HERITAGE Fine Art Auction House

Jakarta, 21 June 2015 Catalogue not for sale

fine art auction

HERITAGE FINE ART AUCTION

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HERITAGE FINE ART AUCTION

Auction Sunday, 21 June 2015 Luncheon : 12.00 am Auction : 1.00 pm

Viewing Friday, 19 June 2015 Saturday, 20 June 2015 11.00 am - 08.00 pm

Venue Masterpiece Building Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707

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Published by: HERITAGE Auction House PT. Dwi Samapersada MASTERPIECE Building Tanah Abang IV. No.23 - 25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707 info@masterpiece-auction.com www.masterpiece-auction.com Copyright @ 2015, Heritage Auction House All right reserved. No part of this publication may be reproduced, stored in a retriavel system, or transmitted in anyform or by any means, electronic, mechanical, photocopying or otherwise, without written permission from the publisher.

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CONDITION OF BUSINESS The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at the auction. We encourage you to read them wisely and thoroughly.

THE BUYER

Estimated Price Estimated price is the price range, which reflects the opinion of our specialist for the price expected to offer at the auction. This should not be relied on as a statement that this price is either at which the lot will sell or its value for any other purpose. Estimated prices are based upon prices recently paid at auction, and the condition of the artworks including the quality, rarity and history of ownership (provenance).

Reserve Price The reserve is the confidential minimum price the seller is willing to accept and below which a lot not be sold.

Buyer’s Premium Buyers are reminded that the price to be paid will be the sum of the final bid price plus the buyer’s premium. The rate of buyer’s premium for each lot is 22 % (twenty two percent) of the hammer price.

BEFORE THE AUCTION

Viewing Pre-sale viewings are strongly recommended for prospective buyers in order to examine the artworks thoroughly. Pre-sale viewing is open for the public at no charge and usually displayed for 2 (two) days prior to the sale.

Condition Reports Condition reports are available upon request. They are statements of opinion and should not be relied on as statements of definitive fact.

Descriptions of property are not warranties and that lot is sold “as is”. All goods are sold with all faults and imperfections and errors of description.

Illustrations in catalogues are for identification only. It is strongly recommended that prospective buyers inspect and seek any independent expert advice to satisfy you as to authorship, attribution, authenticity, genuineness, origin, date, age, provenance or condition of lot.

Registration If you are planning to participate in the auction, you will need to register with us at the registration desk, to complete a bidder registration form and to receive a bidding number to identify you if you are a successful bidder. Registration can be made during the viewing period or 30 minutes prior to the sell.

THE AUCTION

Bidding All artworks are auctioned in consecutive numerical order. Bidding is done in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer will accept bids from those present in the saleroom or absentee bidders participating by telephone or by written bid left with HERITAGE in advance. The lot being offered is usually illustrated on a screen.

Bidding Increments Bidding generally opens below the low estimate and advances in the following increments: Rp. Rp. Rp. Rp. Rp. Rp. Rp. Rp.

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1.000.000 - 10.000.000 - 20.000.000 - 50.000.000 - 100.000.000 - 200.000.000 - 500.000.000 - 1.000.000.000

Rp. 10.000.000 by Rp. 500.000 Rp. 20.000.000 by Rp. 1.000.000 Rp. 50.000.000 by Rp. 2.000.000 Rp. 100.000.000 by Rp. 5.000.000 Rp. 200.000.000 by Rp. 10.000.000 Rp. 500.000.000 by Rp. 20.000.000 Rp. 1.000.000.000 by Rp. 50.000.000 - above by the auctioneer’s direction.

HERITAGE FINE ART AUCTION

Absentee/ Written Bids If you cannot attend the auction in person, you may bid in other ways.

The most common is written bids. Written bids are written instruction given to HERITAGE to bid for you on one or more lots up to a maximum amount you specify for each lot. There is no charge for this service. If two or more parties leave identical bids, the first bid received by HERITAGE will take preference. Written bid forms are available 7 days before the sale and returned to HERITAGE within 24 hours before the sale or by fax to (021) 351 0707.

Telephone Bids If you cannot attend the auction, HERITAGE will execute on behalf of your bid by telephone. Please make arrangements for this service at least 1 (one) day before the sale. It is advisable for you to leave your maximum bid, in case you are unable to reach us by phone.

Successful Bids Successful bidder will be indicated by the fall of the auctioneer’s hammer after reaching or exceeding the reserve price. HERITAGE will record the bidder number of the buyer. Under the auctioneer’s discretion bidding may be reopened.

Unsold lots When a lot fails to sell, the auctioneer will not announce a bidder’s number. Lots unsold will be returned to the consignor usually after a week in case there are any post sale offers.

AFTER THE AUCTION

Payment Payment of purchases should be made within 7 (seven) calendar days.

Please include your paddle number, name, lot number, and total payment in your bank instruction. If buyers do not make any payment or notice to HERITAGE during the scheduled time, they will be considered as withdrawing.

Collection of Goods Goods can be collected only when payment has cleared and been received

by HERITAGE. Due to space constraints, HERITAGE requires that purchases and unsold property be collected within 7 (seven) days. If the goods remain after 7 (seven) days HERITAGE reserves the right to cause the artworks to be stored at the expense of the purchaser.

Storage and Insurance HERITAGE provides insurance cover for sold items for a maximum of 7 (seven) days after the date of the sale. If the goods have not been removed by the deadline, the goods will be deposited at warehouse and all storage transportation and other associated costs as well as risk shall be at the purchaser’s responsibility.

THE SELLER

Auction estimates If you are considering selling your property at the auction, HERITAGE will provide a free initial estimate of its auction value. You can send a clear photograph of each item with complete data includes the dimension, artist’s signature, medium, physical condition and any other relevant information.

After Sale Notification You will receive an after sale advice listing the final bid price, or in the event that the property failed to sell, notification that it was bought-in to be returned to you. Payment for your sold property takes approximately 4 (four) weeks, provided payment has been received by us from the buyer.

CONDITIONS OF SALE

These conditions of sale together with any terms and conditions set out a consignment form constitute the entire agreement with the Buyer on respect to any lots listed in the catalogue. Amendment to the catalogue descriptions may be made verbally during the course of auction or by appropriate posted notices. By bidding at the auction, you shall be bound by the conditions set out below.

Terms used in these conditions * “The Buyer” means the person with the highest bid accepted

by the auctioneer. * “The Lot” means any items deposited with us for sale at

auction and, in particular, the item (s) described against any

lot number in the catalogue. * “The Hammer Price” means the amount of the highest bid

accepted by the auctioneer in relation to a lot. * “The Reserve” means the amount below which we agree with

the seller that the lot cannot be sold. * “The Buyer’s Premium” means the charge payable by the

buyer as a percentage of the hammer price, at the rate set

out in the auction room at the time of the relevant sale. * “Forgery” means a Lot constituting an imitation originally

conceived and executed as a whole with a fraudulent intention

to deceive as to authorship, origin, age, period, culture or

source where the correct description as to such matters is not

reflected by the description in the catalogue.

Withdrawal of Property HERITAGE reserve the right to withdraw from the sale the property or to have the property listed at any auction without any prior notice to the vendor.

Control of Auction HERITAGE will have absolute discretion to determine the successful bidder should a dispute arise between the bidders and this includes the authority to reject any bid, to cancel the sale or to re-offer the property in dispute.

Ownership of Property The fall of the auctioneer’s hammer indicates the property sold to the buyer who is responsible for the property and shall be liable to pay the full purchase price within 7 (seven) days. If extended payment terms have not been granted, penalty interest will be charged on the unpaid balance until paid.

In the event a defaulting buyer has made a part payment, HERITAGE reserves the right to apply such payment to any such lots at its sole discretion.

Forgery In the event of proven forgery, HERITAGE will refund to the buyer the purchase price of the lot. This refund will only occur on the following terms: (i) The buyer must provide evidence from an independent expert

who proves that the lot is a forgery. HERITAGE reserves the right to request further expert evidence if, in its sole discretion, it is not satisfied with the finding of either expert. (ii) The buyer must provide written notification to HERITAGE

within 1 (one) year of the auction date of the

forgery allegations.

No refund will occur if there is any conflict of opinion among accepted experts in the field or if it can be demonstrated that the lot is a forgery only by means of scientific process that could damage or otherwise jeopardize the condition of the lot and which scientific techniques were not commonly employed until after the publication of the catalogue.

This guarantee is for the benefit of the buyer only and cannot be assigned.

Such buyer must have remained the owner of the property without disposing of any interest in it to any third party up until the time the alleged forgery was discovered.

Handling and Packaging Handling and packing of all purchase lots shall be at the risk of the buyer who shall pay an administration charge if HERITAGE is responsible for such services. HERITAGE shall use our best efforts to take care when handling the packing but remind the buyer that from 7 (seven) days time after the sale, the goods are entirely at the buyer’s risk. You can instruct your own shipper for the shipping. However, we can also arrange for such service but are not responsible for any costs incurred during the shipping.

Notice HERITAGE remind prospective buyers that none of the property in this catalogue is subject to any guarantee of authenticity and all of the artworks sold “as is” with all imperfections, incompleteness, faults and errors of description. All property is sold without any warranty or representation. HERITAGE is not responsible for any errors or omission in the catalogue. Buyers are strongly recommended to take independent professional advice on selection of purchase.

Remedies of HERITAGE If the buyer is in breach of any of the conditions of sale then HERITAGE may choose to take the following action: (1)

(2)

(3)

Cancel the sale, retaining as liquidated damages any payment made by the buyer.

Re-sell the property without any minimum price at the next auction of HERITAGE or privately on 5(five) days notice to the buyer.

Take any other action HERITAGE may consider necessary.

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001 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Kampong Scene Oil on canvas: 45 x 35 cm Signed, lower right: Ger, P. adolfs RP 70.000.000 - 90.000.000 USD 5,380 - 6,920

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Born in Semarang, 1899. He once lived in Surabaya and made many paintings about the city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.

002 DULLAH (Solo, 1919 – 1996) Bunga, 1989 Oil on canvas: 65 x 75 cm Signed and dated, lower right: Dullah, 1989 RP 60.000.000 - 70.000.000 USD 4,620 - 5,380

Dullah was born in Solo, 1919. He studied painting under Affandi and Sudjojono but has his own distinctive style of naturalism. He was well known for his landscape and portraits paintings. He was one of the founders of HBS – Surakarta Cultural Community (1950). In 1956, he edited book of former Presiden Soekarno’s Private Collection of Indonesian Art (volume I & II). Since the early days of the independence, Dullah was very close to Soekarno, the first President of the Republic of Indonesia and was appointed by Soekarno to care for the President’s private art collection and as curator of the state painting collections. At age 70, Dullah built his museum, now a cultural landmark, as his dedication to a love of the arts over a creative lifetime. He has had numerous art exhibitions in Indonesia and overseas and in 1988 his work was included in the Art of Bali exhibition held at the East West Center in Honolulu, Hawaii. Now, his works been kept in Dullah Museum in Solo. He died in 1996.

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003 ARIE SMIT (Zaandam, the Netherlands, 1916) After a Visit to The Temple, 2005 Acrylic on canvas: 36 x 54.5 cm Signed and dated, lower left: Arie Smit 2005 This lot is accompanied with certificate authenticity from the artist RP 80.000.000 - 100.000.000 USD 6,150 - 7,690

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Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment.

He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma� art awards from the local government of Bali.

004 MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993) Bunga Di Tepi Kolam Oil on canvas: 74 x 137 cm RP 30.000.000 - 40.000.000 USD 2,310 - 3,080

Mahyuddin S. the naturalist painter was born in 1924 in Bukittinggi, Sumatra. Since childhood, he was already very fond of painting and developed his skill and techniques under guidance of noted painters in his born city. In 1948, he held his joint exhibition in Bukittinggi with painters from all over Sumatra. In 1950, he moved to Jakarta for work and continued his study at the Perguruan Tinggi Djurnalistik Institute of Journalism until 1955. In 1956, he held a joint exhibition in at Bapenas Building, Jakarta. He worked in Unilever Jakarta from 1957 until 1961 in which he decided to devote his full attention in painting. He continued to hold several painting exhibitions, among the successful one was in 1968 at Hotel Indonesia. In 1969 – 1971, he held exhibition in Singapore, Kuala Lumpur and Bangkok. In 1972, he held his exhibition in Bremen, West Germany, Amsterdam Holland, and Vienna, Austria. In 1973, he travelled again to Europe and performed the exhibitions in West Berlin and Frankfurt. In 1974, he held his last exhibition in Singapore again. Mahyuddin is a naturalist painter who conveys quietness, peacefulness and grandeur in his paintings. His works have been in the collection of many important art collections in Indonesia and abroad.

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005 IRSAM (Klaten, 1942) Wanita dan Dua Burung, 1983 Oil on canvas: 135 x 150 cm Signed and dated, lower middle: Irsam, 1983 Literature: Mikke Susanto, “Irsam Jejak-Jejak Decorative”, Published PT. Dwi Samapersada, Jakarta 2013, pg 61 RP 55.000.000 - 65.000.000 USD 4,230 - 5,000

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Born in Klaten, Central Java, 1942. He graduated from the Indonesian Fine Art Academy (ASRI) Yogyakarta. He had held his first exhibition in 1967 in Jakarta. He received an award from the Philippines, Singapore, and Thailand. In 1980 he also joined in the Contemporary Asian Art Exhibition in Fukuoka Art Museum Japan.

006 SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) Mau Terbang, 1999 Oil on canvas: 60 x 80 cm Signed and dated, lower right: Salim 99 Literature: Ajip Rosidi, “Salim, Pelukis Indonesia di Paris”, Published Pustaka Jaya, Jakarta 2003, pg. 29 RP 55.000.000 - 65.000.000 USD 4,230 - 5,000

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007 FREDERICK KASENDA (1920-1950) Activities in the Ricefields, 1925 Oil on canvas: 66 x 126 cm Signed and dated, lower right: Frederik Kasenda, Anak Minahasa, 1925 RP 15.000.000 - 20.000.000 USD 1,150 - 1,540 008 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Panen Oil on canvas: 125 x 199 cm Signed, lower left: S. Abdullah RP 20.000.000 - 30.000.000 USD 1,540 - 2,310

009 CHENG SHUI (Bogor, West Java, 1981) Penjual Jagung Bakar Oil on canvas: 100 x 145 cm Signed, upper right: Ong Cheng Shui RP 18.000.000 - 25.000.000 USD 1,380 - 1,920

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010 AMRUS NATALSYA (Medan, 1933) Terdesak, 1996 Oil on wood: 169 x 160 cm Signed and dated, lower middle: Amrus N.96 This lot is accompanied with certificate authenticity from the artist RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

011 SUDARSO (Purwokerto, 1914 - 2006) Flowers in a Vase, 1993 Oil on canvas: 90 x 70 cm Signed and dated, lower left: Sudarso 93 RP 10.000.000 - 15.000.000 USD 770 - 1,150

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012 ABDUL AZIZ (Purwokerto, 1928 - Bali, 2002) Pemahat Patung, 1988 Oil on canvas: 29 x 20 cm Signed and dated, lower right: Abdul Aziz, Bali, 1988 RP 45.000.000 - 60.000.000 USD 3,460 - 4,620

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Born in Purwokerto, March 27, 1928. He graduated from the Indonesian Fine Art Academy (ASRI) in 1959 then went to Italy to continue his study at Academia Di Belle Arti in Rome. He exhibited some works in Italy several times as well as in Jakarta, Yogyakarta and Bali.

Besides being a well known for his work, Aziz is a highly accomplished violinist.

Born in Padang Panjang, West Sumatra, 1923. He graduated form the Bandung Institute of Technology (ITB) in 1951 and continued his study of art and handicrafts in Amsterdam finished in 1953. He was among the first who benefited from a Dutch formal education during the colonial period and was able to acquire a strong intellectual basis for producing modern art. From a very young age, he was able to nurture his artistic bent through special instruction from Dutch art teachers. He went on to pursue art at the Kunstnijverheid School in Amsterdam, and the Ecole Nationale Suprieure des Beaux Arts in Paris as well as the Deutsche Akademie der Kuenste in Berlin. Due to his extensive art studies, Mochtar Apin became proficient in a variety of techniques. With such knowledge, he was well equipped to debate on the role of art in Indonesia. In the Indonesian art world, Mochtar Apin’s diverse range of interests and unique versatility in style has left behind an artistic legacy that has held the interest of art connoisseurs to this day.

013 MOCHTAR APIN (Padang, 1923 – 1994) Komposisi Diagonal, 1986 Oil on canvas: 23 x 27 cm Signed and dated, lower right: Mochtar Apin 86 RP 45.000.000 - 55.000.000 USD 3,460 - 4,230

014 BUDI UBRUX (Yogyakarta, 1968) Tidak Akan Habis, 2013 Oil on canvas: 110 x 95 cm Signed and dated, lower right: Budi Ubrux, 13 Signed, titled and dated on the reverse RP 45.000.000 - 55.000.000 USD 3,460 - 4,230

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Richard Winkler Richard Winkler was born in Norrkoping, Sweden, 1969. He studied arts at the Nyckelviken School of art which later continued his study at the Beckmans School of Design. He was interested in human body His works have been exhibited in Asia as well as European countries.

As one of the foreign artists who visualized Bali, Richard Winkler continues the romantic tradition of painting on the island. Winkler was very interested in the human body and anatomy which he put into canvases in exaggerated figures. In the period of 1994-1995, he traveled to several cities in Europe to deepen his visual arts. In 1997, he moved to Bali and creates paintings inspired by the place. Besides painting human figures, he also interested in painting plants of the tropical forest. Plants in most of his paintings are a direct representation or abstraction of fertility of the real tropical plants and a pattern that enrich and strengthen the views of his works. In the present lot, Winkler put the form of bathing figures appeared in the contrast with the natural vegetation in which the figures were placed. The use of bright color, motif, texture and light technique made a beautiful combination on the painting.

015 RICHARD WINKLER (Norrkoping, 1969) Two Women By The Beach, 2008 Oil on canvas: 120 x 90 cm Signed and dated, lower right: Winkler, 2008 This lot is accompanied with certificate authenticity from the artist RP 280.000.000 - 350.000.000 USD 21,540 - 26,920

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016 THEO MEIER (Switzerland, 1908 - 1982) Portrait of Jettli, 1966 Oil on burlap: 70 x 60 cm Signed and dated, lower right: Theo Meier 66 Provenance: Acquired directly from the artist RP 70.000.000 - 90.000.000 USD 5,380 - 6,920

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Born in Switzerland, 1908. He studied at the Kunstgewerbeschule in Basel and Academies of Art in Berlin and Dresden. In 1936 he settled in Bali for 20 years then moved to Thailand in 1961. His works have been the collection of former President Soekarno, the Museum Neka in Bali, the Agung Rai Fine Arts Gallery in Bali, and the Kunstmuseum in Basel, Switzerland.

017 ADAM LAY (Wonosobo, Central Java, 1949) Berteduh, 2005 Oil on canvas: 75 x 120 cm Signed and dated, lower left: Adam L 05 This lot is accompanied with certificate authenticity from the artist RP 20.000.000 - 30.000.000 USD 1,540 - 2,310

018 LIEM TJOE ING (Surakarta, 1922-1996) Gembala Kerbau, 2005 Oil on canvas: 100 x 60 cm Chinese character, upper left RP 18.000.000 - 25.000.000 USD 1,380 - 1,920

019 R. HADI Pertarungan Liar Oil on canvas: 101 x 76 cm Signed, lower left: R. Hadi RP 14.000.000 - 18.000.000 USD 1,080 - 1,380

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020 ARIE SMIT (Zaandam, the Netherlands, 1916) Bali, 2007 Acrylic on canvas: 27 x 27 cm Signed and dated, lower left: Arie Smit 07 Signed, titled and dated on the reverse This lot is accompanied with certificate authenticity from the artist RP 30.000.000 - 40.000.000 USD 2,310 - 3,080

021 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 – 1966) Nelayan Oil on board: 30 x 40 cm Signed, lower right: W.V.D Does RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

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022 DULLAH (Solo, 1919 – 1996) Laut, 1967 Oil on canvas: 100 x 182 cm Signed and dated, lower right: Dullah, 1967 RP 80.000.000 - 100.000.000 USD 6,150 - 7,690

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023 EDO POP (Palembang, South Sumatra, 1972) Cermin Komoditas, 2013 Acrylic on canvas: 145 x 200 cm Signed, titled and dated on the reverse This lot is accompanied with certificate authenticity from the artist RP 23.000.000 - 28.000.000 USD 1,770 - 2,150

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024 BATARA LUBIS (Hutogodang, 1927 - 1986) Burung-burung, 1977 Oil on canvas: 77 x 141 cm Signed and dated, lower right: Batara Lubis 77 RP 30.000.000 - 40.000.000 USD 2,310 - 3,080

025 ABAS ALIBASYAH (Purwakarta, 1928) Dua Sejoli, 1981 Oil on canvas: 100 x 150 cm Signed and dated, lower right: Abas 81 Signed, titled and dated on the reverse RP 12.000.000 - 18.000.000 USD 920 - 1,380

026 NASIRUN (Cilacap, 1965) Komposisi Figur, 1994 Oil on canvas: 90 x 145 cm Signed and dated, lower right: Ns. Run.94 Provenance:: Property of important European Collection RP 40.000.000 - 50.000.000 USD 3,080 - 3,850

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Dede Eri Supria Dede Eri Supria is a super-realist southeast Asian artist in Indonesia. He was born in Jakarta on January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta, graduating in 1974.

In 1976 he first emerged onto the Indonesian Art Scene when he exhibited his work at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya in Jakarta. Being an contemporary artist like myself, most of the subject matters that Dede explores in about the increasing trend of consumerism happening in Indonesia, emphasizing on the social commentary portion on Indonesian society in his art works. Themes in his artworks include the rich-poor divide in Indonesia, the lives of the urban dwellers in Indonesian cities, the poor and neglected and the changes in the Indonesian society in general, particularly in his own hometown, Jakarta.

The present lot shows a famous traditional sport from Spain. “The Matador” an individual traditional sport showing a bullfighter who performs the final passes by killing the bull. The matador’s traditional costume, which offers no protection, is known as the “suit of lights.” The gracefulness of a matador was reflected by the skill and daring style of killing the bull. This object has captured Dede’s attention in producing painting of bull fighting theme.

027 DEDE ERI SUPRIA (Jakarta, 1956) The Power of Red II, 2015 Oil on canvas: 170 x 180 cm Signed and dated, lower right: Dede Eri Supria, 2015 This lot is accompanied with certificate authenticity from the artist RP 120.000.000 - 180.000.000 USD 9,230 - 13,850

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028 PUPUK DARU PURNOMO (Yoyakarta, 1964) Gendongan Merah, 1994 Oil on canvas: 91 x 81 cm Signed and dated, upper area: Pupuk DP, Yogyakarta, 23/3/1994 Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

029 O.H. SUPONO (Surabaya, 1937 – Bali, 1991) Kakek, 1986 Oil on canvas: 120 x 100 cm Signed and dated, lower left: OH. Supono 86 RP 30.000.000 - 40.000.000 USD 2,310 - 3,080

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030 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Dua Macan dan Matahari, 1998 Oil on canvas: 75 x 95 cm Signed and dated, lower right: Popo 98

Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).

RP 90.000.000 - 120.000.000 USD 6,920 - 9,230

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031 REDY RAHADIAN (Cianjur, West Java, 1973) Keep Balance II, 2011 Stainless Steel: 210 x 70 x 30 cm Signed and dated, middle area: Redy R 2011 RP 40.000.000 - 60.000.000 USD 3,080 - 4,620

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032 LEO ELAND (Java, 1884 – 1952) Lake View Oil on canvas: 40 x 60 cm Signed, lower left: L. eland RP 20.000.000 - 30.000.000 USD 1,540 - 2,310

033 RINALDI (Padang, 1976) Komposisi II, 2006 Acrylic on canvas: 120 x 140 cm Signed and dated, lower left: Rinaldi. 2006 Signed, titled and dated on the reverse RP 18.000.000 - 22.000.000 USD 1,380 - 1,690

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034 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Lake View Oil on canvas: 65 x 110 cm Signed, lower left: S. Abdullah RP 8.000.000 - 10.000.000 USD 620 - 770

035 ABDULLAH SURIOSUBROTO (Semarang, Central Java, 1978 - 1941) Landscape Oil on canvas: 40 x 61 cm Signed, lower left: Abdullah RP 8.000.000 - 10.000.000 USD 620 - 770

036 LEO ELAND (Java, 1884 – 1952) Landscape with Ricefield, 1946 Oil on canvas: 49 x 69 cm Signed, lower right: L. eland Signed and dated on the reverse RP 10.000.000 - 15.000.000 USD 770 - 1,150

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037 SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) Landscape, 1966 Oil on canvas: 45 x 55 cm Signed and dated, lower right: Salim 66 RP 50.000.000 - 70.000.000 USD 3,850 - 5,380

038 SUMARDI (Solo, 1917- 1983) Panen, 1964 Oil on canvas: 100 x 176 cm Signed and dated, lower right: Sumardi, 1964 RP 40.000.000 - 50.000.000 USD 3,080 - 3,850

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Putu Sutawijaya Putu Sutawijaya was born in Angseri, Tabanan, Bali, 1971. He finished studies in painting in Faculty of Fine Arts at ISI Yogyakarta in 1998. Putu’s works have been nominated many awards such as one of the 10 best paintings of Philip Morris Art Award in 1999 and granted the Lempad Prize from Sanggar Dewata Indonesia in 2000. He has been performing Solo exhibitions in Bali, Yogyakarta, Jakarta Singapore, Hongkong, Malaysia and America. Various motions and human behavior are the theme he likes most in his paintings. His spontaneous and firm lines expressed his dynamic works using minimal color.

Putu’s figures are painted with rhythmic motion and minimal color, and are characterized by his strong lines and brush strokes. Putu invests in his figurative narrative certain anonymity. The figures are androgynous and, for the most part, faceless which is strikingly different from that of much of recent Indonesian art which personalizes the messages of art by giving faces to the characters. For Putu, the facelessness of his figures is not what someone looks like but rather “human expressions, conveyed through his work, that are meant to apply cross-culturally”. Androgynous human figures are represented in motion – dancing, flying, floating – or otherwise completely still in a pose of serene contemplation. His art is, above all, about the individual human condition in a struggle to free itself from the constraints of an overly complex world.

039 PUTU SUTAWIJAYA (Bali, 1971) Gerak Bagai Badai I, 2000 Oil on canvas: 200 x 145 cm Signed and dated, lower right: Putu Sutawijaya, 2000 Signed, titled and dated on the reverse RP 200.000.000 - 300.000.000 USD 15,380 - 23,080

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040 ROLAND STRASSER (Vienna, 1885 – 1974) Woman with Basket, 1922 Mixed media on paper: 30 x 25 cm Signed and dated, lower right: Roland Straaser, Bali, 1922 Ruud Spruit, “Indonesische Impressies”, Pictures Publisher Wijk en Aalburg,The Netherlands 1992, pg. 148 RP 10.000.000 - 15.000.000 USD 770 - 1,150

041 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Upacara Bali, 1998 Acrylic on canvas: 90 x 70 cm Signed and dated, lower right: Otto Djaya, 1998 This lot is accompanied with certificate authenticity from the artist RP 12.000.000 - 18.000.000 USD 920 - 1,380

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042 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Nude, 1976 Pastel on paper: 55 x 39 cm Signed and dated, lower left: MF. Lee, 1976 RP 70.000.000 - 90.000.000 USD 5,380 - 6,920

He was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection.

He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter.

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043 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Toekang Soldeer / Basket Market, 1933 Oil on canvas: 30 x 40 cm Signed and dated, lower right: 33. Ger.P. Adolfs Literature: Eveline/Gianni Orsini, Gerard Pieter Adolfs “ The Painter of Java on Bali”, Javaan Met Haan, Published by Pictures Publishers the Netherlands 2008, Pg. 379 RP 60.000.000 - 80.000.000 USD 4,620 - 6,150

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044 NYOMAN GUNARSA (Klungkung, 1944) Dua Penari Oil on canvas: 70 x 70 cm Signed, lower right RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

045 SUDARSO (Purwokerto, 1914 - 2006) Seated Lady, 1991 Oil on canvas: 117 x 80 cm Signed and dated, lower left: Sudarso 91 RP 20.000.000 - 30.000.000 USD 1,540 - 2,310

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046 CHENG SHUI (Bogor, West Java, 1981) Gembala Kerbau Oil on board: 80 x 121 cm Signed, lower left: Ong Cheng Shui RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

047 HASIM (Jakarta, 1921-1982) Panen, 1975 Oil on canvas: 60 x 45 cm Signed and dated, lower left: Hasim 75 RP 3.000.000 - 5.000.000 USD 230 - 380

048 ANGKAMA SETJADIPRADJA (Ciamis, West Java, 1913 – Bandung, 1984) Jembatan Kayu Oil on canvas: 100 x 80 cm Signed, lower left: Angkama RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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049 JOSEPHINE LINGGAR (Jember, East Java, 1943) Tranquil Girl, 2012 Oil on canvas: 70 x 50 cm Signed and dated, lower right: Josephine, 2012 This lot is accompanied with certificate authenticity from the artist RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

050 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Kucing, 1993 Oil on canvas: 45 x 50 cm Signed and dated, lower right: Popo 93 RP 18.000.000 - 25.000.000 USD 1,380 - 1,920

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Basoeki Abdullah Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung.

He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter.

During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands.

Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. The artist gain the public recognition after winning a painting competition held in conjunction with the Netherland’s Queen Juliana ascension to throne on 6 September 1948.

051 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Reclining Nude Oil on canvas: 80 x 120 cm Signed, lower right: Basoeki Abdullah RP 80.000.000 - 120.000.000 USD 6,150 - 9,230

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052 WAYAN CAHYA (Solo, C. Java, 1965) Sang Pencipta, 2006 Acrylic on canvas: 60 x 80 cm Signed and dated, lower right: wayan Cahya, 2006 RP 20.000.000 - 25.000.000 USD 1,540 - 1,920

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053 NASIRUN (Cilacap, 1965) Komposisi Topeng, 1994 Oil on canvas: 60 x 90 cm Signed and dated, lower right: NS. Run94 Signed and dated on the reverse RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

054 AHMAD SADALI (Garut, West Java, 1924 - Bandung, 1987) Bongkah-Bongkah Emas, 1981 Mixed media on paper: 34 x 39 cm Signed and dated, lower right: Sadali, 1981 RP 50.000.000 - 70.000.000 USD 3,850 - 5,380

He graduated from the Department of Art, Bandung Institute of Technology (ITB) in 1953, where he later taught, becoming a Professor in the Art Department in 1972. He received a grant from the Rockefeller Foundation to study at Iowa State University and the New York Art Student’s League in USA 1956-1957. He also studied in The Netherlands and Australia in 1977, a Pakistan in 1980. He held his solo exhibition in Jakarta, Surabaya, Bandung and Yogyakarta. He also has participated in several group exhibitions such as in Indonesia, China, Japan, Thailand, Philippines, Singapore, India, Vietnam, USA, Switzerland, UK, France, Brazil and Saudi Arabia. He received some Awards including the Anugerah Seni Art Award from the Indonesian Government in 1972 and awards from the Jakarta Arts Council at the Indonesian Painting Biennials in 1974 and 1978.

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055 EDI SUNARYO (Banyuwangi, 1951) Citra Primitif, 1998 Oil on canvas: 50 x 50 cm Signed and dated, lower right: Edi Sunaryo, 1998 This lot is accompanied with certificate authenticity from the artist RP 5.000.000 - 7.000.000 USD 380 - 540

056 SUPARTO Banteng, 1988 Mixed media on paper: 27 x 37 cm Signed and dated, lower right: Suparto, Jakarta, 1988 RP 3.000.000 - 5.000.000 USD 230 - 380

057 I MADE WIRADANA (Denpasar, 1968) Old Temple, 2008 Mixed media on canvas: 145 x 120 cm Signed and dated, lower right: Wira D. 2008 Signed, titled and dated on the reverse RP 12.000.000 - 18.000.000 USD 920 - 1,380

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058 F. SIGIT SANTOSA (East Java, 1964) Gogh Bless You, 2010

Born in Ngawi, East Java, 1964. He studied at Faculty of Fine Arts – Indonesian Fine Arts Institute and graduated in 1993. He has actively participated in numerous group exhibitions since 1987. In 2003, he had his solo exhibition in Jakarta. In 1994 he was nominated among the best 10 of the Phillip Morris Group of Companies of Indonesian Art Awards and received award for Best Work at Biennale IV.

Acrylic on canvas: 145 x 145 cm Signed and dated, lower right: F. Sigit santosa 2010 RP 60.000.000 - 80.000.000 USD 4,620 - 6,150

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059 HASIM (Jakarta, 1921-1982) Pasar Oil on canvas: 110 x 203 cm Signed, lower left: Hasim RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

060 ZHANG DA ZHONG (Guangzhou, China, 1953) Farmer Lady, 2006 Oil on canvas: 60 x 50 cm Signed and dated, in chinese character, lower right: 06 RP 48.000.000 - 55.000.000 USD 3,690 - 4,230

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061 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Three Figures Oil on canvas: 33 x 41 cm Signed, lower right: Adolfs RP 65.000.000 - 75.000.000 USD 5,000 - 5,770

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Teguh Ostenrik Internationally celebrated Painter and Sculptor, Teguh Ostenrik holds a Master Degree in Fine Arts Hochschule der Kuenste, West Berlin, Germany. He has had more than one hundred solo and group exhibitions in the USA, Europe (France, the Netherlands, Germany), Australia and throughout Asia. His art works and commissioned projects are collected by many private collectors, museums, international institutions and major corporations. To name a few are Willem de Kooning Studio – USA, St.Mary of the Angels Church – Singapore, Fukuoka Art Museum – Japan.

Among many noteworthy recognitions, Ostenrik was awarded The Best Artist 2009 in Visual Arts Category by Tempo Magazine and the Top Ten Philip Morris Art Award in 1997. Most of Ostenrik’s works were created based on his respect to environment. He used lots of recycle material and mother earth colors.

He believes that having himself raised in Indonesian culture, graduated from Hochschulle der Künste West Berlin, Germany and later resided in Europa for 16 years, has created a two sided insights in his works. The Indonesian and European culture has merged in him and subconsciously shaped his artistic statement.

Recently, he initiated ARTificial Reef Park Project which was launched in Lombok, Indonesia, a project to restore the nature through art. Using biorocks technology, Ostenrik provides his underwater sculptures as media for the coral to grow and providing a better marine ecosystem. Ostenrik’s 24 years work of art has been documented in Transcending Time, a full coloured 250 pages book, wrote by Art Historian Barbara Asboth.

He was a guest lecturer in the Beijing Central Academy of Art in 2006. For three consecutive years (2006-2008) Teguh is a jury member of China Asean Youth Art Creativity Contest in Nanning – China, a drawing competition with 3000 participants. In 2013, he represented Indonesia to commemorate 10th Anniversary of China-Asean Expo. In 2007, he was honoured to be the Artist in Residence in Penang, Malaysia for the ABN-AMRO and Wawasan Open University. Now Ostenrik resides in Jakarta, Indonesia.

062 TEGUH OSTENRIK (Jakarta, 1950) A La Lute, 2015 Acrylic collage on canvas: 120 x 160 cm Signed and dated, lower right: Goeh OST. 15 Signed, titled and dated on the reverse RP 50.000.000 - 70.000.000 USD 3,850 - 5,380

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063 KRIJONO (Jakarta, 1951 - 2011) Topeng, 1980 Acrylic on canvas: 100 x 98 cm Signed, and dated, lower right: Topeng, Bali,1990,Krijono RP 20.000.000 - 30.000.000 USD 1,540 - 2,310

064 TATANG GANAR (Bandung, 1936 – Bandung, 2004) Djaro Saltimin, 1963/79 Oil on canvas: 100 x 80 cm Signed, tittle and dated, lower left: T. Ganar63/79 Literature: Agus Dermawan T, “Tatang Ganar, Memori 5533th”, pg. 71-72 RP 10.000.000 - 15.000.000 USD 770 - 1,150

065 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Adikku Mangu Jaya Lagi Nonton TV, 1998 Pastel on paper: 36 x 52 cm Signed and dated, lower right: Mangu Putra, 1998 RP 6.000.000 - 8.000.000 USD 460 - 620

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066 WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981) Portrait Figure, 1953 Oil on board: 20 x 20 cm Signed, upper left: WG. Hofker Dated, upper right: 1953

Born in Amsterdam, the Netherlands, 1902. He studied arts at the academy of Fine Arts, Masterdam and also learnt under painter W. Witsen and Isaac Israels. He once lived in Bali from 1938 – 1944 together with his wife, Hofker-Reuter. His works were undoubted. His color, texture surface, and contrastive control showed his maturity of painting study. His drawing was elegant and poetic. His works were inspired by the lifestyle of Balinese people which often depict them in festive ceremonial dress. He died in 1981.

RP 90.000.000 - 120.000.000 USD 6,920 - 9,230

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067 KHO KHIEM BING (Malang, 1907 - ) Panen Oil on canvas: 50 x 65 cm Signed, lower left: Kho Khiem Bing RP 6.000.000 - 8.000.000 USD 460 - 620

068 ROSID (Ciamis, 1969) Tatap Aku, 2006 Pencil Acrylic on canvas: 120 x 120 cm Signed and dated, lower right: Rosid,06 Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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069 DEDE ERI SUPRIA (Jakarta, 1956) Potret Diri Di Dunia Kasur, 1979 Oil on canvas: 140 x 100 cm Literature: Agus Dermawan T. Dede, Elegi Kota Besar, Published by AiA Fine Art Foundation, Jakarta, 1999, Pg. 58 RP 50.000.000 - 70.000.000 USD 3,850 - 5,380

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070 RUDOLF BONNET (Amsterdam, 1895 – 1978) Siracusa, 1965 Pastel on paper: 22 x 45 cm Signed, lower right: R. Bonnet Titled, lower left: Siracusa, Dated, upper Right: 1965 RP 10.000.000 - 15.000.000 USD 770 - 1,150

071 I KETUT KRINTING (Peliatan, Ubud, 1950) Kama Sutra, 2003 Acrylic on canvas: 80 x 100 cm Signed and dated, lower right: I Kt. Krinting, Ubud Bali, 2003 RP 12.000.000 - 18.000.000 USD 920 - 1,380

072 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Sweet Prosperity Land, 2012 Acrylic on canvas:70 x 80 cm Signed and dated, lower middle:Erica, 2012 Signed , titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 10.000.000 -15.000.000 USD 770 - 1,150

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073 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Market Scene Oil on canvas: 77 x 61 cm Signed, lower right: L. Frits Ohl RP 80.000.000 - 100.000.000 USD 6,150 - 7,690

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Sunaryo Born in Banyumas, Central Java, 1943. Sunaryo studied at Bandung Institute of Technology (ITB) majoring Art Department in 1969 and continued to study marble carving for 7 months at Carrara, Italy in 1975. He is regarded as one of the abstract art pioneers in Bandung together with AD Pirous and Ahmad Sadali. Throughout his journey as an artist, Sunaryo has been exploring many subjects and materials for his art. He applied his art in various media from painting, sculpture, and installation.

Sunaryo mixes figurative themes with abstract backgrounds using very refined color palette and graceful lines that show great technical mastery. He loves to use natural materials such as rattan, grass, bamboo, jute, canvas, nets and fibers in his multimedia. In processing his painting, he paints with his specific visual language. His works are dominated with lines and forms, mostly found in the use of white, brown, grey and black colors.

Sunaryo established himself with lyrical paintings of Indonesian themes such as Barong. In a large proportion he painted his great fond of Balinese culture. Barong is a dragon like dance usually seen in Balinese tradition during the festival or religious ceremony. Barong, a dragon like animal for Balinese people is believe to be the guidance of truth that can protect human from evil. It usually plays an important role in many Balinese dances especially in the spiritual ceremony.

074 SUNARYO (Banyumas, 1943) Barong, 1995 Mixed media on canvas: 150 x 75 cm Signed and dated, lower right: Sunaryo 95 Provenance: Private collection, Jakarta RP 190.000.000 - 250.000.000 USD 14,620 - 19,230

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075 SOETOPO (Yogyakarta, 1931) Penari, 1995 Oil on canvas: 70 x 90 cm Signed and dated, lower right: Soetopo. 1995 This lot is accompanied with certificate of authenticity from the Artist RP 32.000.000 - 40.000.000 USD 4,620 - 3,080

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Born in Yogyakarta, April 13, 1931. He studied painting at The Indonesian Academy of Fine Arts (ASRI) Yogyakarta under Hendra Gunawan, Trubus and Soedarso tutelage. Since 1950, he was actively participated in many exhibitions and handled monumental works for Hotel Indonesia, Ambarukmo Hotel, Satu Maret Monument, Palagan Ambarawa, TMII Historical Monument Relief and Satria Mandala Museum, Jakarta. following the exhibition welcomes the Asian-African Conference in Bandung, 1955. Diversity in Harmony Exhibition in Yogyakarta, Borobudur International Festival Exhibition at the Museum H. Widayat, Mungkid, Magelang, 2002. Exhibition “Footsteps” at the Court of Djoko scream, Yogyakarta, 2003. Art Exhibition “Membaca Dunia Widayat” at Museum H.Widayat, Mungkid, Magelang, 2004

076 JEIHAN SUKMANTORO (Solo, 1938) Susan, 2012 Oil on canvas: 70 x 70 cm Signed and dated, upper left: Jeihan12 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 30.000.000 - 40.000.000 USD 2,310 - 3,080

077 SABRI (Jakarta, 1955) The Beatles, 2008 Oil on canvas: 140 x 200 cm Signed and dated, lower left: Sabri, 2008 RP 15.000.000 - 20.000.000 USD 1,150- 1,540

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078 I FANTZE (Mojoagung, 1931- 2002) The Harbour Oil on canvas: 50 x 40 cm Signed, lower right: I Fantze RP 10.000.000 - 15.000.000 USD 770 - 1,150

079 FREDERICK ANTON KIEVITS (Bogor, West Java, 1887 – The Hague, 1951) Flowers Oil on canvas: 68 x 52 cm Signed, lower left:FA. Kievit RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

080 KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Perahu Nelayan Oil on canvas: 35 x 45 cm Signed, lower left: Koempoel RP 4.000.000 - 6.000.000 USD 310 - 460

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081 ARIE SMIT (Zaandam, the Netherlands, 1916) Temple in Bali, 2005 Acrylic on canvas: 29 x 41.5 cm Signed and dated, lower right: Arie Smit05 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist RP 48.000.000 - 55.000.000 USD 3,690 - 4,230

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082 KETUT MONIARTA (Wanagiri, Bali, 1981) Red, Blue Butterfly, 2007 Oil on canvas: 192. 5 x 379 cm Signed, titled and dated on the reverse RP 30.000.000 - 40.000.000 USD 2,310 - 3,080

083 EDI SUNARYO (Banyuwangi, 1951) Image, 1998 Oil on canvas: 80 x 100 cm Signed and dated, lower right: Edi Sunaryo, 1998 This lot is accompanied with certificate of authenticity from the artist RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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084 GAMBIRANOM SUHADI (Delanggu, 1928 - 1984) Still Life, 1975 Oil on canvas: 100 x 160 cm Signed and dated, lower right: Gambiranom. 1975 RP 30.000.000 - 50.000.000 USD 2,310 - 3,850

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Roland Strasser Strasser was born in Vienna, Austria and studied art in Munich, Germany. He was one of the great painter/adventurers of the early 20th century, and one of the last Orientalist romantics. His energetic paintings and drawings captured and portrayed the lives of subjects from regions and cultures still considered “exotic” by European viewers of the era. Once described by an admirer as “a strange, restless painter, who was known for painting subjects that were difficult or even dangerous to paint.

Early on he received a commission in Holland and from here first became aware of Indonesian art and culture. In 1920 Strasser traveled first to Siam (Thailand), then Java (Indonesia) and finally New Guinea. Along with another adventurer – whose intention was to shoot exotic birds – Strasser journeyed to the remote and forbidding interior of New Guinea. He had lived in Indonesia for a considerable period of time. In Bali he met the painter Willem Dooijewaard with whom he worked and traveled. He painted a lot of Balinese lifestyles. He migrated to the USA in 1952 where he worked until his death in 1974. Strasser's works are represented in the collection amassed by President Sukarno.

085 ROLAND STRASSER (Vienna, 1885 – 1974) Chinese Farmer Oil on canvas laid on board: 75 x 51 cm Signed, lower right: Strasser, China Provenance: Christie’s Amsterdam, Indonesian Art4 October 2005, lot146 RP 120.000.000 - 180.000.000 USD 9,230 - 13,850

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086 KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Street Vendor Oil on canvas: 40 x 60 cm Signed, lower left: Koempoel RP 4.000.000 - 6.000.000 USD 310 - 460

087 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Bedugul Oil on canvas: 126 x 200 cm Signed, lower left: S. Abdullah RP 20.000.000 - 30.000.000 USD 1,540 - 2,310

088 WILHEMUS JEAN FREDERIC IMANDT (St. Jansteen, The Netherlands, 1882 – 1967) Sunrise in the Field Oil on canvas: 50 x 40 cm RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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089 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Ngarai Oil on canvas: 64 x 101 cm Signed, lower left: Hasan Djaafar RP 28.000.000 - 35.000.000 USD 2,150 - 2,690

090 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Flamboyant Oil on canvas: 60 x 90 cm Signed, lower right: L. Frits ohl Signed, titled and dated on the reverse RP 50.000.000 - 70.000.000 USD 3,850 - 5,380

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091 IRSAM (Klaten, 1942 – Bogor, 2006) Burung Klangenan, 1998 Oil on canvas: 100 x 100 cm Signed and dated, lower right: Irsam, 1998 Literature: Mikke Susanto, IRSAM Jejak-Jejak Dekoratif, Published by PT Dwi Samapersada, pg. 90 RP 65.000.000 - 70.000.000 USD 5,000 - 5,380

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092 CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946) Landscape of Mountain Oil on canvas: 66 x 101 cm Signed, lower left: Carel l. dake RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

093 NASIRUN (Cilacap, 1965) Wahana Reformasi, 1999 Oil on canvas: 145 x 90 cm Signed and dated, lower right: NS, Run. 1999 Signed, titled and dated on the reverse RP 35.000.000 - 45.000.000 USD 2,690 - 3,460

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094 ZAINI (Pariaman, 1926 – Jakarta, 1977) Udang, 1971 Pastel on paper: 12 x 19 cm Signed and dated, lower right: Zainin71 RP 5.000.000 - 70.000.000 USD 380 - 5,380

095 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Abstrak Acrylic on paper: 48 x 63 cm Signed, lower right : R, Adolfs RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

096 I GUSTI NGURAH UDIANTARA (Tampaksiring, 1976) Menikmati Hari, 2000 Oil on canvas: 145 x 145 cm Signed and dated, lower right: Tantin, 2000 Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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097 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Aquarium, 1975 Oil on canvas: 149.5 x 140 cm This lot is accompanied with certificate of authenticity from the artist RP 60.000.000 - 70.000.000 USD 4,620 - 5,380

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Zhang Da Zhong

Zhang Da Zhong is a Chinese painter. Born in Guangzhou in 1953, He showed such great technique and potential in painting that he was accepted as a Masters student at the highly esteemed Guangzhou Academy of Fine Arts without having to do his BFA. A celebrated portrait artist, Zhang is renowned for his Red Guard series. Zhang’s earlier works from 2005 to 2006 portray a more militaristic atmosphere, some with weapons and more intense expressions and stronger colors. In recent years, he has portrayed the females in a more agricultural or natural environment, against backdrops of mountains and fields. This signals a move from a more militaristic and political setting, where the female could have been anyone, and the context of time could be completely unrelated to the Cultural Revolution era. Often, the only clue that defines the female as a Red Guard during the Cultural Revolution, is the uniform that she wears.

Zhang was a member of the Guangzhou Chinese Artist Association.

He was actively participated in several exhibitions; as the 11th Asia Olympic – Chinese Sports Art Exhibition (1990), “A Prosperous China” Art Competition (1992), “Love for China” Art Exhibition (2000), The Chinese Oil Painting Exhibition (2001), “About Women” Female Portrait Exhibition in Hongkong (2003), “Spring Gala – Hongkong (2004). He received several awards as Outstanding award “How Steel is Made” (2000), Love for China Art Exhibition (2000), “Golden Hope” – Gold Award (1992), A Prosperous China” Art Competition (1992), “Girl From the Yao Tribe” –Out Standing Award (1991), “Girl from the Yao Tribe”-Bronze Award (1990). His work as well as in private collections throughout in Austria, China, Germany, Hongkong, Switzerland, Taiwan, United Kingdom and United States.

098 ZHANG DA ZHONG (Guangzhou, 1953) Grass Concerto Oil on Canvas: 100 x 129 cm Signed, lower right and reverse RP 80.000.000 - 120.000.000 USD 6,150 - 9,230

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099 NYOMAN GUNARSA (Klungkung, 1944) Arringgit V, 1989 Oil on canvas: 145 x 145 cm Signed and dated, lower right: 1989 RP 40.000.000 - 60.000.000 USD 3,080 - 4,620

100 UGO UNTORO (Purbalingga, 1970) Red Poetry, 1997 Oil on canvas: 140 x 90 cm RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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101 JIM ALLEN ABEL (Ujung Pandang, 1975) Indonesian Uniforms, 2011 Paper d-bond + plexiglass (diasec): @150 x 100 cm (4 Panel) RP 100.000.000 - 150.000.000 USD 7,690 - 11,540

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102 DANDUNG B. KAHONO (Magelang, 1949) Pura Di Taman Ayun Mengwi, 2006 Oil on canvas: 130 x 160 cm Signed and dated, lower right: B. Kahono06 Signed, titled and dated on the reverse RP 35.000.000 - 45.000.000 USD 2,690 - 3,460

103 IDA BAGUS RAI (Padangtegal, Gianyar, 1933) Sigar Mangsi Acrylic on canvas: 120 x 67 cm Signed, lower right: Ida Bagus Rai, Ubud Bali RP 12.000.000 - 18.000.000 USD 920 - 1,380

104 I WAYAN SUPARTHA (Peliatan, Ubud, Bali, 1971) Pasar buah, 2013 Acrylic on canvas: 70 x 90 cm Signed and dated, lower right: W. Supartha,8/13, Ubud Bali RP 10.000.000 - 15.000.000 USD 770 - 1,150

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105 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Java Marktstallese, 1960 Oil on canvas: 40 x 50 cm Signed, lower left: Adolfs Signed, titled and dated on the reverse RP 80.000.000 - 100.000.000 USD 6,150 - 7,690

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106 SOEDIBIO (Madiun, 1912 - 1981) Embrio Kehidupan Oil on canvas: 75 x 85 cm Signed and dated, lower left: Soedibio, May.7.9.66 This lot is accompanied with certificate of authenticity from the Artist RP 45.000.000 - 55.000.000 USD 3,460 - 4,230

107 RUSLI (Medan, 1912 – Jakarta 2005) Pelabuhan, 1982 Oil on canvas: 50 x 65 cm Signed and dated, lower right: Rusli, 15 April 82 RP 40.000.000 - 50.000.000 USD 3,080 - 3,850

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108 WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981) Portrait Van Alex J.Hendrix, 1937 Oil on canvas: 32 x 22 cm RP 60.000.000 - 70.000.000 USD 4,620 - 5,380

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Abdul Djalil “Ad” Pirous

A.D. Pirous was born in Meulaboh, Aceh on 11 March 1932. He was the fifth of six children in a relatively wellto do family. He went to school in Meulaboh’s elite, Dutch-run elementary school while also receiving religious instruction on reciting the Koran and writing Arabic. In 1950, at the age of 18, Pirous left Aceh for the North Sumatran city of Medan to continue his studies at that city’s first-rate middle schools and high schools. He did well in school and art was what he did best. His middle-school art teacher urged him to consider art school.

But it was the exhibition of modernist painters like Zaini, Handrio, Nashar, Widayat and Sudjojono who came from Jakarta and Yogyakarta that spurred his desire to pursue art education.

Pirous applied to the academies in Bandung and Yogyakarta, and went to Bandung because acceptance to the Bandung Institute of Technology (ITB) arrived first. As he developed his skills, Pirous did not stick to canvas only, but was also active as a teacher at his alma mater. His colleagues and ex-students think of him as a leader in the development of art, particularly of Islamic art in Indonesia. He is also considered an academic scientist in visual art.

For almost 40 years (1964-2002), Pirous was a lecturer at visual art and design of the ITB. He was the founder of graphic design study program which has recently become the visual communication design study program.

AD Pirous, better known simply as Pak Pirous, was sent to New York in 1969 to study Visual Design at the Rochester University. There he visited as many museums and art venues as possible. Then, at the Met (Metropolitan Museum of Art) in New York, he was struck by the beauty of calligraphy in works from the Middle East. It took him back to his childhood in Meulaboh, Aceh, where Arabic calligraphy abounded. There and then, he knew he had found his identity, and his destiny. Returning to Indonesia, Pak Pirous threw himself into calligraphy, which made up much of his artistic output in addition to his figurative and abstract works. From then on Pirous’s art focus was on Arabic calligraphy and considered as a pioneer of Islamic painting in Indonesia.

109 ABDUL DJALIL “AD” PIROUS (Meulaboh, Aceh, 1932) Still Life-Alam Benda, 1968 Oil on canvas: 100 x 100 cm Signed and dated, lower right: AD. Pirous, 68 Signed, titled and dated on the reverse RP 70.000.000 - 90.000.000 USD 5,380 - 6,920

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110 AMRUS NATALSYA (Medan, 1933) Pasar, 2003 Oil on wood: 130 x 140 cm Signed and dated, lower right: Amrus N. 003 RP 22.000.000 - 30.000.000 USD 1,690 - 2,310

111 NYOMAN GUNARSA (Klungkung, 1944) 2 Penari, 2014 Oil on canvas: 95 x 95 cm This lot is accompanied with certificate of authenticity from the Artist RP 35.000.000 - 45.000.000 USD 2,690 - 3,460

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112 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Landscape Oil on canvas: 62 x 111 cm Signed, lower left: S. Abdullah RP 8.000.000 - 10.000.000 USD 620 - 770

113 KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Panen Oil on canvas: 59 x 87 cm Signed, lower left: Koempoel RP 10.000.000 - 15.000.000 USD 770 - 1,150

114 LEO ELAND (Java, 1884 – 1952) The Lake View Oil on board: 35 x 60 cm Signed, lower right: L. Eland RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

HERITAGE FINE ART AUCTION

85

115 FRANS NADJIRA (Makasar, 1942) Ketika Senja Menyentuh Mereka / When The Twilight Touches Them, 2003 Oil on canvas: 130 x 160 cm Signed and dated, lower left: NJRA’03 Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

116 TATANG GANAR (Bandung, 1936 – Bandung, 2004) Penjual Jagung Bakar, 2001 Oil on canvas: 131 x 140 cm Signed and dated, lower left: T. Ganar’01 RP 8.000.000 - 12.000.000 USD 620 - 920

117 NGUYEN THANH BINH (Hanoi, 1955) Karate kid Oil on canvas: 100 x 100 cm Signed and dated, upper right This lot is accompanied with certificate of authenticity from the Artist RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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118 JEIHAN SUKMANTORO (Solo, 1938) Sera Oil on canvas: 70 x 70 cm Signed, upper left: Jeihan Signed and titled on the reverse RP 30.000.000 - 40.000.000 USD 2,310 - 3,080

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87

119 DIKDIK SAYAHDIKUMULLAH (Majalengka, West Java, 1973) Alienasi X, 1997 Oil on canvas: 145 x 115 cm Signed and dated on the reverse RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

120 PAINTING AND STATUES FROM THE COLLECTION OF PRESIDENT SOEKARNO OF THE REPUBLIC OF INDONESIA Volume I-V RP 5.000.000 - 7.000.000 USD 380 - 540

121 HANAFI (Purworejo, Central Java, 1960) Abstract, 2011 Oil on canvas: 70 x 160 cm Signed and dated, lower left: Hanafi’11 RP 7.000.000 - 9.000.000 USD 540 - 690

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122 TRAN LUU HAU (Vietnam, 1928) Flowers, 2007 Oil on canvas: 100 x 80 cm Signed and dated, lower left: 07 RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

123 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Rumah Adat Oil on canvas: 83 x 135 cm Signed, lower left: Hasan Djaafar RP 25.000.000 - 35.000.000 USD 1,920 - 2,690

HERITAGE FINE ART AUCTION

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Dullah Dullah’s painting stands out uniquely. His technique, brush stroke, observation, point of view, treatment of colour and mastery of his subjects make him stand out on his own. His mastery of the skills necessary to paint figure after realistic figure convinces of the reality of his scenes of individuals and groups of people in their setting. The skilled reproduction of skin tone and the mastery of the depiction of drapery, posture and gesture makes his paintings extremely convincing. Dullah’s choices of colour ranged between ocher to deep brown, with nuances of the play of yellow, green, turquoise, orange and maroon, become symbolic of his own character.

Dullah speaks through his paintings of the microcosms, the smallest elements of existence and the natural environment. His subject paintings ranging from the fresh faces of kampong children, portraits of a village woman, and the faces of the elderly men and women alike, jungle scenes and other landscapes and a variety of flowers. Throughout this wide range of subjects Dullah has always been certain to focus on the drama of life; a habit which has grown out of his own experiences and observations oh his environment. The present lot illustrates one of his serial paintings of flower object usually found in his surroundings.

124 DULLAH (Solo, 1919 – 1996) White Roses, 1970 Oil on canvas: 60 x 50 cm Signed and dated, lower right: Dullah, 1970 RP 80.000.000 - 100.000.000 USD 6,150 - 7,690

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91

125 FREDERIK KASENDA The Temple, 1933 Oil on canvas: 100 x 67 cm Signed and dated, lower right: Frederik Kasenda, 1933 RP 8.000.000 - 10.000.000 USD 620 - 770 126 GUSTI AGUNG DEWI MONALISA (Bali, 1983) Pagi Hari Di Bali, 2013 Acrylic on canvas: 70 x 90 cm Signed and dated, lower right: Monalisa, 13, Ubud Bali RP 3.000.000 - 5.000.000 USD 230 - 380

127 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Traveling to The Happy Town, 2011 Acrylic on canvas: 80 x 110 cm Signed and dated, lower left: erica, 2011 This lot is accompanied with certificate of authenticity from the Artist RP 11.000.000 - 18.000.000 USD 850 - 1,380

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128 IDA BAGUS PUTU PURWA (Sanur, 1977) Di Atas Bunga, 2008 Mixed media on canvas: 200 x 160 cm Signed, dated and Titled, lower left: G. Purwa, Bali. 02.08, Di Atas Bunga RP 40.000.000 - 60.000.000 USD 3,080 - 4,620

HERITAGE FINE ART AUCTION

93

129 S. TONO (Yogyakarta, 1968) Nude, 2005 Oil on canvas: 100 x 80 cm Signed and dated, lower left: 2005 RP 9.000.000 - 12.000.000 USD 690 - 920

130 HASIM (Jakarta, 1921-1982) Woman Figure Oil on canvas laid board: 34 x 25 cm Signed, lower right: Hasim RP 5.000.000 - 7.000.000 USD 380 - 540

131 FAIZIN (Banyuwangi, 1973) Show Time, 2004 Oil on canvas: 145 x 85 cm Signed and dated, lower right: Faizin,2004 Titled on the reverse RP 12.000.000 - 18.000.000 USD 920 - 1,380

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132 NYOMAN RIDI (b. 1945) Adu Ayam, 1990 Acrylic on canvas: 88 x 134 cm Signed and dated, lower right: Ny. Ridi’90 Penestanan Ubud Bali RP 18.000.000 - 25.000.000 USD 1,380 - 1,920 133 ANONYMOUS Dewi Kepeng: 137 x 63 x 56 cm RP 30.000.000 - 40.000.0000 USD 2,310 - 3,080

134 JIM ALLEN ABEL (Ujung Pandang, 1975) Andhika Bayangkara, 2011 Paper d-bond plexiglass (siasec): 80 x 120 cm RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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95

Budi Ubrux

Born in 1968. He was graduated from the Institute of Fine Art (ISI) Yogyakarta. He had lived for 2 years in Switzerland to continue his study and working. He has participated in several exhibitions in Indonesia and overseas. He had his solo exhibition in Semarang Gallery (2002). He received awards as the first winner of PMIAA, a finalist for Asean Art Award (2000) in Singapore and Indofood Art Award, Jakarta (2002). Now he lives in Bantul, Yogyakarta. The exhibition at the furnace gallery (15 – 30 May 2010) was Budi Haryono aka Ubrux’ first exhibition in Europe, a breakthrough after his three earlier solos at Semarang Gallery, Bentara Budaya Jakarta, and iPreciation gallery in Singapore.

Budi Ubrux loves to create contemporary realist artworks by exploring newspaper as a true-lies media. This phenomenon is put into canvas in the form of human being with skin from newspaper. Figures wrapped from top to toe in newspaper appeared suggesting a futuristic imagination of what could happen in our uncertain future. Bandaged, swathed and tied, the faceless sculptural figures are able to lead the imagination in wild proximity. Since then, art observers and collectors became interested in his works.

135 BUDI UBRUX (Yogyakarta, 1968) Mao, 2008 Oil on canvas: 200 x 300 cm Signed and dated, lower right: B. Ubrux, 08 RP 200.000.000 - 250.000.000 USD 15,380 - 19,230

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97

136 HAN SNEL (Scheveningen, 1925 – 1998) Sepasang Anjing, 1967 Lithograph: 21 x 25 cm Signed and dated, lower area: Han Snel, Bali’67 RP 12.000.000 - 18.000.000 USD 920 - 1,380

137 I DEWA PUTU MOKOH (Pengosekan, Ubud,Bali, 1936) Animal Acrylic on canvas: 25 x 30 cm Signed, lower right: Mokoh RP 8.000.000 - 10.000.000 USD 620 - 770

138 ADAM LAY (Wonosobo, Central Java, 1949-2014) Roaring Tiger, 1993 Oil on canvas: 90 x 70 cm Signed and dated, lower right: Adam L.93 This lot is accompanied with certificate of authenticity from the Artist RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

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139 KARTIKA AFFANDI (Jakarta, 1934) Arak-arakan Upacara, 1990 Oil on canvas: 123 x 151 cm Signed and dated, lower left: Kartika, 1990 RP 60.000.000 - 70.000.000 USD 4,620 - 5,380

140 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Pasar, 1989 Acrylic on canvas: 90 x 145 cm Signed and dated, lower right: Otto Djaya, 1989 RP 15.000.000 - 20.00.000 USD 1,150 - 1,540

141 HANAFI (Purworejo, Central Java, 1960) Abstract In Violet, 2001 Oil on canvas: 160 x 60 cm Signed and dated, lower right: Hanafi’2001 RP 7.000.000 - 9.000.000 USD 540 - 690

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99

Affandi

Born in Cirebon, March 11, 1907. Affandi was considered as the Indonesian Artist par excellent. He was the founder of the Himpunan Pelukis Masyarakat (Community’s Artists Association (1946) and Himpunan Pelukis Rakyat (People’s Artists Association) in 1947, Affandi was committed to creating a new artistic idiom for Indonesia. In the early of 1950s he traveled to India for a grant from Indian Government, he held several one-man shows in several Indian Cities, United Kingdom, the Netherlands, Belgium, France and Italy. He received an Indonesian Art Award from the Ministry of Education and Culture (1969), the Dag Hammerskjoeld Prize from Italy (1977) and an Indonesian Government the First Class Merit (1978).

His works were exhibited in major exhibitions in Asia, Europe, and the Americas and were also be acquired by major art collectors and institutions all over the world since the 1950s.

Affandi’s work exhibits a distinct rhythm full of emotional intensity by squeezing paint directly onto the canvas. The expressionist painter characteristically has an urgency to simultaneously grab the movement of the moment he wants to describe, along with capturing the textures of the object, a drive that often leads him to work much more passionately compared to the naturalists, the realists, or even the impressionists. He directly expressed his pure emotion in the form of strong wild lines dominated with black hues. Affandi’s strokes expressed his wild, vicious, and discontentment towards the fixed form of expression. He always paints in simultaneous movement and never tied with certain kind of forms. There are several plan themes that captured his interest in paintings; banyan tree, bamboo tree, sun flower, coconut palm and clove tree. Sometimes they combined with mountain landscape in the background with sun object that shimmering the tree.

All of the objects were drawn as the results from Affandi’s experience in travelling to places he often visited. He observed the object and directly put into canvases using his wild fingers and rough strokes.

142 AFFANDI (Cirebon, 1907 – 1990) Kebon Cengkeh, 1987 Oil on canvas: 95 x 140 cm Signed and dated, lower left: AF,1987 Titled, lower left: Kebon Cengkeh This lot is accompanied with certificate of authenticity from Yayasan Affandi RP 1.100.000.000 - 1.800.000.000 USD 84,620 - 138,460

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143 I MADE WIANTA (Bali, 1949) Brave Poetry, 2014 Oil, acrylic on canvas: 100 x 135 cm Signed and dated, lower left: Wianta, 2014 This lot is accompanied with certificate of authenticity from the Artist RP 8.000.000 - 12.000.000 USD 620 - 920

144 HENK NGANTUNG (Bogor, 1921 - 1994) Pohon-pohon Kelapa, 1949 Ink on paper: 34 x 45.5 cm Titled and dated, lower right: Pohon-pohon Kelapa, 30.9.49 RP 15.000.000 - 20.000.000 USD 1,150 - 1,540

145 ITJI TARMIZI (Batusangkar, 1935 - 2001) Black and White, 2000 Oil on canvas: 90 x 120 cm Signed and dated, lower right: Itji Tarmizi, 2000 RP 10.000.000 - 15.000.000 USD 770 - 1,150

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146 M. IRFAN (Bukittinggi, West Sumatra 1972) Golden Head, 2013 Acrylic on canvas: 200 x 250 cm Signed and dated, lower right: Irfan, 2013 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist RP 150.000.000 - 200.000.000 USD 11,540 - 15,380

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Srihadi Soedarsono Srihadi is an artist with a deep cultural background. His integrity as a creative artist was formed through his formal education as well as through his life experiences. There are two important aspects in Srihadi’s paintings: first, the artistic value of color composition, and second, the philosophical value that reflects the meaning of life, cultural, and social value.

Some of his figurative paintings, especially the dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume, all of which imbued with philosophical meaning. The dancing figures in Srihadi’s painting were characterized with the use of other elements such as mask, fan, mirror, offerings or flowers. In the present lot the figure was posing in elegant style holding a fan in front of her chest. The way she looked directed us to a stage of waiting for something or perhaps just a symbolical meaning of her own self contemplation.

147 SRIHADI SOEDARSONO (Solo, 1931) Dance with Fan, 1990 Oil on canvas: 130 x 100 cm Signed and dated, upper right: Srihadi S’1990 Signed, titled and dated on the reverse Literature: Jean Couteau, Srihadi Soedarsono, The Path of The Soul, Published by Lontar Foundation, Jakarta 2003. Pg. 146 RP 800.000.000 - 900.000.000 USD 61,540 - 69,230

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Adrien Jean Le Mayeur De Merpres Born in Brussels (Belgium), on 9 February 1880, in the nobility and linked with the Belgium royal family, he was the son of a painter. Adrien was very keen on becoming a painter himself, but his father insisted that he should complete his studies first. He graduated as a civil engineer (architect), but soon after devoted himself to painting. Le Mayeur’s works were executed with free-flowing and bold, strong strokes, in bright and gay colours. His works, be they sketches done in light colours or bright-coloured oil paints, showed that they were inspired by the brilliant and clear tropical sunlight. His subjects of paintings are Belgian Landscapes, Scenes of Asia and Africa, Balinese Genre, Figures and Nudes. He painted sunny landscapes in impressionist style, but most navies along the Belgian coast.

Some of Le Mayeur’s early works are impressionist paintings from his travels in Africa, India, the Mediterranean and the South Pacific. After painting Belgian landscapes for more than a decade, he served as an army painter during WW I and also took battlefield photographs. After the war, seeking solace in travel, he made trips to the south of France, Morocco, Tunisia, Madagascar, India, and Cambodia. Le Mayeur’s works from this period already display a tendency towards Orientalist and exotic subject matter. He then visited Tahiti and French Polynesia with the intention of being like Paul Gauguin; a European exploring and capturing the primitive beauty of Polynesian culture. After being generally disappointed by Polynesia -- which he found in decline and tainted by colonialism -- he moved on.

148 ADRIEN JEAN LE MAYEUR DE MERPRES (Brussel, 1880 – 1958) Conference Oil on canvas: 68 x 55 cm Signed, lower left: J. Le Mayeur RP 160.000.000 - 180.000.000 USD 12,310 - 13,850

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149 S. TOYO (Blitar, 1935 – Malang, 2000) Lake View, 1975 Oil on canvas: 220 x 110 cm Signed and dated, lower left: S. Toyo, 1975 RP 40.000.000 - 60.000.000 USD 3,080 - 4,620

150 S. TONO (Yogyakarta, 1968) Nude, 2005

151 TATANG GANAR (Bandung, 1936 – Bandung, 2004) Jaipong, 1999

Oil on canvas: 90 x 70 cm Signed and dated, lower left: 2005

Oil on canvas: 135 x 102 cm Signed and dated, lower left: T. Ganar’89

RP 6.000.000 - 8.000.000 USD 460 - 620

This lot is accompanied with certificate of authenticity from the Artist RP 8.000.000 - 12.000.000 USD 620 - 920

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Index of Artists Abas Alibasyah

25

Hasan Djaafar

89, 123

Popo Iskandar

30, 50, 97

Abdul Aziz

12

Hasim

47, 59, 130

Pupuk Daru Purnomo

28

Abdul Djalil (AD) Pirous 109

Henk Ngantung

144

Putu Sutawijaya

39

Abdullah Suriosubroto

35

I Fantze

78

R. Hadi

19

Adam Lay

17, 138

I Gusti Agung Monalisa

126

Redy Rahadian

31

Adrien Jean Le Mayeur

148

I Gusti Ngurah Udiantara

96

Richard Winkler

15

I Ketut Krinting

71

Rinaldi

33

De Merpres Affandi

142

I Made Wianta

143

Roland Strasser

40, 85

Agung Mangu Putra

65

I Made Wiradana

57

Rosid

68

Ahmad Sadali

54

I Wayan Cahya

52

Rudolf Bonnet

70

Amrus Natalsya

10, 110

Ida Bagus Putu Purwa

128

Rusli

107

Angkama Setjadipradja

48

Ida Bagus Rai

103

S. Tono

129, 150

Arie Smit

3, 20, 81

Irsam

5, 91

S. Toyo

149

Basoeki Abdullah

51

Itji Tarmizi

145

Sabri

77

Batara Lubis

24

Jeihan Sukmantoro

76, 118

Salim / Saraochim Salim 6, 37

Budi Ubrux

14, 135

Jim Allen Abel

101, 134

Soedibio

106

Buku Soekarno

120

Josephine Linggar

49

Soetopo

75

Carel Lodewijk Dake, Jr 92

Kartika Affandi

139

Srihadi Soedarsono

147

Cheng Shui

9, 46

Kho Khiem Bing

67

Sudarso

11, 45

Dandung B Kahono

102

Ketut Moniarta

82

Sudjono Abdullah

8, 34, 87, 112

Dede Eri Supria

27, 69

Koempoel Sujatno

80, 86, 113

Sumardi

38

Dewa Putu Mokoh

137

Krijono

63

Sunaryo

74

Dikdik Sayahdikumullah

119

Lee Man Fong

42

Suparto

56

Dullah

2, 22, 124

Leo Eland

32, 36, 114

Tatang Ganar

64, 116, 151

Edi Sunaryo

55, 83

Liem Tjoe Ing

18

Teguh Ostenrik

62

Eduard (Edo Pop)

23

Lucien Frits Ohl

73, 90

Theo Meier

16

Erica Hestu Wahyuni

72, 127

M. Irfan

146

Tran Lu Hai

122

F. A. Kievits

79

Mahyuddin

4

Ugo Untoro

100

F. Sigit Santosa

58

Mochtar Apin

13

Wayan Supartha

104

Faizin

131

Nasirun

26, 53, 93

Willem Gerard Hofker

66, 108

Frans Nadjira

115

Nguyen Thanh Binh

117

WJF Imandt

88

Frederik Kasenda

7, 125

Nyoman Gunarsa

44, 99, 111

Willem Van Der Does

21

Gambiranom Suhadi

84

Nyoman Ridi

132

Zaini

94

Gerard Pieter Adolfs

1, 43, 61, 95 105 O.H Supono

29

Zhang Da Zhong

60, 98

Han Snel

136

Otto Djaya

41, 140

Hanafi

121, 141

Patung Kepeng

133

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