MASTERPIECE Jakarta by MASTERPIECE Auction House Indonesia|Singapore|Malaysia

catalogue not for sale Jakarta, 10 May 2015

Fine Art Auction

MASTERPIECE FINE ART AUCTION - JAKARTA

Fine Art Auction Preview Friday, 8 May 2015 Saturday, 9 May 2015 11.00 am - 08.00 pm Auction Sunday, 10 May 2015 Luncheon : 11.30 am Auction : 1.00 pm

Venue Masterpiece Building Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707

MASTERPIECE FINE ART AUCTION - JAKARTA

Important Notice BRIEF ON CATALOGUE

All Lots are sold on an “as is” basis. The contents of catalogues produced by Masterpiece formed statements of opinion only. Subject to the limited warranty given in the Conditions of Sale for Buyers, no representation and warranty is made by Masterpiece or any seller of a Lot in respect of anything, including without limitation, description, value, or quality. Buyers are advised to inspect the property themselves. Masterpiece is not liable for any error or omission in this catalogue. All descriptions of dimensions are approximate only.

CONDITION REPORTS

Condition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lot is sold “as is”. Masterpiece catalogues sometimes include references to condition only in descriptions of Lots such as prints, books and wine. Generally, no statement of condition is given although they can be made available on request. Please liaise with Masterpiece representatives for a condition report on a particular lot.

EXPLANATION OF CATALOGUING PRACTICE

For Pictures, Drawings, Prints and Miniatures. Terms used in this catalogue have the meanings ascribed to them below: Name(s) or Recognized Designation of an Artist without any Qualification in Masterpiece opinion a work by the artist. *”Attribute to…” In Masterpiece qualified opinion probably a work by the artist in whole or in part. *”Studio of..’/”Workshop of..” In Masterpiece qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. *”Circle of..” In Masterpiece qualified opinion a work of the period of the artist and showing his influence. *”Follower of…” In Masterpiece qualified opinion a work executed in the artist’s style but not necessarily by a pupil. *”Manner of…” In Masterpiece qualified opinion a work executed in the artist’s style but of a later date. *”After…” In Masterpiece qualified opinion a copy (of any date) of a work of the artist. *”Signed..”/”dated…”/“Inscribed…” In Masterpiece’s qualified opinion the work has been signed/dated/inscribed by the artist. “With signature…”/”With inscription…” In Masterpiece’s qualified opinion the signature/ inscription appears to be by hand other than that of the artist. *With date…” In Masterpiece’s qualified opinion the date on the item was not executed on that date.

BIDDING The Auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left with Masterpiece in advance of the auction. Bidding will be done in Rupiah (Rp.). The auctioneer will not specifically identify bids placed on behalf of the consignor. BIDDING INCREMENTS The auctioneer will normally start with bids below the low estimate and may at his own discretion increase bids. The standard increments are:Rp. Rp. Rp. Rp. Rp. Rp. Rp. Rp.

1.000.000 10.000.000 20.000.000 50.000.000 100.000.000 200.000.000 500.000.000 1.000.000.000

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Rp. 10.000.000 by Rp. 500.000 Rp. 20.000.000 by Rp. 1.000.000 Rp. 50.000.000 by Rp. 2.000.000 Rp. 100.000.000 by Rp. 5.000.000 Rp. 200.000.000 by Rp. 10.000.000 Rp. 500.000.000 by Rp. 20.000.000 Rp. 1.000.000.000 by Rp. 50.000.000 above by the auctioneer’s direction.

ABSENTEE BIDS Absentee bids are written instructions from prospective buyers directing Masterpiece to bid on their behalf up to a maximum amount specified for each lot. Masterpiece staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical bids are received from two or more parties, the first bid received by Masterpiece will take priority. The auctioneer may execute absentee bids directly from the rostrum. Absentee Bids Forms are available in this catalogue. Absentee bids submitted on “no-reserve” lots will, in the absence of a higher bid, be executed at the amount of the bid. TELEPHONE BIDS Prospective buyers may bid by telephone during the course of the auction. Arrangements for this service must be confirmed with the Bid Department at least 2 hours prior to the auction. Telephone bids may be recorded. By bidding on the telephone, prospective buyers consent to the recording their conversation. Masterpiece will not be responsible for errors of failures to execute bids. SUCCESSFULL BIDS The fall of the auctioneer’s hammer indicates the final bid, at which time, the buyer assumes full responsibility for the lot. AUCTION RESULTS You may view auction results at www.masterpiece-auction.com

CONDITIONS OF SALE FOR BUYERS

Together with the terms as set out in “INFORMATION FOR BUYERS”, These Conditions contain all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms may be amended at any time by way of notices or oral announcements during the sale and auction. The buyer agrees to be bound by these Conditions when he/she bids to purchase a Lot. 1. Meanings In these terms and conditions, the following words and expressions have the following meanings: “Buyer” means the successful bidding buyer of a Lot;

INFORMATION FOR BUYERS

CONDITIONS OF SALE Masterpiece CONDITIONS OF SALE FOR BUYERS governs the terms and conditions of contract between the buyer and the seller of a lot and is set out later in this catalogue. Persons who have been registered as bidders will be deemed to have read and be fully aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS.. No reliance should be placed on oral representations made by any person at the auction. ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. Estimates do not include the buyer’s premium. For estimate on request, please contact us for further information.

“Reserve Price” means in respect of a Lot, the minimum price which the Seller is prepared to accept from a buyer;

RESERVES The reserve is the confidential minimum price the consignor will accept. The reserve will not normally exceed the low estimate.

“Rp” means the lawful currency of Indonesia.

BUYERS PREMIUM Masterpiece charges a premium to the buyer on the final bid price of each lot sold at 22% (twenty two percent). VIEWING/ADMISSION Pre-auction viewings are open to the public and free of charge. Buyers are strongly advised to examine the lots thoroughly, Condition reports are available. Masterpiece reserves the right to refuse admission and participation in its auctions. REGISTRATION Prospective buyers need to register for a numbered bidding paddle. Details of bank accounts are required for credit reference purposes.

“Catalogue” means the Catalogue prepared by Masterpiece which describes and illustrates all Lots for sale by Masterpiece; “Conditions” means these terms and conditions; “Hammer Price” means the price at which a Lot is sold to Buyer; “Lot” means each piece of property as described in the Catalogue for which bids are invited for purchase; “Masterpiece”, “our”, “we”, “us” means PT. Dwi Samapersada;

MASTERPIECE FINE ART AUCTION - JAKARTA

“Seller”, means in respect of a particular Lot, the seller of that Lot and his personal representatives;

Except where the context otherwise requires, words importing the singular shall include the plural and vice versa, words importing any one gender shall include all genders, and words importing persons shall include companies and corporations and vice versa. Unless otherwise stated, references to Clauses are references to Clauses in these Conditions. The headings appearing in this Agreement are inserted for ease of reference only and shall in no way define, limit or construe the terms and conditions appearing herein. 2. Parties to the sale of a Lot Unless otherwise stated, a Buyer contracts with a Seller to purchase a Lot. Masterpiece acts as the Seller’s agent in respect of the sale of a Lot.

(a) (b) (c) (d) (e) (f)

Bidding Registering. Prospective buyers are required to register for a numbered bidding paddle. Copies of bank accounts may be required to be shown to Masterpiece for credit references and/or payment purposes. Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between the Seller and Masterpiece. Bids may be placed by representatives of Masterpiece on behalf of the Seller up to the Reserve Price. There is no obligation on Masterpiece to identify bids placed on behalf of a Seller. Types of bids. Bids may be accepted from those present at the auction and from telephone bidders, or by absentee written bids left with Masterpiece prior to the auction. By bidding by telephone, all prospective buyers consent to the recording of all conversation and bids. Currency. Prices of all Lots are in Rupiah and all bids shall be made in Rupiah. Final bid. The fall of the auctioneer’s hammer indicates acceptance of the final bid, at which time the Buyer enters into a full valid and binding contract with the Seller to purchase the Lot. The results of absentee bids will be notified to the prospective buyer after the auction. Risk and responsibility of the Lot (but not title) pass to the Buyer seven calendar days from the date of the sale or earlier if full payment is made and delivery made to the Buyer. Buyer’s responsibility. When bidding, a prospective buyer accepts personal responsibility to pay the Hammer Price of the Lot for which he bids if he is successful, together with the premium price of 22% (twenty two percent) of the hammer price. Limited warranty No warranty. Neither the Seller nor Masterpiece makes any warranty in respect of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot “as is” without any representation or warranty of any kind by Masterpiece or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot. Limited warranty. The Seller and Masterpiece only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyer is required to notify Masterpiece in writing within a period of one year (the “Notice”) from the date of auction. Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is a forgery. Masterpiece or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert. Refund. In the event that Masterpiece is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer. The liability of Masterpiece and the Seller is limited to the purchase price of such Lot. Neither Masterpiece nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice. Conflict of opinion. In the event of conflict of opinion between the Buyer’s expert and the expert appointed by Masterpiece or the Seller, or if it can be shown that tests of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot. No assignment of Limited Warranty. The Limited Warranty in this Clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.

6. Non-payment Where a Buyer fails to make payment with cleared funds within the stipulated time, Masterpiece and/or the Seller shall be entitled, in addition to all other rights and remedies available under the law, to :(a) charge default interest at the rate of 1.5% per month on the outstanding sums due from the Buyer; (b) to commence legal proceedings against the Buyer for recovery of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis; (c) rescind the sale of the Lot; (d) to resell the property on such terms as they deem fit and to set-off the proceeds of sale against the outstanding sums unpaid by the Buyer; (e) to hold the Lot as security; pledge or lien pending payment of all outstanding sums due from the Buyer. 7. Copyright The copyright in all images, illustrations and literature, including the Catalogue is the property of Masterpiece and shall not be used by the Buyer without the prior written consent of Masterpiece. No warranty is made by Masterpiece and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it. 8. Miscellaneous (a) Notwithstanding anything stated in these Conditions, the Buyer shall indemnify Masterpiece and the Seller on a full indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the Seller or Masterpiece in respect of any breach by the Buyer of these Conditions. (b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law. (c) Masterpiece will hold Buyer’s personal data and may communicate it to affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service. (d) These Conditions are subject to Indonesia law, which shall apply to its construction as well as to its effect. (e) Where a translation of this agreement has been provided, the English language version shall prevail in case of conflict.

Payment, Title and Collection of purchases (a) Deadline for payment. All payments for sold Lots must be made within seven calendar days from the date of sale. (b) Title. No title in the Lot will pass to the Buyer until all amounts due to Masterpiece as stated in Clause 3(f) above have been paid, even in circumstances where Masterpiece has released the Lot to the Buyer before full payment has been made. (c) Payment modes. Payments must be in Rupiah and may be made in the following modes: (i) telegraphic transfer to Masterpiece’s bank account. Please include the Buyer’s name and invoice number in the bank instructions. (ii) By way of bankers’ draft or cashier’s order made payable to “PT. Dwi Samapersada.”. (d) Collection. The Buyer is required to collect his purchase from the premises of Masterpiece and pay for all delivery and shipping costs. Masterpiece may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk. (e) Storage charges. All purchases will initially be held for collection at the premises of Masterpiece at no charge for a period of fourteen days from the date of sale. Subsequently Masterpiece will charge the Buyer storage charges at the rate of Rp. 50.000,- a day per Lot, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection. (f) Limit on insurance cover. Masterpiece provides general insurance cover for sold Lots for a period of up to seven days from the date of sale of such Lots. Subsequently, risk of such Lots will transfer to the respective Buyers.

MASTERPIECE FINE ART AUCTION - JAKARTA

001 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Scenery Arab Oil on canvas: 30 x 40 cm Signed, lower left: Ger. P Adolfs RP 65.000.000 – 90.000.000 USD 5,200 - 7,200

MASTERPIECE FINE ART AUCTION - JAKARTA

002 ARIE SMIT (Zaandam, the Netherlands, 1916) Pura Di Bali, 2000 Acrylic on canvas: 40 x 50 cm Signed and dated lower left: Arie Smit, 00 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from artist RP 90.000.000 â&#x20AC;&#x201C; 120.000.000 USD 7,200 - 9,600

MASTERPIECE FINE ART AUCTION - JAKARTA

003 DULLAH (Solo, 1919 – 1996) Jambu, 1987 Oil on canvas: 90 x 66 cm Signed and dated, lower right: Dullah, 1987 RP 90.000.000 – 110.000.000 USD 7,200 - 8,800

MASTERPIECE FINE ART AUCTION - JAKARTA

004 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) A View of Telaga Warna Oil on canvas laid on board: 61 x 40.5 cm Signed, lower right: B.i Abdullah RP 60.000.000 – 80.000.000 USD 4,800 - 6,400

MASTERPIECE FINE ART AUCTION - JAKARTA

005 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Flamboyant Oil on board: 30 x 40 cm Signed, lower left: Gr. P. Adolfs RP 65.000.000 - 90.000.000 USD 5,200 - 7,200

MASTERPIECE FINE ART AUCTION - JAKARTA

006 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Nelayan Oil on board: 90 x 70 cm Signed, lower right: L. F.rits Ohl RP 60.000.000 - 70.000.000 USD 4,800 - 5,600

MASTERPIECE FINE ART AUCTION - JAKARTA

Willem Gerard Hofker Born in Amsterdam, the Netherlands, 1902. He studied arts at the academy of Fine Arts, Amsterdam and also learnt under painter W. Witsen and Isaac Israels. He once lived in Bali from 1938 – 1944 together with his wife, Hofker-Reuter. His works were undoubted. His color, texture surface, and contrastive control showed his maturity of painting study. Willem Hofker was a renowned and much sought-after portraitist. Between 1927 and 1981 Hofker made notes on over 1600 paintings, watercolors, etchings, lithos and mezzotints. His color, texture surface, and contrastive control showed his maturity of painting study. His drawing was very refined and smooth, also very poetic. Besides inspired by Balinese women figure, Hofker also painted portraits of his relatives. All are captured in sharply-observed and widely varied attitudes. If no relatives were at hand, Willem would sit before a mirror and draw himself. Hofker left an even larger number of portraits – in various techniques – of his mother, all bearing witness to his great love. In later years his wife Maria was a frequent and very patient subject of portraits in all kinds of techniques. The present lot illustrates one of his objects in portrait paintings. Hofker used a remarkable striking way with the eyes, involving infinite nuances of color and splendid downward illumination. His entire portrait is typified by its especially capable expression, carefully considered compositional unity and subtle color nuances and grey tints in shaded planes. Even the smallest detail is the result of his awareness of the essence of his models.

007 WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981) Ina Levina, 1960 Oil on canvas: 45 x 50 cm Signed, titled and dated, upper area: Ina Levina, WG. Hofker, 1960 RP 250.000.000 - 350.000.000 USD 20,000 - 28,000

MASTERPIECE FINE ART AUCTION - JAKARTA

008 IRSAM (Klaten, 1942) Menunggu Kedamaian, 1999 Oil on canvas: 85 x 90 cm Signed and dated, lower left: Irsam, 1999 Signed, titled and dated on the reverse RP 20.000.000 - 30.000.000 USD 1,600 - 2,400

MASTERPIECE FINE ART AUCTION - JAKARTA

009 EDDIE HARA (Salatiga, 1957) Hello Kitty and Co, 2010 Acrylic on canvas: 202 x 153 cm Signed and dated, lower left: Eddie Hara, 19.X.2010 Signed, titled and dated on the reverse RP 90.000.000 - 120.000.000 USD 7,200 - 9,600

MASTERPIECE FINE ART AUCTION - JAKARTA

010 RUSLI (Medan, 1912 – Jakarta 2005) Pelabuhan, 1982 Oil on canvas: 50 x 65 cm Signed and dated, lower right: Rusli, 15 April 82 RP 30.000.000 - 40.000.000 USD 2,400 - 3,200

MASTERPIECE FINE ART AUCTION - JAKARTA

011 NASIRUN (Cilacap, 1965) Buroq Oil on canvas: 60 x 120 cm RP 40.000.000 - 50.000.000 USD 3,200 - 4,000

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012 ROGER SAN MIGUEL (San Pascual, 1940) Philipines Life, 2005 Oil on canvas: 120 x 243 cm Signed and dated, lower right: R. San Miguelâ&#x20AC;&#x2122;05 This lot is accompanied with certificate of authenticity from the Artist RP 60.000.000 - 80.000.000 USD 4,800 - 6,400

MASTERPIECE FINE ART AUCTION - JAKARTA

013 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 – 1966) Ox-Cart Oil on canvas: 45 x 60 cm Signed, lower left: W.V.D. Does RP 50.000.000 - 70.000.000 USD 4,000 - 5,600

MASTERPIECE FINE ART AUCTION - JAKARTA

Agung Mangu Putra Mangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated from the faculty of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name was considered as valuable painter in Indonesia. He held his solo exhibition at National Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008), Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place, Jakarta. Mangu Putra’s works arise from intense contact with the world as a conscious expression of his main creative orientation. Representations of natural phenomena, along with the inner pulse of life, form the main stream of his search. The natural world, such as mountains and coasts, are depicted as identifiable objects. Some of his works with abstract designs imply natural images, such as the character of water and the texture and colors of earth or stone. Through his work he expressed his gratitude towards God creations. He gave specific themes on his work from which other painters did not pay attention to. Until now many of his works were collected by art collectors in Indonesia and overseas. This exciting and very talented artist has participated in a number of group and solo exhibitions throughout Indonesia and abroad.

014 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Menyusuri Pagi, 2002 Oil on canvas: 90 x 150 cm Signed and dated, lower left: Mangu Putra.03.2002 RP 80.000.000 - 100.000.000 USD 6,400 - 8,000

MASTERPIECE FINE ART AUCTION - JAKARTA

015 NYOMAN GUNARSA (Klungkung, 1944) Ekpresif 2013 Oil on canvas: 95 x 95 cm Signed and dated, lower right: 2013 Signed and dated on the reverse RP 38.000.000 – 45.000.000 USD 3,040 - 3,600

016 I FANTZE (Mojoagung, 1931- 2002) Penari Bali Oil on canvas: 60 x 120 cm Signed, lower left: I Fantze RP 25.000.000 – 35.000.000 USD 3,040 - 3,600

MASTERPIECE FINE ART AUCTION - JAKARTA

017 DEDE ERI SUPRIA (Jakarta, 1956) Legong Dance, 2012 Oil on canvas: 125 x 100 cm Signed and dated, lower left: Dede Eri Supria, 2012 This lot is accompanied with certificate of authenticity from the artist RP 40.000.000 â&#x20AC;&#x201C; 60.000.000 USD 3,200 - 4,800

MASTERPIECE FINE ART AUCTION - JAKARTA

018 TEGUH OSTENRIK (Jakarta, 1950) Cumi Cile, 1988 Acrylic on canvas: 130 x 140 cm Signed and dated, lower right: Goeh Ost88 Signed, titled and dated on the reverse RP 45.000.000 â&#x20AC;&#x201C; 60.000.000 USD 3,600 - 4,800

MASTERPIECE FINE ART AUCTION - JAKARTA

019 I MADE WIANTA (Apuan, Bali, 1949) Red Nuances Calendar, 2015 Acrylic on Fragrance on canvas: 120 x 240 cm Signed and dated, lower right: Wianta, 2015 This lot is accompanied with certificate of authenticity from the artist RP 20.000.000 – 30.000.000 USD 1,600 - 2,400

020 FADJAR SIDIK (Surabaya, 1930 - 2004) Mandala Biru, 1999 Oil on canvas: 90 x 70 cm Signed and dated, lower right: Fadjar Sidik’ 99 Literature: Dr. M. Dwi Marianto, Drs. M. Agus Burhan M. Hum, Dinamika Bentuk dan Ruang FADJAR SIDIK, published by Rupa Rupa Seni, 2002 Jakarta illustrated pg. 235 RP 25.000.000 – 35.000.000 USD 2,000 - 2,800

MASTERPIECE FINE ART AUCTION - JAKARTA

021 DULLAH (Solo, 1919 – 1996) Nenek dan Cucu, 1973 Oil on canvas: 100 x 70 cm Signed and dated, lower right: Dullah, 1973 Provenance: Prominent collector, Jakarta RP 100.000.000 – 150.000.000 USD 8,000 - 12,000

MASTERPIECE FINE ART AUCTION - JAKARTA

Photo of the model

022 AGUS DJAYA (Pandeglang, West Java, 1913 - 1993) Penabuh Gendang, 1974 Oil on canvas: 90 x 70 cm Signed and dated, lower right: Agus Djaya, 1974 RP 22.000.000 – 28.000.000 USD 1,760 - 2,240

023 ZHANG XI HUA (China, 1939) Tiger, 1994 Oil on canvas: 101 x 115 cm Signed and dated, lower right: Zhang Xi Hua.94 RP 40.000.000 – 50.000.000 USD 3,200 - 4,000

MASTERPIECE FINE ART AUCTION - JAKARTA

Rudolf Bonnet Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the Rijksschool voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited Indonesia in 1936 and stayed in Bali from 1931 – 1941. He helped establish the Museum Puri Lukisan and together with Walter Spies founded the Pita Maha Artist’s Association (1936). His works are amongst the collections of former President Soekarno, the Neka Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum Kroller Muller Otterlo and the Sinerg Museum in Laren. During his existence in “Pita Maha” (the creative center for the modernization of Balinese art before the War), a painter society of young Balinese artists, he had successfully maintained a high artistic level of its member producing work of high quality. Bonnet’s figures are always unique and captivating. He has an extraordinary ability to portray impressive faces in a conventional way. Since the beginning of his career, he had deep interest in describing the farmers in their rural surrounding. His subjects are portrayed in an impressive way and full of compassion. He preferred to present his portraiture as a unit, as a single portrayal of a race. The present lot is many of Bonnet’s works that interpret the farmer theme. The figure revealed the story of a peasant in classical state. Here, Bonnet distinctly portrayed the figure with an impressive anatomy of the muscular male body that represents an element of grace and energy. 024 RUDOLF BONNET (Amsterdam, 1895 – 1978) Mannelijk, 1975 Pastel on paper : 71 x 38 cm Signed and dated, lower left: R. Bonnet,Bali, 1975 RP 160.000.000 – 200.000.000 USD 12,800 - 16,000

MASTERPIECE FINE ART AUCTION - JAKARTA

025 HENRY VAN VELTHUYSEN (Tandjung, 1881 – The Hague, 1954) Temple Gate, 1992 Oil on board: 47 x 60 cm Signed, lower left: H. Van Velthuysen Signed and dated on the reverse RP 22.000.000 – 30.000.000 USD 1,760 - 2,400

MASTERPIECE FINE ART AUCTION - JAKARTA

026 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Perkampungan Di Padang Oil on canvas: 54 x 80 cm Signed, lower left: Hasan Djaafar RP 35.000.000 – 50.000.000 USD 2,800 - 4,000

027 LEO ELAND (Java, 1884 – 1952) Landscape with Workers on the Rice Fields Oil on canvas: 50 x 70 cm Signed, lower left: L. Eland RP 32.000.000 – 40.000.000 USD 2,400 - 3,200

MASTERPIECE FINE ART AUCTION - JAKARTA

028 JUMALDI ALFI (Lintau, West Sumatra, 1973) Abstrak, 1996 Oil on canvas: 115 x 145 cm Signed and dated, lower right: Alfi, Yogya, 1996 RP 50.000.000 – 70.000.000 USD 4,000 - 5,600

029 ENTANG WIHARSO (Tegal, 1967) Untitled, 1999 Oil on canvas: 145 x 100 cm Signed and dated, lower right: Entang Wiharso 99 RP 45.000.000 – 60.000.000 USD 3,600 - 4,800

MASTERPIECE FINE ART AUCTION - JAKARTA

030 R.E. HARTANTO (Bandung, 1973) Post North Korea Nuckler Test, Genocide is Always Organized, 2009 Acrylic on canvas: 225 x 200 cm Signed and dated, lower middle: RE. Hartanto, 2009 Signed, titled and dated on the reverse RP 80.000.000 â&#x20AC;&#x201C; 100.000.000 USD 6,400 - 8,000

MASTERPIECE FINE ART AUCTION - JAKARTA

031 WILHEMUS JEAN FREDERIC IMANDT (St. Jansteen, The Netherlands, 1882 – 1967) Three Composition Oil on canvas: 70 x 50 cm Signed, lower right: Imandt RP 25.000.000 – 35.000.000 USD 2,000 - 2,800

032 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Market Scene, 1980 Oil on canvas: 70 x 135 cm Signed, lower left: S. Abdullah RP 12.000.000 – 20.000.000 USD 960 - 1,600

MASTERPIECE FINE ART AUCTION - JAKARTA

033 AWIKI (Surabaya, 1961) Angon Bebek, 2008 Oil on canvas: 150 x 125 cm Signed and dated, lower left: AW.8 This lot is accompanied with certificate Of authenticity from The Artist RP 100.000.000 â&#x20AC;&#x201C; 180.000.000 USD 8,000 - 14,400

MASTERPIECE FINE ART AUCTION - JAKARTA

034 IDA BAGUS MADE NADERA (Tegallingah, 1910 - 1998) Wisnu Murti, 1996 Acrylic on canvas: 92 x 82 cm Signed, lower right RP 11.000.000 – 18.000.000 USD 880 - 1,440

035 ADRIEN JEAN LE MAYEUR DE MERPRES (Brussel, 1880 – 1958) Canal Scene Mixed media on paper: 45 x 60 cm Authenticity of the work was inscribed on the reverse Provenance: Private collector , Jakarta RP 70.000.000 – 80.000.000 USD 5,600 - 6,400

MASTERPIECE FINE ART AUCTION - JAKARTA

036 ARIE SMIT (Zaandam, the Netherlands, 1916) Balinese Landscape, 2007 Acrylic on canvas: 50 x 60 cm Signed and dated lower left: Arie Smit,07 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from artist RP 120.000.000 â&#x20AC;&#x201C; 180.000.000 USD 9,600 - 14,400

MASTERPIECE FINE ART AUCTION - JAKARTA

Alit Sembodo Alit’s paintings have shown the tendency to become a media for social commentary. He does not purely make social criticism of the wisdom or practices of the ruling politics. He only goes as far as demonstrating the problems of society through the language of his paintings, according to his own perceptive and perception. Indonesian Spectacular is one such commentary, regarding the people of Indonesia after the reformation period which was tumultuous and abusive, breaking down the order of the society, bordering upon anarchism, desperate poverty, worsening violence, and so on. With his combination of strong drawing techniques and the simple colors in the background, the paintings of Alit Sembodo project an image of a dramatic atmosphere of his times. Awards: 2000 – The finalist of the Phillip Morris Art Awards 2000 – The finalist of the Indonesian Art Awards 1999 – The Pratisara Affandi Adi Karya 1999 – The nominee of 40 Best Winsor & Newton Awards

037 ALIT SEMBODO (Magelang, 1973 – 2003) Indonesian Spectacular, 1999 Mixed media on canvas: 147 x 186 cm Signed and dated, lower right: Alit Sembodo Yogya’99 Literature: Political Sircus: an Ancient World, Published by Umah Seni, Jakarta, 2011, Pg. 140-141 RP 200.000.000 – 300.000.000 USD 16,000 - 24,000

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038 MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993) Ujung Ngarai Oil on canvas: 75 x 135 cm Signed, lower left: Mahyuddin S. RP 42.000.000 – 55.000.000 USD 3,360 - 4,400

039 SUDARSO (Purwokerto, 1914 - 2006) Kampung Nelayan, 1991 Oil on canvas: 90 x 120 cm Signed and dated, lower right: Sudarso, 1991 RP 22.000.000 – 30.000.000 USD 1,760 - 2,400

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040 GA DEWI MONALISA (Bali, 1983) Landscape in Bali, 2014 Acrylic on canvas: 95 x 135 cm Signed and dated, lower right: Gung Dewi Monalisa, 2014 RP 22.000.000 – 30.000.000 USD 1,760 - 2,400

041 A TRADITIONAL INDONESIAN KERIS The keris with snake-shaped pamor iron blade set with gold ornament. Hulu: carved ivory Sarong: ivory 52 cm long RP 10.000.000 – 15.000.000 USD 800 - 1,200

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042 ABDUL AZIZ (Purwokerto, 1928 - Bali, 2002) Balinese Beauty, 1989 Oil on canvas: 35 x 30 cm Signed and dated, upper right: Abdul Aziz, Bali89 RP 90.000.000 – 120.000.000 USD 7,200 - 9,600

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043 ISKANDAR FAUZY Waiting For Call From Heaven, 2013 Acrylic on canvas: 200 x 150 cm Signed and dated, lower right: Iskandar Fauzy, 2013 RP 35.000.000 – 50.000.000 USD 2,800 - 4,000

044 EKO SUPA (Grobogan, Central Java, 1982) Che Guevara: Gue Indonesia, 2009 Oil on canvas: 90 x 70 cm Signed and dated, lower right: Eko Supa 09 Literature: Biennalle Indonesia Art Award 2010, CONTEMPORANEITY RP 8.000.000 – 10.000.000 USD 640 - 800

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045 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Cat, 1992 Oil on canvas: 40 x 50 cm Signed and dated, lower left: Popo’92 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar Literature: Hawe Setiawan, Soni Farid Maulana, Anton Susanto, RUPAKATA, Art and Thoughts of Popo Iskandar, pg. 373 RP 40.000.000 – 50.000.000 USD 3,200 - 4,000

046 ERICA HESTU WAHYUNI (Yogyakarta, 1971) My Lovely Room, 2014 Acrylic on canvas and wood: 118 x 118 cm Signed and dated, lower right: Erica, 2014 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist RP 45.000.000 – 60.000.000 USD 3,600 - 4,800

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047 SALIM / SARAOCHMIN SALIM (Medan, 1908 – Paris, 2008) Kota, 1973 Oil on canvas: 80 x 65 cm Signed and dated, lower right: Salim.73 RP 65.000.000 – 80.000.000 USD 5,200 - 6,400

MASTERPIECE FINE ART AUCTION - JAKARTA

Lee Man Fong Lee’s subject matter included wide range of human figures, landscapes and animals particularly those commonly found in Chinese brush paintings, such as goldfish, doves, chickens, rabbits, horses and tigers. He developed his paintings by creating a personal expression based on observation of live and nature around him. His paintings often are able to transport us to forgotten places in the wilderness, where old trees, withered mambo grow out of hardened rocks. The present lot was one of the many themes about cock and hen. The pair standing on the hardened rock occupies the foreground, while the background is twisted branches of withered bamboo. Lee showed how it is possible to marry many of the most essential elements of both classical painting traditions – light, shadow and realism on the other hand, and expressionism, experienced calligraphic brushwork, and the balance between form and emptiness on the other.

048 LEE MAN FONG (Canton, China 1913 – Singapore 1988) A Pair of Chicken, ca.1960 Oil on board: 104 x 50 cm Signed and stamped in chinese character, lower right Provenance: Prominent Collector, Jakarta RP 450.000.000 – 600.000.000 USD 36,000 - 48,000

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049 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) 3 Bidadari, 1976 Acrylic on canvas: 78 x 66 cm Signed and dated, lower left : Otto Djaya, 1976 RP 12.000.000 – 16.000.000 USD 960 - 1,280

050 A. HADI MAS’UD (Surabaya, 1966) Teori Tentang Kepemimpinan, 2014 Acrylic on canvas: 170 x 150 cm signed and dated, lower left:Hadi Masoed Dated, lower right: 2014 RP 20.000.000 – 35.000.000 USD 1,600 - 2,800

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051 IRSAM (Klaten, 1942 – Bogor, 2006) Wanita Di Taman, 1990 Oil on canvas: 90 x 140 cm Signed and dated, lower right: Irsam, 1990 RP 40.000.000 – 50.000.000 USD 3,200 - 4,000

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052 EDO POP (Palembang, South Sumatra, 1972) Alienasi Series I, 2015 Acrylic on canvas: 90 x 120 cm Signed, titled and dated on the reverse RP 15.000.000 – 20.000.000 USD 1,200 - 1,600

053 YUNIZAR (Talawi, West Sumatra, 1971) Pose 1, 2005 Acrylic on canvas: 140 x 50 cm Signed and dated, lower right: Yunizar, 2005 Signed, titled and dated on the reverse RP 40.000.000 – 50.000.000 USD 3,200 – 4,000

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054 DEDE ERI SUPRIA (Jakarta, 1956) Labyrint, 2000 Oil on canvas: 140 x 140 cm Signed and dated, lower right: Dede Eri Supria, 2000 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist RP 50.000.000 â&#x20AC;&#x201C; 70.000.000 USD 4,000 - 5,600

MASTERPIECE FINE ART AUCTION - JAKARTA

055 SIAUW TIK KWIE (Solo, 1913 – Jakarta, 1988) Horses Oil on canvas: 54 x 74 cm Signed, lower left: Siauw Tik Kwie RP 38.000.000 – 45.000.000 USD 3,040 - 3,600

056 JB. IWAN SULISTYO (Kudus, Central Java, 1954) Pink Temple (Odalan), 2006 Oil on canvas: 100 x 100 cm Signed, lower left: Jb. Iwan Sulistyo Literature: JB. Iwan Sulistyo, Whisper of a Restless HeArt pg. 214 This lot is accompanied with certificate of authenticity from the artist RP 24.000.000 – 30.000.000 USD 1,920 - 2,400

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057 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Palembang Oil on canvas: 80 x 60 cm Signed, lower left: Hasan Djaafar RP 28.000.000 – 35.000.000 USD 2,240 - 2,800

058 ARIE SMIT (Zaandam, the Netherlands, 1916) A Tiny Village in Bali, 2003 Acrylic on canvas: 21.5 x 29.5 cm Signed and dated, lower left: Arie Smit03 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from artist RP 30.000.000 – 40.000.000 USD 2,400 - 3,200

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Han Snel Born in 1925 in Scheveningen, Holland, Han Snel arrived in Indonesia as a Dutch soldier in 1946. He had a life-long love affair with Bali. Snel immediately fell in love with the island; a love so deep until he marred a local girl, apply for Indonesia citizenship and embrace Balinese Hinduism. He lived in Ubud from 1950 until his death in 1998. Balinese themes are Han Snel’s specialism, in particular figures done in a more or expressionist style: he himself prefers to describe his manner with its very conspicuous, curved lines, as ‘roundism’. In his works, Snel focused his attention on the beauty of Balinese women. His colors were varied and lean towards the primary with contrasting area of dark shading. His visual imageries, subdued colors and fine lines captured the essence of Ubud and the island as a place where serenity reigned and simple people led an honest life.

059 HAN SNEL (Scheveningen, 1925 – 1998) Market in Bali, 1981 Oil on canvas: 80 x 80 cm Signed and dated, lower middle: Han Snel, Bali’81 RP 400,000,000 - 500,000,000 USD 32,000 - 40,000

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060 ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Flamboyant Oil on canvas: 55 x 75 cm Signed, lower left: Ern. Dezentje RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

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061 WAKIDI (Palembang, South Sumatra, 1890 – Padang, West Sumatra, 1979) Musim Tanam Oil on board: 35 x 47 cm Signed, lower left: Wakidi RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

062 ARIE SMIT (Zaandam, The Netherlands, 1916) Full Moon in Bali, 2003 Acrylic on canvas: 52.5 x 63.5 cm Signed and dated, lower left: Arie Smitâ&#x20AC;&#x2122;03 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist RP 150,000,000 - 200,000,000 USD 12,000 - 16,000

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063 BAMBANG ‘TOKO’ WITJAKSONO (Yogyakarta, 1973) Kekasih, 2009 Acrylic on canvas: 150 x 150 cm Signed and dated, lower middle: BB. Toko, 2009 RP 18,000,000 - 25,000,000 USD 1,440 - 2,000

064 BOB SICK YUDHITA AGUNG (Yogyakarta, 1971) Dua Sahabat Asik Ngobrol Di Klenteng, 2010 Mixed media on canvas: 145 x 175 cm Signed and dated, lower right: Bob Sick Yudhita Agung, 2010 RP 60,000,000 - 80,000,000 USD 4,800 - 6,400

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065 SURYADI SUYAMTINA (Sleman, Yogyakarta, 1980) Think Today and Speak Tomorrow, 2012 Acrylic on canvas: 150 x 200 cm Signed and dated, lower right: Sure, 2012 Signed, titled and dated on the reverse RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

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066 ASTARI RASJID (Jakarta, 1953) Healing, ed./6, 2010 Plate: 55 x 45 x 20 cm Signed and dated, lower area: Astari, 10. 1/6 RP 32,000,000 - 40,000,000 USD 2,560 - 3,200

067 HENRY VAN VELTHUYSEN (Tandjung, 1881 – The Hague, 1954) Flamboyant Oil on board: 38 x 46 cm Signed, lower left: H.N.V Velthuysen RP 15,000,000 - 20,000,000 USD 1,200 - 1,600

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068 ENDRO (Yogyakarta, 1983) This Is Us, 2010 Oil on canvas: 145 x 145 cm Signed and dated, lower right: Endro, 2010 RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

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Chen Wen Hsi Born in Baigong, Caozhu, 1906. Chen Wen Hsi studied art at the Hsin Hwa Art Academy in Shanghai. He became a lecturer at the Nangyang Academy of Fine Arts in Singapore. His paintings were strongly influenced by Chan (Zen) and the unorthodox Qing School of Yangzhou. He actively participated in several exhibitions outside Singapore which also incidentally promote Singapore. Wen Hsi’s artistic excellence was recognized. Among the many awards he had received are the Public Service Star in 1964, a Gold Medal by the National Museum of History, Taiwan in 1980, the first recipient of the ASEAN Cultural and Communication Award for outstanding artists in 1987 and received an honorary doctorate from the National University of Singapore. He became famous since his oil study on formalism, cubism, and expressive abstraction. Chen Wen Hsi is Singapore’s foremost painter that combines Chinese and Western techniques in his semi abstract work. Chen Wen-hsi is renowned for his skill in painting animal themes. Chicken, gibbons, herons, carps and squirrels are some of his favourite subjects. Wen Hsi’s constant eagerness to strike for something new led him to learn finger painting – a technique that dates from the Tang Dynasty. This drawing style has enabled him to produce unpredictable broken stroke on paper. He developed his skill in finger painting, ink-and-brush, oil, sketches, abstracts and semi-abstract techniques. Every subject he paints, whether lotuses, gibbons, egrets, monkeys, squirrels, birds, or flowers and trees, is palpably vibrant. Besides gibbons and egrets, squirrels are the series of most representative of Chen’s style. Chen’s creates a dynamic, vigorous and rhythmic experience.

069 CHEN WEN HSI (Guangdong, China, 1906) Squirrels Coloured ink on rice paper: 67 x 43 cm Signed and sealed, upper right Provenance: Private Collection RP 100,000,000 - 150,000,000 USD 8,000 - 12,000

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070 EKO SUPA (Grobogan, Central Java, 1982) Obama: Dengan Batik Aku Mendengar, 2008 Oil on canvas: 90 x 70 cm Signed and dated, lower left: Eko Supaâ&#x20AC;&#x2122;08 Literature: Agus Dermawan T. SIHIR RUMAH IBUMenyidik Sosial Politik dengan Kacamata Budaya RP 8,000,000 - 10,000,000 USD 640 - 800

071 LUO QING (Nanchang City, Jiangxi Province, 1970) Portrait Series, 2005 Oil on canvas: 50 x 50 cm Signed, lower left: LQ RP 15,000,000 - 20,000,000 USD 1,200 - 1,600

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072 DADANG CHRISTANTO (Tegal, 1957) Untitled, 2012 Acrylic on canvas: 136 x 110 cm RP 120,000,000 - 140,000,000 USD 9,600 - 11,200

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073 AHMAD SYAHBANDI (Palembang, 1968) Object #3, 2005 Mixed media on canvas: 150 x 150 cm Signed and dated, lower right: Ahmad Syahbandi, 2005 Signed, titled and dated on the reverse RP 15,000,000 - 25,000,000 USD 1,200 - 2,000

074 TAKASHI MURAKAMI (Japanese, 1962) Warhol / Silver ed.130 Offset lithograph: D. 71 cm RP 12,000,000 - 18,000,000 USD 960 - 1,440

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075 SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) City, 1998 Oil on canvas: 80 x 60 cm Signed and dated, lower right: Salim’98 RP 50,000,000 - 70,000,000 USD 4,000 - 5,600

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076 I DEWA NYOMAN JATI (Born, Ubud, Bali 1940) Panen Acrylic on canvas: 140 x 95 cm Signed, lower right: DW. Nyoman Jati, Ubud Bali RP 22,000,000 - 30,000,000 USD 1,760 - 2,400

077 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Sparkling Blessing Budha in Borobudur, 2014 Acrylic on canvas: 198 x 298 cm RP 90,000,000 - 110,000,000 USD 7,200 - 8,880

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078 WARDOYO (Banyumas, 1935) Topeng Monyet, 2003 Acrylic on canvas: 110 x 145 cm Signed and dated, lower right: Wardoyo’03 RP 35,000,000 - 50,000,000 USD 2,800 - 4,000

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Agung Mangu Putra Mangu Putra’s works arise from intense contact with the world as a conscious expression of his main creative orientation. Representations of natural phenomena, along with the inner pulse of life, form the main stream of his search. The natural world, such as mountains and coasts, are depicted as identifiable objects. Some of his works with abstract designs imply natural images, such as the character of water and the texture and colors of earth or stone. Nevertheless, there is a certain progressive critical vision in Mangu Putra’s way of viewing and interpreting the world. His works are not mirrors of direct observations with the naked eye. Natural objects are shown as if through sophisticated technological imagery, so that they appear artificial, attractive, provocative, and even fantastic. His artistic world is not a natural one but instead is ‘polluted’ by civilization. Mangu’s magnificent landscapes and volcanoes are depicted as majestic, timeless and all powerful, yet quietly dormant. They are breathtaking, yet set within an atmosphere of silent intimidating strength. It is this aspect of his work that sets Mangu apart from his predecessors. It is remarkable how he adapts from one series of work to another, from painting lifelike textures of skin to captivating landscapes or sensual nudes. His feel for colors is always impressive: breathtaking blues for his landscapes, black and whites bonded with a philosophical theme or just translucent colors that captivate the viewers’ attention.

079 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Gunung Batur, 2012 Oil on canvas: 130 x 185 cm Signed and dated, lower right: Mangu Putra, 2012 Signed, titled and dated on the reverse RP 250,000,000 - 350,000,000 USD 20,000 - 28,000

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080 WAYAN KUN ADNYANA (Bangli, Bali, 1976) Pray For Freedom, 2012 Ink and acrylic on canvas: 160 x 200 cm Signed and dated, lower middle: Wayan Kun Adnyana, 2012 Signed, titled and dated on the reverse RP 27,000,000 - 40,000,000 USD 2,160 - 3,200

081 AMRUS NATALSYA (Medan, 1933) a. Lelaki Oil on wood: 80 x 25 x 25 cm b. Wanita dan Ikan Oil on wood: 75 x 20 x 25 cm RP 40,000,000 - 50,000,000 USD 3,200 - 4,000 a. 74

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082 THEO FRIDS HUTABARAT (Jakarta, 1987) The Labor, 2012 Oil on canvas: 200 x 150 cm Signed, titled and dated on the reverse RP 25,000,000 - 35,000,000 USD 2,000 - 2,800

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083 EDO POP (Palembang, South Sumatra, 1972) Adam dan Hawa, 2012 Acrylic on canvas: 150 x 90 cm Signed, titled and dated on the reverse RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

084 JUMALDI ALFI (Lintau, West Sumatra, 1973) Ayam dan Kalajengking, 1996 Acrylic on canvas: 70 x 95 cm Signed and dated, lower right: Alfi, 1996 RP 15,000,000 - 20,000,000 USD 1,200 - 1,600

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085 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Ploughing in The Ricefield Oil on canvas: 60 x 80 cm Signed, lower right: L. Frits Ohl RP 75,000,000 - 85,000,000 USD 6,000 - 6,800

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086 CATUR BINA PRASETYO (Wonogiri, 1972) Tak Urung Membaja Juga, 2008 Acrylic on canvas: 150 x 125 cm Signed, titled and dated, lower right: Catoer Bina Prasetyo, 008, Tak Urung Membaja Juga Signed, titled and dated on the reverse RP 10,000,000 - 15,000,000 USD 800 - 1,200

087 ASTARI RASJID (Jakarta, 1953) Dialogue, 1988 Oil on canvas: 105 x 105 cm Signeda and dated, lower left: Astari'88 Titled on the reverse RP 10,000,000 - 15,000,000 USD 800 - 1,200

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088 NYOMAN GUNARSA (Klungkung, 1944) 3 Penari, 1989 Oil on canvas: 95 x 95 cm Signed and dated, lower right: 1989 RP 35,000,000 - 50,000,000 USD 2,800 - 4,000

089 TAKASHI MURAKAMI (Japanese, 1962) And Then Yellow Jelly ed.99 Offset lithograph: 50 x 50 cm RP 12,000,000 - 18,000,000 USD 960 - 1,440

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Basoeki Abdullah 090 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Reclining Nude, 1964 Oil on canvas: 80 x 185 cm Signed and dated, lower left: Basoeki Abdullah’64 RP 100,000,000 - 150,000,000 USD 8,000 - 12,000

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Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter. During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands. Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. There are painters who like to paint nudity. Basoeki was one of the painters who identical with his nude themes. Nudity in art has generally reflected — with some exceptions — social standards of aesthetics and modesty/morality of their time in painting, sculpture and more recently in photography. At all times in human history, the human body has been one of the principal subjects for artists. It has been represented on prehistoric paintings and statutes and in all eras since. The male nude was more common in antiquity, especially in ancient Greece, but today the tendency is for the female nude body to be more highly regarded and represented.

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091 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Villagers Passing Under The Tree Oil on board: 76 x 61 cm Signed, lower right: Ohl RP 70,000,000 - 80,000,000 USD 5,600 - 6,400

092 YAP HIAN TJAY (Surakarta, Central Java, 1927) Bunga Seruni, 1992 Oil on canvas: 75 x 65 cm Signed and dated, lower right: JHT’92 RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

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093 ARIE SMIT (Zaandam, The Netherlands, 1916) Three Girls Passing The Temple, 2004 Acrylic on canvas: 42 x 36 cm Signed and dated, lower right: Arie Smitâ&#x20AC;&#x2122;2004 Signed, titled and dated on the reverse This lot is accompanied with certificate authenticity from the artist RP 60,000,000 - 80,000,000 USD 4,800 - 6,400

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094 LIEM TJOE ING (Surakarta, 1922-1996) Gadis Bali, 1991 Oil on canvas: 95 x 70 cm Signed and dated, lower left: L. Tjoe Ingâ&#x20AC;&#x2122;91 RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

095 KOK POO (Ambarawa, East Java, 1937) Burung Kesayangan, 2000 Oil on canvas: 80 x 100 cm Signed and dated, lower right: Kok Poo, 3.2000 RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

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096 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Potret Bagong Kusudiarja, 1987 Oil on canvas: 80 x 65 cm Signed and dated, lower right: Basoeki Abdullah’14 Des 87 Jak RP 35,000,000 - 50,000,000 USD 2,800 - 4,000

097 I WAYAN PENGSONG (Cakra Negara, 1943) Angel 1-Kedamaian dan Keindahan, 2008 Mixed media on canvas: 60 x 118 cm Signed and dated, lower middle: Pengsong’2008 Signed, titled and dated on the reverse RP 35,000,000 - 45,000,000 USD 2,800 - 3,600

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098 ABAS ALIBASYAH (Purwakarta, 1928) Primitif Oil on canvas: 100 x 80 cm Signed, lower right: Abas RP 25,000,000 - 35,000,000 USD 2,000 - 2,800

099 FADJAR SIDIK (Surabaya, 1930 - 2004) Dinamika Bentuk, 1971 Oil on canvas: 65 x 65 cm Signed and dated, lower right: Fadjar Sidik'71 RP 12,000,000 - 18,000,000 USD 960 - 1,440

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100 ANGKI PURBANDONO (Semarang, 1971) Frame Coke Scanography: 94 x 178 cm RP 25,000,000 - 30,000,000 USD 2,000 - 2,400

101 CATUR BINA PRASETYO (Wonogiri, 1972) Residensi Para Musisi, 2011 Acrylic on canvas: 180 x 300 cm Signed, titled and dated, lower right: Catoer Bina Prasetyo, Residensi Para Musisi,2011 RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

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Lee Man Fong Lee Man Fong began his art education in Singapore. Later he moved to Indonesia, where he continued his painting career and became the curator of the presidential collection during the Soekarno period. Lee Man Fong was known for his ability to work with any kind of medium available. He used oil on canvas and hardboard, pastel and watercolour on paper, and pen and ink on cardboard. His works combined Oriental and Western concept in his oeuvre. An exceptional aspect of Leeâ&#x20AC;&#x2122;s art was his great intense in creating a personal expression through observation of life and nature surrounds him. Lee was quietly developing his art, which focused on thorough observation of life and nature around him. Lee tried to translate the aesthetic and style of Chinese brush painting into oil on canvas. Considering the differences in texture and consistency between ink and oil, Lee tried to direct the effect of an ink brush with his strokes, which is not a simple act. A large part of these works featured animals, such as the chicken, doves, goldfish, storks, gibbons and cows.

102 LEE MAN FONG (Canton, China 1913 â&#x20AC;&#x201C; Singapore 1988) Cows, 1973 Oil on board: 103 x 50 cm Signed, stamped and dated in chinese character, lower left Provenance: Private Collection RP 700,000,000 - 900,000,000 USD 56,000 - 72,000

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103 ABAS ALIBASYAH (Purwakarta, 1928) Pemandangan, 2014 Acrylic on canvas: 100 x 150 cm Signed and dated, lower right: Abas.9-7-2014 RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

104 HUANG FONG (Genteng, 1936) Ceremony, 1977 Oil on canvas glued on board: 42 x 72 cm Signed and dated, lower right: Huang Fong'77 Bali RP 15,000,000 - 20,000,000 USD 1,200 - 1,600

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105 BARLI SASMITAWINATA (Bandung, 1921) Pelabuhan, 1993 Oil on canvas: 72 x 55 cm Signed and dated, lower right: Barli, 1993 RP 35,000,000 - 45,000,000 USD 2,800 - 3,600

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106 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Nenek Pastel on paper: 67 x 50 cm Signed, lower right: Ohl RP 40,000,000 - 50,000,000 USD 3,200 - 4,000

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107 WU YOU Model, 2009 Acrylic on canvas: 150 x 100 cm Signed and dated, middle area: Wu You, 2009 RP 15,000,000 - 20,000,000 USD 1,200 - 1,600

108 HENDRA BAYU HERMANTO (Ponorogo, 1985) Remembering Series, 2012 Acrylic on canvas: 80 x 115 cm RP 28,000,000 - 35,000,000 USD 2,240 - 2,800

MASTERPIECE FINE ART AUCTION - JAKARTA

109 IDA BAGUS RAI (Padangtegal, Gianyar, 1933) Raja Pala Acrylic on canvas: 120 x 180 cm Signed, lower left: Ida Bagus Rai, Ubud Bali RP 35,000,000 - 50,000,000 USD 2,800 - 4,000

MASTERPIECE FINE ART AUCTION - JAKARTA

110 ERNEST DEZENTJE (Jatinegara, 1885 â&#x20AC;&#x201C; 1972) Landscape Mountain Oil on canvas: 59 x 94 cm Signed, lower right: Ernest Dezentje RP 15,000,000 - 20,000,000 USD 1,200 - 1,600

111 SYARIEF HIDAYAT (Bandung, 1982) Lucky Fish, 2011 Acrylic on canvas: 150 x 200 cm Signed and dated, lower right: Rief’11 RP 35,000,000 - 45,000,000 USD 2,800 - 3,600

MASTERPIECE FINE ART AUCTION - JAKARTA

Samsul Arifin Samsul Arifin's story is a story of a restless soul. He works on his visual creations involving many things and objects. Samsul had always been very much interested in art. His journey in the art world, however, had not been smooth. He started out in Malang, but the town could not facilitate his artistic aspirations and idealism. Eventually he moved to Yogyakarta to study art at the SMSR (the Secondary School for Visual Arts). Now he continues his study at the department of painting of ISI, Yogyakarta. Objects of still life have become recent theme used by young contemporary painters. They sometimes only represent common object that have been familiar with us but never put into account. Objects like eraser or pencil perhaps do not have deep meaning to a person. On the contrary, for Samsul, this object represents what he feels and thinks. They symbolize how modern people get advantage from using very simple and common thing like eraser, brush and pencil. He keeps questioning about the freedom and the limitation of an artist, about art that is ideally free from any tendency. Samsul's works generally tells of morality and ethics, which he continually questions. As one of the artists who begin their career in the year 2000, like his predecessors, Samsul practices the freedom of choosing his artistic media.

112 SAMSUL ARIFIN (Malang, East Java, 1979) Perlawanan Dalam Kepatuhan, 2012 Acrylic on canvas: 300 x 200 cm Signed and dated, lower right: Samsul.03.07.12 RP 400,000,000 - 600,000,000 USD 32,000 - 48,000

MASTERPIECE FINE ART AUCTION - JAKARTA

113 SOEDIBIO (Madiun, 1912 - 1981) Petani Oil on board: 48 x 43 cm Signed and titled on the reverse This lot is accompanied with certificate authenticity from the artist’s wife RP 30,000,000 - 40,000,000 USD 2,400 - 3,200

114 JEIHAN SUKMANTORO (Solo, 1938) Mia, 1974 Oil on canvas: 80 x 70 cm Signed and dated, middle left: Jeihan’74 Signed and titled on the reverse RP 30,000,000 - 50,000,000 USD 2,400 - 4,000

MASTERPIECE FINE ART AUCTION - JAKARTA

115 SUPARTO (Yogyakarta, 1929 – 2001) Ibu dan Anak, 1986 Paramic: 140 x 50 x 23 cm Signed, lower area: Suparto RP 100,000,000 - 125,000,000 USD 8,000 - 10,000

MASTERPIECE FINE ART AUCTION - JAKARTA

116 SAFTARI (Payakumbuh, 1971) Sang Pewarta #3, 2008 Acrylic on canvas: 160 x 140 cm Signed and dated, lower right: Saftari'08 Signed, titled and dated on the reverse RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

117 JB. IWAN SULISTYO (Kudus, Central Java, 1954) Sakura Di Bulan April Oil on canvas: 100 x 150 cm Signed, lower right: JB. Iwan Sulistyo RP 30,000,000 - 40,000,000 USD 2,400 - 3,200

100

MASTERPIECE FINE ART AUCTION - JAKARTA

118 SIEW HOCK MENG (Malaysia, 1942) Tanah Lot, 1990 Pastel on paper: 48 x 62 cm Signed and dated, lower right: 1990.meng RP 70,000,000 - 90,000,000 USD 5,600 - 7,200

MASTERPIECE FINE ART AUCTION - JAKARTA

101

119 WIMO AMBALA BAYANG (Magelang, 1976) Sleeping Elephant in The Axis of Yogyakarta: Sultan Palace Square Digital Print: 110 x 165 cm RP 18,000,000 - 25,000,000 USD 1,440 - 2,000

120 GERARD PIETER ADOLFS (Semarang, 1899 â&#x20AC;&#x201C; The Netherlands, 1968) Marocco Oil on canvas: 40 x 50 cm Signed, lower left: Adolfs RP 90,000,000 - 120,000,000 USD 7,200 - 9,600

102

MASTERPIECE FINE ART AUCTION - JAKARTA

121 I MADE DJIRNA (Ubud, 1957) Kuda-Kudaan, 2011 Mixed media on canvas: 140 x 200 cm Signed and dated, lower right: Djirna, 2011 Signed, titled and dated on the revese RP 50,000,000 - 80,000,000 USD 4,000 - 6,400

MASTERPIECE FINE ART AUCTION - JAKARTA

103

Arie Smit Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali. Arie Smit is an artist who loves natural beauty and Balinese culture in the form of imaginative painting, painting that express the pure soul of an adventurer, a natural devotee of tropical sunlight. Arie Smit’s painting show breath-taking landscapes, relaxing youths, colorful tropical gardens, glittering seascapes, and quiet temples that evoke a sense of wander. Facades of temple are often shown with human figures in front of them. Arie Smit uses a simple single vanishing point perspective to depict the temple surrounding. His special characteristics were seen by the use of his tropical rich color on the object.

122 ARIE SMIT (Zaandam, The Netherlands, 1916) A Temple Complex in Bali, 2010 Acrylic on canvas: 62 x 66 cm Signed and dated, lower left: Arie Smit’2010 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist Literature: Rudolf G Usman, Arie Smit, A Living Legend, Published by Rudolf Studio, Bali 2011, pg. 91 RP 450,000,000 - 500,000,000 USD 36,000 - 40,000

104

MASTERPIECE FINE ART AUCTION - JAKARTA

105

123 REDY RAHADIAN (Cianjur, West Java, 1973) Chains of Love, 2007 Mild steel: 80 x 21 x 18 cm ( H. Base.183 cm) Signed and dated, lower area: Redy R.07 RP 50,000,000 - 60,000,000 USD 4,000 - 4,800

106

MASTERPIECE FINE ART AUCTION - JAKARTA

124 YUDI SULISTYO (B, 1972) Dunia Tanpa Daratan, 2013 Paper, iron pipe, pvc pipe, wood, found object and paint: 112 x 260 x 188 cm RP 225,000,000 - 300,000,000 USD 18,000 - 24,000

MASTERPIECE FINE ART AUCTION - JAKARTA

107

125 LUO HAO (Chinese, 1969) Executor Oil on canvas: 180 x 300 cm RP 180,000,000 - 220,000,000 USD 14,400 - 17,600

108

MASTERPIECE FINE ART AUCTION - JAKARTA

126 ARIE SMIT (Zaandam, The Netherlands, 1916) Tropical Landscape, 2000 Acrylic on canvas: 34 x 37.5 cm Signed and dated, lower left: Arie Smitâ&#x20AC;&#x2122;00 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist RP 40,000,000 - 50,000,000 USD 3,200 - 4,000

127 NYOMAN GUNARSA (Klungkung, 1944) Dua Penari Oil on canvas: 145 x 145 cm RP 50,000,000 - 80,000,000 USD 4,000 - 6,400

MASTERPIECE FINE ART AUCTION - JAKARTA

109

128 REARNGSAK BOONYAVANISHKUL (Singhburi, Thailand, 1961) Kuda, 1990 Acrylic on paper: 56 x 76 cm Signed and dated, upper right: Rearngsak, 1990 RP 50,000,000 - 70,000,000 USD 4,000 - 5,600

110

MASTERPIECE FINE ART AUCTION - JAKARTA

129 UMI DAHLAN (Cirebon, 1942 – Bandung, 2009) a. Abstrak, 1998 Acrylic on paper: 39 x 29 cm Signed and dated, lower right: Umi D’98 b. Abstrak, 1997 Acrylic on paper: 61 x 28 cm Signed and dated, lower left: Umi D’97 RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

MASTERPIECE FINE ART AUCTION - JAKARTA

111

Abdul Aziz Abdul Aziz was born in Purwokerto, Central Java, and showed precocious artistic talent from childhood. His first Diploma was in Social Sciences from Gajah Mada University, after which he studied Art at the Indonesian Fine Arts Academy (ASRI) in Yogyakarta. Due to his exceptional talent he was awarded a scholarship to study at the Academia di Belle Arti in Rome in 1958, where he was awarded two Diplomas, in Painting and in Decoration. On his return to Indonesia in 1965 he lectured in Fine Art at Udayana University and established his studio in Ubud Bali. Abdul Aziz is now regarded as one of Indonesia’s greatest artists of the 20th Century. Originally from Central Java but a resident of Bali for the last part of his life, Aziz was widely known and highly sought after for his realistic paintings of village scenes. Aziz’s paintings include beautiful women, depicted singly or in groups, and portraits both painted and sculpted. Yet his oeuvre stands out as more of an individual contribution to Indonesian art history than most, belonging in a class with artists who are continuously referred to as the ‘greats’: those individual artists that Western-trained or influenced art writers found to be the most original and innovative of their time.

Illustrated as the back cover of the book 130 ABDUL AZIZ (Purwokerto, 1928 - Bali, 2002) Gazing, 1990 Oil on canvas: 35 x 30 cm Signed and dated, upper left: Abdul Aziz, Bali,1990 Literature: Mary Northmore-Aziz, Abdul Aziz The Artist and His Art, Bali,2005 Pg. 219 RP 90,000,000 - 120,000,000 USD 7,200 - 9,600

112

MASTERPIECE FINE ART AUCTION - JAKARTA

113

131 M. IRFAN (Bukittinggi, West Sumatra 1972) Rain Sugar, 2013 Acrylic on canvas: 180 x 200 cm Signed and dated, lower right: Irfan, 2013 RP 130,000,000 - 180,000,000 USD 10,400 - 14,400

114

MASTERPIECE FINE ART AUCTION - JAKARTA

132 ARIFIEN NEIF (Surabaya, 1955) Street Performance, 1997 Oil on canvas: 60 x 70 cm Signed and dated, lower left: Neifâ&#x20AC;&#x2122;97 Signed, titled and dated on the reverse This lot is accompanied with photo of the artist with the painting RP 45,000,000 - 60,000,000 USD 3,600 - 4,800

MASTERPIECE FINE ART AUCTION - JAKARTA

115

133 NASIRUN (Cilacap, 1965) Putri Topeng Kelana, 2011 Oil on canvas: 150 x 300 cm RP 220,000,000 - 300,000,000 USD 17,600 - 24,000

Nasirun Nasirunâ&#x20AC;&#x2122;s paintings do not simply depict comprehensible scenes, but rather are usually intertwined personifications or animations of his thoughts and quests. He mentions that often he paints to make sense of his concerns. Therefore, there is little sense in trying to understand rationally what he is trying to convey in his art works. His message is meant to be conveyed through senses and emotions. The Javanese characteristic is very strong in his works. At a glimpse other could directly see his works with a strong Javanese culture background. He adopts very interesting themes in his works. He always tells stories or folk tales in painting. Some say his works are horrifying, while actually they embrace a very high sense of humor and allusion as well. He is very skilled in developing plural figures, enabling us to see various figures in one figure. He never uses the same figure to draw the same subject. Various figures sometimes appear in a mess but in an interesting shape. He compiled them into a solid, biting and stunning continual scene that invokes viewers to understand what he means.

Awards: First Winner Dan II Porseni All Over Karesidenan Banyumas Second Winner Tourism Promotion Painting Contest Cilacap, Central Java Second Winner Kaligrafi Contest Second Winner Celengan Painting Contest in Dies Natalis Faculty of Letter, University of Gajah Mada The Best Sketch and Painting ISI Yogyakarta Mc Donald Award in the 10th Lustrum ISI Yogyakarta Philip Morris Award 1997

116

MASTERPIECE FINE ART AUCTION - JAKARTA

117

134 SUPARTO (Yogyakarta, 1929 – 2001) Reclining Nude, 1990 Acrylic on canvas: 63 x 102 cm Signed and dated, lower left: Suparto.9-9-1990 Jakarta RP 70,000,000 - 100,000,000 USD 5,600 - 8,000

118

MASTERPIECE FINE ART AUCTION - JAKARTA

135 RUSLI (Medan, 1912 – Jakarta 2005) Pura, 1982 Oil on canvas: 61 x 50 cm Signed and dated, lower right: Rusli, 18 Nov’82 RP 35,000,000 - 45,000,000 USD 2,800 - 3,600

MASTERPIECE FINE ART AUCTION - JAKARTA

119

136 POPO ISKANDAR (Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Macan dan Matahari Senja, 1998 Oil on canvas: 72 x 95 cm Signed and dated, lower right: Popo'98 This lot is accompanied with certificate authenticity from Griya Seni Popo Iskandar RP 90,000,000 - 120,000,000 USD 7,200 - 9,600

120

MASTERPIECE FINE ART AUCTION - JAKARTA

137 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Street Vendor Oil on canvas: 35 x 45 cm Signed, lower right: Ger. P Adolfs RP 40,000,000 - 50,000,000 USD 3,200 - 4,000

MASTERPIECE FINE ART AUCTION - JAKARTA

121

Index Of Artist

122

A. Hadi Masâ&#x20AC;&#x2122;ud

GADewi Monalisa

RE. Hartanto

Abas Alibasyah

98, 103

Han Snel

Rearngsak Boonyavaniskul

128

Abdul Aziz

42, 130

Hasan Djaafar

26, 57

Redy Rahadian

123

AJL Mayeur De Merpres

Hendra Bayu Hermanto

108

Roger San Miguel

Agung Mangu Putra

14, 79

Henry Van Velthuysen

25, 67

Rudolf Bonnet

Agus Djaya

Huang Fong

104

Rusli

10, 135

Ahmad Syahbandi

I Dewa Nyoman Jati

Saftari

116

Alit Sembodo

I Fantje

Salim / Saraochim Salim

47, 75

Amrus Natalsya

I Made Djirna

121

Samsul Arifin

112

Angki Purbandono

100

I Made Wianta

Siauw Tik Kwie

Arie Smit

2, 36, 58, 62,

I Wayan Pengsong

Siew Hock Meng

118

93, 122, 126

Ida Bagus Made Nadera

Soedibio

113

Arifien Neif

132

Ida Bagus Rai

109

Sudarso

Astari Rasjid

66, 87

Irsam

8, 51

Sudjono Abdullah

Awiki

Iskandar Fauzy

Suparto

115, 134

Bambang Toko

JB. Iwan Sulistyo

56, 117

Suryadi Suyamtina

Barli Sasmitawinata

105

Jeihan Sukmantoro

114

Syarif Hidayat

111

Basoeki Abdullah

4, 90, 96

Jumaldi Alfi

28, 84

Takashi Murakami

74, 89

Bob Sick Yudhita Agung

Keris

Teguh Ostenrik

Catur Bina Prasetyo

86, 101

Kok Pho

Theo Frids Hutabarat

Chen Wen His

Lee Man Fong

48, 102

Umi Dahlan

129

Dadang Christanto

Leo Eland

Wakidi

Dede Eri Supria

17, 54

Liem Tjoe Ing

Wardoyo

Dullah

3, 21

Lucien Frits Ohl

6, 85, 91, 106

Wayan Kun Adnyana

Eddie Hara

Luo Hao

125

WJ Frederic Imandt

Eduard (Edo Pop)

52, 83

Luo Qing

Willem Gerard Hofker

Eko Supa

44, 70

M. Irfan

131

Willem Van Der Does

Endro

Mahyuddin S.

Wimo Ambala Bayang

119

Entang Wiharso

Nasirun

Wu You

107

Erica Hestu Wahyuni

46, 77

Nasirun

133

Yap Hian Tjay

Ernest Dezentje

60, 110

Nyoman Gunarsa

15, 88, 127

Yudi Sulistyo

124

Fadjar Sidik

20, 99

Otto Djaya

Yunizar

Gerard Pieter Adolfs

1, 5, 120, 137

Popo Iskandar

45, 136

Zhang Xi Hua

MASTERPIECE FINE ART AUCTION - JAKARTA

123

124

MASTERPIECE FINE ART AUCTION - JAKARTA