Segment II Portfolio

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David Morgan portfolio

segment II bachelors of architecture fall semester 2015


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CONTENTS 0.0 DEVELOPMENT .1 ESSAY .3 RESUME 1.0 STUDIO .1 .2 .3 .4

RE-USMENT DECAY THE SEAM DOUGH - JO

2.0 (F)UNEMPLOYED .1 .2 .3 .4 .5 .6 .7 .8 .9 .10

IKD LET’S SPOON HUXTABLE FELLOWSHIP RESILIENT LIVING VIRTUAL VILLAGE BUILT - INS CNC DESK BOSS LEVEL SLIGHTLY OFF CENTERED BY HAND


DEVELOPMENT There is a sense that float through the concrete walls of the BAC that consists of evolution tried to isolate a moment in my schedule to think about my experience between balancing practice work and school work. The concept of the BAC’s curriculum is to allow for students to work full time while pursuing their education in the design field. That is a brand that is stamped to each successful student. Our education consists of influential design courses that are separated by different concentrations of interests. We are constantly associated with a professional field which starts to contort our decisions made at school. Within this whole collage of experiences anchored to each BAC student, we are introduced to understand the time is a tool in our field, a man made tool that still has a foreign concept to it. This tool is our most valuable, as it’s something we do not own but more of a permanent system that indefinitely wraps itself within our every doing.

Both professional practice and academic engagement evolve in the way of improvement, but it’s not in the sense of being the ‘best’. By setting our goals on being the best we pour a fog of vagueness over our paths in reaching our destinations. Instead, we are shown the power of getting ‘better’. By being present in both realms of architecture we create the opportunities that are needed in order to create the paths to becoming better. Letting ourselves understand the work necessary behind development, in the idea of becoming the ‘best’ without the blind optimism of how to others have gotten there. During this journey we have the opportunity to relate it back to creative setting of our education, creating the best connection as a BAC student. Being a progressive BAC student can be considered downright a crazy experience. It’s the structure of our education that makes us a valuable commodity within the design world. We constantly are in a reality check that forces you to balance all the elements of life with small linings of moments to reflect on your personal life. As a student, it’s always inspiring to hear this, and dangerous to be involved with. As it doesn’t allow for much failure, but a lot of room for improvement.


RESUME experience

INTERN

IKD Boston, MA Current

DESIGNER

Huxtable Fellowship Boston, MA 2015-2016

BUILDER

CW Builders Brookline, MA 2013 - 2014

DRAFTER

MADRI Builders Waltham, MA 2012 - 2014

Design firm focused in a cross-disciplinary in nature, with a broad spectrum of. Constant engagement in materials and building techniques from conceptual to finish. Hands on research with digital designing to create spaces for art.

Analytical team of design students researching causes and effects of Boston’s sea level rise. Graphically documented research and data towards a public, civic, and community-based projects that promote public interests of Boston’s water resilience.

Commercial and residential contracting. Developed successful management and organizational skills with conducting material orders and job schedules. Continuous supervision of plans, details and materials that required coordinating between architects, clients and sub-contractors. Focus on residential renovations with kitchen and living room built-ins. Project scaled from 200 sq ft to 2250 sq ft. Conducted project research and budgeting along with creating material cutlists, plans, and renderings.

projects

Resilient Living

A funded research project I created which focused on architectural resilience through the lens of residential design and technology. Within 40+ days I visited 5 different cities along with interviewing community members, architects, contractors, activists, and business owners.

Lets Spoon!

A workshop created to enhance the students understanding in the BAC Fab Lab by approaching the design of a spoon. With leadership in the creation of the project I aimed to challenge students by asking to create and craft a spoon in the digital and physical sense.

NY, LA, TX, CA Sum 2015

Boston, MA 2014 practice

Digital Craft Involvement

AutoCAD 2D, Rhino 5.0, SketchUp, Grasshopper , Adobe CC Suite, 3DS Max, Vray, Maxwell, MS Office wood working, laser cutting, fabrication, CNC 3 axis, photography, framing, model making Atelier Student Rep, LEED GA , BSA Core, NOMAS, BSA, BAC peer Mentor, BAC woodshop monitor



studio 2012-2015


RE-USEMENT MAKING SPACE SPRING 2012 C-1 INSTRUCTORS :MELISSA ALEXANDER , NICHOLAS RIVARD The Re-usement was a conceptual project that looked at the value of an item and its intention of being thrown away. This studio focused each concept in different scales in order to grant us the opportunity to iterate our concept with a new vision. At the time, I was deeply obsessed with seeking out used material that I could use to build different pieces of furniture around my new apartment. I structured a series of data that explored the removal and exchange in items that are among the stages of being considered trash. I traced the disposal of trash throughout the city by breaking down the neighborhoods of Boston. This created an understanding of what items went where along with the location scrap yards within the city. I also intended to utilize different forums and websites to study the items that were being offered for free.


junk movement and locations


estimated weekly waste distribution

Good Will 5000lbs

Craigslist 3500lbs

trash removal process 10

PROCESS My mapping explored the process of removing junk from Boston’s neighborhoods while scaling common day uses of disposing of items. As I started to pinpoint interesting items I was finding, I started to highlight the items that stood out in my personal value.

Removal System 13,000,000lbs

LYNN SAUGUS CRAIGSLIST

Item : Pan Located: Craigslist Value: cooking utensil / back up weapon


Item : Shake Weight Located: Craigslist Value: physical work out/ potential present Item : penguin bank Located: trash Value: spare change hub/ pet


value the item

throw it away

personal scale routes

used and sturdy lumber possibility for seating

offer the item

range of shapes exterior decay presence

find the item

VALUING I added a new scale of mapping to my process my exploring a personal route that would look for different items. This challenged my outlook on what trash was, and how an item could start to be broken down into an opportunity of having a second life.

concept of process

POSTING I utilize the tools of how I looked for items by posting to Craigslists. During my personal journey of glorified dumpster diving, I found a wine bottle box that I re purposed and posted the new item to Craigslist. This process guided me through different personal attraction to a certain item.


re purposed box

new owners

Kids Sled : Allston

Racket : Allston

Shake Weight : Allston

Owl Hot Plate : Brighton

Glass Set : Brighton

Craigslists response

Frames : Brighton

Cat Coaster : Allston

Rolling Pin : Allston


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URBAN INTERVENTION The Re-usement Kiosk displayed each item for what it was worth but with a presence of store front. The intention of this kiosk was to think of a centralized hub that could pop up in different places of Boston, where anyone could access the items. You could considered it a mobile garage (free!) sale.

Newbury storefront

item tag


interactions


DECAY SUPER HEROES AND SKYSCRAPERS SPRING 2014 C-2 INSTRUCTORS :MARK URREA, RICHARD YEAGER The Decay project was a concept analysis of the character ‘Walter White’ from the show Breaking Bad. By studying the evolution of this characterGlasses I created Shirt the notion of architectural decay to represent the transformation of Walter White. In the show Walter goes through these series of thresholds that begin to alter his actions and Underwear emotions. He begins as a simple man that has an unique talent in Gun chemistry until he is greeted with a dangerous sickness that could end his life. With the intention of helping his family, he utilize his talents to cook some of the finest Methamphetamine. Socks Shoes

Threshold

Within this studio, we were challenge to understand this character and recreate our analysis with an architectural a l t eI r W h i t e intervention within the John Hancock W Tower. approached this design with the focus of adapting the Hancock to represent the decay of Walter White.



threshold 4

threshold 1

threshold 2

threshold 3

Break Bad timeline

Threshold 4 10 // 90

10 // 90 Threshold 3

50 // 50

50 // 50 Threshold 2

SUBJECT: WA LT E R W H I T E BREAKING BAD METH COOK

90 // 10

Threshold 1

Walter White decay

Hancock Tower D tower E C A Yform STUDIES

C O N C E P T 18

90 // 10

BREAKING BAD The analysis of Walter White created a clear narrative behind his decay. As his stories develops he begins to submerge himself in his power. Walter shows how his internal corruption crosses over to control who he was, creating the identity of Heisenberg.

Decay Gradient public to private

Decay Percentage decay percentage

Threshold Location threshold location


Hancock Tower approach

tower decay it. 1

Hancock Tower visual access

tower decay it. 2

tower circulation


natural decay study

decay modeling it.1

program decay

decay facade 20

DECAYING By studying the movement of decay, I created a library of methods to apply into the intervention. Each method crossed from external to internal which allowed for the decay to adapt throughout the structure of the tower.

tower plan decay

threshold transition

IN - TO - OUT The Hancock holds a structural core that I approached as the start of the decay process. The intention of having an interior and exterior decay element would create a construction relationship that symbolized the program development.


decay modeling it.2

decay modeling it. 3


deck

mid level plan

form

theatre

eleva-

deck

program

public space

public entrance

form

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private entrance

ground level plan

program


mid level section

ground level section


decay collage

detail model 24

site plan


office

residential

public

program development

wall section concept


THE SEAM BRIDGING CULTURES FALL 2014 C-1 INSTRUCTORS : KRISTEN O’GORMAN , HEATH CODY The Seam was a conceptual studio project that called for a design of a neutral space where the people of Boston could congregate. We were challenged to produce a strong conceptual approach to our design. My design was rooted in my concept of creating “influential transitions that assemble our diversity” As this studio called for a spiritual space, I examined the opportunities of these forms, and practiced these methods into my process. As our site was tucked in a heavily circulated corner of Boston, I focused on creating a spatial relationship to the site that acted as a series of thresholds that would work as a method of connecting any type of human to a intertwined spiritual experience. By creating a series of sectional thresholds, I developed a narrative and relationship between the project’s program, materials, and spatial experience.



site character

form

approach

thresholds

concept development

individual

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CONCEPT | SITE ANALYSIS This site is located on the shoulder of the BU bridge that connects with Cambridge. Nestled near the traffic of Memorial Drive, the site holds a elements on each face that contains unique characteristics that create the value of this corner.

connected

adapted


street breakdown

one lane

car traffic

two lane

highway

circulation thresholds

train

foot traffic


  

forest transition

  

site transition

section transition

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TRANSITIONING By using the contours of the site along with form of the bridge, I created a transition that reflected the idea of walking off a path and into the woods.

   

   




program sketches

existing duck (public) gathering

program analysis

program development

PROGRAM For this design I pushed a program that would mesh with the intention of public use. I incorporated a kayak stand for public to rent from, along with a amphitheater. Both programs worked with the site to pull the circulation back into the site.


deck | hammock

BU bridge entrance

kayak stand

entrance

deck hammock

s.1

cafe

indoor garden

amphitheater

walkway


k

ec

entrance level

ed nc

a ntr

e

ck

o mm

ck

de

ha

s.1 ground level e caf offic e

entrance en

rd ga

entrance

circulation

r

te ea

ith

h mp

a

kayak stand

s.2

form and motion


metal panel

plywood wood column

wrapped

beam construction concept

s.2

kayak stand

wood exposed

metal exposed

exposed


detail model 1 | deck

detail model 2 | thresholds

detail model 2 | hallway



form progression


THE DOUGH-JO MAKING SENSE OF JUNK SPACE FALL 2015 C-2 INSTRUCTORS : CHRIS KURKLAND, ADAM HARPER The Dough - Jo was a design process that approaches the understanding of human senses and how it translates to architectural methods. With the visual sense set aside, my design was centered around “connecting our dependence of visual recognition by representing our passive catalog of atmosphere.� Senses are tools. The site, located at Yawkey station in Fenway, is submerged in circulation that ties a network of efficiency to Boston. Whether you operate as a local, commuter, worker or visitor this site cuts into the urban fabric only to connect you back into its identity. With visual and physical links to the historical characteristics of Boston, this site can be labeled as a shortcut. The focus of my design was to maintain its effective efficiency while creating elements that acknowledge its surroundings while footing a personality and integrity of for its space.


SMELL

FEEL

HEAR

equations of networks

assortment of links

measurements of character

smell can activate a collision of memories and can ignite a direct path characters

feel orchestrates a timeline of direct and indirect responses to spaces

hearing gives directionality to material by identifying attributes of space and time


wind

sun

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SITE ANALYSIS The character of the site pinpointed the approaches with its connection to the city. With one face towards the residential housing of Brookline and the other to public land mark of Fenway, the site had the opportunity to be utilize by anyone.


CONTEXT

SOUND

MOVEMENT


site understanding

form

program

efficient

thresholds

efficient + character

character

efficient + character + program

path sketch 42

DOUGH + JO The site called for two different programs that worked within a public path to the set. I chose to design for a bakery that served as a school for cooking, along with a samurai studio. These two programs reflected their own procedure in practice which I used to help define the narrative in each program.


THE DOUGH hands on access to tools interactive education library of items distribute the work open air space blurred hierarchy visual connections organized for interaction

ABSTRACT NARRATIVE

DISPLAY PRACTICE TRAINING KITCHEN STATIONS BAKING EQUIPMENT STOREFRONT LOCKERS BATHROOM DRY STORAGE COLD STORAGE EQUIPMENT STORAGE CLEANING AREA UTILITIES EATING EVENT

150 sq ft 700 sq ft 1000 sq ft 300 sq ft 150 sq ft 30 sq ft 200 sq ft 650 sq ft 400 sq ft 150 sq ft 50 sq ft 1500 sq ft 1500 sq ft

THE JO cared for by users formal spaces of training precise geometry hierarchy in entrances places of honor rules displayed top down correction gear shown in back connected to temple

TRAINING SHRINE BATHROOM STORAGE LOCKERS YARD SPACE UTILITIES ARENA

550 sq ft 100 sq ft 200 sq ft 50 sq ft 30 sq ft 500 sq ft 430 sq ft 1500 sq ft


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PATH PROGRESSION With the public pathway I modeled different methods of connecting the public with practice of each program that would be shared within the pathway.

SENSE DETAIL I saw opportunity in the pathway with its construction to develop the presence of the architectural senses. By using different thresholds and material, I wanted to create different atmospheres that would ignite the difference in programs through hearing and smelling.


metal channel sun panel partition wall sense wall

FEEL CONCEPT CONSTRUCTION

timber framing metal channel metal coupling acoustic panel

HEARING CONCEPT CONSTRUCTION


DOUGH JO PUBLIC

circulation

narrative section 46

outside dojo

dojo

stage

pathway

bakery


dec

ove ns

dry

stor age

k bak e

ry

dec

k

loft b.o.h bath roo m

s

cafe

shri

ne

stag e

do -

jo bath roo m

s

loft

out

side

dojo


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SENSE DETAIL By using different materials to highlight the atmosphere of each program, I utilized the rock material in the shrine by cutting it through the ground and act as seating for the public. This study developed the moment I was aiming to acheive within the practice of architectural senses.


material use

timber joinery

pathway

10 x 10 fir beam 1� dia. dowel joint branch beam

detail model

10 x 10 fir beam

10 x 10 fir post 1� recessed washer and bolt

detail model

framing structure


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(f )unemployed 2012-2015


Column Studies Tai Soo Kim Partners Architects

edge condition EDGE CONDITION

CORNER CONDITION corner condition

TYPICAL CONDITION typical condition

column plan

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IKD - COLUMNS FALL 2015 | DESIGN INTERN | SUPERVISOR YUGON KIM The work flow at my current employer can be considered charrette based. A current project has been designing a system of interior columns. The intention of the column is to branch into the ceiling joist with a seamless joint. I’ve been using modeling and drawing our samples to communicate with the engineers.


Typical Column Option 2 Tai Soo Kim Partners Architects


1.1

2.1

1.2

2.2

1.3

2.3 concept sketch

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IKD - BENCHES Working with the Isabella Steward Gardner Museum, I’ve been producing a series of benches that explore the possibility of multipurpose use in the New Palace Gallery. We’ve approached the geometry with reference to the square space by creating a concept of exploding a square.

bench set 1


3.1

4.1 3.4

3.2

4.2 3.5

3.3

4.3

bench set 2

bench set 3


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LET’S SPOON! FALL 2015 | BAC WORKSHOP | CO-CREATOR, DESIGNER | ALL PHOTOS CC CHRISTIAN BORGER | SUPERVISOR KYLE STURGEON The BAC woodshop underwent a full renovation and we want to share the new capabilities of the Fab Lab. With this workshop we challenged students to engage in designing and building a spoon in the digital and physical world. Students initiated their own understanding of a spoon by learning the craft behind its creation and questioning the design of a spoon. By utilizing shop and cnc fabrication, the workshop explored the relationship and capabilities of hand and digital creating. The workshop was structured for full day intensive sketch problem. We gave a mini lecture that went over the elements of the spoon and then had the students work through sketching and modeling of their designs with the given constraints we created


THE TYPE Each student was assigned an adjective to their spoons to give an attitude to their designs, along with a pre cut bowl to work with.

THE WORK We facilitated a narrative of how to design their spoon with each student. Walking them through the process of fabricating helped connect the idea to the build.


CNC bowls 58

The day ran with intensive pleasure that had everyone getting hands on experiences with their designs. Laying out references and ideas gave precedent studies throughout different stages. We barreled through 16 different spoons, and we worked closely with Section Cut which gave us the opportunity to curated the work digitally for an online library.

spoon library


THE COLLECTION


surge storm + sea level rise + high tide

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HUXTABLE FELLOWSHIP 2015-2016 | BAC COMMUNITY ENGAGEMENT | FELLOW | SUPERVISOR BENJAMIN PETERSON The Ada Louise Huxtable Fellowship is a competitive program that is hosted for BAC students. I was selected as a recipient of this program along with 5 other advanced students. This Fellowship is an intensive year long program that focuses on creating different opportunities that engage fellows in public, civic, and community-based design work, all based with a collaborative partnership with Boston’s Community Design Resource Center, Boston Society of Architects and Neighborhood of Affordable Housing. Our work challenged us to engage in resilience of East Boston through community engagement.


EAST BOSTON


SITE 1 | The Prince Building

LIVING WITH WATER PRINCIPLES

This building represents existing and historic, urban, waterfront buildings and properties that are common in Boston and similar vulnerable coastal cities.

DESIGN FOR RESILIENCE

Resilience implies adapting to or bouncing back from a disturbance quickly. Resilient planning and design incorporates redundancy and anticipates change over time.

SITE 2 | The 100 Acres

This neighborhood site represents urban waterfront mixed-use districts with a mix of existing, historic and new developments set in green and blue public spaces.

INTERNATIONAL DESIGN COMPETITION Boston Living with Water is an international call for innovative design solutions and strategies that address the regular coastal flooding expected by the year 2100. Over 340 leading planners, designers, and thinkers submitted proposals for three sites in Boston in response to the challenge of sea level rise and climate change.

SITE 3 | Morrissey Boulevard This road represents vulnerable coastal infrastructure that is routed through historic, mixed-use, and new development districts and remains critical to growth and functionality of cities.

1990s The Deer Island Sewage Treatment plant is constructed two feet higher than originally designed in anticipation of sea-level rise.

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2000s The City of Boston takes first climate actions with direction to reduce municipal greenhouse gas emissions.

2004 Tufts and Boston Universities publish the Climate’s Long-Term impacts of Metro Boston (CLIMB) with EPA Funding

There is three segments that focus on different experiences within the concept of the Fellowship. Our first project worked with the BSA’s Living With Water competition. Our team analyzed the LWW competition entries to study the moves and techniques of creating a resilient Boston. With this information we designed a brochure that would spread ideas and designs of the competition, along with translating this information into a language for community members to use.

2005 Boston adopts the US Mayors Climate Protection Agreement to further reduce greenhouse gas emissions, and improve energy efficiency

2006 The Union of Concerned Scientists publishes reports on the effects of climate change, projecting an increase of sea-level and average temperatures

2007 Mayor Menino leads the City of Boston to prepare action plans for reduction of dangerous climate change effects and incorporates these into the City’s plans for emergency responses and development

CREATE DOUBLE-DUTY SOLUTIONS

Double-duty solutions afford protection in times of need and provide for other uses when idle realizing multiple benefits and maximizing economic, ecologic, and cultural gain.

STRENGTHEN COMMUNITY RESILIENCE

Community resilience maintains and enhances the cultural identity that defines a city through resiliency networks and social support systems. Strategies that strengthen social resilience can both cost less and provide meaningful benefits to participants.

2009 The Climate Action Leadership Committee is appointed and prepares comprehensive recommendations for the Boston community on climate change mitigation on adaptation

2015 Boston’s municipal agencies are preparing for climate changes with evolving mitigation plans in place and commencing calls for bold Living with Water ideas and grassroots preparation efforts.


Finalist Honorable Mention People’s Choice

ABSORB

CHANNEL

ELEVATE

MOVE

BLOCK

CONNECT

EMPLOY

The Omega Chain The Hydrokinetic Canal as an Urban Generator Bountiful Delta: It’s not just resilient No building is an island The Water Fun(d) The Prince Building Piers Water District Resilient Linkages Total Resilience Approach High Street City Prince Place a Community Center / Surge Shelter Contributive Infrastructure Fort Point's: Living Basin Living Shorelines for a Resilient Urban Cove Living Threshold Open Circuit: Traveling Water Reconnect-Resist-Slow-Collect Atlantic Boardwalk - Northern Bridge Fort Point Power Morrissey Boulevard: The High Road East of the sun, west of the moon 100 Acres: 100 Years Water District Re/Creation District The Past Informs the Future Strategy for a Resilient Neighborhood Transforming Morrissey: Arterial to Amenity BOSTONGENIC Evoluted DNA Urban System Archimedes Negotiation Ecologically Connected Channel Green Living Threshold 100 Acres: 100 Years Fort Point: An Emerging Synthesis Sky City Contribute Infrastructure On Boston Shores Emerald Necklace Extended MorriSEA PARKWAY An Archaeological Tour of Boston Inverted Pier Why not flooding? MORRISSEY 2100: The Road to Resilience Bridging Culture Living with WWH (love thy neighbor) Thriving With Water SEE-Levels: A Glimpse into the North End’s Shell The 100 Acres: Urban Resiliency Test Lab The Boston's Mangrove #Rising Tides Lift All Boats A Futuristic and Resilient View for Fort Point A Life Aquatic: A celebration of living with water

ABSORB

Expanding permeability and holding capacity to mitigate increased water volume

For more information on the competition, visit www.bostonlivingwithwater.org

The Water Fun(d)

Resilient Linkages

CONNECT

CHANNEL

Augmenting to control the course and direction of water movement

Networking between water and social elements to improve recovery efforts

ELEVATE

Lifting of elements and structures to accommodate increased water levels

#LivingWithWater @BostonLwW Take another look at the competition boards online and share the ideas with your colleagues, friends and family!

BLOCK

Shielding of the built environment by man-made landforms, structures and devices

Thriving With Water

City of Boston, the Boston Redevelopment Authority, the Boston Harbor Association, and the Boston Society of Architects with support from the Barr Foundation and the Massachusetts Office of Coastal Zone Management.

MOVE

Relocating elements and structure to harbor increased water levels

#Rising Tides Lift All

The Boston Living with Water International Design Competition is organized

On Boston Shores

BOSTONGENIC Evoluted DNA Urban

Gatefold style

In weighing the proposals, the jury looked for bold and innovative approaches and at the same time, for effective scales of engagement and replicability. The competition resulted in many different interventions that have been classified into seven

THANK YOU TO OUR PARTNERS:

HUXTABLE FELLOWSHIP

The Omega Chain

KEY STRATEGIES

COMPETITION ENTRIES

EMPLOY

Utilizing the rising water as an energy resource in combination with renewable sources.


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Following the introduction to the LWW competition we shifted our focus into our highlighted Fellowship site, East Boston. Working closely with the CDRC and NOAH we submerged ourselves into the community of Eastie to see their resilience. We surveyed hundreds of homes that cataloged the building conditions of neighborhoods to better understand the stance locals were holding. As we documented this work we took part in different workshops that were tackling this situations and used these events to hear what stakeholders input was of these solutions.


Jefferies Eagle’s Hill Orient Heights

5 levels

4 levels

3 levels

2 levels

multi-family single family mix use commercial

HEIGHT

poor

fair

good

CONDITION

USE

excellent

vinyl

aluminum

brick

stone

concrete

FOUNDATION

brick

ENVELOPE

wood

0” - 12”

13” - 24”

25”+

ENTRANCE HEIGHT


1/ structural 2/ services 3/ foundation

Previous Floods

1/ structural -Supporting the structure of this building is a set of steel beams and columns that help carry the weight of the building

2/ services -The services to this building are located in the basement level. With the location of this building, the services will be in danger of damage from the 100 year flood plain

66

With our concentrations held in the grassroots of East Boston and sea level rise, we met and ran resilience assignments of different homeowners in the area. We analyzed the built opportunities community members could have along with identifying the issues they might face with SLR. By documenting the living conditions of different communities we created maps that zoomed in on the maps of each neighborhood which helped the conversation with locals. This was when we started to understand our audience and how we needed to create graphics and translations that accommodated to their vision.

3/ foundation -The buildings foundation has experienced water damage in the past. With the different structural systems, the building is in danger of failing.


ORIENT HEIGHTS

2100 AUMENTO DEL NIVEL DEL MAR + TEMPESTAD DE LA MAREA/ MAREJADA 2100 sea rise + storm surge

EAGLE HILL

JEFFERIES POINT

At Risk ORIENT HEIGHTS EAGLE HILL JEFFERIES POINT

30% 35% 50%


NOAH workshop

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With this information we held two different lectures with the CEU workshops and NOAH workshops. We presented this information that showed both the analysis of our research, along with our solutions towards engaging the community. This narrative worked to improve the dialogue between Eastie residents and professionals that were tackling the issues of resilience. We saw moments in conditions that tenants and homeowners could use in order to improve their living situation. However, we needed to develop an incentive that would appeal to our audience, which usually had us tying back to the opportunity of saving money. Our work continuously had us realizing the understanding people had of this work which ultimately lead to introduction of disconnection between the design and community.

CEU Lecture


passive ventilation

surge storms

blind systems


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RESILIENT LIVING SUMMER 2015 | INDEPENDENT RESEARCH| CREATOR , DESIGNER | SUPERVISOR BENJAMIN PETERSON During the summer, the fellowship allowed for us to take our own adventure into community engagement. I decided I wanted to follow through with the resilience work from the Spring semester, which lead to the creation of this research project. Resilient Living is a research project that focused on the research of resilience within residential living and architectural technology. The starting purpose of this trip was to investigate the different scales of design that seeks to mitigate the impacts the effects of climate change. During the course of a month, I traveled to New York, New Jersey, Louisiana and Texas. These destinations served as case studies towards issues cities face in becoming resilient


new york city, ny hoboken, nj 6.24.15 - 7.3.15 hurricane sandy $19 billion in damage displaced 200,000 households

new orleans, la baton rouge, la empire, la 7.3.15 - 7.14.15 hurricane katrina $108 billion in damage displaced 600,000 households

houston, tx galveston, tx 7.14.15 - 7.22.15 current flooding $350 million in damage displaced 2,000 households


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Each destination brought me to a unique opportunity of documenting the community and neighborhoods. I spent most of time trekking through the infrastructure of each location and taking pictures of the methods they demonstrated. This process challenged myself to figure out the best of way meeting these homeowners or tenants and seeing what their experiences and opinions were on the ideas of climate change. Each city I met with working professionals that spanned from architects, politicians, community leaders, and contractors.


NYC fabric

NYC housing

New Orleans fabric

New Orleans housing

Houston fabric

Houston housing

NYC climate

New Orleans climate

Houston climate


RENT

OWN

New York City, NY population 8.4 mil

New Orleans, LA population 378,715

Houston, TX population 2.2 mil

MILES TRAVELED plane car foot scooter

6558 1583 219 15

22 RECORDED HOURS OF INTERVIEWS Shelby Doyle Kenneth Schwartz Nupur Chaudhury Stephen Cauffman Jeremy Alain Siegel Carter Craft Jordan Pollard Amanda Loper

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With this trip over, I have been working to develop this work in a medium that would best show the work. I spent hours documenting my research and trip by blogging my writing, photography, and interviews, but there isn’t a solid presence of where this work can be presented. I am currently working on creating a online publication that doubles as a printable 5”x 5” book, and am planning on tying this work into my degree project.


digital publication draft


Site |16,000 Square FT 930 South Yates St Denver, CO

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VIRTUAL VILLAGE SUMMER 2014 | FREELANCE| DESIGNER During the midst of the Lyme Disease hibernation, I was beginning to get anxious from boredom. I began to look for different projects that would be interesting to become a part of. After browsing different online pages, I came across a post to Reddit from a user in Denver, CO. He was asking for people’s opinions on creating an urban commune on a plot of land he had just purchased. After getting in contact with the Redditor, we started to lay down some foundations to the project. He wanted to follow a concept based on principles of efficiency,permaculture, and a low budgeted community within the city. We began to explore the different possibilities of making a low budget house that would fit the environment of this project. We came across this online diagram that shows the building process of Yurt structure. This became the anchor of our project, and we pushed off from this.


E C L R I C

prototype

prototype

D O P E

modular concept

C I R L C E

E P O D


Key Spline Note:

Plywood Platform

The top layer of plywood and insulation would cut and used to make the key. The foam can expand And create a tight connection with in the key joint, and the plywood will help secure the key.

Lay Plywood (Both top and bottom)

Lay Insulation

Section Detail Adhesive together

Framing

Platform Notes:

I had three different thoughts on how the platform could attach to the framing.

78

Keys & Framing

Keys

Framing:

Keys:

Keys & Framing:

You could just get large deck screws, and attach it through the plywood. Or crawl underneath and hanger it in.

Add in the Spline Joint and create a key that The Keys would be joints the pieces together. You could split evenly throughthrow a few screws out the seem. It was common to have a into the outside to rectangular 4�x 8� Key secure it.

With the Keys in use too, we could attach more fasteners to secure it better.

The first stage of this project was to design and create small living spaces for a community, focusing on the foundation piece first. After some research with local codes and zone, we came across the issue of the permits and licenses we would need to create this project. However, we found a loophole. We could keep this community up for 180 days, and then they would have to taken down, which gave us idea of modular units we could take down and rebuild to fit this law. To keep a flexible stance towards iterating the project, we planned to create temporary structure into pieces. The diagrams represent the different sizes of Yurts, and how they could be broken into different forms.


10 1⁄8”

2’

6’ - 4 ¼”

10’ - 9 ¾”

6’ - 4 ¼” 1’ - 1⁄8”

11’ - 11 ½”

2’

11’ - 11 ½”

fabrication process

10’ - 9 ¾”

2’ - 5 5⁄8”

2’ - 6”

2’ - 5 ¼”

4’ - 6 7⁄8”

foundation location

2’

framing


80

BUILT - INS

2013 - 2014 |MADRI FINE WOODWORKING | DRAFTER, BUILDER | SUPERVISOR DAN MADRI

At the beginning of segment II, I began an apprenticeship at a fine woodworking company. During my time there, I had the chance to design and build two built in cabinets for a piano room. The client had asked us to recreate his current crown molding, have sliding recessed doors, and be able to hold his speakers to his piano. This job required a bit of acoustic research among many other subjects, however most of the beneficial moments came from the mistakes I made during the building process. With that being said, this experience marks a checkpoint of when my responsibilities and experience started to increase. I found the process of designing and building furniture to be something I really enjoyed,however was not what I wanted to pursue as a career.


fabrication process


31

20 1/4

11 1/4

3/8

22 9

H: 53 3/4W: 31 D: 20 1/4

9 31

20 1/4 11 1/4

21

3 3/4

9

19 3/4

9

82

The process began with modeling different parts of the project, beginning with the carcass. I was assigned with the tasks to create and present the process of creating this project. This consisted of the measurements of each piece, the order of materials, the cut-list, patterns of cuts and measurement locations of joints.

29

8

29

19 3/4

3

24 1/2

53 3/4

11 1/4


Piece 1 1/4” Ply

G

Piece 3 3/4” Ply

Piece 2 1/2” Ply

Support

F

Support

D

D2

C

L2

29 1/4” x 21 1/2”

E I

Bottom Backing

B

A2

52 3/4” x 20 1/4”

Left Wall

L

D

Inside Support

Inside Support

K2 21” x 11 4/5”

K 21” x 11 4/5”

M2

25” x 21 1/2”

Top Backing

M

25” x 21 1/2”

Top Backing

A

52 3/4” x 20 1/4”

Bottom Vertical

Left Wall

H

21” x 19 3/4”

Inside Support

I

E

E2

Bottom Backing

K

25 1/8” x 20 1/4”

24 1/2” x 19 3/4”

29 1/4” x 21 1/2”

J

Bottom Vertical

Piece 5 3/4” Ply

J

24 7/8” x 2”

25 1/8” x 20 1/4”

H

A

Piece 4 3/4” Ply

J2

24 7/8” x 2”

29 7/8” x 20 1/4”

29 7/8” x 20 1/4”

Middle Vertical

Middle Vertical

Right Top Wall

H2

21” x 19 3/4”

Inside Support

C

C2

24 3/8” x 20 1/4”

Inside Support

24 3/8” x 20 1/4”

G2

25 1/4” x 20 1/4”

Top Vertical

Right Top Wall

G

25 1/4” x 20 1/4”

Top Vertical

I2

24 1/2” x 19 3/4”

Inside Support

F2

21 1/4” x 20 1/4”

Top Vertical

F

21 1/4” x 20 1/4”

Top Vertical

B2

28 5/8” x 12 1/8”

B

28 5/8” x 12 1/8”

R.Bottom R.Bottom Wall Wall


it . 1 | CAD model

it . 1

84

it . 1

CNC DESK

To practice my craft in fabrication I tested a series of different CNC joints that would assemble together to form a desk. However, with this iteration there is a lot of mistakes that deal with the shear strength failing.

it . 1 | joints

it . 1 | leg joint


pixel abstraction

trimmed model

BOSS LEVEL

final model

A work shop run through Section Cut, we were challenged to produce an abstraction of isometric spaces for a pixelation of an image. We worked through series of illustrations to put together a quick rendering to show the intention of each space.

clay model











Stuffed French Toast Loaf of Cinnamon Raisin Toast 2 Tbsp of Milk 2 eggs 1 Tsp of Vanilla Extract 1 Tbsp of Cinnamon 1/2 Cup of Cream Cheese 2 Tbsp of Confectioners Sugar 1 Tsp of REAL Maple Syrup 2 Tsp of Honey 2 Bananas


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