HERITAGE Fine Art Auction by MASTERPIECE Auction House Indonesia|Singapore|Malaysia

Catalogue not for sale

Fine Art Auction Jakarta, 20 May 2018 HERITAGE FINE ART AUCTION

HERITAGE FINE ART AUCTION

Auction Sunday, 20 May 2018 Luncheon : 12.00 am Auction : 1.00 pm

Viewing Friday, 18 May 2018 Saturday, 19 May 2018 11.00 am - 08.00 pm

Venue Masterpiece Building, 4 floor Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707

HERITAGE FINE ART AUCTION

CONDITION OF BUSINESS The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at the auction. We encourage you to read them wisely and thoroughly.

THE BUYER

Estimated Price Estimated price is the price range, which reflects the opinion of our specialist for the price expected to offer at the auction. This should not be relied on as a statement that this price is either at which the lot will sell or its value for any other purpose. Estimated prices are based upon prices recently paid at auction, and the condition of the artworks including the quality, rarity and history of ownership (provenance). Reserve Price The reserve is the confidential minimum price the seller is willing to accept and below which a lot not be sold. Buyer’s Premium Buyers are reminded that the price to be paid will be the sum of the final bid price plus the buyer’s premium. The rate of buyer’s premium for each lot is 22 % (twenty two percent) of the hammer price.

BEFORE THE AUCTION

Viewing Pre-sale viewings are strongly recommended for prospective buyers in order to examine the artworks thoroughly. Pre-sale viewing is open for the public at no charge and usually displayed for 2 (two) days prior to the sale. Condition Reports Condition reports are available upon request. They are statements of opinion and should not be relied on as statements of definitive fact. Descriptions of property are not warranties and that lot is sold “as is”. All goods are sold with all faults and imperfections and errors of description. Illustrations in catalogues are for identification only. It is strongly recommended that prospective buyers inspect and seek any independent expert advice to satisfy you as to authorship, attribution, authenticity, genuineness, origin, date, age, provenance or condition of lot. Registration If you are planning to participate in the auction, you will need to register with us at the registration desk, to complete a bidder registration form and to receive a bidding number to identify you if you are a successful bidder. Registration can be made during the viewing period or 30 minutes prior to the sell.

THE AUCTION

Bidding All artworks are auctioned in consecutive numerical order. Bidding is done in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer will accept bids from those present in the saleroom or absentee bidders participating by telephone or by written bid left with HERITAGE in advance. The lot being offered is usually illustrated on a screen. Bidding Increments Bidding generally opens below the low estimate and advances in the following increments: Rp. Rp. Rp. Rp. Rp. Rp. Rp. Rp.

1.000.000 - 10.000.000 - 20.000.000 - 50.000.000 - 100.000.000 - 200.000.000 - 500.000.000 - 1.000.000.000

Rp. 10.000.000 by Rp. 500.000 Rp. 20.000.000 by Rp. 1.000.000 Rp. 50.000.000 by Rp. 2.000.000 Rp. 100.000.000 by Rp. 5.000.000 Rp. 200.000.000 by Rp. 10.000.000 Rp. 500.000.000 by Rp. 20.000.000 Rp. 1.000.000.000 by Rp. 50.000.000 - above by the auctioneer’s direction.

HERITAGE FINE ART AUCTION

Absentee/ Written Bids If you cannot attend the auction in person, you may bid in other ways. The most common is written bids. Written bids are written instruction given to HERITAGE to bid for you on one or more lots up to a maximum amount you specify for each lot. There is no charge for this service. If two or more parties leave identical bids, the first bid received by HERITAGE will take preference. Written bid forms are available 7 days before the sale and returned to HERITAGE within 24 hours before the sale or by fax to (021) 351 0707. Telephone Bids If you cannot attend the auction, HERITAGE will execute on behalf of your bid by telephone. Please make arrangements for this service at least 1 (one) day before the sale. It is advisable for you to leave your maximum bid, in case you are unable to reach us by phone. Successful Bids Successful bidder will be indicated by the fall of the auctioneer’s hammer after reaching or exceeding the reserve price. HERITAGE will record the bidder number of the buyer. Under the auctioneer’s discretion bidding may be reopened. Unsold lots When a lot fails to sell, the auctioneer will not announce a bidder’s number. Lots unsold will be returned to the consignor usually after a week in case there are any post sale offers.

AFTER THE AUCTION

Payment Payment of purchases should be made within 7 (seven) calendar days. Please include your paddle number, name, lot number, and total payment in your bank instruction. If buyers do not make any payment or notice to HERITAGE during the scheduled time, they will be considered as withdrawing. Collection of Goods Goods can be collected only when payment has cleared and been received by HERITAGE. Due to space constraints, HERITAGE requires that purchases and unsold property be collected within 7 (seven) days. If the goods remain after 7 (seven) days HERITAGE reserves the right to cause the artworks to be stored at the expense of the purchaser. Storage and Insurance HERITAGE provides insurance cover for sold items for a maximum of 7 (seven) days after the date of the sale. If the goods have not been removed by the deadline, the goods will be deposited at warehouse and all storage transportation and other associated costs as well as risk shall be at the purchaser’s responsibility.

THE SELLER

Auction estimates If you are considering selling your property at the auction, HERITAGE will provide a free initial estimate of its auction value. You can send a clear photograph of each item with complete data includes the dimension, artist’s signature, medium, physical condition and any other relevant information.

After Sale Notification You will receive an after sale advice listing the final bid price, or in the event that the property failed to sell, notification that it was bought-in to be returned to you. Payment for your sold property takes approximately 4 (four) weeks, provided payment has been received by us from the buyer.

CONDITIONS OF SALE

These conditions of sale together with any terms and conditions set out a consignment form constitute the entire agreement with the Buyer on respect to any lots listed in the catalogue. Amendment to the catalogue descriptions may be made verbally during the course of auction or by appropriate posted notices. By bidding at the auction, you shall be bound by the conditions set out below. Terms used in these conditions * “The Buyer” means the person with the highest bid accepted by the auctioneer. * “The Lot” means any items deposited with us for sale at auction and, in particular, the item (s) described against any lot number in the catalogue. * “The Hammer Price” means the amount of the highest bid accepted by the auctioneer in relation to a lot. * “The Reserve” means the amount below which we agree with the seller that the lot cannot be sold. * “The Buyer’s Premium” means the charge payable by the buyer as a percentage of the hammer price, at the rate set out in the auction room at the time of the relevant sale. * “Forgery” means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalogue. Withdrawal of Property HERITAGE reserve the right to withdraw from the sale the property or to have the property listed at any auction without any prior notice to the vendor. Control of Auction HERITAGE will have absolute discretion to determine the successful bidder should a dispute arise between the bidders and this includes the authority to reject any bid, to cancel the sale or to re-offer the property in dispute. Ownership of Property The fall of the auctioneer’s hammer indicates the property sold to the buyer who is responsible for the property and shall be liable to pay the full purchase price within 7 (seven) days. If extended payment terms have not been granted, penalty interest will be charged on the unpaid balance until paid.

In the event a defaulting buyer has made a part payment, HERITAGE reserves the right to apply such payment to any such lots at its sole discretion. Forgery In the event of proven forgery, HERITAGE will refund to the buyer the purchase price of the lot. This refund will only occur on the following terms: (i) The buyer must provide evidence from an independent expert who proves that the lot is a forgery. HERITAGE reserves the right to request further expert evidence if, in its sole discretion, it is not satisfied with the finding of either expert. (ii) The buyer must provide written notification to HERITAGE within 1 (one) year of the auction date of the forgery allegations. No refund will occur if there is any conflict of opinion among accepted experts in the field or if it can be demonstrated that the lot is a forgery only by means of scientific process that could damage or otherwise jeopardize the condition of the lot and which scientific techniques were not commonly employed until after the publication of the catalogue. This guarantee is for the benefit of the buyer only and cannot be assigned. Such buyer must have remained the owner of the property without disposing of any interest in it to any third party up until the time the alleged forgery was discovered. Handling and Packaging Handling and packing of all purchase lots shall be at the risk of the buyer who shall pay an administration charge if HERITAGE is responsible for such services. HERITAGE shall use our best efforts to take care when handling the packing but remind the buyer that from 7 (seven) days time after the sale, the goods are entirely at the buyer’s risk. You can instruct your own shipper for the shipping. However, we can also arrange for such service but are not responsible for any costs incurred during the shipping. Notice HERITAGE remind prospective buyers that none of the property in this catalogue is subject to any guarantee of authenticity and all of the artworks sold “as is” with all imperfections, incompleteness, faults and errors of description. All property is sold without any warranty or representation. HERITAGE is not responsible for any errors or omission in the catalogue. Buyers are strongly recommended to take independent professional advice on selection of purchase.

Remedies of HERITAGE If the buyer is in breach of any of the conditions of sale then HERITAGE may choose to take the following action: (1) (2) (3)

Cancel the sale, retaining as liquidated damages any payment made by the buyer. Re-sell the property without any minimum price at the next auction of HERITAGE or privately on 5(five) days notice to the buyer. Take any other action HERITAGE may consider necessary.

HERITAGE FINE ART AUCTION

Published by: HERITAGE Auction House PT. Dwi Samapersada MASTERPIECE Building Tanah Abang IV. No.23 - 25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707 info@masterpiece-auction.com www.masterpiece-auction.com Copyright @ 2018 All right reserved. No part of this publication may be reproduced, stored in a retriavel system, or transmitted in anyform or by any means, electronic, mechanical, photocopying or otherwise, without written permission from the publisher.

HERITAGE FINE ART AUCTION

001

KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Dermaga

Oil on canvas: 117 x 200 cm Signed, lower left: Koempoel RP 25.000.000 - 35.000.000 USD 1,785 - 2,499

002

SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Nelayan Bali

Oil on canvas: 85 x 135 cm Signed, lower left: S. Abdullah RP 12.000.000 - 18.000.000 USD 856 - 1,285

003

ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Landscape

Oil on canvas: 54 x 66 cm Signed, lower left: Ern. Dezentje RP 20.000.000 - 30.000.000 USD 1,428 - 2,142

004

SEN PAO

(Surabaya, 1949) Warung, 1990 Oil on canvas: 50 x 60 cm Signed and dated, lower right: Sen Pao 90 Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000 USD 1,070 - 1,428

HERITAGE FINE ART AUCTION

005

GERARD PIETER ADOLFS

(Semarang, 1899 – The Netherlands, 1968) Flamboyant Tree Oil on board: 40 x 50 cm Signed, lower right: Gp Adolfs RP 60.000.000 - 80.000.000 USD 4,285 - 5,713

Gerard Pieter Adolfs was born on 2 January 1898 in Semarang, Central Java. He spent his youth in Java and received at home his first artistic inspirations. His father, Gerardus Cornelis Adolfs, was an architect and a versatile amateur (painter, photographer, piano and violin player as well as a pole vaulter). Adolfs studied architecture in Amsterdam. After graduating, he was drawn back to Java, were he designed houses in Yogyakarta, Solo and Surabaya. But soon he swapped the drawing pen for the dry-point, pencil and brush and from then on dedicated his whole life to painting. He was already well-known as a talented advertising illustrator, when in 1924 he was first introduced to the public of Yogyakarta as a painter, water-colourist and graphic artist. Each year Adolfs travelled for a few months, leaving his family in Surabaya. He had studios in Florence, Rome, Vienna, Budapest, Prag and (together with his Japanese friend Fujita) in Paris and exhibited his works of art internationally (Netherlands Indies, Japan, Singapore, USA, England, Holland, Sweden, Norway, France, Switzerland) The main subjects of his work were scenes of Java, Bali, Japan and of North Africa (market sceneries, cock-fights, landscapes and townscapes) In 1940 shortly before the occupation of Holland - Adolfs came back to Europe and settled in Amsterdam. On 22 February 1944, during an exhibition at the Kunstzaal Pollmann, the largest part of Adolfs‘ paintings was destroyed by the bombardment of Nijmegen. But Adolfs kept on working. He wrote and illustrated a book about his memories of Surabaya and exhibited in a lot of well-known galleries. He lived mostly in Amsterdam - interrupted by longer stays in Scandinavia, France, Spain, Italy and North Africa. In 1967 he retired to a small village in South-Holland. On 1 February 1968, G.P. Adolfs died in s’Hertogenbosch - Holland.

HERITAGE FINE ART AUCTION

006

JEIHAN SUKMANTORO (Solo, 1938) Sera

Oil on canvas: 70 x 70 cm Signed, upper left: Jeihan Signed and titled on the reverse RP 30.000.000 - 50.000.000 USD 2,142 - 3,570

007

NYOMAN GUNARSA (Klungkung, 1944-2017) Dua Penari Bali, 2016

Oil on canvas: 145 x 145 cm Signed and dated, lower right: 2016 This lot is accompanied with certificate of authenticity from the Artistâ&#x20AC;&#x2122;s RP 85.000.000 - 95.000.000 USD 6,070 - 6,785

HERITAGE FINE ART AUCTION

008

BASOEKI ABDULLAH

(b. Solo, Indonesia, 1915 â&#x20AC;&#x201C; d. Jakarta, Indonesia, 1993) Fantasy Woman Oil on canvas: 80 x 120 cm Signed, lower left: Basoeki Abdullah Literature: Agus Dermawan T., BASOEKI ABDULLAH, Painter Of Kings, Published by PT Dwi Samapersada, pg. 191

Basoeki Abdullah is one of the later proponents of the Mooie Indies School (Beautiful Indies) preferring the depictions of the natural beauty and sensuality drawn from the Indonesian landscape. Basoeki was known for his portraits of beautiful women, as well as paintings of scenes from legendary myths that are also tempered with the same lyrical and overly sensual treatment. Known as a realist, the artist gain the public recognition after winning a painting competition held in conjunction with the Queen Juliana of Netherlands ascension to throne on 6 September 1948. Basoeki Abdullah often went to places for field trip, observing object for his painting and put it into sketch. He is a great naturalist and romantic painter and best known as a portrait painter as well as landscapes, epic story, and daily lives.

RP 130.000.000 - 180.000.000 USD 9,285 - 12,856 Basoeki Abdullah, The Lady of Eden, OOC, 100 x 190 cm est. SGD 50,000 - 70,000, sold SGD 115,000 Masterpiece Singapore, 2 November 14 L.ot 091

HERITAGE FINE ART AUCTION

009

010

(Garut, 1927 – Bandung, 2000) Cat, 1970

(Jakarta, 1951 - 2011) Waktu Bahagia datang Riang Gembira, 1997

POPO ISKANDAR

Oil on canvas: 33 x 45 cm Signed and dated, lower right: Popo70 RP 30.000.000 - 50.000.000 USD 2,142 - 3,570

KRIJONO

Acrylic on canvas: 100 x 120 cm Signed, titled and dated, lower right: Krijono, 1997,Waktu Bahagia datang Riang Gembira This lot is accompanied with certificate of authenticity from the artist RP 25.000.000 - 35.000.000 USD 1,785 - 2,499

011

S. TOYO

(Blitar, 1935 – Malang, 2000) Karapan Sapi, 1991 Oil on canvas: 78 x 138 cm Signed and dated, lower left: S. toyo.1991 RP 18.000.000 - 25.000.000 USD 1,285 - 1,785

012

I WAYAN CAHYA

(Solo, 1965) Elang, 1992

Oil on canvas: 85 x 70 cm Signed and dated, lower middle: I Wayan Cahya 92 RP 20.000.000 - 30.000.000 USD 1,428 - 2,142 14

HERITAGE FINE ART AUCTION

013

POPO ISKANDAR

(Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Two Cats with Ball, 1998 Oil on canvas: 75 x 70 cm Signed and dated, lower right, Popo98 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar signed by the artist Literature: RUPAKATA, Art and Thoughts of Popo Iskandar pg. 258 RP 80.000.000 - 100.000.000 USD 5,713 - 7,142 HERITAGE FINE ART AUCTION

014

SOEDIBIO

(Madiun, 1912 - 1981) Ramayana Story, 1971 Oil on canvas: 135 x 300 cm Signed and dated, lower left: Soedibio71 Provenance: Private collection, Jakarta RP 300.000.000 - 350.000.000 USD 21,428 - 24,999

HERITAGE FINE ART AUCTION

Soedibio was born in Madiun, East Java 1912. In 1940, he became a member of the first Indonesian Painters Organization (PERSAGI) where he met with other prominent artists such as S. Sudjojono, Affandi, Basuki Resobowo, Trisno Soemardjo, Agus Djaya, Otto Djaya and many others. During the revolution time, together with S. Sudjojono and Trisno Soemardjo he founded the Young Indonesian Artist Organization (Seniman Indonesia Muda) in 1946. During his career as an artist, he actively participated in several exhibitions from 1950s to the 1970s. Soedibioâ&#x20AC;&#x2122;s art was considered as a multi-style work since it combined different kinds of style such as abstract, decorative, realistic or even surrealistic one. Though multi style, people remembered him as a painter that had a strong tendency in decorative style. Most of his works centered on the Javanese tradition such as folk tales, myth legend, puppet (wayang) stories, and daily life. As a result many of his paintings appear to be narratives with strong and bright colour.

HERITAGE FINE ART AUCTION

015

JEIHAN SUKMANTORO (Solo, 1938) Umi, 2001

Oil on canvas: 100 x 100 cm Signed and dated, upper left: Jeihan 01 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 50,000,000 - 70,000,000 USD 3,570 - 4,999

016

WIDAYAT

(Kutoarjo, 1919 â&#x20AC;&#x201C; Jakarta, 2002) Kuda Merah dan Jokinya, 2001 Oil on canvas: 25 x 25 cm Signed and dated, lower middle: H. Widajat, 2001 Signed, titled and dated on the reverse RP 12,000,000 - 18,000,000 USD 856 - 1,285

HERITAGE FINE ART AUCTION

017

ROEDYAT MARTADIREDJA (Bandung, 1932 â&#x20AC;&#x201C; 2002) Wanita, 1966

Oil on canvas: 102 x 75.5 cm Signed and dated, lower left: Roedyat, 1966 Signed, titled and dated on the reverse Provenance: Private Collection, Jakarta

Roedyat Martadiredja was born in Bandung, 1932 and began to learn painting in 1948 and later continued his study at the Bandung Institute of Technology. Although abstract style was a dominant stream in Bandung, Roedyat was one of the Bandung School artists who paint in a figurative style. Roedyat has an individual painting style which makes him different from other Bandung Artist. His works has deformation tendencies with soft tertiary colors and also complicated but well thought-out compositions. Roedyat has held solo exhibitions in Jakarta (1978) and was included in the East-West Centerâ&#x20AC;&#x2122;s Art of Bali exhibition in Honolulu, Hawaii (1988). His works are unique, rich and colorful that creates a strong rhythm and his works can be found in private collections of European and American collectors.

RP 90.000.000 - 120.000.000 USD 6,428 - 8,570 HERITAGE FINE ART AUCTION

018

ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Landscape

Oil on canvas: 25 x 19.5 cm Signed, lower right: Ernest Dezentje RP 10,000,000 - 15,000,000 USD 713 - 1,070

019

SUDJONO ABDULLAH

(Yogyakarta, 1911 – 1993) Dokar

Oil on canvas: 100 x 150 cm Signed, lower left: S. Abdullah RP 14.000.000 - 20.000.000 USD 999 - 1,428

020

MEN SAGAN

(Yogyakarta, 1948) Nelayan Oil on canvas: 100 x 136 cm Signed, lower right: Men Sagan RP 20.000.000 - 30.000.000 USD 1,428 - 2,142

021

KRIJONO

(Jakarta, 1951 - 2011) Metis, 2001 Acrylic on canvas: 50 x 60 cm Signed and dated, lower left: KrijonoMetis, 2011, Bali This lot is accompanied with certificate of authenticity from the artist Literature: Jade Sceptre, KRIJONO Ultimate Exuberance, Published by Hexart Publishing RP 15.000.000 - 20.000.000 USD 1,070 - 1,428 20

HERITAGE FINE ART AUCTION

022

PARDOLI FADLI (Cilacap, 1971) Panen Raya, 2011

Oil on canvas: 150 x 200 cm Signed and dated, lower left: Pardoli011 Signed, titled and dated on the reverse RP 40.000.000 - 60.000.000 USD 2,856 - 4,285

Born in Cilacap, Central Java, July 4, 1971. He held his solo exhibition in Maestro Inn, Perth, Australia (1997), Harveyâ&#x20AC;&#x2122;s Gallery, Perth, Australia (1998), and City Hotel Melbourne, Australia (2003). He chose to be independent in expressing his feeling and thought while producing and creating his work. He greatly produced painting using woman as his object. For him, women have uniqueness of beauty, ugliness, sincerity, passion as well as strong and weak character. His choices of works become his manifest towards his life and art.

HERITAGE FINE ART AUCTION

023

ARIE SMIT

(Zaandam, the Netherlands, 1916 - Bali, 2016) Temple And The Rice Field, 2003 Acrylic on canvas: 50 x 50 cm Signed and dated, lower left: Arie Smit 03 Signed, titled and datd on the reverse This lot is accompanied with certificate of authenticity from artist RP 130.000.000 - 180.000.000 USD 9,285 - 12,856

HERITAGE FINE ART AUCTION

Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the â&#x20AC;&#x153;Dharma Kusumaâ&#x20AC;? art awards from the local government of Bali.

024

RUSLI

(Medan, 1912 â&#x20AC;&#x201C; Jakarta 2005) Pagi Hari di Kota, 1980 Oil on canvas: 50 x 60 cm Signed and dated, lower right: Rusli, 3 April 1980 RP 50.000.000 - 70.000.000 USD 3,570 - 4,999

025

JEIHAN SUKMANTORO (Solo, 1938) Perahu, 2000

Oil on canvas: 70 x 70 cm Signed and dated, lower right: Jeihan, 2K Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 30.000.000 - 50.000.000 USD 2,142 - 3,570

HERITAGE FINE ART AUCTION

S. Sudjojono Sindudarsono Sudjojono studied arts under the tutelage of Mas Pringadi and a Japanese artist, Chiyoki Yazaki. In 1937, Sudjojono founded the Persagi Indonesian Artists Association in Jakarta and in 1970, he was awarded recognition in art by the Indonesian government. Sudjojono’s works has been exhibited in the Netherlands and in the Fukuoka Art Museum in Japan in 1980. Sudjojono is widely regarded as the driving force behind the establishment of modern art in Indonesia. Sudjojono’s paintings bears his characteristically harsh and wild strokes, as if the paint has been poured directly on to the canvas and he draws his inspirations from the observations of his surroundings, capturing the snapshot views which appealed to him. Sudjojono regularly exhibited his works in major Indonesian cities like Jakarta, Yogyakarta, Denpasar, and Bandung before his death in 1985.

026

S. SUDJOJONO

(b. Kisaran, Indonesia 1914 – d. 1986) Angsa/Geese, 1969 Oil on board: 45 x 65 cm Signed and dated, upper left: SS.Djak.1969 Signed, lower right: S. Sudjojono Provenance: Private collection of prominent collector, Indonesia RP 450.000.000 - 600.000.000 USD 32,142 - 42,856

HERITAGE FINE ART AUCTION

027

SOETOPO

(Yogyakarta, 1931 - 2016) Sederhana Tapi Rukun, 2000 Oil on canvas: 75 x 95 cm Signed and dated, lower right: Soetopo, 2000 RP 70.000.000 - 90.000.000 USD 4,999 - 6,428

028

LUCIEN FRITS OHL

(Palembang, South Sumatra, 1904 â&#x20AC;&#x201C; The Hague, 1976) Satay Seller Oil on board: 50 x 40 cm Signed, lower right: L. Frits Ohl RP 60,000,000 - 80,000,000 USD 4,285 - 5,713

HERITAGE FINE ART AUCTION

029

TATANG GANAR

(Bandung, 1936 â&#x20AC;&#x201C; Bandung, 2004) Peristiwa Kongo, 1971 Oil on canvas: 133 x 400 cm Signed and dated, lower left: T.Ganar 71/92 Signed and dated on the reverse Provenance: Private Collection of Prominent Collector, Jakarta RP 80,000,000 - 100,000,000 USD 5,713 - 7,142 Tatang Ganar was born in Bandung 1936 descended from a family of farmers. He like to explore wayang themes. He performed his early exhibition at the Building of Cultural Centre Foundation Bandung (1955). He went to Yogyakarta and joined the Sanggar Pelukis Rakyat (Peopleâ&#x20AC;&#x2122;s painting Group of Artist), which was a prestigious and popular organization at the time. He stayed in Yogyakarta for 5 years where he learnt painting intensely. He returned to Bandung in 1961 and decided to become a professional painter. He produced works of sketches, designs, drawings, pastel paintings, watercolor and oil painting illustrating objects of mother and child figures, woman with traditional scene on the background, fisherman life, flower arrangements and revolutionary themes. In his revolutionary theme he represented not only as the struggling action but he was more to present the memories of the past that illustrate the drama and romance of the time.

HERITAGE FINE ART AUCTION

030

SUPARTO

(Yogyakarta, 1929 - Jakarta, 2002) Perahu Madura, 1999 Acrylic on canvas: 95 x 105 cm Signed and dated, lower right: Suparto, 3.2.1999 Jakarta RP 60.000.000 – 80.000.000 USD 4,285 - 5,713

031

SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) Abstract, 1959

Oil on canvas: 38 x 46 cm Signed and dated, lower right: Salim 59 RP 45.000.000 - 50.000.000 USD 3,213 - 3,570

HERITAGE FINE ART AUCTION

032

AMAURY DUPARC (France) City Scene

Oil on canvas: 30 x 40 cm Signed, lower right: A. Duparc RP 15.000.000 - 20.000.000 USD 1,070 - 1,428

033

UMI DACHLAN

(Cirebon, 1942 â&#x20AC;&#x201C; Bandung, 2009) Abstraksi, 1993 Mixed media on canvas: 60 x 50 cm Signed and dated, lower left: Umi D93 RP 50.000.000 - 70.000.000 USD 3,570 - 4,999

HERITAGE FINE ART AUCTION

034

KRIJONO

(Jakarta, 1951 - 2011) Ketut Kembar Di Badung, 2003 Acrylic on canvas: 80 x 75 cm Titled and dated, lower right: 003, Ketut Kembar Di Badung, Bali RP 30.000.000 - 40.000.000 USD 2,142 - 2,856

035

PANDE KETUT TAMAN

(Peliatan, Ubud, 1970) Gadis Berambut Kepang, 2000 Acrylic on canvas: @30 x 30 cm (2 Pcs) Signed and dated, lower right: Pande K. Taman, Muntilan,2000 RP 5.000.000 - 7.000.000 USD 356 - 499

036

HENK NGANTUNG (Bogor, 1921 - 1994) Wanita, 1940

Oil on canvas: 39 x 31 cm Signed and dated, lower right: Henk Ngantungâ&#x20AC;&#x2122;1940 RP 30.000.000 - 40.000.000 USD 2,142 - 2,856

037

JOHAN ABE TOBING

(B. 1976) Dancer, 2017

Bronze: 69 x 13 x 7 cm Signed and dated, lower area: Johan Abe, 2017 RP 7.000.000 - 9.000.000 USD 499 - 642 30

HERITAGE FINE ART AUCTION

038

BASOEKI ABDULLAH (Solo, 1915 â&#x20AC;&#x201C; Jakarta, 1993) Woman with Batik Shawl

Oil on canvas: 120 x 80 cm Signed, lower left: Basoeki Abdullah This lot is accompanied with certificate of authenticity Literature: Agus Dermawan T, Basoeki Abdullah Painter of Kings, Published by PT. Dwi Samapersada, Jakarta, 2016, pg. 107 RP 130,000,000 - 200,000,000 USD 9,285 - 14,285 HERITAGE FINE ART AUCTION

Anton Huang Anton Kustia Widjaja (Anton Hwang) (1935-1984; Bandung, West Java), better known as Anton H, studied under artists Kartono Yudokusumo (1924-1957) and Barli Sasmitawinata (born in 1921) in Bandung, West Java. He had performed several exhibitions: Lyngby Kunstforening (Copenhagen, Denmark, 1975), Holstebro Kunstmuseum (Denmark, 1975), Gallerie im Western (Stuttgart, Germany, 1977), Galerie Inart (Amsterdam, Holland, 1977), Eas-West Center (Honolulu, Hawaii, 1988), Festival of Indonesia (U.S.A., 1990-1992), Singapore Art Museum (1994), Centre For Strategic and International Studies (Jakarta, Indonesia, 1996), Indonesia-Japan Friendship Festival (Morioka, Tokyo, 1997). In 1969 he moved to Bali where he developed strong contacts with Western artists on the island. Antonâ&#x20AC;&#x2122;s decorative works are rich in colour and design. His figures of Balinese dancers in particular are stylized into patters which emphasize their dynamic movements. His paintings sometimes look like mosaic and featuring Balinese arts. He had produced painting using themes of landscape and figures. Most of his paintings revealed Balinese culture. His decorative quality was greatly influenced from his teacher, Kartono Yudhokusumo.

039

ANTON HUANG

(Bandung, 1935 â&#x20AC;&#x201C; 1985) Dua Penari, 1974 Oil on canvas: 66 x 54 cm Signed and dated, upper right: Anton H. Ubud 74 RP 180,000,000 - 250,000,000 USD 12,856 - 17,856

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040

PAINTING AND STATUES FROM THE COLLECTION OF PRESIDENT SOEKARNO OF THE REPUBLIC OF INDONESIA Volume I-V

RP 5.000.000 - 7.000.000 USD 356 - 499

041

ANTONI EKA PUTRA

(Padang, 1980) Behind Monocrome, 2016

Acrylic on canvas: 120 x 160 cm Signed and dated, lower right: Antoni, 2016 Signed, titled and dated on the reverse RP 18.000.000- 25.000.000 USD 1,285 - 1,785

042

ABDUL DJALIL “A.D.” PIROUS (Meulaboh, Aceh, 1932) Tumbuh, 1985

Mixed media on canvas: 40 x 45 cm Signed and dated, lower middle: AD. Pirous 85 Signed, titled and dated on the reverse RP 25.000.000 – 35.000.000 USD 1,785 - 2,499

043

AMING PRAYITNO

(Surakarta, 1943) Sarang Udang Biru, 1978 Oil on canvas: 99 x 98 cm Signed and dated, lower left: Aming, 1978 RP 18.000.000 - 25.000.000 USD 1,285 - 1,785 34

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044

YUNIZAR

(Talawi, West Sumatra, 1971) Kisah, 2007 Acrylic on canvas: 150 x 200 cm Signed and dated, lower left: Yunizar, 2007 RP 180.000.000 - 250.000.000 USD 12,856 - 17,856

Born in Talawi, Sawahlunto, West Sumatra, 1971. He finished his formal study at the Indonesian Institute of Arts (ISI), Yogyakarta. Sincae 1994, he actively participated in numerous painting exhibitions in Indonesia and abroad, Southeast Asia Student Festival in Brunei Darussalam and Gajah Gallery, Singapore and Hongkong. He participated in group exhibition with JENDELA Group in Yogyakarta, Bandung and Jakarta. He received award for the 10 best finalists at PMIAA, Indofood Art Awards 2002.

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045

JAAP JACOB DOOIJEWARD (1876-1969 Netherlands) Nice, 1920

Oil on canvas: 47 x 36 cm Signed and dated, lower right: J. Dooijewaard20 RP 60.000.000 - 80.000.000 USD 4,285 - 5,713

046

MAHYUDDIN S.

(Bukittinggi, Sumatra 1924 - 1993) Ujung Ngarai

Oil on canvas: 75 x 135 cm Signed, lower left: Mahyuddin S RP 42.000.000 - 55.000.000 USD 2,999 - 3,928

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047

JANG CHEOL SEOK (Korea) Peony (series I)

Oil on canvas: 120 cm x120 cm Signed and dated, lower left: 2018 RP 120.000.000 - 180.000.000 USD 8,570 - 12,856

The works of painter Jang Cheol-Seok contain the world’s history. His works is a hyperrealistic series that have a lyrical feelings. Jang’s works feature newspapers from around the world as ingredients, and make a bouquet by choosing flowers that match the daily news and stories. If you buy flowers from a flower shop, the more splendid packaging detracts from the beauty of the flower. Jang’s flowers are made of newspaper to maximize the splendor of the flowers. But look close and see if you can read an article in a paper that’s more beautiful than flowers - It has humanity, and it has love and happiness, culture, art, and world history. Look at the audience! At first people think the flower is the main theme and later they spend more time to look at it and notice that main charractor of painting is the articles in the newspaper that was wrapping flowers. The theme of the works is newspaper articles. Jang’s work has a historicality. Over time, Jang’s paintings will filled with history around the world. I would like to pay attention to the future work of painter Jang Cheol-seok, who records the world’s history in a lyrical language on the canvas.

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048

UNTUNG WAHONO (Yogyakarta, 1962) Pasar Malam, 2015

Oil on canvas: 140 x 200 cm Signed and dated, lower left: Untung W. 2015 RP 8.000.000 - 10.000.000 USD 856- 1,070

049

JOSEPHINE LINGGAR

(Jember, East Java, 1943) Sang Primadona

Oil on canvas: 75 x 65 cm RP 25.000.000 - 35.000.000 USD 1,785 - 2,499

050

FAIZAL

(Solo, 1965) Adam & Eve, 1999 Acrylic on canvas: 90 x 100 cm Signed and dated, lower right: Faizal 99 Signed, titled and dated on the reverse RP 10.000.000 - 15.000.000 USD 713 - 1,070

051

GUNAWAN BAGEA

(Bandung, West Java, 1971) Panen, 2018 Acrylic on canvas: 100 x 140 cm Signed and dated, lower right: Gunawan, 2018 Signed, titled and dated on the reverse RP 12.000.000 - 18.000.000 USD 856 - 1,285 38

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052

SOEDIBIO

(Madiun, 1912 - 1981) Batara Kala, 1972 Oil on canvas laid on board: 60 x 40 cm Signed and dated, lower left: Soedibio’72 This lot is accompanied with certificate of authenticity from the Artist’s Family RP 40.000.000 - 50.000.000 USD 2,856 - 3,570

053

NASIRUN

(Cilacap, 1965) Untitled, 2015 Oil on canvas: 90 x 70 cm Signed and dated, lower right: Ns. Run.2015 Accompanied with photo of the artist with the painting RP 15.000.000 - 20.000.000 USD 1,070 - 1,428

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Affandi Affandi was taught at the Indonesian Academy of Fine Arts in Yogyakarta in early 1955. He received a scholarship from the U.S. government to study arts education in 1957, after participating in International exhibitions in Brazil and Italy. He was made an Honorary Professor of Painting by Ohio State University, and in 1974 was awarded an honorary doctorate by the University of Singapore. He also received the Peace Award from the Dag Hammarskjoeld Foundation in 1977, and the title of Grand Maestro in Florence, Italy. Affandi was passionate about his country and a large proportion of his works concern his feelings about the land and its people. Though Affandi only painted what he observed and never approached his works from any kind of philosophical or analytical starting point, he was particularly fond of Bali and Javanese culture. The cockfighting is one of the many recurring themes of the artist and yet the unique personality of the sitter never fails to captive the viewers. Very often, despite the artist’s apparent focus on the main subject which is the fight of the animals, Affandi is very fond of creating a sense of spontaneity by adding idiosyncratic details such as the feet of the onlooker, or the drinking spectator at the scene. By doing this, he creates a sense of immediacy equivalent to that of a snapshot and yet capturing the last emotion and personality for eternity. A sense of festivity is also conveyed, as the joyous crowd is clearly drinking to the occasion whilst the fighting animal are entangled in a fury of violence that is conveyed, as the joyous crown is clearly drinking to the occasions whilst the fighting animal area entangled in a fury of violent that is conjured by repeat, swirling stokes in many colors

054

AFFANDI

(Cirebon, 1907 – 1990) Fighting Cocks, 1978 Oil on canvas: 96,5x 127 cm Signed and dated, lower right: AF.1978 Literature: Sardjana Sumichan, “Affandi Volume II”, lot 211, pg. 267 Provenance: Private collection of prominent collector, Jakarta RP 1,900.000.000 - 2.700.000.000 USD 135,713 - 192,856

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055

DULLAH

(Solo, 1919 – 1996) Gadis Bali, 1978 Oil on canvas: 60 x 50 cm Signed and dated, lower left: Dullah ‘78 Will be included in the future publication of Soekarno’s Book RP 45.000.000 - 60.000.000 USD 3,213 - 4,285

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Dullah was born in Solo, 1919. He studied painting under Affandi and Sudjojono but has his own distinctive style of naturalism. He was well known for his landscape and portraits paintings. He was one of the founders of HBS – Surakarta Cultural Community (1950). In 1956, he edited book of former Presiden Soekarno’s Private Collection of Indonesian Art (volume I & II). Since the early days of the independence, Dullah was very close to Soekarno, the first President of the Republic of Indonesia and was appointed by Soekarno to care for the President’s private art collection and as curator of the state painting collections. At age 70, Dullah built his museum, now a cultural landmark, as his dedication to a love of the arts over a creative lifetime. He has had numerous art exhibitions in Indonesia and overseas and in 1988 his work was included in the Art of Bali exhibition held at the East West Center in Honolulu, Hawaii. Now, his works been kept in Dullah Museum in Solo. He died in 1996.

056

NYOMAN GUNARSA (Klungkung, 1944) Tari Pendet, 2009

Oil on canvas: 125 x 100 cm Signed and dated, lower right: 2009 This lot is accompanied with certificate of authenticity from the artist RP 75.000.000 - 90.000.000 USD 5,356 - 6,428

057

PARDOLI FADLI

(Cilacap, C. Java, 1971) Belajar Nari-Seri Siap Pentas, 2016 Oil on canvas: 147 x 137 cm Signed and dated, lower left: Pardoli16 Signed, titled and dated on the reverse RP 30.000.000 - 40.000.000 USD 2,142 - 2,856

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058

ROSID

(Ciamis, 1969) Bunga Lili dan Kupu-kupu, 2011 Pencil, acrylic on canvas: 140 x 250 cm Signed and dated, lower right: Rosid 011 Signed, titled and dated on the reverse RP 55.000.000 - 70.000.000 USD 3,928 - 4,999

059

SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Perahu Nelayan

Oil on canvas: 101 x 221 cm Signed, lower left: S. Abdullah RP 12.000.000 - 18.000.000 USD 856 - 1,285

060

KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Kesibukan Di Pantai Oil on canvas: 41 x 60 cm Signed, lower right: Kompol RP 18.000.000 - 25.000.000 USD 1,285 - 1,785

061

ENDRO

(Yogyakarta, 1983) Best Things Ever Happened to Me, 2011 Oil on canvas: 100 x 100 cm Signed and dated, lower right: Endro 2011 Signed, titled and dated on the reverse RP 15.000.000 - 20.000.000 USD 1,070 - 1,428

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062

S. TOYO

(Blitar, 1935 – Malang, 2000) Landscape, 1998 Oil on canvas: 97 x 196 cm Signed and dated, lower right: S. Toyo, 1998 RP 40.000.000 – 60.000.000 USD 2,856 - 4,285

063

WILHEMUS JEAN FREDERIC IMANDT

(St. Jansteen, The Netherlands, 1882 – 1967) The Ocean Oil on canvas: 40 x 50 cm Signed, lower left: Imandt RP 10.000.000 - 15.000.000 USD 713 - 1,070

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064

DULLAH

(Solo, 1919 – 1996) Burmese Girl, 1973 Oil on canvas: 50 x 40 cm Signed and dated, lower left: Dullah 1973 RP 40.000.000 - 60.000.000 USD 2,856 - 4,285

065

SUDARSO

(Purwokerto, 1914 - 2006) Seated Lady, 2000 Oil on canvas: 115 x 80 cm Signed and dated, lower right: Sudarso, 2000 RP 20.000.000 - 30.000.000 USD 1,428 - 2,142 Born in Purwokerto, Central Java, 1914. Affandi was his customer when he was an egg and milk seller. From that time, he was interested in painting and learnt under Affandi as well as young painters such as Barli, Wahdi, and Hendra. He became a teacher at the Indonesian Fine Arts Academy (ASRI), Yogyakarta. He had participated in numerous exhibitions and active in many painters organizations. Now he lives in Sidoarjo, Surabaya. Solo Exhibition, 1961 to 1969. And he was participated in group exhibition “19 Indonesian Painter” in Singapore and Malaysia, 1967. And Reunion exhibition painter “Angakatan 45 Bandung” in Bandung,1975. Exhibition of Fine Art “Membaca Dunia Widayat” at Museum H.Widayat, Mungkid, Magelang, 2004.

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066

HENK NGANTUNG (Bogor, 1921 - 1994) Membajak Sawah

Oil on canvas: 155 x 220 cm Signed, lower left RP 200.000.000 - 300.000.000 USD 14,285 - 21,428 Born in Bogor, West Java, 1921. He started painting in 1934. He held his solo exhibitions in Tomohon, Minahasa (1936), at Hotel SavoyHomann, Bandung (1939) and at Hotel des Indes, Jakarta (1947). He studied under Dutch painter, Willem F.M. Bosschaert and Austrian Artist, Rudolf Wenghart in Bandung (1937 - 1941). He was a member of POETERA (People's Activity Center) and LEKRA (People's Cultural Institute). From 1960 - 1964 he was Vice-Governor of Jakarta and Elected as Governor of Jakarta in 1964 - 1965. He died in Jakarta, 1994.

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Hendra Gunawan Hendra Gunawan painted some of his surreal, lively, and emotional work during his imprisonment at Kebun Waru in Bandung from 1965 to 1978. His works captured the life of common people while also conveying a unique, expressionistic, and deeply personal vision of the reality he experienced. His paintings become highly original, modern, simple, and totally Indonesian with its expressions by observing Java’s grand landscapes and natural history. Hendra’s work may thus be seen as illustration of a new mythology. The stylized figures, landscapes features and the decorative approach to color are perhaps influenced by Javanese illustration and design. The underwater world is likely one of the most astonishing and fascinating of Hendra’s works in realistic painting. The subject seems apparently to be a conflict with the artist’s style, themes, and artistic concerns. This painting, Ikan Laut, was painted in 1973, and reflects one of Hendra’s favorite subjects of rich seas. Hendra has clearly created a scheme of expressionistic colors based on the actual hues of the ocean. The link between his distinctive palette and aquatic colors become even more apparent. He used brilliant colors for the ocean textures and character of the fishes.

067

HENDRA GUNAWAN (Bandung, 1918 – 1983) Ikan Laut, 1973

Oil on canvas: 62 x 94 cm Signed and dated, lower left: Hendra KW’73 Provenance: Private collection of prominent collector RP 750.000.000 - 900.000.000 USD 53,570 - 64,285

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068

DAHLAN SOFWANDI (Blitar, 1970) Recycle Birds, I, 2010

Oil on canvas: 120 x 150 cm Signed and dated, lower right: Dahlan Sofwandi, 2010 RP 10.000.000 - 15.000.000 USD 713 - 1,070

069

WIDAYAT

(Kutoarjo, 1919 â&#x20AC;&#x201C; Jakarta, 2002) Jago, 1998 Spidol on paper: 86 x 60 cm Signed and dated, lower right: H. Widajat98 RP 8.000.000 - 10.000.000 USD 570 - 713 070

LIAN SAHAR (Aceh, 1933) Wajah, 2007

Oil on canvas: 80 x 101 cm Signed and dated, lower right: Lian. 2007 RP 20.000.000 - 30.000.000 USD 1,428 - 2,142

071

HENDRA BAYU HERMANTO

(Ponorogo, 1985) Forgotten Days, 2015

Acrylic on canvas: 150 x 150 cm Signed and dated, lower right: Hendra Bayu15 RP 12.000.000 - 18.000.000 USD 856 - 1,285 50

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072

DIROT KADIRAH (Indramayu, 1972) Bahagia, 2016

Oil on canvas: 130 x 100 cm Signed and dated, lower left: Dirot, 2016 Signed, titled and and dated on the reverse RP 35.000.000 - 45.000.000 USD 2,499 - 3,213 Born in Indramayu, West Java, 21 February 1972. He was raised in the family of fisherman in northern sea of Java (pantura). His painting career starts when he travelled to Bali in 1992. In Bali, he learnt painting under maestro painter Affandi and Sudarso. During he stay in Bali he managed to sell his works to art collectors and galleries which then made him decide to fully concentrate his passion in painting. In 1996, Dirot decide to paint using his own distinctive characteristics. About 3 years he did some experiment works until he finally found his own style. His works portrays the daily life of Indonesian people in his own perceptions, and his technique is quite different from other painters. Since 1994 until present his works have been displayed in several painting exhibition in Bali, Jakarta as well as International event such as in Singapore and USA. He had performed his solo exhibition in Galeri Nasional Jakarta (2008). He was the only painter that exhibited his arts in the World Ocean Conference organized by UNO in Manado 2009. Until present his works have been collected by many art collectors in Indonesia as well as abroad.

073

O.H. SUPONO

(Surabaya, 1937 â&#x20AC;&#x201C; Bali, 1991) Jatilan, 1980 Oil on canvas: 140 x 195 cm Signed and dated, lower right: OH, Supono Signed, titled and dated on the reverse RP 50.000.000 - 70.000.000 USD 3,570 - 4,999

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074

JANG CHEOL SEOK (Korea) Political, 2018

Oil on canvas: 90 x 33 cm Signed and dated, lower right: 2018 RP 30.000.000 - 50.000.000 USD 2,142 - 3,570 075

ARIE SMIT

(Zaandam, the Netherlands, 1916 - Bali, 2016) Di Depan Pura, 2000 Acrylic on canvas: 24 x 30 cm Signed and dated, lower right: Arie Smit00 RP 35.000.000 - 50.000.000 USD 2,499 - 3,570

076

CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 â&#x20AC;&#x201C; Jakarta, 1946) Landscape Mountain Oil on board: 30 x 49 cm RP 10.000.000 - 15.000.000 USD 713 - 1,070

HERITAGE FINE ART AUCTION

077

LEE RERN

(Jakarta, 1938) Ikan Mas Koki Oil on board: 103 x 51 cm RP 70.000.000 - 90.000.000 USD 4.999 - 6.428

Lee Rern was born in Jakarta on September 19, 1938. He was the son Lee Man Fong – a famous Chinese master in oil painting. He graduated from the Nanyang Academy of Fine Arts in Singapore, and for several years worked under his father’s guidance. Lee Rern has also become a painter who later often had joint exhibition with his father. After then, he travelled and worked in England, France, Italy, Holland, Germany and Singapore (1969 – 1972). He uses very fine and detailed brush strokes to create his breathtaking Chinese brush paintings. He received several Honorary prizes for his art works, among others gold medal award from the Academia Italy, Parma (1980). His painting style is unique and elegant. His themes of painting are ranging from animal world such as gold fish, village scenes and landscapes. HERITAGE FINE ART AUCTION

Auke Cornelis Sonnega An artist’s quest to find inspiration and spiritual contentment can take him on a long voyage far away from home. Such was the journey for Dutch artist Auke Cornelis Sonnega. Born in Leeuwarden and educated at the Kunstnijverheidsschool in Amsterdam (School of Arts and Crafts), Sonnega first set foot on Indonesian soil when he arrived in Batavia in 1935. He did his paintings in Parapat and Medan, North Sumatra, and Bali. He moved to Bali, which became a great source of inspiration for his painting. After the war settled in Ubud in fellow artist Bonnet’s old studio in Puri Kaleran and dedicated himself solely to painting. His style is fresh and unique, clearly influenced by his designer training and background. It is very influenced by Art Deco and often graphic, however, his larger canvases often transcend these limitations and can even be thought to have a mystical impact. He also made many portraits, usually of doe eyed young men (he was in the words of a long time Ubud expatriate euphemism a member of the “club”). These are very stylized and use a brightpalate with strong outlining of his subjects. Sonnega, like Bonnet, stayed in Bali until 1957 when he was forced to leave by the Indonesia authorities in the era of Confrontation. The painting becomes all the more poignant when this separation is considered – the immortalization of a reality that was to him a fulfillment of a dream. He returned to Holland in 1959 and died in Den Haag in 1963.

078

AUKE CORNELIS SONNEGA

(b. Leeuwarden, Netherlands, 1910 – d. 1963) Balinese Boy, 1956 Oil on canvas: 70 x 60 cm Signed and dated, lower right: A. Sonnega, ‘56 Provenance: Private collection of European collector RP 280.000.000 - 350.000.000 USD 19.999 - 24.999

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079

HASIM

(Jakarta, 1921-1982) Penari Bali Oil on canvas: 95 x 65 cm Signed, lower left: Hasim RP 12.000.000 - 18.000.000 USD 856 - 1.285

080

R. HADI

(b. Semarang, Central Java) Penari Bali Oil on canvas: 63 x 44 cm Signed, lower left: R. Hadi RP 15.000.000 â&#x20AC;&#x201C; 20.000.000 USD 1.070 - 1.428

081

082

BAMBANG DARTO

KRIJONO

Oil on canvas: 95 x 75 cm Signed and dated, lower left: B. Darto 98

Acrylic on canvas: 140 x 100 cm Signed, titled and dated, lower right: Baliku Yang Cantik Dalam Mimpi Indah, 2005.Krijono

RP 10.000.000 - 20.000.000 USD 713 - 1.428

This lot is accompanied with certificate of authenticity from the artist

(Sukapura, East Java, 1956) Gadis

(Jakarta, 1951-2011) Baliku Yang Cantik Dalam Mimpi Indah, 2005

Literature: Jade Sceptre, KRIJONO Ultimate Exuberance, Published by Hexart Publishing RP 35.000.000 - 50.000.000 USD 2.499 - 3.570 56

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083

BARLI SASMITAWINATA (Bandung, 1921) Penari Kipas, 1992

Oil on canvas: 105 x 76 cm Signed and dated, lower left: Barli, 1992

Born in Bandung, March 18, 1921. He started to paint since 1935 with Kelompok Lima Bandung. He studied painting from Jos Pluimentz and Luigi Nobili. He also studied the model drawing in Academia Grande de la Chaumiere (Paris) and the Academy of Fine Art Amsterdam in 1957. He received awards from Jaarmarktprijss Surabaya, Keimin Bunka Shidoso Jakarta, Barisan Propaganda Jabar, Culturele Stichting Samenwerking Nederland Indonesia (Holland).

RP 75.000.000 - 90.000.000 USD 5.356 - 6.428

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084

085

WARDOYO

HASIM

Oil on canvas: 75 x 90 cm Signed and dated, lower left: Wardoyo, 1995

Oil on canvas: 88 x 62 cm Signed and dated, lower left: Hasim

RP 30,000,000 - 40,000,000 USD 2.142 - 2.856

RP 20.000.000 - 30.000.000 USD 1.428 - 2.142

086 MEN SAGAN (Yogyakarta, 1948) Sang Petarung, 2006

087

Oil on canvas: 132 x 100 cm Signed, lower left: Men Sagan

Oil on canvas: 54 x 40 cm Signed and dated, lower area: Pupuk Dp. 2003

This lot is accompanied with certificate of authenticity from the artist

RP 15.000.000 - 20.000.000 USD 1.070 - 1.428

(Banyumas, 1935) Pemain Siter, 1995

RP 20.000.000 - 30.000.000 USD 1.428 - 2.142 58

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(Jakarta, 1921-1982) Wanita Membatik, 1969

PUPUK DARU PURNOMO (Yoyakarta, 1964) Koran Pagi , 2003

088

RUSTAMADJI

(Surabaya, 1932 â&#x20AC;&#x201C; 1990) Waiting for Next Performance, 1980

Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under the painter S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists Association), Madiun. In 1950s he used naturalistic style which afterwards changed to impressionistic. He actively participated in several exhibitions in Indonesia and abroad. He lived in Surabaya and died in the year of 1990.

Oil on canvas: 100 x 70 cm Signed and dated, lower left: Rustamadji, 1980 RP 120.000.000 - 150.000.000 USD 8.570 - 10.713

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Lee Man Fong Lee Man Fong was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He showed great artistic talent from a young age. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before becoming a full time artist in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more accolades as well as acknowledgement. Lee Man Fong officially became the presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter. During 1952, Lee quietly developed his art, which focused on thorough observation of life and nature around him. Lee tried to translate the aesthetic and style of Chinese brush painting into oil on canvas. Considering the differences in texture and consistency between ink and oil, Lee tried to direct the effect of an ink brush with his strokes, which is not a simple act. A large part of these works featured animals, such as the chicken, doves, goldfish, storks, and gibbons. Doves has become Lee Man Fong’s beloved and sought after works in spite of Goldfishes and other animals such as horses, cockatoos, tigers and dogs. Lee Man Fong’s paintings of Doves are especially noteworthy. Since some forty years ago, his animal themes had made a far reaching accomplishment and recently have been eagerly sought after in Europe and America. A testimony to his mastery of technique and realization of theme, this painting depicts the world of the doves as peaceful and calm, but at the same time dynamic. The doves in pairs symbolize a good match, which may be further extended to mean “peaceful coexistence.” 089

LEE MAN FONG

(b. Canton, China 1913 – d. Singapore, 1988) Doves Oil on canvas: 42 x 60 cm Signed, lower right: MF. Lee Provenance: Private collection, Jakarta RP 460,000,000 - 550,000,000 USD 32.856 - 39.285

Masterpiece Singapore 2 - 3 March 2013 Lee Man Fong, Lot 034 sold for SGD 323,300

HERITAGE FINE ART AUCTION

090

091

UMI DACHLAN

ZAINI

Mixed media on canvas: 60 x 60 cm Signed and dated, lower right: Umi D 90

Acrylic on paper: 40 x 50 cm Signed and dated, lower right: Zaini 73

RP 50.000.000 - 70.000.000 USD 3.570 - 4.999

RP 25.000.000 - 35.000.000 USD 1.785 - 2.499

(Cirebon, 1942 – Bandung, 2009) Abstrak Bidang Biru Dengan Bongkahan Emas, 1990

(Pariaman, 1926 – Jakarta, 1977) Wajah, 1973

092

HANDRIO

(Purwakarta, 1926) Still Life, 1961 Oil on canvas: 34 x 29 cm Signed and dated , lower right: Han 61 RP 15.000.000 - 20.000.000 USD 1.070 - 1.428

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093

MOCHTAR APIN

(Padang, 1923 â&#x20AC;&#x201C; 1994) Nude, 1965 Oil on canvas on hardboard: 84 x 116 cm Signed and dated, lower right: Mochtar Apin 65 RP 40.000.000 - 60.000.000 USD 2.856 - 4.285

094

NASHAR

(Pariaman, 1928-1994) Metropolitan, 1982 Acrylic on canvas: 65 x 90 cm Signed and dated, lower left: 10.9.82 RP 50.000.000 - 70.000.000 USD 3.570 - 4.999

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Roedyat Martadiredja Roedyat always painted his subject from his personal exploration and examination. Even when using subjects that he often painted, he always felt that he had to see and inspect them each time. The artist was strong in completely analyzing the objects before him. The objects are no longer as physical representations or repetitive illustrations. Instead they become metaphors of the self. The representation of woman figure in the foreground, which somewhat expressionless face, perhaps only treated as a metaphor to describe the landscape of city scene in the background. The presentation of trees is more stylized and abstracted to the point of being decorative. The combination of the unusual green and blue color is quite actually typical of the artistâ&#x20AC;&#x2122;s painting.

095

ROEDYAT MARTADIREDJA (Bandung, 1932 â&#x20AC;&#x201C; 2002) Wanita, 1976

Oil on canvas: 120 x 60 cm Signed and dated, upper right: 76, Roedyat Provenance: Private collection, Jakarta RP 180.000.000 - 250.000.000 USD 12.856 - 17.856

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096

ARIFIEN NEIF (Surabaya, 1955) Party

Oil on canvas: 60 x 91 cm Signed, lower right: Neif RP 65.000.000 - 80.000.000 USD 4.642 - 5.713

097

NYOMAN GUNARSA

(Klungkung, 1944 - Bali 2017) Dancer, 2009 Oil on canvas: 95 x 95 cm Signed and dated, lower right: 2009 This lot is accompanied with certificate of authenticity from the artist RP 40.000.000 - 60.000.000 USD 2.856 - 4.285

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098

TRUBUS SUDARSONO (Yogyakarta, 1926 â&#x20AC;&#x201C; 1966) Penari, 1960

Oil on canvas: 110 x 70 cm Signed and dated, lower left: Trubus S.1960 Provenance: Private collection, Jakarta RP 180.000.000 - 250.000.000 USD 12.856 - 17.856

Born in 23 April 1926 in Wates, Yogyakarta. He only had a short formal education until elementary school. His amazing talent and skill was sharpened through learning time with Affandi and Sudjojono. During revolutionary time in Yogya, he joined Seniman Indonesia Muda and then Pelukis Rakyat lead by Hendra Gunawan. In 1948, he was arrested and jailed in Netherlands colonial government because he was considered involving with guerrilla activity. After released from prisoner, he taught at Akademi Seni Rupa Indonesia, Yogyakarta during 1950-1960. He was known as one of the strongest realism painter in Indonesia. He indeed closed with opposition and had been selected as Indonesia delegate in a goodwill journey to Chekoslovakia in 1954. Trubus was also a victim of opposition elimination in 1966. Trubus had mastery in capturing the dancing figure through expressive brush stroke that become his distinctive characteristic in painting. He tended to use secondary and tertiary colours that reflected his restless spirit.

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099

100

KOEMPOEL SUJATNO

LUCIEN FRITS OHL

Oil on canvas: 70 x 80 cm Signed, lower right: Kompol

Watercolour on paper: 26 x 36 cm Signed, lower right: L. Frits Ohl

RP 6.000.000 - 8.000.000 USD 428 - 570

RP 10 000.000 - 15 000.000 USD 713 - 1.070

(Ngawi, 1912 – Batu, 1987) Kehidupan-Pasar Pabean

(Palembang, South Sumatra, 1904 – The Hague, 1976) Activities in the Ricfield

101

102

I DEWA PUTU MOKOH

ERICA HESTU WAHYUNI

Oil on canvas: 60 x 60 cm Signed, lower middle: I Dw Pt Mokoh, Pengosekan

Acrylic on canvas and wood: 108 x 138 cm Signed and dated, lower middle: Erica, 2018 Signed and titled on the reverse

(Pengosekan, Ubud,Bali, 1936) Semua Ada di Bali

RP 18,000,000 - 25,000,000 USD 1.285 - 1.785

(Yogyakarta, 1971) Heritage of Prosperity, 2018

This lot is accompanied with certificate of authenticity from the artists RP 28.000.000 - 35.000.000 USD 1.999 - 2.499

HERITAGE FINE ART AUCTION

103

PARDOLI FADLI

(Cilacap, 1971) Hari Cerah - Panen Berlimpah,

2011

Oil on canvas: 120 x 160 cm Signed and dated, lower left: Pardoli 011 Signed, titled and dated on the reverse

RP 30.000.000 - 40.000.000 USD 2.142 - 2.856

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Affandi Born in Cirebon, March 11, 1907. He is considered as the Indonesian Artist par excellent. He was the founder of the Himpunan Pelukis Masyarakat (Community’s Artists Association (1946) and Himpunan Pelukis Rakyat (People’s Artists Association) in 1947, Affandi was committed to creating a new artistic idiom for Indonesia. In the early of 1950s he traveled to India for a grant from Indian Government, he held several one-man shows in several Indian Cities, United Kingdom, the Netherlands, Belgium, France and Italy. He received an Indonesian Art Award from the Ministry of Education and Culture (1969), the Dag Hammerskjoeld Prize from Italy (1977) and an Indonesian Government the First Class Merit (1978). His works were exhibited in major exhibitions in Asia, Europe, and the Americas and were also be acquired by major art collectors and institutions all over the world since the 1950s.

104

AFFANDI

(Cirebon, 1907 – 1990) Boats-Perahu Kusamba,

1984

Oil on canvas: 111 x 149 cm Signed and dated, lower right: AF. 1984 RP 850.000.000 – 1.300.000.000 USD 60.713 - 92.856

HERITAGE FINE ART AUCTION

105

106

ERNEST DEZENTJE

SYARIEF HIDAYAT

(Jatinegara, 1885 â&#x20AC;&#x201C; 1972) Harvesting

(Bandung, 1982) Lucky Charms Series,

2013

Oil on canvas: 74 x 115 cm Signed, lower right: Ern. Dezentje

Oil on canvas: 100 x 100 cm Signed and dated, lower right: Rief 13

RP 30.000.000 - 50.000.000 USD 2.142 - 3.570

RP 15.000.000 - 20.000.000 USD 1.070 - 1.428

107

ERICA HESTU WAHYUNI

(Yogyakarta, 1971) Happy Prosperity Year of The World, 2014 Acrylic on canvas and wood: 148 x 118 cm Signed and dated, lower middle: Erica, 2014 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artists RP 28.000.000 - 35.000.000 USD 1.999 - 2.499

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108

EDY PURWANTORO New World, 2008

Acrylic on canvas: 150 x 200 cm Signed and dated, lower right: E.08 RP 15.000.000 - 20.000.000 USD 1.070 - 1.428

109

TRUBUS SUDARSONO (Yogyakarta, 1926 â&#x20AC;&#x201C; 1966) Indonesian Landscape, 1954

Oil on canvas: 90 x 150 cm Signed and dated, lower left: Trubus S.54 Jak RP 150.000.000 - 200.000.000 USD 10.713 - 14.285

Born in Yogyakarta, 1926. A member of Seniman Indonesia Muda (Young Indonesian Artists) and Pelukis Rakyat (Peopleâ&#x20AC;&#x2122;s Painters), Yogyakarta, he was a self-taught practitioner who honed his skills in the amateur art associations that flourished during and after the Japanese occupation. Trubus was taught by both Affandi and Hendra Gunawan and he also studied the paintings of the old and modern masters through prints and lithographs, as well as the works of artists in Indonesia such as Antonio Blanco, Romualdo Locatelli and Basoeki Abdullah. His works are represented in the Jakarta Art Gallery and other museums in Indonesia.

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Popo Iskandar Born in Garut, December 17, 1927. Popo Iskandar started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. Repetitive theme of cats, chickens and leopards probably has become Popo Iskandar’s main contemplation in reflecting the essence of cats, nudity or even mystery of nature. There are hundreds of Popo’s paintings in which the object is a cat. He has been interested in painting cats since the early 60’s. The source of his idea of cats is not the form of the cat, but rather its involvement in various situations and conditions which stimulate his ideas and imaginations. In painting a cat, he feels that he doesn’t only present it physically, but that he tries to express the meaning and the impression of the cat’s appearance for him. So, a cat for him is a totality of inspired understanding, an integrated understanding of music and poetry. “I am an expressionist in a way that I am looking for the essence of fife phenomena. In painting cats, for instance, I feel it is not sufficient to only display their physical features, but I try really hard to reveal what impression, meaning, and appearance the cat opens up me. I see cats not only with my eyes, but also with my heart. It is the entirety of a cat that I appreciate with my whole existence. The end product of my painting should be able to project not only a physical impact but also, more ultimately, what is implied in it, so that dialogue and contemplation will be made possible.” (Rupakata, Art and Thoughts of Popo Iskandar, pg. 268)

110

POPO ISKANDAR

(Garut, 1927 – Bandung, 2000) Three Leopards and The Moon, 1999 Oil on canvas: 100 x 150 cm Signed and dated, lower right: Popo, 99 Literature: Jim Supangkat, Dr. I. Bambang Sugiharto “Perspektif KaryaKarya Popo Iskandar”, Published by Studio Titian Seni & Griya Seni Popo Iskandar, pg. 241 Provenance: Acquired directly from the artist RP 375,000,000 - 450,000,000 USD 26,785 - 32,142

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111

LEE MAN FONG

(b. Canton, China 1913 – d. Singapore 1988) A Pagoda in a Garden, 1955 Pastel on paper: 60 x 45 cm Signed and stamped, lower right: MF. Lee RP 60.000.000 – 80.000.000 USD 4.285 - 5.713

He was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He has shown great artistic talent since young. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before engaged in full time painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter.

112

LEO ELAND

(Java, 1884 – 1952) Landscape Oil on canvas: 40 x 50 cm Signed, lower right: L. Eland RP 35.000.000 - 45.000.000 USD 2.499 - 3.213

HERITAGE FINE ART AUCTION

113

BASOEKI ABDULLAH (Solo, 1915 â&#x20AC;&#x201C; Jakarta, 1993) Lake View

Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. His work includes painting of the Queen of Netherlands, King of Thailand, President of Philippines, Sultan of Brunei and many other important figures. He is best known as a portrait painter as well as landscapes, fauna, flora and other themes. His works have been exhibited in various European countries, South East Asia and Indonesia.

Oil on board: 67 x 79 cm Signed, lower left: B. Abdullah RP 120.000.000 - 150.000.000 USD 8.570 - 10.713

HERITAGE FINE ART AUCTION

114

115

SABRI

GERARD PIETER ADOLFS

Oil on canvas: 120 x 140 cm Signed and dated, lower right: Sabri 2011

Watercolor on paper: 49 x 64 cm Signed, lower left: Adolfs

RP 15.000.000 - 20.000.000 USD 1.070 - 1.428

RP 20.000.000 - 30.000.000 USD 1.428 - 2.142

(Jakarta, 1955) Cameron Diaz, 2011

(Semarang, 1899 – The Netherlands, 1968) Nude

116

117

IDA BAGUS INDRA “IBI”

BAMBANG PRAMUDIYANTO

Acrylic on canvas: 143 x 90 cm Signed, titled and dated, lower left: Bungan Natah, IBI 2011

Oil, acrylic on canvas: 200 x 200 cm Signed and dated, lower left: Benk 6609

RP 35.000.000 - 50.000.000 USD 2.499 - 3.570

RP 18.000.000 - 30.000.000 USD 1.285 - 2.142

(Bali, 1974) Bungan Natah, 2011

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(Klaten, 1965) Bill Gates, 2009

118

NASHAR

(Pariaman, 1928-1994) Tiga Figur, 1992 Acrylic on canvas: 64 x 93 cm Signed and dated, lower right: 20-2-92

Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under Affandi and Sudjojono. He help established the Institut Kesenian Jakarta (IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 â&#x20AC;&#x201C; 1992 he was a member of Dewan Kesenian Jakarta (Jakarta Art Committee). He has participated in exhibitions of the Festival of Indonesia (USA, 1990 â&#x20AC;&#x201C; 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places in Indonesia. He left his figurative paintings to fully paint in abstract style until his deceased in April 13, 1994.

RP 50.000.000 - 70.000.000 USD 3.570 - 4.999

HERITAGE FINE ART AUCTION

Hendra Gunawan Born in Bandung, 1918. He taught at the Indonesian Fine Art Academy (ASRI), Yogyakarta in 1957. He took part in founding the Front Seniman (Artists Front) in Bandung, and Pelukis Rakyat (People’s Artists) in Yogyakarta. He also established the art club Pusaka Sunda together with Barli, Obon and some other friends. He is undoubtedly one of the Indonesia’s greatest pioneers of modern art and was considered to be one of the best and most versatile painters in Indonesia. He died in Bali 1983. Hendra Gunawan created paintings conveying his great feelings and deepest emotions for his country and people. He inspired his paintings with sympathy, compassion, and affection about common people. Hendra’s stylistic figures and landscapes are perhaps influenced by his deep knowledge of rich signs and symbols of Javanese culture. Java’s monumental landscapes illustrated in decorative approach of color are also relates to the deeper level of traditional artistic expression in Indonesia. Hendra’s people are never passive victims of their faith; they are always depicted as active subjects. Many of his paintings depict the lives of fish seller, fruit seller, and also chicken seller. The present lot was one of the Hendra’s paintings that described the theme of the common people’s daily life. He explored their activity, capturing them movingly on canvas in his inimitable style. The deepest emotion about the struggle of common people’s life, made Hendra keep presenting people in this landscape painting even in small and tiny form. He used the natural objects such as huge tree, sandy beach and blue sea as background to his main subject, like illustrated in the present lot.

119

HENDRA GUNAWAN (Bandung, 1918 – 1983) Pohon Besar Di Tepi Pantai,

1974

Oil on canvas: 146cm x 90cm Signed, lower left: Hendra Provenance: Mr. Ajip Rosidi, Acquired the painting directly from the artist by descent to the present owner RP 900.000.000 - 1.200.000.000 USD 64.285 - 85.713

Mr. Ajip Rosidi with the painting

HERITAGE FINE ART AUCTION

120

121

R. HADI

RADEN SOEKARDJI

Menuju Pura Oil on canvas: 65 x 50 cm Signed, lower right : R. hadi RP 20.000.000 - 30.000.000 USD 1.428 - 2.142

(1880 – 1950) Landscape

Oil on canvas: 91 x 199 cm Signed, lower left: Soekardji RP 18.000.000 - 25.000.000 USD 1.285 - 1.785

122

123

ERICA HESTU WAHYUNI

SUDJONO ABDULLAH

Acrylic on canvas: 70 x 80 cm Signed and dated, lower middle: Erica, 2015 Signed and titled on the reverse

Oil on canvas: 70 x 135 cm Signed and dated, lower left: S. Abdullah, 1.1.79

(Yogyakarta, 1971) Chinese New Year, 2015

This lot is accompanied with certificate of authenticity from the artists RP 10.000.000 - 15.000.000 USD 713 - 1.070 82

HERITAGE FINE ART AUCTION

(Yogyakarta, 1911 – 1993) Pasar, 1979

RP 20,000,000 - 25,000,000 USD 1.428 - 2.142

124

LUCIEN FRITS OHL

(Palembang, South Sumatra, 1904 – The Hague, 1976) Rumah Batak Oil on board: 48 x 60 cm Signed, lower right: F. Ohl RP 30.000.000 - 40.000.000 USD 2.142 - 2.856

125

WILLEM VAN DER DOES

(Amsterdam, The Netherlands, 1889 – 1966) Moonlit Ship Wreck At Low Tide Oil on canvas onto panel : 59 x 44 cm Signed, lower left: W.V.D.Does RP 55.000.000 - 70.000.000 USD 3.928 - 4.999

126

CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946) Landscape Mountain Oil on board: 35 x 53 cm Signed, lower right: Cl. Dake RP 25.000.000 - 35.000.000 USD 1.785 - 2.499

HERITAGE FINE ART AUCTION

127

128

HERU DODOT WIDODO

JOHAN ABE TOBING

Acrylic on canvas: 145 x 200 cm Signed and dated, lower middle: Dodot 11

Bronze : 67 x 18 x 5 cm Signed and dated, lower area: Johan Abe, 2017

RP 15.000.000 - 25.000.000 USD 1.070 - 1.785

RP 7.000.000 - 9.000.000 USD 499 - 642

(Yogyakarta, 1974) Money Roll, 2011

(B. 1976) Lady Dancer, 2017

129

130

ADE RIYANTO

O.H. SUPONO

Acrylic on canvas: 120 x 150 cm Signed and dated, lower right: Ade riyanto, 2016 Signed, titled and dated on the reverse

Oil on canvas: 70 x 70 cm Signed and dated, lower right: OH. Supono 88 Signed, titled and dated on the reverse

RP 10.000.000 - 15.000.000 USD 713 - 1.070

RP 15.000.000 - 20.000.000 USD 1.070 - 1.428

(Indramayu, 1972) Pertarungan, 2016

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(Surabaya, 1937 â&#x20AC;&#x201C; Bali, 1991) Rupadhatu Borobudur, 1988

131

OESMAN EFFENDI (Padang, 1919 â&#x20AC;&#x201C; 1985)

Abstraksi Terbang Oil on canvas : 94 x 133 cm This lot is accompanied with letter of provenance RP 150.000.000 - 200.000.000 USD 10.713 - 14.285

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Srihadi Soedarsono Born in Solo, December 4, 1931. In 1958 he studied fine arts at the Institute of Technology Bandung and the Ohio State University, United States (1960 – 1962). His works has been exhibited in Indonesia, the United States, Australia and Brazil. He received cultural awards from both the Indonesian government (1971) and Australian (1973). In 1978 and 1987, he received the highest award in the Biennial Exhibition in Jakarta. Srihadi is currently a senior lecturer in painting and drawing at the Jakarta Institute of Arts and the Bandung Institute of Technology. The dance is one of Srihadi’s favorite themes. In his paintings of dancers he continues to paint female dancers in the same upright pose that has used in the past. His dance work consist of series of dancers, even so, for Srihadi, each dance has its own particular mood, the gist of which he attempts to capture in his painting. At the same time, dance also offers a panorama of human life in general: it shows the dynamic union between the everyday world of material reality and the world beyond perception, the realm of the material. The merging of spiritual and physical control obtained in dance obviously appeals to the philosophical Srihadi. Some of his figurative paintings, especially the dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume, all of which imbued with philosophical meaning. Srihadi gives us many variants in this new approach to the depiction of the dance. When he first started to focus on the idea of movement, he did so by paying with the parallelism of gestures and by emphasizing the realistic aspect of the dancer’s bodies. Color was then relatively secondary. By the early 1990’s rhythm had taken a life of its own, as shown by the vibrant dynamism of the dancer. In painting the present lot, the dancers’ eyes remain transfixed even as their body movements are transformed into a feast of glittering color. Even so, and however much the costumes of the dancers drift rhythmically over the canvas surface, it is in fact the artist’s working of this background that embodies the idea of movement.

132

SRIHADI SOEDARSONO

(Solo, 1931) Legong Condong-The Energy of Love, 2015 Oil on canvas: 150 x 150 cm Signed and dated, upper right: Srihadi S.2015 Signed, titled and dated on the reverse Provenance: - Private collection, Jakarta - Acquired directly from the artist RP 1.300.000.000 - 1.600.000.000 USD 92.856 - 114.285

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133

WILLEM DOOIJEWAARD (Amsterdam, 1892 â&#x20AC;&#x201C; 1980) Figure, 1954

Oil on canvas: 31 x 24 cm Signed, lower right: W. Doojewaard Dated, lower left: Febr, 1954 RP 35.000.000 - 50.000.000 USD 2.499 - 3.570

Born in Amsterdam, the Netherlands, 1892. He studied arts and craft in Amsterdam for three years. He once worked as administration staff for Sumatra Plantation Company in 1913. He first visited Bali in 1918 then traveled extensively throughout the island to paint. He also went to Europe as well as remote areas in Asia and North Africa. Most of his works were absorbed from the local cultures that enabled him to paint unusually intimate portraits. He died in his homeland, Amsterdam, 1980.

134

JEIHAN SUKMANTORO (Solo, 1938) Rayani, 2011

Oil on canvas : 140 x 140 cm Signed and dated, upper right: Jeihan 11 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 75.000.000 - 90.000.000 USD 5.356 - 6.428

HERITAGE FINE ART AUCTION

135

ABDUL AZIZ

(Purwokerto, 1928 - Bali, 2002) Nude, 1975 Oil on canvas: 86 x 58 cm Signed and dated, upper right: Abdul Aziz, Bali.1975 Provenance: Private collection, Jakarta RP 100.000.000 - 150.000.000 USD 7.142 - 10.713

Abdul Aziz was born in Purwokerto, Central Java, and showed precocious artistic talent from childhood. His first Diploma was in Social Sciences from Gajah Mada University, after which he studied Art at the Indonesian Fine Arts Academy (ASRI) in Yogyakarta. Due to his exceptional talent he was awarded a scholarship to study at the Academia di Belle Arti in Rome in 1958, where he was awarded two Diplomas, in Painting and in Decoration. On his return to Indonesia in 1965 he lectured in Fine Art at Udayana University and established his studio in Ubud Bali. Abdul Aziz is now regarded as one of Indonesia’s greatest artists of the 20th Century. Originally from Central Java but a resident of Bali for the last part of his life, Aziz was widely known and highly sought after for his realistic paintings of village scenes. Aziz’s paintings include beautiful women, depicted singly or in groups, and portraits both painted and sculpted. Yet his oeuvre stands out as more of an individual contribution to Indonesian art history than most, belonging in a class with artists who are continuously referred to as the ‘greats’: those individual artists that Western-trained or influenced art writers found to be the most original and innovative of their time. Aziz came to learn nude painting during his study in in Italy, where he took the life-drawing classes in the Euro-American sense. As an art student in Rome he was faced with one naked model after the other, most of them women. In Aziz nude paintings, there is nothing particularly sensual about the image. The painting looks like a study of naked human being, who happens to be female, by an artist who is exploring unusual angles and surface-toners rather than painting something which excites his subliminal or conscious desires. He presented the woman as a human being of the female species who has a lovely, beauty, natural thing of the human body. HERITAGE FINE ART AUCTION

136

137

IDA BAGUS INDRA “IBI”

HAN SNEL

(Bali, 1974) Sang Sinuhun Kembang Seroja, 2008 Acrylic on canvas: 88 x 72 cm Signed and dated, lower right: Ibi 08 Signed, titled and dated on the reverse

Pastel on paper: 70 x 50 cm Signed and dated, lower right: Han Snel.Bali75

RP 25.000.000 - 35.000.000 USD 1.785 - 2.499

RP 35.000.000 – 45.000.000 USD 2.499 - 3.213

138

139

BARLI SASMITAWINATA

GUNAWAN BAGEA

Oil on canvas: 60 x 50 cm Signed and dated, lower left: Barli.1976

Acrylic on canvas: 100 x 140 cm Signed and dated, lower right: Gunarsa, 2017 Signed, titled and dated on the reverse

(Bandung, 1921) Penari Bali, 1976

RP 15.000.000 - 20.000.000 USD 1.070 - 1.428 90

(Scheveningen, 1925 – 1998) Half Nude, 1975

HERITAGE FINE ART AUCTION

(Bandung, West Java, 1971) Penjual Itik, 2017

RP 12.000.000 - 18.000.000 USD 856 - 1.285

140

BASOEKI ABDULLAH

(Solo, 1915 â&#x20AC;&#x201C; Jakarta, 1993) Wajah Model / The Model Face Oil on canvas: 80 x 65 cm Signed, lower right: Basoeki Abdullah

Literature: Agus Dermawan T, Basoeki Abdullah Painter of Kings, Published by PT. Dwi Samapersada, Jakarta, 2016 RP 70.000.000 - 90.000.000 USD 4.999 - 6.428

HERITAGE FINE ART AUCTION

Affandi The Indonesian community in Calcutta India was not much in number during the 1940s. At that time the community almost entirely consists of students or trainees who receive scholarships from the Indian government. Among the students there was Affandi, a famous revolutionary painter and creator of a new painting style in Indonesia. Former students in Calcutta have gained success in their respective careers. Affandi was awarded a scholarship to study at the cultural college in Santiniketan, where the late great author Sir Rabindranath Tagore lived. Examining the great talent that Affandi had, the college become worried about the influence of Affandi’s distinctive style, which was in contrast to the origin forms of traditional Hindu art. Therefore, in order to lessen the impact, they put great endeavored to send Affandi to different places which of course accidentally very useful to Affandi. Before he left from Calcuta, he gave two paintings to the present owner formerly the ambassador of India at that time. One was his self-portrait when Affandi was a teenager – painted in a classic style and the other one was rather large painting showing beach scenery where the fishermen were busy fixing the nets. Several sailboats were washed ashore. Blue sky with yellowish colors, while the sea birds hovering in the air. The atmosphere on the beach looked rather gloomy, as if the storm was starting to blow. This painting showed a typical Affandi’s character that present the strong lines of his wild finger strokes and vibrant colors. Two months after Affandi’s living from India, in Calcutta, there was paintings exhibition from Indian painters from Benggal. Apparently there were some paintings that show the influence of Affandi’s character in style and technique. This perhaps become great concerns in Santiniketan. They could not prevent Affandi’s influence, even though they always find a way to keep Affandi in distance from other students at the college. Thus this painting become an important evidence of Affandi’s great influence in India.

141

AFFANDI

(Cirebon, 1907 – 1990) Fisherman by The Sea Oil on canvas: 61 x 105 cm Signed and dated, lower right: A Provenance: - Prominent collection, Jakarta, formerly ambassador India (1951-1953) - Acquired directly from the artist RP 800.000.000 - 1.200.000.000 USD 57.142 - 85.713

HERITAGE FINE ART AUCTION

142

AGUS DJAYA

(Pandeglang, West Java, 1913 - 1993) Noon Gathering No. 2, 1974 Oil on canvas: 96 x 166 cm Signed and dated, lower right: Agus Djaya, Bali, 1974 Titled and dated on the reverse RP 28.000.000 - 35.000.000 USD 1.999 - 2.499

143

BATARA LUBIS

(Hutogodang, 1927 - 1986) Pasar, 1973 Oil on canvas: 65 x 140 cm Signed and dated, lower left: B. Lubid 73 RP 42,000,000 - 55,000,000 USD 2.999 - 3.928

Born in Hutagodang, North Sumatra, 1927. He studied at the Indonesian Fine Arts Academy (ASRI) Yogyakarta and learnt under Affandi and Hendra Gunawan beforehand. Since 1955, he was actively participated in many exhibitions in Yogyakarta. He also had intensely created batik paintings that represented in Bali, Jakarta, the Netherlands and Italy.

144

OTTO DJAYA

(Rangkas Bitung, West java, 1916 - 2002) Pasar, 2000 Acrylic on canvas: 87 x 143 cm Signed and dated, lower right: Otto Djaya, 2000 RP 20.000.000 - 30.000.000 USD 1.428 - 2.142

HERITAGE FINE ART AUCTION

145

DULLAH

(Solo, 1919 – 1996) Nenek,1977 Oil on canvas: 60 x 50 cm Signed and dated,lower right: Dullah, Bali77 RP 45.000.000 - 60.000.000 USD 3.213 - 4.285

146

JEIHAN SUKMANTORO (Solo, 1938) Dua Penari, 2011

Oil on canvas : 140 x 180 cm Signed and dated, lower middle: Jeihan 11 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 90.000.000 - 120.000.000 USD 6.428 - 8.570

HERITAGE FINE ART AUCTION

147

LEO ELAND

(Java, 1884 – 1952) The Lake View 148

Oil on board: 35 x 60 cm Signed, lower right: L. Eland

S. TOYO

RP 15.000.000 - 20.000.000 USD 1.070 - 1.428

(Blitar, 1935 – Malang, 2000) Perahu-perahu, 1980 Oil on canvas: 60 x 40 cm Signed and dated, lower left: S. Toyo. 1980 RP 10.000.000 - 15.000.000 USD 713 - 1.070

149

150

ADAM LAY

SUDJONO ABDULLAH

Oil on canvas: 150 x 100 cm Signed and dated, lower left: Adam L.97

Oil on canvas: 125 x 200 cm Signed, lower left: S. Abdullah

This lot is accompanied with certificate of authenticity from the artist

RP 18.000.000 - 25.000.000 USD 1.285 - 1.785

(Wonosobo, Central Java, 1949-2014) Keluarga Bahagia, 1997

RP 35.000.000 - 50.000.000 USD 2.499 - 3.570 96

HERITAGE FINE ART AUCTION

(Yogyakarta, 1911 – 1993) Gembala Kerbau

Index Of Artist Abdul Aziz

135

Heru Dodot Widodo

127

S. Toyo

11, 62, 148

Abdul Djalil AD Pirous

I Dewa Putu Mokoh

101

S.Sudjojono

Adam Lay

149

I Wayan Cahya

Sabri

114

Ade Riyanto (Rere)

129

Ida Bagus Indra ( IBI)

116, 136

Salim / Saraochim Salim

Affandi

54, 104, 141

Jacob Dooijewaard

Sen Pao

Agus Djaya

142

Jang Cheol Seok

47, 74

Soedibio

14, 52

Amaury Duparc

Jeihan Sukmantoro

6, 15, 25,

Soeparto Partowardojo

Aming Prayitno

134, 146

Soetopo

Anton Huang

Johan Abe Tobing

37,128

Srihadi Soedarsono

132

Antoni Eka Putra

Josephine Linggar

Sudarso

Arie Smit

23, 75

Koempoel Sujatno

1, 60, 99

Sudjono Abdullah

2, 19, 59,

Arifien Neif

Krijono

10, 21, 34, 82

Auke Cornelis Sonnega

Lee Man Fong

89, 111

Syarief Hidayat

106

Bambang Darto

Lee Rern

Tatang Ganar

Bambang Pramudiyanto

117

Leo Eland

112, 147

Trubus Sudarsono

98,109

Barli Sasmitawinata

83, 138

Lian Sahar

Umi Dahlan

33, 90

Basoeki Abdullah

8, 38, 113, 140

Lucien Frits Ohl

28, 100, 124

Untung Wahono

Batara Lubis

143

Mahyuddin S.

Wardoyo

Buku Soekarno

Men Sagan

20, 86

Widayat

16, 69

Carel Lodewijk Dake, Jr

76, 126

Mochtar Apin

Wilhemus Jean Frederic Imandt 63

Dahlan Sofwandi

Nashar

94, 118

Willem Dooijewaard

133

Dirot Kadirah

Nasirun

Willem Van Der Does

125

Dullah

55, 64, 145

Nyoman Gunarsa

7, 56, 97

Yunizar

Edy Purwantoro

108

O.H Supono

73, 130

Zaini

Endro

Oesman Effendi

131

Erica Hestu Wahyuni

102, 107, 122

Otto Djaya

144

Ernest Dezentje

3, 18, 105

Pande Ketut Taman

Faizal

Pardoli Fadli

22, 57, 103

Gerard Pieter Adolfs

5, 115

Popo Iskandar

9, 13, 110

Gunawan Bagea

51, 139

Pupuk Daru Purnomo 87

Han Snel

137

R. Hadi

80, 120

Handrio

Raden Soekardji

121

Hasim

79, 85

Roedyat Martadiredja

17, 95

Hendra Bayu Hermanto

Rosid

Hendra Gunawan

67, 119

Rusli

Henk Ngantung

36, 66

Rustamadji

123, 150

HERITAGE FINE ART AUCTION

Fine Art Auction MASTERPIECE Building Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707 Info@masterpiece-auction.com www.masterpiece-auction.com

ABSENTEE BIDS FORM WRITTEN/TELEPHONE

1. BIDDER DETAIL Name

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Address

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Office Phone

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Home Phone

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Mobile No.

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2. FINANCIAL REFERENCE Name of Bank & Branch

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PLEASE ENTER THE BIDS CLEARLY Absentee bids shoud be received at least 24 hours before the sale. Please mail or fax to # (62-21) 351 0707

LOT #

DESCRIPTION

MAXIMUM BID *)

*) Bidding will be conducted in Indonesia Rupiah. Bid amount is excluded from the buyer’s premium. I request that HERITAGE Fine Art Auction enter bids on the following lots up to the maximum price I have indicated for each lot. I understand if my bid is succesful, the purchase price will be the sum of my final bid plus buyer’s premium of 22% (twenty two precent). If identical absentee bids are left, HERITAGE Fine Art Auction will give precedence to the first one received. All bids, on a per lot basis as indicated, will be executed and are accepted subject to the “ Conditions of Sale” as printed in catalogue in the sale.

Date

:___________________________________________

HERITAGE FINE ART AUCTION

Signature

:___________________________________________

HERITAGE FINE ART AUCTION

MASTERPIECE Building (B) Tanah Abang IV No. 23 - 25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707 info@masterpiece-auction.com www.masterpiece-auction.com

100

HERITAGE FINE ART AUCTION