2016 07 29 The Texas Telegraph

International Newspaper of Texas. Bi-weekly

Friday, July 29, 2016

Åñëè âû èëè âàø áèçíåñ õîòèòå ïîçäðàâèòü âàøèõ êëèåíòîâ, ïàðòíåðîâ è äðóçåé ñ ïðàçäíèêîì, ãîäîâùèíîé, þáèëååì, ïîæàëóéñòà, ñâÿæèòåñü ñ íàìè ïî òåëåôîíó: (469) 2000-660.

2À

ÑÎÁÛÒÈÅ

Friday, July 29, 2016

www.DallasTelegraph.com

Òîïîâûé ðåñòîðàí Äàëëàñà «Oaê» ïðèãëàøàåò íà èçûñêàííûé Ðóññêèé óæèí Ðè÷àðä Ýëëìàí (Richard Ellman) – âëàäåëåö ïðåñòèæíîãî ðåñòîðàíà «Oaê» â ðàéîíå Dallas Art District. Êðîìå ýòîãî òîïîâîãî â ñôåðå ïèòàíèÿ çàâåäåíèÿ íå òîëüêî â Ñåâåðíîì Òåõàñå, íî è íà íàöèîíàëüíîì óðîâíå, Ðè÷àðä âëàäååò è íî÷íûì êëóáîì «Quill». Èìåííî òàì 6 àâãóñòà, íà÷èíàÿ ñ 10 ÷àñîâ âå÷åðà, ïðîéäåò ëþáèìàÿ â ðóññêîÿçû÷íîì Äàëëàñå åæåãîäíàÿ âå÷åðèíêà «Áåëûå íî÷è» (White Party) îò Nash Dallas/Íàø Äàëëàñ Entertainment Group (Êîíñòàíòèí ×åðíèêîâ, Àííà Ôåðìàíîâà, Ýëüäàð Øàêèðîâ). Òåêñò Ñåðãåÿ Òàðàí. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ Îäíàêî ìèñòåð Ýëëìàí íå óäîâëåòâîðèëñÿ òîëüêî òåì, ÷òî îòêðûë äâåðè ñâîåãî çàâåäåíèÿ äëÿ ðóññêîÿçû÷íûõ ãîñòåé, îí òàêæå ðåøèë óñòðîèòü çà äâà ÷àñà äî íà÷àëà òàíöåâàëüíîé âå÷åðèíêè â ðåñòîðàíå «Oaê» (îí íàõîäèòñÿ ïî ñîñåäñòâó ñ «Quill») èçûñêàííûé óæèí ñ öàðñêèìè áëþäàìè è íàïèòêàìè – ñ áëèíàìè ñ ÷åðíîé èêðîé, ñ îêðîøêîé, ñ áåôñòðîãàíîâ è äðóãèìè áëþäàìè, à òàêæå ñ êîêòåéëÿìè, â îñíîâå êîòîðûõ ëåæèò ðóññêàÿ âîäêà Kruto. Êàçàëîñü áû, çà÷åì ìèñòåðó Ýëëìàíó âñå ýòî íóæíî? Ó íåãî è áåç òîãî î÷åíü óñïåøíûå ðåñòîðàíû, äà è îòáîÿ â ìèëëèîíåðñêîé ïóáëèêå íåò. Êñòàòè, åãî ðåñòîðàíû ïîñòîÿííî îöåíèâàþòñÿ êðèòèêàìè, êàê ëó÷øèå â íàøåì ãîðîäå, à «Oaê» çà ïÿòü ëåò ñâîåãî ñóùåñòâîâàíèÿ ïîëó÷àë ñàìûå íàèâûñøèå îöåíêè îò êðèòèêîâ – îò 4 äî 4,5 çâåçä (ïî 5-çâåçäî÷íîé øêàëå: àâò.). Îêàçàëîñü, ÷òî äëÿ ìèñòåðà Ýëëìàíà è òàíöåâàëüíàÿ âå÷åðèíêà «Áåëûå íî÷è», è ýëåãàíòíûé Ðóññêèé óæèí – ýòî ãîëîñ êðîâè. Äà, èìåííî òàê! Åãî ïðàäåäóøêà Çåéäà ïðèåõàë â Àìåðèêó èç Ëèòâû, ñ÷èòàë ñåáÿ ðóññêèì åâðååì è ìíîãî ðàññêàçûâàë î ñâîåé æèçíè çà îêåàíîì. Ðè÷àðä ïîìíèò îòðûâêè ýòèõ äåòñêèõ ðàññêàçîâ, è âñåãäà ìå÷òàë ÷òî-òî óñòðî-

èòü äëÿ ðóññêîÿçû÷íîé îáùèíû. Ñ êîìïàíèåé Êîíñòàíòèíà ×åðíèêîâà Legacy Valet Parking Ðè÷àðä Ýëëìàí ñîòðóäíè÷àåò äàâíî. È â ýòîò ðàç îí íàêîíåö ðåøèë óñòðîèòü ÷òî-òî çíàêîâîå è äëÿ ñâîåé ðóññêîé ÷àñòè ñåìüè, è äëÿ âñåõ òåõ, êòî ñ÷èòàåò ñåáÿ ðóññêèì è ãîâîðèò ïî-ðóññêè. Ñïåöèàëüíî äëÿ Russian Party Dinner áûëî ðàçðàáîòàíî îðèãèíàëüíîå ìåíþ çíàìåíèòûì øåô-ïîâàðîì ðåñòîðàíà Äæîýëîì Õàððèíãòîíîì. Íó, à ñàì ìèñòåð Ýëëìàí æäåò-íå äîæäåòñÿ 6 àâãóñòà, ÷òîáû ëè÷íî ïîçíàêîìèòüñÿ âî âðåìÿ óæèíà ñ ëó÷øèìè èç ëó÷øèõ ðóññêîÿçû÷íîé îáùèíû íàøåãî ãîðîäà.

The Dallas Telegraph ðàññïðîñèë ìèñòåðà Ýëëìàíà î åãî ðåñòîðàíå «Oaê» è î òîì, ÷åãî îí îæèäàåò îò âñòðå÷è ñ ãîñòÿìè Ðóññêîãî óæèíà.

– Ìèñòåð Ýëëìàí, âïåðâûå ëè Âû óñòðàèâàåòå ðóññêóþ âå÷åðèíêó è Ðóññêèé óæèí?

– Ýòî ïåðâûé ðàç, êîãäà ìû ñîáèðàåì ó ñåáÿ ðóññêîÿçû÷íóþ ïóáëèêó. Íî ÿ îòêðûò ê ðóññêîìó êîììþíèòè, ïîñêîëüêó ìîé ïðàäåäóøêà áûë ðîäîì èç Öàðñêîé Ðîññèè. Âû íå ïðåäñòàâëÿåòå, êàê ÿ æäó è áóäó ðàä âñòðå÷å ñ òåìè, â ÷üèõ æèëàõ, êàê è â ìîèõ, òå÷åò ïîëíîñòüþ èëè ÷àñòè÷íî ðóññêàÿ êðîâü.

– Âàø ðåñòîðàí «Oaê» ðàññ÷èòàí íà ýëèòíóþ ïóáëèêó. Êàê âàì óäàåòñÿ äåðæàòü âûñîêóþ ïëàíêó?

– Ìû ñòàðàåìñÿ áûòü î÷åíü ñîâðåìåííûìè è êðåàòèâíûìè, èäÿ â íîãó ñ ìîäîé â îáëàñòè ðåñòîðàííîé êóõíè.  íàøåì ìåíþ íåò íè îäíîãî êàêîãî-òî áëþäà, êîòîðîå ìû áû íå íàçâàëè îñîáåííûì. Ìîãó ñêàçàòü, ÷òî íàø øåô-ïîâàð Äæîýë Õàððèíãòîí âíèìàòåëüíî ñëåäèò çà ñîâðåìåííûìè íàïðàâëåíèÿìè è âñåãäà î÷åíü îðèãèíàëüíî ïðåçåíòóåò â ìåíþ ðåñòîðàíà ïîñëåäíèå êóëèíàðíûå âåÿíèÿ.

– ß ñëûøàë íåêîòîðóþ êðèòèêó, ÷òî, ìîë, çà 5 ëåò ñóùåñòâîâàíèÿ ðåñòîðàíà «Oaê» ñìåíèëîñü íåñêîëüêî øåô-ïîâàðîâ è, òàêèì îáðàçîì, ó Âàñ íåò åäèíîãî âèäåíèÿ êóõíè ðåñòîðàíà. ×òî Âû ñêàæåòå ïî ýòîìó ïîâîäó?

– Óñïåõ íàøåãî ðåñòîðàíà, â îòëè÷èå îò ìíîãèõ äðóãèõ, âî ìíîãîì çàâèñèò îò òàëàíòîâ è, ÿ áû äàæå ñêàçàë, ãåíèàëüíîñòè øåô-ïîâàðà. Ìû íå ïðîèçâîäèì ìàññîâóþ ïðîäóêöèþ, êàæäîå çàêàçàííîå íàøèìè êëèåíòàìè áëþäî – ýòî íåáîëüøîå ïðîèçâåäåíèå êóëèíàðíîãî èñêóññòâà.  ýòîé ñâÿçè ó êàæäîãî èç íàøèõ øåô-ïîâàðîâ áûëè ñâîè ëè÷íûå ïðè÷èíû îñòàâèòü «Oak» – êòî-òî óåõàë â Íüþ-Éîðê, êòî-òî ñâîèì äîìîì è ìåñòîì ðàáîòû âûáðàë

Ïðàäåäóøêà âëàäåëüöà ðåñòîðàíà «Oak» Ðè÷àðäà Ýëëìàíà – ðóññêèé åâðåé, êîòîðûé ïðèåõàë â Àìåðèêó èç Ëèòâû Êàðèáñêèå îñòðîâà. Ìû âñåãäà ñòàðàåìñÿ íàõîäèòü ëó÷øåãî èç ëó÷øèõ øåô-ïîâàðîâ è ïðèãëàøàåì åãî ê íàì. Äæîýë Õàððèíãòîí ðàáîòàåò ñ íàìè ñ îñåíè ïðîøëîãî ãîäà, è îí ñ÷èòàåòñÿ îäíèì èç ëó÷øèõ øåô-ïîâàðîâ â Äàëëàñå.

– Ðè÷àðä, ÷òî äåëàåò Âàø ðåñòîðàí îòëè÷íûì îò äðóãèõ òîïîâûõ ðåñòîðàíîâ íàøåãî ãîðîäà?

– Ìû âñåãäà ñòàðàåìñÿ ñäåëàòü íàø ðåñòîðàí áîëåå ïðèâëåêàòåëüíûì è íîâàòîðñêèì, ÷òîáû îí îòâå÷àë òâîð÷åñêîé è óòîí÷åííîé àòìîñôåðå Dallas Arts District. Äëÿ íàñ âàæíî, ÷òîáû íàøè áëþäà è îáñëóæèâàíèå

â ðåñòîðàíå áûëè ëó÷øèìè â Äàëëàñå.  ýòîé ñâÿçè íàøè óñèëèÿ íå ðàç áûëè îòìå÷åíû ðåéòèíãîì êðèòèêîâ â 4 è äàæå â 4,5 çâåçäû. Äðóçüÿ, ïðèõîäèòå ê íàì, ÷òîáû íà ëè÷íîì îïûòå ïðî÷óñòâîâàòü àòìîñôåðó ðåñòîðàíà, ïîïðîáîâàòü íàøó åäó. Äóìàþ, ÷òî âû îáÿçàòåëüíî âåðíåòåñü ê íàì.

– Ðåñòîðàí «Oaê» ýòîé îñåíüþ îòïðàçäíóåò ñâîé ïÿòèëåòíèé þáèëåé. Êàê âîçíèêëà èäåÿ åãî îòêðûòü?

– Ðåñòîðàí «Oaê» ðàñïîëîæåí â ñàìîì ñåðäöå Dallas Arts District. Ìû áûëè ïåðâûìè, êòî

îòêðûë â ýòîì ðàéîíå ðåñòîðàí. Ñëó÷èëîñü ýòî îñåíüþ 2011 ãîäà. Ìû óâèäåëè ïåðñïåêòèâó ýòîãî ðàéîíà, åãî èíòåëëèãåíòíîñòü, åãî ñâåæåñòü â Äàëëàñå. È ðåøèëè, ÷òî íàø ðåñòîðàí îáÿçàòåëüíî äîëæåí îòâå÷àòü èçûñêàííûì âêóñàì ãîñòåé Arts District. È, êñòàòè, ñåãîäíÿ «Oaê» – ñàìûé ëþáèìûé ðåñòîðàí â ýòîì ðàéîíå ïî îòçûâàì ìíîãèõ. Î÷åíü íàäåþñü, ÷òî îí òàêèì ñòàíåò è äëÿ ðóññêîÿçû÷íûõ æèòåëåé íàøåãî ãîðîäà. www.DallasTelegraph.com/61649 Russian www.DallasTelegraph.com/en/61649 English

Øåô-ïîâàð ðåñòîðàíà «Oaê»: «Ðóññêèé óæèí áóäåò íàñòîÿùèì ïðàçäíèêîì ðóññêîé åäû!» Øåô-ïîâàð òîïîâîãî â Äàëëàñå ðåñòîðàíà «Oaê» Äæîýë Õàððèíãòîí (Joel Harrington) – òîò ñàìûé òàëàíòëèâûé è êðåàòèâíûé ÷åëîâåê, êîòîðûé ðåøèë óäèâèòü ðóññêîÿçû÷íûé Äàëëàñ ðóññêèìè áëþäàìè â ñâîåì íîâîì îðèãèíàëüíîì èñïîëíåíèè. Ó Äæîåëà çà ïëå÷àìè äèïëîì Êóëèíàðíîãî èíñòèòóòà Àìåðèêè è ìíîãèå ãîäû ðàáîòû â ïðåñòèæíûõ ðåñòîðàíàõ ïî âñåì ÑØÀ. Ãîòîâèòü îí íà÷àë ñ 15 ëåò. Êàê ðàç â ñòàðøèõ êëàññàõ Äæîýë æèë â ðóññêî-óêðàèíñêîé ñåìüå â øòàòå Âåðìîíò. È ñëàâÿíñêàÿ êóõíÿ îêàçàëà íà íåãî íåèçãëàäèìîå âïå÷àòëåíèå.

êàêîé âû åùå íèêîãäà íå ïðîáîâàëè â æèçíè.

– Äæîýë, à ñìîæåòå ëè Âû óäèâèòü ðóññêîÿçû÷íûé Äàëëàñ, ãäå ïî÷òè â êàæäîé ñåìüå ãîòîâÿò äîìà? Ïðè÷åì, â íàøåé îáùèíå ìíîãî èñêóñíûõ õîçÿåê, êîòîðûå ãîòîâÿò

Òåêñò Ñåðãåÿ Òàðàí. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ Íàñòîëüêî ñèëüíîå, ÷òî ñåãîäíÿ, ìíîãî ëåò ñïóñòÿ, îí ïîääåðæàë èäåþ Êîíñòàíòèíà ×åðíèêîâà èç Íàø Äàëëàñ Entertainment Group â ðàìêàõ òàíöåâàëüíîé âå÷åðèíêè «Áåëûå íî÷è» óñòðîèòü Ðóññêèé óæèí â ðåñòîðàíå «Oaê». Áîëåå òîãî, ãîñïîäèí Õàððèíãòîí óòâåðæäàåò, ÷òî áåôñòðîãàíîâ è îêðîøêà â åãî èñïîëíåíèè áóäóò èñêëþ÷èòåëüíûìè. Ðóññêèé óæèí, êîòîðûé 6 àâãóñòà íà÷íåòñÿ â «Oak» â 8 ÷àñîâ âå÷åðà, ñòîèò 99 äîëëàðîâ è áóäåò âêëþ÷àòü ìåíþ èç òðåõ ñìåí áëþä è íåñêîëüêèõ êîêòåéëåé.

The Dallas Telegraph èç ðàçãîâîðà ñ Äæîýëîì Õàððèíãòîíîì óçíàë, îòêóäà ó øåôïîâàðà ëþáîâü êî âñåìó ðóññêî-óêðàèíñêîìó, êàêèìè èçûñêàìè îí óäèâèò ãîñòåé Ðóññêîãî óæèíà è êàê ïîäáèðàëîñü ìåíþ äëÿ ýòîãî îñîáåííîãî ìåðîïðèÿòèÿ.

– Äæîýë, ðàáîòàÿ â ðåñòîðàíàõ Íüþ-Éîðêà, äîâîäèëîñü ëè Âàì âñòðå÷àòü ðóññêîÿçû÷íûõ ãîñòåé?

– ß, äåéñòâèòåëüíî, æèë â Íüþ-Éîðêå íåñêîëüêî ðàç – â 1990-õ è â 2000-õ ãîäàõ, ðàáîòàÿ â èçâåñòíûõ ðåñòîðàíàõ. Ïîñëåäíèå íåñêîëüêî ëåò ÿ ñíîâà âåðíóëñÿ â ãîðîä Áîëüøîãî ÿáëîêà, ãäå ðåãóëÿðíî âñòðå÷àë ðóññêîÿçû÷íûõ àìåðèêàíöåâ. Èíòåðåñíî âñïîìíèòü, ÷òî êîãäà ÿ ó÷èëñÿ â ñòàðøèõ êëàññàõ øêîëû, òî âîîáùå æèë ïîëòîðà ãîäà â ðóññêîÿçû÷íîé ñåìüå â øòàòå Âåðìîíò. Ïîçæå ÿ ðàáîòàë ñ íåñêîëüêèìè ðóññêèìè â ñòîëèöå ÑØÀ, Âàøèíãòîíå.

– Ðàññêàæèòå ïîïîäðîáíåå î ñåìüå, êîòîðàÿ âàñ ïîçíàêîìèëà ñ ðóññêîé êóõíåé.

– Ëåîíèä è Íàòàøà ðîäîì èç Óêðàèíû. ß ïîìíþ, ÷òî ó íèõ áûëà áîëüøàÿ ñåìüÿ –

íèþ áëþä èìåííî ñ òàêèìè êðèòåðèÿìè. Âîçüìåì, íàïðèìåð, êóêóðóçíûé ñóï. Âåäü ìîæíî ñîáðàòü âñå èíãðåäèåíòû äëÿ íåãî â êàñòðþëþ è ñâàðèòü, à ìîæíî ãîòîâèòü ìåäëåííî – ñëîé çà ñëîåì, îáðàáàòûâàÿ êàæäûé èç êîìïîíåíòîâ îòäåëüíî, ÷òîáû äîáèòüñÿ ìàêñèìàëüíîé îòäà÷è âêóñà, çàïàõà è öâåòà. Îáû÷íî õîçÿéêè íå ñòàíóò òðàòèòü ìíîãî âðåìåíè íà ïîäîáíûå èçûñêè. Ñ òàêèìè æå èñêëþ÷èòåëüíûìè êðèòåðèÿìè ìû ïîäîéäåì è ê ïðèãîòîâëåíèþ áëþä äëÿ Ðóññêîãî óæèíà, âêëþ÷àÿ êîðîííûé áåôñòðîãàíîâ. Âåðìèøåëü ìû ïðèãîòîâèì ñàìè. Ãðèáû, ñìåòàíó ÿ áóäó ïîäáèðàòü ëè÷íî, ëè÷íî ïåðåìåøàþ è ñäîáðþ îðèãèíàëüíûìè ïðèïðàâàìè. È îíè çàèãðàþò íàñòîÿùèì àíñàìáëåì â áëþäå. Ýòî áóäåò íåçàáûâàåìîå âïå÷àòëåíèå. Äîìà âû òàêîãî íå ïðèãîòîâèòå. Êñòàòè, èíãðèäèåíòû, êîòîðûå ÿ èñïîëüçóþ â áëþäàõ

ðåñòîðàíà «Oak», ÿ âûðàùèâàþ íà îãîðîäå, ïîñâÿùàÿ ýòîìó âîñêðåñåíüå êàæäîé íåäåëè. Òå îâîùè, êîòîðûå áóäóò èñïîëüçîâàíû â ïðèãîòîâëåíèè áëþä äëÿ Ðóññêîãî óæèíà, íàêàíóíå âå÷åðîì áóäóò ñîáðàíû ñ ãðÿäêè, à, çíà÷èò, îíè áóäóò íå òîëüêî ñóïåð-ñâåæèìè, çäîðîâûìè, íî è àðîìàòíûìè. Îáåùàþ, Ðóññêèé óæèí áóäåò íàñòîÿùèì ïðàçäíèêîì ðóññêîé åäû. Âñå, ÷òî ÿ äåëàþ â íàøåì ðåñòîðàíå – èìååò ïðèêîñíîâåíèå õóäîæíèêà (ÿ, êñòàòè, ìå÷òàë ñòàòü õóäîæíèêîì). È ÿ óâåðåí, ÷òî ãîñòè Ðóññêîãî óæèíà ýòî ïî äîñòîèíñòâó îöåíÿò è çàïîìíÿò. Óæèí â íàøåì ðåñòîðàíå áóäåò îòëè÷àòüñÿ îò âñåãî òîãî, ÷òî îíè êîãäà-ëèáî âèäåëè èëè ïðîáîâàëè â Äàëëàñå, ïîòîìó ÷òî íàø ïîäõîä – óíèêàëüíûé. www.DallasTelegraph.com/61642 Russian www.DallasTelegraph.com/en/61642 English

Øåô-ïîâàð òîïîâîãî â Äàëëàñå ðåñòîðàíà «Oaê» Äæîýë Õàððèíãòîí è åãî òâîðåíèÿ 9 äåòåé. Îíè ïðèãëàñèëè ìåíÿ ê ñåáå íà ïåðèîä ñòàðøèõ êëàññîâ â øêîëå. Áëàãîäàðÿ èì ÿ ïîçíàêîìèëñÿ ñî ìíîãèìè ðóññêèìè òðàäèöèÿìè. ß äðóæèë ñ èõ äåòüìè. Îíè áûëè êàòîëèêàìè, è õîòÿ ÿ íå ñ÷èòàë ñåáÿ ñëèøêîì ðåëèãèîçíûì ïîäðîñòêîì, íî ðåãóëÿðíî áûâàë âìåñòå ñ íèìè â öåðêâè, ÷òîáû ïîíÿòü âåðó. Êîíå÷íî æå, îíè ïîçíàêîìèëè ìåíÿ ñ òðàäèöèîííîé ðóññêîé åäîé. Íàïðèìåð, ñ îêðîøêîé, êîòîðóþ ìû áóäåì, êñòàòè, ïðåäñòàâëÿòü íà íàøåì Ðóññêîì óæèíå 6 àâãóñòà. ß ïîïðîáîâàë è áîðù, è áåôñòðîãàíîâ â èõ èñïîëíåíèè.

– Êàê Âû âûáèðàëè ìåíþ äëÿ âàøåãî Ðóññêîãî óæèíà, êîòîðûé, êàê ÿ ïîíèìàþ, ñòàíåò ýëåãàíòíûì äîïîëíåíèåì ê âå÷åðèíêå «Áåëûå íî÷è»?

– Ìû îáñóæäàëè åãî ñ Êîíñòàíòèíîì ×åðíèêîâûì. ß

International Newspaper of Texas.

Bi-weekly

íàçâàë åìó ðóññêèå áëþäà, êîòîðûå ïîìíþ åùå èç äåòñòâà. Ñíà÷àëà îí ïîäâåðã ñîìíåíèþ ìîé âûáîð, íî ìû ïðîäîëæàëè îáñóæäàòü âñå íîâûå è íîâûå áëþäà, è ïðèøëè ê îáîþäíîìó ñîãëàñèþ. Çíàêîìñòâî ñ íàøèìè êóøàíèÿìè íà Ðóññêîì óæèíå íà÷íåòñÿ ñ ôàðøèðîâàííûõ ïå÷åíüþ ÿèö, áëèíîâ ñ ÷åðíîé èêðîé, è êîêòåéëÿìè. Çàòåì ïîäàäóò îêðîøêó. Èç ñàëàòîâ áóäåò âèíåãðåò, êîòîðûé ïðåäëîæèë Êîíñòàíòèí. Ìíå õîòåëîñü ñäåëàòü íåîáû÷íûé, íî â òî æå âðåìÿ çíàêîìûé äëÿ ðóññêîÿçû÷íîé àóäèòîðèè ñàëàò. Äëÿ îñíîâíîãî áëþäà ìû ïðåäëàãàåì âûáîð ìåæäó ðûáîé è ãîâÿäèíîé. Êîíñòàíòèí áûë óäèâëåí, ÷òî ÿ ãîòîâ ïðèãîòîâèòü íàñòîÿùèé áåôñòðîãàíîâ. È ÿ ïîîáåùàë åìó è âñåì ãîñòÿì óæèíà ÷åðåç âàøó ãàçåòó, ÷òî ñäåëàþ òàêîé áåôñòðîãàíîâ,

Published by Genesis Press Serge Taran, President and Publisher Ludmila Kachkar-Taran, Editor-in-Chief Alexey Levitin, Designer Zoryana Popovich, Proofreader

î÷åíü âêóñíî. Õîòåëîñü áû ïîíÿòü, à â ÷åì «ôèøêà» êóäà-òî åõàòü, ÷òîáû äîâîëüíî íåäåøåâî ïîïðîáîâàòü ðóññêóþ êóõíþ?

– Âî-ïåðâûõ, ýòî áóäåò íå ïðîñòî óæèí, ýòî áóäåò ñîöèàëüíîå ñîáûòèå – ñîáûòèå êëàññè÷åñêîå, èçûñêàííîå, ýëåãàíòíîå. Òàêîé æå áóäåò è åäà, êàê áû áóäíè÷íî è çíàêîìî îíà íå íàçûâàëàñü. Ìîÿ ôèëîñîôèÿ êàê ïîâàðà – çíàêîìèòü ëþäåé ñ òàêèìè áëþäàìè, êîòîðûõ îíè íå íàéäóò â îáû÷íîì ðåñòîðàíå. Ìû äåëàåì ýëåãà íòíóþ âåðñèþ äîìàøíåé åäû – èçûñêàííûå ïðèêîñíîâåíèÿ ê áëþäàì êóëèíàðíîãî õóäîæíèêà, îðèãèíàëüíàÿ ïîäà÷à åäû. Òî, ÷òî ìîæíî áûëî áû ñäåëàòü è äîìà, áóäåò ïðåäñòàâëåíî â ñàìîì ñîâåðøåííîì è èçûñêàííîì âèäå è ïðè ýòîì åùå è ñ èçþìèíêîé. ß âñåãäà ïîäõîæó ê ïðèãîòîâëå-

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Friday, July 29, 2016

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Ñêîëüêî ñòîèò óíèôîðìà òåõàññêèõ äåëåãàòîâ Ðåñïóáëèêàíñêîé êîíâåíöèè Êàæäûå ÷åòûðå ãîäà äåëåãàòû îò Òåõàñà ïîëó÷àþò îñîáîå âíèìàíèå âî âðåìÿ ñâîåãî ó÷àñòèÿ â Ðåñïóáëèêàíñêîé êîíâåíöèè. Âñå 310 äåëåãàòîâ îäåòû â ðóáàøêè öâåòà òåõàññêîãî ôëàãà è ó êàæäîãî – êîâáîéñêàÿ øëÿïà. Êîãäà òåõàññêèå äåëåãàòû èäóò íà êîíâåíöèþ èëè â çàëå ìàõàþò èëè ïîäáðàñûâàþò øëÿïû, òî ïðèìåðíî 25 ïðîöåíòîâ ñúåìîê äåëåãàòîâ íàöèîíàëüíûìè òåëåêàíàëàìè ïðèõîäèòñÿ èìåííî íà òåõàñöåâ. Ïðàâäà, íåêîòîðûå äåëåãàòû íå î÷åíü-òî äîâîëüíû, ÷òî èõ îäåâàþò â óíèôîðìó, íî âñå ïîíèìàþò, ÷òî ýòî íóæíî ðàäè äåëà. Òåêñò The Dallas Telegraph. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ «Øëÿïû è ðóáàøêè äîëæíû áûòü õîðîøî èçãîòîâëåíû è õîðîøî ñèäåòü», – êîììåíòèðóåò ãëàâíûé æåðòâîâàòåëü øëÿï äëÿ äåëåãàòîâ Êàòàëèí Óîëë (Kathaleen Wall) èç Õüþñòîíà. Îíà è åå ìóæ Õîëëè Ôðîñò (Holly Frost), êîòîðûå â ïðîøëîì ãîäó ïðîäàëè IBM ñâîþ êîìïàíèþ Memory Systems, ïîæåðòâîâàëè êîâáîéñêèõ øëÿï íà îáùóþ ñóììó â 18 òûñÿ÷

äîëëàðîâ. Ýòè øëÿïû áûëè ñäåëàíû êîìïàíèåé èç Ãàðëàíäà Milano Hat Co. Ðîçíè÷íàÿ öåíà êàæäîé øëÿïû – 95 äîëëàðîâ, ïðàâäà, èì çà îïòîâóþ ïàðòèþ ñäåëàëè ñêèäêó è ïðîäàëè èç ðàñ÷åòà 70 äîëëàðîâ çà øëÿïó. ×åòûðå ãîäà íàçàä ìèññèñ Óîëë è ìèñòåð Ôðîñò êóïèëè è ïåðåäàëè äåëåãàòàì äàæå áîëüøå êîâáîéñêèõ øëÿï, ÷åì â ýòîì ãîäó. Âìåñòå ñ 12 òûñÿ÷àìè äîëëàðîâ, ïîæåðòâîâàííûõ ñòðàõîâûì àãåíòîì Íîðìàíîì Àäàìñîì

è åãî æåíîé Äåááè (Norman and Debbie Adams) èç Õüþñòîíà, íà ðóáàøêè â ñòèëå òåõàññêîãî ôëàãà, îáùàÿ ñòîèìîñòü óíèôîðìû äëÿ òåõàññêèõ äåëåãàòîâ â ýòîì ãîäó äîñòèãëà 30 òûñÿ÷ äîëëàðîâ. Óîëë òàêæå îïëàòèëà ãîñòèíè÷íûå íîìåðà â îãàéñêîì Êëèâëåíäå äëÿ íåñêîëüêèõ âîëîíòåðîâ Ðåñïóáëèêàíñêîé ïàðòèè. Ëåéòåíàíò-ãóáåðíàòîð Òåõàñà Äýí Ïàòðèê (Dan

Òåõàññêóþ äåëåãàöèþ íå îáîøëè âíèìàíèåì òåëåâèçèîíùèêè âî âðåìÿ Ðåñïóáëèêàíñêîé êîíâåíöèè

Ðåñòîðàí «Ñòàðàÿ Âàðøàâà»

íà íîâûé ëàä Ïîñòîÿííûå ÷èòàòåëè The Dallas Telegraph è ó÷àñòíèêè öåðåìîíèé íàãðàæäåíèÿ «Ëó÷øèõ ðóññêîÿçû÷íûõ áèçíåñîâ Äàëëàñà» ïîìíÿò, ÷òî íåñêîëüêî ðàç èçäàòåëè ãàçåòû ñîáèðàëè ëó÷øèõ èç ëó÷øèõ â ðóññêîÿçû÷íîì Äàëëàñå â ðåñòîðàíå «Ñòàðàÿ Âàðøàâà» â ñàìîì ñåðäöå Äàëëàñà. Ñîâñåì íåäàâíî ñòàðîå çäàíèå ðåñòîðàíà ñíåñëè, è íà åãî ìåñòå áóäóò ñòðîèòü 14-ýòàæíîå îôèñíîå çäàíèå. Ñàì æå ðåñòîðàí ïåðåíåñëè â çäàíèå ïî ñîñåäñòâó, ñíà÷àëà ïåðåîáîðóäîâàâ åãî ïîä ñòàòü òîìó, êàêîé áûëà ñòàðàÿ «Ñòàðàÿ Âàðøàâà».

Òåêñò The Dallas Telegraph Ðåñòîðàí ôðàíöóçñêîé êóõíè Old Warsaw ñóùåñòâóåò â Äàëëàñå ñ 1948 ãîäà. Ñíà÷àëà îí ðàçìåùàëñÿ ðÿäîì ñ àâåíþ Oak Lawn, çàòåì åãî ïåðåâåëè íà àâåíþ Maple. Ðåñòîðàí – ëþáèìîå ìåñòî ïîñåùåíèå òîãî ñàìîãî Ðîññà Ïåðî è ìíîãèõ äðóãèõ òåõàññêèõ çíàìåíèòîñòåé. Çäåñü èãðàþò íàøè ñîîòå÷åñòâåííèêè – Ëåâ Êàðäîíñêèé è Ãðèãîðèé Ñëàâèí. Íîâàÿ «Ñòàðàÿ Âàðøàâà», êàê ðåñòîðàí íàçûâàþò ïîñëå îòêðûòèÿ â àïðåëå ýòîãî ãîäà, ïî-ïðåæíåìó ïðåäëàãàåò ãîñòÿì ãîâÿäèíó âåëëèíãòîí è îìàðîâ òåðìèäîð. Ïðîøëîé âåñíîé âëàäåëåö ðåñòîðàíà Àë Õåéäàðè (Al Heidari) ïðîäàë ðåñòîðàí è äâà äðóãèõ ó÷àñòêà çåìëè ñî çäàíèÿìè êîìïàíèÿì M. Terry Enterprises è Holt Lundsford Holdings. Íîâûå âëàäåëüöû ñíåñëè âñå, ÷òî áûëî è òåïåðü ñòðîÿò âûñîòíîå çäàíèå. Ìîíèê Ðàìîñ (Monique Ramos) – äî÷ü

ÏÓÍÊÒÛ ÐÀÑÏÐÎÑÒÐÀÍÅÍÈß THE DALLAS TELEGRAPH

Õåéäàðè è äèðåêòîð ðåñòîðàíà ïî ïðîâåäåíèþ ìåðîïðèÿòèé – ðàññêàçàëà, ÷òî êîãäà èíâåñòîðû óâèäåëè òàêîé áîëüøîé ó÷àñòîê çåìëè â öåíòðå ãîðîäà, òî ïðåäëîæèëè ñâîþ öåíó, è Õåéäàðè ñîãëàñèëñÿ. Ìîíèê Ðàìîñ îñòàëàñü íà ñâîåé ïðåæíåé ïîçèöèè â ðåñòîðàíå ïðè íîâûõ õîçÿåâàõ. Îíà ðàññêàçûâàåò, ÷òî â íîâîé «Ñòàðîé Âàðøàâå» íå ìíîãîå èçìåíèëîñü – îñòàëàñü ïðåæíåé öàðñòâåííàÿ àòìîñôåðà ñ äîáàâëåíèåì íåñêîëüêèõ ñîâðåìåííûõ øòðèõîâ. Ïðàâäà, ìåíþ è âèííàÿ êàðòà ðåñòîðàíà áûëè ñîêðàùåíû, íî êîðîííûå áëþäà è íàïèòêè íå ïîäâåðãëèñü óðåçàíèþ. Ó ðåñòîðàíà ïîÿâèëîñü ïàòèî è äâîðèê â íüþ-îðëåàíñêîì ñòèëå, ãäå ìîæíî ïðèÿòíî ïðîâåñòè âðåìÿ ïðè êîìôîðòíîé òåõàññêîé ïîãîäå.

Patrick) çàïëàòèë çà áóëàâêè äëÿ óíèôîðìû. Äåëåãàòîâ-íîâè÷êîâ, êñòàòè, â ïåðâûé äåíü êîíâåíöèè â Îãàéî âî âðåìÿ çàâòðàêà áûâøèé ãëàâà ïàðòèè â Òåõàñå Äýâèä Áàðòîí (David Barton) îáó÷àë ýòèêåòó: æåíùèíû âñå âðåìÿ îñòàþòñÿ â øëÿïàõ, à ìóæ÷èíû äîëæíû ñíèìàòü øëÿïû ïðè ëè÷íûõ âñòðå÷àõ è â îáùåñòâåííûõ ìåñòàõ – âî âðåìÿ ìîëèòâû, ïàòðèîòè÷åñêèõ ðèòóàëîâ è âî âðåìÿ ïðèâåòñòâèÿ äàì. «Ìóæ÷èíà ìîæåò ïðèïîäíÿòü èëè ñíÿòü øëÿïó, ïðèâåòñòâóÿ äðóãîãî ìóæ÷èíó â çíàê óâàæåíèÿ». È â êîíöå îí äîáàâèë, «íåóäîáíî íàïîìèíàòü, íî âñå-òàêè ýòèêåòêîé øëÿïó îäåâàòü íóæíî íàçàä». Íè îäíà äðóãàÿ äåëåãàöèÿ íà Ðåñïóáëèêàíñêîé êîíâåíöèè, êðîìå ãàâàéñêîé äåëåãàöèè â ãàâàéñêèõ ðóáàøêàõ è ãóàìñêîé (â îäåæäå ÷àìîððî) íå èìåëè óíèôîðìû. Ìíîãèå ñîãëàñèëèñü, ÷òî óíèôîðìà ïîðîæäàåò ãîðäîñòü. Ïðàâäà, Òåõàñ âûçûâàåò âîçìóùåíèå ó äðóãèõ øòàòîâ ñâîåé ãîðäîñòüþ. Íà ÷òî áûâøèé ãóáåðíàòîð øòàòà Ðèê Ïåððè ñêàçàë, ÷òî äâà ãîäà íàçàä íàø øòàò îòêðûë ñòîëüêî íîâûõ ðàáî÷èõ ìåñò, ñêîëüêî 49 àìåðèêàíñêèõ øòàòîâ âìåñòå âçÿòûõ è «ïîýòîìó ìû íîñèì êîâáîéñêèå øëÿïû, ÷òîáû íàïîìíèòü ëþäÿì îá ýòîì». www.DallasTelegraph.com/61634 Russian www.DallasTelegraph.com/en/61634 English

www.DallasTelegraph.com/61636 Russian www.DallasTelegraph.com/en/61636 English

ALLEN Kids R Kids of East Allen, 611 E. Bethany Drive, Allen, TX 75002. Phone: (817) 991-0137.

ARLINGTON Taste of Europe, 1901 W. Pioneer Prkwy, Arlington, Texas 76013. Phone: (817) 275-5530.

CARROLLTON Russian Banya, 2515 E. Rosemeade Parkway # 401, Carrollton, TX 75007. Phone: (214) 483-5050.

DALLAS Midpark Towers Apartment, 8550 Midpark Rd., Dallas, TX 75240. Phone: (972) 231-7834.

St Seraphim Orthodox Church, 4112 Throckmorton St., Dallas, TX 75219. Phone: (214) 528-3741.

Capelli Salon, 19177 Preston Rd., Suite 155, Dallas, TX 75252. Pnone: (972) 250-4565.

Russian School of Dallas, 6039 Churchill Way, Dallas, TX 75230. Phone: (214) 354-7674.

DENTON Denton Ballet Academy, 637 Londonderry Ln., Denton, TX 76205. Phone: (940) 891-0830.

GARLAND Dallas Omni Care, 2222 Deer Meadow Dr., Garland, 75044. Phone: (972) 495-6000.

PLANO CCCP Market, 2304 Coit Rd., Suite #660, Plano, TX 75075. Phone: (972) 758-1200.

Sunshine International Learning Center, 5940 Alma Dr., Plano, TX 75023.

Phone: (469) 467-992.

Euro Deli Too, 6832, Coit Rd., # 300, Plano, TX 75023. Phone: (972) 312-0244.

River of Life – Dallas Church, 4001 Custer Rd., 4001 Custer Rd, 75023. Phone: (817) 773-1097.

Natalie Bakery & Pastry, 2001 Coit Rd., Suite 142, Plano, TX 75075.

Phone: (972) 964-4044.

The Villas of Mission Bend, 1201 Medical Av., Plano, TX 75075. Phone: (972) 867-2700.

Plano Community Homes West Campus, 3905-3925 American Dr., Plano, TX 75075.

Phone: (972) 867-1905.

Central Market, 320 Coit Rd. Plano, TX 75075. Phone: 469-241-8300.

Smiles By Morel, 5501 Independence Pkwy., Suite # 205, Plano, TX 75023.

Texas Rhythmic Academy, 2621 Summit Ave#300, Plano, TX 75074. Phone: (469) 583-2894.

RICHARDSON Family Discount Pharmacy, 970 N.Coit Rd., #2403, Richardson, TX 75080.

Phone: (972) 235-0444.

Euro Deli, 670 N. Coit # 2360, Richardson, TX 75080. Phone: (972) 234-8052.

A-Care Medical, 870 N. Coit Rd., #2660, Richardson, TX 75080. Òåë.: (972) 235-2459.

A-Care Chiropractic & Acupuncture Center, 870 N. Coit Rd., Ste. # 2651, Richardson, TX 75080. Òåë.: (972) 664-9089.

SOUTHLAKE Central Market, 1425 E Southlake Blvd., Southlake, TX 76092. Phone: (817) 310-5600.

THE COLONY St. Sophia Ukrainian Greek-Catholic Church, 5600 North Colony Boulevard, The Colony, TX 75056. Phone: (972) 370-4700

4À

ÒÐÀÃÅÄÈß

Friday, July 29, 2016

www.DallasTelegraph.com

Ðàññòðåë ïîëèöåéñêèõ â Äàëëàñå

íàâñåãäà èçìåíèë Àìåðèêó 25-ëåòíèé Ìèêà Äæîíñîí (Micah Johnson) ïîä ñàìûé çàíàâåñ ðàëëè Black Lives Matter â Äàëëàñå ðàññòðåëÿë 2 ãðàæäàíñêèõ è 12 ïîëèöåéñêèõ, ïÿòåðî èç êîòîðûõ — ìåðòâû. Ðàëëè ïðîõîäèëî â Äàëëàñå 7 èþëÿ 2016 ãîäà âå÷åðîì â êà÷åñòâå ïðîòåñòà ïðîòèâ óáèéñòâà íàêàíóíå äâóìÿ áåëûìè ïîëèöåéñêèìè ÷åðíîêîæåãî Àëòîíà Ñòåðëèíãà (Alton Sterling) â ãîðîäå Áàòîí Ðóæ â øòàòå Ëóèçèàíà è óáèéñòâà Ôèëàíäî Êàñòèë (Philando Castile) ïîëèöåéñêèì â øòàòå Ìèííåñîòà. Òåêñò Ëþäìèëû Òàðàí. Ôîòî àâòîðà è èç îòêðûòûõ èñòî÷íèêîâ Ïîäîçðåâàåìûé â ðàññòðåëå – ÷åðíîêîæèé ðåçåðâèñò àðìèè ÑØÀ äî àïðåëÿ 2015 ãîäà. Ïðåäñòàâèòåëè Ìèíîáîðîíû ÑØÀ ïîÿñíèëè, ÷òî êàê ðåçåðâèñò îí ðàáîòàë ïî ñïåöèàëüíîñòè êàìåíùèê è ïëîòíèê. Îí áûë êàïðàëîì è âõîäèë â ñîñòàâ 284-é èíæåíåðíîé êîìïàíèè, êîòîðàÿ áàçèðóåòñÿ â Ñàíòà-Ôå, â øòàòå Íüþ-Ìåêñèêî. Ïðåäñòàâèòåëü Ìèíîáîðîíû ïîäòâåðäèë, ÷òî Äæîíñîí ñëóæèë

âçîðâàòü ïîäîçðåâàåìîãî. Ãîñïîäèí Áðàóí ðàññêàçàë, ÷òî ó íèõ «íå îñòàâàëîñü âûáîðà, êàê çàïóñòèòü ðîáîòà-áîìáó, êîòîðûé äåòîíèðîâàë âçðûâíîå óñòðîéñòâî òàì, ãäå íàõîäèëñÿ ïîäîçðåâàåìûé. Îí ýòî ïðîêîììåíòèðîâàë, êàê «äðóãèå âàðèàíòû ñòàâèëè ïîä óãðîçó æèçíè ïîëèöåéñêèõ». Ìèñòåð Áðàóí òàêæå ïîäåëèëñÿ ôðàçàìè, êîòîðûå áûëè ïðîèçíåñåíû Äæîíñîíîì âî âðåìÿ ìíîãî÷àñîâûõ ïåðåãîâîðîâ. «Îí ñêàçàë, ÷òî ðàññòðîåí ïî ïîâîäó äâèæåíèÿ Black Live Matter. Îí

è ìýð Äàëëàñà Ìàéêë Ðîóëèíãñ òàêæå ïîïðîñèëè ëþäåé ìîëèòüñÿ çà ñåìüè ïîãèáøèõ, êîòîðûå íå ïîíèìàþò, ïî÷åìó ïîãèáëè èõ ðîäíûå. È ëþäè íå òîëüêî ìîëèëèñü, íî è âñÿ÷åñêè ïîìîãàëè ïðàâîîõðàíèòåëüíûì îðãàíàì, òàêèì îáðàçîì äåìîíñòðèðóÿ, ÷òî æèçíü ïîëèöåéñêèõ òàêæå èìååò çíà÷åíèå. Òàê, íàïðèìåð, íà ïðèçûâ ïîäàâàòü àïïëèêàöèè â Ïîëèöåéñêèé äåïàðòàìåíò Äàëëàñà çà 12 äíåé îòêëèêíóëîñü 467 ÷åëîâåê. Äî èþëüñêèõ ñîáûòèé ìèñòåð Áðàóí ñåòîâàë, ÷òî ñïåöèàëèñòîâ

Ó ãëàâíîãî âõîäà â Ïîëèöåéñêèé äåïàðòàìåíò Äàëëàñà íà ñëåäóþùèé äåíü ïîñëå ðàññòðåëà ôëàãè â ïàìÿòü î ïÿòè ïîãèáøèõ ïîëèöåéñêèõ áûëè ïðèñïóùåíû, à íà ïàòðóëüíûå ìàøèíû, çàïàðêîâàííûå ó äåïàðòàìåíòà, ìíîãèå æèòåëè Äàëëàñà íåñìîòðÿ íà ñòðàøíóþ æàðó âîçëàãàëè öâåòû, îñòàâëÿëè ñâîè ïîñëàíèÿ ëþáâè, ñîñòðàäàíèÿ è ñî÷óâñòâèÿ â Àôãàíèñòàíå. Êðèìèíàëüíûõ ïðåñòóïëåíèé çà íèì íå ÷èñëèëîñü. Äæîíñîíà õàðàêòåðèçóþò, êàê îäèíî÷êó. Îí áûë ñòîðîííèêîì ðàäèêàëüíîãî àôðîöåíòðèçìà. Íà ñâîåé Ôýéñáóê-ñòðàíèöå îí âûñêàçûâàëñÿ â ñòèëå “Black Power”. Âî âðåìÿ îáûñêà â äîìå ïîäîçðåâàåìîãî áûëè îáíàðóæåíû ìàòåðèàëû äëÿ èçãîòîâëåíèÿ áîìáû, áàëëèñòè÷åñêèå áðîíåæèëåòû, âèíòîâêè, áîåïðèïàñû è ëè÷íûé äíåâíèê ïî òàêòèêå âåäåíèÿ áîÿ. Ñëåäîâàòåëè àíàëèçèðóþò ïîëó÷åííûå óëèêè. Ãëàâà ïîëèöåéñêîãî äåïàðòàìåíòà Äàëëàñà Äýâèä Áðàóí âî âðåìÿ îäíîé èç ìíîãî÷èñëåííûõ ïðåññ-êîíôåðåíöèé â íåäåëþ ðàññòðåëà ðàññêàçàë î ïåðåñòðåëêå â êîëëåäæå Ýëü Ñåíòðî â öåíòðå Äàëëàñà â íî÷ü ñ 7 íà 8 èþëÿ, êóäà, êàê â óãîë, áûë çàãíàí Ìèêà Äæîíñîí. Ïåðåãîâîðû ñ ïîäîçðåâàåìûì ïðîäîëæàëèñü â òå÷åíèå íåñêîëüêèõ ÷àñîâ, íî íå ïðèâåëè ê ïîëîæèòåëüíîìó ðåçóëüòàòó. Ïåðåãîâîðùèêè äîáèëèñü, ÷òîáû ïîäîçðåâàåìûé çàãîâîðèë äî òîãî, êàê âëàñòè ïîøëè íà êðàéíþþ ìåðó è ïðèíÿëè ðåøåíèå

ñêàçàë, ÷òî ðàññòðîåí óáèéñòâîì ÷åðíîêîæèõ â Ìèííåñîòå è â Ëóèçèàíå. Îí ñêàçàë, ÷òî åãî îãîð÷àþò áåëûå ëþäè. Îí áóêâàëüíî ïðîèçíåñ: «ÿ õî÷ó óáèâàòü áåëûõ ëþäåé, è îñîáåííî áåëûõ ïîëèöåéñêèõ». Ñàìîãî ñåáÿ îí íå ïðè÷èñëèë íè ê îäíîé èç òåððîðèñòè÷åñêèõ ãðóïï, ïîä÷åðêíóâ, ÷òî îí äåéñòâîâàë â îäèíî÷êó. Êàê ñîîáùàåò Ïîëèöåéñêèé äåïàðòàìåíò Äàëëàñà, â ðàìêàõ ðàññëåäîâàíèÿ ðàññòðåëà ïîëèöåéñêèõ, îòâå÷àþùèõ çà áåçîïàñíîñòü ïðîòåñòíîãî ðàëëè Black Lives Matter, áûëî äîïðîøåíî 200 ñëóæèòåëåé çàêîíà. Òàêæå áûëî óñòàíîâëåíî, ÷òî, ïî êðàéíåé ìåðå, 12 èç íèõ ïðèìåíÿëè ñâîå òàáåëüíîå îðóæèå. Ãëàâà ïîëèöåéñêîãî äåïàðòàìåíòà Äàëëàñà Äýâèä Áðàóí ñ÷èòàåò, ÷òî «íàøè ñîòðóäíèêè – îäíè èç ñàìûõ îòâàæíûõ ìóæ÷èí è æåíùèí, êîòîðûå âûïîëíÿëè ýòó ðàáîòó ïîä áîëüøèì íàïðÿæåíèåì, ðèñêîâàëè æèçíÿìè, ÷òîáû çàùèòèòü íàøó äåìîêðàòèþ». Îí ïîïðîñèë ïîääåðæêè íàñåëåíèÿ. È Äýâèä Áðàóí,

íå çàìàíèøü â åãî äåïàðòàìåíò – â ïîëèöåéñêîì äåïàðòàìåíòå Äàëëàñà ïëàòèëè ìåíüøå, ÷åì â äåïàðòàìåíò ïîëèöèè, íàïðèìåð, Ïëýéíî.

Ìýð Äàëëàñà Ðîóëèíãñ è ãëàâà ïîëèöåéñêîãî äåïàðòàìåíòà Äàëëàñà Äýâèä Áðàóí âî âðåìÿ îäíîé èç ïðåññ-êîíôåðåíöèé â íî÷ü ñ 7 íà 8 èþëÿ Äýâèä Áðàóí áðîñèë âûçîâ îáùåñòâó: «Íå ïðîòåñòóéòå, à óñòðàèâàéòåñü ê íàì íà ðàáîòó. Ìû âàñ îáó÷èì è íàïðàâèì â âàø ðàéîí, è òàêèì îáðàçîì ìû ïîìîæåì âàì ðåøèòü íåêîòîðûå ïðîáëåìû, èç-çà êîòîðûõ âû âûøëè íà ïðîòåñò». Äëÿ ñðàâíåíèÿ, â èþíå íà ðàáîòó â Ïîëèöåéñêèé äåïàðòàìåíò Äàëëàñà ïîäàëè çàÿâëåíèÿ 136 ÷åëîâåê. Èç 467 çàÿâîê 15 ïðîöåíòîâ áóäåò îòîáðàíî. Íèêòî â ïîëèöèè Äàëëàñà íå îæèäàë òàêîé âîëíû îòâåòà. Ýòî ãîâîðèò î òîì, ÷òî ëþäè õîòÿò èçìåíåíèé â èõ ðàéîíàõ ïðîæèâàíèÿ è ãîòîâû äëÿ ýòîãî ÷òîòî äåëàòü. Äýâèä Áðàóí – îäèí èç íåìíîãèõ ÷åðíîêîæèõ íà÷àëüíèêîâ ïîëèöåéñêîãî äåïàðòàìåíòà â îäíîì èç êðóïíûõ ãîðîäîâ ÑØÀ. Îí òàêæå îäèí èç äâàäöàòè ÷åðíîêîæèõ ðóêîâîäèòåëåé ïîëèöèè ñðåäè 68, êîòîðûå ÿâëÿþòñÿ ÷àñòüþ Major Cities Chiefs Association. Áëàãîäàðÿ åãî ñïîêîéñòâèþ è âûäåðæêå â ñóòêè ðàññòðåëà ïîëèöåéñêèõ â Äàëëàñå óäàëîñü èçáåæàòü

ñòàë 12 ãîäîì ïîäðÿä, êîãäà óðîâåíü ïðåñòóïíîñòè â Äàëëàñå ñíèæàëñÿ». Áîëåå òîãî, Äàëëàñ ñ÷èòàåòñÿ ÷åòâåðòûì ãîðîäîì ñ ñàìûì íèçêèì óðîâíåì óáèéñòâ, íà÷èíàÿ ñ 1930 ãîäà.  íà÷àëå 2016 ãîäà ñòàë çàìåòåí íåáîëüøîé ðîñò ïðåñòóïíîñòè, è Áðàóíà ñðàçó æå ðàñêðèòèêîâàëè. Black Police Association of Greater Dallas ïðèçâàëà åãî ïîäàòü â îòñòàâêó, à Dallas Police Association çàÿâèëà, ÷òî åãî âåäîìñòâî òîï÷åòñÿ íà ìåñòå. Íåêîòîðûå ãðàæäàíñêèå êðèòèêè, íàïðîòèâ, îòçûâàþòñÿ î íåì, êàê î ÷åëîâåêå äåëà, êîòîðûé ãîòîâ ïîæåðòâîâàòü ñâîåé ðåïóòàöèåé, äàæå åñëè ýòî ñòàâèò ïîä ñîìíåíèå ïåðñïåêòèâû óëó÷øåíèÿ îòíîøåíèé ìåæäó ïîëèöèåé è ìåíüøèíñòâàìè. Äýâèä Áðàóí – íåìíîãîñëîâíûé ÷åëîâåê. Õîòÿ åùå äî ñâîåãî èçáðàíèÿ ãëàâîé äåïàðòàìåíòà â 2010 ãîäó, îí ñòÿæàë ñëàâó îôèöåðà, êîòîðûé íå áîèòñÿ êðèòèêîâàòü òðàäèöèîííóþ ïîëèöåéñêóþ òàêòèêó. Òîãäà, êîãäà äðóãèå áîÿòñÿ ñêàçàòü ïî äåëó – Áðàóí íå ìîë÷èò.

Ïðîñêàíèðóéòå QR-code, ÷òîáû ïîñìîòðåòü ðåïîðòàæ ñ ìåñòà òðàãåäèè áîëüøèõ ÷åëîâå÷åñêèõ æåðòâ, è æèòåëè ãîðîäà åìó ïîâåðèëè åùå áîëüøå. Êîãäà åãî ñïðîñèëè, êàê ïðåîäîëåòü ðàçðûâ ìåæäó ÷åðíîêîæèì áðàòñòâîì è áðàòñòâîì ïîëèöåéñêèõ â ñèíèõ ìóíäèðàõ, îí ñêàçàë, ÷òî êàêîå-òî âðåìÿ áûë ïðåäñòàâèòåëåì òîëüêî îäíîãî áðàòñòâà – ÷åðíîêîæåãî. «Êàæäûé ñîöèàëüíûé ïðîâàë â îáùåñòâå ìû ïåðåêëàäûâàåì íà ïëå÷è ïîëèöåéñêèõ, – ðàññêàçàë îí. – Íå õâàòàåò â ñòðàíå äåíåã íà ïñèõè÷åñêîå çäîðîâüå äóøåâíîáîëüíûõ, – ïóñòü ïîëèöåéñêèå ðàçáèðàþòñÿ. Íåäîñòàòî÷íî äåíåã íà ëå÷åíèå íàðêîìàíîâ – äàâàéòå îòäàäèì ýòó ïðîáëåìó ïîëèöèè. Ïóñòü êîïû ãîíÿþòñÿ çà áåçäîìíûìè ñîáàêàìè. Ïðîáëåìû â øêîëàõ – çâîíèòå êîïàì. 70 ïðîöåíòîâ äåòåé â ÷åðíîêîæèõ ñåìüÿõ âîñïèòûâàþòñÿ ìàòåðÿìè-îäèíî÷êàìè. Ýòó ïðîáëåìó òàêæå äîëæíû ðåøàòü ïîëèöåéñêèå. Ðàçâå ïîëèöåéñêèå äîëæíû ðåøàòü âñå ýòè ïðîáëåìû îáùåñòâà?» Âñÿ ïðîôåññèîíàëüíàÿ êàðüåðà Äýâèäà Áðàóíà îòðàæàåò òî äàâëåíèå, êîòîðîå îêàçûâàåòñÿ îáùåñòâîì íà ïðàâîîõðàíèòåëüíûå ñèëû. Ïî ñëîâàì Áðàóíà, «2015 ãîä

Áðàóíó íå ðàç ïðèõîäèëîñü âûáèðàòü ìåæäó áðàòñòâîì ÷åðíîêîæèõ è áðàòñòâîì ïîëèöåéñêèõ. Îñîáåííî ýòî áûëî áîëüíî, êîãäà åãî ñûí óáèë ïîëèöåéñêîãî è ìèðíîãî æèòåëÿ. À ïîòîì áûë ñàì óáèò â ïåðåñòðåëêå ñ ïîëèöèåé. Òîãäà Äýâèä Áðàóí ïðîêîììåíòèðîâàë: «Ìîÿ ñåìüÿ ïîòåðÿëà íå òîëüêî ñûíà, íî è ìîé êîëëåãà ïîëèöåéñêèé è ãðàæäàíñêèé ÷åëîâåê áûëè óáèòû ìîèì ñûíîì. Ýòî òàê áîëüíî, ÷òî ÿ íå â ñèëàõ âûðàçèòü ñòðàäàíèÿ ìîåãî ñåðäöà». Îí òàêæå ðàññêàçàë è î äðóãîé òðàãåäèè â åãî æèçíè, êîòîðàÿ ïîâëèÿëà íà òî, ÷òî îí, â êîíöå êîíöîâ, ñòàë ïîëèöåéñêèì.  1979 ãîäó Áðàóí îêîí÷èë øêîëó è ïîëó÷èë ñòèïåíäèþ íà îáó÷åíèå â UT Austin. Êîãäà îí âåðíóëñÿ äîìîé íà êàíèêóëû ïîñëå ïåðâîãî ñåìåñòðà, òî ñòàë ñâèäåòåëåì, êàê Äàëëàñ íàêðûëà êîêàèíîâàÿ ýïèäåìèÿ. «Ìîè äðóçüÿ îêàçàëèñü âîâëå÷åíû â ýòî, è ýòî ðàçáèëî ìîå ñåðäöå. ß îñòàâèë óíèâåðñèòåò è ïîäàë çàÿâëåíèå â ïîëèöåéñêèé äåïàðòàìåíò Äàëëàñà, ÷òîáû èçìåíèòü òîò ðàéîí, ãäå ÿ æèë». È ñåãîäíÿ, êàê è ðàíü-

øå, îí ïðåîäîëåë êðèçèñ, õîòÿ ïîñëå ñòðåëüáû â Äàëëàñå åìó è åãî ñåìüå óãðîæàëè. Îäíàêî èìåííî áëàãîäàðÿ åìó Ïîëèöåéñêèé äåïàðòàìåíò Äàëëàñà ñòàë åùå ñèëüíåå. Ê ñîæàëåíèþ, ïåðâàÿ ïîëîâèíà 2016 ãîäà ñòàëà áîëåå òðàãè÷íîé äëÿ ïðàâîîõðàíèòåëüíûõ îðãàíîâ ÑØÀ, ÷åì òîò æå ïåðèîä ïðîøëîãî ãîäà.  øòàòå Òåõàñ ïîãèáëî ïîëèöåéñêèõ áîëüøå, ÷åì â ëþáîì äðóãîì àìåðèêàíñêîì øòàòå, è êîëè÷åñòâî ñìåðòåé â ïðîöåíòíîì ñîîòíîøåíèè âûðîñëî íà 8 ïðîöåíòîâ. Òåì íå ìåíåå, ýòà öèôðà âñå åùå íèæå, ÷åì äåñÿòèëåòèÿ íàçàä. Òàê, â 2015 ãîäó ïðè èñïîëíåíèè îáÿçàííîñòåé ïîãèáëè 123 ïîëèöåéñêèõ, â 2005 ãîäó ýòè ïîòåðè ñîñòàâëÿëè 162 ïîëèöåéñêèõ, à â 1974 ãîäó – 280. Ñîãëàñíî äàííûì ôîíäà National Law Enforcement Officers Memorial Fund 67 ñîòðóäíèêîâ ïðàâîîõðàíèòåëüíûõ îðãàíîâ ðàçíîãî óðîâíÿ ïîãèáëè â ýòîì ãîäó ïðè èñïîëíåíèè ñâîèõ îáÿçàííîñòåé, â ïðîøëîì ãîäó ïîãèáøèõ áûëî 62. Ïðè÷åì, 13 ñìåðòåé çàðåãèñòðèðîâàíî â Òåõàñå, âêëþ÷àÿ ïÿòåðûõ ïîëèöåéñêèõ, êîòîðûå áûëè óáèòû â íà÷àëå èþëÿ â ñàìîì öåíòðå Äàëëàñà. Ïî êîëè÷åñòâó ïîëèöåéñêèõ Òåõàñ íàõîäèòñÿ íà âòîðîì ìåñòå ïî ñòðàíå – ïîñëå Êàëèôîðíèè. Ëóèçèàíà èäåò âòîðàÿ ïî ÷èñëó ïîãèáøèõ ïðàâîîõðàíèòåëåé, âêëþ÷àÿ òåõ, ÷òî áûëè ðàññòðåëÿíû ìåíüøå, ÷åì äâå íåäåëè ñïóñòÿ ïîñëå ðàññòðåëà èõ êîëëåã â Äàëëàñå. Ñåãîäíÿ îáùåñòâî âñå ÷àùå ïîäíèìàåò òåìó óæåñòî÷åíèÿ íàêàçàíèÿ òåì, êòî ïîäíèìàåò ðóêó íà ïîëèöåéñêèõ. À ñåíàòîð Äæîí Êîðíèí íåäàâíî ïðåäñòàâèë çàêîíîïðîåêò "Back the Blue", êîòîðûé îçâó÷èâàåò íîâûé âèä ôåäåðàëüíîãî ïðåñòóïëåíèÿ – óìûøëåííîå íàïàäåíèå, óáèéñòâî èëè ïîïûòêó óáèéñòâà ôåäåðàëüíîãî ñóäüè èëè ïðåäñòàâèòåëÿ ïðàâîîõðàíèòåëüíûõ îðãàíîâ. Íîâûé çàêîíîïðîåêò ïðåäïîëàãàåò íàêàçàíèå îò 30 ëåò çà óáèéñòâî è îò 10 ëåò çà ïîïûòêó óáèéñòâà âïëîòü äî ñìåðòíîé êàçíè. Ãóáåðíàòîð Òåõàñà Ãðýã Ýááîò ãîâîðèò î ïðàâîñóäèè â îòíîøåíèè òåõ, êòî ñîâåðøàåò ïðåñòóïëåíèå íà ïî÷âå íåíàâèñòè â îòíîøåíèè ïîëèöåéñêèõ. Ðàññóæäàÿ îá óæåñòî÷åíèè íàêàçàíèÿ ïðîòèâ òàêîãî ðîäà ïðåñòóïëåíèé, ìîæíî ñêàçàòü, ÷òî âðÿä ëè ïðåñòóïíèêè, êîòîðûå ñîâåðøàþò èõ, ÷èòàþò óãîëîâíûé êîäåêñ, è âðÿä ëè îíè çàäóìûâàþòñÿ î ïîñëåäñòâèÿõ, åñëè óæå ïðèíÿëè ðåøåíèå óìåðåòü è äîâåñòè ñâîé ïðåñòóïíûé çàìûñåë äî êîíöà. Ñêîðåå, íóæíî ãîâîðèòü î âîññòàíîâëåíèè äîâåðèÿ ìåæäó ïðàâîîõðàíèòåëüíûìè îðãàíàìè ÑØÀ è îáùèíàìè, êîòîðûå îíè çàùèùàþò. Ïî âñåé âèäèìîñòè, ýòî ëó÷øèé ïóòü, ÷òîáû ñíèçèòü óðîâåíü ïðåñòóïíîñòè è íàñèëèÿ è ïîçàáîòèòüñÿ î áåçîïàñíîñòè ïîëèöåéñêèõ, êîòîðûå åæåäíåâíî ðèñêóþò ñâîèìè æèçíÿìè. www.DallasTelegraph.com/61677 Russian www.DallasTelegraph.com/en/61677 English

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ÇÀÊÎÍ

Friday, July 29, 2016

www.DallasTelegraph.com

Ñêàæåòñÿ ëè íåäàâíåå ðåøåíèå Âåðõîâíîãî Ñóäà ÑØÀ íà íàñ, îáû÷íûõ àìåðèêàíöàõ? Îôèöèàëüíûå èñòî÷íèêè óòâåðæäàþò, ÷òî â ÑØÀ íàõîäÿòñÿ 11 ìèëëèîíîâ íåëåãàëüíûõ èììèãðàíòîâ.  2015 ãîäó ïðåçèäåíò Áàðàê Îáàìà ñâîèì ïîñòàíîâëåíèåì çàùèòèë îò äåïîðòàöèè 5 ìèëëèîíîâ èììèãðàíòîâ áåç äîêóìåíòîâ, ïðåäîñòàâèâ èì ðàçðåøåíèå íà ðàáîòó. Øòàò Òåõàñ è åùå 25 àìåðèêàíñêèõ øòàòîâ â îòâåò ïîäàëè â ñóä íà ïðàâèòåëüñòâî.  ïîñëåäíåå âðåìÿ ñèòóàöèÿ ïî ýòîìó âîïðîñó ñòàëà åùå áîëåå íåîïðåäåëåííîé, ïîñêîëüêó 8 ñóäåé Âåðõîâíîãî Ñóäà ðàçäåëèëèñü âî ìíåíèè ïîðîâíó – ÷åòâåðî îêàçàëèñü ñîãëàñíû ñ ïðåçèäåíòîì ÑØÀ, à äðóãèå ÷åòâåðî ïðîãîëîñîâàëè «ïðîòèâ».  ðåçóëüòàòå îñòàëîñü â ñèëå ðåøåíèå íèçøåãî ñóäà ïî äåëó ÑØÀ ïðîòèâ Òåõàñà î áëîêèðîâêå ïðåçèäåíòñêîãî ïîñòàíîâëåíèÿ. Ãàçåòà The Dallas Telegraph ÷àñòî ïîëó÷àåò ðàçëè÷íîãî ðîäà ëåãàëüíûå âîïðîñû, â òîì ÷èñëå è íà èììèãðàöèîííóþ òåìó. Îäèí èç ÷àñòî çàäàâàåìûõ âîïðîñîâ â ïîñëåäíåå âðåìÿ: «×òî áóäåò îçíà÷àòü ðåøåíèå Âåðõîâíîãî Ñóäà ÑØÀ äëÿ íàñ, îáû÷íûõ àìåðèêàíöåâ?» Ýòîò è äðóãèå âîïðîñû ïî òåìå ìû çàäàëè óâàæàåìûì þðèñòàì èç þðèäè÷åñêîãî îôèñà Robinson & Kardonsky Law Office Æåðàðäó Êàðäîíñêîìó (Gerard Kardonsky) è Äæîíó Äðþèðè (John Drewry). Òåêñò Ëþäìèëû è Ñåðãåÿ Òàðàí

òóàöèÿ îòðàæàåòñÿ íà ýêîíîìèêå ñòðàíû è íà íàñ ñ âàìè. Äðóãîé îïàñíûé àñïåêò – ìíîãèå èç ýòèõ 5 ìèëëèîíîâ èììèãðàíòîâ áåç äîêóìåíòîâ óïðàâëÿþò òðàíñïîðòíûì ñðåäñòâîì.

Íî íå èìåÿ ñòàòóñà îòëîæåííîãî äåéñòâèÿ, îíè íå ìîãóò ïîëó÷èòü îôèöèàëüíîãî ðàçðåøåíèÿ íà óïðàâëåíèå òðàíñïîðòíûì ñðåäñòâîì. À ýòî çíà÷èò, ÷òî îíè íå ìîãóò êóïèòü ñòðàõîâêó. È, åñëè

ñëó÷àåòñÿ àâòîìîáèëüíàÿ àâàðèÿ, òî íèêòî íè÷åãî íèêîìó íå êîìïåíñèðóåò. Ýòî âñå ôèíàíñîâî îòðàæàåòñÿ íà íàñ òî÷íî òàê æå, êàê è íà íèõ.

– Äæîí, îçíà÷àåò ëè ýòî, ÷òî ýòè 5 ìèëëèîíîâ èììèãðàíòîâ áåç äîêóìåíòîâ áóäóò äåïîðòèðîâàíû ïîñëå âñòóïëåíèÿ â ñèëó ðåøåíèÿ íèçøåãî ñóäà? Äæîí Äðþèðè: Íî íå ïðè ïðåçèäåíòå Îáàìå. Íåêîòîðûå ÷àñòè Ìåìîðàíäóìà î ïðèîðèòåòàõ (Priorities Policy Memorandum) îò íîÿáðÿ 2014 ãîäà âñå åùå äåéñòâèòåëüíû. Ïðåçèäåíò Îáàìà âûäåëèë èììèãðàöèîííûå êàòåãîðèè ïî ïðèîðèòåòàì äåïîðòàöèè èç ñòðàíû. Ïåðâàÿ – ïðåñòóïíèêè, îñóæäåííûå ïî óãîëîâíûì äåëàì. Äðóãàÿ êàòåãîðèÿ – ýòî ëèöà, ïîäîçðåâàåìûå â òåððîðèçìå, è òå ëþäè, êîòîðûå

– ×òî íåäàâíåå ðåøåíèå Âåðõîâíîãî Ñóäà ÑØÀ îçíà÷àåò äëÿ íàñ, îáû÷íûõ ëþäåé? Æåðàðä Êàðäîíñêèé: ×òî ýòî îçíà÷àåò äëÿ íàñ – ýòî, ñêîðåå, âîïðîñ î òîì, êàê ýòî ðåøåíèå çàòðîíåò íàñ è òå 5 ìèëëèîíîâ èììèãðàíòîâ áåç äîêóìåíòîâ, êîòîðûå íå ìîãóò âîñïîëüçîâàòüñÿ ñâîèì ñòàòóñîì îòëîæåííîãî äåéñòâèÿ. Íå èìåÿ ñòàòóñà îòëîæåííîãî äåéñòâèÿ, ýòè 5 ìèëëèîíîâ ÷åëîâåê íå ìîãóò ïîëó÷èòü ðàçðåøåíèå íà ðàáîòó. Êîíå÷íî, íå âñå 5 ìèëëèîíîâ èììèãðàíòîâ áåç äîêóìåíòîâ ðàáîòàþò, íî íåêîòîðûå âñå æå òðóäîóñòðîåíû. Ñðåäè íèõ åñòü äåòè, êîòîðûå, êàê âû ïîíèìàåòå, ðàáîòàòü åùå íå ìîãóò. Åñòü è èíâàëèäû. Òîò ôàêò, ÷òî îíè íå ìîãóò ïîëó÷èòü ðàçðåøåíèÿ íà ðàáîòó, âûíóæäàåò èõ ñîãëàøàòüñÿ íà ëþáóþ ðàáîòó, à ýòî ïðèâîäèò ê ñíèæåíèþ çàðïëàòû â ñðåäå è áåç òîãî íèçêîîïëà÷èâàåìûõ ïðîôåññèé. Íåëüçÿ ñêàçàòü, ÷òî âñå 5 ìèëëèîíîâ óêëîíÿþòñÿ îò óïëàòû íàPlease, scan the QRëîãîâ – åñòü è òå, êîòîCode to Watch the Video ðûå íàëîãè ïëàòÿò, óìóäðÿÿñü ïîëó÷èòü íîìåð Ñëåâà íàïðàâî: Àäâîêàòû þðèäè÷åñêîãî îôèñà Robinson & Kardonsky Äæîí Äðþèðè è Æåðàðä Êàðäîíñêèé äàþò ñîöèàëüíîãî ñòðàõîâà- èíòåðâüþ øåô-ðåäàêòîðó ãàçåòû The Dallas Telegraph Ëþäìèëå Òàðàí îá èììèãðàöèîííîé ðåôîðìå â ÑØÀ íèÿ.  öåëîì âñÿ ýòà ñèïåðåñåêëè ãðàíèöó c ÑØÀ íåëåãàëüíî â ïîñëåäíåå âðåìÿ. Ëèöà, êîòîðûå ìîãëè áû êâàëèôèöèðîâàòüñÿ íà èñïîëüçîâàíèå ïðîãðàìì DAPA èëè DACA 2.0, â ñîîòâåòñòâèè ñ ðåøåíèåì Âåðõîâíîãî Ñóäà, òåïåðü íå ñìîãóò âîñïîëüçîâàòüñÿ ýòèì ïðàâîì. Êîíå÷íî, ýòè ëþäè íà ñåãîäíÿøíèé äåíü íàõîäÿòñÿ â êëàññå ïîâûøåííîãî âíèìàíèÿ ãîñóäàðñòâà, íî ïðè ýòîì èõ íèêòî àêòèâíî íå èùåò äëÿ äåïîðòàöèè. Êàê âû ïîíèìàåòå, ýòî ñîâåðøåííî íå îçíà÷àåò, ÷òî â áóäóùåì ïðè íîâîì ïðåçèäåíòå ñèòóàöèÿ íå èçìåíèòñÿ. Íî, ÷åñòíî ãîâîðÿ, çíàÿ ñèñòåìó è îãðîìíîå êîëè÷åñòâî äåë î äåïîðòàöèè, êîòîðûå æäóò ñâîåãî ðàññìîòðåíèÿ, è òî ôèíàíñîâîå áðåìÿ, êîòîðîå âñå ýòî äåëîïðîèçâîäñòâî íàêëàäûâàåò íà ñèñòåìó ñòðàíû, êàæåòñÿ ìàëîâåðîÿòíûì, ÷òî êòî-òî ñìîæåò äåïîðòèðîâàòü 5 èëè 11 ìèëëèîíîâ ÷åëîâåê. Åñëè, íàïðèìåð, ñåãîäíÿ èììèãðàöèîííûé ñóäüÿ ïðèçíàåò, ÷òî âàñ íóæíî äåïîðòèðîâàòü, è âû ïîäàäèòå íà àïåëëÿöèþ – ýòî çíà÷èò, ÷òî âàøå äåëî áóäåò ðàññìîòðåíî íå ðàíåå, ÷åì ÷åðåç äåñÿòü ëåò.  ÑØÀ ðàáîòàþò âñåãî ëèøü íåñêîëüêî ñîòåí ñóäåé, êîòîðûì íåîáõîäèìî ðàññìîòðåòü íåñêîëüêî ñîòåí òûñÿ÷ èììèãðàöèîííûõ äåë. Òàê ÷òî 5 ìèëëèîíàì èììèãðàíòîâ áåç äîêóìåíòîâ íå ñòîèò áåñïîêîèòüñÿ, ÷òî èõ äåïîðòèðóþò, ïî êðàéíåé ìåðå, â áëèæàéøåå âðåìÿ.

– Íåäàâíåå ðåøåíèå Âåðõîâíîãî Ñóäà, âåðíåå, åãî îòñóòñòâèå, çàòðîíóëî òàêèå ïðîãðàììû, êàê DAPA è DACA. ×òî ñòîèò çà ýòèì àááðåâèàòóðàìè? Äæîí Äðþèðè: DAPA – ýòî Ïðîãðàììà îòëîæåííîãî äåéñòâèÿ äëÿ ðîäèòåëåé äåòåé, èìåþùèõ ãðàæäàíñòâî ÑØÀ èëè ãðèí-êàðòó (Deferred Action for Parents of Americans and Lawful Permanent Residents). Äëÿ òîãî, ÷òîáû ïîïàñòü ïîä äåéñòâèå ýòîé ïðîãðàììû, âû äîëæíû áûëè ñîîòâåòñòâîâàòü îïðåäåëåííûì êâàëèôèêàöèÿì. Íàïðèìåð, èìåòü ñûíà èëè äî÷ü – ãðàæäàí ÑØÀ, ðîæäåííûõ äî 20 íîÿáðÿ 2014 ãîäà âêëþ÷èòåëüíî. Âàì íóæíî áûëî íàõîäèòüñÿ íà òåððèòîðèè ÑØÀ, íå ïîêèäàÿ ñòðàíû, íà÷èíàÿ ñ 1 ÿíâàðÿ 2010 ãîäà. Âû äîëæíû áûëè ôèçè÷åñêè íàõîäèòüñÿ â ñòðàíå íà ìîìåíò 20 íîÿáðÿ 2014 ãîäà è âî âðåìÿ ïîäà÷è íà ýòó ïðîãðàììó. Ó âàñ íå áûëî äðóãîãî çàêîííîãî ñòàòóñà, è âû íå íàõîäèëèñü â ñïèñêå ïðèîðèòåòíûõ êàòåãîðèé íà äåïîðòàöèþ èç ñòðàíû. Åñëè âû ñîîòâåòñòâîâàëè ýòèì êâàëèôèêàöèÿì, òî âû ìîãëè áû ðàññ÷èòûâàòü íà ïîëó÷åíèå ñòàòóñà îòëîæåííîãî äåéñòâèÿ, à òàêæå íà ïîëó÷åíèå ðàçðåøåíèÿ íà ðàáîòó íà áëèæàéøèå 3 ãîäà ñ âîçìîæíîñòüþ

ïðîäëåíèÿ ýòîãî ðàçðåøåíèÿ. Íî ïîñêîëüêó Âåðõîâíûé Ñóä ÑØÀ íà ñàìîì äåëå ðåøèë íå ðåøàòü ýòî äåëî – 4 ãîëîñàìè «çà» è 4 ãîëîñàìè «ïðîòèâ», – òî âñòóïèëî â äåéñòâèå ðåøåíèå íèçøåãî ñóäà. Òàêèì îáðàçîì, âñÿ ïðîãðàììà DAPA, ïî ñóòè, îêàçàëàñü ïðîñòî çàêðûòà.

DACA – Ïðîãðàììà îòëîæåííîãî äåéñòâèÿ äëÿ ïðèáûâøèõ â ÑØÀ äåòåé (Deferred Action for Childhood Arrivals). Ýòó ïðîãðàììó åùå íàçûâàþò «ïðîãðàììîé ìå÷òàòåëåé», êîòîðûå èëè ñàìè ïåðåñåêëè íåëåãàëüíî ãðàíèöó, èëè èõ ïðèâåçëè â ÑØÀ ðîäèòåëè. Ñîãëàñíî êâàëèôèêàöèÿì ýòîé ïðîãðàììû, ïîäàòåëè äîëæíû áûòü íå ñòàðøå 16 ëåò è ïðîæèâàòü â ÑØÀ íà ïðîòÿæåíèè 5 ëåò áåç ïåðåðûâà. Òàêæå ïîäàòåëÿìè íà ýòó ïðîãðàììó ìîãóò áûòü òå, êòî åùå ó÷èòñÿ â øêîëå, èëè óæå åå îêîí÷èëè, èëè ñ ÷åñòüþ îòñëóæèëè ñëóæáó â ïîãðàíè÷íûõ âîéñêàõ èëè â àðìèè ÑØÀ. Ýòè ëþäè íå äîëæíû áûòü îñóæäåíû çà ñîâåðøåíèå òÿæêèõ êðèìèíàëüíûõ ïðåñòóïëåíèé èëè çà ñîâåðøåíèå ìíîãîêðàòíûõ ïðàâîíàðóøåíèé.  ñîîòâåòñòâèè ñ Ìåìîðàíäóìîì îò 15 èþíÿ 2012 ãîäà, êîòîðûé ñåé÷àñ äåéñòâèòåëåí, ëèöà â âîçðàñòå îò 30 ëåò è âûøå íå ìîãóò ïîäàâàòü íà ýòó ïðîãðàììó. Ñîãëàñíî ìåìîðàíäóìó îò 20 íîÿáðÿ 2014 ãîäà, êîòîðûé åùå íàçûâàþò DACA 2.0, âû ìîãëè ïîäàâàòü íà ïðîãðàììó, íå èìåÿ âîçðàñòíîãî îãðàíè÷åíèÿ. Äðóãèìè ñëîâàìè, âû ìîãëè áûòü â âîçðàñòå 40 ëåò è âûøå, íî åñëè âàñ ïðèâåçëè â ÑØÀ äî 16 ëåò, âû ìîãëè áû ïîäàâàòü íà DACA 2.0. Íî DACA 2.0 íà ýòîì ýòàïå

Ïî ñóòè, ïðîãðàììà îòëîæåííîãî äåéñòâèÿ (Defensive Relief) – ýòî çàùèòà îò äåïîðòàöèè. È â ðàìêàõ ýòîé ïðîãðàììû âû ìîæåòå ïîäàòü íà óáåæèùå – â çàâèñèìîñòè îò òîãî, êàêîâà ïîëèòè÷åñêàÿ ñèòóàöèÿ â ñòðàíå, îòêóäà âû ïðèåõàëè. Äîêóìåíò, èçâåñòíûé êàê «îòìåíà äåïîðòàöèè» (Cancellation of Removal) â ðàìêàõ ïðîãðàììû îòëîæåííîãî äåéñòâèÿ ïîëó÷èòü íåïðîñòî äëÿ ýòèõ 5 ìèëëèîíîâ èììèãðàíòîâ áåç äîêóìåíòîâ, íî âñå-òàêè ýòî åùå âîçìîæíî. Òàêæå ñóùåñòâóåò âîçìîæíîñòü ïîëó÷èòü ïðèîñòàíîâêó äåïîðòàöèè (Withholding of Removal) èëè ïîäàòü äîêóìåíòû íà ëåãàëèçàöèþ â ÑØÀ â ðàìêàõ ïðîãðàììû Êîíâåíöèÿ ïðîòèâ ïûòîê (Convention against Torture), ÷òî ÿâëÿåòñÿ ñâîåãî ðîäà ïîäà÷åé íà óáåæèùå. È ýòî âñå äîñòóïíî äëÿ òåõ ëþäåé, êîòîðûå íàõîäÿòñÿ â ïðîöåññå äåïîðòàöèè.

çàáëîêèðîâàíà è ïîäà÷à çàÿâîê íåäîñòóïíà. Åùå ðàç ïîâòîðþñü, ñåãîäíÿ äåéñòâóåò òîëüêî ïðîãðàììà DACA.

ß íå çíàþ, êîãäà íàêîíåöòî ïðîèçîéäåò èììèãðàöèîííàÿ ðåôîðìà. Ìû òàêæå íå çíàåì, êàêèì áóäåò èñõîä âûáîðîâ ïðåçèäåíòà ÑØÀ è êîãäà áóäåò âûáðàí 9-é ñóäüÿ Âåðõîâíîãî Ñóäà. Êàê ìû óæå ãîâîðèëè, â ñóäåáíîì èììèãðàöèîííîì äåëå ÑØÀ ïðîòèâ Òåõàñà ãîëîñà ñóäåé ðàçäåëèëèñü ïîðîâíó, è âñÿ èììèãðàöèîííàÿ ðåôîðìà îêàçàëàñü ïîïðîñòó çàìîðîæåíà. Òî, ÷åì çàêîí÷àòñÿ âûáîðû, â áîëüøèíñòâå ñâîåì è îïðåäåëèò, êòî áóäåò 9-ì ñóäüåé Âåðõîâíîãî Ñóäà ÑØÀ è, åñòåñòâåííî, ýòî ñêàæåòñÿ è íà èììèãðàöèîííîé ðåôîðìå. Ñåé÷àñ, êàê ÿ óæå ñêàçàë, âñå ïîâèñëî â âîçäóõå è íåèçâåñòíî, êàêèì áóäåò áóäóùåå èììèãðàöèîííîé ðåôîðìû â ÑØÀ.

– Êàêèå äðóãèå ïðîãðàììû ëåãàëèçàöèè äîñòóïíû äëÿ èììèãðàíòîâ áåç äîêóìåíòîâ, êðîìå DAPA è DACA? Äæîí Äðþèðè: Íóæíî ðàçäåëÿòü ïîíÿòèÿ «îòëîæåííîå äåéñòâèå» (Defensive Relief) è «óòâåðäèòåëüíîå äåéñòâèå» (Affirmative Relief). Ëèöà áåç äîêóìåíòîâ ïðàêòè÷åñêè íå ìîãóò ðàññ÷èòûâàòü íà ëåãàëèçàöèþ â ÑØÀ, èñïîëüçóÿ ñòàòóñ óòâåðäèòåëüíîãî äåéñòâèÿ. Ñàìîå íàäåæíîå – ýòî âîññîåäèíåíèå ñåìüè ÷åðåç áðàê ñ àìåðèêàíñêèì ãðàæäàíèíîì / ãðàæäàíêîé. Åñëè âû ïåðåñåêëè ãðàíèöó ëåãàëüíî, âû ìîæåòå ðàññ÷èòûâàòü íà ýòî. Åñëè æå âû ïåðåñåêëè àìåðèêàíñêóþ ãðàíèöó íåëåãàëüíî, òî âàì ñíà÷àëà íóæíî ïîëó÷èòü äîêóìåíò – òàê íàçûâàåìûé «âðåìåííûé îòêàç îò íåçàêîííîãî ïðèñóòñòâèÿ» (Unlawful Presence Waiver), ÷òîáû âàì íå ïðèøëîñü îôîðìëÿòü äîêóìåíòû èç ñòðàíû, îòêóäà âû ïðèåõàëè. Òàêæå ìîæíî ðàññ÷èòûâàòü íà ïîëó÷åíèå òàê íàçûâàåìûõ U-Visa, åñëè âû ñòàëè æåðòâîé ïðåñòóïëåíèÿ, T-Visa – åñëè âû ñòàëè æåðòâîé òîðãîâëè ëþäüìè, à òàêæå S-Visa – äëÿ òåõ, êòî ïðåäîñòàâëÿåò ÑØÀ âàæíóþ èíôîðìàöèþ, íàïðèìåð, î òåððîðèçìå. Òàêæå ñóùåñòâóåò ïðîãðàììà VAWA (Violence Against Women Act) – ýòî Çàêîí ïðîòèâ íàñèëèÿ ïî îòíîøåíèþ ê æåíùèíàì, è îí îòíîñèòñÿ ê êàòåãîðèè óòâåðäèòåëüíîãî äåéñòâèÿ. Íà VAWA òàêæå ìîãóò ïîäàâàòü è èììèãðàíòû áåç äîêóìåíòîâ – â çàâèñèìîñòè îò ôàêòîëîãè÷åñêèõ îáñòîÿòåëüñòâ èõ äåëà.

– ×åãî ìîæíî îæèäàòü îò àìåðèêàíñêèõ çàêîíîäàòåëåé â âîïðîñå èììèãðàöèîííîé ðåôîðìû? Æåðàðä Êàðäîíñêèé: Ýòî î÷åíü òðóäíî ïðåäñêàçàòü, ïî÷òè íåâîçìîæíî. Ëþáàÿ íàñòîÿùàÿ èììèãðàöèîííàÿ ðåôîðìà áóäåò îçíà÷àòü èçìåíåíèå âñåé ñèñòåìû. Ìû íóæäàåìñÿ â êîìïëåêñíîé, âñåñòîðîííåé, èñ÷åðïûâàþùåé èììèãðàöèîííîé ðåôîðìå. Ýòî òî, ÷åãî ìû ïûòàåìñÿ äîáèòüñÿ íà ïðîòÿæåíèè ìíîãèõ äåñÿòèëåòèé. Íå âäàâàÿñü â ïîëèòè÷åñêèå äèñêóññèè, ìîæíî ñêàçàòü, ÷òî ñóùåñòâóþò ïîëèòèêè, êîòîðûå èñêóññòâåííî òîðìîçÿò èììèãðàöèîííóþ ðåôîðìó. ×àñòî ýòî ïðîèñõîäèò ïðîñòî âî èìÿ ïîëèòè÷åñêîãî òåàòðà. Íåêîòîðûå ïîëèòèêè óñòðàèâàþò øîó èç æèçíåé èììèãðàíòîâ.

ÎÒ ÐÅÄÀÊÖÈÈ: Êàê âèäèòå, ÷èòàòåëü, ýòî öåííàÿ è ïîëåçíàÿ èíôîðìàöèÿ äëÿ òåõ, êòî óæå íàõîäèòñÿ â ÑØÀ áåç äîêóìåíòîâ èëè äóìàåò î òîì, ÷òîáû òîëüêî ïðèåõàòü â íàøó ñòðàíó. Áåç ñîìíåíèÿ, âàì èëè âàøèì ðîäñòâåííèêàì íóæåí õîðîøèé èììèãðàöèîííûé àäâîêàò óðîâíÿ àäâîêàòñêîé êîíòîðû Robinson & Kardonsky Law Office äëÿ òîãî, ÷òîáû ïîíÿòü, êàêèå èììèãðàöèîííûå âîçìîæíîñòè â ÑØÀ äîñòóïíû èìåííî äëÿ âàñ è êàê ëåãàëèçîâàòüñÿ â ñòðàíå áåç òîãî, ÷òîáû íàðóøàòü åå çàêîíû. Êîíñóëüòàöèè íà ðóññêîì è àíãëèéñêîì ÿçûêàõ äîñòóïíû â Robinson & Kardonsky Law Office. Çàïèñàòüñÿ íà êîíñóëüòàöèþ ìîæíî ïî òåë.: (817) 4811999. www.DallasTelegraph.com/61688 Russian www.DallasTelegraph.com/en/61688 English

6À

MEMENTO MORI

Friday, July 29, 2016

www.DallasTelegraph.com

Restland, a Resting Place The Dallas Telegraph newspaper recently spent some valuable time with Michael Wilfong, Director of Community Outreach of Restland Funeral Home Dallas, learning some history of this funeral home and cemetery, some statistics and interesting facts related to final arrangement planning.

Michael was joined by Tonya Lowe, Pre-planning Advisor of Restland.

See the previous edition of the Dallas Telegraph for Part One of the intreview.

By Serge and Ludmila Taran

- Do you offer Celebration of Life Ceremony?

– I have found it is different whether you are talking to the children, or you are talking to the co-workers, or if you are talking with their friends from the social groups or church because we really are somewhat different people with these different groups of people. To have a proper Celebration of Life Ceremony really takes Funeral Director finding out, who we are celebrating and that means finding all the perspectives of the people involved and getting their contributions to be included

in Hawaii, they brought the family over and loved ones, and their cremated remains.

The family wanted to have the family go out on canoes with the Hawaii people and the flower lei is very symbolic, but they scattered in the waters around Hawaii from the canoes, and place the lei.

That is what that family wanted. That was a perfect funeral for deceased person.

We can make it happen pretty much everything and everywhere, what the family wants, as long as it is legal, ethical, and moral.

- Many young families expect beautiful prosperous life with prosperous

want to come back here. That does not mean? They deceased personcannot keep a portion of the cremated remains with them, but send the portion back here to be at the family resting place, the family burial ground with the rest of the family.

So the possibilities are actually limitless, and until we talk through those or maybe even talk about something that no one has thought about, can we really get answers to what the questions are.

- You mentioned something very interesting that cremated remains can be splitted in

you have any statistics when people starting planning their funeral?

– I would say an average, 50 and up, but it can be anyone. What we found is that if someone has been impacted by the loss of her or his loved one, and she / he had to make arrangements and was not prepared, went through those awful emotions, bore the uncertainty of not being prepared financially, emotionally and not knowing what the person wanted them to do – they are on the first row to do pre-planning arrangements for themselves.

Going through that process is as heart wrenching, it seems, as the loss itself. They naturally ask themselves “isn’t there a better way to leave in pace for others?”

- In countries of former Soviet Union,

in that celebration. Then, it becomes about the life and the treasures of memory that we have from everyone and including them into the service, and including elements of this symbolically. It can be, perhaps placing the Harley motorcycle next to the photograph, having photos of the family, bringing in poems or readings from favorite books, and songs from favorite artists. We can arrange a funeral, using favorite colors or kinds of flowers, a dove or butterfly release. Building in these elements, plus people to speak who had a personal relationship with the deceased, so they can tell the stories of who that person is and how she / he touched their own life. This is what creates a Celebration of Life. These elements can be included with the religious service – as religion can be an integral part of that person, or not - depending on their wishes.

Some conduct a prayer and it is done, forgetting about the person that we are trying to remember. We do more here at Retland, we Celebrate life of your family member with you.

- Do you offer unusual, not very traditional funeral services? Not long ago we published the article about the extravaganza in funeral business – someone’s remains were sent to the orbit of Earth...

– If someone ask us to do it, we can make it happen. If you are a Harley Davidson enthusiast, and during the service that you are planing for yourself today, you want the motorcycle brought into the chapel to be next to the casket, we do that because it is who you are. It is not for extra cost. We want to service to be about you, about the person who your friend and relatives who come to honor.

The Restland respects who the decease are. We had some family burial at sea, and we found the way to make that happen – because our company can do that. When I was

jobs. They think they might leave Dallas and go to California, to New York, to Florida, and they do not know their final destination in the U.S. That is probably the reason they do not buy cemetery property here, in Dallas. Are they correct?

In how many states and American territories do you have representatives?

– Our company has a growing presence. We are currently in Florida, Tennessee, Texas, Oklahoma, California, Oregon, Washington, and New York. We are very much on East and West coast, and some in the middle and a large presence here, in Texas. We have relationships with other funeral homes to be able to help make something happen in other cemeteries. I think the question people might want

to ask is: Where is your "family home" – is it where your parents are, or is it where you are relocating to?

We see people's increasing attention to "mobile" resting place, especially with cremation. Maybe the family home is here, in Dallas, and someone relocated even, than retired in Florida but because the mom and dad here, they

two locations. It is a very new concept for me.

– We have my uncle who is not ready to let go of my aunt yet, so he has a part of her with him – in a necklace in shape of a Cross hanging around his neck. He has a little bit of her with him everyday and, probably, with him forever as he is becoming quite feeble himself. The rest of her cremated remains are in her final resting place here, at Restland, – where her friends and my father can visit her whenever they want or need to. I know several families who does that. It is my friend, who carries a little bit of her son with her.

One of her and her son’s dreams was to travel the world together. Unfortunately, he died before they had a chance to do so. So, everywhere she travels now, she carries a little bit of him with her – and as she crosses

a river or special place that they talked about – she leaves just a very small portion of him there – so he can be there too. The rest of him is here, at Restland, with his grandmother and grandfather, because it is "home".

- At what age American families are starting investing in Restland? Do

where we all are from, funeral is sorrow and the black color, people are crying – it is look like the end of life. In America is

different approach. It is a celebration of life. What does it mean to celebrate life?

– In many of the faith that we serve, this life is temporary and next life is eternal. We grieve, and we are extremely hurt when our relationship with the person ends because we cannot physically talk with them any-

more, we cannot touch them.

The world together here ends but at the same time there is a peace and the joy that there is no suffering, no sorrow, no pain and there the place far better than those where we are today. Many people find new ways to remember and to communicate with that person and keep them with them always, but in a different way. I have heard people say, “I have a new angel.” For others, it goes back to their faith how they characterize, remember, and make that as a joyful experience. I think it ultimately goes back to one’s belief system and to one’s faith.

- We have an essential part of newspaper readers who moved to this country in their respected age. Not many are reach, many live on

Dimitry was moved from Restland to a new permanent location in St. Seraphim Orthodox Cathedral of Dallas. During excavation the clergy and staff of Restland were shocked, the body was almost not touched by the time. What makes Restland such a Godly place?

– I think it is the faith and prayers of everyone who knew and love Father Dimitry and were able to keep him in their thoughts and prayers. Being here where we are in a heart of the metroplex, people were able to come by, and we have people who come every day. And people were able still be there with him. If that had anything to do with that I do not know, but I do not know if Restland have anything to do with that, except providing

Social Security. What do you have to offer to them?

– We can arrange plans that can meet all ages and income levels. We can work one on one to explore options that would meet their needs. This is much better than waiting until the time and having everyone or may be a whole community rushing around, trying to figure-out what we going to do now.

a place, an atmosphere where the people could come and their faith was allowed to flourish and be real here. I think that is just as important as anything else that what we did.

We simply let people be themselves here and not trying to make them comply into certain rules and regulations.

- What are the benefits of selecting Restland as the Eternal Home, compared to others?

– We have the unique capability to discuss and handle really all situations.

We have wonderful people like Tonya Lowe, who can speak to you in your native Russian or Ukrainian. We have Stefania Boyer, who can speak Romanian and French. At Restland we have advisors who speak other languages. It is very important, as translation makes clear understanding of what the person wants, indeed, much more difficult. I do not know any other place that has the depth and breadth of experience that we have and to be able to work with people through this process and just simply be here for them.

DT`s Question to Tonya Lowe, Pre-planning Advisor.

- Not long ago the body of Archbishop

- Do you know the nationalities of people who found their resting place at Restland? How many nations are here?

– Restland is a resting place for people from all over the world – from China, Vietnam, Thailand, Pacific Island, Japan, Russia, Israel, Ethiopia, and many more. We have advisors who speak many languages.

Come to see me, or call (214) 505-1192 to talk to me in Russian, Ukrainian, Belarusian, French, or English. I will help you to find answers! www.DallasTelegraph.com/61686 English www.DallasTelegraph.com/en/61686 Russian

7À

ÍÎÂÎÑÒÈ ÄÀËËÀÑÀ

Friday, July 29, 2016

www.DallasTelegraph.com

Ïðîêóðîðû íå áóäóò äîáèâàòüñÿ  Òåõàñå çàïðåùåíû øàðèàòñêèå ñóäû è øàðèàòñêîå ïðàâî ñìåðòíîé êàçíè Ñîôèè Öûãàíêîâîé Ïðîêóðîðû èç Ôîðò-Óýðòà íå áóäóò äîáèâàòüñÿ íàêàçàíèÿ â âèäå ñìåðòíîé êàçíè ïîñëå ïåðåäà÷è äåëà â ñóä è â ñëó÷àå îñóæäåíèÿ çà óáèéñòâà äâóõ äî÷åðåé äëÿ Ñîôèè Öûãàíêîâîé – áûâøåé æåíû âñåìèðíî èçâåñòíîãî ïèàíèñòà Âàäèìà Õîëîäåíêî. Ãàçåòà The Dallas Telegraph ðàíåå ñîîáùàëà, ÷òî â ìàðòå 2016 ãîäà æåíùèíå ïðåäúÿâèëè îáâèíåíèÿ â óáèéñòâå åå äâóõ ìàëîëåòíèõ äî÷åðåé. Òåêñò Ñåðãåÿ Òàðàí. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ

íèì, ÷òî Ñîôèÿ ðàññêàçàëà ïîëèöèè, ÷òî ïîìíèò, êàê ïðèíèìàëà òàáëåòêè è ïûòàëàñü ïîêîí÷èòü æèçíü ñàìîóáèéñòâîì, ïîòîìó ÷òî «îíà íå õîòåëà æèòü», íî ïðè ýòîì îíà íå ïîìíèò, ÷òî ïðè÷èíèëà êàêîé-òî âðåä äåòÿì. «ß ñäåëàëà ÷òî-òî

íÿåìàÿ, ïî âñåé âèäèìîñòè, ñíà÷àëà çàäóøèëà äåòåé, à ïîòîì ïîïûòàëàñü ñåáÿ óáèòü. Çà äåíü äî ñìåðòè äî÷åê Ñîôèÿ Öûãàíêîâà ïîñåòèëà ìåäèöèíñêîå ó÷ðåæäåíèå äëÿ ëå÷åíèÿ ïñèõè÷åñêèõ çàáîëåâàíèé.  åå äîìå íàøëè ïóñòóþ óïàêîâêó èçïîä òàáëåòîê êâåòèàïèíà, ïðîïèñàííûõ åé è îáû÷íî èñïîëüçóþùèõñÿ äëÿ ëå÷åíèÿ òàêèõ çàáîëåâàíèé, êàê áèïîëÿðíîå ðàññòðîéñòâî è øèçîôðåíèÿ. Âî âðåìÿ ãèáåëè äåòåé Öûãàíêîâà è åå ìóæ Âàäèì Õîëîäåíêî íàõîäèëèñü íà ñòàäèè ðàçâîäà. Ñîôèÿ íå ïðèçíàëà ñåáÿ âèíîâíîé â äâóõ ïóíêòàõ

Íàçíà÷åííàÿ ñóäîì àäâîêàò Öûãàíêîâîé – Äæîåòòà Êèíè (Joetta Keane) ïðîêîììåíòèðîâàëà, ÷òî «ýòî ðåøåíèå ïîçâîëèëî âçäîõíóòü ñâîáîäíî ñåìüå è äðóçüÿì åå ïîäçàùèòíîé, êîòîðûå âñå åùå îïëàêèâàþò ñìåðòü äåòåé è òåïåðü ìîãóò íå áîÿòüñÿ ïîòåðÿòü è ëþáèìóþ Ñîôèþ». Ïðåäñòàâèòåëü îêðóæíîãî ïðîêóðîðà Øàðåíà Óèëñîíà (Sharen Wilson), Ñàìàíòà Äæîðäàí (Sa- Ïðîêóðîðû èç Ôîðò-Óýðòà íå áóäóò äîáèâàòüñÿ íàêàçàíèÿ â âèäå mantha Jordan) ñìåðòíîé êàçíè Ñîôèè Öûãàíêîâîé ñêàçàëà, ÷òî åå ïðåäúÿâëåííûõ îáâèíåíèé îá äóðíîå ìîèì äåòÿì?» – áîññ ïðèíÿë òàêîå ðåøåóáèéñòâå. Îíà îñòàâëåíà â ñïðîñèëà îíà ñëåäîâàòåëåé íèå ïîñëå òîãî, êàê ïðîòþðüìå ïðè âîçìîæíîñòè âûéâî âðåìÿ åå äîïðîñà íåñêîëüàíàëèçèðîâàë äàííûå òè íà ñâîáîäó ïîñëå âíåñåíèÿ êî ÷àñîâ ñïóñòÿ, ïîñëå òîãî, ñëåäñòâèÿ è îáñòîÿòåëüçàëîãà â 2 ìèëëèîíà äîëëàðîâ. êàê â åå äîìå â Áåíáðóêå ñòâà äåëà. Äàòà ñóäà ïî ýòîìó äåëó áûëè íàéäåíû òåëà äåòåé. Ñîôèÿ Öûãàíêîâà îáâèåùå ïîêà íå íàçíà÷åíà. Ñóäìåäýêñïåðò ãðàôñòâà íÿåòñÿ â óäóøåíèè ãîäîâàÒàðàí âûíåñ çàêëþ÷åíèå, ÷òî ëîé Ìèêàýëû Õîëîäåíêî è www.DallasTelegraph.com/61592 äåâî÷êè óìåðëè, ñêîðåå âñå5-ëåòíåé Íèêè Õîëîäåíêî Russian ãî, îò óäóøåíèÿ è â îðäåðå 17 ìàðòà â ñâîåì äîìå â ïðèwww.DallasTelegraph.com/en/61592 English íà àðåñò ñêàçàíî, ÷òî îáâèãîðîäå Ôîðò-Óýðòà. Íàïîì-

Ïðåäñòàâèòåëè ìóñóëüìàíñêîé îáùèíû Òåõàñà óæå ðàñêðèòèêîâàëè çàêîí, ñ÷èòàÿ, ÷òî íîâàÿ ìåðà òîëüêî óòâåðäèò â Òåõàñå èñëàìîôîáèþ. Áîëüøîé ñêàíäàë âûçâàëî òî, ÷òî ìóñóëüìàíñêàÿ îáùèíà Èðâèíãà ïûòàëàñü óñòàíîâèòü â ãîðîäå øàðèàòñêèå çàêîíû è øàðèàòñêèå ñóäû. Ìýð

îòäåëüíîãî çàêîíîäàòåëüñòâà äëÿ ìóñóëüìàí. Ìýð îòìåòèëà, ÷òî øàðèàòñêîå çàêîíîäàòåëüñòâî êîíôëèêòóåò ñ çàêîíîäàòåëüñòâîì ÑØÀ, íàïðèìåð, â âîïðîñå ðàâíûõ ïðàâ ïðè ñóäîïðîèçâîäñòâå äëÿ ìóæ÷èí è æåíùèí. Ãîðîä ïðîãîëîñîâàë 5 ãîëîñàìè «çà» è 4 «ïðîòèâ» çàïðåùåíèÿ øàðèàòñêèõ ñóäîâ. Âñå ÷åòâåðî ñóäåé-äîáðîâîëüöåâ øàðèàòñêîãî ñóäà áûëè íåëèöåíçèðîâàííûìè àäâîêàòàìè â øòàòå Òåõàñ, à ýòî ñ÷èòàåòñÿ òÿæêèì ïðåñòóïëåíèåì òðåòüåé ñòåïåíè. Ìóñóëüìàíå Èðâèíãà âûðàæàëè íàäåæäó, ÷òî ïðàêòèêà ïðèìåíåíèÿ èìè ìóñóëüìàíñêèõ çàêîíîâ â Òåõàñå ñòàíåò ïðåöåäåíòîì äëÿ âñåãî ÑØÀ, íî ýòîãî íå ñëó÷èëîñü.

ãîðîäà Áåò Âàí Äàéí (Beth Van Duyne) îáâèíèëà ëèäåðîâ ìå÷åòè â ñîçäàíèè

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Âî ìíîãèõ ìîìåíòàõ çàêîíîäàòåëüñòâà, äà è â ñàìèõ çàêîíîïðîåêòàõ, à çàòåì è â çàêîíàõ Òåõàñ ïîäàåò ïðèìåð âñåì îñòàëüíûì àìåðèêàíñêèì øòàòàì. Îäíîé èç òàêèõ ðîëåâûõ ìîäåëåé ÿâëÿåòñÿ íåäàâíèé çàêîí Øòàòà Îäèíîêîé Çâåçäû, êîòîðûé çàïðåùàåò ìóñóëüìàíàì äàæå ïûòàòüñÿ ïðèìåíÿòü øàðèàòñêîå çàêîíîäàòåëüñòâî è ñëåäîâàòü øàðèàòñêîìó îáðàçó æèçíè â íàøåì øòàòå. Íèêòî íå äîëæåí ñëåäîâàòü âîëå äðóãîãî ÷åëîâåêà – äàæå â ðåëèãèîçíûõ öåëÿõ. Òåêñò The Dallas Telegraph. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ Ñåíàòîð-ðåñïóáëèêàíåö Äîííà Êýìáåëë (Donna Cambell) èç Íüþ-Áðàóíôèëÿ íå óêàçûâàåò íà èñëàìñêîå çàêîíîäàòåëüñòâî Êîðàíà â ýòîì çàêîíå. Ñêîðåå, ñåíàòîð ãîâîðèò î òîì, ÷òî íèêàêèå «èíîñòðàííûå çàêîíû» è ïðåöåäåíòû èíîñòðàííûõ ñóäîâ

Ìóñóëüìàíå Òåõàñà íå ìîãóò ðàññìàòðèâàòüñÿ Òåõàññêèìè ñóäüÿìè ïðè ãðàæäàíñêîì ñóäîïðîèçâîäñòâå.

8À

ÔÎÒÎÐÅÏÎÐÒÀÆ

Friday, July 29, 2016

www.DallasTelegraph.com

Êàê åâðåéñêèé íàðîä ñïàñàë çàëîæíèêîâ âîéíû â Ñàðàåâî. Ýòîìó ïîñâÿùåíà âûñòàâêà â Ìóçåå Õîëîêîñòà Äàëëàñà Ñòàðàÿ åâðåéñêàÿ ñèíàãîãà â áîñíèéñêîé çîíå âîåííûõ äåéñòâèé ñòàëà ìàÿêîì íàäåæäû äëÿ âñåõ ñòðàæäóùèõ. Âî âðåìÿ áîñíèéñêîé âîéíû 1992-1995 ãîäîâ åâðåéñêàÿ îáùèíà Ñàðàåâî îòêàçàëàñü çàíÿòü ÷üþ-òî ñòîðîíó, à âìåñòî ýòîãî âíóòðè ñèíàãîãè îòêðûëà ñâîé öåíòð ïîìîùè. Ëþäè, ïåðåæèâøèå Õîëîêîñò, èõ äåòè è âíóêè, îáúåäèíèëèñü â ìèññèþ Ëàáüåíàâàëåíñèÿ (La Benevolencija), ÷òîáû ñïàñàòü áîñíèéöåâ è ñåðáîâ. 11 êîíâîåâ ñ ãóìàíèòàðíîé ïîìîùüþ îò åâðåéñêîé îðãàíèçàöèè ÑØÀ – Jewish Joint Distribution Committee, ðó÷åéêàìè ñòåêàëèñü ê äâåðÿì ñòàðîé ñèíàãîãè â Ñàðàåâî. Ýòî ñòàëî åäèíñòâåííîé íàäåæäîé äëÿ òåõ áîñíèéöåâ, ñåðáîâ è õîðâàòîâ, êîòîðûå îêàçàëñÿ â êàïêàíå âîéíû.  åâðåéñêîì öåíòðå ñïàñåíèÿ íå ñìîòðåëè íà ðåëèãèîçíóþ èëè íàöèîíàëüíóþ ïðèíàäëåæíîñòü ïîñòðàäàâøèõ – ïîìîãàëè âñåì. Ýòî áûë àêò áëàãîäàðíîñòè åâðååâ çà òî, ÷òî êîãäà-òî, â 16 âåêå, èì ðàçðåøèëè ñåëèòüñÿ â Ñàðàåâî. Òåêñò è ôîòî Ñåðãåÿ è Ëþäìèëû Òàðàí  èþíå ýòîãî ãîäà â Ìóçåå Õîëîêîñòà Äàëëàñà îòêðûëàñü âûñòàâêà «Âûæèâøèå â Ñàðàåâî», êîòîðàÿ êàê ðàç è ðàññêàçûâàåò èñòîðèþ åâðåéñêîé ãóìàíèòàðíîé îðãàíèçàöèè, êîòîðàÿ ïîìîãàëà ëþäÿì â ñàìûé ïèê áîñíèéñêî-ñåðáñêîãî êîíôëèêòà.  åâðåéñêîé ñèíàãîãå Ñàðàåâî ïîìîãàëè ñ ìåäèöèíîé, ñ åäîé è ñî ìíîãèì äðóãèì. Ê ìèññèè ïî ñïàñåíèþ ñî âðåìåíåì ïîäêëþ÷èëèñü êàòîëè÷åñêèå îðãàíèçàöèè õîðâàòîâ, ïðàâîñëàâíûå ñåðáû è äàæå ìóñóëüìàíå. Îñíîâîé äëÿ âûñòàâêè «Âûæèâøèå â Ñàðàåâî» ñòàëè ôîòîãðàôèè ôîòîæóðíàëèñòà Ýäâàðäà Ñåðîòòà, íàïå÷àòàííûå â åãî êíèãå «Âûæèâøèå â Ñàðàåâî: Åâðåè, Áîñíèÿ è óðîêè ïðîøëîãî». Ñåðîòòà ïðîâåë â çîíå áîåâûõ äåéñòâèé â Ñàðàåâî â îáùåé ñëîæíîñòè 45 äíåé â ïåðèîä ñ 1993 ïî 1995 ãîäû, ðàáîòàÿ íåçàâèñèìûì ðåïîðòåðîì äëÿ òàêèõ èçäàíèé, êàê The Washington Post, the Los Angeles Times, Time, The Independent and Die Zeit.  1996 ãîäó Ñåðîòòà ñíîâà âåðíóëñÿ â Ñàðàåâî â ïîèñêàõ äëÿ òåëåêàíàëà ABC òîé ñàìîé çíàìåíèòîé «Ñàðàåâñêîé Àãàäû», äàòèðîâàííîé 14-ì âåêîì. Ýêñïîçèöèÿ ñîçäàíà åâðîïåéñêèì èíñòèòóòîì Ñåíòðîïà (Centropa), ó èñòîêîâ êîòîðîãî ñòîÿë Ýäâàðä Ñåðîòòà.  íàñòîÿùåå âðåìÿ ýêñïîçèöèÿ ïóòåøåñòâóåò ïî ãîðîäàì Àìåðèêè. Èíòåðåñíî, ÷òî ñàì èíñòèòóò Ñåíòðîïà áûë ñîçäàí â Âåíå äëÿ

Îñíîâîé äëÿ âûñòàâêè «Âûæèâøèå â Ñàðàåâî» ñòàëè ôîòîãðàôèè ôîòîæóðíàëèñòà Ýäâàðäà Ñåðîòòà îò ãîëîäà, îò ïóëü è îò íàöèîíàëüíîé íåíàâèñòè.

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Îäèí èõ ñòåíäîâ ýêñïîçèöèè «Âûæèâøèå â Ñàðàåâî» ñ 2012 ãîäà, îíà ñíîâà â äîðîãå.  Äàëëàñå âûñòàâêà îòêðûëàñü íå òîëüêî ïîòîìó, ÷òî çäåñü ïðîæèâàåò êðóïíàÿ åâðåéñêàÿ îáùèíà, íî òàêæå ó âàñ îáîñíîâàëîñü ìíîãî ïåðåñåëåíöåâ èç áûâøåé Þãîñëàâèè – áîñíèéöû, ñåðáû, õîðâàòû. Âûñòàâêà ïîêàçûâàåò, êàê ëþäè âûæèâàëè, ïîääåðæèâàÿ äðóã äðóãà âî âðåìÿ âîéíû â Ñàðàåâî». Ýäâàðä Ñåðîòòà íà÷àë åçäèòü â Þãîñëàâèþ åùå ñ 1985 ãîäà – îí äåëàë ôîòîãðàôèè äëÿ ñâîåé êíèãè «Ôîòîïîðòðåò åâðåéñêîé æèçíè â Öåíòðàëüíîé Åâðîïå ñî âðåìåíè Õîëîêîñòà». Ñåðîòòà

äàëëàññêîé îáùèíå íå òîëüêî îá óæàñàõ òîãî Ãåíîöèäà, íî òàêæå è èñòîðèè î ëþäÿõ ìíîãèõ âåðîèñïîâåäàíèé, êîòîðûå ñîáðàëèñü âìåñòå è âìåñòå ñïàñàëè æèçíè, êîðìèëè ãîëîäíûõ, ïðåäîñòàâëÿëè óáåæèùå è îáùåíèå íà ïðîòÿæåíèè ïî÷òè ÷åòûðåõ ëåò îñàäû ãîðîäà, – ãîâîðèò îíà. – Ýòî óäèâèòåëüíàÿ èñòîðèÿ, êîòîðàÿ äîñòîéíà òîãî, ÷òîáû î íåé óçíàëè ìíîãèå. Êàêîå ýòî ÷óäåñíîå ïîñëàíèå íàì, æèòåëÿì 21 âåêà!» Ïîëà Íîðñ, ãëàâà äåïàðòàìåíòà ìàðêåòèíãà è ñâÿçåé ñ îáùåñòâåííîñòüþ Ìóçåÿ Õîëîêî-

Ïðîñêàíèðóéòå QR êîä, ÷òîáû ïðîñìîòðåòü ðåïîðòàæ ñ îòêðûòèÿ âûñòàâêè «Âûæèâøèå â Ñàðàåâî» â Ìóçåå Õîëîêîñòà Äàëëàñà òîãî, ÷òîáû äîêóìåíòèðîâàòü óñòíûå è ïèñüìåííûå èñòîðèè ïîæèëûõ åâðååâ èç Öåíòðàëüíîé è Âîñòî÷íîé Åâðîïû, Ãðåöèè, Òóðöèè, áàëêàíñêèõ ñòðàí è ñòðàí áûâøåãî Ñîâåòñêîãî Ñîþçà. Ýäâàðä Ñåðîòòà ïðèëåòåë ñïåöèàëüíî íà îòêðûòèå âûñòàâêè â Äàëëàñå. Ïî åãî ñëîâàì, âûñòàâêà «ðàññêàçûâàåò èñòîðèþ åâðååâ, ìóñóëüìàí, ñåðáîâ è õîðâàòîâ, êîòîðûå ðàáîòàëè âìåñòå â Ñàðàåâî â òå÷åíèå âîéíû áîëåå 20 ëåò òîìó íàçàä». «Âûñòàâêà ìíîãî ïóòåøåñòâîâàëà â 1990-õ ãîäàõ. 20 ëåò ñïóñòÿ,

è ñòðàíû â ïîèñêàõ óáåæèùà. Äåíèçà Êàðà÷èê – óðîæåíêà Ñàðàåâî – ðàññêàçàëà, êàê îíà ñ ìàìîé áåæàëà èç Ñàðàåâî â 1992 ãîäó ñ îäíèì èç ïîñëåäíèõ êîíâîåâ. «Ñåãîäíÿ ìû ïðèøëè íà âûñòàâêó, ÷òîáû óçíàòü î òîì, êàê åâðåéñêèé íàðîä ïîìîãàë òåì, êòî îñòàëñÿ â Ñàðàåâî âî âðåìÿ ãðàæäàíñêîé âîéíû 1992-1995 ãîäîâ». Âèêè Þêî ïðèåõàëà â ÑØÀ èç Áîñíèè. Îíà «î÷åíü áëàãîäàðíà Ýäâàðäó Ñåðîòòà, êîòîðûé ñìîã ïîíÿòü äóõ íàøåãî íàðîäà äî âîéíû è òî, êàê óæå âî âðåìÿ âîéíû ëþäè ïðîÿâëÿëè òåðïèìîñòü è æåëàíèå ïîìî÷ü äðóãèì ïóñòü äàæå íå èõ íàöèîíàëüíîñòè èëè âåðîèñïîâåäàíèÿ». Âûñòàâêà «Âûæèâøèå â Ñàðàåâî» – ýòî âûñòàâêà ÷åëîâå÷íîñòè, âåðíåå, ïîñâÿùåíà òîìó, êàê ïðîñòûå åâðåè ñìîãëè ïîìî÷ü ñâîèì áëèæíèì òîãäà, êîãäà Þãîñëàâèÿ òðåùàëà ïî øâàì è, êîãäà, ôàêòè÷åñêè, ãîñóäàðñòâî íå ñïðàâèëîñü ñ ðîëüþ çàùèòíèêà ñâîèõ ãðàæäàí

ïðèâÿçàëñÿ ê íàðîäó Þãîñëàâèè è îñîáåííî ê ãîðîäó Ñàðàåâî íàñòîëüêî, ÷òî ïî÷òè óñûíîâèë ãåðîÿ ìíîãèõ åãî ôîòîãðàôèé – ìóñóëüìàíñêîãî ìàëü÷èêà Äåíèñà Êàðàëè÷à. Ñåðîòòà ïîìîã îáðåñòè Äåíèñó ñåìüþ, ïîëó÷èòü îáðàçîâàíèå è ñòàòü äîñòîéíûì ÷åëîâåêîì â æèçíè. Äåëÿñü âïå÷àòëåíèÿìè î íîâîé âûñòàâêå â Ìóçåå Õîëîêîñòà Äàëëàñà, åãî äèðåêòîð Ìýðè Ïýò Õèããèíñ ñêàçàëà, ÷òî «â âîñòîðãå îò òîãî, ÷òî ó Ìóçåÿ åñòü âîçìîæíîñòü ðàññêàçàòü èñòîðèþ Áîñíèéñêîãî ãåíîöèäà». «Ìû áû õîòåëè ðàññêàçàòü

ñòà Äàëëàñà, ñ÷èòàåò, ÷òî «ýòî âåëèêîëåïíàÿ âûñòàâêà äëÿ íàøåãî ìóçåÿ». «Ìóçåé Õîëîêîñòà Äàëëàñà ñîòðóäíè÷àåò ñ ðàçëè÷íûìè îðãàíèçàöèÿìè äëÿ òîãî, ÷òîáû ðàññêàçûâàòü î äðóãèõ Ãåíîöèäàõ â èñòîðèè ÷åëîâå÷åñòâà, êðîìå Õîëîêîñòà. Òàêèì îáðàçîì, ìû óæå ðàññêàçàëè îá Àðìÿíñêîì Ãåíîöèäå è íàñòîÿùåé âûñòàâêîé ìû ðàññêàçûâàåì Äàëëàñó î òðàãåäèè â Ñàðàåâî». Ñðåäè ãîñòåé âûñòàâêè â äåíü îòêðûòèÿ áûëî ìíîãî æèòåëåé Ñàðàåâî è Þãîñëàâèè, êîòîðûå áåæàëè èç ãîðîäà

 Äàëëàñå îáîñíîâàëîñü ìíîãî ïåðåñåëåíöåâ èç áûâøåé Þãîñëàâèè

Ñðåäè ãîñòåé íà îòêðûòèè âûñòàâêè áûëî ìíîãî åâðååâ, áîñíèéöåâ è ñåðáîâ

9À

ÊÓËÜÒÓÐÀ

Friday, July 29, 2016

www.DallasTelegraph.com

Êàëåíäàðü êóëüòóðíûõ ñîáûòèé Áîëüøîãî Äàëëàñà c 3 ïî 17 àâãóñòà ÊÎÍÖÅÐÒ "GUNS N' ROSES" (GUNS N' ROSES IN CONCERT) 3 àâãóñòà â 8 ÷àñîâ âå÷åðà ëåãåíäàðíàÿ àìåðèêàíñêàÿ ãðóïïà "Guns N' Roses", ñîçäàííàÿ â Ëîñ-Àíäæåëåñå â 1985 ãîäó, äàñò â Äàëëàñå åäèíñòâåííûé êîíöåðò. Ãîä ñïóñòÿ ïîñëå ñîçäàíèÿ ñ êîìàíäîé ïîäïèñàë êîíòðàêò ëåéáë Geffen Records, çàìåòèâ èõ â èçâåñòíûõ çàâåäåíèÿõ Ãîëëèâóäà âðîäå áàðîâ The Troubadour è The Roxy.  îðèãèíàëüíûé ñîñòàâ "Guns N' Roses" âõîäèëè Ýêñë Ðîóç (Axl Rose), ãèòàðèñò Ñëýø (Slash), ðèòì-ãèòàðèñò Èççè Ñòðýäëèí (Izzy Stradlin), áàñèñò Äàôô Ìàêêàãàí (Duff McKagan) è óäàðíèê Ñòèâåí Àäëåð (Steven Adler). Ýêñë Ðîóç íà ñåãîäíÿøíèé äåíü – åäèíñòâåííûé ÷ëåí ãðóïïû, íàõîäÿùèéñÿ â íåé ñ ìîìåíòà îñíîâàíèÿ. Íàçâàíèå ãðóïïû áûëî îáðàçîâàíî èç èìåí åå ó÷àñòíèêîâ. Ñ÷èòàåòñÿ, ÷òî ãðóïïà "Guns N' Roses" âåðíóëà ïîïóëÿðíîñòü ìåéíñòðèìíîìó ðîêó â ýðó çàñèëüÿ òàíöåâàëüíîé ìóçûêè è ïîï-ìåòàëà. Êîíåö âîñüìèäåñÿòûõ-íà÷àëî äåâÿíîñòûõ äëÿ ãðóïïû ñòàëè ïåðèîäîì «ãåäîíèñòè÷åñêîãî ìÿòåæà».

"Guns N' Roses" ïîëó÷èëè ïðîçâèùå «ñàìîé îïàñíîé ãðóïïû â ìèðå». Ãðóïïà â êëàññè÷åñêîì ñîñòàâå, à òàêæå c Äèççè Ðèäîì è óäàðíèêîì Ìýòòîì Ñîðóìîì (Matt Sorum) âíåñåíà â Çàë Ñëàâû ðîê-í-ðîëëà â 2012 ãîäó. Ñòîèìîñòü áèëåòà íà êîíöåðò â Äàëëàñå – îò 45 äî 250 äîëëàðîâ. Àäðåñ: AT&T Stadium, 1 Legends Way, Arlington, TX 76011. ÌÀÊÑÈÌ È ÂÀËÅÍÒÈÍ ×ÌÅÐÊÎÂÑÊÈÅ Ñ ÒÓÐÎÌ OUR WAY (MAKS AND VAL LIVE ON TOUR: OUR WAY) Âñåãî ëèøü ñ îäíèì ïðåäñòàâëåíèåì â Äàëëàñå 6 àâãóñòà â 8 ÷àñîâ âå÷åðà âûñòóïÿò èçâåñòíûå áðàòüÿ – Ìàêñèì è Âàëåíòèí ×ìåðêîâñêèå. Ìàêñèì ×ìåðêîâñêèé – ÷åìïèîí ìèðà ïî ëàòèíñêèì òàíöàì, õîðåîãðàô óêðàèíñêîãî ïðîèñõîæäåíèÿ. Ó÷àñòâîâàë â àìåðèêàíñêîì òåëåâèçèîííîì øîó "Dancing With The Stars" («Òàíöû ñî çâåçäàìè») è â óêðàèíñêîì ðåàëèòè-øîó «Õîëîñòÿê». ×ìåðêîâ-

ñêèé ÿâëÿåòñÿ îäíèì èç ñîçäàòåëåé è ðóêîâîäèòåëåé "Dance Team USA", íåêîììåð÷åñêîé îáðàçîâàòåëüíîé è áëàãîòâîðèòåëüíîé îðãàíèçàöèè, çàíèìàþùåéñÿ ïîääåðæêîé è ïîäãîòîâêîé áóäóùèõ ó÷àñòíèêîâ òàíöåâàëüíîãî ñïîðòà. Ìàêñèì âûñòóïèò ñî ñâîèì áðàòîì Âàëåíòèíîì, ïî ïðîçâèùó Âàë, 30-ëåòíèì óêðàèíñêèì ïðîôåññèîíàëüíûì òàíöîðîì, èçâåñòíûì ñâîèìè âûñòóïëåíèÿìè â àìåðèêàíñêîé âåðñèè øîó «Òàíöû ñî çâåçäàìè». Îí òàêæå õîðåîãðàô, äèçàéíåð, ðýïåð, ìóçûêàíò.  ïðîøëîì ãîäó âî âðåìÿ ïîïóëÿðíîãî òàíöåâàëüíîãî øîó «Òàíöû ñî çâåçäàìè» äî÷ü Áðþñà Óèëëèñà è Äýìè Ìóð, Ðóìåð ñâîèì ïàðòíåðîì âûáðàëà Âàëåíòèíà ×ìåðêîâñêîãî. Ñòîèìîñòü áèëåòà – îò 40 äî 90 äîëëàðîâ. Àäðåñ: Verizon Theatre at Grand Prairie, 1001 Performance Pl., Grand Prairie, TX 75050.

CROW COLLECTION OF ASIAN ART ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ «ÏÓÒÅØÅÑÒÂÈÅ Â ÀÇÈÞ» (CROW COLLECTION OF ASIAN ART PRESENTS ADVENTURE ASIA) Èíäèéñêèé ôèëîñîô è ïîëèòèê Ìàõàòìà Ãàíäè êîãäàòî ñêàçàë, ÷òî «ñ ïîÿâëåíèåì íîâûõ íàñòîÿùèõ äðóæåñêèõ îòíîøåíèé ìû ñòðîèì áîëåå ïðî÷íûé ôóíäàìåíò, íà êîòîðîì çèæäåòñÿ ìèð âî âñåì ìèðå.  ÷åñòü Äíÿ äðóæáû â Èíäèè, ìóçåé Crow Collection of Asian Art 8 àâãóñòà â 10 ÷àñîâ óòðà ïðèãëàøàåò íà äðóæåñêèé ïðàçäíèê. Âõîä – ñâîáîäíûé. Àäðåñ: Crow Collection of Asian Art, 2010 Flora St.,Dallas, TX 75201. Òåë.: (214) 979-6430. ÔÅÑÒÈÂÀËÜ ÕÎËÎÄÍÎÃÎ ×Àß (THE LONE STAR ICED TEA FESTIVAL) Ôåñòèâàëü õîëîäíîãî ÷àÿ – ýòî ïóòåøåñòâóþùèé ôåñòèâàëü ñ ãîëîâíûì îôèñîì â Õüþñòîíå.  ðàìêàõ ôåñòèâàëÿ 13 àâãóñòà, íà÷èíàÿ ñ 10 ÷àñîâ óòðà, ãîñòè ïðàçäíèêà ñìîãóò ïîáûâàòü íà òåìàòè÷åñêèõ ìàñòåð-êëàññàõ, êóïèòü òåìàòè÷åñêóþ ïðîäóêöèþ ó âåíäîðîâ. Äëÿ äåòåé è âçðîñëûõ ïðåäëàãàþòñÿ ðàçâëå÷åíèÿ íà

÷àéíóþ òåìó. Íó, è, êîíå÷íî, â íàëè÷èè áóäåò áîëüøîå êîëè÷åñòâî ðàçëè÷íûõ âèäîâ ÷àÿ. Ïåðâûå 100 ÷åëîâåê, êóïèâøèå áèëåòû, ïîëó÷àò â ïîäàðîê êîðîáêó ñ ðàçëè÷íûìè âèäàìè ÷àÿ. Ñòîèìîñòü áèëåòà – îò 4 äî 15 äîëëàðîâ. Àäðåñ:

óñòðåìèëèñü â ÑØÀ, ïðåîäîëåâàÿ îïàñíîñòè, æäóùèå èõ íà ïóòè. Â èþëå 2014 ãîäà õîðåîãðàô Îðäàç Ãóòåððåç (Ordaz Gutierrez) îòîáðàë 12 òàëàíòëèâûõ ìîëîäûõ àðòèñòîâ, êîòîðûå è ñòàëè ãëàâíûìè ãåðîÿìè íîâîé ïðîãðàììû.

Ïåðâàÿ ïåñíÿ âûøëà èçïîä ïåðà Ãâåí Ñòåôàíè, êîãäà åé áûëî ñåìíàäöàòü ëåò. È ýòîò ìîìåíò ïåðåâåðíóë æèçíü Ñòåôàíè ñ íîã íà ãîëîâó. Â 1986 ãîäó íà ñâåò ïîÿâèëàñü ãðóïïà "No Doubt". Åå îðãàíèçîâàë ñòàðøèé áðàò Ãâåí Ýðèê âìåñòå ñ äðóãîì

Âñåìèðíî èçâåñòíûé ìþçèêë "The Sound of Music" ïîêàæóò â Bass Performance Hall Premier Event Center, 1165 S. Stemmons Fwy., Lewisville, TX 75067. Òåë.: (832) 703-0823.

PROYECTOTEATRO ÏÐÅÄÑÒÀÂËßÅÒ ÒÅÀÒÐÀËÜÍÎ-ÒÀÍÖÅÂÀËÜÍÓÞ ÏÐÎÃÐÀÌÌÓ «ÍÅËÅÃÀËÛ» (PROYECTOTEATRO PRESENTS POR LOS MOJADOS) ProyectoTeatro â ñîäðóæåñòâå ñ Ëàòèíñêèì êóëüòóðíûì öåíòðîì Äàëëàñà â ðàìêàõ ñâîåãî àìåðèêàíñêîãî òóðà ïðåäñòàâëÿåò ïðîãðàììó Los Mojados («Íåëåãàëû»), êîòîðàÿ áûëà âûñîêî îöåíåíà êðèòèêàìè. Ñðåäè äåêîðàöèé ñöåíû – òîííû ïåñêà è ãðÿçè. Ïðîãðàììà øîó – ýòî ðàññêàç î òðàãè÷åñêîé èñòîðèè ëàòèíîàìåðèêàíñêèõ ñòðàí ïîñðåäñòâîì òàíöà è òåàòðà, î ïðåäïîñûëêàõ ïîëèòè÷åñêîãî è ñîöèàëüíîãî êðèçèñà, êîòîðûå ïðèâåëè ê òîìó, ÷òî òûñÿ÷è íåñîâåðøåííîëåòíèõ áåç ñîïðîâîæäåíèÿ âçðîñëûõ â òå÷åíèå ëåòà 2014 ãîäà

Î ñàìîì áîëüøîì èììèãðàöèîííîì êðèçèñå â õóäîæåñòâåííîé ôîðìå íà ñöåíå ðàññêàæóò äåòè, êîòîðûå ÷òîáû ïåðåäàòü âñþ òðàãè÷íîñòü ñèòóàöèè, ïðîâåëè ïîëãîäà æèçíè íà ìåêñèêàíñêî-àìåðèêàíñêîé ãðàíèöå. Àêòåðû õîòÿò äîíåñòè ìèðó, ÷òî íåëåãàëüíîå ïåðåñå÷åíèå ãðàíèöû íå ÿâëÿåòñÿ ïðåñòóïëåíèåì, ýòî, ñêîðåå, â ñëó÷àå ìíîãèõ íåëåãàëîâ – àêò âûæèâàíèÿ. Ïðîãðàììó ïîêàæóò 12 è 13 àâãóñòà â 8 ÷àñîâ âå÷åðà. Ñòîèìîñòü áèëåòà – îò 8 äî 15 äîëëàðîâ. Àäðåñ: Latino Cultural Center, 2600 Live Oak St., Dallas, TX 75204. Òåë.: (512) 420-9078. ÊÎÍÖÅÐÒ ÃÂÅÍ ÑÒÅÔÀÍÈ (GWEN STEFANI IN CONCERT WITH EVE) Àìåðèêàíñêàÿ ïîï-çâåçäà Ãâåí Ñòåôàíè ïðèåçæàåò 13 àâãóñòà â Äàëëàñ, ÷òîáû â 7 ÷àñîâ âå÷åðà ïðåäñòàâèòü ñâîé àëüáîì This is "What the Truth Feels Like". Íà ðàçîãðåâå – Eve.

Äæîíîì Ñïåíñîì. Òóäà Ñòåôàíè ïðèãëàñèëè â êà÷åñòâå ñîâîêàëèñòêè.  2000 ãîäó Ñòåôàíè ñòàëà ðàáîòàòü ñàìîñòîÿòåëüíî, îòäåëüíî îò ãðóïïû "No Doubt". Ñíà÷àëà ïåâèöà çàïèñàëà âìåñòå ñ Ìîáè ñèíãë "South Side", à ñïóñòÿ äâà ãîäà ïîñëåäîâàëî ñîâìåñòíîå òâîð÷åñòâî ñ Èâ – òàê áûë ïîëó÷åí ñèíãë "Let Me Blow Ya Mind". Çà ýòó ðàáîòó Ãâåí ïîëó÷èëà ïðåñòèæíóþ íàãðàäó «Ãðýììè». Ñòîèìîñòü áèëåòà íà êîíöåðò ïåâèöû â Äàëëàñå – îò 30 äî 150 äîëëàðîâ. Àäðåñ: Gexa Energy Pavilion, 1818 1st Ave., Dallas, TX 75210. Òåë.: (214) 421-1111. ØÀÏÈÒÎ (UNIVERSOUL CIRCUS) Öèðê "UniverSoul" ïðåäñòàâëÿåò çðåëèùíîå øàïèòî ìèðîâîãî ìàñøòàáà. Íîâàÿ ïðîãðàììà óâëå÷åò çðèòåëåé ðàçíûõ âîçðàñòîâ â íåçàáûâàåìîå ïóòåøåñòâèå ñâåòà, çâóêà è ýìîöèé. Ýòî óæå ñòàëî

âèçèòíîé êàðòî÷êîé öèðêîâîãî êîëëåêòèâà ñ 23-ëåòíèì ñòàæåì – ìóëüòèêóëüòóðíàÿ êîìàíäà çíàìåíèòûõ àêòåðîâ öèðêà. Ñðåäè öèðêîâûõ íîìåðîâ – êîìåäèéíûé íîìåð ÷èëèéñêèõ ñîáàê, ãèìíàñòè÷åñêèé äóýò èç Êîëóìáèè, àêðîáàòû èç Êèòàÿ, âîçäóøíûå ìîòîöèêëèñòû èç Êàëèôîðíèè, êàðèáñêàÿ äèíàñòèÿ èç Òðèíèäàäà è Òîáàãî, ðóññêèå êóáèíöû, ìàãè÷åñêèå òèãðû, òàíöóþùèå äèñêî ñëîíû èç ÑØÀ è ìíîãîå äðóãîå. Äàòû ïðåäñòàâëåíèé â Äàëëàñå – ñ 16 ïî 21 àâãóñòà – â 10.30 óòðà è â 7 ÷àñîâ âå÷åðà. Ñòîèìîñòü áèëåòà – îò 19 äî 30 äîëëàðîâ. Àäðåñ: Southwest Center Mall, 3662 W. Camp Wisdom Rd., Dallas, TX 75237. Òåë.: (972) 2961491. ÌÞÇÈÊË "THE SOUND OF MUSIC"  BASS PERFORMANCE HALL ÔÎÐÒ-ÓÝÐÒÀ  ðàìêàõ ñåðèè "Broadway at the Bass" â êîíöåðòíîì çàëå Bass Performance Hall ÔîðòÓýðòà ïîêàæóò âñåìèðíî èçâåñòíûé è âñåìèðíî ëþáèìûé ìþçèêë "The Sound of Music". «Çâóêè ìóçûêè» – ýòî íîâàÿ ïîñòàíîâêà òðåõêðàòíîãî ïîáåäèòåëÿ «Òîíè» ðåæèññåðà Äæåêà Î’Áðàéàíà (Jack O’Brien). Ýòà ìóçûêàëüíî-ðîìàíòè÷åñêàÿ èñòîðèÿ Ìàðèè è ñåìüè Âîí Òðàïï ñíîâà âçâîëíóåò àóäèòîðèþ ñâîèìè êîìïîçèöèÿìè – “My Favorite Things”, “Do-Re-Mi”, “Climb Ev’ry Mountain”, “Edelweiss”. «Çâóêè ìóçûêè» – îáëàäàòåëü ïðåìèé «Òîíè», «Ãðýììè» è ìíîãèõ äðóãèõ. "The Sound of Music" ñòàë ïåðâûì ìþçèêëîì, êîòîðûé ïîêàçàëè â ïðÿìîì ýôèðå ïî òåëåâèçîðó.  äåêàáðå 2013 ãîäà ìþçèêë â ýôèðå NBC ïîñìîòðåëî 44 ìèëëèîíà çðèòåëåé.  2015 ãîäó êèíîâåðñèÿ ìþçèêëà îòìåòèëà ñâîé ïîëóâåêîâîé þáèëåé. Äàòû ïðåäñòàâëåíèé ìþçèêëà â Äàëëàñå – ñ 17 ïî 21 àâãóñòà. Âðåìÿ – 1.30 äíÿ, 6.30 è 7.30 âå÷åðà – â çàâèñèìîñòè îò äíÿ íåäåëè. Ñòîèìîñòü áèëåòà – íà÷èíàÿ îò 44 äîëëàðîâ. Àäðåñ: Nancy Lee and Perry R. Bass Performance Hall, 525 Commerce St, Fort Worth, TX 76102. Òåë.: (817) 212-4200. www.DallasTelegraph.com/61627 Russian www.DallasTelegraph.com/en/61627 English

ÎÒ ÐÅÄÀÊÖÈÈ: ×òîáû ïîäïèñàòüñÿ íà ðàññûëêó êóëüòóðíûõ ñîáûòèé Ñåâåðíîãî Òåõàñà èëè âêëþ÷èòü âàøå ñîáûòèå â îáçîð, ïðèñûëàéòå çàÿâêè ïî àäðåñó: dallastelegraph.com@gmail.com

ÊÐÎÑÑÂÎÐÄ íîâàíèå, çâàíèå â çíàê ïðèçíàíèÿ çàñëóã. 19. Ëó÷åâàÿ êîñòü. 20. Ñïåöèàëüíûé ñîñóä äëÿ õðàíåíèÿ ñîäåðæèìîãî ïðè ïîñòîÿííîé òåìïåðàòóðå.

22. Ðóññêèé ïðàâîñëàâíûé ïðàçäíèê. 24. ×åëîâåê, æèâóùèé ðÿäîì. 27. Âûó÷êà, äîñòèãíóòûé â ÷åì-íèáóäü îïûò.

29. Ïîäðàçäåëåíèå ãîñóäàðñòâåííîé òåððèòîðèè. 30. Âîðîâñòâî. 31. Âîåííûé ïðîòèâíèê, íåïðèÿòåëü. 32. Ââåäåíèå â çàáëóæäåíèå ñ öåëüþ çàïóãèâàíèÿ èëè õâàñòîâñòâà. 34. Êðåñòüÿíèí íà Ðóñè. 36. Õâîéíîå äåðåâî. 38. Âèä äèâàíà. 40. Çíàìåíèòàÿ îäåæäà Ïèôàãîðà.

42. Ñïåñü. 43. Ìóæ÷èíà, äîñòèãøèé ïîæèëîãî âîçðàñòà.

46. Ñåêðåòíûé óñëîâíûé çíàê.

48. Äîñòèæåíèå â îáëàñòè íàóêè, êóëüòóðû. 51. Âèä ïðåäâàðèòåëüíîãî ðàññëåäîâàíèÿ ïðàâîíàðóøåíèé. 52. Ïðàâèëüíûé ìíîãîãðàííèê. 53. Õëîï÷àòîáóìàæíàÿ òêàíü ñ ãëàäêîé ëèöåâîé ïîâåðõíîñòüþ. 54. Ðîä íåáîëüøèõ îëåíåé. 55. Ëèöî, ïîðó÷èâøåå âåäåíèå ñâîåãî äåëà àäâîêàòó, çàùèòíèêó. 56. Êðóïíàÿ àäìèíèñòðàòèâíî-òåððèòîðèàëüíàÿ åäèíèöà. 57. Ìåëêèå êàïëè âëàãè, îñåäàþùèå íà ðàñòåíèÿõ ïðè íàñòóïëåíèè âå÷åðíåé ïðîõëàäû. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Îáóâü, íàäåâàåìàÿ ïîâåðõ ñàïîã. 2. Ïîãîðåëîå ìåñòî. 3. Ïðåäïðèíèìàòåëü-

ñêàÿ äåÿòåëüíîñòü. 4. Ïðåäìåò ìåáåëè. 6. Ïòèöà ñåìåéñòâà âüþðêîâûõ. 7. Ìåñòíîñòü ñ ïðèðîäíûìè ëå÷åáíûìè ñðåäñòâàìè. 8. Ðÿä êèðïè÷åé, óëîæåííûõ ïîä óãëîì ê íàðóæíîé ïîâåðõíîñòè ñòåíû. 9. Èãîðíûé äîì. 11. Äåëèêàòíîñòü. 17. Âíåçàïíîå ÷óâñòâî ñòðàõà. 18. ×åëîâåê, íàõîäÿùèéñÿ ïîä ñòðàæåé, â çàêëþ÷åíèè. 19. Õèùíîå æèâîòíîå ñåìåéñòâà êîøà÷üèõ. 21. Áðåâíî, çàáèòîå â ãðóíò äëÿ îïîðû â ñîîðóæåíèÿõ. 22. Ðàññòîÿíèå, êîòîðîå ïðîåçæàþò áåç êîðìåæêè è ñìåíû ëîøàäåé.

23. Öåðêîâíûé îêðóã, óïðàâëÿåìûé àðõèåðååì. 25. Ñèëüíàÿ áîÿçíü. 26. Íåèçìåííîå ïîëîæåíèå, ïðèíèìàåìîå íà

âåðó. 27.  èóäàèçìå: ñóááîòíèé îòäûõ. 28. Íàáëþäåíèå çà íåäååñïîñîáíûìè ëèöàìè. 33. Âûñîêàÿ ñêàëà. 35. Ñîñóä â âèäå ÷àøè, áîêàëà. 36. Òîíêàÿ ëåïåøêà èç òåñòà. 37. Íåáîëüøîé ãðûçóí ñ îñòðîé ìîðäî÷êîé è äëèííûì õâîñòîì.

39. Êðóïíûé ÿäîâèòûé ïàóê.

41. Ïîìåùåíèå äëÿ ñîäåðæàíèÿ ïðåñìûêàþùèõñÿ. 44. Ìîëî÷íîêèñëûé ïðîäóêò. 45. Êðåïêèé àëêîãîëüíûé íàïèòîê èç âûäåðæàííîãî âèíîãðàäíîãî ñïèðòà. 46. Áîëüøàÿ êðóãëàÿ ïëîñêàÿ ïîñóäèíà. 47. ×àñòü ðóêè. 48. Âðåìÿ ãîäà.

49.  ñòàðèíó: ìåòàëëè÷åñêèå äîñïåõè, áðîíÿ. 50. Îäè÷àâøàÿ àâñòðàëèéñêàÿ äîìàøíÿÿ ñîáàêà.

ÎÒÂÅÒÛ ÍÀ ÊÐÎÑÑÂÎÐÄ Â ÍÎÌÅÐÅ ÎÒ 29 ÈÞÍß 2016 ÃÎÄÀ ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 3. Ãðûçóí, ïîäîòðÿä áåëêîîáðàçíûå. 5. Ðàçãîâîðíîå íàçâàíèå òåëåâèçîðà. 10. Îáóâü.

12. Êîëè÷åñòâî ñîçðåâøèõ çëà-

êîâ, ïëîäîâ, ãðèáîâ. 13. Ïðàâàÿ èëè ëåâàÿ îêîíå÷íîñòü ñòðîÿ èëè áîåâîãî ðàñïîëîæåíèÿ âîéñê. 14. Èñïîâåäü. 15. Âèä ìåëèîðàöèè. 16. Íàèìå-

ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 3. Ýæåêòîð. 9. Áóáåí. 10. Àðìèÿ. 11. Äåìïôåð. 13. Õîëîäåö. 14. Ãàëòåëü. 15. Ñèã. 18. Êîëüöî. 19. Ðàäèñò. 22. Îáîç.

23. Äíî. 24. Òåìà. 25. Áàçà. 27.

Ìèëÿ. 30. Ïëå÷î. 31. Ìèíóñ. 32. Áðîä. 35. Ñíîá. 37. Ñâîä. 39. Æèð. 40. Ñòîë. 41. Êèÿíêà. 42. Óäàâêà. 44. Çîá. 47. Ðåöèäèâ.

49. Äèëåììà. 50. Ðåâèçèÿ. 51. Ôîáèÿ. 52. Âîëíà. 53. ×åõàðäà.

ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Êóðîê. 2. Ëåñîâîç. 4. Æðåö. 5. Êàïëè. 6. Îëåã. 7. Ïðîòåñò. 8. Áèëëü. 11. Äåëüòà. 12. Ðàçäåë. 15. Ñîäà. 16. Ãðîì. 17. Êîìïîñò. 18. Êîòåëîê. 20. Òåì-

íîòà. 21. Êàïñóëà. 25. Áîá. 26. Çëî. 28. Èîí. 29. ßìá. 33. Ðàíæèð. 34. Äæàç. 35. Ñðóá. 36. Îâàöèÿ. 38. Äèâèçèÿ. 40. Ñêðåáîê. 43. Âåíîê. 45. Îñèíà. 46. Ñìåíà. 48. Âå÷å. 49. Äèîä.

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ÍÅÄÂÈÆÈÌÎÑÒÜ

Friday, July 29, 2016

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Êàê

Êàê ïîäãîòîâèòü äîì

ê ôîòîñåññèè? Õîðîøèå ôîòîãðàôèè – ýòî 90% óñïåõà â ïðîäàæå âàøåãî äîìà. À ôîòîñåññèÿ – îäèí èç íàèáîëåå âàæíûõ øàãîâ â ïîäãîòîâêå ê ïðîäàæå. È ïðåæäå, ÷åì ÿ ïðèãëàøó ôîòîãðàôà, òùàòåëüíî ïîäãîòîâüòå äîì.  ôîêóñå äîëæåí áûòü èìåííî âàø ÄÎÌ. Òåêñò Ëàðèñû Äîñòàëü, àãåíòà ïî íåäâèæèìîñòè Dallas Luxury Realty 1. Âêëþ÷èòå âñå ëàìïû â äîìå, âêëþ÷àÿ íàñòîëüíûå è íàïîëüíûå.

2. Âûêëþ÷èòå òåëåâèçîðû è ìîíèòîðû êîìïüþòåðîâ.

3. Ñïðÿ÷üòå ôîòîãðàôèè, íàñòîëüíûå ÷àñû, èñêóññòâåííûå ðàñòåíèÿ è äðóãèå ïðåäìåòû ñ ïîâåðõíîñòåé ñòîëîâ, òóìáî÷åê, êîìîäîâ è ò.ä.

4. Óáåðèòå âñå âåùè ñ êóõíè è ñ êóõîííûõ ñòîëîâ, à òàêæå êóõîííóþ òåõíèêó, ïîëîòåíöà, ìèñêè äëÿ æèâîòíûõ, ìóñîðíûå âåäðà, ìàãíèòèêè ñ õîëîäèëüíèêà è ò.ä.

5. Óáåðèòå òóàëåòíûå ïðèíàäëåæíîñòè, ïîëîòåíöà, êîðîáêè ñ ñàëôåòêàìè è ò.ä. èç âàííûõ êîìíàò è äóøåâûõ êàáèí.

6. Óáåðèòå êîâðû, â òîì ÷èñëå è êîâðèêè â âàííûõ

êîìíàòàõ. Êîìíàòû áåç êîâðèêîâ çðèòåëüíî âûãëÿäÿò áîëåå ïðîñòîðíûìè.

7. Íàéäèòå âîçìîæíîñòü óâåñòè èç äîìà äîìàøíèõ æèâîòíûõ íà âðåìÿ ôîòîñåññèè.

8. Âûêëþ÷èòå âñå âåíòèëÿòîðû â êîìíàòàõ çà 1015 ìèíóò äî ôîòîñåññèè. Èíîãäà òðåáóåòñÿ âðåìÿ, ÷òîáû âåíòèëÿòîð îñòàíîâèëñÿ.

9. Óáåðèòå ìàøèíó ñ ïîäúåçäíîé äîðîæêè íà óëèöó. Â ôîêóñå äîëæåí áûòü òîëüêî âàø äîì.

10. Óáåäèòåñü, ÷òî òðàâà íà ãàçîíàõ è çàäíåì äâîðå ïîäñòðèæåíà è óõîæåíà.

11. Î÷èñòèòå ãàçîíû è ïàòèî îò ìóñîðà è ëèñòüåâ.

12. Ïî÷èñòèòå áàññåéí è óáåðèòå âñå èãðóøêè âîêðóã íåãî.

13. Ðàññòàâüòå ñàäîâóþ ìåáåëü òàê, êàê âû õîòåëè áû âèäåòü åå íà ôîòîãðàôèÿõ. Îòêðîéòå çîíò íàä ñòîëîì.

14. Ñïðÿ÷üòå øëàíãè, áàêè äëÿ ìóñîðà è ñàäîâûå èíñòðóìåíòû.

Ëàðèñà Äîñòàëü – âàø ðèýëòîð â Äàëëàñå è ïðèãîðîäàõ

Íå ïðîñòî ïðèáåðèòåñü â äîìå, à óñòðîéòå ãåíåðàëüíóþ óáîðêó è òùàòåëüíî ïðîéäèòåñü ïî âñåì êîìíàòàì. Ñïðÿ÷üòå âñå âåùè ñ ïîâåðõíîñòåé â øêàôû, ÷òîáû èõ íå áûëî âèäíî. Îñîáåííî ñôîêóñèðóéòåñü íà êóõíå è âàííûõ êîìíàòàõ. Ãîòîâèòå äîì ê ïðîäàæå? Çâîíèòå âàøåìó ðèýëòîðó Ëàðèñå Äîñòàëü èç àãåíòñòâà íåäâèæèìîñòè Dallas Luxury Realty 972-464-8385 äëÿ áåñïëàòíîé êîíñóëüòàöèè. www.RussianAgentDallas.com www.DallasTelegraph.com/61674 Russian www.DallasTelegraph.com/en/61674 English

Öåíû íà íåäâèæèìîñòü â Äàëëàñå ïî òåìïó ðîñòà íà ÷åòâåðòîì ìåñòå â ñòðàíå Öåíû íà íåäâèæèìîñòü â ýòîì ìåñÿöå â Äàëëàñå íà 9 ïðîöåíòîâ âûøå, ÷åì ýòî áûëî ÷óòü áîëüøå ãîäà íàçàä. Ýêñïåðòû ãîâîðÿò, ÷òî â äîïîëíåíèè ê âûñîêèì öåíàì, ïðîäàæè íà ðûíêå âòîðè÷íîãî æèëüÿ äîñòèãëè ñàìîãî âûñîêîãî åæåìåñÿ÷íîãî ïðèðîñòà, íà÷èíàÿ ñ 2007 ãîäà, êîãäà íà÷àëîñü óâåëè÷åíèå ñòðîèòåëüñòâà íîâîãî æèëüÿ. Òåêñò The Dallas Telegraph. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ Äàëëàñ ñòàë ÷åòâåðòûì ãîðîäîì â ÑØÀ ïî ãîäîâîìó ðîñòó öåí íà íåäâèæèìîñòü.  Ïîðòëåíäå, øòàò

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Äîñòóïíûå äîìà â Äàëëàñå ïî÷òè íà âåñ çîëîòà äàííûå – èíäåêñ îò êîìïàíèè Case-Shiller. Êîìïàíèÿ Realtor.com íàçûâàåò Äàëëàñ ïÿòûì ãîðîäîì â ÑØÀ ïî óðîâíþ ðîñòà öåí. Íà÷èíàÿ ñ 2007 ãîäà, ñ ïðîøëîãî áóìà â ñôåðå íåäâèæèìîñòè, öåíû â Äàëëàñå íà æèëüå âûðîñëè íà 25 ïðîöåíòîâ. Òàê, â èþíå ýòîãî ãîäà, ñðåäíèé äîì â Ñåâåðíîì Òåõàñå ñòîèë 237 òûñÿ÷ äîëëàðîâ. Àãåíòû ïî íåäâèæèìîñòè ñåòóþò íà íåõâàòêó äîìîâ â ñðåäíåé öåíîâîé êàòåãîðèè äëÿ ïðîäàæè, èìåííî ïîýòîìó ðàñòóò öåíû íà òî ìàëîå êîëè÷åñòâî äîñòóïíûõ äîìîâ, êîòîðûå ïîÿâëÿþòñÿ íà ðûíêå. Òàêàÿ æå ñèòóàöèÿ è íà ðûíêå êîíäî â Äàëëàñå. Âîîáùå ïî âñåìó øòàòó íàáëþäàåòñÿ ïîïóëÿðíîñòü â ïîêóïêå ýòîãî âèäà íåäâèæèìîñòè. Òîëüêî ñ ÿíâàðÿ ïî ìàé ýòîãî ãîäà â íàøåì ãîðîäå áûëî ïðîäàíî 1.536 êîíäî, ÷òî íà 3,8 ïðîöåíòà âûøå, ÷åì â ïðîøëîì ãîäó. Ñïåöèàëèñòû òàêîé àæèîòàæ íà ðûíêå êîíäî îáúÿñíÿþò ïîïóëÿðíîñòüþ ýòîãî òèïà æèëüÿ ñðåäè òåõ, êòî âûõîäèò íà ïåíñèþ è òåõ, êòî ïðèîáðåòàåò ñâîå ïåðâîå æèëüå. Ñðåäíåå êîíäî â Äàëëàñå ñòîèò ïðèìåðíî 160 òûñÿ÷ äîëëàðîâ. Íà íàöèîíàëüíîì óðîâíå íåäàâíåå èññëåäîâàíèå îò Zillow ïîêàçûâàåò, ÷òî äîìà ñåé÷àñ ïðîäàþòñÿ áûñòðåå, ÷åì â ëþáîå äðóãîå âðåìÿ, íà÷èíàÿ ñ 2010 ãîäà.  ñðåäíåì íàõîæäåíèå äîìà íà ðûíêå íå ïðåâûøàåò 56 äíåé.  Õüþñòîíå ýòà öèôðà ñîñòàâëÿåò 70 äíåé, â Îñòèíå – 57 äíåé, à â ÑàíÀíòîíèî – 69 äíåé. www.DallasTelegraph.com/61645 Russian www.DallasTelegraph.com/en/61645 English

Âëàä Íåäàâíî ìíå â ðóêè ïîïàë ñïåöâûïóñê óêðàèíñêîãî æóðíàëà Viva!, êîòîðûé ðàññêàçûâàë î ïðîåêòå “Victorious” («Ïåðåìîæö³»). Ïðîåêò íàïðàâëåí íå òîëüêî íà òî, ÷òîáû èçìåíèòü îáùåñòâåííîå ìíåíèå î ñîëäàòàõ âîéíû, ñòàâøèõ èíâàëèäàìè, íî òàêæå è íà òî, ÷òîáû ñíàáäèòü èõ ïðîòåçàìè. Òàêèì îáðàçîì ðåáÿòà è äåâ÷àòà ñìîãëè áû âåðíóòüñÿ ê íîðìàëüíîé æèçíè.  ðàìêàõ ýòîãî ïðîåêòà æóðíàë ðàññêàçàë è ïîêàçàë èñòîðèè 18 ãåðîåâ, êîòîðûå âåðíóëèñü ñ âîéíû ñ ôèçè÷åñêèìè ðàíàìè, íî ïðè ýòîì îñòàëèñü äóõîâíî è äóøåâíî öåëîñòíûìè ëþäüìè. Ñðåäè ãåðîåâ áûë è 23-ëåòíèé Âëàä Êóçíåöîâ, êîòîðûé ïîòåðÿë íà âîéíå ðóêó íèæå êèñòè. Áëàãîäàðÿ óêðàèíñêîé äèàñïîðå, ó Âëàäà ñíîâà ïîÿâèëàñü ðóêà – ýëåêòðîííàÿ. Íó, à êîãäà ó ïàðíÿ ñïðîñèëè î åãî çàâåòíîé ìå÷òå, îí îòâåòèë: «Ïîåõàòü â Òåõàñ è óâèäåòü íàñòîÿùèõ êîâáîåâ!» Àìåðèêàíñêèé ôîíä SaveLivesTogether.org, ÷åé ÿðêèé ïðåäñòàâèòåëü Òîíÿ Ëåâ÷óê æèâåò è ðàáîòàåò â òåõàññêîì Îñòèíå, ðåøèë îñóùåñòâèòü ìå÷òó ãåðîÿ è ïðèãëàñèë åãî â Òåõàñ. Î ôîíäå è åãî áëàãîðîäíîé ìèññèè ìû ðàññêàæåì â îäíîì èç ñëåäóþùèõ íîìåðîâ ãàçåòû, ñåãîäíÿ æå ãåðîé ýòîé ïóáëèêàöèè – Âëàä Êóçíåöîâ. Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí Äëÿ íàñ, ïðåäñòàâèòåëåé óêðàèíñêîé äèàñïîðû â ÑØÀ, âñå çàùèòíèêè Óêðàèíû – ãåðîè è êèáîðãè. Ýòî òå ëþäè, êîòîðûå íå æàëåþò ñâîèõ æèçíåé ðàäè ñâîáîäû íàøåé Óêðàèíû. Âëàä – îäèí èõ íèõ. Îí ãåðîé è â òî æå âðåìÿ î÷åíü ïðîñòîé è ñêðîìíûé â îáùåíèè ïàðåíü. Íåñêîëüêî äíåé îí ïðîâåë â Îñòèíå è â Ñàí Àíòîíèî.  Äàëëàñå åãî ïðèíèìàëà ãàçåòà The Dallas Telegraph, ðóêîâîäèòåëü êîëëåêòèâà óêðàèíñêîé ïåñíè «Âåñåëêà» Îêñàíà Òîïîðèíà è ìíîãèå äðóãèå ÷ëåíû óêðàèíñêîé äèàñïîðû. Î Òåõàñå, âîéíå, Áîãå è î ïîäâèãå ìû è ïîãîâîðèëè ñ Âëàäîì.

– Îòêóäà ó Âàñ ìå÷òà ïîïàñòü â Òåõàñ?

– Ýòà ìå÷òà ðîäîì èç äåòñòâà – áëàãîäàðÿ àìåðèêàíñêèì ôèëüìàì. Ìíå î÷åíü íðàâèëàñü Àìåðèêà, è âñåãäà õîòåëîñü óâèäåòü ñâîèìè ãëàçàìè, êàê ó âàñ âñå óñòðîåíî, êàê ëþäè æèâóò. Ìíå, êîíå÷íî, íðàâèòñÿ âñÿ Àìåðèêà, íî øòàò Òåõàñ îñîáåííî.

– Ó Âàñ â Äàëëàñå áûëà äîñòàòî÷íî îáøèðíàÿ ïðîãðàììà – ïîñåùåíèå ìóçååâ, ôàáðèêè, ãäå ïå÷àòàþò äîëëàðû, êîâáîéñêèõ ìåñò, êîðåéñêîé ñàóíû, âñòðå÷à ñ äèàñïîðîé è ìíîãîå äðóãîå. Èç òîãî, ÷òî Âû óæå óâèäåëè, ÷òî Âàì áîëüøå âñåãî çàïîìíèëîñü?

– Òî, ÷òî áîëüøå âñåãî çàïîìíèëîñü – ýòî àâòîìîáèëè, âåðíåå, èõ îáèëèå. ×óâñòâóåòñÿ, ÷òî ó êàæäîãî àìåðèêàíöà åñòü ñâîé àâòîìîáèëü, è äàæå íå îäèí. Áûëî èíòåðåñíî óçíàòü, êàê óñòðîåíû ñàìè ãîðîäà, àâòîñòðàäû, ðàçâÿçêè. Âñå ýòî ïðîèçâåëî íåèçãëàäèìîå âïå÷àòëåíèå – î÷åâèäíî, íà êàêîì âûñîêîì óðîâíå ýòî äåëàåòñÿ.

– Ïóòåøåñòâóÿ ïî Òåõàñó, Âû ñòàëêèâàëèñü ñ êîëîðèòíûìè àìåðèêàíöàìè, ñ ÷åðíîêîæèìè, ñ èñïàíîÿçû÷íûìè, ñ ïðåäñòàâèòåëÿìè äèàñïîð â Àìåðèêå. Êàêèå àìåðèêàíöû ëþäè?

– Ïðåæäå âñåãî, àìåðèêàíöû âåñåëûå. Ýòî ðåàëüíî ÷óâñòâóåòñÿ. Î÷åíü ìàëî â Àìåðèêå óãðþìûõ ëþäåé. Êîãäà èäåøü ó íàñ ïî óëèöå, ÷àùå âñåãî âñòðå÷àåøü óãðþìûõ ëþäåé ñ îïóùåííûìè ïëå÷àìè. È òû, èäÿ ñðåäè íèõ, òîæå â òàêîãî æå ïðåâðàùàåøüñÿ. Çäåñü ëþäè î÷åíü îòêðûòûå è âåæëèâûå, ñïðàøèâàþò î òîì, êàê ó òåáÿ äåëà.

– Îäèí èç ìóçååâ, êîòîðûé Âàñ ïðèíèìàë â Äàëëàñå – Ìóçåé Áèáëåéñêîãî èñêóññòâà. Êàê âàñ òàì ïðèíèìàëè?

– Áûë îêàçàí î÷åíü òåïëûé ïðèåì. Êîãäà ìû ïðèøëè, íàñ ëè÷íî âñòðåòèë è ïðîâåë ýêñêóðñèþ äèðåêòîð ýòîãî ìóçåÿ Ñêîòò Ïåê (Scott Peck). Òàì ñîáðàíî î÷åíü ìíîãî ðàðèòåòîâ èñêóññòâà.

–  Òåõàñå î÷åíü ñèëüíà äóõîâíàÿ ñîñòàâëÿþùàÿ – èóäåéñêàÿ, êàòîëè÷åñêàÿ, ïðîòåñòàíòñêàÿ, ïðàâîñëàâíàÿ. Òåõàñ åùå íàçûâàþò ïðÿæêîé Áèáëåéñêîãî ïîÿñà. Âû, Âëàä, áûëè â îäíîì èç òàêèõ çíàêîâûõ äóõîâíûõ çàâåäåíèé Äàëëàñå – â öåíòðå ðóññêîÿçû÷íîé îáùèíû – â Ñîáîðå Ñâÿòîãî Ñåðàôèìà, è Âàñ ïðèíèìàë Àðõèìàíäðèò Ãåðàñèì.

– Ìû, äåéñòâèòåëüíî, ïîçíàêîìèëèñü ñ îòöîì Ãåðàñèìîì. Îí ìíîãî ðàññêàçûâàë î öåðêâè, î òîì, êàê îíè âûðàæàþò ñâîþ âåðó, êîììåíòèðîâàë óêðàèíñêèå ñîáûòèÿ. Îí ñêàçàë, ÷òî îíè ìîëÿòñÿ î ìèðå, íå îäîáðÿÿ âîéíû.

– Äëÿ Âàñ ýòî áûëî âàæíî?

– Äà. Ìíå î÷åíü ïîíðàâèëñÿ îòåö Ãåðàñèì, êàê ÷åëîâåê. Îí î÷åíü îòêðûòûé è ïðîñòîé.

– Âëàä, ÿ çíàþ, ÷òî Âû ïðèîáùåíû ê ïðàâîñëàâíîé öåðêâè è Âàøà ìàìà î÷åíü öåðêîâíûé ÷åëîâåê. Íàñêîëüêî âàæíà äëÿ Âàñ äóõîâíàÿ ñîñòàâëÿþùàÿ Âàøåé æèçíè?

– Íà âîéíå áåç âåðû òðóäíî. Ïîòîìó ÷òî èìåííî âåðà äàåò òåáå ïîíèìàíèå, ÷òî òû íå îäèí, ÷òî òåáÿ Áîã ïîääåðæèâàåò. Êàê â íàøåì ñëó÷àå – òû ñåáÿ ÷óâñòâóåøü çàùèòíèêîì ñâîåé ñòðàíû. Îäíîìó, ñàìîìó ïî ñåáå, òðóäíî, íî êîãäà òû äóìàåøü, ÷òî ÿ íå îäèí – íàìíîãî ëó÷øå è ëåã÷å.

– Âû òàêîé äîáðûé, òàêîé âåñåëûé, òàêîé îòêðûòûé ÷åëîâåê, ÿ áû ñêàçàëà, ÷òî î÷åíü îáàÿòåëüíûé. Âîéíà Âàñ íå èçìåíèëà?

– ß íå äóìàþ. Êîãäà âñå ýòî íà÷èíàëîñü, ÿ ìíîãî ÷åãî ÷èòàë è óçíàâàë, è ìîãó ñêàçàòü, ÷òî áûë ãîòîâ ê òîìó, ÷òî ïðîèçîøëî. Ôèçè÷åñêè, äà, à ìîðàëüíî – íåò.

– À ÷òî òàêîå âîéíà?

– Äàæå íå çíàþ, êàê ïðàâèëüíî ïîäîáðàòü ñëîâà.  íàøåì ñëó÷àå – ýòî ñòîëêíîâåíèå ñ ëþäüìè, ÷üå ìíåíèå â ðåàëüíîñòè íå ñîîòâåòñòâóåò òåì öåëÿì, êîòîðûå îíè ïåðåä ñîáîé ñòàâÿò. È ýòè ëþäè íàñòðîåíû âðàæäåáíî ê óêðàèíöàì. Îíè áåðóò â ðóêè îðóæèå è ñòðåëÿþò.

– Âëàä, à ÷òî çíà÷èò áûòü óêðàèíöåì äëÿ Âàñ? Íà òîé âîéíå âåäü âîåâàëè è äî ñèõ ïîð âîþþò íå òîëüêî ýòíè÷åñêèå óêðàèíöû, íî è ðóññêèå, åâðåè, àðìÿíå...

– Äëÿ ìåíÿ ýòî, ïðåæäå âñåãî, ëþáèòü ñâîþ Ðîäèíó, áûòü âåðíûì ïðèñÿãå, êîòîðóþ òû äàâàë. Âñå ëþäè, êîòîðûå ïðèøëè â àðìèþ ïî òåì èëè èíûì ïðè÷èíàì – îíè ïðèíèìàëè ïðèñÿãó ñâîåé ñòðàíå.

– À ðóññêèé ÿçûê?

– Ðóññêèé ÿçûê – ýòî ÿçûê îáùåíèÿ è íà âîéíå,

11À

ËÈÖÀ

Friday, July 29, 2016

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íàñòîÿùèé Ãåðîé Óêðàèíû

Êóçíåöîâ ïîëþáèë Òåõàñ è â ìèðíîé ÷àñòè Óêðàèíû. Ðóññêèì ÿçûêîì ñâîáîäíî âëàäååò, íàñêîëüêî ìíå èçâåñòíî, áîëüøå ïîëîâèíû Óêðàèíû, à âñÿ ñòðàíà åãî ñâîáîäíî ïîíèìàåò – â îòëè÷èè îò Ðîññèè.  Ðîññèè ìàëî êòî ïîíèìàåò óêðàèíñêèé.

– Íà êàêîì ÿçûêå Âû ãîâîðèëè ñ òîâàðèùàìè íà âîéíå?

– Íà ðàçíûõ – íà ðóññêîì, íà óêðàèíñêîì. Áûëè ó íàñ ñèòóàöèè, êîãäà ìû ñèëüíî ñîïðèêàñàëèñü

– À î ÷åì Âû åùå ìå÷òàåòå? Ñóïðóãà? Äåòêè?

– Ïîêà íà ýòî íåò íè âðåìåíè, íè âîçìîæíîñòåé. Ýòî, íàâåðíîå, íà áóäóùåå. Ïîêà æå ó ìåíÿ âñå óïèðàåòñÿ â ñëóæáó. Ïîæèâåìóâèäèì.

– Êàê ÿ óæå îòìå÷àëà, Âû – îòêðûòûé ÷åëîâåê, à âîéíà – ýòî ñòðàøíàÿ øòóêà. Òàì, íà âîéíå, ÷òî Âàì ïîìîãëî îñòàòüñÿ òàêèì æå îòêðûòûì?

øîå ïðîñòðàíñòâî. Íà ïîäúåçäå ê ãîðîäó êàæäûé ÁÒÐ ïîåõàë â ñâîåì íàïðàâëåíèè, è ìåæäó ìàøèíàìè áûëî äîâîëüíî áîëüøîå ðàññòîÿíèå, êîãäà ìû ïîäúåõàëè ê îêîïàì ñåïàðàòèñòîâ. Âïåðåäè íàøåé ìàøèíû øåë êîìàíäèð. Îí îñòàíîâèë ÁÒÐ, ñêàçàë, ÷òî íàøà ìàøèíà ìîæåò çàñòðÿòü íà âîçâûøåííîñòè. È â ýòîò ìîìåíò äàëè î÷åðåäü ñ îêîïà. Êîìàíäèð óïàë, ðåáÿòà áðîñèëèñü ê íåìó íà ïîìîùü, à ÿ

Ïðîñêàíèðóéòå QR-Code, ÷òîáû ïîñìîòðåòü âèäåî èíòåðâüþ ñ Âëàäîì Êóçíåöîâûì

ãðàíàòà, ïðè÷åì, ãðàíàòà ñòàðîãî ñîâåòñêîãî îáðàçöà.  óêðàèíñêîé àðìèè òàêèõ ãðàíàò íåò íà âîîðóæåíèè. ß óâèäåë, ÷òî ãðàíàòà áåç ðû÷àãà è ïîíÿë, ÷òî ñåé÷àñ ðâàíåò. Ñíà÷àëà ÿ õîòåë

ÿ ãðàíàòó ñðàçó âûáðîñèë, òî óäàëîñü áû èçáåæàòü òàêèõ ïîñëåäñòâèé.

– Âû ñåáÿ êîðèòå?

– Íåìíîãî, åñëè ìîæíî òàê ñêàçàòü.

áûëà òÿæåëàÿ êîíòóçèÿ. Âñå âåðíóëèñü äîìîé – ê ãðàæäàíñêîé æèçíè, íàøëè ðàáîòó. ß æå âèæó ñåáÿ â àðìèè.

– Âëàä – Âû íàñòîÿùèé ÷åëîâåê. È õîòÿ ìû

Äèðåêòîð Ìóçåÿ Áèáëåéñêîãî èñêóññòâà â Äàëëàñå Ñêîòò Ïåê ëè÷íî âñòðå÷àë ãåðîÿ Óêðàèíû ñ ìåñòíûì íàñåëåíèåì. Êîãäà ìû, íàïðèìåð, ïðîñèëè èõ ðàçîéòèñü ïî äîìàì, ïîòîìó ÷òî áûëî íåáåçîïàñíî, îíè íà÷èíàëè ñ íàìè â ïîëåìèêó âñòóïàòü. È ìû èíîãäà ñ íèìè ìàòîì îáùàëèñü...

– Ýòî áûë òðåòèé ÿçûê îáùåíèÿ?

– ...Òàêèì õîðîøèì ðóññêèì ìàòîì. Îíè íå ïîíèìàëè, êòî ìû – íåóæåëè ðóññêàÿ àðìèÿ? Ìû îòâå÷àëè, ÷òî ìû – «óêðàèíñêàÿ àðìèÿ, íî ïðîñèì âàñ ðàçîéòèñü, ïîòîìó ÷òî ýòî îïàñíî äëÿ âàøåé æèçíè». Îò èçóìëåíèÿ îíè îñòàâàëèñü ñòîÿòü êàê âêîïàííûå – íå âåðÿ ñâîèì ãëàçàì. Ñïðàøèâàëè – «îòêóäà âû»? Ìû îòâå÷àëè: «èç Æèòîìèðà». Îíè íå óíèìàëèñü: «À ïî÷åìó âû ðàçãîâàðèâàåòå íà ðóññêîì ÿçûêå?» Ìû îòâå÷àëè, ÷òî «çíàåì ðóññêèé è ðàçãîâàðèâàåì íà íåì». Îíè âñå åùå íå âåðèëè, ñ÷èòàÿ, ÷òî ìû îáùàåìñÿ òîëüêî íà ñâîåì óêðàèíñêîì, ÷òî ìû ôàøèñòû, áàíäåðû è òîìó ïîäîáíîå.

×óâñòâî ëîêòÿ òîâàðèùåé, âåðà â Áîãà, îñîçíàíèå òîãî, ÷òî Âû ñðàæàåòåñü çà ïðàâîå äåëî?

– Òî, ÷òî âû ñêàçàëè, îíî â ñîâîêóïíîñòè äàâàëî ïîíÿòü, êòî òû åñòü, çà÷åì òû òàì è, êàêîâà òâîÿ öåëü âîîáùå â æèçíè.

– Åæåäíåâíî êàæäûé èç íàñ ñîâåðøàåò ìàëåíüêèå èëè áîëüøèå ïîäâèãè, íî òîò ïîäâèã, êîòîðûé ñîâåðøèëè Âû, Âëàä, ìû íå ñîâåðøàåì åæåäíåâíî. Ðàññêàæèòå, ïîæàëóéñòà, ÷òî ñëó÷èëîñü â òîò ðîêîâîé äåíü?

– Â òîò äåíü 2014 ãîäà ìû îòïðàâèëèñü íà ðàçâåäêó

îñòàëñÿ çà ÁÒÐîì, ïðèêðûâàÿ èõ. Ðåáÿòà ïîïðîñèëè ìàøèíó ïîäúåõàòü ëåâîé ñòîðîíîé, ÷òîáû çàáðàòü êîìàíäèðà. À ïðàâàÿ ñòîðîíà ÁÒÐà ñìîòðåëà â ñòîðîíó ñåïàðàòèñòîâ. Ìû çàòÿíóëè êîìàíäèðà â ëåâóþ ñòîðîíó ìàøèíû, íî îäíîìó àâòîìàò÷èêó íå õâàòèëî ìåñòà. Îí ïîäáåæàë ñ ïðàâîé ñòîðîíû ÁÒÐà, ïî ïóòè ïîäîáðàâ åùå àâòîìàò êîìàíäèðà, çàêèíóë åãî â ÁÒÐ è ñàì çàïðûãíóë. ß óæå äîëæåí áûë çàêðûâàòü êðûøêó ëþêà, à â ýòî âðåìÿ ñåïàðàòèñòû ïîíÿëè, ÷òî ìû ñîáèðàåìñÿ îòòóäà óæå óåçæàòü. Ìû ïðàêòè÷åñêè íå îòñòðåëèâàëèñü äàæå. È â ýòî âðåìÿ ÿ óñëûøàë õëîïîê

Îòåö Ãåðàñèì èç ïðàâîñëàâíîé öåðêâè Ñâÿòîãî Ñåðàôèìà â Äàëëàñå ðàññêàçàë Âëàäó, ÷òî îáùèíà ìîëèòñÿ î ìèðå

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ãîâîðèì î ãåðîÿõ, êàê î êèáîðãàõ, íî îíè, òî åñòü âû – îáû÷íûå ëþäè è ãåðîè. Ñïàñèáî âàì! www.DallasTelegraph.com/61629 Russian www.DallasTelegraph.com/en/61629 English

– Âëàä, íó êàêîé æå Âû ôàøèñò è áàíäåðîâåö. Âû – ïðîñòîé óêðàèíñêèé ïàðåíü. Âû ëþáèòå æèçíü è ñòðåìèòåñü ê íåé. Êñòàòè, â êàêîì óíèâåðñèòåòå Âû ó÷èòåñü?

– Â Õàðüêîâñêîì óíèâåðñèòåòå Âîçäóøíûõ ñèë.

– Ýòî Âàøà ìå÷òà – ñòàòü îôèöåðîì?

– Äà, ÿ õî÷ó ñòàòü îôèöåðîì è ñòàíó èì íåìíîãî ïîçæå, ïîñêîëüêó ÿ ó÷óñü íå íà âîåííîé, à íà ãðàæäàíñêîé êàôåäðå.

Âëàä Êóçíåöîâ ïîîáùàëñÿ ñ íàñòîÿùèìè êîâáîÿìè â ãîðîä Ëèñè÷àíñê Ëóãàíñêîé îáëàñòè. Ïðèìåðíî 10 ÁÒÐàì íóæíî áûëî ðàçâåäàòü áîëü-

è ïî÷óâñòâîâàë, ÷òî ìíå ÷òîòî óïàëî ïîä íîãè. ß îïóñòèë ãîëîâó è óâèäåë, ÷òî ýòî

âûïðûãíóòü è ïîäîðâàòüñÿ íà íåé è äàæå ïðèâñòàë íåìíîãî. Íî ïîòîì ñîîáðàçèë, ÷òî âîêðóã òîâàðèùè, íå óñïåþ, âçÿë ãðàíàòó â ðóêó è ïîñòàðàëñÿ êàê ìîæíî äàëüøå âûêèíóòü åå èç ÁÒÐà. Ãðàíàòà íå ñèëüíî äàëåêî îòëåòåëà, ïîýòîìó ðóêó ìíå îòîðâàëî, îñêîëêè ñðèêîøåòèëè âíóòðü ÁÒÐà, ðàíèëè äðóãèõ ðåáÿò è ïåðåáèëè îäèí èç êàáåëåé â ìàøèíå. Ìû äàæå íå ñìîãëè çàâåñòèñü, ÷òîáû äàëüøå åõàòü. Ìû âûáðàëèñü íà ëåâóþ ñòîðîíó. Âûïîëç è âîäèòåëü. ß åìó äàë àâòîìàò, ñêàçàë íàñ ïðèêðûâàòü. Îí íàñ ïðèêðûâàë. Îí ïåðåâÿçàë ìåíÿ, ïóëåìåò÷èêà è êîìàíäèðà – åãî ñèëüíî îñêîëêàìè ïîñåêëî. Ïîòîì ðàíèëî è âîäèòåëÿ, êîãäà îí îòñòðåëèâàëñÿ. À ÿ, êîãäà ìåíÿ ïåðåâÿçûâàëè, ïî ðàöèè ïûòàëñÿ âûçâàòü ïîìîùü. Íàø ñèãíàë óñëûøàëè, ïðèåõàëè, çàáðàëè è óâåçëè. Ïåðåâÿçàëè. Êîìàíäèð îò ïîëó÷åííûõ ðàí ñêîí÷àëñÿ – íå ñìîãëè ñïàñòè.

– Âû õîòåëè âûïðûãíóòü âìåñòå ñ ãðàíàòîé è ñïàñòè òîâàðèùåé. À Âû ïîíèìàëè, ÷òî öåíîé ýòîãî ïîñòóïêà ñòàíåò Âàøà æèçíü? Ýòî æå äîëè ñåêóíä?

– Íó, âîò ÿ íà ðàçäóìüå ñåêóíäó è ïîòðàòèë, åñëè áû

Àìåðèêàíñêèé ôîíä SaveLivesTogether.org ïîäàðèë Ãåðîþ Óêðàèíû Âëàäó Êóçíåöîâó ïîåçäêó â Òåõàñ

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Friday, July 29, 2016

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Ïðàçäíîâàíèå 4 èþëÿ â Ïðàâîñëàâíîé

öåðêâè Ñâÿòîãî Ñàâû â Àëëåíå Òåêñò è ôîòî Ñåðãåÿ Òàðàí

Ïðàâîñëàâíàÿ öåðêîâü Ñâÿòîãî Ñàâû â Àëëåíå íà óëèöå S. Jupiter, äîì 1601, â Äåíü Íåçàâèñèìîñòè ÑØÀ ïðèãëàñèëà äðóçåé íà ïðàçäíèê.  ïðîãðàììå áûëè èãðû, àòòðàêöèîíû, àïïåòèòíàÿ åäà è ìíîãî îáùåíèÿ è ñìåõà. Âñå ñáîðû, ñäåëàííûå â ýòîò äåíü, áûëè íàïðàâëåíû â ôîíä ñòðîèòåëüñòâà áîëüøîãî õðàìà. Ñðåäè ãîñòåé áûëè çàìå÷åíû ïðåäñòàâèòåëè àðìÿíñêîé, åâðåéñêîé, óêðàèíñêîé, àìåðèêàíñêîé è, êîíå÷íî æå, ðóññêîé îáùèí.  îäíîì èç ñëåäóþùèõ íîìåðîâ ãàçåòû ìû îáÿçàòåëüíî ðàññêàæåì î ïðîåêòå ñòðîèòåëüñòâà íîâîãî êðàñèâîãî çäàíèÿ ïðàâîñëàâíîé öåðêâè, êîòîðûé, óâåðåíû, ñòàíåò àðõèòåêòóðûíì óêðàøåíèåì Àëëåíà, à ïîêà ïðåäëàãàåì ôîòîðåïîðòàæ ñ ïðàçäíèêà.

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