. Îáâèíÿåìûé, äåéñòâèòåëüíî, áóäåò ïðèçíàí íåâèíîâíûì ïî ïðè÷èíå ñâîåé íåâìåíÿåìîñòè, íî åãî/å¸ îòïðàâÿò â ïñèõèàòðè÷åñêóþ êëèíèêó, ãäå îí/îíà áóäåò îñòàâàòüñÿ äî òåõ ïîð, ïîêà ñïåöèàëèñòû íå âûíåñóò âåðäèêò, ÷òî ýòîò ÷åëîâåê íå ïðåäñòàâëÿåò îïàñíîñòè íè äëÿ îáùåñòâà, íè äëÿ ñàìîãî ñåáÿ. Åñëè äîêòîðà íå áóäóò óâåðåíû, ÷òî òàêîé ÷åëîâåê áåçîïàñåí, òî îí/îíà áóäåò îñòàâàòüñÿ â êëèíèêå ìàêñèìàëüíîå êîëè÷åñòâî âðåìåíè, êîòîðîå âîçìîæíî ïî êîíêðåòíîìó òèïó ïðåñòóïëåíèÿ è íàêàçàíèÿ çà íåãî. Äðóãèìè ñëîâàìè, åñëè ó îáâèíÿåìîãî ïî ýòîìó äåëó âñå æå ïîëó÷èòñÿ äîêàçàòü ñâîþ íåâìåíÿåìîñòü, òî òàêîé ÷åëîâåê ìîæåò ïðîâåñòè ñâîþ æèçíü â ñòåíàõ ïñèõèàòðè÷åñêîé êëèíèêè. Ýòî, êîíå÷íî, íå òþðüìà, íî ýòî è íå ñâîáîäà.

– Êàê âû äóìàåòå, îãëàñêà äåëà è åãî ôàêòîâ, âíèìàíèå ìåäèà è øèðîêîé îáùåñòâåííîñòè ïîâëèÿþò íà åãî èñõîä, êîãäà îíî áóäåò ñëóøàòüñÿ â ñóäå?

– Áåç ñîìíåíèÿ! Êîãäà ìû ãîâîðèì î ïðèñÿæíûõ, ìû ãîâîðèì î ëþäÿõ, êîòîðûå äîëæ-

íû áûòü ïî-íàñòîÿùåìó áåñïðèñòðàñòíû, êîòîðûå ñîâñåì íè÷åãî íå çíàþò î äåëå è, òåì áîëåå, ó íèõ íå ïðèíÿòî ïðåäâàðèòåëüíîãî ðåøåíèÿ î åãî èñõîäå äî íà÷àëà ñóäåáíîãî çàñåäàíèÿ. Èäåàëüíî, ÷òîáû ïðèñÿæíûå íè÷åãî íå çíàëè î äåëå, ïî êîòîðîìó îíè áóäóò ïðèíèìàòü ðåøåíèå, äî òåõ ïîð, ïîêà èì íå ïðåäîñòàâÿò â ñóäå ôàêòîëîãè÷åñêóþ áàçó. ×åì ìåíüøå ìåäèà-âíèìàíèÿ ïðèâëå÷åíî ê êàæäîìó êîíêðåòíîìó äåëó, òåì ìåíüøå ýìîöèîíàëüíî-ìîðàëüíîãî äàâëåíèÿ îêàçûâàåòñÿ íà ñóä ïðèñÿæíûõ è òåì áîëüøàÿ âåðîÿòíîñòü ñïðàâåäëèâîãî ñóäåáíîãî âåðäèêòà. Åñëè æå êàæäûé çíàåò î ñëó÷èâøåìñÿ, åñëè ìåäèà óæå îáíàðîäîâàëè ìíîæåñòâî ôàêòîâ è åùå ýòî ñäåëàþò, âû ñàìè ïîíèìàåòå, êàêîå äàâëåíèå ìîæåò áûòü îêàçàíî íà ñóä ïðèñÿæíûõ. Íî â ñëó÷àå ñ ýòèì äåëîì øèðîêîãî âíèìàíèÿ ïðåññû è îáùåñòâåííîñòè, ÿ òàê ïîíèìàþ, óæå íå èçáåæàòü.

– Êàê äîëãî ýòî äåëî ìîæåò ïðîäîëæàòüñÿ – ñ ìîìåíòà ïðåäúÿâëåíèÿ îáâèíåíèé äî ìîìåíòà âûíåñåíèÿ ïðèãîâîðà?

– Íàçâàòü êîíêðåòíûé ñðîê íåâîçìîæíî, íî ÿ òî÷íî çíàþ, ÷òî áûñòðî ýòî íå çàêîí÷èòñÿ. Íåñêîëüêî âåùåé ïîâëèÿþò íà ïðîäîëæèòåëüíîñòü ýòîãî äåëà äî âûíåñåíèÿ ïðèãîâîðà. Îäèí èç òàêèõ ôàêòîâ – ýòî òî, ñìîæåò ëè îáâèíÿåìûé çàïëàòèòü çà ñåáÿ çàëîã èëè êòî-òî ñìîæåò ýòî ñäåëàòü çà íåãî. Ñóììó âûêóïà îïðåäåëÿåò ñóäüÿ, îñíîâûâàÿñü íà òÿæåñòè ïðåñòóïëåíèÿ. Åñëè âûêóï áóäåò çàïëà÷åí, è îáâèíÿåìûé áóäåò îæèäàòü ðåøåíèÿ ñóäà íà ñâîáîäå, òî ðàññëåäîâàíèå áóäåò ïðîäîëæàòüñÿ ìåñÿöàìè, åñëè íå ãî-

äàìè. Åñëè æå îáâèíÿåìûé íå ñìîæåò çàïëàòèòü âûêóïà è áóäåò îæèäàòü ñóäà â òþðüìå, òî ðåøåíèå áóäåò âûíåñåíî â ïåðèîä îò 6 ìåñÿöåâ äî 1 ãîäà è äàæå áîëüøå.

Àäâîêàò Æåðàðä Êàðäîíñêèé: «Ìû âèäèì, êàê íà÷èòàâøèñü ñîîáùåíèé â ïðåññå, ëþäè áûñòðî äåëàþò âûâîäû, âûíîñÿò ïðèãîâîð è ñóäÿò äðóãèõ, ÷òî ñ òî÷êè çðåíèÿ çàêîíà – íåäîïóñòèìî äî îêîí÷àòåëüíîãî ðåøåíèÿ ñóäà»

– Æåðàðä, êàê âû, êàê þðèñò, ìîæåòå ïðîêîììåíòèðîâàòü òàêèå ôàêòû, î êîòîðûõ çàÿâëÿëà ïîëèöèÿ – ÷òî îíè ïðåêðàòèëè èñêàòü ïðåñòóïíèêà ïî ýòîìó äåëó, ÷òî æèòåëÿì ãîðîäêà, ãäå ïðîèçîøëî ýòî ñòðàøíîå ïðåñòóïëåíèå, íå÷åãî îïàñàòüñÿ çà ñâîþ æèçíü è ÷òî ìàòåðè ïîãèáøèõ äåòåé íàçíà÷åíà ïñèõèàòðè÷åñêàÿ ýêñïåðòèçà?

– Äåéñòâèòåëüíî, ïîëèöèÿ çàÿâèëà, ÷òî îíè ïåðåñòàëè èñêàòü ïîäîçðåâàåìîãî. Îáû÷íî ýòî ãîâîðèò î òîì, ÷òî ïîëèöåéñêèå çíàþò òîãî, êòî ñîâåðøèë ïðåñòóïëåíèå. Ýòî íå îáÿçàòåëüíî ãîâîðèò î òîì, ÷òî îíè çíàþò, êàê èìåííî ïðåñòóïëåíèå áûëî ñîâåðøåíî, íî îíè çíàþò, êòî ýòî ñäåëàë.

– Èç îôèöèàëüíûõ èñòî÷íèêîâ ñòàëî èçâåñòíî, ÷òî òåëà äåâî÷åê áûëè ïåðåäàíû íà èññëåäîâàíèå ñóäìåäýêñïåðòà. Êàê äîëãî ìîãóò ïðîäîëæàòüñÿ ýòè èññëåäîâàíèÿ è êîãäà íàì ìîæíî îæèäàòü èõ ðåçóëüòàòîâ?

– Ýòî ìîæåò çàíÿòü âðåìÿ – äî íåñêîëüêèõ íåäåëü. Îáíàðîäîâàíà îôèöèàëüíàÿ èíôîðìàöèÿ, ÷òî âèäèìûõ óâå÷èé íà òåëàõ äåâî÷åê íå îáíàðóæåíî, à, çíà÷èò, è íåò âèäèìûõ ôèçè÷åñêèõ óëèê. Ýòî îçíà÷àåò, ÷òî ïðè÷èíó ñìåðòè íóæíî èñêàòü âíóòðè òåë äåâî÷åê è äëÿ ýòîãî áûëè ïðîâåäåíû èññëåäîâàíèÿ êðîâè, íàâåðíÿêà ñäåëàíû äðóãèå àíàëèçû. Íà äàííûé ìîìåíò ñòàëî èçâåñòíî, ÷òî ïåðâîíà÷àëüíûå ðåçóëüòàòû âñêðûòèÿ íå ñîäåðæàò íèêàêèõ âûâîäîâ, íà ýòîì ýòàïå âñå îæèäàþò ðåçóëüòàòîâ òîêñèêîëîãè÷åñêîé ýêñïåðòèçû.

– Æåðàðä, åñëè áû âàì ïðåäëîæèëè çàùèùàòü îáâèíÿåìîãî â ñìåðòè äâóõ äåòåé, âû áû ñîãëàñèëèñü?

– Êîíå÷íî, ïîòîìó ÷òî êàæäûé îáâèíÿåìûé, ñîãëàñíî íàøåé Êîíñòèòóöèè, èìååò ïðàâî íà çàùèòó. Òåì áîëåå, ÷òî ïîêà âèíà ÷åëîâåêà íå äîêàçàíà â ñóäå, ÷åëîâåê – íåâèíîâåí. È ýòî äåëî íóæíî ðàññìàòðèâàòü ñî âñåõ ñòîðîí, âîçìîæíî, â ïðîöåññå ñóäîïðîèçâîäñòâà îòêðîþòñÿ íîâûå äåòàëè. Ìû âèäèì, êàê íà÷èòàâøèñü ñîîáùåíèé â ïðåññå, ëþäè áûñòðî äåëàþò âûâîäû, âûíîñÿò ïðèãîâîð è ñóäÿò äðóãèõ, ÷òî ñ òî÷êè çðåíèÿ çàêîíà – íåäîïóñòèìî äî îêîí÷àòåëüíîãî ðåøåíèÿ ñóäà. www.DallasTelegraph.com/60683 Russian www.DallasTelegraph.com/en/60683 English

6À

ORTHODOXY

Monday, March 21, 2016

www.DallasTelegraph.com

Personal Testimony to Archbishop

Dimitri's Incorrupt Relics Editorial Note: Vladimir Grigorenko was the iconographer of St. Seraphim's Orthodox cathedral in Dallas and a close friend of Archbishop Dimitri's. He was present both at his funeral and the five days until his burial, and at his exhumation and reinterment on Friday.

Yesterday we put Archbishop Dmitri in his final resting place in St. Seraphim Cathedral in Dallas.

By Vladimir Grigorenko.

Photo by Vladimir Grigorenko I was blessed to be a part of a team, which uncovered Vladika’s earthly remains and transferred them into new coffin to be buried in the crypt of the Resurrection Chapel and probably should offer some comments about these events.

It was Archbishop Dmitri wish and our deep desire that he would be buried on the premises of St. Seraphim Cathedral in Dallas. We started to plan that next morning after his departure in August 2011.

Unfortunately, we had not enough time to satisfy all the requirements of the city code, which is why the parish decided to bury our beloved pastor at the Restland Cemetery, on the plot owned by the cathedral. The idea was that we would bring his earthly remains to cathedral as soon as a proper burial place would be built.

Due to lack of space under the cathedral's foundation, we had to build a memorial chapel adjusted to the cathedral with an underground burial chamber in it. This building process, together with filing all the necessary paperwork and acquiring all the permits, took us a little over four years. We scheduled Vladika’s re-internment for the closest available date.

In accordance with federal law as it had been presented

to us by the Restland Cemetery Funeral Director, in order to be moved to the new place, the body of the deceased

would see if we chose to be present.

Several people, clergy and laity from different parishes

Vladika's hands five days after his departure in 2011. There was 105F outside – normal Texas summer. His body was not embalmed

person has to be transferred to a new sealed coffin by Cemetery employees, who will deliver the body to the Church site.

I personally negotiated with the Funeral Director that Church representatives must be allowed to oversee this transition. I have to admit, during this negotiation the Funeral Director (with 25 years of experience) explained to us in details what horrific picture we

throughout the diocese, including myself, were chosen to participate. Dr. Ron Rodriguez, MD, Vladika’s primary physician, was one of them.

In the early morning of March 4, when Restland employees opened the concrete vault that contained Vladika’s wooden coffin, I was ready to see all these horrible things I was told about. To our amazement, Vladika’s coffin was found intact amidst the wet at-

mosphere of the sealed vault and was easily opened.

The Funeral Director, who was present there in a complete haz-mat mask, stated that she had never seen a nonembalmed body in such a condition after 5 years in the grave, and that she believes it is a miracle.

From that moment on, Restland employees stepped

Vladika's hands almost five years later – untouched by earthly time

aside and allowed us to do everything we needed.

Vladika's body was found incorrupt and covered with several layers of soaking wet vestments. I will not go into much detail here - you can tell a lot from the few pictures attached.

His skin was dry but covered with condensed water, his pectoral cross and Panagia are tarnished, and the enamel images are peeling off and destroyed by harsh conditions.

Dallas Has A Saint Archbishop Dmitri of Dallas died in the summer of 2011, and was buried unembalmed, according to Orthodox tradition. On Friday his body was disinterred for transferral to his new tomb in St. Seraphim Orthodox Cathedral in Dallas, which was his own. When the cemetery personnel opened his coffin, they found Vladyka Dmitri incorrupt.

By Rod Dreher.

Photo by Serge Taran and The Diocese of The South Orthodox Church in America That is to say, his body had not decayed. He has been buried for four and a half years under the Texas ground, and his body looks like it did the day he died. This is a miracle. In Orthodox and Roman Catholic Christianity, it is seen as

a sign that the deceased was, and is, a saint. If you read The Brothers Karamazov, you may remember that whether or not the deceased Elder Zosima was incorruptible was a feature of the narrative.

In Dallas today, they found their incorruptible. I don’t suppose a soul who knew Vladyka Dmitri is surprised. I knew him in the last five years of his life.

What a dear and holy man he was.

Since we were obliged to transfer the archbishop to a new coffin and the condition of his body allowed it, it was decided on the spot to remove the old vestments and to cover him with a new set. It was done with great reverence, and without any damage to the body.

Vladika Dmitri's new coffin was then sealed and transferred to St. Seraphim Cathedral, where

sacraments), the liturgy was reverent and beautiful, and we could worship without being so overwhelmed by anger.

After a couple of visits, we received an invitation to a party at the Archbishop’s house, after the

a memorial service was served by the OCA's Metropolitan Tikhon and Bishop Alejo of Mexico, with over 20 priests and a few hundred lay people from all around the USA and Mexico.

The next day, after the Hierarchical Divine Liturgy, Archbishop Dmitri's relics were placed for eternal rest in a closed underground chamber in the Resurrection Chapel of St. Seraphim's Orthodox Cathedral in Dallas.

then, and was to those children a kindly grandfather figure.

Come see this,” Julie said, pointing to Dmitri among the children. That’s not something we were used to seeing.

A short while later, in the kitchen, a Russian and a Ukrainian poured vodka shots for themselves and for me, and raised a toast to the Archbishop. “To Vladyka!” we said, then downed the vodka.

A FEW PERSONAL NOTES: Obviously, I was glad to see Vladika's body incorrupt, but had it been otherwise, it would not affect my opinion about his sanctity at all.

The body of St. Seraphim of Sarov, the patron of our cathedral, was corrupted, but it does not change the fact that he is one of the most beloved saints around the world.

We all know that an incorrupt body alone is not a reason for glorification.

Having known Vladika for 11 years and seeing the fruits of his life in the Lord, I am personally convinced that he is a saint. I believe that there are many more people all over the country who share that conviction.

No decision of any group of people, respected (or not) would be able to change that.

If his body will corrupt in two, 20 or 200 years (as some may wish), or will start to stream myrrh (as others may desire), my opinion will not change.

No one can stop me or anyone else from addressing Vladika Dmitri in prayer, and feeling his response and intercession; the same as many others all around the US feel his love and help.

All the pictures I took during the transfer of Archbishop Dmitri's body will be forwarded to the proper Church authorities together with my written statement for consideration. www.DallasTelegraph.com/en/60668 English www.DallasTelegraph.com/60668 Russian

toward the icon and began to pray.

It was a family dinner. That’s how it struck us. Archbishop Dmitri, born Robert Royster in Teague, Texas, was the opposite of everything I had come to expect in a bishop. He was humble and kind and gentle. He loved his people, and his people loved him. I remember thinking how good it would be to be led by such a man.

He had an important part in my own coming to Orthodoxy. In the summer of 2005, broken and grieving over years of scandal and corruption in the Catholic Church, my wife and I began attending St. Seraphim Cathedral. We did not intend to convert to Orthodoxy; we simply wanted to be in a place where we could be confident the real presence of Christ was in the Eucharist (Catholic doctrine recognizes the validity of Orthodox

On March 5, 2016, His Beatitude, Metropolitan Tikhon and His Eminence, Archbishop Alejo of Mexico City concelebrated the Divine Liturgy celebrated in conjunction with the reinterment of His Eminence, the late Archbishop Dmitri, at Saint Seraphim Cathedral, Dallas, TX Dormition feast. I felt divided about this. For one, I didn’t want to go to a fancy archbishop’s house.

For another, I had had enough of bishops and archbishops, men who had wrecked the Catholic Church.

I didn’t want to get mixed up with an Orthodox one.

But we went anyway, showing up on a rainy August afternoon at the address on the card. It turned out to be not a palatial residence, but the modest two-story woodframe house behind the cathedral.

Could this house, with the paint peeling, really be where the Archbishop of Dallas and the South lives? I knocked on the door, and in we walked, with our kids.

The house was jammed with people from the congregation.

There were Russians and other Slavs, and Americans too. You could hardly move for all the people. Every inch of counter space in the kitchen was filled with dishes bearing up Russian food. At the far end of one counter was a gorgeous flan, made by Vladyka Dmitri himself. He loved to cook.

There he was, sitting at the table, his long, Gandalf beard resting on his black cassock. His eyes twinkled. He greeted us kindly.

Later, we watched him remove himself to a side room where kids were playing, sit down on a low couch, and talk to them like they were his own children. He was 82 years old

One day a few years later, after had become Orthodox, we were at Forgiveness Vespers, the preLenten ritual that all Orthodox parishes do in which each parishioner must ask each other for forgiveness, and then offer it in return.

Watching that tall, elderly archbishop bow before our three year old daughter Nora and ask her forgiveness — it took my breath away.

Nora did not know it at the time, but it was a saint of God who did her that honor.

Holy Dmitri of Dallas, pray for us. I am sure that official canonization procedures will soon be underway. What a blessing he was to all of us who knew him.

A saint. Our Vladyka. What a gift.

“A saint. Our Vladyka. What a gift.”

Meanwhile, the ceiling began to leak in the poor old house. We chose to ignore it, because it was time to bless the food. Everybody became quiet as Vladyka turned

AUTHOR UPDATE: A couple of readers rightly correct me for giving the impression that in Orthodoxy, an incorrupt body is incontrovertible evidence of sainthood. It is not. I am personally choosing to take this as a definitive sign, because I knew Vladyka Dmitri. But doing so is not the way of the Orthodox Church. If he is to be canonized, that will be something for the Church to decide, after much discernment. www.DallasTelegraph.com/en/60708 English www.DallasTelegraph.com/60708 Russian

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ÇÀÊÎÍ

Monday, March 21, 2016

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Ñïåöèàëèñòû ñ÷èòàþò, ÷òî íåñïîñîáíîñòü ìîäåðíèçèðîâàòü íàöèîíàëüíóþ ñèñòåìó ïî îáðàáîòêå èììèãðàöèîííûõ àíêåò ìîæåò ïðåäñòàâëÿòü óãðîçó áåçîïàñíîñòè ÑØÀ Òåêñò The Dallas Telegraph Ãåíåðàëüíûé èíñïåêòîð Department of Homeland Security ñ÷èòàåò, ÷òî íåñïîñîáíîñòü ýòîãî ôåäåðàëüíîãî àãåíòñòâà ìîäåðíèçèðîâàòü íàöèîíàëüíóþ ñèñòåìó ïî îáðàáîòêå èììèãðàöèîííûõ àíêåò ìîæåò ïðåäñòàâëÿòü óãðîçó áåçîïàñíîñòè è ïðèâåñòè ê òîìó, ÷òî «ãðèí êàðòû» è äðóãèå ëåãàëüíûå äîêóìåíòû ïîïàäóò â «íåïðàâèëüíûå» ðóêè.  îò÷åòå, îïóáëèêîâàííîì â ñåðåäèíå ìàðòà 2016 ãîäà, ãåíåðàëüíûé èíñïåêòîð Äæîí Ðîñ (John Roth) çàÿâèë, ÷òî îäíà èç öåëåé ïåðåìåùåíèÿ ïîäà÷è àíêåò â ñèñòåìó îíëàéí, èñïîëüçóÿ ñèñòåìó Electronic Immigration System (ELIS), ñîñòîèò â òîì, ÷òîáû ïîòåíöèàëüíûå òåððîðèñòû èëè äðóãèå ëþäè, êîòîðûå õîòÿò ïðè÷èíèòü âðåä ÑØÀ, íå ñìîãëè âîñïîëüçîâàòüñÿ áåíåôèòàìè, êîòîðûå ïðåäîñòàâëÿþòñÿ ïðè èììèãðàöèè è ïðè ïîëó÷åíèè àìåðèêàíñêîãî ãðàæäàíñòâà. «Ìíîæåñòâî äîêóìåíòîâ ïå÷àòàþòñÿ ñ íåïðàâèëüíûìè èìå-

íàìè èëè îòïðàâëÿþòñÿ ïî íåïðàâèëüíûì àäðåñàì, âêëþ÷àÿ àäðåñà, ãäå çàÿâèòåëü óæå íå ïðîæèâàåò è âñå ýòî ñîçäàåò ïîòåíöèàëüíûå ïðîáëåìû ñ áåçîïàñíîñòüþ, êîãäà äîêóìåíòû ìîãóò ïîïàñòü â «íåïðàâèëüíûå» ðóêè, – ñ÷èòàåò Ðîñ. – Ñîòíè «ãðèí êàðò» áûëè îòîñëàíû ïî íåïðàâèëüíûì àäðåñàì è èõ ïîëó÷èëè ëèöà, êîòîðûå íå èìåëè ïîëíîìî÷èé ýòîãî äåëàòü. Òàêèì îáðàçîì, îíè ìîãóò èñïîëüçîâàòü ýòè äîêóìåíòû äëÿ ïðîäàæè è ïîëó÷åíèÿ ïðèáûëè îáìàííûì ïóòåì». Íîâàÿ îíëàéí ñèñòåìà, óïðàâëÿåìàÿ àãåíòñòâîì U.S. Citizenship and Immigration Services, áûëà ðàçðàáîòàíà åùå â 2005 ãîäó. Îíà ïîçâîëÿåò ïîäàâàòü âñå äîêóìåíòû äëÿ ïîëó÷åíèÿ ãðàæäàíñòâà, ñòàòóñà áåæåíöà è äðóãèõ èììèãðàöèîííûõ ëüãîò îíëàéí. Îäíàêî èñòîðè÷åñêè USCIS èñïîëüçîâàëà áóìàæíóþ ñèñòåìó äëÿ îáðàáîòêè òàêîãî ðîäà àíêåò. Ñîãëàñíî îò÷åòó Ðîñà, çà 11 ëåò ðàáîòû ELIS, ñèñòåìà âñå òàêæå îñòàåòñÿ íå äî êîíöà èñïîëüçóåìîé, ïîñêîëüêó çàÿâèòå-

ëè ìîãóò ïîäàâàòü äîêóìåíòû îíëàéí òîëüêî íà äâà òèïà èììèãðàöèîííûõ óñëóã è ëüãîò èç 90 âîçìîæíûõ. Ýòè äâå óñëóãè – âîçìîæíîñòü ýëåêòðîííîé îïëàòû ñáîðà çà ïîäà÷ó äîêóìåíòîâ äëÿ ïîëó÷åíèÿ èììèãðàöèîííîé âèçû è îïëàòà ñáîðà çà çàìåíó êàðòû ïîñòîÿííîãî æèòåëÿ, ÷òî ñîñòàâëÿåò ìåíüøå 10 ïðîöåíòîâ çàãðóæåííîñòè âñåãî àãåíòñòâà. Äèðåêòîð USCIS Ëåîí Ðîäðèãåç (Leon Rodriguez) âûäâèíóë êîíòðàðãóìåíòû íà äîêëàä Ðîñà, ñ÷èòàÿ, ÷òî ãåíåðàëüíûé èíñïåêòîð «íå äî êîíöà îöåíèë óñèëèÿ àãåíòñòâà ïî âíåäðåíèþ íîâûõ òåõíîëîãèé». Ðîäðèãåç òàêæå çàäàåòñÿ âîïðîñîì, «ïîâëèÿëî ëè êàê-òî íà íàöèîíàëüíóþ áåçîïàñíîñòü èçìåíåíèå àäðåñà çàÿâèòåëÿìè». Ïî åãî ñëîâàì, Ðîñ íå ïðèíÿë âî âíèìàíèå òîò ôàêò, ÷òî USCIS â íàñòîÿùåå âðåìÿ îñóùåñòâëÿåò ïðîöåññ ïðîâåðêè èäåíòè÷íîñòè, ðàçðåøàÿ èçìåíèòü àäðåñ ÷åðåç îíëàéí ñèñòåìó ELIS è, ÷òî ïðèíÿòû è äðóãèå ìåðû áåçîïàñíîñòè â ñâÿçè ñ âíåäðåíèåì íîâîé òåõíîëîãèè.

Ãåíåðàëüíûé èíñïåêòîð Äæîí Ðîñ îòïðàâèë îòâåò äèðåêòîðó USCIS Ëåîíó Ðîäðèãåçó, â êîòîðîì îí åùå ðàç óêàçàë, ÷òî ñëåäîâàòåëè ðàçî÷àðîâàíû è îçàäà÷åíû òåì, êàê USCIS è Ðîäðèãåç îòðåàãèðîâàëè íà «ïðîáëåìíóþ ïðîãðàììó». Ðîñ òàêæå ïîä÷åðêíóë, ÷òî USCIS ðàáîòàåò íàä ðåøåíèåì íåêîòîðûõ âîïðîñîâ. Ïðåäñåäàòåëü êîìèòåòà Homeland Security â Ñåíàòå ñåíàòîð-ðåñïóáëèêàíåö èç Âèñêîíñèíà Ðîí Äæîíñîí (Ron Johnson) íàçâàë âûâîäû ãåíåðàëüíîãî èíñïåêòîðà «èìåþùèìè ïîä ñîáîé îñíîâàíèå». Áîëåå òîãî, îí äîáàâèë, ÷òî «â ñâÿçè ñ àêòèâíî äåéñòâóþùåé òåððîðèñòè÷åñêîé îðãàíèçàöèåé ÈÃÈË è äðóãèìè òåððîðèñòè÷åñêèìè ãðóïïàìè ïî âñåìó ìèðó, íàöèîíàëüíàÿ áåçîïàñíîñòü ÑØÀ çàâèñèò îò ýôôåêòèâíîñòè ðàáîòû ñèñòåìû ïî âûäà÷å âèç è èììèãðàöèîííûõ äîêóìåíòîâ». www.DallasTelegraph.com/60716 Russian www.DallasTelegraph.com/en/60716 English

Ìóçåé Õîëîêîñòà Äàëëàñà (Dallas Holocaust Museum Center) è Human Rights Initiative of North Texas ïðîâåë ñåìèíàð äëÿ èììèãðàöèîííûõ àäâîêàòîâ Äàëëàñà è âñåõ æåëàþùèõ íà òåìó íîâîñòåé â çàêîíîäàòåëüñòâå ÑØÀ î ïðåäîñòàâëåíèè ñòàòóñà áåæåíöà è î ïðàâîçàùèòíîé äåÿòåëüíîñòè. Ó÷àñòèå â ñåìèíàðå ïðèíÿëè è ïàðòíåðû The Dallas Telegraph – ïðåäñòàâèòåëè àäâîêàòñêèõ êîíòîð – Schwamkrug, Freshwater & Lopez PLLC Immigration Attorneys

è Robinson & Kardonsky, P.C. Ïîñëå îôèöèàëüíîé ÷àñòè ñåìèíàðà (íà ôîòî) èçäàòåëü ãàçåòû Ñåðãåé Òàðàí âðó÷èë àäâîêàòó Ëèçå Øâàìêðóã Áëàãîäàðñòâåííóþ íàãðàäíóþ äîñêó çà ïîääåðæêó èíèöèàòèâ ðóññêîÿçû÷íîãî Äàëëàñà è, â ÷àñòíîñòè, çà ïîääåðæêó íà ïðîòÿæåíèè ïîñëåäíèõ äâóõ ëåò Ðîæäåñòâåíñêîé ßðìàðêè ìàñòåðîâ, êîòîðóþ ïðîâîäèò íåñêîëüêî ëåò ïîäðÿä The Dallas Telegraph. Ôîòî èç àðõèâà Ìóçåÿ Õîëîêîñòà Äàëëàñà

Ïîòåíöèàëüíûå òåððîðèñòû ìîãóò æèòü «ïî ñîñåäñòâó» Îìàð Ôàðàõ Ñàèä Àëü Õàðäàí (Omar Faraj Saeed Al Hardan) – ãðàæäàíèí Ïàëåñòèíû, ðîäèâøèéñÿ â Èðàêå, ñîãëàñíî ìàòåðèàëàì óãîëîâíîãî äåëà, ïûòàëñÿ îêàçàòü ìàòåðèàëüíóþ ïîääåðæêó òåððîðèñòè÷åñêîé îðãàíèçàöèè ÈÃÈË (ISIS). Òåêñò The Dallas Telegraph  íîÿáðå 2009 ãîäà Àëü Õàðäàí âúåõàë íà òåððèòîðèþ ÑØÀ â êà÷åñòâå áåæåíöà, ãäå â àâãóñòå 2011 ãîäà åìó áûë ïðåäîñòàâëåí ñòàòóñ ïîñòîÿííîãî ïðîæèâàíèÿ. Âî âðåìÿ ñâîåãî èíòåðâüþ â Õüþñòîíå,

øòàò Òåõàñ, 14 àâãóñòà 2014 ãîäà äëÿ ïîëó÷åíèÿ àìåðèêàíñêîãî ãðàæäàíñòâà îí çàÿâèë, ÷òî íèêîãäà íå áûë ñâÿçàí ñ êàêîé-ëèáî èç òåððîðèñòè÷åñêèõ îðãàíèçàöèé è ÷òî íèêîãäà íå ó÷àñòâîâàë â âîåííûõ ñáîðàõ.  âîçáóæäåííîì ïðîòèâ íåãî óãîëîâíîì äåëå ñî-

äåðæàòñÿ ñâèäåòåëüñòâà, ÷òî Àëü Õàðäàí ñîëãàë. Àëü Õàðäàí áûë àðåñòîâàí.  ýòîé ñâÿçè ÔÁÐ îáðàùàåòñÿ ñ ïðèçûâîì ê îáùåñòâåííîñòè ñîîáùàòü â ñîîòâåòñòâóþùèå îðãàíû èíôîðìàöèþ î òîì, åñëè êòî-ëèáî ïðèçûâàåò ê íàñèëèþ èëè ïîäîçðåâàåòñÿ â ñîçäàíèè òåððîðèñòè÷åñêèõ ãðóïï.

Scan QR-code to watch the interview with an immigration attorney Lisa Schwamkrug

www.DallasTelegraph.com/60714 Russian www.DallasTelegraph.com/en/60714 English

«Äåòÿì íóæíû àäâîêàòû!» – ñ÷èòàþò

íåêîòîðûå àìåðèêàíñêèå þðèñòû Ïðàâèòåëüñòâåííûå àäâîêàòû ïðèçâàëè ôåäåðàëüíîãî ñóäüþ Òîìàñà Çèëëè (Thomas Zilly) ïðèíÿòü ðåøåíèå â ïîëüçó íàçíà÷åíèÿ ãîñóäàðñòâåííûõ àäâîêàòîâ äëÿ íåèìóùèõ äåòåé, êîòîðûå âúåçæàþò â ñòðàíó íåëåãàëüíî. Òåêñò The Dallas Telegraph Þðèñòû èç ACLU è ïðàâîçàùèòíûõ èììèãðàöèîííûõ ãðóïï ñ÷èòàþò, ÷òî êàæäûé ðåáåíîê, îòîñëàííûé â èììèãðàöèîííûé ñóä, èìååò êîíñòèòóöèîííûå ïðàâà íà ñïðàâåäëèâîå ñóäåáíîå ñëóøàíèå ñâîåãî äåëà è åäèíñòâåííûé ïóòü äëÿ ýòîãî – îáåñïå-

÷åíèå òàêèõ äåòåé àäâîêàòàìè. Ïî ñëîâàì Ìýòòà Àäàìñà (Matt Adams) èç Northwest Immigrant Rights Project, «òàêîå ïðàâî ñëåäóåò äàòü òîëüêî òåì äåòÿì, ó êîòîðûõ íåò âîçìîæíîñòè íàíÿòü àäâîêàòà». Ïîñëå ÷åòûðåõ÷àñîâîãî ñëóøàíèÿ, ñóäüÿ Çèëëè ñîîáùèë, ÷òî îí ïðèíèìàåò àðãóìåíòû äëÿ

äàëüíåéøåãî ðàññìîòðåíèÿ è âûíåñåò ðåøåíèå ïî ýòîìó âîïðîñó íåìíîãî ïîçæå. Àìåðèêàíñêèé Ñîþç ïî ãðàæäàíñêèì ñâîáîäàì (The American Civil Liberties Union) è íåêîòîðûå ïðàâîçàùèòíûå èììèãðàöèîííûå ãðóïïû ïîäàëè èñê â 2014 ãîäó îò èìåíè äåñÿòêà äåòåé â âîçðàñòå îò 1 ãîäà äî 17 ëåò, êîòîðûå ïðèåõàëè èç Ìåêñèêè, Ýëü Ñàëüâàäîðà, Ãâàòåìàëû è Ãîíäóðàñà è ñåãîäíÿ ïðîæèâàþò â Êàëèôîðíèè, Ôëîðèäå, øòàòå Âàøèíãòîí è â Òåõàñå. Åæåãîäíî ïðàâèòåëüñòâî îòêðûâàåò äåëà â îòíîøåíèè òûñÿ÷ äåòåé äëÿ òîãî, ÷òîáû ïðèíÿòü ðåøåíèå – ìîãóò ëè îíè ëåãàëüíî îñòàâàòüñÿ íà òåððèòîðèè ÑØÀ èëè íåò.  êàæäîì äåëå ãîñóäàðñòâî ïðåäñòàâëåíî â âèäå ïðîêóðîðà, â òî âðåìÿ, êàê äåòè ïðåäñòàþò ïåðåä ñóäüåé ñ ìèíèìàëüíûìè èëè äàæå ñ ïîëíûì îòñóòñòâèåì çíàíèé î ñâîèõ ïðàâàõ. Ñîãëàñíî ñóùåñòâóþùåé ñèñòåìå, èììèãðàöèîííûé ñóäüÿ âåäåò äåëî, çàäàâàÿ äåòÿì âîïðîñû âî âðåìÿ ñóäåáíîãî çàñåäàíèÿ. È ïîäîáíûå âîïðîñû äîëæíû áûòü îçâó÷åíû è ïåðåä 3-4-ëåòíèìè äåòüìè. Ñóäüÿ Çèëëè ïðèâåë â ïðèìåð òðîèõ äåòåé, ïðîæèâàþùèõ â øòàòå Âàøèíãòîí. Ñâèäåòåëüñòâóÿ ïî ñâîåìó äåëó, îíè ðàññêàçàëè, ÷òî èõ îòåö áûë óáèò â Ìåêñèêå, à ìàòü áûëà èçíàñèëîâàíà. «Îíè áîÿòñÿ, – ïîäòâåðäèë ñóäüÿ. – Äàæå â òàêèõ íåîðäèíàðíûõ ñèòóàöèÿõ äåòè íå èìåþò áîëüøå ïðàâ, ÷åì èì ïîçâîëÿåò Êîíãðåññ». Êàæäîìó ðåáåíêó, êîòîðûé ñòîèò ïåðåä óãðîçîé âûäâîðåíèÿ èç ñòðàíû, ïî Êîíñòèòóöèè ïîëîæåí àäâîêàò – âíå çàâèñèìîñòè îò òîãî, ãäå îíè áûëè çàäåðæàíû è íàõîäèëèñü ëè â ñîïðîâîæäåíèè âçðîñëîãî. Îá ýòîì íàïîìèíàþò ïðàâîçàùèòíûå îðãàíèçàöèè. Ïðàâäà, ñòàòèñòèêà ãîâîðèò, ÷òî 72 ïðîöåíòà ïîäîáíûõ èììèãðàöèîííûõ äåë ñ ó÷àñòèåì äåòåé, äàæå áåç ó÷àñòèÿ àäâîêàòà, çàêàí÷èâàþòñÿ óñïåøíî – äåòè-íåëåãàëû íå âûäâîðÿþòñÿ èç ñòðàíû. www.DallasTelegraph.com/60718 Russian www.DallasTelegraph.com/en/60718 English

Íîâûé çàêîíîïðîåêò ïðåäëàãàåò þðèäè÷åñêóþ ïîìîùü äåòÿì-íåëåãàëàì çà ñ÷åò íàëîãîïëàòåëüùèêîâ Ïðèìåðíî 77 òûñÿ÷ äåë íàõîäÿòñÿ íà ðàññìîòðåíèè â òåõàññêèõ èììèãðàöèîííûõ ñóäàõ. Áîëåå òîãî, ñ êàæäûì ìåñÿöåì èõ êîëè÷åñòâî âîçðàñòàåò. Òåêñò Watch Dog Texas Bureau Íà÷èíàÿ ñ 2014 ãîäà, îòñòàâàíèå íàøåãî øòàòà óâåëè÷èëîñü íà 58 ïðîöåíòîâ – îá ýòîì ñîîáùàåò èññëåäîâàíèå Ñèðàêóçññêîãî óíèâåðñèòåòà.

5 ëåò – òàêîâ â ñðåäíåì ïåðèîä îæèäàíèÿ äëÿ êàæäîãî ðàññìàòðèâàåìîãî äåëà â Õüþñòîíå. Ëèäåð ñåíàòñêîãî ìåíüøèíñòâà, äåìîêðàò èç Íåâàäû Ãàððè Ðèä (Harry Reid)

ïðåäñòàâèë â ýòîì ìåñÿöå òàê íàçûâàåìûé çàêîíîïðîåêò Fair Day in Court for Kids Act, êîòîðûé ïðåäïîëàãàåò, ÷òî íåñîâåðøåííîëåòíèå ìèãðàíòû, íàõîäÿùèåñÿ áåç ñîïðîâîæäåíèÿ âçðîñëûõ, â ÷èñëå äðóãèõ ìèãðàíòîâ, êîòîðûå áîðþòñÿ ïðîòèâ âûäâîðåíèÿ èç ñòðàíû, ïîëó÷àò þðèäè÷åñêóþ ïîìîùü çà ñ÷åò íàëîãîïëàòåëüùèêîâ. Ñîãëàñíî çàêîíîïðîåêòó Ðèäà, Department of Homeland

Security äîëæåí ïðåäóñìîòðåòü, ÷òî èììèãðàíòû, íàõîäÿùèåñÿ â ïóíêòàõ çàäåðæàíèÿ è â ïðèãðàíè÷íûõ îáúåêòàõ áóäóò îáåñïå÷åíû äîñòóïîì ê àäâîêàòó è áóäóò èìåòü âîçìîæíîñòü ïðîñëóøàòü ïðîãðàììó ïðàâîâîé îðèåíòàöèè, êîòîðàÿ ðàññêàæåò èì îá èõ ëåãàëüíûõ ïðàâàõ. Òàêæå çàêîíîïðîåêò ïðåäóñìàòðèâàåò ñáîð ñòàòèñòèêè î êîëè÷åñòâå íóæäàþùèõñÿ ìèãðàíòîâ ïîëó÷èë ëåãàëüíóþ ïîìîùü. www.DallasTelegraph.com/60734 Russian www.DallasTelegraph.com/en/60734 English

8À

ÊÓËÜÒÓÐÀ

Monday, March 21, 2016

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Äàëëàñ îòïðàçäíîâàë Èñòîðèÿ Ìàíîí Ëåñêî 8 ìàðòà â ñòèëå áûëà âîññîçäàíà Äàëëàññêîé îïåðîé «Ñâåòîôîð Party» Èçâåñòíàÿ â ðóññêîÿçû÷íîì Äàëëàñå îðãàíèçàöèÿ «Íàø Äàëëàñ» (Nash Dallas) Êîíñòàíòèíà ×åðíèêîâà, Àííû Ôåðìàíîâîé è Ýëüäàðà Øàêèðîâà ñîáðàëà âñåõ æåëàþùèõ íà òàíöåâàëüíóþ âå÷åðèíêó ïî ñëó÷àþ ïðàçäíîâàíèÿ Ìåæäóíàðîäíîãî æåíñêîãî äíÿ 8 ìàðòà. Òåêñò è ôîòî Ñåðãåÿ Òàðàí «Íàø Äàëëàñ» åæåãîäíî ïðîâîäèò «Áåëûå íî÷è» â êîíöå ëåòà è êîñòþìèðîâàííóþ âå÷åðèíêó â ñåðåäèíå îñåíè ïîä ïðàçäíèê 31 îêòÿáðÿ. Ïðàçäíîâàíèå 8 ìàðòà

Áûëà ïðèäóìàíà òåìà «Ñâåòîôîð» è ïîä ýòó òåìó ïîäâåäåí öâåòîâîé êîä â îäåæäå ó÷àñòíèêîâ ïàðòè. Òå, êòî âûáðàë çåëåíûé öâåò îäåæäû èëè êàêèå-òî àêñåññóàðû ýòîãî öâåòà, ñèãíàëèçèðîâàëè îêðóæàþùèì,

Ñàìî Ìîâñåñÿí è Ìèõàèë Ìèêàýëÿí íå ÿâëÿëîñü òðàäèöèåé äëÿ êîìïàíèè – ìåðîïðèÿòèÿ ïî ýòîìó ïîâîäó ïðîâîäèëèñü íå êàæäûé ãîä. Îäíàêî ðåáÿòà ðåøèëè ýòî èçìåíèòü, òåì áîëåå, ÷òî íàø ëþä ëþáèò ïðàçäíîâàòü 8 ìàðòà.

÷òî òàêîé ÷åëîâåê îäèíîê è îòêðûò ê íîâûì çíàêîìñòâàì. Öâåòîâàÿ ãàììà â æåëòûõ òîíàõ áûëà ñâèäåòåëüñòâîì òîìó, ÷òî ÷åëîâåê, âîçìîæíî, íå ïðîòèâ çíàêîìñòâà, íó, à êðàñíûé – ýòî êàê çíàê «ñòîï» – îç-

íà÷àë, ÷òî ÷åëîâåê íå ñâîáîäåí. Ãîñòÿì âå÷åðèíêè, êîíå÷íî æå, ïîíðàâèëèñü òàêèå ïðàâèëà, êîòîðûå îíè ñ óäîâîëüñòâèåì ñîáëþäàëè. Áûëè, ïðàâäà, è îðèãèíàëû, êîòîðûå îäåëèñü â îäåæäó âñåõ òðåõ öâåòîâ ñâåòîôîðà – êðàñíî-æåëòîçåëåíóþ, ñèãíàëèçèðóÿ ìèðó ðàçíîå.

DJ Sabar íà âå÷åðèíêó «Ñâåòîôîð» áûë ïðèãëàøåí èç äðóãîãî ãîðîäà, è îí óäà÷íî óïðàâëÿëñÿ ñ ãîðÿ÷èìè

Ïðîñêàíèðóéòå QRCode, ÷òîáû ïðîñìîòðåòü ôîòîãàëåðåþ ñ âå÷åðèíêè «Ñâåòîôîð»

òàíöåâàëüíûìè õèòàìè, âêëþ÷àÿ è ðóññêîÿçû÷íóþ ìóçûêó. www.DallasTelegraph.com/60753 Russian www.DallasTelegraph.com/en/60753 English

Êàæäûé èç íàñ æàæäåò íàñòîÿùåé ëþáâè. Æàæäàëà åå è Ìàíîí – ãåðîèíÿ îäíîèìåííîé îïåðû Æþëÿ Ìàññíå, ïîñòàâëåííîé â ìàðòå 2016 ãîäà Äàëëàññêîé îïåðîé. Îäíàêî ïðîáëåìà ñîñòîÿëà â òîì, ÷åãî æå áîëüøå õîòåëà ïîëó÷èòü Ìàíîí – ÷èñòîé ëþáâè èëè ðîñêîøè ôðàíöóçñêîãî îáùåñòâà 18 âåêà? Ðîëü ÷èñòîé è íåïîðî÷íîé äåâóøêè Ìàíîí Ëåñêî â íà÷àëå ïîñòàíîâêè, ñâåòñêîé ëüâèöû – â ñåðåäèíå îïåðû è ðàñêàÿâøåéñÿ ãðåøíèöû, óìèðàþùåé íà ðóêàõ ëþáèìîãî, îäèíàêîâî òàëàíòëèâî ñûãðàëà îïåðíàÿ çâåçäà Ýéëèí Ïåðåç (Ailyn Perez). Òåêñò è ôîòî Ñåðãåÿ Òàðàí. Ôîòî èç àðõèâà Dallas Opera

Ýòî íå ïåðâàÿ «çâåçäíàÿ» ðîëü Ïåðåç. Îíà ïåëà ïàðòèè Âèîëåòòû â «Òðàâèàòå» Âåðäè â îïåðíûõ òåàòðàõ ìèðà – â íåìåöêèõ Ãàìáóðãå è Ìþíõåíå, â áðèòàíñêîì Ëîíäîíå è â àìåðèêàíñêîì Ñàí-Ôðàíöèñêî. Ìèð çàïîìíèë åå äåáþò â Ìåòðîïîëèòåí-îïåðà â 2015 ãîäó â ðîëè Ìèêàýëû â îïåðå «Êàðìåí» Æîðæà Áèçå. Ýéëèí Ïåðåç ïåëà ñ Ïëàñèäî Äîìèíãî â àçåðáàéäæàíñêîì Áàêó è Õîñå Êàððåðàñîì â áðàçèëüñêîì Ñàí-Ïàîëî. Ïåðåç åùå âåðíåòñÿ íà ñöåíó Äàëëàññêîé îïåðû â 60-ì, þáèëåéíîì ñåçîíå â ðîëè Òàòüÿíû èç îïåðû ×àéêîâñêîãî «Åâãåíèé Îíåãèí» îñåíüþ ýòîãî ãîäà. Îíà ñïîåò âìåñòå ñ ðîññèéñêèì áàñîì Ìèõàèëîì Êàçàêîâûì (êíÿçü Ãðåìèí) è áàðèòîíîì Àíäðååì Áîíäàðåíêî (Îíåãèí). Äàëëàññêèé çðèòåëü ïîìíèò Àíäðåÿ Áîíäàðåíêî ïî ðîëè Ðîáåðòà â îïåðå «Èîëàíòà» ×àéêîâñêîãî, êîòîðàÿ ñ áîëüøèì óñïåõîì ïðîøëà â Äàëëàññêîé îïåðå. Ïàðòèþ Ëåíñêîãî âìåñòå ñ Ïåðåç ñïî- Ñöåíà èç Äàëëàññêîé ïîñòàíîâêè «Ìàíîí» – Ñòèâåí Êîñòåëëî â ðîëè å ò Ñ ò è â å í Ê î ñ ò å ë ë î øåâàëüå äå Ãðèå è Ýéëèí Ïåðåç â ðîëè Ìàíîí

Óñëûøàòü æèâóþ ëåãåíäó êèíåìàòîãðàôà Ñîôè Ëîðåí Ñîôè Ëîðåí – ýòî èìÿ çâó÷èò, êàê ïåñíÿ. Òðóäíî ïðåäñòàâèòü, ÷òî òû ìîæåøü íàõîäèòüñÿ ñ íîñèòåëüíèöåé ýòîãî èìåíè ïî÷òè íà ðàññòîÿíèè âûòÿíóòîé ðóêè è ïîâòîðÿòü ýòó ïåñíþ áåñ÷èñëåííîå êîëè÷åñòâî ðàç. Ýòî ñëó÷èëîñü ñ êàæäûì â Äàëëàñå, êòî â êîíöå ìàðòà ïîáûâàë íà òâîð÷åñêîì âå÷åðå-âñòðå÷å ñ ëåãåíäàðíîé èòàëüÿíñêîé àêòðèñîé, îáëàäàòåëüíèöåé äâóõ Îñêàðîâ è îäíîé íîìèíàöèè íà Îñêàð. Àêòðèñà îòâå÷àëà íà âîïðîñû Áèëëà Õàððèñà (Bill Harris), ñíÿâøåãîñÿ â ôèëüìå "Entertainment Tonight", à òàêæå ñ óäîâîëüñòâèåì ïðîñìàòðèâàëà âìåñòå ñî çðèòåëüñêèì çàëîì îòðûâêè èç ñâîèõ ôèëüìîâ. Òåêñò Ñåðãåÿ Òàðàí. Ôîòî èç àðõèâà AT&T Performing Arts Center Ñîôè Ëîðåí ðàññêàçûâàëà î ñâîåé æèçíè, âêëþ÷àÿ åå êèíåìàòîãðàôè÷åñêóþ ÷àñòü, âäóì÷èâî è ýìîöèîíàëüíî îäíîâðåìåííî, êàê òîëüêî ìîãóò ýòî äåëàòü èòàëüÿíñêèå âåëèêèå àêòðèñû. Çðèòåëü óçíàë, ÷òî ðîäèëàñü îíà â 1934 ãîäó â áåäíîé ñåìüå â ãîðîäêå Ïèööóîëè – â ïðèãîðîäå Íåàïîëÿ. È âñå îáñòîÿòåëüñòâà åå æèçíè ñêëàäûâàëèñü òàêèì îáðàçîì, ÷òî îíà íå äîëæíà áûëà ñòàòü àêòðèñîé. Ëîðåí ïîñòîÿííî êðèòèêîâàëè, ÷òî äëÿ ñúåìîê «åå ëèöî î÷åíü êîðîòêîå, íîñ ñëèøêîì äëèííûé, à ðîò ÷åðåñ÷óð áîëü-

Àìåðèêàíñêèå àêòåðû Ðàéÿí Î'Íèë (Ryan O’Neal) è Àëè Ìàêãðîó (Ali MacGraw) âñòðåòèëèñü ñ èòàëüÿíñêîé àêòðèñîé Ñîôè Ëîðåí ïîñëå åå òâîð÷åñêîãî âå÷åðà â Äàëëàñå

(Stephen Costello). Êñòàòè, çðèòåëü çàïîìíèë äóýò Ïåðåç-Êîñòåëëî â îïåðå «Ìàíîí», ãäå Êîñòåëëî áûë î÷åíü îðãàíè÷åí â ðîëè âîçëþáëåííîãî Ìàíîí – øåâàëüå äå Ãðèå. ×åðåç òðè ãîäà â Äàëëàñ âåðíóëñÿ â êà÷åñòâå ïî÷åòíîãî ìóçûêàëüíîãî äèðåêòîðà îïåðû «Ìàíîí» Ãðýì Äæåíêèíñ (Graeme Jenkins). Íà ïðîòÿæåíèè 20 ëåò îí ðàáîòàë âìåñòå ñ Äàëëàññêîé îïåðîé, à çàòåì, ïîñëå îêîí÷àíèÿ

êîíòðàêòà, âåðíóëñÿ äîìîé, â Áðèòàíèþ. Ñ òåõ ïîð îí ðàáîòàë âî ìíîãèõ åâðîïåéñêèõ ãîðîäàõ è òåïåðü, ñðàâíèâàÿ êóëüòóðíóþ æèçíü â Äàëëàñå ñ êóëüòóðíîé æèçíüþ â åâðîïåéñêèé ñòîëèöàõ, Äæåíêèíñ âûñîêî îöåíèâàåò äàëëàññêèé êóëüòóðíûé ïðîãðåññ. Ñðåäè çíà÷èìûõ äîñòèæåíèé íàøåãî ãîðîäà – è îòêðûòèå â 2009 ãîäó Bill Winspear Opera House, àêóñòèêà êîòîðîãî íå ïðîñòî ëó÷øàÿ â ÑØÀ, íî îäíà èç ëó÷øèõ â ìèðå. Ãîâîðÿ î ñàìûõ ÿðêèõ ìóçûêàëüíûõ ìîìåíòàõ ïÿòèàêòîâîé îïåðû «Ìàíîí», ñòîèò âñïîìíèòü ñöåíó âñòðå÷è Ìàíîí è äå Ãðèå â öåðêâè Ñåí-Ñþëüïèñ è ñöåíó ñìåðòè Ìàíîí íà ðóêàõ äå Ãðèå ïîä çàíàâåñ îïåðû. Èìåííî â ýòèõ ñöåíàõ ñîïðàíî Ýéëèí Ïåðåç áûëî âûøå âñÿ÷åñêèõ ïîõâàë. Îíà ïåëà òàê ñòðàñòíî è ïðîíèêíîâåííî, ÷òî çðèòåëüñêèé çàë ñîïåðåæèâàë

øîé», íî åå âíóòðåííèé ñòåðæåíü íå äàë åé ðàçî÷àðîâàòüñÿ èëè ñëîìàòüñÿ. Îíà ñåáÿ ïðè÷èñëÿåò ê ïîêîëåíèþ òåõ, êòî çíàåò, ÷òî òàêîå Âòîðàÿ ìèðîâàÿ âîéíà. Íàçûâàÿ ñåáÿ ñîëäàòîì, îíà ãîâîðèò, ÷òî ýòî äàëî åé ñèëû áîðîòüñÿ è äîñòè÷ü ñâîåé ìå÷òû.  1949 ãîäó Ñîôè Ëîðåí âïåðâûå ïðèíÿëà ó÷àñòèå â êîíêóðñå êðàñîòû.  1953 ãîäó îíà ïîëó÷èëà ïîëîæèòåëüíûå îòçûâû êðèòèêîâ çà ñâîþ ðîëü â ôèëüìå «Àèäà».  1952 ãîäó áûëà åå ðîëü â êàðòèíå «Äâå íî÷è ñ Êëåîïàòðîé», à â 1954 ãîäó îíà ñíÿëàñü â ôèëüìå «Çîëîòî Íåàïîëÿ». Ñîôè Ëîðåí àêòåðñêîìó ìàñòåðñòâó ó÷èëàñü ñ ïåðâîãî äíÿ íå â àêàäåìè÷åñêèõ àëüìà-ìàòåð, à íà êèíîïëîùàäêàõ è ÷åì áîëüøå îíà ðàáîòàëà, òåì ëó÷øå ýòî ó íåå ïîëó÷àëîñü. Ñâîèì ïðîôåññîðîì îíà íàçûâàåò Ôèëüì.  1960-ì ãîäó Ëîðåí ïîëó÷èëà ñâîåãî ïåðâîãî Îñêàðà çà ðîëü â ôèëüìå «Äâå æåíùèíû».  1964-îì ãîäó îíà áûëà íîìèíèðîâàíà íà Îñêàð çà «Áðàê ïî-èòàëüÿíñêè», à â 1991

ãîäó Àìåðèêàíñêàÿ Êèíîàêàäåìèÿ äàëà åé Îñêàð, êàê æèâîé ëåãåíäå êèíî. Ñîôè Ëîðåí ñíÿëàñü â äåñÿòêàõ ôèëüìîâ, ðàáîòàÿ íà îäíîé êèíîïëîùàäêå ñ Ìàð÷åëëî Ìàñòðîÿííè, Êëàðêîì Ãåéáëîì, ×àðëè ×àïëèíîì, Ïîëîì Íüþìàíîì, Ãðåãîðè Ïåêîì è ìíîãèìè äðóãèìè. Ñîôè Ëîðåí – ýòî æåíùèíà-ëåãåíäà, ïîäîáíî Ýëèçàáåò Òýéëîð, Ìýðèëèí Ìîíðî è Ýâå Ãàðäíåð. Ñåãîäíÿ ñàìà Ëîðåí íå ñ÷èòàåò ñåáÿ êðàñàâèöåé, íàçûâàÿ, ñêîðåå, ïîòðÿñàþùåé êðàñàâèöåé ñâîþ ìàìó, êîòîðàÿ òàê áûëà ïîõîæà íà Ãðåòó Ãàðáî, ÷òî äàæå ïîáåäèëà â êîíêóðñå äâîéíèêîâ âåëèêîé àêòðèñû.  êîíöå êîíöîâ, ìèð ïðèçíàë êðàñîòó Ëîðåí, îíà ïðåäñòàâëÿëà ìíîãèå êîíêóðñû êðàñîòû è ëèíèè êîñìåòèêè è îäåæäû, à â âîçðàñòå 81 ãîä îíà ñòàëà ëèöîì êîìïàíèè Dolce&Gabbana â ïðîåêòå “Beauty Film”. Ñîôè Ëîðåí ïðèåçæàëà â Äàëëàñ â êîíöå ìàðòà 2016 ãîäà ðàìêàõ ñâîåãî òóðà ïî 12 ãîðîäàì ÑØÀ, ïðèóðî÷åííîãî âûõîäó åå ìåìóàðîâ "Yesterday, Today, Tomorrow: My Life". www.DallasTelegraph.com/60749 Russian www.DallasTelegraph.com/en/60749 English

âìåñòå ñ íåé – ìóæ÷èíû åëå ñäåðæèâàÿ ýìîöèè, à äàìû óêðàäêîé óòèðàÿ íàáåãàþùèå ñëåçû. «Ìàíîí», ïîñòàâëåííàÿ â Äàëëàñå àíãëè÷àíèíîì ñýðîì Äýâèäîì Ìàêâèêýðîì (Sir David McVicar), ïîëó÷èëà ðàçíûå îòçûâû ïðîôåññèîíàëüíîãî ñîîáùåñòâà. Åå ñðàâíèâàëè ñ ïîäîáíûìè ïîñòàíîâêàìè â äðóãèõ îïåðíûõ äîìàõ ïî âñåìó ìèðó, íåêîòîðûå êðèòèêîâàëè çà òî, ÷òî íà ñöåíå áûëî ñëèøêîì ìíîãî àðòèñòîâ èëè çà òî, ÷òî Ôðàíöèÿ 18-ãî âåêà íå î÷åíü-òî è íà Ôðàíöèþ ïîõîæà, à, ñêîðåå, íà Èòàëèþ. Íî, ïî ìíåíèþ The Dallas Telegraph è òåõ ðóññêîÿçû÷íûõ çðèòåëåé, êîòîðûå ïîáûâàëè íà ïðåìüåðå, îñîáåííîñòü ïîñòàíîâêè «Ìàíîí» Æþëÿ Ìàññíå â Äàëëàñå – â åå íåïîõîæåñòè, â åå óíèêàëüíîé òðàêòîâêå è ìàñøòàáíîñòè. Çðèòåëüñêèé çàë âñå 5 àêòîâ îïåðû ïðîñëóøàë çàòàèâ äûõàíèå – òàê áûëî â ïîñëåäíèé âå÷åð îïåðíîãî ïðåäñòàâëåíèÿ, äà è ñâîáîäíûõ ìåñò ìû â çàëå íå íàáëþäàëè. «Âîò è âñÿ èñòîðèÿ Ìàíîí Ëåñêî» â Äàëëàñå. www.DallasTelegraph.com/60751 Russian www.DallasTelegraph.com/en/60751 English

9À

ÊÓËÜÒÓÐÀ

Monday, March 21, 2016

www.DallasTelegraph.com

Êàëåíäàðü êóëüòóðíûõ ñîáûòèé Áîëüøîãî Äàëëàñà c 29 ìàðòà ïî 13 àïðåëÿ

ÁÎÒÀÍÈ×ÅÑÊÈÉ ÑÀÄ ÄÀËËÀÑÀ ÏÐÅÄÑÒÀÂËßÅÒ ÂÅÑÅÍÍÅÅ ÖÂÅÒÅÍÈÅ: ÀÐÒÈÑÒÈÇÌ Â ÏÐÈÐÎÄÅ (DALLAS ARBORETUM PRESENTS DALLAS BLOOMS: THE ARTISTRY IN NATURE) Âåñåííåå öâåòåíèå â Áîòàíè÷åñêîì ñàäó Äàëëàñà íàçûâàþò ñàìûì êðóïíûì öâåòî÷íûì ôåñòèâàëåì íà Þãî-Çàïàäå. Ñâûøå ïîëóìèëëèîíà ðàçëè÷íûõ öâåòîâ, ïðåäñòàâëåííûõ 100 âèäàìè â ýòè âåñåííèå äíè öâåòóò â Áîòàíè÷åñêîì ñàäó. Òàêæå â ðàçíûõ óãîëêàõ ñàäà óñòàíîâëåíû áðîíçîâûå ëàâî÷êè ñî ñêóëüïòóðàìè èçâåñòíûõ ëþäåé – Ýéíøòåéíà, Ëèíêîëüíà, Ìîíå è äð. Ýòè èçâàÿíèÿ – äåëî ðóê ñêóëüïòîðà Ãýðè Ëè Ïðàéñà (Gary Lee Price). Öâåòåíèå áóäåò ïðîäîëæàòüñÿ âïëîòü äî 10 àïðåëÿ. Ñòîèìîñòü âõîäà – îò 15 äîëëàðîâ. Àäðåñ: 8525 Garland Rd., Dallas, TX 75218.

ÆÓÐÍÀËÈÑÒ È ÏÈÑÀÒÅËÜ ÏÈÒÅÐ ÁÅÐÃÅÍ ÐÀÑÑÊÀÆÅÒ Î ÏÐÈÐÎÄÅ ÒÅÐÀÊÒΠ(WORLD AFFAIRS COUNCIL OF DALLAS/FORT WORTH PRESENTS PETER BERGEN) Æóðíàëèñò è ïèñàòåëü Ïèòåð Áåðãåí (Peter Bergen), êîòîðûé â èíòåðâüþ ïîñëå 9/11 ïåðâûì óïîìÿíóë Óñàìó Áåí Ëàäåíà è åãî àìáèöèè ïî âåäåíèþ âîéíû â òåëåèíòåðâüþ, âî âðåìÿ âûñòóïëåíèÿ â Äàëëàñå áóäåò ãîâîðèòü î ñâÿçÿõ òåððîðèñòîâ ñ ðîäñòâåííèêàìè â ðàçíûõ ñòðàíàõ. Âñòðå÷à ïðîéäåò 29 ìàðòà â 8 ÷àñîâ óòðà â ðàìêàõ ïðîãðàììû World Affairs Council Breakfast. Áåðãåí ðàññêàæåò î ñâîèõ íåäàâíèõ èññëåäîâàíèÿõ, êîòîðûå îí èçëîæèë â êíèãå "United States of Jihad: Investigating America’s Home-grown Terrorists" («Ñîåäèíåííûå Øòàòû Äæèõàäà: Ðàññëåäîâàíèå îá àìåðèêàíñêèõ òåððîðèñòàõ»). Àâòîð çàòðîíåò òàêèå òåìû, êàê òåðàêòû âíóòðè ÑØÀ (òåðàêò âî âðåìÿ ìàðàôîíà â Áîñòîíå, â Ñàí-Áåðíàðäèíî è äð.), òàê è òåðàêòû ñ ó÷àñòèåì àìåðèêàíöåâ çà ïðåäåëàìè ñòðàíû. Áåðãåí ÿâëÿåòñÿ ÷àñòüþ Homeland Security Project è Aspen Homeland Security Group. Òàêæå îí âõîäèò â ðåäàêöèîííûé ñîâåò íàó÷íîãî æóðíàëà Studies in Conflict & Terrorism. Îí ÿâëÿåòñÿ ýêñïåðòîì è âûñòóïàë ïåðåä íåñêîëüêèìè êîìèòåòàìè Êîíãðåññà ïî âîïðîñàì òåððîðèçìà â Àôãàíèñòàíå, Ïàêèñòàíå è äð. ñòðàíàõ. Ñòîèìîñòü áèëåòà íà âñòðå÷ó ñ Ïèòåðîì Áåðãåíîì – 45 äîëëàðîâ äëÿ ÷åëíîâ World Affairs Council è 65 äîëëàðîâ äëÿ âñåõ îñòàëüíûõ. Àäðåñ: Rosewood Crescent Hotel, 400 Crescent Ct., Dallas, TX 75201. Òåë.: (214) 965-8400. ÊÎÍÖÅÐÒ ÑÀÍÄÐÛ, ÏÝÒÒÈ ÐÀÉÀÍ È ÑÝÂÈÄÆÀ  ÄÀËËÀÑÅ (MEGA DISCO DANCE CONCERT 80S. SANDRA, PATTY RYAN AND SAVAGE – LIVE IN DALLAS) Êîìïàíèÿ Hot' n Juicy Intertainment ïðåäñòàâëÿåò âûñòóïëåíèå ìåãà-çâåçä 1980-õ – Ñàíäðû, Ïýòòè Ðàéàí è Ñýâèä-

æà â Äàëëàñå 1 àïðåëÿ â 8 ÷àñîâ âå÷åðà. Íà êîíöåðòå íå òîëüêî ìîæíî áóäåò ïîñëóøàòü ëþáèìóþ ìóçûêó, íî è ïîòàíöåâàòü, åñëè âû, êîíå÷íî, êóïèòå áèëåòû íà òàíöïîë, à íå íà «ñèäÿ÷èå» ìåñòà. Äåéñòâóåò ñêèäêà "Me + 3 Pack Offer" – â òàêîì ñëó÷àå ñòîèìîñòü áèëåòà 56,75 äîëëàðà çà áèëåò.

St., Dallas, TX 75201. Òåë.: (214) 526-3214. ÁÎËÜØÎÉ ÒÅÕÀÑÑÊÈÉ ÏÈÂÍÎÉ ÔÅÑÒÈÂÀËÜ2016 (2016 BIG TEXAS BEER FEST) Äâóõäíåâíûé ôåñòèâàëü áóäåò ïðîõîäèòü â Fair Park Automobile Building. Åñëè â

Ãðîíîâñêèì, êîòîðûé ïåðåæèë Õîëîêîñò åùå ðåáåíêîì. Îí ðàññêàæåò, êàê ñáåæàë ñ 20-ãî ïîåçäà, êîòîðûé âåçëè â Kazerne Dossin – áåëüãèéñêèé ëàãåðü çàäåðæàíèÿ, èç êîòîðîãî óçíèêîâ ïåðåïðàâëÿëè â Îñâåíöèì. Ãðàíîâñêèé òàêæå ðàññêàæåò, êàê îí ïåðåæèë âîéíó, ïðÿ÷àñü îò ïðåñëåäîâàíèÿ. Ôîòî Ñåðãåÿ Òàðàí

ÏÐÅÇÈÄÅÍÒÑÊÈÉ ÖÅÍÒÐ ÄÆÎÐÄÆÀ ÁÓØÀ-ÌËÀÄØÅÃÎ ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ «ÓÏÐÀÂËÅÍÈÅ ÈÇÁÈÐÀÒÅËÜÍÎÉ ÊÀÌÏÀÍÈÅÉ È ÐÅÊËÀÌÀ» 29 ìàðòà â 5.30 âå÷åðà ýêñïåðòû ïðåçèäåíòñêèõ êàìïàíèé Ñàðà Ôàãåí (Sara Fagen), Äýâèä Ïëóôô (David Plouffe) è Ðóññ Øðàéôåð (Russ Schriefer) ðàññêàæóò î òîì, êàê èçíóòðè âûãëÿäèò ïðåçèäåíòñêàÿ èçáèðàòåëüíàÿ êàìïàíèÿ – îò ôîðìóëèðîâêè ñòðàòåãèè, ñãëàæèâàíèÿ óãëîâ è îñòðûõ ìîìåíòîâ â òå÷åíèè âñåõ âûáîðîâ. Çðèòåëÿì áóäåò èíòåðåñåí ðàçãîâîð ìåæäó ñïåöèàëèñòàìè ïî ðåêëàìå – Ìàðêîì ÌàêÊèííîíîì (Mark Mc-Kinnon) è äîêòîðîì Ïàòðèêîì Ìýéðèêîì (Patrick Meirick) î òîì, êàê, èñïîëüçóÿ ìåäèà, äîíåñòè ïîñëàíèå äî ýëåêòîðàòà. Òàêæå íà âñòðå÷å áóäåò ïðåäñòàâëåí ìàòåðèàë î òîì, êàê ñîöèàëüíûå ìåäèà íàâñåãäà èçìåíèëè âîçìîæíîñòü êàíäèäàòîâ êîììóíèöèðîâàòü ñ èçáèðàòåëÿìè.  ñòîèìîñòü áèëåòà òàêæå âõîäèò äîñòóï ê âûñòàâêå «Ïóòü ê Ïðåçèäåíòñòâó». Ñòîèìîñòü áèëåòà – 30 äîëëàðîâ äëÿ ÷ëåíîâ öåíòðà è 45 – äëÿ âñåõ îñòàëüíûõ. Àäðåñ: George W. Bush Presidential Center, 3001 SMU Blvd., Dallas, TX 75205. Òåë.: (214) 200-4300.

Áîòàíè÷åñêèé ñàä Äàëëàñà ïðåäñòàâëÿåò âåñåííåå öâåòåíèå Äî íà÷àëà êîíöåðòà îðãàíèçàòîð îáåùàåò ëè÷íóþ âñòðå÷ó è àâòîãðàô ñ îäíîé èç çâåçä-ó÷àñòíèêîâ êîíöåðòà. Áèëåòû ìîæíî êóïèòü ýëåêòðîííûì îáðàçîì, íàáðàâ www.Sandra.DallasTelegraph.com. Êîíöåðò ñîñòîèòñÿ ïî àäðåñó: House of Blues Dallas, 2200 N Lamar St, Dallas, TX 75202.

TURTLE CREEK CHORALE ÏÐÅÄÑÒÀÂËßÅÒ ÃÅÐÎÅ (TURTLE CREEK CHORALE PRESENTS HEROES) C 31 ìàðòà ïî 2 àïðåëÿ, íà÷èíàÿ ñ 7.30 âå÷åðà, êîëëåêòèâ Turtle Creek Chorale áóäåò ïðèâåòñòâîâàòü ãåðîåâ íàøåé êîììüþíèòè – òåõ, êòî èçìåíÿåò ìèð ñâîèìè åæåäíåâíûìè ïîñòóïêàìè. Áóäóò ïðåäñòàâëåíû íàãðàäû ëþäÿì è îðãàíèçàöèÿì, êîòîðûå äåëàþò íàøå îáùåñòâî ëó÷øå. Ñðåäè òåõ, êòî áóäåò îòìå÷åí âî âðåìÿ êîíöåðòà – Bruce Wood Dance Project, DFW Federal Club, Jonathan’s Place, Resource Center, Susan G. Komen. Ñòîèìîñòü áèëåòà – îò 29 äî 65 äîëëàðîâ. Àäðåñ: Dallas City Performance Hall, 2520 Flora

ïðîøëîãîäíåì ôåñòèâàëå ïðèíÿëî ó÷àñòèå 120 ïèâîâàðåí, òî â ýòîì ãîäó – ñâûøå 500. Òåõàññêèé Ïèâíîé Ôåñòèâàëü èçâåñòåí òåì, ÷òî íà íåì îáû÷íî ïðåäñòàâëÿþò ðåäêèå ñîðòà ïèâà, âêëþ÷àÿ íîâûå ñîðòà, êîòîðûå òîëüêî-òîëüêî íà÷àëè âàðèòü. Êîíå÷íî æå, ïèâî íåëüçÿ ïðåäñòàâèòü áåç åäû – ìíîæåñòâî ðåñòîðàíîâ íà êîëåñàõ òàêæå ñîáåðóòñÿ íà ôåñòèâàëå. Îðãàíèçàòîðû îáåùàþò ýêñêëþçèâíîå ìóçûêàëüíîå ñîïðîâîæäåíèå. Ñòîèìîñòü áèëåòà íà äåíü ôåñòèâàëÿ – îò 39 äî 65 äîëëàðîâ. Àäðåñ: 3809 Grand Ave., Dallas, TX 75210. Òåë.: (214) 421-8737. ÌÓÇÅÉ ÕÎËÎÊÎÑÒÀ ÄÀËËÀÑÀ ÏÐÅÄÑÒÀÂËßÅÒ ÂÑÒÐÅ×Ó Ñ ÑÈÌÎÍÎÌ ÃÐÎÍÎÂÑÊÈÌ (DALLAS HOLOCAUST MUSUEM/ CENTER FOR EDUCATION AND TOLERANCE PRESENTS AN EVENING WITH SIMON GRONOWSKI) 7 àïðåëÿ â 6.30 âå÷åðà Ìóçåé Õîëîêîñòà Äàëëàñà ïðåäñòàâëÿåò âñòðå÷ó ñ Ñèìîíîì

Ñèìîí Ãðàíîâñêèé – ïèàíèñòëþáèòåëü äæàçîâîé ìóçûêè ïëþñ êî âñåìó ñûãðàåò íà ôîðòåïèàíî. Âõîä – ñâîáîäíûé. Àäðåñ: 2501 Flora St., Dallas, TX 75201. Òåë.: (214) 741-7500. ÌÓÇÅÉ PEROT ÏÐÅÄÑÒÀÂËßÅÒ ÂÑÒÐÅ×Ó Ñ ÔÎÒÎÆÓÐÍÀËÈÑÒÎÌ ØÀÐËÈ ÕÀÌÈËÜÒÎÍÎÌ Â ÑÅÐÈÈ ÂÑÒÐÅ× 2016 ÃÎÄÀ «ÍÀÖÈÎÍÀËÜÍÀß ÃÅÎÃÐÀÔÈß» (PEROT MUSEUM PRESENTS 2016 NATIONAL GEOGRAPHIC SPEAKER SERIES: CHARLIE HAMILTON) Èçâåñòíûé ôîòîæóðíàëèñò, ïðèçíàííûé êðèòèêàìè, Øàðëè Õàìèëüòîí íå ïðîñòî ïîñåùàë, à íà ïðîòÿæåíèè 20 ëåò äåëàë ôîòîãðàôèè â ñàìîì áèî-ðàçíîîáðàçíîì ïðèðîäíîì ïàðêå ìèðà – Manu National Park, ðàñïîëîæåííîì â Ïåðó. Ôîòîæóðíàëèñò ðàññêàæåò î ñâîèõ ïðèêëþ÷åíèÿõ â Manu National Park â Ïåðó, î ãîðíûõ ëàíäøàôòàõ Éåëëîóñòîíà è î ñâîåì íåäàâíåì ïðî-

åêòå â Ñåðåíãåòè â Òàíçàíèè. Âñòðå÷à ñ Õàìèëüòîíîì ñîñòîèòñÿ 7 àïðåëÿ â 7 ÷àñîâ âå÷åðà. Ñòîèìîñòü áèëåòà – 30 äîëëàðîâ äëÿ ÷ëåíîâ ìóçåÿ è 35 äîëëàðîâ äëÿ âñåõ îñòàëüíûõ. Àäðåñ: 2201 N. Field St., Dallas, TX 75202. Òåë.: (214) 428-5555. ÊÎÍÖÅÐÒ ÁÐÀÉÀÍÀ ÀÄÀÌÑÀ (BRYAN ADAMS IN CONCERT) Áðàéàí Àäàìñ – êàíàäñêèé ðîê-ìóçûêàíò, ãèòàðèñò, àâòîð è èñïîëíèòåëü ïåñåí, êîòîðûé íà÷àë ñâîþ êàðüåðó â øîó-áèçíåñå â 1976 ãîäó, ïåðâîíà÷àëüíî â ñîñòàâå ðîêãðóïï. Åãî äåáþòíûé ñîëüíûé àëüáîì áûë âûïóùåí â 1980 ãîäó, à â 1985 ãîäó îí âïåðâûå âîçãëàâèë Billboard Hot 100 ñ ðîê-áàëëàäîé «Heaven». Èìåííî ýòîò æàíð ïðèíåñ åìó óñïåõ ïî âñåìó ìèðó. Áðàéàí Àäàìñ – íå òîëüêî âñåìèðíî èçâåñòíûé ìóçûêàíò, íî è èíòåðåñíûé ôîòîãðàô. Ðàáîòàåò Áðàéàí ïðåèìóùåñòâåííî â æàíðàõ ïîðòðåòíîé è ôýøí ôîòîãðàôèè.  Äàëëàñ ìóçûêàíò ïðèåçæàåò â ðàìêàõ òóðà Get Up äëÿ ïîääåðæêè ñâîåãî 13-ãî àëüáîìà ñ îäíîèìåííûì íàçâàíèåì, âûøåäøåãî â 2015 ãîäó. Êîíöåðò Áðàéàíà Àäàìñà ïðîéäåò 9 àïðåëÿ â 8 ÷àñîâ âå÷åðà. Ñòîèìîñòü áèëåòà – îò 30 äî 90 äîëëàðîâ. Àäðåñ: Verizon Theatre at Grand Prairie, 1001 Performance Pl., Grand Prairie, TX 75050. Òåë.: (972) 854-5050. ÔÎÒÎÝÊÑÏÎÇÈÖÈß ÄÝÂÈÄÀ ßÐÐÎÓ (KIMBERLY ASTON PRESENTS DAVID YARROW PHOTOGRAPHY EXHIBITION) Âñåìèðíî èçâåñòíûé ôîòîãðàô äèêîé ïðèðîäû Äýâèä ßððîó (David Yarrow) áóäåò ïðåäñòàâëåí â Äàëëàñå â ðàìêàõ íåäåëè èñêóññòâ, êîòîðóþ ïðîâîäèò Kimberly Aston. ßððîó èçâåñòåí òåì, ÷òî òùàòåëüíî ãîòîâèòñÿ ê ïîåçäêàì â ñàìûå îòäàëåííûå óãîëêè ìèðà, ÷òîáû çàïå÷àòëåòü óíèêàëüíûå êàäðû ïðèðîäû è æèçíü êîðåííûõ íàðîäîâ. Âûñòàâêà îòêðîåòñÿ 13 àïðåëÿ, íà÷èíàÿ ñ 11 ÷àñîâ óòðà. Âõîä – ñâîáîäíûé. Àäðåñ: 171 Oak Lawn Ave., Dallas, TX 75207. Òåë.: (310) 809-8020. www.DallasTelegraph.com/60710 Russian www.DallasTelegraph.com/en/60710 English

ÎÒ ÐÅÄÀÊÖÈÈ: ×òîáû ïîäïèñàòüñÿ íà ðàññûëêó êóëüòóðíûõ ñîáûòèé Ñåâåðíîãî Òåõàñà èëè âêëþ÷èòü âàøå ñîáûòèå â îáçîð, ïðèñûëàéòå çàÿâêè ïî àäðåñó: dallastelegraph.com@gmail.com

ÊÐÎÑÑÂÎÐÄ ðüåðàõ çäàíèé. 16. Ñîîðóæåíèå ñ ðÿäàìè ñêàìååê äëÿ ïóáëèêè. 17. Øåðåíãà âîéñê ïî ñòîðîíàì ïóòè ñëåäîâàíèÿ êîãî-íèáóäü. 18. Ìåëêîå íàñåêîìîå-âðåäèòåëü, ïèòàþùèéñÿ ñîêîì ðàñòåíèé. 20. Òðîïè÷åñêîå ðàñòåíèå ñ êðóïíûì, îâàëüíîé ôîðìû àðîìàòíûì è ñî÷íûì òîëñòîêîæèì ïëîäîì. 23. Ïðîçðà÷íàÿ áóìàãà äëÿ êîïèðîâàíèÿ ÷åðòåæåé èëè ðèñóíêîâ. 26. Ýëåêòðè÷åñêè íåéòðàëüíàÿ ýëåìåíòàðíàÿ ÷àñòèöà. 28. Âîèíñêîå ïîäðàçäåëåíèå. 30. Öåííûé ïèùåâîé ïðîäóêò. 31. Ãàçîîáðàçíàÿ îáîëî÷êà Çåìëè. 32. Ìåòîä âíóøåíèÿ äëÿ ââåäåíèÿ ÷åëîâåêà â ñîííîå ñîñòîÿíèå. 33. Ãåðìåòè÷åñêè èçîëèðîâàííûé ïðîâîä. 34. Õèìè÷åñêèé ýëåìåíò. 37. Ðàçíîöâåòíàÿ äóãà íà íåáîñêëîíå. 39. Ðîä ýëàñòè÷íîãî êîðñåòà. 43. Ïðåäìåò ñôåðè÷åñêîé ôîðìû. 45. Âûáîðíûå îðãàíû ìåñòíîãî ñàìîóïðàâëåíèÿ â Ðîññèéñêîé èìïåðèè. 46. Óçîð ïî ìåòàë-

ëó. 47. Êîðîòåíüêîå ïèñüìî. 48. Ìÿãêàÿ ìåáåëü áåç ñïèíêè äëÿ ëåæàíèÿ, ñèäåíèÿ. 49. Ðûáîëîâíàÿ ñíàñòü äëÿ ëîâëè ùóê è äðóãèõ õèùíûõ ðûá. 50. Òîíêàÿ êîðîòêàÿ ÷åðòà. 51. Ñëóæåáíîå èëè îôèöèàëüíîå ñîîáùåíèå î ÷åì-íèáóäü.

52. Âåòåð ðàçðóøèòåëüíîé ñèëû. ÏÎ ÂÅÐÒÈÊÀËÈ: 2. Óãëóáëåíèå, ÿìêà íà äîðîãå.

3. Ñèìâîëè÷åñêàÿ çàïèñü õèìè÷åñêîãî ñîñòàâà è ñòðîåíèÿ âåùåñòâ. 4. Êóøàíüå èç ñâàðåííûõ íà âîäå ôðóêòîâ. 5. Æåíùèíà êàê ïðåäìåò ëþáâè. 7. Ôóòáîëüíàÿ ñïåöèàëüíîñòü Âÿ÷åñëàâà Ìàëàôååâà. 8. Ãèáêèé ìàãíèòíûé äèñê, íîñèòåëü èíôîðìàöèè äëÿ îáðàáîòêè íà IBM. 9. Óäàëåíèå ãðÿçè. 11. Ìåñÿö ãîäà.

13. Óñòðîéñòâî äëÿ ðåãóëèðîâàíèÿ ïîòîêà æèäêîñòè èëè ãàçà. 14. Ïëîä îñîáîãî äåðåâà, óïîòðåáëÿåìûé â ïèùó. 19. Âåðõíÿÿ îáîëî÷êà Çåìëè, âêëþ÷àþùàÿ çåìíóþ êîðó è

÷àñòü âåðõíåé ìàíòèè. 21. Òî, ÷òî êëàäåòñÿ âíóòðü ïèðîãà, êîíôåò, òóøêè. 22. Êàôòàí èç ãðóáîãî ñóêíà. 23. Çîäèàêàëüíîå ñîçâåçäèå. 24. Î÷åíü ìàëåíüêàÿ ïòè÷êà, îòëè÷àþùàÿñÿ ÿðêîñòüþ è êðàñîòîé îïåðåíèÿ. 25. Ñîñòîÿíèå áîëåçíåííî ïîâûøåííîãî âîçáóæäåíèÿ, õàðàêòåðèçóþùååñÿ íàëè÷èåì íàâÿç÷èâûõ èäåé è ïðåäñòàâëåíèé. 27. Ñèñòåìà âåëè÷èí, ïðèíÿòûõ äëÿ èçìåðåíèÿ òîé èëè èíîé âåëè÷èíû. 29. Øèðîêèé è íåãëóáîêèé îêðóãëåííûé ñîñóä. 30. Òðàâÿíèñòîå ðàñòåíèå ñ êðóïíûìè êðàñíûìè öâåòêàìè. 34. Âîçìîæíàÿ îïàñíîñòü. 35. Îñóøêà çåìëè. 36. Ìóçûêàëüíî-ñöåíè÷åñêîå ïðîèçâåäåíèå. 37. Ðàñòåíèå ñ áåëûìè öâåòàìè. 38. Ïåðèîä æèçíè ÷åëîâåêà. 40. Ïòèöà ñåìåéñòâà êóðèíûõ. 41. Áëþäî èç æàðåíûõ ÿèö.

42. Ñòåêëÿííûé ñîñóä. 43. Ïåðåäâèæíîé öèðê. 44. Ãîñóäàðñòâî â âîñòî÷íîé ÷àñòè Åâðîïû è â ñåâåðíîé ÷àñòè Àçèè.

ÎÒÂÅÒÛ ÍÀ ÊÐÎÑÑÂÎÐÄ Â ÍÎÌÅÐÅ ÎÒ 7 ÌÀÐÒÀ 2016 ÃÎÄÀ

ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 1. Ïðèðîäíûé è ñèíòåòè÷åñêèé êðèñòàëë óãëåðîäà. 6. Íåáîëüøîé çàëèâ â ðåêå. 10. Êâàíò çâóêà. 12.

Ñïåöèàëüíîñòü ó÷åíîãî. 14. Óñòðîéñòâî äëÿ çâóêîâîé ñèãíàëèçàöèè â àâòîìîáèëå. 15. Ðåëüåôíîå óêðàøåíèå íà ôàñàäàõ è â èíòå-

ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 1. Ôîðà. 3. Ñõåìà. 6. Óêàç.

11. Ãîíäîëà. 12. Òþëüïàí.

13. Ìýð. 15. Ìåòîä. 17. Äðåéô.

19. Áîòàíèê. 21. Ãàóð. 23. Ðàìà.

24. Îâàë. 25. Ïèêà. 26. Ëèôò.

29. Áðèç. 31. Ãîëîëåä. 33. Ñàõàð.

34. Ðåçêà. 36. Øîó. 39. Ãèìíàñò.

40. Ïðîñòîð. 41. Ëóíü. 42. ßêîðü.

43. Ôðàê. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Ôóãà. 2. Ðàíäåâó. 4. Õðàì.

5. Ìåòð. 7. Êîïåéêà. 8. Çîíò.

9. Êîðîá. 10. Êëåðê. 14. Ýòàæ.

16. Äîçàòîð. 17. Äèðèæåð.

18. ßãåëü. 20. Ïàóçà. 22. Ðîò.

23. Ðàá. 27. Ôëàãìàí. 28. Ïîëî.

30. Ðýêåòèð. 31. Ãàìàê. 32. Äåìîí. 35. Óãîë. 36. Øòîê.

37. Óïîð. 38. Òðþê.

10À

ARMENIAN DALLAS

Monday, March 21, 2016

www.DallasTelegraph.com

“Immigrant” Khachkar in Dallas A Real Khachkar (Cross-Stone) Was Made In Armenia From Pink Tuff In 2007, the family of then-17 year old Davit Mouradian was devastated by the loss of their son. The idea of building Davit’s Memorial was born, and various projects were set for implementation simultaneously. Building of a new shrine started in the town of Mughni, Armenia, where locals currently frequently visit to light candles, celebrate a special religious occasion, or simply to pray and burn khunk. There stands the first of the two Khachkars - Davit’s Khach. But it was a project that took three years to complete - both khachkars were carved in this location, but the particular Tuff rock was difficult to locate.

By Luso Meeks.

Photo by Manan Trevor The idea was to make the second khachkar different from the one standing in Mughni; a unique piece, something being “worthy” of the efforts of transportation, and a rather large piece. The family was adamant – they wanted an over 2 meters carving, all done on a onepiece pink Tuff rock. This required extensive excavation, multiple hit and miss attempts (a couple of early attempts were unsuccessful due to brittle stone and broken pieces), and finally by the end of 2007 they found the perfect piece to start the actual carving.

Internationally known Nazeni Gharibyan (a.k.a. Haji Nazeni) designed both Mughni and Dallas Khachkars. The theme was derived from a 16th century Armenian khachkar designs. The actual carver is Andranik, an Armenian church builder.

The whole project took over 3 years. Eventually, the base, the khachkar, the flower pot, and the khunkaman (incense burner), were all carved from the same piece of Tuff. Now the question of transportation was being handled, while negotiations with Sparkman Hillcrest began, to actually allow a foreign stone – Tuff – to be

incorporated in their park.

Note that Sparkman’s policy is to only allow granite memorials in the park because of warranty and care insurance. It took almost 1 year to negoti-

A Cornerstone of Armenian Identity

By 100 Years Fact Project Some aspects of culture, though, are truly unique expressions. The khachkar, for example, is an authentic Armenian form of art. Made up of the Armenian words for “cross” and “stone” – and therefore often rendered in English as “crossstone” – khachkars fuse together two mainstays of the Armenian identity: the Christian heritage, carved on to the rocks prevalent in the highlands, or sometimes right onto those mountains themselves.

Dating from the 9th century AD, the khachkar art form saw its most intricate works

around the 13th century, becoming less popular starting in the late 1700s. The 20th century brought its return and a rather sharp rise in development, especially after Armenian independence. UNESCO, for its part, incorporated khachkars into its Representative List of the Intangible Cultural Heritage of Humanity in 2010.

Khachkars reach 1.5 metres in height, and have an ornamentally carved cross in the middle, resting on the symbol of a sun or wheel of eternity, accompanied by vegetative-geometric motifs, carvings of saints and animals. Khachkars are created usually using local stone and

Doctor Irina Hayrapetyan: “Dentistry is our profession, but people are our focus!”

monument was crated by a French company and transported to Dallas. It was then installed at the Sparkman Hillcrest Park in late 2010. The khachkar is now marked as the only Armenian khachkar in the Park. As the administration has recently changed, the receptionist(s) may not necessarily know where to take the visitors. It is now in the graveyard of Davit Mouradian (son of St. Sarkis Orthodox Armenian Church Parishioners Vah-

ram Mouradian and Inessa Harrell).

The family will be happy if the community members pay a visit to this amazing “immigrant” Khachkar. The address of Sparkman-Hillcrest Memorial Park Cemetery is 7405 W Northwest Hwy, Dallas, TX 75225. The park is working from 8 AM till 6 PM. www.DallasTelegraph.com/60668 Russian www.DallasTelegraph.com/en/60668 English

ate the installation of this khachkar in Sparkman Hillcrest Park. At the end of the year,

The Khachkar: Armenia is not an island by any means. Quite the contrary, the country has been sitting on international crossroads from east to west and north to south for the past few millennia.

As a result, besides enduring all sorts of wars and conflicts, the Armenian people have also interacted with a number of cultures, being influenced by much and influencing others in turn. As a natural consequence, many elements of culture echo throughout the region’s peoples, whether it is similarities in forms of music and dance, cuisine, or traditional clothing.

taking into consideration the uniqueness of this artwork, Sparkman Hillcrest’s leadership agreed to incorporate this piece in their park.

The crating of the khachkar and its base was also very complex; a group of engineers was invited to “fake” install it in Armenia to ensure that after the transportation to its main location, the pieces would fit and would withstand the harsh Texas weather. Then this 17 ton two-piece

carved using chisel, die, sharp pens and hammers. The carvings are then ground using fine sand. Small breaks and rough surfaces are eliminated by plaster of clay or lime, and then painted. Once finished, the Khachkar is erected during a small religious ceremony. After being blessed and anointed, the Khachkar is believed to possess holy powers and can provide help, protection, victory, long life, remembrance and mediation towards salvation of the soul.

Among more than 50,000 Khachkars in Armenia, each has its own pattern, and no two are alike. Khachkar craftsmanship is transmitted through families or from master to apprentice, teaching the traditional methods and patterns, while encouraging regional distinctiveness and individual improvisation. www.DallasTelegraph.com/60704 Russian www.DallasTelegraph.com/en/60704 English

This 17 ton two-piece monument was transported to Dallas

11À

ÊÓËÜÒÓÐÀ

Monday, March 21, 2016

www.DallasTelegraph.com

Àíàòîëèé Ìàòâèé÷óê –

ïåâåö óêðàèíñêîãî íàðîäà Çà ïîñëåäíèå òðè ãîäà íàðîäíûé àðòèñò Óêðàèíû, àâòîð è èñïîëíèòåëü Àíàòîëèé Ìàòâèé÷óê äâàæäû ïðåäñòàâëÿë ñâîå òâîð÷åñòâî â Äàëëàñå. È äâàæäû òâîð÷åñêèé âå÷åð àðòèñòó óñòðàèâàëè ðóêîâîäèòåëü êîëëåêòèâà óêðàèíñêîé ïåñíè «Âåñåëêà» Îêñàíà Òîïîðèíà è èçäàòåëü ãàçåòû The Dallas Telegraph Ñåðãåé Òàðàí.  ôåâðàëå 2016 ãîäà àðòèñòà ïðèãëàñèëè íà ãàñòðîëè â ×èêàãî, íî îí íå ìîã ïðîëåòåòü ìèìî Äàëëàñà. Îêñàíà Òîïîðèíà ðàññêàçûâàåò, ÷òî â ýòîò ðàç «òâîð÷åñêèé âå÷åð ïàíó Ìàòâèé÷óêó â íàøåì ãîðîäå ïðèøëîñü îðãàíèçîâûâàòü áóêâàëüíî â äâà äíÿ...» Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí – Îêñàíà, âû ïîáûâàëè íà äâóõ êîíöåðòàõ Àíàòîëèÿ Ìàòâèé÷óêà â Äàëëàñå – âàì åñòü ñ ÷åì ñðàâíèâàòü.  ïîëüçó êîòîðîãî ñðàâíåíèå?

– Îáà êîíöåðòà àáñîëþòíî ðàçíûå. Ïåðâûé ïðîøåë íà

òâîð÷åñêèé ÷åëîâåê îò Áîãà. Ýòî ÷èòàåòñÿ â åãî ãëàçàõ, ýòî ÷óâñòâóåòñÿ â åãî ïîýçèè è â åãî ïåñíÿõ.  ïåðâîé ÷àñòè òâîð÷åñêîãî âå÷åðà îí ÷èòàë ñòèõè ñîáñòâåííîãî ñî÷èíåíèÿ, à âî âòîðîé – ïåë. Îñíîâíûìè çðèòåëÿìè íà îáîèõ êîíöåðòàõ áûëè æèòåëè Äàëëàñà óêðàèíñêîãî ïðîèñõîæäåíèÿ, êîòîðûå äóøîé

îí îáùàëñÿ ñ çàëîì íà óêðàèíñêîì ÿçûêå.

– ß çíàþ, ÷òî â çàëå òàêæå íàõîäèëèñü è àíãëîÿçû÷íûå çðèòåëè, êîòîðûå ñëóøàëè óêðàèíñêóþ ïîýçèþ Àíàòîëèÿ Ìàòâèé÷óêà çàòàèâ äûõàíèå – îíè ïîíèìàëè íå ñëîâà, à ÷óâñòâîâàëè, íàâåðíîå, òó äóõîâíóþ âíóòðåííþþ ãëóáèíó, êîòîðîé íàïîëíåíà åãî ïîýçèÿ.

– Ïîíèìàåòå, ýòî áûëà îñîáàÿ ìèìèêà è ýíåðãåòèêà Àíàòîëèÿ Ìàòâèé÷óêà, êîòîðàÿ ñîçäàâàëà íåïåðåäàâàåìóþ àòìîñôåðó. Ëþäè äåëèëèñü ñî ìíîé, ÷òî ñëóøàÿ åãî ïîýçèþ, îíè îùóùàëè, ÷òî êàê áóäòî áû ïîáûâàëè â Óêðàèíå, íà Ìàéäàíå. Ïîðàæàåò, êàê îí ìîæåò óäèâèòåëüíî òî÷íî ïîäáèðàòü

åæåãîäíîãî Ðîæäåñòâåíñêîãî óêðàèíñêîãî êîíöåðòà Äàëëàñà...

– Íàøå çíàêîìñòâî ïðîèçîøëî àáñîëþòíî ñëó÷àéíî. Îí ñâÿçàëñÿ ñî ìíîé ÷åðåç Ôýéñáóê è ñîîáùèë, ÷òî ïðèåçæàåò â Äàëëàñ. Áåç ïîìîùè The Dallas Telegraph áûëî áû ïðîñòî íåâîçìîæíî îðãàíèçîâàòü êîíöåðò Àíàòîëèÿ Ìàòâèé÷óêà ó íàñ. Áëàãîäàðÿ âàì ìû ñìîãëè â êîðîòêèå ñðîêè àíîíñèðîâàòü òâîð÷åñêèé âå÷åð. Áûë àíøëàã. Âñå ìåñòà áûëè çàíÿòû è äàæå íå õâàòàëî ñòóëüåâ. Ìû ñîøëèñü äóõîâíî ñ Àíàòîëèåì Ìàòâèé÷óêîì. Ìîè äåòè íå ïîïàëè íà åãî ïåðâûé êîíöåðò â íàøåì ãîðîäå, à ïîñëå âòî- Ôîòî è àâòîãðàô ñ ïåâöîì óêðàèíñêîãî íàðîäà ðîãî êîíöåðòà ìîÿ äåâÿñâîèõ äåòåé è ñâîåé ñòðàíû. ïîëîæèòåëüíî. Âû çíàåòå, òèëåòíÿÿ äî÷ü Ñîôèÿ îòîáðàëà Ó ïàíà Ìàòâèé÷óêà åñòü ñòèîðãàíèçàöèÿ ëþáîãî ìåðîïðèó ìåíÿ äèñê ñ åãî ïåñíÿìè è õè, íàïðèìåð, î Íåáåñíîé ñîòÿòèÿ, äàæå ñàìîãî ìàëåíüêîñëóøàåò åãî òåïåðü ïåðåä ñíîì íå. ãî, òðåáóåò ìíîãî ëè÷íîãî âðåêàæäûé âå÷åð. ß ïûòàëàñü ìåíè. È êîãäà ëþäè ïîäõîïðåäëîæèòü åé äðóãóþ ìóçûêó, – Äàëëàñ íå èçáàëîâàí äÿò è áëàãîäàðÿò, òî òû ïîíèíî îíà çàïðîòåñòîâàëà – õî÷åò çâåçäàìè òàêîé âåëè÷èíû. ìàåøü, ÷òî âðåìÿ, âûäåëåíñëóøàòü òîëüêî ïàíà ÌàòâèéÄóìàþ, ÷òî äëÿ íàøåãî íîå íà îðãàíèçàöèþ ïîäîáíîãî ÷óêà.

Àíàòîëèé Ìàòâèé÷óê «ß âîñêðåñàâ ³ ïîìèðàâ, Ðÿäêè ðîæäàþ÷è êðèëàò³, À õòîñü ñëóæèâ ãðîøàì ÷è âëàä³... ß – âèãðàâ á³ëüøå, í³æ ïðîãðàâ!» î÷åíü ïîçèòèâíîé íîòå. Âî âðåìÿ âòîðîãî êîíöåðòà, ïàí Àíàòîëèé ïðîïóñòèë ÷åðåç ñåáÿ âñå, ÷òî ïðîèñõîäèëî è ïðîèñõîäèò â Óêðàèíå çà ïîñëåäíèå äâà ãîäà, è îí âûðàçèë ýòî â ñâîåé ïîýçèè î÷åíü òðåïåòíî è äóøåðàçäèðàþùå. Êîãäà Àíàòîëèé ÷èòàë ñòèõè ñîáñòâåííîãî ñî÷èíåíèÿ – ýòî ñîïðîâîæäàëîñü ñëàéäàìè è ôîòîãðàôèÿìè èç Óêðàèíû. Ïîýòîìó, êîíå÷íî, âòîðîé åãî êîíöåðò â Äàëëàñå ïðîøåë ñîâåðøåííî íà äðóãîé íîòå.

áîëåþò è ïåðåæèâàþò çà Óêðàèíó è çà óêðàèíöåâ. Íåñìîòðÿ íà òî, ÷òî ìû æèâåì íåáëèçêî îò Óêðàèíû, â ñåðäöàõ ìíîãèõ èç íàñ æèâåò áîëü è ïå÷àëü çà ñòðàíó. Ìíîãèå èç íàñ ìîëÿòñÿ îá Óêðàèíå è ïîìîãàþò, ÷åì ìîãóò. Ïàí Àíàòîëèé ñìîã âíåñòè ñâîèìè ïåñíÿìè è íîòêè ïîçèòèâà, ïîä÷åðêíóòü êðàñîòó è ìåëîäè÷íîñòü óêðàèíñêîé ïåñíè. Äàæå òå, êòî íå áûë ñ íèì ðàíåå çíàêîì è ïðèíèìàë ó÷àñòèå

Àìåðèêàíñêàÿ ïðåçåíòàöèÿ êîíöåðòíîé ïðîãðàìû «Ìåæà» Àíàòîëèÿ Ìàòâèé÷óêà â Äàëëàñå ïîëó÷èëàñü î÷åíü ñåìåéíîé ñëîâà è ñî÷åòàòü èõ ñ äðóã äðóãîì. ß ñ÷èòàþ, ÷òî ýòî Áîãîì äàííûé äàð.

Ðîäíûå Àíàòîëèþ Ìàòâèé÷óêó ëþäè â Äàëëàñå – À êàê ðåàãèðîâàëà ïóáëèêà – òîãäà è ñåé÷àñ?

– Íà îáîèõ êîíöåðòàõ ïóáëèêà òåïëî ïðèíèìàëà íàðîäíîãî àðòèñòà Óêðàèíû. Áåç ñîìíåíèÿ, Àíàòîëèé Ìàòâèé÷óê –

â åãî êîíöåðòå â ïåðâûé ðàç, ïîäòâåðäèëè, ÷òî ýòîò òâîð÷åñêèé âå÷åð áûë î÷åíü ãëóáîêèì. Îí çàäåë âñåõ – äàæå äåòè ñèäåëè, íå øåëîõíóâøèñü è ñëóøàëè ïîýçèþ Ìàòâèé÷óêà.  îñíîâíîì,

– Âû ñàìè êàê òâîð÷åñêèé ÷åëîâåê, ÿ çíàþ, î÷åíü óâàæàåòå Àíàòîëèÿ Ìàòâèé÷óêà. Ïîìíþ è î Âàøåé, Îêñàíà, ìå÷òå ïðèãëàñèòü åãî â êà÷åñòâå ó÷àñòíèêà

– Äàëëàñ, ÿ òàê ïîíèìàþ, äëÿ Àíàòîëèÿ Ìàòâèé÷óêà îñîáåííûé ãîðîä.  íàøåì ãîðîäå ïðîæèâàåò ìíîãî äóõîâíûõ åäèíîìûøëåííèêîâ àðòèñòà, çäåñü òàêæå æèâåò è ñåìüÿ åãî äî÷åðè.

– Äåéñòâèòåëüíî, â Äàëëàñå ó ïàíà Ìàòâèé÷óêà æèâåò äî÷ü, âíó÷êà. È Äàëëàñ – îñîáåííûé ãîðîä äëÿ àðòèñòà. Òàêæå îí çíàåò, ÷òî ìû åãî î÷åíü ëþáèì, ëþáèì åãî ïîýçèþ è ïåñíè è âñåãäà æäåì ñ êîíöåðòàìè. ß íàáëþäàþ íà ðàññòîÿíèè çà åãî òâîð÷åñòâîì, ïîýòîìó âñå òå íîâûå ïðîèçâåäåíèÿ, êîòîðûå îí ÷èòàë íà âå÷åðå, ÿ óæå ÷èòàëà ðàíåå. Îí ïðèâåç ñâîè êíèãè «Çåðíà» è «Íà âàðòi», êîòîðûå áûñòðî ðàçîøëèñü ïîñëå êîíöåðòà.

– À ÷òî îí ðàññêàçûâàë, åñëè ðàññêàçûâàë, îá Óêðàèíå, î êóëüòóðíîé æèçíè â ñåãîäíÿøíåé Óêðàèíå?

– Îí ðàññêàçûâàë ñòèõàìè è ïåñíÿìè. Âñÿ åãî ïîýçèÿ – ýòî ïîñâÿùåíèå ëþäÿì, êîòîðûå ñîâåðøàëè ãåðîéñêèå ïîñòóïêè è îòäàëè ñâîè æèçíè ðàäè áóäóùåãî

ãîðîäà è äëÿ íàøåé îáùèíû áûëî ÷åñòüþ, ÷òî íàðîäíûé àðòèñò Óêðàèíû Àíàòîëèé Ìàòâèé÷óê ñíîâà ïðåäñòàâèë íàì ñâîå òâîð÷åñòâî.

– Äóìàþ, ÷òî âû ïðàâû. Çðèòåëè îòçûâàëèñü î÷åíü

ìåðîïðèÿòèÿ ó ñâîåé ñåìüè, ïðîøëî íå çðÿ. Áåçóñëîâíî, ýòîò òâîð÷åñêèé âå÷åð ñòàë ñîáûòèåì âûñîêîãî óðîâíÿ. Êîíå÷íî, Àíàòîëèé Ìàòâèé÷óê – ðîñêîøü äëÿ íàñ, íî ìû ãîòîâû ýòó ðîñêîøü ïðèíèìàòü â ëþáîå âðåìÿ.

Äæåé Ðîá Ñìèò, Âèêòîðèÿ Ñåìïîêðûë, Íàòàøà Õýéç, Íàòàøà Ðîæäåñòâåíñêàÿ íà òâîð÷åñêîì âå÷åðå ïîýòà

Ñòèõè Àíàòîëèÿ Ìàòâèé÷óêà Òðèâîãà Íå ïîëèøຠâ³ä÷óòòÿ òðèâîãè,  äóø³ íàïðóãà – òåìíà ³ í³ìà, Ìè í³áè ñòî¿ìî á³ëÿ ïîðîãà, À çà ïîðîãîì ìîðîê ³ ï³òüìà… Ìàéäàíè, â³éíè, çëî÷èíè, òåðàêòè, Çàðó÷íèêè ³ çáèò³ ë³òàêè – Äî íàñ äîíîñÿòü ëèø îêðåì³ ôàêòè, Ùî ïîêè íå ñêëàäàþòüñÿ â ðÿäêè.  Êðåìë³ àâðàë. Íàðàäà â Á³ë³ì Äîì³. Êðèì. Óêðà¿íà. Ñèð³ÿ. ²Ã²Ë. Ñòàðà ªâðîïà êîð÷èòüñÿ â ñóäîì³, Ïàðèæ. Áðþñåëü. Ðÿäè íîâèõ ìîãèë. Âîãîíü ³ äèì íà âñ³õ òåëååêðàíàõ Ñòðàõ äóø³ çàáèðຠó ïîëîí! Âè ñèäèòå ùå íà ñâî¿õ äèâàíàõ – À íàâêðóãè – ãðèìèòü Àðìàãåääîí! Çì³øàëèñÿ êðà¿íè ³ íàðîäè, Àëå íå çíèêëà ¿õ îäâ³÷íà ñóòü, Ðàñèçìó í³! – ² á³æåíö³ ç³ Ñõîäó ªâðîï³ ñèò³é âèðîê ñâ³é íåñóòü! Òà öå, çäàºòüñÿ, ò³ëüêè óâåðòþðà, Ùå íàâ³òü íå íàïðóæèëèñü ñìè÷êè, À õòî æ Ìàåñòðî – àâòîð ïàðòèòóðè?

Êóäè âåäóòü òîíåíüê³ íèòî÷êè? ² õòî ìè º? Çàðó÷íèêè ÷è æåðòâè? ² õòî – áåçæàëüí³ íàø³ âîðîãè? Ñê³ëüêîì ³ç íàñ ³ùå ïîòð³áíî âìåðòè? Äëÿ òîãî, ùîá çàêðèòè ¿õ áîðãè? Íåìຠñíó. À âæå ñâ³òà ïîòðîõó. ² ïî êóòêàõ õîâàºòüñÿ ï³òüìà… ª ñòî ïèòàíü. ² â³ä÷óòòÿ òðèâîãè. À â³äïîâ³ä³, ïîêè ùî, íåìà… ***

çàãðàâàõ íî÷³ ë³òí³, ² í³áè î÷³, ùî ÷óæ³ – òà ð³äí³, ² ÿê âóñòà, ùî ïðèñòðàñòþ í³ì³. Ïîåç³ÿ, êîðîòêà ìèòü æèòòÿ, Íà òë³ òîãî, ùî áóäå ï³ñëÿ âñüîãî. Öå íàø³ äîë³ ïåðåä ñÿéâîì Áîãà, Ùî ìîëÿòüñÿ çà ìèòü äî íåáóòòÿ... Äîñòàòíüî ñë³â. Ö³ â³ðø³ – ÿê ìàðà, Ó Âñåñâ³ò³ – äå õâèë³ ³ ÷àñòîòè. Òà ÿ ïèøó. É ïèñàòèìó ¿õ äîòè, Äîêè ñâ³òè çëèíàþòü ç-ï³ä ïåðà...

Ïîåçiÿ Ïîåç³ÿ – çâó÷àííÿ äèâíèõ ñë³â, Ùî ñõîæå òàê íà øåëåñò³ííÿ ëèñòÿ, Êîëè ñïàäàþòü âå÷îðè ³ìëèñò³, Íà òèõèé ñìóòîê ñòîìëåíèõ ëàí³â. Ïîåç³ÿ – öå ÿê ïòàøèíèé êðèê, Äàëåêèé êðèê äåñü òàì, â íåáåñí³é ñèí³, ² ïàìîðîçü ðàíêîâà íà êàëèí³, ² íà çîð³ – òàêèé íåæäàíèé ñí³ã. Ïîåç³ÿ – öå áëèñêàâêà ç ï³òüìè ² â âîãíÿíèõ

Ïðîñêàíèðóéòå QR-Code, ÷òîáû ïðîñìîòðåòü ôîòîãàëåðåþ ñ àìåðèêàíñêîé ïðåçåíòàöèè êîíöåðòíîé ïðîãðàìû «Ìåæà» Àíàòîëèÿ Ìàòâèé÷óêà

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Monday, March 21, 2016

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20 ëåò â Äàëëàñå ïðîõîäèò Ðóññêèé ôåñòèâàëü Âåñíà 2016 ãîäà äëÿ ìíîãèõ â ðóññêîÿçû÷íîì Äàëëàñå çàïîìíèòñÿ 20-ì þáèëåéíûì Ðóññêèì ôåñòèâàëåì.  ýòîì ãîäó îí âûäàëñÿ ìíîãîïëàíîâûì è íå ñîâñåì îáû÷íûì.  ïðîøëîì íîìåðå The Dallas Telegraph óæå ïèñàëà î äâóõ ìåðîïðèÿòèÿõ, êîòîðûå ïðîøëè â ðàìêàõ ôåñòèâàëÿ: âñòðå÷å ñ æóðíàëèñòîì Los Angeles Times è àâòîðîì êíèãè î äîíåöêîì àýðîïîðòó «Àýðîïîðò» Ñåðãååì Ëîéêî è î ìåæäóíàðîäíîì êîíêóðñå äåòñêèõ òàëàíòîâ «Ïëàíåòà òàëàíòîâ». Îäíàêî ýòî áûëè íå åäèíñòâåííûå ñîáûòèÿ Ðóññêîãî ôåñòèâàëÿ. Îá èçþìèíêàõ è îá èòîãàõ 20 þáèëåéíîãî ðàññêàçûâàåò åãî áåññìåííûé îðãàíèçàòîð, ïðîôåññîð ðóññêîé ôèëîëîãèè SMU Òàòüÿíà Çèìàêîâà. Òðàäèöèÿ ïðîâåäåíèÿ ëåêöèé â SMU ïðîäîëæèëàñü è âî âðåìÿ 20-ãî ôåñòèâàëÿ. Î âîéíå â Óêðàèíå ãîâîðèë æóðíàëèñò Ñåðãåé Ëîéêî. Îí òàêæå ïðåçåíòîâàë ñâîþ íîâóþ êíèãó «Àýðîïîðò». Áëàãîäàðÿ âàì, The Dallas Telegraph, Ñåðãåé Ëîéêî

â îòäåëå èñêóññòâ Öåíòðàëüíîé áèáëèîòåêè Äàëëàñà áóäåò ïðîäîëæàòüñÿ äâà ìåñÿöà. Äëÿ ÑØÀ òàêàÿ ïðîäîëæèòåëüíîñòü – Òàòüÿíà, ÷òî çà ôîðìàò õóäîæåñòâåííûõ âûñòàâîê ñîáûë âûáðàí äëÿ âàøåãî 20âåðøåííî íåòèïè÷íà, îáû÷íàÿ ãî ôåñòèâàëÿ? ïðàêòèêà – äåíü-äâà, ìàêñèìóì – 20-é ôåñòèâàëü, äåéñòâèíåäåëÿ-äðóãàÿ. Íà âûñòàâêå òåëüíî, î÷åíü îòëè÷àëñÿ îò ïðåäñòàâëåíû, êàê ðàáîòû íàøèõ ìåñòíûõ õóäîæíèêîâ, ñ êîòîðûìè ìû ñîòðóäíè÷àåì íà ïðîÄèðåêòîð Ðóññêîé øêîëû Äàëëàñà Íàòàøà Êñåíäçîâà è ïðîôåññîð òÿæåíèè íåñêîëüêèõ ëåò Õàðüêîâñêîãî óíèâåðñèòåòà èñêóññòâ Îëåã Ôåäîðîâ (ýòî è Ìèõàèë Äèìîâ, è Ìèõàèë ×àóñîâñêèé, è òåëüíûìè ìóçûêàíòàìè-àêêîðäå– Òàòüÿíà, íåäàâíî âû Êàðèíà Ìàòèâîñÿí, è Ëàîíèñòàìè. Åëåíà â ýòîì ãîäó äàâûñêàçûâàëè òàêîå ìíåðèñà Ìàêååâà, è Âëàäèâàëà îòêðûòûé óðîê â ðàìêàõ íàíèå, ÷òî óæå óñòàëè åæåìèð Çèìàêîâ), òàê è êàðøåãî ôåñòèâàëÿ âî âðåìÿ åæåãîäãîäíî ïðîâîäèòü ôåñòèòèíû ðîññèéñêèõ õóäîæíîé êîíâåíöèè àêêîðäåîíèñòîâ. âàëè. Îæèäàòü ëè íàì â íèêîâ – Ýðíñòà Íåèçâåñòíîãî, Ìèõàèëà Øåìÿêèíà. Êðîìå òîãî, íà âûñòàâêå ìîæíî óâèäåòü äåòñêèå ðàáîòû ïîáåäèòåëåé êîíêóðñà ðèñóíêîâ â Ðóññêîé øêîëå Äàëëàñà, à òàêæå â õóäîæåñòâåííûõ øêîëàõ Ñàðàòîâà.  ÷èñëå ýêñïîíàòîâ è ìàêåòû ðóññêèõ öåðêâåé.  ýòîì ãîäó ê Ðóññêîìó ôåñòèâàëþ ïîäêëþ÷èëñÿ ìîé áûâøèé ñòóäåíò Êîíñòàíòèí ×åðíèêîâ. Êîãäà Áåññìåííûé îðãàíèçàòîð Ðóññêîãî ôåñòèâàëÿ â Äàëëàñå íà ïðîòÿæåíèè Êîíñòàíòèí åùå 20 ëåò ïðîôåññîð SMU Òàòüÿíà Çèìàêîâà ó÷èëñÿ â SMU, òî áûë î÷åíü àêòèâñìîã âñòðåòèòüñÿ ñ íàøåé êîìüíûì, âîçãëàâëÿÿ Ðóññêèé ïðåäûäóùèõ ôåñòèâàëåé, îñîþíèòè è áîëåå ïîäðîáíî ðàññêàêëóá, ó÷àñòâóÿ âî âñåõ íàáåííî îò ïåðâûõ. Ïåðâûå ôåñçàòü è î êíèãå, è î ñâîåì îïûòå øèõ ìåðîïðèÿòèÿõ, âêëþòèâàëè áûëè, ñêîðåå, êîíöåðæóðíàëèñòêîé äåÿòåëüíîñòè íà ÷àÿ Ðóññêèé ìàñêàðàä, ïîòàìè, ãäå âûñòóïàëè ïðèãëàâîñòîêå Óêðàèíû. Âòîðàÿ ëåêìîãàë îðãàíèçîâûâàòü ðóñ- Çðèòåëè êîíöåðòà øåííûå íàìè ìóçûêàíòû è öèÿ, êîòîðàÿ ïðîøëà â óíèâåðñêèå ôåñòèâàëè. Ïîñëå àðòèñòû, êàê ìåñòíûå, òàê è ñèòåòå, áûëà ïîñâÿùåíà 100-ëåîêîí÷àíèÿ óíèâåðñèòåòà èç Ðîññèè. òèþ ðóññêîãî èñêóññòâà, íà÷èÊîíñòàíòèí îðãàíèçîâàë «Íàø Îêîí÷àíèå 20-ãî Ðóññêîãî Ñî âðåìåíåì ôåñòèâàëü âûýòîé ñâÿçè 21-ãî ôåñòèíàÿ ñ 1917-ãî ãîäà, è ïðî÷åë åå Äàëëàñ» â ðàìêàõ êîòîðîãî îí ðåðîñ ñ îäíîäíåâíîãî äî íåäåëüôåñòèâàëÿ ñîâïàëî ñ Ðóññêîé âàëÿ? õóäîæíèê Âëàäèìèð Çèìàêîâ. ãóëÿðíî ïðîâîäèò òåìàòè÷åñêèå íîãî, è â åãî ðàìêàõ ïðîâîäèìàñëåíèöåé è â ðåñòîðàíå «Âîë– Ïîñëå îêîí÷àíèÿ î÷åðåäìåðîïðèÿòèÿ äëÿ ìîëîäåæè Äàë ýòîì ãîäó ìû ñîâåðøåííî ëîñü íåñêîëüêî ìåðîïðèÿòèé – ãà» ïî ýòîìó ñëó÷àþ áûëî óñòíîãî ôåñòèâàëÿ ÿ, åñòåñòâåííî, ëàñà. Òàê, 5 ìàðòà îí óñòðîèë âåíåîáû÷íî óñòðîèëè õóäîæåëåêöèè â óíèâåðñèòåòàõ, ïðèðîåíî íàðîäíîå ãóëÿíèå – ñ èãóñòàþ. Äóìàþ, ÷òî íà ýòîì ýòà÷åðèíêó «Ñâåòîôîð» â ÷åñòü ñòâåííóþ âûñòàâêó. Åñëè ðàíüðàìè, ñ òàíöàìè, c õîðîâîäàìè åçä äåëåãàöèè èç Ñàðàòîâà, ãîïå Ôåñòèâàëü óæå ìîæåò ñóùåÌåæäóíàðîäíîãî æåíñêîãî äíÿ. øå õóäîæåñòâåííûå âûñòàâêè âîêðóã ÷ó÷åëà çèìû, ñ áëèíàðîäà-ïîáðàòèìà Äàëëàñà. ñòâîâàòü ïðè ëþáîì îðãàíèçàìè.  ýòîì ãîäó íàø ôåñòîðå.  íàøåé îáùèíå ïîÿâèÕî÷ó ñêàçàòü, ÷òî 20-é ëèñü ëèäåðû, êîòîðûå òèâàëü ïîëó÷èëñÿ îñîáåííûì, ïîòîìó ÷òî ìû Ðóññêèé ôåñòèâàëü Äàëëàïîìîãàëè íàì êîîðäèíèðîâàòü îáúåäèíèëè â Äàëëàñå ýòîò ôåñòèâàëü è êîòîðûå ñàñà îáúåäèíèë âñå ñàìîå èíâñå ñàìîå èíòåðåñíîå è ìîñòîÿòåëüíî ïðîâîäÿò ìíîãî òåðåñíîå, ÷òî â êóëüòóðíîì ëó÷øåå â êóëüòóðíîì êóëüòóðíûõ ìåðîïðèÿòèé. Òàê ïëàíå ïðîèñõîäèò â ðóñïëàíå. Äà è ïðîäîëæàë÷òî çà âûáðàííûì äëÿ 20-ãî ôåñêîÿçû÷íîé îáùèíå. Ôåññÿ íàø ôåñòèâàëü â ýòîò ñòèâàëÿ ôîðìàòîì, äóìàþ, áóòèâàëü çàäåéñòâîâàë äåòåé, ðàç öåëûõ äâå íåäåëè. äóùåå. Åäèíñòâåííîå, ôåñòèìîëîäåæü, âçðîñëûõ – ëþâàëü áóäåò òàêæå òðåáîâàòü îááèòåëåé èñêóññòâà è ïîëè– Êàêèå ñîáûòèÿ ùåé êîîðäèíàöèè, ñïîíñîðñêîé òèêè. Íó, à çàêîí÷èëîñü âêëþ÷àë þáèëåéíûé ïîìîùè, ðåêëàìíîé ïîääåðæâñå íàðîäíûì ãóëÿíèåì. ôåñòèâàëü? êè. È âûáðàííîå âðåìÿ – êî ýòîò ðàç ôåñòèâàëü – C ìåæäóíàðîäíûì íåö ôåâðàëÿ – íà÷àëî ìàðòà – ïðàêòè÷åñêè íå çàâèñåë îò êîíêóðñîì «Ïëàíåòà òàêàæåòñÿ ëó÷øåé ïîðîé äëÿ ôåïðèãëàøåííûõ ãîñòåé è ëàíòîâ» Ðóññêîé øêîëû ñòèâàëÿ â ñâÿçè ñ òåì, ÷òî â ãîäîêàçàë, ÷òî íàøà êîìüþÄàëëàñà ìû ñîòðóäíè÷àðîäå è â îáùèíå ìíîãî ÷åãî íèòè ñâîèìè ñèëàìè ìîåì íà ïðîòÿæåíèè íåïðîèñõîäèò. æåò åæåãîäíî ïðîäîëæàòü ñêîëüêèõ ëåò.  ýòîì òðàäèöèþ ðóññêèõ ôåñòèãîäó ìû ðåøèëè ïîääåð– Ôåñòèâàëü òàê è áóäåò âàëåé.  ãîðîäå è â îáùèæàòü êîíêóðñ ñ ïðîôåñîñòàâàòüñÿ Ðóññêèì èëè îí íå ïîäíÿëîñü ìíîãî îðãàñèîíàëüíîé ñöåíîé è áóäåò ïåðåèìåíîâàí â Ñëàíèçàöèé è êîëëåêòèâîâ, àðåíäîâàëè äëÿ íèõ òåâÿíñêèé? êîòîðûå ñâîèìè ñèëàìè àòð Courtyard â Ïëýéíî.

–  ïðèíöèïå, ôåñòèâàëü ó äåëàþò íàø ãîðîä ëó÷øå Ìíå êàæåòñÿ, ÷òî ýòî íàñ óæå ìåæäóíàðîäíûé. Åãî è êóëüòóðíåå. È â ýòîì òîëüêî ïîäíÿëî êîíêóðñ ó÷àñòíèêè – âûõîäöû íå òîëüãîäó ìû ïîïûòàëèñü âñå íà íîâûé óðîâåíü. Äà è êî èç ðàçíûõ ñòðàí áûâøåãî Ñîýòî îáúåäèíèòü. Êîãäà Ðóñêîíöåðò ïîëó÷èëñÿ ïðåñêèé ôåñòèâàëü òîëüêî íàþçà, íî è èç íåêîòîðûõ ñòðàí êðàñíûé, íà íåì áóêÂîñòî÷íîé Åâðîïû. Ïîýòîìó äî÷èíàëñÿ 20 ëåò íàçàä – âàëüíî ñèÿëè þíûå òà- Íàðîäíàÿ àðòèñòêà Óêðàèíû Ëþäìèëà Êàñüÿíåíêî ïîä àêêîìïàíåìåíò Ãðåãîðè ìíîãèõ ðóññêîÿçû÷íûõ ïóñêàþ, ÷òî ôåñòèâàëü ìîæíî ëàíòû íàøåé îáùèíû. Ôàéíøòåéíà èñïîëíèëà ðóññêèå è óêðàèíñêèå ïåñíè áóäåò è â ñëàâÿíñêèé ïåðåèìåîðãàíèçàöèé ïðîñòî íå ñóÊñòàòè, Ðóññêàÿ øêîëà ùåñòâîâàëî. Áûëè îòäåëüíîâàòü. Êðîìå òîãî, ìíîãèå ãîäû ìû ïðîõîäèëè â òå÷åíèå îäíîãî äíÿ Äàëëàñà 4 ãîä ïîäðÿä ïðîâîäèò íûå òàëàíòëèâûå ìóçûêàíòû, ôåñòèâàëÿ – ïåðåä êîíöåðòîì, ñîòðóäíè÷àåì ñ Åëåíîé è Ãðåñâîé ôåñòèâàëü «Ïëàíåòà òàëàíêîòîðûõ ìû è âîâëåêàëè â ôåñ– Åæåãîäíî â ðàìêàõ ãîðè Ôàéíøòåéíàìè – çàìå÷àòî â ýòîì ãîäó âûñòàâêà êàðòèí òîâ» . ôåñòèâàëÿ âû è Ðóññêîòèâàëü. Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí

Êîãäà ìóçûêà âñòðåòèëàñü ñ õóäîæåñòâåííûì èñêóññòâîì  ðàìêàõ 20-ãî Ðóññêîãî ôåñòèâàëÿ â Öåíòðàëüíîé Áèáëèîòåêå Äàëëàñà îòêðûëàñü äâóõìåñÿ÷íàÿ âûñòàâêà õóäîæíèêîâ ðóññêîãî ïðîèñõîæäåíèÿ. Íà 4 ýòàæå áèáëèîòåêè, â îòäåëå èñêóññòâà, ïðåäñòàâëåíû ðàáîòû äàëëàññêèõ àâòîðîâ Ìèõàèëà Äèìîâà, Ìèõàèëà ×àóñîâñêîãî, Êàðèíû Ìàòèâîñÿí, Ëàðèñû Ìàêååâîé, õóäîæíèêà èç Áîñòîíà Âëàäèìèðà Çèìàêîâà. Òàêæå ïîñåòèòåëè ñìîãóò óâèäåòü ðàáîòû èçâåñòíûõ ðîññèéñêèõ õóäîæíèêîâ Ýðíñòà Íåèçâåñòíîãî è Ìèõàèëà Øåìÿêèíà, õðàíÿùèåñÿ â ÷àñòíîé êîëëåêöèè Äàëëàñà. Âûñòàâêà òàêæå ñîäåðæèò ðèñóíêè äåòåé èç Ðóññêîé øêîëû Äàëëàñà è õóäîæåñòâåííûõ øêîë íàøåãî ãîðîäà-ïîáðàòèìà Ñàðàòîâà. Âûñòàâêà îòêðûëàñü ïðèâåòñòâèåì ïðåçèäåíòà Ðóññêî-Àìåðèêàíñêîãî öåíòðà ïðîôåññîðà SMU Òàòüÿíû Çèìàêîâîé è Äýâèäà Ãðèããñà, ïðåäñòàâëÿþùåãî Dallas – Saratov Sister Cities Committee. Äýâèä Ãðèããñ çà÷èòàë ïèñüìî îò ìýðà Äàëëàñà Ìàéêà Ðîóëèíãñà, â êîòîðîì ìýð ñíîâà ïðîâîçãëàñèë Äíè ðóññêîé êóëüòóðû â Äàëëàññå, êîòîðûå êàê ðàç ïðèõîäèëèñü íà äàòû 20-ãî Ðóññêîãî ôåñòèâàëÿ. Îñíîâàòåëü íåêîììåð÷åñêîé îðãàíèçàöèè "Art With Perspective" Êàðèíà Ìàòèâîñÿí ðàññêàçàëà î ìèññèè ñâîåãî äåòèùà: «Ìû ñ áîëüøîé ëþáîâüþ è óâàæåíèåì îòíîñèìñÿ ê èñêóññòâó è ýòîé ëþáîâüþ

Àìåðèêàíñêèé öåíòð êîãîòî îñîáåííî îòìå÷àåòå çà ìåæäóíàðîäíóþ ìèññèþ ïîñëàííè÷åñòâà è âêëàä â êóëüòóðíîå ðàçíîîáðàçèå. Êòî ïîëó÷èë íàãðàäó â ýòîì ãîäó?

– Íàãðàäà òîëüêî áóäåò âðó÷åíà îñåíüþ ýòîãî ãîäà, êîãäà ê íàì â Äàëëàñ ïðèåäåò èçâåñòíàÿ ïåðåâîä÷èöà ðóññêîé êëàññè÷åñêîé è ñîâðåìåííîé ëèòåðàòóðû Ðîñàìóíä Áàðòëåòò (Rosamund Bartlett). Îíà íàïèñàëà êíèãó "Tolstoy: A Russian Life" è ïåðåâîäèëà «Àííó Êàðåíèíó».  ðàçíûå ãîäû ìû ïðèãëàøàëè íà Ðóññêèå ôåñòèâàëè ðàçíûõ ãîñòåé, è îíè î÷åíü òåïëî îòçûâàëèñü î òîì, ÷òî ìû äåëàåì. Ìíå áû õîòåëîñü ïðèâåñòè îòçûâû íåêîòîðûõ èç íàøèõ ãîñòåé. Îëåã ÂÈÄÎÂ, ñîâåòñêèé, ðîññèéñêèé è àìåðèêàíñêèé êèíîàêòåð è êèíîðåæèññåð: Ñîïðèêîñíóëñÿ ñ ïðîøëîé ÷èñòîòîé

Ñâîèõ çíàêîìûõ ÷óâñòâ, ìåëîäèé, ñëîâ Äàé Áîã çäîðîâüÿ Âàì, ÷òîáû ïðîäîëæàòü ñâÿòîå – Îáúåäèíåíèå ìèðîâ.

Zurab TSERETELLI, President of the Russian Academy of Art, 2002: “It is especially meaningful that RAC is actively supporting the creativity of the youth.

The exhibit “Russia Through the Eyes of Texas Children and Texas Through the Eyes of Russian Children” is a foundation of the long-term friendly relations between our great nations. We will certainly take both of these exhibits to Moscow to display at the Moscow Museum of Modern Art. I send my wishes of great success to the Russian American Center and your Russian Festival in Dallas.”

Mikhail GORBACHEV, former Soviet President, 2000: “It is wonderful that RAC exists in such a big state as Texas and promotes dissemination of Russian culture to people in Texas. I hope that in future there will be more centers like RAC in the United State.” www.DallasTelegraph.com/60729 Russian www.DallasTelegraph.com/en/60729 English

Ó÷àñòíèêè «Áàðäàêà» ðåøèëè â ýòîì ãîäó ïîääåðæàòü Ðóññêèé ôåñòèâàëü, èñïîëíèâ íåñêîëüêî ïåñåí è ìèíèàòþð ðàçãîâîðíîãî æàíðà. Ôðåä Øòåðåíáåðã ïî ñëó÷àþ Ìåæäóíàðîäíîãî Æåíñêîãî äíÿ 8 ìàðòà ñïåë èçâåñòíûé ðóññêèé ðîìàíñ «Íå óåçæàé òû, ìîé ãîëóá÷èê». Òàëàíòëèâîãî õóäîæíèêà è ìóçûêàíòà Ìèõàèëà ×àóñîâñêîãî â Äàëëàñå çíàþò ìíîãèå – îí ïèøåò êàðòèíû, ñî÷èíÿåò ìóçûêó, ïîåò, èãðàåò íà ãèòàðå. Ïðåäñòàâëÿÿ ïåñíþ ñîáñòâåííîãî ñî÷èíåíèÿ îá èòàëüÿíñêîì õóäîæíèêå Ìîäèëüÿíè, Ìèõàèë ïðèçíàëñÿ, ÷òî, êîãäà îí ðèñóåò, îí ñëûøèò ìóçûêó, à êîãäà èñïîëíÿåò ìóçûêó, îí âèäèò êàðòèíó. Ïåòð Áåëüñêèé è Îëüãà Áèðáàñîâà óäèâèòåëüíî ëèðè÷íî ñïåëè óêðàèíñêóþ ïåñíþ «×îì òè íå ïðèéøîâ». Ìàñòåð õóäîæåñòâåííîãî ñëîâà Ñåðãåé Ðàòãîí ïðî÷èòàë äâå ìèíèàòþðû. Íó, à çàêîí÷èëñÿ ïðàçäíèê ñîâìåñòíûì èñïîëíåíèåì – è àðòèñòàìè, è çðèòåëüñêèì çàëîì – ïåñíè Îëåãà Ìèòÿåâà «Èçãèá ãèòàðû æåëòîé».

Ïðåäñòàâèòåëè Äàëëàññêîãî êëóáà àâòîðñêîé ïåñíè «Áàðäàê» Ôðåä Øòåðåíáåðã è Ìèõàèë ×àóñîâñêè èñïîëíÿþò ðîìàíñû

Êàðèíà Ìàòèâîñÿí (êðàéíÿÿ ñïðàâà) ïðåäñòàâèëà âûñòàâêó êàðòèí è îðãàíèçàöèþ "Art With Perspective"

äåëèìñÿ ñ äðóãèìè. Êàê õóäîæíèê ÿ çíàþ, êàê íåïðîñòî íàéòè âîçìîæíîñòè äëÿ âûñòàâêè ñâîèõ ðàáîò. Çàäà÷à íàøåé îðãàíèçàöèè – ïîìîãàòü õóäîæíèêàì ñ îðãàíèçàöèåé âûñòàâîê». Êîíöåðò ìóçûêàíòîâ ðóññêîÿçû÷íîãî Äàëëàñà ïðîäîëæèë ïðîãðàììó. Êîòîðûé ãîä íà êîíöåðòàõ Ðóññêîãî ôåñòèâàëÿ âûñòóïàåò íàðîäíàÿ àðòèñòêà Óêðàèíû, Óêðàèíñêàÿ Ìàäîí-

íà Ëþäìèëà Êàñüÿíåíêî. Ïîä àêêîìïàíåìåíò âåëèêîëåïíîãî àêêîðäåîíèñòà Ãðèãîðèÿ Ôàéíøòåéíà Ëþäìèëà Êàñüÿíåíêî èñïîëíèëà íåñêîëüêî óêðàèíñêèõ è ðóññêèõ ïåñåí. Íó, à ëåãåíäàðíûå «Êàëèíêà» è «Î÷è ÷åðíûå» âìåñòå ñ Óêðàèíñêîé Ìàäîííîé ïåë âåñü çàë. Êëóá áàðäîâñêîé ïåñíè Äàëëàñà «Áàðäàê» îñåíüþ ýòîãî ãîäà áóäåò ïðàçäíîâàòü ñâîå 10-ëåòèå.

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