2016 06 29 The Texas Telegraph

International Newspaper of Texas. Bi-weekly

Wednesday, June 29, 2016

ËÅÒÎ

×òî òóðèñòàì ïîñìîòðåòü â Äàëëàñå? Ëåòíèé Äàëëàñ, êîíå÷íî, ïûøåò îãíåì ñ íåáà. Òåì íå ìåíåå, ñëó÷àþòñÿ è â òåõàññêîé ïîãîäå íåáîëüøèå ïåðåäûøêè â æàðå. È âîò â ýòè-òî õîòÿ è ðåäêèå, íî î÷åíü ïðèÿòíûå äåíüêè è ìîæíî ïðèåçæèì ãîñòÿì èç äðóãèõ øòàòîâ è ñòðàí ïîêàçàòü íàø Äàëëàñ. Òåì áîëåå, ÷òî è ïîñìîòðåòü ó íàñ åñòü ÷òî. Òåêñò è ôîòî The Dallas Telegraph

Íàïðèìåð, îäíîèìåííûé ìóçåé îñíîâàòåëüíèöû êîñìåòè÷åñêîé ëèíèè Mary Kay. Ðàçìåð ìóçåÿ – 5 òûñÿ÷ êâàäðàòíûõ ôóíòîâ, íà êîòîðûõ ðàçìåñòèëèñü ìíîãèå ýêñïîíàòû, ñâÿçàííûå ñ èìåíåì îñíîâàòåëüíèöû êîñìåòè÷åñêîé èìïåðèè Ìýðè Êýé Ýø. Êàê èçâåñòíî, êîìïàíèÿ áûëà îñíîâàíà â 1963 ãîäó â Äàëëàñå.  ìóçåå – êîñìåòè÷åñêèå ýêñïîíàòû, óïàêîâêè, âûõîäíûå ïëàòüÿ ãîñïîæè Êýé, ðåïëèêè åå èçâåñòíûõ ðîçîâûõ Êàäèëëàêîâ, þâåëèðíûå èçäåëèÿ Ëèç Òýéëîð è ìíîãîå äðóãîå. Ìóçåé îòêðûò ñ ïîíåäåëüíèêà ïî ïÿòíèöó. ×èòàòåëü, çíàåòå ëè âû, ÷òî ó íàñ â Ôîðò-Óýðòå ïå÷àòàþòñÿ ìèëëèàðäû äîëëàðîâ? ×òîáû óâèäåòü, êàê ïðîèñõîäèò ïå÷àòü, è óçíàòü áîëüøå îá àìåðèêàíñêèõ äåíüãàõ – ïîñåòèòå Áþðî ïî ãðàâèðîâ-

êå è ïå÷àòè äîëëàðîâ (U.S. Bureau of Engraving and Printing – Western Currency Facility). Òàêæå â ìóçåå ðàáîòàåò âûñòàâêà, ìîæíî ïîñìîòðåòü ôèëüì î äîëëàðàõ è, êîíå÷íî, êóïèòü ñóâåíèð â ìåñòíîé ñóâåíèðíîé ëàâêå. Áåñïëàòíûå òóðû – ñî âòîðíèêà ïî ïÿòíèöó.

(McKinney Avenue Trolley) ñ îñòàíîâêàìè ó Êëàéä Óîððåí ïàðêà (Klyde Warren Park), â ðàéîíå Dallas Arts District, ðÿäîì ñ ìîëëàìè è ðåñòîðàíàìè.

Ïðîãîí áûêîâ â ÔîðòÓýðòå (Fort Worth Herd Cattle Drive) íà Ñòîêßðäå ïðîèñõîäèò äâàæäû â äåíü – â 11.30 óòðà è â 4 ÷àñà âå÷åðà. Ëó÷øåå ìåñòî äëÿ íàáëþäåíèÿ çà ïðîãîíîì – Stockyards Visitor Center.

Ìóçåé Áèáëåéñêîãî èñêóññòâà (Museum of Bib-lical Art) Äàëëàñà áûë îñíîâàí åùå â 1967 ãîäó.  ñîêðîâèùíèöàõ ìóçåÿ ñîäåðæèòñÿ ñâûøå 2500 îáðàçöîâ èñêóññòâà, âêëþ÷àÿ ïîëîòíà èçâåñòíûõ õóäîæíèêîâ, ýêñïîíàòû õðèñòèàíñêîé è èóäåéñêîé êóëüòóð, êîòîðûå âûñòàâëåíû â 11 ãàëåðåÿõ. Ñîâñåì íåäàâíî ó ñòåí ìóçåÿ, ïîä îòêðûòûì íåáîì îòêðûëñÿ ñêóëüïòóðíûé ñàä "Via Dolorosa", â êîòîðîì ïðåäñòàâëåíû áðîíçîâûå ñêóëüïòóðû àìåðèêàíñêîãî ñêóëüïòîðà Ãèáà Ñèíãåëòîíà (Gib Singleton).

Ïî Äàëëàñó ìîæíî áåñïëàòíî ïðîåõàòüñÿ íà òóðèñòè÷åñêîì òðàìâàå

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Âîäíûå ñàäû ÔîðòÓýðòà (Fort Worth Water Gar-dens) – ýòî ãîðîäñêîé ïàðê, â êîòîðîì êàñêàäû âîäû ýôôåêòíî ñïàäàþò âíèç. Ïàðê, êñòàòè, ïîêàçûâàëè â êèíîôèëüìå Logan's Run.

Ìóçåé Áèáëåéñêîãî èñêóññòâà

Ïðîãîí áûêîâ â Ôîðò-Óýðòå íà Ñòîê-ßðäå Ìóçåé Ìýðè Êýé

Åñëè âû èëè âàø áèçíåñ õîòèòå ïîçäðàâèòü âàøèõ êëèåíòîâ, ïàðòíåðîâ è äðóçåé ñ ïðàçäíèêîì, ãîäîâùèíîé, þáèëååì, ïîæàëóéñòà, ñâÿæèòåñü ñ íàìè ïî òåëåôîíó: (469) 2000-660.

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ÔÎÒÎÐÅÏÎÐÒÀÆ

Wednesday, June 29, 2016

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Øêîëà Rhytmic Ribbon of Texas

ïóòåøåñòâîâàëà â ìèð Äèñíåÿ Òåêñò è ôîòî Ñåðãåÿ Òàðàí

Îäíà èç âåäóùèõ øêîë ïî õóäîæåñòâåííîé ãèìíàñòèêå â Òåõàñå Rhytmic Ribbon of Texas ïîä ðóêîâîäñòâîì îïûòíîãî è ïðîôåññèîíàëüíîãî òðåíåðà Ýëëû Ðàçèí óñòðîèëà â èþíå ïîêàçàòåëüíûå âûñòóïëåíèÿ ñâîèõ ó÷åíèêîâ. Ïðàçäíèê ïîä íàçâàíèåì "The World of Rhythmics Meets Disney Fairytale" ïîëó÷èëñÿ çðåëèùíûì, ÿðêèì è óâëåêàòåëüíûì. Ïðåäëàãàåì ÷èòàòåëÿì The Dallas Telegraph ôîòîðåïîðòàæ — ìèíè-ïóòåøåñòâèå õóäîæåñòâåííûõ ãèìíàñòîê øêîëû â ìèð äèñíååâñêèõ ãåðîåâ.

Òðåíåðñêèé ñîñòàâ øêîëû

Ãëàâíûé òðåíåð Rhytmic Ribbon of Texas Ýëëà Ðàçèí è åå çâåçäî÷êè

Ïàïû ìîãóò âñå, ÷òî óãîäíî

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Ãèìíàñòêè-áàëåðèíû

Ïåðâûå øàãè â íà÷àëå áîëüøîãî ñïîðòèâíîãî ïóòè Ãðàöèÿ

Øåëëè Ðàçèí

Çíàêîìñòâî ñ ìèðîì Óîëòà Äèñíåÿ

International Newspaper of Texas.

Bi-weekly

Published by Genesis Press Serge Taran, President and Publisher Ludmila Kachkar-Taran, Editor-in-Chief Alexey Levitin, Designer Zoryana Popovich, Proofreader

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U.S. ISSN Library of Congress Number 2327-3852

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3À

ËÅÒÎ

Wednesday, June 29, 2016

www.DallasTelegraph.com

Êàê íàéòè áåñïëàòíûå è èíòåðåñíûå ðàçâëå÷åíèÿ â Äàëëàñå Èçâåñòíî ëè âàì, ÷èòàòåëü, î òîì, ÷òî äëÿ òîãî, ÷òîáû ïðîâîäèòü ëåòî èíòåðåñíî è íàñûùåííî â Äàëëàñå – íå íóæíî ìíîãî ôèíàíñîâûõ âëîæåíèé è ÷òî âõîä íà ìíîãèå èç ìåðîïðèÿòèé – ñâîáîäíûé. Ïðîñòî íóæíî çíàòü ìåñòà è âðåìÿ. The Dallas Telegraph ïðåäëàãàåò âàì îáçîð ðàçâëå÷åíèé äëÿ ðàçíîãî âîçðàñòà, êîòîðûå âàì íå áóäóò íè÷åãî ñòîèòü. Òåêñò Ñåðãåÿ Òàðàí. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ ÏÎ ÏÎÍÅÄÅËÜÍÈÊÀÌ Ìóçåé ñêàóòîâ â Èðâèíãå (National Scouting Museum) ïðåäëàãàåò áåñïëàòíûé âõîä êàæäîå âîñêðåñåíüå è ïîíåäåëüíèê.  ìóçåå ñîáðàíà âíóøèòåëüíàÿ êîëëåêöèÿ èëëþñòðàòîðà ñêàóòèçìà Íîðìàíà Ðîêóýëëà (Norman Rockwell), áîëüøîå êîëè÷åñòâî ïàìÿòíûõ âåùåé èçâåñòíûõ ñêàóòîâ Àìåðèêè, à òàêæå ãîñòÿì ïðåäëàãàþòñÿ èíòåðàêòèâíûå ìåðîïðèÿòèÿ. Äî 12 ñåíòÿáðÿ ïî ïîíåäåëüíèêàì è ñðåäàì â Belo Gardens â 11 ÷àñîâ óòðà ïðîâîäèòñÿ ïðîãðàììà Downtown Dallas Lunch Hunts – ýòî òóð ñ ïîèñêîì ïîäñêàçîê, êîòîðûå ïðèâåäóò âàñ ê äîñòîïðèìå÷àòåëüíîñòÿì â öåíòðå ãîðîäà – ìàãàçèíàì, ïàðêàì, ïàìÿòíèêàì. Ïðåäëàãàåòñÿ ðàñøèôðîâàòü ïîäñêàçêè, ñôîòîãðàôèðîâàòü êàæäóþ èç äîñòîïðèìå÷àòåëüíîñòåé, ê êîòîðîé âàñ ïðèâåëà ïîäñêàçêà, ïîäåëèòüñÿ ôîòî â ñîöèàëüíûõ ñåòÿõ. Êîãäà âû çàêîí÷èòå òóð è âåðíåòåñü â Belo Gardens, ïîêàæèòå ðàáîòíèêàì Downtown Dallas Inc. âàøè ïîñòû. Òîò, êòî ïðèäåò ê ôèíèøó ïåðâûì – ïîëó÷èò õîðîøèé ïðèç, à âñå ó÷àñòíèêè òóðà – ñóâåíèðû. ÏÎ ÂÒÎÐÍÈÊÀÌ Sounds of Lewisville – ýòî ìóçûêàëüíûå âå÷åðèíêè, êîòîðûå ïðîõîäÿò ïî âòîðíèêàì, íà÷èíàÿ ñ 7 ÷àñîâ âå÷åðà, âïëîòü äî 26 èþëÿ â Wayne Ferguson Plaza.

Tuesday Evenings at the Modern – ýòî áåñïëàòíûå êèíîïîêàçû â Ìóçåå ñîâðåìåííîãî èñêóññòâà ÔîðòÓýðòà (Modern Art Museum of Fort Worth). Ïðîõîäÿò âïëîòü äî 26 èþëÿ.

ÏÎ ÑÐÅÄÀÌ Ïðîãðàììà Whiskey & Movies Sundown ïðîõîäèò íà êðûøå êèíîòåàòðà Granada ïî ñðåäàì, íà÷èíàÿ ñ 8.30 âå÷åðà, âïëîòü äî 31 àâãóñòà. Êèíîïîêàçû ðàññ÷èòàíû íà çðèòåëåé ñòàðøå 21 ãîäà. Âèñêè ïðîäàåòñÿ â ïîëöåíû.

Wonderful Wednesdays – åæåìåñÿ÷íàÿ ïðîãðàììà äëÿ äåòåé îò 4 ëåò è ñòàðøå. Îíà âêëþ÷àåò ïîêàç èñòîðèé è ðàçâëå÷åíèÿ â Ìóçåå ñîâðåìåííîãî èñêóññòâà Ôîðò-Óýðòà. Ñëåäóþùàÿ ïðîãðàììà ïðîéäåò 10 àâãóñòà. Âìåñòèìîñòü çàëà – 20 ÷åëîâåê, ïîýòîìó ðåêîìåíäóåòñÿ çàïèñàòüñÿ çàðàíåå, ñâÿçàâøèñü ñ ìóçååì. Ïîêàç êèíîôèëüìîâ â ðàìêàõ ïðîãðàììû South Alley Film Series ïðîõîäèò ìåæäó Mi Cocina è Magnolia â ðàéîíå Äàëëàñà West Village â òðåòüþ ñðåäó êàæäîãî ìåñÿöà. Ñëåäóþùèå êèíîïîêàçû – 20 èþëÿ, 17 àâãóñòà, 21 ñåíòÿáðÿ è 19 îêòÿáðÿ. Ðåêîìåíäóåòñÿ çàõâàòèòü ïîêðûâàëî äëÿ ñèäåíèÿ íà òðàâå èëè ðàñêëàäíîé ñòóë. ÏÎ ×ÅÒÂÅÐÃÀÌ Æåì÷óæèíà Southern Methodist University – ìóçåé èñêóññòâ Meadows ïðåäëàãàåò áåñïëàòíûé âõîä ïî ÷åòâåðãàì ïîñëå 5 ÷àñîâ âå÷åðà.  ìóçåå ñîáðàíà ñàìàÿ êðóïíàÿ è ïîëíàÿ êîëëåêöèÿ èñïàíñêîãî èñêóññòâà çà ïðåäåëàìè Èñïàíèè. Êàæäóþ íåäåëþ äî 28 èþëÿ ìîëë Shops at Willow Bend óñòðàèâàåò ðàçâëåêàòåëüíóþ ïðîãðàììó äëÿ äåòåé Summer Fun Thursdays.  ïðîãðàììå – êëîóíû, ãðóïïà ïî ïåðåðàáîòêå ìóñîðà è ðàáîòå ñ èíñòðóìåíòàìè Vocal Trash, ÷åëîâåê-ïóçûðü è ìíîãîå äðóãîå.

Ãëàâíàÿ ïëîùàäü â Äåíòîíå – î÷àðîâàòåëüíîå ìåñòî äëÿ øîïèíãà, äëÿ ïîñåùåíèÿ ðåñòîðàíîâ è îòäûõà. Êàðòèííàÿ ãàëåðåÿ UNT on the Square âïëîòü äî 4 àâãóñòà ïî ÷åòâåðãàì,

Audubon Center – ñâîáîäíûé. Îò öåíòðà Äàëëàñà äî ïðèðîäíîãî öåíòðà åõàòü âñåãî 10 ìèíóò, íî òàêîå îùóùåíèå, ÷òî òû ïîïàäàåøü íà äðóãóþ ïëàíåòó.

Trinity River Audubon Center ïðåäëàãàåò 4-ìèëüíûå ìàðøðóòû äëÿ ïåøèõ ïðîãóëîê è ðàçâëå÷åíèÿ âíóòðè öåíòðà. Trinity River Audubon Center – ýòî äîì äëÿ ñàìûõ ðàçíîîáðàçíûõ âèäîâ ïòèö è ðàñòåíèé.

Hillside Village â ãîðîäå Ñåäàð Õèëë â ðàìêàõ ïðîãðàììû ëåòíèõ êîíöåðòîâ Jam to Give Summer Concert Series âûñòóïàþò ìåñòíûå ìóçûêàëüíûå ãðóïïû. Ãàëåðåÿ Nasher Sculpture Center â ñâîåì î÷àðîâàòåëüíîì ñàäó ïðåäëàãàåò ðàç â ìåñÿö áåñïëàòíûå êîíöåðòû è êèíî â ðàìêàõ ïðîãðàììû Til' Midnight. Ñëåäóþùèå ìåðîïðèÿòèÿ – 19 àâãóñòà, 16 ñåíòÿáðÿ è 21 îêòÿáðÿ.

Íå çàáóäüòå çàõâàòèòü êóïàëüíûé êîñòþì íà ñåðèþ êîíöåðòîâ Rockin' the River ïî ÷åòâåðãàì íà÷èíàÿ ñ 8 ÷àñîâ âå÷åðà, â ðàìêàõ ïðîãðàììû Thursday Night Music ïðåäëàãàåò äæàçîâûå ìóçûêàëüíûå âå÷åðà îò ñòóäåíòîâ êîëëåäæà ìóçûêè óíèâåðñèòåòà UNT. Íå çàáóäüòå çàõâàòèòü êóïàëüíûé êîñòþì íà ñåðèþ êîíöåðòîâ Rockin' the River, êîòîðàÿ ïðîõîäèò â Ôîðò-Óýðòå â ðåêå Òðèíèòè. Ñöåíà, íà êîòîðîé âûñòóïàþò ìóçûêàíòû, ïîñòðîåíà íà ñàìîì áåðåãó ðåêè, à çðèòåëüíûé çàë – ýòî ðåêà, â êîòîðîé íà ïëàâó÷èõ ìàòðàñàõ ðàñïîëàãàþòñÿ çðèòåëè. Ñåðèÿ êîíöåðòîâ ïðîõîäèò ïî ÷åòâåðãàì äî 11 àâãóñòà. Êàæäûé òðåòèé ÷åòâåðã ìåñÿöà âõîä â Trinity River

Êàæäûé âòîðîé ÷åòâåðã ìåñÿöà âïëîòü äî íîÿáðÿ – ñ 5 äî 8 ÷àñîâ âå÷åðà – áåñïëàòíî ïîïðîáóéòå ðàçíûå âèäû âèíà â öåíòðå Ïëýéíî â ðàéîíå èñêóññòâ, íàñëàäèòåñü æèâîé ìóçûêîé è çàéäèòå â êàðòèííûå ãàëåðåè. Êàæäûé ïåðâûé ÷åòâåðã ìåñÿöà Irving Arts Center ïðåäëàãàåò ïðîãðàììó JumpstArt Stories äëÿ äåòåé îò 2 ëåò è ñòàðøå.  ïðîãðàììå – íîâûå èñòîðèè èç äåòñêèõ êíèã è ñîçäàíèå õóäîæåñòâåííûõ ïðîåêòîâ íà îñíîâå ýòèõ èñòîðèé. ÏÎ ÏßÒÍÈÖÀÌ Ïî ïÿòíèöàì, íà÷èíàÿ ñ 7 ÷àñîâ âå÷åðà, äî 5 àâãóñòà â òîðãîâîì öåíòðå

Ðàçâëå÷åíèå äëÿ âñåé ñåìüè ïî ïÿòíèöàì ïðîõîäÿò â ïàðêå Rockwall – ýòî ìóçûêà, òàíöû, èãðû è ïîêàç ôèëüìà. Ýòî ìåðîïðèÿòèå åæåìåñÿ÷íîå è ñëåäóþùèå åãî äàòû ïðîâåäåíèÿ – 22 èþëÿ, 26 àâãóñòà è 23 ñåíòÿáðÿ. ÏÎ ÑÓÁÁÎÒÀÌ Â ðàìêàõ ïðîãðàììû Duncanville Summer Concert ìåñòíûå è ïðèåçæèå èñïîëíèòåëè èãðàþò â Armstrong Park â Äàíêàíâèëëå. Ñëåäóþùèå êîíöåðòû – 16 èþëÿ è 20 àâãóñòà. Ãàëåðåÿ è ìóçåé Nasher Sculpture Center ïðåäëàãàþò áåñïëàòíûé âõîä â ïåðâóþ ñóááîòó êàæäîãî ìåñÿöà. Êàê ðàç ïî ñóááîòàì ãà-

ëåðåÿ òàêæå ïðîâîäèò áåñïëàòíîå ìåðîïðèÿòèå äëÿ âñåé ñåìüè – Target First Saturdays.  ðàìêàõ ïðîãðàììû Addison Summer Series ïðîâîäèòñÿ ñåðèÿ êîíöåðòîâ «Ðîæäåñòâî â èþëå». Ìåñòíûå ìóçûêàíòû è ïåâöû ïîäàðÿò âàì ñâîå ëó÷øåå òâîð÷åñòâî. Ãàëåðåÿ Äàëëàñà ïî ñóááîòàì, íà÷èíàÿ ñ 11.30 ÷àñîâ óòðà, ðÿäîì ñ Children's Play Place â Nordstrom ïðîâîäèò äåòñêóþ ïðîãðàììó ñ êðàñî÷íûìè íîìåðàìè. Êàæäóþ âòîðóþ ñóááîòó ìåñÿöà Öåíòð Ëàòèíñêîé êóëüòóðû (The Latino Cultural Center) ïðèãëàøàåò ñåìüè íà ïðîãðàììó Target Second Saturdays. Ñðåäè ðàçâëå÷åíèé – õóäîæåñòâåííûå ïðîåêòû, âûñòóïëåíèÿ èñïîëíèòåëåé è ìíîãîå äðóãîå. Òàíöóéòå âñþ íî÷ü ïîä æèâóþ ìóçûêó ñ 6 ïî 27 àâãóñòà â Vitruvian Park â ðàìêàõ ïðîãðàììû Vitruvian Salsa Festival. Ëàòèíîàìåðèêàíñêèì òàíöàì âàñ íàó÷àò ó÷èòåëÿ ñàëüñû, à íå äàäóò óìåðåòü îò ãîëîäà – ðåñòîðàíû íà êîëåñàõ. ÏÎ ÂÎÑÊÐÅÑÅÍÜßÌ Âïëîòü äî 4 ñåíòÿáðÿ âõîä â Fort Worth's Panther Island Pavilion – âäîëü ðåêè Òðèíèòè – áóäåò áåñïëàòíûì. Çàõâàòèòå ñ ñîáîé ïîêðûâàëà, ðàñêëàäíûå ñòóëüÿ è èãðû. Çà äîïîëíèòåëüíóþ ïëàòó – èãðà â ðàçëè÷íûå âèäû ãîëüôà è äðóãèå ðàçâëå÷åíèÿ. Ìóçåé ñîâðåìåííîãî èñêóññòâà Ôîðò-Óýðòà ïðåäëàãàåò áåñïëàòíûé âõîä â ìóçåé êàæäîå âîñêðåñåíüå. ßïîíñêèé àðõèòåêòîð Òàäàî Àíäî (Tadao Ando) âûñòóïèë äèçàéíåðîì çäàíèÿ ìóçåÿ. Ìóçåé ÿâëÿåòñÿ áîëüøèì õðàíèëèùåì èñêóññòâà ïåðèîäà ïîñëå Âòîðîé ìèðîâîé âîéíû. www.DallasTelegraph.com/61580 Russian www.DallasTelegraph.com/en/61580 English

Òîëüêî ïðåäñòàâüòå ñåáå æèçíü â ñîáñòâåííîì äîìå â Ñåâåðíîì Äàëëàñå, â ïðåñòèæíîì è ñòàáèëüíîì çåëåíîì ðàéîíå! Óõîæåííûé ñâåòëûé ïðîñòîðíûé 4-ñïàëüíûé äîì ñ 3-ìÿ âàííûìè êîìíàòàìè. Ñîâðåìåííàÿ îòêðûòàÿ êóõíÿ. Äåðåâÿííûé ïîë âî âñåì äîìå. Êðûøà ïåðåñòåëåíà â èþíå 2016 ãîäà. Êðàñèâî îôîðìëåííûé ìíîãîóðîâíåâûé çàäíèé äâîð ñ êðûòûì ïàòèî è ôðóêòîâûì ñàäîì!

 ïåøåõîäíîé äîñòóïíîñòè ïàðê ñ ïðîãóëî÷íûìè è âåëîñèïåäíûìè äîðîæêàìè. Äîáàâüòå êî âñåìó ýòîìó îòëè÷íûå øêîëû ãîðîäà Ðè÷àðäñîíà! Íîâàÿ ìåáåëü, çàíàâåñêè âî âñåì äîìå, ïîëî÷êè â ãàðàæå è õîëîäèëüíèê îñòàþòñÿ â äîìå. Èíòåðåñíî? Çâîíèòå âàøåìó ðóññêîÿçû÷íîìó ðèýëòîðó â Äàëëàñå è â ïðèãîðîäàõ Ëàðèñå Äîñòàëü (Larisa Dostal): (972) 464-8385

Ïðîñêàíèðóéòå QR-Code, ÷òîáû ïðîñìîòðåòü âèäåîïðåçåíòàöèþ äîìà

ÏÓÍÊÒÛ ÐÀÑÏÐÎÑÒÐÀÍÅÍÈß THE DALLAS TELEGRAPH

ALLEN Kids R Kids of East Allen, 611 E. Bethany Drive, Allen, TX 75002. Phone: (817) 991-0137.

ARLINGTON Taste of Europe, 1901 W. Pioneer Prkwy, Arlington, Texas 76013. Phone: (817) 275-5530.

CARROLLTON Russian Banya, 2515 E. Rosemeade Parkway # 401, Carrollton, TX 75007. Phone: (214) 483-5050.

DALLAS Midpark Towers Apartment, 8550 Midpark Rd., Dallas, TX 75240. Phone: (972) 231-7834.

St Seraphim Orthodox Church, 4112 Throckmorton St., Dallas, TX 75219. Phone: (214) 528-3741.

Capelli Salon, 19177 Preston Rd., Suite 155, Dallas, TX 75252. Pnone: (972) 250-4565.

Russian School of Dallas, 6039 Churchill Way, Dallas, TX 75230. Phone: (214) 354-7674.

DENTON Denton Ballet Academy, 637 Londonderry Ln., Denton, TX 76205. Phone: (940) 891-0830.

GARLAND Dallas Omni Care, 2222 Deer Meadow Dr., Garland, 75044. Phone: (972) 495-6000.

PLANO CCCP Market, 2304 Coit Rd., Suite #660, Plano, TX 75075. Phone: (972) 758-1200.

Sunshine International Learning Center, 5940 Alma Dr., Plano, TX 75023.

Phone: (469) 467-992.

Euro Deli Too, 6832, Coit Rd., # 300, Plano, TX 75023. Phone: (972) 312-0244.

River of Life – Dallas Church, 4001 Custer Rd., 4001 Custer Rd, 75023. Phone: (817) 773-1097.

Natalie Bakery & Pastry, 2001 Coit Rd., Suite 142, Plano, TX 75075.

Phone: (972) 964-4044.

The Villas of Mission Bend, 1201 Medical Av., Plano, TX 75075. Phone: (972) 867-2700.

Plano Community Homes West Campus, 3905-3925 American Dr., Plano, TX 75075.

Phone: (972) 867-1905.

Central Market, 320 Coit Rd. Plano, TX 75075. Phone: 469-241-8300.

Smiles By Morel, 5501 Independence Pkwy., Suite # 205, Plano, TX 75023.

Texas Rhythmic Academy, 2621 Summit Ave#300, Plano, TX 75074. Phone: (469) 583-2894.

RICHARDSON Family Discount Pharmacy, 970 N.Coit Rd., #2403, Richardson, TX 75080.

Phone: (972) 235-0444.

Euro Deli, 670 N. Coit # 2360, Richardson, TX 75080. Phone: (972) 234-8052.

A-Care Medical, 870 N. Coit Rd., #2660, Richardson, TX 75080. Òåë.: (972) 235-2459.

A-Care Chiropractic & Acupuncture Center, 870 N. Coit Rd., Ste. # 2651, Richardson, TX 75080. Òåë.: (972) 664-9089.

SOUTHLAKE Central Market, 1425 E Southlake Blvd., Southlake, TX 76092. Phone: (817) 310-5600.

THE COLONY St. Sophia Ukrainian Greek-Catholic Church, 5600 North Colony Boulevard, The Colony, TX 75056. Phone: (972) 370-4700

4À

MEMENTO MORI

Wednesday, June 29, 2016

www.DallasTelegraph.com

“Restland” – Your Dallas Door to Eternity Our earthly life is a line of precautions. As young adults we try get a better education, to have a better life; we pay health insurance to save big on health issues; we pay auto-insurance to avoid financial disaster in the case (save God!) of the accident; we save during the year to have a vacation.

What is often overlooked is our end-of-life moment. Without THIS precautions we place a severe financial burden and very difficult decisionmaking onto our children and grandchildren.

By Serge and Ludmila Taran Michael Wilfong, Director of Community Outreach of Restland Funeral Home Dallas, speaks to The Dallas Telegraph on this important matter.

– Michael, are you or your family a living testimony of pre-planning?

– I am fortunate that my parents have written their wishes down, they prepaid their funeral expenses, and they paid for their cemetery

property and created the modern day cemetery. In 1918-1919, a Flue epidemic swept the United States filling cemeteries, and you will see quite a few cemeteries across the U.S. that were established in the 1920’s – including Restland Memorial Park. The original part of the cemetery also reflects the planning of the time, which was to create a space, a park in the urban environment as Central Park in New York.

Its design reflects the urban parks movement and used

– Pre-planning your funeral is three step process.

The first step is work through our pre-planning guide and talk about who, when, and where. Where would you wish your services would be? Will the services be in the Orthodox Church or in one of our three chapels? We need to know what type of service you would wish to have. Maybe the family wishes to have a graveside service here and a private celebration at their home. This is simple and less expensive. Other families

(Left to Right) Michael Wilfong, Director of Community Outreach of Restland Funeral Home Dallas, and Tonya Lowe, Restland expert in European traditions, share on benefits of funeral pre-arrangement with The Dallas Telegraph lots. We know exactly where mom and dad will be placed. We have a family tradition because my grandmother and greatgrandmother before her had both prepaid their funeral arrangements and had purchased their cemetery properties in advance. To answer your question, – “yes”, I am a sample of some wise decision making that affects my children and will affect my grandchildren too.

– What brought you, Michael, to Restland?

– Never make a wish or statement if you not prepare to do. I actually left the business for a while. It has been in my heart for many years.

I would not go back unless it is a Restland. It was about probably two years when I was working for Bank of America, and I enjoyed what I did with a good team, and I learned a lot while I was there. Then I got a call asking me to come to Restland.

I said “no, I don't want to go back.” Then I said “why not?”

If it was Restland I would go back – because it has that reputation. It is THE place to be. And it has been one of the biggest blessings that ever happen to me. I love what I do.

– What is the history of Restland?

– In the late 1800’s, the Floyd family established their family farm here, and it extended far south down towards Dallas and as far north as where downtown Richardson is today, west under Central Expressway all the way to the Campbell family property. It was stage coach stop to people as they travel towards Dallas or back to Kansas City or other points and was sparsely populated at that time.

The Floyd family started their family cemetery on the farm, which is still here today marked with a historical marker near where the water tower is today. In 1925 George Young, who is the founder of Restland Memorial Park, purchased the

the same National Parks Department architect that designed Yellowstone and Yosemite. It is designed as a place where people could come and have a picnic, so you see the flat memorials, the curved streets and an area with lots of trees, where families could enjoy nature, but also memorialize their loved one.

As the cemetery expanded, then we began to have gardens set aside for different faiths – a Catholic Garden, a Garden for Jewish family, Orthodox Garden and Islamic Garden. The cemetery itself shows we continue to embrace the communities around us as they evolve and change and our desire to serve families according to their tradition and customs.

may choose cremation, and we would want to discuss the necessary authorizations.

Beginning the process of documenting your wishes, so your children or your loved ones know what decision you are making. Then, at the time, we will have the planning guide to go through and be able to say, “Here - my dad or mom, or my sister, or brother wanted…’’

The second part of pre-arrangement would be to financially prepare for those expenses. Our pre-arrangements

– Who are of the pride of Dallas who has found the resting place in Restland?

– Tex Schramm, who is the original president and general manager of the Dallas Cowboys, – he and his wife are here. We have several U.S. and Texas senators. We have several Dallas Cowboys players. The Garden of Honor is here, which is the Restland Memorial Park resting place for Dallas County firemen and poare simple trust accounts. The licemen who may be killed or dollar value of the services lost in the line of duty. This that it would be today simply sacred area of the cemetery either paid in full or paid by was donated by the Founder installment payments. Restof Hunt Oil and is in the land cannot touch that monheart of the cemetery, where ey. That money goes to the we honor those who died servtrust account to be held until ing our community. We also the time the money is needhave military sections dating ed. The prices are frozen at back to World War II, but today's price. And we guaralso have graves of Civil and antee that we will deliver the World War I Veterans as services that you have arwell. ranged for whether it is tomorrow or many years from – Tell us in very simple now, 20 years from now, 30 words, what does it mean years from now. That is our “funeral pre-planning”? promise to the family. Those

accounts are under the authority of the Texas Banking Commission who audits the accounts annually to make sure that the money that the family is paid us has gone to the account properly and for those services that we performed that we have given the service to the family they have contracted for with us. The banking department checks us every year to make sure that we comply with both – the spirit and the legality behind the ability to sell prepaid funerals because it is one of the highest trusts that families places on us.

We take it as a sacred duty.

The third part of pre-arrangement is to communicate to your loved ones, your next of kin that you have made those arrangements with Restland. So they know when the time comes to contact Restland, and then we will take care of eve- Restland Mausoleum rything. placement for cremated remains, including the burial – Why it is essential to that meets you religious rethink so much in advance quirements. For example, about eternity when you for a traditional Jewish burare on top of successful ial, Restland works with the and joyful life here, in Chevra Kadisha, which is Earth? the ceremonial burial group – As my grandparents and and washing group from the parents had done for me, I synagogue would come out, need to do for my children. I and we have a special facilbought a house for my chility called the “Tahara dren and took care of them Room” where that is perup until the time they moved formed and there is symbolout of their own. I am preism and meaning behind paring financially for my rewhat they do, but they all tirement, I am preparing for wash the loved one’s body, my daughter's wedding someplace special garments, and day and setting those funds they actually place the peraside, so we can have a celeson into the special casket bration for that event. We made from all wood conprepare for all of those events struction and no metal. The and celebrations ahead of grave liner that we use at time. the cemetery has no bottom Funeral is one of those life because the casket has to be events that we better prepare placed on a ground itself, in and plan for. And the quesaccordance with Jewish retion is just a matter of ligious custom. At the time "when." At many times when

people retire, they are now on a fixed income. The available income that they have to purchase the funeral or the cemetery property is very limited. It becomes a real struggle. We encourage people to go ahead and begin to think about planning earlier, so they began to include that into their financial planning process.

– What kind of services Restland offers?

– We offer in the cemetery all forms of burials or

of the service, the rabbi will lead us up to the grave and there are special prayers to be done to lead the family through the service. The casket is lowered into the grave, and the family and the friends that gathered will themselves fill in the dirt around the casket with prayers. The Jewish family does not bring flower to the grave but they bring a rock.

And there is a symbolism a meaning behind that.

There are different areas within the Jewish cemetery whether you belong to this or

that synagogues. We have nine different synagogues that we have relationships with. There are sections for the Orthodox and for those who may be Jewish and married to a Christian but still want to have Jewish burial.

– Do you have a designated place for Christians?

– If the family is Christian Orthodox, the Christian Orthodox Garden has burial rights and practices that meet the religious customs and practices of the Christian Orthodox Church. The Church generally tells us who is allowed to go in the Garden. The funeral services can be arranged through Restland Funeral Home as our funeral directors know the customs and practices and works closely with the Church.

– Do Muslims find this place peaceful and obeying their traditions?

– Definitely – in the Islamic Garden, the services is very different from a lot of different services we do. The body is washed and wrapped, prayers are said and the family themselves actually placed the loved one down into the grave. The graves themselves are angled so they face Mecca. We work with the Mosque, the Imam and Islamic Community closely to perform the burial rites in accordance with the Muslim faith.

Restland is one of the only cemeteries that offers this full range of service along with the funeral home, paying close attention to the customer’s wishes, faith, and customs. We also offer cremations and customization.

Restland has served as the funeral home and cemetery of choice for the Dallas Community for many years. At Restland, we offer many types of unique and personalized options to commemorate the lives of loved ones and to help ensure that legacies will endure for generations to come.

(To be continued)

Call or come to see Tonya Lowe – Restland's expert in multicultural funeral traditions. She speaks not only English, but French, Russian, and German. Save this number: (214) 505-1192. www.DallasTelegraph.com/61578 English www.DallasTelegraph.com/en/61578 Russian

5À

ÇÄÎÐÎÂÜÅ

Wednesday, June 29, 2016

www.DallasTelegraph.com

Äîêòîð Ñóñàííà Ìàðòèðîñîâ – ïðîôåññèîíàëüíûé, òåðïåëèâûé è âíèìàòåëüíûé ñòîìàòîëîã – òàê ñ÷èòàþò åå ïàöèåíòû Äîêòîð Ñóñàííà Ìàðòèðîñîâ ñâûøå 15 ëåò ðàáîòàåò â èíäóñòðèè ñòîìàòîëîãèè. Ïîëó÷èâ ñòîìàòîëîãè÷åñêîå îáðàçîâàíèå, îíà ïåðåáðàëàñü â Äàëëàñ è óñòðîèëàñü íà ðàáîòó â îäíó èç êëèíèê Monarch Dental â Ïëýéíî. Âñêîðå, çàìåòèâ òàëàíòû è ïðîôåññèîíàëèçì ìîëîäîãî ñïåöèàëèñòà, ðóêîâîäñòâî ïðèãëàñèëî åå âîçãëàâèòü êëèíèêó Monarch Dental â Ãàðëàíäå. Îñåíüþ ïðîøëîãî ãîäà äîêòîð Ìàðòèðîñîâ îòêðûëà ñîáñòâåííóþ êëèíèêó, Allen Always Smiles. Èíòåðåñíî, ÷òî çà äîêòîðîì Ñóñàííîé â Ãàðëàíä, à çàòåì è â åå ñîáñòâåííûé îôèñ â Àëëåíå ñëåäîâàëè è íåêîòîðûå èç åå ïàöèåíòîâ. Ñîãëàñèòåñü, ÷èòàòåëü, ýòî ìíîãîãî ñòîèò – òàê öåíèòü äîêòîðà, ÷òî åçäèòü ê íåé íà ïðèåì âíå çàâèñèìîñòè îò ðàññòîÿíèÿ. Êòî ìîæåò ëó÷øå îõàðàêòåðèçîâàòü ìåäèöèíñêîãî ñïåöèàëèñòà, ÷åì åãî ïàöèåíòû. Òàê äàâàéòå èõ è ñïðîñèì î ïðîôåññèîíàëüíûõ è ëè÷íîñòíûõ êà÷åñòâàõ ñòîìàòîëîãà Ñóñàííû Ìàðòèðîñîâ. Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí Àðòåì ÃÓÐÅÂÈ×, ôèçèîòåðàïåâò, Ïëýéíî: Àðòåì Ãóðåâè÷ óæå áîëüøå

5 ëåò ÿâëÿåòñÿ ïàöèåíòîì äîêòîðà Ìàðòèðîñîâ. 2-3 ðàçà â ãîä – â çàâèñèìîñòè îò íåîáõîäèìîñòè – îí åçäèò íà ïðèåì ê ñâîåìó ñòîìàòîëîãó. Çà ýòî âðåìÿ äîêòîð Ñóñàííà äå-

ëàëà åìó ÷èñòêè, ñòàâèëà êîðîíêè, âèíèðû, îáðàáàòûâàëà êîðíåâûå êàíàëû è ìíîãîå äðóãîå.

– Ñ äîêòîðîì Ìàðòèðîñîâ ìåíÿ ïîçíàêîìèëè ìîè

Äîêòîð Ñóñàííà Ìàðòèðîñîâ ñâûøå 15 ëåò ðàáîòàåò â èíäóñòðèè ñòîìàòîëîãèè ðîäèòåëè, êîòîðûå, êàê âû ïîíèìàåòå, òîæå ÿâëÿþòñÿ åå ïàöèåíòàìè, – ðàññêàçûâàåò Àðòåì. – Îíà ñàìûé ëó÷øèé ñòîìàòîëîã – âíèìàòåëüíàÿ, òåðïåëèâàÿ è çàáîòëèâàÿ. Îíà çíàåò, ÷òî äåëàåò, êàê ïðîôåññèîíàë. È, ÷òî î÷åíü âàæíî, ïî êðàéíåé ìåðå äëÿ ìåíÿ, âî âðåìÿ âèçèòà ê íåé è ïîñëå – íè÷åãî íå áîëèò. Íè îäíà èç ïðîöåäóð, ÷òî îíà ìíå äåëàëà, íå ÿâëÿëàñü äëÿ íåå ñëîæíîé, ïîòîìó ÷òî îíà îïûòíûé äîêòîð.  åå êëèíèêå ìíîãî ñîâðåìåííîãî îáîðóäîâàíèÿ, êîòîðîå òîëüêî äåëàåò åå ðàáîòó åùå áîëåå ýôôåêòèâíîé. Ìíå íå òàê äàëåêî ê íåé åçäèòü íà ïðèåì, íî, êîãäà ðå÷ü èäåò î äîêòîðå Ìàðòèðîñîâ – äåëî íå â ðàññòîÿíèè. ß ðåêîìåíäóþ ñòîìàòîëîãà Ñóñàííó Ìàðòèðîñîâ ìîèì äðóçüÿì è êîëëåãàì, è äóìàþ, ÷òî ìîÿ áóäóùàÿ ñåìüÿ îáÿçàòåëüíî ñòàíåò åå ïàöèåíòàìè. Ðîáåðò ÀÐÌÑÒÐÎÍÃ, ñîâåòíèê ïî íåäâèæèìîñòè, Ðè÷àðäñîí: Ìèñòåð Àðìñòðîíã çíàåò Ñóñàííó Ìàðòèðîñîâ ãîäà äâàòðè, íî âîò ïàöèåíòîì åå îí ñòàë â ïðîøëîì ñåíòÿáðå, êîãäà ïðèøåë ê íåé íà ïðèåì ñ çóáíîé èíôåêöèåé. È îñòàëñÿ íå ïðîñòî äîâîëåí ïðèåìîì è ëå÷åíèåì, à ñòàë ïîñòîÿííûì ïàöèåíòîì äîêòîðà.

– Äîêòîð Ìàðòèðîñîâ – çàìå÷àòåëüíà è êàê ÷åëîâåê, è êàê ïðîôåññèîíàë, – ñ÷èòàåò Ðîáåðò Àðìñòðîíã. – Îíà î÷åíü

Êàê õóäåòü íàâåðíÿêà? ×èòàòåëü, âû ìå÷òàåòå ïîõóäåòü? È äàæå ïðåäïðèíèìàåòå øàãè â ýòîì íàïðàâëåíèè? Íî ðåçóëüòàòà íå âèäèòå? Âîçìîæíî, âñÿ ïðîáëåìà çàêëþ÷àåòñÿ â òîì, ÷òî âû íåïðàâèëüíî òðåíèðóåòåñü. Ñïîðòèâíûå òðåíåðû è ôèçèîëîãè ÑØÀ îáíàðóæèëè øåñòü ïðè÷èí, êîòîðûå îáúÿñíÿþò ýòî. Òåêñò The Dallas Telegraph. Ôîòî èç àðõèâà ðåäàêöèè Ìåæäóíàðîäíûé äèðåêòîð ïî ôèòíåññó â êîìïàíèè Nike Äæåðàëèí Êîîïåðñìèò (Geralyn Coopersmith) ïîÿñíÿåò: «Ìíîãèå æåíùèíû ïðåäïîëàãàþò, ÷òî 30 ìèíóò â äåíü ñïîðòèâíûõ çàíÿòèé ìàãè÷åêè ïðåîáðàçÿò èõ òåëà. Íî åñëè âû ñòàíåòå èñïîëüçîâàòü ýòè ïîë÷àñà ñ óìîì, âû áóäåòå óäèâëåíû ðåçóëüòàòàì». Íèæå ìû ïðèâîäèì ñïèñîê îøèáîê, êîòîðûå ÷àñòî äîïóñêàþòñÿ âî âðåìÿ òðåíèðîâîê, è ñîâåòû, êàê èõ èñïðàâèòü è äîñòè÷ü æåëàåìîãî ðåçóëüòàòà. ÂÛ ÂÛÁÈÐÀÅÒÅ ÍÅÏÐÀÂÈËÜÍÓÞ ÏÎÇÓ Ãîðàçäî âàæíåå ñôîêóñèðîâàòü ñâîå âíèìàíèå íà âàøåé ïîçå, äàæå åñëè ýòî îçíà÷àåò ñíèæåíèå èíòåíñèâíîñòè çàíÿòèé. «Âû íàðàùèâàåòå ìåíüøå ìóñêóë è ñæèãàåòå ìåíüøå êàëîðèé, êîãäà ñòîèòå. ññóòóëèâøèñü íàä òðåíàæåðîì», – ñ÷èòàåò Êîîïåðñìèò. «Òî æå ñàìîå êàñàåòñÿ ñèëîâûõ òðåíèðîâîê», – äîáàâëÿåò ó÷åíûé èç àðèçîíñêîé êëèíèêè Ìàéî Äæåéìñ Ëåâàéí (James Levine).  ïðîöåññå ñâîèõ èññëåäîâàíèé îí ïðèøåë ê çàêëþ÷åíèþ, ÷òî âî âðåìÿ ïîäíÿòèÿ òÿæåñòåé â ïîëîæåíèè ñòîÿ çà ïîë÷àñà ñæèãàåòñÿ âñåãî 50 êàëîðèé. Ïî÷òè âñå èññëåäîâàíèÿ ñîãëàøàþòñÿ ñ òåì, ÷òî ïðàâèëüíàÿ ïîçà ïîçâîëÿåò âäûõàòü áîëüøå êèñëîðîäà, òàêèì îáðàçîì âàøà òðåíèðîâêà ïðîõîäèò ëåã÷å äàæå åñëè íàãðóçêà ÿâëÿåòñÿ èíòåíñèâíîé.

ÂÛ ÒÐÅÍÈÐÓÅÒÅÑÜ «ÍÀÑÓÕλ Âàæíîñòü ïèòüÿ – î÷åâèäíà. «Ïî÷òè êàæäàÿ êëåòêà â íàøåì îðãàíèçìå ñîñòîèò èç âîäû. È áåç íåå îðãàíèçì êëåòêè íå ôóíêöèîíèðóåò ýôôåêòèâíî âî âðåìÿ ôèçè÷åñêèõ òðåíèðîâîê», – ñ÷èòàåò äîöåíò êèíåçèîëîãèè èç Óíèâåðñèòåòà Êàëèôîðíèè Äýí Äæóäåëñîí (Dan Judelson). Äðóãèìè ñëîâàìè – áåç âîäû âû ïî÷óâñòâóåòå óñòàëîñü áûñòðåå è âàøà òðåíèðîâêà áóäåò ïðîõîäèòü æåñò÷å, ÷åì äîëæíî áûëî áûòü.  íåäàâíåì èññëåäîâàíèè Äæóäåëñîí îáíàðóæèë, ÷òî ëþäè, ÷üè òåëà âî âðåìÿ êàðäèî-òðåíèðîâîê áûëè îáåçâîæåíû, äåëàëè íà 3-5 ïîâòîðåíèé óïðàæíåíèé ìåíüøå, ÷åì ëþäè, óïîòðåáëÿâøèå äîñòàòî÷íîå êîëè÷åñòâî âîäû. Òàêæå ïðîáëåìà ñîñòîèò â òîì, ÷òî îáåçâîæèâàíèå óìåíüøàåò óðîâåíü ãîðìîíîâ, íåîáõîäèìûõ äëÿ ïîñòðîåíèÿ ñèëüíûõ ìóñêóë. Òàê ÷òî, ÷èòàòåëü, â äåíü, êîãäà âû ñîáèðàåòåñü â ñïîðòçàë, âûïèâàéòå çà ÷àñ-äâà äî òðåíèðîâîê óíöèþ âîäû íà êàæäûå 10 ïàóíäîâ âåñà (íàïðèìåð, ïðè âåñå â 150 ïàóíäîâ íóæíî âûïèòü 15 óíöèé âîäû). Òàêæå ïðîäîëæàéòå ïèòü âîäó âî âðåìÿ çàíÿòèé è ïîñëå, ÷òîáû ïîïîëíèòü çàïàñû âîäû, êîòîðûå âû òåðÿåòå, ïîòåÿ âî âðåìÿ òðåíèðîâêè. ÂÛ ×ÈÒÀÅÒÅ ÍÀ ÁÅÃÎÂÎÉ ÄÎÐÎÆÊÅ «Åñëè ëèñòàíèå æóðíàëà ìîòèâèðóåò âàøè çàíÿòèÿ – ïðîäîëæàéòå ýòî äåëàòü, íî ÷òåíèå âî âðåìÿ âûïîëíåíèÿ óïðàæíåíèé îòâëåêàåò âàñ îò òðåíèðîâ-

êè, è âû ðàáîòàåòå ñ èíòåíñèâíîñòüþ ãîðàçäî ìåíüøåé òîé, ÷òî íåîáõîäèìà äëÿ ñæèãàíèÿ æèðà», – ñ÷èòàåò Êîîïåðñìèò. Ñïåöèàëèñòû ðåêîìåíäóþò ñìåíèòü ÷òåíèå íà ïðîñëóøèâàíèå ìóçûêè äëÿ òîãî, ÷òîáû

íûìè. Ýòî íå çíà÷èò, ÷òî âû äîëæíû âîîáùå îòêàçàòüñÿ îò ÷òåíèÿ êíèã, ïðîñìîòðà ëþáèìûõ òåëåøîó âî âðåìÿ òðåíèðîâîê, íî ïðîñòî ñâåäèòå ýòî äî ìèíèìóìà. ÂÛ ÍÅÍÀÂÈÄÈÒÅ ÒÐÅÍÈÐÎÂÊÈ Íåçàâèñèìî îò òîãî, ñêîëüêî âû ïîîáåùàëè ñåáå ñæå÷ü êàëîðèé, åñëè âû íåíàâèäèòå òðåíèðîâêè, òî, ñêîðåå âñåãî,

òåðïåëèâûé è îáðàçîâàííûé äîêòîð. Äîêòîð Ñóñàííà âñåãäà ïîÿñíÿåò ñâîèì ïàöèåíòàì, êàêóþ ïðîöåäóðó âûïîëíÿåò. Îíà îòâå÷àåò íà âñå ìîè âîïðîñû. Êîãäà ÿ ñèæó â åå ñòîìàòîëîãè÷åñêîì êðåñëå, òî ÷óâñòâóþ ñåáÿ î÷åíü êîìôîðòíî è óâåðåííî. Íåäàâíî ìåíÿ íóæíî áûëî ïîäãîòîâèòü äëÿ óñòàíîâêè èìïëàíòà, îíà ýòî ñäåëàëà, à ïîòîì, êîãäà ÿ âåðíóëñÿ ê íåé óæå ñ èìïëàíòîì, îíà çàêîí÷èëà ðàáîòó. Îíà äåëàåò òîëüêî òî, â ÷åì àáñîëþòíî óâåðåíà. È åñëè ÷òî-òî âíå åå êîìïåòåíöèè, îíà íàïðàâëÿåò ê óçêîìó ñïåöèàëèñòó. Åå êëèíèêà î÷åíü óþòíàÿ, ðàñïîëàãàåò è ðàññëàáëÿåò ïàöèåíòîâ, äàæå åñëè âû ïðèøëè ê íåé â ïåðâûé ðàç.  åå ñîâðåìåííîì îôèñå – íîâåéøåå îáîðóäîâàíèå. Íåñìîòðÿ íà òî, ÷òî ÿ æèâó íå ñîâñåì áëèçêî îò êëèíèêè Allen Always Smiles – 30 ìèíóò â îäíó ñòîðîíó – ÿ åçæó òîëüêî ê äîêòîðó Ìàðòèðîñîâ, ïîòîìó ÷òî îíà î÷åíü õîðîøèé ñïåöèàëèñò. Âñåì ñâîèì äðóçüÿì ÿ ðåêîìåíäóþ ñòîìàòîëîãà Ñóñàííó Ìàðòèðîñîâ. Âàðñïóðàê ÎÃÀÍÅÑßÍ, Ôðèñêî: 13 ëåò – èìåííî ñòîëüêî Âàðñïóðàê Îãàíåñÿí ÿâëÿåòñÿ ïàöèåíòîì äîêòîðà Ñóñàííû Ìàðòèðîñîâ.

– Ïðè÷èíà òîãî, ÷òî âñå ýòè ãîäû ÿ îñòàþñü âåðíûì äîêòîðó Ñóñàííå – â åå ïðîôåññèîíàëèçìå, – ðàññêàçûâà-

Íàéäèòå ñåáå ôèçè÷åñêèå çàíÿòèÿ, êîòîðûå âàì íðàâèòñÿ äåëàòü âìåñòî òåõ, ÷òî âû çàñòàâëÿåòå ñåáÿ äåëàòü. Òàê, èññëåäîâàòåëè èç Óíèâåðñèòåòà Íåáðàñêà-Îìàõà, îïðàøèâàÿ æåíùèí, êîòîðûå çàíèìàþòñÿ ðåãóëÿðíî íà ïðîòÿæåíèè ãîäà, îáíàðóæèëè, ÷òî çàëîãîì ïîñòîÿííûõ çàíÿòèé ÿâëÿåòñÿ âûáîð óïðàæíåíèé, êîòîðûå íðàâèòñÿ âûïîëíÿòü. Àâòîð èññëåäîâàíèÿ Äæåííèôåð Õàáåðòè (Jennifer Huberty) ñîâåòóåò ýêñïåðåìåíòèðîâàòü, ÷òîáû íàéòè óïðàæíåíèÿ ïî äóøå è ïðèâëå÷ü ãðóïïó ïîääåðæêè – â êîìïàíèè çàíèìàòüñÿ âñåãäà ëåã÷å.

Åñëè òðåíèðîâàòüñÿ ïî ïîë÷àñà â äåíü è äåëàòü ýòî ïðàâèëüíî, òî ðåçóëüòàò íå çàñòàâÿò ñåáÿ äîëãî æäàòü óâåëè÷èòü èíòåíñèâíîñòü è ïðîäîëæèòåëüíîñòü âàøåé êàðäèîòðåíèðîâêè. Èññëåäîâàòåëè â Óíèâåðñèòåòå Áðþíåë èç Ëîíäîíà îáíàðóæèëè, ÷òî áåãóíû, êîòîðûå ñëóøàëè äëÿ ìîòèâàöèè ðîê èëè ïîïìóçûêó, çàíèìàëèñü íà 15 ïðîöåíòîâ áîëüøå è ÷óâñòâîâàëè ñåáÿ áîëåå ìîòèâèðîâàí-

âû íå áóäåòå èìè çàíèìàòüñÿ è íå ñáðîñèòå âåñ. Ïîäóìàéòå îá ýòîì íàîáîðîò – åñëè âû ñæèãàåòå 300 êàëîðèé âî âðåìÿ êàæäîé òðåíèðîâêè, íî âû íå ëþáèòå èõ íàñòîëüêî, ÷òî ïðîïóñêàåòå ïî îäíîìó çàíÿòèþ â íåäåëþ, òî ýòî äîáàâëÿåò âàì â ìåñÿö öåëûõ 1200 êàëîðèé.

ÂÛ ÎÒÊÀÇÛÂÀÅÒÅÑÜ ÎÒ ÑÈËÎÂÛÕ ÒÐÅÍÈÐÎÂÎÊ Ñâûøå 80 ïðîöåíòîâ æåíùèí èçáåãàþò ñèëîâûõ òðåíèðîâîê – îá ýòîì ãîâîðèò èññëåäîâàíèå, ïðîâåäåííîå Àññîöèàöèåé ïðîèçâîäèòåëåé ñïîðòèâíûõ òîâàðîâ. Åñëè âû èç ÷èñëà ýòîé êàòåãîðèè, òî, âîçìîæíî, ýòî ìîæåò áûòü

åò Âàðñïóðàê. – Êîãäà-òî ìíå åå ïîðåêîìåíäîâàëè, è ÿ â ïåðâûé ðàç ðåøèë ïîéòè ïîòîìó, ÷òî ìû ñ íåé çåìëÿêè, èç îäíîãî ãîðîäà – Áàêó. Íó, à îñòàëñÿ ÿ ó íåå è ñëåäîâàë çà íåé îò îôèñà ê îôèñó âñå ýòè ãîäû ïîòîìó, ÷òî îíà – îòëè÷íûé ñòîìàòîëîã. Æèâó ÿ âî Ôðèñêî, è äîëãîå âðåìÿ åçäèë ê íåé â Ãàðëàíä – äóìàþ, ýòî î ìíîãîì ãîâîðèò. Êàêèå ïðîöåäóðû îíà ìíå äåëàëà? Íó, íàïðèìåð, ìîñò, êîòîðûé ñòîèò óæå 13 ëåò – ýòî åå ðàáîòà. È ñîâñåì íåäàâíî îíà ñäåëàëà ìíå îïåðàöèþ – çóá ñòàë êðîøèòüñÿ, è åãî íóæíî áûëî âûíèìàòü. Îíà íàäðåçàëà äåñíó, äîñòàëà êîðíè ðàñêðîøåííîãî çóáà, íàëîæèëà øâû. Äîêòîð ìåíÿ ïðåäóïðåæäàëà, ÷òî áóäåò áîëåòü, è âûïèñàëà áîëåóòîëÿþùèå ëåêàðñòâà. Íî äîëæåí âàì ñêàçàòü, ÷òî ïåðâûé, ÷òî âòîðîé ðàç – ðàçíèöà ìåæäó îïåðàöèÿìè íà çóáàõ áûëà ïðèìåðíî â ïîëãîäà – áîëè ó ìåíÿ íå áûëî. Êñòàòè, ïåðâûé çóá îíà îïåðèðîâàëà åùå â Ãàðëàíäå, â îôèñå â «Ìîíàðõå», à âòîðîé – óæå ó ñåáÿ â ñîáñòâåííîì îôèñå. Âñÿ ìîÿ ñåìüÿ – è ñóïðóãà, è äâà ñûíà – òîæå ÿâëÿþòñÿ åå ïàöèåíòàìè. Ïî ìîåé ðåêîìåíäàöèè, êñòàòè, ê äîêòîðó Ìàðòèðîñîâ ïîøëè è îñòàëèñü ìîè äðóçüÿ. www.DallasTelegraph.com/61547 Russian www.DallasTelegraph.com/en/61547 English

ïðè÷èíîé ¹1, ïî÷åìó âàø âåñ íå äâèæåòñÿ â ñòîðîíó óìåíüøåíèÿ. Âû, íàâåðíîå, ñëûøàëè, ÷òî ñèëîâûå òðåíèðîâêè ìîãóò ïîâûñèòü ìåòàáîëèçì, íî åñòü è åùå ÷òî-òî ÷åãî âû, âîçìîæíî, íå çíàåòå. Èññëåäîâàíèå æóðíàëà Sports Science and Medicine ãîâîðèò î òîì, ÷òî ëþäè, êîòîðûå ñî÷åòàþò àýðîáèêó è òàê íàçûâàåìóþ òðåíèðîâêó ñîïðîòèâëÿåìîñòè, ïîòðåáëÿþò íà 517 êàëîðèé ìåíüøå â äåíü, ÷åì òå, êòî âûïîëíÿåò òîëüêî êàðäèîòðåíèðîâêó. Àâòîð èññëåäîâàíèÿ Áðýíäîí Øîó (Brandon S. Shaw) ñ÷èòàåò, ÷òî êîìáèíèðîâàííûå òðåíèðîâêè ìîãóò óâåëè÷èòü êîëè÷åñòâî ãîðìîíîâ íàñûùåíèÿ è ïîâûñèòü ñïîñîáíîñòü îðãàíèçìà ðàñùåïëÿòü ïèùó è ñòàáèëèçèðîâàòü óðîâåíü ñàõàðà â êðîâè, òàê ÷òî âû áóäåòå ÷óâñòâîâàòü ñåáÿ ñûòûì áîëåå ïðîäîëæèòåëüíîå âðåìÿ. ÂÛ ÑËÅÏÎ ÂÅÐÈÒÅ ÎÖÅÍÊÀÌ ÁÅÃÎÂÎÉ ÄÎÐÎÆÊÈ ÏÎ ÊÎËÈ×ÅÑÒÂÓ ÑÎÆÆÅÍÍÛÕ ÊÀËÎÐÈÉ Êàê æå ýòî áûëî áû çàìå÷àòåëüíî, åñëè áû 20 ìèíóò êàðäèîòðåíèðîâîê, äåéñòâèòåëüíî, ñæèãàëè 400 êàëîðèé. Íî, êàê è áîëüøèíñòâî âåùåé â æèçíè, êîòîðûå êàæóòñÿ ñëèøêîì õîðîøèìè, ÷òîáû áûòü ïðàâäîé, öèôðîâûå äèñïëåè áåãîâûõ äîðîæåê ñ ìåãàðåçóëüòàòàìè ñîææåííûõ êàëîðèé ÷àñòî ÿâëÿþòñÿ ôèêöèåé. Èññëåäîâàíèå National Strength and Conditioning Conference ïîêàçàëî, ÷òî ïðåóâåëè÷åíèå ñîææåííûõ êàëîðèé ýëëèïòè÷åñêèìè òðåíàæåðàìè, â ñðåäíåì, ïðîèñõîäèò íà 30 ïðîöåíòîâ. Òåì íå ìåíåå, âû ìîæåòå èñïîëüçîâàòü ýòè ñ÷åò÷èêè êàëîðèé â êà÷åñòâå îðèåíòèðà ïî íàðàùèâàíèþ òðåíèðîâîê. Ñòàðàéòåñü íàðàùèâàòü ïðîäîëæèòåëüíîñòü íàãðóçîê è ñàìè íàãðóçêè êàæäóþ íåäåëþ, è ðåçóëüòàòû íå çàñòàâÿò ñåáÿ äîëãî æäàòü. www.DallasTelegraph.com/61549 Russian www.DallasTelegraph.com/en/61549 English

6À

ÍÎÂÎÑÒÈ ÄÀËËÀÑÀ

Wednesday, June 29, 2016

www.DallasTelegraph.com

Ãäå ïîñåëèòñÿ êîìïàíèÿ AT&T? Êîìïàíèÿ AT&T âíåñëà â êîðîòêèé ëèñò ìåñòî òîðãîâîãî öåíòðà Valley View íà 635-é àâòîñòðàäå â êà÷åñòâå ïîòåíöèàëüíîãî âàðèàíòà äëÿ ñòðîèòåëüñòâà ñâîåãî ãîëîâíîãî îôèñà. Ýòà èíôîðìàöèÿ ïîñòóïèëà îò áðîêåðîâ ïî íåäâèæèìîñòè, êîòîðûå ðàáîòàþò ñ êîìïàíèåé.  òî âðåìÿ êàê ðèýëòîðû ñ îïûòîì ñ÷èòàþò, ÷òî AT&T îñòàíåòñÿ â Äàëëàñå ïîñëå ðàññìîòðåíèÿ âñåõ âàðèàíòîâ áóäóùåãî îôèñà. Òåêñò The Dallas Telegraph. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ  íà÷àëå ýòîãî ãîäà êîìïàíèÿ íàíÿëà íåñêîëüêèõ êîììåð÷åñêèõ áðîêåðîâ íåäâèæèìîñòè, ÷òîáû îöåíèòü ñâîè äîëãîñðî÷íûå ïîòðåáíîñòè áóäóùåãî îôèñà. Êîìïàíèÿ ðàññìîòðåëà âîçìîæíîñòè ïîñòðîéêè ñîáñòâåííîãî îôèñà â öåíòðå Äàëëàñà. «Òåëåêîììóíèêàöèîííûé ãèãàíò ÿâëÿåòñÿ êðóïíûì àðåíäàòîðîì äëÿ Äàëëàñà, ìîæíî äàæå ñêàçàòü êðóïíåéøèì, è ÿ áûë áû óäèâëåí, åñëè áû AT&T óåõàëà èç öåíòðà», – îá ýòîì ñêàçàë îäèí èç îñíîâàòåëåé ôèðìû êîììåð÷åñêîé íåäâèæèìîñòè Peloton Commercial Real Estate Äæîåë Ïóñòìóåëëåð (Joel Pustmueller).

AT&T ïåðåâåëà ñâîé ãîëîâíîé îôèñ èç Ñàí-Àíòîíèî â Äàëëàñ â 2008 ãîäó, çàíÿâ íåñêîëüêî çäàíèé íà óëèöàõ South Akard è Commerce. Ñàìîå êðóïíîå – 37-ýòàæíîå çäàíèå Whitacre Tower, êîòîðîå óâåí÷àíî ñèíèì ëîãîòèïîì òåëåêîììóíèêàöèîííîé êîìïàíèè. Ïðàâäà, îêîí÷àòåëüíîãî ðåøåíèÿ ïî ïåðååçäó ó êîìïàíèè åùå íåò. Åñòü íåñêîëüêî ëåò àðåíäû ñóùåñòâóþùèõ ïîìåùåíèé. AT&T âñå áîëüøå ïîñìàòðèâàåò â ñòîðîíó íîâûõ îôèñíûõ ïîìåùåíèé, íàïðèìåð, ñïåöèàëüíî ñòðîÿùèõñÿ äëÿ Toyota, State Farm Insurance è äðóãèõ êîìïàíèé. Íî ðàçðàáîòêà ïðîåêòà è ñòðîèòåëüñòâî ìîæåò çàíÿòü íåñêîëüêî ëåò.

Ñíîñ ñóùåñòâóþùåãî Valley View ìîëëà, ÷åé âîçðàñò óæå äîñòèã 43 ëåò, íà÷íåòñÿ â êîíöå ýòîãî ãîäà, ÷òîáû äàòü ìåñòî ïîñòðîéêå ñîâðåìåííîãî öåíòðà ñ îôèñíûìè ïîìåùåíèÿìè, ìàãàçèíàìè, àïàðòàìåíòàìè è ðàçâëåêàòåëüíûì êîìïëåêñîì. Ðàçðàáîò÷èê Developer Beck Ventures ïðè ôèíàíñîâîé ïîääåðæêå Crescent Real Estate âîò óæå â òå÷åíèå íåñêîëüêèõ ëåò ðàáîòàåò íàä ïðîåêòîì Dallas Midtown. Ôèðìà-ðàçðàáîò÷èê Hillwood Urban, êîòîðàÿ ïðèíàäëåæèò Ðîññó Ïåðî-ìëàäøåìó, íåäàâíî îçâó÷èëà ïëàí ïîñòðîéêè íîâîãî îôèñíîãî çäàíèÿ â êà÷åñòâå ÷àñòè ïðîåêòà. Òî, ÷òî ïðîåêò Dallas Midtown íàõîäèòñÿ â êîðîòêîì ñïèñêå AT&T êàê ïîòåíöèàëüíîå ìåñòî äëÿ ãîëîâíîãî îôèñà, åùå ðàç äîêàçûâàåò ïîòåíöèàë ðàçâèòèÿ ó÷àñòêà íà ïåðåñå÷åíèè Ïðåñòîíà è 635-îé àâòîñòðàäû. Ïðàâ-

äà, ïðåäñòàâèòåëè êîìïàíèè íå ïîäòâåðäèëè, íî è íå îïðîâåðãëè ñòðîèòåëüñòâî îôèñà â ýòîì ìåñòå. Áðîêåðû æå îçâó÷èëè ýòó èíôîðìàöèþ íà óñëîâèÿõ àíîíèìíîñòè. Ôèðìà CBRE, ñïåöèàëèçèðóþùàÿñÿ íà êîììåð÷åñêîé íåäâèæèìîñòè è ïðåäñòàâëÿþùàÿ AT&T, ñ÷èòàåò ýòî î÷åíü óäà÷íûì âàðèàíòîì. Íàðàâíå ñ ó÷àñòêîì Valley View òåëåêîììóíèêàöèîííàÿ êîìïàíèÿ ðàññìàòðèâàåò âàðèàíòû âîêðóã ñòàðîé Reunion Arena – â þãîâîñòî÷íîé ÷àñòè öåíòðà Äàëëàñà è â ðàéîíå Arts District. Èççà âàæíîñòè äëÿ ðàáîòíèêîâ êîìïàíèè ïåðåìåùåíèÿ ñêîðîñòíûìè òðàìâàÿìè, âîçìîæíî, ðàéîí Arts District ñòàíåò ïåðâîî÷åðåäíûì ïðè âûáîðå – îá ýòîì òàêæå ãîâîðÿò áðîêåðû.  èíòåðåñàõ ãîðîäñêîé àäìèíèñòðàöèè – ñäåëàòü âñå âîçìîæíîå, ÷òîáû êîìïàíèÿ îñòàëàñü â Äàëëàñå. Íåóäèâèòåëüíî, âåäü äîõîä êîìïàíèè ñîñòàâëÿåò 150 ìèëëèàðäîâ äîëëàðîâ.

AT&T îáåñïå÷èâàåò ðàáîòîé 15 òûñÿ÷ ÷åëîâåê. www.DallasTelegraph.com/61551 Russian www.DallasTelegraph.com/en/61551 English

Äî îêîí÷àíèÿ ñóùåñòâóþùåé àðåíäû ïîìåùåíèÿ ó AT&T åùå íåñêîëüêî ëåò, íî êîìïàíèÿ óæå èùåò íîâûé äîì

Ñåòü ïðîäóêòîâûõ ìàãàçèíîâ Minyard çàêðûâàåòñÿ â Äàëëàñå Minyard – îäèí èç ñòàðåéøèõ ïðîäóêòîâûõ ìàãàçèíîâ â Äàëëàñå – ñêîðî ñòàíåò èñòîðèåé. Õüþñòîíñêàÿ êîìïàíèÿ Fiesta Mart ðàñøèðÿåòñÿ â Ñåâåðíîì Òåõàñå, êóïèâ äåâÿòü îñòàâøèõñÿ ìàãàçèíîâ Minyard è Sun Fresh Market. Òåêñò The Dallas Telegraph. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ Îñòàâøèåñÿ âîñåìü Sun Fresh Markets áîëüøå íå áóäóò êàê-òî ñâÿçàíû ñ Minyard. Ìàãàçèíû ïðèíàäëåæàò RLS Supermarkets â Êàððîëòîíå, êîòîðîìó òàêæå ïðèíàäëåæàò è äâà ìàãàçèíà Cash Saver â þæíîì Äàëëàñå.

RLS ïëàíèðóåò ïðîäîëæèòü ðàáîòó ìàãàçèíîâ Sun Fresh Market â Äàëëàñå, Ãðýéïâàéíå è Ìàêêèíè, íî óæå áåç ïàðòíåðñòâà ñ Minyard. RLS íà÷àë ïðîäâèãàòü íà ðûíîê áðåíä Sun Fresh â ïðîøëîì ãîäó, êîãäà áûëè êóïëåíû 12 ìàãàçèíîâ Albertsons è Tom Thumb. Íà÷èíàÿ ñ 2004 ãîäà, ñåìüÿ Minyard íå âëàäåëà ïðîäîâîëüñòâåííûìè ìàãàçèíàìè. Minyard áûë îñíîâàí â 1932 ãîäó â Äàëëàñå. Êîãäà åãî ïðîäàëè ÷àñòíîé èíâåñòèöèîííîé êîìïàíèè èç Ôîðò-Óýðòà, Minyard óïðàâëÿë ïî âñåìó Äàëëàñ – ÔîðòÓýðòó 69 ìàãàçèíàìè Minyard, Carnival, Sack 'n Save è ïÿòíàäöàòüþ çàïðàâî÷íûìè öåíòðàìè

"On the Go". Íà êîìïàíèþ ðàáîòàëî 5200 ÷åëîâåê, îáúåì ïðîäàæ â 2004 ãîäó ñîñòàâëÿë 900 ìèëëèîíîâ äîëëàðîâ. Ïîä óïðàâëåíèåì èíâåñòèöèîííîé êîìïàíèè Q Investments Minyard ïðîøëà ÷åðåç êðèçèñ, êîòîðûé â êîíå÷íîì èòîãå ïðèâåë ê çàêðûòèþ ìàãàçèíîâ è ðàñïðîäàæå êîìïàíèè. Îñòàòêè êîìïàíèè ñêóïèëè â 2011 ãîäó áàêàëåéùèêè èç Ñàí Àíäæåëî Ðýé è Ëåòèñèÿ Øàëåê (Ray and Leticia Schalek). Øàëåê ïåðåáðàëèñü â ãîðîä Ñàóñëýéê è óïðàâëÿþò êîìïàíèåé RLS èç Êàððîëòîíà. Êîìïàíèè Fiesta ïðèíàäëåæèò 24 ìàãàçèíà â Äàëëàñ – Ôîðò-Óýðòå. Ïîñëå ïîêóïêè íåñêîëüêèõ Minyard â íàøåì ãîðîäå, õüþñòîíñêàÿ êîìïàíèÿ óïðàâëÿåò 70 ìàãàçèíàìè â Îñòèíå, Äàëëàñå, Ôîðò-Óýðòå è â Õüþñòîíå.  ïðîøëîì ãîäó Fiesta áûëà êóïëåíà ÷àñòíîé èíâåñòèöèîííîé êîìïàíèåé Acon Investments. Ãåíäèðåêòîð Fiesta Ìàéêë Áàåðñ (Michael Byars) ðàáîòàë íà Minyard ñ ÿíâàðÿ 2005 ãîäà ïî ÿíâàðü 2009, âîç-

ãëàâëÿÿ åå áîëåå òðåõ ëåò. Ïî ñëîâàì Áàåðñ, ìíîãèå èç ðàáîòíèêîâ, êîòîðûå ðàáîòàëè ñ íèì åùå â Minyard, òåïåðü ðàáîòàþò íà Fiesta.

«Minyard íàêîïèë ìíîãî äîáðûõ òðàäèöèé è äîáðîñîâåñòíûå ðàáîòíèêè ðàáîòàþò íà êîìïàíèþ. Ñ íåêîòîðûì êàïèòàëîâëîæåíèåì ìû ìîæåì ñäåëàòü íàøè ìàãàçèíû ëó÷øå ïîä íîâûì áðåíäîì, ðàçíîîáðàçèòü àññîðòèìåíò è ñäåëàòü ìàãàçèíû áîëåå ïðèâëåêàòåëüíûìè». Ïëàí ñîñòîèò â òîì, ÷òîáû íà÷èíàÿ ñ ïåðâîé íåäåëè àâãóñòà ïðåîáðàæàòü ïî äâà ìàãàçèíà â íåäåëþ. Îòäåëû ãàñòðîíîìèè â íåêîòîðûõ òî÷êàõ áûëè çàêðûòû, íî áóäóò îòêðûòû ñíîâà. Ïëàíèðóåòñÿ, ÷òî ïðè îòäåëàõ ãàñòðîíîìèè áóäóò ðàáîòàòü öåõà ïî ïðîèçâîäñòâó òîðòèëüè, à òàêæå áóäóò äîáàâëåíû äðóãèå óíèêàëüíûå äëÿ áðåíäà Fiesta Mart îñîáåííîñòè. Êîìïàíèÿ Fiesta áûëà îñíîâàíà â 1972 ãîäó â Õüþñòîíå Äîíàëüäîì Áîõýìîì (Donald Bonham) è Î. Ñè. Ìåíäåíõîëëîì (O.C. Mendenhall). www.DallasTelegraph.com/61559 Russian www.DallasTelegraph.com/en/61559 English

ßâëÿþòñÿ ëè ïèñüìåííûå ñòîëû äëÿ ðàáîòû ñòîÿ

îôèñíûì áóäóùèì? Êîìïàíèÿ Varidesk, êîòîðàÿ ïðîèçâîäèò ïèñüìåííûå ñòîëû äëÿ ðàáîòû ñòîÿ, âúåõàëà â ñâîé íîâûé îôèñ â Êîïïåëëå è îòêðûëà ñâîé ïåðâûé êèîñê – â àýðîïîðòó Äàëëàñà Love Field. Ñ òåõ ïîð, êàê êîìïàíèÿ íà÷àëà ñâîþ ðàáîòó â 2013 ãîäó, ðàçìåð êîìïàíèè è ëèíåéêà ïðîäàâàåìûõ ïðîäóêòîâ çíà÷èòåëüíî óâåëè÷èëèñü – ñ 2 äî 115 ðàáîòíèêîâ è ñ 2 äî 40 ðàçëè÷íûõ ñòîëîâ. Òåêñò Ñåðãåÿ Òàðàí. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ Ó ãëàâû êîìïàíèè Äæåéñîíà Ìàêêýííà (Jason McCann) áîëüøå íåò âîçìîæíîñòè ïðîñèæèâàòü íà ðàáîòå âðåìÿ, íà ðàáîòå òåïåðü îí âñå âðåìÿ ñòîèò. Îí ðàññêàçàë, ÷òî ñî âðåìåíè îñíîâàíèÿ, êîìïàíèÿ ïðîäàëà ñîòíè òûñÿ÷ åäèíèö òîâàðà ñòîèìîñòüþ îò 175 äî 995 çà åäèíèöó â áîëåå, ÷åì 100 ñòðàí ìèðà, âêëþ÷àÿ Àâñòðàëèþ, Þæíóþ Êîðåþ, Âåëèêîáðèòàíèþ. Ìèññèÿ Ìàêêýííà – ñäåëàòü âñå âîçìîæíîå, ÷òîáû ðåãóëèðóåìûå ïî âûñîòå ñòîëû äëÿ ðàáîòû ñòîÿ îò êîìïàíèè Varidesk ñòàëè ÷àñòüþ îôèñîâ áóäóùåãî. Äëÿ âíåäðåíèÿ â æèçíü ýòîé èäåè, îí è îòêðûë â àýðîïîðòó Love Field êèîñê, ãäå áèçíåñ-ïóòåøåñòâåííèêè ñìîãóò ïðîòåñòèðîâàòü ïðîäóêò. «Íàø ïðîäóêò íàñòîëüêî èíòóèòèâíî ïîíÿòåí, ÷òî íå íóæäàåòñÿ â ïîÿñíåíèè. Åñëè âû îäíàæäû åãî ïîïðîáóåòå, âû óæå íå ñìîæåòå îò íåãî îòêàçàòüñÿ», – ïîÿñíÿåò ãëàâà Varidesk. Áîëüøèíñòâî ïðîäóêòîâ êîìïàíèè – óñòðîéñòâà, êîòîðûå ïðîñòî ñòàâÿòñÿ íà îáû÷íûå ñòîëû. Òåëåñêîïè÷åñêèå ïëàòôîðìû äëÿ êîìïüþòåðà è êëàâèàòóðû ìîãóò ðåãóëèðîâàòüñÿ íà íåîáõîäèìóþ âûñîòó. Èõ íå íóæíî ñîáèðàòü, èõ ìîæíî óñòàíîâèòü â ìèíóòû. Êîìïàíèÿ òàêæå ïðîèçâîäèò è ðåãóëèðóåìûå ïî âûñîòå ñòîëû.

Varidesk íà÷àë ñâîþ äåÿòåëüíîñòü êàê ÷àñòü Gemmy Industries – êîìïàíèè äåêîðà, èçâåñòíîé ñâîèì Big Mouth Billy Bass – ïîþùåé ìåõàíè÷åñêîé ðûáîé, îñîáåííî ïîïóëÿðíîé â ðàííèå 2000-å. Ìàêêýíí ðàññêàçûâàåò, ÷òî îäèí èç åãî êîëëåã ðåøèë ïðèïîäíÿòü êîìïüþòåð, ïîñòàâèâ åãî íà êîðîáêó. Ýòîò ÷åëîâåê õîòåë ðàáîòàòü ñòîÿ,

÷òîáû îáëåã÷èòü äàâëåíèå è îñëàáèòü áîëü ñåäàëèùíîãî íåðâà. Ìàêêýíí ïîèñêàë íà Èíòåðíåòå ñòîÿ÷èé ñòîë, íî íàøåë òîâàðû, êîòîðûå ëèáî ñòîèëè òûñÿ÷è äîëëàðîâ, ëèáî èõ áûëî ïðîáëåìàòè÷íî ñîáðàòü. È òîãäà îí ñïðîñèë ñåáÿ: «ñìîæåì ëè ìû ñîçäàòü ñâîé ñîáñòâåííûé ïðîåêò ñòîëà äëÿ ðàáîòû ñòîÿ?» Òàêèì îáðàçîì, êîìïàíèÿ ïîñòðîèëà ïðîòîòèï. Âñå áîëüøå ñîòðóäíèêîâ âíóòðè êîìïàíèè è ðàáîòíèêîâ èç äðóãèõ ôèðì õîòåëè óñòàíîâèòü íà ñâîèõ

æåíî, ÷òî òðóäîñïîñîáíîñòü óâåëè÷èâàåòñÿ äî ñåìè ìèíóò ó òåõ øêîëüíèêîâ, êîòîðûå ó÷àòñÿ ñòîÿ. Äðóãîå èññëåäîâàíèå ïîäòâåðäèëî, ÷òî ýôôåêòèâíîñòü ðàáîòíèêîâ òåëåôîííûõ öåíòðîâ c ðåãóëèðóåìûìè ïî âûñîòå ñòîëàìè íà 46 ïðîöåíòîâ âûøå, ÷åì ðàáîòíèêîâ ñ îáû÷íûìè ñòîëàìè. Íåêîòîðûå êîðïîðàöèè, ñòàðòàïû è äàæå óíèâåðñèòåòû â Ñåâåðíîì Òåõàñå óñòàíàâëèâàþò âñå ÷àùå è áîëüøå ñòîëîâ Varidesk äëÿ ñâîèõ ðàáîòíèêîâ. Òàêèå êîìïàíèè, êàê Mary Kay, The Container Store è American Airlines äåëàþò âûáîð â ïîëüçó ñòîëîâ äëÿ ðàáîòû ñòîÿ. Èõ ïðèìåðó ñëåäóþò è ó÷åáíûå çàâåäåíèÿ – Southern Methodist University è Texas Christian University. Mary Kay óæå çàêóïèëà 225 ïîäîáíûõ ñòîëîâ ñ àâãóñòà 2013 ãîäà. Ëþäè, ðàáîòà-

Âîò òàê ðàáîòàåò ïðîäóêò îò êîìïàíèè Varidesk ðàáî÷èõ ìåñòàõ ñòîëû äëÿ ðàáîòû ñòîÿ, è Ìàêêýíí ðåøèë îñíîâàòü Varidesk. Ïî îöåíêàì èññëåäîâàòåëüñêîé ôèðìû IBISWorld, ðûíîê îôèñíîé ìåáåëè ñîñòàâëÿåò ïðèìåðíî 25,7 ìèëëèàðäà äîëëàðîâ ïðîäàæ â ãîä. Êîìïàíèÿ Varidesk íå ðàñêðûâàåò êîëè÷åñòâî ñâîèõ ïðîäàæ èëè äîõîäîâ, íî è òî, è äðóãîå ðàñòåò. Îäíà èç ïðè÷èí óñïåõà êîìïàíèè – îçàáî÷åííîñòü çäîðîâüåì òåõ, êòî ìíîãî âðåìåíè ïðîâîäèò çà ðàáî÷èì ñòîëîì. Óíèâåðñèòåò Texas A&M îïóáëèêîâàë íåñêîëüêî èññëåäîâàíèé íà òåìó ýôôåêòà ñòîëîâ äëÿ ðàáîòû ñòîÿ â ñðåäå øêîëüíèêîâ. Áûëî îáíàðó-

þùèå çà ñòîëàìè ñòîÿ, îòìå÷àþò áîëüøóþ êîíöåíòðàöèþ íà ðàáîòå. The Container Store ðàíüøå äðóãèõ ïîâåðèëà â ïðîäóêòû Varidesk è ïðèîáðåëà â75 ñòîëîâ äëÿ ðàáîòû ñòîÿ.  íàñòîÿùåå âðåìÿ Varidesk ðàáîòàåò ñ òåëåêîìïàíèåé HBO íàä çàïóñêîì 60 ðàáî÷èõ ñòàíöèé íà òåëåøîó â Ñèëèêîíîâîé äîëèíå. Öåëè êîìïàíèè Varidesk è åå ãåíäèðåêòîðà – óâåëè÷èâàòü ëèíåéêó ïðîäóêòîâ è ðàñòè ãëîáàëüíî. www.DallasTelegraph.com/61557 Russian www.DallasTelegraph.com/en/61557 English

Òåõàññêóþ íåäâèæèìîñòü

ñêóïàþò èíîñòðàíöû Ïîñëå Ôëîðèäû è Êàëèôîðíèè øòàò Òåõàñ ÿâëÿåòñÿ òðåòüèì ïî ÷èñëó ïîêóïàòåëåé íåäâèæèìîñòè èç äðóãèõ ñòðàí. Îá ýòîì ñîîáùàåò èññëåäîâàíèå, ïðîâåäåííîå Íàöèîíàëüíîé Àññîöèàöèåé ðèýëòîðîâ. Òåêñò The Dallas Telegraph. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ Åñëè ãîâîðèòü â íàöèîíàëüíîì ìàñøòàáå, òî ÷àùå âñåãî àìåðèêàíñêóþ íåäâèæèìîñòü ñêóïàþò êèòàéöû è êàíàäöû. Ïîêóïàòåëè èç ýòèõ ñòðàí çà ïåðèîä ñ ìàðòà 2015 ïî ìàðò 2016 ãîäà ïðèîáðåëè 215 òûñÿ÷ äîìîâ â ÑØÀ íà îáùóþ ñóììó â 102 ìèëëèàðäà äîëëàðîâ. È, êñòàòè, ýòà öèôðà ïî ñðàâíåíèþ ñ ïðîøëûì îò÷åòíûì ïåðèîäîì ñíèçèëàñü. Ýêîíîìèñò Àññîöèàöèè ðèýëòîðîâ Ëîóðåíñ ßí (Lawrence Yun) â îïóáëèêîâàííîì èññëåäîâàíèè ñîîáùàåò, ÷òî «èíîñòðàíöû ïðîäîëæàþò ðàññìàòðèâàòü ÑØÀ â êà÷åñòâå íàäåæíîé âîçìîæíîñòè äëÿ èíâåñòèöèé è ïðèâëåêàòåëüíûì ìåñòîì äëÿ ïðîæèâàíèÿ. Õîòÿ ðîñò öåí íà íåäâèæèìîñòü – äî 6 ïðîöåíòîâ â ìàðòå ýòîãî ãîäà ïî ñðàâíåíèþ ñ ïðîøëûì ãîäîì è îáåñöåíèâàíèå èíîñòðàí-

íûõ âàëþò ïî îòíîøåíèþ ê àìåðèêàíñêîìó äîëëàðó ñäåëàëî ìåíåå äîñòóïíûì íåäâèæèìîñòü â ÑØÀ äëÿ èíîñòðàíöåâ». Èíòåðåñíî, ÷òî ïðèìåðíî ïîëîâèíà äîìîâ áûëà êóïëåíà çà íàëè÷íûå. Ñðåäíÿÿ öåíà êóïëåííîãî äîìà – ÷óòü áîëüøå 277 òûñÿ÷ äîëëàðîâ. Êèòàéñêèå ïîêóïàòåëè âëîæèëè â àìåðèêàíñêèå äîìà 27,3 ìèëëèàðäà äîëëàðîâ òî âðåìÿ, êàê êàíàäñêèå – 8,9 ìèëëèàðäà äîëëàðîâ. Ïîêóïàòåëè èç Èíäèè ïîòðàòèëè íà äîìà â ÑØÀ 6,1 ìèëëèàðäà äîëëàðîâ, à èíâåñòîðû èç Ìåêñèêè – 4,8 ìèëëèàðäà äîëëàðîâ.

10 ïðîöåíòîâ êóïëåííûõ èíîñòðàíöàìè äîìîâ â ÑØÀ ïðèøëèñü íà Òåõàñ. Ïðè÷åì, äîìà â Äàëëàñå è â Õüþñòîíå áîëüøå âñåãî ïðèâëåêàþò èíîñòðàííûõ ïîêóïàòåëåé. Áîëüøèíñòâî îôôøîðíûõ ïîêóïàòåëåé äîìîâ â Äàëëàñå – æèòåëè Ìåêñèêè, Êàíàäû, Ãåðìàíèè, Àâñòðàëèè è Áðèòàíèè.

Èíâåñòîðû èç Êèòàÿ â áîëüøèõ îáúåìàõ ñêóïàþò àìåðèêàíñêóþ íåäâèæèìîñòü www.DallasTelegraph.com/61555 Russian www.DallasTelegraph.com/en/61555 English

7À

ÀÐÕÈÒÅÊÒÓÐÀ

Wednesday, June 29, 2016

www.DallasTelegraph.com

Reunion Tower íàçâàëè â ÷åñòü

ñîöèàëèñòè÷åñêîé îáùèíû Reunion Tower (äðóãîå íàçâàíèå – The Ball) ñåãîäíÿ ÿâëÿåòñÿ 15-ì ñàìûì âûñîòíûì çäàíèåì â Äàëëàñå. Êîãäà áàøíÿ òîëüêî îòêðûëàñü, òî â íåé ðàñïîëîæèëàñü îäíà èç ðàäèîñòàíöèé. Ðåñòîðàí, ïðèíàäëåæàùèé êîìïàíèè çíàìåíèòîãî ïîâàðà Âîëüôãàíà Ïóêà (Wolfgang Puck), îòêðûëñÿ â êóïîëå â ôåâðàëå 2009 ãîäà.  áàøíå – òðè óðîâíÿ. Ñàìûé âåðõíèé îáîðóäîâàí 259 ñâåòîäèîäàìè. Ñ Reunion Tower ñâÿçàíî ìíîãî èíòåðåñíûõ ôàêòîâ, êîòîðûìè The Dallas Telegraph ïîäåëèòñÿ ñî ñâîèìè ÷èòàòåëÿìè.

êîòîðàÿ ïîäíèìàëàñü íà 1 ôóò â ÷àñ. Ñàìûé âàæíûé ÷åëîâåê âî âðåìÿ ñòðîèòåëüñòâà áûë òîò, êòî íàõîäèëñÿ â öåíòðå ñëèï-ôîðìû è êîíòðîëèðîâàë òî÷íîñòü çàëèâêè â ñëèï-ôîðìó áåòîíà, ÷òîáû Äàëëàñ, â êîíå÷íîì èòîãå, íå ïîëó÷èë Ïèçàíñêóþ áàøíþ.

Òåêñò The Dallas Telegraph. Ôîòî Òîìà Äèëëàðäà (Tom Dillard) è èç îòêðûòûõ èñòî÷íèêîâ

äëÿ òîãî, ÷òîáû óáåäèòüñÿ â òîì, ÷òî ñòðîåíèå ñìîæåò âûäåðæèâàòü âåòðà ñêîðîñòüþ äî 125 ìèëü â ÷àñ.

Êóïîë Reunion Tower ïðîñëàâèëñÿ íå áëàãîäàðÿ òåëåøîó «Äàëëàñ». Áîëüøèíñòâî ëþäåé ñ÷èòàåò, ÷òî êóïîë áàøíè ñòàë âñåìèðíî èçâåñòíûì áëàãîäàðÿ íà÷àëüíîé ñöåíå ê òåëåñåðèàëó «Äàëëàñ». Íî îðèãèíàëüíîå ïàíîðàìíîå âñòóïëåíèå ê ýòîìó òåëåâèçèîííîìó øîó áûëî ñíÿòî çàäîëãî äî òîãî, êàê áàøíÿ áûëà çàêîí÷åíà. Êñòàòè, Reunion Tower áûëà çàìå÷åíà â êèíîôèëüìàõ The Lathe of Heaven, The Tree of Life, Robocop, Asteroid è â òåëåâèçèîííîì øîó The Amazing Race 26.

Ñòîèìîñòü ïðîåêòà â 1975 ãîäó ñîñòàâèëà 35 ìèëëèîíîâ äîëëàðîâ. Â 1975 ãîäó áûë ïîäïèñàí êîíòðàêò íà 35 ìèëëèîíîâ

 ôóíäàìåíò áûëî çàëîæåíî 64 «íîãè».  ôóíäàìåíò áàøíè áûëî çàëîæåíî 64 60-ôóòîâûõ íîãè. Ñòîëåøíèöà-ôóíäàìåíò áàøíè ïîëó÷èëñÿ äåéñòâèòåëüíî áîëüøèì – 10 ôèòîâ ãëóáèíîé è 90 ôóòîâ â äèàìåòðå.

Áàøíÿ áûëà ïîñòðîåíà ïóòåì çàëèâêè áåòîíà â ñëèï-ôîðìó. Áàøíÿ áûëà ïîñòðîåíà ïóòåì çàëèâêè áåòîíà â ñëèïôîðìó (ïîäâèæíóþ ôîðìó),

Åñëè áû Reunion Tower ñòðîèëè â íàøè äíè, ýòî áû îáîøëîñü äîðîæå. Ìàãíàò íåäâèæèìîñòè è âëàäåëåö áàøíè Ðýé Õàíò (Ray Hunt) çàïëàòèë 2 äîëëàðà 92 öåíòà çà êàæäûé êâàäðàòíûé ôóò êóïëåííûõ èì ïåðâûõ 20 àêðîâ çåìëè ïîä åå ñòðîèòåëüñòâî â 1972 ãîäó. Ñåãîäíÿøíÿÿ ñòàâêà íà íåäâèæèìîñòü â öåíòðå ãîðîäà ñîñòàâëÿåò îò 100 äîëëàðîâ.

Êóïîë áàøíè íå ÿâëÿåòñÿ ãåîäåçè÷åñêèì. Êóïîë áàøíè íå ÿâëÿåòñÿ ãåîäåçè÷åñêèì, íî âîñüìè÷àñòîòíûì èêîñàýäðîì – ïðàâèëüíûì âûïóêëûì äâàäöàòèãðàííèêîì.

Reunion Tower áûëà ïîñòðîåíà, êàê ïóíêò ñîïðîòèâëåíèÿ òîðíàäî. Ïîñêîëüêó áàøíÿ íàõîäèòñÿ â ìåñòå, ãäå ÷àñòî ïðîõîäÿò òîðíàäî, åå ñòðóêòóðíàÿ ìîäåëü áûëà ïîñòðîåíà â àýðîäèíàìè÷åñêîé èñïûòàòåëüíîé ëàáîðàòîðèè óíèâåðñèòåòà Texas A&M â Êîëëåäæ Ñòýéøí. Ýòî áûëî ñäåëàíî

äîëëàðîâ ñ êîìïàíèåé Henry C. Beck Co. íà ñòðîèòåëüñòâî áàøíè Reunion.

Òàê áàøíÿ ñòðîèëàñü

Ìîæåò ëè êóïîë áàøíè ïðèâëåêàòü åæåãîäíî ìèëëèîíû òóðèñòîâ? Ïðåçèäåíò êîìïàíèè-ðàçðàáîò÷èêà Woodbine Development Äæîí Ñêîâåëë (John Scovell) ïîäóìàë, ÷òî åãî ñîâåò÷èêè ñîâñåì ñîøëè ñ óìà, êîãäà îçâó÷èëè, ÷òî áàøíÿ ñìîæåò ïðèâëåêàòü ìèëëèîíû òóðèñòîâ êàæäûé ãîä. Íî ïîñëå ïîñåùåíèÿ áàøåí Space Needle – â Ñèýòëå è HemisFair â Ñàí-Àíòîíèî Ñêîâåëë ïðèêèíóë, ÷òî ïîòåíöèàë íàñòîëüêî áîëüøîé, ÷òî îí ìîã áû íà÷àòü ñòðîèòåëüñòâî äî÷åðíåé áàøíè è

Reunion Tower – ñåãîäíÿ îäíà èç Äàëëàññêèõ äîñòîïðèìå÷àòåëüíîñòåé ïðîäàâàòü ôðàíøèçó. Íî îêàçàëîñü, ÷òî îäíîé 50-ýòàæíîé áàøíè âïîëíå äîñòàòî÷íî. Îáóñòðîéñòâî áàøíè. Ïîñòðîéêà, îòäåëêà è îáîðóäîâàíèå áàøíè îáîøëîñü â 8 ìèëëèîíîâ äîëëàðîâ. Áàøíÿ ìîãëà áû íîñèòü äðóãîå íàçâàíèå. Åñëè áû êîíñóëüòàíòû ïî ñòðîèòåëüñòâó ìîãëè óòâåðæäàòü íàçâàíèå, òî îíè áû îñòàíîâèëèñü íà Espla-nade. Íî

Ñêîâåëë âîñïðîòèâèëñÿ ýòîìó. Ñêîâåëë, ìåæäó ïðî÷èì, áûë áîëüøèì ëþáèòåëåì èñòîðèè è êàê-òî ïðî÷èòàë î La Reunion – ñîöèàëèñòè÷åñêîé óòîïè÷åñêîé îáùèíå, ñîçäàííîé â Çàïàäíîì Äàëëàñå â 1855 ãîäó. Èñòîðèÿ îá îáùèíå åãî çàäåëà íàñòîëüêî, ÷òî óæå ÷åðåç íåäåëþ ïðîåêò áûë íàçâàí Reunion. www.DallasTelegraph.com/61588 Russian www.DallasTelegraph.com/en/61588 English

8À

ÎÁÇÎÐ ÏÐÅÑÑÛ

Wednesday, June 29, 2016

www.DallasTelegraph.com

×òî íå òàê ñ ïðè÷åñêîé Òðàìïà? Äîðîãàÿ ïàðî÷êà Êëèíèêè ýñòåòè÷åñêîé ìåäèöèíû è êîñìåòîëîãèè ìîãóò ïîõâàñòàòüñÿ ðåêîðäíîé ïðèáûëüþ ïîñëå òîãî, êàê âñå áîëüøå áîãàòûõ è çíàìåíèòûõ ïðèçíàþòñÿ, ÷òî ïðîøëè ÷åðåç ïðîöåäóðó òðàíñïëàíòàöèè è íàðàùèâàíèÿ âîëîñ. Ìóæ÷èí, ãîòîâûõ îáçàâåñòèñü øèêàðíîé øåâåëþðîé, íå îòïóãèâàåò äàæå íåóäà÷à Òðàìïà, ïî íåêîòîðûì äàííûì, ïîòðàòèâøåãî íà ñâîå ïðåîáðàæåíèå ïîðÿäêà 60 òûñÿ÷ äîëëàðîâ, ïèøåò Die Welt. Òåêñò Øòåôôåíà Ôðþíäòà, Die Welt. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ

«Òàê ÷òî æå âñå-òàêè ó âàñ íà ãîëîâå?» Òàêîé âîïðîñ ïÿòü ëåò íàçàä ðèñêíóë çàäàòü ìèëëèîíåðó Äîíàëüäó Òðàìïó æóðíàëèñò èçâåñòíîãî æóðíàëà Rolling Stone. È òîò ïîäðîáíî íà íåãî îòâåòèë: ðàññêàçàë, ÷òî ìîåò ãîëîâó øàìïóíåì èçâåñòíîé ìàðêè, çàòåì äàåò âîëîñàì âûñîõíóòü, íå èñïîëüçóÿ ïðè ýòîì ôåí, è ðàñ÷åñûâàåò èõ îáû÷íîé ðàñ÷åñêîé. Äà, è íå çà÷åñûâàåò âîëîñû âïåðåä, êàê ìîãëî êîìó-òî ïîêàçàòüñÿ. Ïîëó÷àåòñÿ, ÷òî «ýêñöåíòðè÷íîå ãíåçäî íà ãîëîâå ìèëëèàðäåðà è êàíäèäàòà â ïðåçèäåíòû îò Ðåñïóáëèêàíñêîé ïàðòèè – íå ÷òî èíîå, êàê âûñóøåííûå åñòåñòâåííûì îáðàçîì è ïðîñòî ïðè÷åñàííûå âîëîñû», – çàìå÷àåò àâòîð ïóáëèêàöèè Ôðþíäò. «Çà÷åñàííûå ïðÿäè? Ïàðèê? Ìàíèïóëÿöèè ñ âûòÿæåíèåì? Òåîðèè âîêðóã âî- Âîçìîæíî, ëîñÿíîé àíîìàëèè íà ãîëîâå Òðàìïà ðàñòóò â ÑØÀ êàê ãðèáû ïîñëå äîæäÿ. Êîãäà ñòàëî ïîíÿòíî, ÷òî ýòîò ÷åëîâåê ìîæåò ñòàòü ñëåäóþùèì ïðåçèäåíòîì ÑØÀ, æóðíàëèñòû áóêâàëüíî ïðî÷åñûâàþò êàæäûé óãîëîê åãî áèîãðàôèè â ïîèñêàõ òåìíûõ ïÿòåí è ïîäîçðèòåëüíûõ ìîìåíòîâ, êîòîðûå ìîãóò óêàçûâàòü, ÷òî 69ëåòíåìó êàíäèäàòó åñòü ÷òî ñêðûâàòü. È äèñêóññèÿ âîêðóã åãî ïåðñîíû âåðòèòñÿ íå òîëüêî âîêðóã òîãî, ÷òî ñêðûâàåòñÿ â ãîëîâå ó ìàãíàòà, íî òàêæå è âîêðóã òîãî, ÷òî ó íåãî íà

ãîëîâå, – òî åñòü, åãî âîëîñ. Êîíå÷íî, åñëè îíè åãî». Ïî äàííûì Ìåæäóíàðîäíîãî îáùåñòâà õèðóðãèè âîññòàíîâëåíèÿ âîëîñ (ISHRS), ÷èñëî ïàöèåíòîâ, êîòîðûå ïîäâåðãëèñü òðàíñïëàíòàöèè âîëîñ, çà ïîñëåäíèå 8 ëåò âûðîñëî íà 64%. Ñîòíè òûñÿ÷ ìóæ÷èí â ÑØÀ è åùå áîëüøå â Àçèè èäóò íà ïîäîáíóþ îïåðàöèþ, ÷òîáû

íèïóëÿöèè 60 òûñÿ÷ äîëëàðîâ. Ñàì ìèëëèàðäåð ïîäîãðåë äèñêóññèþ, çàâåðèâ âñåõ â íàòóðàëüíîñòè ñâîèõ âîëîñ. «Äîâåðèå ê Òðàìïó òåïåðü çàâèñèò îò åãî âîëîñ», – ïèøåò àâòîð. «Ýêñïåðòû àíàëèçèðóþò óâåëè÷åííûå ñíèìêè ïîëèòèêàáëîíäèíà, äèñêóòèðóþò ïî ïîâîäó ïîäîçðèòåëüíîé êîíñèñòåíöèè çàáåòîíèðîâàííîãî

Äîíàëüä Òðàìï íðàâèòñÿ ñåáå è ñ íûíåøíåé ïðè÷åñêîé ïðèäàòü æåëàåìóþ ãóñòîòó ñâîèì âîëîñàì. Âîîäóøåâëÿþò èõ íà ýòî èçâåñòíûå ïåðñîíû, øåâåëþðû êîòîðûõ âûãëÿäÿò, íåñîìíåííî, ëó÷øå, ÷åì ó Äîíàëüäà, ïèøåò àâòîð. Íî ÷òî ïîøëî íå òàê ó Òðàìïà? Èíòåðíåò-ïîðòàë Gawker, ñïåöèàëèçèðóþùèéñÿ íà ïóáëèêàöèè ñâåäåíèé ëè÷íîãî õàðàêòåðà î çâåçäàõ øîó-áèçíåñà è äðóãèõ èçâåñòíûõ ëþäÿõ, ïðèâîäèò çàÿâëåíèÿ ñâèäåòåëÿ, êîòîðûé ÿêîáû â êóðñå òîãî, ÷òî ïîëèòèê íàðàùèâàë âîëîñû îñîáûì ñïîñîáîì, âûëîæèâ çà ìà-

÷óáà, ïðîñìàòðèâàþò âèäåî, íà êîòîðûõ âåòåð òðåïëåò ïðè÷åñêó Òðàìïà, ÷åðåç ëóïó. Íàòóðàëüíûå èëè íåò?» Íåêîòîðûå ÑÌÈ âñåðüåç ïîëàãàþò, ÷òî âåñü ýòîò «âîëîñÿíîé àíàëèç» ìîæåò ñòîèòü Òðàìïó êàðüåðû. Ïî èíôîðìàöèè ïîðòàëà Gawker, Òðàìï ìîã ïîïàñòü â ðóêè âåñüìà ñîìíèòåëüíîãî ìåäèêà, ìåòîäèêà êîòîðîãî íå ïðåäóñìàòðèâàåò õèðóðãè÷åñêîãî âìåøàòåëüñòâà è ïðåäïîëîæèòåëüíî çàêëþ÷àåòñÿ â òîì, ÷òî â ðåçóëüòàòå î÷åíü çàòðàòíîãî â ôèíàíñîâîì ïëà-

Àìåðèêàíñêèå çàïàñû íåôòè ïðåâîñõîäÿò ñàóäîâñêèå è ðîññèéñêèå «Çàïàñû íåôòè â ÑØÀ äàæå áîëüøå, ÷åì â Ñàóäîâñêîé Àðàâèè è â Ðîññèè, – ñîãëàñíî íîâîìó èññëåäîâàíèþ, ýòîò ïîêàçàòåëü âïåðâûå ïðåâçîøåë òàêîâîé ó êðóïíåéøèõ â ìèðå ñòðàí-ýêñïîðòåðîâ», – ñîîáùàåò The Financial Times.

Òåêñò Àíäæëè Ðàâàë, Financial Times

Ïî îöåíêàì Rystad Energy, èçâëåêàåìûå çàïàñû íåôòè â ÑØÀ íà ñóùåñòâóþùèõ, îòêðûòûõ è ïîêà íå îòêðûòûõ ìåñòîðîæäåíèÿõ – 264 ìèëëèàðäà áàððåëåé, ÷òî ïðåâîñõîäèò 212 ìèëëèàðäîâ â Ñàóäîâñêîé Àðàâèè è 256 ìèëëèàðäîâ ó Ðîññèè. «Àíàëèç 60 òûñÿ÷ ìåñòîðîæäåíèé âî âñåì ìèðå, êîòîðûé ïðîâîäèëà â òå÷åíèå òðåõ

ëåò êîìïàíèÿ èç Îñëî, ïîêàçûâàåò, ÷òî îáùèå çàïàñû íåôòè â ìèðå ñîñòàâëÿþò 2,1 òðèëëèîíà áàððåëåé», – ïèøåò àâòîð ñòàòüè Àíäæëè Ðàâàë. «Èçâëåêàåìûå çàïàñû – ýòî òå áàððåëè, äîáû÷à êîòîðûõ öåëåñîîáðàçíà ñ òî÷êè çðåíèÿ òåõíîëîãèè è ýêîíîìèêè – àíàëèçèðóþòñÿ ýíåðãåòè÷åñêîé èíäóñòðèåé ñ öåëüþ îïðåäåëèòü îöåíêó ñòîèìîñòè êîìïàíèè è çäîðîâüå ýêîíîìèêè íåôòåïðîèçâîäÿùåé ñòðàíû â äîëãîñðî÷íîì ïåðèîäå», – ãîâîðèòñÿ â ñòàòüå. «Áîëüøå ïîëîâèíû îñòàþùèõñÿ çàïàñîâ íåôòè â ÑØÀ – ýòî íåòðàäèöèîííàÿ ñëàíöåâàÿ íåôòü, êàê ñâèäåòåëüñòâóþò äàííûå Rystad Energy. Òîëüêî

â îäíîì Òåõàñå èìååòñÿ áîëåå 60 ìèëëèàðäîâ áàððåëåé ñëàíöåâîé íåôòè», – ñîîáùàåò èçäàíèå. Õîòÿ êîëè÷åñòâåííûå ïîêàçàòåëè ïî çàïàñàì èìåþò ñåðüåçíîå çíà÷åíèå, èçäåðæêè ïðîèçâîäñòâà íàñòîëüêî æå âàæíû, óêàçàë Ðè÷àðä Ìîëëèíñîí èç ëîíäîíñêîé êîíñàëòèíãîâîé êîìïàíèè Energy Aspects. «Êîëè÷åñòâî ðåñóðñîâ èìååò çíà÷åíèå, îäíàêî ìíîãèå äðóãèå ôàêòîðû òàêæå îïðåäåëÿþò îòäà÷ó äëÿ íåôòÿíûõ êîìïàíèé è ñòðàí â êðàòêî- è äîëãîñðî÷íîé ïåðñïåêòèâå, – îòìåòèë Ìîëëèíñîí. – Ðîñò çíà÷èìîñòè ÑØÀ íå óìåíüøèò ðîëü Ñàóäîâñêîé Àðàâèè èëè Ðîññèè, îáëàäàþùèõ íåôòüþ, äîáû÷à êîòîðîé – îäíà èç ñàìûõ äåøåâûõ â ìèðå». www.DallasTelegraph.com/61569 Russian www.DallasTelegraph.com/en/61569 English

íå ïðîöåññà íåáîëüøèå íàòóðàëüíûå äîíîðñêèå âîëîñêè ñîåäèíÿþòñÿ ñ âîëîñàìè ïàöèåíòà íåïîñðåäñòâåííî ðÿäîì ñ êîæåé è ðàñïðåäåëÿþòñÿ ïî ãîëîâå ïîäîáíî ïàóòèíå. Ïîäîáíûå ìàíèïóëÿöèè îáõîäÿòñÿ ïàöèåíòàì â 60 òûñÿ÷ äîëëàðîâ, íå ñ÷èòàÿ äîïîëíèòåëüíûõ âåñîìûõ çàòðàò íà «êîððåêöèþ», ïåðåäàåò êîððåñïîíäåíò. «Íåóæåëè íûíåøíèå ôèíàíñîâûå ïðîáëåìû Òðàìïà ñâÿçàíû èìåííî ñ ýòèìè ïðîöåäóðàìè?»

– ïèøåò Ôðþíäò. Îôèöèàëüíîé èíôîðìàöèè íåò – èçâåñòíî ëèøü, ÷òî ôèðìà Ivari International, ïðåäëàãàþùàÿ ïîäîáíûå óñëóãè, ðàñïîëàãàåòñÿ â áàøíå Òðàìïà è èìååò îôèñ íà ýòàæå, îáû÷íî çàðåçåðâèðîâàííîì äëÿ îôèñîâ ìèëëèàðäåðà. ×òî êàñàåòñÿ ÷óäî-äîêòîðà, êîòîðîãî Òðàìï äîëæåí áëàãîäàðèòü çà ñâîè «æåëòûå ïàòëû», òî åãî ëè÷íîñòü òàêæå ïîêðûòà òàéíîé. Íåò è äîêàçàòåëüñòâ, ÷òî ýòîò ÷åëîâåê âîîáùå èìååò êàêîå-ëèáî ìåäèöèíñêîå îáðàçîâàíèå, ñîîáùàåò ãàçåòà. Ïî ñëîâàì Àíäðåàñà Ì.Ôèííåðà, õèðóðãà-òðàíñïëàíòîëîãà èç Áåðëèíñêîé êëèíèêè íà Âèòòåíáåðãïëàòö, «åñòü íåêîòîðûå óêàçàíèÿ íà òî, ÷òî ñ âîëîñàìè Òðàìïà ÷òî-òî äåëàëè». Âñå âûãëÿäèò òàê, êàê áóäòî ó ïîëèòèêà íà òåìåíè îñòàëîñü íå òàê ìíîãî ñâîèõ âîëîñ, è îí ñêðûâàåò ýòî âîëîñàìè ñ äðóãèõ ÷àñòåé ãîëîâû. Ôèííåð ñîâåòóåò Òðàìïó ïîéòè íà îáû÷íóþ òðàíñïëàíòàöèþ, êîãäà âîëîñÿíûå ëóêîâèöû ñ çàòûëî÷íîé ÷àñòè ïåðåíîñÿòñÿ íà ëîáíóþ è òåìåííóþ. È îáîéäåòñÿ ýòî äåøåâëå – îò 5 äî 10 òûñÿ÷ åâðî. Ïî ñëîâàì íåìåöêîãî âðà÷à, Òðàìï ìîæåò íå ïîéòè íà ýòî, òàê êàê âîëîñû ïîñëå òðàíñïëàíòàöèè íà÷èíàþò ðàñòè íå ñðàçó, ÷òî äëÿ ëþäåé ïóáëè÷íûõ ñòàíîâèòñÿ ïðîáëåìîé. Êðîìå òîãî, îòìå÷àåò ìåäèê, ìíîãèå ìóæ÷èíû, ñâîèìè ñèëàìè ñêðûâàþùèå ïîòåðþ âîëîñ, âîñïðèíèìàþò ñåáÿ íå òàê, êàê âèäÿò èõ îêðóæàþùèå. Âïîëíå âîçìîæíî, Òðàìï íðàâèòñÿ ñåáå è ñ íûíåøíåé ïðè÷åñêîé. www.DallasTelegraph.com/61563 Russian www.DallasTelegraph.com/en/61563 English

Òåêñò Ìàðòèíà Õåññå, Ïàóëÿ Ìèääåëüõîôà, Der Spiegel

Ñ 2001 ãîäà Õèëëàðè è Áèëë Êëèíòîí ïîëó÷èëè ïîðÿäêà 150 ìëí äîëëàðîâ çà ðå÷è è âûñòóïëåíèÿ, è ÷àñòü èç íèõ – îò íåìåöêîãî áàíêà Deutsche Bank, – ïèøóò Ìàðòèí Õåññå è Ïàóëü Ìèääåëüõîô íà ñòðàíèöàõ íåìåöêîãî æóðíàëà Der Spiegel.

òîíîâ êðàéíå íåîõîòíî ãîâîðèò î ñâîèõ âûñòóïëåíèÿõ. «Òàêóþ âûñîêóþ ñóììó ïðåäëîæèëè îíè», – îòâåòèëà Õèëëàðè íà âîïðîñ î øåñòèçíà÷íûõ âûïëàòàõ.  öåëîì æå, ðåàëüíûå ìàñøòàáû äîõîäîâ ñóïðóãîâ Êëèíòîí ñòàëè ïîíÿòíû, êîãäà èì â 2015 ãîäó ïîä äàâëåíèåì îáùåñòâåííîñòè ïðèøëîñü îïóáëèêîâàòü èíôîðìàöèþ î äîõîäàõ, è îêàçàëîñü, ÷òî ñ ìîìåíòà óõîäà Áèëëà Êëèíòîíà ñ ïîñòà ïðåçèäåíòà â 2001 ãîäó îáà çàðàáîòàëè 150 ìèëëè-

«Òàêóþ âûñîêóþ ñóììó ïðåäëîæèëè îíè», – îòâåòèëà Õèëëàðè íà âîïðîñ î øåñòèçíà÷íûõ âûïëàòàõ ãîíîðàðà ñî ñòîðîíû Deutsche Bank «Íè îäíà äðóãàÿ íåìåöêàÿ êîìïàíèÿ íå áîðåòñÿ ñòîëü ýíåðãè÷íî çà ðàñïîëîæåíèå ñóïðóãîâ Êëèíòîí, êàê Deutsche Bank, – ðàññêàçûâàþò æóðíàëèñòû. – Òîëüêî çà ðå÷è ïåðåä ÷ëåíàìè ïðàâëåíèÿ, òîï-ìåíåäæåðàìè è áîãàòûìè êëèåíòàìè ôèíàíñîâîå ó÷ðåæäåíèå, êàê ñëåäóåò èç íàëîãîâûõ äåêëàðàöèé îáîèõ, çàïëàòèëî èì ñ 2005 ãîäà 1.25 ìèëëèîíà äîëëàðîâ». Ê ïðèìåðó, âûñòóïëåíèå áûâøåãî àìåðèêàíñêîãî ãîññåêðåòàðÿ 7 îêòÿáðÿ 2014 ãîäà â Íüþ-Éîðêå ïåðåä ÷ëåíàìè ïðàâëåíèÿ áàíêà ñòîèëî 260 òûñÿ÷ äîëëàðîâ, à ó÷àñòèå â öåðåìîíèè îòêðûòèÿ òóðíèðà ïî ãîëüôó Deutsche Bank Championship ýêñïðåçèäåíòà Áèëëà è åãî ñóïðóãè îáîøëîñü â 270 òûñÿ÷ äîëëàðîâ. Ñàì Deutsche Bank íå êîììåíòèðóåò ãîíîðàðû, íî ïëàòåæè ïîäòâåðæäàåò. Ïî âñåé âèäèìîñòè, òåì ñàìûì Deutsche Bank «íàäååòñÿ îáåñïå÷èòü ñåáå äîñòóï ê âåðõóøêå àìåðèêàíñêîé âëàñòè íà òîò ñëó÷àé, åñëè Õèëëàðè Êëèíòîí âúåäåò â Áåëûé Äîì â ÿíâàðå 2017-ãî», – ïèøóò æóðíàëèñòû. ×åòà Êëèí-

îíîâ äîëëàðîâ. Êðîìå ýòîãî, ñîâñåì íåäàâíî íîâîñòíîå àãåíòñòâî CNN ðàññêàçàëî îá âíóòðåííèõ äîêóìåíòàõ îäíîé íüþ-éîðêñêîé ôèðìû, êîòîðàÿ çàíèìàëàñü îðãàíèçàöèåé âûñòóïëåíèé Êëèíòîí. Ñóäÿ ïî íèì, Êëèíòîí òðåáîâàëà, ÷òîáû íà âûñòóïëåíèÿ åå âîçèëè íà ÷àñòíîì ñàìîëåòå, à èìåííî – 30 ìåòðîâîì Gulfstream 450, ñåëèëè èñêëþ÷èòåëüíî â ïðåçèäåíòñêèõ ëþêñàõ, à åå ñîòðóäíèêàì îïëà÷èâàëè ïåðåëåòû ïåðâîãî êëàññà, ïåðåäàåò èçäàíèå. Âîîáùå, ÷åòà Êëèíòîíîâ è Deutsche Bank – ýòî èñòîðèÿ äîâîëüíî äîëãîé äðóæáû, ïðîäîëæàþò àâòîðû. Åùå â 1990-å ãîäû âîçãëàâëÿâøèå áàíê Õèëüìàð Êîïïåð è Ðàëüô Áðîéåð çàõîòåëè, ÷òîáû Deutsche Bank âëèëñÿ â ýëèòó àìåðèêàíñêèõ èíâåñòèöèîííûõ áàíêîâ, è ýòî èì óäàëîñü ñ áîëüøèì óñïåõîì. Íå â ïîñëåäíþþ î÷åðåäü – áëàãîäàðÿ Áèëëó Êëèíòîíó. www.DallasTelegraph.com/61571 Russian www.DallasTelegraph.com/en/61571 English

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ÊÓËÜÒÓÐÀ

Wednesday, June 29, 2016

www.DallasTelegraph.com

Êàëåíäàðü êóëüòóðíûõ ñîáûòèé Áîëüøîãî Äàëëàñà c 15 ïî 31 èþëÿ ÏÐÀÇÄÍÎÂÀÍÈÅ ÄÍß ÁÀÑÒÈËÈÈ (BASTILLE DAY CELEBRATION IN DALLAS ARTS DISTRICT) Ïðàçäíîâàíèå Äíÿ Áàñòèëèè 15 èþëÿ â 6 ÷àñîâ âå÷åðà – ïðåêðàñíàÿ âîçìîæíîñòü ñîáðàòüñÿ ñ äðóçüÿìè íà áîêàë øàìïàíñêîãî è òàíöû. Ïðàçäíèê ïðîéäåò â Äàëëàñå íà óëèöå Flora â Harwood – íà ñåâåðå îò àâåíþ Ross, ó òðåõ âåäóùèõ ìóçååâ – Dallas Museum of Art, Nasher Sculpture Center è Crow Collection of Asian Art. Ïðàçäíèê óñòðàèâàåò òà æå êîìàíäà, ÷òî è åæåãîäíûé ôåñòèâàëü Bastille on Bishop. Ãîñòÿì ïðåäëàãàþò ïðîâåñòè âå÷åð ôðàíöóçñêîé ìóçûêè è âêóñíîé åäû, íàïîìèíàþùèé ëþáèìûé äåíü â êðàñèâîé Ôðàíöèè. Ïðàçäíîâàíèå Äíÿ Áàñòèëèè ñîâïàäàåò ñ åæåìåñÿ÷íûìè áåñïëàòíûìè ñîáûòèÿìè â ìóçåÿõ.  êàæäîì ìóçåå ïðîéäåò â ýòîò äåíü ñâîå ìåðîïðèÿòèå – êîíöåðò, ïîêàç ôèëüìà èëè ýêñêóðñèÿ. Ñòîèìîñòü áèëåòà – îò 25 äî 50 äîëëàðîâ (â ñòîèìîñòü âêëþ÷åíû íàïèòêè è åäà). Àäðåñ: Dallas Arts District, 2200 Ross Ave., Dallas, TX 75201. ÊÈÍÎÔÅÑÒÈÂÀËÜ ÀÇÈÀÒÑÊÈÕ ÔÈËÜÌΠ ÄÀËËÀÑÅ (2016 ASIAN FILM FESTIVAL OF DALLAS) Êèíîôåñòèâàëü àçèàòñêèõ ôèëüìîâ â Äàëëàñå ïðàçäíóåò ñâîé 15-é ãîä è ïðåäñòàâëÿåò ïîêàç 33-õ ôèëüìîâ, øåñòè êîðîòêîìåòðàæíûõ êàðòèí, äâóõ ìèðîâûõ ïðåìüåð, ÷åòûðåõ ñåâåðîàìåðèêàíñêèõ ïðåìüåð è äåñÿòè þãî-çàïàäíûõ ïðåìüåð. Êèíîëþáèòåëè ñìîãóò óâèäåòü ôèëüìû èç ÑØÀ, Êèòàÿ, Ñèíãàïóðà, ßïîíèè, Þæíîé Êîðåè, Ãîíêîíãà è Âüåòíàìà. Ïðè÷åì, êàðòèíû ñàìûõ ðàçíûõ æàíðîâ – êîìåäèÿ, äåòåêòèâ, àíèìý, äðàìà, äîêóìåíòàëèñòèêà, áîåâûå èñêóññòâà, ïñèõîëîãè÷åñêàÿ äðàìà, òðèëëåð è ðîìàíòè÷åñêàÿ êîìåäèÿ. Îòêðîåò ôåñòèâàëü ìèðîâàÿ ïðåìüåðà «Âîçâðàùåíèå ñó-

ìàòîøíîãî ñàìóðàÿ» ("Samurai Hustle Returns") è çàêðîåò ôèëüì "The Wailing". Äëÿ îçíàêîìëåíèÿ ñ ðàñïèñàíèåì ôåñòèâàëÿ îðãàíèçàòîðû ðåêîìåíäóþò ïîñåòèòü âåáñàéò www.asianfilmdallas.com. Ôåñòèâàëü ïðîäëèòñÿ ñ 14 ïî 21 èþëÿ. Ñòîèìîñòü áèëåòà – îò 8 äî 15 äîëëàðîâ çà ïîêàç èëè åäèíûé áèëåò íà âñå ïîêàçû – 199 äîëëàðîâ. Àäðåñ: Angelika Film Center & Cafe, 5321 E. Mockingbird Ln., Dallas, TX 75206. Òåë.: (214) 8414713.

ñèìîñòè îò äíÿ íåäåëè. Âõîä – ñâîáîäíûé. Àäðåñ: NorthPark Center, 8687 N. Central Expy., Dallas, TX 75225. Òåë.: (214) 827-8961. ÍÎ×Ü ÊÈÍÎ ÍÀ ÌÎÑÒÓ (VERDE ENERGY TX PRESENTS MOVIE NIGHT ON THE BRIDGE) Ñ çàõîäîì ñîëíöà ìîñò Continental Avenue ïðåâðà-

Pedestrian Bridge, 122 Continental Ave., Dallas, TX 75207. Òåë.: (214) 671-9500.

ëàðîâ. Àäðåñ: 10110 Technology Blvd., Dallas, TX 75220. Òåë.: (213) 884-4897.

RAW ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ "REVEAL" (RAW DALLAS PRESENTS REVEAL) Ïðèñîåäèíÿéòåñü ê êîìïàíèè RAW Natural Born Artists 28 èþëÿ â 5.30 ÷àñîâ âå÷åðà, ÷òîáû ïîñìîò-

ÂÅ×ÅÐÈÍÊÀ Ó REUNION TOWER (REUNION LAWN PARTY) Æèâàÿ ìóçûêà, ðåñòîðàíû íà êîëåñàõ è èãðû íà òðàâå – âñå ýòî æäåò òåõ, êòî 30 èþëÿ â 6.30 âå÷åðà ïðèäåò ê Reunion Tower. Ïðè-

ÊÎÍÖÅÐÒ ÏÈÒÁÓËß (PITBULL IN CONCERT) Ðýïåð àìåðèêàíî-êóáèíñêîãî ïðîèñõîæäåíèÿ Ïèòáóëü ïðèâåçåò â Äàëëàñ 22 èþëÿ â 7 ÷àñîâ âå÷åðà ïðîãðàììó The Bad Man. Òàêæå ñ ïåâöîì íà îäíîé ñöåíå âûñòóïèò ìåãàçâåçäà â ëàòèíîàìåðèêàíñêèõ ñòðàíàõ, ïåâåö è àâòîð ïåñåí Prince Royce è äðóãèå èñïîëíèòåëè. Ñòîèìîñòü áèëåòà – îò 30 äî 140 äîëëàðîâ. Àäðåñ: 2500 Victory Ave., Dallas, TX 75201. Òåë. (214) 6654299. ÏÀÐÀÄ ÈÃÐÎÂÛÕ ÄÎÌÈÊΠ(DALLAS CASA PRESENTS 2016 PARADE OF PLAYHOUSES) Åæåãîäíûé ïàðàä èãðîâûõ äîìèêîâ ïðåäñòàâëÿåò êðåàòèâíûå äîìèêè, ïîñòðîåííûå ìåñòíûìè äèçàéíåðàìè, àðõèòåêòîðàìè è ñòðîèòåëÿìè è ïåðåäàííûå îðãàíèçàöèè CASA. Âñå äîìèêè áóäóò ðàçûãðàíû â ëîòåðåå ïî îêîí÷àíèþ âûñòàâêè. Âûðó÷åííûå äåíüãè áóäóò ïåðåäàíû äåòÿì, íàä êîòîðûìè áûëî ñîâåðøåíî ìîðàëüíîå èëè ôèçè÷åñêîå íàñèëèå èëè íóæäàþùèìñÿ äåòÿì. Èìåííî èì è ñëóæèò CASA. Îðãàíèçàöèÿ ïðîøëà áåñïðåöåäåíòíûé ïóòü ðîñòà ñ òåõ ïîð, êàê â 2012 ãîäó áûëà ïðîâåäåíà 37 ìèëëèîííàÿ êàìïàíèÿ "Abused Children Can’t Wait". Ïàðàä-âûñòàâêà èãðîâûõ äîìèêîâ áóäåò ïðîõîäèòü ñ 15 ïî 31 èþëÿ – ñ 10 ÷àñîâ óòðà èëè ñ ïîëóäíÿ, â çàâè-

 ìóçåå èñêóññòâ Kimbell ïðîõîäèò âûñòàâêà èçâåñòíûõ ôðàíöóçñêèõ õóäîæíèêîâ 17-ãî âåêà áðàòüåâ Ëåíåí òèòñÿ â êèíîçàë ïîä îòêðûòûì íåáîì ñî ñíîãñøèáàòåëüíûì âèäîì íà ÿðêèå îãíè âå÷åðíåãî Äàëëàñà. Ëó÷øèå ðåñòîðàíû íà êîëåñàõ ñúåäóòñÿ, ÷òîáû óáëàæèòü åäîé ðàçíûõ êóõîíü ãîñòåé ìåðîïðèÿòèÿ.

23 èþëÿ ïîêàæóò ìóëüòôèëüì «Ìèíüîíû» ("Minions"), 27 àâãóñòà – «Ñèíäåðåëëó» ("Cinderella"), à 24 ñåíòÿáðÿ «×åðåïàøåê-Íèíäçÿ» ("Teenage Mutant Ninja Turtles"). Êèíîñåàíñû íà÷èíàþòñÿ â óêàçàííûå äàòû â 7.30 âå÷åðà. Âõîä – ñâîáîäíûé. Àäðåñ: Continental Avenue

ðåòü òàëàíòû áîëåå 50 äàëëàññêèõ òâîð÷åñêèõ ëþäåé â ðàçíûõ îáëàñòÿõ, âêëþ÷àÿ æèâóþ ìóçûêó, èñïîëíèòåëüñêîå è èçîáðàçèòåëüíîå èñêóññòâî, ìàêèÿæ è ñòèëü âîëîñ, ïðåçåíòàöèè îäåæäû è ìíîãîå äðóãîå.

RAW Natural Born Artists – ýòî íåçàâèñèìàÿ îðãàíèçàöèÿ, êîòîðàÿ îòáèðàåò è ïîìîãàåò ïîäíÿòüñÿ íåçàâèñèìûì òàëàíòàì â îáëàñòè èñêóññòâà, êèíî, ìîäû, âîëîñ, ìàêèÿæà, ôîòîãðàôèè è ñöåíè÷åñêîãî èñêóññòâà. Ñòîèìîñòü áèëåòà íà ìåðîïðèÿòèå – îò 20 äî 25 äîë-

÷åì, ðåñòîðàíû íà êîëåñàõ áóäóò ñàìûå ðàçíîîáðàçíûå – îò ïðîäàþùèõ ïèööó, äî òåõ, êòî ïðåäëàãàåò ëîáñòåðîâ è êàäæóíñêóþ êóõíþ. Íå óäèâëÿéòåñü, åñëè íà âå÷åðèíêå âû âäðóã óâèäèòå èçâåñòíûõ ñïîðòñìåíîâ. Ñïîíñîðîì èþëüñêîãî ìåðîïðèÿòèÿ ÿâëÿåòñÿ Texas Motor Speedway, êîòîðûé ïðèãîòîâèë èãðû, ïîäàðêè è ñïåöèàëüíûå ñþðïðèçû. Ïåòü íà âå÷åðèíêå 30 èþëÿ áóäåò áûâøàÿ ó÷àñòíèöà òåëåïðîãðàììû "Voice" Õàííà Êèðáè (Hannah Kirby) è

äæàçîâûé áýíä "Tin Man Band". Âõîä – ñâîáîäíûé. Àäðåñ: Reunion Park, 302 Reunion Blvd., Dallas, TX 75207. ÌÓÇÅÉ ÈÑÊÓÑÑÒ KIMBELL ÏÐÅÄÑÒÀÂËßÅÒ ÂÛÑÒÀÂÊÓ ÔÐÀÍÖÓÇÑÊÈÕ ÕÓÄÎÆÍÈÊΠ17-ÃÎ ÂÅÊÀ ÁÐÀÒÜÅ ËÅÍÅÍ (KIMBELL ART MUSEUM PRESENTS THE BROTHERS LE NAIN: PAINTERS OF SEVENTEENTHCENTURY) Âûñòàâêà ôðàíöóçñêèõ õóäîæíèêîâ, áðàòüåâ Ëåíåí – Àíòóàíà, Ëóè è Ìàòüå – äî 11 ñåíòÿáðÿ ïðîõîäèò â Ìóçåå èñêóññòâ Kimbell. Áðàòüÿ Ëåíåí áûëè âåñüìà èçâåñòíû â Ïàðèæå ñ 1630-õ äî 1640-õ ãîäîâ.  ÑØÀ, â ÷àñòíîñòè Ôîðò-Óýðò ïðèâåçëè 40 ñàìûõ ëó÷øèõ òâîðåíèé õóäîæíèêîâ, çàïå÷àòëåâøèõ àëòàðè, ÷àñòíûå ìîëèòâû, ïîðòðåòû è ãîðüêèå îáðàçû êðåñòüÿí. Áëàãîäàðÿ ýòèì ïîëîòíàì áðàòüÿ Ëåíåí è ñòàëè çíàìåíèòûìè. Êàðòèíû áûëè ñîáðàíû èç ÷àñòíûõ è ïóáëè÷íûõ êîëëåêöèé Åâðîïû è Ñåâåðíîé Àìåðèêè, âêëþ÷àÿ Ëóâð, ñîáîð Notre Dame â Ïàðèæå è èç äðóãèõ ôðàíöóçñêèõ ìóçååâ. Áðàòüÿ ðàáîòàëè â îäíîé ìàíåðå, ïîäïèñûâàëèñü îäíîé ôàìèëèåé, ïîýòîìó èõ ðàáîòû ñ òðóäîì ïîääàþòñÿ ðàçëè÷åíèþ. Áîëåå èçâåñòåí Ëóè, åìó ïðèïèñûâàþò ïðåîáëàäàþùóþ ÷àñòü êàðòèí èç êðåñòüÿíñêîé æèçíè. Áîëüøóþ ÷àñòü ìèíèàòþð ïðèïèñûâàþò àâòîðñòâó Àíòóàíà, à ïîðòðåòû – Ìàòüå. Èçâåñòíî, ÷òî áðàòüÿ Ëåíåí – óðîæåíöû Ñåâåðíîé Ôðàíöèè, ãîðîäà Ëàíà â Ïèêàðäèè, ÷òî îíè ïðîèñõîäèëè èç êðåñòüÿíñêîé çàæèòî÷íîé è ïî òåì âðåìåíàì êóëüòóðíîé ñåìüè. Ñòîèìîñòü áèëåòà íà èõ âûñòàâêó – îò 5 äî 14 äîëëàðîâ. Ìóçåé ðàáîòàåò c 10 ÷àñîâ óòðà äî 5 ÷àñîâ âå÷åðà, êðîìå ïÿòíèöû è âîñêðåñåíüÿ. Âûõîäíîé – ïîíåäåëüíèê. Àäðåñ: 3333 Camp Bowie Blvd, Fort Worth, TX 76107. Òåë.: (817) 332-8451. www.DallasTelegraph.com/61574 Russian www.DallasTelegraph.com/en/61574 English

ÎÒ ÐÅÄÀÊÖÈÈ: ×òîáû ïîäïèñàòüñÿ íà ðàññûëêó êóëüòóðíûõ ñîáûòèé Ñåâåðíîãî Òåõàñà èëè âêëþ÷èòü âàøå ñîáûòèå â îáçîð, ïðèñûëàéòå çàÿâêè ïî àäðåñó: dallastelegraph.com@gmail.com

ÊÐÎÑÑÂÎÐÄ Ïðèñïîñîáëåíèå äëÿ óìåíüøåíèÿ èëè óñòðàíåíèÿ êîëåáàíèé.

13. Ñòóäåíü. 14. Ñòîëÿðíûé ðóáàíîê äëÿ âûñòðóãèâàíèÿ íà áðóñêàõ æåëîáêîâ, ôèãóðíûõ ïðîôèëåé. 15. Ñåâåðíàÿ ïðîìûñëîâàÿ ðûáà. 18. Þâåëèðíîå èçäåëèå, óêðàøåíèå. 19. Ñïåöèàëüíîñòü ñâÿçèñòà. 22. Ðÿä ñëåäóþùèõ äðóã çà äðóãîì ïîâîçîê ñ ãðóçîì. 23. Ãðóíò ïîä âîäîé âîäîåìà, ðåêè, ìîðÿ. 24. Ïðåäìåò áåñåäû, ðàçãîâîðà. 25. Îñíîâàíèå ñîîðóæåíèÿ, êîëîííû. 27. Ïóòåâàÿ ìåðà äëèíû.

30. ×àñòü òåëà ÷åëîâåêà. 31. Ìàòåìàòè÷åñêèé çíàê. 32. Ìåëêîå ìåñòî â ðåêå, îçåðå. 35. ×åëîâåê, ñ÷èòàþùèé ñåáÿ íîñèòåëåì âûñøåé èíòåëëåêòóàëüíîñòè è èçûñêàííûõ âêóñîâ. 37. Ðàñïîëîæåííûå â èçâåñòíîì ïîðÿäêå ìàòåðèàëû, òåêñòû. 39.

Îðãàíè÷åñêîå ìàñëÿíèñòîå âåùåñòâî. 40. Ïèòàíèå, ïèùà. 41. Ñòîëÿðíûé èíñòðóìåíò. 42. Ðàçíîâèäíîñòü îøåéíèêà. 44. Ðàñøèðåííàÿ ÷àñòü ïèùåâîäà ó ïòèö. 47. Âîçâðàò áîëåçíè ïîñëå êàæóùåãîñÿ åå ïðåêðàùåíèÿ. 49. Ñóæäåíèå, ñîäåðæàùåå äâà èñêëþ÷àþùèõ äðóã äðóãà ïîëîæåíèÿ. 50. Îáñëåäîâàíèå ÷üåé-íèáóäü äåÿòåëüíîñòè äëÿ óñòàíîâëåíèÿ ïðàâèëüíîñòè è çàêîííîñòè äåéñòâèé. 51. Íàâÿç÷èâîå ñîñòîÿíèå ñòðàõà, ðàçâèâàþùååñÿ ïðè íåêîòîðûõ ïñèõè÷åñêèõ çàáîëåâàíèÿõ. 52. Òî, ÷òî äâèæåòñÿ äðóã çà äðóãîì âî ìíîæåñòâå íà íåêîòîðîì ðàññòîÿíèè. 53. Èãðà. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. ×àñòü óäàðíîãî ìåõàíèçìà â îãíåñòðåëüíîì îðóæèè. 2.

Àâòîìîáèëü äëÿ ïåðåâîçêè áðåâåí. 4.  ÿçû÷åñêèõ ðåëèãèÿõ – ëèöî, ñîâåðøàþùåå æåðòâîïðèíîøåíèÿ. 5. Æèäêàÿ ëåêàðñòâåííàÿ ôîðìà. 6. Ìóæñêîå èìÿ. 7. Ðåøèòåëüíîå âîçðàæåíèå ïðîòèâ ÷åãî-íèáóäü. 8.  íåêîòîðûõ ñòðàíàõ – çàêîí, çàêîíîïðîåêò. 11. Íèçìåííîñòü â óñòüåâîé ÷àñòè ðåêè, îáðàçîâàííàÿ ðå÷íûìè íàíîñàìè. 12. Îñíîâíàÿ åäèíèöà ðóáðèêè áþäæåòà êàæäîãî ìèíèñòåðñòâà.

15. Áåëîå ùåëî÷íîå êðèñòàëëè÷åñêîå âåùåñòâî. 16. Ñèëüíûé øóì, çâóêè óäàðîâ. 17. Óäîáðåíèå – ñìåñü çåìëè ñ ïåðåãíîåì, òîðôîì, íàâîçîì. 18. Æåñòêàÿ ìóæñêàÿ øëÿïà ñ ìàëåíüêèìè ïîëÿìè è îêðóãëûì âåðõîì. 20. Îòñóòñòâèå ñâåòà.

21. Ãåðìåòè÷åñêè çàêðûòîå âìåñòèëèùå. 25. Îäíîëåòíåå òðàâÿ-

íèñòîå ðàñòåíèå. 26. Äîñàäà. 28. Ýëåêòðè÷åñêè çàðÿæåííàÿ ÷àñòèöà. 29. Ñòèõîòâîðíûé ðàçìåð.

33. Ðàçìåùåíèå â îïðåäåëåííîì ïîðÿäêå. 34. Îðêåñòð èç äóõîâûõ, óäàðíûõ è øóìîâûõ èíñòðóìåíòîâ. 35. Äîì, ñäåëàííûé òîïîðîì, áåç ïèëû â XII âåêå.

36. Áóðíûå ïðîäîëæèòåëüíûå àïëîäèñìåíòû. 38. Âîéñêîâîå ñîåäèíåíèå èç íåñêîëüêèõ ïîëêîâ. 40. Îðóäèå, ëîïàòêà äëÿ ñîñêàáëèâàíèÿ ÷åãî-íèáóäü.

43. Ñïëåòåííûå â êîëüöî ëèñòüÿ, öâåòû. 45. Ëèñòâåííîå äåðåâî èç ñåìåéñòâà èâîâûõ. 46. ×àñòü ñóòîê, âî âðåìÿ êîòîðîé âñÿ ñîâîêóïíîñòü ðàáîò ïðîèçâîäèòñÿ îïðåäåëåííîé ãðóïïîé ëþäåé. 48.  Äðåâíåé Ðóñè ñîáðàíèå ãîðîæàí äëÿ ðåøåíèÿ îáùåñòâåííûõ äåë. 49. Äâóõýëåêòðîäíûé ïðèáîð.

ÎÒÂÅÒÛ ÍÀ ÊÐÎÑÑÂÎÐÄ Â ÍÎÌÅÐÅ ÎÒ 13 ÈÞÍß 2016 ÃÎÄÀ ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 3. Óñòðîéñòâî, â êîòîðîì ïðîèñõîäèò ïåðåäà÷à êèíåòè÷åñêîé ýíåðãèè îò îäíîé ñðåäû, äâèæóùåéñÿ ñ áîëüøåé ñêîðîñ-

òüþ, ê äðóãîé. 9. Óäàðíûé ìåìáðàííûé ìóçûêàëüíûé èíñòðóìåíò. 10. Ñóõîïóòíûå âîîðóæåííûå ñèëû â îòëè÷èå îò ìîðñêèõ è âîçäóøíûõ ñèë. 11.

ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 4. Ëîçóíã. 8. Ãàðìîíèêà. 9. Èðèñ. 10. Ñîþç. 11. Ñêîðíÿê.

13. Äæèíñû. 14. Çàáîòà. 17. Ñåòü. 19. Êðàí. 21. Ýêñêóðñ.

24. Òàáàê. 25. Àðà. 26. Êîëëè.

28. Áóòèê. 29. Ìåññà. 32. Ëîò.

33. Ìîêêî. 35. Èñïîëèí. 38. Àãàò. 39. Ïîíè. 40. Ðîêîêî. 43. Êàêàäó. 45. Îëåàíäð. 47. Êóìà.

48. Ïèâî. 49. Ñâåòîäèîä. 50. Êîëîññ.

ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Áàíê. 2. Ñìåðòü. 3. Ôèíêà. 4. Ëàññî. 5. Óåçä. 6. Ãèãèåíà. 7. Äèññîíàíñ. 11. Ñóñëèê.

12. ßçûê. 15. Áîê. 16. Àêñàêàë.

18. Òðàë. 20. Àòàìàí. 21. Ýïè-

ëîã. 22. Ñóáòèòð. 23. Óñòóï.

27. Îïîçíàíèå. 30. Ñàëî. 31. Àðáèòð. 34. Êàçà÷îê. 36. Îêî.

37. Èäîë. 39. Ïðàâäà. 41. Êëàññ. 42. Êîëåÿ. 44. Óêîë. 46. Äâîð.

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ÃÎÂÎÐÈÒ ÈÑÒÎÐÈß

Wednesday, June 29, 2016

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Æóòêàÿ ïðàâäà î «ïîäâèãå ×åëþñêèíöåâ» Îá àâòîðå: Ýäóàðä Áåëèìîâ – êàíäèäàò ôèëîëîãè÷åñêèõ íàóê, áîëåå äâàäöàòè ëåò ðàáîòàë â ÍÝÒÈ íà êàôåäðå èíîñòðàííûõ ÿçûêîâ, à çàòåì óåõàë íà èñòîðè÷åñêóþ ðîäèíó ñâîåé æåíû – â Èçðàèëü. Òàì îí è ïîçíàêîìèëñÿ ñ ÷åëîâåêîì, êîòîðûé ïîâåäàë åìó ïîäëèííóþ èñòîðèþ îá èñòîðè÷åñêîé ýêñïåäèöèè «×åëþñêèíà». Î÷åðê Áåëèìîâà î òàê íàçûâàåìîé èçðàèëüñêîé âåðñèè ãèáåëè êîðàáëÿ «×åëþñêèí» âïåðâûå áûë îïóáëèêîâàí â åæåíåäåëüíèêå «Íîâàÿ Ñèáèðü», ¹10 (391) çà 9 ìàðòà 2000 ãîäà ïîä íàçâàíèåì «Òàéíà ýêñïåäèöèè «×åëþñêèíà». Òåêñò Ýäóàðäà Áåëèìîâà. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ

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äåòü äâå ôèãóðû, îäíà – ïîíèæå, äðóãàÿ – ïîâûøå, ýòî êàïèòàí ×å÷êèí è íà÷àëüíèê êîíâîÿ Êàíäûáà, çàêîííûé ñóïðóã Åëèçàâåòû Áîðèñîâíû. Øëè äíè. ×åì äàëüøå íà âîñòîê – òåì ñèëüíåå ìîðîçû, òåì ìåíüøå ÷èñòîé âîäû. Îáõîäÿ ëåäÿíûå ìàññèâû, «×åëþñêèí» è «Ïèæìà» òî îòêëîíÿëèñü äàëåêî íà ñåâåð, èíîãäà íà ñîòíè êèëîìåòðîâ, òî ñïóñêàëèñü äàëåêî íà þã, ïî÷òè äî ñàìîãî êîíòèíåíòà. Óïîðíî, êèëîìåòð çà êèëîìåòðîì, îíè ïðîäâèãàëèñü íà âîñòîê. È òîëüêî îäèí ðàç êîðàáëè-áëèçíåöû ïðè÷àëèëè äðóã ê äðóãó. Ýòî ñëó÷èëîñü 4 ÿíâàðÿ 1934 ãîäà, â äåíü ðîæäåíèÿ Êàðèíû. Íà÷àëüíèê êîíâîÿ Êàíäûáà, ãðîçíûé ïðåäñòàâèòåëü ×Ê, áåç ïÿòè ìèíóò êîìáðèã, ïîæåëàë ëè÷íî óâèäåòü íîâîðîæäåííóþ äî÷ü. Êàðèíà ðîäèëàñü â ñàìîì äàëüíåì óãëó Êàðñêîãî ìîðÿ. Îñòàâàëîñü êàêèõ-íèáóäü 70 êèëîìåòðîâ äî ìûñà ×åëþñêèí, à çà íèì, êàê èçâåñòíî,

íî, öåðêîâíîñëóæèòåëè âñåõ ìàñòåé, ïî áîëüøåé ÷àñòè ïðàâîñëàâíûå ñâÿùåííèêè. Áûë ó íèõ è ñâîé ïðåäâîäèòåëü – ìèòðîïîëèò Ñåðàôèì, îòêóäàòî èç Ïîäìîñêîâüÿ. Îñîáíÿêîì ñðåäè ïîëèòè÷åñêèõ çàêëþ÷åííûõ äåðæàëàñü ãðóïïà åâðååâ-ñïåöîâ – èíæåíåðîâ-ðàäèîòåõíèêîâ è, êîíå÷íî, «èíîñòðàííûõ àãåíòîâ». Áûë ñðåäè íèõ è îòåö ßêîâà Ñàìîéëîâè÷à, îí òîæå óäîñòîèëñÿ ÷åñòè ïóòåøåñòâîâàòü â òðþìàõ «Ïèæìû».  1992 ãîäó ñïåöèàëüíàÿ êîìèññèÿ, íàçíà÷åííàÿ ïðåçèäåíòîì Åëüöèíûì, îáíàðóæèëà â àðõèâå Ïîëèòáþðî ÖÊ ÊÏÑÑ çà 1933 ãîä äâà ëþáîïûòíûõ äîêóìåíòà – äâå íîòû ïðàâèòåëüñòâà Äàíèè ïðàâèòåëüñòâó Ñîâåòñêîãî Ñîþçà.  ïåðâîé íîòå ðå÷ü èäåò î ïàðîõîäå «×åëþñêèí», à âî âòîðîé – ñðàçó î äâóõ ïàðîõîäàõ: «×åëþñêèíå» è «Ïèæìå». Èòàê, ÷èòàåì: ….«×åëþñêèí» è «Ïèæìà» íå ÿâëÿþòñÿ ëåäîêîëàìè, êàê ýòî óòâåðæäàåòñÿ â ñîâåòñêîé ïå÷àòè. Îáà êîðàáëÿ îòíîñÿòñÿ ê êëàññó

ïåðâûõ ÷èñëàõ äåêàáðÿ 1983 ãîäà â èíñòèòóòàõ Ëåíèíãðàäñêîãî îòäåëåíèÿ Àêàäåìèè íàóê ïîÿâèëîñü îáúÿâëåíèå: «Âñòðå÷à ñ ÷åëþñêèíöàìè ñîñòîèòñÿ 5 äåêàáðÿ â àêòîâîì çàëå íà Âàñèëüåâñêîì îñòðîâå. Íà÷àëî â 14 ÷àñîâ. Âõîä ñâîáîäíûé». Ïîìíþ, ÷èòàë ÿ êîãäà-òî êíèãó î ÷åëþñêèíöàõ. Ìíå áûëî òîãäà ëåò 15. Îäíàêî íå âñå ÿ òàì ïîíÿë. Ñ òåõ ïîð ïðîøëî ìíîãî ëåò, à âîïðîñû îñòàëèñü. Íàïðèìåð, ïî÷åìó «×åëþñêèí» îòïðàâèëñÿ â ïëàâàíèå â ðàçãàð ïîëÿðíîé «×åëþñêèí» îêàçàëñÿ â ñìåðòåëüíîé ëåäîâîé ëîâóøêå íî÷è, êîãäà îêåàí ñêîâàí ìîðå îòäûõàòü è ëå÷èòüñÿ. äâóìÿ êîðàáëÿìè óæå ïðåëüäàìè? È äàëåå: âñå ýòî ïðåäÑåìüÿ Êàíäûáû ðàñïîëîæèâûñèëî 30 êèëîìåòðîâ. À ïðèÿòèå èìåíîâàëîñü ýêñïåëàñü â ãåíåðàëüñêîì íîìåðå ãäå æå áûëà çåìëÿ? Íå òàê äèöèåé, à âîò êóäà è çà÷åì îíà ñàíàòîðèÿ ÍÊÂÄ â ßëòå. Ìàóæå äàëåêî, âñåãî â 170 êèïëûëà – â êíèãå îá ýòîì ïîëåíüêàÿ Êàðèíà ñðàçó ñòàëà ëîìåòðàõ. Êàê äîëãî ïðî÷åìó-òî íå ñêàçàíî íè ñëîâà. ëþáèìèöåé âñåãî ñàíàòîðèÿ, äëèòñÿ ëåäîâûé ïëåí «ÏèæÅñëè ýêñïåäèöèÿ âûñîêîøèà çàòåì è âñåãî ãîðîäà. Ïðîìû»? Íåèçìåííî âñå ïðèõîðîòíàÿ, òî åñòü ïîëÿðíàÿ, òî øëî êàêîå-òî âðåìÿ, è íà äèëè ê îäíîìó âûâîäó: ïî÷åìó â åå ñîñòàâ ïîïàëè èìÿ Êàíäûáû ïîñòóïèëà òåðàíüøå ñåðåäèíû èþëÿ îòæåíùèíû è äàæå äåòè? ëåãðàììà: íåìåäëåííî ÿâèòüêðûòàÿ âîäà â ýòèõ êðàÿõ íå À ÷åëþñêèíöû íà ñöåíå ñÿ â Ìîñêâó, è îïÿòü íà Ëóïîÿâèòñÿ, à ýòî çíà÷èò – ðàññêàçûâàëè òî æå ñàìîå, áÿíêó. ÷òî 50 ëåò íàçàä: Íà ýòîò ðàç åìó îíè çíàëè, îíè âåïðèøëîñü äîëãî ðèëè, îíè íå ñîæäàòü. Âíåçàïíî ìíåâàëèñü – ïîäâåðü ðàñïàõíóëàñü è ìîùü ïðèäåò, îíè âîøåë Êàðë Ïåòåðñ, ãîðäÿòñÿ ñâîåé Ðîáåññìåííûé çàìïðåääèíîé è ò. ä. è ò. ñåäàòåëÿ ×Ê îò Äçåðï. Ïîñëåäíåé âûñæèíñêîãî äî Åæîâà òóïàëà æåíùèíà. âêëþ÷èòåëüíî, ÷åëîÎíà îêàçàëàñü âåê-ëåãåíäà, áåñïîèìåííî òîé ïàññàùàäíûé «ñòðàæ ðåæèðêîé «×åëþñâîëþöèè».  ðóêàõ ó êèíà», ó êîòîðîé â íåãî áûë èíîñòðàíïóòè ðîäèëàñü äåíûé æóðíàë â áëåñâî÷êà, íàçâàííàÿ òÿùåé öâåòíîé îáÊàðèíîé. Êàðèíà ëîæêå. Ïåòåðñ ïîëîâûðîñëà, îêîí÷èëà æèë æóðíàë ïåðåä èíñòèòóò, æèâåò è Êàíäûáîé: ðàáîòàåò â Ëåíèí– Ïîñìîòðèòå ãðàäå. Æåíùèíà âíèìàòåëüíî íà çàìîë÷àëà, è òóò â ýòîò ñíèìîê, Âû çàëå âñòàë ÷åëîâåê, çäåñü íèêîãî íå óçíåâûñîêèé, ïëîòíàåòå? íûé, ãîëîâà êðóãÑíà÷àëà Êàíäûëàÿ, êàê ýòî áûâàáà óâèäåë ñèëóýòû åò ó ìàòåìàòèêîâ, àìåðèêàíñêèõ íåè ñïðîñèë: áîñêðåáîâ. È òîëüêî – Âû íè÷åãî íå ïîòîì çàìåòèë âíèñêàçàëè î ñâîåì çó áîëüøóþ ãðóïïó ñóïðóãå, êòî îí òàáîðîäàòûõ ëþäåé. êîé? Ïðèñìîòðåëñÿ è ïî– À ïî÷åìó âàñ íÿë – ýòî ïðàâîýòî èíòåðåñóåò? ñëàâíûå ñâÿùåííè– Ìîæåòå íå îòêè â ïîëíîì öåðâå÷àòü, ÿ è òàê ×åëþñêèíöåâ, êàê ãåðîåâ, âñòðå÷àëè â Ìîñêâå, íî ïðàâäó îá èõ ýêñïåäèöèè çíàëè íåìíîãèå êîâíîì îáëà÷åíèè. çíàþ. À ñêàæèòå, Ïðîáåæàë ãëàçàìè ïî ëèöàì ñóäíî ñ ìåñòà íå ñäâèíåòñÿ. íà÷èíàåòñÿ äðóãîå ìîðå – Âîñàìûõ îáû÷íûõ ãðóçîïàññàâàì çíàêîìî òàêîå ñëîâî è îò óäèâëåíèÿ äàæå îòêðûë Êàìåííîãî óãëÿ è ïðîäîñòî÷íî-Ñèáèðñêîå. Íî è ýòî æèðñêèõ ïàðîõîäîâ è ïîýòî«Ïèæìà»? ðîò: ïåðåä íèì áûëè åãî ñòàâîëüñòâèÿ áûëî äîñòàòî÷íî. åùå íå êîíåö ïóòè. Êóäà æå ìó ñîâåðøåííî íå ïðèñïîñîáÝòîò âîïðîñ ÷åëþñêèíöàì ðûå çíàêîìûå – íåâîëüíûå Ïðîáëåìà â äðóãîì: ÷òî äåè çà÷åì ïëûëè «×åëþñêèí» ëåíû ê ïëàâàíèþ â ñåâåðíûõ ÿâíî íå ïîíðàâèëñÿ. ïàññàæèðû «Ïèæìû», à íà ëàòü ñ äâóìÿ òûñÿ÷àìè çàêè «Ïèæìà»? øèðîòàõ.  ñëó÷àå ãèáåëè – Åñëè è çíàêîìî, – ñêàïåðåäíåì ïëàíå – ìèòðîïîëèò ëþ÷åííûõ? Èõ ìíîãî, à êîí 1929 ãîäó ãåîëîãè÷åñõîòÿ áû îäíîãî èç íàçâàííûõ çàëà æåíùèíà, – òî êàêîå îòÑåðàôèì ñîáñòâåííîé ïåðñîâîèðîâ äî ñìåøíîãî ìàëî. êàÿ ïàðòèÿ îòêðûëà íà ×óêîðàáëåé íåçàñëóæåííî ïîñòíîøåíèå âû ê ýòîìó èìååòå? íîé! ×òî áûëî äàëüøå, äîñòîêîòêå êðóïíåéøåå â ìèðå ìåðàäàåò ïðåñòèæ êîðàáëåñòðî– Ïðåäñòàâüòå ñåáå, èìåþ.

– Àãà, ÿ âèæó, Âû èõ óçâåðíî íèêòî íå çíàåò. Æèâûõ ñòîðîæäåíèå îëîâà è äðóãèõ èòåëüíîé ïðîìûøëåííîñòè Ìîé îòåö íàõîäèëñÿ íà «Ïèæíàëè. Ýòîò ñíèìîê áûë ñäåëàí ñâèäåòåëåé äàâíî íåò. Íàì îñöåííåéøèõ ìåòàëëîâ, ñïóòÄàíèè». ìå» êàê âû óæå äîãàäàëèñü, â â Íüþ-Éîðêå ìåñÿö òîìó íàòàåòñÿ ñîîáùèòü ëèøü íåíèêîâ îëîâÿííîé ðóäû. Äâà êà÷åñòâå çàêëþ÷åííîãî. À çàä. Ìíå î÷åíü õî÷åòñÿ çíàòü, ñêîëüêî ïîäðîáíîñòåé èç æèçàñòóïèëî óòðî 13 ôåâðàãîäà ìåñòîðîæäåíèå èçó÷àâàøà ôàìèëèÿ Êàíäûáà. Âàø êàê ýòè ãîñïîäà ïîïàëè â Ñîíè Êàðèíû è åå ðîäèòåëåé. ëÿ 1934 ãîäà. Ïîëÿðíàÿ ëîñü. À â íà÷àëå 33-ãî ãîäà ìóæ íà òîì æå êîðàáëå áûë åäèíåííûå Øòàòû. È íå òîëüÏðèìåðíî ÷åðåç íåäåëþ ïîñíî÷ü áûëà óæå ïîçàäè.  ïîÑîâíàðêîì ïðèíÿë ñêîðîïàíà÷àëüíèêîì êîíâîÿ. Ãäå îí êî îíè, íî è áîëüøàÿ ãðóïïà ëå òîðæåñòâåííîãî âúåçäà ÷åëîæåííîå âðåìÿ èç-çà ãîðèëèòåëüíîå ðåøåíèå: ïîñòðîñåé÷àñ? åâðååâ-ðàäèîòåõíèêîâ. Ìîæíî ëþñêèíöåâ â Ìîñêâó Êàíäûçîíòà âûêàòèëîñü ñîëíöå è èòü â êîíöå òîãî æå ãîäà íà – Ìîé ìóæ â 34-ì ãîäó ëèøü ïðåäïîëàãàòü, êàêèå èíáó âûçâàëè íà Ëóáÿíêó. Äîïîâèñëî íàä ñàìûìè òîðî×óêîòêå øàõòó, îáîãàòèòåëüáûë ðåïðåññèðîâàí è ïîãèá, òåðâüþ îíè äàþò àìåðèêàíñìîé îí âåðíóëñÿ â ÷èíå ñàìè çàìåðçøåãî ìîðÿ. Íà íóþ ôàáðèêó è ñîöèàëèñòèòàê æå, êàê è âàø îòåö. êèì æóðíàëèñòàì, êàêèå êîìáðèãà ñ îðäåíîì Áîåâîãî «×åëþñêèíå» ïîãàñèëè îãíè, ÷åñêèé ïîñåëîê. Ñòðàíà äîë– À âîò òóò âû îøèáàåòåñü: óæàñû î íàøåé ñòðàíå ðàññêàÊðàñíîãî Çíàìåíè íà ãðóäè. íà ïàëóáó âûñûïàë íàðîä, ìàæíà èìåòü ñîáñòâåííîå îëîìîé îòåö äî ñèõ ïîð æèâ. çûâàþò! òåðè âûâåëè çàêóòàííûõ äåâî, à çàîäíî è äðóãèå ðåäêèå ... çàêëþ÷åíèå íà ñöåíå íà÷àëå àâãóñòà ÷åëþñêèíÝòî íå áûë äîïðîñ. Ïåòåðñ òåé. Ïîñëå ïîëÿðíîé íî÷è íåò ìåòàëëû! ïîÿâèëàñü... Êàðèíà! Âîò óæ öåâ îòïðàâèëè íà ×åðíîå ãîâîðèë, à Êàíäûáà, áëåäíûé çðåëèùà áîëåå âîëíóþùåãî, Äëÿ ïåðåâîçêè ãðóçîâ ÷åãî íèêòî íå îæèäàë! Åé äîë÷åì âîñõîä ñîëíöà. À òåì âðåáûëî ðåøåíî èñïîëüçîâàòü ãî õëîïàëè. ìåíåì «×åëþñêèí» ìåäëåííî äâà áîëüøèõ îêåàíñêèõ ïàðîÊðóãëîãîëîâûé ïîäîøåë ñêîëüçèë ïî óçêîìó ïðîõîäó õîäà, çàêàçàííûõ ðàíåå â Äàñàì, ïàëüòî íàðàñïàøêó, íà ìåæäó äâóìÿ ëåäÿíûìè ïîëÿíèè.  èþëå 33-ãî ãîäà îáà ãîëîâå øëÿïà íåïîíÿòíîãî ìè. Íè ïðÿìî ïî êóðñó, íè çà êîðàáëÿ ïðèáûëè â Ìóðöâåòà. Íàñêîëüêî ÿ ïîíèìàþ, êîðìîé ïàðîõîäà ñâîáîäíîé ìàíñê è âñòàëè ïîä ïîãðóç÷åëîâåêó ïðîñòî õîòåëîñü èçâîäû âèäíî íå áûëî. Ëåäÿíûå êó. «×åëþñêèí» ïðîñòî ãðóëèòü êîìó-òî äóøó. Ìû ïîçíàïîëÿ óïðÿìî äâèãàëèñü íàçèëñÿ, à íà «Ïèæìå» ïðîèñêîìèëèñü. Çâàëè åãî ßêîâ Ñàâñòðå÷ó äðóã äðóãó, è íèêàêàÿ õîäèëà ðåêîíñòðóêöèÿ: ìîéëîâè÷. Ìû ïðîãîâîðèëè ñèëà íå ìîãëà ïîìåøàòü ýòîìó ïëîòíèêè ïðåâðàùàëè êîðàåùå ìèíóò ïÿòü, è òóò îí óâèäâèæåíèþ. «×åëþñêèí» îêàáåëüíûå òðþìû â ïëàâó÷óþ äåë Êàðèíó. ßêîâ Ñàìîéëîâè÷ çàëñÿ â ñìåðòåëüíîé ëîâóøêå. òþðüìó äëÿ äâóõ òûñÿ÷ çàêìàõíóë ðóêîé è, äàæå íå ïðîÅäâà ëè íå â òîò æå äåíü ëþ÷åííûõ. Ïîäãîòîâêà ê ýêñòèâøèñü, ïîáåæàë åé íààìåðèêàíñêèé ïðåçèäåíò Ðóçñïåäèöèè ïðîõîäèëà â íåâåâñòðå÷ó. âåëüò ïðåäëîæèë Ñîâåòñêîìó ðîÿòíîé ñïåøêå, ðàáîòàëè Ñîþçó áåçâîçìåçäíóþ ïîìîùü äíåì è íî÷üþ è âñå-òàêè óïåðíåìñÿ â äàëåêîå ïðîâ ñïàñåíèè ÷åëþñêèíöåâ. Ñîðàâèëèñü òîëüêî çà ÷åòûðå øëîå 5 äåêàáðÿ 1933 âåðøåííî íåîæèäàííî äëÿ ìåñÿöà. Âîò ïî÷åìó «×åëþñãîäà. ×àñîâ â 9 èëè 10 óòðà âñåõ ñîâåòñêîå ïðàâèòåëüñòâî êèí» è «Ïèæìà» âûøëè â Åëèçàâåòó Áîðèñîâíó ïðèâåçâ êàòåãîðè÷åñêîé ôîðìå îòìîðå ëèøü 5 äåêàáðÿ. ëè íà ïðè÷àë è ïîìîãëè ïîäêàçàëîñü ïðèíÿòü ïîìîùü. Êîðàáåëüíûå òðþìû íÿòüñÿ íà áîðò «×åëþñêèíà». Âîò óæå ÷åãî ïðåçèäåíò Ðóç«Ïèæìû» íå áûëè íè õîëîäÊàïèòàíñêèé ìîñòèê íà «×åâåëüò íèêàê íå ìîã ïîíÿòü. íûìè, íè ìðà÷íûìè, êàê ïîëþñêèíå» áûë ïðîñòîðåí, êàê À âñå áûëî ïðîùå ïàðåíîé åòñÿ â èçâåñòíîé êîëûìñêîé øêîëüíûé äâîð. Åñëè ñìîòðåïû. Ïî Ñåâåðíîìó ìîðñêîïåñíå. Ïàðîâîå îòîïëåíèå ðàðåòü âïåðåä – íå âèäíî íè÷åìó ïóòè ïëûëè íå îäèí, êàê áîòàëî áåñïåðåáîéíî, à ýëåêãî, êðîìå ìðàêà ïîëÿðíîé äóìàëè àìåðèêàíöû, à ñðàçó òðè÷åñêèé ñâåò ãîðåë êðóãíî÷è. À åñëè îãëÿíóòüñÿ íàäâà ïàðîõîäà. Íà îäíîì èç ëûå ñóòêè. Íà òðåõýòàæíûõ çàä, òî òàì åñòü íà ÷òî ïîñìîòíèõ, ïî èìåíè «Ïèæìà», íàíàðàõ â íåâåðîÿòíîé òåñíîòå ðåòü. Âñëåä çà «×åëþñêèíûì» õîäèëèñü çàêëþ÷åííûå è âîñîñóùåñòâîâàëè óãîëîâíèêè ïëûâåò «Ïèæìà», âñÿ â îãîðóæåííûå îõðàííèêè, à íà è ïîëèòè÷åñêèå. Ñ óãîëîâíèíÿõ, òî÷íî ñêàçî÷íûé ãîðîä. äðóãîì, ïî èìåíè «×åëþñêàìè âñå ÿñíî. À âîò êòî áûëè Ïî õîäîâîìó ìîñòèêó «×åëþñêèí», – æåíû è äåòè îõðàíîíè, ïîëèòè÷åñêèå çàêëþ÷åíêèíà» ïî÷òè ïîñòîÿííî íèêîâ. Âåðíàÿ ñïóòíèöà íûå 33-ãî ãîäà? Ïðåæäå âñåãî ïðîõàæèâàþòñÿ äâà ÷åëîâå«×åëþñêèíà» â ïîñëåäíåå ýòî äåðåâåíñêèå ìóæèêè èç êà: êàïèòàí Âîðîíèí è íàâðåìÿ íà÷àëà îòñòàâàòü è â ÷èñëà òàê íàçûâàåìûõ «êóëà÷àëüíèê ýêñïåäèöèè, àêàäåêîíöå êîíöîâ çàñòðÿëà ñðåêîâ», çàòåì áûâøèå íýïìàíû, ìèê Îòòî Þëüåâè÷ Øìèäò. äè ëüäèí è òîðîñîâ. Ê 13 èíæåíåðû-«âðåäèòåëè», ó÷åÍà ìîñòèêå «Ïèæìû» òîæå ôåâðàëÿ ðàññòîÿíèå ìåæäó íûå-«äâóðóøíèêè» è, êîíå÷ïî÷òè âñåãäà ìîæíî ðàçãëÿ-

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è æàëêèé äî íåóçíàâàåìîñòè, ñëóøàë è ìîë÷àë.

– Âû ïîëó÷èëè ïðèêàç âçîðâàòü «Ïèæìó». Íî êàê Âû åãî âûïîëíèëè? Èç òðåõ çàðÿäîâ ïî÷åìó-òî âçîðâàëñÿ òîëüêî îäèí, äà è òîò íåáîëüøîé ìîùíîñòè. Âìåñòî íåñêîëüêèõ ìèíóò «Ïèæìà» òîíóëà âîñåìü ÷àñîâ. Çà ýòî âðåìÿ çàêëþ÷åííûå óñïåëè ïåðåíåñòè íà ëåä ñîòíè òîíí ãðóçîâ, à ïîòîì, ïîëó÷èâ â ñâîè ðóêè çàïàñû ïðîäîâîëüñòâèÿ è òåïëîé îäåæäû, îíè âñåì òàáîðîì äâèíóëèñü ê Áîëüøîé çåìëå. Íàñêîëüêî ìû çíàåì, ìíîãèå ñîòíè äîáðàëèñü äî áåðåãà è ðàññåÿëèñü ïî ×óêîòêå. Ïîíàäîáÿòñÿ ãîäû, ÷òîáû èõ âûëîâèòü. Íî óøëè íå âñå. Áîëüøàÿ ãðóïïà ïîëèòè÷åñêèõ çàêëþ÷åííûõ îñòàëàñü æäàòü àìåðèêàíñêîé ïîìîùè. È îíè åå äîæäàëèñü. Ñóäüáà Êàíäûáû áûëà ðåøåíà. Ñïóñòÿ ìíîãî ëåò Êàðèíà ïûòàëàñü ðåàáèëèòèðîâàòü îòöà, íî íå ñìîãëà íè÷åãî ñäåëàòü. Äåëî Êàíäûáû â àðõèâàõ ÊÃÁ îáíàðóæåíî íå áûëî.

Á

îëüøàÿ ãðóïïà ïîëèòçàêëþ÷åííûõ ïîïàëà â Ñîåäèíåííûå Øòàòû Àìåðèêè, ãäå íåò öåíçóðû, ãäå ìîæíî ãîâîðèòü è ïèñàòü, êîìó ÷òî âçäóìàåòñÿ. Îñåíüþ 34-ãî ãîäà â ñîâåòñêîé ïå÷àòè ñîâåðøåííî íåîæèäàííî ïîÿâèëñÿ Óêàç «Îá óæåñòî÷åíèè ìåð â îòíîøåíèè ëèö, ïðåäïðèíèìàþùèõ ïîïûòêè íåçàêîííîãî ïåðåõîäà ãðàíèöû». Òàêîå ïðåñòóïëåíèå òåïåðü êàðàåòñÿ ñìåðòíîé êàçíüþ. À êàê áûòü ñ òåìè, êòî âñå-òàêè óáåæàë?  ýòîì ñëó÷àå îòâåòñòâåííîñòü ïåðåêëàäûâàåòñÿ íà áëèçêèõ ðîäñòâåííèêîâ: çà ïîïóñòèòåëüñòâî è áåñïå÷íîñòü – 10 ëåò ñòðîãîãî ëàãåðíîãî ðåæèìà. Òðóäíî ñêàçàòü, áûë ëè êòîíèáóäü íà ñàìîì äåëå ïðèâëå÷åí ê îòâåòñòâåííîñòè ïî ýòîìó óêàçó. Çàòî â Àìåðèêå êîå-êòî ñðàçó æå ïðèêóñèë ÿçûê. Íàøè áåãëåöû âñïîìíèëè î ñâîèõ ðîäèòåëÿõ, æåíàõ è äåòÿõ, ñìåíèëè ôàìèëèè è íèêîìó áîëüøå íå ðàññêàçûâàëè ñâîþ áèîãðàôèþ. www.DallasTelegraph.com/61582 Russian www.DallasTelegraph.com/en/61582 English

11À

ÔÎÒÎÐÅÏÎÐÒÀÆ

Wednesday, June 29, 2016

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Çíàêîìüòåñü, òåõàñåö

×àê Íîððèñ Àìåðèêàíñêîìó êèíîàêòåðó, ìàñòåðó áîåâûõ èñêóññòâ è íàøåìó ñîñåäó ×àêó Íîððèñó (îí æèâåò íà ðàí÷î â Òåõàñå) ècïîëíèëîñü 76 ëåò. Îäíàêî ñîëèäíûé âîçðàñò íå ìåøàåò «êðóòîìó Óîêåðó» ïî-ïðåæíåìó ñíèìàòüñÿ â êàññîâûõ ôèëüìàõ è ïðåáûâàòü â îòëè÷íîé ôèçè÷åñêîé ôîðìå. Ïðåäëàãàåì âàì ïîçíàêîìèòüñÿ ñ ôàêòàìè èç áèîãðàôèè àêòåðà. Òåêñò è ôîòî èç îòêðûòûõ èñòî÷íèêîâ Åãî íàñòîÿùåå èìÿ íå ×àê è äàæå íå ×àðëüç, à Êàðëîñ Ðýé Íîððèñ.

Ñ 1968 ãîäà ×àê Íîððèñ íå ïðîèãðàë íè îäíîãî áîÿ. Âñå äåñÿòü åãî ïîðàæåíèé ïðîèçîøëè ðàíüøå. Âñåãî íà ñ÷åòó Íîððèñà 168 ïîáåä è 2 íè÷üè.

×àê èçîáðåë ñâîé ñîáñòâåííûé ñòèëü êàðàòå. Âîçìîæíî, âàì èçâåñòíî, ÷òî ×àê Íîððèñ – øåñòèêðàòíûé ÷åìïèîí ìèðà ïî êàðàòå ñðåäè ïðîôåññèîíàëîâ

â ñðåäíåì âåñå.  êîíöå êîíöîâ åìó íàäîåëî ñîñòÿçàòüñÿ âî âñåõ èçâåñòíûõ áîåâûõ èñêóññòâàõ, è îí ïðèäóìàë ñâîé ñîáñòâåííûé ñòèëü ×óí-Êóê-Äî, ÷òî îçíà÷àåò «Óíèâåðñàëüíûé ïóòü». Åñëè ×àê Íîððèñ ìîë÷èò, òî ñòîèò íàñòîðîæèòüñÿ. Êàê è âñå áîåâûå èñêóññòâà, ñòèëü ×óí-Êóê-Äî

èìååò ñâîé êîäåêñ ÷åñòè, ïî êîòîðîìó æèâåò ×àê Íîððèñ. Îäèí èç åãî ïðèíöèïîâ ãëàñèò: «Åñëè ÿ íå ìîãó ñêàçàòü íè÷åãî õîðîøåãî î ÷åëîâåêå, ÿ ëó÷øå ïðîìîë÷ó». ×àê Íîððèñ ÿâëÿåòñÿ ïåðñîíàæåì îíëàéí-èãðû World of Warcraft. ×àê Íîððèñ ñòàë ïåðâûì ÷åëîâåêîì ñ Çàïàäà, óäîñòîåííûì ÷åðíîãî ïîÿñà 8 ñòåïåíè çà ìàñòåðñòâî â òõåêâîíäî. Âäîáàâîê ê ýòîìó îí ÿâëÿåòñÿ îáëàäàòåëåì ÷åðíîãî ïîÿñà ïî äçþäî, áðàçèëüñêîìó äæèó-äæèòñó è òàíñóäî. Âî âðåìÿ ñëóæáû â ðÿäàõ ÂÂÑ ÑØÀ ×àê áûë âîçäóøíûì ïîëèöåéñêèì. Åãî çíàêîìñòâî ñ áîåâûìè èñêóññòâàìè íà÷àëîñü âî âðåìÿ ñëóæáû â Þæíîé Êîðåå. Îí òàêæå áûë èçáðàí ïî÷åòíûì ìîðñêèì è òåõàññêèì ðåéíäæåðîì.

×àê Íîððèñ ðåêëàìèðîâàë ìîäåëü äæèíñîâ ïîä íàçâàíèåì Action Jeans. Äèçàéí è ïîêðîé ýòèõ äæèíñîâ ïîçâîëÿåò ñ ëåãêîñòüþ äâèãàòüñÿ è äåëàòü óäàð ñ ðàçâîðîòîì áåç îïàñêè èõ ðàçîðâàòü. ×àê Íîððèñ íàïèñàë íåñêîëüêî êíèã è äàæå ñòàë ñàìûì ïðîäàâàåìûì àâòîðîì ïî âåðñèè «Íüþ-Éîðê Òàéìñ». ×àê Íîððèñ – àâòîð ñåìè êíèã, òðè èç êîòîðûõ ñòàëè áåñòñåëëåðàìè. Ê åãî ðàáîòàì îòíîñÿòñÿ: «×åðíûé ïîÿñ. Ïàòðèîòèçì: Êàê ïðîáóäèòü Àìåðèêó», àâòîáèîãðàôèÿ «Íåñìîòðÿ íà âñå òðóäíîñòè», à òàêæå õóäîæåñòâåííûå ïðîèçâåäåíèÿ «Âñàäíèêè ïðàâîñóäèÿ» è «Óãðîçà ñïðàâåäëèâîñòè».  äåòñòâå ×àê íå îáëàäàë ñïîðòèâíûìè òàëàíòàìè è íå çàíèìàëñÿ íèêàêèìè âèäàìè ñïîðòà, à â øêîëå åãî ÷àñòî áèëè.

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12À

ÌÅÄÈÖÈÍÀ

Wednesday, June 29, 2016

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«Ìîëîäèëüíûå ÿáëîêè» óæå íå ñêàçêà, èëè Íåâèäèìàÿ ïîäòÿæêà ëèöà îò äîêòîðà Âëàäèìèðà Ãðåáåííèêîâà  îäíîì èç æåíñêèõ ðàçãîâîðîâ íà òåìó à ëÿ ëèøíÿÿ ìîðùèíêà, ìîÿ ñîáåñåäíèöà, êîòîðîé åäâà èñïîëíèëîñü 40 ëåò, âûäàëà òàêóþ ôðàçó: «ß ðåøèëà ñòàðåòü äîñòîéíî. Åñëè óæ ìíå íå ïîä ñèëó îñòàíîâèòü ñâîå ñòàðåíèå, òî ÿ â ñîñòîÿíèè, ïî êðàéíåé ìåðå, åãî çàòîðìîçèòü... Âíèìàòåëüíî óõàæèâàÿ çà êàæäîé íîâîé ìîðùèíêîé...» Äàëüøå îíà ìíå ïîäðîáíî îáúÿñíèëà, ÷òî òåïåðü åæåìåñÿ÷íî áûâàåò ó êîñìåòîëîãà, ïîäòÿãèâàåò ëèöî àïïàðàòíûì ñïîñîáîì è óïîìÿíóëà èñïîëüçîâàíèå êàêèõ-òî ìåçîíèòåé è ïðîöåäóðû «Àëüòåðà». Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí Ïîñëå ýòîãî ðàçãîâîðà ó ìåíÿ, òàêæå íàõîäÿùåéñÿ íà îïàñíîì 40-ëåòíåì ðóáåæå æèçíè, â ãîëîâå çàñåëà çàíîçà – çàáîòà î êîæå áîëüøå íå ïîäëåæèò îáñóæäåíèþ, íà ýòîì íåëüçÿ ýêîíîìèòü íè âðåìåíè,

ðû, òàê ïîõîæóþ íà îáâèñøóþ ùåêó ìîåãî ôðàíöóçñêîãî áóëüäîãà Ãðýéñ. Íó, à îâàë ëèöà ïîäòÿíóëñÿ íà âòîðîì ìåñÿöå ïîñëå ïðîöåäóðû. Íó, è íå ìåíåå âàæíî áûëî òî, ÷òî âñå ïðîøëî áåç áîëè è äîñòàòî÷íî áûñòðî – 4060 ìèíóò è òû ñâîáîäíà. Ñêàæåòå – ÷óäî? Îòâå÷ó – íàóêà è ìåäèöèíà â ðóêàõ ïðîôåññèîíàëà.

Äîêòîð Âëàäèìèð Ãðåáåííèêîâ ïîêàçàë íåïîñðåäñòâåííî íà ìîåì ëèöå, êàêèìè öåëèòåëüíûìè ìîãóò áûòü ìåçîíèòè äëÿ ðàçãëàæèâàíèÿ íîñîãóáíûõ ìîðùèí íè äåíåã. Èíà÷å îâàë ëèöà, øåè è ïîäáîðîäêà îáâèñíåò, êàê ó áóëüäîãà – àíãëèéñêîãî, ôðàíöóçñêîãî, àìåðèêàíñêîãî (êîìó êàêîé íðàâèòñÿ). Íà íàó÷íîì ÿçûêå ýòîò ïðîöåññ íàçûâàåòñÿ ïàäåíèå óðîâíÿ ýñòðîãåíîâ – ðåãóëÿòîðîâ îáìåííûõ ïðîöåññîâ, êîãäà êîæà ñòàíîâèòñÿ ñóõîé è òåðÿåòñÿ íàïðÿæåíèå ìèìè÷åñêèõ ìûøö. Ðåçóëüòàòû ýòîãî, êàê ãîâîðèòñÿ, ñðàçó íàëèöî – ìîðùèíêè âîêðóã ãëàç, óãëóáëåííûå íîñîãóáíûå ñêëàäêè, îòåêè ïîä ãëàçàìè è ò.ä.  ýòîì âîçðàñòå âàæíà ðåãóëÿðíîñòü, à íå óáîéíàÿ ïðîöåäóðà ðàç â ïÿòèëåòêó. Èíà÷å ñî âðåìåíåì âûáîðà îñòàíåòñÿ òîëüêî äâà – ñòàðåòü íå ïî äíÿì, à ïî ÷àñàì èëè ñðàçó ïîä íîæ... äîðîãîñòîÿùåãî ïëàñòè÷åñêîãî õèðóðãà.  ðóññêîÿçû÷íîé îáùèíå Äàëëàñà äîñòàòî÷íî ïðîôåññèîíàëüíûõ êîñìåòîëîãîâ, êîòîðûå ïîìîãóò ïîäîáðàòü õîðîøóþ êîñìåòèêó è îñâåæèòü êîæó. Íî îñîáåííî ïîâåçëî Äàëëàñó è íàøåé îáùèíå â òîì, ÷òî â ãîðîäå âåäåò ïðàêòèêó íåïðåâçîéäåííûé äèàãíîñò è ãóðó, â òîì ÷èñëå, â îáëàñòè ìåäèöèíñêîé êîñìåòîëîãèè èëè ýñòåòè÷åñêîé ìåäèöèíû – äîêòîð Âëàäèìèð Ãðåáåííèêîâ. Äîêòîð Ãðåáåííèêîâ íå ïåðåñòàåò íàñ ðàäîâàòü òåì, ÷òî íå ïðîñòî îòñëåæèâàåò ðàçâèòèå ìåäèöèíû è òåõíîëîãèé â ýòîì íàïðàâëåíèè, íî òàêæå è òåì, ÷òî äîáàâëÿåò â ñâîþ êëèíèêó íîâûå àïïàðàòû è îñâàèâàåò ñàìûå ïåðåäîâûå ìåòîäèêè â îáëàñòè ëèôòèíãà êîæè. Îí íå ïðîñòî îáúÿñíèë ìíå äîñòóïíûì ÿçûêîì, ÷òî òàêîå ýòè âîëøåáíûå ìåçîíèòè, íî è ïîêàçàë íåïîñðåäñòâåííî íà ìîåì ëèöå, êàêèìè öåëèòåëüíûìè îíè ìîãóò áûòü äëÿ ðàçãëàæèâàíèÿ íîñîãóáíûõ ìîðùèí, òîëüêî-òîëüêî íàìå÷àþùèõñÿ ìîðùèíîê â îáëàñòè ãëàç, à òàêæå ìîåé èçâå÷íîé ïðîáëåìû – ïîäíÿòèþ òÿæåëûõ âåê è ïîæèçíåííîé ñêëàäêè â ðàéîíå ëáà. Ïðè÷åì, íîñîãóáíûå ìîðùèíû ðàçãëàäèëèñü, êàê áû ýòî íå çâó÷àëî óäèâèòåëüíî, ìãíîâåííî. ß âèäåëà ïðàâóþ ñòîðîíó ëèöà ïîñëå ïðîöåäóðû – ïîäòÿíóòóþ è ðîâíóþ, è ëåâóþ – äî ïðîöåäó-

Äîêòîð Ãðåáåííèêîâ ïîÿñíèë, ÷òî íèòåâàÿ ïîäòÿæêà ëèöà ìåçîíèòÿìè èëè òðåäëèôòèíã (îò àíãë. thread – íèòü) – êîðåéñêîå èçîáðåòåíèå. Ýòî è íå ìóäðåíî, âåäü êîæà ó àçèàòñêèõ æåíùèí ãîðàçäî òîíüøå è ÷óâñòâèòåëüíåå ê âîçðàñòíûì èçìåíåíèÿì, à, çíà÷èò, è ïðîöåññ ñòàðåíèÿ ïðîèñõîäèò áûñòðåå, ÷åì ó åâðîïåéñêèõ èëè àìåðèêàíñêèõ äàì. Òàêèì îáðàçîì, ñïðîñ íà ïðîäóêòû êðàñîòû â òîé ÷àñòè ñâåòà îñîáåííî âûñîê. Ñïðîñ âñå òàê æå, êàê è ðàíüøå, ðîæäàåò ïðåäëîæåíèå – ïîýòîìó þæíîêîðåéñêàÿ ìåäèöèíà îçàáîòèëàñü òåì, êàê ïðîäëèòü ìîëîäîñòü ñâîåìó íàñåëåíèþ åùå ëåò 10-15 íàçàä. Íó, à çàòåì òåõíîëîãèÿ, çàâîåâàâ ïîïóëÿðíîñòü â ñâîåé ñòðàíå, ïîøëà øàãàòü ïî ìèðó, ïîëó÷àÿ âñå áîëåå ñîâåðøåííûå äîðàáîòêè. Äàáû íå èñïûòûâàòü ïûòëèâîãî ÷èòàòåëÿ, ïîÿñíþ, ÷òî ïîäòÿæêà ëèöà íèòÿìè ñ÷èòàåòñÿ áåçîïåðàöèîííîé ìåòîäèêîé îìîëîæåíèÿ è ðåêîìåíäóåòñÿ â òîì ñëó÷àå, êîãäà òðàäèöèîííûå êîñìåòîëîãè÷åñêèå ïðîöåäóðû áîëüøå íå â ñîñòîÿíèè áîðîòüñÿ ñ âîçðàñòíûìè èçìåíåíèÿìè, èëè êîãäà ëþäè â âîçðàñòå 30-50 ëåò, æåëàÿ ñîõðàíèòü åñòåñòâåííîñòü è ñâåæåñòü êîæè, îòêàçûâàþòñÿ îò Áîòîêñà èëè ôèëëåðîâ. Ñòðîãî ãîâîðÿ, ìåçîíèòÿì ïîä ñèëó âñåãî çà îäíó ïðîöåäóðó ïîäòÿíóòü ëèöî, îìîëîäèâ åãî ãîäà òàê íà 4-5, áðîñèòü âûçîâ âîçðàñòíûì è ñòðóêòóðíûì ìîðùèíàì (êàê â ìîåì ñëó÷àå – òîíêèì è ãëóáîêèì) íà êîíêðåòíîì ó÷àñòêå ëèöà è, ÷òî òàêæå î÷åíü êðèòè÷íî, ñìîäåëèðîâàòü ïîëîæåíèå áðîâåé, ñðåäíåé òðåòè ëèöà, óãîëêîâ ãóá è äàæå øåè. Ìåçîíèòè î÷åíü òîíêèå è, êñòàòè, äëÿ ëþáîïûòñòâóþùèõ ïàöèåíòîâ (åñòåñòâåííî, ÿ áûëà â èõ ÷èñëå) ïîòðåáóåòñÿ íàïðÿ÷ü çðåíèå, ÷òîáû èõ ðàññìîòðåòü. Ñòîèò óïîìÿíóòü î ìàòåðèàëå, èç êîòîðîãî ïðîèçâîäÿòñÿ ÷óäî-íèòè. À âîò ýòî óæå íà óðîâíå ôàíòàñòèêè: ýòè ñïåöèôè÷åñêè ïëåòåíûå ñòðóêòóðû, òî åñòü ìåçîíèòè, èçãîòàâëèâàþòñÿ èç ðàññàñûâàþùåãîñÿ

ãèïîàëëåðãåííîãî è áèîñîâìåñòèìîãî... øîâíîãî ìàòåðèàëà ïîëèäèàêñîíà (PDO). Äà-äà, ÷èòàòåëü, âû íå îñëûøàëèñü: øîâíûé ìàòåðèàë ïîñòàâëåí íà ñëóæáó ýñòåòè÷åñêîé ìåäèöèíå. Áëàãîäàðÿ ýòîìó óæå ÷åðåç 8-9 ìåñÿöåâ ìåçîíèòè ïîëíîñòüþ ðàññàñûâàþòñÿ ïîä êîæåé, ïðåâðàùàÿñü â óãëåêèñëûé ãàç è âîäó. Íà ìåñòå ðàñòâîðåííûõ íèòåé îáðàçóþòñÿ óïëîòíåíèÿ êîæè, êîòîðûå è ñîçäàþò òîò ìàãè÷åñêèé êàðêàñ, êîòîðûé ïîäòÿãèâàåò êîæó èçíóòðè è íå äîïóñêàåò åå ïðîâèñàíèÿ. Ýòó ïðîöåäóðó, êñòàòè, èíîãäà åùå íàçûâàþò 3D-ìåçîëèôòèíãîì. Êàæäàÿ èç íèòåé ñòåðèëüíà è ïîìåùåíà â îòäåëüíóþ óïàêîâêó, êîòîðóþ âñêðûâàþò, êàê âû ïîíèìàåòå, ïåðåä íà÷àëîì åå ââåäåíèÿ ïîä êîæó. À ââîäÿò íèòè ïðè ïîìîùè íå ìåíåå òîíêèõ èãë – êàíþëü, èçãîòîâëåííûõ, êñòàòè, èç âûñîêîêà÷åñòâåííîé ñòàëè. Î÷åíü âàæíî, ÷òî êàíþëè íå ïðîòûêàþò êîæó ïîäîáíî, íàïðèìåð, èãëå øïðèöà, à ðàçäâèãàþò åå, íàíîñÿ ìèíèìàëüíûå ïîâðåæäåíèÿ êîæíîìó ïîêðîâó. ×òîáû èñêëþ÷èòü âîçìîæíîñòü áîëè – à êàæäûé îðãàíèçì íà îäíó è òó æå ïðîöåäóðó ðåàãèðóåò ïî-ðàçíîìó – äîêòîð Âëàäèìèð Ãðåáåííèêîâ ïðîâîäèò íèòåâóþ ïîäòÿæêó ëèöà ïîä ìåñòíîé àíåñòåçèåé. Ñóùåñòâóåò ìíîæåñòâî âàðèàöèé ìåçîíèòåé – îäíè ñ êðþ÷êàìè èëè çàñå÷êàìè, êîòîðûå ââîäÿòñÿ, íàòÿãèâàþòñÿ è çàêðåïëÿþòñÿ íà ãëóáèíå 35 ìèëëèìåòðîâ ïîä êîæåé, äðóãèå – íèòè-«ïðóæèíêè» – ðàçãëàæèâàþò, ïîäíèìàÿ ìîðùèíêè è ìíîãèå äðóãèå. Äîêòîð, êîòîðûé ïðîâîäèò ïðîöåäóðó, ïîäáèðàåò êîìïëåêò íèòåé èíäèâèäóàëüíî äëÿ êàæäîãî ïàöèåíòà. Î÷åíü ìíîãîå ïðè ïðîâåäåíèè ïðîöåäóðû çàâèñèò îò ðóêè ñïåöèàëèñòà, êîòîðûé â ìèíóòû ââåäåíèÿ íèòåé ïîä êîæó, îñîáåííî íà ëèöå ïàöèåíòà, ïîõîæ íà òî÷íåéøåãî îãðàíùèêà àëìàçà. Íàñêîëüêî

Ìåçîíèòÿì ïîä ñèëó âñåãî çà îäíó ïðîöåäóðó ïîäòÿíóòü ëèöî è áðîñèòü âûçîâ âîçðàñòíûì è ñòðóêòóðíûì ìîðùèíàì íà êîíêðåòíîì ó÷àñòêå ëèöà çàáûëà óæå âî âòîðóþ íåäåëþ. Ìíå ïîâåçëî, êàê ñêàçàë äîêòîð Ãðåáåííèêîâ, ó ìåíÿ îêàçàëàñü òîëñòàÿ êîæà ëèöà, à, çíà÷èò, ââåäåííûå íèòè â ìîåì ñëó÷àå áûëè íå çàìåòíû. Ïðè î÷åíü òîíêîé êîæå ñóùåñòâóåò íåáîëüøàÿ âåðîÿòíîñòü òàê íàçûâàåìîãî ïðîñâå÷èâàíèÿ íèòåé äî âðåìåíè èõ ïîëíîãî ðàññàñûâàíèÿ. Ñïðàøèâàþ äîêòîðà Âëàäèìèðà Ãðåáåííèêîâà î òàê íàçûâàåìûõ çîíàõ èñïîëüçîâàíèÿ ìåçîíèòåé – òîëüêî ëè ýòî îáëàñòü ëèöà?

– Ïîìèìî ôåéñëèôòèíãà, ìåçîíèòè âîçìîæíî ïðèìåíÿòü â ëþáîé çîíå, íåîáõîäèìîé äëÿ áûñòðîé è áåçîïàñíîé ïîäòÿæêè, – îòâå÷àåò ñïåöèàëèñò. – Ýòî òàêæå ìîãóò áûòü è áåäðà, è æèâîò, è çîíà äåêîëüòå, è øåÿ. Íî ñàìûå âèäèìûå ðåçóëüòàòû ýòà ìåòîäèêà äàåò âñå æå íà ëèöå. Ðåçóëüòàò àðìèðîâàíèÿ äåðæèòñÿ äî 2 ëåò è ïîçâîëÿåò ïîâòîðèòü ïðîöåäóðó. Ìåçîíèòè ðåêîìåíäóþò èñïîëüçîâàòü êàê â ÷èñòîì âèäå, òàê è â ñî÷åòàíèè ñ ìåçîòåðàïèåé, ñ êîíòóðíîé ïëàñòèêîé, c òàê íàçûâàåìûì RF-ëèôòèíãîì (ðàäèîâîëíîâîé èëè ðàäèî÷àñòîòíîé ïîäòÿæêîé ëèöà),

ëîêîí, ïîêðûâàþùèé ìèìè÷åñêèå ìûøöû ëèöà. Äðóãèìè ñëîâàìè – ýòî ñâîåãî ðîäà êàðêàñ, îòâå÷àþùèé çà ÷åòêîñòü îâàëà ëèöà. Âîçðàñò ïðåäàòåëüñêè ðàñòÿãèâàåò âîëîêíà êîëëàãåíà, âûçûâàÿ ðàñïëûâàíèå ýòîãî êàðêàñà. Äîêòîð Ãðåáåííèêîâ ïîÿñíÿåò, ÷òî äî ïîÿâëåíèÿ àïïàðàòà Ulthera ñíà÷àëà íà àìåðèêàíñêîì, à ïîòîì è íà ìèðîâîì ðûíêàõ, òîëüêî ïëàñòè÷åñêèå õèðóðãè ðàáîòàëè ñ ýòèì ïîäêîæíûì ñëîåì äëÿ ýôôåêòèâíîé ïîäòÿæêè ëèöà. Àïïàðàò «Àëüòåðà» – áåçîïåðàöèîííûé ñïîñîá, êîòîðûé çàêëþ÷àåòñÿ â òîì, ÷òî èíòåíñèâíûé ñôîêóñèðîâàííûé óëüòðàçâóê òî÷å÷íî íàãðåâàåò ïëîòíûå ñëîè ïîäêîæíûõ òêàíåé. Òàêèì îáðàçîì àêòèâèçèðóþòñÿ, ñæèìàþòñÿ è ñîêðàùàþòñÿ êîëëàãåíîâûå è ýëàñòèíîâûå âîëîêíà, îáåñïå÷èâàÿ ïîäòÿæêó èëè âñåãî ëèöà, èëè êîíêðåòíîé âûáðàííîé äëÿ ïîäòÿæêè çîíû. Ýôôåêò îò ïðîöåäóðû íàðàñòàåò êî âòîðîìó ìåñÿöó è ïðîäîëæàåòñÿ îò ãîäà äî òðåõ ëåò. Èíòåðåñíî, ÷òî â àïïàðàòå «Àëüòåðà» (Ulthera System) èñïîëüçóåòñÿ òàê íàçûâàåìàÿ ñèñòåìà âèçóàëèçàöèè, êîòîðàÿ ïîçâîëÿåò è âðà÷ó, è ïàöèåíòó âî âðåìÿ ïðîöåäóðû âèäåòü

Àïïàðàò Ulthera ÿâëÿåòñÿ íåäàâíèì è âåñüìà óäà÷íûì ïðèîáðåòåíèåì äîêòîðà Ãðåáåííèêîâà. Äî ïîÿâëåíèÿ Ulthera òîëüêî ïëàñòè÷åñêèå õèðóðãè ðàáîòàëè ñ ìûøå÷íî-àïîíåâðîòè÷åñêèì ïîäêîæíûì ñëîåì àêêóðàòíî äîêòîð âñå ñäåëàåò è ïðè íåîáõîäèìîñòè çàêðåïèò íèòü, íàñòîëüêî ìåíüøå ñóùåñòâóåò øàíñîâ äëÿ ïîÿâëåíèÿ ãåìàòîìû íà ìåñòå ââåäåíèÿ íèòè. Íî äàæå ïðè âîçíèêíîâåíèè ãåìàòîìû, åå ëåãêî çàòîíèðîâàòü êðåìîì, è îíà äîñòàòî÷íî áûñòðî ðàññàñûâàåòñÿ. Ðåàáèëèòàöèÿ ïîñëå ïðîöåäóðû ïðîäîëæàåòñÿ äî äâóõ íåäåëü (è âî ìíîãîì çàâèñèò îò èíäèâèäóàëüíûõ îñîáåííîñòåé ïàöèåíòà) è âûðàæàåòñÿ â ëåãêîé îòå÷íîñòè ëèöà è íåêîòîðîé áîëåçíåííîñòè ìÿãêèõ òêàíåé. Ïðèìåðíî åùå äâå íåäåëè ïîñëå ýòîãî ñïåöèàëèñòû ñîâåòóþò ñäåðæèâàòü ÷åðåñ÷óð àêòèâíóþ ìèìèêó.  ìîåì ñëó÷àå ìèìèêó ñäåðæèâàòü íå ïðèøëîñü âîîáùå, îòåêà íà ëèöå íå çàìåòèëà íè ÿ, íè îêðóæàþùèå, à âîò î íåêîòîðîé áîëåçíåííîñòè ïðàâîé ùåêè ÿ

à òàêæå ñ ïðîöåäóðîé óëüòðàçâóêîâîãî ëèôòèíãà «Àëüòåðà» (Ulthera Systems). Âñå ýòè ïðîöåäóðû äîñòóïíû è â êëèíèêå äîêòîðà Âëàäèìèðà Ãðåáåííèêîâà. Êñòàòè, àïïàðàò Ulthera ÿâëÿåòñÿ íåäàâíèì è âåñüìà óäà÷íûì ïðèîáðåòåíèåì äîêòîðà. Çàäà÷à ýòîãî àïïàðàòà, ðàáîòàþùåãî íà óëüòðàçâóêå, âîçäåéñòâîâàòü íå íà êîæó íåïîñðåäñòâåííî, à íà ïëîòíûå ñëîè ïîäêîæíûõ òêàíåé – íà ïîâåðõíîñòíóþ ìûøå÷íî-àïîíåâðîòè÷åñêóþ ñèñòåìó (SMAS – Superficial MusculoAponeurotic System), äîñòèãàÿ ìàêñèìàëüíîé ãëóáèíû âîçäåéñòâèÿ äî 3-6 ìèëëèìåòðîâ. Èç îáúÿñíåíèé äîêòîðà Ãðåáåííèêîâà ñòàëî ÿñíî, ÷òî ìûøå÷íî-àïîíåâðîòè÷åñêèé ñëîé – ýòî ïîäêîæíûé ñëîé èç ýëàñòèíîâûõ è êîëëàãåíîâûõ âî-

è ýïèäåðìàëüíûé, è äåðìàëüíûé, è ãèïîäåðìàëüíûé ñëîè êîæè, íà êîòîðûå ïðîèçâîäèòñÿ óëüòðàçâóêîâîå âîçäåéñòâèå è òàêèì îáðàçîì êîíòðîëèðîâàòü íåîáõîäèìóþ ãëóáèíó ýòîãî âîçäåéñòâèÿ. «Àëüòåðà» ìîæåò ñêàíèðîâàòü êîæó ïàöèåíòà è òî÷íî îïðåäåëÿòü åå ãëóáèíó. Äîêòîð Ãðåáåííèêîâ ëþáèò «Àëüòåðó» çà òî, ÷òî ñôîêóñèðîâàííàÿ óëüòðàçâóêîâàÿ âîëíà áëàãîäàðÿ àïïàðàòó ïðîíèêàåò ÷åðåç êîæó è ïîäêîæíîæèðîâóþ êëåò÷àòêó íå òîëüêî íå ïîâðåæäàÿ èõ, íî è íå ðàññåèâàÿñü, à ýòî ïðèâîäèò ê ìàêñèìàëüíîìó ýôôåêòó íà íóæíîé ãëóáèíå. Íà ìîé æåíñêî-îáûâàòåëüñêèé âçãëÿä ýòî êðèòè÷åñêè âàæíî îñîáåííî â áîðüáå ñ ïðåäàòåëüñêèì äâîéíûì ïîäáîðîäêîì, êîòîðûé æóòêî èçìåíÿåò ôîðìó ëèöà.

Äîêòîð Ãðåáåííèêîâ ïîÿñíÿåò, ÷òî àïïàðàò ïðèìåíÿåòñÿ ãîðàçäî øèðå, ÷åì òîëüêî äëÿ ïðåäîòâðàùåíèÿ îáâèñàíèÿ ìÿãêèõ òêàíåé â ðàéîíå ïîäáîðîäêà, íî òàêæå è äëÿ ïîäíÿòèÿ áðîâåé, ùåê è óãîëêîâ ãóá, ýôôåêòèâåí îí è äëÿ êîæè øåè è ïðèäàíèÿ ëèöó ÷åòêîãî îâàëà. Îõîòíî â ýòî âåðþ, ó÷èòûâàÿ, ÷òî ìîé íà÷èíàþùèé ñâîþ æèçíü âòîðîé ïîäáîðîäîê áëàãîäàðÿ äîêòîðó Ãðåáåííèêîâó è ñèñòåìå «Àëüòåðà» íà âòîðîé ìåñÿö ïîñëå óëüòðàçâóêîâîãî ëèôòèíãà ïðèêàçàë äîëãî æèòü. Ñîáñòâåííî ãîâîðÿ, ñàìà ïðîöåäóðà çàêëþ÷àåòñÿ â òîì, ÷òî íà êîæó íàíîñÿò ãåëü äëÿ óäîáñòâà ñêîëüæåíèÿ óòðàçâóêîâîé íàñàäêè. Ñóùåñòâóåò íåñêîëüêî íàñàäîê, îòëè÷àþùèõñÿ ãëóáèíîé è ñèëîé âîçäåéñòâèÿ. Âî âðåìÿ ïðîöåäóðû ÿ ÷óâñòâîâàëà ëåãêîå ïîêàëûâàíèå è íåêîòîðîå îíåìåíèå òêàíåé. Åùå ïðèìåðíî íåäåëþ îñòàâàëàñü íåêîòîðàÿ áîëåçíåííîñòü êîæè â ðàéîíå ïîäáîðîäêà, à âîò íåçíà÷èòåëüíîãî îòåêà è ïðèïóõëîñòè, êàê îïèñûâàþò â ïîáî÷íûõ ýôôåêòàõ, â ìîåì ñëó÷àå íå íàáëþäàëîñü – âñå çàêëþ÷àåòñÿ â èíäèâèäóàëüíûõ îñîáåííîñòÿõ îðãàíèçìà ïàöèåíòà. Ðåêîìåíäàöèè äî è ïîñëå ïðîöåäóðû îòñóòñòâóþò. È, ÷òî î÷åíü âàæíî, ïî êðàéíåé ìåðå äëÿ ìåíÿ, ÷òî ýòî åäèíñòâåííàÿ èç âñåõ ñîâðåìåííûõ òåõíîëîãèé, êîòîðàÿ ïîëó÷èëà îäîáðåíèå àìåðèêàíñêîãî àãåíòñòâà Food and Drug Administration (FDA) â êàòåãîðèè «ëèôòèíã». Èíòåðåñíî, ÷òî óëüòðàçâóêîâîé ëèôòèíã åùå íàçûâàþò «òåõíîëîãèåé âûõîäíîãî äíÿ», ïîòîìó ÷òî çà îäíó ïðîöåäóðó ïðè ìèíèìàëüíîì ïåðèîäå ðåàáèëèòàöèè ìîæíî íà ïðîäîëæèòåëüíîå âðåìÿ óñòðàíèòü äîñàæäàþùèå ïðîáëåìû îáâèñàíèÿ êîæè ëèöà è øåè. ...Ñ äàâíèõ âðåìåí äàìû èñêàëè ýëèêñèðû è ÷óäî-ñðåäñòâà äëÿ ñîõðàíåíèÿ ñâîåé ïåðâîçäàííîé êðàñîòû. Íåóäèâèòåëüíî, âåäü ëèöî – ýòî ñâîåãî ðîäà âèçèòíàÿ êàðòî÷êà êàæäîãî èç íàñ, îñîáåííî æåíñêîé ÷àñòè ÷åëîâå÷åñòâà. Îäíà èç ìíîãî÷èñëåííûõ ëåãåíä íà ýòó òåìó ãîâîðèò î òîì, ÷òî èêîíàì æåíñêîé êðàñîòû âî âñå âåêà – åãèïåòñêèì öàðèöàì Êëåîïàòðå è Íåôåðòèòè – ïîä êîæó âæèâëÿëè çîëîòûå íèòè. Íå íàïîìèíàåò ëè âàì, óâàæàåìûé ÷èòàòåëü, ýòî ñåãîäíÿøíþþ ìåòîäèêó ìåçîíèòåé? Ðóññêèé ñêàçî÷íûé ôîëüêëîð òàêæå áîãàò èñòîðèÿìè î æèâîé âîäå è ìîëîäèëüíûõ ÿáëîêàõ, ïðîäëåâàþùèõ æèçíè, èçëå÷èâàþùèõ îò òÿæåëûõ áîëåçíåé è âîçâðàùàþùèõ ìîëîäîñòü ñêàçî÷íûì ãåðîÿì. Ìîëîäèëüíûå ÿáëîêè óæå ñòàëè ñèíîíèìîì âòîðîé ìîëîäîñòè. È â íàøå âðåìÿ îíè ïåðåñòàëè áûòü ïðîñòî êðàñèâîé ñêàçêîé, ïðåâðàòèâøèñü â ðåàëüíîñòü â ðóêàõ îïûòíîãî äîêòîðà, êîòîðûé âîîðóæèâøèñü ñàìûìè ñîâðåìåííûìè òåõíîëîãèÿìè è èçó÷èâ ñàìûå ïðîäâèíóòûå ìåòîäèêè â îáëàñòè ýñòåòè÷åñêîé ìåäèöèíû íà ñàìîì äåëå òâîðèò ÷óäåñà êðàñîòû, à çíà÷èò, äåëàåò íàñ, æåíùèí, ñ÷àñòëèâûìè. www.DallasTelegraph.com/61561 Russian www.DallasTelegraph.com/en/61561 English