HERITAGE Fine Art Auction by MASTERPIECE Auction House Indonesia|Singapore|Malaysia

fine art auction

Jakarta, 25 March 2018

HERITAGE FINE ART AUCTION

Auction Sunday, 25 March 2018 Luncheon : 12.00 am Auction : 1.00 pm

Viewing Friday, 23 March 2018 Saturday, 24 March 2018 11.00 am - 08.00 pm

Venue Masterpiece Building, 4 floor Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707

HERITAGE FINE ART AUCTION

CONDITION OF BUSINESS The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at the auction. We encourage you to read them wisely and thoroughly.

THE BUYER

Estimated Price Estimated price is the price range, which reflects the opinion of our specialist for the price expected to offer at the auction. This should not be relied on as a statement that this price is either at which the lot will sell or its value for any other purpose. Estimated prices are based upon prices recently paid at auction, and the condition of the artworks including the quality, rarity and history of ownership (provenance). Reserve Price The reserve is the confidential minimum price the seller is willing to accept and below which a lot not be sold. Buyer’s Premium Buyers are reminded that the price to be paid will be the sum of the final bid price plus the buyer’s premium. The rate of buyer’s premium for each lot is 22 % (twenty two percent) of the hammer price.

BEFORE THE AUCTION

Viewing Pre-sale viewings are strongly recommended for prospective buyers in order to examine the artworks thoroughly. Pre-sale viewing is open for the public at no charge and usually displayed for 2 (two) days prior to the sale. Condition Reports Condition reports are available upon request. They are statements of opinion and should not be relied on as statements of definitive fact. Descriptions of property are not warranties and that lot is sold “as is”. All goods are sold with all faults and imperfections and errors of description. Illustrations in catalogues are for identification only. It is strongly recommended that prospective buyers inspect and seek any independent expert advice to satisfy you as to authorship, attribution, authenticity, genuineness, origin, date, age, provenance or condition of lot. Registration If you are planning to participate in the auction, you will need to register with us at the registration desk, to complete a bidder registration form and to receive a bidding number to identify you if you are a successful bidder. Registration can be made during the viewing period or 30 minutes prior to the sell.

THE AUCTION

Bidding All artworks are auctioned in consecutive numerical order. Bidding is done in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer will accept bids from those present in the saleroom or absentee bidders participating by telephone or by written bid left with HERITAGE in advance. The lot being offered is usually illustrated on a screen. Bidding Increments Bidding generally opens below the low estimate and advances in the following increments: Rp. Rp. Rp. Rp. Rp. Rp. Rp. Rp.

1.000.000 - 10.000.000 - 20.000.000 - 50.000.000 - 100.000.000 - 200.000.000 - 500.000.000 - 1.000.000.000

Rp. 10.000.000 by Rp. 500.000 Rp. 20.000.000 by Rp. 1.000.000 Rp. 50.000.000 by Rp. 2.000.000 Rp. 100.000.000 by Rp. 5.000.000 Rp. 200.000.000 by Rp. 10.000.000 Rp. 500.000.000 by Rp. 20.000.000 Rp. 1.000.000.000 by Rp. 50.000.000 - above by the auctioneer’s direction.

HERITAGE FINE ART AUCTION

Absentee/ Written Bids If you cannot attend the auction in person, you may bid in other ways. The most common is written bids. Written bids are written instruction given to HERITAGE to bid for you on one or more lots up to a maximum amount you specify for each lot. There is no charge for this service. If two or more parties leave identical bids, the first bid received by HERITAGE will take preference. Written bid forms are available 7 days before the sale and returned to HERITAGE within 24 hours before the sale or by fax to (021) 351 0707. Telephone Bids If you cannot attend the auction, HERITAGE will execute on behalf of your bid by telephone. Please make arrangements for this service at least 1 (one) day before the sale. It is advisable for you to leave your maximum bid, in case you are unable to reach us by phone. Successful Bids Successful bidder will be indicated by the fall of the auctioneer’s hammer after reaching or exceeding the reserve price. HERITAGE will record the bidder number of the buyer. Under the auctioneer’s discretion bidding may be reopened. Unsold lots When a lot fails to sell, the auctioneer will not announce a bidder’s number. Lots unsold will be returned to the consignor usually after a week in case there are any post sale offers.

AFTER THE AUCTION

Payment Payment of purchases should be made within 7 (seven) calendar days. Please include your paddle number, name, lot number, and total payment in your bank instruction. If buyers do not make any payment or notice to HERITAGE during the scheduled time, they will be considered as withdrawing. Collection of Goods Goods can be collected only when payment has cleared and been received by HERITAGE. Due to space constraints, HERITAGE requires that purchases and unsold property be collected within 7 (seven) days. If the goods remain after 7 (seven) days HERITAGE reserves the right to cause the artworks to be stored at the expense of the purchaser. Storage and Insurance HERITAGE provides insurance cover for sold items for a maximum of 7 (seven) days after the date of the sale. If the goods have not been removed by the deadline, the goods will be deposited at warehouse and all storage transportation and other associated costs as well as risk shall be at the purchaser’s responsibility.

THE SELLER

Auction estimates If you are considering selling your property at the auction, HERITAGE will provide a free initial estimate of its auction value. You can send a clear photograph of each item with complete data includes the dimension, artist’s signature, medium, physical condition and any other relevant information.

After Sale Notification You will receive an after sale advice listing the final bid price, or in the event that the property failed to sell, notification that it was bought-in to be returned to you. Payment for your sold property takes approximately 4 (four) weeks, provided payment has been received by us from the buyer.

CONDITIONS OF SALE

These conditions of sale together with any terms and conditions set out a consignment form constitute the entire agreement with the Buyer on respect to any lots listed in the catalogue. Amendment to the catalogue descriptions may be made verbally during the course of auction or by appropriate posted notices. By bidding at the auction, you shall be bound by the conditions set out below. Terms used in these conditions * “The Buyer” means the person with the highest bid accepted by the auctioneer. * “The Lot” means any items deposited with us for sale at auction and, in particular, the item (s) described against any lot number in the catalogue. * “The Hammer Price” means the amount of the highest bid accepted by the auctioneer in relation to a lot. * “The Reserve” means the amount below which we agree with the seller that the lot cannot be sold. * “The Buyer’s Premium” means the charge payable by the buyer as a percentage of the hammer price, at the rate set out in the auction room at the time of the relevant sale. * “Forgery” means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalogue. Withdrawal of Property HERITAGE reserve the right to withdraw from the sale the property or to have the property listed at any auction without any prior notice to the vendor. Control of Auction HERITAGE will have absolute discretion to determine the successful bidder should a dispute arise between the bidders and this includes the authority to reject any bid, to cancel the sale or to re-offer the property in dispute. Ownership of Property The fall of the auctioneer’s hammer indicates the property sold to the buyer who is responsible for the property and shall be liable to pay the full purchase price within 7 (seven) days. If extended payment terms have not been granted, penalty interest will be charged on the unpaid balance until paid.

In the event a defaulting buyer has made a part payment, HERITAGE reserves the right to apply such payment to any such lots at its sole discretion. Forgery In the event of proven forgery, HERITAGE will refund to the buyer the purchase price of the lot. This refund will only occur on the following terms: (i) The buyer must provide evidence from an independent expert who proves that the lot is a forgery. HERITAGE reserves the right to request further expert evidence if, in its sole discretion, it is not satisfied with the finding of either expert. (ii) The buyer must provide written notification to HERITAGE within 1 (one) year of the auction date of the forgery allegations. No refund will occur if there is any conflict of opinion among accepted experts in the field or if it can be demonstrated that the lot is a forgery only by means of scientific process that could damage or otherwise jeopardize the condition of the lot and which scientific techniques were not commonly employed until after the publication of the catalogue. This guarantee is for the benefit of the buyer only and cannot be assigned. Such buyer must have remained the owner of the property without disposing of any interest in it to any third party up until the time the alleged forgery was discovered. Handling and Packaging Handling and packing of all purchase lots shall be at the risk of the buyer who shall pay an administration charge if HERITAGE is responsible for such services. HERITAGE shall use our best efforts to take care when handling the packing but remind the buyer that from 7 (seven) days time after the sale, the goods are entirely at the buyer’s risk. You can instruct your own shipper for the shipping. However, we can also arrange for such service but are not responsible for any costs incurred during the shipping. Notice HERITAGE remind prospective buyers that none of the property in this catalogue is subject to any guarantee of authenticity and all of the artworks sold “as is” with all imperfections, incompleteness, faults and errors of description. All property is sold without any warranty or representation. HERITAGE is not responsible for any errors or omission in the catalogue. Buyers are strongly recommended to take independent professional advice on selection of purchase.

Remedies of HERITAGE If the buyer is in breach of any of the conditions of sale then HERITAGE may choose to take the following action: (1) (2) (3)

Cancel the sale, retaining as liquidated damages any payment made by the buyer. Re-sell the property without any minimum price at the next auction of HERITAGE or privately on 5(five) days notice to the buyer. Take any other action HERITAGE may consider necessary.

HERITAGE FINE ART AUCTION

Published by: HERITAGE Auction House PT. Dwi Samapersada MASTERPIECE Building Tanah Abang IV. No.23 - 25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707 info@masterpiece-auction.com www.masterpiece-auction.com Copyright @ 2018 All right reserved. No part of this publication may be reproduced, stored in a retriavel system, or transmitted in anyform or by any means, electronic, mechanical, photocopying or otherwise, without written permission from the publisher.

HERITAGE FINE ART AUCTION

001

SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Landscape

Oil on canvas: 45 x 80 cm Signed, lower left: S.Abdullah RP 8.000.000 - 10.000.000 USD 590 - 740

002

RADEN SOEKARDJI (1880 – 1950) Landscape

Oil on canvas: 80 x 140 cm Signed, lower left: Soekardji RP 28.000.000 - 35.000.000 USD 2,070 - 2,590

003

HASIM

(Jakarta, 1921-1982) Pura Bali, 1974 Oil on canvas: 55 x 89 cm Signed and dated, lower right: Hasim74 RP 7.000.000 - 10.000.000 USD 520 - 740

004

ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Landscape Mountain

Oil on canvas : 42 x 61 cm Signed, lower left : Ern. Dezentje RP 20.000.000 - 30.000.000 USD 1,480 - 2,220

HERITAGE FINE ART AUCTION

005

PARDOLI FADLI (Cilacap, 1971) Panen Agung, 2011

Oil on canvas: 150 x 200 cm Signed and dated, lower middle: Pardoli11 RP 35.000.000 - 45.000.000 USD 2,590 - 3,330

Born in Cilacap, Central Java, July 4, 1971. He held his solo exhibition in Maestro Inn, Perth, Australia (1997), Harveyâ&#x20AC;&#x2122;s Gallery, Perth, Australia (1998), and City Hotel Melbourne, Australia (2003). He chose to be independent in expressing his feeling and thought while producing and creating his work. He greatly produced painting using woman as his object. For him, women have uniqueness of beauty, ugliness, sincerity, passion as well as strong and weak character. His choices of works become his manifest towards his life and art.

HERITAGE FINE ART AUCTION

006

ERICA HESTU WAHYUNI (Yogyakarta, 1971) Story of Prosperity Party, 2017

Acrylic on canvas : 108 x 138 cm Signed and dated, lower middle: Erica, 2017 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 35.000.000 - 50.000.000 USD 2,590 - 3,700

007

FAIZIN

(Banyuwangi, 1973) Penjual Balon, 2004 Oil on canvas: 125 x 100 cm Signed and dated, lower left: Faizin, 2004 RP 12.000.000 - 18.000.000 USD 890 - 1,330 008

OTTO DJAYA

(Rangkas Bitung, West java, 1916 - 2002) Kehidupan Malam, 1993 Acrylic on canvas: 70 x 100 cm Signed, lower right: Otto Djaya, 1993 RP 25.000.000 - 35.000.000 USD 1,850 - 2,590

009

GUNAWAN BAGEA

(Bandung, West Java, 1971) Pasar Pagi, 2016 Acrylic on canvas: 120 x 200 cm Signed and dated, lower left: Gunawan, 2016 Signed, titled and dated on the reverse RP 25.000.000 - 35.000.000 USD 1,850 - 2,590 12

HERITAGE FINE ART AUCTION

010

LEE MAN FONG

(Canton, China 1913 – Singapore 1988) Take a Break Watercolor on paper: 48 x 67 cm Signed, lower right: Mf. Lee RP 25.000.000 - 30.000.000 USD 1,850 - 2,220

He was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He has shown great artistic talent since young. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before engaged in full time painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter.

011

RUSTAMADJI

(Surabaya, 1932 – 1990) Gadis, 1970 Oil on canvas: 65 x 45 cm Signed and dated, lower right: Rustamadji, 1970 RP 20.000.000 - 30.000.000 USD 1,480 - 2,220

Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under the painter S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists Association), Madiun. In 1950s he used naturalistic style which afterwards changed to impressionistic. He actively participated in several exhibitions in Indonesia and abroad. He lived in Surabaya and died in the year of 1990. HERITAGE FINE ART AUCTION

012

WILLEM VAN DER DOES

(Amsterdam, The Netherlands, 1889 – 1966) Acther Minj Huis te Lawang bij Het Eerste Ochtendgloren Oil on board: 49 x 33 cm Signed, lower left: W.V.D.Does Provenance: Christie’s Amsterdam, 17 March 2004, lot 51 RP 48.000.000 - 55.000.000 USD 3,560 - 4,070

013

I GUSTI AGUNG WIRANATA

(Kapal, Bali, 1969) Gembala Kerbau, 2017

Acrylic on canvas: 60 x 90 cm Signed and dated, lower left: Wiranata, Bali, 2017 RP 45.000.000 - 60.000.000 USD 3,330 - 4,440

HERITAGE FINE ART AUCTION

014

LEO ELAND

(Java, 1884 – 1952) Market Scene Oil on canvas: 49 x 75 cm Signed, lower left: L. Eland RP 90,000,000 - 120,000,000 USD 6,670 - 8,890

Leo Eland Eland was born in Salatiga on Java in 1884. Leo Eland is the widest-known and most characteristic exponent of the “Beauteous Indies” – style. He was largely self-taught and was advised by the painter C. L. Dake Jr. Between 1920 and 1929 he moved to the Netherlands and worked in The Hague. Leo Elands oeuvre consists mainly colored, smooth painted Indonesian landscapes, Majestic mountains, palm trees, a rural settlement and agricultural scene, also described some figures, coastal view and market scenes. He produced among others, a large number of dioramas and panoramas paintings for Colonial exhibitions. It is known that he went along plantations in Indonesia where he offered the owners to paint it. Leo Eland died in The Hague 1952. In the market scenes, Eland’s painting employs focal distance to reduce the villagers in the picture to small figures whose individually features are indistinct and whose exertions are all but invisible. Distant peasant figures often appeared as iconic types of Indonesian completed with huge trees on the surroundings.

HERITAGE FINE ART AUCTION

Popo Iskandar

015

POPO ISKANDAR

(Garut, 1927 – Bandung, 2000) Dua Macan dan Bulan, 1997 Oil on canvas: 92 x 124 cm Signed and dated, lower left: Popo 97 RP 200.000.000 - 300.000.000 USD 14,810 - 22,220

Born in Garut, December 17, 1927. Popo Iskandar started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. Popo Iskandar started painting using cats object in the early 1960s which then developed into leopards in early 1980s. Repetitive theme of cats, chickens and leopards probably has become Popo Iskandar’s main contemplation in reflecting the essence of cats, nudity or even mystery of nature. The source of his idea of cats is not the form of the cat, but rather its involvement in various situations and conditions which stimulate his ideas and imaginations. In painting a cat, he feels that he doesn’t only present it physically, but that he tries to express the meaning and the impression of the cat’s appearance for him. So, a cat for him is a totality of inspired understanding, an integrated understanding of music and poetry. Popo’s leopards strongly express smooth line as if the flow of the music. As in cats, leopards figure often shown alone or in groups. Therefore, we often see a leopard’s or cat’s face with many bodies. The moon at the background can be a symbolic shape that was not reflects the actual mean (moon, balloon or sun), but only as a circle of compositor element. The circle often used to give strong impression that surrounds the object mystery or only as the rhyme balancing. But, sometimes it was only like a dot in a sentence, as idea synchronizing.

HERITAGE FINE ART AUCTION

016

AHMAD SADALI

(Garut, West Java, 1924 - Bandung, 1987) Lempeng Emas, Noktah-noktah Di Atas Bentuk Bergores-gores, 1977 Mixed media on paper: 32 x 41 cm Signed and dated, lower left: Sadali, 1977 RP 45.000.000 - 60.000.000 USD 3,330 - 4,440

He graduated from the Department of Art, Bandung Institute of Technology (ITB) in 1953, where he later taught, becoming a Professor in the Art Department in 1972. He received a grant from the Rockefeller Foundation to study at Iowa State University and the New York Art Student's League in USA 1956-1957. He also studied in The Netherlands and Australia in 1977, a Pakistan in 1980. He held his solo exhibition in Jakarta, Surabaya, Bandung and Yogyakarta. He also has participated in several group exhibitions such as in Indonesia, China, Japan, Thailand, Philippines, Singapore, India, Vietnam, USA, Switzerland, UK, France, Brazil and Saudi Arabia. He received some Awards including the Anugerah Seni Art Award from the Indonesian Government in 1972 and awards from the Jakarta Arts Council at the Indonesian Painting Biennials in 1974 and 1978.

HERITAGE FINE ART AUCTION

017

AMING PRAYITNO (Surakarta, 1943) Topeng - topeng, 1987

Oil on canvas: 89 x 79 cm Signed and dated, lower right: Aming87 RP 15.000.000 - 20.000.000 USD 1,110 - 1,480

Born in Surakarta, Central Java, June 3rd 1943. He graduated from the Indonesian Fine Art Academy (ASRI) Yogyakarta in 1977. He also studied painting at the Koninklijk Akademie Voor Schonkunsten, Gent, Belgium in 1976. He received a number of awards for his works among others are Raden Saleh Award (1972), The Best Work at the Biennal Indonesian Painting (1974 & 1980) and The Best work at Biennal Painting, Yogyakarta, 1992).

018

ABDUL DJALIL “A.D.” PIROUS

(Meulaboh, Aceh, 1932) Semangat Rencong dan Gaung Sastra Perang, 2000 Mixed media on canvas: 50 x 70 cm Signed and dated, lower right: AD. Pirous.2000 Provenance: private collection, Jakarta Acquired directly from the artist RP 40.000.000 - 50.000.000 USD 2.960 - 3.700

He was born in Meulaboh, Aceh, on 11 March 1933. He finished his arts education at the Bandung Institute of Technology (ITB) and continued his study at Rochester Institute of Technology, Rochester, United States majoring art and graphic design (1964 – 1970). He was well known as the pioneer of modern calligraphic art in Indonesia. He won several national and international competitions among other are as the Best Painting Prize in Biennale Art Award from the Jakarta Arts Council (1974, 1976), the silver medal at the International Arts Exhibition I in Seoul, Korea, and the Indonesian Arts Award (1985). He has participated in numerous exhibitions throughout the world, including the AsiaPacific Triennale, Brisbane, and the 9th International Asia Exhibition, Taipei (1994). After he retired from the Academic world, AD Pirous is still working as a painter and thinker in the field of art and culture.

HERITAGE FINE ART AUCTION

019

MOCHTAR APIN

(Padang, 1923 â&#x20AC;&#x201C; 1994) Berita Pagi, 1957 Oil on canvas: 45 x 35 cm Signed and dated, lower right: Mochtar Apin57 RP 15.000.000 - 20.000.000 USD 1,110 - 1,480

Born in Padang Panjang, West Sumatra, 1923. He graduated form the Bandung Institute of Technology (ITB) in 1951 and continued his study of art and handicrafts in Amsterdam finished in 1953. Besides painting, he also created graphic works. His works have been exhibited in many countries. He was among the first who benefited from a Dutch formal education during the colonial period and was able to acquire a strong intellectual basis for producing modern art. From a very young age, he was able to nurture his artistic bent through special instruction from Dutch art teachers. He went on to pursue art at the Kunstnijverheid School in Amsterdam, and the Ecole Nationale Suprieure des Beaux Arts in Paris as well as the Deutsche Akademie der Kuenste in Berlin. Due to his extensive art studies, Mochtar Apin became proficient in a variety of techniques. With such knowledge, he was well equipped to debate on the role of art in Indonesia. In the Indonesian art world, Mochtar Apinâ&#x20AC;&#x2122;s diverse range of interests and unique versatility in style has left behind an artistic legacy that has held the interest of art connoisseurs to this day.

020

REDY RAHADIAN

(Cianjur, West Java, 1973) Working Together Steel: 60 x 41 x 36 cm Signed, lower right: Redy R. RP 15.000.000 - 35.000.000 USD 1,110 - 2,590

Born in Cianjur, West Java, 1973. He studied at the Mechanical Department of the St.Joseph Institute in Brussels, Belgium. He won a public sculpture exhibition in Medan, North Sumatra. He has participated in several group exhibitions.

HERITAGE FINE ART AUCTION

021

BARLI SASMITAWINATA (Bandung, 1921) Half Nude, 1985

Oil on canvas: 112 x 87 cm Signed and dated, lower right: Balru, 1985

Born in Bandung, March 18, 1921. He started to paint since 1935 with Kelompok Lima Bandung. He studied painting from Jos Pluimentz and Luigi Nobili. He also studied the model drawing in Academia Grande de la Chaumiere (Paris) and the Academy of Fine Art Amsterdam in 1957. He received awards from Jaarmarktprijss Surabaya, Keimin Bunka Shidoso Jakarta, Barisan Propaganda Jabar, Culturele Stichting Samenwerking Nederland Indonesia (Holland).

This lot is accompanied with certificate of authenticity from the artis RP 70.000.000 â&#x20AC;&#x201C; 80.000.000 USD 5,190 â&#x20AC;&#x201C; 5,930 HERITAGE FINE ART AUCTION

022

SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Warung

Oil on canvas: 100 x 150 cm Signed, lower left: S. Abdullah RP 22.000.000 - 30.000.000 USD 1,630 - 2,220

023 H.A.L. WICHERS (Tarutung, North Sumatra, 1893 – The Netherlands, 1968) Harvest, 1939 Oil on board : 32 x 49 cm Signed and dated , lower right: Hal. Wichers, 1939 RP 15.000.000 - 20.000.000 USD 1,110 - 1,480

024

KOEMPOEL SUJATNO (Ngawi, 1912 – Batu, 1987) Kapal Oil on canvas: 35 x 45 cm Signed, lower left: Kompol RP 5.000.000 - 7.000.000 USD 370 - 520

025

SYAYIDIN

(Indramayu, West Java, 1967) Dalam Kemegahan Borobudur, 2016 Oil on canvas: 99 x 119 cm Signed and dated, lower left: Syayidin, 2016 Signed, titled and dated on the reverse RP 8.000.000 - 10.000.000 USD 590 - 740 22

HERITAGE FINE ART AUCTION

026

LUCIEN FRITS OHL

(Palembang, South Sumatra, 1904 â&#x20AC;&#x201C; The Hague, 1976) Sorting of Wares Oil on canvas: 76 x 61 cm Signed, lower right: L. Frits Ohl RP 85,000,000 - 100,000,000 USD 6,300 - 7,410

Lucien Frits Ohl was born in Sumatra, Indonesia 1904. He was considered an important pioneer artist in the Dutch East Indies. Ohl was known for his idyllic grandeur of the Indonesian landscapes. Mr. Ohl was also a history professor, and studied art while at university in Paris. He captured the scenes that was always present in the traditional villages of Southeast Asian countries, the ships that often come by for trading purposes, the mountainous landscapes, the harvesting activities, market scenes and many more. His typical palette colors in expressionistic style made his paintings become superb and distinctive. Lucien Frits Ohl was a self-taught artist who lived and worked in Palembang, Jakarta and Yogyakarta. He settled in Hague afterwards and painted in the style of Gerard Pieter Adolfs. He produced illustrations of Indonesia for JC Hamelâ&#x20AC;&#x2122;s Soldatendominee (Hague 1948) and held many exhibitions in Hague and Netherlands. He died in 1976. HERITAGE FINE ART AUCTION

Widayat

027

WIDAYAT

(b. Kutoarjo, Indonesia 1919 – d. Jakarta, Indonesia 2002) Anggrek Liar Di Hutan, 1985 Oil on canvas: 145 x 145 cm Signed and dated, lower right: Widayat ‘85 Signed, titled and dated on the reverse Provenace: Private collection Jakarta RP 380.000.000 - 450.000.000 USD 28,150 - 33,330

Widayat was born in Kutoarjo (Central Java, 1919) in the colonial era. After some military training, he took the apprentice study at the Indonesia Art Academy Yogyakarta under painters Hendra Gunawan, Sudarso, Trubus, and Kusnadi. Then Widayat met a Bandung Painter, Kartono Yudhokusumo from whom he got direct influence of decorative style in painting. Widayat paints freely, unburdened by anything except that he always attempts at infusing contents, giving significance to his imaginary space by means of symbols and indications. Watching Widayat’s works, we are taken to archaic natures and to the daily life, without perspective, and without criticize for something. We may remark them as beautiful and alluring, crowding our retinas, innocently accepting reality, fascinatingly interpretable, and mystically thrilling the space. Widayat studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta, where hebecame known as a lecturer of the Indonesian Institute of Fine Arts (ISI) Yogyakarta as well as a prominent artist. Since 1950 to 2002, Widayat participated in numerous art exhibitions in Indonesiaas well as internationally, in countries such as Singapore, Thailand, Japan, Hong Kong, Netherlands,Italy, United States, and Australia. Widayat is said to be a maestro after Affandi, as published in the book “Educator and Painter” by ISI Yogyakarta in 1988. Widayat was also a revolutionary artist, and master of gardening and graphics arts. Widayat was the first artist whose exhibition was largely exhibited in the Singapore Art Museum, one of the most important museums in Southeast Asia on September 2007 and it was held for the duration of two months. According to Prof. Soedarso Sp MA, Widayat’s artistic works can be levelled with the works of Henri Rousseau (a France surrealist artist) who has been his great inspiration. Widayat’s works show an immense variety of stories about nature, life, myths, and rituals. They are rich in content, texture, and technique. Widayat’s preference for the simplification and distortion of natural forms had a profound influence on many Indonesian artists. His magic decorative style is a personal visual language mostly derived from folk motifs. He focuses on inner structure rather that outward appearance. The re-petition of basic elements are order with an underlying rhythm to create movement. The artist’s works encompass all of his varied experiences as soldier, student, teacher, and religious family man.

Widayat, Kera (Monkey Forest) Masterpiece Singapore 13 August 2015, Lot 047 Sold SGD 120,000 24

HERITAGE FINE ART AUCTION

029

PARDOLI FADLI 028

JOSEPHINE LINGGAR

(Jember, East Java, 1943) Di Belakang Panggung II, 1997 Oil on canvas: 90 x 120 cm Signed and dated , lower right: Josephine97 RP 60.000.000 - 100.000.000 USD 4,440 - ,000

HERITAGE FINE ART AUCTION

(Cilacap. 1971) Bali Dancer, 2015

Oil on canvas: 150 x 200 cm Signed and dated. lower right: Pardoliâ&#x20AC;&#x2122;15 Signed. titled and dated on the reverse RP 25.000.000 - 35.000.000 USD 1,850 - 2,590

030

JEIHAN SUKMANTORO (Solo, 1938) Hitam Manis, 1990

Oil on canvas: 140 x 100 cm Signed and dated, upper right: Jeihan90 Signed and titled on the reverse RP 90.000.000 - 120.000.000 USD 6,670 - 8,890 HERITAGE FINE ART AUCTION

031

GALAM ZULKIFLI

(Sumbawa, Nusa Tenggara 1971) Mesin Ke 10, 1998 Oil on canvas: 125 x 100 cm Signed and dated, Middle right: Galam.98 Signed, titled and dated on the reverse RP 50.000.000 - 70.000.000 USD 3,700 - 5,190

Born in Sumbawa, Nusa Tenggara on 14 January 1971. He studied Fine Art at the Teacher’s Training Collage in Yogyakarta 1991. He was awarded as the five best in the Philip Morris Indonesia Art Awards 1999 and five best in the Philip Morris ASEAN Art Awards 2003. He now lives and works in Yogyakarta.

032

MOCHTAR APIN

(Padang, 1923 – 1994) Komposisi Diagonal, 1986 Oil on canvas: 23 x 27 cm Signed and dated, lower right: Mochtar Apin86 RP 45.000.000 - 60.000.000 USD 3,330 - 4,440

Born in Padang Panjang, West Sumatra, 1923. He graduated form the Bandung Institute of Technology (ITB) in 1951 and continued his study of art and handicrafts in Amsterdam finished in 1953. Besides painting, he also created graphic works. His works have been exhibited in many countries. He was among the first who benefited from a Dutch formal education during the colonial period and was able to acquire a strong intellectual basis for producing modern art. From a very young age, he was able to nurture his artistic bent through special instruction from Dutch art teachers. He went on to pursue art at the Kunstnijverheid School in Amsterdam, and the Ecole Nationale Suprieure des Beaux Arts in Paris as well as the Deutsche Akademie der Kuenste in Berlin. Due to his extensive art studies, Mochtar Apin became proficient in a variety of techniques. With such knowledge, he was well equipped to debate on the role of art in Indonesia. In the Indonesian art world, Mochtar Apin’s diverse range of interests and unique versatility in style has left behind an artistic legacy that has held the interest of art connoisseurs to this day. 28

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033

TEGUH OSTENRIK (Jakarta, 1950) La Rolling Stone, 1995

Mixed media collage on canvas: 200 x 220 cm Signed and dated, lower right: Goeh Ost’95 Signed, titled and dated on the reverse RP 100,000,000 - 150,000,000 USD 7,410 - 11,110

Internationally celebrated Painter and Sculptor, Teguh Ostenrik holds a Master Degree in Fine Arts Hochschule der Kuenste, West Berlin , Germany. He has had more than one hundred solo and group exhibitions in the USA , Europe (France, the Netherlands, Germany),Australia and throughout Asia . His art works and commissioned projects are collected by many private collectors, museums, international institutions and major corporations. To name a few are Willem de Kooning Studio – USA, St.Mary of the Angels Church – Singapore, Fukuoka Art Museum – Japan. Among many noteworthy recognitions, Ostenrik was awarded The Best Artist 2009 in Visual Arts Category by Tempo Magazine and the Top Ten Philip Morris Art Award in 1997. Most of Ostenrik’s works were created based on his respect to environment. He used lots of recycle material and mother earth colors. He believes that having himself raised in Indonesian culture, graduated from Hochschulle der Künste West Berlin, Germany and later resided in Europa for 16 years , has created a two sided insights in his works. The Indonesian and European culture has merged in him and subconsciously shaped his artistic statement. Recently , he initiated ARTificial Reef Park Project which was launched in Lombok, Indonesia, a project to restore the nature through art. Using biorocks technology, Ostenrik provides his underwater sculptures as media for the coral to grow and providing a better marine ecosystem. Ostenrik’s 24 years work of art has been documented in Transcending Time,a full coloured 250 pages book, wrote by Art Historian Barbara Asboth. He was a guest lecturer in the Beijing Central Academy of Art in 2006. For three consecutive years (2006-2008) Teguh is a jury member of China Asean Youth Art Creativity Contest in Nanning – China, a drawing competition with 3000 participants. In 2013, he represented Indonesia to commemorate 10th Anniversary of China-Asean Expo. In 2007, he was honoured to be the Artist in Residence in Penang , Malaysia for the ABN-AMRO and Wawasan Open University. Ostenrik resides in Jakarta , Indonesia. HERITAGE FINE ART AUCTION

034

ERICA HESTU WAHYUNI (Yogyakarta, 1971) Holland in Mijn Hart, 2017

Acrylic on canvas : 108 x 138 cm Signed and dated, lower right: Erica, 2017 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 35.000.000 - 50.000.000 USD 2,590 - 3,700

035

HASIM

(Jakarta, 1921-1982) Kampung Bali, 1975 Oil on canvas: 67 x 50 cm Signed and dated, lower right: Hasim75 RP 6.000.000 - 8.000.000 USD 440 - 590

036

HUDI ALFA

(Ngawi, 1 April 1969) The Greatest Legend , 2017 Oil on canvas : 132 x 120 cm Signed and dated, Position: lower right, Hudi Alfa17 RP 22.000.000 - 30.000.000 USD 1,630 - 2,220

037 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Lotus Oil on canvas: 94 x 55 cm Signed, lower right: Hasan Djaafar RP 10,000,000 - 15,000,000 USD 740 - 1,110

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038

ABDUL AZIZ

(Purwokerto, 1928 - Bali, 2002) Gadis Bali Oil on canvas : 35 x 30 cm Signed and dated, lower left: Abdul Aziz, Bali.1980 RP 95.000.000 â&#x20AC;&#x201C; 120.000.000 USD 7,040 â&#x20AC;&#x201C; 8,890

Abdul Aziz was born in Purwokerto, Central Java (1928) and showed precocious artistic talent from childhood. His first Diploma was in Social Sciences from Gajah Mada University, after which he studied Art at the Indonesian Fine Arts Academy (ASRI) in Yogyakarta. Due to his exceptional talent he was awarded a scholarship to study at the Academia di Belle Arti in Rome in 1958, where he was awarded two Diplomas, in Painting and in Decoration. On his return to Indonesia in 1965 he lectured in Fine Art at Udayana University and established his studio in Ubud Bali. Abdul Aziz was very influenced by the 3D movies he saw as a child, always wondering how to recreate the same effect in paintings. In Europe he was impressed by the works of Michelangelo, Caravaggio, and Rembrandt and they inspired him to continue to develop his naturalist, three-dimensional style for which he is now renowned. This style requires complete mastery of anatomy and light effects, and his favourite topics were always life in Bali and the beauty of Balinese women. He brings his painted subjects and his viewers together in the same semi-imaginary, semi-real space. HERITAGE FINE ART AUCTION

Lee Man Fong Lee Man Fong was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He has shown great artistic talent since young. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before engaged in full time painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter. Lee Man Fong was one of a rare artist who received honor by critics and collectors across Asia. As an Oriental artist, Lee has renewed and transformed Western oil painting by imbuing it with the essence of Chinese ink painting, achieving a mutual identity between subject and object, at the same time vastly opening the restrictions on traditional Chinese painting. In short, he created a unique “Man-fong style”. Doves has become Lee Man Fong’s beloved and sought after works in spite of Goldfishes and other animals such as horses, cockatoos, tigers and dogs. Lee Man Fong’s painting of Doves is noteworthy. Since some forty years ago, his animal themes had made a far reaching accomplishment and recently eagerly sought after in Europe and America. A testimony to his mastery of technique and realization of theme, this painting depicts the world of the doves as peaceful and calm, but at the same time dynamic. The doves in pairs symbolize a good match, which may be further extended to mean “peaceful coexistence.” 039

LEE MAN FONG

(Canton, China 1913 – Singapore 1988) Doves Oil on board: 103 x 50 cm Signed and stamped in chinese character, lower right Provenace: Private collection Jakarta RP 400.000.000 - 500.000.000 USD 29,630 - 37,040

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040

LIM WASIM

(Garut, West Java, 1929 – Jakarta, 2004) Penjual Jagung, 1992 Oil on canvas: 45 x 60 cm Signed and dated, lower left: L. Wasim92 Signed and dated on the reverse RP 20.000.000 - 50.000.000 USD 1,480 - 3,700

Born in Bandung, West Java 1929. He learned painting with Kok Tekkang at Tiong Hoa Hwee Koan. After, he learnt painting from Sudjana Kerton and Mochtar Apin. He graduated from China Institute of Fine Art in 1956and then assigned to teach at Xian An Institute until 1959. He participated in a joint exhibition in Bandung and many other exhibitions since then. He was appointed as a Presidential Palace painter in 1961 and awarded the gold medal Golden Centaur from International Parliament, USA. His solo exhibition was held in 2003.

041

TRUBUS SUDARSONO

(Yogyakarta, 1926 – 1966) Potret Wanita Oil on canvas: 80 x 70 cm

RP 55.000.000 - 70.000.000 USD 4,200 - 5,190

Born in Yogyakarta, 1926. A member of Seniman Indonesia Muda (Young Indonesian Artists) and Pelukis Rakyat (People’s Painters), Yogyakarta, he was a self-taught practitioner who honed his skills in the amateur art associations that flourished during and after the Japanese occupation. Trubus was taught by both Affandi and Hendra Gunawan and he also studied the paintings of the old and modern masters through prints and lithographs, as well as the works of artists in Indonesia such as Antonio Blanco, Romualdo Locatelli and Basoeki Abdullah. His works are represented in the Jakarta Art Gallery and other museums in Indonesia. 34

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042 HAN SNEL (Scheveningen, 1925 â&#x20AC;&#x201C; 1998) Balinese Beauty, 1955 Oil on canvas: 45 x 50 cm Signed and ated, lower right: Han Snel, 1955 RP 90.000.000 - 120.000.000 USD 6,670 - 8,890

Born in Scheveningen, Holland, 1925. He came to Indonesia as a Dutch soldier to fight against the Indonesian people, which after he abandoned his side. He specialized in graphic painting which is very rich in color as well as geometrical abstract. He lived in Bali since 1950 and became an Indonesian citizen. He has participated in several exhibitions include at Itoh Gallery, Tokyo, Japan, 1965. HERITAGE FINE ART AUCTION

043

WILLEM DOOIJEWAARD

(b. Amsterdam, Netherlands 1892 â&#x20AC;&#x201C; 1980) North Africa Oil on board: 25 x 40 cm Signed, lower right: W. Dooijewaard RP 35.000.000 - 50.000.000 USD 2,590 - 3,700

044

RUSTAMADJI

(Klaten, 1921 - 2001) Pemandangan Batu Raden, 1987 Oil on canvas: 224 x 150 cm Signed and dated, lower left: Rustamadji, 1987 This lot is accompanied with statement letter from the artist RP 35.000.000 - 50.000.000 USD 2,590 - 3,700 36

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045

ARIE SMIT

(Zaandam, the Netherlands, 1916 – Bali, 2016) Pura Dengan Gadis dan Orang Pikulan, 2010 Acrylic on canvas: 40 x 48 cm Signed and dated, lower left: Arie Smit, 2010 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from Neka Art Museum signed by the artist RP 130.000.000 - 200.000.000 USD 9,630 - 14,810

Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali. HERITAGE FINE ART AUCTION

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Affandi Affandi was taught at the Indonesian Academy of Fine Arts in Yogyakarta in early 1955. He received a scholarship from the U. S. government to study arts education in 1957, after participating in International exhibitions in Brazil and Italy. He was made an Honorary Professor of Painting by Ohio State University, and in 1974 was awarded an honorary doctorate by the University of Singapore. He also received the Peace Award from the Dag Hammarskjoeld Foundation in 1977, and the title of Grand Maestro in Florence, Italy. Affandi was passionate about his country and a large proportion of his works concern his feelings about the land and its people. Affandi painted directly on to the object he personally observed which made him wander to every places. His paintings mostly captured scenes of various life, various faces he encounters and various object that interest him. He was particularly fond of Bali and Javanese culture. This can be seen from objects of his paintings which that described Balinese themes such as Kusamba Boat, Fisherman’s Boat, Balinese Dancer, Legong Dancer, Cock Fight and others.

046

AFFANDI

(Cirebon, 1907 – 1990) Pantai Kesamba, 1974 Oil on canvas: 99 x 129 cm Signed and dated, lower right: AF,1974 Literature: Popo Iskandar, Affandi “Suatu Jalan baru Dalam Ekspressionisme”, Published by Akademi Jakarta 1977, pg. 47 Provenance: Private collection of Mr. Ajip Rosidi by descent to the present owner RP 1.000.000.000 - 1.500.000.000 USD 74,070 - 111,110

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047

RUSTAMADJI

(Surabaya, 1932 – 1990) Wanita Berkebaya Hijau, 1965 Oil on canvas: 135 x 85 cm Signed and dated, lower left: Rustamadji 65 RP 75.000.000 - 90.000.000 USD 5,560 - 6,670

048

LEE MAN FONG

(Canton, China 1913 – Singapore 1988) Seated Lady, 1962 Watercolor on paper: 68 x 49 cm Signed and dated, lower right : Mf. Lee.1962 RP 25.000.000 - 35.000.000 USD 1,850 - 2,220

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049

KRIJONO

(Jakarta, 1951-2011) Jual Semangka Manis Di Badung, 1998 Acrylic on canvas: 100 x 120 cm Signed, titled and dated, lower right: Baliku, Krijono, 1998 RP 35.000.000 - 50.000.000 USD 2,590 - 3,700

050

DJ RACHMANSYAH

(Sumedang, 1942) Pasar, 1998

Oil on canvas: 100 x 150 cm Signed and dated, lower left: Dj. Rachmansjah98 RP 25.000.000 - 35.000.000 USD 1,850 - 2,590

051

KOEMPOEL SUJATNO (Ngawi, 1912 â&#x20AC;&#x201C; Batu, 1987) Penjual Sate Oil on canvas: 55 x 70 cm Signed, lower left:Kompol RP 7.000.000 - 9.000.000 USD 520 - 670

052

UNTUNG WAHONO

(Yogyakarta, 1962) Naik Gajah, 2015

Oil on canvas: 100 x 150 cm Signed and dated, lower left: Untung W. 2015 RP 5.000.000 - 7.000.000 USD 370 - 520 HERITAGE FINE ART AUCTION

053

LIM WASIM

(Garut, West Java, 1929 â&#x20AC;&#x201C; Jakarta, 2004) Man and Cockerel, 2000 Oil on canvas: 78 x 60 cm Signed, lower left: L. Wasim Signed and dated on the reverse RP 30.000.000 - 60.000.000 USD 2,220 - 4,440

054

SOETOPO

(Yogyakarta, 1931) Pengamen, 1992 Oil on canvas: 140 x 77 cm Signed and dated lower left: Soetopo, 25 Februari 1992 This lot is accompanied with certificate of authenticity from the artist RP 35.000.000 - 50.000.000 USD 2,590 - 3,700

Born in Yogyakarta, April 13, 1931. He studied painting at The Indonesian Academy of Fine Arts (ASRI) Yogyakarta under Hendra Gunawan, Trubus and Soedarso tutelage. Since 1950, he was actively participated in many exhibitions and handled monumental works for Hotel Indonesia, Ambarukmo Hotel, Satu Maret Monument, Palagan Ambarawa, TMII Historical Monument Relief and Satria Mandala Museum, Jakarta. following the exhibition welcomes the Asian-African Conference in Bandung, 1955. Diversity in Harmony Exhibition in Yogyakarta, Borobudur International Festival Exhibition at the Museum H. Widayat, Mungkid, Magelang, 2002. Exhibition "Footsteps" at the Court of Djoko scream, Yogyakarta, 2003. Art Exhibition "Membaca Dunia Widayatâ&#x20AC;? at Museum H.Widayat, Mungkid, Magelang, 2004. 42

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055

RUDOLF BONNET

(Amsterdam, 1895 – 1978) Mannelijk, 1975 Pastel on paper: 71 x 38 cm Signed and dated, lower left: R. Bonnet,Bali, 1975 Provenace: Private collection Jakarta RP 150,000,000 - 200,000,000 USD 11,110 - 14,810

Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the Rijksschool voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited Indonesia in 1936 and stayed in Bali from 1931 – 1941. He helped establish the Museum Puri Lukisan and together with Walter Spies founded the Pita Maha Artist’s Association (1936). His works are amongst the collections of former President Soekarno, the Neka Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum Kroller Muller Otterlo and the Sinerg Museum in Laren. During his existence in “Pita Maha” (the creative center for the modernization of Balinese art before the War), a painter society of young Balinese artists, he had successfully maintained a high artistic level of its member producing work of high quality. Bonnet’s figures are always unique and captivating. He has an extraordinary ability to portray impressive faces in a conventional way. Since the beginning of his career, he had deep interest in describing the farmers in their rural surrounding. His subjects are portrayed in an impressive way and full of compassion. He preferred to present his portraiture as a unit, as a single portrayal of a race His great fond of Balinese culture and people had become his many paintings objects exploration.

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Auke Cornelis Sonnega An artist’s quest to find inspiration and spiritual contentment can take him on a long voyage far away from home. Such was the journey for Dutch artist Auke Cornelis Sonnega. Born in Leeuwarden and educated at the Kunstnijverheidsschool in Amsterdam (School of Arts and Crafts), Sonnega first set foot on Indonesian soil when he arrived in Batavia in 1935. He did his paintings in Parapat and Medan, North Sumatra, and Bali. He moved to Bali, which became a great source of inspiration for his painting. After the war settled in Ubud in fellow artist Bonnet’s old studio in Puri Kaleran and dedicated himself solely to painting. His style is fresh and unique, clearly influenced by his designer training and background. It is very influenced by Art Deco and often graphic, however, his larger canvases often transcend these limitations and can even be thought to have a mystical impact. He also made many portraits, usually of doe eyed young men (he was in the words of a long time Ubud expatriate euphemism a member of the “club”). These are very stylized and use a brightpalate with strong outlining of his subjects. Sonnega, like Bonnet, stayed in Bali until 1957 when he was forced to leave by the Indonesia authorities in the era of Confrontation. The painting becomes all the more poignant when this separation is considered – the immortalization of a reality that was to him a fulfillment of a dream. He returned to Holland in 1959 and died in Den Haag in 1963. 056

AUKE CORNELIS SONNEGA (Leeuwarden, 1910 – 1963) Portrait of Balinese Lady, 1956 Oil on canvas: 42 x 34 cm Signed and dated, lower left: A. Sonnega, Bali56 Provenace: Private collection Jakarta RP 160.000.000 - 180.000.000 USD 11,850 - 13,330

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057

MAHYUDDIN S.

(Bukittinggi, Sumatra 1924 - 1993) Bunga Di Tepi Kolam Oil on canvas: 74 x 137cm Signed, lower right: Mahjuddin S. RP 35.000.000 - 50.000.000 USD 2,590 - 3,700

Mahyuddin S. the naturalist painter was born in 1924 in Bukittinggi, Sumatra. Since childhood, he was already very fond of painting and developed his skill and techniques under guidance of noted painters in his born city. In 1948, he held his joint exhibition in Bukittinggi with painters from all over Sumatra. In 1950, he moved to Jakarta for work and continued his study at the Perguruan Tinggi Djurnalistik Institute of Journalism until 1955. In 1956, he held a joint exhibition in at Bapenas Building, Jakarta. He worked in Unilever Jakarta from 1957 until 1961 in which he decided to devote his full attention in painting. He continued to hold several painting exhibitions, among the successful one was in 1968 at Hotel Indonesia. In 1969 â&#x20AC;&#x201C; 1971, he held exhibition in Singapore, Kuala Lumpur and Bangkok.

058

BENNY HENDARTO (BEN WONG)

(Surabaya, 1949) Flowers, 2006

Oil on canvas: 90 x 81 cm Signed and dated, lower left: Ben W.2006 Signed and titled on the reverse RP 18.000.000 - 25.000.000 USD 3,330 - 1,850

Ben Wong was born in Surabaya, 15 January 1949. Since he was a child he has like painting and finished his study as an architect. His works were collected by many collectors in Indonesia and abroad. Painting and drawing have been his hobies since he was young. He is a self â&#x20AC;&#x201C; taught artist. He began to produce his own comic books since he was in high school. After completion of high school studies, He studied architecture in a university for 3 years and started to run his own business in advertising which is still ongoing. In 2001, he started ti indulge in painting as part of his life. Many if his [ainting are well-liked and collected by art collectors from both Surabaya and Jakarta. 46

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059

JEIHAN SUKMANTORO (Solo, 1938) Mina

Oil on canvas: 140 x 140 cm Signed, lower right: Jeihan Signed and titled on the reverse

Born in Solo, 1938. He studied at the Himpunan Budaya Surakarta (HBS – Surakarta Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966). In 1978, He established Studio Seni Rupa Bandung (Bandung Fine Arts Studio) together with Dr. Sudjoko. He has participated in several exhibitions. He held his solo exhibitions at Bandung (1998), Galerie Darga & Lansberg, Paris France (1999), Darga Gallery, Bali (2000), the Jakarta Hilton International Hotel, Jakarta and Nadi Gallery, Jakarta (2002). He combines Eastern mysticism with Western analytical sense that made his portraits paintings are very distinctive and well known.

This lot is accompanied with certificate of authenticity from the artist RP 75.000.000 - 90.000.000 USD 5,560 - 6,670

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060

ZHANG DA ZHONG

(Guangzhou, China, 1953) Woman Soldier With Flowers, 2006 Oil on canvas: 130 x 100 cm Signed and dated, lower right: 06 RP 50.000.000 - 70.000.000 USD 3,700 - 5,190

Born in Guangzhou in 1953, He showed such great technique and potential in painting that he was accepted as a Masters student at the highly esteemed Guangzhou Academy of Fine Arts without having to do his BFA. A celebrated portrait artist, Zhang is renowned for his Red Guard series. His professional Affiliation as member of the Guangzhou Chinse Artist Association. He was actively in several exhibitions as the 11th Asia Olympic – Chinese Sports Art Exhibition (1990), “A Propsperous China” Art Competition (1992), “Love for China” Art Exhibition (2000), The Chinese Oil Painting Exhibition (2001), “About Women” Female Portrait Exhibition in Hongkong (2003), “Spring Gala – Hongkong (2004). He received several awards as Outstanding award “How Stell is Made” (2000), Love for China Art Exhibition (2000), “Goldeh Hope” – Gold Award (1992), A Prosperous China” Art Competition (1992), “Girl From the Yao Tribe” –Out Standing Award (1991), “Girl from the Yao Tribe”-Bronze Award (1990). His work as well as in private collections throughout in Austria, China, Germany, Hongkong, Switzerland, Taiwan, United Kingdom and United States.

061

SUROSO ISUR

(Pemalang, Central Java, 1983) Posing #3, 2015 Oil on canvas: 165 x 120 cm Signed and dated, lower right: Suroso Isur, 2015 RP 45.000.000 - 60.000.000 USD 3,330 - 4,440

Born in Pemalang, Central Java, 1983. He graduated from FSR Indonesian Art Institute (ISI) Yogyakarta in 2010, from 2008 until present he student of Korean Study Department, Faculty of Culture Science, Gajah Mada University, Yogyakarta. He has participated in solo exhibitions in Faculty of Arts –ISI “Imajinasi Berbagai ekspresi Gangguan Mental Pada Lukis Potret” (2010), “Benang Merah” at Srisasanti Gallery, Yogyakarta (2008). He also joined in group exhibitions such as “Garbage Sale” Jakarta (2002), “Cap Go Meh” Jakarta (2003), “International Poster Competition” New York, USA (2004), “Pratisara Affandi Adi Karya Painting Competition” Jakarta (2005), “Cermin Diri” Yogyakarta (2006), “Behind the Horizon” Yogyakarta (2007), and “Hulu Fantasi” Jakarta (2008). He also has received some awards as “Asian Prize, Beppu Biennale”, Japan (2010), 30 Finalist, Soverign Art Prize, SAF-Hongkong” (2008), “Finalist the 2nd Bangkok Triennale Inernational Print and Drawing, Bangkok” (2008), Jurors Choice of Soekarno Portrait painting Competition, Pekalongan (2006), First winner of international Population Poster Competition, New York, USA (2004), Certificated award from BKKBN in Final Selections of the International Poster Contest, Jakarta (2004), First winner of international Population Poster Competition, New York, USA (2003), etc. 48

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062

BASOEKI ABDULLAH (Solo, 1915 â&#x20AC;&#x201C; Jakarta, 1993) Nude

Oil on canvas: 135 x 60 cm Signed, lower left: Basoeki Abdullah RP 80.000.000 - 120.000.000 USD 5,930 - 8,890

Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. His work includes painting of the Queen of Netherlands, King of Thailand, President of Philippines, Sultan of Brunei and many other important figures. He is best known as a portrait painter as well as landscapes, fauna, flora and other themes. His works have been exhibited in various European countries, South East Asia and Indonesia.

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Hendra Gunawan Born in Bandung, 1918. He taught at the Indonesian Fine Art Academy (ASRI), Yogyakarta in 1957. His paintings dating from the late 1950s and the 1960s – believed by many to be the best period in his artistic career – are scarce. He took part in founding the Front Seniman (Artists Front) in Bandung, and Pelukis Rakyat (People’s Artists) in Yogyakarta. He also established the art club Pusaka Sunda together with Barli, Obon and some other friends. He is undoubtedly one of the Indonesia’s greatest pioneers of modern art and was considered to be one of the best and most versatile painters in Indonesia. He died in Bali 1983. There is no doubt that Hendra Gunawan is one of Indonesia’s greatest pioneers of modern art. Using non-traditional, European visual elements, he nevertheless created works which were Indonesian in feeling and in experience. Though Hendra’s art was, from the very beginning focused towards celebrating common people and their struggle that depicts his deep feeling and irony inspiring perspective of life’s most fundamental issue: freedom and hunger, Hendra also love the land and paint some in his several themes. He used the natural painting such as mountain and beach as background to his main subject, like illustrated this present lot. Hendra Gunawan painted some of his surreal, lively and emotional work during his imprisonment at Kebun Waru in Bandung from 1965 to 1978. His works captured the life of common people while also conveying a unique, expressionistic and deeply personal vision of the reality he experienced. His paintings become highly original, modern, simple and totally Indonesian expression by observing the Java’s grand landscapes and natural history. Hendra’s work may thus be seen as illustration of a new mythology. The stylized figures, landscapes features and the decorative approach to color are perhaps influenced by Javanese illustration and design. 50

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063

HENDRA GUNAWAN (Bandung, 1918 – 1983) Nelayan, 1976

Oil on canvas: 69 x 145 cm Signed and dated, lower left: Hendra’76 Provenance: From the prominent collector in Jakarta who acquired the painting directly from the artist RP 1.000.000.000 - 1.500.000.000 USD 74,070 - 111,110

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064

DEDDY PAW

(Magelang, 1963) Spirit of Life #2, 2010 Oil on canvas: 180 x 180 cm Signed and dated, lower right: Paw.2010 RP 25.000.000 - 35.000.000 USD 1,850 - 2,590

065

FX. LUCKY WIDIASMARA

Apples of Gold in Silver Paltter, 2011

Pencil, acrylic on canvas: 150 x 150 cm Signed and dated, lower left: FX. Lucky.11 RP 12.000.000 - 18.000.000 USD 890 - 1,330

066

IBRAHIM

(Bukittinggi, West Sumatra, 1975) Abstrak, 2009 Mixed media on canvas: 200 x 200 cm Signed and dated, lower right: Ibrahim, 2009 RP 15.000.000 - 20.000.000 USD 1,110 - 1,480

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067

JUMALDI ALFI

(Lintau, West Sumatra, 1973) Green Rabbit With A Fox, 1997 Oil on canvas: 70 x 120 cm Signed and dated, lower left: Alfi, 1997 RP 45.000.000 - 60.000.000 USD 3,330 - 4,440

Born in Lintau, West Sumatra, 1973. He graduated from Fine rt High School and Faculty of Fine Art, Indonesia Institute of Art (ISI) Yogyakarta. In 1998 he was awarded the best painting at Faculty of Fine Art, ISI Yogakarta. He was a member of Jendela Group and had participated in some exhibitions in Yogyakarta in 1997, and the rom the Window at the Bali Padma Hotel, Bali in 1999.

068

POPO ISKANDAR

(Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Jala-jala Di Pantai, 1987 Oil on canvas: 50 x 40 cm Signed and dated, lower left: Popoâ&#x20AC;&#x2122;87 This lot is accompanied with certificate of authenticity from Artist RP 40.000.000 - 50.000.000 USD 2,960 - 33,700

Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997). HERITAGE FINE ART AUCTION

069

NYOMAN GUNARSA

(Klungkung, 1944-2017) Penari Bali, 1989 Oil on canvas: 145 x 144 cm Signed and dated, lower right: 1989 RP 90.000.000 - 120.000.000 USD 6,670 - 8,890

070

I WAYAN SADIA

(Panetasan, Ubud, Bali, 1939) Musim Tanam Acrylic on canvas: 125 x 150 cm Signed, lower right: W.Sadia, Penestanan, Kelod Ubud Bali RP 25.000.000 - 35.000.000 USD 1,850 - 2,590

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071

JEIHAN SUKMANTORO (Solo, 1938) Tika, 2000

Oil on canvas: 140 x 140 cm Signed and dated, lower right: Jeihan, 2K Signed and titled on the reverse RP 90.000.000 - 120.000.000 USD 6,670 - 8,890

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073

WILHEMUS JEAN FREDERIC IMANDT

072

SUDARSO

(Purwokerto, 1914 - 2006) Kampung Nelayan, 1991 Oil on canvas: 90 x 120 cm Signed and dated, lower right: Sudarso, 1991 RP 25.000.000 - 35.000.000 USD 1,850 - 2,590

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(St. Jansteen, The Netherlands, 1882 â&#x20AC;&#x201C; 1967) Rocky Coast Oil on canvas: 60 x 80.3 cm Signed, lower right: Imandt RP 40.000.000 - 50.000.000 USD 2,960 - 3,700

074

TRUBUS SUDARSONO (Yogyakarta, 1926 â&#x20AC;&#x201C; 1966) Landscape Mountain, 1961

Oil on canvas: 75 x 100 cm Signed and dated, lowe right: Trubus S.61 RP 50.000.000 - 70.000.000 USD 3.700 - 5.190 Born in Yogyakarta, 1926. A member of Seniman Indonesia Muda (Young Indonesian Artists) and Pelukis Rakyat (Peopleâ&#x20AC;&#x2122;s Painters), Yogyakarta, he was a self-taught practitioner who honed his skills in the amateur art associations that flourished during and after the Japanese occupation. Trubus was taught by both Affandi and Hendra Gunawan and he also studied the paintings of the old and modern masters through prints and lithographs, as well as the works of artists in Indonesia such as Antonio Blanco, Romualdo Locatelli and Basoeki Abdullah. His works are represented in the Jakarta Art Gallery and other museums in Indonesia.

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Srihadi Soedarsono Srihadi’s works centered in the search to the essence of Javanese philosophical value. His work is more spiritual, leading to the intensive self-retrospective towards the mystical union with the divine, especially through the understanding of the nature of the “Presence” (Ada) “sing ana, ana ora, ora sing ana, ana”. The transformation of this focus is translated in the themes which rooted in style and variety. It could be visualized as portraits, horizons, puppets, mountains, Balinese temples, Borobudur, etc. The goal is to achieve a contemplative symbiosis between self and subject, as a vehicle for the unification of self and the Divine. His works are reflected in simpler and full of meditative spirit. Nonetheless to say, Srihadi’s works were an attempt to penetrate the inner experience of “manunggaling kawulo Gusti” the true goal of the Javanese people. His landscapes frequently depict culturally important Javanese sites like Mount Merapi and Borobudur. His Borobudur images portray a sense of serenity and solitude between man and nature. Srihadi’s experimentation on the theme of Borobudur takes a long process of attempting to understand the essence of life and nature. His Borobudur is presented in the abstraction of his personal lyrical expressionistic style. The Borobudur is illustrated as a form of monumental black color. The abstraction achievement is seen through the strong strokes on the wall of the temple combined with the gentle sweep on the sky and earth that present the distinctive spiritual silence. As a concrete statement that religious behavior and attitudes are the highest human values, Borobudur is living proof of the hopes and ideals of mankind. Meanwhile in Srihadi’s Mount Merapi, he uses an intense black background on the mountain which symbolizes the strong soul of the ancestor’s spirit. The white smoke reveals a generous God, while the red lava flowing out of the crater shows the anger power of the soul, an explosion of the strong spirit inside the mountain. The concept often been used as the inspiration of monumental creation in Javanese art and culture.

075

SRIHADI SOEDARSONO

(Solo, 1931) Mount Merapi-Vibration Life, 2008 Oil on canvas: 150 x 90 cm Signed and dated, upper right: Srihadi .2008 Signed, titled and dated on the reverse Provenance: Private collection, Jakarta RP 600.000.000 - 700.000.000 USD 44.440 - 51.850

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076

AMING PRAYITNO

(Surakarta, 1943) Wajah-wajah coklat di Bawah 7 Matahari, 1990 Oil on canvas: 100 x 90 cm Signed and dated, lower middle: Aming, 1990 RP 20.000.000 - 30.000.000 USD 1.480 - 2.220 Born in Surakarta, Central Java, June 3rd 1943. He graduated from the Indonesian Fine Art Academy (ASRI) Yogyakarta in 1977. He also studied painting at the Koninklijk Akademie Voor Schonkunsten, Gent, Belgium in 1976. He received a number of awards for his works among others are Raden Saleh Award (1972), The Best Work at the Biennal Indonesian Painting (1974 & 1980) and The Best work at Biennal Painting, Yogyakarta, 1992).

077

TEGUH OSTENRIK (Jakarta, 1950) Angel, 2005

Mixed media on canvas: 110 x 90,5 cm Signed and dated, lower right: Teguh OST 05 RP 25.000.000 - 35.000.000 USD 1.850 - 2.590

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Edhi Sunarso Born in Salatiga, July 2, 1932. He studied at the Indonesian Fine Art Academy (ASRI) Yogyakarta and Visva Bharati (Santiniketan Usniversity, India). He received many award as the Second Winner of the International Sculpture Competition in England (1953), the Gold Medal Winner from the government of India (1957), the Art Award from the Indonesian Government (1984) and from the government of Yogyakarta Special Province. He held his first solo exhibition in Calcuta and Santiniketan India in 1957 and active to participate in many exhibitions ever since. He also joined in tour Exhibition to Europe and Japan in 1978. Since 1953, Edhi Sunarso has participated in several group exhibitions in Indonesia, England, Holland, France, Italy and Japan. At the same year, he also won second prize in an International sculpture competition in London, England. The Indian government awarded him a gold medal for best sculpture in 1957. He also received the Anugerah Seni Art Award in 1981 and the Bintang Budaya Parama Dharma in 2003 from the Indonesian government. Since 2000, he has been a member of Asosiasi Pematung Indonesia (API, Indonesian Association of Sculptors). Edhi Sunarso personal sculptures express straightforwardly his emotions. They appear in other visual forms and media like wood and metal. They bring various themes such as the struggle for independence, History of Sukarno, Pancasila, social issues and criticism, and also women (portray and anatomy). His ideas are not only realistically but also figuratively and even abstractly realized in his works. His various visual styles indeed have become his characteristics.

078

EDHI SUNARSO

(Salatiga, 1932-2015) Gadis Terperanjat, 1965 Bronze: 65 x 30 x 30 cm Signed and dated, lower area: EDHI. 1965 Illustrated: Mikke Susanto, Edhi Sunarso â&#x20AC;&#x153;Seniman Pejuangâ&#x20AC;? pg. 242 RP 220.000.000 - 300.000.000 USD 16.300 - 22.220

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079

080

ROYATNA

SYAYIDIN

Acrylic on canvas: 70 x 120 cm Signed, lower left: Royatna

Oil on canvas: 100 x 120 cm Signed and dated, lower right: Syayidin, 2016 Signed, titled and dated on the reverse

(Bandung, 1959) Panen

RP 5.000.000 - 7.000.000 USD 370 - 520

(Indramayu, West Java, 1967) Kesucian Jin Memorial Temple, 2016

RP 8.000.000 - 10.000.000 USD 590 - 740

081

SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Pasar

Oil on canvas: 59 x 84 cm Signed, lower left: S. Abdullah RP 25.000.000 - 35.000.000 USD 1.850 - 2.590

082

ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002) Landscape, 1965

Oil on canvas: 50 x 80 cm Signed and dated , upper left: Roedyat 65 RP 35.000.000 - 50.000.000 USD 2.590 - 3.700

Born in Bandung, 1932. He first painting in 1948 and studied at the Bandung Institute of Technology. He performed his solo exhibition in Jakarta (1978) and was included in the East-West Center’s Art of Bali exhibition in Honolulu, Hawaii (1988). His works are unique, rich and colorful that creates a strong rhythm. His works are in private collections of European and the United States. 62

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083

PARDOLI FADLI

(Cilacap, 1971) Panen Raya-Antara Karawang dan Jakarta, 2011 Oil on canvas: 150 x 200 cm Signed and dated, lower middle: Pardoli 11 Signed, titled and dated on the reverse

RP 35.000.000 - 45.000.000 USD 2.590 - 3.330

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084

JEIHAN SUKMANTORO (Solo, 1938) Nova, 1998

Oil on canvas: 70 x 90 cm Signed and dated, middle right: Jeihan98 Titled on the reverse This lot is accompanied with letter of authenticity from the artist RP 38.000.000 - 50.000.000 USD 2.810 - 3.700

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085

GIORDANO GIOVANETTI

(Ancona, 1906 â&#x20AC;&#x201C; Rome, 1973) Grapes Gathering

Oil on canvas : 100 x 150 cm Signed, lower right: G. Giovanetti RP 45.000.000 - 60.000.000 USD 3.330 - 4.440

086

RIES MULDER

(Dutch, 1909 – 1973) Reclining Nude, 1952 Oil on canvas: 50 x 120 cm Signed and dated, lower right: Ris,52 RP 95.000.000 - 120.000.000 USD 7.040 - 8.890

Ries Mulder (Dutch 1909 – 1937) was a Dutch painter who founded the Bandung School (the Faculty of Fine Art & Design – ITB) in 1947. He developed his own cubist style and has had a great influence on contemporary modern Indonesian painting. The teaching methods were developed by Ries himself During the eleven years that Ries stayed in Indonesia, he continued to work on his specific style. Before the war, he had mainly made figurative and impressionistic paintings, but his work became more and more abstract and the influence of Otto van Rees and Charles Eyck was clearly visible. Georges Braque and Picasso also inspired him. The subjects were stylized into angular geometric shapes, separated by sharp black lines (stained glass). His Bandung period was characterized by the modernist styles of the Ecole de Paris, later the cubist style changed into a strict geometric-abstract arrangement of the canvas. His style was very modern compared to most other Dutch painters in Indonesia. Naturally, his students were influenced by this; until then, the Indonesian artists had mainly painted figuratively, expressionistically or impressionistically. A number of Ries Mulder’s students later became famous artists such as Mochtar Apin, But Muchtar, Ahmad Sadali, Popo Iskandar, Srihadi Soedarsono AD. Pirous and many others. The influence of Ries Mulder on the development of modern Indonesian art has been particularly great. Because of his style and his way of teaching in art history and art appreciation, the young Indonesian artists became acquainted with the West. This style was very modern for the conservative art world of Bandung. The internationally oriented elite of the Dutch and Indonesians could greatly appreciate this work. Bandung wanted to join the international developments in technology and art. In 1954 Ries Mulder had a solo exhibition in the Bandung Art Circle. Ries Mulder died in 1973 in IJsselstein. After his death, a retrospective of his work was held in 1994 in the Stadsmuseum IJsselstein. In 2009, a few of his paintings and some personal details were shown at the exhibition Beyond the Dutch: Indonesia, the Netherlands and the visual arts from 1900 until now in the Centraal Museum in Utrecht.

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Arie Smit Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali. Arie Smit is an artist who loves natural beauty and Balinese culture in the form of imaginative painting, painting that express the pure soul of an adventurer, a natural devotee of tropical sunlight. His painting show breathtaking landscapes, relaxing youths, colourful tropical gardens, glittering seascapes, and quiet temples that evoke a sense of wander. Arie Smit is best known for his paintings of fertile rice fields, vast valley and mountain ranges, temple courtyards and monumental gateways, and festive temple processions of Bali. Arie’s landscapes often go beyond the scenes of nature. Landscape, Hills and Trees is not a mere rendition of the rolling green terrain of the valley. Facades of temple are often shown with human figures in front of them. He uses a simple single vanishing point perspective to depict the temple surrounding. His special characteristics were seen by the use of his tropical rich colour on the object.

087

ARIE SMIT

(Zaandam,The Netherlands, 1916 - Bali, 2016) After The Ceremony, 2001 Acrylic on canvas: 60 x 70 cm Signed and dated, lower left : Arie Smit 01 Signed, titled, dated on reverse This lot is accompanied with certificate of authenticity from the artist RP 280.000.000 - 350.000.000 USD 20.740 - 25.930

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088

PAINTING AND STATUES FROM THE COLLECTION OF PRESIDENT SOEKARNO OF THE REPUBLIC OF INDONESIA

089

EDI SUNARYO

(Banyuwangi, 1951) Abstrak, 1998

Volume I-V RP 8.000.000 - 12.000.000 USD 590 - 890

Oil on canvas: 80 x 100 cm Signed and dated, lower right: Edi SUnaryo, 1998 RP 8.000.000 - 10.000.000 USD 590 - 740

090

091

I MADE WIANTA

FEBRI ANTONI

Oil, acrylic on canvas: 52 x 42 cm Signed and dated, lower right: Wianta, 1994

Mixed media on canvas: 120 x 100 cm Signed and dated, lower left: Febri Antoni 2001, yogya Signed, titled and dated on the reverse

(Bali, 1949) Purple Triangle, 1994

This lot is accompanied with certificate of authenticity from the artist RP 6.000.000 - 10.000.000 USD 440 - 740 68

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(Bukit Tinggi, Padang, 1975 â&#x20AC;&#x201C; 2003) Obrolan Di Depan Warung Rokok, 2001

RP 50.000.000 - 70.000.000 USD 3.700 - 5.190

092

LEE MAN FONG

(Canton, China 1913 – Singapore 1988) Balinese Women With Offering, 1954 Pastel on paper: 65 x 35 cm Signed and dated, upper right: MF. Lee, Juli 1954, Kedaton Bali RP 100.000.000 - 150.000.000 USD 7.410 - 11.110

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093

AGUS TRIYANTO BR (TBR) (Pacitan, East Java, 1979) Sofa Merah, 2014

Acrylic on canvas: 150 x 200 cm Signed and dated, lower left: Agus TRB 2014 RP 40.000.000 - 60.000.000 USD 2.960 - 4.440

094

FX HARSONO

(Blitar, 1949) YPMP (Your Pleasure is My Pain) ed. 1/5, 2008 Digital print on hahnemuhle canvas: 100 x 180 cm Signed, titled and dated on the reverse RP 40.000.000 - 50.000.000 USD 2.960 - 3.700 70

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Born in Blitar, 1949. He studied at Indonesia Intitute of Art (ISI), Yogyakarta in 1974 and continued to Jakarta Intitute of Art (IKJ), Jakarta in 1991. He has participated in several group exhibitions such as Meet 3 : 3 in Yogyakarta, Purna Budaya, Yogyakarta (1998), Solo Show “Victim”, Cemeti Gallery, Yogyakarta (1998), Volume & Form, Singapore (1999), Art Document 1999, in Kanazu Forest Museum, Japan (1999), Kwangju Biennial, Korea (2000), Solo Show ”Displacet”, National Gallery, Jakarta (2003), Langgeng Contemporary Art Festival 2006, Langgeng Gallery (2006), and “Titik Nyeri”, Langgeng Icon Gallery, Jakarta (2006).

095

WILLEM GERARD HOFKER

(Amsterdam, 1902 â&#x20AC;&#x201C; 1981) Mevrow H.W. Seylhommer Schneider, 1932 Oil on canvas: 56 x 45 cm Signed and dated, lower right: WG. Hofker, 1932 Signed, titled and dated on the reverse

Born in Amsterdam, the Netherlands, 1902. He studied arts at the academy of Fine Arts, Masterdam and also learnt under painter W. Witsen and Isaac Israels. He once lived in Bali from 1938 â&#x20AC;&#x201C; 1944 together with his wife, HofkerReuter. His works were undoubted. His color, texture surface, and contrastive control showed his maturity of painting study. His drawing was elegant and poetic. His works were inspired by the lifestyle of Balinese people which often depict them in festive ceremonial dress. He died in 1981.

RP 250.000.000 - 350.000.000 USD 18.520 - 25.930

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096

RONALD DJALING (Jakarta, 1959) Nelayan

Oil on canvas: 130 x 200 cm Signed, lower right: Ronald Djaling RP 25.000.000 - 35.000.000 USD 1.850 - 2.590

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097

CAREL LODEWIJK DAKE, Jr

(Schaerbeek, 1886 â&#x20AC;&#x201C; Jakarta, 1946) Flamboyant Oil on board: 38 x 52 cm Signed, lower right: CL. Dake RP 25.000.000 - 35.000.000 USD 1.850 - 2.590

098

SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Boat in The Harbour

Oil on canvas: 60 x 80 cm Signed, lower left: Soedjono Abdullah RP 25.000.000 - 35.000.000 USD 1.850 - 2.590

099

LEO ELAND

(Java, 1884 – 1952) View at Dusk Acrylic on paper: 38 x 56 cm Signed, lower left: L. Eland RP 15.000.000 - 20.000.000 USD 1.110 - 1.480

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Widayat Widayat is a famous painter with “decora-magic” style, which means the works were fully decorated and can produced magical effect. His works are based on his daily life experiences. Such experiences he imparts through the representations of human and animal figures, plants and imaginary beings, characterized by spontaneity and uninterrupted strong lines. Most of his paintings can give magnificent excitement by his ability in creating stylistic forms of trees, birds, fishes, or his favorite animal. The form also gives decorative motif with the use of hard and dark color producing textures and subtle impression. Widayat paints freely, unburdened by anything except that he always attempts at infusing contents, giving significance to his imaginary space by means of symbols and indications. Watching Widayat’s works, we are taken to archaic natures and to the daily life, without perspective, and without criticize for something. We may remark them as beautiful and alluring, crowding our retinas, innocently accepting reality, fascinatingly interpretable, and mystically thrilling the space.

100

WIDAYAT

(Kutoarjo, 1919 – Jakarta, 2002) Flamboyan, 2001 Oil on canvas: 95 x 125 cm Signed and dated, lower right: H. Widajat, 2001 Signed, titled and dated on the reverse Provenance: Private Collection, Jakarta Literature: 83rd Anniversary Haji Widayat “The Older he gets the better he is” Solo Exhibition, Published Museum Widayat, pg. 40 RP 280.000.000 - 350.000.000 USD 20.740 - 25.930

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101

102

NYOMAN SUKARI

YOPI HENDIANA

Oil on canvas: 150 x 200 cm Signed and dated, lower right: Sukari, 2000 Signed, titled and dated on the reverse

Acrylic on canvas: 120 x 150 cm Signed and dated, lower right: Yopi. 17 Signed, titled and dated on the reverse

RP 15.000.000 - 20.000.000 USD 1.110 - 1.480

(Karangasem, Bali) Hukum Rimba, 2000

(Tasikmalaya, W. Java, 1975) Broken Heart, 2017

103

104

(Purwakarta, 1928) Patung Primitif, 1995

(Klungkung, 1944 - Bali 2017) Penari

ABAS ALIBASYAH

NYOMAN GUNARSA

Oil on canvas: 100 x 100 cm Signed and dated, lower right: Abas 95

Oil on canvas: 59.5 x 40 cm Signed, lower right

RP 18.000.000 - 25.000.000 USD 1.330 - 1.850

RP 50.000.000 - 70.000.000 USD 3.700 - 5.190

HERITAGE FINE ART AUCTION

105

POPO ISKANDAR

(Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Macan dan Kunang-Kunang, 1991 Oil on canvas: 95 x 105 cm Signed and dated, lower left: popo 91 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar RP 80.000.000 - 10.000.000 USD 5.930 - 740

HERITAGE FINE ART AUCTION

106

IRSAM

(Klaten, 1942) Dewi Sri, 1996 Oil on canvas: 100 x 100 cm Signed and dated, lower right: Irsam, 1996 RP 38.000.000 - 45.000.000 USD 2.810 - 3.330

Born in Klaten, Central Java, 1942. He graduated from the Indonesian Fine Art Academy (ASRI) Yogyakarta. He had held his first exhibition in 1967 in Jakarta. He received an award from the Philippines, Singapore, and Thailand. In 1980 he also joined in the Contemporary Asian Art Exhibition in Fukuoka Art Museum Japan.

107

EMIRIA SOENASSA

(Manado, 1895 â&#x20AC;&#x201C; Lampung, Sumatra 1964)) Poetri Menari, 1957 Oil on canvas: 65 x 46.5 cm Signed and dated, lower left: Emiria Soenassa 57 RP 60.000.000 - 80.000.000 USD 4.440 - 5.930

Emiria Soenassa (1895-1964) was one of Indonesian prolific women artists. She learned painting at the age of 40 and was active in Persagi, the association of draftsmen and painters that was founded amidst the rise of nationalism, and sought a nationalist style. She made her own paint and participated in various exhibitions between 1940 and 1950, joining peers like Affandi, Basoeki Abdullah, and others, besides also staging solo exhibitions. Her works encompassed the entire Indonesian archipelago, featuring the people from various islands, like Dayak hunters and brides, women from North and South Sulawesi, indigenous people from the Moluccas, and Papua, or landscapes in the moonlight. She also painted small traders in the market place, women reaping the harvest, and nudes.

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108

NYOMAN GUNARSA

(Klungkung, 1944 - Bali 2017) Penari, 2002 Oil on canvas: 145 x 145 cm Signed and dated, lower right: 2002 RP 90.000.000 - 120.000.000 USD 6.670 - 8.890

Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits. Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), OperaGallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors.

109

JEIHAN SUKMANTORO (Solo, 1938) Dua Penari Bali, 2002

Oil on canvas : 140 x 200 cm Signed and dated, lower middle: Jeihan 02 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artists RP 90.000.000 - 120.000.000 USD 6.670 - 8.890

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Srihadi Soedarsono Srihadi is an artist with a deep cultural background. His integrity as a creative artist was formed through his formal education as well as through his life experiences. There are two important aspects in Srihadiâ&#x20AC;&#x2122;s paintings: first, the artistic value of color composition, and second, the philosophical value that reflects the meaning of life, cultural, and social value. Some of his figurative paintings, especially the dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume, all of which imbued with philosophical meaning. The dancing figures in Srihadiâ&#x20AC;&#x2122;s painting were characterized with the use of other elements such as mask, fan, mirror, offerings or flowers. In the present lot the figure was posing in elegant style holding a fan in front of her chest. The way she looked directed us to a stage of waiting for something or perhaps just a symbolical meaning of her own self contemplation.

110

SRIHADI SOEDARSONO (Solo, 1931) Dance With Fan, 1990

Oil on canvas: 130 x 100 cm Signed and dated, upper right: Srihadi S.1990 Signed, titled and dated on the reverse Literature: Jean Couteau, Srihadi Soedarsono, The Path of Soul, Published by Lontar Foundation, Jakarta, 2003, pg. 146 RP 850.000.000 - 1.000.000.000 USD 62.960 - 74.070

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111

112

HUDI ALFA

AMRUS NATALSYA

(Ngawi, 1969) Scent of Borobudur, 2017

(Medan, 1933) Kampung, 1995

Oil on canvas : 80 x 120 cm Signed and dated, lower right: Hudy Alfa 17

Oil on canvas: 100 x 128 cm Signed and dated, lower left: Amrus N.95

RP 12.000.000 - 20.000.000 USD 890 - 1.480

This lot is accompanied with certificate of authenticity from the artist RP 12.000.000 - 18.000.000 USD 890 - 1.330

113

SUDJONO ABDULLAH (Yogyakarta, 1911 â&#x20AC;&#x201C; 1993) The Lake, 1975

Oil on canvas: 100 x 225 cm Signed and dated, lower left: S. Abdullah, 1975 RP 34.000.000 - 40.000.000 USD 2.520 - 2.960

114

WAHDI SUMANTA (Bandung, 1917 - 1996) Landscape, 1975

Oil on canvas: 75 x 136 cm Signed and dated, lower left: Wahdi S.4.75 RP 40.000.000 - 60.000.000 USD 2.960 - 4.440

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115

LUCIEN FRITS OHL

(Palembang, South Sumatra, 1904 â&#x20AC;&#x201C; The Hague, 1976) Street Vendor under the Flamboyant Tree Oil on board: 61 x 81 cm Signed, lower right: L Frits Ohl

Born in Palembang, South Sumatra, 1904. He was a selftaught painter whose works were mostly Indonesian landscape. He also produced paintings of Asian panorama. He was a painter, watercolorist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He once lived in Jakarta for a long time then settled in The Hague until he died in 1976.

RP 50.000.000 - 70.000.000 USD 3.700 - 5.190

HERITAGE FINE ART AUCTION

116

PUTU SUTAWIJAYA (Bali, 1971) Memori 2, 2014

Oil on canvas: 80 x 80 cm Signed, titled and dated, lower left: Putu Sutawijaya, 2014, Memori 2 RP 75.000.000 - 90.000.000 USD 5.560 - 6.670

Born in Bali, 1971. He studied at Sekolah Tinggi Seni Rupa Denpasar (STSR), Bali and continued his study to Indonesia Institute of Arts (ISI), Yogyakarta. He graduated from ISI in 1997. He had his solo exhibitions in Yogyakarta, Singapore, Hong Kong and Jakarta. He also participated in numerous group exhibitions since 1990 in Bali, Yogyakarta, Hong Kong, etc. He was awarded Best Watercolor and Sketch from ISI Yogyakarta (1991) and Best Painting from ISI Yogyakarta, Top Ten Paintings (1999) and Lempad Price from Sanggar Dewata Indonesia in 2000.

117

POPO ISKANDAR

(Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Mawar Malam, 1988 Oil on canvas: 66 x 70 cm Signed and dated, lower right: Popo 78 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar RP 60.000.000 - 80.000.000 USD 4.440 - 5.930 Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).

HERITAGE FINE ART AUCTION

118

GALAM ZULKIFLI

(Sumbawa, Nusa Tenggara 1971) The Victim, 1998

Born in Sumbawa, Nusa Tenggara on 14 January 1971. He studied Fine Art at the Teacherâ&#x20AC;&#x2122;s Training Collage in Yogyakarta 1991. He was awarded as the five best in the Philip Morris Indonesia Art Awards 1999 and five best in the Philip Morris ASEAN Art Awards 2003. He now lives and works in Yogyakarta.

Oil on canvas: 180 x 140 cm Signed and dated, lower right: Galam 98 Signed,titled and dated on the reverse RP 70.000.000 - 10.000.000 USD 5.190 - 740

HERITAGE FINE ART AUCTION

119

120

KOEMPOEL SUJATNO

ERNEST DEZENTJE

Oil on canvas: 96 x 160 cm Signed, lower left: Kompol

Oil on canvas: 42 x 58 cm Signed, lower left: Ern. Dezentje

RP 20.000.000 - 30.000.000 USD 1.480 - 2.220

(Ngawi, 1912 – Batu, 1987) Pelabuhan

(Jatinegara, 1885 – 1972) Landscape

121

122

(Blitar, 1935 – Malang, 2000) Panen, 1971

(Medan, 1933) Pedagang Keliling, 2005

S. TOYO

AMRUS NATALSYA

Oil on canvas: 52 x 60 cm Signed and dated, lower left: S. Toyo, 1971

Oil on wood: 122 x 161 cm Signed and dated, lower left: Amrus N.05

RP 10.000.000 - 15.000.000 USD 740 - 1.110

This lot is accompanied with certificate of authenticity from the artis RP 18.000.000 - 25.000.000 USD 1.330 - 1.850

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123

NASJAH DJAMIN

(Perbaungan, 1924 – Yogyakarta, 1999) Pesisir, 1999 Oil on canvas: 90 x 110 cm Signed and dated, lower right: Nasjah 99 RP 25.000.000 - 35.000.000 USD 1.850 - 2.590

124

CAREL LODEWIJK DAKE, Jr

(Schaerbeek, 1886 – Jakarta, 1946) Randoe Alam, Middle Java Oil on board: 50 x 82 cm Signed, lower right: CL. Dake RP 7.000.000 - 10.000.000 USD 520 - 740

HERITAGE FINE ART AUCTION

Alit Sembodo Born in Magelang, 1973. He took his formal study at the Indonesia Institute of Fine Art (ISI) Yogyakarta. He has actively participated in several solo and group exhibitions in major cities in Indonesia. His work has been awarded the Pratisara Affandi Adi Karya Pize in 1999. His painting has particular and distinct characteristic of all kinds of figures and scenes. He passed away in Magelang 2003. Yet, his short lifetime has been noted by important works that captured the people’s attention. Some of the works that made in 2000 – 2001 reveal Alit Sembodo keen interest in different theme. As usual for Alit, this painting object gave rise to a sort of serial works. Most of his works demonstrate strong characteristics, narrative and descriptive crowd in all kinds of poses and scenes that filled every corner of the canvas. He never left the canvas empty. The canvas seems full with parade of masses like a colossal theater performance. Perhaps this has become Alit’s concern towards all kinds of social problems amongst the populace. He seems does not merely make social criticism towards the ruling politics, but he only goes to describe the condition in his painting through his own perspective and perception. With his combination of strong drawing techniques and simple colors, Alit’s painting illustrates an image of dramatic atmosphere of the condition.

125

ALIT SEMBODO

(Magelang, 1973 – 2003) Last Sapper Made in Java, 2000 Ink, pencil, acrylic on canvas: 185 x 200 cm Signed and dated, upper right: Alit Sembodo Yogya 2000 Signed, titled and dated on the reverse Literature: In The Memory of Alit Sembodo (1973-2003), Political Circus: an Ancient World, Publihed by Umahseni, Jakarta, 2011, pg. 158 RP 250.000.000 - 350.000.000 USD 18.520 - 25.930

HERITAGE FINE ART AUCTION

126

127

TATANG KOENTJORO

KRIJONO

Oil on canvas: 45 x 30 cm Signed and dated, lower right: Koentjoro 78

Acrylic on canvas: 180 x 130 cm Signed, titled and dated, lower left: 2004, Arwana2 juga Bagus Banget, Jkt, Krijono This lot is accompanied with certificate of authenticity from the artists

(b.Semarang. Central Java - 1993) Sepasang Kelinci , 1978

RP 7.000.000 - 9.000.000 USD 520 - 670

128

(Jakarta, 1951-2011) Arwana-arwana Juga Bagus Banget, 2004

RP 65.000.000 - 80.000.000 USD 4.810 - 5.930

129

HANDRIO

ADAM LAY

(Yogyakarta, 1926) Adam dan Hawa, 1970

(Wonosobo, Central Java, 1949-2014) Bergaya Sendiri, 2002

Oil on canvas: 90 x 70 cm Signed and dated, lower left: HAN,1970

Oil on canvas : 69 x 91 cm Signed and dated, lower right: Adam L.02

RP 25.000.000 - 35.000.000 USD 1.850 - 2.590

RP 16.000.000 - 20.000.000 USD 1.190 - 1.480

HERITAGE FINE ART AUCTION

130

SUWAJI

(Yogyakarta, 1942) Nude, 1969 Oil on canvas: 60 x 90 cm Signed and dated, lower right: Suwaji, 69 RP 42.000.000 - 60.000.000 USD 3.110 - 4.440

Suwaji received the Wendy Sorensen Memorial Award from New York, USA (1977). Suwaji was born in Yogyakarta, 5 May 1942. He graduated from Sekolah Seni Rupa Indonesia (ASRI) Yogyakarta in 1977. Suwaji received the Wendy Sorensen Memorial Award from New York, USA for his artworks (1977). Soon after he graduated, he became a lecturer at his former school in 1978. He has been actively participated in several group exhibitions in Indonesia and abroad since 1960, one of which was the tour exhibition of ASEAN country in 1985. Until now he resides, works and become one of the respectful artist figures in Yogyakarta. Suwaji belongs to the painter who applied the ethnic objects in their works. He took the objects of primitive sculpture, mask, puppet, temple, bouroq, and cremation as the source of his inspiration. He intensely expressed his ideas on canvas presenting the textural values that can create the aura of archaic image. Beside accustomed with the objects, Suwaji was also influenced by the issue of finding the personal identity in Indonesian modern painting through the traditional art. He found himself very comfort in traditional art and considered as the most successful academy artist. Through his mask objects he tried to presents the symbols of every peopleâ&#x20AC;&#x2122;s character and roles. He changes forms, lines and surfaces in his compositions to be more creative and innovative. His spontaneous brush strokes are very expressive that give a lively feeling and motion.

131

JOSEPHINE LINGGAR

(Jember, East Java, 1943) Resting After The Performance, 2014 Oil on canvas: 100 x 140 cm Signed and dated, lower right: Josephine, 2014 RP 60.000.000 â&#x20AC;&#x201C; 80.000.000 USD 4.440 - 5.930

HERITAGE FINE ART AUCTION

Gerard Pieter Adolfs Adolfs spent his youth in Java and received at home his first artistic inspirations. His father, Gerardus Cornelis Adolfs, was an architect and a versatile amateur (painter, photographer, piano and violin player as well as a pole vaulter). Adolfs studied architecture in Amsterdam. After graduating, he was drawn back to Java, where he designed houses in Yogyakarta, Surakarta and Surabaya. But soon he swapped the drawing pen for the dry-point, pencil and brush and from then on dedicated his whole life to painting. He was already well known as a talented advertising illustrator, when in 1924 he was first introduced to the public of Yogyakarta as a painter, water-colourist and graphic artist. Each year Adolfs travelled for a few months. He had studios in Florence, Rome, Vienna, Budapest, Prag and - together with his Japanese friend Léonard Tsuguharu Fujita - in Paris and exhibited his works of art internationally (Netherlands Indies, Japan, Singapore, United States, England, Netherlands, Sweden, Norway, France, Switzerland). The main subjects of his work were scenes of Java, Bali, Japan and of North Africa (market sceneries, cock-fights, landscapes and townscapes). In 1940 – shortly before the occupation of the Netherlands – Adolfs came back to Europe and settled in Amsterdam. On 22 February 1944, during an exhibition at the Kunstzaal Pollmann, the largest part of Adolfs’ paintings was destroyed by the bombardment of Nijmegen. Adolfs kept on working. He wrote and illustrated a book about his memories of Surabaya and exhibited in many well-known galleries. He lived mostly in Amsterdam - interrupted by longer stays in Scandinavia, France, Spain, Italy and North Africa. In 1967 he retired to a small village in South-Holland. On 1 February 1968, G.P. Adolfs died in ’s-Hertogenbosch, North Brabant.

132

GERARD PIETER ADOLFS

(Semarang, 1899 – The Netherlands, 1968) Market Scene, 1933 Oil on canvas: 60 x 80 cm Signed and dated, lower left: Ger. P. Adolfs33 Provenance: Private collection of prominent collector Jakarta RP 300.000.000 - 400.000.000 USD 22.220 - 29.630

HERITAGE FINE ART AUCTION

133

NYOMAN GUNARSA

(Klungkung, 1944 - Bali 2017) Tari Legong, 2016 Oil on canvas: 95 x 95 cm Signed and dated, lower right: 2016 This lot is accompanied with certificate of authenticity from the artists RP 50.000.000 - 70.000.000 USD 3.700 - 5.190

134

ROEDYAT MARTADIREDJA (Bandung, 1932 â&#x20AC;&#x201C; 2002) Karapan Sapi, 1968

Oil on canvas: 45 x 60 cm Signed and dated , lower right: Roedyat, 1968 RP 8.000.000 - 12.000.000 USD 590 - 890

HERITAGE FINE ART AUCTION

135

REDY RAHADIAN

(Cianjur, West Java, 1973) Eight Series, 2015 Mild Steel: 102 x 62 x 18 cm Signed and dated, lower right: Redy R.015 RP 50.000.000 - 70.000.000 USD 3.700 - 5.190

136

IBNU NURWANTO

(Yogyakarta. 1957) Dream Woman, 2013

Acrylic on canvas: 140 x 100 cm Titled and dated on the reverse RP 40.000.000 - 60.000.000 USD 2.960 - 4.440

137

JEIHAN SUKMANTORO (Solo, 1938) Marisa, 2006

138

JUMALDI ALFI

(Lintau, West Sumatra, 1973) Punk, 1997

Oil on canvas : 140 x 90 cm Signed and dated, upper right: Jeihan 06 Signed, titled and dated on the reverse

Pencil, oil on canvas: 125 x 130 cm Signed and dated, lower right: Alfi, 1997 Des Signed, titled and dated on the reverse

This lot is accompanied with certificate of authenticity from the artists

RP 65.000.000 - 75.000.000 USD 4.810 - 5.560

RP 65.000.000 - 80.000.000 USD 4.810 - 5.930

HERITAGE FINE ART AUCTION

139

140

ROGER SAN MIGUEL

ABAS ALIBASYAH

Acrylic on canvas: 90 x 80 cm Signed, lower right: R. San Miguel

Oil on canvas: 88 x 49 cm Signed and dated, lower right: Abas 93 Signed and titled on the reverse

(San Pascual, 1940) Memory of Childhood

(Purwakarta, 1928) Nyai Ageng Serang (Pahlawan Wanita), 1993

RP 35.000.000 - 45.000.000 USD 2.590 - 3.330

RP 12.000.000 - 18.000.000 USD 890 - 1.330

141

OTTO DJAYA

(Rangkas Bitung, West java, 1916 - 2002) Dewi dan Boroudur, 1992 Acrylic on canvas: 142 x 90 cm Signed and dated, lower right: Otto Djaya, 1992 RP 15.000.000 - 20.000.000 USD 1.110 - 1.480

142

HASIM

(Jakarta, 1921-1982) Gadis Bali

Oil on canvas: 60 x 43 cm Signed, lower right: Hasim RP 5.000.000 - 7.000.000 USD 370 - 520

HERITAGE FINE ART AUCTION

Index Of Artist Abas Alibasjah

103, 140

Hasim

3, 35, 142

Rustamadji (Klaten)

Abdul Aziz

Hendra Gunawan

S. Toyo

121

Abdul Djalil AD Pirous

Hudi Alfa

36, 111

Soekardji

Adam Lay

129

I Gusti Agung Wiranata 13

Soetopo

Affandi

I Made Wianta

Srihadi Soedarsono

75, 110

Agus TBR

I Wayan Sadia

Sudarso

Ahmad Sadali

Ibnu Nurwanto

136

Sudjono Abdullah

1, 22, 81, 98, 113

Alit Sembodo

125

Ibrahim

Suroso Isur

Aming Prayitno

17, 76

Irsam

106

Suwaji

130

Amrus Natalsya

112, 122

Jeihan Sukmantoro

30, 59, 71,

Syayidin

25, 80

Arie Smit

45, 87

84, 109, 137

Tatang Koentjoro

126

Auke Cornelis Sonnega 56

Josephine Linggar

28, 131

Teguh Ostenrik

33, 77

Barli Sasmitawinata

Jumaldi Alfi

67, 138

Trubus Sudarsono

41, 74

Basoeki Abdullah

Koempoel Sujatno

24, 51, 119

Untung Wahono

Ben Wong

Krijono

49, 127

Wahdi Sumanta

114

Buku Soekarno

Lee Man Fong

10, 39, 48, 92

Widayat

27, 100

Carel Lodewijk Dake, Jr 97, 124

Leo Eland

14, 99

Wilhemus Jean Frederic Imandt 73

Deddy Paw

Lim Wasim

40, 53

Willem Dooijewaard

Dj. Rachmansjah

Lucien Frits Ohl

26, 115

Willem Gerard Hofker

Edhi Sunarso

Mahyuddin S.

Willem Van Der Does

Edi Sunaryo

Mochtar Apin

19, 32

Yopi Hendiana

102

Emiria Soenassa

107

Nasjah Djamin

123

Zhang Da Zhong

Erica Hestu Wahyuni

6, 34

Nyoman Gunarsa

69, 104, 108, 133

Ernest Dezentje

4, 120

Nyoman Sukari

101

Faizin

Otto Djaya

8, 141

Febri Antoni

Pardoli Fadli

5, 29, 83

FX Harsono

Popo Iskandar

15, 68, 105, 117

FX. Lucky Widiasmara

Putu Sutawijaya

116

Galam Zulkifli

31, 118

Redy Rahadian

20, 135

Gerard Pieter Adolfs

132

Ries Mulder

Giordano Giovanetti

Roedyat Martadiredja

82, 134

Gunawan Bagea

Roger San Miguel

139

H.A.L Wichers

Ronald Djaling

Han Snel

Royatna

Handrio

128

Rudolf Bonnet

Hasan Djaafar

Rustamadji

11, 47

HERITAGE FINE ART AUCTION

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100

HERITAGE FINE ART AUCTION